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Speaker 1: Everyone deserves a chance in the driver's seat. For GM

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Speaker 1: and Revolt, that means leading the way on the road

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Speaker 1: to an all electric future and envisioning a world to

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Speaker 1: zero crashes, zero tailpipe emissions, and zero congestion. GM's committed

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Speaker 1: to making evs accessible for everybody. That means you too.

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Speaker 1: So what are you waiting for? GM's got the keys,

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Speaker 1: You grabbed the wheel. Learn more about an all electric

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Speaker 1: future and the zero zero Zero initiative at GM dot com,

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Speaker 1: GM everybody else. But again with tr being in that

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Speaker 1: situation like home and you called a charge in another city,

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Speaker 1: or you you ran into some beef in another city,

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Speaker 1: so you know how this ship can go. You know

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Speaker 1: what I'm saying. And no one cares how much you

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Speaker 1: know until they know how much you care. So when

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Speaker 1: you go to talking about our listen, man, this there

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Speaker 1: the man Nigga's like, hey, yo, my nigga, is you

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Speaker 1: not like what you own? What the vibrations is with you?

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Speaker 1: My nigga? You think a nigga can't step on some shit?

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Speaker 1: What what do you? What do you? What do you

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Speaker 1: think you the big dog or something? You exclude it

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Speaker 1: from the rule, You excluded from understanding nigga's sympathy or

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Speaker 1: understanding nigga's pain. You excluded from that because you made

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Speaker 1: some money rapping about dope selling. So you excluded from

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Speaker 1: when real street niggas go through shit and somebody that

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Speaker 1: lost their life. You excluded from respecting the dead or

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Speaker 1: respecting the situation for what it is worth because you

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Speaker 1: made a little money. And what I'm saying it rapping

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Speaker 1: niggas get weird man. Do you rap dudes get weird man?

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Speaker 1: And that's why being a rap is really hard job,

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Speaker 1: because the fame and the money and shity turns these

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Speaker 1: niggas into totally different characters. And he's not dead Price.

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Speaker 1: I'm smelling that you didn't want to not dead nice.

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Speaker 1: I was so at you when I caught that. I

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Speaker 1: ain't with the little truth when he' not that night, Yeah, yeah,

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Speaker 1: I feel like I did it with the ain't Street.

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Speaker 1: It didn't be really in the field. I boasted up

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Speaker 1: and when he got it and he ain't was. I

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Speaker 1: went there to get the drake at the Grammys the

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Speaker 1: ninety she for re dring ran right back to the

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Speaker 1: town with the rayments. My kid can't mean some me

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Speaker 1: ain't run away? R the way ain't run the way

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Speaker 1: they ain't. No, I ain't gonna let the man. You

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Speaker 1: learned that for show Louig the game, No ain't on

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Speaker 1: me and I'm making man some boning man did they solid?

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Speaker 1: And they'll ain't gonna brown some gramm at it all.

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Speaker 1: Welcome to another episode of It's Up That Podcast, What's

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Speaker 1: Your Boy? Luna Luciano, I am your active and attractive

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Speaker 1: host for the episode of the fastest growing podcast on

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Speaker 1: the market. Right now. We got a lot to talk about.

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Speaker 1: The day I come to you, guys not in such

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Speaker 1: a good move, you know, It's been so much going

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Speaker 1: on and so much death and things hitting them around,

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Speaker 1: and it kind of got me in a place where

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Speaker 1: I'm just not as vibrant as I would like to be.

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Speaker 1: Just got the news before the podcast, the Big Rick

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Speaker 1: RP Big Rick west Side Legend passed away man, And again,

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Speaker 1: it's just a lot, just a lot going on, a

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Speaker 1: lot to take in when you deal with so many

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Speaker 1: different individuals that's so important and and things start to happen.

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Speaker 1: And that's on the heels of the King Vaughan situation

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Speaker 1: and the MO three situation, and we're gonna talk about

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Speaker 1: all that today on the podcast. And I don't have

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Speaker 1: no notes, I don't have nothing. I'm just I'm just

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Speaker 1: coming to you guys, you know, and in rap form,

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Speaker 1: you know what I'm saying. So um so yeah, so again,

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Speaker 1: thank you. If you're listening to the audio this podcast,

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Speaker 1: you can find a video on the fog Fo TV

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Speaker 1: on YouTube. If you're listening to the video or this podcast,

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Speaker 1: I'm sorry. If you're watching the video this podcast, you

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Speaker 1: can find the audio anyway. You get podcasts at It's

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Speaker 1: up that podcast with learning. You just type that in

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Speaker 1: and that will get you the results that you need. Um.

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Speaker 1: But yeah, so again, I just want to thank everybody

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Speaker 1: for being a part of me building something brick by brick. Um. So,

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Speaker 1: we got a lot to talk about. Um, we're gonna

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Speaker 1: we're gonna start the show talking about the unfortunate circumstances

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Speaker 1: surrounding the depths of two rappers. We're gonna start with

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Speaker 1: MO three and I'm gonna read a press release from

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Speaker 1: Seeing then U says rapper MO three dies after being

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Speaker 1: shot in broad daylight on that thirty five in Dallas.

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Speaker 1: The Dallas Police Department is investigating the homicide of twenty

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Speaker 1: eight year Male and Noble, also known as MO three,

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Speaker 1: officers responded to a shooting on Wednesday afternoon on Innocate

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Speaker 1: thirty five in Dallas. Police said. The suspect, described by

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Speaker 1: police as adult black male, got out of his car

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Speaker 1: and approach MO three while he was sitting in the car.

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Speaker 1: Then MO three exited the vehicle and beginning running on

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Speaker 1: the freeway while the suspect chased him in multiple rounds

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Speaker 1: hit him. According to the police, MO three was struck

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Speaker 1: multiple times before the suspect fled in the dark color

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Speaker 1: so damn. MO three was then transported to a local hospital,

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Speaker 1: where he died because of his injuries, police said, and

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Speaker 1: the innocent bystander was also hit. A couple of things

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Speaker 1: I want to speak about surrounding the MO three situation is,

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Speaker 1: you know, is getting slippery for me? Things against slippery,

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Speaker 1: just being from the street and rooted in things that's

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Speaker 1: serious and I've been close to death. And before I

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Speaker 1: get to that, I want to say this. I spoke

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Speaker 1: to MO three and had a verse and a hooks

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Speaker 1: lined up with MO three already paid and I'm of

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Speaker 1: course I let this people keep that bread. You see

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Speaker 1: what I'm saying. It ain't even a big deal, you know,

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Speaker 1: but I would I would hope somebody would do that

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Speaker 1: for me if something was to happen. You know that

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Speaker 1: money ain't that serious, um, you know what I mean.

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Speaker 1: So when when you're reading that press release, just to

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Speaker 1: here that he jumped out the car, I think when

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Speaker 1: those bullets go to flying, you know, we tend to

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Speaker 1: get we tend to get a little spooked out. You

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Speaker 1: know what I'm saying. It kind of don't know exactly

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Speaker 1: ye kind of don't know exactly what to do. You

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Speaker 1: know what I'm saying, In my opinion, if you have

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Speaker 1: stayed in the car, see because thinking about the cor

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Speaker 1: it stops the bullets, It slows them down. And sometimes

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Speaker 1: that's the difference between dying and living is where the

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Speaker 1: bullet hits you, how much impact it has, you know,

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Speaker 1: So to jump out the car now you make yourself

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Speaker 1: a target where you You know, if you know anything

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Speaker 1: about the human human body, it's really number a bag

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Speaker 1: of blood. This shit is soft. I don't give a

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Speaker 1: fuck what type muscles you got. At the end of

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Speaker 1: the day, nigga poked you, You're gonna blee. It's like

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Speaker 1: a You're like a walking bag of blood with a

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Speaker 1: few bones. So it's like when you jump out of

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Speaker 1: that car and then you make yourself a target of flesh.

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Speaker 1: And so if he's just able to hit you, I

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Speaker 1: think he may have thought that jumping out the car,

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Speaker 1: nigga ain't gonna be shooting in front of everybody, like

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Speaker 1: is he definitely gonna get caught or whatever. I don't know.

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Speaker 1: Or he may may have thought I can get away.

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Speaker 1: But to me, you should have rammed into the nigga

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Speaker 1: went the other ways. It's so many things you should

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Speaker 1: have did in regards to just trying to run him

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Speaker 1: off the tree. Real you get what I'm saying. But

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Speaker 1: nigga trying to kill you or something. Man, you got

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Speaker 1: to be you know, you gotta stay calm. You know

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Speaker 1: what I'm saying. You got to try to try your best.

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Speaker 1: But O R Peter Mo three man, good nigga. Man,

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Speaker 1: it ain't too many niggas can make that kind of

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Speaker 1: music either. It real lyame, it ain't too many niggas

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Speaker 1: that can really make that kind of music. Where you

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Speaker 1: got the church field hell of a rapper. And then

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Speaker 1: we of course we've seen trap board. Freddi posts some

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Speaker 1: things that the beef seems to Now, the death of

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Speaker 1: MO three tells me that Beef seems to have been

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Speaker 1: way more serious than what you know, I wouldn't know about,

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Speaker 1: you know what I'm saying. Seemed like it was some

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Speaker 1: real niggas involved with that, and people was getting murdered

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Speaker 1: and killed and hurt and and it was a thing

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Speaker 1: that they just looked at that way, you know what

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Speaker 1: I mean. Yeah, But just to see, you know, just

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Speaker 1: to see some of just to see some of that

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Speaker 1: ship between Trapboard, Freddi and MO three. Man, it's just

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Speaker 1: I hate to see that kind of shit, you know

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Speaker 1: what I'm saying, Nigga hate to see two black niggas

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Speaker 1: get into it like that. But you know, I also

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Speaker 1: understand it from being a war and had to bear

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Speaker 1: some of my close friends at a young age and

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Speaker 1: carrying casks and feeling that pain, you know, on both sides. Man.

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Speaker 1: But I just think and wish and hope that some

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Speaker 1: kind of resolution can be made to where niggas don't

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Speaker 1: have to kill each other for things that's playing out

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Speaker 1: in public, and it's fucked up because the fans and

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Speaker 1: the Internet is such a new thing. Like I always say,

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Speaker 1: we don't know how to really to adapt to it, man.

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Speaker 1: And it's starting to play a role in how niggas

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Speaker 1: respond to shit and how people look at shit. Like

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Speaker 1: I've seen what they said, Hey, little Dirk bought all

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Speaker 1: the the tickets at Kwando Rondo's next show. I know

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Speaker 1: that's cap you know what I'm saying. Not because not

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Speaker 1: because I think little Dirk don't want to do nothing

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Speaker 1: or don't feel a way about what happened to his brother.

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Speaker 1: Of course he does. But the idea that I'm gonna

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Speaker 1: come to your show by the things and then make

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Speaker 1: a blood bath right there and didn't go right to prison,

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Speaker 1: it's it's not even a situation that's real. So when

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Speaker 1: I see these blogs that I think is reputable posting

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Speaker 1: that shit, it starts to make me feel a way.

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Speaker 1: It's like, damn, look how they can influence what's going

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Speaker 1: on here, you know, And for me, it's just so

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Speaker 1: it's it's just so goddamn fucked up, Like when you

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Speaker 1: look at it and say, man, when you look at

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Speaker 1: it and you say, man, y'all are influencing murder. Y'all

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Speaker 1: influencing death and destruction with these platforms. And you know,

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Speaker 1: I speak on a lot of things. And I ain't

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Speaker 1: just a friendless ning in the world, and I ain't

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Speaker 1: somebody that's just gonna take whatever or nigga give me

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Speaker 1: or disrespect or none of that. So I get it,

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Speaker 1: you see what I'm saying. But when it's when it's

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Speaker 1: fucked up, and it's it's a situation where when it's

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Speaker 1: fucked up, and it's a situation where they're feeling like, uh,

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Speaker 1: it's fucked up, and it's a situation where blogs and

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Speaker 1: then posting things and then you got thirty thousand comments

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Speaker 1: on a nigga page about some shit that ain't even true,

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Speaker 1: or you got thirty thousand comments about some shit that

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Speaker 1: the Internet done trying to figure out. And we've seen

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Speaker 1: the Internet be wrong, you know, but we also seen

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Speaker 1: him be right. Now, I can't lie. There's some of

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Speaker 1: the goddamn most police motherfuckers you ever gonna see in

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Speaker 1: the world. The nigga's on the internet. Man, they're gonna

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Speaker 1: run a nigga license play doing all the work for

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Speaker 1: the police. You know what I'm saying. Nigga on the

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Speaker 1: Internet doing all the work for the police, man. So

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Speaker 1: you know, we want to celebrate MO three. Um, we

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Speaker 1: want to celebrate everything that he'd done and what he

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Speaker 1: brought to the game. Uh. You know, I was a

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Speaker 1: nigga who told a lot of people about MO three.

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Speaker 1: I was up on MO three early, you know what

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Speaker 1: I'm saying, and just hated, hated to see that happened

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Speaker 1: like that. You know, we saw a lot of people

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Speaker 1: respond to the death boosted. UM. A lot of people

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Speaker 1: like academics posted his death and never had posted his music.

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Speaker 1: And I hate that, especially being an artist. Man. It's

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Speaker 1: like damn Homer and like MO three, ain't even somebody

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Speaker 1: that that that was a little nigga he was. He

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Speaker 1: was moving around, had big records, I had a deal,

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Speaker 1: had all kind of ship, but nobody would academics and

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Speaker 1: Blaid and all these people. Um and also let me

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Speaker 1: and I'm skipping around, like I told you, I'll have

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Speaker 1: no notes today. So y'all just bad with me, and

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Speaker 1: we we you know, y'all just bad with me, And

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Speaker 1: stay tuned. You know we're gonna we're gonna chop it up.

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Speaker 1: One thing I'm gonna tell y'all don't care for. I

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Speaker 1: want to address this too, man, because I see it

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Speaker 1: the only two white people in our culture doing and listen,

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Speaker 1: I don't really give a funk how people take what

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Speaker 1: I say. You know what I'm saying because I peep

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Speaker 1: game and my job is to bring information to the

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Speaker 1: people and bringing in a way that's digestible. One thing

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Speaker 1: I don't like, and one thing that I know niggas

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Speaker 1: can't control after the fact is we got DJ Vlad

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Speaker 1: in the coach and we got no Jump or Adam

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Speaker 1: twenty two and the Coach. Both these guys got big platforms.

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Speaker 1: But what I don't like is that they capitalize off

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Speaker 1: death every time a nigga die. Y'all re upload the interview?

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Speaker 1: What the fuck is that about? You cannot tell me

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Speaker 1: that ain't about capitalizing on people searching for this name?

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Speaker 1: Right now, you see what I'm saying. Soon something happening

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Speaker 1: to King Vaughan. We see ship going up on Adam

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Speaker 1: twenty two. He re uploads the interview. It's like, man like,

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Speaker 1: don't capitalizee off death, homie. You know what I'm saying.

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Speaker 1: See me, I don't ask the one I don't ask

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Speaker 1: the wounded person had feels I myself become the wounded person.

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Speaker 1: So what that means is I look at a thing

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Speaker 1: and say how would a nigga mama feel? How easy

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Speaker 1: people feeling about me capitalizing off this at the very

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Speaker 1: least what y'all should do. And I give you an

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Speaker 1: opportunity to do so. Whatever Moneys you make off those

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Speaker 1: interviews when you reupload them, send them to his kids.

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Speaker 1: You know what I'm saying. I see DJ Vlad at

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Speaker 1: the MO three death. Dj Vlad uploads MO three responds

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Speaker 1: to trap boy Fred at MO three speaks about his

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Speaker 1: life story. MO three speaks about death. MO three speaks

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Speaker 1: about and that's your content. I get it, So don't

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Speaker 1: give me the argument where he owns the content. I

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Speaker 1: get that again. There's a wounded person, and I don't

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Speaker 1: mean wounded physically, I mean wounded mentally and emotionally, as

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Speaker 1: families going through things you think they want to see.

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Speaker 1: Some white people re uploaded interview while I was talking

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Speaker 1: and gangster shit, and I just died at the hands

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Speaker 1: of being a gangster. I just died on the same

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Speaker 1: shit that that that I was talking about on the

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Speaker 1: fucking interview. You know what I'm saying, Like, I just

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Speaker 1: think that this ship is just it's in poor taste.

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Speaker 1: You know what I'm saying, It's in poor taste for

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Speaker 1: Adam twenty two and for DJ Vlad to do those things.

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Speaker 1: All you gotta do is pay attention. They re upload it.

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Speaker 1: A nigga gets shot, they reupblowd the interview. They Nigga died,

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Speaker 1: they reupbload the interview. It's like, are you sending that

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Speaker 1: money to Nigga's kids or we're just doing this so

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Speaker 1: you can make more money. Because even with the King

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Speaker 1: Vaughn situation in the in the MO three, if you

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Speaker 1: just go Google, let Nigga's numbers go up, like niggas

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Speaker 1: is searching MO three, what the fuck happened? Or King Vaughns,

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Speaker 1: Like Nigga's numbers is going up, So they want to

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Speaker 1: be a part of that algorithm. You know, you're not

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Speaker 1: already made money once out of it. And I'm not

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Speaker 1: even sure y'all paying these artists to come do the interviews.

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Speaker 1: So was like, damn, bro, how far we're gonna take

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Speaker 1: this ship? You see what I mean? Um? But also

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Speaker 1: um yeah, because you know, I really want to speak

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Speaker 1: on there, but also what the MO three situation and

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Speaker 1: just speaking about my young black boys and how things

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Speaker 1: are going. We're starting to celebrate death more. She Chicago

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Speaker 1: brought the culture of our pack and smoking dead niggas.

