1 00:00:01,480 --> 00:00:04,000 Speaker 1: The on air moments that had the whole studio talking. 2 00:00:04,280 --> 00:00:06,760 Speaker 1: This is the year's best from Elvis Duran in the 3 00:00:06,760 --> 00:00:07,400 Speaker 1: Morning Show. 4 00:00:08,800 --> 00:00:11,280 Speaker 2: Now, remember how mad you got it me, Danielle when 5 00:00:11,280 --> 00:00:13,800 Speaker 2: I said, I don't think that voice is real because 6 00:00:13,800 --> 00:00:14,600 Speaker 2: it's too perfect. 7 00:00:15,000 --> 00:00:16,320 Speaker 3: Yes, I remember that. 8 00:00:16,600 --> 00:00:20,799 Speaker 2: And so the voice, the voice of Roomy, decided to 9 00:00:20,800 --> 00:00:25,760 Speaker 2: come in and slap me left and right. Ej welcome 10 00:00:25,800 --> 00:00:31,360 Speaker 2: to our show. Look, I've been listening to music for 11 00:00:31,400 --> 00:00:34,720 Speaker 2: a thousand years, because well look I'm old. I've heard 12 00:00:34,800 --> 00:00:39,360 Speaker 2: every artist in the business. Your voice is just right on. 13 00:00:40,159 --> 00:00:42,520 Speaker 2: It's so perfect. Every note is so pure. 14 00:00:42,760 --> 00:00:44,720 Speaker 4: Oh, thank you. I appreciate it. 15 00:00:44,760 --> 00:00:47,000 Speaker 2: But let me say something aboutj She's like, well, screw that. 16 00:00:47,120 --> 00:00:48,640 Speaker 2: I want to be a songwriter more than I do 17 00:00:48,840 --> 00:00:53,720 Speaker 2: a performer. You'd rather write songs than perform. 18 00:00:54,280 --> 00:00:59,560 Speaker 4: I have stage fright, So absolutely, Jimmy Fallon, I definitely had, 19 00:00:59,600 --> 00:01:00,760 Speaker 4: like a I could tack before. 20 00:01:01,560 --> 00:01:04,040 Speaker 2: He's a good friend of ours. He's the nicest guy 21 00:01:04,040 --> 00:01:07,080 Speaker 2: on their own nice. If Jimmy Fallon can't call me down, 22 00:01:07,120 --> 00:01:08,920 Speaker 2: maybe maybe you do have some stage fright. 23 00:01:09,040 --> 00:01:11,759 Speaker 4: Oh but he was so nice, So I did feel 24 00:01:11,800 --> 00:01:12,560 Speaker 4: really comfortable. 25 00:01:12,680 --> 00:01:15,119 Speaker 3: So wait, so you write the songs for the movie. 26 00:01:15,680 --> 00:01:18,319 Speaker 1: How do you become like the girl that's singing the 27 00:01:18,360 --> 00:01:20,440 Speaker 1: songs and now like front and center, like you could 28 00:01:20,480 --> 00:01:21,399 Speaker 1: you have said, you. 29 00:01:21,319 --> 00:01:23,000 Speaker 3: Know, I'm not singing that, I'll just write it. 30 00:01:23,280 --> 00:01:25,640 Speaker 4: I was very close to that lie. I'm not gonna lie, 31 00:01:25,720 --> 00:01:28,800 Speaker 4: but you know, I'm just I love a character. I 32 00:01:29,000 --> 00:01:31,160 Speaker 4: love you know, Maggie Chris. And when they asked me, 33 00:01:31,240 --> 00:01:33,280 Speaker 4: I was. I was honored. To be honest, that's an honor. 34 00:01:33,959 --> 00:01:36,759 Speaker 4: But I was kind of very insecure with my voice 35 00:01:36,800 --> 00:01:39,199 Speaker 4: because I've been kind of told during my k pop 36 00:01:39,200 --> 00:01:41,959 Speaker 4: training days that my voice is too like old sounding. 37 00:01:42,160 --> 00:01:46,000 Speaker 2: What oh stop it. By the way, a little unknown 38 00:01:46,040 --> 00:01:48,280 Speaker 2: fact about EJ she is seventy eight years old. 39 00:01:54,560 --> 00:01:57,680 Speaker 4: Skin carry out, Okay. 40 00:01:57,600 --> 00:02:02,880 Speaker 2: Why is that Korean skincare? It's beyond it leaps and 41 00:02:02,920 --> 00:02:06,040 Speaker 2: bounds beyond other skincare. Why why? 42 00:02:06,200 --> 00:02:06,480 Speaker 3: I don't know. 43 00:02:06,520 --> 00:02:10,040 Speaker 4: If you put a k on it Korean case food 44 00:02:10,800 --> 00:02:14,600 Speaker 4: for pasta hunters, you know what I mean for pasta? 45 00:02:14,639 --> 00:02:17,840 Speaker 2: To go to Italy for skincare, I go to Yeah. 46 00:02:17,919 --> 00:02:20,000 Speaker 1: The cooking shows, the Korean cooking shows, like there's that 47 00:02:20,040 --> 00:02:21,160 Speaker 1: refrigerator one where. 48 00:02:20,960 --> 00:02:21,680 Speaker 3: They bring the refrash. 49 00:02:21,800 --> 00:02:25,239 Speaker 1: Yeah, the skit Yeah, So they go to a celebrities 50 00:02:25,280 --> 00:02:28,320 Speaker 1: house in Korea and they get a refrigerator that's in 51 00:02:28,400 --> 00:02:31,240 Speaker 1: their house, and they go through the refrigerator and they 52 00:02:31,440 --> 00:02:35,520 Speaker 1: it's what's in their fridge. Yes, it's so good, and 53 00:02:35,560 --> 00:02:37,400 Speaker 1: everyone's skin on this show is perfect. 54 00:02:37,919 --> 00:02:40,560 Speaker 2: So you met Nate, our producer. If you went through 55 00:02:40,600 --> 00:02:43,640 Speaker 2: his refrigerator, you'd find a head from a woman he 56 00:02:43,720 --> 00:02:47,600 Speaker 2: killed three weeks ago. I'm so sorry to tell you that. 57 00:02:48,240 --> 00:02:51,120 Speaker 2: So did you know did you have a feeling did 58 00:02:51,120 --> 00:02:53,239 Speaker 2: you have a feeling that K Pop Demon Hunters would 59 00:02:53,280 --> 00:02:55,639 Speaker 2: be as massive as it is? 60 00:02:55,919 --> 00:02:59,960 Speaker 4: Definitely not. It was very I mean we I love 61 00:03:00,160 --> 00:03:02,840 Speaker 4: the film and I've always thought the storyline was just incredible. 