WEBVTT - Episode 422 w/ Buju Banton

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<v Speaker 1>He is drink Champs Motherfucky podcast man. He's a legendary

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<v Speaker 1>queens rapper. He's agreed as your boy in O r E.

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<v Speaker 1>He's a Miami hip hop yon there p up as

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<v Speaker 1>dj e f N.

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<v Speaker 2>Together they drink it up with some of the biggest players,

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<v Speaker 2>you know what I mean.

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<v Speaker 3>And the most professional unprofessional podcast and your number one

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<v Speaker 3>source for drunk chans mother every day is do ye

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<v Speaker 3>see listen, It's time for drink Champions, drink up Mother Mother.

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<v Speaker 1>What a good boy in O R E? What up

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<v Speaker 1>is d j E f N?

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<v Speaker 3>This min tepa crazy world podcast makes some And when

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<v Speaker 3>I tell you we started this show, we wanted to,

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<v Speaker 3>you know, pay love and pay homage to legends and icons,

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<v Speaker 3>people that came before us and people that's holding it down.

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<v Speaker 3>This man right here, I want to say this out front,

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<v Speaker 3>and I want people to try to challenge me. This

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<v Speaker 3>man might be the greatest performer.

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<v Speaker 1>On Earth. Notice I didn't say greatest reggae.

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<v Speaker 3>Performer or dancehole performer or Jamaican performer. I said one

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<v Speaker 3>of the greatest performer on Earth. No man wants to

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<v Speaker 3>go on stage after him. We researched his music and

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<v Speaker 3>when I tell you, Roster, the man dim right there.

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<v Speaker 3>We since we've been doing this for eight years, well

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<v Speaker 3>race one day on someone's music and go research it.

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<v Speaker 3>Me and Roster Man listen to this man for five

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<v Speaker 3>days traits. We couldn't stop listening. We couldn't stop because

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<v Speaker 3>the man, when I listened to the to the that

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<v Speaker 3>phrase the mandem, he's the mandim.

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<v Speaker 1>I know that people call him the king.

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<v Speaker 3>He doesn't like being called the king because he's a

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<v Speaker 3>humble servant. But I tell you, like this from the people,

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<v Speaker 3>you are a king to us. You just sold out

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<v Speaker 3>New York City thirty six thousand two shows, first reggae

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<v Speaker 3>artist to ever do.

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<v Speaker 1>That by himself.

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<v Speaker 3>He also in one year sold more singles than Bob Marley.

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<v Speaker 3>He is a legend, legend, an icon of an icon.

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<v Speaker 3>In case you don't know who were talking about, were

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<v Speaker 3>talking about the one and only. I'm gonna be honest

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<v Speaker 3>with you.

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<v Speaker 1>I was so honored. You know what I mean when they.

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<v Speaker 3>Said that, you know, Bouju is coming here because are are.

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<v Speaker 3>Our show is about giving people flowers when they're alive,

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<v Speaker 3>giving people there you know their praises, and you are

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<v Speaker 3>somebody that you know you deserve this man like you

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<v Speaker 3>deserve like what you're doing and continue to inspire. But

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<v Speaker 3>let's talk about when you first came home from jail, right,

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<v Speaker 3>it was a it was a moment in the airport

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<v Speaker 3>right where the people rust you, right, and I can

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<v Speaker 3>tell you you're a man of the.

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<v Speaker 1>People, but you also was a man of privacy.

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<v Speaker 4>I can tell Yeah, that was a very very very painful, dramatic.

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<v Speaker 4>So read the moment, you know what, touching the side

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<v Speaker 4>of JAMAICANFTA, so many tribulations and seeing the massis coordinate

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<v Speaker 4>the airport.

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<v Speaker 5>You don't want they want to feed like you're doing.

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<v Speaker 4>You don't appreciate your efforts, you know, giving you a

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<v Speaker 4>warm welcome home.

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<v Speaker 5>But we still wanting a man they come of this process.

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<v Speaker 5>All that was happening a.