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Speaker 1: I don't think. I don't play like. I don't agree

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Speaker 1: with that. I don't agree with that. There's no way

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Speaker 1: to stop the violence with that kind of shit happening there.

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Speaker 1: Not on my side, we don't stop the violence for

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Speaker 1: niggas disrespecting our dead friends and family. Like, we're still

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Speaker 1: human beings with emotions and you're asking me to control

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Speaker 1: a emotion? Is that uncontrollable at the bed with somebody

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Speaker 1: I love? And then y'all gonna talk about it and

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Speaker 1: lad about it like it's a joke. It's a key

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00:17:02,920 --> 00:17:06,840
Speaker 1: key cock cock type thing. You understand what I'm saying.

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Speaker 1: Ain't nothing fun about it. So to me, I don't

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Speaker 1: agree with that. I don't even understand how their culture started.

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Speaker 1: I think it comes from niggas just want to be

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Speaker 1: as disrespectful as they can, You know what I'm saying.

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Speaker 1: Because we see Trapp board fred is celebrating the death

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Speaker 1: of Mo three, and we see people from Chicago celebrating

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Speaker 1: the King Vaughn situation, And to me, man, that shit

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Speaker 1: is crazy. Man, Like, I can't see to wrap my

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Speaker 1: mind around. I can't see to wrap my mind around

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Speaker 1: you know what all of that is about? And you know,

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Speaker 1: and and again you got you got niggas that in

307
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Speaker 1: the time in their career where they're trying to boost

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Speaker 1: themselves up, they go sit down with Lad or no Jumper.

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Speaker 1: You got King Vaughan sat down with Jumper, and you

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Speaker 1: got moll three sent down with Vlad And both of

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00:18:03,040 --> 00:18:06,000
Speaker 1: these nigga's interviews get re uploading, and I just think

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Speaker 1: it's in poor taste. Um. I also want to want

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Speaker 1: to want to speak about the King Vaughan situation a

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Speaker 1: little bit and just how new things are coming up

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Speaker 1: and and you know how people are talking about that

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Speaker 1: may be a self defense issue though, So for those

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Speaker 1: of you don't that don't know, King Von's manager came

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Speaker 1: out with DJ Academics and had a really really good

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Speaker 1: interview and spoke about the three or four seconds that

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Speaker 1: you see on the surveillance video. Um, when the King

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Speaker 1: Vanna and Quando Rando's situation took place. Um, you see

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Speaker 1: King von Pop about the car. It's a couple of

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Speaker 1: things I want to speak about. But you see King

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Speaker 1: von Pope about the car, and then you see Quando

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Speaker 1: talking to somebody. Then quando kind of raises up like

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Speaker 1: he wants to talk, you know, like nigga, what the

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Speaker 1: vibe being, you know how sometimes a nigga want to

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Speaker 1: wrap talk, you know whatever. All but King vonn wanted

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Speaker 1: to just boom come here, boom boom, and then his

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Speaker 1: home at jumped out the car and shoot, you know,

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Speaker 1: because it's a it's a situation where she then got

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Speaker 1: out of hand. But what was interesting was, you know,

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Speaker 1: based on what the manager said, was that King Von

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Speaker 1: was sitting in the car and one of the niggas

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Speaker 1: came in. Man, you know your board them just pulled.

336
00:19:32,720 --> 00:19:43,640
Speaker 1: U think it was all spontaneous events. Um, it's sad

337
00:19:43,720 --> 00:19:48,000
Speaker 1: to say, but Von at that time wasn't at the

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00:19:48,080 --> 00:19:51,280
Speaker 1: right place. I wasn't at the right state in his mind. No,

339
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Speaker 1: you guys could take it how you want to take

340
00:19:53,200 --> 00:19:55,080
Speaker 1: it from there, but he wasn't the right state of

341
00:19:55,119 --> 00:20:00,600
Speaker 1: his mind. So when he had an album released party,

342
00:20:01,040 --> 00:20:04,359
Speaker 1: once we left the album released party, from there, it

343
00:20:04,520 --> 00:20:09,240
Speaker 1: was complete confusion. The Von travels with three to four

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00:20:09,359 --> 00:20:13,040
Speaker 1: security arm security because he's a security. Of course he

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Speaker 1: has security. He can't carry a weapon, Oh, he gotta

346
00:20:15,280 --> 00:20:17,560
Speaker 1: have security. He traveled with Think this is a superstar.

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00:20:17,760 --> 00:20:19,960
Speaker 1: You think we're not gonna make him travel with security

348
00:20:20,160 --> 00:20:22,439
Speaker 1: he traveled with That's one of the big big questions

349
00:20:22,600 --> 00:20:24,760
Speaker 1: is like, wait, it was he's just moving with street guys.

350
00:20:24,920 --> 00:20:28,320
Speaker 1: Why didn't the security had three? I traveled one security

351
00:20:28,400 --> 00:20:31,280
Speaker 1: that moves with Vaughan and he traveled with two more securities.

352
00:20:31,320 --> 00:20:33,200
Speaker 1: You know what I'm saying. Von travel in a bullet

353
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Speaker 1: proof truck. So all this extra speculations is about security

354
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Speaker 1: and not doing the job. And not only that, his

355
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Speaker 1: guys are security man. He travels with ten to fifteen

356
00:20:43,480 --> 00:20:47,440
Speaker 1: guys daily and they and they protect and love Von

357
00:20:47,520 --> 00:20:49,600
Speaker 1: more than any security would. Matter of fact, I will

358
00:20:49,640 --> 00:20:53,040
Speaker 1: put Von's life in his guy's hands before I put

359
00:20:53,080 --> 00:20:56,360
Speaker 1: on security. That's that's how close there is. Those guys

360
00:20:56,440 --> 00:20:58,240
Speaker 1: will laid it they life. On a matter of fact,

361
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Speaker 1: I can't even I wouldn't even say late they did

362
00:21:01,040 --> 00:21:04,440
Speaker 1: to die off the situation. And those two is not

363
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Speaker 1: the only ones like that. All his guys is like that.

364
00:21:09,040 --> 00:21:11,320
Speaker 1: But you guys don't know what happened, bro, So you know,

365
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Speaker 1: just I'm gonna go on a on a quick description

366
00:21:14,720 --> 00:21:16,360
Speaker 1: and of what happened at night, so y'all could really

367
00:21:16,440 --> 00:21:20,639
Speaker 1: know what happened. We left Opium, which was his album

368
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Speaker 1: released Smart We're like, I think we about eight ten

369
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Speaker 1: cards deep twenty twenty five on Honorage. Everybody mind leaving

370
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Speaker 1: the club is that we're going to the hotel in

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Speaker 1: the Airbnb, because that's normal routine. We didn't the club

372
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Speaker 1: he went to the after hours wasn't getting paid for it.

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Speaker 1: I didn't have no acknowledgement of this team. That have

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Speaker 1: no acknowledgement of that was that was a complete Vond

375
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Speaker 1: decision and he had the right to make those decisions.

376
00:21:50,080 --> 00:21:55,520
Speaker 1: He So the y'all left Opium and went to a

377
00:21:55,600 --> 00:21:57,800
Speaker 1: different club, which we didn't even know what was going

378
00:21:57,880 --> 00:22:01,760
Speaker 1: to act. Okay, So the club that's in that security

379
00:22:01,800 --> 00:22:05,880
Speaker 1: footage is that's not open. That's not open. You want

380
00:22:05,920 --> 00:22:08,840
Speaker 1: to make every game interesting. Step one, open the bet

381
00:22:08,960 --> 00:22:13,720
Speaker 1: MGM sports book. Step two. Oh okay, Okay, that's a

382
00:22:13,920 --> 00:22:16,560
Speaker 1: that's an after hours spot that we didn't even have

383
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Speaker 1: no acknowledgement that was going to. Okay, so really everybody

384
00:22:21,160 --> 00:22:23,880
Speaker 1: jumped in the car um I drove to the club

385
00:22:24,119 --> 00:22:27,720
Speaker 1: with Vaughn and Um and uh and in the Hellcat.

386
00:22:28,160 --> 00:22:31,440
Speaker 1: So going out the club, he jumped into the bulletproof

387
00:22:31,440 --> 00:22:35,000
Speaker 1: truck and it was him and maybe two three, two

388
00:22:35,280 --> 00:22:38,920
Speaker 1: or three more individuals and the drive. So everybody else

389
00:22:39,200 --> 00:22:43,399
Speaker 1: that was with us driving to the airbnb or to

390
00:22:43,520 --> 00:22:47,560
Speaker 1: the hotel, and Vonn literally went to the venue by himself.

391
00:22:47,960 --> 00:22:51,960
Speaker 1: It's we got a call later from from people in

392
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Speaker 1: the car like hey, bro, we here. By a matter

393
00:22:53,560 --> 00:22:54,840
Speaker 1: of fact, I think from his DJ it was like

394
00:22:54,880 --> 00:22:57,080
Speaker 1: a bro, you know, we here by ourselves, like where

395
00:22:57,119 --> 00:23:00,960
Speaker 1: you guys at? And everybody rerouted to that venue. So

396
00:23:01,520 --> 00:23:04,720
Speaker 1: already confusions were already started because normally if we got

397
00:23:05,000 --> 00:23:06,800
Speaker 1: at the party or we got anything we're going to,

398
00:23:06,880 --> 00:23:08,760
Speaker 1: we know, as a team, everybody know to be on point.

399
00:23:09,240 --> 00:23:10,800
Speaker 1: You know what I'm saying. We're traveling with a real

400
00:23:10,880 --> 00:23:13,840
Speaker 1: deal gangster, a real step so everybody's gonna know how

401
00:23:13,880 --> 00:23:16,359
Speaker 1: to move. But from that night, I don't know what

402
00:23:16,520 --> 00:23:18,760
Speaker 1: it was. Maybe he's got timing, I don't know what

403
00:23:18,880 --> 00:23:22,840
Speaker 1: it was, but Vaughan completely went on his own course

404
00:23:23,040 --> 00:23:25,040
Speaker 1: that night. So he doesn't call no one saying, hey,

405
00:23:25,160 --> 00:23:28,080
Speaker 1: we're going here. Maybe the messages and get relayed, you know.

406
00:23:28,359 --> 00:23:31,600
Speaker 1: He literally told his driver he's going to after our spot,

407
00:23:31,640 --> 00:23:34,040
Speaker 1: and then we all caught up with him later. Okay,

408
00:23:34,080 --> 00:23:37,760
Speaker 1: so by the time you guys get there, what's going on.

409
00:23:38,600 --> 00:23:40,200
Speaker 1: By the time we get there, he was still in

410
00:23:40,320 --> 00:23:43,040
Speaker 1: the car. Um it was so he didn't he didn't

411
00:23:43,040 --> 00:23:46,040
Speaker 1: go in the club yet or remember, he wasn't a

412
00:23:46,040 --> 00:23:49,040
Speaker 1: bullet from truck, so it wasn't no concern. He was.

413
00:23:49,200 --> 00:23:51,360
Speaker 1: He was at the venue before. So we got there.

414
00:23:51,760 --> 00:23:54,960
Speaker 1: When we got there, everybody jumped out the car and

415
00:23:55,160 --> 00:23:57,240
Speaker 1: we're like, okay, cool, we're thinking about it. Go in.

416
00:23:57,760 --> 00:24:00,119
Speaker 1: And for some like I said, this this is I

417
00:24:00,200 --> 00:24:03,840
Speaker 1: can't make this up. For some reason, Von wasn't himself.

418
00:24:04,160 --> 00:24:06,040
Speaker 1: I'm not I'm not gonna like this. Somebody who's more

419
00:24:06,480 --> 00:24:09,080
Speaker 1: on point than security at there's somebody I'm on the

420
00:24:09,160 --> 00:24:11,240
Speaker 1: road away. I'm with him, like because he you know

421
00:24:11,320 --> 00:24:13,879
Speaker 1: how to move, he you know how to pick spots

422
00:24:13,960 --> 00:24:15,840
Speaker 1: like yo, this man is, like, I promise you, the

423
00:24:16,119 --> 00:24:19,160
Speaker 1: best artist I ever moved in my life as far

424
00:24:19,240 --> 00:24:22,800
Speaker 1: as knowing how to conduct himself properly. But for some

425
00:24:23,000 --> 00:24:26,280
Speaker 1: reason that night it was all like we he stayed

426
00:24:26,280 --> 00:24:29,280
Speaker 1: in the car for like thirty thirty five minutes and

427
00:24:29,400 --> 00:24:33,199
Speaker 1: everybody outside it's cold and it's shivered, like everybody outside

428
00:24:33,200 --> 00:24:35,160
Speaker 1: wondered like what's going on? What's going on? So people

429
00:24:35,240 --> 00:24:37,720
Speaker 1: starting to go back into cars, like all the honor

430
00:24:37,800 --> 00:24:39,479
Speaker 1: rise everybody was with they went back in the car.

431
00:24:39,600 --> 00:24:42,960
Speaker 1: So I went to the went to the car he

432
00:24:43,040 --> 00:24:45,119
Speaker 1: was and I was like, yo, Ban went inside the

433
00:24:45,160 --> 00:24:47,119
Speaker 1: passenger seat. I'm like, yo, barn bro, what's going on?

434
00:24:47,280 --> 00:24:50,320
Speaker 1: Like everybody here waiting, let's go. He was like all right,

435
00:24:50,520 --> 00:24:53,560
Speaker 1: let's go. So at that time, this is where the

436
00:24:53,600 --> 00:24:58,720
Speaker 1: security come in. At At that time, we're telling security, Hey,

437
00:24:58,960 --> 00:25:00,879
Speaker 1: it's time to going on vons. Ready, you know what

438
00:25:00,880 --> 00:25:02,680
Speaker 1: I'm saying, We've been here too long. That's go inside

439
00:25:02,680 --> 00:25:05,200
Speaker 1: the club. So they do their rounds, They go inside

440
00:25:05,240 --> 00:25:08,840
Speaker 1: the club, they check the venue, go inside, check the outside,

441
00:25:09,040 --> 00:25:11,920
Speaker 1: make sure there's no threat. Now common sense, if you

442
00:25:12,000 --> 00:25:15,639
Speaker 1: guys know security, nobody cannot go inside the club with

443
00:25:15,760 --> 00:25:18,399
Speaker 1: a weapon, no matter who you is, you cannot enter

444
00:25:18,520 --> 00:25:23,640
Speaker 1: a building with a weapon, especially a venue. So being

445
00:25:23,640 --> 00:25:27,080
Speaker 1: alert that we're going into the club, all security put

446
00:25:27,160 --> 00:25:30,560
Speaker 1: their weapons inside their cars because we're thinking we're going

447
00:25:30,680 --> 00:25:33,600
Speaker 1: inside the club now. Right before we go inside the club,

448
00:25:34,440 --> 00:25:38,280
Speaker 1: one of his um, one of his homeboys, came to

449
00:25:38,359 --> 00:25:41,240
Speaker 1: the driver side and they said, hey, we've seen so

450
00:25:41,359 --> 00:25:44,280
Speaker 1: and so I'm gonna say no names. We've seen so

451
00:25:44,440 --> 00:25:47,200
Speaker 1: and so in the car and instantly in a car

452
00:25:47,520 --> 00:25:51,040
Speaker 1: or in the spot. No, we've seen that. He literally

453
00:25:51,280 --> 00:25:54,399
Speaker 1: all cars right here and so and so put up

454
00:25:54,560 --> 00:25:58,440
Speaker 1: right there. So you had vone car, which is one

455
00:25:58,480 --> 00:26:01,199
Speaker 1: car before you have other car with our car right here,

456
00:26:01,320 --> 00:26:04,560
Speaker 1: and you had other people part scattered everywhere else. And

457
00:26:04,920 --> 00:26:08,200
Speaker 1: one of von homeboys came to him and was like, hey,

458
00:26:08,560 --> 00:26:10,600
Speaker 1: we seen so and so in the car. He's sleep

459
00:26:11,160 --> 00:26:15,120
Speaker 1: and he jumped up. I'm talking about like wait, wait,

460
00:26:15,400 --> 00:26:19,359
Speaker 1: so the other dude was sleeping or like like or

461
00:26:19,480 --> 00:26:21,680
Speaker 1: just like just not aware type of shit. The other

462
00:26:21,800 --> 00:26:25,920
Speaker 1: artists were sleeping unaware. He just up to the club. Yeah,

463
00:26:25,960 --> 00:26:29,199
Speaker 1: I'm getting nobody know name. Yeah whatever he put up

464
00:26:29,240 --> 00:26:31,320
Speaker 1: to the club. And I believe it was just him

465
00:26:31,400 --> 00:26:34,240
Speaker 1: and his driver, That's what supposedly what it was. And

466
00:26:34,359 --> 00:26:37,159
Speaker 1: the driver and I'm McLaren or some type of car

467
00:26:37,240 --> 00:26:40,000
Speaker 1: they had. So one of the guys spotted him and

468
00:26:40,080 --> 00:26:44,639
Speaker 1: they came to the car where me, Von um b

469
00:26:44,880 --> 00:26:50,840
Speaker 1: J and a female and one more person was in

470
00:26:50,920 --> 00:26:53,239
Speaker 1: the car. And he came to the car and said, hey,

471
00:26:53,440 --> 00:26:57,560
Speaker 1: so and so's here, and Von just jump thought like, oh,

472
00:26:57,640 --> 00:27:01,520
Speaker 1: come on, let's go. And with that action being so fast,

473
00:27:02,240 --> 00:27:04,560
Speaker 1: we're like, hey, hold on, hold on, slow down. I'm like,

474
00:27:04,760 --> 00:27:06,720
Speaker 1: hold on, what we're about to do. Hold on like

475
00:27:06,920 --> 00:27:08,879
Speaker 1: you got juniory on all type of stuff. Hold on,

476
00:27:09,440 --> 00:27:14,120
Speaker 1: bro At From that split second of his friend come

477
00:27:14,160 --> 00:27:17,080
Speaker 1: in and tell him At Bron was out the car.

