WEBVTT - The Mystery of the Missing Tintin Plays

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<v Speaker 1>You're listening to Part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio.

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<v Speaker 2>Guess what I gave? What's that Mango?

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<v Speaker 1>It is part two of our Tintin Extravaganza, So if

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<v Speaker 1>you miss part one, go check it out and come

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<v Speaker 1>back to this one when you're up to speed on

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<v Speaker 1>the story.

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<v Speaker 3>I stayed up way past my bedtime last night studying

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<v Speaker 3>all things Captain Haddeck, Professor Calculus, and Bianca Castifiore in

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<v Speaker 3>preparation for this one.

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<v Speaker 2>I am ready.

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<v Speaker 1>I love Professor Calculus. He is such a fun character.

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<v Speaker 1>Did you know he was modeled after a real person,

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<v Speaker 1>Professor Auguste Picard.

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<v Speaker 3>I did not know that. Who's Professor Picard?

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<v Speaker 1>He was an interesting guy. He was the first person

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<v Speaker 1>to enter Earth's stratosphere and he was also the inventor

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<v Speaker 1>of the deep sea observation vessel. It's called the Bathoscaff,

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<v Speaker 1>but more importantly for Tinton purposes, he also had a

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<v Speaker 1>unique hairstyle. He was balding on top and he had

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<v Speaker 1>long and curly hair on the sides and air j

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<v Speaker 1>would see him walking around the streets of Brussels and

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<v Speaker 1>he kind of got inspired.

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<v Speaker 3>I love all these real world connections, and Airjay's were

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<v Speaker 3>like Thompson and Thompson, the hapless nearly identical detectives. They

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<v Speaker 3>were said to be inspired by air Jay's father, Alexi

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<v Speaker 3>and his twin brother Leon.

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<v Speaker 1>Yeah, of the unknown parentage we discussed, right, Yeah, that's

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<v Speaker 1>a Part one reference in case you're wondering, so seriously, though,

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<v Speaker 1>go listen to part one if you haven't, But back

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<v Speaker 1>to Thompson and Thompson.

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<v Speaker 3>As you know, Mango, they wear matching black suits and

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<v Speaker 3>bowler hats, carry matching canes, and have matching bushy mustaches.

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<v Speaker 3>I read that when Airjay was growing up, his dad

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<v Speaker 3>and uncle would often go on walks together, wearing identical hats,

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<v Speaker 3>carrying identical canes, black umbrellas, and with the same facial hair.

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<v Speaker 3>I know he said his childhood was gray and boring,

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<v Speaker 3>but these people sound pretty interesting to me.

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<v Speaker 1>Yeah, they sound like characters. And one of my favorite

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<v Speaker 1>things about Thompson and Thompson that's spelled with and without

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<v Speaker 1>a P, is that their names actually change in other languages.

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<v Speaker 1>So their original names in French are DuPont and DuPont

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<v Speaker 1>with a T and D, but pronounced identically in German,

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<v Speaker 1>it's Schultz and Schultz. In Spanish, it's Ernandez and Fernandez.

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<v Speaker 1>In Arabic it's tick and talk. But my personal favorite, however,

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<v Speaker 1>is Icelandic, where they are known as Scoffti and Scoffty.

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<v Speaker 1>And apologies to any Icelandic listeners out there and also

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<v Speaker 1>speakers of other languages. I'm sure I did not do

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<v Speaker 1>your languages justice.

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<v Speaker 3>I wonder how you say I'm sorry in Icelandic French.

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<v Speaker 2>That's a good question. Yeah, well, Mengo.

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<v Speaker 3>As fascinating as these secondary characters are, let's return them

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<v Speaker 3>to the background for now, because in today's final installment

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<v Speaker 3>of our Tintin Adventure, we're talking comic book controversies, Tintin's

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<v Speaker 3>arrival in the US, and some unbelievable true stories about

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<v Speaker 3>modern Tintin adaptations. So let's dive in.

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<v Speaker 1>Hey, their podcast listeners, welcome to part time Genius. I'm Mongish,

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<v Speaker 1>hearticular as always, I'm here with my good friend Gabe

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<v Speaker 1>Lucier today because Will Pearson is off and traveling and

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<v Speaker 1>enjoying the world tinton style. Also our pal and producer

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<v Speaker 1>Dylan Fagan. He left as a note saying he'd gone

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<v Speaker 1>adventuring with his faithful dog I didn't even know Dylan

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<v Speaker 1>had a dog.

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<v Speaker 3>Yeah, apparently he does. It's news to me, but good news. Actually,

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<v Speaker 3>a postcard just arrived. It says, dear Gabe and Mango,

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<v Speaker 3>having a great time on my adventures. Next stop, Sildavia.

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<v Speaker 3>Oh love Dylan.

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<v Speaker 2>Sildavi? Where is a come on?

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<v Speaker 3>You remember? It's a fictional country and the Balkans that

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<v Speaker 3>appears in a couple of Tintin books. In one book,

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<v Speaker 3>Tinton goes there to stop a plot to overthrow the king,

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<v Speaker 3>and another he learns that the Sildavian government is planning

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<v Speaker 3>a mission to the Moon.

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<v Speaker 2>I vaguely remember that.

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<v Speaker 1>And Sildavia really feels like a vibe.

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<v Speaker 3>Yeah yeah, maybe more of a state of mind. But

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<v Speaker 3>that's a great tourism slogan for a fictional country. It's

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<v Speaker 3>a vibe.

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<v Speaker 2>But are Mango?

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<v Speaker 3>I meant to ask you this last week and I

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<v Speaker 3>totally forgot. What would you say is your all time

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<v Speaker 3>favorite Tintin book? I think it's got to be The

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<v Speaker 3>Blue Lotus or the Tintin and Tibet. I actually really

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<v Speaker 3>fell in love with tint and Tibet when I was

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<v Speaker 3>studying a broad in Tibet, because I read it to

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<v Speaker 3>Tibetan's to hear how they saw the misconceptions about the

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<v Speaker 3>culture or and people were just so appreciative of it,

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<v Speaker 3>you know, they really loved it. There were modern Belgian

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<v Speaker 3>comics that were coming out that exoticized Tibet did such

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<v Speaker 3>little research and Airjay was so accurate for someone who

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<v Speaker 3>never visited, and so I have a fondness for that story.

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<v Speaker 3>That makes sense.

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<v Speaker 1>Yeah, So we talked about this in the last episode.

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<v Speaker 1>The character obviously has a massive global appeal, but in

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<v Speaker 1>the US it's a little different. The books were never

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<v Speaker 1>quite successful here as they were in the rest of

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<v Speaker 1>their world. The first tinton comics were published in Belgium

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<v Speaker 1>in nineteen twenty nine, and the first book, Tintin in

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<v Speaker 1>the Land of Soviets, came out in nineteen thirty, but

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<v Speaker 1>there were actually no English language editions of Tintin until

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<v Speaker 1>nineteen fifty two, and those were published in the UK,

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<v Speaker 1>So the books weren't published in America until late nineteen

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<v Speaker 1>fifty nine. And just as an interesting side note, at

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<v Speaker 1>the time, the US had this really negative image of

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<v Speaker 1>comic books. Conservatives thought that they kept kids from reading

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<v Speaker 1>proper books, and in nineteen fifty five, New York State

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<v Speaker 1>actually passed the law banning comics.

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<v Speaker 3>Yeah, that does sound like something conservatives in the nineteen

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<v Speaker 3>fifties would do.

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<v Speaker 1>Right, Yeah, I mean, the New York legislator believed that

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<v Speaker 1>so called crime comics were quote a contributing factor leading

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<v Speaker 1>to juvenile delinquency, and they banned comics that had words

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<v Speaker 1>like horror, terror, or crime in the title or anything

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<v Speaker 1>that talked about that kind of thing, which in practice

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<v Speaker 1>outlawed most comics, except you know, the really tame ones

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<v Speaker 1>like Archie or Tinton, both of actually which made their

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<v Speaker 1>ways to India. But back to Tinton's arrival state side,

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<v Speaker 1>it was actually Golden Press, the publisher of Little Golden Books,

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<v Speaker 1>who first brought Tintin to the US.

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<v Speaker 4>I don't know if you remember those.