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<v Speaker 4>Lot to impact the Yeah, I came home, Diesel too. Well,

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<v Speaker 4>I'm under the work, you know. You know I record

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<v Speaker 4>three times I did wow in those days. I'm around

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<v Speaker 4>our school, I'm going around the yard and I'm gonna

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<v Speaker 4>around the chapel, so I have a fit.

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<v Speaker 1>Yeah, yeah, So it's a difference. Right.

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<v Speaker 3>Let me ask you this is this is a question

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<v Speaker 3>I've been wanting to ask somebody for years as a Okay,

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<v Speaker 3>I'm gonna call myself it as a Yankee.

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<v Speaker 1>Yeah right. What is the difference between dancehall and reggae? Answer?

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<v Speaker 4>I was really younger people express themselves. Where will get

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<v Speaker 4>more sexualized, we get more slangy. Reggae music is where

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<v Speaker 4>we speak to the soul. Reggae music is what our

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<v Speaker 4>ancestors and our forefathers left with us to keep us

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<v Speaker 4>close to the connection to God.

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<v Speaker 5>Because this music wasn't given to us by a man.

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<v Speaker 4>This is music was a divine music sent to an

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<v Speaker 4>island of an hundred and father for a square miles.

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<v Speaker 4>With our population at that time, I've nearly won pint

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<v Speaker 4>four or five million people. But their struggles and their

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<v Speaker 4>tenacity to withstand these struggles was so much so that

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<v Speaker 4>the fire themselves side fitting for them to be blessed

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<v Speaker 4>with their music of their own, to express their ideas

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<v Speaker 4>and ideology and their pin and their praises. And so

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<v Speaker 4>Reggae music was borned by the great Starlos. First we

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<v Speaker 4>had to count Machuke, and then we have Kings Titch.

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<v Speaker 1>Big, You you Ride, I Ride.

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<v Speaker 4>We have Bob Miley, we have the bit attached to

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<v Speaker 4>have the burning spears, and we have countless a group

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<v Speaker 4>of catalyzes, the heptunes, the techniques. We had many great

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<v Speaker 4>style warts who came along who understood the assignment, you

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<v Speaker 4>know what I'm saying, And that's why reggae music is

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<v Speaker 4>here now because they understood the assignment. Now, we came

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<v Speaker 4>along as a later generation of musicians who knew that

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<v Speaker 4>our predecessors unders put the assignment and we needed to

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<v Speaker 4>understand the assignment.

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<v Speaker 5>So I see myself as a last last.

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<v Speaker 4>Of the more econs, you know, reggae music spear who

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<v Speaker 4>come with that old school knowledge, who knows that this

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<v Speaker 4>music must feed my people, educate them, uplift them, eradicate negativity.

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<v Speaker 5>From their minds, and allow them to whine at the

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<v Speaker 5>same time.

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<v Speaker 1>It's a great.

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<v Speaker 3>So let me just tell you, you know, I live

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<v Speaker 3>a bunch of white neighbors, a bunch of white people,

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<v Speaker 3>and it's two things I like to do.

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<v Speaker 1>I like to bump reggae music around. They don't get

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<v Speaker 1>playing for some reason. You can pump reggae music at

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<v Speaker 1>the highest lack level and it's okay. It's only two

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<v Speaker 1>music you can do that with. It's reggae and South sad.

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<v Speaker 6>That's it's like they won't but it's it's, it's it's

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<v Speaker 6>I see the difference, like and I'm I'm bouncing all

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<v Speaker 6>over the place, like when you first entered the game.

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<v Speaker 3>And then he became raster and it seems like the

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<v Speaker 3>music became more conscious.

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<v Speaker 5>Was that like like I wouldn't say I became. I

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<v Speaker 5>would say I show you who were supposed to be.

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<v Speaker 4>It was always you can't became Okay, you can't become

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<v Speaker 4>some of your aunt because you're going to go back

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<v Speaker 4>to what it was. However, we are supposed to be

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<v Speaker 4>is what we're supposed to be, and we can't change that. However,

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<v Speaker 4>we enter the door, it's just a precursor to get

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<v Speaker 4>to her foot into the door, because I see myself

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<v Speaker 4>as servant, you know, no, you know, one day my

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<v Speaker 4>mom said to me, I think you need to go

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<v Speaker 4>live with your father. And after living with my father

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<v Speaker 4>for six months, my step mom, out of the blue

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<v Speaker 4>decide my school time was twelve o'clock and about I

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<v Speaker 4>think it was ten thirty eleven o'class in de side.