478
00:27:17,480 --> 00:27:20,480
Speaker 1: And this is somebody who was who was normally like

479
00:27:20,600 --> 00:27:26,720
Speaker 1: I said, calm, collective, look around all the areas, just

480
00:27:27,000 --> 00:27:28,840
Speaker 1: feel all the blame because he had been out here

481
00:27:28,880 --> 00:27:31,040
Speaker 1: so he didn't know what to do for some reason

482
00:27:31,240 --> 00:27:35,240
Speaker 1: that night, he was completely off. He jumped up, jumped

483
00:27:35,240 --> 00:27:38,400
Speaker 1: out the car. By the time Ron jumped out the car,

484
00:27:38,960 --> 00:27:40,879
Speaker 1: I don't even think he knew where so and so was.

485
00:27:41,040 --> 00:27:43,480
Speaker 1: He just jumped out the car. He bumped into so

486
00:27:43,640 --> 00:27:45,520
Speaker 1: and so. As soon he bumped into so and so

487
00:27:46,119 --> 00:27:49,399
Speaker 1: started brawling. From that one point five second or brawling

488
00:27:49,520 --> 00:27:53,760
Speaker 1: at one of his So and So accomplished came through

489
00:27:54,080 --> 00:27:56,560
Speaker 1: the side of a white car that we didn't even

490
00:27:56,600 --> 00:28:00,680
Speaker 1: know was with SO and so. That's how unaware of

491
00:28:00,720 --> 00:28:03,840
Speaker 1: the situation was. Yeah, came out the car from the

492
00:28:03,880 --> 00:28:05,600
Speaker 1: side like like y'all can see on the camera and

493
00:28:05,680 --> 00:28:09,679
Speaker 1: shot Varn and me four times. I think he left

494
00:28:09,720 --> 00:28:11,920
Speaker 1: four or five shots off. N got hit three or

495
00:28:11,920 --> 00:28:13,919
Speaker 1: four times. I got hit in the leg, started bleeding,

496
00:28:14,280 --> 00:28:17,000
Speaker 1: went went for cover. He was down. Are you on

497
00:28:17,119 --> 00:28:20,919
Speaker 1: that security footage too? Yeah, okay, I'm I'm the one

498
00:28:20,960 --> 00:28:24,520
Speaker 1: that's moving as the altercation happening. I'm the one that's

499
00:28:24,640 --> 00:28:27,320
Speaker 1: right by him, moving back, moving back the guy. When

500
00:28:27,359 --> 00:28:29,520
Speaker 1: the guy came and shot him, I was the one.

501
00:28:29,560 --> 00:28:31,480
Speaker 1: I was right by him that got That's when the

502
00:28:31,520 --> 00:28:34,600
Speaker 1: bullet hit me. So it was God, God grace that

503
00:28:35,280 --> 00:28:37,639
Speaker 1: I didn't get shot nowhere else but my leg. So

504
00:28:38,040 --> 00:28:40,880
Speaker 1: like in helping because you know, I think people are

505
00:28:40,920 --> 00:28:43,040
Speaker 1: looking at the social media, but when you're talking about

506
00:28:43,080 --> 00:28:47,720
Speaker 1: like you know, people that weren't there speculating, some people

507
00:28:47,720 --> 00:28:50,360
Speaker 1: are lines saying, yo, what happened is all the guys

508
00:28:50,480 --> 00:28:53,600
Speaker 1: ran left him. They just left him out there like

509
00:28:53,800 --> 00:28:57,880
Speaker 1: like like Vaughn's last word was words were like yo, listen, yo,

510
00:28:58,040 --> 00:29:00,040
Speaker 1: y'all let him get up for me like this, that

511
00:29:00,200 --> 00:29:03,240
Speaker 1: type of stuff. I'm gonna clarify all that that's false.

512
00:29:03,560 --> 00:29:07,760
Speaker 1: First of all, only the only people at that knew

513
00:29:08,240 --> 00:29:11,280
Speaker 1: what was about to happen. And you gotta remember when

514
00:29:11,320 --> 00:29:13,360
Speaker 1: I say knew what was about to happen. I'm not

515
00:29:13,400 --> 00:29:16,600
Speaker 1: talking about five ten minutes resonating what's going I'm talking

516
00:29:16,600 --> 00:29:20,280
Speaker 1: about one point five seconds of his homeboy coming to

517
00:29:20,400 --> 00:29:24,120
Speaker 1: the car where it's me and the passenger side, one

518
00:29:24,160 --> 00:29:26,320
Speaker 1: more person in the driver side I believe was his DJ,

519
00:29:27,520 --> 00:29:31,040
Speaker 1: him in the back with a female and one more

520
00:29:31,200 --> 00:29:33,720
Speaker 1: and one more the guys sitting by the side that

521
00:29:33,760 --> 00:29:37,920
Speaker 1: I just called in previously to come smoke because it

522
00:29:38,040 --> 00:29:40,080
Speaker 1: was cold Outside'm like, yo, coming, let's smoke record because

523
00:29:40,080 --> 00:29:42,440
Speaker 1: I don't think you ready to go in, So I'm

524
00:29:42,480 --> 00:29:46,560
Speaker 1: not one point five second jumped out that situation happened.

525
00:29:46,760 --> 00:29:50,880
Speaker 1: Security didn't know what was going on. The half of

526
00:29:50,960 --> 00:29:53,240
Speaker 1: the guys that y'all blaming didn't know what's going on.

527
00:29:53,800 --> 00:29:56,480
Speaker 1: By the time everybody realized what's going If you if you,

528
00:29:56,680 --> 00:29:59,560
Speaker 1: if you peete at the footage Bond and his one

529
00:29:59,640 --> 00:30:02,600
Speaker 1: to Ki, it is the only one that's by Quando

530
00:30:02,680 --> 00:30:04,760
Speaker 1: physically everybody is in the back. Why do you think

531
00:30:04,840 --> 00:30:07,719
Speaker 1: it's a bat training? Nobody even got the check they

532
00:30:08,000 --> 00:30:09,920
Speaker 1: running to the scene. By the time they were running

533
00:30:09,920 --> 00:30:13,200
Speaker 1: to the scene, shots fired, and then not only Bro

534
00:30:13,360 --> 00:30:16,480
Speaker 1: nobody was running from the shooter that shot Von because

535
00:30:16,920 --> 00:30:20,680
Speaker 1: y'all could clearly see that once he shot von everybody

536
00:30:20,760 --> 00:30:24,520
Speaker 1: moved back. People were still there. It's the police that

537
00:30:24,720 --> 00:30:29,560
Speaker 1: started shooting uncontrollably. It looked like that person got shot too.

538
00:30:30,720 --> 00:30:34,160
Speaker 1: This was also confusing, right, So when Vonn is shot

539
00:30:35,040 --> 00:30:38,600
Speaker 1: like and he's whatever, people are saying that some whoever

540
00:30:38,760 --> 00:30:41,040
Speaker 1: was trying to take his chain off or somebody, because

541
00:30:41,040 --> 00:30:42,520
Speaker 1: he looked at it was being held up a bit,

542
00:30:42,720 --> 00:30:46,800
Speaker 1: and then somebody punched that person. Von was shielding himself

543
00:30:47,040 --> 00:30:50,560
Speaker 1: with so and so he literally was holding him up.

544
00:30:50,680 --> 00:30:53,560
Speaker 1: That's how strong he was even while being shot. He

545
00:30:53,760 --> 00:30:55,880
Speaker 1: knows what's going on. He felt it because he was

546
00:30:56,000 --> 00:30:58,200
Speaker 1: conscious the whole time, conscious the whole time. So he's

547
00:30:58,280 --> 00:31:03,320
Speaker 1: holding the individual as a shield. It wasn't nothing as like,

548
00:31:04,000 --> 00:31:05,239
Speaker 1: you know, he got on the top of him. Try

549
00:31:05,280 --> 00:31:07,440
Speaker 1: to know, he was literally holding them as a shield.

550
00:31:07,640 --> 00:31:10,360
Speaker 1: And those shots that was fired by the individual that

551
00:31:10,600 --> 00:31:14,320
Speaker 1: shot Bond and myself was the only shots fired from

552
00:31:14,400 --> 00:31:18,880
Speaker 1: those individuals. Every other shot was coming from authorities. They

553
00:31:19,200 --> 00:31:22,800
Speaker 1: started shooting everywhere. It was like a blanket full of

554
00:31:22,880 --> 00:31:27,480
Speaker 1: shots going on. So when you see everybody um taking cover,

555
00:31:27,920 --> 00:31:30,920
Speaker 1: there wasn't taking cover away from the shooter from Bonn.

556
00:31:30,960 --> 00:31:32,400
Speaker 1: They were taking cover because they don't know where the

557
00:31:32,400 --> 00:31:35,000
Speaker 1: shots was going from. If you look, people was running, lead,

558
00:31:35,040 --> 00:31:37,120
Speaker 1: people's running right, Peoples running to the to the club

559
00:31:37,200 --> 00:31:39,600
Speaker 1: door because we didn't know what shots was coming from.

560
00:31:39,640 --> 00:31:43,640
Speaker 1: At you got the police shooting anybody with a weapon

561
00:31:43,760 --> 00:31:53,840
Speaker 1: that they got kill. If you got running, lead, people's

562
00:31:53,880 --> 00:31:55,840
Speaker 1: running right, people running to the to the club door

563
00:31:56,000 --> 00:31:58,280
Speaker 1: because we didn't know what shots was coming from. At

564
00:31:58,560 --> 00:32:02,280
Speaker 1: you got the police shooting anybody with a weapon that

565
00:32:02,400 --> 00:32:05,320
Speaker 1: they got killed. If you got a weapon that then

566
00:32:05,320 --> 00:32:06,880
Speaker 1: on you you got shot. That's how much stots was

567
00:32:06,920 --> 00:32:09,840
Speaker 1: getting ringed. So you guys are looking from the one

568
00:32:09,920 --> 00:32:12,520
Speaker 1: angle the camera and looking like, oh damn, they're run

569
00:32:12,520 --> 00:32:14,600
Speaker 1: away from the shot, and were don't nobody running away

570
00:32:14,600 --> 00:32:16,640
Speaker 1: from Nope, listen, bro we didn't know where all the

571
00:32:16,680 --> 00:32:19,760
Speaker 1: shots was coming from. So it's automatic. If you don't

572
00:32:19,800 --> 00:32:22,240
Speaker 1: know where the stops coming from, you're gonna regress to

573
00:32:22,840 --> 00:32:25,920
Speaker 1: see the situation. And the same guys that you guys

574
00:32:25,960 --> 00:32:28,960
Speaker 1: are talking about there, they came right back to von side.

575
00:32:29,320 --> 00:32:31,360
Speaker 1: And if you could tell on the foot is when

576
00:32:32,040 --> 00:32:36,560
Speaker 1: after the shooter that shot Bonn got shot from the back,

577
00:32:37,720 --> 00:32:40,000
Speaker 1: which people thinking it came from somewhere else. It came

578
00:32:40,040 --> 00:32:41,880
Speaker 1: from the back. He got shot from the back. If

579
00:32:41,920 --> 00:32:43,640
Speaker 1: you look at the foot. He tried to walk back

580
00:32:43,680 --> 00:32:45,760
Speaker 1: to the car and he got shot, and he wrote

581
00:32:45,880 --> 00:32:48,640
Speaker 1: him tumbled back. He still had his weapon in his hand,

582
00:32:48,920 --> 00:32:51,600
Speaker 1: so while they progressing the barn, he's swinging the weapon

583
00:32:51,760 --> 00:32:55,800
Speaker 1: like this. People was regressing back, but they everybody was

584
00:32:55,840 --> 00:32:59,360
Speaker 1: still alert to go get Bonn because clearly it took

585
00:32:59,600 --> 00:33:01,680
Speaker 1: well four or five people to bring Vonne to the

586
00:33:01,720 --> 00:33:05,160
Speaker 1: car to bring him to the hospital. Is there any

587
00:33:05,200 --> 00:33:09,360
Speaker 1: truth to any of the rumors that the person who

588
00:33:09,480 --> 00:33:12,000
Speaker 1: is still like entangled with von after he got shot

589
00:33:12,280 --> 00:33:15,240
Speaker 1: was even though they might have been scuffling before, he

590
00:33:15,400 --> 00:33:21,000
Speaker 1: was trying to help von He was he was screaming, Yo,

591
00:33:21,160 --> 00:33:24,840
Speaker 1: he shot, he shot, shot shot. Um. I'm not so

592
00:33:25,120 --> 00:33:27,920
Speaker 1: short how much he tried to help, but I do

593
00:33:28,080 --> 00:33:31,360
Speaker 1: know he was skinning. He shot. He shot could have

594
00:33:31,440 --> 00:33:34,480
Speaker 1: been from any stage, could have been from instinct, not

595
00:33:34,640 --> 00:33:36,840
Speaker 1: sort he was said, and I want to say this

596
00:33:37,000 --> 00:33:40,760
Speaker 1: about that, Uh, don't tell me the ops pooled U.

597
00:33:41,920 --> 00:33:44,080
Speaker 1: If it's a problem and you part of the squad

598
00:33:44,080 --> 00:33:47,000
Speaker 1: of you on my team and you think there's an issue,

599
00:33:47,240 --> 00:33:52,000
Speaker 1: Smash stops because what with the kind of energy I

600
00:33:52,160 --> 00:33:54,400
Speaker 1: got in the kind of mind sitting the man frame

601
00:33:54,480 --> 00:33:58,000
Speaker 1: my goat, I think the alpha immediately kicks in. It's like, oh,

602
00:33:58,080 --> 00:33:59,920
Speaker 1: you coming to get me because y'all don't want to

603
00:34:00,040 --> 00:34:01,800
Speaker 1: take care. So I'm jumping out with the ship. What

604
00:34:01,920 --> 00:34:05,120
Speaker 1: a bitch, nigga? At what we got gone? Yeah? What's up, nigga?

605
00:34:05,520 --> 00:34:08,839
Speaker 1: Yeah you understand me. And so I kind of might

606
00:34:08,960 --> 00:34:13,239
Speaker 1: come foolish because I probably already thought in my brain

607
00:34:13,360 --> 00:34:15,919
Speaker 1: that you didn't kind of check the situation now because

608
00:34:15,920 --> 00:34:18,560
Speaker 1: you came and told me they're here, so you probably

609
00:34:18,640 --> 00:34:21,640
Speaker 1: know that he buys self or whatever the situation is,

610
00:34:21,719 --> 00:34:23,799
Speaker 1: and you really ain't really checked it out. So now

611
00:34:24,160 --> 00:34:27,040
Speaker 1: I jump out on goal and end up in a

612
00:34:27,120 --> 00:34:30,680
Speaker 1: situation that's unfavorable for me, whatever that may be. You

613
00:34:30,760 --> 00:34:33,360
Speaker 1: see what I'm saying. So it's like, if you're with

614
00:34:33,520 --> 00:34:36,800
Speaker 1: your home and man, really diffuse the shit, you know,

615
00:34:36,960 --> 00:34:38,920
Speaker 1: unless you're gonna kill the nigga if you want to.

616
00:34:39,160 --> 00:34:42,239
Speaker 1: If there's a situation where it's real beef, you know

617
00:34:42,280 --> 00:34:45,759
Speaker 1: what I'm saying, then then smashed outs, But don't knock

618
00:34:45,760 --> 00:34:47,920
Speaker 1: on the one didn't tell me they there just because

619
00:34:48,000 --> 00:34:51,360
Speaker 1: that's that will make me do something. You see what

620
00:34:51,400 --> 00:34:53,280
Speaker 1: I'm saying, that will make me jump on that wouldn't

621
00:34:53,280 --> 00:34:55,960
Speaker 1: bit you ad nigga? Well you know I'm jumping out

622
00:34:56,000 --> 00:34:58,879
Speaker 1: with that tight energy man. So you know, I wish

623
00:34:58,960 --> 00:35:01,040
Speaker 1: that they wouldn't even tell Old Vaughan he was there.

624
00:35:01,560 --> 00:35:03,520
Speaker 1: You know what I'm saying. Now, I'm not sure if

625
00:35:03,560 --> 00:35:05,600
Speaker 1: they told him that because they want him to be

626
00:35:05,719 --> 00:35:07,719
Speaker 1: on p's and Q. You know, just so you know

627
00:35:07,800 --> 00:35:10,439
Speaker 1: the nigga's over there. You know that's a different thing.

628
00:35:10,880 --> 00:35:12,600
Speaker 1: But when he jumped out, you can tell he was

629
00:35:12,640 --> 00:35:14,560
Speaker 1: on goal. He wanted he wanted to see what's good

630
00:35:14,600 --> 00:35:16,920
Speaker 1: with the nigga, you know what I mean. Yeah, so

631
00:35:17,040 --> 00:35:18,719
Speaker 1: you said it kind of wasn't in his right man,

632
00:35:18,840 --> 00:35:21,800
Speaker 1: probably on some drills or something like that. And I

633
00:35:21,920 --> 00:35:23,719
Speaker 1: know what it's like when, like I said, when your

634
00:35:23,760 --> 00:35:26,279
Speaker 1: home come to you until you is up and you

635
00:35:26,400 --> 00:35:28,600
Speaker 1: won't go, you know what I'm saying. And they also

636
00:35:29,000 --> 00:35:33,840
Speaker 1: the manager also spoke about the Asian Doll situation. See again,

637
00:35:33,920 --> 00:35:36,200
Speaker 1: with this internet, man, people don't know really how to

638
00:35:36,719 --> 00:35:39,319
Speaker 1: digest this shit and really move around with this shit.

