1 00:00:00,160 --> 00:00:06,000 Speaker 1: Oh hello everyone, Hi Joy, Hello, Hi Johi, Hi hillarys 2 00:00:07,000 --> 00:00:10,959 Speaker 1: hanging out in the backyard or doing something fun. I know, well, 3 00:00:11,000 --> 00:00:13,400 Speaker 1: this is the second best thing, being able to get 4 00:00:13,400 --> 00:00:15,200 Speaker 1: you to see you face to face again. I love 5 00:00:15,240 --> 00:00:17,640 Speaker 1: when we hang out together. I wish Sophia was here, 6 00:00:17,880 --> 00:00:23,480 Speaker 1: As everybody knows, Sophia is off um having wonderful married moments, 7 00:00:23,680 --> 00:00:30,920 Speaker 1: and we are um holding down the fort gladly. Like 8 00:00:31,040 --> 00:00:36,360 Speaker 1: I love that she is off having romance. Um. Yeah, 9 00:00:36,400 --> 00:00:38,839 Speaker 1: me too, and just kind of celebrating because we have 10 00:00:38,960 --> 00:00:42,680 Speaker 1: all certainly been through it together as our characters in 11 00:00:42,720 --> 00:00:47,240 Speaker 1: this episode, as as you and Haley, Haley and Brook 12 00:00:47,320 --> 00:00:50,319 Speaker 1: hold each other during these moments of turmoil. We love 13 00:00:50,400 --> 00:00:53,000 Speaker 1: holding each other up when we get to celebrate good 14 00:00:53,000 --> 00:00:56,640 Speaker 1: stuff too. So that's what's this episode about. So we've 15 00:00:56,640 --> 00:00:58,800 Speaker 1: got what is it? It's uh, I don't even know 16 00:00:58,840 --> 00:01:01,400 Speaker 1: the name of it. This is the Champagne one, I guess. 17 00:01:01,440 --> 00:01:04,600 Speaker 1: So again, Okay, so you guys, last week it felt 18 00:01:04,640 --> 00:01:07,959 Speaker 1: like a standalone episode. We explained what a spec script was. 19 00:01:08,480 --> 00:01:12,039 Speaker 1: I feel like this one did too, Like, yeah, it 20 00:01:12,080 --> 00:01:15,040 Speaker 1: totally felt like a bottle episode. Did anything advance? The 21 00:01:15,080 --> 00:01:19,360 Speaker 1: only thing that advanced is maybe Brooks clothing line. So yeah, 22 00:01:19,440 --> 00:01:22,080 Speaker 1: let's give him the rundown and then let's talk. Can't 23 00:01:22,120 --> 00:01:24,760 Speaker 1: all right? It's episode Season three, episode seven, Champagne for 24 00:01:24,840 --> 00:01:28,000 Speaker 1: My Real Friends, Real Pain for My Sham Friends. Air 25 00:01:28,080 --> 00:01:32,480 Speaker 1: date November sixteen, two thousand five, two thousand five. Oh 26 00:01:32,480 --> 00:01:41,280 Speaker 1: my gosh, it seems so long ago. Is The draft 27 00:01:41,440 --> 00:01:43,520 Speaker 1: results are in and everyone goes on a date with 28 00:01:43,520 --> 00:01:45,720 Speaker 1: their pick. Nathan and Haley devil date with Brooke and 29 00:01:45,760 --> 00:01:49,240 Speaker 1: Chris Keller, which ends in a big mistake. Mouth brings 30 00:01:49,240 --> 00:01:51,760 Speaker 1: Peyton to a senior home to visit his grandpa, mel 31 00:01:52,360 --> 00:01:56,000 Speaker 1: and learns a lesson in regret. Rachel and Lucas play 32 00:01:56,040 --> 00:01:59,720 Speaker 1: basketball sort of at the river Court. Karen and Deb 33 00:01:59,800 --> 00:02:07,200 Speaker 1: get their revenge John Dan's Billboard. Yeah, Paul directed this episode. 34 00:02:07,520 --> 00:02:10,320 Speaker 1: Um yeah, I think he did the best he could 35 00:02:10,320 --> 00:02:12,680 Speaker 1: with the material. I thought this was a really boring episode, 36 00:02:12,680 --> 00:02:15,600 Speaker 1: to be honest. Yeah, I mean I liked your storyline 37 00:02:15,600 --> 00:02:20,600 Speaker 1: with Mouth. That was interesting to me because I'm that 38 00:02:21,800 --> 00:02:24,280 Speaker 1: working with Tom Bosley was really cool. That's one of 39 00:02:24,280 --> 00:02:27,040 Speaker 1: those things you know, in the moment, you're like, oh, yeah, 40 00:02:27,080 --> 00:02:31,760 Speaker 1: like this is an icon. Happy Days was a huge 41 00:02:31,840 --> 00:02:33,800 Speaker 1: deal When I was a kid, even though it was 42 00:02:33,840 --> 00:02:36,680 Speaker 1: in reruns, and so it feels very meta to have 43 00:02:36,919 --> 00:02:42,960 Speaker 1: our show live in like reruns now like streaming and 44 00:02:43,480 --> 00:02:46,280 Speaker 1: kids be like, oh, we watch your old timey show 45 00:02:46,760 --> 00:02:49,080 Speaker 1: the way like Tom Bosley came on our show and 46 00:02:49,120 --> 00:02:51,639 Speaker 1: we were like, oh my god, I totally watch Ironic 47 00:02:53,880 --> 00:02:57,359 Speaker 1: one day we will be Tom Bosley. Um, that's right, 48 00:02:57,760 --> 00:02:59,560 Speaker 1: but he was. It was so great to see him, 49 00:02:59,600 --> 00:03:02,880 Speaker 1: and he was so sweet, like, I'm sorry, I'm yawning 50 00:03:02,919 --> 00:03:04,480 Speaker 1: so much. Guys. I think I just said this was 51 00:03:04,520 --> 00:03:10,800 Speaker 1: a sleepy episode. Music. Yeah, that's right, a lot of 52 00:03:10,840 --> 00:03:15,080 Speaker 1: slow music and nothing really advancing the storylines. Everything just 53 00:03:15,160 --> 00:03:17,400 Speaker 1: kind of like, well, I guess Brook slept with Chris Keller, 54 00:03:17,520 --> 00:03:21,079 Speaker 1: but that's the illusion anyway. I think, doesn't it come 55 00:03:21,080 --> 00:03:24,360 Speaker 1: out tomorrow or in the next episode that he just 56 00:03:24,400 --> 00:03:27,600 Speaker 1: like crawled into bed next to her when she fell asleep, 57 00:03:27,680 --> 00:03:32,480 Speaker 1: but think all the time that such a creep. Yeah. 58 00:03:32,840 --> 00:03:36,040 Speaker 1: I the whole episode took place at night, but it 59 00:03:36,080 --> 00:03:38,880 Speaker 1: wasn't like a fun club night at Trick. It was 60 00:03:38,960 --> 00:03:42,080 Speaker 1: everybody on dates they didn't want to be on, except 61 00:03:42,080 --> 00:03:45,440 Speaker 1: for Peyton and Mouth like that was you know fine. Yeah, 62 00:03:45,640 --> 00:03:50,000 Speaker 1: everybody else just kind of seemed disappointed the whole episode, 63 00:03:50,560 --> 00:03:54,200 Speaker 1: and maybe that's what we're feeling. Maybe we're like absorbing 64 00:03:55,040 --> 00:04:01,720 Speaker 1: the character's disappointment. I know I think so well. But 65 00:04:01,800 --> 00:04:05,120 Speaker 1: I like the way this episode started with all the 66 00:04:05,280 --> 00:04:10,240 Speaker 1: like dream sequences. That was funny. Yeah. We started off 67 00:04:10,240 --> 00:04:14,000 Speaker 1: with broken Lucas in bed fake out, and then it's 68 00:04:14,280 --> 00:04:18,120 Speaker 1: Lucas and Chris Keller in bed, which is Haley's dream 69 00:04:18,440 --> 00:04:21,480 Speaker 1: fake out. And then Haley crawls into bed with Brooke 70 00:04:22,279 --> 00:04:24,400 Speaker 1: and it's a dream, it's Nathan's dream. It's a total 71 00:04:24,480 --> 00:04:28,479 Speaker 1: fake out. Yeah, that was a fun way to start. Yeah, 72 00:04:28,520 --> 00:04:31,479 Speaker 1: it was I liked that. Um, it was very and 73 00:04:31,520 --> 00:04:35,120 Speaker 1: then Brooke was like so aggressively angry with Rachel again 74 00:04:35,200 --> 00:04:39,280 Speaker 1: for existing. Have you ever been that mad at someone 75 00:04:39,560 --> 00:04:44,839 Speaker 1: that you just met? No, I'm trying to be probably 76 00:04:45,680 --> 00:04:48,880 Speaker 1: joy have I come on? I mean I get annoyed 77 00:04:48,920 --> 00:04:51,120 Speaker 1: with for sure. I've definitely been annoyed with people I 78 00:04:51,200 --> 00:04:58,440 Speaker 1: just met, but not like openly hostile hostile. I try 79 00:04:58,520 --> 00:05:03,800 Speaker 1: to keep my hostility, you know, and buried until I 80 00:05:03,839 --> 00:05:05,279 Speaker 1: get home and then I have to vent to my 81 00:05:05,320 --> 00:05:07,760 Speaker 1: poor husband, and I'm like and another thing, and then 82 00:05:07,800 --> 00:05:11,960 Speaker 1: she did this more thing. No, Brooke is so blatant 83 00:05:12,040 --> 00:05:16,400 Speaker 1: with her hostility. Is that a youth trying I'm just 84 00:05:16,400 --> 00:05:18,360 Speaker 1: trying to think if at any point in my life 85 00:05:19,160 --> 00:05:21,320 Speaker 1: it's been that aggressive, or if that is just the 86 00:05:21,320 --> 00:05:25,479 Speaker 1: way that adults script teenage girls, you know what I mean, 87 00:05:25,560 --> 00:05:28,960 Speaker 1: It's like teenach girls are bitches. Was leaning into it, 88 00:05:29,000 --> 00:05:31,440 Speaker 1: I mean, whatever the lines were, she was like fully 89 00:05:31,520 --> 00:05:33,560 Speaker 1: leaning into it, and that was great. I mean, I 90 00:05:33,600 --> 00:05:35,479 Speaker 1: like the choice. I think it's really funny. It's a 91 00:05:35,600 --> 00:05:40,159 Speaker 1: nice flaw for Brooke to have good comedy. But yeah, 92 00:05:40,400 --> 00:05:48,039 Speaker 1: but then again, clearly Rachel is trying to uh steal 93 00:05:48,080 --> 00:05:53,279 Speaker 1: her man sot it. I don't know, man, Rachel asked 94 00:05:53,760 --> 00:05:57,200 Speaker 1: so many times, is this your boyfriend? Is this your boyfriend? 95 00:05:58,040 --> 00:06:01,680 Speaker 1: Are you going to pick him? And then Brooks sends 96 00:06:01,760 --> 00:06:04,520 Speaker 1: him to ask her out, and she's like, why is 97 00:06:04,560 --> 00:06:07,800 Speaker 1: this brook girl messing with me? Either she doesn't want 98 00:06:07,800 --> 00:06:09,200 Speaker 1: me to date this guy or she does want me 99 00:06:09,240 --> 00:06:10,800 Speaker 1: to date this guy. But now I know I'm a 100 00:06:10,839 --> 00:06:14,599 Speaker 1: target and I'm gonna mess with her back. Yeah, she 101 00:06:14,680 --> 00:06:18,240 Speaker 1: makes perfect sense. Well, we've got the fake out in 102 00:06:18,240 --> 00:06:21,320 Speaker 1: the beginning. Let's talk about suburban filth. The idea of 103 00:06:21,360 --> 00:06:26,320 Speaker 1: a kid designing clothes in high school. It's a good deal. 104 00:06:27,040 --> 00:06:31,440 Speaker 1: It's a very big deal. Is it realistic? I guess maybe. 105 00:06:32,360 --> 00:06:34,440 Speaker 1: Like I remember when this storyline started with Brooke and 106 00:06:34,440 --> 00:06:36,640 Speaker 1: I was like, she's designed and clothes in high school. 107 00:06:37,279 --> 00:06:39,159 Speaker 1: This is crazy. And now we've got kids on the 108 00:06:39,160 --> 00:06:42,760 Speaker 1: internet like YouTube, and I guess not YouTube but Instagram 109 00:06:42,760 --> 00:06:45,560 Speaker 1: and stuff like kids who are designing. But I think 110 00:06:45,680 --> 00:06:48,120 Speaker 1: I'd never heard of such a thing. When we were 111 00:06:48,160 --> 00:06:51,480 Speaker 1: doing this storyline. It was like what And that was 112 00:06:51,720 --> 00:06:53,400 Speaker 1: you know. One of the one of the first jobs 113 00:06:53,400 --> 00:06:58,040 Speaker 1: I applied for, the first job A ever wanted to do, 114 00:06:58,320 --> 00:07:02,240 Speaker 1: was window dressing. I wanted to go dress the mannequins 115 00:07:02,520 --> 00:07:06,400 Speaker 1: in the store, but I wasn't sixteen, so they wouldn't 116 00:07:06,440 --> 00:07:08,160 Speaker 1: let me work there. And the the other one I 117 00:07:08,160 --> 00:07:10,080 Speaker 1: wanted to do was fix up classic cars, but I 118 00:07:10,120 --> 00:07:12,880 Speaker 1: had to be eighteen for that so they wouldn't either. 119 00:07:13,760 --> 00:07:16,560 Speaker 1: But um, I really went hard after the window dressing thing. 120 00:07:16,680 --> 00:07:20,559 Speaker 1: I I went to, um, Joyce Leslie, do you remember 121 00:07:20,640 --> 00:07:22,920 Speaker 1: that store? What is that? Is that a New Jersey 122 00:07:22,960 --> 00:07:25,080 Speaker 1: thing or it's like a I think it might be 123 00:07:25,160 --> 00:07:30,200 Speaker 1: a New Jersey or Century twenty one? Sure? Oh yeah, 124 00:07:30,520 --> 00:07:34,120 Speaker 1: oh yeah, all the store I just walked around the neighborhood. 125 00:07:34,120 --> 00:07:36,200 Speaker 1: I went back to French Connection in Banana Republic and 126 00:07:36,640 --> 00:07:38,520 Speaker 1: the Gap and I was like, I just want to 127 00:07:38,680 --> 00:07:41,080 Speaker 1: window dress, That's all I want to do. And they 128 00:07:41,080 --> 00:07:43,640 Speaker 1: all thought I was super cute but ignored me. So 129 00:07:44,480 --> 00:07:49,160 Speaker 1: we'll show them that dream out. I know because I 130 00:07:49,200 --> 00:07:50,920 Speaker 1: was thinking about going to school to be a fashion 131 00:07:50,960 --> 00:07:54,720 Speaker 1: designer at one point in my Yeah, absolutely, I loved. 132 00:07:55,240 --> 00:07:59,520 Speaker 1: I had this dress form in my bedroom and uh, 133 00:07:59,560 --> 00:08:01,920 Speaker 1: it was just a little mannequin which I named mary 134 00:08:01,920 --> 00:08:04,920 Speaker 1: Anne after my daughter was born, and she would she 135 00:08:05,000 --> 00:08:07,600 Speaker 1: couldn't say mannequins, so she would always refer to it 136 00:08:07,640 --> 00:08:10,960 Speaker 1: as the Mary Anne. Is that the mary Anne? Is 137 00:08:11,000 --> 00:08:14,000 Speaker 1: that your dress of the Mary Anne? I remember their 138 00:08:14,080 --> 00:08:16,800 Speaker 1: dress form because you were also like there was a 139 00:08:16,840 --> 00:08:19,920 Speaker 1: point where you made your own lingerie, like you made 140 00:08:19,920 --> 00:08:23,840 Speaker 1: a ball and I was like, girl, what you made 141 00:08:23,840 --> 00:08:26,000 Speaker 1: a lot of clothes when we were doing this. I 142 00:08:26,040 --> 00:08:28,920 Speaker 1: love I love sewing. I would like to take a 143 00:08:28,960 --> 00:08:32,520 Speaker 1: real course because I'm I make a lot of Maria's 144 00:08:32,520 --> 00:08:37,000 Speaker 1: Halloween costumes and I'm I can fix things, but I'm 145 00:08:37,040 --> 00:08:40,160 Speaker 1: not I don't know how to read a pattern or 146 00:08:40,679 --> 00:08:42,720 Speaker 1: I mean, maybe you could teach me how to do that. 147 00:08:42,760 --> 00:08:45,280 Speaker 1: You're great with a sewing machine. Well, I was in 148 00:08:45,360 --> 00:08:50,160 Speaker 1: Future Homemakers of America and I was treasurer of Future 149 00:08:50,200 --> 00:08:56,160 Speaker 1: Homemakers of America my middle school chapter. So um il yeah, 150 00:08:56,240 --> 00:08:59,480 Speaker 1: but I also have like zero taste joy. So if 151 00:08:59,600 --> 00:09:02,920 Speaker 1: you bring like the fabric selections and like what it's 152 00:09:02,920 --> 00:09:04,839 Speaker 1: gonna look like, I'll teach you how to do the 153 00:09:04,880 --> 00:09:08,760 Speaker 1: mechanical that's super easy. Oh my god, I love that. 154 00:09:08,760 --> 00:09:10,600 Speaker 1: That's the thing. I don't know how to use a pattern. 