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<v Speaker 4>She wants to send me to the shop. I didn't

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<v Speaker 4>know why, but anyway, I took the bag and I

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<v Speaker 4>took the money and I went to the door. And

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<v Speaker 4>I was walking to the shop and there was a

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<v Speaker 4>mango tree in the car park and from Afar I

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<v Speaker 4>spoked this mango. It was so red. I kept looking

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<v Speaker 4>at it, and the spirit came to me. I said,

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<v Speaker 4>climb this tree, sit in it, eat this mango. Don't

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<v Speaker 4>come out until you are finished.

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<v Speaker 5>Yes, you know. I put the bag in my pocket

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<v Speaker 5>and I climbed the tree and I ate the mango.

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<v Speaker 5>When I dropped the seed on the ground, a car

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<v Speaker 5>pulled up under the mango tree and the door opened

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<v Speaker 5>and a.

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<v Speaker 1>Voice said, juvenile into a clement tiree.

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<v Speaker 5>And I looked down. I said, clod, yeah, clement Ty,

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<v Speaker 5>slide over the tree.

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<v Speaker 4>It wasn't three days later until I realized how much cut,

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<v Speaker 4>how much bruise I am on my legs. This was

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<v Speaker 4>Chavaron scarlet a tree to one called Clementine. So I

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<v Speaker 4>run to Clementary and I said, you know, Chabar. They

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<v Speaker 4>they call me Buck because it was you know, should

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<v Speaker 4>maka so to speak. He said, buck bringing wrong from

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<v Speaker 4>the back car park. So Marne go back to the

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<v Speaker 4>top car park and sad chavs. I'm saying it was

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<v Speaker 4>drive go on there so we see a big water tongue,

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<v Speaker 4>you turn right, not gonna meet your own there, mm hmm.

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<v Speaker 4>So I sat there and watched these two enterty and

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<v Speaker 4>as megastars, Chabarroks Clementine talking, you know, and they getting

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<v Speaker 4>ready to go to this this fat and I said

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<v Speaker 4>to me, Clementary said to me buck later, and Chabarrange said, no,

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<v Speaker 4>bring the soldier. So I sat in a car now

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<v Speaker 4>with the driver Chabarras up front, Clementarry there and I

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<v Speaker 4>was over here. Before I went into the car, he

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<v Speaker 4>pulled a bottle of honey and he walked over to

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<v Speaker 4>me and he said, hold this, and I was holding

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<v Speaker 4>the cock, and he poured the honey into the cock

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<v Speaker 4>and he put his finger into it and put it

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<v Speaker 4>around his joint and started smoking.

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<v Speaker 5>I said to him, why you do that? He said,

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<v Speaker 5>to keep the vice moode.

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<v Speaker 4>I knew right there and then it was a spiritual

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<v Speaker 4>thing because my love for danceland, for Chabarrange super seed.

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<v Speaker 5>So much things.

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<v Speaker 4>Because back in the days we had a song system

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<v Speaker 4>called road Star, and Roadstar used to play in our community.

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<v Speaker 5>And when he played chabarrags.

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<v Speaker 4>It's crazy because you know, when I was growing up,

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<v Speaker 4>they were few entertainers who were worthy of my time.

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<v Speaker 4>One was Major Worries. To me, Major Worries was a

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<v Speaker 4>teacher of all of us. He was so advanced in

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<v Speaker 4>his disposition and his lyrical delivery. And ironically, Liqual Twitch

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<v Speaker 4>was a produce of Major Worries. Admiral Bailey was a

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<v Speaker 4>prodigy at Major Worries. SHABAANX was a prodigy of Major Worries.

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<v Speaker 4>And I became a product ye of Melior Worries to

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<v Speaker 4>listening to Major Worries as a real road boy, because

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<v Speaker 4>in Jamaica, in order to do this music, you have

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<v Speaker 4>to be firm.