639
00:35:39,400 --> 00:35:41,560
Speaker 1: So Asian Doll was saying some shit that was like

640
00:35:42,200 --> 00:35:46,399
Speaker 1: Nigga's like, yo, sweetheart, you gotta stop. Like, first of all,

641
00:35:46,480 --> 00:35:49,680
Speaker 1: if y'all really wasn't sleeping together right at the time

642
00:35:49,760 --> 00:35:51,360
Speaker 1: of the death, I ain't saying you don't have the

643
00:35:51,440 --> 00:35:54,800
Speaker 1: right to be heard. But sweetheart, you turn in the narrative.

644
00:35:54,880 --> 00:35:58,040
Speaker 1: You're saying certain things that that could be took a

645
00:35:58,160 --> 00:36:01,440
Speaker 1: certain way, man, and it's not favorable for the young brother.

646
00:36:01,880 --> 00:36:05,719
Speaker 1: So it's like hurt females. Man. That's what I'm saying

647
00:36:05,760 --> 00:36:08,360
Speaker 1: when the emotions is a little different. You know what

648
00:36:08,440 --> 00:36:10,680
Speaker 1: I'm saying. But you gotta be careful with that shit.

649
00:36:11,280 --> 00:36:13,239
Speaker 1: You gotta be careful with this shit, you know what

650
00:36:13,280 --> 00:36:15,960
Speaker 1: I mean. But the manager said, Von didn't even mess

651
00:36:16,000 --> 00:36:17,800
Speaker 1: with her like that, you know what I'm saying. And

652
00:36:18,239 --> 00:36:20,800
Speaker 1: see death, if you've been a part of death, or

653
00:36:20,840 --> 00:36:23,160
Speaker 1: you've been a part of anybody being in a situation

654
00:36:23,520 --> 00:36:26,560
Speaker 1: washing where they passed and they had money or have anything,

655
00:36:26,719 --> 00:36:30,520
Speaker 1: death get messy, man. You know, families get broke up

656
00:36:30,760 --> 00:36:34,839
Speaker 1: about death. You know people, you know, death is just man,

657
00:36:34,920 --> 00:36:39,520
Speaker 1: It's just a man. Death is just so messy, man.

658
00:36:39,920 --> 00:36:41,680
Speaker 1: You know what I'm saying. We'll get more into that

659
00:36:41,840 --> 00:36:44,239
Speaker 1: next week, because again it's It's rough for me to

660
00:36:44,360 --> 00:36:46,200
Speaker 1: talk about it, as you can tell, because I've been

661
00:36:46,239 --> 00:36:49,040
Speaker 1: a part of so much shit, and it's like, man,

662
00:36:49,160 --> 00:36:52,640
Speaker 1: I understand it. I understand how Asian dolls feeling and

663
00:36:52,760 --> 00:36:56,160
Speaker 1: want to say, y'all let him die, motherfucker that, And

664
00:36:56,280 --> 00:37:01,480
Speaker 1: it's like, yeah, but where you're there, And also, y'all

665
00:37:01,600 --> 00:37:03,719
Speaker 1: wasn't fucking around like that. Then when you say something

666
00:37:03,760 --> 00:37:06,840
Speaker 1: like I spoke to him, he said, nigga, y'all, y'all

667
00:37:06,920 --> 00:37:09,000
Speaker 1: let him get up on me or something like that.

668
00:37:09,719 --> 00:37:11,680
Speaker 1: That right there is what was the last straw for

669
00:37:11,760 --> 00:37:14,120
Speaker 1: the manager. The managers like, oh no, I can't keep nah,

670
00:37:14,160 --> 00:37:16,320
Speaker 1: it's over. We can't keep letting it get away with

671
00:37:16,400 --> 00:37:18,720
Speaker 1: that shit, you know what I'm saying. We can't because

672
00:37:21,040 --> 00:37:23,359
Speaker 1: because it's just a situation that's fucked up. Now when

673
00:37:23,400 --> 00:37:26,759
Speaker 1: you look at it the video and you got one

674
00:37:26,800 --> 00:37:30,880
Speaker 1: of Quando homies, I think he a neighborhood crip rolling

675
00:37:31,000 --> 00:37:34,200
Speaker 1: sixty saying that it was a nigga on the Vietna.

676
00:37:34,280 --> 00:37:36,239
Speaker 1: I haven't. I haven't saw it, but I'm gonna go

677
00:37:36,320 --> 00:37:38,319
Speaker 1: back and watch it, and I'm gon insert a clip

678
00:37:38,400 --> 00:37:42,440
Speaker 1: hill while I'm speaking. But he said that there was

679
00:37:42,480 --> 00:37:46,200
Speaker 1: a nigga standing in the surveillance camera with a gun,

680
00:37:46,800 --> 00:37:49,040
Speaker 1: and that his home is kind of left him, you

681
00:37:49,120 --> 00:37:51,360
Speaker 1: know what I'm saying. And it's like this ship is

682
00:37:51,400 --> 00:37:53,919
Speaker 1: getting crazy. You know what I'm saying, because a couple

683
00:37:53,960 --> 00:37:56,560
Speaker 1: of people died with Vaughan as you see, they kept beginning.

684
00:37:56,600 --> 00:37:59,320
Speaker 1: They died with the homing. You know, they died on

685
00:37:59,480 --> 00:38:03,040
Speaker 1: Front Street with the home. But it did seem like

686
00:38:03,080 --> 00:38:05,799
Speaker 1: when the shots five ship, you know, everybody gonna bag

687
00:38:05,920 --> 00:38:10,520
Speaker 1: up with them shots fire. But it's like, it's just

688
00:38:10,719 --> 00:38:13,719
Speaker 1: interesting to see that car just pull off like that

689
00:38:14,840 --> 00:38:17,640
Speaker 1: after my home in Land. Now you see what I'm saying,

690
00:38:17,760 --> 00:38:20,880
Speaker 1: like I'm not sure that about that man. You know

691
00:38:20,920 --> 00:38:23,880
Speaker 1: what I'm saying, Like, y'all kant Lord, don't let that

692
00:38:24,040 --> 00:38:26,360
Speaker 1: happen to to a nigga. You know what I'm saying. Please,

693
00:38:26,440 --> 00:38:28,719
Speaker 1: don't let that happen to meet. You know what I'm saying,

694
00:38:28,800 --> 00:38:31,440
Speaker 1: y'all need to switch cheese that car. I don't give

695
00:38:31,440 --> 00:38:34,400
Speaker 1: a fuck if you hit me right there, nigga, Shoot

696
00:38:34,440 --> 00:38:37,600
Speaker 1: that motherfucking car up, nigga, you know what I mean.

697
00:38:38,040 --> 00:38:40,760
Speaker 1: And that's it's that's fucked up. But that's how I feel.

698
00:38:40,800 --> 00:38:43,200
Speaker 1: And then another thing I've seen about them surrounding the

699
00:38:43,280 --> 00:38:50,960
Speaker 1: King Vaughan situation was TI came out and say Atlanta

700
00:38:51,080 --> 00:38:53,359
Speaker 1: is a place where we work with each other. Having

701
00:38:53,400 --> 00:38:55,600
Speaker 1: to your beefs in your own city, don't come down.

702
00:38:55,680 --> 00:38:58,759
Speaker 1: He can't kill each other, and then try to say, well,

703
00:38:58,760 --> 00:39:01,799
Speaker 1: what that ain't about King v And it's like, bro

704
00:39:02,040 --> 00:39:06,120
Speaker 1: Keim Vaughan just died, you know what I'm saying. I

705
00:39:06,239 --> 00:39:09,399
Speaker 1: think sometimes I think Ta has been successful so long

706
00:39:09,960 --> 00:39:12,839
Speaker 1: that he kind of toned death, you know what I'm saying.

707
00:39:12,840 --> 00:39:15,839
Speaker 1: I know he's standing next to black issues and shit,

708
00:39:15,960 --> 00:39:19,000
Speaker 1: but I think when he comes down to really understanding

709
00:39:19,040 --> 00:39:21,400
Speaker 1: how the streets feel or how the niggas feel this

710
00:39:22,320 --> 00:39:26,760
Speaker 1: grinding for real and they ain't well off and ain't

711
00:39:26,840 --> 00:39:30,120
Speaker 1: just talking every goddamn day, I think he not really

712
00:39:30,239 --> 00:39:34,200
Speaker 1: understanding that he's coming off his tone death. You know,

713
00:39:34,360 --> 00:39:36,960
Speaker 1: even with the fifty cents shit, bring me the bullet

714
00:39:37,040 --> 00:39:40,000
Speaker 1: and this and that. Nigga be like, I get it, bro,

715
00:39:40,160 --> 00:39:42,759
Speaker 1: you you got confidence, right, I nigga fuck with you,

716
00:39:43,440 --> 00:39:47,200
Speaker 1: But it seemed like you be thinking your you know

717
00:39:47,200 --> 00:39:49,120
Speaker 1: what I mean. I don't know, man, It's a funny

718
00:39:49,280 --> 00:39:52,560
Speaker 1: thing to me, Man, me, it's funny to me, you

719
00:39:52,640 --> 00:39:56,120
Speaker 1: know what I'm saying. It's funny to me, um, but

720
00:39:56,360 --> 00:39:58,800
Speaker 1: it's just interesting to cet I make a statement like

721
00:39:58,960 --> 00:40:01,759
Speaker 1: that when he come the charge and he lost his

722
00:40:01,880 --> 00:40:04,400
Speaker 1: home and in another city it was some shit happened

723
00:40:04,440 --> 00:40:06,880
Speaker 1: where I think that was a murder that happened with

724
00:40:07,000 --> 00:40:11,239
Speaker 1: him in another city. So you gotta again again, but

725
00:40:11,360 --> 00:40:14,040
Speaker 1: again with TI being in that situation like home and

726
00:40:14,080 --> 00:40:16,239
Speaker 1: you caught a charge in another city or you you

727
00:40:16,440 --> 00:40:18,680
Speaker 1: you ran into some beef in another city. So you

728
00:40:18,800 --> 00:40:21,239
Speaker 1: know how this ship can go, you know what I'm saying.

729
00:40:21,280 --> 00:40:23,200
Speaker 1: And no one cares how much you know until they

730
00:40:23,320 --> 00:40:25,640
Speaker 1: know how much you care. So when you go to

731
00:40:25,760 --> 00:40:28,319
Speaker 1: talking about all listen, man, this is there. The man

732
00:40:28,440 --> 00:40:31,400
Speaker 1: Nigga's like, hey, yo, my nigga, is you not like

733
00:40:31,560 --> 00:40:35,080
Speaker 1: what you own? What the vibrations is with you? My nigga?

734
00:40:35,760 --> 00:40:38,040
Speaker 1: You think a nigga can't step on some shit? What

735
00:40:38,320 --> 00:40:39,759
Speaker 1: do you? What do you? What do you think you

736
00:40:39,880 --> 00:40:43,200
Speaker 1: the big dog or something? You exclude it from the rule.

737
00:40:43,400 --> 00:40:47,960
Speaker 1: You excluded from understanding Nigga's sympathy or understanding Nigga's pain.

738
00:40:48,080 --> 00:40:51,240
Speaker 1: You excluded from that because you made some money rapping

739
00:40:51,320 --> 00:40:55,560
Speaker 1: about dope selling. So you excluded from when rear street

740
00:40:55,680 --> 00:40:58,080
Speaker 1: niggas go through shit and somebody that lost their life.

741
00:40:58,120 --> 00:41:01,440
Speaker 1: You excluded from respecting to the dead or respecting the

742
00:41:01,560 --> 00:41:03,600
Speaker 1: situation for what it is worth because you made a

743
00:41:03,640 --> 00:41:07,880
Speaker 1: little money. And what I'm saying, it rapped niggas get

744
00:41:08,000 --> 00:41:11,600
Speaker 1: weird man. The rap dudes get weird man. And that's

745
00:41:11,640 --> 00:41:15,480
Speaker 1: why being a rap is really hard job, because the

746
00:41:15,680 --> 00:41:18,520
Speaker 1: fame and the money and shit, it turns these niggas

747
00:41:18,560 --> 00:41:21,839
Speaker 1: in the totally different characters. You see what I'm saying,

748
00:41:21,960 --> 00:41:25,359
Speaker 1: turn these niggas into people with no empathy people would

749
00:41:25,400 --> 00:41:28,880
Speaker 1: know got them and understanding of the wound it, you

750
00:41:28,960 --> 00:41:31,279
Speaker 1: know what I'm saying. And so for me, I think

751
00:41:31,320 --> 00:41:34,520
Speaker 1: it's import taste to say something like that, especially when

752
00:41:34,600 --> 00:41:36,880
Speaker 1: you ran in the shit nigga you went to Texas

753
00:41:38,200 --> 00:41:42,799
Speaker 1: in another niggahood when you and Little Flip was into

754
00:41:42,840 --> 00:41:46,120
Speaker 1: a walking around on Jay Prince's arm or whoever you

755
00:41:46,280 --> 00:41:49,840
Speaker 1: was fucking weird back then. So I mean, it's just hypocritical, homie.

756
00:41:49,880 --> 00:41:52,440
Speaker 1: You gotta really understand what you're saying, You know what

757
00:41:52,480 --> 00:41:57,400
Speaker 1: I'm saying. And for me, hey, it's it's is I

758
00:41:57,480 --> 00:41:59,759
Speaker 1: look at it like this. The only time you look

759
00:41:59,760 --> 00:42:02,120
Speaker 1: in your neighbor's bold is to make sure they have enough.

760
00:42:02,880 --> 00:42:04,560
Speaker 1: You know what I'm saying, You don't make You don't

761
00:42:04,600 --> 00:42:06,239
Speaker 1: look at a nigga bowl to see if he got

762
00:42:06,360 --> 00:42:08,920
Speaker 1: more than you. And what I mean by that is

763
00:42:09,480 --> 00:42:12,560
Speaker 1: you don't look to criticize motherfucker's when you've done the

764
00:42:12,680 --> 00:42:16,279
Speaker 1: same thing. Nigga, you went the little Flips City to

765
00:42:16,360 --> 00:42:20,719
Speaker 1: create some problems. You understand, you call a charge or

766
00:42:21,400 --> 00:42:24,280
Speaker 1: RPD your home or whatever happened in a whole other states.

767
00:42:24,320 --> 00:42:26,800
Speaker 1: So how you don't understand how shit can happen whenever

768
00:42:26,840 --> 00:42:30,239
Speaker 1: it happened, and you're a rear street nigga did what

769
00:42:30,400 --> 00:42:33,000
Speaker 1: you say because I can't verify, confirm or there're not

770
00:42:33,200 --> 00:42:35,360
Speaker 1: none of you niggas in this rap game. You nigga's

771
00:42:35,400 --> 00:42:38,040
Speaker 1: weird to me. All this shit you nigga be talking

772
00:42:38,200 --> 00:42:40,719
Speaker 1: is weird shit to me. It's like, y'all niggas don't

773
00:42:40,719 --> 00:42:43,680
Speaker 1: respect the game. And I know the game taught me

774
00:42:43,800 --> 00:42:46,200
Speaker 1: to respect the game because the game is the game.

775
00:42:46,880 --> 00:42:50,359
Speaker 1: And don't nobody get excluded from this ship. You see

776
00:42:50,360 --> 00:42:52,239
Speaker 1: what I'm saying. Because you made a little money and

777
00:42:52,280 --> 00:42:55,160
Speaker 1: then you just bigger than everything. You just get say

778
00:42:55,239 --> 00:43:01,600
Speaker 1: what you man? Listen, okay, all right, all right, but yeah,

779
00:43:01,760 --> 00:43:03,839
Speaker 1: I mean so if you if you guys haven't seen

780
00:43:03,960 --> 00:43:08,239
Speaker 1: that interview with King Vaughan and King Von's managing DJ Academics,

781
00:43:08,280 --> 00:43:10,239
Speaker 1: go check that out. Of course it's doing crazy and

782
00:43:10,320 --> 00:43:13,880
Speaker 1: numbers because everybody's looking at Vaughan like damn man, it's

783
00:43:13,920 --> 00:43:17,560
Speaker 1: fucked up. What happening? Uh? Money making? D thing? Hold

784
00:43:17,640 --> 00:43:19,800
Speaker 1: your head, dirt, hold your head. All y'all don't know

785
00:43:20,000 --> 00:43:23,640
Speaker 1: t upside, hold your head. Um. The situation with with

786
00:43:23,800 --> 00:43:26,640
Speaker 1: with with people in death. MO three, y'all hold your head,

787
00:43:26,760 --> 00:43:30,440
Speaker 1: rain water, hold your head. Camp boy, y'all hold your head.

788
00:43:30,480 --> 00:43:32,440
Speaker 1: Everybody hold your head. I know how to I know

789
00:43:32,760 --> 00:43:35,239
Speaker 1: what it's like to deal with death. Uh. And I

790
00:43:35,360 --> 00:43:39,120
Speaker 1: just send my blessings and condolences out there everybody involved.

791
00:43:39,400 --> 00:43:41,120
Speaker 1: You know what I'm saying. Me being a real street

792
00:43:41,160 --> 00:43:44,520
Speaker 1: and nigga, I understand what it's like. Ain't it ain't

793
00:43:44,520 --> 00:43:46,279
Speaker 1: a time to come out and handle your beef in

794
00:43:46,320 --> 00:43:49,040
Speaker 1: your own shit or re upload the interview. It's like

795
00:43:49,200 --> 00:43:51,800
Speaker 1: who who which to me? That shit kind of in

796
00:43:51,840 --> 00:43:54,880
Speaker 1: the same vein as the vladding them re uploading interviews

797
00:43:55,600 --> 00:43:57,439
Speaker 1: when you come out and say, man, hand your beef

798
00:43:57,480 --> 00:44:00,680
Speaker 1: in your own city. Nigga, who said, nigga, you went

799
00:44:00,760 --> 00:44:03,440
Speaker 1: to Houston and try to get with a nigga? You

800
00:44:03,520 --> 00:44:06,320
Speaker 1: know what I mean? So I just don't I don't know.