155 00:09:10,679 --> 00:09:13,240 Speaker 1: It's so I get it's it's always a little wonky, 156 00:09:13,360 --> 00:09:16,000 Speaker 1: but I'm like, it's got enough for kids Halloween costumes. 157 00:09:16,040 --> 00:09:24,040 Speaker 1: So I just kind of, you know, lean into it. 158 00:09:25,600 --> 00:09:27,920 Speaker 1: But yeah, I wanted to be a fashion designer and 159 00:09:27,960 --> 00:09:29,839 Speaker 1: east to I have books and books and books of 160 00:09:29,960 --> 00:09:31,680 Speaker 1: just sketches. That's all I would do is sit around 161 00:09:31,679 --> 00:09:35,079 Speaker 1: and sketch outfits and dresses and big gowns and lingerie 162 00:09:35,160 --> 00:09:38,559 Speaker 1: and all kinds of fun stuff. Um and then uh, 163 00:09:38,800 --> 00:09:41,079 Speaker 1: I never just well, I mean I had to either 164 00:09:41,120 --> 00:09:43,920 Speaker 1: go to school. I was also like criminal psychologist or 165 00:09:43,960 --> 00:09:47,280 Speaker 1: a marine biologist or fashion designer. You know. It's kind 166 00:09:47,320 --> 00:09:49,000 Speaker 1: of the fun part about being in high school, right, 167 00:09:49,000 --> 00:09:50,520 Speaker 1: what are the other things you wanted to do when 168 00:09:50,559 --> 00:09:52,360 Speaker 1: you were in high school? Well, I went to school 169 00:09:52,400 --> 00:09:56,400 Speaker 1: for psychological forensics. I went to FORDAM at Lincoln Center 170 00:09:56,400 --> 00:09:59,200 Speaker 1: because they also have the law school there, so it's 171 00:09:59,200 --> 00:10:01,599 Speaker 1: like right by on J School of Criminal Justice. I 172 00:10:01,640 --> 00:10:04,240 Speaker 1: just to go drinking with the boys from John Jay. 173 00:10:05,000 --> 00:10:06,800 Speaker 1: And you know, how many years did you do that? 174 00:10:06,840 --> 00:10:09,240 Speaker 1: Did you get a degree? No? I went for two 175 00:10:09,280 --> 00:10:11,640 Speaker 1: full years, and then I transferred to n y U. S. 176 00:10:11,679 --> 00:10:15,400 Speaker 1: Gallaton School. And by then MTV was working me so much. 177 00:10:15,400 --> 00:10:17,280 Speaker 1: I was like, why am I spending all this money 178 00:10:17,280 --> 00:10:23,720 Speaker 1: on school? Oh? My gosh, I didn't know that Forensic psychology. 179 00:10:23,760 --> 00:10:27,000 Speaker 1: The psychology stuff has been very helpful as an actor, 180 00:10:27,840 --> 00:10:30,640 Speaker 1: you know what I mean, Like for sure, because once 181 00:10:30,679 --> 00:10:34,559 Speaker 1: you understand how that brain ticks, you're like, oh, all right, 182 00:10:34,720 --> 00:10:38,680 Speaker 1: I see what you're doing here, um. And that's for 183 00:10:38,800 --> 00:10:41,760 Speaker 1: yourself figuring out a character, and also for figuring out 184 00:10:41,920 --> 00:10:43,280 Speaker 1: the people that you have to work with in the 185 00:10:43,320 --> 00:10:48,960 Speaker 1: film industry because everyone's bat um. But then the criminology 186 00:10:49,040 --> 00:10:53,600 Speaker 1: part of it was it was really interesting because what 187 00:10:53,840 --> 00:10:56,480 Speaker 1: I grew up learning in Virginia, you know, with your 188 00:10:56,520 --> 00:10:58,920 Speaker 1: family being like watch out for this, watch out for that, 189 00:11:00,320 --> 00:11:02,960 Speaker 1: it was totally wrong, Like, you know, living in New 190 00:11:03,000 --> 00:11:06,960 Speaker 1: York City, learning the reality behind like criminology and like 191 00:11:07,040 --> 00:11:11,679 Speaker 1: how crimes happen, where they happen, who typically commits them. Um. 192 00:11:11,720 --> 00:11:15,480 Speaker 1: It was a good lesson because I was less afraid. 193 00:11:15,600 --> 00:11:19,000 Speaker 1: Most stuff is like domestic crime, you know, and we 194 00:11:19,040 --> 00:11:21,400 Speaker 1: deal with some of that on our show, you know, 195 00:11:21,760 --> 00:11:26,920 Speaker 1: like there's there's a little bit of it on our show. Um, 196 00:11:26,960 --> 00:11:29,720 Speaker 1: But anytime it's like a total stranger committing a crime 197 00:11:29,760 --> 00:11:32,400 Speaker 1: on a TV show or movie, I'm like, that doesn't happen. 198 00:11:32,960 --> 00:11:37,640 Speaker 1: It's almost that's interesting. Knowledge is power? Man. I didn't. 199 00:11:37,960 --> 00:11:40,160 Speaker 1: I didn't ever think about that in the context of 200 00:11:40,880 --> 00:11:45,240 Speaker 1: understanding crime. But that's true. Is that Apparently that's really 201 00:11:45,240 --> 00:11:48,520 Speaker 1: serving you still because you're doing your show. Um, is it? 202 00:11:48,640 --> 00:11:51,560 Speaker 1: This couldn't happen here? It's called it couldn't happen here? Yeah, 203 00:11:51,600 --> 00:11:53,640 Speaker 1: I mean, it couldn't happen here. Look, when we lived 204 00:11:53,640 --> 00:11:57,480 Speaker 1: in Wilmington's, I was fixated on crimes that were happening 205 00:11:57,520 --> 00:12:01,520 Speaker 1: on like local news. How next door to mine was 206 00:12:01,559 --> 00:12:05,679 Speaker 1: getting renovated and the guys working on it found bones 207 00:12:05,720 --> 00:12:08,640 Speaker 1: in the backyard and they didn't call the police. They 208 00:12:08,640 --> 00:12:10,559 Speaker 1: were like, hey, lady, come over here and look at this, 209 00:12:10,920 --> 00:12:14,040 Speaker 1: you know, comes get your bones. I'm like, oh you guys, 210 00:12:14,200 --> 00:12:18,320 Speaker 1: Brownly calls somebody. Um, yeah, I was. I was always 211 00:12:18,360 --> 00:12:21,640 Speaker 1: into it, and you know, you always want to do 212 00:12:21,720 --> 00:12:25,800 Speaker 1: more than just what you're doing. I think we all 213 00:12:25,840 --> 00:12:27,559 Speaker 1: feel that way. We always wanted to be more than 214 00:12:27,600 --> 00:12:31,320 Speaker 1: what we were at the moment. So yeah, I feel 215 00:12:31,320 --> 00:12:34,960 Speaker 1: like Sophia really leaned into this fashion storyline while we 216 00:12:35,000 --> 00:12:37,400 Speaker 1: were in it because she really, I mean, she was 217 00:12:37,440 --> 00:12:40,280 Speaker 1: going to fashion show, she was making friends with designers, 218 00:12:40,960 --> 00:12:44,880 Speaker 1: she was really educating herself about it in a way 219 00:12:44,920 --> 00:12:47,360 Speaker 1: that was kind of intimidating for me. I was like, 220 00:12:48,360 --> 00:12:50,160 Speaker 1: what are you wearing? I don't know how to say 221 00:12:50,160 --> 00:12:53,680 Speaker 1: that me too. Sophia was also spending all of her 222 00:12:53,720 --> 00:12:56,000 Speaker 1: money on boxes and boxes of clothes that would just 223 00:12:56,240 --> 00:12:59,640 Speaker 1: like these giant boxes would always arrive and appear at 224 00:12:59,640 --> 00:13:01,680 Speaker 1: her trade alert and just load just loading them all 225 00:13:01,760 --> 00:13:04,360 Speaker 1: in every day, one right after the other. Because she 226 00:13:04,520 --> 00:13:07,600 Speaker 1: was very she was she was educating herself on that world. 227 00:13:07,640 --> 00:13:10,240 Speaker 1: And of course now she owns a company, fashion Kind 228 00:13:10,320 --> 00:13:13,520 Speaker 1: with a friend of hers, and they are selling incredible 229 00:13:13,559 --> 00:13:16,920 Speaker 1: like sustainable fashion and it's awesome. Listen. I don't know 230 00:13:17,040 --> 00:13:19,320 Speaker 1: anything about fashion, but but I do know is I 231 00:13:19,440 --> 00:13:21,880 Speaker 1: fall down the rabbit hole of her website and I'm 232 00:13:21,920 --> 00:13:25,120 Speaker 1: just like, this is gorgeous. I need ten of them. Yeah, 233 00:13:25,640 --> 00:13:31,000 Speaker 1: me too. I know the curation is impeccable. Yeah, George 234 00:13:31,040 --> 00:13:34,960 Speaker 1: likes fashion. Are you wearing your Sonic clothes right now? Yeah? 235 00:13:35,080 --> 00:13:37,680 Speaker 1: She's going through a big Sonic the Hedgehog fashion phase. 236 00:13:37,920 --> 00:13:41,040 Speaker 1: So I love kids fashion. That's my favorite is when 237 00:13:41,120 --> 00:13:44,440 Speaker 1: kids you just let them do whatever they want. It's 238 00:13:44,480 --> 00:13:47,480 Speaker 1: so fun because Maria used to. I remember one time 239 00:13:47,520 --> 00:13:49,440 Speaker 1: I told her we were going to church and she 240 00:13:49,480 --> 00:13:51,160 Speaker 1: didn't want to go, and I was taking to take 241 00:13:51,200 --> 00:13:56,640 Speaker 1: her to like a really a Catholic mass forum. Yeah, 242 00:13:56,679 --> 00:13:58,960 Speaker 1: I mean formal enough that you you know, you dressed nice. 243 00:13:59,000 --> 00:14:02,839 Speaker 1: And I said, I think she was probably six Yep, 244 00:14:03,040 --> 00:14:06,839 Speaker 1: she was six or seven at this time. And I said, um, okay, 245 00:14:06,840 --> 00:14:08,200 Speaker 1: we're gonna go to church. She didn't want to go 246 00:14:08,200 --> 00:14:10,000 Speaker 1: to church, and I was like, honey, we're going. I 247 00:14:10,040 --> 00:14:12,640 Speaker 1: want to go to this, so get get dressed. You 248 00:14:12,720 --> 00:14:14,800 Speaker 1: have five minutes. And I turned over my little sand 249 00:14:15,240 --> 00:14:19,880 Speaker 1: what are they called our glass time alas, I have 250 00:14:20,240 --> 00:14:23,720 Speaker 1: multiple hour glasses we have a half hour, a fifteen minute, 251 00:14:23,760 --> 00:14:26,240 Speaker 1: at ten minute, and a five minute, so that it's 252 00:14:26,280 --> 00:14:28,400 Speaker 1: great for kids brains because they can see the time 253 00:14:28,480 --> 00:14:31,760 Speaker 1: running out. It's on a digital clock. It's just numbers 254 00:14:31,800 --> 00:14:35,000 Speaker 1: counting down. It's not your brain. I mean, my kid's 255 00:14:35,000 --> 00:14:38,240 Speaker 1: brain is not um as easily adaptable to that as 256 00:14:38,280 --> 00:14:40,440 Speaker 1: to our glass. Anyway. So I set the timer for 257 00:14:40,440 --> 00:14:48,240 Speaker 1: her and she comes out in a leopard miniskirt with 258 00:14:48,760 --> 00:14:55,200 Speaker 1: like leg warmers and sparkle shoes and a tank top. 259 00:14:55,360 --> 00:14:57,560 Speaker 1: Oh no, no, it was a leotard, tank top, leotard 260 00:14:57,640 --> 00:15:03,800 Speaker 1: underneath it with a glitter a glitter um vest and 261 00:15:04,560 --> 00:15:08,000 Speaker 1: you know, and sunglasses and a big sequin band in 262 00:15:08,040 --> 00:15:11,520 Speaker 1: her hair. And she was like, this is how I 263 00:15:11,560 --> 00:15:14,200 Speaker 1: feel like where, this is what I feel like. We're 264 00:15:14,200 --> 00:15:18,360 Speaker 1: in a church. Jesus is gonna see me today, that's right. 265 00:15:18,680 --> 00:15:21,920 Speaker 1: So I love kids fashion. Anyway, how do we get there? Yeah? Yeah, 266 00:15:22,000 --> 00:15:24,920 Speaker 1: close over, bros. That's what's coming because of this, I think, 267 00:15:24,960 --> 00:15:29,960 Speaker 1: because her idea gets stolen. Suburban filth. I do like 268 00:15:30,080 --> 00:15:33,160 Speaker 1: that that name, yeah, I mean, it's so it's so 269 00:15:33,320 --> 00:15:36,960 Speaker 1: late nineties, early two thousand's, like I'm from the suburbs. 270 00:15:37,000 --> 00:15:41,640 Speaker 1: But I'm also very edgy. It sounds like the name 271 00:15:41,720 --> 00:15:44,240 Speaker 1: of a department store on a TV show, is what 272 00:15:44,360 --> 00:15:47,680 Speaker 1: it sounds. Yeah, yeah, And it's definitely at the mall. 273 00:15:48,280 --> 00:15:53,520 Speaker 1: Favorite line of the episode. Hailey is all upset about 274 00:15:53,560 --> 00:15:58,560 Speaker 1: the houses being built where her marriage spot was and 275 00:15:58,720 --> 00:16:03,400 Speaker 1: in all serious z like Haley's tearing up. Brook looks 276 00:16:03,440 --> 00:16:07,840 Speaker 1: over and goes, let's just go to the mall. It's okay, 277 00:16:08,360 --> 00:16:11,360 Speaker 1: It's okay, honey, Let's just go to the mall. That 278 00:16:11,800 --> 00:16:17,200 Speaker 1: was gold you said it. It's the most teenage line 279 00:16:17,320 --> 00:16:21,760 Speaker 1: I've ever heard. It's so teenage. The next time something 280 00:16:21,800 --> 00:16:23,760 Speaker 1: bad is happening in one of our lives, like the 281 00:16:23,840 --> 00:16:26,920 Speaker 1: next time, like I call you and I'm like, hey, 282 00:16:27,120 --> 00:16:32,640 Speaker 1: my dog DoD, I just need you to say, that's okay, 283 00:16:32,720 --> 00:16:40,040 Speaker 1: Let's just go to the mall. Oh god, another T shirt. 284 00:16:40,400 --> 00:16:42,920 Speaker 1: I hope somebody's marking down all these T shirt requests. 