WEBVTT - Child Prodigies: Better to Burn Out Than Fade Away

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<v Speaker 1>Welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, and there's

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<v Speaker 2>Chuck and Jerry's here too, and we're all feeling pretty

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<v Speaker 2>precocious today. You're own stuff you should know? You know?

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<v Speaker 1>Judging from what just happened, I think if we released

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<v Speaker 1>a little five minute mini episode every week of the

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<v Speaker 1>five minutes before we where we're recording, but before we

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<v Speaker 1>start the stuff that we're doing, I bet people would

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<v Speaker 1>eat that up.

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<v Speaker 2>Yeah, rate it R so, yeah, I'm sure some people

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<v Speaker 2>would like that the stuff you should know. Army definitely would, Yeah,

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<v Speaker 2>for sure.

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<v Speaker 1>Everyone else would be like, who cares what these guys

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<v Speaker 1>are talking about?

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<v Speaker 2>Off mine exactly. I tune in for facts and that's it. Yeah,

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<v Speaker 2>you know who else would probably eat it up?

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<v Speaker 1>Chuck M I'm thinking about names in this. I don't know.

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<v Speaker 2>Well, I was just going to start with Mozart. Oh, okay, Wolfgang, Amadas, Martza,

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<v Speaker 2>We're going to love that kind of thing. He was

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<v Speaker 2>really into hearing people talk candidly to one another. It

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<v Speaker 2>was one of his things.

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<v Speaker 1>Well, we're talking about child prodigies, and that's why you

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<v Speaker 1>bring up Mozart obviously thanks to Julia for help with this,

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<v Speaker 1>and also, this is the first time I think that

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<v Speaker 1>we're covering something that was a chapter in our book.

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<v Speaker 2>No, we've done it before, and I can't place it

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<v Speaker 2>really definitely. There was one other one that we definitely did.

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<v Speaker 1>Yeah, mister potato head.

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<v Speaker 2>No, no, I'll try to think of it and I'll

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<v Speaker 2>allocate about five percent of my brain to coming up

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<v Speaker 2>with it while we do the episode.

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<v Speaker 1>Okay, okay. At any rate, this was one of the

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<v Speaker 1>chapters from our book, and we were both individually relieved

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<v Speaker 1>when we texted each other that we each read reread

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<v Speaker 1>the chapter and it was basically the same, and I

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<v Speaker 1>was worried. I was like, man, this is going to

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<v Speaker 1>be so different that one of them is going to

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<v Speaker 1>be sort of wrong. But long way of saying why

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<v Speaker 1>we talked about Mozart is because if you read anything

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<v Speaker 1>on the internet about child prodigies, Mozart's a name that's

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<v Speaker 1>gonna probably come up, one of the more famous prodigies.

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<v Speaker 1>And there's Julia found a pretty fun story about Mozart

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<v Speaker 1>as a teenager.

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<v Speaker 2>Right, Yeah, I actually went and listened to this miserare Yeah, miserrere.

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<v Speaker 2>It's a choral piece for like, I think, nine choral parts,

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<v Speaker 2>and it was written by Gregorio Aligari back in I

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<v Speaker 2>don't remember when he wrote it, but at least before

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<v Speaker 2>seventeen seventy, because that was the year that a young

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<v Speaker 2>Amideus Mozart, who was fourteen at the time, went to

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<v Speaker 2>Vatican City to hear this. And the reason he and

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<v Speaker 2>his father traveled to Vatican City is because this choral

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<v Speaker 2>piece was so beloved by the people, I guess the

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<v Speaker 2>Pope and all of his buddies. Yeah, that they forbade

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<v Speaker 2>anybody from performing it outside of Vatican City, and so

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<v Speaker 2>you know, a corollary to that was no one could

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<v Speaker 2>transcribe it, so that it was just to be heard

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<v Speaker 2>in Vatican City. They thought it was that beautiful. And

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<v Speaker 2>it's if you heard it, you probably recognize it. Your

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<v Speaker 2>mom probably listened to it while she was cleaning the house,

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<v Speaker 2>or you heard it on like, yeah, America's top forty

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<v Speaker 2>in the seventies or something.

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<v Speaker 1>I've just I've been distracted ever since you said the

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<v Speaker 1>Pope and his buddies, because now I can think of

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<v Speaker 1>this a sitcom called Pope in Company that's not bad

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<v Speaker 1>ampersand's CEO dot obviously.

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<v Speaker 2>Right, and the Pope has his like favorite reclienter that's

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<v Speaker 2>almost like an extra character.

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<v Speaker 1>Yeah, don't sit in it if you're not that's right. Yeah.

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<v Speaker 1>So anyway, a very revered thing within Vatican City. And

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<v Speaker 1>did you mention that no one could transcribe it? I

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<v Speaker 1>certainly did while you were I was were space distract. Yeah,

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<v Speaker 1>I was really thinking about like what the opening credits

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<v Speaker 1>to that sitcom would look like.

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<v Speaker 2>Do you have the theme song in your head?

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<v Speaker 1>It's clicking around up there. I'm no prodigy, so it'll

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<v Speaker 1>take a minute. But you mentioned the transcription because Mozart,

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<v Speaker 1>as a precocious fourteen year old, couldn't fall asleep apparently

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<v Speaker 1>the night after the performance, so he woke up from

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<v Speaker 1>his slumber and transcribed it even though he wasn't supposed

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<v Speaker 1>to from memory as a fourteen year old. Went back

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<v Speaker 1>heard it a couple of days later and was like, oh,

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<v Speaker 1>I made a couple of mistakes from memory. He realized

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<v Speaker 1>this and went back and fixed them. He had hit

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<v Speaker 1>it in his hat because you know, he wasn't allowed

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<v Speaker 1>to have this transcribe. But just kind of a fun

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<v Speaker 1>story of Mozart's precociousness.

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<v Speaker 2>Yeah, and so he was at he was age fourteen,

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<v Speaker 2>so technically by this time he was a former prodigy.

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<v Speaker 1>Oh, is that the cutoff?

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<v Speaker 2>No? Ten is the cutoff. You have to have achieved

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<v Speaker 2>this by ten to be considered a prodigy. But the

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<v Speaker 2>reason I said generally is because if you go by

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<v Speaker 2>the strictest definition of prodigy, there are only a handful

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<v Speaker 2>of the ones we talk about in this episode, or

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<v Speaker 2>we'll talk about, actually qualify as prodigy. And technically Mozart,

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<v Speaker 2>you could make a case if he was a prodigy,

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<v Speaker 2>he was kind of a poor example of a prodigy

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<v Speaker 2>because he went on to do great things as an adult,

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<v Speaker 2>which is also something that's not usually characteristic of a prodigy.

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<v Speaker 1>Yeah, and we also need to kind of spell out

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<v Speaker 1>the difference between genius and prodigy because they're not necessarily

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<v Speaker 1>the same thing. Well they're not the same thing at all,

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<v Speaker 1>but they can overlap at times. I guess it's the

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<v Speaker 1>better way to say it.

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<v Speaker 2>But yeah, and I think Mozart would be an example

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<v Speaker 2>of that.

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<v Speaker 1>Yeah, for sure. But genius usually is a high IQ

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<v Speaker 1>or a high Q score of one hundred and forty,

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<v Speaker 1>but they may not, you know, ever, achieve anything. You

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<v Speaker 1>can be a genius and not achieve anything great. I mean,

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<v Speaker 1>you probably will if you're a genius, but not necessarily.

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<v Speaker 1>Prodigy doesn't necessarily have a high IQ. They often do,

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<v Speaker 1>but oh yeah, there it is right there generally by

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<v Speaker 1>the age of ten. But what a prodigy is is

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<v Speaker 1>a kid that achieves like, like surpasses adult lever levels

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<v Speaker 1>of mastery by the time they're ten, like stuff that

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<v Speaker 1>you know, a lot of adults can't even achieve an

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<v Speaker 1>expertise or you know, like I can do this math

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<v Speaker 1>or this chess or this play this you know, instrument

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<v Speaker 1>better than an adult who's been doing it for decades

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<v Speaker 1>before the age of ten.

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<v Speaker 2>Yeah, they reached like the elite level where you can't

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<v Speaker 2>really get any better as far as adults go, by

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<v Speaker 2>the age of ten. And then one of the other

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<v Speaker 2>things about being a prodigy then is that by definition,

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<v Speaker 2>you have achieved something. Yeah, whereas like you said, but

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<v Speaker 2>being a genius, you are genius throughout your whole life,

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<v Speaker 2>but you may or may not achieve something. Right, to

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<v Speaker 2>be considered a prodigy, you have to have achieved something.

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<v Speaker 2>It's just part and parcel with it.

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<v Speaker 1>Yeah, and prodigies were all the rage sort of in

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<v Speaker 1>the beginning of the twentieth century, when tabloid journalism started

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<v Speaker 1>and when IQ tests started, they were all over the newspapers.

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<v Speaker 1>People just were, you know, amazed and want you know,

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<v Speaker 1>in alle of these these kids who could do these

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<v Speaker 1>amazing things. They were all over the place.

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<v Speaker 2>Yeah, the term pint size was thrown around a lot.

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<v Speaker 2>But they would they would like reporters would interview them

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<v Speaker 2>to ask them their thoughts on like current events and

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<v Speaker 2>stuff like that, and they'd be quoted extensively in the paper.

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<v Speaker 2>And people, I mean people like you said, were in awe,

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<v Speaker 2>but they were also like, oh, it's a pretty good point.

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<v Speaker 2>I hadn't thought about that, you know, so they were

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<v Speaker 2>taken seriously too. And then there's a couple of other

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<v Speaker 2>points that kind of make up prodigies that we've kind

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<v Speaker 2>of figured out over the years. One of the things

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<v Speaker 2>we should say about prodigies is that there's a surprising

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<v Speaker 2>lack of people working on this. There are some people

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<v Speaker 2>who study prodigies, and they're experts in the psychology and

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<v Speaker 2>neurology of prodigies, but because there's so few people working

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<v Speaker 2>on it, we don't have a full grasp on it.

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<v Speaker 2>So it's largely speculation, but it seems like we're starting

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<v Speaker 2>to get on track about what makes a prodigy. But

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<v Speaker 2>even still, there's not like a cut and dried, uniform

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<v Speaker 2>definition of a prodigy. Some extra things though, that usually

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<v Speaker 2>show up in particular is that they usually excel in

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<v Speaker 2>just one field of knowledge, a domain, and then in

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<v Speaker 2>that specific field of knowledge, they excel in one kind

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<v Speaker 2>of sub section of it. So for example, if you

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<v Speaker 2>were a music prodigy, you probably are a prodigy in say,

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<v Speaker 2>classical music. You're not like classical jazz ska, right, you're

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<v Speaker 2>a prodigy in just one yeah. Yeah, So that's another

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<v Speaker 2>frequent thing too. You just get really, really really good

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<v Speaker 2>at one specific thing. That's a characteristic of prodigies.