801
00:44:06,680 --> 00:44:09,399
Speaker 1: I just don't respect it. But black men celebrating death, man,

802
00:44:09,480 --> 00:44:12,040
Speaker 1: It's just like it's something that I just I can't

803
00:44:12,120 --> 00:44:14,080
Speaker 1: never wrap my mind right because I know what they

804
00:44:14,239 --> 00:44:17,400
Speaker 1: do to this side, my people and me and how

805
00:44:17,480 --> 00:44:20,680
Speaker 1: we feel about niggas that celebrating one of our loved

806
00:44:20,760 --> 00:44:25,000
Speaker 1: ones being hurt. That ain't gonna go over with. I'm

807
00:44:25,040 --> 00:44:27,480
Speaker 1: gonna cut your water off about that, you know what

808
00:44:27,520 --> 00:44:29,360
Speaker 1: I'm saying. And then nigga gonna run into you and

809
00:44:29,440 --> 00:44:31,800
Speaker 1: bake your cake. You know what I'm saying. Because you,

810
00:44:32,000 --> 00:44:34,080
Speaker 1: furt of all, you need not speak on a period.

811
00:44:35,160 --> 00:44:37,480
Speaker 1: Ni You really need not speak on it in no

812
00:44:37,680 --> 00:44:40,759
Speaker 1: negative light period. Don't speak on my people in no

813
00:44:40,960 --> 00:44:44,680
Speaker 1: negative light about no death period unless you want a

814
00:44:44,760 --> 00:44:47,839
Speaker 1: nigga to bake your cake. You see what I'm saying.

815
00:44:47,960 --> 00:44:50,480
Speaker 1: That's on you because we're gonna give it to whoever

816
00:44:50,640 --> 00:44:54,279
Speaker 1: want it. Unfortunately, but that's just a game and one

817
00:44:54,360 --> 00:44:56,759
Speaker 1: thing you must do is respect the game man, and

818
00:44:56,840 --> 00:44:58,839
Speaker 1: you niggas, just because you made a little money don't

819
00:44:58,840 --> 00:45:01,680
Speaker 1: mean you don't gotta respect gay and y'all. Need's got

820
00:45:01,800 --> 00:45:05,080
Speaker 1: to stop playing like that. Um. You know, in the

821
00:45:05,200 --> 00:45:07,560
Speaker 1: move and the Move on from from Death and and

822
00:45:07,760 --> 00:45:11,399
Speaker 1: all of that sad shit. Um, we had Kodak Black

823
00:45:11,480 --> 00:45:15,400
Speaker 1: and NBA Young Boy drop a tape on the same day. Uh.

824
00:45:16,160 --> 00:45:19,839
Speaker 1: I probably was playing the NBA Young Boy probably got

825
00:45:19,920 --> 00:45:23,719
Speaker 1: word Kodak was dropping and wanted to drop because you know,

826
00:45:23,760 --> 00:45:26,680
Speaker 1: they got that little on going situation where Kodak Black

827
00:45:26,760 --> 00:45:29,400
Speaker 1: tried the little boy NBA Young Boy like Nie, you

828
00:45:29,560 --> 00:45:32,640
Speaker 1: faking and so hopefully they can pass that up. I

829
00:45:32,760 --> 00:45:36,919
Speaker 1: really don't know if it had happened. Young Boy moved

830
00:45:36,960 --> 00:45:40,520
Speaker 1: with a different kind of energy like he because I really,

831
00:45:40,760 --> 00:45:43,200
Speaker 1: to be honest with you, I ain't really patching nothing,

832
00:45:44,520 --> 00:45:46,240
Speaker 1: you know what I'm saying, because once I get intool

833
00:45:46,320 --> 00:45:51,839
Speaker 1: with you, uh, and I really can't understand, like how

834
00:45:51,920 --> 00:45:53,880
Speaker 1: we gonna ever get back to a place where I

835
00:45:53,920 --> 00:45:55,840
Speaker 1: can trust you like I like I did. I just

836
00:45:56,000 --> 00:45:57,680
Speaker 1: don't I don't think I can do that. I haven't

837
00:45:57,680 --> 00:45:59,880
Speaker 1: seen too many niggas get bit in the ass like

838
00:46:00,040 --> 00:46:02,920
Speaker 1: like that. I haven't seen too many niggas go bury

839
00:46:03,000 --> 00:46:06,400
Speaker 1: their sons because of shit like that, you know what

840
00:46:06,440 --> 00:46:09,319
Speaker 1: I'm saying, and being soft at the wheel or being

841
00:46:10,120 --> 00:46:13,239
Speaker 1: you know, forgiven and now that kind of shit ending

842
00:46:13,320 --> 00:46:16,479
Speaker 1: up a nigga dad. So it's like I would hope

843
00:46:16,520 --> 00:46:18,320
Speaker 1: that they can get over it. But again, I'm not

844
00:46:18,440 --> 00:46:21,719
Speaker 1: at a place in my life to understand how, you

845
00:46:21,840 --> 00:46:25,840
Speaker 1: know what I'm saying, and that's what That's the strange

846
00:46:25,920 --> 00:46:28,840
Speaker 1: place that it puts me in. But Kodak Black album

847
00:46:29,200 --> 00:46:32,319
Speaker 1: is good. It's a good album, especially because he's been

848
00:46:32,360 --> 00:46:35,719
Speaker 1: inconcerated for the last couple of years. You know, It's

849
00:46:35,760 --> 00:46:38,320
Speaker 1: like that was shit he was working on Proud of

850
00:46:38,440 --> 00:46:41,840
Speaker 1: going in man and then I like it, you know

851
00:46:41,880 --> 00:46:44,080
Speaker 1: what I'm saying, Bey Young Boys and May Young Boy

852
00:46:44,120 --> 00:46:46,799
Speaker 1: he doing shit. You know, he got that little style

853
00:46:46,880 --> 00:46:49,680
Speaker 1: that he'd do. Um. I like some an NBA Young

854
00:46:49,760 --> 00:46:52,880
Speaker 1: Boy other music better than I like this last album.

855
00:46:52,960 --> 00:46:57,200
Speaker 1: But again, I don't think this is an album that

856
00:46:57,320 --> 00:46:59,640
Speaker 1: he's trying to put out like I'm jamming. I think

857
00:46:59,680 --> 00:47:02,520
Speaker 1: he's putting that out just because Kodak put some shit

858
00:47:02,600 --> 00:47:04,960
Speaker 1: out and just to step on it, you know what

859
00:47:05,000 --> 00:47:08,680
Speaker 1: I mean. Um, But A question that came in my

860
00:47:08,800 --> 00:47:11,759
Speaker 1: head when I seen it, was like, I wonder what

861
00:47:11,920 --> 00:47:14,200
Speaker 1: kode I mean, I wonder what NBA Young Boys standing

862
00:47:14,200 --> 00:47:20,480
Speaker 1: in his contract because clearly he doesn't delivered enough albums

863
00:47:20,640 --> 00:47:23,400
Speaker 1: that Nigga dropped so much, Like what is he staying

864
00:47:23,520 --> 00:47:28,279
Speaker 1: with his contract? What are we looking at? Here? Are

865
00:47:28,320 --> 00:47:31,759
Speaker 1: we looking at somebody that don't fulfill the contract? And

866
00:47:31,840 --> 00:47:35,640
Speaker 1: he's rearing up like what what? I just I kind

867
00:47:35,680 --> 00:47:37,600
Speaker 1: of wonder what's going on with that? Because I know

868
00:47:37,719 --> 00:47:40,040
Speaker 1: he doesn't gave them folks so much music and so

869
00:47:40,239 --> 00:47:44,680
Speaker 1: many different features and albums, and I see them trying

870
00:47:44,680 --> 00:47:48,320
Speaker 1: to transition him into superstartom now with like Nicki Mina,

871
00:47:48,600 --> 00:47:50,879
Speaker 1: shit me Goo shits that A lot of that shit

872
00:47:50,960 --> 00:47:54,000
Speaker 1: he wouldn't really fuck with at first. Now he just

873
00:47:54,360 --> 00:47:57,320
Speaker 1: served his fan base and keep it moving because he

874
00:47:57,480 --> 00:47:59,760
Speaker 1: was you know, he got that type thing. I wouldn't

875
00:48:00,520 --> 00:48:02,880
Speaker 1: I wouldn't set aside that at some point him and

876
00:48:03,000 --> 00:48:05,560
Speaker 1: Drake is gonna do something because he's trying to cross

877
00:48:05,640 --> 00:48:09,239
Speaker 1: itself into that path for you know, coming out of

878
00:48:09,360 --> 00:48:11,719
Speaker 1: that coming out of the street ship and getting into

879
00:48:11,800 --> 00:48:16,240
Speaker 1: the non commercial lize his music but commercialize his brand.

880
00:48:17,440 --> 00:48:19,799
Speaker 1: So I think that that's gonna be cool. Kodak Black

881
00:48:19,960 --> 00:48:24,360
Speaker 1: is set to be releasing twenty twenty two, which you know,

882
00:48:24,760 --> 00:48:27,640
Speaker 1: we would hope that he gets out and gets back

883
00:48:27,680 --> 00:48:30,120
Speaker 1: on his path because the little dude may a Black

884
00:48:30,440 --> 00:48:33,680
Speaker 1: Kodak black Kid b makes some good music, man, and

885
00:48:33,760 --> 00:48:36,680
Speaker 1: he catches little vibes and shit, he got a song

886
00:48:36,920 --> 00:48:39,799
Speaker 1: Serenity or Serene or whatever it is that I love

887
00:48:39,920 --> 00:48:42,560
Speaker 1: that song. Dope dope record, you know what I'm saying,

888
00:48:42,600 --> 00:48:46,800
Speaker 1: and go through real life situations, you can feel those records.

889
00:48:47,280 --> 00:48:49,440
Speaker 1: You know, those records just ain't shit that you throw on.

890
00:48:49,680 --> 00:48:51,880
Speaker 1: You can really really feel them. So I can appreciate

891
00:48:52,000 --> 00:48:59,080
Speaker 1: that as well. Um also with them two guys man,

892
00:48:59,600 --> 00:49:01,319
Speaker 1: you know they used to be cool and if they

893
00:49:01,400 --> 00:49:03,800
Speaker 1: can fuck around and make some shit together, that'll be

894
00:49:03,960 --> 00:49:08,520
Speaker 1: dope as well. Okay, So I also want to speak

895
00:49:08,560 --> 00:49:16,400
Speaker 1: about just situations where you have co paring and going on,

896
00:49:16,600 --> 00:49:21,040
Speaker 1: and the etiquette of being a co parent and also

897
00:49:21,239 --> 00:49:24,560
Speaker 1: respecting the person that you have a child with and

898
00:49:24,719 --> 00:49:29,959
Speaker 1: respecting what they bring to the table, and the reason

899
00:49:30,000 --> 00:49:32,759
Speaker 1: I want to speak about that. Wendy Williams and a

900
00:49:32,840 --> 00:49:36,680
Speaker 1: lot of other blogs covered money Bag Yo's girlfriend are

901
00:49:36,880 --> 00:49:42,680
Speaker 1: Fletcher which is Gi Herbo's baby mama spoke about a

902
00:49:42,840 --> 00:49:46,000
Speaker 1: situation where Gi Herbo now has a new girlfriend and

903
00:49:46,239 --> 00:49:47,960
Speaker 1: ended up in a picture. Here's a clip from the

904
00:49:48,000 --> 00:49:52,240
Speaker 1: Wendy Williams situation. Clark, if you know who Gi Herbo? Says? Okay,

905
00:49:53,360 --> 00:49:55,720
Speaker 1: do you know what this this? I know Gi Herbo

906
00:49:56,680 --> 00:50:00,359
Speaker 1: from Chicago? Do you know it's music? Kind of yeah,

907
00:50:01,280 --> 00:50:03,279
Speaker 1: but I mostly know him from the internet and like

908
00:50:03,480 --> 00:50:07,480
Speaker 1: news stories. Sus do you know Gi Herbos Chicago rapper?

909
00:50:07,560 --> 00:50:10,479
Speaker 1: Young boy? Okay, you don't need to power it after

910
00:50:10,560 --> 00:50:19,560
Speaker 1: what Norman says. Yo. Anyway, I don't know him, and

911
00:50:19,680 --> 00:50:23,560
Speaker 1: I don't know his girlfriend, Tianna, except that she is

912
00:50:24,000 --> 00:50:32,680
Speaker 1: Fabulous's step daughter and Emily Bee's daughter. M m okay sou.

913
00:50:33,960 --> 00:50:44,399
Speaker 1: Tianna was pictured holding Giebo's and his baby's mother's son. Huh,

914
00:50:46,160 --> 00:50:49,760
Speaker 1: and the baby's mother is upset. Her name is Ery Fletcher,

915
00:50:50,520 --> 00:50:54,200
Speaker 1: and she wrote the photographer saying, sweetie, please don't post

916
00:50:54,320 --> 00:50:58,200
Speaker 1: my son and another girl. Remove this now. According to

917
00:50:58,280 --> 00:51:02,640
Speaker 1: Hot Topics, the photo graph was deleted. According to mediatakeout

918
00:51:02,680 --> 00:51:06,560
Speaker 1: dot com, that made them guy want to keep it

919
00:51:06,680 --> 00:51:10,200
Speaker 1: up there he kept it up. So there's conflicting stories.

920
00:51:10,280 --> 00:51:17,600
Speaker 1: Just say Fred. There's conflicting stories at media. Takeoup um

921
00:51:17,760 --> 00:51:21,120
Speaker 1: Ari doesn't want Tianna holding her son because her son

922
00:51:21,200 --> 00:51:24,120
Speaker 1: does not like her. Now you know, when kids are two,

923
00:51:24,840 --> 00:51:28,960
Speaker 1: they say anything, there's no filter. They don't at media.

924
00:51:29,040 --> 00:51:33,320
Speaker 1: Takeop um Ari doesn't want Tianna holding her son because

925
00:51:33,400 --> 00:51:36,120
Speaker 1: her son does not like her. Now you know, when

926
00:51:36,200 --> 00:51:39,440
Speaker 1: kids are two, they say anything, there's no filter. They

927
00:51:39,480 --> 00:51:43,960
Speaker 1: don't lie, They tell you exactly how it's is. Apparently

928
00:51:44,440 --> 00:51:49,560
Speaker 1: this girl is not nice and and I guess the

929
00:51:49,640 --> 00:51:52,759
Speaker 1: father just lets it happen, and so this girl is

930
00:51:52,800 --> 00:51:56,960
Speaker 1: looking out for her son. Now my question to you,

931
00:51:58,400 --> 00:52:01,520
Speaker 1: isn't wrong to let a girl even meet a two

932
00:52:01,640 --> 00:52:10,759
Speaker 1: year old? Clap if you think it's wrong. I think

933
00:52:10,800 --> 00:52:15,799
Speaker 1: it's wrong. I think he's Giebo whoever, you are wrong

934
00:52:15,920 --> 00:52:19,120
Speaker 1: and less than smart for allowing this girl to meet

935
00:52:20,360 --> 00:52:24,959
Speaker 1: your son. And I don't care that she's Fabulous's step

936
00:52:25,160 --> 00:52:29,680
Speaker 1: daughter and Emily Bee's daughter. This is all too much.

937
00:52:29,960 --> 00:52:34,279
Speaker 1: I would never do that. Like ever, what's his music

938
00:52:34,320 --> 00:52:39,760
Speaker 1: about guns? Yeah, he has a song with the recently

939
00:52:39,840 --> 00:52:44,359
Speaker 1: departed um what's his name, King No Vaughan, King Vaughan.

940
00:52:44,800 --> 00:52:48,200
Speaker 1: And they're talking about guns, women and drugs. All right,

941
00:52:48,680 --> 00:52:52,279
Speaker 1: he needs an investigation and they need a mediator and

942
00:52:52,719 --> 00:52:56,680
Speaker 1: majority custody until the decisions made needs to go to

943
00:52:56,760 --> 00:53:05,959
Speaker 1: the baby's mother, not him. All right. So the weekend

944
00:53:06,080 --> 00:53:07,880
Speaker 1: is here. By the way, I can't wait until Sunday.

945
00:53:08,239 --> 00:53:13,400
Speaker 1: I'll tell you why, because we are celebrating um Bob's Burger.

946
00:53:14,200 --> 00:53:17,440
Speaker 1: Oh I love Bob Burger. Okay, they're celebrating the two

947
00:53:17,520 --> 00:53:20,680
Speaker 1: hundredth episode. Oh, it's gonna be a big deal. It's

948
00:53:20,680 --> 00:53:26,640
Speaker 1: gonna be a big deal. Oh, I mean, so it's

949
00:53:27,600 --> 00:53:30,040
Speaker 1: you know, I want to now move this off. Ari

950
00:53:30,320 --> 00:53:32,600
Speaker 1: and g Herbo and I want to just talk about

951
00:53:33,800 --> 00:53:41,000
Speaker 1: relationship and co parenting etiquette, because you have some people

952
00:53:41,360 --> 00:53:45,719
Speaker 1: that get in new relationships and they think that it's

953
00:53:45,760 --> 00:53:48,200
Speaker 1: either one or two things. In my opinion, that's happening.