285 00:16:43,600 --> 00:16:49,680 Speaker 1: We just need to have a streamlined how all these 286 00:16:49,680 --> 00:16:53,640 Speaker 1: T shirts? Genius? You know what? She didn't say with 287 00:16:53,680 --> 00:16:58,280 Speaker 1: a straight face. When Chris Keller shows up at the 288 00:16:58,320 --> 00:17:01,440 Speaker 1: apartment and she has just gone on this rant about 289 00:17:01,440 --> 00:17:05,000 Speaker 1: like I will never hang out with Chris, and then 290 00:17:05,040 --> 00:17:08,800 Speaker 1: she opens the door Keller, and he goes off on 291 00:17:08,880 --> 00:17:12,359 Speaker 1: his whole little rant and then breezes past her. Y'all 292 00:17:12,359 --> 00:17:14,919 Speaker 1: better go back and watch that, because Sophia, for the 293 00:17:15,000 --> 00:17:18,600 Speaker 1: life of her, cannot keep her nostrils from flaring and 294 00:17:18,680 --> 00:17:22,320 Speaker 1: that little grin from sneaking in. It's so good. That 295 00:17:22,440 --> 00:17:26,320 Speaker 1: was the Jerry Seinfeld moment. Yeah, she's just like, I 296 00:17:26,400 --> 00:17:29,240 Speaker 1: can't with this din stop her from laughing. It's hard 297 00:17:29,280 --> 00:17:32,000 Speaker 1: not to laugh when Tyler's doing his thing. He's so 298 00:17:32,119 --> 00:17:37,040 Speaker 1: committed to it. He's so committed, and I loved working 299 00:17:37,080 --> 00:17:40,199 Speaker 1: with him for that reason, because he could say the 300 00:17:40,320 --> 00:17:45,360 Speaker 1: craziest stuff and somehow he kept a straight face. I'm 301 00:17:45,520 --> 00:17:47,719 Speaker 1: terrible at that. I think it's why I could. I 302 00:17:47,800 --> 00:17:52,320 Speaker 1: really can't do improv, because did you do improv growing up? 303 00:17:53,280 --> 00:17:55,280 Speaker 1: I did a little bit, but not not a lot. 304 00:17:55,640 --> 00:17:59,119 Speaker 1: I um, I really struggle with improv. I prefer to 305 00:17:59,160 --> 00:18:08,359 Speaker 1: have lines down. I'm I'm just not like A. I 306 00:18:08,359 --> 00:18:10,520 Speaker 1: don't know. I don't consider myself a super quick witted 307 00:18:10,600 --> 00:18:13,440 Speaker 1: person in conversation and stuff. I'm more of a Having 308 00:18:13,480 --> 00:18:17,720 Speaker 1: been drinking with you recently, you are wrong, very quick, 309 00:18:20,000 --> 00:18:23,440 Speaker 1: very well, thanks, but I I know what you're saying, 310 00:18:23,440 --> 00:18:29,200 Speaker 1: because I saw in myself in this episode Peyton Hillary, 311 00:18:29,320 --> 00:18:33,400 Speaker 1: Little Hillary can do the like serious stuff like I've 312 00:18:33,400 --> 00:18:35,960 Speaker 1: got this birth mother that's got cancer and I don't 313 00:18:37,119 --> 00:18:40,359 Speaker 1: but me having to like be light and breezy and 314 00:18:40,440 --> 00:18:43,720 Speaker 1: like hey mouth, let's go ride go card. So hey 315 00:18:43,760 --> 00:18:47,320 Speaker 1: ha ha. I'm not a good fake laugher. I am 316 00:18:47,400 --> 00:18:53,399 Speaker 1: not good at um. I just see it. Oh no, 317 00:18:53,760 --> 00:18:55,760 Speaker 1: I believed every second. But I thought you were having 318 00:18:55,800 --> 00:18:57,320 Speaker 1: a ball and I was like, it's so nice to 319 00:18:57,359 --> 00:19:00,560 Speaker 1: see Peyton laughing and happy, and I thought you were great. 320 00:19:01,960 --> 00:19:04,240 Speaker 1: You really were, Like I'm faking it? Were you miserable 321 00:19:04,320 --> 00:19:08,080 Speaker 1: that day? Remember? Writing the go karts was was fun 322 00:19:08,240 --> 00:19:10,320 Speaker 1: and Tom Bosley is fun, but like the stuff on 323 00:19:10,359 --> 00:19:13,879 Speaker 1: the quad and oh that was rough, and like the 324 00:19:13,960 --> 00:19:18,280 Speaker 1: lead up to it where it's all like a little expository. Yeah, 325 00:19:18,280 --> 00:19:21,119 Speaker 1: we're just like trying to explain what are we gonna do, 326 00:19:21,200 --> 00:19:24,280 Speaker 1: why we're about to have this episode? Yeah, what are 327 00:19:24,280 --> 00:19:27,800 Speaker 1: we doing now? Um? I can always tell that any 328 00:19:27,840 --> 00:19:31,560 Speaker 1: time I have to be lighthearted Peyton, there's a little 329 00:19:31,560 --> 00:19:37,159 Speaker 1: bit of a can't I just be growly about something 330 00:19:37,240 --> 00:19:41,040 Speaker 1: that's so much? Why? Why is that? I don't know? 331 00:19:42,160 --> 00:19:44,400 Speaker 1: Maybe because Peyton had to cry for the whole first 332 00:19:44,440 --> 00:19:46,920 Speaker 1: two years that now in year three they're like, yeah, yeah, 333 00:19:46,960 --> 00:19:54,240 Speaker 1: go be a kid. I'm just like, but um laughter weird. Yeah, 334 00:19:54,240 --> 00:19:57,280 Speaker 1: I can laugh as other characters. I just struggle with 335 00:19:57,320 --> 00:20:02,119 Speaker 1: Peyton being like giggly. Yeah. It was nice to see 336 00:20:03,240 --> 00:20:07,080 Speaker 1: Nathan softening up. I mean, I still cringe. Haley is 337 00:20:07,119 --> 00:20:10,199 Speaker 1: just trying so hard and it's it's cringe e, it's 338 00:20:10,240 --> 00:20:14,480 Speaker 1: cringe E. And the stuffy says when he's like, Haley, 339 00:20:14,960 --> 00:20:17,720 Speaker 1: I know where we got married, I know what our 340 00:20:17,800 --> 00:20:20,520 Speaker 1: history is, like, let it go, Let's just be in 341 00:20:20,560 --> 00:20:26,640 Speaker 1: the present. I felt that that was uncomfortable, so brutal, 342 00:20:27,160 --> 00:20:30,080 Speaker 1: so brutal. She's a kid, she doesn't know how to 343 00:20:30,119 --> 00:20:33,320 Speaker 1: deal with this or go through this or But I'm 344 00:20:33,359 --> 00:20:35,480 Speaker 1: glad that he kind of threw her a line at 345 00:20:35,480 --> 00:20:39,000 Speaker 1: the end to let her know that he still loves her. 346 00:20:39,040 --> 00:20:42,240 Speaker 1: With the flower that looked freshly picked but clearly had 347 00:20:42,240 --> 00:20:44,760 Speaker 1: been in his pocket all day, why don't we fixate 348 00:20:44,840 --> 00:20:49,160 Speaker 1: on that? Why why do we do that? Joy At 349 00:20:49,160 --> 00:20:51,480 Speaker 1: the same time, we're both like, that hasn't been in 350 00:20:51,520 --> 00:20:56,520 Speaker 1: his pocket for two hours, because you and I both 351 00:20:56,720 --> 00:20:59,399 Speaker 1: have picked flowers and put them in our pockets and 352 00:20:59,440 --> 00:21:01,120 Speaker 1: then taken them out at the end of the day. 353 00:21:01,400 --> 00:21:03,399 Speaker 1: Sometimes I take my broth and I'm like, what's that 354 00:21:03,440 --> 00:21:11,040 Speaker 1: doing in there? Whatever? Nipples and flowers? No, what did 355 00:21:11,040 --> 00:21:15,080 Speaker 1: he say? He said, he wrote down his own prediction 356 00:21:15,920 --> 00:21:18,800 Speaker 1: right and said, and Hailey's like, how do you know 357 00:21:18,840 --> 00:21:21,240 Speaker 1: I'm not going to go, you know, take a sneak 358 00:21:21,280 --> 00:21:24,119 Speaker 1: at this. He's like, I guess I'll just have to 359 00:21:24,160 --> 00:21:28,400 Speaker 1: trust you, which is basically his way of signaling like 360 00:21:29,040 --> 00:21:32,119 Speaker 1: I'm I'm trusting you. You know, we're going to use 361 00:21:32,240 --> 00:21:37,240 Speaker 1: her more opportunities. It's flowers of metaphor. But I was 362 00:21:37,320 --> 00:21:39,080 Speaker 1: kind of hoping they would show you looking at it. 363 00:21:40,240 --> 00:21:43,560 Speaker 1: I know, No, I no, no, I don't. I understood that. 364 00:21:43,640 --> 00:21:47,919 Speaker 1: I like, I really respected and trusted that um moment 365 00:21:48,320 --> 00:21:51,159 Speaker 1: emotionally with them. I thought that was really beautiful and 366 00:21:51,720 --> 00:21:55,800 Speaker 1: it felt good watching it to know that he was 367 00:21:55,920 --> 00:22:00,520 Speaker 1: telling her it's it's not all gone, it's not hopeless, 368 00:22:00,640 --> 00:22:04,200 Speaker 1: it's just taking time, because that in and of itself 369 00:22:04,280 --> 00:22:10,160 Speaker 1: is such a huge sign, good sign hopeful communication. Yeah, 370 00:22:10,200 --> 00:22:15,320 Speaker 1: of like the roots aren't gone. I loved that. Yeah, Well, 371 00:22:15,560 --> 00:22:20,000 Speaker 1: like because you guys had so much stuff just by yourselves, Um, 372 00:22:20,080 --> 00:22:22,679 Speaker 1: you're on the rooftop, you're out on the balcony. You know, 373 00:22:22,760 --> 00:22:25,080 Speaker 1: like there's a lot of stuff where you guys are 374 00:22:25,119 --> 00:22:29,960 Speaker 1: just off by yourself. I don't know how you prep 375 00:22:30,080 --> 00:22:32,720 Speaker 1: for that, because your stuff was always so like serious. 376 00:22:32,800 --> 00:22:35,920 Speaker 1: Did you guys sit around and talk in between scenes 377 00:22:36,000 --> 00:22:38,240 Speaker 1: or did you kind of go into your bubbles so 378 00:22:38,280 --> 00:22:40,560 Speaker 1: that you would be super focused when they yelled action. 379 00:22:41,359 --> 00:22:43,439 Speaker 1: I think we talked some. I mean James is always 380 00:22:43,440 --> 00:22:45,800 Speaker 1: reading some classic novel that he was catching up on, 381 00:22:45,840 --> 00:22:48,400 Speaker 1: like The Old Man in the Sea or The Great 382 00:22:48,440 --> 00:22:51,520 Speaker 1: gats Beers Dick or whatever he was reading. He was 383 00:22:51,520 --> 00:22:55,879 Speaker 1: always reading one of those. Uh. I don't know. I 384 00:22:55,920 --> 00:22:58,280 Speaker 1: think we just were really it was easy. It was 385 00:22:58,320 --> 00:23:01,000 Speaker 1: so you know, we've had been king together so closely 386 00:23:01,040 --> 00:23:06,320 Speaker 1: for so long that it's it was always pretty easy. Um. 387 00:23:06,359 --> 00:23:09,159 Speaker 1: I don't know that we've really spent a lot of 388 00:23:09,200 --> 00:23:11,800 Speaker 1: time chit chatting. I don't think James and I are 389 00:23:12,000 --> 00:23:15,760 Speaker 1: either of us are very chit chatty people. I think 390 00:23:15,760 --> 00:23:18,560 Speaker 1: we tend to go for the meat and potatoes of 391 00:23:18,840 --> 00:23:21,919 Speaker 1: meaningful conversation. You both are like, tell me what you 392 00:23:21,960 --> 00:23:26,800 Speaker 1: think about God? Yeah, how do you feel about politics? 393 00:23:27,240 --> 00:23:31,520 Speaker 1: Let's geta is actually really uncomfortable with those conversations with 394 00:23:31,880 --> 00:23:35,959 Speaker 1: but but he also doesn't really like small talk, so 395 00:23:36,240 --> 00:23:38,840 Speaker 1: but he likes I think he likes those conversations when 396 00:23:38,880 --> 00:23:41,399 Speaker 1: he's super super comfortable. I just don't know that on 397 00:23:41,480 --> 00:23:44,320 Speaker 1: set feels like the right place to drive into those 398 00:23:44,320 --> 00:23:46,760 Speaker 1: spaces for him. So I don't know. I mean, I 399 00:23:46,800 --> 00:23:48,320 Speaker 1: don't know. I'm talking out of my ask. We should 400 00:23:48,320 --> 00:23:50,880 Speaker 1: have James on and actually ask him ourselves. Yeah, you're 401 00:23:50,920 --> 00:23:55,560 Speaker 1: but you're right. He was always trying to educate himself, yes, 402 00:23:56,280 --> 00:24:02,199 Speaker 1: which I liked Watch chain. Does that sound creepy? That 403 00:24:02,359 --> 00:24:06,600 Speaker 1: was inspiring? Yeah. Yeah. Kid always would just go back 404 00:24:06,640 --> 00:24:08,800 Speaker 1: to his chair and start reading a book and be 405 00:24:09,119 --> 00:24:12,160 Speaker 1: hyper focused on that and then be able to flip 406 00:24:12,160 --> 00:24:16,280 Speaker 1: the switch and be hyper focused um in the scene. 407 00:24:17,600 --> 00:24:19,600 Speaker 1: But I was always only working with him when they 408 00:24:19,600 --> 00:24:21,440 Speaker 1: were like a lot of people around, so I didn't 409 00:24:21,440 --> 00:24:22,919 Speaker 1: know if that was just a crowd thing or if 410 00:24:23,000 --> 00:24:27,359 Speaker 1: that was always No, I think that's just his way. Um. 411 00:24:27,400 --> 00:24:30,600 Speaker 1: It's just kind of quiet and reserved, and then when 412 00:24:30,640 --> 00:24:34,120 Speaker 1: he's off work and relaxed and around his friends, he 413 00:24:34,359 --> 00:24:38,159 Speaker 1: lets his guard down. Um, which is a lovely quality 414 00:24:38,280 --> 00:24:41,320 Speaker 1: for a professional, for an actor, to be able to 415 00:24:41,359 --> 00:24:48,600 Speaker 1: not have your extroverted self um in everybody else's space 416 00:24:48,720 --> 00:24:51,000 Speaker 1: or in you know, in a work environment, not getting 417 00:24:51,000 --> 00:24:54,520 Speaker 1: caught up in the drama. It's a great quality. That's 418 00:24:54,560 --> 00:24:57,520 Speaker 1: been my life lesson. Like once I left treatment and 419 00:24:57,560 --> 00:24:59,639 Speaker 1: I would go work with grown ups on other things, 420 00:25:00,040 --> 00:25:01,439 Speaker 1: I'd go home and be like, oh my god, I 421 00:25:01,480 --> 00:25:03,720 Speaker 1: talked too much? Oh my god, what did I say. 422 00:25:04,760 --> 00:25:07,280 Speaker 1: I feel the same way. I'm always walking away from 423 00:25:07,280 --> 00:25:10,240 Speaker 1: conversations like God, I'm so annoying. Oh why did I 424 00:25:10,280 --> 00:25:13,680 Speaker 1: say that? And Haley does that this whole episode. She's 425 00:25:13,720 --> 00:25:17,000 Speaker 1: just like, I don't even think anything awesome was gonna happen. 426 00:25:17,000 --> 00:25:23,040 Speaker 1: I'm god, I dressed self flagellation, just brutal. He's brutal well. 427 00:25:23,280 --> 00:25:25,680 Speaker 1: And to have Chris Keller there is your audience while 428 00:25:25,720 --> 00:25:37,639 Speaker 1: you're feeling like a nerd. Do you know what I 429 00:25:37,800 --> 00:25:44,639 Speaker 1: noticed in this episode a little bit is that Tim 430 00:25:44,680 --> 00:25:49,639 Speaker 1: and Chris Keller are two wings on the same bird, 431 00:25:50,440 --> 00:25:53,760 Speaker 1: like we Because Tim at the beginning of the episode 432 00:25:53,840 --> 00:25:56,720 Speaker 1: is all like boy, draft, who picked me? What's going on? Ladies? 433 00:25:56,760 --> 00:25:59,919 Speaker 1: Where's our dates? You know? And he just disappears missaw 434 00:26:00,040 --> 00:26:03,760 Speaker 1: genistic and kind of like a dork. And then Chris 435 00:26:03,840 --> 00:26:07,840 Speaker 1: Keller is also super misogynistic and a dork. He's just 436 00:26:08,200 --> 00:26:13,000 Speaker 1: already graduated high school and a little bit older than us. Yeah. 437 00:26:13,200 --> 00:26:15,359 Speaker 1: Do we ever get scenes with the two of them 438 00:26:15,800 --> 00:26:19,560 Speaker 1: that might have made people's head exempted. Who that's a 439 00:26:19,640 --> 00:26:26,639 Speaker 1: lot of dumb and cheek in the same Like I 440 00:26:26,680 --> 00:26:29,040 Speaker 1: feel like they're the divorced dad's now it's a lot 441 00:26:29,040 --> 00:26:33,440 Speaker 1: of kitchen in one space. Yeah, they're the dads at 442 00:26:33,440 --> 00:26:37,760 Speaker 1: the playground on Sundays with the kids. This is my weekend. 