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<v Speaker 3>Oh yeah, of course, those kids books about being good

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<v Speaker 3>and working hard or whatever, all the you know, life

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<v Speaker 3>lessons and moral stuff like a little red hen, a

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<v Speaker 3>little engine that could a lot of little things, you know,

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<v Speaker 3>Given Tintin's roots in boy scout morality, that makes a

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<v Speaker 3>lot of sense.

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<v Speaker 1>Yeah, But believe it or not, even Tinton had to

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<v Speaker 1>make changes for the Puritans in America. For example, Golden

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<v Speaker 1>Press asked AIRJ to replace a couple of drawings where

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<v Speaker 1>Captain Haddock was drinking straight from the bottle, because they said, quote,

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<v Speaker 1>the presentation of alcoholism, especially in humors form, is absolutely taboo.

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<v Speaker 1>They also didn't want any scenes where black characters and

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<v Speaker 1>white characters appeared together, which is, you know, hard to

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<v Speaker 1>hear now. But this was just a couple of years

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<v Speaker 1>after Brown versus Board of Education, and the country was

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<v Speaker 1>still very, very publicly segregated. So HAIRJ ended up redrawing

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<v Speaker 1>several panels in order to get the books published here.

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<v Speaker 3>So when Tintin finally came to America, was it a

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<v Speaker 3>big hit like it had been in Europe.

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<v Speaker 1>No. Sales were pretty terrible initially, probably because parents still

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<v Speaker 1>didn't trust comic books, but over time he slowly gained readers,

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<v Speaker 1>and by the early seventies Tintin was relatively popular. And

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<v Speaker 1>that brings us back to the incredible story we told

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<v Speaker 1>last time about Jay's trip to New York in nineteen

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<v Speaker 1>seventy two, and that's when he ended up meeting Andy Warhol.

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<v Speaker 1>He'd been invited to attend a comic strip convention, but

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<v Speaker 1>by that point he was so famous he got to

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<v Speaker 1>do a bunch of other things too, like he hung

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<v Speaker 1>out at the factory. He presented the then mayor John

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<v Speaker 1>Lindsay with the poster sized drawing of Tintin visiting the city,

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<v Speaker 1>and it was titled Stars and Comic Strips.

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<v Speaker 4>Nice.

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<v Speaker 3>Yeah, quite got some love here. And if there's one

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<v Speaker 3>thing we've discovered about Airj though, it's that he's every

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<v Speaker 3>bit as controversial as he is popular. We talked last

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<v Speaker 3>episode about the use of racial stereotypes in his work,

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<v Speaker 3>but there's also a troubling question looming over the artist himself.

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<v Speaker 3>Did he side with the Nazis during World War Two?

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<v Speaker 1>Yeah, it's obviously not a great look when people can't

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<v Speaker 1>rule that out about you. But if you were to

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<v Speaker 1>ask Airja supporters, they'd likely point you to this one

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<v Speaker 1>adventure it's called King Otakar's Scepter, for proof that the

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<v Speaker 1>artist was not sympathetic to the Nazis.

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<v Speaker 3>Do you buy it? Like, is it convincing to you

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<v Speaker 3>as proof?

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<v Speaker 1>I mean, there's definitely an anti Nazi agenda in the books.

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<v Speaker 1>In the comic, Tinton travels to this made up country

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<v Speaker 1>that you mentioned, Psiladavia. The villain is a guy named

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<v Speaker 1>Mustlaire from a country called Borduria. And obviously Tintonologists, who

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<v Speaker 1>I have to note are not super critical of Airja,

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<v Speaker 1>says Borduria represents Nazi Germany. The plot is that Mussler,

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<v Speaker 1>who's a combination of Mussolini and Hitler, is trying to

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<v Speaker 1>get Bordouria to take over Sildavia, and Tinton, of course,

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<v Speaker 1>is the hero who thwarts that plan. Now, King Ottocarceptra

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<v Speaker 1>came out in nineteen thirty eight and thirty nine, right

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<v Speaker 1>after Germany annexed Austria, so the comparison does seem pretty clear.

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<v Speaker 1>And it's fair to say that Je didn't seem like

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<v Speaker 1>a fan of a country taking over other countries, and

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<v Speaker 1>the epitome of who was doing this at the time

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<v Speaker 1>was Nazi Germany.

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<v Speaker 3>Well, that does make sense. But if we want to

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<v Speaker 3>get the clearest sense of where Erje you really stood

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<v Speaker 3>on all of this, we probably shouldn't look at just

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<v Speaker 3>what he wrote and drew in his books. We've got

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<v Speaker 3>to look at what he did in his own life. Right.

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<v Speaker 3>So in May nineteen forty, after Germany invaded Belgium, Airje,

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<v Speaker 3>his wife, and his Siamese cat all escaped to France

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<v Speaker 3>along with about a million other people. But later that

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<v Speaker 3>same month, the King of Belgium, Leopold the Third, surrendered

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<v Speaker 3>to Germany and the king asked his compatriots to return home.

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<v Speaker 3>So Airje was a big supporter of the king and

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<v Speaker 3>loyal to his country. And six weeks after he left

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<v Speaker 3>he came back.

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<v Speaker 1>And I'm guessing he returned to a very different country.

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<v Speaker 4>Yeah.

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<v Speaker 3>Absolutely. For one thing, his old newspaper, the Catholic newspaper

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<v Speaker 3>he'd been working at, Levonte Mciekla, it had been closed

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<v Speaker 3>by the Nazis. A lot of other papers opted to

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<v Speaker 3>shut down rather than run, and you know, have to

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<v Speaker 3>support Nazi propaganda, as you know, collaborationists. There were also

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<v Speaker 3>journalists who chose to quit so they didn't have to

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<v Speaker 3>work under Nazis. But one that stayed open was Le Soois,

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<v Speaker 3>one of the big daily papers. It was run by

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<v Speaker 3>Belgian Nazi collaborationists and censored by the Germans, so definitely

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<v Speaker 3>pro Nazi, right. And when Airje got back to Brussels,

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<v Speaker 3>the editor of Larsois asked him to come aboard.

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<v Speaker 1>So do we get the impression that this is a

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<v Speaker 1>difficult decision for Je.

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<v Speaker 3>Not at all, It seems like it was pretty straightforward.

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<v Speaker 3>He claimed he wasn't really thinking about politics. He just

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<v Speaker 3>needed them money, and he also needed a place for Tintin.

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<v Speaker 3>In his view, he'd worked hard to get tintinto where

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<v Speaker 3>it was and he didn't want to give that up. Plus,

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<v Speaker 3>Larsoise still had a really large readership, much larger than

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<v Speaker 3>the other paper he'd been working on, So he was

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<v Speaker 3>basically like, why let a war get in the way

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<v Speaker 3>of all the work I've done?

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<v Speaker 1>Yeah, I mean, in my research I read that when

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<v Speaker 1>he was asked about this later in his life, his

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<v Speaker 1>rationalization was that it.

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<v Speaker 4>Was just a job.

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<v Speaker 1>He says, quote, I was just working like how a

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<v Speaker 1>baker or a minor works. He also said that he

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<v Speaker 1>didn't expect the occupation to last very long, that he

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<v Speaker 1>viewed his time at Lesois as a temporary assignment basically,

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<v Speaker 1>but he actually wound up working there for four years.

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<v Speaker 3>Yeah, it sounds to me like he was being a little,

0:11:41.000 --> 0:11:43.840
<v Speaker 3>you know, willfully naive and kind of burying his head

0:11:43.840 --> 0:11:46.520
<v Speaker 3>in the sand, and he may be wondering what was

0:11:46.520 --> 0:11:49.120
<v Speaker 3>his time at Lasois really like? And did he ever

0:11:49.160 --> 0:11:51.560
<v Speaker 3>pay a price for all that fence sitting? And we

0:11:51.640 --> 0:11:53.280
<v Speaker 3>got the answers, and we're going to tell you all

0:11:53.280 --> 0:11:57.480
<v Speaker 3>about it after we take a quick break.

0:12:09.360 --> 0:12:10.640
<v Speaker 2>Welcome back to Part Time Genius.

