1 00:00:00,160 --> 00:00:03,480 Speaker 1: Still living in manually taking notes. There is a better 2 00:00:03,480 --> 00:00:06,439 Speaker 1: way start the new year with auto dot ai automatically 3 00:00:06,480 --> 00:00:09,399 Speaker 1: get meeting notes. Auto dot ai works for virtual meetings 4 00:00:09,400 --> 00:00:11,760 Speaker 1: like Zoom, Microsoft Teams, and Google Meet. Sign up on 5 00:00:11,760 --> 00:00:13,720 Speaker 1: the web for free or download in the app stores 6 00:00:13,760 --> 00:00:17,119 Speaker 1: auto dot ai. That's O T T e r dot Ai. 7 00:00:17,440 --> 00:00:21,000 Speaker 1: This podcast is sponsored by Better Help Online Therapy. I'm 8 00:00:21,000 --> 00:00:24,759 Speaker 1: Michlene Maloof and I'm Nadiadesi licensed therapists and hosts of 9 00:00:24,760 --> 00:00:27,800 Speaker 1: Getting Better Stories of Mental Health. Join us for discussions 10 00:00:27,800 --> 00:00:30,840 Speaker 1: with Megan Trainer, Chris Bosh, Rebel Wilson, and more, from 11 00:00:30,840 --> 00:00:34,839 Speaker 1: discussing motherhood to immigrating to general mental health. Our guests 12 00:00:34,880 --> 00:00:37,680 Speaker 1: are awe inspiring. We all struggle with the same things, 13 00:00:37,840 --> 00:00:40,600 Speaker 1: so let's talk about it and de stigmatize them. Find 14 00:00:40,680 --> 00:00:44,360 Speaker 1: our new podcast, Getting Better Stories of Mental Health on iHeart, 15 00:00:44,400 --> 00:00:50,120 Speaker 1: Apple Podcasts and Spotify. Every year, compliance regulations change thousands 16 00:00:50,120 --> 00:00:52,600 Speaker 1: of times, and every year a DP makes thousands of 17 00:00:52,640 --> 00:00:56,560 Speaker 1: seamless platform updates so businesses can focus on everything else 18 00:00:56,760 --> 00:00:59,840 Speaker 1: like running their business. Grow stronger with a DP, A 19 00:01:00,040 --> 00:01:05,160 Speaker 1: your talent, time and tayroll. Welcome to money making conversation. 20 00:01:05,200 --> 00:01:07,920 Speaker 1: That's right I'm your host, Rashan McDonald. As Money Making 21 00:01:07,959 --> 00:01:12,000 Speaker 1: Conversation talk show is about entrepreneurship and entertainment. I provide 22 00:01:12,000 --> 00:01:16,199 Speaker 1: the consumer and business owner access to celebrity CEOs, entrepreneurs, 23 00:01:16,200 --> 00:01:19,039 Speaker 1: and industry decision makers. I recognize that we all have 24 00:01:19,200 --> 00:01:22,920 Speaker 1: different definitions for success. For some, it's a sizable paycheck. 25 00:01:23,240 --> 00:01:25,600 Speaker 1: Mine is helping people wake up and inspiring them to 26 00:01:25,600 --> 00:01:29,040 Speaker 1: accomplish their goals and living their very best life. These 27 00:01:29,040 --> 00:01:31,120 Speaker 1: are my passions and that's what I'm going to do 28 00:01:31,200 --> 00:01:33,080 Speaker 1: for you. I want you to stop tripping over these 29 00:01:33,080 --> 00:01:36,640 Speaker 1: small challenges and prepare to rise above the bigger obstacles 30 00:01:36,640 --> 00:01:39,440 Speaker 1: that life will present to you. The Money Making Conversation 31 00:01:39,520 --> 00:01:46,160 Speaker 1: interviews provide relatable information to listen about career and financial planning, entrepreneurship, motivation, leadership, 32 00:01:46,440 --> 00:01:49,360 Speaker 1: overcoming the arts, and how to live a balanced life. 33 00:01:50,040 --> 00:01:52,120 Speaker 1: My next guest, He's on the Phone. Kicked off his 34 00:01:52,160 --> 00:01:55,520 Speaker 1: career portraying n y p D Blue Detective Baldwin Jones 35 00:01:55,560 --> 00:01:58,400 Speaker 1: on the ABC police drama n y p D Blue 36 00:01:58,600 --> 00:02:01,200 Speaker 1: from two thousands and two thousand five. His other television 37 00:02:01,240 --> 00:02:05,040 Speaker 1: credits include Ravenwood, Reckless, Common Law, Let's Stay Together, Raising 38 00:02:05,080 --> 00:02:07,920 Speaker 1: the bar CEIs, Miami and the Cleaner and films like 39 00:02:08,240 --> 00:02:11,440 Speaker 1: No Good Deed, mcdilla's Family Reunion. Now I'm a fanatic. 40 00:02:11,560 --> 00:02:15,079 Speaker 1: Just let everybody know about Marvel Cinema universe. So lately 41 00:02:15,240 --> 00:02:16,880 Speaker 1: I've been able to see him play the role of 42 00:02:16,960 --> 00:02:22,239 Speaker 1: agent Alfonso mac mackenzie on ABC's Marvels Agents of Shields. 43 00:02:22,520 --> 00:02:27,680 Speaker 1: Please welcome to Money Making Conversations, my man, Henry Simmons, Hey, 44 00:02:27,720 --> 00:02:31,440 Speaker 1: thank you, Thank you. Henry. First of all, you know 45 00:02:31,480 --> 00:02:33,680 Speaker 1: I saw the premier so and I know the series, 46 00:02:33,680 --> 00:02:35,360 Speaker 1: so I saw the premier, so we can talk about that. 47 00:02:35,360 --> 00:02:37,080 Speaker 1: We want to talk about that, but I want to 48 00:02:37,120 --> 00:02:39,240 Speaker 1: just talk about your career a little bit here. First 49 00:02:39,240 --> 00:02:41,959 Speaker 1: of all, how much time do you do you stay 50 00:02:42,480 --> 00:02:44,680 Speaker 1: keep standing in shape? Because you're in shape last Now, 51 00:02:44,720 --> 00:02:47,320 Speaker 1: I saw you on the premiere and you're looking good, 52 00:02:47,400 --> 00:02:49,799 Speaker 1: my man. The arms they let you show the arms off, 53 00:02:49,880 --> 00:02:52,880 Speaker 1: some the guns. So how much time you in the gym? Man? 54 00:02:52,919 --> 00:02:55,239 Speaker 1: I just wanted because I know I don't look like that. 55 00:02:55,400 --> 00:02:58,560 Speaker 1: I can't look like someone was that when I know 56 00:02:58,600 --> 00:03:00,320 Speaker 1: you're working on I know some of it I gave 57 00:03:00,360 --> 00:03:02,160 Speaker 1: it to you, but you're keeping it in shape. How 58 00:03:02,200 --> 00:03:04,560 Speaker 1: does that working out? For you. Oh, let me tell 59 00:03:04,560 --> 00:03:06,440 Speaker 1: you something. It's it's it's hard work. I'm not gonna 60 00:03:06,480 --> 00:03:09,560 Speaker 1: lie to you know, especially for this role right here. 61 00:03:09,680 --> 00:03:12,120 Speaker 1: I Uh, I worked out more. I was working on 62 00:03:12,240 --> 00:03:15,520 Speaker 1: six days a week, and I didn't take any shortcuts 63 00:03:15,639 --> 00:03:17,919 Speaker 1: like you know some of these actors out here doing 64 00:03:18,120 --> 00:03:23,600 Speaker 1: uh these synthetic drugs, pound do that stuff. It's all 65 00:03:23,720 --> 00:03:27,080 Speaker 1: hard work, um, But I tell you it's hard because 66 00:03:27,960 --> 00:03:30,360 Speaker 1: you get up at you know, five o'clock in the morning, 67 00:03:30,480 --> 00:03:33,079 Speaker 1: you start working six o'clock, you get