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<v Speaker 1>Yeah, and there you know, you can be a prodigy

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<v Speaker 1>in anything. A lot of times. You'll see it in

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<v Speaker 1>music and the maths. Chess is another good one that

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<v Speaker 1>you see a lot of prodigies in. But you can

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<v Speaker 1>really be a prodigy in anything. But it's, like you said,

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<v Speaker 1>a narrow range. But they usually exhibit one intelligence type

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<v Speaker 1>if you're talking about like psychological intelligence type, linguistic, mathematico, logical, spatial, visual, musical, kinesthetic, Yeah, interpersonal, interpersonal,

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<v Speaker 1>and naturalistic. And you know it's a rare that a

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<v Speaker 1>prodigy excels in more than one of these. Yeah.

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<v Speaker 2>And the that's multiple intelligences theory that Gardner I can't

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<v Speaker 2>remember Gardner's first name put out in the early nineties

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<v Speaker 2>and it basically overturned the idea of general intelligence, which

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<v Speaker 2>up to that point that's what everybody thought people had.

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<v Speaker 2>And Gardner was like, no, actually, I think it's like

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<v Speaker 2>carved into different areas and people can kind of take

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<v Speaker 2>from each of those. Then that would that makes up

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<v Speaker 2>your intelligence, not just a big general encyclopedia version of it. Yeah,

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<v Speaker 2>but it seems to be pretty well, pretty well accepted

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<v Speaker 2>these days. But like you said, most of the time

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<v Speaker 2>they'll excel in just one of the Again, you know,

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<v Speaker 2>you're probably not a linguistic prodigy and an intra personal

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<v Speaker 2>prodigy where you are really good at examining yourself.

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<v Speaker 1>Yeah, And how you get to be a prodigy is,

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<v Speaker 1>you know, pretty complex, and we'll see later. It's probably

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<v Speaker 1>a combination of a bunch of different things. It's definitely

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<v Speaker 1>a combination of nature and nurture. And they've done some

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<v Speaker 1>studying and we'll get to some studies later on about

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<v Speaker 1>the you know, genetics and the biology of it all

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<v Speaker 1>and like brain function. But there is a psychologist who

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<v Speaker 1>is also in our book, Ellen Winner, and she's one

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<v Speaker 1>of the people if you look up prodigies, she's one

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<v Speaker 1>of the few experts you talked about that knows a

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<v Speaker 1>lot about this stuff. But she she believes in both

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<v Speaker 1>nature and nurture, but she very much is like, there's

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<v Speaker 1>got to be a genetic component. And she has a

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<v Speaker 1>quote if a child suddenly, at age three goes to

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<v Speaker 1>the piano and picks out a tune and does it beautifully,

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<v Speaker 1>this has to be because that child has a different brain.

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<v Speaker 1>And I totally agree, like there's something you're born with.

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<v Speaker 1>If you if you've ever seen the videos of Tiger

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<v Speaker 1>Woods when he's like two years old with a pretty

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<v Speaker 1>perfect golf swing, like it's that that's something that someone

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<v Speaker 1>is born with, right.

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<v Speaker 2>There's also Julia found a quote from an editor of

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<v Speaker 2>Vanity Fair who mentioned Elizabeth Bentson we'll talk about a

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<v Speaker 2>little bit more, but he agreed that it was probably biology,

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<v Speaker 2>but he hasscribed it to a perfect functioning of her

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<v Speaker 2>endocrine glands, so interesting. He figured it was glandular as

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<v Speaker 2>what was behind being a productory. But the point is

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<v Speaker 2>it was biology. And this is nineteen thirteen, by the way,

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<v Speaker 2>so like right now, right now, it's no, it's not

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<v Speaker 2>nineteen thirteen, it's nineteen eighty three.

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<v Speaker 1>Oh, thank god, I've got of my son riches and

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<v Speaker 1>my OPI thanks up.

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<v Speaker 2>I know, you look kind of out of place, man.

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<v Speaker 1>So the other thing about genetics is you can see

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<v Speaker 1>it in like, you know, there can be blings that

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<v Speaker 1>are prodigies, like together, I guess co prodigies. Yeah, so

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<v Speaker 1>it definitely sort of leans to the idea that it

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<v Speaker 1>could be genetic. There are quite a few male, very

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<v Speaker 1>famous male composers who had sisters who were also prodigies

0:12:14.480 --> 0:12:18.040
<v Speaker 1>and amazing composers in pianist sur violinists or what have you,

0:12:18.120 --> 0:12:20.640
<v Speaker 1>but they didn't get the you know, the attention that

0:12:20.679 --> 0:12:25.320
<v Speaker 1>their you know, brother sibling counterparts got because they were girls.

0:12:26.080 --> 0:12:29.560
<v Speaker 1>Maria Mozart was one. Felix Mendelssohn had a sister named

0:12:29.600 --> 0:12:32.559
<v Speaker 1>Fanny who was a music prodigy m H. And then

0:12:32.720 --> 0:12:35.160
<v Speaker 1>others that you often see mentioned obviously are Venus and

0:12:35.200 --> 0:12:39.880
<v Speaker 1>Serena Williams, and then the Polgar sisters who were Judet,

0:12:39.960 --> 0:12:40.800
<v Speaker 1>Susan and Sophia.

0:12:40.840 --> 0:12:44.960
<v Speaker 2>They were chess prodigies, right, And you were thinking about

0:12:44.960 --> 0:12:48.080
<v Speaker 2>Pope and Company as a sitcom. Well, I was studying this.

0:12:48.240 --> 0:12:52.599
<v Speaker 2>I noticed Felix and Fanny would make a good children's

0:12:52.600 --> 0:12:55.760
<v Speaker 2>book series, right. Oh yeah, Like I just imagine them

0:12:55.800 --> 0:12:58.520
<v Speaker 2>as little kids, and in between piano lessons they go

0:12:58.600 --> 0:13:02.480
<v Speaker 2>off and solve mysteries together. Felix and Fanny series. And

0:13:02.559 --> 0:13:05.480
<v Speaker 2>so anytime I think of children's books, I think of

0:13:05.559 --> 0:13:08.600
<v Speaker 2>our literary agent, our former agent, Stephen Barr.

0:13:09.160 --> 0:13:10.959
<v Speaker 1>Oh. Yeah, So I looked him up to.

0:13:10.920 --> 0:13:13.160
<v Speaker 2>Say hi, and I was looking I was looking him

0:13:13.200 --> 0:13:15.800
<v Speaker 2>up on the internet. He has his own children's book

0:13:15.840 --> 0:13:19.040
<v Speaker 2>that he wrote and published. It's called The Upside Down Hat.

0:13:19.240 --> 0:13:21.480
<v Speaker 2>And so I emailed him and congratulated him. I was

0:13:21.559 --> 0:13:23.840
<v Speaker 2>very excited to see that. Yeah, he's got some more

0:13:23.920 --> 0:13:24.560
<v Speaker 2>coming too.

0:13:25.160 --> 0:13:28.360
<v Speaker 1>Stephen was the best, and I knew he had a

0:13:28.440 --> 0:13:30.480
<v Speaker 1>kid since we had worked with him. So that's that's

0:13:30.520 --> 0:13:31.400
<v Speaker 1>super cool. I love that.

0:13:31.600 --> 0:13:33.680
<v Speaker 2>Yeah, he's got two now. He says, two.

0:13:33.600 --> 0:13:34.840
<v Speaker 1>Kids are two children's books.

0:13:35.320 --> 0:13:39.280
<v Speaker 2>Two kids three children's books, including the two that are

0:13:39.320 --> 0:13:40.040
<v Speaker 2>coming out soon.

0:13:40.360 --> 0:13:42.840
<v Speaker 1>Well, I guess he needs to get a third kid, Yeah.

0:13:42.920 --> 0:13:46.000
<v Speaker 2>Write one for Yeah. It's called the Upside Down Hat

0:13:46.120 --> 0:13:47.400
<v Speaker 2>and it's pretty cute looking.

0:13:47.600 --> 0:13:52.880
<v Speaker 1>Oh that's wonderful. So I guess let's take a break. Well,

0:13:52.920 --> 0:13:54.320
<v Speaker 1>I guess the last thing we should say is, you know,

0:13:54.320 --> 0:13:57.680
<v Speaker 1>I mentioned sort of the perfect storm of things to

0:13:57.720 --> 0:14:00.839
<v Speaker 1>make a prodigy, and that definitely seems to be the consensus.

0:14:00.880 --> 0:14:04.920
<v Speaker 1>Like there's some genetics at play, but the cognitive, developmental

0:14:04.960 --> 0:14:07.640
<v Speaker 1>and environmental factors are all kind of coming together at

0:14:07.640 --> 0:14:11.000
<v Speaker 1>the same time to lead to that what Ellen Winter

0:14:11.080 --> 0:14:13.600
<v Speaker 1>calls a rage to master, which we're going to talk

0:14:13.600 --> 0:14:16.280
<v Speaker 1>about out of the break, that seems to be the recipe, right.

0:14:17.160 --> 0:14:19.240
<v Speaker 2>It makes me wonder, like how many things have we

0:14:19.360 --> 0:14:21.920
<v Speaker 2>just not understood that we could have already. Have we

0:14:22.000 --> 0:14:25.840
<v Speaker 2>not constantly been trying to boil everything down to one

0:14:26.000 --> 0:14:29.400
<v Speaker 2>thing like this is one cause for all this other stuff,

0:14:29.640 --> 0:14:32.240
<v Speaker 2>like is it nature? Is it nurture? No, it's both,

0:14:32.640 --> 0:14:35.520
<v Speaker 2>And I'm glad to see that prodigy researchers have accepted

0:14:35.520 --> 0:14:36.520
<v Speaker 2>that fact.

0:14:37.040 --> 0:14:37.360
<v Speaker 1>Greed.

0:14:38.000 --> 0:14:39.640
<v Speaker 2>Okay, well, let's take that break then.

