1 00:00:03,840 --> 00:00:04,960 Speaker 1: All right, man bout bleat Cap. 2 00:00:05,040 --> 00:00:08,920 Speaker 2: We hear Blast his debut album, Let's Get It, which 3 00:00:08,960 --> 00:00:11,479 Speaker 2: is a crazy thing to say out loud. Yeah, because 4 00:00:11,480 --> 00:00:14,480 Speaker 2: you have bodies of work obviously. Yeah, well six tape 5 00:00:14,520 --> 00:00:16,919 Speaker 2: sclore your shit, like right. But then, like when I 6 00:00:16,960 --> 00:00:20,040 Speaker 2: listened to the album, I understood why this is like 7 00:00:20,120 --> 00:00:21,000 Speaker 2: the debut album. 8 00:00:21,040 --> 00:00:22,680 Speaker 3: That's all I wanted to hear exactly. 9 00:00:22,880 --> 00:00:24,799 Speaker 2: I get it, like this was like you telling like 10 00:00:25,160 --> 00:00:29,560 Speaker 2: like your story using skits like for you, like, how 11 00:00:29,600 --> 00:00:31,280 Speaker 2: important was that for you to like make sure like 12 00:00:31,600 --> 00:00:33,040 Speaker 2: because we don't hear skits anymore. 13 00:00:33,200 --> 00:00:35,720 Speaker 4: Yeah, I mean it's what I grew up on, you know, 14 00:00:36,000 --> 00:00:38,640 Speaker 4: thinking about fifty cents get rich and I try and 15 00:00:38,680 --> 00:00:40,839 Speaker 4: just making it bigger than just the music. So I 16 00:00:40,880 --> 00:00:43,519 Speaker 4: knew for my debut it had to be received on 17 00:00:43,560 --> 00:00:47,680 Speaker 4: a grand level. And I'm a huge fan of music 18 00:00:47,720 --> 00:00:50,680 Speaker 4: in general, but concept albums just what I was raised on. 19 00:00:50,760 --> 00:00:52,960 Speaker 4: So it was only right that's what I gave to 20 00:00:53,000 --> 00:00:54,480 Speaker 4: my fans for my debut. 21 00:00:55,120 --> 00:00:57,240 Speaker 2: Explain to me because like, if you open it, by 22 00:00:57,240 --> 00:00:58,680 Speaker 2: the way, where I want to go pizza and Burbank, 23 00:00:58,680 --> 00:00:59,960 Speaker 2: everybody come eat to fucking pizza. 24 00:01:00,000 --> 00:01:00,600 Speaker 1: I appreciate you. 25 00:01:00,760 --> 00:01:03,200 Speaker 2: I appreciate you coming through rolling up like the President, 26 00:01:04,720 --> 00:01:08,080 Speaker 2: but explain, Like, if people open the album on Spotify, 27 00:01:08,080 --> 00:01:10,560 Speaker 2: you'll see it's like broken down into four discs, right, 28 00:01:10,920 --> 00:01:12,880 Speaker 2: which is also something that's kind of like a callback 29 00:01:12,920 --> 00:01:14,560 Speaker 2: to like when we were growing up and you go 30 00:01:14,600 --> 00:01:15,639 Speaker 2: buy a double disc album. 31 00:01:15,720 --> 00:01:18,480 Speaker 1: You know what I'm saying, Explain. 32 00:01:18,280 --> 00:01:20,280 Speaker 2: Why you did that, because if you listen, like it's 33 00:01:20,280 --> 00:01:23,720 Speaker 2: almost like every time a disc ends, there's like a 34 00:01:23,840 --> 00:01:26,440 Speaker 2: transition into the next portion of the album. 35 00:01:26,680 --> 00:01:27,000 Speaker 3: Yeah. 36 00:01:27,000 --> 00:01:30,319 Speaker 4: So it's a concept album, but it's about this character 37 00:01:30,520 --> 00:01:33,039 Speaker 4: named Bertie and he has a father son relationship with 38 00:01:33,120 --> 00:01:35,839 Speaker 4: his dad big E. So it's broken down into different 39 00:01:35,840 --> 00:01:38,760 Speaker 4: parts because the first part is the introduction of what 40 00:01:38,840 --> 00:01:41,039 Speaker 4: he's finna go through, right, and he gives them three 41 00:01:41,080 --> 00:01:43,240 Speaker 4: life lessons a woman you got no visit deal with 42 00:01:43,600 --> 00:01:45,520 Speaker 4: any of disguise as a friend and a man in 43 00:01:45,520 --> 00:01:45,959 Speaker 4: the mirror. 