62 00:03:02,880 --> 00:03:06,080 Speaker 4: When I first received the you know that's the just 63 00:03:06,120 --> 00:03:08,920 Speaker 4: like the offer, and when I heard the story, I 64 00:03:08,960 --> 00:03:11,320 Speaker 4: was like, Wow, this has potential to be huge, But 65 00:03:11,360 --> 00:03:13,200 Speaker 4: it's all about the execution. When we saw it at 66 00:03:13,200 --> 00:03:16,920 Speaker 4: the premiere, I was like, Wow, this is good, but 67 00:03:17,280 --> 00:03:19,400 Speaker 4: to this level, No, absolutely not. 68 00:03:19,520 --> 00:03:23,400 Speaker 2: I mean, it's insane, it's interesting how and it's a movement. 69 00:03:23,440 --> 00:03:26,040 Speaker 2: I'll just say it's a movement because hear from our perspective, 70 00:03:26,600 --> 00:03:31,400 Speaker 2: we'll play we're playing Golden right, and we'll have a 71 00:03:31,520 --> 00:03:34,600 Speaker 2: man a father call him and say, my daughter and 72 00:03:34,639 --> 00:03:39,000 Speaker 2: I actually bond over this film, and the only thing 73 00:03:39,040 --> 00:03:41,120 Speaker 2: I hate about the film is she's forced me to 74 00:03:41,160 --> 00:03:46,440 Speaker 2: watch it fifty thousand. Yeah, we love that, of course 75 00:03:46,480 --> 00:03:46,720 Speaker 2: you do. 76 00:03:48,200 --> 00:03:49,040 Speaker 5: I just so I know. 77 00:03:49,080 --> 00:03:50,600 Speaker 6: You said that you get nervous and you have stage right, 78 00:03:50,640 --> 00:03:52,440 Speaker 6: which I totally understand. Do these kind of things make 79 00:03:52,480 --> 00:03:53,480 Speaker 6: you nervous? Like right now? 80 00:03:53,840 --> 00:03:56,360 Speaker 4: Okay? I love interviews because I like feel like talking 81 00:03:56,360 --> 00:03:59,080 Speaker 4: to people. I love socializing and talking to people, so 82 00:03:59,200 --> 00:04:02,000 Speaker 4: not as much to not really when you're singing a 83 00:04:02,040 --> 00:04:05,880 Speaker 4: really hard song like Golden, Yeah, that definitely makes me get. 84 00:04:06,440 --> 00:04:09,080 Speaker 6: I think you've got the perfect career trajectory, Like if I. 85 00:04:09,080 --> 00:04:11,160 Speaker 2: Could pick it, she said before you came in, she said, 86 00:04:11,200 --> 00:04:12,080 Speaker 2: I want that career. 87 00:04:12,320 --> 00:04:14,560 Speaker 6: That's what I would want. Like famous in your thirties 88 00:04:14,600 --> 00:04:18,200 Speaker 6: so you've had a normal upbringing. Oh you understand like 89 00:04:18,360 --> 00:04:21,680 Speaker 6: what you have and buy you your cartoon so you 90 00:04:21,680 --> 00:04:23,800 Speaker 6: don't have to worry. I love that, you know, ever 91 00:04:23,880 --> 00:04:25,960 Speaker 6: being seventy eight or whatever it is and you get 92 00:04:25,960 --> 00:04:26,840 Speaker 6: to sing and write music. 93 00:04:26,880 --> 00:04:29,520 Speaker 5: I mean that would be the dream dream job. 94 00:04:29,760 --> 00:04:31,960 Speaker 4: Really, I mean, honestly, before the K pop even Hunter 95 00:04:32,080 --> 00:04:34,599 Speaker 4: is like thing k pop like I was a K 96 00:04:34,640 --> 00:04:36,760 Speaker 4: pop trainee and I you know, I got dropped, but 97 00:04:37,440 --> 00:04:39,680 Speaker 4: I found out while a songwriting that that's my personal 98 00:04:39,760 --> 00:04:43,080 Speaker 4: like my personality fits as a songwriter. And then I 99 00:04:43,160 --> 00:04:45,360 Speaker 4: might I was like to my co writere, I was like, 100 00:04:45,400 --> 00:04:47,040 Speaker 4: you know, if I ever wrote a debut as a 101 00:04:47,040 --> 00:04:49,120 Speaker 4: as a singer, I want to be an animated character. 102 00:04:49,600 --> 00:04:54,040 Speaker 2: And yeah, whoever dropped, I'm an idiot. 103 00:04:54,920 --> 00:04:56,480 Speaker 3: They might have been fired today. 104 00:04:57,160 --> 00:04:58,720 Speaker 4: It happens for it, like what you said, Like in 105 00:04:58,720 --> 00:05:02,160 Speaker 4: my twenties, I got normal, like amazing like twenties, and 106 00:05:02,200 --> 00:05:05,159 Speaker 4: then my thirties, my frontal lope is like fully developed 107 00:05:05,240 --> 00:05:06,120 Speaker 4: like I have. 108 00:05:06,680 --> 00:05:09,000 Speaker 5: You know, yeah, you can appreciate it and you're not gonna. 109 00:05:08,880 --> 00:05:13,520 Speaker 4: Lose scientifically true, you know, yes, like was my mare. 110 00:05:15,520 --> 00:05:16,000 Speaker 2: To the music? 111 00:05:16,040 --> 00:05:18,040 Speaker 3: Did you write? Did you write sodopop? 112 00:05:18,520 --> 00:05:21,040 Speaker 4: I wrote half of the songs I wrote Golden, how 113 00:05:21,040 --> 00:05:26,760 Speaker 4: It's done, the mantra and your idol and also the 114 00:05:26,800 --> 00:05:28,400 Speaker 4: parts of what it sounds like. 115 00:05:28,360 --> 00:05:31,719 Speaker 2: As wow, Okay, I have to go back for a second. 