0:14:39.760 --> 0:15:05.080
<v Speaker 1>All right, we'll be right back. All right. So I

0:15:05.120 --> 0:15:08.560
<v Speaker 1>mentioned the phrase rage to master, and that was something

0:15:08.640 --> 0:15:11.600
<v Speaker 1>I believe Ellen winner came up with and that's kind

0:15:11.600 --> 0:15:14.120
<v Speaker 1>of exactly what it sounds like, which is something that

0:15:14.160 --> 0:15:18.120
<v Speaker 1>they found with prodigies. At these these little kids come

0:15:18.160 --> 0:15:21.240
<v Speaker 1>out of the womb, they get to be like two

0:15:21.440 --> 0:15:24.320
<v Speaker 1>maybe three years old, and all of a sudden, out

0:15:24.360 --> 0:15:28.120
<v Speaker 1>of nowhere, they exhibit a gift. And that's the only

0:15:28.320 --> 0:15:30.280
<v Speaker 1>thing they want to do. And this is not some

0:15:30.360 --> 0:15:31.840
<v Speaker 1>kid who's like, hey, they turned out to be pretty

0:15:31.880 --> 0:15:33.240
<v Speaker 1>good at this, and they played a lot of piano,

0:15:33.360 --> 0:15:36.800
<v Speaker 1>like we're talking about prodigies. Like, they become obsessed with

0:15:36.920 --> 0:15:38.640
<v Speaker 1>they have a rage to master this thing.

0:15:39.000 --> 0:15:43.160
<v Speaker 2>Yeah, And it's just basically like they ignore everything else,

0:15:43.240 --> 0:15:45.920
<v Speaker 2>even stuff that little kids would want to do, like

0:15:46.000 --> 0:15:48.480
<v Speaker 2>fun playing stuff, yeah, going to.

0:15:48.440 --> 0:15:49.720
<v Speaker 1>The movies or whatever, making friends.

0:15:49.840 --> 0:15:52.200
<v Speaker 2>All they want to do. Yeah, All they want to

0:15:52.240 --> 0:15:54.280
<v Speaker 2>do is that one thing over and over and over

0:15:54.320 --> 0:15:57.400
<v Speaker 2>again and master it. And so there's a researcher named

0:15:57.480 --> 0:16:01.880
<v Speaker 2>Larry Vanderbert who who believes that it has to do

0:16:02.040 --> 0:16:06.440
<v Speaker 2>with the connection between the cerebellum and the cerebral cortex.

0:16:07.200 --> 0:16:09.720
<v Speaker 2>And the reason he focus isn't on the cerebellum is

0:16:09.760 --> 0:16:14.040
<v Speaker 2>because apparently that is where we learn things, we become

0:16:14.320 --> 0:16:17.800
<v Speaker 2>experts in things, we learn to practice things, and the

0:16:17.840 --> 0:16:21.440
<v Speaker 2>cerebellum has a bunch of connections to the cerebral cortex.

0:16:21.880 --> 0:16:25.360
<v Speaker 2>Cerebral cortex is in charge of our higher functioning. So

0:16:25.600 --> 0:16:29.800
<v Speaker 2>with those two combined together, working together, us doing things

0:16:29.880 --> 0:16:32.840
<v Speaker 2>repetitively is how we learn to get better and better

0:16:32.880 --> 0:16:37.720
<v Speaker 2>at it. Right, His whole thing is that with a prodigy,

0:16:38.200 --> 0:16:43.720
<v Speaker 2>what we're seeing is the evolution of humanity at its

0:16:43.760 --> 0:16:47.320
<v Speaker 2>brightest point, Like these are examples of what could conceivably

0:16:47.400 --> 0:16:51.120
<v Speaker 2>be every single person if that perfect storm you're talking

0:16:51.160 --> 0:16:56.720
<v Speaker 2>about came together, and it's just like the most finely

0:16:57.000 --> 0:17:01.200
<v Speaker 2>tuned functioning example of what our have evolved to be

0:17:01.240 --> 0:17:03.640
<v Speaker 2>able to do. That's what he says prodigies are.

0:17:04.160 --> 0:17:07.520
<v Speaker 1>Yeah, it's pretty interesting. He theorizes that the cerebellum creates

0:17:07.520 --> 0:17:09.240
<v Speaker 1>some kind of feedback loop is what he calls it,

0:17:09.760 --> 0:17:12.639
<v Speaker 1>where you have, you know, some kind of selective affinity

0:17:12.720 --> 0:17:16.439
<v Speaker 1>or a talent or an interest in something and getting

0:17:16.480 --> 0:17:18.560
<v Speaker 1>better at that. I mean, it's got to be like

0:17:18.560 --> 0:17:21.000
<v Speaker 1>a dopamine reward or something like that. It hits those

0:17:21.080 --> 0:17:25.000
<v Speaker 1>reward centers and there's some sort of psychological gold star

0:17:25.080 --> 0:17:27.960
<v Speaker 1>that you give yourself and that feels so good that

0:17:28.040 --> 0:17:31.639
<v Speaker 1>this that the kid with a prodigious brain is constantly

0:17:31.680 --> 0:17:35.119
<v Speaker 1>seeking that reward and it creates what he calls a

0:17:35.119 --> 0:17:37.399
<v Speaker 1>maximal grip, Like this grip has just got hold of

0:17:37.400 --> 0:17:40.640
<v Speaker 1>this kid because they're always seeking that that mental gold

0:17:40.680 --> 0:17:42.520
<v Speaker 1>star of getting better and better and better at that

0:17:42.560 --> 0:17:42.960
<v Speaker 1>one thing.

0:17:43.240 --> 0:17:46.959
<v Speaker 2>Yeah right, so it's almost like they're there. They have

0:17:46.960 --> 0:17:50.919
<v Speaker 2>no chill, right, they it's like their brains get stuck

0:17:50.960 --> 0:17:55.399
<v Speaker 2>in a natural progression or natural part of developing as

0:17:55.440 --> 0:17:58.679
<v Speaker 2>a human being from childhood to adulthood, and they just

0:17:58.800 --> 0:18:01.400
<v Speaker 2>go off like a rock on that one tangent.

0:18:02.359 --> 0:18:03.679
<v Speaker 1>Yeah that was not me.

0:18:04.320 --> 0:18:05.800
<v Speaker 2>No, it wasn't me either.

0:18:06.280 --> 0:18:08.040
<v Speaker 1>I can do a lot of things pretty good.

0:18:09.520 --> 0:18:11.120
<v Speaker 2>Yeah, a dileton.

0:18:11.840 --> 0:18:14.520
<v Speaker 1>Yeah, I mean that's always been my thing. Like with sports,

0:18:15.119 --> 0:18:18.560
<v Speaker 1>I was never like built the way that you needed

0:18:18.600 --> 0:18:21.520
<v Speaker 1>to be built to play like varsity sports. But I

0:18:21.520 --> 0:18:23.440
<v Speaker 1>could throw a football and catch a football and pun

0:18:23.480 --> 0:18:25.199
<v Speaker 1>of football, and I could play little tennis. I can

0:18:25.200 --> 0:18:27.600
<v Speaker 1>play a little golf. I can you know, I played

0:18:27.760 --> 0:18:30.040
<v Speaker 1>you know, a little baseball, little softball, little soccer and

0:18:30.119 --> 0:18:33.320
<v Speaker 1>kick a soccer ball. I can throw frisbee, like you know,

0:18:33.400 --> 0:18:37.199
<v Speaker 1>I'm well rounded athletically, But I was never gonna be

0:18:37.359 --> 0:18:41.320
<v Speaker 1>on a like a a high school team, right, I gotcha.

0:18:41.760 --> 0:18:44.000
<v Speaker 1>I was okay in church league.

0:18:44.400 --> 0:18:45.080
<v Speaker 2>Everybody went.

0:18:45.160 --> 0:18:47.439
<v Speaker 1>But I wouldn't embarrass myself in anything. You know.

0:18:48.800 --> 0:18:52.480
<v Speaker 2>I excelled as a child in hiding my knockoff Flintstone

0:18:52.560 --> 0:18:55.359
<v Speaker 2>vitamins in my Lincoln log houses because they were so

0:18:55.560 --> 0:19:00.439
<v Speaker 2>disgusting I couldn't eat them. I can actually almost make

0:19:00.520 --> 0:19:02.880
<v Speaker 2>myself nauseated thinking about him. Now.

0:19:03.440 --> 0:19:07.000
<v Speaker 1>Really, Betty was not a vitamin.

0:19:08.119 --> 0:19:10.600
<v Speaker 2>I don't remember that. Was she not? She was missing?

0:19:11.160 --> 0:19:13.679
<v Speaker 1>I don't think so, because I there was a local

0:19:13.720 --> 0:19:17.080
<v Speaker 1>band in Atlanta called Betty's Not a Vitamin? Okay, because

0:19:17.080 --> 0:19:18.280
<v Speaker 1>of that factod.

0:19:18.119 --> 0:19:23.280
<v Speaker 2>Well, had she been in the flintstone knockoff vitamins, I had,

0:19:23.359 --> 0:19:26.160
<v Speaker 2>she would have looked all misshaped and her name would

0:19:26.160 --> 0:19:30.680
<v Speaker 2>have been like Teddy or something like that with two

0:19:30.760 --> 0:19:31.680
<v Speaker 2>with three t's.

0:19:32.160 --> 0:19:32.680
<v Speaker 1>I love it.

0:19:33.119 --> 0:19:37.480
<v Speaker 2>There's one other thing about Larry Vanderwert's hypothesis about the cerebellum,

0:19:37.760 --> 0:19:40.280
<v Speaker 2>because he said, you know, this is a weird like

0:19:41.680 --> 0:19:46.480
<v Speaker 2>example of human natural human development. He pointed out that

0:19:46.560 --> 0:19:50.680
<v Speaker 2>part of what being a prodigy is excelling at something cultural, right,

0:19:51.200 --> 0:19:55.280
<v Speaker 2>like everything that prodigy kids do. They're not inventing anything,

0:19:55.320 --> 0:19:57.600
<v Speaker 2>they're just getting good at something that already exists.

0:19:57.840 --> 0:19:58.040
<v Speaker 1>Yeah.

0:19:58.119 --> 0:20:02.600
<v Speaker 2>Yeah, So part of his theory hypothesis is that you

0:20:02.600 --> 0:20:06.400
<v Speaker 2>couldn't have a prodigy by definition before the event of culture.

0:20:06.800 --> 0:20:10.280
<v Speaker 2>So he theorizes that probably about ten thousand years ago

0:20:10.359 --> 0:20:12.600
<v Speaker 2>is when the first prodigies started to pop up.