44 00:01:46,280 --> 00:01:47,200 Speaker 3: So each chapter he. 45 00:01:47,240 --> 00:01:49,120 Speaker 1: Goes that life lesson, Yeah, he goes. 46 00:01:49,120 --> 00:01:51,040 Speaker 2: So I didn't know because I know, like on track too, 47 00:01:51,040 --> 00:01:53,880 Speaker 2: it's like the skip between the father and son, right, Yeah, 48 00:01:53,920 --> 00:01:55,440 Speaker 2: So I didn't know if that was like a literal 49 00:01:55,440 --> 00:01:57,840 Speaker 2: interpretation of like you and your dad's relationship or this 50 00:01:58,000 --> 00:02:00,720 Speaker 2: was was this something that like, you've made these characters up. 51 00:02:00,800 --> 00:02:04,120 Speaker 4: It's indirect, it's an alternate universe of you know, my 52 00:02:04,160 --> 00:02:07,040 Speaker 4: personal experiences. But I just like to keep my business 53 00:02:07,040 --> 00:02:08,880 Speaker 4: private and put it in an art form. 54 00:02:08,960 --> 00:02:09,519 Speaker 1: Yeah, for sure. 55 00:02:09,560 --> 00:02:12,040 Speaker 2: And even like I thought it was like there was 56 00:02:12,080 --> 00:02:14,160 Speaker 2: that interlude where you had the girl talking. 57 00:02:13,960 --> 00:02:17,440 Speaker 1: About like, you know, I was taught if at. 58 00:02:17,320 --> 00:02:19,440 Speaker 2: Anything that's worth getting, you gotta work hard for it 59 00:02:19,480 --> 00:02:21,760 Speaker 2: than her homegirls, Like now you're misinterpreting what you're. 60 00:02:21,639 --> 00:02:25,360 Speaker 3: Saying, but the woman you got no business dealing with 61 00:02:25,440 --> 00:02:26,360 Speaker 3: skin for sure. 62 00:02:28,080 --> 00:02:30,079 Speaker 2: And the other thing that I thought was jope about 63 00:02:30,120 --> 00:02:32,080 Speaker 2: this album and why I said, like, oh, this is 64 00:02:32,080 --> 00:02:36,040 Speaker 2: his debut album for sure, because there is the narrative 65 00:02:36,080 --> 00:02:38,519 Speaker 2: about blast songs that they all quote unquote sound the same. 66 00:02:39,919 --> 00:02:42,000 Speaker 1: You threw that shit out the window on this album. 67 00:02:42,080 --> 00:02:45,720 Speaker 4: Sure it was mandatory, I think, but this album I 68 00:02:45,800 --> 00:02:48,239 Speaker 4: reverted back to my childhood, like what made me fall 69 00:02:48,280 --> 00:02:50,320 Speaker 4: in love with music in the first place. And it 70 00:02:50,440 --> 00:02:53,760 Speaker 4: was a combination of different genres, different you know, different 71 00:02:54,440 --> 00:02:57,800 Speaker 4: regions all put into one pot. And I know I 72 00:02:57,800 --> 00:03:00,919 Speaker 4: did a good job of like, you know, a foundational 73 00:03:00,960 --> 00:03:03,760 Speaker 4: sound to where people are because you have your sound. Yeah, yeah, 74 00:03:03,760 --> 00:03:06,400 Speaker 4: but it's not all I am, you know, and this 75 00:03:06,680 --> 00:03:07,959 Speaker 4: displays that perfectly. 76 00:03:08,120 --> 00:03:08,880 Speaker 1: Oh so good. 77 00:03:09,520 --> 00:03:11,200 Speaker 2: Like I was like telling now Vic, I was like, Yo, 78 00:03:11,280 --> 00:03:14,040 Speaker 2: that tie record that ship is that production on that 79 00:03:14,040 --> 00:03:16,080 Speaker 2: ship is so left field, but it sounds so good. 80 00:03:16,120 --> 00:03:18,760 Speaker 4: I'm predicted they wasn't expecting that for me and tied 81 00:03:18,800 --> 00:03:20,320 Speaker 4: to La or just on some shit like that. 82 00:03:20,480 --> 00:03:22,239 Speaker 3: Is I like throwing niggas off? 83 00:03:22,280 --> 00:03:26,400 Speaker 1: You know? Sure man talk to me on this album. 