954
00:53:49,760 --> 00:53:52,040
Speaker 1: Either they think the person that they're with is so

955
00:53:52,280 --> 00:53:55,640
Speaker 1: insecure about the person that they used to be with,

956
00:53:55,880 --> 00:53:58,920
Speaker 1: which is that now the X that they try to

957
00:53:59,320 --> 00:54:05,880
Speaker 1: show them by allowing you to take the forefront with

958
00:54:06,280 --> 00:54:09,760
Speaker 1: that person's kid shows you that I'm no longer interested

959
00:54:09,800 --> 00:54:12,520
Speaker 1: in them. You got people that are named your child

960
00:54:13,120 --> 00:54:17,320
Speaker 1: something associated with a total different nigga that may not

961
00:54:17,480 --> 00:54:20,399
Speaker 1: never even see the child again. You know what I'm saying.

962
00:54:20,440 --> 00:54:23,400
Speaker 1: You got people that are sitting situations and for me,

963
00:54:25,239 --> 00:54:28,040
Speaker 1: you don't have to shit on a motherfucker who doing

964
00:54:28,080 --> 00:54:30,200
Speaker 1: what they posted to do. We've seen it with Future

965
00:54:30,200 --> 00:54:34,000
Speaker 1: in Sierra when he's like, yo, it's unnecessary, like why

966
00:54:34,200 --> 00:54:36,480
Speaker 1: what what are you doing? Why? Like why are you

967
00:54:36,600 --> 00:54:40,200
Speaker 1: taking my son and doing those things? It's unnecessary? What

968
00:54:40,280 --> 00:54:43,080
Speaker 1: are you trying to prove? But what what's happening is,

969
00:54:43,120 --> 00:54:45,120
Speaker 1: in my opinion, you're trying to prove to the person

970
00:54:45,200 --> 00:54:48,040
Speaker 1: you're fucking with that you know, I fuck with you

971
00:54:48,200 --> 00:54:50,719
Speaker 1: so heavy, then I'm gonna take somebody else kid and

972
00:54:50,840 --> 00:54:53,520
Speaker 1: put them on you. But really, then folks don't got

973
00:54:53,600 --> 00:54:56,600
Speaker 1: no obligation to that kid. Then folks don't really have

974
00:54:56,840 --> 00:55:00,200
Speaker 1: no real love for those children. What you're doing is,

975
00:55:00,480 --> 00:55:03,640
Speaker 1: especially at a young age, you confusing an innocent child

976
00:55:04,200 --> 00:55:08,080
Speaker 1: and then for selfish reasons, right, so, you're putting yourself

977
00:55:08,120 --> 00:55:11,400
Speaker 1: in a situation where you gotta a little child thinking

978
00:55:11,520 --> 00:55:15,480
Speaker 1: that this person loves them, and after this person get

979
00:55:15,600 --> 00:55:19,200
Speaker 1: done fucking you, this person may not never see that

980
00:55:19,360 --> 00:55:22,719
Speaker 1: child again. Then this child running around thinking oh I

981
00:55:22,920 --> 00:55:25,400
Speaker 1: was cool or this person was like my dadd and

982
00:55:25,560 --> 00:55:28,080
Speaker 1: that nigga didn't never give a fuck about you. He

983
00:55:28,239 --> 00:55:31,160
Speaker 1: just was fucking your mamma. You see what I'm saying.

984
00:55:31,200 --> 00:55:33,200
Speaker 1: It's fucked up to say, but it's the reality of

985
00:55:33,320 --> 00:55:36,239
Speaker 1: the situation. So it's to me, it's a situation man,

986
00:55:36,320 --> 00:55:42,239
Speaker 1: where I just can't understand why you gotta you gotta

987
00:55:42,360 --> 00:55:47,160
Speaker 1: shit on one person. It's it's like, I ain't fucking

988
00:55:47,239 --> 00:55:49,719
Speaker 1: with my baby daddy no more? Yeah right, be you

989
00:55:49,800 --> 00:55:51,640
Speaker 1: still fucking with your baby and that know it ain't

990
00:55:51,719 --> 00:55:55,279
Speaker 1: I'm gonna start calling his son your name. Well, I'm

991
00:55:55,280 --> 00:55:57,520
Speaker 1: gonna start taking pictures with you and his and his

992
00:55:57,680 --> 00:56:01,520
Speaker 1: son like I'm gonna are saying you are you know,

993
00:56:01,840 --> 00:56:04,160
Speaker 1: you take care of our family and this, and then

994
00:56:04,280 --> 00:56:09,400
Speaker 1: it's like the nigga got money, he like what Like

995
00:56:09,600 --> 00:56:11,840
Speaker 1: what the fuck are y'all doing over there? Like? But

996
00:56:12,000 --> 00:56:15,239
Speaker 1: what you can't do because for people like me or

997
00:56:15,320 --> 00:56:19,120
Speaker 1: people like you know, just emotional people that specially about

998
00:56:19,239 --> 00:56:22,320
Speaker 1: my children. I'm emotional about my children. I don't know

999
00:56:22,440 --> 00:56:24,960
Speaker 1: how to turn it off. I'm emotional about what you

1000
00:56:25,120 --> 00:56:29,000
Speaker 1: do concerning my children because I understand that their minds

1001
00:56:29,200 --> 00:56:32,560
Speaker 1: is not developed and they love you enough to believe

1002
00:56:32,680 --> 00:56:35,400
Speaker 1: what you say, you know what I'm saying. So when

1003
00:56:35,440 --> 00:56:38,759
Speaker 1: you're doing shit, that's telling them that he liked your

1004
00:56:38,880 --> 00:56:41,080
Speaker 1: dad or he take care of you. And it's like

1005
00:56:41,600 --> 00:56:44,719
Speaker 1: the kid probably like no, no, but he can't say

1006
00:56:44,840 --> 00:56:47,800
Speaker 1: nothing because this is Mama saying it. So sometimes you

1007
00:56:47,920 --> 00:56:50,120
Speaker 1: what you gotta like it? Now, if you fuck with

1008
00:56:50,280 --> 00:56:54,120
Speaker 1: my son, just say this is say you fuck with

1009
00:56:54,200 --> 00:56:58,200
Speaker 1: my son, that's cool. But what you gotta take pictures

1010
00:56:58,400 --> 00:57:00,479
Speaker 1: like what Future was saying, to see why you gotta

1011
00:57:00,480 --> 00:57:03,120
Speaker 1: take pictures pushing my son or picking him up? Like

1012
00:57:03,640 --> 00:57:07,000
Speaker 1: what is the pictures about? If it's real, if it

1013
00:57:07,040 --> 00:57:10,799
Speaker 1: ain't a photo? While what is this about? It's all

1014
00:57:10,920 --> 00:57:13,840
Speaker 1: for cloud and it's all the proof to the motherfucking

1015
00:57:14,040 --> 00:57:16,000
Speaker 1: my opinion that hey, I fuck with you more than

1016
00:57:16,040 --> 00:57:18,240
Speaker 1: I fuck with him. It's like it's weird shit to me,

1017
00:57:19,040 --> 00:57:21,960
Speaker 1: and the etiquette of that is just not cool, you

1018
00:57:22,040 --> 00:57:29,160
Speaker 1: know what I'm saying. But you know, it's just fucked

1019
00:57:29,240 --> 00:57:32,640
Speaker 1: up that you use somebody's child as a symbolism to

1020
00:57:32,880 --> 00:57:36,280
Speaker 1: Lord of Lord, to a complete stranger, you know what

1021
00:57:36,360 --> 00:57:38,680
Speaker 1: I'm saying. And and for me, I have to speak

1022
00:57:38,760 --> 00:57:41,680
Speaker 1: on shit like that because it's just a situation where

1023
00:57:42,000 --> 00:57:44,240
Speaker 1: I'm gonna try to break some information to it, and

1024
00:57:44,320 --> 00:57:46,920
Speaker 1: hopefully that some young girl watching won't do that to

1025
00:57:47,120 --> 00:57:50,080
Speaker 1: some young boy that's trying to take kids kid or

1026
00:57:50,160 --> 00:57:53,160
Speaker 1: doing the best he can or really in his child's life.

1027
00:57:53,200 --> 00:57:57,240
Speaker 1: And y'all don't work for whatever reason, and y'all don't

1028
00:57:57,280 --> 00:58:01,560
Speaker 1: work for whatever reason. And now you're giving the child

1029
00:58:01,680 --> 00:58:03,800
Speaker 1: this nigga name, and this nigga ain't talked to the

1030
00:58:03,880 --> 00:58:07,360
Speaker 1: child in three years, and you still hold known to

1031
00:58:07,520 --> 00:58:09,480
Speaker 1: it because it's lord to you trying to show him

1032
00:58:09,560 --> 00:58:12,600
Speaker 1: on the load though I'm loyal to like. It's sickening, man,

1033
00:58:13,160 --> 00:58:15,160
Speaker 1: And I don't think kids deserve to go through that.

1034
00:58:15,280 --> 00:58:17,680
Speaker 1: You don't use a child as a pun that way.

1035
00:58:17,760 --> 00:58:21,840
Speaker 1: I just don't think it's cool. And I feel like,

1036
00:58:22,000 --> 00:58:24,439
Speaker 1: if I'm a great dad, if I'm a great mom,

1037
00:58:24,960 --> 00:58:28,840
Speaker 1: if I'm a great parent, there's no need for all

1038
00:58:28,920 --> 00:58:31,800
Speaker 1: of that. And then some people arguing is whether child

1039
00:58:31,880 --> 00:58:35,240
Speaker 1: can never get enough love? My child can get enough love.

1040
00:58:36,040 --> 00:58:38,200
Speaker 1: So you don't have to force this shit on other

1041
00:58:38,320 --> 00:58:40,760
Speaker 1: individuals that didn't have nothing to do with it. I'm

1042
00:58:40,760 --> 00:58:44,720
Speaker 1: actually requesting that you don't. But I can't feed too

1043
00:58:44,800 --> 00:58:48,520
Speaker 1: far into it because I go to prison because your

1044
00:58:48,640 --> 00:58:51,400
Speaker 1: children is such an emotional thing that you look and

1045
00:58:51,480 --> 00:59:02,840
Speaker 1: you say, what why you see what I'm saying and

1046
00:59:02,960 --> 00:59:05,720
Speaker 1: a motherfucker can't tell you nothing, and you really they

1047
00:59:05,760 --> 00:59:07,680
Speaker 1: act like you're wrong fans, And I aint ain't even

1048
00:59:07,760 --> 00:59:11,520
Speaker 1: like that. So you're telling me that that y'all took

1049
00:59:11,560 --> 00:59:14,080
Speaker 1: a picture pushing my son around in the stroller and

1050
00:59:14,160 --> 00:59:16,640
Speaker 1: it ain't even like and posted it and it ain't

1051
00:59:16,680 --> 00:59:19,560
Speaker 1: even liked that, huh. But the nigga got too much

1052
00:59:19,600 --> 00:59:22,680
Speaker 1: to lose to involve itself with the pitted wobbling in

1053
00:59:22,760 --> 00:59:27,600
Speaker 1: the mood like that. It's just stupid shit. So I

1054
00:59:27,680 --> 00:59:31,360
Speaker 1: wanted to speak on that and speaking to kids. Faddie

1055
00:59:31,360 --> 00:59:34,120
Speaker 1: wha baby Mamma came man and said, well, Faddywhap ain't

1056
00:59:34,160 --> 00:59:37,240
Speaker 1: done nothing for the child. He ain't doing that. See,

1057
00:59:37,320 --> 00:59:40,240
Speaker 1: this is the thing, and I think women share the

1058
00:59:40,320 --> 00:59:43,160
Speaker 1: blame for this by being sack chasers. This is the

1059
00:59:43,280 --> 00:59:46,760
Speaker 1: thing about rap. A lot of these rap guys are

1060
00:59:46,920 --> 00:59:49,640
Speaker 1: not hustlers. A lot of these rap guys are just

1061
00:59:49,800 --> 00:59:53,240
Speaker 1: what they are, something broke ass nigga. A lot of

1062
00:59:53,320 --> 00:59:55,440
Speaker 1: them a wannabes, but a lot of them at the

1063
00:59:55,560 --> 00:59:58,800
Speaker 1: bare minimum. It's some nigga that don't really know what

1064
00:59:58,960 --> 01:00:01,080
Speaker 1: to do to get no more money or what to

1065
01:00:01,200 --> 01:00:03,680
Speaker 1: do with the little money got. So when that labor

1066
01:00:03,800 --> 01:00:06,840
Speaker 1: turn his water off suited, you fall victim of that.

1067
01:00:08,560 --> 01:00:11,000
Speaker 1: You didn't meet me with no paper bit You met

1068
01:00:11,120 --> 01:00:13,480
Speaker 1: me because I had a number one song and I

1069
01:00:13,600 --> 01:00:15,479
Speaker 1: had a little money because of that. But you didn't

1070
01:00:15,520 --> 01:00:18,400
Speaker 1: meet me down here at the bottom wobbling with one

1071
01:00:18,480 --> 01:00:21,040
Speaker 1: hundred and fifty racks put up and fifty at the high.

1072
01:00:21,360 --> 01:00:23,280
Speaker 1: You don't meet me like that. You met me as

1073
01:00:23,320 --> 01:00:26,680
Speaker 1: a rapper. So the lifestyle I introduced you to while

1074
01:00:26,720 --> 01:00:28,800
Speaker 1: I had two or three number one records, you want

1075
01:00:28,880 --> 01:00:31,280
Speaker 1: us to keep living that way when they turned my

1076
01:00:31,400 --> 01:00:33,840
Speaker 1: ward off or when these records ain't doing the same,

1077
01:00:34,120 --> 01:00:36,040
Speaker 1: and we look up, and I mean did because I

1078
01:00:36,520 --> 01:00:39,600
Speaker 1: been living in these big houses and traveling the private jests,

1079
01:00:39,640 --> 01:00:42,240
Speaker 1: and I got six of y'all bitches. Now you have

1080
01:00:42,520 --> 01:00:47,440
Speaker 1: price birking bag won't bitches. Now I can't afford it.

1081
01:00:47,920 --> 01:00:50,320
Speaker 1: So now I'm giving you petted money because it's really

1082
01:00:50,360 --> 01:00:53,240
Speaker 1: all I'm getting. Let Roy to chicks two or three

1083
01:00:53,360 --> 01:00:55,920
Speaker 1: times a year. You know what I'm saying that maybe

1084
01:00:56,280 --> 01:00:59,360
Speaker 1: you know six figures or five figures each time. But

1085
01:00:59,440 --> 01:01:02,840
Speaker 1: it's a situation where I gotta spread this between all

1086
01:01:02,920 --> 01:01:04,960
Speaker 1: you bitches that I will fucking when I will popping.

1087
01:01:05,360 --> 01:01:07,480
Speaker 1: That's why I want to promote to the young niggas.

1088
01:01:07,520 --> 01:01:10,240
Speaker 1: Find you somebody that love you. Fire you somebody to

1089
01:01:10,360 --> 01:01:12,520
Speaker 1: love when you out there and you're getting that real bag,

1090
01:01:12,680 --> 01:01:14,800
Speaker 1: bring that home to somebody that really fucked with you,

1091
01:01:14,880 --> 01:01:17,640
Speaker 1: because what will happened is you have six or seven

1092
01:01:17,720 --> 01:01:20,680
Speaker 1: bitches that know about each other while you popping. But

1093
01:01:20,800 --> 01:01:23,000
Speaker 1: the minute that they turn your wall off and the

1094
01:01:23,120 --> 01:01:25,960
Speaker 1: money slow down. Man, they all got you in court.

1095
01:01:26,240 --> 01:01:30,040
Speaker 1: They all want to one hundred thousand a month, you

1096
01:01:30,160 --> 01:01:31,720
Speaker 1: know what I'm saying, And then you gotta watch the

1097
01:01:31,760 --> 01:01:35,880
Speaker 1: ship play out, you know what I mean. So it's

1098
01:01:35,920 --> 01:01:39,080
Speaker 1: just a fucked up thing. I also want to talk

1099
01:01:39,080 --> 01:01:41,960
Speaker 1: about Selena Powell coming out to try to expose DJ

1100
01:01:42,080 --> 01:01:45,520
Speaker 1: Academics again, and I told Academics, man, just lean into

1101
01:01:45,640 --> 01:01:49,480
Speaker 1: that ship. Control the narrative. But for those of you

1102
01:01:49,560 --> 01:01:54,120
Speaker 1: that don't know, Selena Powell again has tried to expose Djcademics.

1103
01:01:54,440 --> 01:01:57,040
Speaker 1: It seems like when she gets mad at Academics, she

1104
01:01:57,160 --> 01:02:00,760
Speaker 1: tried to run to the homeboard. Jimmy but Jimmy, he don't.

1105
01:02:00,760 --> 01:02:03,680
Speaker 1: I don't even think he tapped in. Yeah whatever, bitch,

1106
01:02:04,160 --> 01:02:06,000
Speaker 1: you know what I'm saying, I fuck you, piss on

1107
01:02:06,120 --> 01:02:08,960
Speaker 1: you whatever, but you ain't. Yeah, go get the tie. Yeah,

1108
01:02:09,040 --> 01:02:11,520
Speaker 1: laid down, Go get the tie. Yeah, laid down, Go

1109
01:02:11,640 --> 01:02:13,400
Speaker 1: get the tie for the gonna piss on you. Get

1110
01:02:13,440 --> 01:02:15,160
Speaker 1: this out of the way, turning the only fans up

1111
01:02:15,200 --> 01:02:17,000
Speaker 1: seeing you back then. I'm gonna say something about you

1112
01:02:17,160 --> 01:02:21,520
Speaker 1: later because these two games you play. But anyway, um

1113
01:02:21,760 --> 01:02:24,560
Speaker 1: Selena power on the heels. If everybody in shady room

1114
01:02:24,640 --> 01:02:28,840
Speaker 1: posting that academics about her a being's truck g wagon

1115
01:02:29,320 --> 01:02:32,280
Speaker 1: now was coming out showing all these bitches that he fucked,

1116
01:02:32,320 --> 01:02:35,440
Speaker 1: saying that you know he fucking he fucking like dirt

1117
01:02:35,480 --> 01:02:38,680
Speaker 1: bag bitches. You know he fucking like Little Pyon Lear

1118
01:02:38,760 --> 01:02:41,440
Speaker 1: and the Pyons. You know what I'm saying. Uh, And

1119
01:02:41,560 --> 01:02:44,480
Speaker 1: so it's a situation where we look into it and say, man,

1120
01:02:46,760 --> 01:02:48,960
Speaker 1: what the fuck? You know what I'm saying. You are

1121
01:02:49,040 --> 01:02:51,040
Speaker 1: me and that nigga, Man, you can have him, see me.