0:20:13.160 --> 0:20:16.520
<v Speaker 1>Oh interesting, I thought it took son her daughter.

0:20:16.760 --> 0:20:20.200
<v Speaker 2>Yeah maybe great great great great great great great great

0:20:20.240 --> 0:20:25.040
<v Speaker 2>grandson or daughter. Okay, yeah, good point, that's my posit I.

0:20:25.000 --> 0:20:27.040
<v Speaker 1>Never remember when tuk took lived, so you know, me,

0:20:27.160 --> 0:20:28.160
<v Speaker 1>I get a little confused.

0:20:28.320 --> 0:20:29.480
<v Speaker 2>He's all over the place.

0:20:30.560 --> 0:20:35.920
<v Speaker 1>So another really interesting biological piece to this is memory

0:20:36.640 --> 0:20:40.600
<v Speaker 1>and working memory is something that they found. I think

0:20:40.640 --> 0:20:44.520
<v Speaker 1>there was a paper in twenty twelve by researchers Irbach

0:20:44.680 --> 0:20:49.439
<v Speaker 1>and Rutsots. They gathered cognitive data from eight child prodigies

0:20:50.040 --> 0:20:52.200
<v Speaker 1>and they looked at a couple of things. They looked

0:20:52.200 --> 0:20:55.200
<v Speaker 1>at their developmental history. They looked at scores on the

0:20:55.240 --> 0:21:00.760
<v Speaker 1>Stanford Benet fifth Edition Intelligence test and the autismctrum quotient,

0:21:01.280 --> 0:21:05.520
<v Speaker 1>and they found, you know, there were different range of IQs,

0:21:05.600 --> 0:21:08.439
<v Speaker 1>but even the ones had high IQs weren't on the

0:21:08.480 --> 0:21:11.080
<v Speaker 1>extreme end. Of like you know, super genius or anything.

0:21:11.080 --> 0:21:15.040
<v Speaker 1>But what they did find was that every single one

0:21:15.040 --> 0:21:18.159
<v Speaker 1>of them were then the ninety ninth percentile for working memory.

0:21:18.480 --> 0:21:21.200
<v Speaker 2>I saw some also scored in the ninety nine point

0:21:21.320 --> 0:21:23.800
<v Speaker 2>ninth percentile, so.

0:21:24.359 --> 0:21:25.399
<v Speaker 1>Like there's something there.

0:21:25.600 --> 0:21:29.000
<v Speaker 2>I was reading I think a Scientific American article on this,

0:21:29.080 --> 0:21:31.440
<v Speaker 2>and they said that if you just randomly selected eight

0:21:31.480 --> 0:21:34.840
<v Speaker 2>people and gave them this test, like there's a zero

0:21:35.000 --> 0:21:38.600
<v Speaker 2>chance that they would all score in the ninety ninth percentile.

0:21:38.680 --> 0:21:42.000
<v Speaker 2>So yeah, it is quite a finding. But I think

0:21:42.040 --> 0:21:44.400
<v Speaker 2>also like a really important finding too, is that their

0:21:44.440 --> 0:21:48.360
<v Speaker 2>IQs aren't particularly eye popping. Yeah, but you know some

0:21:48.440 --> 0:21:51.520
<v Speaker 2>of them were I think past one forty, and that's

0:21:51.560 --> 0:21:55.280
<v Speaker 2>the one fortis the minimum for genius. One thirty, I

0:21:55.320 --> 0:21:58.760
<v Speaker 2>think is where being gifted starts. At least one of

0:21:58.800 --> 0:22:02.440
<v Speaker 2>them had an IQ of a hund that is exactly

0:22:02.600 --> 0:22:07.280
<v Speaker 2>average IQ. So IQ or intelligence, or at least the

0:22:07.280 --> 0:22:11.320
<v Speaker 2>way that we understand measuring intelligence with IQ. See, it

0:22:11.320 --> 0:22:13.720
<v Speaker 2>doesn't seem to have that much to do with being

0:22:13.760 --> 0:22:17.440
<v Speaker 2>a prodigy. Has some because again one hundred I think

0:22:17.520 --> 0:22:19.960
<v Speaker 2>was the minimum, and they went up to genius level

0:22:20.119 --> 0:22:23.080
<v Speaker 2>and passed, But it doesn't have nearly as much as

0:22:23.080 --> 0:22:24.080
<v Speaker 2>you would think.

0:22:24.400 --> 0:22:27.920
<v Speaker 1>Yeah, for sure. But working memory, like that's really interesting

0:22:27.960 --> 0:22:31.399
<v Speaker 1>to me because that's the last like, that's your active

0:22:31.400 --> 0:22:34.439
<v Speaker 1>working memory, the last few things that have happened, calling

0:22:34.440 --> 0:22:37.159
<v Speaker 1>those up really easily. So if you're talking you know

0:22:37.359 --> 0:22:41.800
<v Speaker 1>about obviously with you know, musicianship and chess and math

0:22:41.880 --> 0:22:44.639
<v Speaker 1>and things like that, like being able to really quickly

0:22:44.680 --> 0:22:46.840
<v Speaker 1>recall the last few notes you played, or the last

0:22:46.880 --> 0:22:51.320
<v Speaker 1>few parts of this logarithm, that's that's gonna have a

0:22:51.320 --> 0:22:52.400
<v Speaker 1>big impact obviously.

0:22:52.760 --> 0:22:55.320
<v Speaker 2>For sure. There's a good example that I found of that,

0:22:55.720 --> 0:22:58.480
<v Speaker 2>John von Newman, who would go on to become a

0:22:58.480 --> 0:23:03.760
<v Speaker 2>great mathematician, physicist, pioneering commuter computer science. He as a

0:23:04.000 --> 0:23:07.920
<v Speaker 2>child prodigy, would entertain his parents' friends at their parties

0:23:08.320 --> 0:23:10.720
<v Speaker 2>by they give him a phone book and he would

0:23:10.800 --> 0:23:12.680
<v Speaker 2>read over one of the pages and then hand the

0:23:12.680 --> 0:23:15.480
<v Speaker 2>phone book back, and they'd ask him questions like what's

0:23:15.800 --> 0:23:18.160
<v Speaker 2>you know. They'd pick a name and say what's their

0:23:18.200 --> 0:23:21.320
<v Speaker 2>phone number and address, and he'd tell them and then

0:23:21.440 --> 0:23:23.800
<v Speaker 2>they'd say, well, recite this whole page, and he would

0:23:23.840 --> 0:23:26.359
<v Speaker 2>recite it verbatim just after looking at it for a

0:23:26.400 --> 0:23:29.800
<v Speaker 2>little while, which is an amazing example of working memory.

0:23:29.840 --> 0:23:33.440
<v Speaker 2>But that's also I mean, he was a phone book prodigy,

0:23:33.480 --> 0:23:34.560
<v Speaker 2>pure and simple.

0:23:36.040 --> 0:23:38.600
<v Speaker 1>As you know. I recently had lunch with a friend

0:23:38.640 --> 0:23:41.560
<v Speaker 1>of the show and pal Kevin Pollack, the actor, yes

0:23:41.600 --> 0:23:44.359
<v Speaker 1>and comedian, and sadly you were out of town so

0:23:44.359 --> 0:23:49.000
<v Speaker 1>you couldn't go. But Pollack's first his first act was

0:23:49.920 --> 0:23:52.080
<v Speaker 1>not doing it because he's a great impressionist, as we

0:23:52.119 --> 0:23:56.760
<v Speaker 1>all know, not doing impressions of comedy albums. Like a

0:23:56.800 --> 0:23:58.320
<v Speaker 1>lot of kids, the first thing they do is like

0:23:58.400 --> 0:24:01.040
<v Speaker 1>just repeat the bits from comedy record or specials, right.

0:24:01.280 --> 0:24:05.560
<v Speaker 1>He would he would mouth them in perfect synchronicity.

0:24:05.880 --> 0:24:06.359
<v Speaker 2>Oh wow.

0:24:06.600 --> 0:24:09.560
<v Speaker 1>So he would do air air comedy and he would

0:24:09.600 --> 0:24:12.880
<v Speaker 1>do like the throat clears and everything, and he did it,

0:24:12.960 --> 0:24:15.119
<v Speaker 1>you know as like I don't know how young he was.

0:24:15.160 --> 0:24:17.240
<v Speaker 1>He said he was like six or seven to where

0:24:17.280 --> 0:24:19.119
<v Speaker 1>like one of his mom's neighbors or one of his

0:24:19.160 --> 0:24:20.920
<v Speaker 1>neighbors or one of his mom's friends was like, you're

0:24:20.920 --> 0:24:24.159
<v Speaker 1>doing this at the you know, the shine bombs, bar

0:24:24.240 --> 0:24:26.679
<v Speaker 1>mitsv it next week, like I'm booking you. And he

0:24:26.800 --> 0:24:28.960
<v Speaker 1>was like for the first six years or so of

0:24:28.960 --> 0:24:31.120
<v Speaker 1>his life, like he did at school, like my act

0:24:31.280 --> 0:24:33.560
<v Speaker 1>was completely just mouthing these comedy bits.

0:24:33.680 --> 0:24:36.199
<v Speaker 2>That's pretty awesome. Yeah, it's fun. It's impressive. He was

0:24:36.200 --> 0:24:38.360
<v Speaker 2>a Richard Pryor comedy album prodigy.

0:24:38.800 --> 0:24:40.679
<v Speaker 1>Well, I mean he made a good point which was

0:24:41.160 --> 0:24:44.000
<v Speaker 1>he was like, the material killed because the material was great,

0:24:44.000 --> 0:24:46.560
<v Speaker 1>because it was like the best comics. And he went

0:24:46.600 --> 0:24:48.560
<v Speaker 1>and then I got it down so good that part killed,

0:24:48.760 --> 0:24:49.960
<v Speaker 1>and he was like I couldn't fail.

0:24:50.000 --> 0:24:51.720
<v Speaker 2>Basically, that's pretty great man.

0:24:51.840 --> 0:24:52.639
<v Speaker 1>Yeah, fun story.

0:24:53.920 --> 0:24:56.760
<v Speaker 2>Oh yeah, So one other thing about working memory, Chuck,

0:24:56.800 --> 0:25:00.119
<v Speaker 2>before we move on. One of the things that that

0:25:00.240 --> 0:25:03.320
<v Speaker 2>helps with is learning things like chess or math, or

0:25:03.400 --> 0:25:07.440
<v Speaker 2>things that have steps to them. You're keeping the information

0:25:07.560 --> 0:25:09.920
<v Speaker 2>you need to complete this step so you can move

0:25:09.960 --> 0:25:12.320
<v Speaker 2>on to the next and you're probably also thinking about

0:25:12.320 --> 0:25:15.960
<v Speaker 2>what the next step is too simultaneously. Working memory really

0:25:16.000 --> 0:25:18.119
<v Speaker 2>comes in handy for that. So it makes sense that

0:25:18.160 --> 0:25:23.000
<v Speaker 2>they have just amazing working memory levels.