84 00:03:26,480 --> 00:03:28,760 Speaker 2: You obviously had a lot of features Adison, Pact, two Chains, 85 00:03:28,760 --> 00:03:29,520 Speaker 2: tied at a sign. 86 00:03:31,120 --> 00:03:32,720 Speaker 1: I'm forgetting tons of people, but. 87 00:03:34,280 --> 00:03:38,120 Speaker 2: It's obviously, uh, your your first foot forward in terms 88 00:03:38,120 --> 00:03:43,320 Speaker 2: of the album space. Was there any sort of features 89 00:03:43,320 --> 00:03:44,960 Speaker 2: that almost made the album or that? 90 00:03:45,400 --> 00:03:47,840 Speaker 3: Definitely, But we're gonna put out at their left too. 91 00:03:47,800 --> 00:03:50,480 Speaker 4: So there's a good luck sing Yeah, yeah, yeah, definitely. 92 00:03:50,680 --> 00:03:52,320 Speaker 1: Did you already have those songs figured out? 93 00:03:52,320 --> 00:03:53,400 Speaker 3: And how so a couple of them? 94 00:03:53,440 --> 00:03:54,760 Speaker 1: How soon before we get it? 95 00:03:55,000 --> 00:03:55,400 Speaker 3: I don't know. 96 00:03:55,400 --> 00:03:57,200 Speaker 4: It's still in the works right now, so I don't 97 00:03:57,200 --> 00:03:58,600 Speaker 4: want to give you a concrete date. 98 00:03:58,480 --> 00:03:59,960 Speaker 3: But it's definitely happening. 99 00:04:00,240 --> 00:04:01,600 Speaker 1: Is the deluxe disc five? 100 00:04:02,760 --> 00:04:05,120 Speaker 3: Oh? I didn't even think about that. I'm not as well. 101 00:04:05,320 --> 00:04:05,600 Speaker 2: Spot. 102 00:04:06,440 --> 00:04:07,400 Speaker 1: This club is the dog. 103 00:04:08,720 --> 00:04:14,880 Speaker 2: Yeah, yeah, that's fire. You know, we talk about the 104 00:04:14,880 --> 00:04:16,760 Speaker 2: moment we ran for West Coast hip hop right now, 105 00:04:17,560 --> 00:04:19,960 Speaker 2: and you know, I feel like you and Roddy have 106 00:04:20,040 --> 00:04:24,560 Speaker 2: been carrying the torch in terms of commercial success with 107 00:04:24,680 --> 00:04:26,400 Speaker 2: music over the last few years, in terms of like 108 00:04:26,400 --> 00:04:27,800 Speaker 2: you turn the radio on, no matter what city you're in, 109 00:04:27,800 --> 00:04:31,359 Speaker 2: you're gonna hear Roddy Rich can hear blasts, right, But 110 00:04:31,440 --> 00:04:34,200 Speaker 2: I feel like with what's happening with the pop out 111 00:04:34,320 --> 00:04:37,960 Speaker 2: and not like us and this moment, it feels like 112 00:04:39,160 --> 00:04:42,200 Speaker 2: a once in a decade or two opportunity for LA 113 00:04:42,279 --> 00:04:44,200 Speaker 2: to take hip hop back like it was in the nineties. 114 00:04:44,240 --> 00:04:45,159 Speaker 1: Like do you feel that too? 115 00:04:45,279 --> 00:04:47,560 Speaker 4: I feel that same energy. It's crazy because Roddy just 116 00:04:47,640 --> 00:04:50,159 Speaker 4: hit me too. Even behind the scenes. It's not what 117 00:04:50,200 --> 00:04:52,040 Speaker 4: I love about. It is not just on the surface, 118 00:04:52,400 --> 00:04:54,400 Speaker 4: Like I'm talking to niggas that I've never really talked 119 00:04:54,400 --> 00:04:56,240 Speaker 4: to and we've been rubbing showed s for years. So 120 00:04:56,560 --> 00:04:58,560 Speaker 4: just that at Genu with connection, it felt like this 121 00:04:58,680 --> 00:05:00,000 Speaker 4: is what the city really needs. 