done at eight, 68 00:03:33,120 --> 00:03:36,760 Speaker 1: you get home at nine, nine thirty, you spend time 69 00:03:36,800 --> 00:03:40,000 Speaker 1: with your family. It's about thirty eleven o'clock. That's when 70 00:03:40,000 --> 00:03:42,839 Speaker 1: I would start working out. I started working out eleven 71 00:03:42,840 --> 00:03:47,920 Speaker 1: o'clock at night, get about twelve, twelve thirty, study for 72 00:03:47,960 --> 00:03:50,440 Speaker 1: the next day, go to sleep, and get ready to 73 00:03:50,440 --> 00:03:52,960 Speaker 1: do it all again. Because that's your that's your career, 74 00:03:53,000 --> 00:03:55,760 Speaker 1: that's your brand, that's your look. So you can't show 75 00:03:55,840 --> 00:03:57,840 Speaker 1: up for an audition with a pot balic that's that. 76 00:03:58,160 --> 00:04:02,280 Speaker 1: That's not now. I not tell you right now, even 77 00:04:02,280 --> 00:04:04,920 Speaker 1: if I wasn't uh an actor, I would never look 78 00:04:05,000 --> 00:04:06,680 Speaker 1: that happen. I couldn't do it. I couldn't do it, 79 00:04:06,720 --> 00:04:08,880 Speaker 1: could do it, because that's part of your brand. And 80 00:04:08,880 --> 00:04:11,680 Speaker 1: I always tell people that you know your brand, your model. 81 00:04:11,760 --> 00:04:14,160 Speaker 1: People have a certain expectation. They see a headshot, that 82 00:04:14,200 --> 00:04:16,240 Speaker 1: see your body of work when you come in for 83 00:04:16,279 --> 00:04:18,920 Speaker 1: an audition or they give your role because sometimes you're 84 00:04:18,920 --> 00:04:21,560 Speaker 1: blessed like that because they've seen your body of work 85 00:04:21,800 --> 00:04:23,880 Speaker 1: when you walk through that door. That's what they're expecting, 86 00:04:23,960 --> 00:04:27,640 Speaker 1: that that commitment, that same effort, that same consistency. How 87 00:04:27,680 --> 00:04:30,800 Speaker 1: has it been when you your estimation, were looking at 88 00:04:30,839 --> 00:04:33,000 Speaker 1: your career and you have a great body of work. 89 00:04:33,400 --> 00:04:36,560 Speaker 1: What has been the difficulties of maintaining that consistency of 90 00:04:36,680 --> 00:04:39,400 Speaker 1: getting the opportunity to stay in front of the person 91 00:04:39,400 --> 00:04:44,640 Speaker 1: who does the decision makers of Hollywood, the casting directors. Well, 92 00:04:44,960 --> 00:04:48,000 Speaker 1: you know, here's the thing. Uh, I'm old school. I'm 93 00:04:48,000 --> 00:04:49,800 Speaker 1: gonna just tell you right now. I'm old school. And 94 00:04:49,839 --> 00:04:54,520 Speaker 1: the way I approached my uh career, now that that's 95 00:04:54,560 --> 00:04:57,000 Speaker 1: good and bad. Right. A lot of funds a lot 96 00:04:57,000 --> 00:05:01,880 Speaker 1: of people nowadays you social media, they involved their personalized 97 00:05:01,960 --> 00:05:06,760 Speaker 1: the families. Media show so many, so many aspects of 98 00:05:06,800 --> 00:05:09,840 Speaker 1: their lives and that gives them so many followers and 99 00:05:09,880 --> 00:05:13,480 Speaker 1: that does help them uh, to some degree in terms 100 00:05:13,520 --> 00:05:17,760 Speaker 1: of getting jobs. Now, those aren't THEO jobs I want. 101 00:05:17,839 --> 00:05:20,680 Speaker 1: If if someone if the casting director, if a directors 102 00:05:20,720 --> 00:05:25,719 Speaker 1: looking at my social media account and seeing, oh, he's popular, 103 00:05:25,760 --> 00:05:27,279 Speaker 1: therefore I'm going to give him a job, that's not 104 00:05:27,360 --> 00:05:29,960 Speaker 1: the job. I want a job that is based on 105 00:05:30,480 --> 00:05:33,640 Speaker 1: artistry and so therefore, and I'm I'm a person. I 106 00:05:33,640 --> 00:05:36,320 Speaker 1: believe in privacy. I believe in the old school way 107 00:05:36,440 --> 00:05:40,039 Speaker 1: of having said, not not showing. Like if you go 108 00:05:40,120 --> 00:05:43,960 Speaker 1: to my um uh Instagram account, you won't see pictures 109 00:05:43,960 --> 00:05:47,400 Speaker 1: of my kids and see pictures house and you know 110 00:05:47,440 --> 00:05:50,840 Speaker 1: all stuff and uh. And also I try to do 111 00:05:50,960 --> 00:05:54,200 Speaker 1: things with integrity. Thank you. And that's what I started. 112 00:05:54,640 --> 00:05:57,080 Speaker 1: I said the two things that I want in this business. 113 00:05:58,040 --> 00:06:02,400 Speaker 1: I want long caf a obviously, because longevity is equivalent 114 00:06:02,440 --> 00:06:08,039 Speaker 1: to success. Uh, It's longevity and integrity, right. I don't 115 00:06:08,080 --> 00:06:11,560 Speaker 1: want to start doing things just to be doing them, 116 00:06:11,720 --> 00:06:15,599 Speaker 1: and when I look back on it, I question why 117 00:06:15,600 --> 00:06:17,520 Speaker 1: I did it or I'm humiliated by it. I don't 118 00:06:17,560 --> 00:06:21,720 Speaker 1: want that. But to tell you, when you operate with integrity, 119 00:06:22,000 --> 00:06:25,640 Speaker 1: that means your journey, your journey is going to have 120 00:06:25,720 --> 00:06:27,560 Speaker 1: a little bit more ups and downs are gonna be 121 00:06:27,600 --> 00:06:31,000 Speaker 1: a little bit longer on the road. You're not taking 122 00:06:31,240 --> 00:06:34,279 Speaker 1: everything that's you're thrown at you right right, you know, 123 00:06:34,640 --> 00:06:37,000 Speaker 1: I believe that, you know, I've looked at this. Relationships 124 00:06:37,000 --> 00:06:39,679 Speaker 1: are key to and that then then the integrity comes 125 00:06:39,720 --> 00:06:42,400 Speaker 1: with that. If you have integrity, you're gonna have relationships. 126 00:06:42,400 --> 00:06:45,160 Speaker 1: And if you have relationships, when people need you, they 127 00:06:45,160 --> 00:06:47,000 Speaker 1: know your body of work. And that's how you're saying, 128 00:06:47,200 --> 00:06:49,560 Speaker 1: you said rashand look, you can have the followers, but 129 00:06:49,600 --> 00:06:51,159 Speaker 1: if you don't have the body of the work, that 130 00:06:51,200 --> 00:06:53,320 Speaker 1: can bite you in the button. Because when you get 131 00:06:53,400 --> 00:06:56,039 Speaker 1: on that set, you know, and you and sometimes you're 132 00:06:56,120 --> 00:06:59,800 Speaker 1: challenged by talent, terrific talent, you know, because and sometimes 133 00:06:59,839 --> 00:07:01,920 Speaker 1: you not the biggest star on the set. Sometimes you're 134 00:07:02,120 --> 00:07:05,120 Speaker 1: in a great ensemble and you have to assemble, which 135 00:07:05,160 --> 00:07:06,839 Speaker 1: is kind of like what you have to deal with 136 00:07:06,839 --> 00:07:09,840 Speaker 1: with