443 00:26:37,960 --> 00:26:42,679 Speaker 1: Oh god, right, we know that we're friends with How 444 00:26:42,680 --> 00:26:46,280 Speaker 1: about skills in Bevin? How fun was that? Well? How 445 00:26:46,320 --> 00:26:51,080 Speaker 1: fun is this Easter egg of the Notebook? Him? Oh, 446 00:26:51,200 --> 00:26:54,600 Speaker 1: it's so fun? Well, a because Cullen Moss was in 447 00:26:54,680 --> 00:26:57,000 Speaker 1: the Notebook, so that was kind of a fun little 448 00:26:57,040 --> 00:27:00,000 Speaker 1: extra thing. But it was shot in Charleston, near us, 449 00:27:00,880 --> 00:27:02,600 Speaker 1: so we had a lot of our crew and cast 450 00:27:02,680 --> 00:27:04,439 Speaker 1: that were, you know, back and forth on that movie. 451 00:27:04,800 --> 00:27:08,560 Speaker 1: Also because uh, the director of this episode, Mr Paul Johansson, 452 00:27:08,760 --> 00:27:14,080 Speaker 1: was in the Notebook as Ali's mom's old boyfriend who 453 00:27:14,119 --> 00:27:15,880 Speaker 1: she didn't end up with, which is why she's trying 454 00:27:15,880 --> 00:27:19,080 Speaker 1: to convince her daughter not to marry the poor boy. 455 00:27:19,320 --> 00:27:22,680 Speaker 1: Of course we would be snobby. Just driving by that 456 00:27:23,080 --> 00:27:28,280 Speaker 1: manual labor camp wherever Paul was working. I thought he 457 00:27:28,320 --> 00:27:33,280 Speaker 1: looked hot like he was at do Better Joan Allen. 458 00:27:34,359 --> 00:27:39,399 Speaker 1: And then it's also fun because for those of you 459 00:27:39,440 --> 00:27:42,560 Speaker 1: who don't know this out there, I was super, super 460 00:27:42,600 --> 00:27:47,000 Speaker 1: super moved by this film when I saw it. Um, 461 00:27:47,040 --> 00:27:49,000 Speaker 1: I kind of couldn't get up and leave the theater 462 00:27:49,080 --> 00:27:51,080 Speaker 1: for about fifteen minutes after it was over. I was 463 00:27:51,119 --> 00:27:56,600 Speaker 1: just weeping into my shirt and um So, I ended 464 00:27:56,680 --> 00:28:02,000 Speaker 1: up writing a musical for Stay Age on spec of 465 00:28:02,119 --> 00:28:04,439 Speaker 1: the Notebook, and I wrote it. It took me like 466 00:28:04,680 --> 00:28:07,200 Speaker 1: four years, and at the end of four years, I 467 00:28:07,240 --> 00:28:11,320 Speaker 1: sent it to Nicholas Sparks and uh he let me 468 00:28:11,440 --> 00:28:17,880 Speaker 1: produce a staged version of the Notebook my musical in Wilmington's. 469 00:28:19,119 --> 00:28:23,840 Speaker 1: Um So that was really really fun and I was 470 00:28:23,920 --> 00:28:26,320 Speaker 1: just so grateful. Was the second musical I've ever written, 471 00:28:27,200 --> 00:28:29,439 Speaker 1: and we got to cast it and we performed it 472 00:28:29,480 --> 00:28:33,960 Speaker 1: at Thalien Hall Um. It was one of the most 473 00:28:33,960 --> 00:28:37,760 Speaker 1: amazing experiences of my life to be able to work 474 00:28:37,800 --> 00:28:40,560 Speaker 1: with I kind of co directed. We had Judy green Hunt, 475 00:28:40,600 --> 00:28:44,920 Speaker 1: who was a wonderful theater director from New York, and 476 00:28:45,200 --> 00:28:47,880 Speaker 1: so she was our director, and I was just there 477 00:28:47,960 --> 00:28:50,600 Speaker 1: every day and talking everybody through all the parts and 478 00:28:50,640 --> 00:28:53,760 Speaker 1: those songs, and and I wrote the music with Ron 479 00:28:53,800 --> 00:28:56,960 Speaker 1: and Yellow, who is now Bruce Springsteen's producer. He's done 480 00:28:56,960 --> 00:28:59,800 Speaker 1: his last like, uh, I don't know five five to 481 00:29:00,240 --> 00:29:05,320 Speaker 1: eight albums, I think, um and uh yeah, actually I 482 00:29:05,440 --> 00:29:10,400 Speaker 1: have I have a SoundCloud. You think, should I play 483 00:29:10,400 --> 00:29:13,040 Speaker 1: one of the songs right now from the notebook? Me 484 00:29:13,200 --> 00:29:16,640 Speaker 1: thinks we shall. I think we should. Okay, hold on, 485 00:29:16,720 --> 00:29:21,320 Speaker 1: let me share my screen. Joined This is like a 486 00:29:21,400 --> 00:29:26,040 Speaker 1: fun twist of events. I wasn't even expecting, you know what. Yeah, 487 00:29:26,280 --> 00:29:29,800 Speaker 1: let's do it though, let's do it. Um, okay, listen, 488 00:29:29,840 --> 00:29:31,760 Speaker 1: here's kind of what would be like the big pop 489 00:29:31,800 --> 00:29:37,280 Speaker 1: song of the episode. Let's see if we can hear it. Yeah, 490 00:29:37,360 --> 00:29:43,680 Speaker 1: I can hear it. Breathe then breathe out standing, but 491 00:29:44,080 --> 00:29:53,040 Speaker 1: on my knees, breathe in, breathe out speaking, but my 492 00:29:53,440 --> 00:30:06,120 Speaker 1: heart say so, th boots search searching a million moments. 493 00:30:06,240 --> 00:30:17,120 Speaker 1: It's before this he got some goose my joy. I 494 00:30:17,160 --> 00:30:23,000 Speaker 1: would stand beside you as you darken the's door. We 495 00:30:23,160 --> 00:30:29,840 Speaker 1: go in Gun's place and bring that temple chiss knees. Oh, 496 00:30:29,960 --> 00:30:41,640 Speaker 1: there's some strange power. Can you and me, let's produce 497 00:30:41,760 --> 00:30:48,360 Speaker 1: this again? We heaven beater and taking in my heart 498 00:30:52,280 --> 00:30:57,320 Speaker 1: beating reading and with one look there's like a very 499 00:30:57,560 --> 00:31:03,120 Speaker 1: faith hill like Shania twain Field to this, like just 500 00:31:03,160 --> 00:31:08,960 Speaker 1: like we country icon female queen pitching a million moment 501 00:31:09,200 --> 00:31:21,600 Speaker 1: and for our years all more. I would stand side 502 00:31:21,880 --> 00:31:27,240 Speaker 1: you as you're dark and dat we go in God's 503 00:31:27,320 --> 00:31:33,080 Speaker 1: pleas and bring that devil to his name. And there 504 00:31:33,200 --> 00:31:49,760 Speaker 1: was some strange past in you, and I mean it's 505 00:31:49,800 --> 00:32:03,680 Speaker 1: super musical theater. Every whispern within time year, my love, 506 00:32:04,040 --> 00:32:17,400 Speaker 1: just turn every whisperingly. I would weigh a thousand years 507 00:32:17,600 --> 00:32:24,360 Speaker 1: or more. I would stand aside as we talk cotest 508 00:32:24,800 --> 00:32:29,640 Speaker 1: to we're going on plaz and brain n tell little 509 00:32:29,840 --> 00:32:45,760 Speaker 1: with means this side strange po strange power. Can you 510 00:32:45,960 --> 00:33:22,200 Speaker 1: and me so fun to hear this stuff? This is 511 00:33:23,880 --> 00:33:26,600 Speaker 1: the only place we can hear this right now? Right 512 00:33:26,960 --> 00:33:33,000 Speaker 1: it is actually yes, I feel sail. Oh that was 513 00:33:33,080 --> 00:33:39,560 Speaker 1: so fun. So is your Noah? Oh my gosh for Broadway, 514 00:33:41,120 --> 00:33:46,680 Speaker 1: I mean tarn Edgerton right, Like, how not have Taron 515 00:33:46,800 --> 00:33:50,320 Speaker 1: Edgerton playing no Way? He's the best or maybe somebody new. 516 00:33:51,200 --> 00:33:53,920 Speaker 1: Are you going to discover the next big thing I 517 00:33:53,920 --> 00:33:56,880 Speaker 1: could do? Okay, here's something else that's kind of fun. 518 00:33:57,480 --> 00:34:01,680 Speaker 1: Alison Mutton, who is also a remote arkable singer, she 519 00:34:01,960 --> 00:34:06,120 Speaker 1: leads this song, um number seven. This is like one 520 00:34:06,120 --> 00:34:08,440 Speaker 1: of the nightclub songs when they're all in the nightclub 521 00:34:08,520 --> 00:34:10,640 Speaker 1: and like doing a big swing dance on stage and 522 00:34:10,680 --> 00:34:14,600 Speaker 1: all the soldiers and the and the the soldiers are 523 00:34:14,640 --> 00:34:17,800 Speaker 1: on one side of the stage and uh, go it. 524 00:34:17,920 --> 00:34:20,080 Speaker 1: Finn is there and no one they've just enlisted in 525 00:34:20,080 --> 00:34:22,560 Speaker 1: the army. And on the other side of the stage 526 00:34:22,600 --> 00:34:26,920 Speaker 1: is the nightclub and Ali is meeting Lawn and his parents, 527 00:34:27,160 --> 00:34:29,359 Speaker 1: and so it's like two things happening on stage at 528 00:34:29,360 --> 00:34:32,600 Speaker 1: the same time. Um. So here's a little bit of 529 00:34:32,800 --> 00:34:37,359 Speaker 1: Alison Munt singing for our notebook soundtrack. Alright, so it's 530 00:34:37,440 --> 00:34:40,839 Speaker 1: number seven. Hold my heart, Hold my heart, and don't 531 00:34:40,920 --> 00:34:45,160 Speaker 1: let's go for you know very well you have caught 532 00:34:45,200 --> 00:34:48,160 Speaker 1: me in your web. You've got me under your spell. 533 00:34:48,880 --> 00:34:51,560 Speaker 1: I don't I don't know who I am well to 534 00:34:51,560 --> 00:34:55,160 Speaker 1: touch me? Don't you understand your archists? Or the rush 535 00:34:55,239 --> 00:35:00,840 Speaker 1: of your head makes me lose my EQUILIBRIU, my dear 536 00:35:01,200 --> 00:35:04,600 Speaker 1: when you're whispering in my ear for you know very 537 00:35:04,680 --> 00:35:16,840 Speaker 1: well you've got me under yoursell it so cute. Surely 538 00:35:16,960 --> 00:35:18,920 Speaker 1: maybe this is what we go back and do in 539 00:35:18,960 --> 00:35:21,279 Speaker 1: Wilmington's Do we need to contact the Allion Hall and 540 00:35:21,320 --> 00:35:25,320 Speaker 1: be like, hello, friends were doing a reunion tour. Wouldn't 541 00:35:25,320 --> 00:35:28,200 Speaker 1: that be fun? I would love to. Sadly, the rights 542 00:35:28,239 --> 00:35:31,120 Speaker 1: actually don't belong to me anymore. Somebody else swooped him 543 00:35:31,160 --> 00:35:33,960 Speaker 1: up during a There was a long stretch where um, 544 00:35:34,760 --> 00:35:38,720 Speaker 1: they were Warner Brothers held the rights to the film 545 00:35:38,920 --> 00:35:41,239 Speaker 1: and I held the rights to the book, and so 546 00:35:41,400 --> 00:35:43,400 Speaker 1: there was a lot of stuff in the movie that 547 00:35:43,480 --> 00:35:45,040 Speaker 1: wasn't in the book that you would want to have 548 00:35:45,080 --> 00:35:46,960 Speaker 1: on stage. And it was just like so much you know, 549 00:35:47,000 --> 00:35:51,640 Speaker 1: once lawyers get involved at all, just falls apart. Yeah, yeah, 550 00:35:51,680 --> 00:35:55,960 Speaker 1: So unfortunately somebody else has the rights. I think, Um, 551 00:35:56,040 --> 00:36:00,239 Speaker 1: Kevin McCollum, who's a wonderful Broadway producer. Um, it's taking 552 00:36:00,239 --> 00:36:02,640 Speaker 1: that over and Ingrid Michaelson is writing some new music 553 00:36:02,760 --> 00:36:06,040 Speaker 1: for the show that they're going to do, Um, their 554 00:36:06,080 --> 00:36:12,120 Speaker 1: own version of it in Chicago. I think maybe this fall. Um, 555 00:36:12,280 --> 00:36:14,800 Speaker 1: So you know, it's cool to see that my idea 556 00:36:14,840 --> 00:36:16,919 Speaker 1: is still living on and having a life of its own. 557 00:36:16,960 --> 00:36:19,560 Speaker 1: It's a heartbreak for sure. I mean I spent like 558 00:36:19,760 --> 00:36:22,400 Speaker 1: five years of my blood, sweat and tears pouring into 559 00:36:22,440 --> 00:36:28,439 Speaker 1: that story. And the fact that, um, we had amazing, 560 00:36:28,560 --> 00:36:31,919 Speaker 1: like really seasoned Broadway producers who were ready. They came 561 00:36:31,920 --> 00:36:33,879 Speaker 1: down to Wilmington's and saw the show. They saw our 562 00:36:33,920 --> 00:36:38,200 Speaker 1: local cast, and they loved the show. And it wasn't perfect. 563 00:36:38,200 --> 00:36:40,040 Speaker 1: It's a little long, some of the songs needed to 564 00:36:40,080 --> 00:36:42,680 Speaker 1: be changed, we needed a few more pop songs, but whatever, 565 00:36:42,800 --> 00:36:45,239 Speaker 1: Like the bones were all really there and they loved it. 566 00:36:45,280 --> 00:36:46,759 Speaker 1: They were ready to do it. They were like, let's 567 00:36:46,760 --> 00:36:51,240 Speaker 1: get this off the ground. Um. And unfortunately the people 568 00:36:51,320 --> 00:36:54,759 Speaker 1: who were in charge of holding the property making the 569 00:36:54,800 --> 00:36:57,400 Speaker 1: decision about who was going to take on the mantle 570 00:36:57,480 --> 00:37:00,440 Speaker 1: of this the name of the notebook, which was epic 571 00:37:00,480 --> 00:37:04,040 Speaker 1: at the time. I mean it still is. Um, they 572 00:37:04,080 --> 00:37:06,280 Speaker 1: never saw my show and they didn't listen to the music. 573 00:37:07,000 --> 00:37:09,799 Speaker 1: They just or I think they were just afraid that 574 00:37:09,840 --> 00:37:12,439 Speaker 1: I was like twenty three, and you know, now it's 575 00:37:12,440 --> 00:37:15,600 Speaker 1: cool to be twenty three and writing a Broadway show, 576 00:37:15,920 --> 00:37:18,160 Speaker 1: but back then it was just terrifying, and everybody thought, 577 00:37:18,880 --> 00:37:21,560 Speaker 1: you know, she's never done anything. The Notebook is a 578 00:37:21,640 --> 00:37:25,040 Speaker 1: huge name and she's not. Um Ron obviously now is 579 00:37:25,080 --> 00:37:28,520 Speaker 1: producing for Springsteen and winning Grammy's, but back then wasn't, 580 00:37:29,080 --> 00:37:31,440 Speaker 1: and so we just didn't have the street crend that 581 00:37:31,520 --> 00:37:36,919 Speaker 1: I think the powers that be wanted whoever took over 582 00:37:36,920 --> 00:37:39,200 Speaker 1: the Notebook to have, and so they just never listened 583 00:37:39,239 --> 00:37:41,319 Speaker 1: to the music, never read the script, never heard the show, 584 00:37:41,400 --> 00:37:44,640 Speaker 1: and just passed it on to somebody else. UM, And 585 00:37:44,760 --> 00:37:49,080 Speaker 1: that sucked. It was really hard. But I did learn 586 00:37:49,120 --> 00:37:51,160 Speaker 1: a couple of things. One of them is that I 587 00:37:51,200 --> 00:37:55,480 Speaker 1: have to stand up for myself more because I tried. 