0:12:10.640 --> 0:12:13.680
<v Speaker 1>It's part two of our conversation about Tintin and the brilliant,

0:12:13.840 --> 0:12:18.560
<v Speaker 1>controversial author Airja. When we left off, Airja had just

0:12:18.600 --> 0:12:24.000
<v Speaker 1>taken a job at the Nazi collaborationist paper Lessois. So Gabe,

0:12:24.000 --> 0:12:25.040
<v Speaker 1>tell me what happens next.

0:12:25.559 --> 0:12:28.439
<v Speaker 3>Well, as you might guess, j kept drawing comics, and

0:12:28.480 --> 0:12:31.480
<v Speaker 3>the Tintin stories that came out during these years weren't

0:12:31.480 --> 0:12:34.920
<v Speaker 3>suddenly repeating Nazi propaganda or anything like that, but they

0:12:34.960 --> 0:12:38.720
<v Speaker 3>weren't really pushing back against it either. They were almost

0:12:38.800 --> 0:12:42.679
<v Speaker 3>a political j claimed he was uninterested in politics, and

0:12:42.720 --> 0:12:44.679
<v Speaker 3>you know, he wanted to keep Tintin out of what

0:12:44.760 --> 0:12:47.640
<v Speaker 3>he thought was the mess of World War two. But

0:12:47.720 --> 0:12:50.840
<v Speaker 3>looking back, you can't help but wonder how could someone

0:12:50.960 --> 0:12:54.760
<v Speaker 3>stay apolitical when all of these atrocities were happening right

0:12:54.800 --> 0:12:55.760
<v Speaker 3>in front of them.

0:12:55.960 --> 0:13:00.480
<v Speaker 1>Yeah, and in fact, the Airja biographer Pierre Asline called

0:13:00.520 --> 0:13:05.280
<v Speaker 1>Airja's fence sitting around this quote willfully obtuse, which I

0:13:05.320 --> 0:13:08.559
<v Speaker 1>think is a fair assessment. Airj has definitely seemed happy

0:13:08.600 --> 0:13:10.320
<v Speaker 1>to ignore what was going on. In the world and

0:13:10.360 --> 0:13:13.640
<v Speaker 1>what it meant to work at a collaborationist newspaper. And

0:13:14.120 --> 0:13:16.320
<v Speaker 1>even if he professed that he was political, for many

0:13:16.360 --> 0:13:19.480
<v Speaker 1>people this choice was political, right, It's a political act.

0:13:19.840 --> 0:13:22.920
<v Speaker 1>Other Belgians chose not to work at collaborationist papers, so

0:13:23.040 --> 0:13:24.960
<v Speaker 1>for a lot of folks, the decision to work there

0:13:25.520 --> 0:13:27.920
<v Speaker 1>kind of left this real stain on his legacy.

0:13:28.360 --> 0:13:31.080
<v Speaker 3>Yeah, today and back then at the time too. That

0:13:31.200 --> 0:13:34.760
<v Speaker 3>was the case. After Belgium was liberated in nineteen forty four,

0:13:34.880 --> 0:13:38.679
<v Speaker 3>the entire staff at Larssois was fired and anyone who'd

0:13:38.720 --> 0:13:41.880
<v Speaker 3>worked there under the Nazi occupation was banned from working

0:13:41.920 --> 0:13:44.880
<v Speaker 3>all together, and a lot of people were arrested, including Airja.

0:13:45.040 --> 0:13:48.200
<v Speaker 3>But even that doesn't seem to change his view on

0:13:48.240 --> 0:13:50.840
<v Speaker 3>his decision to work at Lesois. His attitude seemed to

0:13:50.840 --> 0:13:54.240
<v Speaker 3>be more stunned than anything. You mean, stunned that he'd

0:13:54.240 --> 0:13:56.840
<v Speaker 3>be punished for his actions or yeah, I mean, he

0:13:56.920 --> 0:13:59.480
<v Speaker 3>never seemed to understand why anyone would think what he

0:13:59.559 --> 0:14:02.000
<v Speaker 3>did was wrong. He thought everyone was overreacting.

0:14:02.160 --> 0:14:04.520
<v Speaker 1>He kind of has this approach earlier, right, like he

0:14:04.720 --> 0:14:07.079
<v Speaker 1>doesn't really apologize and says, you know, it's sort of

0:14:07.120 --> 0:14:08.280
<v Speaker 1>the feeling of the time.

0:14:08.200 --> 0:14:11.080
<v Speaker 3>Right, So what happened did he ever face any consequences?

0:14:11.400 --> 0:14:13.720
<v Speaker 1>He was really lucky. He had friends in high places,

0:14:13.800 --> 0:14:16.760
<v Speaker 1>including some who'd fought in the resistance against the Nazis,

0:14:16.880 --> 0:14:19.160
<v Speaker 1>and one of them was a huge Tinton fan. He'd

0:14:19.240 --> 0:14:20.880
<v Speaker 1>actually been one of the kids. He showed up at

0:14:20.920 --> 0:14:23.480
<v Speaker 1>that stunt we talked about in the last episode where

0:14:23.800 --> 0:14:26.280
<v Speaker 1>you know that tinted actor had come in from the

0:14:26.280 --> 0:14:29.480
<v Speaker 1>Congo at the Brussels train station, so that certainly helped.

0:14:29.760 --> 0:14:30.920
<v Speaker 3>Talk about full circle too.

0:14:31.040 --> 0:14:36.320
<v Speaker 1>I mean, yeah, anyway, this is super lucky, and this

0:14:36.400 --> 0:14:38.360
<v Speaker 1>guy wanted to start a magazine and he wanted air

0:14:38.440 --> 0:14:39.720
<v Speaker 1>Day to be a part of it. So he uses

0:14:39.800 --> 0:14:43.320
<v Speaker 1>connections to recommend that the case be dropped, and it worked.

0:14:43.360 --> 0:14:45.400
<v Speaker 1>The charges were dismissed, so.

0:14:45.400 --> 0:14:48.240
<v Speaker 3>In the end, Airja walked away pretty much unscathed.

0:14:48.320 --> 0:14:48.480
<v Speaker 2>Right.

0:14:48.600 --> 0:14:50.240
<v Speaker 1>Sounds like it was kind of helped by the fact

0:14:50.240 --> 0:14:52.720
<v Speaker 1>that he was a cartoonist and not a journalist. That's

0:14:52.840 --> 0:14:55.280
<v Speaker 1>kind of the distinction that was made and why the

0:14:55.320 --> 0:14:58.400
<v Speaker 1>case was dropped. But just to put in perspective, there

0:14:58.400 --> 0:15:02.560
<v Speaker 1>were journalists who worked for collaborationist papers who were found guilty.

0:15:03.080 --> 0:15:06.120
<v Speaker 1>Some were sent to Congo to perform hard labor, others

0:15:06.120 --> 0:15:09.800
<v Speaker 1>were killed, and because the punishment was so severe, others

0:15:09.840 --> 0:15:12.720
<v Speaker 1>in Airja's predicament left Belgium altogether to make a new

0:15:12.760 --> 0:15:16.160
<v Speaker 1>life in France, which Airja, being the proud Belgium he was,

0:15:16.440 --> 0:15:19.560
<v Speaker 1>he actually never really considered that, So, long story short,

0:15:19.640 --> 0:15:22.600
<v Speaker 1>his career continued to thrive. He kept publishing comics, and

0:15:22.880 --> 0:15:25.880
<v Speaker 1>as we've learned, he gradually developed a more open minded

0:15:25.960 --> 0:15:29.760
<v Speaker 1>view of the world and also greater appreciation of other cultures.

0:15:30.280 --> 0:15:32.560
<v Speaker 3>So where does all this stand now, Like, what's the

0:15:32.640 --> 0:15:36.480
<v Speaker 3>contemporary read on the books in air Ja? Clearly, people

0:15:36.520 --> 0:15:39.160
<v Speaker 3>all over the world have loved and continue to love Tintin.