1122
01:02:51,160 --> 01:02:52,800
Speaker 1: I don't have no issue to tell y'all pay for

1123
01:02:52,960 --> 01:02:55,160
Speaker 1: pussy if I don't, even if I'm not in no

1124
01:02:55,280 --> 01:02:58,600
Speaker 1: real relationship. I'm just gonna pay for some pussy because

1125
01:02:58,760 --> 01:03:00,920
Speaker 1: number one, I don't want to face like I like here,

1126
01:03:00,960 --> 01:03:03,560
Speaker 1: I ain't trying to do all that rizzle rouser shit.

1127
01:03:04,120 --> 01:03:06,640
Speaker 1: Just come on over here, buster pool, nanny, wide open,

1128
01:03:06,760 --> 01:03:09,000
Speaker 1: going about your business. I got work to do. So

1129
01:03:09,120 --> 01:03:10,760
Speaker 1: we don't want to fake it till we make it.

1130
01:03:10,840 --> 01:03:12,640
Speaker 1: We don't want to act like, yeah, girl, I want

1131
01:03:12,680 --> 01:03:15,480
Speaker 1: to date you now. I like how you look. I

1132
01:03:15,600 --> 01:03:18,120
Speaker 1: want to make sure you clean. Of course, we're gonna

1133
01:03:18,160 --> 01:03:20,760
Speaker 1: have protected sex. We're gonna wrap that thing up like

1134
01:03:20,920 --> 01:03:24,400
Speaker 1: the end of the workshep. Do you understand me? But still,

1135
01:03:24,480 --> 01:03:26,440
Speaker 1: what we also gonna do is we ain't gonna have

1136
01:03:26,560 --> 01:03:29,520
Speaker 1: no misunderstanding about no feelings. We ain't gonna have no

1137
01:03:29,600 --> 01:03:34,280
Speaker 1: misunderstanding about I'm feeling you or nothing like that. Baby girl. Yeah,

1138
01:03:34,720 --> 01:03:36,640
Speaker 1: I want a good time tonight, and I want to

1139
01:03:36,720 --> 01:03:39,320
Speaker 1: know what that's gonna run me if I'm not in

1140
01:03:39,400 --> 01:03:41,600
Speaker 1: a relationship. You know what I'm saying. I don't have

1141
01:03:41,800 --> 01:03:46,000
Speaker 1: time to navigate in all these people in and out

1142
01:03:46,080 --> 01:03:48,439
Speaker 1: my life like that. For me, it's just too much

1143
01:03:48,520 --> 01:03:51,280
Speaker 1: going on. So I think what disappointed a lot of

1144
01:03:51,360 --> 01:03:53,920
Speaker 1: people with academics, It like you're a millionaire nigga. What

1145
01:03:54,000 --> 01:03:57,840
Speaker 1: you're doing fucking with these type bitches pancake booted bitches,

1146
01:03:58,240 --> 01:04:02,560
Speaker 1: fun and shape bitches, bitches shaped like small refrigerators and

1147
01:04:02,680 --> 01:04:05,920
Speaker 1: pt cruises and shit it like, what are you doing? Man?

1148
01:04:06,000 --> 01:04:08,120
Speaker 1: You don't have to do that the status you guy,

1149
01:04:08,200 --> 01:04:11,960
Speaker 1: We thank you busting big bitches or thick bitches. You

1150
01:04:12,120 --> 01:04:16,760
Speaker 1: understand what I'm saying. And Selena Power is a plastic bitch. No,

1151
01:04:17,000 --> 01:04:21,360
Speaker 1: I'm more into the the real surgery bitches. But you

1152
01:04:21,480 --> 01:04:24,080
Speaker 1: know whatever. But you know, a nice by the nice

1153
01:04:24,120 --> 01:04:27,520
Speaker 1: shaping figure is a nice shaping figure. But I think

1154
01:04:27,640 --> 01:04:30,080
Speaker 1: with Selena Power, that's kind of why is if you

1155
01:04:30,200 --> 01:04:33,440
Speaker 1: see the if you see the comparison, you can understand

1156
01:04:33,520 --> 01:04:35,560
Speaker 1: why he fucked with Selena Power like you do. It's

1157
01:04:35,600 --> 01:04:39,000
Speaker 1: like she's She's probably one of the cutter ones out

1158
01:04:39,040 --> 01:04:42,080
Speaker 1: of all of the bitches that they out of all

1159
01:04:42,120 --> 01:04:46,920
Speaker 1: of the women. I'm sorry that they that they posted,

1160
01:04:47,080 --> 01:04:50,080
Speaker 1: you know, and alleged that he was messing with, But

1161
01:04:50,240 --> 01:04:52,560
Speaker 1: deeper than that, he got to stop missing with Selena.

1162
01:04:53,000 --> 01:04:55,480
Speaker 1: I'm not sure what why you keep thinking that she's

1163
01:04:55,480 --> 01:04:58,760
Speaker 1: gonna be loyal or she she keeps doing the same

1164
01:04:59,000 --> 01:05:03,000
Speaker 1: motherfucking thing. She ain't got no chill. But man, she

1165
01:05:03,200 --> 01:05:06,000
Speaker 1: keep doing the same thing. So I don't understand what

1166
01:05:06,280 --> 01:05:08,040
Speaker 1: you know, why are you thinking that I'm gonna keep

1167
01:05:08,120 --> 01:05:10,040
Speaker 1: fucking with you and you keep going left on me

1168
01:05:10,200 --> 01:05:14,400
Speaker 1: like that? But that's the thing you when you you

1169
01:05:14,560 --> 01:05:17,200
Speaker 1: train somebody how to how to treat you, when you

1170
01:05:17,360 --> 01:05:20,000
Speaker 1: take them back for doing that once. And you also

1171
01:05:20,120 --> 01:05:23,360
Speaker 1: got to understand, academics, disrespect is the weapon of the weak,

1172
01:05:24,000 --> 01:05:25,480
Speaker 1: you see what I'm saying. So as soon as she

1173
01:05:25,640 --> 01:05:29,800
Speaker 1: feel away, she got to disrespecting you because she's weak.

1174
01:05:31,880 --> 01:05:36,120
Speaker 1: You know, she's probably emotionally weak, It's what I mean.

1175
01:05:36,840 --> 01:05:38,800
Speaker 1: You know what I mean. So I mean you can't

1176
01:05:38,840 --> 01:05:41,560
Speaker 1: just let you can't let these women do or these

1177
01:05:41,680 --> 01:05:43,760
Speaker 1: men do you any kind of way, because then they

1178
01:05:43,800 --> 01:05:46,800
Speaker 1: don't they don't build any restraints in their mind. They

1179
01:05:46,920 --> 01:05:48,880
Speaker 1: know all I gotta do is suckers dig and he'll

1180
01:05:48,920 --> 01:05:51,840
Speaker 1: be back, you know what I'm saying. Especially when she

1181
01:05:51,920 --> 01:05:54,160
Speaker 1: started to compare, Oh that's what he really I thought

1182
01:05:54,160 --> 01:05:57,360
Speaker 1: he will fucking back. Oh yeah, I'm really hard on you.

1183
01:05:57,680 --> 01:05:59,600
Speaker 1: I know you ain't touching nothing like this. You ain't

1184
01:05:59,600 --> 01:06:04,080
Speaker 1: got any of confidence with the money, you know, what

1185
01:06:04,160 --> 01:06:07,920
Speaker 1: I'm saying. It's what she's probably coming to the conclusion

1186
01:06:08,000 --> 01:06:12,080
Speaker 1: in her brain about. And I'm so I want to

1187
01:06:12,080 --> 01:06:15,480
Speaker 1: say this. You can't force family. You can't force relationships.

1188
01:06:16,360 --> 01:06:19,120
Speaker 1: Like even in relationships, me and my homeboys was talking

1189
01:06:19,480 --> 01:06:24,800
Speaker 1: yesterday about how many things can ruin a relationship. You know,

1190
01:06:25,000 --> 01:06:30,680
Speaker 1: unfortunately dealing with women sometimes seeing that they don't really

1191
01:06:30,840 --> 01:06:34,480
Speaker 1: understand how to raise men. They tend to have young

1192
01:06:34,680 --> 01:06:37,240
Speaker 1: sons and they tend to be raising them in a

1193
01:06:37,360 --> 01:06:43,000
Speaker 1: way that's unacceptable for men. What rules applying, what things

1194
01:06:43,080 --> 01:06:47,560
Speaker 1: that work for women don't work for men fundamentally though,

1195
01:06:47,760 --> 01:06:50,840
Speaker 1: you see what I'm saying. Fundamentally, the rules that work

1196
01:06:50,920 --> 01:06:53,400
Speaker 1: for women don't work for men for whatever reason. So

1197
01:06:53,560 --> 01:06:56,520
Speaker 1: what happens is when you have a young boy and

1198
01:06:56,600 --> 01:06:59,160
Speaker 1: I went through it, but luckily I had my uncle,

1199
01:06:59,640 --> 01:07:01,120
Speaker 1: you know I'm saying. But when you have a young

1200
01:07:01,240 --> 01:07:04,280
Speaker 1: boy and he's being raised by his mom, he starts

1201
01:07:04,360 --> 01:07:07,280
Speaker 1: to share some of that behavior and some of that

1202
01:07:07,440 --> 01:07:12,800
Speaker 1: emotional shit that his mom conducts herself with, and that

1203
01:07:12,880 --> 01:07:15,800
Speaker 1: won't work for little boys. You see what I'm saying.

1204
01:07:15,880 --> 01:07:20,960
Speaker 1: Like you would have a situation where you would have

1205
01:07:21,920 --> 01:07:24,640
Speaker 1: a girl, you would like her and one of my

1206
01:07:24,760 --> 01:07:27,520
Speaker 1: friends was talking to me about decent man. You know,

1207
01:07:27,600 --> 01:07:29,480
Speaker 1: he said, I really liked her, but I couldn't get

1208
01:07:29,560 --> 01:07:32,600
Speaker 1: with the way that she was raising her son. Um.

1209
01:07:33,720 --> 01:07:36,840
Speaker 1: He said that she would she would give him options.

1210
01:07:37,200 --> 01:07:39,800
Speaker 1: You know. Let's say, he said one time a fire

1211
01:07:39,800 --> 01:07:43,840
Speaker 1: alarm went off in his house and he, you know, him,

1212
01:07:43,840 --> 01:07:45,760
Speaker 1: and her going there to check on the fire alarm,

1213
01:07:45,920 --> 01:07:49,400
Speaker 1: and she's and she asked a little boy what happened

1214
01:07:50,280 --> 01:07:52,440
Speaker 1: and he and he didn't say they said. He stood

1215
01:07:52,480 --> 01:07:56,120
Speaker 1: then just was like and the little boy told her

1216
01:07:56,240 --> 01:07:59,880
Speaker 1: why I was. I was spraying oil sheen on my

1217
01:08:00,160 --> 01:08:02,919
Speaker 1: head and that thing just start going off. He said

1218
01:08:03,080 --> 01:08:05,200
Speaker 1: that Mama literally was going to walk out the room

1219
01:08:05,240 --> 01:08:08,400
Speaker 1: and accept that answer, but then he had to tell oh, ho, woa,

1220
01:08:09,800 --> 01:08:12,480
Speaker 1: look at his hair. There ain't no or shein on

1221
01:08:12,600 --> 01:08:15,040
Speaker 1: the dude, and then or she won't make a firelarm

1222
01:08:15,240 --> 01:08:18,679
Speaker 1: go off. Like if a firelarm go off, there's something

1223
01:08:18,760 --> 01:08:21,640
Speaker 1: that calls that to happen. So she looked around and

1224
01:08:21,720 --> 01:08:24,400
Speaker 1: found the lighter under the pillow lighting a piece of paper.

1225
01:08:24,439 --> 01:08:27,920
Speaker 1: Were hearing that lighting something? But the examples are there

1226
01:08:28,520 --> 01:08:33,600
Speaker 1: to tell you, like with little boys, you must you

1227
01:08:33,840 --> 01:08:37,880
Speaker 1: must make them understand that what they do to their

1228
01:08:38,000 --> 01:08:41,320
Speaker 1: mom and what they see their mom do won't work

1229
01:08:41,400 --> 01:08:44,560
Speaker 1: for them because they're little boys. Even with the attitude

1230
01:08:44,720 --> 01:08:47,720
Speaker 1: thing you have little boys nowadays, they got more attitude

1231
01:08:47,800 --> 01:08:51,160
Speaker 1: than grown women, you know. And then you got women

1232
01:08:51,200 --> 01:08:53,040
Speaker 1: in to say, well, he, how do you expect him

1233
01:08:53,080 --> 01:08:55,479
Speaker 1: to feel? It's like when I was a little boy,

1234
01:08:55,600 --> 01:08:59,240
Speaker 1: wouldn't know how he expect him to feel. You're a child,

1235
01:09:00,520 --> 01:09:03,599
Speaker 1: don't know you know how you feel. Ain't even developed yet.

1236
01:09:03,720 --> 01:09:05,559
Speaker 1: You don't even know how to feel about a lot

1237
01:09:05,600 --> 01:09:07,759
Speaker 1: of shit. You don't got that much of an opinion

1238
01:09:08,120 --> 01:09:11,320
Speaker 1: about much because you don't know much. So how the

1239
01:09:11,400 --> 01:09:14,320
Speaker 1: fuck you know we're gonna put you at the forefront

1240
01:09:14,360 --> 01:09:17,720
Speaker 1: and say, well, well, you know he feels a way

1241
01:09:18,280 --> 01:09:22,320
Speaker 1: about this. Also, he was telling me, said alone, I said,

1242
01:09:22,360 --> 01:09:24,599
Speaker 1: I tell you something. I don't even play the little game.

1243
01:09:24,680 --> 01:09:27,760
Speaker 1: One time I was mentioning with a girl. She came

1244
01:09:27,800 --> 01:09:30,439
Speaker 1: to me, you know, and said, hey, I want to

1245
01:09:30,479 --> 01:09:32,639
Speaker 1: talk to you about something. You know, The school bus

1246
01:09:32,760 --> 01:09:37,120
Speaker 1: teacher said that, you know, my kids are getting on

1247
01:09:37,160 --> 01:09:39,920
Speaker 1: the bus and they're smelling like weed. Immediately when she

1248
01:09:40,040 --> 01:09:41,760
Speaker 1: told me, I said, get the fuck out of my

1249
01:09:41,920 --> 01:09:46,559
Speaker 1: face and people think that's hard because but it ain't

1250
01:09:47,320 --> 01:09:51,160
Speaker 1: because I have a responsibility to myself not to indulge

1251
01:09:51,320 --> 01:09:55,000
Speaker 1: in bullshit. You understand what I'm saying. I knew for

1252
01:09:55,160 --> 01:09:59,120
Speaker 1: a hundred percent fact that I'm smoking in my crib

1253
01:09:59,320 --> 01:10:03,679
Speaker 1: that y'all there. But it ain't gonna stay fourteen hours

1254
01:10:03,800 --> 01:10:05,880
Speaker 1: until the next day. And the house is big enough

1255
01:10:05,920 --> 01:10:08,600
Speaker 1: to wear. It ain't a stead, ain't even nigga. We

1256
01:10:08,680 --> 01:10:11,519
Speaker 1: got thirty five hundred square feet. That ain't even a thing,

1257
01:10:12,320 --> 01:10:13,920
Speaker 1: you know what I'm saying. But this is the key.

1258
01:10:15,880 --> 01:10:18,519
Speaker 1: I said, shut the fuck up talking to me. Don't

1259
01:10:18,520 --> 01:10:21,600
Speaker 1: even come to me with that. But I didn't just

1260
01:10:21,760 --> 01:10:23,800
Speaker 1: leave it on the ledge there. I said, look, go

1261
01:10:23,960 --> 01:10:26,920
Speaker 1: get you some drug tests and tests. Now she went

1262
01:10:27,000 --> 01:10:29,400
Speaker 1: and got the drug tests. They end up being dirty.

1263
01:10:30,400 --> 01:10:32,720
Speaker 1: So what was happening is they were smoking before they

1264
01:10:32,760 --> 01:10:35,559
Speaker 1: were getting on the bus, and then they would blame

1265
01:10:35,640 --> 01:10:38,000
Speaker 1: it on the boyfriend, which was me at the time.

1266
01:10:38,920 --> 01:10:40,280
Speaker 1: You know what I'm saying. They would come home with

1267
01:10:40,640 --> 01:10:43,719
Speaker 1: they're saying it it's him. He's So what I'm saying

1268
01:10:43,960 --> 01:10:46,400
Speaker 1: is all these little things and the little boys are

1269
01:10:46,439 --> 01:10:50,519
Speaker 1: having their mama's food for whatever reason, and not that

1270
01:10:50,760 --> 01:10:54,439
Speaker 1: your Mom's not supposed to love you unconditionally. That's always

1271
01:10:54,439 --> 01:10:57,120
Speaker 1: supposed to be the case. But you better equip these

1272
01:10:57,160 --> 01:11:00,200
Speaker 1: little boys with some game. You better equip them with

1273
01:11:00,280 --> 01:11:04,479
Speaker 1: some information that a man you ain't smarter than motherfucker's man.