116 00:05:31,920 --> 00:05:36,560 Speaker 2: You're a K pop training yes, what does that mean? 117 00:05:37,240 --> 00:05:41,640 Speaker 4: Anxiety essentially for ten years, for a very long time, 118 00:05:42,120 --> 00:05:44,200 Speaker 4: since I was eleven, I got casted, and then you'd 119 00:05:44,200 --> 00:05:46,640 Speaker 4: go through this rigorous training system to become a k 120 00:05:46,760 --> 00:05:51,000 Speaker 4: pop idol. And so that was like eleven till twenty two. 121 00:05:51,279 --> 00:05:52,119 Speaker 2: What woah? 122 00:05:52,520 --> 00:05:54,479 Speaker 3: What are they playing through? Like what's the camp like? 123 00:05:54,600 --> 00:05:58,640 Speaker 4: Oh? It's like essentially like, uh, you learn Korean well, 124 00:05:58,640 --> 00:06:00,720 Speaker 4: O cry sorry well for me I to get better 125 00:06:00,760 --> 00:06:06,279 Speaker 4: at Korean and then dancing, singing, jazz, dancing, rapping, Chinese, Japanese. 126 00:06:06,880 --> 00:06:08,520 Speaker 2: Am I too old to do this? Am I too 127 00:06:08,560 --> 00:06:10,120 Speaker 2: old to be a pop training? 128 00:06:10,640 --> 00:06:11,760 Speaker 4: No one's ever too old. 129 00:06:14,720 --> 00:06:18,840 Speaker 2: You need to free your mind. By the way, if 130 00:06:18,839 --> 00:06:20,919 Speaker 2: you're wondering what's going on, ej is here, of course, 131 00:06:21,120 --> 00:06:23,960 Speaker 2: the voice and writer of Golden and I'm gonna play 132 00:06:24,040 --> 00:06:27,880 Speaker 2: a song from you though wait wait you you are you? 133 00:06:27,880 --> 00:06:29,800 Speaker 2: You know what I'm saying. But you have your own 134 00:06:29,839 --> 00:06:30,880 Speaker 2: album coming. 135 00:06:30,640 --> 00:06:32,320 Speaker 4: Out single right now? 136 00:06:32,520 --> 00:06:37,360 Speaker 2: Yes? Well so that's it. Well maybe maybe two songs, maybe. 137 00:06:37,120 --> 00:06:39,919 Speaker 4: Album, yes, but like yeah, essentially. 138 00:06:40,120 --> 00:06:42,600 Speaker 2: I'm play By the way, we are also live on 139 00:06:42,720 --> 00:06:45,160 Speaker 2: Z one hundred's Instagram at Z one hundred, New York. 140 00:06:45,680 --> 00:06:49,880 Speaker 2: Who gave you authority to do that? You gotta pay 141 00:06:49,880 --> 00:06:53,960 Speaker 2: her some residuals, so e j Uh. As far as 142 00:06:53,960 --> 00:06:55,760 Speaker 2: writing music, goes. I mean, we have many friends in 143 00:06:55,800 --> 00:06:59,920 Speaker 2: the music business who are writers, not to be shall 144 00:07:00,200 --> 00:07:03,040 Speaker 2: but here I go. I mean they walk out to 145 00:07:03,080 --> 00:07:05,520 Speaker 2: that mailbox every day and the checks just arrive. Man, 146 00:07:06,960 --> 00:07:10,240 Speaker 2: writing songs, it's it's a business. It's a great business. 147 00:07:10,800 --> 00:07:13,200 Speaker 2: And people a lot of people think that the performance 148 00:07:13,440 --> 00:07:16,520 Speaker 2: end is where is where the payoff is, and it 149 00:07:16,600 --> 00:07:20,400 Speaker 2: is in many ways. But writing these songs, oh my gosh, 150 00:07:20,400 --> 00:07:24,640 Speaker 2: it's definitely. Is it true? 151 00:07:24,640 --> 00:07:25,960 Speaker 3: You don't have a record deal? 152 00:07:26,800 --> 00:07:29,200 Speaker 4: Yeah, I don't I have one? Or I do have 153 00:07:29,240 --> 00:07:30,800 Speaker 4: an independent record Okay? 154 00:07:30,760 --> 00:07:32,560 Speaker 1: Yes, do you want a major label or do you 155 00:07:32,880 --> 00:07:35,320 Speaker 1: like I don't. 156 00:07:35,680 --> 00:07:36,320 Speaker 3: I don't think you do. 157 00:07:36,520 --> 00:07:40,880 Speaker 2: Let me be your manager. I need cash. I need cash. 158 00:07:42,000 --> 00:07:44,800 Speaker 2: So you live out in You're in New York. You're 159 00:07:44,800 --> 00:07:47,680 Speaker 2: in New Yorker, Yes I am, but but in Brooklyn, right, 160 00:07:48,320 --> 00:07:51,560 Speaker 2: and so you know, I'm I'm a Manhattan guy. Through 161 00:07:51,600 --> 00:07:54,840 Speaker 2: and through. I'm like, Oh, where do you live? Manhattan? No, Brooklyn? 162 00:07:55,360 --> 00:07:59,680 Speaker 2: Well do you ever come into our little island coled Manhattan? Yeah, 163 00:07:59,760 --> 00:08:01,920 Speaker 2: just village exactly. 164 00:08:02,000 --> 00:08:03,880 Speaker 4: That's what that you quoting me? 165 00:08:04,080 --> 00:08:09,160 Speaker 2: Yes, that's literally very much true. And then looked at 166 00:08:09,200 --> 00:08:12,520 Speaker 2: me like, oh where do you live? I said, downtown. Ah, 167 00:08:12,880 --> 00:08:14,120 Speaker 2: then I was accepted by you. 168 00:08:15,680 --> 00:08:18,480 Speaker 5: Does your skin melt a little coming into midtown? 169 00:08:21,720 --> 00:08:24,800 Speaker 2: What a life? I mean, I'm assuming we're just met. 170 00:08:24,800 --> 00:08:26,880 Speaker 2: I'm assuming that you have a great life going. 