0:25:23.520 --> 0:25:26.560
<v Speaker 1>Yeah. And the connection to autism is really interesting too

0:25:26.640 --> 0:25:29.040
<v Speaker 1>because in that paper, you know, and from twenty twelve,

0:25:29.080 --> 0:25:32.440
<v Speaker 1>I mentioned that they looked at cognitive data for several things,

0:25:32.440 --> 0:25:35.520
<v Speaker 1>one of which was the autism spectrum quotient, and they

0:25:35.560 --> 0:25:37.800
<v Speaker 1>found it. You know, they found a pretty undeniable connection.

0:25:37.880 --> 0:25:42.800
<v Speaker 1>They found that subjects who were prodigies had definitely had

0:25:42.800 --> 0:25:47.440
<v Speaker 1>more autistic relatives than the general population does, and very

0:25:47.520 --> 0:25:50.640
<v Speaker 1>high scores and the attention to detail part of the

0:25:50.680 --> 0:25:54.679
<v Speaker 1>autism spectrum quotient. So you know, attention to detail is

0:25:54.720 --> 0:25:58.000
<v Speaker 1>something obviously if you have a gift for you might

0:25:58.160 --> 0:25:59.120
<v Speaker 1>wind up a prodigy.

0:25:59.480 --> 0:26:04.679
<v Speaker 2>Yeah, but they didn't score high or beyond the general

0:26:04.720 --> 0:26:09.280
<v Speaker 2>population and the other parts of the autism spectrum quotient. Yeah,

0:26:09.320 --> 0:26:14.000
<v Speaker 2>so they don't have autism. I think that's because there's

0:26:14.040 --> 0:26:17.440
<v Speaker 2>a separate group where if you have like severe autism

0:26:17.520 --> 0:26:22.680
<v Speaker 2>or some other cognitive difference, you are a savant. You're

0:26:22.680 --> 0:26:25.040
<v Speaker 2>not a prodigy. You're a savant, even though the stuff

0:26:25.080 --> 0:26:30.120
<v Speaker 2>you're doing is prodigious. It's yeah, you're you're considered separate

0:26:30.160 --> 0:26:31.960
<v Speaker 2>for some reason. I don't know why, but that seems

0:26:32.000 --> 0:26:33.080
<v Speaker 2>to still be the case.

0:26:33.640 --> 0:26:38.679
<v Speaker 1>Yeah, that's interesting. Those same two researchers, Ruth Zots and

0:26:39.640 --> 0:26:45.040
<v Speaker 1>was it Ulbach Ulrock Urbabach, Urbach Jerry Orbach Jerry Orboch,

0:26:45.840 --> 0:26:47.879
<v Speaker 1>they did it. They authored a second paper, and this

0:26:47.960 --> 0:26:50.600
<v Speaker 1>is from twenty fourteen, where they studied eighteen prodigies this

0:26:50.680 --> 0:26:54.680
<v Speaker 1>time and they were masters. These eighteen and either math, music,

0:26:54.760 --> 0:26:56.920
<v Speaker 1>or art, and some of the patterns they found were

0:26:56.920 --> 0:27:00.120
<v Speaker 1>pretty interesting. They all had that same great working memory,

0:27:00.800 --> 0:27:02.760
<v Speaker 1>so that was sort of proved out a little further even,

0:27:03.280 --> 0:27:06.240
<v Speaker 1>but the music and math prodigy scored a lot higher

0:27:06.359 --> 0:27:09.800
<v Speaker 1>on working memory than even the art prodigies, and this

0:27:09.960 --> 0:27:12.560
<v Speaker 1>was super interesting to me. The math prodigies displayed the

0:27:12.600 --> 0:27:17.760
<v Speaker 1>highest levels of overall intelligence and extraordinary visual spatial skills,

0:27:18.160 --> 0:27:22.680
<v Speaker 1>where as the art prodigies had the lowest visual spatial scores. Yeah,

0:27:22.760 --> 0:27:25.080
<v Speaker 1>which is weird, Yeah, counterintuitive.

0:27:27.000 --> 0:27:29.400
<v Speaker 2>Should we take a break or keep going? Yeah, let's

0:27:29.400 --> 0:27:31.399
<v Speaker 2>take a break. Okay, We're going to take a break.

0:27:31.400 --> 0:27:58.919
<v Speaker 2>Everybody here, we go. Okay, Chuck. So we've talked a

0:27:58.920 --> 0:28:02.359
<v Speaker 2>couple of times about how prodigy experts agree that it

0:28:02.400 --> 0:28:05.320
<v Speaker 2>does seem to be a combination of nature and nurture.

0:28:05.400 --> 0:28:08.240
<v Speaker 2>I think perfect storm is a term that people use

0:28:08.280 --> 0:28:13.560
<v Speaker 2>a lot. So the parents of a prodigy definitely do

0:28:13.760 --> 0:28:18.199
<v Speaker 2>have a role in their development as a prodigy, and

0:28:18.240 --> 0:28:21.359
<v Speaker 2>there have been parents of prodigies who have really kind

0:28:21.359 --> 0:28:25.400
<v Speaker 2>of claimed that they're essentially responsible for their child's prodigy.

0:28:26.840 --> 0:28:30.479
<v Speaker 2>There was a I think William James Sittis's dad, Remember

0:28:30.480 --> 0:28:34.160
<v Speaker 2>we did a whole episode on that poor guy. Oh yeah, deal,

0:28:34.840 --> 0:28:39.160
<v Speaker 2>he was one of the most amazing child prodigies of

0:28:39.200 --> 0:28:43.800
<v Speaker 2>all time, just beyond gifted, just dusted other prodigies like

0:28:43.880 --> 0:28:48.320
<v Speaker 2>made them look like just lumps of unmolded clay, done

0:28:48.400 --> 0:28:53.520
<v Speaker 2>by an artist prodigy with terrible visual spatial skills. Essentially,

0:28:53.880 --> 0:28:56.400
<v Speaker 2>I love it. But he's but he was worth his

0:28:56.480 --> 0:28:58.640
<v Speaker 2>whole his own episode. It was a good episode. But

0:28:58.760 --> 0:29:02.480
<v Speaker 2>his dad, Boris was taught him from a very early age,

0:29:02.560 --> 0:29:06.080
<v Speaker 2>essentially from basically when he was born, and he essentially

0:29:06.120 --> 0:29:11.200
<v Speaker 2>claimed responsibility. There's another very famous prodigy whose name was

0:29:11.240 --> 0:29:16.680
<v Speaker 2>Winnifred Sackville Stoner junior, and her mom was Winnifred Sackville

0:29:16.680 --> 0:29:23.240
<v Speaker 2>Stoner senior, and her mom claimed responsibility for her child's prodigy.

0:29:23.560 --> 0:29:26.320
<v Speaker 2>We'll talk a little bit more about them, but parents

0:29:26.360 --> 0:29:29.720
<v Speaker 2>do play a huge role, even when even if it's

0:29:29.720 --> 0:29:31.719
<v Speaker 2>not quite as far as some of them boast.

0:29:32.360 --> 0:29:34.400
<v Speaker 1>Yeah, I mean, you know, if you're going to be

0:29:34.400 --> 0:29:38.280
<v Speaker 1>a prodigy at golf or tennis or you know, piano

0:29:38.440 --> 0:29:41.520
<v Speaker 1>or something like that, it requires you know, those those

0:29:41.560 --> 0:29:44.320
<v Speaker 1>things aren't cheap. I mean, certainly there are stories of

0:29:44.360 --> 0:29:46.960
<v Speaker 1>people who from a family that maybe you know, didn't

0:29:47.040 --> 0:29:49.600
<v Speaker 1>have the kind of resources that other families might have

0:29:49.640 --> 0:29:52.760
<v Speaker 1>that you know, find a local municipal golf course where

0:29:52.760 --> 0:29:54.440
<v Speaker 1>they can go and play super cheap. But those are

0:29:54.440 --> 0:29:57.040
<v Speaker 1>like those are kind of rich kid sports pianos cost

0:29:57.120 --> 0:29:59.320
<v Speaker 1>a lot of money. So a lot of times with

0:29:59.400 --> 0:30:02.000
<v Speaker 1>these if you look at the parents in the family situation,

0:30:02.720 --> 0:30:07.080
<v Speaker 1>they are very involved parents who have resources to make

0:30:07.080 --> 0:30:10.160
<v Speaker 1>it happen, not only with equipment, but dedicating the time

0:30:10.280 --> 0:30:14.040
<v Speaker 1>and hiring a lot of times at very expensive hourly rates,

0:30:14.080 --> 0:30:16.240
<v Speaker 1>like masters in that thing to help teach that kid.

0:30:16.400 --> 0:30:19.280
<v Speaker 2>Yeah. Yeah, so yeah, you can boil it down to

0:30:19.600 --> 0:30:23.800
<v Speaker 2>a handful of factors that parents play a large role in. First,

0:30:23.880 --> 0:30:25.560
<v Speaker 2>you have to start that with the kid has a

0:30:25.640 --> 0:30:30.400
<v Speaker 2>natural ability, right, you don't teach that that has to

0:30:30.440 --> 0:30:31.360
<v Speaker 2>exist already.

0:30:31.760 --> 0:30:32.000
<v Speaker 1>Yes.

0:30:33.120 --> 0:30:36.840
<v Speaker 2>Then that the kid has to have access to those teachers.

0:30:37.080 --> 0:30:40.600
<v Speaker 2>And like you said, these aren't Joe Schmoe teachers like

0:30:40.640 --> 0:30:42.600
<v Speaker 2>teaching out of their house on the side for a

0:30:42.600 --> 0:30:45.400
<v Speaker 2>little extra cash. These are like the best of the

0:30:45.440 --> 0:30:49.719
<v Speaker 2>best teacher experts in this field. That's who the parents

0:30:49.760 --> 0:30:53.320
<v Speaker 2>need to have the resources to pay, and those teachers

0:30:53.360 --> 0:30:55.720
<v Speaker 2>have to come in at just the right moment. I

0:30:55.760 --> 0:30:58.320
<v Speaker 2>don't think it's necessarily down to the minute, but they

0:30:58.360 --> 0:31:01.520
<v Speaker 2>have to come pretty early in the kid's development so

0:31:01.560 --> 0:31:04.440
<v Speaker 2>that the kid doesn't get bored because they've gone as

0:31:04.480 --> 0:31:07.360
<v Speaker 2>far as they can go, or because they don't necessarily

0:31:07.480 --> 0:31:09.600
<v Speaker 2>understand what would even be next.