1274
01:11:04,560 --> 01:11:06,880
Speaker 1: You don't know enough. That little game you think you're

1275
01:11:06,960 --> 01:11:10,400
Speaker 1: running ain't running. That ain't game. You see what I'm saying,

1276
01:11:10,520 --> 01:11:12,639
Speaker 1: Like if a mother running there, you say I sprayed

1277
01:11:12,840 --> 01:11:14,640
Speaker 1: or she you don't think a person gonna look at

1278
01:11:14,680 --> 01:11:18,800
Speaker 1: your hair. But but you that undeveloped, and and that's

1279
01:11:18,840 --> 01:11:23,519
Speaker 1: why a motherfucker can't really dive deep into the whole

1280
01:11:24,240 --> 01:11:27,120
Speaker 1: wool the wool shit. But but but but in any way,

1281
01:11:27,200 --> 01:11:30,160
Speaker 1: getting back to what I'm saying there, you you can't

1282
01:11:30,200 --> 01:11:33,040
Speaker 1: force family on the motherfucker. You can't force the motherfucker

1283
01:11:33,080 --> 01:11:37,439
Speaker 1: to you know, uh uh, you know what this ain't

1284
01:11:37,720 --> 01:11:39,600
Speaker 1: you know it don't feel like you you know you

1285
01:11:39,800 --> 01:11:43,080
Speaker 1: family were number one. We still fucking want a condom.

1286
01:11:44,120 --> 01:11:46,080
Speaker 1: What I'm supposed to do, come right in and just

1287
01:11:46,280 --> 01:11:49,200
Speaker 1: adopted by it and fuck with it, like what you're saying.

1288
01:11:50,160 --> 01:11:52,360
Speaker 1: But it's always a nigga with some paper. They got

1289
01:11:52,439 --> 01:11:54,400
Speaker 1: to deal with this kind of shit like you won't

1290
01:11:54,479 --> 01:11:57,000
Speaker 1: meet to You want to put things on me that

1291
01:11:57,120 --> 01:11:58,880
Speaker 1: you won't even put on the on the people that

1292
01:11:59,000 --> 01:12:01,640
Speaker 1: you had children with, or you won't even put on

1293
01:12:01,760 --> 01:12:03,479
Speaker 1: your own family. You want to put it on me

1294
01:12:03,560 --> 01:12:07,280
Speaker 1: because we're having sex, and it's to me, it's it's crazy,

1295
01:12:07,960 --> 01:12:10,840
Speaker 1: it's crazy. But you must raise these little boys with

1296
01:12:11,000 --> 01:12:14,000
Speaker 1: the rules that are worked for men. You see what

1297
01:12:14,120 --> 01:12:16,960
Speaker 1: I'm saying. And I know it's rough because you know,

1298
01:12:17,120 --> 01:12:20,840
Speaker 1: our women don't really have those tools. You know, a

1299
01:12:20,920 --> 01:12:24,040
Speaker 1: lot of our mothers do this the best job that

1300
01:12:24,160 --> 01:12:27,280
Speaker 1: they can, and we salute them forever. But these new

1301
01:12:27,360 --> 01:12:30,120
Speaker 1: ways moms they don't know how to a lot of

1302
01:12:30,160 --> 01:12:32,599
Speaker 1: them don't know how to cook, they don't know how

1303
01:12:32,680 --> 01:12:35,000
Speaker 1: to clean, they don't know how to do none. So

1304
01:12:35,120 --> 01:12:39,320
Speaker 1: they're not passing anything down to the children. You're not

1305
01:12:39,479 --> 01:12:43,320
Speaker 1: teaching your child anything, you know what I'm saying, other

1306
01:12:43,400 --> 01:12:46,439
Speaker 1: than to look at you like I've seen kids look

1307
01:12:46,479 --> 01:12:49,400
Speaker 1: at their mama like they mad at they mama like

1308
01:12:49,479 --> 01:12:51,960
Speaker 1: they want to fuck over their mama because she told

1309
01:12:52,040 --> 01:12:54,720
Speaker 1: them to go to bed at midnight, or she might

1310
01:12:54,760 --> 01:12:56,760
Speaker 1: have told them to not to do this or not

1311
01:12:56,880 --> 01:12:58,720
Speaker 1: that they look at their mama like they want to

1312
01:12:58,800 --> 01:13:02,679
Speaker 1: smack her and they get away with that shit because

1313
01:13:02,760 --> 01:13:06,120
Speaker 1: the moms are not to me, it's instantly grab him,

1314
01:13:07,479 --> 01:13:09,760
Speaker 1: you know what I'm saying. Because it's like you better

1315
01:13:09,880 --> 01:13:12,840
Speaker 1: understand that things don't get better and they don't just

1316
01:13:13,080 --> 01:13:17,320
Speaker 1: disappear when the motherfucker get grown. Things develop more and

1317
01:13:17,560 --> 01:13:20,639
Speaker 1: more and more. So right now, like if even if

1318
01:13:20,680 --> 01:13:23,560
Speaker 1: I see one of my children falling victim to this

1319
01:13:23,760 --> 01:13:26,720
Speaker 1: rap shit, I gotta pull them out of that. Like

1320
01:13:26,880 --> 01:13:28,640
Speaker 1: you can't come to me as a child said I

1321
01:13:28,720 --> 01:13:30,880
Speaker 1: want to get my hat cut like NBA, a young boy.

1322
01:13:30,960 --> 01:13:33,519
Speaker 1: I can't allow that. I want you to be you.

1323
01:13:34,520 --> 01:13:36,760
Speaker 1: I don't want you to want to be him. I

1324
01:13:36,800 --> 01:13:39,280
Speaker 1: don't want you to want to be nobody. I want

1325
01:13:39,320 --> 01:13:41,920
Speaker 1: you to want to be you. Let's find you, because

1326
01:13:42,040 --> 01:13:44,799
Speaker 1: you don't want a motherfucker going through an identity crisis

1327
01:13:44,880 --> 01:13:47,120
Speaker 1: when they don't even know who they are, you know

1328
01:13:47,120 --> 01:13:50,439
Speaker 1: what I mean. So that's that's just shit that the

1329
01:13:50,520 --> 01:13:52,200
Speaker 1: shit that I wanted to get out that me and

1330
01:13:52,320 --> 01:13:54,560
Speaker 1: my homeboys is talking about, man, and it gets so

1331
01:13:54,840 --> 01:14:01,760
Speaker 1: rough with these little boys man, because again it's you're

1332
01:14:01,800 --> 01:14:04,280
Speaker 1: just giving them too much leave away, you know what

1333
01:14:04,320 --> 01:14:07,920
Speaker 1: I'm saying. But but for me, I have to give

1334
01:14:08,000 --> 01:14:10,320
Speaker 1: the game out. It's best. I know how. You know

1335
01:14:10,360 --> 01:14:13,679
Speaker 1: what I'm saying. But again, you can't force you can't

1336
01:14:13,760 --> 01:14:16,400
Speaker 1: force family on a person. You can't force a motherfucker

1337
01:14:16,439 --> 01:14:20,560
Speaker 1: to feel like you know, you know, I love you

1338
01:14:20,960 --> 01:14:23,840
Speaker 1: and I love your kids. And if a motherfucker, if

1339
01:14:24,240 --> 01:14:27,160
Speaker 1: if you're if you're in a situation where you're raising

1340
01:14:27,479 --> 01:14:31,400
Speaker 1: your kids to where they're disrespectful and they this and that,

1341
01:14:31,600 --> 01:14:34,680
Speaker 1: you're gonna get fucked. But you're gonna get left. You

1342
01:14:34,760 --> 01:14:38,320
Speaker 1: see what I'm saying. You're not coming into nobody established

1343
01:14:38,400 --> 01:14:41,719
Speaker 1: life with no badass children. There's gonna fuck a nigga

1344
01:14:41,800 --> 01:14:44,519
Speaker 1: life up and having a nigga miserable and rocking around

1345
01:14:44,560 --> 01:14:47,559
Speaker 1: his own house with some little niggas like they made

1346
01:14:47,760 --> 01:14:50,000
Speaker 1: or like they like they gotta feel it, like they

1347
01:14:50,400 --> 01:14:52,680
Speaker 1: they hot at their mama because she said go to

1348
01:14:52,800 --> 01:14:57,200
Speaker 1: bed or something. Because a man and a child are

1349
01:14:57,280 --> 01:14:59,960
Speaker 1: gonna end up, there's gonna end up being some resist

1350
01:15:00,000 --> 01:15:04,080
Speaker 1: it meant them. You know. I remember meeting a girl

1351
01:15:04,320 --> 01:15:07,160
Speaker 1: and putting up on game and I'm like, yo, your

1352
01:15:07,240 --> 01:15:10,759
Speaker 1: kids running circles around you, man, And I'm only putting

1353
01:15:10,840 --> 01:15:12,920
Speaker 1: up on game because I need her to know, you

1354
01:15:13,040 --> 01:15:16,080
Speaker 1: setting them niggas up for failure. You know what I'm saying.

1355
01:15:16,120 --> 01:15:17,920
Speaker 1: They get the running you and just say hey, I'm

1356
01:15:18,640 --> 01:15:21,840
Speaker 1: you just take whatever it is. Like, man, that is crazy,

1357
01:15:22,760 --> 01:15:27,360
Speaker 1: Like that's so crazy. And also with the presidential election

1358
01:15:27,479 --> 01:15:29,880
Speaker 1: just happened there, they said, how do you feel about

1359
01:15:29,920 --> 01:15:33,160
Speaker 1: black people protesting the cops all year and then electing one?

1360
01:15:33,600 --> 01:15:36,360
Speaker 1: Oh what, Kamala Harris said, that's a hell of a thing,

1361
01:15:36,439 --> 01:15:38,519
Speaker 1: because man, they have a video up of a young

1362
01:15:38,600 --> 01:15:40,519
Speaker 1: boy that went through some things and it was put

1363
01:15:40,600 --> 01:15:43,679
Speaker 1: in prison by the hands of Kamala Harris. Here's the video,

1364
01:15:45,280 --> 01:15:48,720
Speaker 1: the heir, you know, just going through it. Man, you

1365
01:15:48,880 --> 01:15:52,000
Speaker 1: people just really voted the lady that that that that

1366
01:15:52,200 --> 01:15:54,280
Speaker 1: that senses me to twenty seven years when I was

1367
01:15:54,360 --> 01:15:59,519
Speaker 1: fourteen years old. I don't respect that man, that ship

1368
01:15:59,560 --> 01:16:02,880
Speaker 1: being about amasment fucking with me. So I really, you people,

1369
01:16:03,520 --> 01:16:07,240
Speaker 1: it's foolish. Man. People just don't know what y'are doing

1370
01:16:07,320 --> 01:16:09,880
Speaker 1: out there, y'all steady going about what all these celebrities

1371
01:16:09,960 --> 01:16:12,760
Speaker 1: is doing and what some social media is doing and

1372
01:16:12,880 --> 01:16:15,120
Speaker 1: all that. Man, Donald Trump was the best thing for

1373
01:16:15,320 --> 01:16:20,559
Speaker 1: us right now, right now that Harry's lady, man I'm

1374
01:16:20,560 --> 01:16:22,400
Speaker 1: not gonna never see us now. I don't never see

1375
01:16:22,479 --> 01:16:24,840
Speaker 1: your daddy's, your grandpa's, your cousins and all the chain

1376
01:16:25,000 --> 01:16:28,160
Speaker 1: seeing in the last twenty thirty years. Just look at me.

1377
01:16:28,520 --> 01:16:33,400
Speaker 1: I've been as justice. I was fourteen for robbery. Dog real.

1378
01:16:33,479 --> 01:16:36,439
Speaker 1: I'm hurt, I'm torn. I don't know what to do.

1379
01:16:37,400 --> 01:16:41,200
Speaker 1: So great. I've been right here just outsleep like damn, man,

1380
01:16:41,360 --> 01:16:45,400
Speaker 1: like this ship is foolish, dog Like my people was

1381
01:16:45,400 --> 01:16:49,720
Speaker 1: really convicting me again all over again. Like y'all don't

1382
01:16:49,720 --> 01:16:51,600
Speaker 1: know how much I'm hurt right now. Man, I'm so

1383
01:16:51,800 --> 01:16:54,040
Speaker 1: fucked up in the head, like damn. I've been fighting

1384
01:16:54,080 --> 01:16:57,240
Speaker 1: for my feedlom for so long. Man. Man, I'm in

1385
01:16:57,320 --> 01:17:00,439
Speaker 1: jail for robbery, y'all. I ain't in jail for murder

1386
01:17:01,160 --> 01:17:03,840
Speaker 1: or no no tooth the murders that that's what everybody thinks.

1387
01:17:04,200 --> 01:17:06,840
Speaker 1: I'm not in jail for that. I'm in jail for

1388
01:17:07,000 --> 01:17:12,760
Speaker 1: a bullshit robbery, dog robber. They gave me twenty seven years. Man. Man,

1389
01:17:12,840 --> 01:17:14,800
Speaker 1: I'm fighting for my life right now, man, and they're

1390
01:17:14,800 --> 01:17:17,400
Speaker 1: gonna fa to make it harder for me. But y'all

1391
01:17:17,479 --> 01:17:20,160
Speaker 1: did it. And I just want you to know, man,

1392
01:17:20,800 --> 01:17:23,040
Speaker 1: you want the fucker's man. I need to start reading, man,

1393
01:17:23,280 --> 01:17:25,519
Speaker 1: start doing your research. Man, before y'all just get to

1394
01:17:25,600 --> 01:17:29,160
Speaker 1: just just doing shit man, because you're hurting real niggas

1395
01:17:29,240 --> 01:17:32,760
Speaker 1: like me in the process. Man, then I ain't dead.

1396
01:17:32,880 --> 01:17:34,680
Speaker 1: Hum to be real man, I just want to be

1397
01:17:34,800 --> 01:17:37,400
Speaker 1: with my family one time. Man. I ain't seen my

1398
01:17:37,520 --> 01:17:40,160
Speaker 1: mama in ten years. Dog, I ain't hugged her in

1399
01:17:40,200 --> 01:17:42,800
Speaker 1: ten years. It's probably been eleven to twelve. I'm just

1400
01:17:42,880 --> 01:17:45,960
Speaker 1: saying ten. Oh yeah, Man, I ain't seen my mama.

1401
01:17:46,040 --> 01:17:49,240
Speaker 1: She can't even come visit me in president. Dog. Oh yeah,

1402
01:17:49,439 --> 01:17:51,120
Speaker 1: I ain't. I want to see my mama. I want

1403
01:17:51,120 --> 01:17:54,639
Speaker 1: to hug my mama, touched my mama, man, and vib

1404
01:17:54,720 --> 01:17:57,519
Speaker 1: with my mama. Man, y'all get me that, man, please,

1405
01:17:57,560 --> 01:18:01,080
Speaker 1: I'm asking y'all just man, man, stop doing this to us.

1406
01:18:01,160 --> 01:18:04,080
Speaker 1: Man and stop me when I'm bagging yud and stop

1407
01:18:04,200 --> 01:18:07,920
Speaker 1: doing this to us. Dog. Man, I start reading, start

1408
01:18:07,960 --> 01:18:10,799
Speaker 1: doing our research, don't just go people. Letting know people's

1409
01:18:10,800 --> 01:18:14,639
Speaker 1: an office, Manership means something. But man, y'all already did it. Man,

1410
01:18:14,760 --> 01:18:19,439
Speaker 1: So I'm still coming home. Man. But man, yeah, I

1411
01:18:19,560 --> 01:18:22,280
Speaker 1: gotta get yeah, I'm got to get it right, man,

1412
01:18:22,560 --> 01:18:25,120
Speaker 1: real man. Now, of course I don't know how to

1413
01:18:25,200 --> 01:18:30,360
Speaker 1: feel about that, man, because it's a situation where uh yeah,

1414
01:18:30,400 --> 01:18:32,120
Speaker 1: I do know how to feel about that. You don't

1415
01:18:32,200 --> 01:18:34,680
Speaker 1: lock people up for that amount of time, specially a

1416
01:18:34,840 --> 01:18:36,880
Speaker 1: child at that young gage if what he is seeing

1417
01:18:37,040 --> 01:18:38,880
Speaker 1: is true and I haven't fact checked it at all.

1418
01:18:39,720 --> 01:18:41,800
Speaker 1: So that's a that's a situation that I just want

1419
01:18:41,840 --> 01:18:46,720
Speaker 1: to speak about. Um But yeah, so yeah, that's the

1420
01:18:46,880 --> 01:18:50,680
Speaker 1: that's the game. Um So again, I just want to

1421
01:18:50,760 --> 01:18:53,360
Speaker 1: thank you everybody for watching another episode of It's Up

1422
01:18:53,400 --> 01:18:56,719
Speaker 1: There podcast with a little new channel, man's like subscribe, share,

1423
01:18:57,240 --> 01:19:00,479
Speaker 1: download the episode, Share the fucking episode. Follow me at

1424
01:19:00,560 --> 01:19:05,559
Speaker 1: fo Jo Lunium fojfo tv on YouTube, The Coach's new

1425
01:19:05,680 --> 01:19:11,520
Speaker 1: poppet artists Luna Luciano on all streaming platforms, Active and attractive,

1426
01:19:11,760 --> 01:19:13,840
Speaker 1: you know what's going on. I appreciate it by the

1427
01:19:13,920 --> 01:19:15,439
Speaker 1: tuning in on Gang