Marvel's Ages of Shelds. That's a great ensemble that 137 00:07:09,920 --> 00:07:11,800 Speaker 1: you have to deal with and you have to mess 138 00:07:11,880 --> 00:07:15,960 Speaker 1: your talent inside of them, and everything feels relatable, organic, 139 00:07:16,280 --> 00:07:18,520 Speaker 1: and that's why, you know, just watching on that series, 140 00:07:18,560 --> 00:07:21,040 Speaker 1: it's been a blessing to me because you're a black 141 00:07:21,080 --> 00:07:25,200 Speaker 1: superhero and I'm gonna just telling you know, and people 142 00:07:25,440 --> 00:07:27,840 Speaker 1: need to understand that why Black Panther was so popular, 143 00:07:27,920 --> 00:07:31,440 Speaker 1: because you know, we all need to feel that we 144 00:07:31,520 --> 00:07:33,920 Speaker 1: in that in that fantasy world, that we are part 145 00:07:33,960 --> 00:07:36,680 Speaker 1: of that part of the equation. And I'm gonna tell 146 00:07:36,680 --> 00:07:38,400 Speaker 1: you so man. You know, I know you were on 147 00:07:38,440 --> 00:07:41,520 Speaker 1: the second season, you were like a recurring character. And 148 00:07:41,560 --> 00:07:43,440 Speaker 1: when they made you, I think the third season, when 149 00:07:43,440 --> 00:07:48,000 Speaker 1: they made you a regular, I smiled, Henry, I smiled, brother, 150 00:07:49,200 --> 00:07:52,360 Speaker 1: thank you, thank you so much, thank you. You know, 151 00:07:52,880 --> 00:07:55,480 Speaker 1: you know, I look, I also I do how I 152 00:07:55,480 --> 00:07:58,600 Speaker 1: think there's a responsibility to my artistry, but I do 153 00:07:58,760 --> 00:08:02,560 Speaker 1: also recognize as a risk onstability, on being a black 154 00:08:02,600 --> 00:08:07,440 Speaker 1: man in this business because I know, I know, at 155 00:08:07,520 --> 00:08:09,720 Speaker 1: least I'm trying to be cognizant of what I represent. 156 00:08:10,960 --> 00:08:13,960 Speaker 1: And I mean not only to too other uh people 157 00:08:14,000 --> 00:08:17,360 Speaker 1: of color, but also my children and and also that's 158 00:08:17,360 --> 00:08:22,320 Speaker 1: why I want to operate an integrity and you know, uh, 159 00:08:22,440 --> 00:08:25,200 Speaker 1: when when I hear people say things like that about 160 00:08:25,240 --> 00:08:27,520 Speaker 1: Marvels Agents of Shield, when they say, wow, they see 161 00:08:27,600 --> 00:08:32,040 Speaker 1: this guy and he's inspiring, you know, because he's a 162 00:08:32,080 --> 00:08:37,600 Speaker 1: black man. And I'm gonna tell you, like this, I 163 00:08:37,760 --> 00:08:42,959 Speaker 1: was so surprised. Number one, that what was surprised the 164 00:08:43,040 --> 00:08:47,360 Speaker 1: fact that they made me director right right right? You 165 00:08:47,480 --> 00:08:53,880 Speaker 1: don't see particularly in that position. I I I wouldn't 166 00:08:53,920 --> 00:08:59,280 Speaker 1: think that, uh, that they would make a black man 167 00:08:59,760 --> 00:09:03,360 Speaker 1: that leader of that squad. I thought it would be 168 00:09:03,440 --> 00:09:07,920 Speaker 1: someone else. But volumes to the writers and producers that 169 00:09:07,960 --> 00:09:10,640 Speaker 1: I work with, right right, you know, and that and 170 00:09:10,640 --> 00:09:14,040 Speaker 1: that's that's important because you know, first of all, you know, 171 00:09:14,080 --> 00:09:16,559 Speaker 1: you're not just an ardiner. You're you're a big black man. 172 00:09:16,679 --> 00:09:18,520 Speaker 1: And I say that in a good way. When when 173 00:09:18,520 --> 00:09:20,320 Speaker 1: you're walk in the room, you feel a room, you know, 174 00:09:20,400 --> 00:09:23,319 Speaker 1: they go, wow, God looks good, he's in shape. Who 175 00:09:23,440 --> 00:09:25,640 Speaker 1: is that guy you you're here? Who is that guy 176 00:09:25,720 --> 00:09:29,079 Speaker 1: type of person who walks in the room? And that 177 00:09:29,200 --> 00:09:31,920 Speaker 1: that's really good. But that's a responsibility that comes with that, 178 00:09:32,320 --> 00:09:34,120 Speaker 1: and so and so when I look at it with 179 00:09:34,200 --> 00:09:35,760 Speaker 1: this now, when I say that, when they when they 180 00:09:35,760 --> 00:09:38,400 Speaker 1: made you that recurring character, then they made you the 181 00:09:38,520 --> 00:09:43,360 Speaker 1: regular and made it legitimately a level of responsibility that 182 00:09:43,480 --> 00:09:46,960 Speaker 1: can be engaged into this show because I see a 183 00:09:47,000 --> 00:09:49,040 Speaker 1: part of me, my kids see a part of me, 184 00:09:49,160 --> 00:09:51,600 Speaker 1: my friends see a part of me in that show 185 00:09:51,800 --> 00:09:54,679 Speaker 1: that looks like me. Because guess what, in the fantasy world, 186 00:09:55,040 --> 00:09:58,080 Speaker 1: we are heroes too, and you are a hero, and 187 00:09:58,120 --> 00:10:01,600 Speaker 1: that's mentoring other people because us. You know, I grew 188 00:10:01,640 --> 00:10:05,480 Speaker 1: up watching you know, buying the whole combined Captain America 189 00:10:05,800 --> 00:10:08,560 Speaker 1: and then were my fantasies now. And that's a good 190 00:10:08,559 --> 00:10:11,320 Speaker 1: fantasy to have, because that's a wish, that's a dream. 191 00:10:11,720 --> 00:10:15,239 Speaker 1: And to see a black man who looks, who looks statueous, 192 00:10:15,440 --> 00:10:19,400 Speaker 1: who looks in shape, who looks good, that's a blessing, man, 193 00:10:19,480 --> 00:10:22,480 Speaker 1: And that's a blessing for it not only for people 194 00:10:22,480 --> 00:10:25,040 Speaker 1: of color, but for white America to see you as 195 00:10:25,080 --> 00:10:30,079 Speaker 1: well as a leader, as a guy of thor that's important. Man. 196 00:10:30,160 --> 00:10:32,120 Speaker 1: I just wanted to That's why I was excited about 197 00:10:32,320 --> 00:10:34,560 Speaker 1: interviewing you today Herery because you know, a lot of times, 198 00:10:34,600 --> 00:10:36,640 Speaker 1: you know, as an actor, we get in these vacuums 199 00:10:36,679 --> 00:10:38,640 Speaker 1: and we just do the best job we can do. 200 00:10:38,960 --> 00:10:41,760 Speaker 1: But when you step out into my world, you know, 201 00:10:42,040 --> 00:10:44,520 Speaker 1: the the you know, the the golden corral world of 202 00:10:44,760 --> 00:10:47,640 Speaker 1: the Kroger world of regular people just shopping the rafts. 