0:31:10.320 --> 0:31:12.600
<v Speaker 1>Yeah, or you know, you might get lucky and have

0:31:12.760 --> 0:31:16.400
<v Speaker 1>that within your own family, like I I mean, I

0:31:16.440 --> 0:31:21.520
<v Speaker 1>think Wolfgang van Halen. I don't know what age he

0:31:21.600 --> 0:31:25.080
<v Speaker 1>achieved his level of talent, but you know he had

0:31:25.080 --> 0:31:28.720
<v Speaker 1>a built in situation with his father and was the

0:31:28.800 --> 0:31:31.120
<v Speaker 1>touring bassist and backup singer with Van Halen when he

0:31:31.160 --> 0:31:34.840
<v Speaker 1>was like sixteen years old, and can play everything, like

0:31:34.920 --> 0:31:37.920
<v Speaker 1>I mean, he's not just a guitar guy, but he

0:31:38.440 --> 0:31:41.000
<v Speaker 1>plays on his records with his band Mammoth. He plays

0:31:41.040 --> 0:31:42.760
<v Speaker 1>it all. He plays the drums, he plays the keyboards,

0:31:42.760 --> 0:31:44.760
<v Speaker 1>he plays the bass, he plays the guitar, he does

0:31:44.760 --> 0:31:47.360
<v Speaker 1>all the singing. He's like, you know, he's a prodigy,

0:31:47.400 --> 0:31:49.160
<v Speaker 1>and he had a built in teacher as a you know,

0:31:49.200 --> 0:31:50.840
<v Speaker 1>one of the greatest guitar players of all time.

0:31:52.160 --> 0:31:54.880
<v Speaker 2>I thought you were joking. I didn't realize that Eddie

0:31:54.920 --> 0:31:57.800
<v Speaker 2>van Halen's son is named Wolfgang. I thought you were

0:31:57.840 --> 0:31:59.560
<v Speaker 2>making a joke about Mozart.

0:32:00.200 --> 0:32:01.680
<v Speaker 1>We no, I mean that is kind of funny.

0:32:01.880 --> 0:32:05.560
<v Speaker 2>Well, Mozart's father is he was a music teacher as well.

0:32:07.120 --> 0:32:08.480
<v Speaker 1>And his name was Eddie Vnhalen.

0:32:09.440 --> 0:32:13.400
<v Speaker 2>Sorry. Yeah, so yeah, if you have a like you said,

0:32:13.400 --> 0:32:17.080
<v Speaker 2>a built in family member already that knows what they're

0:32:17.080 --> 0:32:21.040
<v Speaker 2>doing and can teach you at least early on, that

0:32:21.200 --> 0:32:24.400
<v Speaker 2>helps a lot. I think also Picasso, his father was

0:32:24.440 --> 0:32:27.720
<v Speaker 2>an art instructor, but oh I didn't know that. Yeah,

0:32:27.800 --> 0:32:32.280
<v Speaker 2>Picasso just excelled way beyond his father, very very early on.

0:32:32.680 --> 0:32:34.480
<v Speaker 2>I think his father also kind of took that a

0:32:34.480 --> 0:32:36.400
<v Speaker 2>little personally. Seems like the type.

0:32:36.920 --> 0:32:39.200
<v Speaker 1>Yeah, and you know, there are some exceptions here, Like

0:32:39.560 --> 0:32:42.240
<v Speaker 1>with everything, it's not like every single prodigy has had

0:32:42.680 --> 0:32:45.120
<v Speaker 1>the means and the resources and the parents that threw

0:32:45.480 --> 0:32:48.240
<v Speaker 1>everything at them to try and help them. And one

0:32:48.640 --> 0:32:54.440
<v Speaker 1>notable exception Julia found was Blaize Pascal, the French math prodigy.

0:32:54.840 --> 0:32:56.800
<v Speaker 1>He was born in sixteen twenty three and at the

0:32:56.840 --> 0:33:01.000
<v Speaker 1>beginning of his schooling, his dad very famous appetition. At

0:33:01.080 --> 0:33:04.960
<v Speaker 1>the end, Pascal said, I want my kid to learn

0:33:04.960 --> 0:33:08.080
<v Speaker 1>more than math, and math is so interesting. If he

0:33:08.120 --> 0:33:10.320
<v Speaker 1>gets a hold of these math books. He's going to

0:33:10.360 --> 0:33:13.520
<v Speaker 1>ignore everything else because math is so incredible, and so

0:33:13.560 --> 0:33:15.800
<v Speaker 1>he hid all the math books in his house. But

0:33:16.080 --> 0:33:20.360
<v Speaker 1>young Pascal got an outdated math book somehow that was

0:33:20.400 --> 0:33:23.600
<v Speaker 1>in English, even though he only spoke French. And he

0:33:23.680 --> 0:33:27.000
<v Speaker 1>was so smart in such a prodigy, he translated that

0:33:27.160 --> 0:33:31.239
<v Speaker 1>and reinvented parts of that of like geometry in that

0:33:31.280 --> 0:33:33.080
<v Speaker 1>book that weren't in the book.

0:33:33.280 --> 0:33:36.880
<v Speaker 2>Right. Yeah, he also came up with probability theory later on.

0:33:37.120 --> 0:33:41.239
<v Speaker 2>Like he was definitely a math prodigy, and so he

0:33:41.320 --> 0:33:46.640
<v Speaker 2>overcame an absence of material. There's also some good examples

0:33:46.720 --> 0:33:52.920
<v Speaker 2>of prodigies who overcame a like an absence of resources, right, So,

0:33:53.040 --> 0:33:56.040
<v Speaker 2>like they came from very poor families, like Stevie Wonder

0:33:56.120 --> 0:33:59.440
<v Speaker 2>is a very good example of that, self taught musician

0:33:59.520 --> 0:34:04.280
<v Speaker 2>on all sorts different instruments, and his parents did not

0:34:04.400 --> 0:34:07.360
<v Speaker 2>have their resources to buy them all these things. There

0:34:07.400 --> 0:34:10.280
<v Speaker 2>was another guy from the turn of the last century

0:34:10.680 --> 0:34:16.000
<v Speaker 2>named Srinivasa Ramanujohn and he was very poor in India,

0:34:16.680 --> 0:34:19.680
<v Speaker 2>came from a very poor family, and he, like Blaize Pascal,

0:34:19.800 --> 0:34:22.640
<v Speaker 2>got his hands on an outdated math book and just

0:34:22.760 --> 0:34:27.480
<v Speaker 2>taught himself math and became he ended up studying at Cambridge.

0:34:28.080 --> 0:34:30.279
<v Speaker 1>Yeah, for sure. I mean, there are definitely those examples,

0:34:30.960 --> 0:34:33.479
<v Speaker 1>but they're they're also on the other side, like plenty

0:34:33.520 --> 0:34:36.960
<v Speaker 1>of examples of you know, the the nurture thing going

0:34:37.520 --> 0:34:41.480
<v Speaker 1>in a bad direction. Yeah, where the parents have and

0:34:41.520 --> 0:34:43.719
<v Speaker 1>I know we Julie didn't cover this, but in our

0:34:43.760 --> 0:34:46.920
<v Speaker 1>book we covered. Do you remember who wrote that chapter, by.

0:34:46.880 --> 0:34:49.799
<v Speaker 2>The way, I think it was yours.

0:34:50.200 --> 0:34:52.760
<v Speaker 1>I think it was too so long ago. I don't remember,

0:34:52.920 --> 0:34:55.480
<v Speaker 1>I know you mean, but I think it might have

0:34:55.560 --> 0:34:58.400
<v Speaker 1>been mine because I remember very much wanting to include

0:34:58.400 --> 0:35:00.759
<v Speaker 1>and did include in the book the story of Time Marinovich,

0:35:01.320 --> 0:35:06.840
<v Speaker 1>who was a prodigious quarterback, and another you know example

0:35:06.840 --> 0:35:10.040
<v Speaker 1>at Jennifer Capriotti, the tennis prodigy. Like they were kids

0:35:10.040 --> 0:35:13.560
<v Speaker 1>who were both excelling to the point where they were

0:35:13.600 --> 0:35:17.560
<v Speaker 1>young teenagers and sports illustrated being written about, and they

0:35:17.600 --> 0:35:21.239
<v Speaker 1>were pushed by these overbearing fathers in their case, and

0:35:21.360 --> 0:35:24.200
<v Speaker 1>they both burned out and washed out and ended up,

0:35:24.320 --> 0:35:27.480
<v Speaker 1>you know, having problems with drugs and problems with the

0:35:27.560 --> 0:35:30.080
<v Speaker 1>law and stuff like that. So there are some pretty

0:35:30.080 --> 0:35:33.239
<v Speaker 1>sad cases there where parents take what could potentially be

0:35:33.360 --> 0:35:36.360
<v Speaker 1>a good thing and just ruin it because their parents.

0:35:36.920 --> 0:35:39.640
<v Speaker 2>You know, I was reading today about Venus and Serena

0:35:39.680 --> 0:35:47.600
<v Speaker 2>Williams and their tennis prodigy status. I guess, but yeah, Richard,

0:35:47.640 --> 0:35:52.359
<v Speaker 2>their father, Richard Williams, he had Venus turned pro at

0:35:52.400 --> 0:35:57.320
<v Speaker 2>age fourteen because the USTA was about to release the

0:35:57.400 --> 0:36:01.120
<v Speaker 2>Kapriati rule, which was like U king urn pro after

0:36:01.160 --> 0:36:05.360
<v Speaker 2>a certain age because Jack Dicapriotti was such a cautionary tale.

0:36:05.880 --> 0:36:08.960
<v Speaker 2>So before the rule could be passed, Richard was like,

0:36:09.080 --> 0:36:12.600
<v Speaker 2>you're turning pro now. And her debut she beat number

0:36:12.680 --> 0:36:17.600
<v Speaker 2>sixty six and almost beat number the top seeded player

0:36:17.840 --> 0:36:22.200
<v Speaker 2>at her first professional tournament age fourteen. Yeah.