171 00:08:27,560 --> 00:08:31,720 Speaker 4: I mean definitely busy. I definitely need some sleep. What 172 00:08:32,040 --> 00:08:36,360 Speaker 4: busy with press and writing, you know and press about 173 00:08:36,400 --> 00:08:39,280 Speaker 4: being the songwriter, but also actually writing for K pop 174 00:08:39,320 --> 00:08:41,480 Speaker 4: and pop and then my artist project too. 175 00:08:42,000 --> 00:08:45,199 Speaker 2: So I mean, how does your writing process works? I mean, 176 00:08:45,840 --> 00:08:48,040 Speaker 2: out of all the songwriters we've met, I mean the 177 00:08:48,120 --> 00:08:51,240 Speaker 2: sea is and the name them, they'll they'll bring in 178 00:08:51,280 --> 00:08:53,280 Speaker 2: their voice notes or they'll bring it. They all have 179 00:08:53,360 --> 00:08:56,079 Speaker 2: a different process of how they write songs. How do 180 00:08:56,160 --> 00:08:57,079 Speaker 2: you write songs? 181 00:08:57,320 --> 00:09:00,080 Speaker 4: Well, first, I think what kind of differentiates me with 182 00:09:00,120 --> 00:09:03,600 Speaker 4: other writers? I like zoom sessions. I'm a very much 183 00:09:03,720 --> 00:09:04,280 Speaker 4: at home. 184 00:09:04,440 --> 00:09:05,439 Speaker 2: I like to vocal. 185 00:09:05,200 --> 00:09:07,720 Speaker 4: Produce and record myself. So I have my system and 186 00:09:07,760 --> 00:09:10,280 Speaker 4: my vocal chains that I love so much that he 187 00:09:10,400 --> 00:09:15,240 Speaker 4: made for me. Yes, my fiance he's also does audio engineering. 188 00:09:15,360 --> 00:09:19,640 Speaker 2: I didn't know we could refer to he. 189 00:09:20,880 --> 00:09:24,600 Speaker 4: But he essential. So basically like what I have my 190 00:09:24,720 --> 00:09:26,520 Speaker 4: you know, able to open and they would send me 191 00:09:26,520 --> 00:09:28,080 Speaker 4: a track and I would just lay down a bunch 192 00:09:28,120 --> 00:09:31,120 Speaker 4: of melodies, and with that melody, I kind of have 193 00:09:31,280 --> 00:09:35,040 Speaker 4: concepts already, or you know, or the melody inspires a concept. 194 00:09:35,080 --> 00:09:37,920 Speaker 4: So for me two important things. Concept has to be 195 00:09:37,960 --> 00:09:39,600 Speaker 4: really strong and really good melodies. 196 00:09:40,360 --> 00:09:42,760 Speaker 6: So do you first, I know, I know you just 197 00:09:42,760 --> 00:09:44,439 Speaker 6: said the concept of the melody, But do you write 198 00:09:44,520 --> 00:09:46,679 Speaker 6: the song and then pick an artist or do you 199 00:09:46,760 --> 00:09:48,839 Speaker 6: ever write a song specifically for an artist because you 200 00:09:48,880 --> 00:09:50,080 Speaker 6: think that voice would be perfect? 201 00:09:50,559 --> 00:09:54,240 Speaker 4: Definitely usually out of for like efficiency's sake, Like we 202 00:09:54,280 --> 00:09:56,640 Speaker 4: do keep like an artist in mind, but it goes 203 00:09:56,760 --> 00:09:59,160 Speaker 4: somewhere else and it's totally fine. But like, yeah, that's 204 00:09:59,240 --> 00:10:01,480 Speaker 4: usually the case. Yeah, for an artist. 205 00:10:01,760 --> 00:10:06,319 Speaker 2: Well, I'm in awe of what you do. I mean, 206 00:10:06,480 --> 00:10:08,679 Speaker 2: to be able to write a song. I mean, I 207 00:10:08,720 --> 00:10:10,839 Speaker 2: can't even draw a sick figure. I have no art 208 00:10:10,920 --> 00:10:12,160 Speaker 2: at all in my lind I mean, this is an 209 00:10:12,240 --> 00:10:15,800 Speaker 2: artist right here. Gandhi is an artist, and Danielle you 210 00:10:15,840 --> 00:10:19,800 Speaker 2: would easily be a superstar in a Broadway show. And 211 00:10:19,840 --> 00:10:23,080 Speaker 2: I'm just having that thing that you were born with, 212 00:10:23,960 --> 00:10:27,200 Speaker 2: that that God or the universe gave you or bestowed 213 00:10:27,280 --> 00:10:30,320 Speaker 2: upon you. It's just a magical thing. I mean, do 214 00:10:30,360 --> 00:10:34,600 Speaker 2: you actually sit down with yourself and go, Okay, I'm 215 00:10:34,720 --> 00:10:39,080 Speaker 2: very grateful for what's happening here. I mean, what's that? 216 00:10:39,280 --> 00:10:41,800 Speaker 2: What's that like? Because anyone listening right now, no matter 217 00:10:41,840 --> 00:10:44,040 Speaker 2: what they're doing in life, they should have those same 218 00:10:44,080 --> 00:10:45,439 Speaker 2: conversations with themselves. 219 00:10:45,760 --> 00:10:48,760 Speaker 4: Yeah. I think one thing for sure that I that 220 00:10:48,840 --> 00:10:51,040 Speaker 4: I wish, I mean I wish, like I think would 221 00:10:51,040 --> 00:10:55,080 Speaker 4: helped me before this all happened. That helped. What I heard, 222 00:10:55,120 --> 00:10:58,880 Speaker 4: like interviews with writers is that imposter syndrome was really normal. 