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<v Speaker 1>I got to be about that life basically.

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<v Speaker 5>Yeah. Yeah, it's not about anything else.

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<v Speaker 4>But you have to leave your experience and people see

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<v Speaker 4>you know that your experience is not far fetched.

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<v Speaker 5>You didn't create this thing to gain and support.

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<v Speaker 1>But you you are really, this is you. So we

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<v Speaker 1>had those real Bretherns.

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<v Speaker 4>Tie on ranking tie on, you know, you name them.

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<v Speaker 4>So these are men who they didn't just have this

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<v Speaker 4>these names Louis lepk, you know what I mean. So

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<v Speaker 4>we're really boys in the thing because my experience was

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<v Speaker 4>basically police brutality, gang warfare.

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<v Speaker 5>You know what I mean, people trying to kill.

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<v Speaker 4>You're trying to defend yourself against that, people trying to hustle,

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<v Speaker 4>people trying to make.

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<v Speaker 5>It so we dive it.

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<v Speaker 4>Struggles with life so wrong, so wrong, that struggle of

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<v Speaker 4>life to make it into somebody. So when the ranking

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<v Speaker 4>Carli from the tree, that's with a turning point in

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<v Speaker 4>my life, the show that.

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<v Speaker 5>I am truly a servant to come to serve the masses.

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<v Speaker 4>And even to this day when you see each other,

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<v Speaker 4>I would always remind him of the moment that you

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<v Speaker 4>call ing this little boy out of a mango tree.

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<v Speaker 1>Yes, yes, and he never forgot. He never forgot. No

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<v Speaker 1>shout out to the mango too. So is it true

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<v Speaker 1>that you had an album released Party s Obs and

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<v Speaker 1>a Man. Then come knock on the door the mandem

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<v Speaker 1>I always come for with diamond, but it was Biggie Small. Yeah. Man.

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<v Speaker 5>So I'm on sit on in a.

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<v Speaker 4>Ing so ob Virgin come knock and my mo doing

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<v Speaker 4>a cool swea. When I want to knowing that, I said,

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<v Speaker 4>what's up? Brotherhim saying my name is Biggie Smalls can

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<v Speaker 4>I come in side, I said, my biggest smart coming,

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<v Speaker 4>I'll did. We brought him inside those days I was

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<v Speaker 4>running with Lisa Cortest from a PolyGram.

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<v Speaker 1>He was already Biggie Small he was, No, it was

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<v Speaker 1>on the.

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<v Speaker 5>Up and coming. No, I didn't know that song.

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<v Speaker 4>I didn't know any song of his, but I was,

0:13:41.520 --> 0:13:43.200
<v Speaker 4>you know, my eyes first when I come to music,

0:13:43.559 --> 0:13:47.080
<v Speaker 4>because someone inspired me, so I must inspire someone else.

0:13:47.559 --> 0:13:48.880
<v Speaker 4>So I wasn't going to be the song of the

0:13:48.880 --> 0:13:51.640
<v Speaker 4>person's going to say, no, I'm not this asshole.

0:13:51.240 --> 0:13:51.720
<v Speaker 1>You know what I mean.

0:13:52.200 --> 0:13:54.440
<v Speaker 4>So I didn't know who he was when he wasn't

0:13:54.480 --> 0:13:57.640
<v Speaker 4>until when Lisa Cortest came to SOB. She said, oh,

0:13:57.720 --> 0:14:00.240
<v Speaker 4>you met Biggie Smalls. I said, oh yeah, he just

0:14:00.520 --> 0:14:03.120
<v Speaker 4>just brought him inside and we just chilling all the time.

0:14:03.480 --> 0:14:04.640
<v Speaker 4>Never seen him again from that.

0:14:05.080 --> 0:14:07.000
<v Speaker 1>Yeah, goddamn, the word is like that.