203 00:10:47,760 --> 00:10:50,440 Speaker 1: You know, that's that's the people that that look at 204 00:10:50,480 --> 00:10:52,200 Speaker 1: you and go, you go. Why is he looking at 205 00:10:52,200 --> 00:10:54,760 Speaker 1: me like, wait, because guess what you are doing? You 206 00:10:54,800 --> 00:11:00,160 Speaker 1: mean something to us, Henry, I want to know what 207 00:11:00,160 --> 00:11:02,600 Speaker 1: you're talking about. Yeah, I'm I'm a regular guy. Though 208 00:11:02,600 --> 00:11:06,000 Speaker 1: I'm a regular guy, but I appreciate that. Oh yeah, 209 00:11:06,080 --> 00:11:09,400 Speaker 1: you know I Faso Mac Now, yeah, I'm taking something. Faso. 210 00:11:09,679 --> 00:11:12,200 Speaker 1: You know your character on the show. Now, you know, 211 00:11:12,520 --> 00:11:15,040 Speaker 1: because I I'm not shaped like you, but I got 212 00:11:15,080 --> 00:11:16,959 Speaker 1: a ball head and a beer to you know, kind 213 00:11:16,960 --> 00:11:19,920 Speaker 1: of keep it close up. So I would just let 214 00:11:19,920 --> 00:11:22,120 Speaker 1: you know I I fade in that lane that you 215 00:11:22,280 --> 00:11:27,240 Speaker 1: live in. Okay, now, okay, Now, now you're the director, 216 00:11:27,280 --> 00:11:29,920 Speaker 1: which like Nick Fury and the Marvel movies, he was 217 00:11:29,960 --> 00:11:31,920 Speaker 1: the director. So you're kind of like the Nick Theory 218 00:11:32,080 --> 00:11:36,160 Speaker 1: character on the television sharing Marvel's Agents of Shields. Because 219 00:11:36,200 --> 00:11:38,920 Speaker 1: my man Colson, he's called he's like a robot this 220 00:11:38,960 --> 00:11:41,120 Speaker 1: season or something. He probably he was brought back from 221 00:11:41,120 --> 00:11:42,880 Speaker 1: the dead. Can you can you feel us in on 222 00:11:42,920 --> 00:11:45,599 Speaker 1: the details because I saw the premier and uh and 223 00:11:45,679 --> 00:11:50,400 Speaker 1: we'll talking about it. Yeah. He the thing is he 224 00:11:50,840 --> 00:11:54,880 Speaker 1: uh he died right and he was And then there 225 00:11:54,960 --> 00:11:57,960 Speaker 1: was another character at last season season six that looked 226 00:11:58,360 --> 00:12:00,920 Speaker 1: quite a bit like him and I guess infused with 227 00:12:01,880 --> 00:12:06,840 Speaker 1: in another dimension he wore a person. Uh but when 228 00:12:06,880 --> 00:12:12,680 Speaker 1: he died. Um, there's these androids called chronic Colms and 229 00:12:13,160 --> 00:12:18,040 Speaker 1: uh Simmons. The Simmons character was able to infuse all 230 00:12:18,120 --> 00:12:24,079 Speaker 1: of Colson's stocks and feelings and memories everything into this 231 00:12:24,200 --> 00:12:27,960 Speaker 1: chronic Colm. So she created Coulson in a way, although 232 00:12:27,960 --> 00:12:32,920 Speaker 1: he is an android, he is like Colson in in 233 00:12:33,000 --> 00:12:37,240 Speaker 1: the way he thinks and moves and fields. So that's 234 00:12:37,240 --> 00:12:40,040 Speaker 1: the way they were the writers were brilliant and being 235 00:12:40,120 --> 00:12:44,640 Speaker 1: able to bring him back that way. Um. Uh So 236 00:12:44,800 --> 00:12:48,520 Speaker 1: now he's back, and he his position is different because 237 00:12:48,520 --> 00:12:52,440 Speaker 1: he's an agent, right, and also he's different because he 238 00:12:52,559 --> 00:12:55,800 Speaker 1: has this uh, he has strength. He's kind of as 239 00:12:55,800 --> 00:12:58,800 Speaker 1: a superhero now right right, like like Quake. Quake really 240 00:12:58,840 --> 00:13:01,760 Speaker 1: has the big power out that because she'd throw people. 241 00:13:02,120 --> 00:13:03,520 Speaker 1: You know, you come close to her, you know, she 242 00:13:03,520 --> 00:13:06,880 Speaker 1: can just blast your way. But but but but now 243 00:13:06,960 --> 00:13:09,520 Speaker 1: he has this an amazing strength. He can move real 244 00:13:09,640 --> 00:13:13,320 Speaker 1: quick and so so it's really ironic because you know, 245 00:13:13,760 --> 00:13:16,760 Speaker 1: you know, he was first introduced into the Marvel series 246 00:13:16,800 --> 00:13:19,280 Speaker 1: in the movie Thor and of course we all saw 247 00:13:19,360 --> 00:13:21,559 Speaker 1: him die in the Avenger of movies and then he 248 00:13:21,720 --> 00:13:24,240 Speaker 1: somehow who brought back to life for the television series, 249 00:13:24,400 --> 00:13:27,040 Speaker 1: which was a great gift for us. So him dying 250 00:13:27,120 --> 00:13:29,520 Speaker 1: in front of us, we're kind of used to him 251 00:13:29,600 --> 00:13:33,600 Speaker 1: dying and coming back, So, Harry, I wasn't a stress, 252 00:13:34,120 --> 00:13:37,320 Speaker 1: you know, it wasn't a stressed though. Oh he's back. Okay, cool, okay, 253 00:13:37,320 --> 00:13:40,800 Speaker 1: come okay, come, okakay. Well, let's it's finally here. The 254 00:13:40,920 --> 00:13:44,240 Speaker 1: season of celebration, and no matter how you celebrate with 255 00:13:44,320 --> 00:13:47,599 Speaker 1: family and friends, whether you're preparing for reys magos or 256 00:13:47,679 --> 00:13:51,720 Speaker 1: Karamu lighting the Manura, are going to midnight mass, Coals 257 00:13:51,760 --> 00:13:54,760 Speaker 1: has just what you need to make those traditions special. 258 00:13:55,160 --> 00:13:58,240 Speaker 1: Plus you'll find gifts for all your loved ones. 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That's O T T 288 00:15:35,120 --> 00:15:38,240 Speaker 1: E R dot ai. Let's get this little brain transfer 289 00:15:38,320 --> 00:15:41,000 Speaker 1: straight situation straight. So wen go get on with the 290 00:15:41,040 --> 00:15:49,760 Speaker 1: show because calls he's the vampire of this way. If 291 00:15:49,800 --> 00:15:55,480 Speaker 1: he could keep coming back, they can resurrect Captain America. 292 00:15:54,440 --> 00:15:59,120 Speaker 1: Uh Iron may everybody can get young again. Okay, if 293 00:15:59,160 --> 00:16:01,360 Speaker 1: coals could keep out of back, because yeah, it never 294 00:16:01,440 --> 00:16:05,120 Speaker 1: had the superpower. So tell us about your character. You know, 295 00:16:05,160 --> 00:16:07,120 Speaker 1: we talked about you being the director, but tell about 296 00:16:07,400 --> 00:16:09,920 Speaker 1: tell us about the whole of you know, because your 297 00:16:09,960 --> 00:16:13,440 Speaker 1: characters has had certain levels of evolution in this series 298 00:16:13,440 --> 00:16:17,360 Speaker 1: and different roles in different leaps and different transition different models. 