223 00:10:59,400 --> 00:11:02,600 Speaker 4: So I am feeling I'm grateful, but imposter syndrome just 224 00:11:02,640 --> 00:11:06,760 Speaker 4: never goes away. I'm always like, this is cool, but like, 225 00:11:07,160 --> 00:11:09,080 Speaker 4: am I really good? I don't know, Like sometimes I 226 00:11:09,160 --> 00:11:12,640 Speaker 4: question it still can I keep going? Like can I 227 00:11:12,640 --> 00:11:14,760 Speaker 4: write another really good song? Like that's always in my 228 00:11:14,840 --> 00:11:16,720 Speaker 4: head so like, but I think that's a good thing 229 00:11:16,760 --> 00:11:18,880 Speaker 4: because it does like push me to like keep getting better. 230 00:11:19,240 --> 00:11:21,040 Speaker 4: I'm still wanting to get better. I still have a 231 00:11:21,080 --> 00:11:21,760 Speaker 4: lot to work on. 232 00:11:21,920 --> 00:11:24,840 Speaker 2: I think I think those conversations with yourself can be healthy. 233 00:11:24,840 --> 00:11:26,800 Speaker 2: It some I think it is not to the point 234 00:11:26,800 --> 00:11:28,360 Speaker 2: where it just drags you down. 235 00:11:30,600 --> 00:11:34,080 Speaker 6: Are you fully prepared for Halloween and everybody being roomy? 236 00:11:34,240 --> 00:11:36,480 Speaker 4: I am so excited are you don't want to out 237 00:11:37,000 --> 00:11:38,600 Speaker 4: like we have a bet with the other girls, like 238 00:11:38,600 --> 00:11:41,600 Speaker 4: with Audrey and Ray and we're just like I wonder 239 00:11:41,600 --> 00:11:47,280 Speaker 4: who's which character is gonna be the most popular? Okay, 240 00:11:47,360 --> 00:11:49,240 Speaker 4: because like I was like maybe Bob, because like it's 241 00:11:49,240 --> 00:11:53,199 Speaker 4: so easy. Now it's what's on the line with this bet? 242 00:11:53,720 --> 00:11:56,800 Speaker 4: Food always food? 243 00:11:57,200 --> 00:11:57,360 Speaker 2: Way? 244 00:11:57,360 --> 00:11:58,480 Speaker 3: Are those your real eyes? 245 00:11:58,800 --> 00:11:59,920 Speaker 4: What do you mean, Gore? 246 00:12:00,200 --> 00:12:01,920 Speaker 5: I can't ask that. Are those contents? 247 00:12:01,960 --> 00:12:02,120 Speaker 2: Yes? 248 00:12:02,160 --> 00:12:03,040 Speaker 4: Those are my contacts? 249 00:12:03,080 --> 00:12:05,520 Speaker 2: I always my gosh, the real eyes. 250 00:12:06,160 --> 00:12:06,760 Speaker 4: It's a Korean? 251 00:12:06,920 --> 00:12:07,719 Speaker 2: Is that a Korean thing? 252 00:12:08,559 --> 00:12:10,320 Speaker 4: I got eye contacts? 253 00:12:10,760 --> 00:12:16,360 Speaker 2: Can I go to Korea get someone else's eyes? I'm 254 00:12:16,360 --> 00:12:17,800 Speaker 2: gonna go to Turkey, get no hair. 255 00:12:18,480 --> 00:12:20,400 Speaker 4: I'm going to Korea's good at that too? 256 00:12:20,480 --> 00:12:23,480 Speaker 2: And slitting you? Oh my god? If I but look 257 00:12:23,520 --> 00:12:25,719 Speaker 2: at this, I got this. I need Korean hair right here? 258 00:12:25,960 --> 00:12:26,839 Speaker 4: You still go to Korea? 259 00:12:26,920 --> 00:12:27,920 Speaker 2: Who do you know? Who? 260 00:12:28,000 --> 00:12:29,120 Speaker 5: Know? 261 00:12:29,800 --> 00:12:32,480 Speaker 2: Who is this person over here? This is my niece Ella, 262 00:12:33,160 --> 00:12:35,679 Speaker 2: Come here, come here, come here? Have you met? Did 263 00:12:35,720 --> 00:12:36,000 Speaker 2: you meet? 264 00:12:36,000 --> 00:12:36,199 Speaker 4: E J? 265 00:12:36,360 --> 00:12:37,880 Speaker 2: Back in the background, so futile. 266 00:12:39,600 --> 00:12:42,160 Speaker 3: So she she skipped school today just to meet you. 267 00:12:42,400 --> 00:12:43,960 Speaker 3: I guess she's being for Halloween. 268 00:12:45,840 --> 00:12:49,040 Speaker 2: Yeah, talking to the that's so cool, Hi. 269 00:12:50,960 --> 00:12:51,840 Speaker 4: Guy, answered for her. 270 00:12:51,880 --> 00:12:56,600 Speaker 2: Sorry, do your friends at school know that you're meeting 271 00:12:56,840 --> 00:13:00,200 Speaker 2: J today? And have they said anything to you about that? 272 00:13:02,480 --> 00:13:05,920 Speaker 2: They were just surprised that I'm meeting her. Oh well, 273 00:13:06,000 --> 00:13:09,079 Speaker 2: you're so beautiful and smart and gorgeous, and I bet 274 00:13:09,120 --> 00:13:10,959 Speaker 2: they loved you before you met a J. So you 275 00:13:11,000 --> 00:13:12,760 Speaker 2: guys have going for you? 276 00:13:12,880 --> 00:13:14,680 Speaker 4: Go ahead, Oh what's your Why do you like me 277 00:13:14,720 --> 00:13:16,080 Speaker 4: so much? I was curious, what do you. 278 00:13:18,720 --> 00:13:22,560 Speaker 2: Because she's the best one. 279 00:13:22,640 --> 00:13:28,120 Speaker 4: Yeah, that's like the best answer, I mean, the best. 280 00:13:28,240 --> 00:13:29,840 Speaker 2: To the point. Okay, go sit down and get out 281 00:13:29,840 --> 00:13:31,280 Speaker 2: of it. 282 00:13:31,520 --> 00:13:32,760 Speaker 4: She's so cute. 283 00:13:32,760 --> 00:13:34,120 Speaker 3: Thank you. 284 00:13:34,440 --> 00:13:37,559 Speaker 2: Gosh. When I was a kid, I was never that cute. 285 00:13:39,320 --> 00:13:42,200 Speaker 2: So I'm going to play you're saying, why are you laughing? 