0:15:39.760 --> 0:15:43.160
<v Speaker 1>Yeah, he's still really popular, especially outside the US. That

0:15:43.280 --> 0:15:45.880
<v Speaker 1>being said, if you are offended by Tintin or Erja,

0:15:46.000 --> 0:15:48.320
<v Speaker 1>you know, I totally get it. The lens that I

0:15:48.360 --> 0:15:51.680
<v Speaker 1>think encompasses this well is that Airj was someone who

0:15:51.720 --> 0:15:55.120
<v Speaker 1>put his work before almost anything else, like both personally

0:15:55.240 --> 0:15:58.520
<v Speaker 1>and politically, and often that wasn't the right thing to do.

0:15:58.880 --> 0:16:01.640
<v Speaker 1>And he was really loyal to his country, even when

0:16:01.680 --> 0:16:04.640
<v Speaker 1>his country's government made horrible decisions. And while I don't

0:16:04.640 --> 0:16:07.400
<v Speaker 1>think there's an excuse, and of course I obviously wish

0:16:07.520 --> 0:16:09.920
<v Speaker 1>er Jay apologized for all these mistakes.

0:16:09.920 --> 0:16:12.600
<v Speaker 4>He was also limited by the time he lived in

0:16:12.640 --> 0:16:12.920
<v Speaker 4>you know.

0:16:13.280 --> 0:16:16.880
<v Speaker 3>Yeah, well, which is you know, it's extra compleated. Yeah, yeah, right,

0:16:16.960 --> 0:16:19.760
<v Speaker 3>because there's a lot of clearly good things about Tintin

0:16:20.040 --> 0:16:23.280
<v Speaker 3>and er Ja too. They were both flawed characters, but

0:16:23.440 --> 0:16:26.200
<v Speaker 3>they did have an openness to other ideas and other

0:16:26.280 --> 0:16:29.560
<v Speaker 3>people and other cultures, which is really laudable, especially for

0:16:29.600 --> 0:16:32.680
<v Speaker 3>the time Tintin fought for the underdog. He stood up

0:16:32.680 --> 0:16:35.920
<v Speaker 3>for friendship and loyalty. And I do think there's something

0:16:36.000 --> 0:16:38.360
<v Speaker 3>really enduring and you know about that and kind of

0:16:38.360 --> 0:16:39.040
<v Speaker 3>redeeming too.

0:16:39.560 --> 0:16:42.320
<v Speaker 1>Yeah. I mean, I've obviously been thinking about this a

0:16:42.400 --> 0:16:44.960
<v Speaker 1>lot lately, not just because of these episodes, because I

0:16:44.960 --> 0:16:47.120
<v Speaker 1>think about my own kids. I wanted them to read

0:16:47.160 --> 0:16:49.520
<v Speaker 1>Tintin because it was just like so full of adventure

0:16:49.720 --> 0:16:53.520
<v Speaker 1>and joyous like exploration of the world and friendship. I

0:16:53.600 --> 0:16:56.200
<v Speaker 1>actually read an op ed from the author of viet

0:16:56.200 --> 0:16:59.320
<v Speaker 1>Tan When about this, and it was about the danger

0:16:59.320 --> 0:17:02.320
<v Speaker 1>of banning books in general. But when actually grew up

0:17:02.320 --> 0:17:04.400
<v Speaker 1>reading tinton like I did, and he wanted to share

0:17:04.440 --> 0:17:07.119
<v Speaker 1>these books with his son, and the essence of what

0:17:07.160 --> 0:17:10.320
<v Speaker 1>he says is the Tinton books can be problematic, but

0:17:10.320 --> 0:17:13.960
<v Speaker 1>they're also really engaging and really memorable. He writes about

0:17:13.960 --> 0:17:16.679
<v Speaker 1>how he and his son loved reading these adventures together

0:17:17.000 --> 0:17:20.000
<v Speaker 1>and when they came across racism against non white characters,

0:17:20.000 --> 0:17:22.480
<v Speaker 1>he points out that they talk about it just the

0:17:22.520 --> 0:17:24.320
<v Speaker 1>same way you talk about like Huck Finn or other

0:17:24.320 --> 0:17:27.480
<v Speaker 1>things like that, and the ability to have that conversation

0:17:27.800 --> 0:17:31.240
<v Speaker 1>and a way into that conversation is really important.

0:17:31.520 --> 0:17:31.600
<v Speaker 4>No.

0:17:31.760 --> 0:17:35.160
<v Speaker 3>Yeah, absolutely. You know, I'm a big fan of classic animation,

0:17:35.440 --> 0:17:37.680
<v Speaker 3>and you run into a lot of the same problems. Right,

0:17:37.680 --> 0:17:41.040
<v Speaker 3>There were really problematic depictions, and you know, does that

0:17:41.160 --> 0:17:43.560
<v Speaker 3>mean that just no one should ever watch these again,

0:17:43.680 --> 0:17:47.240
<v Speaker 3>or that they're artistically bankrupt there's nothing of merit anymore. No,

0:17:47.320 --> 0:17:49.440
<v Speaker 3>of course not. You just have to be a little

0:17:49.480 --> 0:17:50.920
<v Speaker 3>more thoughtful about it, think, right.

0:17:51.040 --> 0:17:54.439
<v Speaker 1>So, yeah, it's obviously messy. Humans are messy. But I

0:17:54.440 --> 0:17:59.000
<v Speaker 1>also think like for me Tinton, but also other texts

0:17:59.000 --> 0:18:02.879
<v Speaker 1>of that style, other books like they all contributed to

0:18:02.920 --> 0:18:05.480
<v Speaker 1>the feeling of mental class, of part time genius, of

0:18:05.520 --> 0:18:09.800
<v Speaker 1>welcoming people in of exploring It's so threaded through so

0:18:10.000 --> 0:18:12.240
<v Speaker 1>much of the DNA of this show and other shows

0:18:12.280 --> 0:18:15.160
<v Speaker 1>I've done, and worked on. Yeah, So like, it's very

0:18:15.160 --> 0:18:18.840
<v Speaker 1>hard for me to divorce myself from that because it's inspired.

0:18:18.440 --> 0:18:20.240
<v Speaker 4>So much, you know, of my own work.

0:18:20.600 --> 0:18:23.040
<v Speaker 3>You know, there's the artist's intent, and then there's what

0:18:23.200 --> 0:18:25.560
<v Speaker 3>we do with it, right, there's the art itself, and

0:18:25.560 --> 0:18:27.280
<v Speaker 3>then there's what it inspires us to do.

0:18:27.440 --> 0:18:30.760
<v Speaker 1>So well, what is best for this show right now

0:18:30.840 --> 0:18:32.720
<v Speaker 1>is that we take another quick break. But when we

0:18:32.760 --> 0:18:34.879
<v Speaker 1>come back, let's talk about a few of our favorite

0:18:34.960 --> 0:18:36.240
<v Speaker 1>tint In adaptations.

0:18:36.280 --> 0:18:52.879
<v Speaker 2>That sounds great, Welcome back to part time genius.

0:18:52.920 --> 0:18:55.720
<v Speaker 1>Okay, Gabe, it is time to go beyond the books

0:18:55.760 --> 0:18:57.520
<v Speaker 1>and talk about adaptations.

0:18:57.560 --> 0:18:59.359
<v Speaker 4>So why don't you kick this off.

0:18:59.800 --> 0:19:02.879
<v Speaker 3>I'd be happy to so. Between nineteen twenty nine and

0:19:03.000 --> 0:19:06.359
<v Speaker 3>nineteen seventy six, Airja wrote a total of twenty three

0:19:06.520 --> 0:19:10.840
<v Speaker 3>Tintin books or albums in twenty four if you include

0:19:10.880 --> 0:19:14.680
<v Speaker 3>Tintin and alf Art, which was only partially finished when

0:19:14.680 --> 0:19:17.119
<v Speaker 3>Airja died in nineteen eighty three. But you know, and

0:19:17.200 --> 0:19:19.600
<v Speaker 3>in the years since then, lots of other artists have

0:19:19.680 --> 0:19:24.199
<v Speaker 3>adapted those stories to different mediums. For instance, Steven Spielberg

0:19:24.320 --> 0:19:27.119
<v Speaker 3>drew from three books written between nineteen forty one and

0:19:27.240 --> 0:19:30.679
<v Speaker 3>nineteen forty four when Air Jay was at Lesoise to

0:19:30.720 --> 0:19:34.720
<v Speaker 3>create his twenty eleven animated blockbuster The Adventures of Tintin,

0:19:35.040 --> 0:19:38.240
<v Speaker 3>starring Jamie Bell as the voice of Tintin and Daniel

0:19:38.320 --> 0:19:41.000
<v Speaker 3>Craig as the villain. But there's another actor I want

0:19:41.040 --> 0:19:44.800
<v Speaker 3>to mention from the film, Carrie Elvis from Robin Hood

0:19:45.560 --> 0:19:49.280
<v Speaker 3>the same and of course the Princess Bride. He's also

0:19:49.359 --> 0:19:52.080
<v Speaker 3>in the movie. It's a small role, but he really

0:19:52.119 --> 0:19:55.200
<v Speaker 3>wanted it and he got it in a pretty unconventional way.