299 00:16:17,680 --> 00:16:20,040 Speaker 1: Talk about it when he was introduced into the show, 300 00:16:20,360 --> 00:16:25,200 Speaker 1: and bring us forward. Okay, sure, Well initially I went 301 00:16:25,240 --> 00:16:29,920 Speaker 1: on just a simple audition and uh, you know, about 302 00:16:29,960 --> 00:16:32,520 Speaker 1: two weeks later they asked me to come aboard and 303 00:16:32,520 --> 00:16:36,320 Speaker 1: I'm sure. But the problem was, at the time the 304 00:16:36,400 --> 00:16:41,800 Speaker 1: first season was not on Netflix. I didn't have I 305 00:16:41,840 --> 00:16:44,000 Speaker 1: didn't I didn't know what I was stepping into. I mean, 306 00:16:44,040 --> 00:16:46,040 Speaker 1: I had an idea because I had seen a little 307 00:16:46,040 --> 00:16:47,760 Speaker 1: bit of the show, but I didn't I didn't know 308 00:16:48,520 --> 00:16:51,800 Speaker 1: my first day there. It was just it was everything 309 00:16:51,840 --> 00:16:53,760 Speaker 1: I thought it would be and more. I mean, there 310 00:16:53,800 --> 00:16:58,040 Speaker 1: were if the technology you walk on set, there's there's 311 00:16:58,080 --> 00:17:01,240 Speaker 1: there were like twenty people at the time. Uh, all 312 00:17:01,280 --> 00:17:03,840 Speaker 1: these this weapon read the names of all these guns, 313 00:17:03,920 --> 00:17:09,520 Speaker 1: that the aircraft and and uh all the technical language 314 00:17:09,560 --> 00:17:12,280 Speaker 1: and the levels this all that, and it was a 315 00:17:12,280 --> 00:17:14,240 Speaker 1: whole new world. I knew right away that this is 316 00:17:14,240 --> 00:17:17,440 Speaker 1: where I want to be a part of. Yeah, I'm 317 00:17:17,440 --> 00:17:20,959 Speaker 1: telling you. Uh, here's the thing. My first season, I 318 00:17:21,040 --> 00:17:24,000 Speaker 1: was recurring, and I was advised not to do it 319 00:17:24,080 --> 00:17:28,080 Speaker 1: because people people were like, you know, don't, don't do that. 320 00:17:28,119 --> 00:17:30,600 Speaker 1: You know, don't don't recur the whole season because then 321 00:17:30,600 --> 00:17:33,600 Speaker 1: they can drop you at the end. But here's my thing. 322 00:17:34,119 --> 00:17:38,000 Speaker 1: I know, once I get in, I believe in my talent. 323 00:17:38,359 --> 00:17:42,639 Speaker 1: I know how hard I work, and I've bet on 324 00:17:42,760 --> 00:17:47,040 Speaker 1: me and I've bet on God. So yeah, that's that's 325 00:17:47,080 --> 00:17:50,440 Speaker 1: my number one. Uh So I knew. I said, no, no, 326 00:17:50,520 --> 00:17:52,240 Speaker 1: I'm not worried about I know I'm gonna recur. I'm 327 00:17:52,240 --> 00:17:54,440 Speaker 1: gonna recur, and I know they're gonna there's no doubt 328 00:17:54,440 --> 00:17:56,439 Speaker 1: in my mind. And that's what happened. And then they 329 00:17:56,480 --> 00:18:02,320 Speaker 1: helped me to uh series regular. But the trend the 330 00:18:02,359 --> 00:18:04,879 Speaker 1: way Mac came about here. Initially, I don't know if 331 00:18:04,880 --> 00:18:07,440 Speaker 1: you remember, he was so reluctant to fight. He didn't 332 00:18:07,440 --> 00:18:11,359 Speaker 1: want to fight many there was no way in the 333 00:18:11,359 --> 00:18:14,800 Speaker 1: world he was gonna fight. And he Colston said, look, 334 00:18:14,840 --> 00:18:16,480 Speaker 1: I need you to get out there. So finally he 335 00:18:16,480 --> 00:18:19,359 Speaker 1: got out there, and and he was doing everything he 336 00:18:19,480 --> 00:18:23,639 Speaker 1: could to maintain the fight but not kill anyone and 337 00:18:23,680 --> 00:18:25,400 Speaker 1: just do what would need to be done. A matter 338 00:18:25,400 --> 00:18:29,600 Speaker 1: of fact, he tried to leave in the first I'm 339 00:18:29,600 --> 00:18:34,399 Speaker 1: not cut out for this um But as things progressed, 340 00:18:34,720 --> 00:18:37,159 Speaker 1: there were times that Colson had to leave. Like I 341 00:18:37,160 --> 00:18:38,800 Speaker 1: think there was one time when he had the cree 342 00:18:38,880 --> 00:18:45,000 Speaker 1: blood in him and he needed to explore that. And 343 00:18:45,000 --> 00:18:47,160 Speaker 1: and the one thing I liked is that right off 344 00:18:47,160 --> 00:18:51,720 Speaker 1: the bat they had um my character Mac but in 345 00:18:51,800 --> 00:18:59,959 Speaker 1: heads with Colson because Colson was using Shield for his own, uh, 346 00:19:00,240 --> 00:19:03,800 Speaker 1: his own needs, instead of using it for the greater good, 347 00:19:04,119 --> 00:19:06,560 Speaker 1: and Mac was against that. And Mac was right, He's like, look, 348 00:19:06,600 --> 00:19:08,840 Speaker 1: you can't be using it to find out all about 349 00:19:08,840 --> 00:19:12,080 Speaker 1: this creed. But this is about saving the world. This 350 00:19:12,119 --> 00:19:14,320 Speaker 1: is about doing it the bigger picture, not just do 351 00:19:14,400 --> 00:19:17,000 Speaker 1: a picture and he was. I was the one that 352 00:19:17,080 --> 00:19:21,199 Speaker 1: was vocal against Colson. I like that, but we had 353 00:19:21,280 --> 00:19:23,399 Speaker 1: mutual respect and you noticed from Coaston would me, he 354 00:19:23,440 --> 00:19:27,840 Speaker 1: would put me in charge. So eventually you know, I 355 00:19:27,880 --> 00:19:29,600 Speaker 1: was out in the field. They gave me the shotgun 356 00:19:29,640 --> 00:19:31,560 Speaker 1: acts and the fighting and all that. So when we 357 00:19:31,840 --> 00:19:35,159 Speaker 1: get down to UH season I think it was five 358 00:19:35,440 --> 00:19:39,320 Speaker 1: and the five where they decide who's going to be 359 00:19:39,760 --> 00:19:44,359 Speaker 1: the director after Colson dies, I thought for sure it 360 00:19:44,400 --> 00:19:48,800 Speaker 1: was gonna be either Quake or there wasn't in the comics, 361 00:19:48,920 --> 00:19:53,840 Speaker 1: or May uh May. And when they gave me the mantle, 362 00:19:53,960 --> 00:19:59,560 Speaker 1: I was I was extremely flattered. I'm not gonna lie 363 00:19:59,680 --> 00:20:03,320 Speaker 1: ext needs latter because it says two things. It says 364 00:20:03,400 --> 00:20:07,840 Speaker 1: something about me personally write an actor. They know that 365 00:20:07,880 --> 00:20:12,800 Speaker 1: I have the authority right the UH the characteristics of 366 00:20:13,000 --> 00:20:17,440 Speaker 1: leadership and integrity, thank you, and as an actor the 367 00:20:17,640 --> 00:20:23,160 Speaker 1: strength to carry that mantle and leave. And as a 368 00:20:23,160 --> 00:20:27,679 Speaker 1: as the character of Mac they they see through his 369 00:20:27,760 --> 00:20:31,040 Speaker 1: progression that he has UH that I've infused him with 370 00:20:31,080 --> 00:20:35,040 Speaker 1: those qualities as well. Absolutely, and they believed in me, 371 00:20:35,119 --> 00:20:37,159 Speaker 1: and that's that was something that meant. It meant so 372 00:20:37,240 --> 00:20:39,200 Speaker 1: much for me. I just I'm not a lie. Well, 373 00:20:39,240 --> 00:20:42,200 Speaker 1: I guess what meant something to me too, Okay, mental 