588 00:37:55,719 --> 00:37:58,120 Speaker 1: I really tried to get them to listen to it 589 00:37:58,160 --> 00:38:00,879 Speaker 1: and to and to read it. But I didn't try 590 00:38:00,880 --> 00:38:03,080 Speaker 1: hard enough. I could have done more. I was just 591 00:38:03,120 --> 00:38:07,480 Speaker 1: too afraid. And I've learned that lesson since then, that 592 00:38:07,719 --> 00:38:09,839 Speaker 1: you just if you believe in something, and if it's 593 00:38:09,960 --> 00:38:13,320 Speaker 1: if it's coming from you and it's you're passionate about it, 594 00:38:13,320 --> 00:38:15,759 Speaker 1: it's your art. Like nobody else is going to fight 595 00:38:15,840 --> 00:38:17,360 Speaker 1: for you the way that you will, you have to 596 00:38:17,360 --> 00:38:20,239 Speaker 1: go after it. And so that was really valuable. And 597 00:38:20,239 --> 00:38:24,200 Speaker 1: then also learning that, um, I have good ideas, you know, 598 00:38:25,040 --> 00:38:28,520 Speaker 1: I created that I did it. I went for it. Um, 599 00:38:28,560 --> 00:38:31,279 Speaker 1: it's in somebody else's hands now, but I got that 600 00:38:31,320 --> 00:38:35,000 Speaker 1: ball rolling. That was my idea. And so to have 601 00:38:35,160 --> 00:38:37,440 Speaker 1: the confidence that in the next thing that I create 602 00:38:37,520 --> 00:38:40,480 Speaker 1: and do, to know that my ideas are good and 603 00:38:40,480 --> 00:38:43,560 Speaker 1: they sell and they'll work, Um, that was good, you know. 604 00:38:43,719 --> 00:38:45,799 Speaker 1: So anyway, it's just cool to see that that is 605 00:38:45,880 --> 00:38:48,640 Speaker 1: living on and having a life of its own. That's 606 00:38:48,680 --> 00:38:51,160 Speaker 1: kind of cool. Well did you so when you saw 607 00:38:51,239 --> 00:38:55,080 Speaker 1: this movie though, because I remember having also a very 608 00:38:55,120 --> 00:39:04,440 Speaker 1: big reaction to this movie. Did you ever did anyone? Oh? 609 00:39:04,719 --> 00:39:08,360 Speaker 1: I don't think I did. That's not what I heard. 610 00:39:08,600 --> 00:39:16,319 Speaker 1: That's not what I heard. What I heard I heard 611 00:39:16,360 --> 00:39:19,839 Speaker 1: you made Tyler watch The Notebook and it affected him. 612 00:39:21,520 --> 00:39:25,279 Speaker 1: That's actually totally probably true. I don't remember, but I 613 00:39:25,320 --> 00:39:28,280 Speaker 1: think watch like while you guys were out on tour, 614 00:39:28,560 --> 00:39:31,080 Speaker 1: and he was maybe when we were on tour, he 615 00:39:31,200 --> 00:39:39,880 Speaker 1: was like, she's so deep, man, so deep? Oh yeah, 616 00:39:39,960 --> 00:39:42,000 Speaker 1: I mean I never did it like Bevin did it. 617 00:39:42,080 --> 00:39:44,440 Speaker 1: But the truth is I was ready to force anyone 618 00:39:44,480 --> 00:39:47,440 Speaker 1: to watch this movie because it changed my life. Those 619 00:39:47,520 --> 00:39:50,560 Speaker 1: two hours changed my life. It reminded me in a 620 00:39:50,640 --> 00:39:54,080 Speaker 1: time when I was honestly pretty hopeless about love, and 621 00:39:54,120 --> 00:39:57,320 Speaker 1: I had basically given up on the idea of that overwhelming, 622 00:39:57,400 --> 00:40:01,600 Speaker 1: all consuming loving, no matter what, self sacrificial, even when 623 00:40:01,640 --> 00:40:04,960 Speaker 1: it's hard, kind of love. And when I saw this 624 00:40:05,040 --> 00:40:08,440 Speaker 1: film and then read the book immediately after, something was 625 00:40:08,520 --> 00:40:10,800 Speaker 1: unlocked inside of me. That was just this a flood 626 00:40:10,840 --> 00:40:14,000 Speaker 1: of passion and hope and it didn't stop. It was 627 00:40:14,040 --> 00:40:17,240 Speaker 1: like reawakening those young dreams that we had in high school. 628 00:40:17,360 --> 00:40:19,640 Speaker 1: You know, I mean, didn't you did you ever have 629 00:40:19,800 --> 00:40:22,040 Speaker 1: that boy that that boy that when you were younger, 630 00:40:22,160 --> 00:40:25,520 Speaker 1: like just evoked all of those dreams and feelings in you. 631 00:40:26,040 --> 00:40:30,160 Speaker 1: So in real life, in real life, when I wasn't working, 632 00:40:30,360 --> 00:40:35,360 Speaker 1: I would just go drive around in rural, rural North 633 00:40:35,360 --> 00:40:38,480 Speaker 1: Carolina and go find like old abandoned houses and things. 634 00:40:39,719 --> 00:40:42,799 Speaker 1: And there was someone in town. I was in a relationship. 635 00:40:43,480 --> 00:40:45,400 Speaker 1: So this other person and I were never going to 636 00:40:45,440 --> 00:40:49,319 Speaker 1: work out ever, but it was very like, I love 637 00:40:49,360 --> 00:40:53,080 Speaker 1: your art, I am attracted to your your essence, your 638 00:40:53,640 --> 00:40:59,040 Speaker 1: spirit so so impressive. Um. Yes, And we decided upon 639 00:40:59,280 --> 00:41:02,719 Speaker 1: this like abandoned house in the middle of nowhere, and 640 00:41:02,760 --> 00:41:05,080 Speaker 1: he was like, I'm either going to fix it up, 641 00:41:05,360 --> 00:41:10,720 Speaker 1: I'm gonna burn it down and so for years. Sometimes 642 00:41:10,760 --> 00:41:13,000 Speaker 1: I would just like drive past it and be like, Okay, 643 00:41:13,000 --> 00:41:16,520 Speaker 1: well he hasn't burned it down. Um, I guess we're 644 00:41:16,520 --> 00:41:19,799 Speaker 1: so good. Um. But it was a very It was 645 00:41:19,840 --> 00:41:23,960 Speaker 1: such a rip off from this movie. It was just like, yeah, 646 00:41:24,080 --> 00:41:26,560 Speaker 1: we're giving your own story. We're going to fix up 647 00:41:26,600 --> 00:41:34,160 Speaker 1: the old house and have this sordid Carolinian romance. Um 648 00:41:34,200 --> 00:41:39,120 Speaker 1: fun man. Southern Southern romances are just unbeautiful to me. 649 00:41:39,280 --> 00:41:41,440 Speaker 1: I think there's something so sweet about it. You've got 650 00:41:41,719 --> 00:41:44,320 Speaker 1: the Spanish moss hanging off the trees and their hot 651 00:41:44,320 --> 00:41:50,279 Speaker 1: air and the fireflies at night and water warm rain 652 00:41:51,080 --> 00:41:54,600 Speaker 1: and the small town feel. There's just nothing as romantic 653 00:41:54,640 --> 00:42:05,040 Speaker 1: to me as the South. Never will be well Hayley 654 00:42:05,040 --> 00:42:07,880 Speaker 1: says in this episode, she goes, I'm just wishing it 655 00:42:07,920 --> 00:42:15,759 Speaker 1: would rain rain. Yeah for that first kiss. See there 656 00:42:15,760 --> 00:42:18,040 Speaker 1: you go, first kiss in the rain. It was kind 657 00:42:18,040 --> 00:42:22,440 Speaker 1: of notebookie. It was I love that Bevan did that 658 00:42:22,520 --> 00:42:26,000 Speaker 1: to Skills. It was really cute. I loved watching Antoine 659 00:42:26,200 --> 00:42:30,279 Speaker 1: and her have such great chemistry in this episode. But 660 00:42:30,440 --> 00:42:34,799 Speaker 1: they were both outstanding. Um, and you know, I can't 661 00:42:34,800 --> 00:42:39,720 Speaker 1: believe we got the rights to Nicholas Sparks Like brought 662 00:42:39,760 --> 00:42:46,080 Speaker 1: his son to set, right, Yeah, yeah, that we felt 663 00:42:46,120 --> 00:42:48,920 Speaker 1: real cool. We'd arrived. We had no idea people watched 664 00:42:48,920 --> 00:42:51,040 Speaker 1: our show because we were in North Carolina. So when 665 00:42:51,480 --> 00:42:56,480 Speaker 1: you know, yeah, celebrity writer comes to set, We're like what, Oh, 666 00:42:56,560 --> 00:43:00,840 Speaker 1: we were very excited about that. Yes, Nicholas Sparks is 667 00:43:00,880 --> 00:43:04,360 Speaker 1: the most popular author on the planet in that moment, 668 00:43:04,360 --> 00:43:08,160 Speaker 1: because the Notebook had like catapulted him, and so when 669 00:43:08,200 --> 00:43:10,000 Speaker 1: he came to set, we were all just in awe 670 00:43:10,040 --> 00:43:13,480 Speaker 1: that he or his kids were even remotely interested in us. 671 00:43:14,080 --> 00:43:18,160 Speaker 1: And I can tell you, um, through inventing the musical, 672 00:43:18,280 --> 00:43:21,240 Speaker 1: I became really good friends with Nick and he's actually 673 00:43:21,320 --> 00:43:26,680 Speaker 1: such a smart, deeply kind hearted person. And one of 674 00:43:26,719 --> 00:43:28,360 Speaker 1: the things I think is really cool about him is 675 00:43:28,360 --> 00:43:33,319 Speaker 1: that he's so curious. He's such a curious person, and 676 00:43:33,480 --> 00:43:35,920 Speaker 1: I love that because I don't know, I feel like 677 00:43:35,920 --> 00:43:40,040 Speaker 1: we're living in a time right now where curiosity has 678 00:43:40,080 --> 00:43:46,360 Speaker 1: been pushed aside in favor of UM. I guess everybody's 679 00:43:46,360 --> 00:43:49,640 Speaker 1: sort of looking out for themselves, like making sure that 680 00:43:50,120 --> 00:43:53,920 Speaker 1: uh no one is offending them and making sure that 681 00:43:53,920 --> 00:43:57,719 Speaker 1: everybody's doing everything right. This sort of like mental policing 682 00:43:57,800 --> 00:44:01,680 Speaker 1: has taken over and I miss the days of curiosity 683 00:44:01,800 --> 00:44:05,360 Speaker 1: when you really were interested in why another person thought 684 00:44:05,480 --> 00:44:08,319 Speaker 1: the way that they thought, or function the way that 685 00:44:08,360 --> 00:44:12,719 Speaker 1: they function. Because so much great art comes from listening 686 00:44:12,840 --> 00:44:15,920 Speaker 1: and just being curious. Um. And I think it's absolutely 687 00:44:15,960 --> 00:44:20,640 Speaker 1: integral to being an artist and especially a writer. UM. 688 00:44:20,760 --> 00:44:24,520 Speaker 1: So anyway, I just wanted to mention that. But, UM, 689 00:44:24,719 --> 00:44:26,319 Speaker 1: one thing that we haven't talked about yet is Rachel. 690 00:44:26,320 --> 00:44:28,680 Speaker 1: Can we talk about Rachel? Um, let's talk about the 691 00:44:28,800 --> 00:44:32,479 Speaker 1: Rachel of it all, because and we have talked about 692 00:44:32,520 --> 00:44:35,240 Speaker 1: Barbara and Moira too. Oh that's right, that's right. Um, 693 00:44:35,400 --> 00:44:40,920 Speaker 1: Rachel is all of us in this moment, because she says, 694 00:44:41,760 --> 00:44:44,640 Speaker 1: do you really think there's one person in this world 695 00:44:44,719 --> 00:44:48,960 Speaker 1: who's right for you? You're in high school? You also 696 00:44:49,080 --> 00:44:53,000 Speaker 1: said the same thing about Peyton, you know, like really 697 00:44:53,719 --> 00:44:59,960 Speaker 1: one person in the whole world. UM. I appreciate her skepticism. Yeah, 698 00:45:00,440 --> 00:45:02,600 Speaker 1: I do too. I think she's really smart. I mean, 699 00:45:02,800 --> 00:45:04,360 Speaker 1: and I liked what Danielle had to say in our 700 00:45:04,440 --> 00:45:08,560 Speaker 1: last episode about how she played Rachel as somebody who's 701 00:45:08,600 --> 00:45:13,040 Speaker 1: been from school to school and has a very bird's 702 00:45:13,040 --> 00:45:18,160 Speaker 1: eye view of the high school experience, which is unusual 703 00:45:18,280 --> 00:45:22,160 Speaker 1: for someone in high school. And I think that that's 704 00:45:22,160 --> 00:45:25,560 Speaker 1: a really valuable perspective that Rachel offered, even though she's 705 00:45:25,600 --> 00:45:27,960 Speaker 1: still messy like we all are, and still trying to 706 00:45:27,960 --> 00:45:30,560 Speaker 1: figure out some of her own things. That was a 707 00:45:30,600 --> 00:45:33,080 Speaker 1: pretty smart thing to say. I think she's right well, 708 00:45:33,120 --> 00:45:36,239 Speaker 1: and she also says, she's like, seriously, what is with 709 00:45:36,280 --> 00:45:41,040 Speaker 1: this school? Every single boy is in some like traumatic 710 00:45:41,840 --> 00:45:46,399 Speaker 1: you know, puppy dog love thing. She's like, isn't anyone DTF? 711 00:45:46,680 --> 00:45:50,040 Speaker 1: What is wrong here? Like? Who does she have to 712 00:45:50,120 --> 00:45:55,840 Speaker 1: choose from? Tim? Yeah? Who else is even available? I 713 00:45:55,880 --> 00:46:01,000 Speaker 1: don't know? Mouth leon Or had the other really good 714 00:46:01,040 --> 00:46:05,120 Speaker 1: line he um was kind of an iconic line that 715 00:46:05,360 --> 00:46:08,160 Speaker 1: I have heard fans bring up. He said, I say, 716 00:46:08,320 --> 00:46:11,040 Speaker 1: give me regret as long as I can keep the 717 00:46:11,080 --> 00:46:16,600 Speaker 1: good memories too. Oh yes, yeah that you know. The 718 00:46:16,640 --> 00:46:20,160 Speaker 1: Alzheimer's really was a theme in this episode, wasn't it? 719 00:46:20,160 --> 00:46:25,319 Speaker 1: With a notebook and and then with his grandfather. Can 720 00:46:25,360 --> 00:46:27,400 Speaker 1: I just tell you that I did not make that 721 00:46:27,440 --> 00:46:32,200 Speaker 1: connection until you just said it right now. I'm like, wait, 722 00:46:32,239 --> 00:46:38,120 Speaker 1: what double wammy? That's it. That's why it worked so much. 723 00:46:38,120 --> 00:46:41,279 Speaker 1: I appreciate your sister, Thank you for carrying I've been 724 00:46:41,320 --> 00:46:47,759 Speaker 1: a sign no prop any times, we'll get there. But yeah, 725 00:46:47,840 --> 00:46:51,359 Speaker 1: it's I love that line. You know this, maybe, maybe, 726 00:46:51,400 --> 00:46:54,640 Speaker 1: maybe the theme of this episode is memories, because because 727 00:46:54,680 --> 00:47:02,240 Speaker 1: Hailey's memories are being physically erased and mels memories are gone, 728 00:47:02,920 --> 00:47:06,080 Speaker 1: and the memories in the notebook are a theme. And 729 00:47:06,120 --> 00:47:09,560 Speaker 1: now Karen has the memory of her ex boyfriend looming 730 00:47:09,640 --> 00:47:11,880 Speaker 1: over her in this great, big, giant billboard and she 731 00:47:11,960 --> 00:47:13,879 Speaker 1: has to decide what she's going to do with that. 732 00:47:14,160 --> 00:47:20,520 Speaker 1: She's gonna stoop to his level or rise above it? Yep, 733 00:47:21,520 --> 00:47:25,080 Speaker 1: I don't know. I mean, when's the last time you 734 00:47:25,120 --> 00:47:28,239 Speaker 1: did some vandalism? Yeah, I think she should have just 735 00:47:28,280 --> 00:47:31,400 Speaker 1: committed to it, say, just stuck with it, I mean whatever. 