122 00:05:00,640 --> 00:05:02,400 Speaker 2: Yeah, like you always hear that, right, Like people will 123 00:05:02,400 --> 00:05:04,280 Speaker 2: always say that about LA, Like LA artists don't move 124 00:05:04,279 --> 00:05:05,360 Speaker 2: together like they're doing it last. 125 00:05:05,279 --> 00:05:05,719 Speaker 3: Right, right. 126 00:05:05,800 --> 00:05:08,040 Speaker 2: I feel like now it's like, yo, that moment kind 127 00:05:08,040 --> 00:05:10,080 Speaker 2: of just made it because everybody's. 128 00:05:09,720 --> 00:05:11,919 Speaker 3: Like, man, it's crazy. He just called me. We just 129 00:05:11,960 --> 00:05:13,919 Speaker 3: talked on the phone for like twenty minutes about nothing 130 00:05:14,240 --> 00:05:16,159 Speaker 3: that's crazy, nothing that I had to do with music, 131 00:05:16,240 --> 00:05:17,320 Speaker 3: so shit like that. 132 00:05:17,480 --> 00:05:19,560 Speaker 4: Just keep the energy organic to where the music is 133 00:05:19,600 --> 00:05:21,359 Speaker 4: just a cherry on top one hundred percent. 134 00:05:21,680 --> 00:05:22,960 Speaker 2: It was just so it was so dope to be 135 00:05:23,000 --> 00:05:25,760 Speaker 2: at the Forum and seeing you come out BEINGO, come 136 00:05:25,800 --> 00:05:28,240 Speaker 2: out Rambo. I mean, it was just it was just 137 00:05:28,279 --> 00:05:31,200 Speaker 2: it was obviously dope for you. Did you understand the 138 00:05:31,240 --> 00:05:33,320 Speaker 2: gravity of the moment, Like. 139 00:05:33,720 --> 00:05:35,960 Speaker 3: Nobody knew what they was walking into, you know, So 140 00:05:36,440 --> 00:05:37,160 Speaker 3: like being. 141 00:05:37,000 --> 00:05:39,320 Speaker 4: There, I was more of a fan than happy to 142 00:05:39,320 --> 00:05:41,120 Speaker 4: be on stage. I was just happy to be there. 143 00:05:41,160 --> 00:05:44,479 Speaker 4: But that shit was heavy, like Nigga, I'm still digesting 144 00:05:44,520 --> 00:05:45,279 Speaker 4: the whole night. 145 00:05:45,160 --> 00:05:46,679 Speaker 1: Like the weekend, just on the side of the stage 146 00:05:46,680 --> 00:05:47,760 Speaker 1: and the hoodie. 147 00:05:47,440 --> 00:05:48,159 Speaker 3: Like lebron Ja. 148 00:05:48,279 --> 00:05:49,320 Speaker 1: Yeah exactly exactly. 149 00:05:50,000 --> 00:05:51,520 Speaker 2: It's like crazy, like the guys you didn't make it 150 00:05:51,560 --> 00:05:53,520 Speaker 2: on stage, you know, Rick Ross was there. 151 00:05:53,560 --> 00:05:54,440 Speaker 1: Nobody talks about. 152 00:05:54,279 --> 00:05:55,280 Speaker 3: Rick Ross was right. 153 00:05:55,320 --> 00:05:59,440 Speaker 2: You know, it's regularly for you man, talk to me 154 00:05:59,480 --> 00:06:01,600 Speaker 2: about your important to this album for you and like, 155 00:06:02,160 --> 00:06:05,520 Speaker 2: you know, you've done things you and Vic and the 156 00:06:05,560 --> 00:06:07,960 Speaker 2: Eagle Movement, you guys have done things your own way. 157 00:06:08,000 --> 00:06:11,960 Speaker 2: From the jump, you guys took a non traditional route 158 00:06:12,000 --> 00:06:14,320 Speaker 2: to the music industry in terms of working with Rebel Records, 159 00:06:14,320 --> 00:06:17,080 Speaker 2: in terms of like the staff that you guys put together, 160 00:06:17,200 --> 00:06:19,400 Speaker 2: the creative control you guys put into everything, whether it's 161 00:06:19,400 --> 00:06:22,039 Speaker 2: the music, videos, the artwork, to merch everything from day 162 00:06:22,080 --> 00:06:25,880 Speaker 2: one has been high level. How important is it like 163 00:06:25,920 --> 00:06:28,520 Speaker 2: to kind of like get this body of work out. 164 00:06:28,560 --> 00:06:30,279 Speaker 2: It feels like it's like three or four years in 165 00:06:30,320 --> 00:06:32,280 Speaker 2: the making, and like so much hard work and so 166 00:06:32,400 --> 00:06:34,600 Speaker 2: much I mean, you got hit records, you know what 167 00:06:34,600 --> 00:06:35,320 Speaker 2: I'm saying. 