374 00:20:42,359 --> 00:20:45,040 Speaker 1: to a lot of people out there of color to 375 00:20:45,080 --> 00:20:49,240 Speaker 1: see you an authority, an authority figure. When Nick Ferry 376 00:20:49,359 --> 00:20:52,560 Speaker 1: comes on the screen and ordering the Avengers around, I 377 00:20:52,600 --> 00:20:56,000 Speaker 1: feel good order in Spider manner. I feel good because 378 00:20:56,440 --> 00:20:59,159 Speaker 1: you go wow, because we all know that could have 379 00:20:59,200 --> 00:21:02,080 Speaker 1: been a white car. Okay, it could have been a 380 00:21:02,080 --> 00:21:05,119 Speaker 1: white character. So but they made a decision that, based 381 00:21:05,160 --> 00:21:10,800 Speaker 1: on your talent, color didn't matter. You're the leader, Yeah 382 00:21:11,000 --> 00:21:14,679 Speaker 1: it didn't. It didn't matter. And because now this is 383 00:21:14,720 --> 00:21:17,520 Speaker 1: why we're gonna go to the series. Now this is 384 00:21:17,560 --> 00:21:21,440 Speaker 1: the final mission. Okay, watching the premiere episode last night, 385 00:21:21,680 --> 00:21:25,160 Speaker 1: you guys are transported back to nineteen thirty one. Now, 386 00:21:25,200 --> 00:21:27,480 Speaker 1: this is why this is important to me. First of all, 387 00:21:28,080 --> 00:21:30,080 Speaker 1: you were wearing a fly suit. Okay, I just want 388 00:21:30,080 --> 00:21:33,600 Speaker 1: to let you know that brother wanted that. You know, 389 00:21:34,359 --> 00:21:36,520 Speaker 1: you were you were looking at you were wearing something 390 00:21:36,560 --> 00:21:39,280 Speaker 1: I definitely wear put on because I'm a Taylor made guy, Himmery. 391 00:21:39,359 --> 00:21:42,760 Speaker 1: You know, I'm just let you know that's you know, 392 00:21:42,400 --> 00:21:47,080 Speaker 1: you know how you didn't you didn't let me get 393 00:21:47,080 --> 00:21:50,160 Speaker 1: to the hat. Come on, this food, Look at this food. 394 00:21:50,200 --> 00:21:54,680 Speaker 1: Got this hat cocked to the side. A brother in one, 395 00:21:56,680 --> 00:21:59,879 Speaker 1: you fool. Every week, I'm gonna get on your about that. 396 00:22:00,480 --> 00:22:04,560 Speaker 1: I can't believe this food got these brown shoes on. Okay, 397 00:22:05,040 --> 00:22:07,800 Speaker 1: signed up walking down here with these white folks with 398 00:22:07,920 --> 00:22:11,280 Speaker 1: his hat cocked to the side, and one you know 399 00:22:11,480 --> 00:22:17,800 Speaker 1: that can't happen, right, We're gonna do We're gonna do it. 400 00:22:17,920 --> 00:22:21,080 Speaker 1: Oh my god, Oh my god. Because you know, it 401 00:22:21,160 --> 00:22:23,879 Speaker 1: was really interesting because of the fact that this is 402 00:22:23,880 --> 00:22:27,280 Speaker 1: where it gets interesting, because of the fact that it's 403 00:22:28,040 --> 00:22:32,720 Speaker 1: one and we know the racial situation. It's thirty one. 404 00:22:32,880 --> 00:22:36,120 Speaker 1: We know how women were treated in eighteen thirty one, 405 00:22:36,880 --> 00:22:42,040 Speaker 1: and here you are a man of authority, the boss 406 00:22:43,000 --> 00:22:44,920 Speaker 1: of these white people. Because we gotta talk like this, 407 00:22:45,080 --> 00:22:48,919 Speaker 1: because because I think that had to be thought out 408 00:22:49,800 --> 00:22:55,199 Speaker 1: when that time period was picked. They do, you know, 409 00:22:55,440 --> 00:22:58,040 Speaker 1: talk us through that whole process, because you knew that 410 00:22:58,080 --> 00:23:00,520 Speaker 1: time period that you couldn't walk around just giving them 411 00:23:00,600 --> 00:23:03,800 Speaker 1: orders out in public because they would draw attention. And 412 00:23:03,840 --> 00:23:06,560 Speaker 1: also when people came to you negative, because I've seen 413 00:23:06,640 --> 00:23:08,600 Speaker 1: in the in the premier where somebody came to you 414 00:23:08,680 --> 00:23:11,639 Speaker 1: negative because negative, because you were a person of color. 415 00:23:11,920 --> 00:23:14,800 Speaker 1: You react and you go Oh, don't make no ripples. 416 00:23:14,800 --> 00:23:18,440 Speaker 1: Don't don't make no ripples. You know, I think that 417 00:23:18,560 --> 00:23:21,959 Speaker 1: was really and then uh, I think Chloe's character, you know, 418 00:23:22,320 --> 00:23:25,639 Speaker 1: when she was walking into the bar area, Uh that 419 00:23:25,440 --> 00:23:28,760 Speaker 1: that that that this got treated like she was a 420 00:23:28,840 --> 00:23:31,360 Speaker 1: stupid female in his eyes, you know, while you're at home, 421 00:23:31,640 --> 00:23:33,920 Speaker 1: you know, taking care of babies, and she reacted to that. 422 00:23:34,240 --> 00:23:36,639 Speaker 1: I think that is so clever because of the fact 423 00:23:36,640 --> 00:23:40,760 Speaker 1: that it allows us to see, you know, how how 424 00:23:40,920 --> 00:23:43,960 Speaker 1: how time has changed, but if you go back to 425 00:23:44,000 --> 00:23:46,560 Speaker 1: that time, it's still the same. But you guys got 426 00:23:46,680 --> 00:23:49,719 Speaker 1: to play out your roles and the characters that we 427 00:23:49,760 --> 00:23:53,359 Speaker 1: believe that you are in a period that's not conducive 428 00:23:53,400 --> 00:23:59,600 Speaker 1: to that particular particular social economic, social stylings. Talk to 429 00:23:59,680 --> 00:24:01,239 Speaker 1: us about that. When the script was being put in 430 00:24:01,240 --> 00:24:02,960 Speaker 1: front of you, guys, how what did y'all think about it? 431 00:24:03,200 --> 00:24:05,480 Speaker 1: Did you have any questions when you were developing that 432 00:24:05,520 --> 00:24:10,119 Speaker 1: period of well, that was my first question. That was 433 00:24:10,160 --> 00:24:14,240 Speaker 1: my first question about race, because look, you know, you 434 00:24:14,240 --> 00:24:17,560 Speaker 1: you can't deny that I'm a six foot four, two 435 00:24:18,560 --> 00:24:21,879 Speaker 1: time black man walking down the street. You can't deny it. 436 00:24:22,600 --> 00:24:25,239 Speaker 1: And the thing is that I said to them, now, 437 00:24:25,280 --> 00:24:27,679 Speaker 1: I don't know what they had in motion, but I 438 00:24:27,720 --> 00:24:29,840 Speaker 1: asked him, I said, what, what how are you going 439 00:24:29,920 --> 00:24:33,399 Speaker 1: to address And one of the executives said, oh, we 440 00:24:33,520 --> 00:24:38,560 Speaker 1: might say something where uh, where someone says, oh, you know, hey, 441 00:24:38,640 --> 00:24:40,480 Speaker 1: you gotta walk through the back or something like that. 442 00:24:41,080 --> 00:24:43,439 Speaker 1: And and again I don't