0:19:55.520 --> 0:19:58.560
<v Speaker 1>First of all, I love that Steven Spielberg loved Tintin

0:19:58.680 --> 0:20:01.119
<v Speaker 1>enough to make this movie. To me, is really joyous

0:20:01.160 --> 0:20:02.920
<v Speaker 1>and in the spair of the comment, but so tell

0:20:02.960 --> 0:20:05.040
<v Speaker 1>me about carry Elle was like, how did he sneak

0:20:05.040 --> 0:20:05.399
<v Speaker 1>his way in?

0:20:05.880 --> 0:20:09.480
<v Speaker 3>So apparently Carrie is a huge Tintin fan. One day

0:20:09.480 --> 0:20:11.439
<v Speaker 3>he was at the grocery store and I have to

0:20:11.440 --> 0:20:13.880
<v Speaker 3>imagine this is La, right, because it seems very la

0:20:14.840 --> 0:20:16.920
<v Speaker 3>And who does he see over there in the cereal aisle?

0:20:17.000 --> 0:20:21.399
<v Speaker 1>But Steven Spielberg, Wait, Steven Spielberg eats cereal. Yeah, and

0:20:21.880 --> 0:20:26.400
<v Speaker 1>you're telling me it himself too, apparently amazing And they'd

0:20:26.440 --> 0:20:29.119
<v Speaker 1>met a couple of weeks earlier and Spielberg had mentioned

0:20:29.119 --> 0:20:31.760
<v Speaker 1>he was doing a Tintin movie, and Carrie's like, I

0:20:31.800 --> 0:20:32.399
<v Speaker 1>love Tintin.

0:20:32.560 --> 0:20:34.240
<v Speaker 3>I have to be in this. Did I mention I

0:20:34.240 --> 0:20:37.280
<v Speaker 3>really love Tintin? And Spielberg was like, yeah, all right,

0:20:37.359 --> 0:20:39.960
<v Speaker 3>we'll see. So anyway, now Carrie sees him, you know,

0:20:40.080 --> 0:20:43.000
<v Speaker 3>rifling through the cheerios or whatever kind of cereal you

0:20:43.000 --> 0:20:45.359
<v Speaker 3>think Spielberg eats, and he's like, this is it. This

0:20:45.520 --> 0:20:47.480
<v Speaker 3>is my chance to seal the deal. So he goes

0:20:47.560 --> 0:20:50.080
<v Speaker 3>up to him and asks him about being in Tintin,

0:20:50.160 --> 0:20:53.399
<v Speaker 3>and apparently Spielberg tells him, I have one part left.

0:20:53.840 --> 0:20:54.639
<v Speaker 3>It's yours.

0:20:55.000 --> 0:20:57.879
<v Speaker 1>I mean, I honestly don't know what the lesson is here,

0:20:57.960 --> 0:21:01.399
<v Speaker 1>like be bold, persevere, shopping in Steven Spielberg's neighborhood. I

0:21:01.440 --> 0:21:02.960
<v Speaker 1>feel like all of these apply here.

0:21:03.359 --> 0:21:04.400
<v Speaker 3>Yeah, right, it's all of these.

0:21:04.720 --> 0:21:05.200
<v Speaker 1>Yeah.

0:21:05.400 --> 0:21:08.119
<v Speaker 3>But I like to think that the serial Isle conversation

0:21:08.320 --> 0:21:11.120
<v Speaker 3>was just the first of many conversations these guys would

0:21:11.119 --> 0:21:14.280
<v Speaker 3>have about Tintin. Of course, because Spielberg is also a

0:21:14.320 --> 0:21:16.920
<v Speaker 3>huge fan. The funny thing is, though he'd never heard

0:21:16.920 --> 0:21:19.560
<v Speaker 3>of Tintin until right after Raiders at a Lost Art

0:21:19.680 --> 0:21:22.399
<v Speaker 3>came out in the eighties and a French critic wrote

0:21:22.400 --> 0:21:26.639
<v Speaker 3>a review in which he compared that film to Tintin's Adventures. So,

0:21:26.920 --> 0:21:29.520
<v Speaker 3>you know, being a curious guy, Spielberg decided to check

0:21:29.560 --> 0:21:32.320
<v Speaker 3>out the books, discovered he really liked them and immediately

0:21:32.440 --> 0:21:34.480
<v Speaker 3>was like, hey, this could be a movie.

0:21:34.840 --> 0:21:36.959
<v Speaker 2>Do you know if he talked to J about it?

0:21:37.200 --> 0:21:37.360
<v Speaker 4>Oh?

0:21:37.400 --> 0:21:39.720
<v Speaker 3>He did, Yeah, he said. They spoke on the telephone

0:21:39.720 --> 0:21:42.480
<v Speaker 3>once in nineteen eighty three and they had a plan

0:21:42.600 --> 0:21:45.879
<v Speaker 3>to meet, but unfortunately J died before that could happen.

0:21:46.240 --> 0:21:48.840
<v Speaker 3>Spielberg still negotiated the rights for a movie with his

0:21:49.000 --> 0:21:51.520
<v Speaker 3>estate though. He even started on a screenplay with the

0:21:51.560 --> 0:21:54.440
<v Speaker 3>same writer who worked on Et, but the script didn't

0:21:54.480 --> 0:21:57.640
<v Speaker 3>feel right. Then Spielberg got busy with you know, other stuff,

0:21:57.680 --> 0:22:00.359
<v Speaker 3>and the option dropped. So it took deck aid for

0:22:00.400 --> 0:22:01.960
<v Speaker 3>the project to finally come together.

0:22:02.320 --> 0:22:04.600
<v Speaker 1>I know AIRJ was also a big fan of Spielberg,

0:22:04.760 --> 0:22:07.880
<v Speaker 1>so even though he died way before the movie came out,

0:22:08.200 --> 0:22:10.400
<v Speaker 1>I'm sure it was exciting to know that it might

0:22:10.440 --> 0:22:13.119
<v Speaker 1>even happen. Definitely, But speaking of adaptations, do you know

0:22:13.160 --> 0:22:17.600
<v Speaker 1>that Ja also wrote or co wrote two Tintin stage plays.

0:22:18.080 --> 0:22:20.199
<v Speaker 3>I did not know this are these things we can

0:22:20.240 --> 0:22:23.560
<v Speaker 3>go see somewhere, if not on or off Broadway, maybe

0:22:23.600 --> 0:22:25.600
<v Speaker 3>off off, but like off off off.

0:22:25.680 --> 0:22:28.960
<v Speaker 2>Yeah, yeah, yeah, in my backyard. That would be my

0:22:29.000 --> 0:22:29.639
<v Speaker 2>greatest wish.