286 00:13:43,080 --> 00:13:44,199 Speaker 2: Don't laugh at failure. 287 00:13:45,880 --> 00:13:47,160 Speaker 5: All I ever wanted to be was a nine year 288 00:13:47,160 --> 00:13:47,520 Speaker 5: old girl. 289 00:13:47,559 --> 00:13:49,920 Speaker 2: That's all I mean. 290 00:13:49,920 --> 00:13:50,839 Speaker 4: You're so successful. 291 00:13:51,960 --> 00:13:55,240 Speaker 2: The universe dashed by hope. I want to play your song, 292 00:13:56,520 --> 00:14:01,840 Speaker 2: and you're welcome. She's more than Roomy the voice of Roomy, 293 00:14:02,120 --> 00:14:08,040 Speaker 2: she's EJ. She's the voice of EJ. So talk about 294 00:14:08,040 --> 00:14:09,079 Speaker 2: this song we're about to play. 295 00:14:09,679 --> 00:14:14,360 Speaker 4: Okay, in another world is a song in another world? 296 00:14:15,040 --> 00:14:19,080 Speaker 4: And yeah, so in another world it's Basically I wrote 297 00:14:19,120 --> 00:14:21,320 Speaker 4: this song like two years ago at a song camp 298 00:14:21,960 --> 00:14:26,239 Speaker 4: and during the camp, oh, like it's like a songwriting 299 00:14:26,320 --> 00:14:28,880 Speaker 4: like week, so you like are with different producers and 300 00:14:28,880 --> 00:14:32,880 Speaker 4: writers for each for each day and like, yeah, you 301 00:14:32,920 --> 00:14:35,640 Speaker 4: just write songs for a purpose. For that one, it 302 00:14:35,680 --> 00:14:38,440 Speaker 4: was like for sync or for like a movie or something. 303 00:14:39,120 --> 00:14:41,680 Speaker 4: And it was in Canada and I wrote it with 304 00:14:41,720 --> 00:14:48,120 Speaker 4: my co writers Teddy and Brie. And essentially, like during 305 00:14:48,120 --> 00:14:52,320 Speaker 4: that time, my fiance and I had a really healthy break. 306 00:14:52,760 --> 00:14:55,000 Speaker 4: It was intentional. We were really good, but we wanted 307 00:14:55,000 --> 00:14:59,200 Speaker 4: to break so much. 308 00:14:59,680 --> 00:14:59,920 Speaker 6: Shame. 309 00:15:00,200 --> 00:15:04,960 Speaker 2: Yeah, but like it's it's always right. 310 00:15:04,840 --> 00:15:07,880 Speaker 4: Yeah, But like you know, during this time, like you know, 311 00:15:07,960 --> 00:15:11,680 Speaker 4: we were thinking about like you know, I needed some 312 00:15:11,960 --> 00:15:16,320 Speaker 4: like essentially space to reassess. And it was like if 313 00:15:16,320 --> 00:15:18,320 Speaker 4: we were to part ways, like what's a way to 314 00:15:18,360 --> 00:15:21,640 Speaker 4: cope with that? And for me, it was you know, 315 00:15:21,880 --> 00:15:26,200 Speaker 4: just knowing that maybe just like in this lifetime it 316 00:15:26,280 --> 00:15:28,440 Speaker 4: was just not meant for us. You know, the trauma 317 00:15:28,520 --> 00:15:30,960 Speaker 4: and the you know, baggage that we had kind of 318 00:15:31,000 --> 00:15:33,600 Speaker 4: cause the resentment. So it's not you or me that's 319 00:15:33,640 --> 00:15:36,000 Speaker 4: the issue. It is just in this life we had it. 320 00:15:36,040 --> 00:15:39,320 Speaker 4: So it's like accepting that and the whole idea of 321 00:15:39,360 --> 00:15:42,520 Speaker 4: like infinite reality is kind of took off a lot 322 00:15:42,560 --> 00:15:43,720 Speaker 4: of the weight off the pressure. 323 00:15:44,200 --> 00:15:49,080 Speaker 2: This is a deep song. Yeah, it's play. It really 324 00:15:49,120 --> 00:15:50,280 Speaker 2: is too much for me to comprehend. 325 00:15:50,280 --> 00:15:51,640 Speaker 5: It's like a fantasy breakup song. 326 00:15:51,720 --> 00:15:54,640 Speaker 4: But it it's not just like relationships like romantic. It 327 00:15:54,680 --> 00:15:57,040 Speaker 4: also is like relationship with me and myself as a kid, 328 00:15:57,120 --> 00:15:58,880 Speaker 4: my dream to become a singer, like I had to 329 00:15:58,960 --> 00:16:01,240 Speaker 4: let that go, and the way of like hoping what 330 00:16:01,280 --> 00:16:03,400 Speaker 4: that was just like accepting the fact that like in 331 00:16:03,440 --> 00:16:05,920 Speaker 4: this lifetime, you know, it's just not meant for it, 332 00:16:06,000 --> 00:16:07,520 Speaker 4: but you know it's okay. I bet, I bet in 333 00:16:07,520 --> 00:16:11,440 Speaker 4: another lifetime, like I'm probably killing it. It's okayble vital. 334 00:16:13,120 --> 00:16:15,000 Speaker 5: You are a singer, like you want it or not, 335 00:16:15,120 --> 00:16:15,600 Speaker 5: it's happening. 336 00:16:15,840 --> 00:16:17,680 Speaker 4: It's kind of weird that in my lifetime right now, 337 00:16:17,680 --> 00:16:21,160 Speaker 4: it's kind of like two lifetimes happening at once. It's crazy. 338 00:16:21,280 --> 00:16:25,000 Speaker 2: I'm not using his name even though I know his name. 339 00:16:25,320 --> 00:16:27,720 Speaker 2: What does he think of this song? Come on? What 340 00:16:27,760 --> 00:16:28,680 Speaker 2: do you think of the song? 341 00:16:29,160 --> 00:16:29,440 Speaker 4: Sam? 342 00:16:29,760 --> 00:16:32,280 Speaker 2: Okay? Sam? I don't know if beautiful? 