0:36:22.239 --> 0:36:24.879
<v Speaker 1>Boy, those William's sisters were fun, or still are fun

0:36:24.920 --> 0:36:28.640
<v Speaker 1>to watch. I didn't see that movie, did you, King Richard?

0:36:29.840 --> 0:36:35.200
<v Speaker 2>No, I didn't. Okay, moving on, Yeah, we have nothing

0:36:35.239 --> 0:36:36.960
<v Speaker 2>to say about it then, apparently.

0:36:36.960 --> 0:36:39.680
<v Speaker 1>Well, speaking of moving on, we're to the point where

0:36:39.680 --> 0:36:42.120
<v Speaker 1>we talk about when you're not a prodigy anymore, because

0:36:42.120 --> 0:36:46.400
<v Speaker 1>you mentioned early on you know, once you have mastered

0:36:46.400 --> 0:36:49.200
<v Speaker 1>this thing, that's it, and a lot of times that

0:36:49.360 --> 0:36:52.200
<v Speaker 1>is it. Some you know, there are different stories. Some

0:36:52.200 --> 0:36:55.600
<v Speaker 1>some flame out and go down a bad road. Some

0:36:55.640 --> 0:36:57.719
<v Speaker 1>go on to have you know, great careers doing their thing,

0:36:57.760 --> 0:37:00.480
<v Speaker 1>like you mentioned Mozart obviously, but some going to have

0:37:00.520 --> 0:37:03.240
<v Speaker 1>great careers and it's not like a super famous situation

0:37:03.360 --> 0:37:07.239
<v Speaker 1>like Mozart, but they do great for themselves. But you know,

0:37:07.280 --> 0:37:09.279
<v Speaker 1>it's like being a child movie star, Like once you

0:37:09.320 --> 0:37:13.440
<v Speaker 1>reach a certain age, that sort of appeal might be

0:37:13.520 --> 0:37:15.759
<v Speaker 1>over the adorableness of the kid that can play the

0:37:15.760 --> 0:37:18.120
<v Speaker 1>piano at ten years old, right, and you're just an

0:37:18.160 --> 0:37:20.239
<v Speaker 1>adult who can play the piano really well, and all

0:37:20.239 --> 0:37:22.319
<v Speaker 1>of a sudden, you're not special anymore, and that can

0:37:22.400 --> 0:37:23.160
<v Speaker 1>lead to a big fall.

0:37:23.440 --> 0:37:27.600
<v Speaker 2>Yeah, yeah, it can because you're essentially, especially at the

0:37:28.040 --> 0:37:31.120
<v Speaker 2>early on in the twentieth century when the papers would

0:37:31.160 --> 0:37:34.280
<v Speaker 2>track you down and ask your opinion as a child prodigy,

0:37:34.760 --> 0:37:37.520
<v Speaker 2>you were a child star essentially, and that is not

0:37:37.680 --> 0:37:41.560
<v Speaker 2>something that society has figured out how to handle properly.

0:37:42.160 --> 0:37:44.000
<v Speaker 2>We don't know what to do with child stars, so

0:37:44.040 --> 0:37:46.279
<v Speaker 2>instead we just chew them up and spit them out

0:37:46.320 --> 0:37:48.840
<v Speaker 2>and say good luck, we don't need you any longer.

0:37:49.160 --> 0:37:53.239
<v Speaker 2>That same effect in general can happen to child prodigies,

0:37:53.560 --> 0:37:58.840
<v Speaker 2>and one really good example is Bobby Fisher. He's He's, He's.

0:37:58.960 --> 0:38:03.040
<v Speaker 2>The cautionary tale for child prodigies and how bad things

0:38:03.120 --> 0:38:05.240
<v Speaker 2>can get after you're not a prodigy anymore.

0:38:05.840 --> 0:38:09.560
<v Speaker 1>Yeah, for sure, he was the chess prodigy. I've recommended

0:38:09.560 --> 0:38:12.120
<v Speaker 1>it before, but the great, great film Searching for Bobby

0:38:12.120 --> 0:38:15.560
<v Speaker 1>Fischer is so so good, highly recommended. But he was

0:38:15.600 --> 0:38:19.000
<v Speaker 1>born in Chicago in the forties, was playing competitive chess

0:38:19.000 --> 0:38:20.640
<v Speaker 1>by the age of eight and when the US opened

0:38:20.640 --> 0:38:24.879
<v Speaker 1>at fourteen, and became the youngest international grand master at

0:38:25.000 --> 0:38:28.359
<v Speaker 1>fifteen years old in nineteen fifty eight. Fifteen years old

0:38:28.360 --> 0:38:33.480
<v Speaker 1>in six months. But when his career fell, he fell

0:38:33.560 --> 0:38:37.600
<v Speaker 1>hard and spent a couple of decades roaming around southern

0:38:37.680 --> 0:38:41.080
<v Speaker 1>California destitute. He spent nine months in a Japanese prison,

0:38:41.280 --> 0:38:43.799
<v Speaker 1>and is kind of known, you know, for the last

0:38:43.840 --> 0:38:46.240
<v Speaker 1>couple of decades of his life as being a pretty

0:38:46.360 --> 0:38:47.759
<v Speaker 1>hateful anti Semite.

0:38:48.200 --> 0:38:51.719
<v Speaker 2>Yeah, yeah, he he. I don't know if he had

0:38:51.760 --> 0:38:54.040
<v Speaker 2>a blog or something like that, but after nine to

0:38:54.040 --> 0:38:58.920
<v Speaker 2>eleven he publicly celebrated it on his blog, like he yeah,

0:38:58.960 --> 0:39:04.000
<v Speaker 2>he really just took some seriously weird turns, and yeah

0:39:04.280 --> 0:39:07.359
<v Speaker 2>he was. He's just a great example of how bad

0:39:07.440 --> 0:39:10.560
<v Speaker 2>things can get after society's done with you and you're

0:39:10.600 --> 0:39:16.800
<v Speaker 2>not useful anymore not adorable or noteworthy. I think also

0:39:16.880 --> 0:39:21.160
<v Speaker 2>he clearly had some mental health issues that were yeah,

0:39:21.680 --> 0:39:24.600
<v Speaker 2>probably going to emerge either way.

0:39:24.680 --> 0:39:25.840
<v Speaker 1>But yeah, yeah, being a.

0:39:25.880 --> 0:39:28.759
<v Speaker 2>Child prodigy and it's such a weird way to grow

0:39:28.880 --> 0:39:30.480
<v Speaker 2>up that could not have helped at all.

0:39:31.239 --> 0:39:34.400
<v Speaker 1>Yeah, and you know, there are other cases of kids,

0:39:34.400 --> 0:39:36.600
<v Speaker 1>and here's a piece of advice. You can do what

0:39:36.640 --> 0:39:38.560
<v Speaker 1>you want if you've got a really pretty genius kid,

0:39:38.600 --> 0:39:41.239
<v Speaker 1>but don't send your kid to college at like twelve

0:39:41.280 --> 0:39:44.319
<v Speaker 1>years old. Now, I just I don't see that ever

0:39:44.440 --> 0:39:46.640
<v Speaker 1>leading to good things. I think you should try and

0:39:46.760 --> 0:39:50.160
<v Speaker 1>normalize a child's childhood as much as possible, even if

0:39:50.160 --> 0:39:52.960
<v Speaker 1>they're you know, unchallenged in school. There are other ways

0:39:52.960 --> 0:39:55.080
<v Speaker 1>that you can foster that, I think, besides saying you're

0:39:55.120 --> 0:39:57.120
<v Speaker 1>going to Harvard at eleven and you're going to be

0:39:57.120 --> 0:40:00.000
<v Speaker 1>in the newspapers for that. The case of Elizabeth Benson,

0:40:00.840 --> 0:40:04.200
<v Speaker 1>she was a two hundred and fourteen plus IQ kid

0:40:04.239 --> 0:40:08.600
<v Speaker 1>who went to college at twelve and graduated and disappeared.

0:40:09.200 --> 0:40:11.439
<v Speaker 1>And later on that was one of those like where

0:40:11.440 --> 0:40:14.359
<v Speaker 1>are they now? Articles? And this is no shade at

0:40:14.440 --> 0:40:17.359
<v Speaker 1>somebody who's a cashier. It's a fine job, and we

0:40:17.400 --> 0:40:21.719
<v Speaker 1>need cashiers. But the article very much was like this

0:40:21.840 --> 0:40:24.719
<v Speaker 1>former child prodigy is now just a cashier, and that

0:40:24.840 --> 0:40:26.160
<v Speaker 1>was sort of how it was framed.

0:40:26.520 --> 0:40:30.720
<v Speaker 2>Yeah, but despite that, she kept like batting away that

0:40:30.719 --> 0:40:33.680
<v Speaker 2>that kind of sentiment and just talking about how happy

0:40:33.719 --> 0:40:37.160
<v Speaker 2>she was. She's she was married. She was very happy

0:40:37.200 --> 0:40:39.800
<v Speaker 2>with her very normal life with her very normal husband.

0:40:39.920 --> 0:40:43.400
<v Speaker 2>And this is a person like a two hundred and fourteen,

0:40:43.440 --> 0:40:45.160
<v Speaker 2>it has a plus next to it, which might as

0:40:45.160 --> 0:40:49.320
<v Speaker 2>well be an asterisk. She scored perfectly on an IQ test.

0:40:49.640 --> 0:40:51.839
<v Speaker 2>And the reason that plus is there is because they

0:40:51.880 --> 0:40:54.239
<v Speaker 2>imagined she could have kept going, but they ran out

0:40:54.239 --> 0:40:55.000
<v Speaker 2>of questions.

0:40:56.400 --> 0:40:57.000
<v Speaker 1>Y got a question.

0:40:57.160 --> 0:40:59.799
<v Speaker 2>Yeah, so she and she even considered herself in the

0:40:59.880 --> 0:41:01.840
<v Speaker 2>art article. She said, you know, based on the stories

0:41:01.880 --> 0:41:05.480
<v Speaker 2>of some of my peers, like I actually got off

0:41:05.520 --> 0:41:09.240
<v Speaker 2>pretty well, Like I'm happy with life as an adult, right, Yeah,

0:41:09.280 --> 0:41:12.680
<v Speaker 2>but yeah, she's an example of one that went pretty well.

0:41:13.000 --> 0:41:15.920
<v Speaker 2>But the best that you could do if you don't

0:41:16.200 --> 0:41:20.040
<v Speaker 2>eventually turn into an adult who starts contributing greatly to

0:41:20.160 --> 0:41:23.680
<v Speaker 2>your fields of interest, like Mozart, like John von Newman,

0:41:24.000 --> 0:41:26.880
<v Speaker 2>like Pablo Picasso, the best you can hope for is

0:41:26.920 --> 0:41:29.440
<v Speaker 2>to lead a normal life as an adult.