0:22:29.640 --> 0:22:32.000
<v Speaker 1>But unfortunately, as far as I can tell, the script

0:22:32.080 --> 0:22:34.400
<v Speaker 1>are lost to history. At least those are the rumors

0:22:34.400 --> 0:22:37.640
<v Speaker 1>in the Tintin fan community. But there was like a

0:22:37.680 --> 0:22:42.520
<v Speaker 1>thread that maybe they existed still somewhere, And actually we've

0:22:42.520 --> 0:22:44.920
<v Speaker 1>got this friend Rag. He wrote this book. He is

0:22:44.960 --> 0:22:48.679
<v Speaker 1>for Pterodactyl. He's also a rapper and producer. He produces

0:22:48.720 --> 0:22:51.520
<v Speaker 1>under the name Lush Life. And he, like me, grew

0:22:51.600 --> 0:22:53.480
<v Speaker 1>up in going to Indian in the summers. He became

0:22:53.480 --> 0:22:56.719
<v Speaker 1>a huge Tintin fan and he realized that airj had

0:22:56.760 --> 0:22:59.560
<v Speaker 1>written both scripts in nineteen forty one with help from

0:22:59.680 --> 0:23:02.960
<v Speaker 1>the painter, journalist and writer Jacques von Melquebec, and the

0:23:03.000 --> 0:23:05.240
<v Speaker 1>first one was called Tinton in India The Mystery of

0:23:05.240 --> 0:23:09.520
<v Speaker 1>the Blue Diamond, so based on contemporarieous accounts of its production,

0:23:09.600 --> 0:23:13.159
<v Speaker 1>it basically was like a rehashed plot of Cigars of

0:23:13.200 --> 0:23:15.440
<v Speaker 1>the Pharaoh. It opened in nineteen forty one, ran for

0:23:15.480 --> 0:23:17.240
<v Speaker 1>a little over a week in Brussels and start a

0:23:17.280 --> 0:23:20.600
<v Speaker 1>young woman as Tinton. Because World War two had just

0:23:20.680 --> 0:23:24.280
<v Speaker 1>created this shortage of male actors. But maybe the biggest

0:23:24.280 --> 0:23:26.320
<v Speaker 1>surprise is that it was actually a musical.

0:23:26.800 --> 0:23:30.040
<v Speaker 3>What please tell me? Do we know anything about the song?

0:23:30.359 --> 0:23:33.399
<v Speaker 1>No, at least I don't, but I know Roger actually

0:23:33.440 --> 0:23:36.240
<v Speaker 1>located the script and is trying to rewrite it. But

0:23:36.640 --> 0:23:39.000
<v Speaker 1>airj was apparently really happy with how it came out.

0:23:39.200 --> 0:23:42.840
<v Speaker 1>It got decent reviews despite the short run. And I

0:23:42.880 --> 0:23:45.000
<v Speaker 1>think this rings true for anyone who's ever had anything

0:23:45.000 --> 0:23:47.360
<v Speaker 1>to do with the play, especially like a musical with children.

0:23:47.520 --> 0:23:49.800
<v Speaker 1>This whole thing was a ton of effort to produce,

0:23:50.040 --> 0:23:53.560
<v Speaker 1>and so even though he had seen it as a success,

0:23:53.680 --> 0:23:54.879
<v Speaker 1>he wasn't eager to do another.

0:23:55.320 --> 0:23:57.240
<v Speaker 3>Well you must have made an exception then, right, because

0:23:57.240 --> 0:23:58.639
<v Speaker 3>you said there were two plays.

0:23:58.960 --> 0:23:59.240
<v Speaker 2>Yeah.

0:23:59.320 --> 0:24:02.080
<v Speaker 1>So later in nineteen forty one there was mister Bullock's

0:24:02.119 --> 0:24:05.760
<v Speaker 1>disappearance or the disappearance of mister Bullock depending on the translator.

0:24:06.800 --> 0:24:09.240
<v Speaker 1>We know even less about this play, except that you

0:24:09.320 --> 0:24:12.080
<v Speaker 1>know they did find a young male to play Tintin,

0:24:12.280 --> 0:24:14.920
<v Speaker 1>and plot wise, it's a whole new story. It's not

0:24:15.000 --> 0:24:17.800
<v Speaker 1>just a rehash of an older book. Tintin travels all

0:24:17.800 --> 0:24:20.639
<v Speaker 1>over the world, from China to Tibet, to Morocco, to

0:24:20.720 --> 0:24:24.000
<v Speaker 1>Argentina and then back home to Brussels, and from what

0:24:24.080 --> 0:24:26.840
<v Speaker 1>I can tell, the reviews were a little less stellar.

0:24:27.119 --> 0:24:28.960
<v Speaker 1>That seems to be the end of Tintin and the

0:24:29.000 --> 0:24:31.840
<v Speaker 1>theater experience, at least as far as air Ja's direct

0:24:31.840 --> 0:24:32.560
<v Speaker 1>involvement with it.

0:24:32.800 --> 0:24:36.040
<v Speaker 3>Right, Yes, I figure you're referring to the adaptation of

0:24:36.080 --> 0:24:38.399
<v Speaker 3>Tintin and Tibet that was performed in the UK in

0:24:38.400 --> 0:24:44.000
<v Speaker 3>two thousand and five. Right, It got mostly MIDI it

0:24:44.080 --> 0:24:46.119
<v Speaker 3>did have another run a couple of years later, so

0:24:46.240 --> 0:24:48.359
<v Speaker 3>I don't know. There must be something to it, or

0:24:48.400 --> 0:24:50.920
<v Speaker 3>maybe it's just all that pent up demand for Tintin

0:24:51.040 --> 0:24:51.680
<v Speaker 3>on stage.

0:24:51.800 --> 0:24:54.879
<v Speaker 1>Right, Yeah, I mean I know Raj and the Tintin

0:24:54.880 --> 0:24:57.320
<v Speaker 1>is stayed are talking and then figuring out how to

0:24:57.400 --> 0:24:59.760
<v Speaker 1>possibly get this play back on in.

0:24:59.720 --> 0:25:02.320
<v Speaker 4>A new form. And as someone who loves Tintin, I would.

0:25:02.119 --> 0:25:05.679
<v Speaker 1>Really really love to see revised for today's times.

0:25:05.960 --> 0:25:08.240
<v Speaker 3>I'll tell you what, Mango, if it ever happens, I'll

0:25:08.240 --> 0:25:09.040
<v Speaker 3>buy you a ticket.

0:25:09.920 --> 0:25:11.240
<v Speaker 1>I mean, I think we can get in for free,

0:25:11.400 --> 0:25:12.760
<v Speaker 1>but I'll make sure you get in.

0:25:12.800 --> 0:25:16.560
<v Speaker 3>Its sounds good to me. But on that note, I

0:25:16.600 --> 0:25:25.680
<v Speaker 3>think it's time for a fact off all right, this

0:25:25.720 --> 0:25:27.960
<v Speaker 3>is a fun one. So did you know that Ja

0:25:28.080 --> 0:25:31.200
<v Speaker 3>would hide himself in the Tintin books like an early

0:25:31.240 --> 0:25:34.960
<v Speaker 3>iteration of Where's Waldo? It was apparently inspired by Hitchcock's

0:25:35.000 --> 0:25:37.880
<v Speaker 3>idea of breaking the fourth wall and winking at the audience,

0:25:38.119 --> 0:25:40.760
<v Speaker 3>and famously he hid himself in all of his movies too.

0:25:41.119 --> 0:25:45.399
<v Speaker 3>But for example, in King Ottokar's Scepter is dressed as

0:25:45.440 --> 0:25:49.000
<v Speaker 3>a cavalry officer in the royal court. In The Broken Ear,

0:25:49.160 --> 0:25:52.560
<v Speaker 3>he's a museum goer. In The Calculus Affair, he's standing

0:25:52.600 --> 0:25:55.480
<v Speaker 3>with a sketch pad and pen. He goes on and on.

0:25:55.560 --> 0:25:56.359
<v Speaker 4>That is so fun.

0:25:56.600 --> 0:25:58.560
<v Speaker 1>I actually did not know that. Now I've got to

0:25:58.560 --> 0:25:59.320
<v Speaker 1>go back and look for him.

0:26:00.080 --> 0:26:02.520
<v Speaker 3>Yeah. Yeah. And in a nod to this, Spielberg has

0:26:02.560 --> 0:26:05.720
<v Speaker 3>a little animated Airja cameo in his Tintin movie too,

0:26:05.800 --> 0:26:07.320
<v Speaker 3>So I look out for that. I love that.

0:26:07.800 --> 0:26:09.080
<v Speaker 2>Okay, So I've got another one for you.