343 00:16:32,480 --> 00:16:35,280 Speaker 7: Yeah, I mean it makes me cry, like I mean 344 00:16:35,360 --> 00:16:38,760 Speaker 7: watching her like the music video definitely made me cry, 345 00:16:38,960 --> 00:16:39,600 Speaker 7: like instant. 346 00:16:39,840 --> 00:16:40,680 Speaker 4: He doesn't cry. 347 00:16:40,960 --> 00:16:41,360 Speaker 2: Yeah, I'm not. 348 00:16:41,480 --> 00:16:43,800 Speaker 7: I'm not much of a crier, but like, I couldn't 349 00:16:43,840 --> 00:16:46,880 Speaker 7: hold back just watching those little clips of you, like 350 00:16:47,040 --> 00:16:48,600 Speaker 7: as a kid, like on the piano. 351 00:16:48,680 --> 00:16:50,960 Speaker 2: Oh my god, you guys should break you should break up. 352 00:16:50,960 --> 00:16:56,400 Speaker 2: More came with a really good career. 353 00:16:58,400 --> 00:17:01,680 Speaker 7: Her songs were you know, based on our relationship. 354 00:17:02,440 --> 00:17:03,400 Speaker 2: Are you okay with that? 355 00:17:03,560 --> 00:17:10,399 Speaker 4: My first hit song is called Psycho. 356 00:17:10,560 --> 00:17:16,320 Speaker 2: I mean, in my perspective, I'm gonna play in another world. 357 00:17:17,480 --> 00:17:21,280 Speaker 2: I mean they broke up, temporarily break, they had a break, 358 00:17:21,800 --> 00:17:24,439 Speaker 2: a good break, and then the song came out of that. 359 00:17:25,840 --> 00:17:28,199 Speaker 2: Let's see what we think about it about this. This 360 00:17:28,280 --> 00:17:43,000 Speaker 2: is EJ in another World? Wow? Wow Wow, I mean 361 00:17:43,359 --> 00:17:45,200 Speaker 2: wow beautiful? Is wow a good word? 362 00:17:45,640 --> 00:17:45,840 Speaker 4: Wow? 363 00:17:47,119 --> 00:17:49,440 Speaker 2: That was beautiful And I gotta, I gotta, I gotta 364 00:17:49,560 --> 00:17:52,040 Speaker 2: have to share with everyone listening to us right now, 365 00:17:53,160 --> 00:17:57,320 Speaker 2: watching an artist listen to their song on the radio 366 00:17:57,359 --> 00:18:02,080 Speaker 2: for the first time. Nothing better. Yeah, I mean, Chicken 367 00:18:02,119 --> 00:18:03,040 Speaker 2: parm is number one, But. 368 00:18:04,480 --> 00:18:05,840 Speaker 3: I think Sam was excited. 369 00:18:06,400 --> 00:18:07,320 Speaker 5: Did you cry? 370 00:18:07,800 --> 00:18:12,480 Speaker 2: Yeah, like myyes, right now, Psycho, Sam's crying. 371 00:18:14,600 --> 00:18:20,120 Speaker 7: I do have feelings sometimes and. 372 00:18:20,080 --> 00:18:22,560 Speaker 2: The text coming through everyone loves it. Oh my gosh, 373 00:18:23,160 --> 00:18:25,840 Speaker 2: look at that. Congratulations, Thank you so much. 374 00:18:26,880 --> 00:18:31,160 Speaker 3: One more question ask Ameleon questions Top Demon Hunters two. 375 00:18:31,960 --> 00:18:35,679 Speaker 4: Mmmm, I would love that too, Okay, m hmm, I 376 00:18:35,680 --> 00:18:38,120 Speaker 4: mean probably, let's like. 377 00:18:38,119 --> 00:18:42,400 Speaker 3: Be real, yeah, three and four and five. 378 00:18:42,359 --> 00:18:43,360 Speaker 4: That's the dream? Yeah? 379 00:18:44,520 --> 00:18:47,000 Speaker 6: Is Golden your favorite song from the soundtrack? 380 00:18:47,160 --> 00:18:48,160 Speaker 4: Yes, it's the one. 381 00:18:48,119 --> 00:18:48,600 Speaker 2: Very much so. 382 00:18:48,760 --> 00:18:51,720 Speaker 4: When I when we wrote that, it's just like when 383 00:18:51,760 --> 00:18:54,080 Speaker 4: we wrote it it was a last song. It's just 384 00:18:54,119 --> 00:18:56,880 Speaker 4: everything just like came together so easily for that song, 385 00:18:56,960 --> 00:18:59,000 Speaker 4: and the moment the melody came out, I was like, wow, 386 00:18:59,200 --> 00:19:02,879 Speaker 4: like this is awesome. Yeah, it was just like it 387 00:19:03,040 --> 00:19:05,280 Speaker 4: just felt really good. And as a songwriter, we have 388 00:19:05,359 --> 00:19:07,119 Speaker 4: those moments and that was that. And I love that 389 00:19:07,160 --> 00:19:08,119 Speaker 4: your mic is Golden. 390 00:19:08,400 --> 00:19:14,399 Speaker 2: Well is that intentional? It's great. It's like the shiniest 391 00:19:14,400 --> 00:19:15,280 Speaker 2: gold one. 392 00:19:16,640 --> 00:19:16,840 Speaker 7: Great. 393 00:19:17,119 --> 00:19:18,280 Speaker 3: I'm a little mad though. 394 00:19:19,000 --> 00:19:23,159 Speaker 2: But hey, I know you are definitely leaning towards the 395 00:19:23,160 --> 00:19:26,280 Speaker 2: songwriting thing. But your voice is just can't you do both? 396 00:19:26,320 --> 00:19:29,399 Speaker 2: Why are you gonna be so stingy like that? Can 397 00:19:29,480 --> 00:19:31,520 Speaker 2: you both? I'll try to come on. 398 00:19:33,400 --> 00:19:36,040 Speaker 4: Singing is like I love singing and I love like 399 00:19:36,119 --> 00:19:39,159 Speaker 4: recording As a recording artist, I definitely like figured that 400 00:19:39,200 --> 00:19:42,399 Speaker 4: part out, but like performing is a whole different beast. 