0:14:07.400 --> 0:14:09.040
<v Speaker 3>Yeah, at least at least you got to see him,

0:14:09.040 --> 0:14:11.520
<v Speaker 3>and he got to see him humble, because I mean,

0:14:11.880 --> 0:14:14.000
<v Speaker 3>you're a legend, man like, and you know he's Jamaican,

0:14:14.080 --> 0:14:15.280
<v Speaker 3>so he was probably.

0:14:15.120 --> 0:14:17.480
<v Speaker 5>Well, you know, when bigg came to Jamaica, he came

0:14:17.640 --> 0:14:18.480
<v Speaker 5>up in a wheel chair.

0:14:18.880 --> 0:14:20.440
<v Speaker 1>Oh wow, that's why he had an accident.

0:14:21.000 --> 0:14:22.800
<v Speaker 5>And it's the most gun shot he has ever heard

0:14:22.840 --> 0:14:23.280
<v Speaker 5>in that.

0:14:31.640 --> 0:14:34.600
<v Speaker 4>Because when he's performing, they was like a shot, Well on,

0:14:34.640 --> 0:14:38.040
<v Speaker 4>the person will get more respect than Biggie smiled at Jamaica.

0:14:38.040 --> 0:14:41.920
<v Speaker 4>Are two persons we love a d MX DMX and

0:14:42.000 --> 0:14:45.120
<v Speaker 4>the last person went our lord foreign Jamaica, our island

0:14:45.240 --> 0:14:46.520
<v Speaker 4>are out was fifty cent.

0:14:46.640 --> 0:14:47.440
<v Speaker 5>You know many men?

0:14:48.040 --> 0:14:50.640
<v Speaker 4>Okay they down himself sent fifty cent on the stage

0:14:50.680 --> 0:14:53.200
<v Speaker 4>and Zeke's yes, sent him and tell him go on

0:14:53.240 --> 0:14:53.560
<v Speaker 4>the stage.

0:14:53.640 --> 0:14:56.000
<v Speaker 5>Now we're ready for many men. You know he went

0:14:56.080 --> 0:14:57.840
<v Speaker 5>up there and sing it and was allowed.

0:14:57.920 --> 0:15:00.520
<v Speaker 1>You know, was Buster Rams your first feature?

0:15:01.080 --> 0:15:03.400
<v Speaker 4>Yeah, because Boster Rhymes used to hang on to them,

0:15:03.560 --> 0:15:05.160
<v Speaker 4>lose can on them and the boot us to get

0:15:05.200 --> 0:15:05.760
<v Speaker 4>up to do our song.

0:15:05.840 --> 0:15:10.200
<v Speaker 5>To get on we used to drive god Mother beat island.

0:15:10.280 --> 0:15:11.880
<v Speaker 1>Yeah. So this is where we do a wiki doc.

0:15:12.560 --> 0:15:14.200
<v Speaker 5>You know what I mean? But you know what I mean,

0:15:14.600 --> 0:15:18.360
<v Speaker 5>I really yeah the bust I really would read bad man.

0:15:18.680 --> 0:15:21.440
<v Speaker 1>Yeah, and I heard that y'all kept going back in

0:15:21.520 --> 0:15:22.400
<v Speaker 1>the sessions.

0:15:22.240 --> 0:15:24.160
<v Speaker 5>Like yeah, because we forget this right.

0:15:26.360 --> 0:15:28.400
<v Speaker 1>To get it sounds like a session.

0:15:29.840 --> 0:15:32.080
<v Speaker 3>In the basement and his malls in Long Island and

0:15:32.120 --> 0:15:33.200
<v Speaker 3>then you were staying to the city.

0:15:33.800 --> 0:15:37.960
<v Speaker 4>So we drive from seeing a wish fine tonight on Broadway,

0:15:38.280 --> 0:15:39.840
<v Speaker 4>so we used to drive all the way over to

0:15:39.840 --> 0:15:41.280
<v Speaker 4>the Long Island and no matter.

0:15:41.120 --> 0:15:42.680
<v Speaker 1>What, get back to the hood.

0:15:42.960 --> 0:15:46.480
<v Speaker 3>Okay, So let me ask you, because I I've been

0:15:46.520 --> 0:15:47.640
<v Speaker 3>watching and watching and watching.