168 00:06:35,080 --> 00:06:36,440 Speaker 3: Like everything is important. 169 00:06:36,480 --> 00:06:40,400 Speaker 4: I think everything aligns to where it protects the creativity 170 00:06:40,440 --> 00:06:42,200 Speaker 4: because I'm trying to be in it for the long run, 171 00:06:42,240 --> 00:06:43,880 Speaker 4: you know. So at the end of the day, if 172 00:06:43,920 --> 00:06:46,640 Speaker 4: I'm able to have my business in order, then it 173 00:06:46,680 --> 00:06:49,359 Speaker 4: only enables the music to be ten times better. So 174 00:06:49,920 --> 00:06:52,479 Speaker 4: and I love how artists is able to thrive independently. 175 00:06:52,560 --> 00:06:54,560 Speaker 4: Now it's like we can win, We can connect with 176 00:06:54,600 --> 00:06:56,560 Speaker 4: fans at the click of a button. On the other side, 177 00:06:56,600 --> 00:06:58,880 Speaker 4: of the country, like things like that is what I 178 00:06:58,960 --> 00:07:01,440 Speaker 4: protect and what I check. So I just put my 179 00:07:01,480 --> 00:07:04,279 Speaker 4: all into the music and you know, keep my business intact. 180 00:07:04,480 --> 00:07:06,400 Speaker 1: What's your favorite? Give me like two or three your 181 00:07:06,400 --> 00:07:07,719 Speaker 1: favorite songs on the album. I can't ask you what 182 00:07:07,720 --> 00:07:08,800 Speaker 1: your favorite is because I'm sure. 183 00:07:08,680 --> 00:07:11,560 Speaker 4: They're probably gonna switch, but right now I want you 184 00:07:11,640 --> 00:07:15,520 Speaker 4: to know. And then ten Summers are better. It's the 185 00:07:15,600 --> 00:07:19,880 Speaker 4: final track with Kamasi watching, which is fire, Grand Finale, Beautiful, 186 00:07:20,160 --> 00:07:21,000 Speaker 4: the Grand Finale. 187 00:07:21,080 --> 00:07:23,280 Speaker 2: Yeah, how hard was it to sequence the album because, 188 00:07:23,320 --> 00:07:25,800 Speaker 2: like with a concept album, while you're recording it, do 189 00:07:25,880 --> 00:07:27,640 Speaker 2: you know like where it's gonna go or do you 190 00:07:27,680 --> 00:07:31,520 Speaker 2: like go back and say, oh this fits in this man. 191 00:07:31,520 --> 00:07:34,360 Speaker 4: We probably had like four different versions of the track list. 192 00:07:34,520 --> 00:07:37,160 Speaker 4: But you know, my boy City James, who helped me 193 00:07:37,240 --> 00:07:39,360 Speaker 4: come up with the script behind the short film My 194 00:07:39,400 --> 00:07:42,600 Speaker 4: boy c B and sound Wave pretty much made it 195 00:07:42,680 --> 00:07:44,960 Speaker 4: just like a roller coaster to where it was unpredictable, 196 00:07:45,240 --> 00:07:47,679 Speaker 4: but it's still aligned with the story of the short film, 197 00:07:47,880 --> 00:07:48,120 Speaker 4: you know. 198 00:07:48,240 --> 00:07:50,360 Speaker 3: So there's a lot of different versis. 