0:26:09.200 --> 0:26:12.359
<v Speaker 1>In twenty twenty one, a rare Tintin cover illustration was

0:26:12.400 --> 0:26:16.520
<v Speaker 1>sold at auction for nearly three point two million euros

0:26:16.680 --> 0:26:19.480
<v Speaker 1>around three point eight four million dollars, making it the

0:26:19.480 --> 0:26:23.000
<v Speaker 1>world's most expensive comic book art. The art itself is

0:26:23.000 --> 0:26:25.480
<v Speaker 1>actually the original idea for the Blue Lotus, the adventure

0:26:25.520 --> 0:26:28.040
<v Speaker 1>that took place in China, where Airj did a bunch

0:26:28.080 --> 0:26:30.200
<v Speaker 1>of research ahead of time thanks to his friend John.

0:26:30.680 --> 0:26:33.159
<v Speaker 1>Now I've seen pictures of this long lost artwork and

0:26:33.200 --> 0:26:35.719
<v Speaker 1>it is really beautiful. It would have actually made an

0:26:35.720 --> 0:26:38.879
<v Speaker 1>amazing cover, but when Airja showed it to his publisher,

0:26:39.200 --> 0:26:41.280
<v Speaker 1>they said it had too many colors and would be

0:26:41.359 --> 0:26:43.800
<v Speaker 1>too expensive to produce using the technology they had.

0:26:43.720 --> 0:26:44.160
<v Speaker 3>At the time.

0:26:44.280 --> 0:26:47.960
<v Speaker 1>So instead Airja gave the original art, the actual one

0:26:47.960 --> 0:26:50.600
<v Speaker 1>he had painted, to his publisher's seven year old son,

0:26:51.080 --> 0:26:53.240
<v Speaker 1>and it just stuck around in their family for a

0:26:53.280 --> 0:26:53.760
<v Speaker 1>long time.

0:26:54.080 --> 0:26:56.439
<v Speaker 3>Well, you know what's extra crazy about that is that

0:26:56.480 --> 0:26:59.800
<v Speaker 3>Tintin had already set the previous record for the world's

0:26:59.800 --> 0:27:02.159
<v Speaker 3>most expensive comic book art. And I was back in

0:27:02.200 --> 0:27:06.359
<v Speaker 3>twenty fourteen when some original drawings sold for two point

0:27:06.520 --> 0:27:11.000
<v Speaker 3>six five million euros, and there has been other Tintin

0:27:11.200 --> 0:27:13.719
<v Speaker 3>art that's sold for well over a million dollars over

0:27:13.760 --> 0:27:17.160
<v Speaker 3>the years. One reason why these pieces go for such

0:27:17.240 --> 0:27:20.960
<v Speaker 3>high dollar marks is besides you know Tintin's popularity, of course,

0:27:21.359 --> 0:27:25.080
<v Speaker 3>is that Tintin's estate is notoriously strict. It's run by

0:27:25.240 --> 0:27:28.520
<v Speaker 3>Rgey's widow, Fanny and her second husband, a guy named

0:27:28.680 --> 0:27:32.200
<v Speaker 3>Nick Rodwell. He's hard fisted in his approach to dealing

0:27:32.200 --> 0:27:35.280
<v Speaker 3>with Tintin copyright, let's just say that. And in the

0:27:35.320 --> 0:27:40.840
<v Speaker 3>Tintin world he's almost universally hated. He's been described, or

0:27:40.920 --> 0:27:45.280
<v Speaker 3>maybe describes himself as quote the least popular man in Belgium.

0:27:45.560 --> 0:27:48.359
<v Speaker 3>And that's because of you know how often he's litigated

0:27:48.359 --> 0:27:52.359
<v Speaker 3>copyright cases. For example, in twenty twenty one he sued

0:27:52.400 --> 0:27:55.560
<v Speaker 3>a French sculptor for the ninety busts of Tintin he

0:27:55.600 --> 0:27:58.439
<v Speaker 3>had made, and that same year he also sued a

0:27:58.480 --> 0:28:01.240
<v Speaker 3>French painter who had paid to Tintin in the World

0:28:01.320 --> 0:28:04.879
<v Speaker 3>of Edward Hopper, but in a manner Rodwell deemed quote

0:28:05.119 --> 0:28:08.960
<v Speaker 3>mildly erotic. Oh no, yeah. And in two thousand and

0:28:09.040 --> 0:28:12.399
<v Speaker 3>nine a French novelist had his home seized because he

0:28:12.440 --> 0:28:15.560
<v Speaker 3>had reproduced a Tintin drawing in a book for students,

0:28:15.880 --> 0:28:18.399
<v Speaker 3>which had a print run of two hundred copies. So

0:28:18.560 --> 0:28:20.320
<v Speaker 3>I mean he didn't even make a profit off it.

0:28:20.600 --> 0:28:24.760
<v Speaker 3>Rodwell says he's just protecting Airs and Tintin's legacy from

0:28:24.880 --> 0:28:27.840
<v Speaker 3>bad quality spinoffs. That kind of stuff. Can water down

0:28:27.880 --> 0:28:31.439
<v Speaker 3>an artist's legacy after they die, and j himself was

0:28:31.560 --> 0:28:34.560
<v Speaker 3>adamant that he didn't want any Tintin books to come

0:28:34.600 --> 0:28:38.560
<v Speaker 3>out after his death. But repossessing somebody's house because of

0:28:38.600 --> 0:28:42.200
<v Speaker 3>a book for students, Yeah, that's a little over the top.

0:28:42.320 --> 0:28:43.400
<v Speaker 2>Yeah, okay, Gabe.

0:28:43.400 --> 0:28:45.640
<v Speaker 1>So have you ever thought about the fact that even

0:28:45.680 --> 0:28:49.760
<v Speaker 1>though the Tintin book spanned forty years, Tintin himself was ageless,

0:28:49.800 --> 0:28:51.400
<v Speaker 1>like his appearance never changes.

0:28:52.000 --> 0:28:52.240
<v Speaker 4>You know.

0:28:52.600 --> 0:28:54.840
<v Speaker 3>I hadn't thought about that, but now that you mention it,

0:28:55.520 --> 0:28:56.320
<v Speaker 3>I'm thinking about it.

0:28:56.360 --> 0:29:00.680
<v Speaker 1>Yeah, that's true, because I brought it off. Well, Lucky

0:29:00.680 --> 0:29:03.480
<v Speaker 1>for you, there are some scientists who also thought about it, or,

0:29:03.680 --> 0:29:06.480
<v Speaker 1>more precisely, a scientist and his two young sons. In

0:29:06.560 --> 0:29:09.720
<v Speaker 1>two thousand and four, a Canadian professor of medicine named

0:29:09.800 --> 0:29:13.240
<v Speaker 1>Claude Syr published a satirical paper about his efforts to

0:29:13.240 --> 0:29:16.520
<v Speaker 1>figure out why Tintin hadn't aged over the decades, and

0:29:16.640 --> 0:29:18.640
<v Speaker 1>he and his kids went through the books and counted

0:29:18.640 --> 0:29:21.840
<v Speaker 1>the number of times Tintin lost consciousness, which you know

0:29:22.000 --> 0:29:25.400
<v Speaker 1>is a lot. Fifty times. Forty three of those times

0:29:25.440 --> 0:29:29.560
<v Speaker 1>were considered severe. Professor Sear decided that these repeated blows

0:29:29.600 --> 0:29:32.600
<v Speaker 1>to the head had led to growth hormone deficiency and

0:29:32.680 --> 0:29:39.240
<v Speaker 1>because of that also a condition called hyponatotropic hypogonadism, which

0:29:39.680 --> 0:29:41.600
<v Speaker 1>you know is a mouthful but it's.

0:29:41.520 --> 0:29:42.000
<v Speaker 4>A real thing.

0:29:42.080 --> 0:29:45.360
<v Speaker 1>It can lead to delayed or totally missing puberty for

0:29:45.560 --> 0:29:46.840
<v Speaker 1>the people who are affected by it.

0:29:47.280 --> 0:29:47.560
<v Speaker 2>Wow.

0:29:47.840 --> 0:29:49.840
<v Speaker 3>All right, but well here's what I really want to know.

0:29:49.920 --> 0:29:53.720
<v Speaker 3>Did he ever explain snowy? I mean that dog is

0:29:53.760 --> 0:29:57.320
<v Speaker 3>still going strong, he still has puppy energy. Yeas one hundred.