0:15:47.960 --> 0:15:49.520
<v Speaker 1>You said something that was very interesting.

0:15:51.200 --> 0:15:56.160
<v Speaker 3>You said, apple beats gives gives props back to to reggae,

0:15:56.240 --> 0:15:57.000
<v Speaker 3>to dance hall.

0:15:57.120 --> 0:16:00.720
<v Speaker 1>Do they I heard you say that.

0:16:01.080 --> 0:16:02.720
<v Speaker 5>I don't think that. I never said that.

0:16:02.840 --> 0:16:04.840
<v Speaker 4>I said, I think you fucking perhaps back to dan

0:16:04.920 --> 0:16:05.600
<v Speaker 4>salad and reggae.

0:16:06.480 --> 0:16:11.320
<v Speaker 1>I heard it, bro, Now you really just like I

0:16:11.360 --> 0:16:13.040
<v Speaker 1>thought I heard it, heard it the other way around.

0:16:13.560 --> 0:16:15.960
<v Speaker 3>But then then I heard you say because I heard

0:16:16.000 --> 0:16:18.200
<v Speaker 3>you say apple beast, I thought I heard you say

0:16:18.240 --> 0:16:19.400
<v Speaker 3>that the apple beast.

0:16:19.320 --> 0:16:21.240
<v Speaker 1>Like you know, paint just music.

0:16:21.360 --> 0:16:27.520
<v Speaker 4>Shan out of Africa was fella cute, Yeah, fella cute.

0:16:30.560 --> 0:16:35.160
<v Speaker 4>Uh lucky do bee from South Africa. We had Sally Kita,

0:16:35.960 --> 0:16:39.400
<v Speaker 4>we have used to endor, we have Baba bah No.

0:16:41.240 --> 0:16:43.280
<v Speaker 4>No one wanted to go beyond the pale of what

0:16:43.400 --> 0:16:45.680
<v Speaker 4>those brothers was doing. I went to Africa in nineteen

0:16:45.800 --> 0:16:48.520
<v Speaker 4>ninety when and I spent like three weeks concern at

0:16:48.560 --> 0:16:53.520
<v Speaker 4>the universities can trees educating people from Ghana all over

0:16:53.600 --> 0:16:55.520
<v Speaker 4>the continent about reggae music and dance.

0:16:55.560 --> 0:16:55.760
<v Speaker 1>Sad.

0:16:55.840 --> 0:16:58.560
<v Speaker 4>But I was happy when they came to Their sense

0:16:58.640 --> 0:17:00.720
<v Speaker 4>is to realize that music is the the bridge that's

0:17:00.720 --> 0:17:02.800
<v Speaker 4>going to connect us. But what I was disappointed in

0:17:03.120 --> 0:17:05.000
<v Speaker 4>they didn't try to connect with Jamaica the rules. They

0:17:05.040 --> 0:17:08.520
<v Speaker 4>connect with everyone else except us and you.

0:17:08.600 --> 0:17:11.080
<v Speaker 1>Talking about affle beats. Yes, okay, okay, you sorry.

0:17:11.160 --> 0:17:13.800
<v Speaker 4>So they connected with everyone else except us. But when

0:17:13.840 --> 0:17:15.399
<v Speaker 4>you look at what they're doing, their music is not

0:17:15.480 --> 0:17:24.240
<v Speaker 4>free in Africa. It's fun great need a free Africa.

0:17:24.400 --> 0:17:26.960
<v Speaker 4>If I am in Germanic and my and my country

0:17:27.000 --> 0:17:30.119
<v Speaker 4>and my paper five for free. You're a continent with words,

0:17:30.200 --> 0:17:32.520
<v Speaker 4>son and power, and you have the ability to know

0:17:32.600 --> 0:17:33.720
<v Speaker 4>and now you're singing is fun?

0:17:33.800 --> 0:17:36.479
<v Speaker 1>Cret You don't sing a song to free Africa? Are

0:17:36.600 --> 0:17:40.680
<v Speaker 1>now we need? I'm bringing this to the forefront of

0:17:40.840 --> 0:17:44.160
<v Speaker 1>your mind, but we desire more from them. You want

0:17:44.200 --> 0:17:45.320
<v Speaker 1>the money, go get it.