know how much further they 443 00:24:43,440 --> 00:24:46,199 Speaker 1: were gonna go, but I mean when we first, when 444 00:24:46,240 --> 00:24:49,040 Speaker 1: they first started talking about I said, listen, I would 445 00:24:49,040 --> 00:24:52,000 Speaker 1: like you to address that. I would like you to 446 00:24:52,040 --> 00:24:55,920 Speaker 1: address it more than just something like that, because it 447 00:24:55,960 --> 00:25:00,399 Speaker 1: wasn't something that one person might itself. Everybody felt a 448 00:25:00,440 --> 00:25:05,320 Speaker 1: certain way about uh, black people. Everybody that was what 449 00:25:05,560 --> 00:25:09,120 Speaker 1: a certain way about black people during the time. I mean, 450 00:25:09,280 --> 00:25:12,560 Speaker 1: you know, uh, I'm not saying that body was racist, 451 00:25:13,400 --> 00:25:17,240 Speaker 1: but I'm saying that some things were acceptable and some 452 00:25:17,320 --> 00:25:21,919 Speaker 1: things were not. A black man walking amongst white people 453 00:25:22,000 --> 00:25:25,040 Speaker 1: and giving orders and walking in and walking with us 454 00:25:25,080 --> 00:25:28,600 Speaker 1: in his authority and in his power was not accepted. 455 00:25:29,240 --> 00:25:31,960 Speaker 1: Now as a character, there's no way I was going 456 00:25:32,000 --> 00:25:34,080 Speaker 1: to back down from that. There's no way I was 457 00:25:34,119 --> 00:25:37,639 Speaker 1: going to I'm not gonna walk into a situation. And 458 00:25:38,640 --> 00:25:40,440 Speaker 1: because now, look, if it was a different time period, 459 00:25:40,440 --> 00:25:43,720 Speaker 1: if I was playing a movie where I was born 460 00:25:43,800 --> 00:25:45,800 Speaker 1: that time, and it not not it might be different, 461 00:25:46,119 --> 00:25:49,400 Speaker 1: but because I'm a man of this age, going back 462 00:25:49,440 --> 00:25:52,800 Speaker 1: in time, I'm going to keep the authority in the 463 00:25:52,840 --> 00:25:57,359 Speaker 1: power in which I walk in because I'm not diminishing 464 00:25:57,400 --> 00:25:59,560 Speaker 1: the story, you know what I'm saying. But that's why 465 00:25:59,600 --> 00:26:01,760 Speaker 1: a lot, that's why I thought, you know, and looking 466 00:26:01,800 --> 00:26:04,320 Speaker 1: at the thirty one soon as they said that time 467 00:26:04,359 --> 00:26:05,639 Speaker 1: for you and I read that, I said, Wow, this 468 00:26:05,720 --> 00:26:08,040 Speaker 1: is gonna be interested watching your character because you're not 469 00:26:08,080 --> 00:26:11,920 Speaker 1: gonna become five for seven okay and six five pounds, 470 00:26:12,359 --> 00:26:14,280 Speaker 1: you know, You're still gotta be six ft four, that's all. 471 00:26:14,320 --> 00:26:17,119 Speaker 1: You cocked that hat and was stride because when you 472 00:26:17,200 --> 00:26:19,040 Speaker 1: walk in the room, like I said, when you're walking 473 00:26:19,080 --> 00:26:22,480 Speaker 1: the room, even today, you are a room changer because 474 00:26:22,480 --> 00:26:27,080 Speaker 1: of how you look and your physicality. And so one 475 00:26:27,240 --> 00:26:31,280 Speaker 1: you walk into that bar, immediately everybody looked at you, okay, 476 00:26:32,000 --> 00:26:34,600 Speaker 1: you know, because they're going, okay, we got them being 477 00:26:34,600 --> 00:26:37,320 Speaker 1: in here. Wise that big black dude in here, and 478 00:26:37,320 --> 00:26:40,040 Speaker 1: who let him in? You know, And and and that's 479 00:26:40,040 --> 00:26:42,840 Speaker 1: just that's just to me. It's fine with me because 480 00:26:42,840 --> 00:26:45,960 Speaker 1: that storytelling, but the storytelling that we could not have 481 00:26:46,160 --> 00:26:49,680 Speaker 1: is that you bowing down or you being talked too 482 00:26:49,680 --> 00:26:53,119 Speaker 1: badly and not reacting to it. That is what I 483 00:26:53,160 --> 00:26:57,159 Speaker 1: appreciated about last night and thank you. Yeah, and the 484 00:26:57,480 --> 00:27:00,680 Speaker 1: year is that you notice each time someone like one guy, 485 00:27:00,840 --> 00:27:07,280 Speaker 1: I think he said shadow and the implication me was racial. 486 00:27:07,359 --> 00:27:09,280 Speaker 1: Now you know, it might have been something different, but 487 00:27:09,359 --> 00:27:11,720 Speaker 1: the implication for me was racial. And in the bar 488 00:27:11,800 --> 00:27:16,480 Speaker 1: when they started, UH, he started to call me a 489 00:27:16,720 --> 00:27:21,640 Speaker 1: racial derogatory word and and said I stepped to them both. 490 00:27:21,640 --> 00:27:25,360 Speaker 1: I said what you said, right, you know, yes, yes, yes, 491 00:27:25,520 --> 00:27:28,080 Speaker 1: you know nothing I preached it. I'm not you know, look, 492 00:27:29,320 --> 00:27:31,280 Speaker 1: I'm you know, I'm not gonna blow my cover. But 493 00:27:31,320 --> 00:27:35,879 Speaker 1: the thing is is that a man in this age 494 00:27:35,920 --> 00:27:39,879 Speaker 1: and this this this latent time UH has a certain 495 00:27:39,920 --> 00:27:43,000 Speaker 1: sense can walk in his authority, can walk in his power, 496 00:27:43,400 --> 00:27:46,159 Speaker 1: and and that's something that is ingrained in us. So 497 00:27:46,480 --> 00:27:49,080 Speaker 1: that was a re actionary thing for mac back Man 498 00:27:49,359 --> 00:27:51,280 Speaker 1: when he was he was in the third it was beautiful, 499 00:27:51,320 --> 00:27:53,199 Speaker 1: It was beautiful, you know, I just wanted to everybody know, 500 00:27:53,200 --> 00:27:56,320 Speaker 1: it's a great series premier and but I thought that, 501 00:27:56,359 --> 00:27:59,520 Speaker 1: But that's an underlying tone, especially how women were treated 502 00:27:59,560 --> 00:28:01,840 Speaker 1: in Ante thirty one and how people of color when 503 00:28:01,880 --> 00:28:04,119 Speaker 1: treated in nineteen thirty one is going to be played 504 00:28:04,119 --> 00:28:06,320 Speaker 1: out through the period while they stand down there. And 505 00:28:06,359 --> 00:28:09,640 Speaker 1: I think it's really cool because the writers heated your 506 00:28:09,760 --> 00:28:12,720 Speaker 1: thoughts and and a lot of respect, because you can't 507 00:28:12,720 --> 00:28:15,200 Speaker 1: do a great series and you can't send little underlying 508 00:28:15,240 --> 00:28:18,560 Speaker 1: messages that respect is always the bottom of bottom line 509 00:28:18,560 --> 00:28:21,640 Speaker 1: we're all trying to achieve. And in this final mission, 510 00:28:22,040 --> 00:28:25,040 Speaker 1: which is the seventh season of Marvels Agents of Shields, 511 00:28:25,320 --> 00:28:28,520 Speaker 1: it's really especial because of the fact that you're the director. 