736 00:47:31,560 --> 00:47:33,840 Speaker 1: Pulling it back and having the billboard for a rectile 737 00:47:33,880 --> 00:47:40,200 Speaker 1: dysfunction was also pretty good luck was good luck. Yeah, 738 00:47:40,239 --> 00:47:42,359 Speaker 1: it could have been anything. It could have been insurance 739 00:47:42,520 --> 00:47:47,480 Speaker 1: under their yeah, a little frog. It could have been anything. 740 00:47:47,840 --> 00:47:53,440 Speaker 1: But no, No, they pulled back the they pulled back 741 00:47:53,480 --> 00:47:55,200 Speaker 1: all their artwork. It's too bad. I think they should 742 00:47:55,200 --> 00:47:57,240 Speaker 1: have committed to it. But it was certainly fun watching 743 00:47:57,239 --> 00:48:01,759 Speaker 1: them get into a trouble. I remember Barbara finding out 744 00:48:01,800 --> 00:48:02,799 Speaker 1: that she was going to have to be in her 745 00:48:02,840 --> 00:48:08,000 Speaker 1: underwear and it was like a she worked out really hard. 746 00:48:08,160 --> 00:48:11,319 Speaker 1: She was like so committed to making sure she looked 747 00:48:11,360 --> 00:48:16,439 Speaker 1: amazing and she did. Yeah, she absolutely did. It paid off. Yeah, 748 00:48:16,560 --> 00:48:19,000 Speaker 1: Barbara looks like a teenage the well we were saying 749 00:48:19,040 --> 00:48:21,480 Speaker 1: they both looked like teenagers when they were just sitting 750 00:48:21,520 --> 00:48:26,360 Speaker 1: on the ledge of the billboards and got a little ponytail. 751 00:48:26,560 --> 00:48:29,799 Speaker 1: She's so cute. It's you know, watching the show as 752 00:48:29,840 --> 00:48:34,120 Speaker 1: an adult is so different because they're younger than us. 753 00:48:34,160 --> 00:48:38,279 Speaker 1: They're right, Yeah, they're younger than us. They're and they're 754 00:48:38,320 --> 00:48:41,319 Speaker 1: having to play these grown ups, and you realize that 755 00:48:41,400 --> 00:48:45,040 Speaker 1: all the grown ups are faking it. I A is 756 00:48:45,080 --> 00:48:50,400 Speaker 1: a grown up. I'm baking it. You're faking grown up 757 00:48:50,440 --> 00:48:56,279 Speaker 1: nous adulthood. You know him a nightmare too? No wait, um, 758 00:48:56,360 --> 00:48:58,680 Speaker 1: I think you're a nightmare. Yeah. If you were going 759 00:48:58,719 --> 00:49:01,839 Speaker 1: to spray paint a billboard, m I don't know what 760 00:49:01,880 --> 00:49:05,160 Speaker 1: could make me get on a billboard? What would bother 761 00:49:05,280 --> 00:49:07,839 Speaker 1: me so much that I had to tag that? Also, 762 00:49:07,920 --> 00:49:09,960 Speaker 1: that cann of spray paint was like the weakest cann 763 00:49:09,960 --> 00:49:12,480 Speaker 1: of spray paint I've ever seen in my life. It 764 00:49:12,600 --> 00:49:14,520 Speaker 1: was so small. How are they going to get up 765 00:49:14,520 --> 00:49:19,000 Speaker 1: there with the one. Yeah you said it looked like polish, 766 00:49:19,719 --> 00:49:23,719 Speaker 1: like black shoe polish. Yeah, I don't know, um I, 767 00:49:23,920 --> 00:49:26,440 Speaker 1: but I love that. Also, we've never seen any billboard 768 00:49:26,440 --> 00:49:29,160 Speaker 1: ever in Tree Hill, and suddenly we have a billboard. 769 00:49:29,360 --> 00:49:32,359 Speaker 1: That's kind of funny. Leave it to Dada. To Dan, 770 00:49:33,160 --> 00:49:37,120 Speaker 1: we didn't Yeah, what do we got? Should we spin 771 00:49:37,160 --> 00:49:46,640 Speaker 1: a wheel? Yeah? I want to spin a wheel most 772 00:49:47,000 --> 00:49:53,760 Speaker 1: likely too well, most likely to run away and join 773 00:49:54,080 --> 00:50:03,560 Speaker 1: the circus circus like acrobatics, like just like bail on 774 00:50:03,680 --> 00:50:05,799 Speaker 1: life and be like, guys, I'm out, I'm gonna go 775 00:50:06,840 --> 00:50:09,879 Speaker 1: so the circus. I think that would be fun. Who 776 00:50:09,960 --> 00:50:12,399 Speaker 1: is an adult that doesn't have any responsibilities that could 777 00:50:12,440 --> 00:50:14,960 Speaker 1: do that? Though? I feel like we have friends that 778 00:50:15,040 --> 00:50:19,040 Speaker 1: have done that, have done this kind of stuff, like, 779 00:50:19,880 --> 00:50:23,640 Speaker 1: oh yeah, I have friends who have done that. Were 780 00:50:23,760 --> 00:50:27,040 Speaker 1: you doing like an acrobatics course, like a silk acrobat Like, 781 00:50:27,120 --> 00:50:29,640 Speaker 1: who has done that? Yeah? I do. That's that's like 782 00:50:30,120 --> 00:50:36,000 Speaker 1: one of my past times that I enjoy as aerial silks. Yeah, joy, 783 00:50:36,080 --> 00:50:39,279 Speaker 1: it's you Like, I have responsibilities. I can't like run 784 00:50:39,280 --> 00:50:41,359 Speaker 1: away and join the circus. I mean, I guess we 785 00:50:41,480 --> 00:50:43,360 Speaker 1: are in the circus, right that's what we do for 786 00:50:43,400 --> 00:50:47,560 Speaker 1: a living. I literally texted, so it's Gus. Gus has 787 00:50:47,680 --> 00:50:51,080 Speaker 1: uh sixth grade exams this week, and I'm on a 788 00:50:51,120 --> 00:50:53,800 Speaker 1: text thread with all the other parents and they're freaking 789 00:50:53,840 --> 00:50:57,080 Speaker 1: out because the history exam is worth a huge chunk 790 00:50:57,080 --> 00:50:59,560 Speaker 1: of the grade and they're like, you know, very stressed 791 00:50:59,560 --> 00:51:03,960 Speaker 1: out about this. And I literally said, well, my husband 792 00:51:03,960 --> 00:51:07,520 Speaker 1: and I are dropouts and we don't care about tests. 793 00:51:07,880 --> 00:51:09,560 Speaker 1: So if any of your children would like to run 794 00:51:09,560 --> 00:51:11,759 Speaker 1: away and join the circus with the Morgans, we have 795 00:51:11,840 --> 00:51:15,480 Speaker 1: open arms. Yes, I mean that's our industry. We are 796 00:51:15,520 --> 00:51:21,080 Speaker 1: the circus. It will accept freak that wants to come play. Yeah, 797 00:51:21,560 --> 00:51:24,840 Speaker 1: that's how I feel. This isn't all of the above answer, 798 00:51:25,000 --> 00:51:27,240 Speaker 1: I think. So I don't know who from the show 799 00:51:27,360 --> 00:51:30,880 Speaker 1: with what character would run away? I guess Chris Keller, Yes, 800 00:51:31,960 --> 00:51:36,879 Speaker 1: that's he's most likely too for sure? Yeah? Or if 801 00:51:37,040 --> 00:51:38,719 Speaker 1: or is it someone with like a secret life? Like 802 00:51:38,800 --> 00:51:41,400 Speaker 1: is there something we don't know about Junk? Is Junk 803 00:51:41,480 --> 00:51:44,239 Speaker 1: like really good with big cats? Like maybe he's got 804 00:51:44,280 --> 00:51:49,520 Speaker 1: some sigre Roy energy? G feels like a wild card 805 00:51:49,560 --> 00:51:54,719 Speaker 1: too sweet? Kelsey m hm, Hey, at Lease wants to 806 00:51:54,719 --> 00:51:57,160 Speaker 1: know why is every room and tree Hill painted red? 807 00:51:57,440 --> 00:51:59,880 Speaker 1: Is it except Luke's room and the five minutes that 808 00:52:00,000 --> 00:52:02,960 Speaker 1: Peyton painted hers? There must be a technical reason for that. 809 00:52:03,040 --> 00:52:06,560 Speaker 1: Why so many red walls are there? I've never noticed 810 00:52:06,600 --> 00:52:11,480 Speaker 1: that in all these years. I never never noticed that 811 00:52:12,080 --> 00:52:14,279 Speaker 1: at all. No, I wish I had an answer for 812 00:52:14,320 --> 00:52:17,719 Speaker 1: that question. I'd sadly do not, But now you'll have 813 00:52:17,760 --> 00:52:21,799 Speaker 1: to as a technical question. I think maybe it's just 814 00:52:21,840 --> 00:52:26,759 Speaker 1: like to like a color scheme theme. Perhaps, well, so 815 00:52:26,960 --> 00:52:29,480 Speaker 1: if you guys notice, I know some people ask questions 816 00:52:29,480 --> 00:52:33,800 Speaker 1: about like hair colors sometimes. Um, there's definitely a filter. 817 00:52:34,120 --> 00:52:36,799 Speaker 1: On our show, they were using kind of a warm 818 00:52:36,880 --> 00:52:42,680 Speaker 1: orange filter to make everything seem really like homeie. And 819 00:52:43,160 --> 00:52:46,480 Speaker 1: you know, it's crazy what the eye can do. It 820 00:52:46,560 --> 00:52:48,520 Speaker 1: helps tell a story. And so if it's got that 821 00:52:48,840 --> 00:52:53,360 Speaker 1: warm hue to it, the audience automatically feels warmer. So 822 00:52:53,719 --> 00:53:00,319 Speaker 1: having colors that work well with that filter is important. Um. True, 823 00:53:00,560 --> 00:53:02,359 Speaker 1: I don't know the green is going to show up 824 00:53:02,400 --> 00:53:04,560 Speaker 1: great with an orange filter, you know what I mean? 825 00:53:05,000 --> 00:53:11,000 Speaker 1: But a rich amber, beautiful red velvet. It's such a 826 00:53:11,000 --> 00:53:13,000 Speaker 1: funny thing for someone to have noticed. I guess maybe 827 00:53:13,040 --> 00:53:16,400 Speaker 1: an interior designer, maybe Alice are you. It's gonna be 828 00:53:16,440 --> 00:53:18,879 Speaker 1: like the Lamp's Joy. Now that we've heard it, We're 829 00:53:18,880 --> 00:53:21,799 Speaker 1: going to see them everywhere. We'll never see anything else, 830 00:53:21,880 --> 00:53:26,480 Speaker 1: I'm sure. Well, you know, since I never get to 831 00:53:26,520 --> 00:53:28,799 Speaker 1: play this music for anybody, why don't I like we 832 00:53:28,840 --> 00:53:30,880 Speaker 1: can say goodbye and then I can just sort of 833 00:53:30,960 --> 00:53:35,359 Speaker 1: leave a few songs at the end for people. Let's 834 00:53:35,400 --> 00:53:39,319 Speaker 1: just play three of them, so guys, I'll play for you. Um. 835 00:53:39,320 --> 00:53:41,839 Speaker 1: This one of them is called A Sweet Country Home. 836 00:53:42,000 --> 00:53:45,920 Speaker 1: This is when Noah an Alley or characters inspired by 837 00:53:45,920 --> 00:53:48,000 Speaker 1: Noah and Ali. I don't know if I have to 838 00:53:48,040 --> 00:53:52,360 Speaker 1: say that for like legal reasons. I don't know. The 839 00:53:53,680 --> 00:53:56,840 Speaker 1: birds just two Southern love birds, um, And they're in 840 00:53:56,880 --> 00:54:00,280 Speaker 1: a house and the house is all dilapidated and falling apart, 841 00:54:00,320 --> 00:54:03,479 Speaker 1: but they're dreaming about what it would be like if they, uh, 842 00:54:03,520 --> 00:54:06,000 Speaker 1: if they lived together in this home and built it up. 843 00:54:06,360 --> 00:54:10,200 Speaker 1: And then I'll also play you something called the Colors Play, 844 00:54:10,280 --> 00:54:14,719 Speaker 1: which was inspired by a scene when, um, the two 845 00:54:14,800 --> 00:54:17,840 Speaker 1: of them are walking down a street. They're just meeting. 846 00:54:17,840 --> 00:54:20,000 Speaker 1: It's their first date, late at night, and he's really 847 00:54:20,000 --> 00:54:21,719 Speaker 1: trying to win her over, and she's talking about all 848 00:54:21,760 --> 00:54:24,000 Speaker 1: the things that she has to do and all her responsibilities, 849 00:54:24,480 --> 00:54:26,520 Speaker 1: and then he's just like, what do you love? Tell 850 00:54:26,520 --> 00:54:29,040 Speaker 1: me what you love? And then she sings about what 851 00:54:29,200 --> 00:54:31,640 Speaker 1: she really loves to do. It's just to paint. And 852 00:54:31,680 --> 00:54:33,800 Speaker 1: then the last one I'll play for you is something 853 00:54:34,120 --> 00:54:38,160 Speaker 1: about when they're getting torn apart and uh. In my version, 854 00:54:38,960 --> 00:54:41,600 Speaker 1: she goes away with her family on the train and 855 00:54:42,120 --> 00:54:46,799 Speaker 1: so Noah uh. Inspired by Noah from The Notebook, he 856 00:54:46,920 --> 00:54:51,040 Speaker 1: sings Paul Teal, who is later on Our show as 857 00:54:51,640 --> 00:54:53,879 Speaker 1: I directed him in his first episode on Our show 858 00:54:53,920 --> 00:54:55,680 Speaker 1: as one of the movie stars in the movie that 859 00:54:55,760 --> 00:54:58,400 Speaker 1: was made about Peyton and Lucas's romance member based on 860 00:54:59,120 --> 00:55:02,120 Speaker 1: Like Lucas or is of thing he might have played Lucas. Yeah, 861 00:55:02,200 --> 00:55:03,920 Speaker 1: I forgot you know you know me and my memory. 862 00:55:03,960 --> 00:55:07,600 Speaker 1: I forgot Old Teal was a really wonderful improv actor 863 00:55:07,840 --> 00:55:09,920 Speaker 1: in Wilmington's He was part of the improv troop at 864 00:55:09,960 --> 00:55:13,160 Speaker 1: Level five and like joined when he was in high school. 865 00:55:13,280 --> 00:55:15,880 Speaker 1: He was a baby that got to play with the bigs, right, 866 00:55:16,160 --> 00:55:20,400 Speaker 1: So I love that he really really talented guy. And 867 00:55:20,440 --> 00:55:23,680 Speaker 1: so this is really his song, which incidentally, for fans 868 00:55:24,239 --> 00:55:26,480 Speaker 1: of the music tour that I went on with Tyler 869 00:55:26,480 --> 00:55:28,960 Speaker 1: and Michelle Branch. This is a song that I actually 870 00:55:29,000 --> 00:55:33,480 Speaker 1: sang a lot on tour and incorporated it into my 871 00:55:33,480 --> 00:55:37,880 Speaker 1: my UM fan version of the notebook is that like 872 00:55:37,920 --> 00:55:40,520 Speaker 1: the Fan the Unofficial Britain is that kind of what 873 00:55:40,520 --> 00:55:44,200 Speaker 1: we're doing. It's fan. I love it. I'm also going 874 00:55:44,239 --> 00:55:46,040 Speaker 1: to add in a couple more songs since it's the 875 00:55:46,080 --> 00:55:48,040 Speaker 1: only place that any of y'all can hear this music. 876 00:55:48,480 --> 00:55:51,960 Speaker 1: Um Think of Me is the song that is played 877 00:55:52,080 --> 00:55:55,359 Speaker 1: after that song that you heard Alison mun sing uh 878 00:55:55,400 --> 00:55:58,760 Speaker 1: in the nightclub where now the soldiers are really going 879 00:55:58,800 --> 00:56:03,000 Speaker 1: to war. And so there's a character I think I invented. 