0:17:45.960 --> 0:17:47.800
<v Speaker 4>But what's going to be said about you later on

0:17:48.240 --> 0:17:55.159
<v Speaker 4>and your posterity. You didn't make any impact. So reggae

0:17:55.240 --> 0:17:57.760
<v Speaker 4>music still stands predominant. It is still the King's music.

0:18:05.119 --> 0:18:11.080
<v Speaker 3>I can say I wasn't ready. I might have heard

0:18:11.119 --> 0:18:13.560
<v Speaker 3>it wrong, but then I also heard you say. This

0:18:13.680 --> 0:18:17.600
<v Speaker 3>is something that I've really, really really listened to you. Yes,

0:18:17.680 --> 0:18:18.679
<v Speaker 3>please tell me.

0:18:18.720 --> 0:18:19.560
<v Speaker 1>One afrobe son.

0:18:19.600 --> 0:18:20.480
<v Speaker 5>I can believe us.

0:18:22.280 --> 0:18:24.640
<v Speaker 4>Bly for us, take us from Kenny. I is suffering,

0:18:25.400 --> 0:18:28.000
<v Speaker 4>people of young men of Kenny are revolting. So Africa

0:18:28.119 --> 0:18:33.000
<v Speaker 4>is on Sudan, so Sudan, you name it. But which

0:18:33.119 --> 0:18:35.280
<v Speaker 4>one of these songs can I relate to for a

0:18:35.320 --> 0:18:36.840
<v Speaker 4>piece of mind to tell me that I'm in the

0:18:36.880 --> 0:18:39.000
<v Speaker 4>struggle and we are going to be better in the struggle,

0:18:39.240 --> 0:18:41.760
<v Speaker 4>and even though the struggle is hard, we're going to overcome.

0:18:42.760 --> 0:18:45.159
<v Speaker 1>Tell me you know what. I don't think I can

0:18:45.359 --> 0:18:47.959
<v Speaker 1>reggae music right.

0:18:49.160 --> 0:18:52.240
<v Speaker 4>Listen, A lot of culture vultures over there. We have

0:18:52.320 --> 0:18:54.000
<v Speaker 4>sat and we have watched reggae time taken.

0:18:55.640 --> 0:19:00.600
<v Speaker 1>I was going there music so hard and stolen our culture.

0:19:00.680 --> 0:19:01.679
<v Speaker 1>I'm knocking nobody.

0:19:01.760 --> 0:19:04.760
<v Speaker 4>But you don't give us no respect, motherfuckers, And you

0:19:04.840 --> 0:19:08.720
<v Speaker 4>still expect us to act like we take something from you.

0:19:09.240 --> 0:19:12.200
<v Speaker 4>This is the King's music. Your music shall come and

0:19:12.280 --> 0:19:14.120
<v Speaker 4>it shall go because has nothing to do with soul,

0:19:14.440 --> 0:19:17.800
<v Speaker 4>It does nothing to do with building energy. Our music

0:19:17.880 --> 0:19:19.520
<v Speaker 4>is time marker. You can remember when you went to

0:19:19.600 --> 0:19:21.800
<v Speaker 4>your first date, when you are their first sex, when

0:19:21.840 --> 0:19:23.800
<v Speaker 4>you marry your wife, when you go to the first dance.

0:19:24.080 --> 0:19:28.320
<v Speaker 4>It's time marker because it's the King's music. You can't

0:19:28.320 --> 0:19:30.760
<v Speaker 4>remember when you're happy, you can't remember when you're sad.

0:19:32.280 --> 0:19:35.160
<v Speaker 4>You can remember all the things because there's a music

0:19:35.280 --> 0:19:38.320
<v Speaker 4>to mark that time period. But everyone wants to take

0:19:38.359 --> 0:19:42.280
<v Speaker 4>from reggae. You want to extracize us on the pay us.

0:19:42.720 --> 0:19:45.000
<v Speaker 1>Let's just stay on alphabe for a second. That is

0:19:45.560 --> 0:19:47.880
<v Speaker 1>direct from REGGAEO.