401 00:19:42,520 --> 00:19:44,560 Speaker 4: It's a very different muscle, and I'm trying to like 402 00:19:44,600 --> 00:19:45,400 Speaker 4: work on that part. 403 00:19:45,880 --> 00:19:48,119 Speaker 6: Is there an artist that you that would make you 404 00:19:48,200 --> 00:19:50,080 Speaker 6: kind of come out of that stage fright to perform 405 00:19:50,119 --> 00:19:51,760 Speaker 6: with them because you love this person so much? 406 00:19:52,720 --> 00:19:57,359 Speaker 4: Julia michaels that happen. I think you told me your 407 00:19:57,359 --> 00:19:59,359 Speaker 4: story and I'm like, oh wait, she kind of sounds 408 00:19:59,359 --> 00:20:01,040 Speaker 4: like what I what's going. 409 00:20:00,880 --> 00:20:04,800 Speaker 2: Through exactly, and then she's she's maneuvering it. Yeah, I 410 00:20:04,840 --> 00:20:05,960 Speaker 2: love them a different aisle now. 411 00:20:06,040 --> 00:20:07,959 Speaker 4: She's such I respect her so much and I like 412 00:20:08,080 --> 00:20:09,280 Speaker 4: learned she's in inspiration. 413 00:20:09,520 --> 00:20:11,680 Speaker 3: Didn't Bad Bunny dude the song on s n L 414 00:20:11,840 --> 00:20:13,160 Speaker 3: the other night? How cool was that? 415 00:20:13,200 --> 00:20:17,480 Speaker 4: It was so fun? Says every time was amazing. 416 00:20:18,480 --> 00:20:20,399 Speaker 2: If it doesn't work out with Sam Bad Bunny, I 417 00:20:20,400 --> 00:20:25,840 Speaker 2: see you. 418 00:20:26,640 --> 00:20:28,920 Speaker 3: All back off. 419 00:20:30,080 --> 00:20:33,480 Speaker 2: We just played of Course's song in another world. This 420 00:20:33,560 --> 00:20:35,480 Speaker 2: text says, what an amazing song you just played by 421 00:20:35,960 --> 00:20:39,240 Speaker 2: j It's perfect for what I'm going through right now 422 00:20:39,240 --> 00:20:42,200 Speaker 2: in my marriage with the space between us. I'm in tears. 423 00:20:42,880 --> 00:20:45,080 Speaker 2: Another text I work in elementary school, and I can 424 00:20:45,119 --> 00:20:47,000 Speaker 2: tell you roomy is winning Halloween. 425 00:20:48,119 --> 00:20:49,720 Speaker 5: Just going to pick the most expensive restaurant. 426 00:20:49,720 --> 00:20:51,600 Speaker 4: We just oh yeah, yeah, let's do that. 427 00:20:51,680 --> 00:20:54,560 Speaker 2: Thank you for Thank you for waking up early and 428 00:20:54,640 --> 00:20:56,600 Speaker 2: coming in in the middle of the night to see us. 429 00:20:56,640 --> 00:20:57,320 Speaker 2: I appreciate it. 430 00:20:57,720 --> 00:21:00,440 Speaker 4: Thank you for having it all from Brooklyn. 431 00:21:01,119 --> 00:21:07,640 Speaker 2: You must be just so hard, just tired. So what's 432 00:21:07,640 --> 00:21:08,960 Speaker 2: the rest of your day. You're gonna go home and 433 00:21:08,960 --> 00:21:09,480 Speaker 2: go back to bed. 434 00:21:09,840 --> 00:21:13,119 Speaker 4: I'm gonna go see the billboard in Times Square. 435 00:21:13,200 --> 00:21:18,040 Speaker 2: You have a billboard Times Square that's gonna be post it. 436 00:21:18,040 --> 00:21:20,280 Speaker 2: Can we see you? You have to do? That's me. 437 00:21:21,200 --> 00:21:27,399 Speaker 2: Are you gonna pull people over? Hey, that's me. I'm like, 438 00:21:29,560 --> 00:21:34,480 Speaker 2: you go get dirty, Almo, you know the dirty Give me. 439 00:21:36,200 --> 00:21:37,159 Speaker 5: Well, what a morning for you? 440 00:21:37,080 --> 00:21:38,520 Speaker 6: You got to hear your song on the radio for 441 00:21:38,520 --> 00:21:39,879 Speaker 6: the first time, and now you're gonna go see your 442 00:21:39,880 --> 00:21:40,800 Speaker 6: billboard in Times Square. 443 00:21:40,880 --> 00:21:44,159 Speaker 4: Best morning efter, Thank you, Good for you. 444 00:21:44,400 --> 00:21:48,080 Speaker 2: Congratulations on everything that's happening and everything that is going 445 00:21:48,119 --> 00:21:51,360 Speaker 2: to happen, because that's that's going to be really exciting. 446 00:21:51,520 --> 00:21:52,400 Speaker 4: I appreciate that. 447 00:21:52,440 --> 00:22:01,080 Speaker 2: You better not screw this up saying I'm trying. You 448 00:22:01,080 --> 00:22:02,080 Speaker 2: have to be the villain. 449 00:22:02,600 --> 00:22:04,280 Speaker 5: Sam's never going to approach another radio and. 450 00:22:06,359 --> 00:22:09,560 Speaker 2: Sam it was great. Heavy You here too. The new single. 451 00:22:11,040 --> 00:22:14,520 Speaker 2: The new single is in Another World. I asked about 452 00:22:14,560 --> 00:22:17,960 Speaker 2: the album, not getting an answer, But if you're a 453 00:22:18,000 --> 00:22:21,000 Speaker 2: songwriter like you are, I'm sure you'll write yourself a 454 00:22:21,000 --> 00:22:23,560 Speaker 2: couple of little songs. Definitely, EJ. Thanks for coming. 455 00:22:25,600 --> 00:22:27,119 Speaker 5: I ever wondered what we look like. 456 00:22:27,760 --> 00:22:29,040 Speaker 2: Do you think I look in bread? 457 00:22:29,240 --> 00:22:29,560 Speaker 4: I do. 458 00:22:30,040 --> 00:22:34,000 Speaker 1: Follow us on Instagram at Elvis Duran Show, Elvis Duran 459 00:22:34,080 --> 00:22:34,840 Speaker 1: in the Morning Show,