880 00:56:03,000 --> 00:56:05,200 Speaker 1: I don't think she's in the book, Maxie, who is 881 00:56:05,239 --> 00:56:08,960 Speaker 1: one of Ali's best friends and Um incidentally has a 882 00:56:10,360 --> 00:56:14,360 Speaker 1: romance with finn Uh and she is singing in the nightclub. 883 00:56:14,480 --> 00:56:16,799 Speaker 1: She's like the nightclub singer, and she's guss Is. I 884 00:56:16,800 --> 00:56:18,920 Speaker 1: think I made her Guss's daughter, and Gus is in 885 00:56:18,920 --> 00:56:22,359 Speaker 1: the novel and he's an older black man who is 886 00:56:23,120 --> 00:56:27,600 Speaker 1: Noah's father's best friend who it's complicated anyway, Maxie sings 887 00:56:27,600 --> 00:56:31,200 Speaker 1: this song think of Me um in the nightclub. So 888 00:56:31,320 --> 00:56:34,000 Speaker 1: one side of the stage the nightclub is all slow dancing, 889 00:56:34,040 --> 00:56:37,360 Speaker 1: and it's all silk and soldiers and beautiful um and 890 00:56:37,440 --> 00:56:39,279 Speaker 1: this very sad song. On the other side of the 891 00:56:39,280 --> 00:56:43,520 Speaker 1: stage is General Patton and Finn and the soldiers at war, 892 00:56:44,040 --> 00:56:46,080 Speaker 1: and so that's all happening at the same time. And 893 00:56:46,400 --> 00:56:50,720 Speaker 1: I would like to say, if you've seen the London 894 00:56:50,760 --> 00:56:56,600 Speaker 1: production of Who From Here to Eternity, they actually do 895 00:56:56,680 --> 00:56:58,800 Speaker 1: this on stage, which is so funny because I wrote 896 00:56:58,800 --> 00:57:03,400 Speaker 1: this like six or seven years before that came out. Um. 897 00:57:03,560 --> 00:57:05,840 Speaker 1: It always made me wonder if one of the producers 898 00:57:05,840 --> 00:57:07,120 Speaker 1: that saw our show I thought it was a good 899 00:57:07,120 --> 00:57:10,680 Speaker 1: idea and then passed on the word, but or maybe 900 00:57:10,719 --> 00:57:12,239 Speaker 1: it was just a good idea and somebody else had 901 00:57:12,239 --> 00:57:14,239 Speaker 1: it too. But it's an interesting device that I had 902 00:57:14,280 --> 00:57:17,760 Speaker 1: never seen on stage before, and so it's kind of fun. 903 00:57:18,000 --> 00:57:20,400 Speaker 1: So you'll hear that, You'll hear Some one forty eight, 904 00:57:20,400 --> 00:57:23,320 Speaker 1: which is meant to be sung by Gus at Frank 905 00:57:23,720 --> 00:57:28,919 Speaker 1: Noah's father's funeral, and Through the Storm is the last 906 00:57:28,920 --> 00:57:31,560 Speaker 1: one you'll hear. Through the Storm is a song for 907 00:57:31,560 --> 00:57:36,040 Speaker 1: the older couple inspired by Noah and ali Um as 908 00:57:36,080 --> 00:57:42,680 Speaker 1: they walk through her journey with Alzheimer's. So there you go. Thanks. 909 00:57:42,680 --> 00:57:44,600 Speaker 1: Thanks so much you guys for joining us for this 910 00:57:45,360 --> 00:57:51,240 Speaker 1: really weird episode. Okay, I hear you've rented the old 911 00:57:51,280 --> 00:57:55,120 Speaker 1: Mare place. Where do you live the rest of the 912 00:57:55,200 --> 00:57:58,520 Speaker 1: year in Charleston? It's not too far away, although now 913 00:57:58,560 --> 00:58:00,480 Speaker 1: Mom and Daddy and i'd be going to look colleges. 914 00:58:00,560 --> 00:58:03,040 Speaker 1: And I like the idea of Sarah Lawrence, but it's 915 00:58:03,080 --> 00:58:04,360 Speaker 1: all the way in New York, and I just don't 916 00:58:04,400 --> 00:58:07,160 Speaker 1: know if I'm ready to leave Carolina altogether. SAP. I 917 00:58:07,280 --> 00:58:10,840 Speaker 1: have to decide soon. Noel got the rest of this year? Well, 918 00:58:10,840 --> 00:58:14,600 Speaker 1: what are you like where? What do you mean? Well, 919 00:58:14,640 --> 00:58:17,440 Speaker 1: I mean it seems like even when you're out having fun, 920 00:58:17,520 --> 00:58:19,480 Speaker 1: you're worried that you're having too much fun. And I'm 921 00:58:19,520 --> 00:58:21,560 Speaker 1: just one of them. Well, I never see you out 922 00:58:21,560 --> 00:58:27,760 Speaker 1: playing around. I'm busy. I don't have a lot of 923 00:58:27,800 --> 00:58:30,680 Speaker 1: time for playing around. I'm busy busy. What do a 924 00:58:30,720 --> 00:58:33,760 Speaker 1: couple of kids like us gotta be busy with? Oh lots. 925 00:58:33,920 --> 00:58:36,360 Speaker 1: I got my whole schedule planned out for me. And 926 00:58:36,400 --> 00:58:41,280 Speaker 1: what does that look like? Well, first arithmetic, I'm terrible attitude. 927 00:58:41,840 --> 00:58:46,440 Speaker 1: And then there's music. This week is chopin Current Events? 928 00:58:46,680 --> 00:58:50,400 Speaker 1: Have you heard they're writing in Manhattan, Oh Latin. Then 929 00:58:50,520 --> 00:58:54,880 Speaker 1: tennis with Pierre and dance with Andri, then lunch on 930 00:58:54,920 --> 00:58:58,920 Speaker 1: the pier while I studied the sea. They're calling it 931 00:58:58,960 --> 00:59:04,560 Speaker 1: now marine biology French on the all days voice on 932 00:59:04,600 --> 00:59:08,880 Speaker 1: the rest, Housekeeping Fridays, though my room's still a mess, 933 00:59:09,920 --> 00:59:14,240 Speaker 1: Junior League Tuesday. Though it's hard while I'm here, somehow 934 00:59:14,280 --> 00:59:20,760 Speaker 1: I manage all this all year. Wow, that sounds like 935 00:59:20,760 --> 00:59:24,080 Speaker 1: the road to success. Oh, yes, well we mom and Daddy. 936 00:59:24,120 --> 00:59:26,960 Speaker 1: Now we feel very strongly about getting into a good college. 937 00:59:28,960 --> 00:59:34,120 Speaker 1: A good education is really the key. Some girls are wasted, 938 00:59:34,320 --> 00:59:38,440 Speaker 1: but that won't be me. I'm certainly a successful and 939 00:59:38,480 --> 00:59:40,320 Speaker 1: meaningful life as a wife and a working No need 940 00:59:40,360 --> 00:59:42,480 Speaker 1: to grow part of the world making plans, making money 941 00:59:42,480 --> 00:59:53,920 Speaker 1: on badies. Close your eyes, painting, what fun I like 942 00:59:54,040 --> 00:59:58,760 Speaker 1: to paint? Tell more, tell me every when they become 943 00:59:58,880 --> 01:00:02,640 Speaker 1: so full. I'm gonna cream when I'm dazzy with the 944 01:00:02,800 --> 01:00:06,880 Speaker 1: every tarante, when I'm almost up to here with the 945 01:00:07,080 --> 01:00:11,000 Speaker 1: voices that I hear. Think, Elly be wimms the lesson. 946 01:00:11,040 --> 01:00:14,880 Speaker 1: See when you've been speaking to it for the sake. Ally, No, 947 01:00:23,560 --> 01:00:33,040 Speaker 1: there's a long lowisland through the drees. The honey bees 948 01:00:33,400 --> 01:00:38,880 Speaker 1: will catch a breeze from far away, and then I'm 949 01:00:39,000 --> 01:00:45,000 Speaker 1: lonesome and my heart is at bay. My fun the 950 01:00:45,160 --> 01:00:56,320 Speaker 1: lonesome disappears with canvas near the colors play, And while 951 01:00:56,360 --> 01:01:02,960 Speaker 1: I am listening to the dreads across the sea, Comma 952 01:01:03,040 --> 01:01:11,680 Speaker 1: teasing Lollaba, she will tell me how to stay locked in, 953 01:01:11,960 --> 01:01:18,280 Speaker 1: my friend. I never mind the Brussian line, the Prussian 954 01:01:19,960 --> 01:01:28,120 Speaker 1: paint a week. I can't imagine anything more awful and 955 01:01:28,360 --> 01:01:36,040 Speaker 1: unfair than wasting all your lifetime making plans. It may 956 01:01:36,080 --> 01:01:40,520 Speaker 1: be just a feeling, but the feeling that I've got 957 01:01:40,880 --> 01:01:44,880 Speaker 1: says this life and me we're gonna be each other 958 01:01:45,000 --> 01:01:49,640 Speaker 1: as greatest fans. When I paint, I can see it 959 01:01:49,720 --> 01:01:55,800 Speaker 1: all is clear. My dreams are right within my reach. No, 960 01:01:56,320 --> 01:02:02,520 Speaker 1: try a fair Oh it's not in grin. I just 961 01:02:02,680 --> 01:02:08,560 Speaker 1: know I've been mad for the rechest of the lives 962 01:02:09,080 --> 01:02:18,920 Speaker 1: you're inside the Prussian white colors play, the Prussia my 963 01:02:19,640 --> 01:02:36,560 Speaker 1: color play. What is this place? Brings a plantation built 964 01:02:36,560 --> 01:02:39,200 Speaker 1: in seventeen seventy two. I will buy it some day 965 01:02:39,240 --> 01:02:41,800 Speaker 1: and fix it up. Well, don't I get to say 966 01:02:41,800 --> 01:02:46,400 Speaker 1: in this? You want to say this? Honey, I've got 967 01:02:46,480 --> 01:02:52,400 Speaker 1: mine the sweet country home where the mocking birds sing, 968 01:02:52,760 --> 01:02:57,919 Speaker 1: and the moon shines along the river, where we will 969 01:02:57,960 --> 01:03:07,800 Speaker 1: be happy as to envy. I've got designs on a 970 01:03:07,920 --> 01:03:12,800 Speaker 1: white country home where the shutters are blue and the 971 01:03:12,880 --> 01:03:18,920 Speaker 1: sun shines along or wrap around port, where three or 972 01:03:19,080 --> 01:03:27,080 Speaker 1: four can be happy as you and me. Then after 973 01:03:27,160 --> 01:03:31,360 Speaker 1: the sun goes down, well caught up by the river, 974 01:03:31,640 --> 01:03:36,720 Speaker 1: this old, sleepy turn will never be the wiser as 975 01:03:36,840 --> 01:03:44,240 Speaker 1: weet dream away those sweet saturdays, sing summertime blues, and 976 01:03:44,480 --> 01:03:49,760 Speaker 1: laugh at the ways of the easy life, that lush 977 01:03:49,880 --> 01:03:59,320 Speaker 1: lazy life. Indeed happy just you and me, Scarlet, look you, 978 01:04:00,000 --> 01:04:10,400 Speaker 1: it's it's so much brilliant, Frank, you are beautifully. But 979 01:04:17,040 --> 01:04:21,680 Speaker 1: after the sun was down, well cut up by the river, 980 01:04:21,880 --> 01:04:26,919 Speaker 1: this sult sleepy down where never be the wiser as 981 01:04:27,200 --> 01:04:34,840 Speaker 1: rich in the way sun days some summertime and life 982 01:04:34,920 --> 01:04:41,360 Speaker 1: at the waysibly easy life, bad lush lazy life, and 983 01:04:41,560 --> 01:04:54,160 Speaker 1: be happy, just you and me. He is trash, trash, Mamma. 984 01:04:54,200 --> 01:04:56,000 Speaker 1: You don't know anything about him, know what. He's a 985 01:04:56,080 --> 01:04:59,400 Speaker 1: good man. He's not good enough for you. You can't 986 01:04:59,400 --> 01:05:02,560 Speaker 1: provide a good are for your honey. He's just a 987 01:05:02,600 --> 01:05:08,160 Speaker 1: country boy. Pretty boxes of diamonds, of ribbons and pearls, 988 01:05:08,400 --> 01:05:12,800 Speaker 1: maybe her heart's desire. What if she's fooling herself and 989 01:05:12,960 --> 01:05:17,760 Speaker 1: me and everyone else into thinking that she's as free 990 01:05:19,040 --> 01:05:28,680 Speaker 1: as a winded love? But I know too well and 991 01:05:28,800 --> 01:05:40,439 Speaker 1: she never tell and nightly breaker Heart. Pretty boxes can 992 01:05:40,520 --> 01:05:44,960 Speaker 1: be such curious things when you know what's inside a 993 01:05:45,160 --> 01:05:48,960 Speaker 1: strong will and wings, and it's only a matter of 994 01:05:49,200 --> 01:05:56,960 Speaker 1: time before they go. She'll try to live a simple life, 995 01:05:57,800 --> 01:06:09,520 Speaker 1: but simple lives are not for everyone. I know to well, 996 01:06:11,320 --> 01:06:27,800 Speaker 1: and she'd never turn and I only biger ahly ohly 997 01:06:28,280 --> 01:06:46,440 Speaker 1: break cued. No, I'm sorry, No, you know a couple, Yes, sir, 998 01:06:46,720 --> 01:06:50,880 Speaker 1: you gotta let her here for you. I can't reading. No, 999 01:06:51,120 --> 01:06:53,240 Speaker 1: I'm sorry. I hate that. I can't believe they really 1000 01:06:53,360 --> 01:06:56,880 Speaker 1: doing this, and they really tearing us apart. Summer love, 1001 01:06:57,120 --> 01:07:00,440 Speaker 1: she said, laft it on the summer love. But she 1002 01:07:00,760 --> 01:07:10,280 Speaker 1: doesn't know you like I do. No, one, No, Ali, 1003 01:07:10,840 --> 01:07:14,680 Speaker 1: don't talk to me. Oh this is just silliness. Ali, 1004 01:07:15,960 --> 01:07:19,200 Speaker 1: Oh sugar, I know you think that I don't know 1005 01:07:19,280 --> 01:07:23,040 Speaker 1: what you're going through, but I do listen to me. 1006 01:07:24,080 --> 01:07:28,560 Speaker 1: I do. It's just that sometimes our future is dictated 1007 01:07:28,600 --> 01:07:31,320 Speaker 1: by what we are, as opposed to what we want. 1008 01:07:32,240 --> 01:07:35,720 Speaker 1: I'll just try to understand that. Honey. That's all I'm 1009 01:07:35,720 --> 01:07:41,560 Speaker 1: gonna say. I love you, Ali, I just want what's best. 1010 01:07:48,560 --> 01:07:55,200 Speaker 1: I hope that is still love me after I have 1011 01:07:55,880 --> 01:08:08,480 Speaker 1: gone up. You still hope my heart beside you? Oh no, 1012 01:08:09,600 --> 01:08:16,960 Speaker 1: no summer romances and for all kinds of reasons. But 1013 01:08:17,120 --> 01:08:19,439 Speaker 1: all said and down, they have one thing in common. 1014 01:08:20,479 --> 01:08:26,400 Speaker 1: They're shooting stars, a spectacular moment of light in the heavens, 1015 01:08:27,439 --> 01:08:33,320 Speaker 1: glasses of t and the flush there. But that can't 1016 01:08:33,320 --> 01:08:35,680 Speaker 1: happen to us now on no matter what they do, 1017 01:08:35,760 --> 01:08:37,880 Speaker 1: no matter who tries to keep us apart, I will 1018 01:08:37,880 --> 01:08:43,160 Speaker 1: come back to you for me. If you still love me, 1019 01:08:43,360 --> 01:08:46,000 Speaker 1: right to me and tell me so, and I will 1020 01:08:46,040 --> 01:08:52,880 Speaker 1: come back to you on a Sunday like the day 1021 01:08:53,040 --> 01:09:05,639 Speaker 1: in then I'll take a tray. No no me loving 1022 01:09:05,920 --> 01:09:26,960 Speaker 1: you all m h Sundays all need to dates wit 1023 01:09:30,120 --> 01:09:39,599 Speaker 1: already they same. Your train was coming in made oh weak, 1024 01:09:48,479 --> 01:09:57,360 Speaker 1: it's cold it tonight and the fireflies cold lights up 1025 01:09:57,400 --> 01:10:02,240 Speaker 1: to evening like Christmas. Aim as your rise. Before I 1026 01:10:02,560 --> 01:10:13,120 Speaker 1: let you go on a Sunday train. I can hear 1027 01:10:13,360 --> 01:10:24,200 Speaker 1: the wet soul blow when you wear on a Sunday train. 