512 00:28:29,000 --> 00:28:32,800 Speaker 1: Women have power, women are fighters, women are not subservient, 513 00:28:33,160 --> 00:28:35,840 Speaker 1: and they're on a mission to save the world. Tell 514 00:28:35,920 --> 00:28:38,400 Speaker 1: us about this this final mission and let us know 515 00:28:38,440 --> 00:28:42,800 Speaker 1: the direction and what can we expect the season. Henry, Well, 516 00:28:42,880 --> 00:28:45,040 Speaker 1: you can expect us too. I think it's already been 517 00:28:45,560 --> 00:28:49,520 Speaker 1: told that we are we don't remain in this time 518 00:28:51,240 --> 00:28:55,400 Speaker 1: we go to different time period. Absolutely, I think that's 519 00:28:55,400 --> 00:29:00,360 Speaker 1: already been said. I'm not giving anything, um and do. 520 00:29:01,480 --> 00:29:05,200 Speaker 1: The one thing I could say is that, uh, the mission, 521 00:29:06,640 --> 00:29:10,120 Speaker 1: I'm trying to say somebodout giving away the wishes the mission. 522 00:29:11,400 --> 00:29:14,840 Speaker 1: It becomes more complicated because, as you know, if you 523 00:29:14,920 --> 00:29:19,800 Speaker 1: go back in time, it's a butterfly effect. If you 524 00:29:19,920 --> 00:29:23,600 Speaker 1: do something, it changes the future, and then maybe if 525 00:29:23,640 --> 00:29:25,600 Speaker 1: you change the future, then maybe you have to go 526 00:29:25,640 --> 00:29:29,479 Speaker 1: back to another time to try to impress something so 527 00:29:29,560 --> 00:29:35,480 Speaker 1: it doesn't happen in the present time. So it's it's 528 00:29:35,480 --> 00:29:42,960 Speaker 1: a thing where and where you were trying to trying 529 00:29:43,000 --> 00:29:48,320 Speaker 1: to put out fires and trying to do what's necessary, 530 00:29:48,480 --> 00:29:53,560 Speaker 1: uh to stop these chronic colms from taking over. But 531 00:29:53,560 --> 00:29:58,200 Speaker 1: but the thing is is uh, like I said along 532 00:29:58,240 --> 00:30:02,520 Speaker 1: the way, you just have to read. You know, there's 533 00:30:02,560 --> 00:30:06,120 Speaker 1: gonna be some things where it's gonna affect people's lives 534 00:30:06,400 --> 00:30:08,960 Speaker 1: and look and look like this, because we're moving through 535 00:30:09,000 --> 00:30:12,080 Speaker 1: time right there are other people that are gonna come 536 00:30:12,280 --> 00:30:16,400 Speaker 1: that could possibly come back that we've seen before. That's awesome. 537 00:30:16,440 --> 00:30:19,520 Speaker 1: That's Henry. I don't want to hold you any longer, man, 538 00:30:19,560 --> 00:30:20,680 Speaker 1: I just want to I just want to have an 539 00:30:20,680 --> 00:30:23,880 Speaker 1: honest conversation with somebody I respect, a person I consider 540 00:30:24,120 --> 00:30:26,640 Speaker 1: a mentor for a lot of young people of all 541 00:30:26,680 --> 00:30:29,800 Speaker 1: colors in this country, but more importantly in the in 542 00:30:29,840 --> 00:30:32,240 Speaker 1: the era that we live today, you know, we all 543 00:30:32,240 --> 00:30:34,440 Speaker 1: need to look up and see somebody that's doing something 544 00:30:34,480 --> 00:30:36,960 Speaker 1: different and doing the impossible and you do it every 545 00:30:36,960 --> 00:30:39,720 Speaker 1: Wednesday at ten pm Eastern and nine pm Central on 546 00:30:39,760 --> 00:30:44,880 Speaker 1: ABC Marvel Agents of Shields. You're the director, the director, 547 00:30:45,560 --> 00:30:48,400 Speaker 1: Mr Mac, the Return of the Mac. Turn on the Mac. 548 00:30:50,680 --> 00:30:55,120 Speaker 1: I'm keep that hat cock, baby, and keep that tide, man, 549 00:30:55,680 --> 00:30:58,000 Speaker 1: and I love your brother. I love you, man, and 550 00:30:58,200 --> 00:31:00,360 Speaker 1: I want to thank you for calling much make up sessation. 551 00:31:00,360 --> 00:31:02,520 Speaker 1: But I hope you appreciated the conversation we had, man, 552 00:31:02,560 --> 00:31:05,840 Speaker 1: because it was an honest one about you as a talent. Man. 553 00:31:05,920 --> 00:31:08,840 Speaker 1: And sometimes you need to be told, man, you special man, 554 00:31:08,920 --> 00:31:11,479 Speaker 1: that you're making a difference, not only when you go 555 00:31:11,560 --> 00:31:13,280 Speaker 1: to work and take care of your family and you 556 00:31:13,320 --> 00:31:16,160 Speaker 1: have your faith in God, but you're affecting people out there, man, 557 00:31:16,200 --> 00:31:18,520 Speaker 1: because you go to work, you take care of your family, 558 00:31:18,560 --> 00:31:21,720 Speaker 1: and you have a respect for God, your special man. 559 00:31:21,840 --> 00:31:25,120 Speaker 1: I'm gonna fore you that, Uh. And I appreciate that 560 00:31:25,160 --> 00:31:27,680 Speaker 1: I've had a bunch of auditions, I'm sorry, a bunch 561 00:31:27,720 --> 00:31:30,200 Speaker 1: of interviews this week, and I'm honestly this was the 562 00:31:30,200 --> 00:31:34,600 Speaker 1: best one. The questions that you've asked, UH are meaningful 563 00:31:35,320 --> 00:31:38,080 Speaker 1: and insightful. Not sense for me, but I think for 564 00:31:38,120 --> 00:31:42,920 Speaker 1: other people. Hopefully. I appreciate you. Thank you. Thank you 565 00:31:42,960 --> 00:31:46,280 Speaker 1: for what you're doing. What you're doing is making a difference. 566 00:31:46,400 --> 00:31:48,720 Speaker 1: Whether you realize or not, you are making a difference 567 00:31:48,760 --> 00:31:51,480 Speaker 1: and I appreciate you. Thank you, thank you. Hey my man, 568 00:31:51,720 --> 00:31:53,640 Speaker 1: you keep winning out there. And you know we when 569 00:31:53,640 --> 00:31:55,440 Speaker 1: you know when you got a new movie. Now you're might, 570 00:31:55,560 --> 00:31:57,240 Speaker 1: You're We're not scope. You know when he said, ras 571 00:31:57,200 --> 00:31:59,760 Speaker 1: Sean mcdonne want to interview you as my boy, as 572 00:31:59,760 --> 00:32:06,640 Speaker 1: my hey man, stay special, get everybody Marvel Agents of 573 00:32:06,720 --> 00:32:12,120 Speaker 1: shield Airs every Wednesday at Timpium Eastern Napum Central on ABC. Henry, 574 00:32:12,160 --> 00:32:13,600 Speaker 1: thank you for making this call with me today on 575 00:32:13,600 --> 00:32:16,600 Speaker 1: money making Conversations. Thank you, brother, Thank you, thank you. 576 00:32:16,760 --> 00:32:18,720 Speaker 1: Okay cool. If you want to hear more interviews on 577 00:32:18,760 --> 00:32:21,480 Speaker 1: money making conversations, go to Money Making Conversation dot com. 578 00:32:21,680 --> 00:32:24,560 Speaker 1: I'm ra Sean mcdun I'm your host. 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