0:41:29.760 --> 0:41:31.839
<v Speaker 1>You know, I keep thinking you're gonna say John bon

0:41:31.920 --> 0:41:32.719
<v Speaker 1>Job every time.

0:41:34.280 --> 0:41:36.319
<v Speaker 2>I keep wanting to call him Johann too, and it's

0:41:36.360 --> 0:41:37.920
<v Speaker 2>not oh interesting.

0:41:38.080 --> 0:41:42.440
<v Speaker 1>Yeah, you mentioned Winnifred Sackville Stoner Junior or early on.

0:41:42.600 --> 0:41:46.880
<v Speaker 1>She was a language prodigy in the early twentieth century,

0:41:47.560 --> 0:41:52.440
<v Speaker 1>probably most famous for in fourteen hundred ninety two Columbus

0:41:52.480 --> 0:41:56.280
<v Speaker 1>Aaled the Ocean Blue was written by Winnifred Sackville Stoner Junior.

0:41:56.960 --> 0:41:59.080
<v Speaker 1>But her mom was one of those parents that really

0:41:59.080 --> 0:42:02.120
<v Speaker 1>really pushed her a parent mm hm, and gained a

0:42:02.160 --> 0:42:04.280
<v Speaker 1>lot of fame. Like the mother did, she wrote books

0:42:04.320 --> 0:42:09.640
<v Speaker 1>about it. Was sort of like Royal Tanninbaum's when Ethelene Tannenbaum,

0:42:09.760 --> 0:42:14.160
<v Speaker 1>you know, talked about her prodigious family of children. And

0:42:14.239 --> 0:42:15.799
<v Speaker 1>I think we mentioned the tann and bombs in the book,

0:42:15.800 --> 0:42:18.120
<v Speaker 1>of course, because I wrote the chapter. Yeah, that's one

0:42:18.160 --> 0:42:21.400
<v Speaker 1>of my favorite movies. But the mom gained a lot

0:42:21.400 --> 0:42:24.800
<v Speaker 1>of attention and was on the like the lecture circuit

0:42:24.800 --> 0:42:29.200
<v Speaker 1>and stuff like that, and the daughter was like, you know,

0:42:29.960 --> 0:42:32.839
<v Speaker 1>take my advice, dear mothers, spare your children from so

0:42:32.880 --> 0:42:36.000
<v Speaker 1>called fame which easily turns to shame, and be happy

0:42:36.080 --> 0:42:38.200
<v Speaker 1>if you have a happy, healthy, contented boy or girl,

0:42:39.200 --> 0:42:39.839
<v Speaker 1>Amen to that.

0:42:40.120 --> 0:42:43.680
<v Speaker 2>Yeah, it's great advice, great advice. So if you have

0:42:43.719 --> 0:42:49.160
<v Speaker 2>a child prodigy on your hands, trade carefully, console experts,

0:42:49.160 --> 0:42:51.359
<v Speaker 2>maybe get in touch with Ellen Winner. I'm sure she'd

0:42:51.400 --> 0:42:54.040
<v Speaker 2>be very happy to speak with you and tell you

0:42:54.080 --> 0:42:58.200
<v Speaker 2>what not to do. So there you go. That's our

0:42:58.360 --> 0:43:02.040
<v Speaker 2>annual dose of advice for the parents of child prodigies.

0:43:02.640 --> 0:43:04.680
<v Speaker 1>Yeah, and I also want to say, I bet it's

0:43:04.960 --> 0:43:07.840
<v Speaker 1>not the easiest thing though, to be fair to parents,

0:43:07.920 --> 0:43:10.160
<v Speaker 1>you know, it's it puts them in a tough position

0:43:10.160 --> 0:43:11.920
<v Speaker 1>if your kid is obsessed with this one thing and

0:43:11.960 --> 0:43:14.719
<v Speaker 1>clearly super gifted, because you don't want to squash that.

0:43:14.840 --> 0:43:17.040
<v Speaker 1>So it's a it's a tight rope you're walking there,

0:43:17.040 --> 0:43:18.000
<v Speaker 1>so you know, I get it.

0:43:18.160 --> 0:43:20.480
<v Speaker 2>Yeah, for sure. Yeah, it's not a position I would

0:43:20.600 --> 0:43:23.279
<v Speaker 2>necessarily want to be in. But heck no, you've got

0:43:23.280 --> 0:43:26.600
<v Speaker 2>some really great fodder for your your annual Christmas letter

0:43:26.640 --> 0:43:28.200
<v Speaker 2>that you send out with your Christmas card.

0:43:28.719 --> 0:43:29.279
<v Speaker 1>Yeah, for sure.

0:43:29.360 --> 0:43:33.280
<v Speaker 2>You want to make your your sister in Boise feel jealous.

0:43:33.320 --> 0:43:35.600
<v Speaker 2>You talk about you talk about your child prodigy and

0:43:35.640 --> 0:43:36.320
<v Speaker 2>what they're doing.

0:43:37.160 --> 0:43:39.920
<v Speaker 1>Yeah, I've only known one person in my life that

0:43:40.040 --> 0:43:44.080
<v Speaker 1>does that, and that is an Emily's family. Her aunt

0:43:44.120 --> 0:43:47.200
<v Speaker 1>Peg sends out the annual Christmas sort of family catch

0:43:47.280 --> 0:43:50.040
<v Speaker 1>up thing, and I've always just been delighted to read

0:43:50.040 --> 0:43:51.600
<v Speaker 1>it and thought it was super cool and wondered why

0:43:51.760 --> 0:43:53.520
<v Speaker 1>no one in my lousy family ever cared enough to

0:43:53.560 --> 0:43:53.960
<v Speaker 1>do anything.

0:43:54.480 --> 0:43:56.319
<v Speaker 2>That's a very so high o thing to do.

0:43:56.840 --> 0:43:57.640
<v Speaker 1>Oh is it okay?

0:43:57.719 --> 0:44:00.759
<v Speaker 2>Yeah? For sure, I get it. Before we go on

0:44:00.800 --> 0:44:02.799
<v Speaker 2>to listener mail, Chuck, I just want to point out

0:44:02.840 --> 0:44:06.040
<v Speaker 2>a couple of at least one good band and album

0:44:06.120 --> 0:44:07.360
<v Speaker 2>named Rage Semaster.

0:44:08.360 --> 0:44:09.600
<v Speaker 1>Oh, very nice.

0:44:10.000 --> 0:44:11.960
<v Speaker 2>And then I think you could make a pretty good

0:44:12.000 --> 0:44:15.720
<v Speaker 2>bon Jovi tribute band with Johann bon Jovi, right.

0:44:17.680 --> 0:44:19.680
<v Speaker 1>Or John bon JOHI yeah, there you go.

0:44:20.000 --> 0:44:22.520
<v Speaker 2>John von Newman, by the way, we can get that

0:44:22.560 --> 0:44:25.600
<v Speaker 2>except for stuff you should know listen, Yeah, that's true.

0:44:25.840 --> 0:44:27.480
<v Speaker 2>What were you going to say, because I want to

0:44:27.560 --> 0:44:28.080
<v Speaker 2>hear what out?

0:44:28.360 --> 0:44:29.399
<v Speaker 1>You know what I was going to say?

0:44:29.840 --> 0:44:30.600
<v Speaker 2>Do you say it?

0:44:31.440 --> 0:44:33.360
<v Speaker 1>Bada bing bada boom Banjovi?

0:44:33.800 --> 0:44:36.000
<v Speaker 2>And there Chuck has unlocked listed her mail.

0:44:39.360 --> 0:44:42.279
<v Speaker 1>This is a correction of sorts, and this is something

0:44:42.280 --> 0:44:44.080
<v Speaker 1>I didn't know. I'm glad to know when we did

0:44:44.080 --> 0:44:47.240
<v Speaker 1>our USAID episode we were talking about condoms for Gaza.

0:44:48.239 --> 0:44:49.719
<v Speaker 1>This is from Bernie. He said, I think you guys

0:44:49.760 --> 0:44:52.440
<v Speaker 1>did a great job. Just wanted to clarify something. Fifty

0:44:52.480 --> 0:44:54.680
<v Speaker 1>million dollars for condoms was not for Gaza as in

0:44:54.719 --> 0:44:58.000
<v Speaker 1>Gaza next to Israel. It was for Gaza Province and Mozambique.

0:44:58.800 --> 0:45:01.360
<v Speaker 1>Elon Musk even correct this in one of his weird

0:45:01.520 --> 0:45:05.080
<v Speaker 1>Oval Office press conferences, but as you said, the SoundBite

0:45:05.560 --> 0:45:07.360
<v Speaker 1>had already gone out and people did not want to

0:45:07.360 --> 0:45:11.000
<v Speaker 1>hear any retraction to what they now believe. So glad

0:45:11.000 --> 0:45:13.600
<v Speaker 1>you guys covered this topic is so important globally. Someone

0:45:13.600 --> 0:45:15.200
<v Speaker 1>who's been in this line of work for my entire

0:45:15.239 --> 0:45:17.440
<v Speaker 1>adult life, this episode really hit home to me. Keep

0:45:17.520 --> 0:45:21.000
<v Speaker 1>up the great work, all the best, Bernie F. Chavis.

0:45:21.239 --> 0:45:24.279
<v Speaker 2>Thanks a lot, Bernie. That was very gentle correction and

0:45:24.320 --> 0:45:27.239
<v Speaker 2>we appreciate those rather than I can't believe you guys

0:45:27.280 --> 0:45:29.920
<v Speaker 2>screwed this up this badly, which we get once in

0:45:29.920 --> 0:45:32.560
<v Speaker 2>a while, but for the most part we hear gentle

0:45:32.560 --> 0:45:35.280
<v Speaker 2>corrections like Bernie, So hats off to you and thanks

0:45:35.280 --> 0:45:38.440
<v Speaker 2>for setting us straight. Bernie. If you want to be

0:45:38.480 --> 0:45:40.880
<v Speaker 2>like Bernie and send us an email, you can. You

0:45:40.920 --> 0:45:47.600
<v Speaker 2>can send it off to stuff Podcasts at iHeartRadio dot com.

0:45:47.719 --> 0:45:50.600
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:45:50.680 --> 0:45:54.879
<v Speaker 1>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:45:55.000 --> 0:46:02.400
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