0:29:57.120 --> 0:29:59.560
<v Speaker 1>Years later, that is a fair point. Maybe his kids

0:29:59.600 --> 0:30:02.920
<v Speaker 1>have done to study on this. I'll have to report back, please.

0:30:02.720 --> 0:30:05.400
<v Speaker 3>Do Yeah, keep us posted. All right, So I'm going

0:30:05.480 --> 0:30:08.040
<v Speaker 3>to pivot here, but I was really excited to learn that.

0:30:08.080 --> 0:30:11.680
<v Speaker 3>In twenty twenty two, a new Belgian passport was introduced

0:30:11.680 --> 0:30:16.240
<v Speaker 3>that features illustrations from famous Belgian cartoons and comics in

0:30:16.280 --> 0:30:19.400
<v Speaker 3>general are really beloved over there and considered high art.

0:30:19.800 --> 0:30:23.280
<v Speaker 3>So the passport pages included drawings of famous Belgium cartoon

0:30:23.360 --> 0:30:28.000
<v Speaker 3>characters like Tintin and the Smurfs, and apparently, when UV

0:30:28.200 --> 0:30:31.320
<v Speaker 3>light is shown on the drawings, additional details like facial

0:30:31.400 --> 0:30:35.080
<v Speaker 3>expressions are revealed. And not only is that absolutely delightful,

0:30:35.240 --> 0:30:38.480
<v Speaker 3>but these details also make it a lot harder to counterfeit.

0:30:38.640 --> 0:30:42.120
<v Speaker 1>Oh, I love that Belgians just really love comics, so

0:30:42.240 --> 0:30:45.360
<v Speaker 1>staying in the vein of Belgium pride. In twenty fifteen,

0:30:45.640 --> 0:30:49.840
<v Speaker 1>Brussels Airlines unveiled in airbus A three twenty named Rackham,

0:30:50.120 --> 0:30:52.760
<v Speaker 1>which refers to the Tintin book read Rackham's Treasure.

0:30:53.080 --> 0:30:53.680
<v Speaker 4>The outside of the.

0:30:53.680 --> 0:30:56.120
<v Speaker 1>Planet is painted to look like the submarine from that book,

0:30:56.240 --> 0:30:59.640
<v Speaker 1>and the cabin inside has pictures of Captain Haddock and Tintin,

0:30:59.720 --> 0:31:03.040
<v Speaker 1>and a of course red Rackham's Treasure is available on

0:31:03.120 --> 0:31:05.000
<v Speaker 1>board for reading well.

0:31:05.080 --> 0:31:07.840
<v Speaker 3>Our final fact is yet another example of how Tintin

0:31:07.960 --> 0:31:11.120
<v Speaker 3>keeps appearing in Belgium today. For the twenty twenty four

0:31:11.200 --> 0:31:15.160
<v Speaker 3>euro Cup, the Belgian soccer team's away kit was inspired

0:31:15.200 --> 0:31:18.480
<v Speaker 3>by you Guessed It our man himself. The players wore

0:31:18.480 --> 0:31:21.800
<v Speaker 3>a uniform based on Tintin's iconic outfit, a light blue

0:31:21.840 --> 0:31:24.640
<v Speaker 3>jersey with a white collar, brown shorts and white sox.

0:31:24.760 --> 0:31:26.720
<v Speaker 2>I know, I was so excited when I saw that.

0:31:26.760 --> 0:31:29.200
<v Speaker 4>I'm obviously a soccer fan and loved but they did that.

0:31:29.280 --> 0:31:31.840
<v Speaker 1>But you know, there's actually one book where Tintin breaks

0:31:31.840 --> 0:31:35.760
<v Speaker 1>from the standard outfit and dresses just a little differently. Really. Yeah.

0:31:35.800 --> 0:31:38.680
<v Speaker 1>In nineteen seventy six, air J published what would be

0:31:38.720 --> 0:31:42.240
<v Speaker 1>the last fully completed Tintin adventure. It was called Tintin

0:31:42.320 --> 0:31:46.280
<v Speaker 1>and the Pickereas and strikingly, while Tintin has the same

0:31:46.280 --> 0:31:49.040
<v Speaker 1>blue shirt, his brown pants are long in this one,

0:31:49.360 --> 0:31:52.240
<v Speaker 1>not short, and on the cover drawing the pants are

0:31:52.360 --> 0:31:53.560
<v Speaker 1>noticeably flared.

0:31:54.760 --> 0:31:57.640
<v Speaker 3>Well, I mean it was the seventies, right, so even

0:31:57.680 --> 0:32:01.360
<v Speaker 3>Tintin wore bell bottoms. But a way, Mangel, I'm really

0:32:01.440 --> 0:32:04.040
<v Speaker 3>glad that you convinced us to explore the life and

0:32:04.200 --> 0:32:07.440
<v Speaker 3>times of a cartoon adventurer. So I think you get

0:32:07.480 --> 0:32:11.240
<v Speaker 3>today's trophy. You earned it. And there's actually two trophies,

0:32:11.320 --> 0:32:12.600
<v Speaker 3>one for last time as well.

0:32:12.800 --> 0:32:15.640
<v Speaker 1>Well I'll take them, and I guess I'll share these

0:32:15.680 --> 0:32:18.160
<v Speaker 1>with my fellow tinton fans and Dylan wherever he is.

0:32:19.040 --> 0:32:21.520
<v Speaker 1>That concludes our two part Tintin series. I hope you

0:32:21.600 --> 0:32:23.960
<v Speaker 1>enjoyed it. If you did, please share these episodes with

0:32:23.960 --> 0:32:26.480
<v Speaker 1>a friend or follow us on Instagram Blue Sky if

0:32:26.480 --> 0:32:28.600
<v Speaker 1>you have any questions, comments, or just want to tell

0:32:28.640 --> 0:32:31.480
<v Speaker 1>us what your favorite Tinton book is or how you

0:32:31.520 --> 0:32:34.880
<v Speaker 1>feel about this complicated legacy emails at high Geniuses at

0:32:34.880 --> 0:32:38.760
<v Speaker 1>gmail dot com. That's Hi Geniuses at gmail dot com,

0:32:38.840 --> 0:32:40.800
<v Speaker 1>or give us a call at three oh two four

0:32:40.880 --> 0:32:43.880
<v Speaker 1>oh five five nine two five. That's three oh two

0:32:44.160 --> 0:32:47.520
<v Speaker 1>four oh five five nine two five. We are always

0:32:47.560 --> 0:32:50.200
<v Speaker 1>looking to hear from you. This episode, as well as

0:32:50.200 --> 0:32:52.640
<v Speaker 1>Part one, was written by the wonderful of Marissa Brown.

0:32:52.680 --> 0:32:53.960
<v Speaker 4>Thank you so much, Marissa.

0:32:54.240 --> 0:32:56.680
<v Speaker 1>We will be back next week with another new episode,

0:32:56.720 --> 0:33:00.440
<v Speaker 1>but in the meantime from Gabe, Mary, Dylan, Will and myself,

0:33:00.840 --> 0:33:16.320
<v Speaker 1>thank you so much for listening. Part Time Genius is

0:33:16.320 --> 0:33:20.160
<v Speaker 1>a production of Kaleidoscope and iHeartRadio. This show is hosted

0:33:20.160 --> 0:33:24.440
<v Speaker 1>by Will Pearson and me Mongais Chatikler and researched by

0:33:24.480 --> 0:33:28.720
<v Speaker 1>our good pal Mary Philip Sandy. Today's episode was engineered

0:33:28.720 --> 0:33:31.680
<v Speaker 1>and produced by the wonderful Dylan Fagan with support from

0:33:31.760 --> 0:33:35.440
<v Speaker 1>Tyler Klang. The show is executive produced for iHeart by

0:33:35.480 --> 0:33:39.000
<v Speaker 1>Katrina Norbel and Ali Perry, with social media support from

0:33:39.040 --> 0:33:43.600
<v Speaker 1>Sasha Gay, trustee Dara Potts and Viney Shoring. For more

0:33:43.640 --> 0:33:48.920
<v Speaker 1>podcasts from Kaleidoscope and iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:33:49.080 --> 0:34:04.720
<v Speaker 1>or wherever you listen to your favorite shows,