1028 01:10:25,960 --> 01:10:31,840 Speaker 1: I can hear the steeple bells ringing in our refrain 1029 01:10:33,680 --> 01:10:40,120 Speaker 1: and I say good bye and again and again because 1030 01:10:40,320 --> 01:10:48,200 Speaker 1: I can't get it out of my hand, and the wait, 1031 01:10:48,760 --> 01:11:04,519 Speaker 1: my god, we for every Sunday chain m. Time's passing 1032 01:11:04,640 --> 01:11:14,479 Speaker 1: on and still no reply. You said you loved me, 1033 01:11:15,040 --> 01:11:19,479 Speaker 1: and maybe I'm crazy, but I can't let this die. 1034 01:11:21,800 --> 01:11:27,960 Speaker 1: They said it might snow, and they'll probably be rain 1035 01:11:30,800 --> 01:11:37,120 Speaker 1: and winds's gonna blow. I'll be here just the same 1036 01:11:39,800 --> 01:11:43,760 Speaker 1: because I don't want to miss you, and baby, I 1037 01:11:44,000 --> 01:11:53,240 Speaker 1: miss you. Come on back this wain on a suddeny train. 1038 01:11:55,160 --> 01:12:05,600 Speaker 1: I can hear the wind so love you. Wait on 1039 01:12:05,920 --> 01:12:11,879 Speaker 1: a Sunday chrea. I can hear the steep blue bells 1040 01:12:12,200 --> 01:12:20,479 Speaker 1: creen in our refraind and I say good bye again 1041 01:12:21,280 --> 01:12:27,599 Speaker 1: and again because I can't get you out of my hand, 1042 01:12:30,520 --> 01:12:36,799 Speaker 1: And no, wait na go away. I'll wait n going, 1043 01:12:38,240 --> 01:12:54,880 Speaker 1: I'll wait night going for every Sunday dream. You'll hear 1044 01:12:54,960 --> 01:12:58,639 Speaker 1: a fight ahead of your life. Battle that means one 1045 01:12:58,720 --> 01:13:01,880 Speaker 1: thing to afford to be a fool. Because the battle 1046 01:13:01,960 --> 01:13:05,680 Speaker 1: fool mean dead men inevitable for men be killed and 1047 01:13:05,760 --> 01:13:09,280 Speaker 1: wounded in battle. There's no reason why it. Such lost 1048 01:13:09,760 --> 01:13:13,479 Speaker 1: increase called the incompetence careless of something stupid as told me, 1049 01:13:14,520 --> 01:13:18,320 Speaker 1: I don't tolerate such a man on my stack. All right, folks, 1050 01:13:18,600 --> 01:13:20,439 Speaker 1: Max is going to slow it down a little for you, 1051 01:13:20,800 --> 01:13:23,719 Speaker 1: sub grab your gals and coming out to dance. Think 1052 01:13:23,840 --> 01:13:35,160 Speaker 1: of me when another's arms are open world to the enemy. 1053 01:13:35,720 --> 01:13:42,000 Speaker 1: Think of me, lorn d you love me too, and 1054 01:13:42,360 --> 01:13:54,120 Speaker 1: same name, perhapsally wildly across the sea. I'll close my eyes, 1055 01:13:54,360 --> 01:13:58,880 Speaker 1: isn't if I try back in your embrace? All be 1056 01:14:00,320 --> 01:14:05,439 Speaker 1: thinking morning the boy with me every top of the 1057 01:14:05,479 --> 01:14:09,480 Speaker 1: morning we don't like and burning home lights, getting lonely 1058 01:14:09,840 --> 01:14:13,720 Speaker 1: and core young. Think of me on the mind when 1059 01:14:15,040 --> 01:14:19,320 Speaker 1: we called the one views so when we said we'd club, 1060 01:14:21,040 --> 01:14:30,200 Speaker 1: drum again on me? You kiss I can misister. Think 1061 01:14:30,280 --> 01:14:41,040 Speaker 1: of me, Darling while you are gone, when up attack baking, 1062 01:14:44,160 --> 01:14:48,439 Speaker 1: stay here doing about amos stake, butt up your right back, 1063 01:14:50,520 --> 01:14:57,720 Speaker 1: and not night but down hand. You would have not 1064 01:14:58,920 --> 01:15:06,519 Speaker 1: that without you, and simply a shell. Think of me 1065 01:15:09,200 --> 01:15:13,280 Speaker 1: when all you hear cries in the dark. Think of me. 1066 01:15:15,760 --> 01:15:20,799 Speaker 1: Recall the way I whisper to you and real hard 1067 01:15:22,280 --> 01:15:31,200 Speaker 1: was aking. I confessed, hum and I were made for 1068 01:15:31,640 --> 01:15:41,240 Speaker 1: love and tenderness. Won't you think of me, Darty when 1069 01:15:41,600 --> 01:16:03,679 Speaker 1: you are God. Praise the Oh, Praise the Lord from 1070 01:16:03,760 --> 01:16:10,160 Speaker 1: the heavens. Praise the Lord. Praise him, all his angels, 1071 01:16:10,280 --> 01:16:17,920 Speaker 1: all his home. Praise him, son and mone and all 1072 01:16:18,120 --> 01:16:23,400 Speaker 1: you stars at night, let them pray it. Praise a 1073 01:16:23,680 --> 01:16:33,280 Speaker 1: name of Jeesesus. Praise the Lord, all the earth and 1074 01:16:33,680 --> 01:16:45,400 Speaker 1: allver deep you lightning, hail, fall and frost. You star 1075 01:16:46,479 --> 01:16:56,560 Speaker 1: me with fulfilling his call, mountains, hilled foodful trees, and 1076 01:16:56,840 --> 01:17:06,960 Speaker 1: see beast and all cattle, creeping things and flying birds, 1077 01:17:08,000 --> 01:17:23,280 Speaker 1: Kings of the people, princess and rule, judges off the earth, men, 1078 01:17:24,479 --> 01:17:34,040 Speaker 1: young men, men and children, le bred, all my heir 1079 01:17:34,479 --> 01:17:41,639 Speaker 1: and sprays along. Praise him, all his ages, all his holes, 1080 01:17:44,800 --> 01:17:52,639 Speaker 1: Praise him. Sudden mood and all save tonight. Let them praise, 1081 01:17:53,200 --> 01:18:10,360 Speaker 1: praise and her jeess euse. Days go by memories in 1082 01:18:10,960 --> 01:18:21,960 Speaker 1: my head. They sing like ships and sunset leaving well. 1083 01:18:22,800 --> 01:18:35,040 Speaker 1: Get y'all a life, fire house, falling through the storm 1084 01:18:35,960 --> 01:18:50,559 Speaker 1: and to the dark, still with the kiss to breathe 1085 01:18:51,680 --> 01:19:02,280 Speaker 1: back to. Don't want to fread any more, try to 1086 01:19:04,680 --> 01:19:25,559 Speaker 1: without a fair without and die through go to see 1087 01:19:27,920 --> 01:20:11,240 Speaker 1: cap fund atich. I never lches sleep b don't want 1088 01:20:14,160 --> 01:20:41,519 Speaker 1: any more trite I love will fother you my days 1089 01:20:41,840 --> 01:21:00,280 Speaker 1: call pine mymoes in my sing like ship, and susme h. 1090 01:21:02,600 --> 01:21:08,679 Speaker 1: Lon is good, Lon is kind, lon is steady and patient, 1091 01:21:09,360 --> 01:21:14,479 Speaker 1: and make sure that I'm taken care of. Lone is true, 1092 01:21:15,920 --> 01:21:21,000 Speaker 1: no one true. Lone is loyal and spoils me. So 1093 01:21:22,560 --> 01:21:31,760 Speaker 1: he's a good man, a fine man. I know. It's 1094 01:21:31,800 --> 01:21:37,280 Speaker 1: appalling how ungrateful you are. There are many other places 1095 01:21:37,439 --> 01:21:42,280 Speaker 1: you might have landed. There are many worse fates to 1096 01:21:42,400 --> 01:21:45,920 Speaker 1: before many women than to have a man who is 1097 01:21:46,040 --> 01:21:52,400 Speaker 1: kind and good and true. It's so silly, how romantic 1098 01:21:52,800 --> 01:21:57,439 Speaker 1: you are in your quiet moments, how you long for 1099 01:21:57,760 --> 01:22:03,080 Speaker 1: his timet But he's no more than an ambotion in 1100 01:22:03,560 --> 01:22:19,920 Speaker 1: your past. Everything's change now, Hello, Hi, Betsy. Routine conversation, 1101 01:22:22,000 --> 01:22:30,600 Speaker 1: routine conversation, nothing too suspicious, Everything is fine, routine conversation. 1102 01:22:32,200 --> 01:22:36,519 Speaker 1: All right, then goodbye? What kind of fool am I 1103 01:22:36,600 --> 01:22:38,519 Speaker 1: to go to all this trouble, go to lying and 1104 01:22:38,600 --> 01:22:40,800 Speaker 1: deceiving for a boy that I once knew it was 1105 01:22:40,880 --> 01:22:43,080 Speaker 1: seven years ago, for God's six seven years, And here 1106 01:22:43,120 --> 01:22:45,400 Speaker 1: I am. What kind of fool does this? I ask you? 1107 01:22:49,120 --> 01:22:51,120 Speaker 1: What kind of woman tells the man she loves she 1108 01:22:51,160 --> 01:22:52,920 Speaker 1: loves him? And then leaves him as a safety net 1109 01:22:52,960 --> 01:22:54,760 Speaker 1: in case the one she loves more doesn't love her. No, 1110 01:22:54,880 --> 01:22:58,880 Speaker 1: not really anymore. What kind of woman wouldn't stop herself 1111 01:22:58,920 --> 01:23:03,240 Speaker 1: and march right out the door. And yet here am 1112 01:23:03,320 --> 01:23:09,960 Speaker 1: I with my best dress and my favorite perfume, my 1113 01:23:10,320 --> 01:23:14,800 Speaker 1: heart laid down like a pig on a platter, and 1114 01:23:15,000 --> 01:23:22,120 Speaker 1: all a flutter like a butterflyne juune, Oh dear me, 1115 01:23:23,840 --> 01:23:34,320 Speaker 1: bless my soul. I'm just a fool. Hello, Hi London. 1116 01:23:35,680 --> 01:23:45,280 Speaker 1: Routine conversation, routine conversation, nothing too suspicious, Everything is fine. 1117 01:23:45,800 --> 01:23:50,600 Speaker 1: Routine conversation. Yes, I found a dresser. It will be 1118 01:23:50,720 --> 01:23:53,280 Speaker 1: delivered Friday in the afternoon, if that's all right with you, 1119 01:23:54,800 --> 01:23:59,360 Speaker 1: I love you too, Goodbye. Now I have to find 1120 01:23:59,400 --> 01:24:04,080 Speaker 1: a dresser from someone who deliver. God, what kind of 1121 01:24:04,200 --> 01:24:06,280 Speaker 1: woman must I be to be so selfish, to be 1122 01:24:06,439 --> 01:24:08,800 Speaker 1: lying left and right and feeling barely guilty of it. 1123 01:24:09,040 --> 01:24:12,519 Speaker 1: It's appalling and exhilarating. I'm a mess and loving every minute. 1124 01:24:12,520 --> 01:24:16,880 Speaker 1: I'm it all for shame. But what kind of woman 1125 01:24:16,920 --> 01:24:23,040 Speaker 1: in my situation wouldn't do the same. Besides, every woman 1126 01:24:23,160 --> 01:24:29,759 Speaker 1: likes her best dress and her favorite but perfume, even 1127 01:24:30,000 --> 01:24:35,200 Speaker 1: if there's no one who cares to notice well than 1128 01:24:35,360 --> 01:24:40,920 Speaker 1: I guess I'll be no worse off than I started, 1129 01:24:42,600 --> 01:24:49,679 Speaker 1: and I know, Bless my soul, I've been a fool. 1130 01:24:56,960 --> 01:25:02,839 Speaker 1: It's amazing how much more grown you. Oh, always pretty 1131 01:25:02,880 --> 01:25:08,920 Speaker 1: in your youth, but now a woman. There are many 1132 01:25:09,160 --> 01:25:13,600 Speaker 1: new things still to learn in my hasten and a 1133 01:25:13,760 --> 01:25:22,840 Speaker 1: dream from years ago, too late to rast. Excuse me. 1134 01:25:23,040 --> 01:25:24,760 Speaker 1: If I receive any calls while I'm out, will you 1135 01:25:24,800 --> 01:25:28,040 Speaker 1: please tell them I'll be back late this evening. Thank you, 1136 01:25:30,439 --> 01:25:47,160 Speaker 1: m Routine conversation, routine conversation, nothing too suspicious and everything 1137 01:25:47,400 --> 01:25:59,479 Speaker 1: is hot. Routine conversation. Just seeing an old friend, no, no, no, nevery, 1138 01:26:00,040 --> 01:26:12,599 Speaker 1: and my best dress and my favorite red perfect. Oh, 1139 01:26:15,479 --> 01:26:25,360 Speaker 1: bless my soul, I'm just a fool in my best 1140 01:26:25,479 --> 01:26:54,480 Speaker 1: dress and my favor perfume. Breathe then breathe out standing 1141 01:26:54,720 --> 01:27:03,760 Speaker 1: bird on my knee, breathe and breathe out speaking, but 1142 01:27:04,120 --> 01:27:15,760 Speaker 1: my heart say we want so through search, search, A 1143 01:27:15,920 --> 01:27:29,000 Speaker 1: million moments before this he is off. I would stand 1144 01:27:29,200 --> 01:27:34,680 Speaker 1: beside you as you darken the door. We go in 1145 01:27:34,960 --> 01:27:40,920 Speaker 1: Gun's place and bring that temple to dis knees. Oh, 1146 01:27:41,080 --> 01:27:55,320 Speaker 1: there's some strange power in you and me we heaven 1147 01:27:55,680 --> 01:28:05,120 Speaker 1: breath and taking in my home all head didn't reading 1148 01:28:06,000 --> 01:28:17,080 Speaker 1: and with one looking car scones, we lived hunder lives 1149 01:28:17,280 --> 01:28:27,920 Speaker 1: before searching a million moments for this, and I war 1150 01:28:28,520 --> 01:28:34,479 Speaker 1: all moon. I would stand inside you as you're dark 1151 01:28:34,720 --> 01:28:40,439 Speaker 1: and daston were going God's plas and bring left double 1152 01:28:40,600 --> 01:28:49,519 Speaker 1: to his knees. And there was some strange past in 1153 01:28:49,760 --> 01:29:04,000 Speaker 1: you and me teaching, and so I for start every 1154 01:29:04,120 --> 01:29:16,680 Speaker 1: we spurn wine times year my love time, every whispering, 1155 01:29:25,080 --> 01:29:32,040 Speaker 1: I would weigh a thousand years more. I would stand 1156 01:29:32,160 --> 01:29:37,559 Speaker 1: aside you as we talk in death to We're going 1157 01:29:38,280 --> 01:29:44,960 Speaker 1: to plaze and pain that double chose knees O this side, 1158 01:29:46,000 --> 01:30:34,080 Speaker 1: strange strange power in you and ye love me. Hey, 1159 01:30:34,200 --> 01:30:36,479 Speaker 1: thanks for listening. Don't forget to leave us a review. 1160 01:30:36,800 --> 01:30:39,840 Speaker 1: You can also follow us on Instagram at Drama Queens 1161 01:30:39,960 --> 01:30:43,360 Speaker 1: O t H or email us at Drama Queens at 1162 01:30:43,439 --> 01:30:47,800 Speaker 1: I heart radio dot com. See you next time. We 1163 01:30:47,960 --> 01:30:51,080 Speaker 1: are all about that high school drama girl, drama girl, 1164 01:30:51,160 --> 01:30:54,280 Speaker 1: all about them high school queens. We'll take you for 1165 01:30:54,400 --> 01:30:57,800 Speaker 1: a ride at our comic girl cheering for the right team. 1166 01:30:57,960 --> 01:31:02,120 Speaker 1: Drama queens love girl fashing, but your tough girl you 1167 01:31:02,200 --> 01:31:05,080 Speaker 1: could sit with us, Girl Drama, Queeze Drama, queez Drama, 1168 01:31:05,160 --> 01:31:08,040 Speaker 1: Queen's Drama, Drama, Queen's Drama, Queens