199 00:07:50,400 --> 00:07:51,960 Speaker 2: How was it working with a guy like sound Way 200 00:07:52,040 --> 00:07:54,640 Speaker 2: from is an architect who a lot of the early 201 00:07:54,720 --> 00:07:58,320 Speaker 2: Kendrick and all of Kendrick to be those underrated producers ever. 202 00:07:58,240 --> 00:07:59,760 Speaker 3: Exactly, they need to show that man. 203 00:08:00,760 --> 00:08:02,320 Speaker 1: Wow, but he don't got to tag. 204 00:08:02,880 --> 00:08:04,000 Speaker 3: His catalogs speak for this. 205 00:08:04,160 --> 00:08:05,880 Speaker 1: But you know what's crazy is like the producers with 206 00:08:06,000 --> 00:08:08,320 Speaker 1: no tag, they ever get the props and love that 207 00:08:08,360 --> 00:08:08,800 Speaker 1: they deserve. 208 00:08:09,080 --> 00:08:10,960 Speaker 3: That's that's his whole character. He don't care about He 209 00:08:11,000 --> 00:08:11,520 Speaker 3: don't care. 210 00:08:11,560 --> 00:08:14,560 Speaker 2: Like Tara smart Imagine Terry Smartin had a tag, they 211 00:08:14,680 --> 00:08:16,200 Speaker 2: almost would be very un terror. 212 00:08:16,000 --> 00:08:19,840 Speaker 3: Smart life exactly. No shout, I'll sound you man. 213 00:08:21,280 --> 00:08:22,160 Speaker 1: Deluxe on the way? 214 00:08:22,880 --> 00:08:25,120 Speaker 2: Are you are you like once you get an album out, 215 00:08:25,120 --> 00:08:26,840 Speaker 2: are you like kind of kicking back or you like 216 00:08:26,880 --> 00:08:28,800 Speaker 2: now it's time to go and work with Roddy. 217 00:08:28,880 --> 00:08:29,520 Speaker 1: Now it's time to go. 218 00:08:29,600 --> 00:08:31,679 Speaker 3: And yeah, I mean I'm trying to stay active. 219 00:08:31,720 --> 00:08:34,400 Speaker 4: We're still gonna be doing activations after this that along 220 00:08:34,480 --> 00:08:36,520 Speaker 4: with the album and then you know, you got tour 221 00:08:36,559 --> 00:08:38,560 Speaker 4: as well, so I'm excited to get back on the road. 222 00:08:38,559 --> 00:08:40,959 Speaker 4: But yeah, I still want to stay active with other 223 00:08:41,080 --> 00:08:41,720 Speaker 4: artists as well. 224 00:08:41,840 --> 00:08:42,400 Speaker 3: From the city. 225 00:08:42,520 --> 00:08:44,800 Speaker 1: Most important were you bringing out on tour with you? 226 00:08:44,880 --> 00:08:46,839 Speaker 3: You know yet haven't announced that. 227 00:08:46,920 --> 00:08:49,880 Speaker 4: Yeah, he trying to get the exclusive high now it's 228 00:08:49,920 --> 00:08:51,320 Speaker 4: coming something someone from LA. 229 00:08:53,760 --> 00:08:56,600 Speaker 3: I don't worry about nothing. I don't worry about nothing. 230 00:08:57,040 --> 00:08:59,360 Speaker 1: Uh, it's the tours coming soon, end the summer. 231 00:09:01,040 --> 00:09:03,760 Speaker 3: Actually in a couple of months, end of summer. Yeah, 232 00:09:03,760 --> 00:09:04,680 Speaker 3: it's like September fall. 233 00:09:04,760 --> 00:09:06,080 Speaker 1: Yeah, fall summer narrative. 234 00:09:06,120 --> 00:09:06,520 Speaker 3: Man, we'll look. 235 00:09:06,559 --> 00:09:08,800 Speaker 1: The album is out right now. I appreciate you coming. 236 00:09:08,600 --> 00:09:11,680 Speaker 2: Through the pizza shop, absolutely enjoying some vegetarian pizza. 237 00:09:11,800 --> 00:09:12,360 Speaker 3: Thank you. 238 00:09:12,360 --> 00:09:13,800 Speaker 1: You got to get back on the meat man. 239 00:09:14,040 --> 00:09:17,320 Speaker 3: Pause, super pause, and we're going to end on that note. 240 00:09:17,320 --> 00:09:20,559 Speaker 4: Guy, superpaslastic vegetarians. 241 00:09:24,520 --> 00:09:25,040 Speaker 1: I'm on keto. 242 00:09:25,080 --> 00:09:27,439 Speaker 2: I can't even eat pizza, but yo, the album is amazing, brother, 243 00:09:27,440 --> 00:09:28,360 Speaker 2: the amazing body of work. 244 00:09:28,440 --> 00:09:30,840 Speaker 1: Congrats man, there it is fire good ship