0:19:48.440 --> 0:19:52.280
<v Speaker 4>No real aphrobetis from Africa, but the influence.

0:19:53.440 --> 0:19:53.919
<v Speaker 1>You know what I mean.

0:19:54.160 --> 0:19:56.560
<v Speaker 4>And I'm sure all the alphabid adds will say to you,

0:19:56.680 --> 0:19:58.959
<v Speaker 4>oh aphabid is Aphrobidians are going to do with Jamaica,

0:19:59.000 --> 0:20:01.520
<v Speaker 4>And we will say to them, our music has everything

0:20:01.560 --> 0:20:04.720
<v Speaker 4>to do with Africa. We don't diecatomize, we don't separate

0:20:04.720 --> 0:20:07.080
<v Speaker 4>to ourselves from Africa, no kind, no time, no day,

0:20:07.320 --> 0:20:10.639
<v Speaker 4>because the drum in our music is what speaks to

0:20:10.720 --> 0:20:12.840
<v Speaker 4>our soul. I think the drumming your music speaks to

0:20:12.920 --> 0:20:15.600
<v Speaker 4>your soul. But what are you saying? It's important for

0:20:15.680 --> 0:20:17.720
<v Speaker 4>you to It's easy for you to have anybody to

0:20:17.800 --> 0:20:19.640
<v Speaker 4>listen to you just don't get that wrong.

0:20:20.359 --> 0:20:22.200
<v Speaker 5>But what do you have to say to them? There's

0:20:22.240 --> 0:20:22.760
<v Speaker 5>a hard part.

0:20:24.359 --> 0:20:26.160
<v Speaker 3>I was thinking about Joe and I was like, that's

0:20:26.200 --> 0:20:30.840
<v Speaker 3>not that's like that maybe I close my mouth here.

0:20:30.920 --> 0:20:31.120
<v Speaker 1>Yeah.

0:20:31.160 --> 0:20:33.000
<v Speaker 5>Yeah, it's easy for you to have the masters to

0:20:33.040 --> 0:20:34.679
<v Speaker 5>listen to you, But what when you say to them?

0:20:34.720 --> 0:20:37.800
<v Speaker 4>You know, we've gone from a people singing singing about

0:20:37.840 --> 0:20:41.480
<v Speaker 4>the freedom that they desire, a people singing about the

0:20:41.640 --> 0:20:45.160
<v Speaker 4>hope of their nation rising to the apex the hope

0:20:45.200 --> 0:20:47.119
<v Speaker 4>of their people and the young men and realizing that

0:20:47.200 --> 0:20:49.200
<v Speaker 4>this is a great nation and they need to take

0:20:49.240 --> 0:20:52.320
<v Speaker 4>the bull by the horn to someone who's what people

0:20:52.320 --> 0:20:54.439
<v Speaker 4>want to plung Just back five five years, fifty five

0:20:54.520 --> 0:20:58.119
<v Speaker 4>years to wear words peans. Now, if you look in

0:20:58.200 --> 0:21:01.040
<v Speaker 4>sub Saharan Africa, we see Africa rising up. The brain

0:21:01.119 --> 0:21:03.960
<v Speaker 4>of Africa has become awakened from Nijera right through. So

0:21:04.080 --> 0:21:06.040
<v Speaker 4>we cannot continue an a trajectory like we don't know

0:21:06.080 --> 0:21:11.119
<v Speaker 4>who we are and our music cannot continue to be uninspiring, right, simple?

0:21:11.680 --> 0:21:11.800
<v Speaker 1>Right?

0:21:12.160 --> 0:21:16.720
<v Speaker 3>I mean they say that all music comes from Africa, Yes, yeah,

0:21:16.960 --> 0:21:19.760
<v Speaker 3>but then so so you think that we got music

0:21:19.840 --> 0:21:20.479
<v Speaker 3>come from Africa.

0:21:20.680 --> 0:21:23.040
<v Speaker 4>Yeah, the drum is that we get that your friend,

0:21:23.160 --> 0:21:25.960
<v Speaker 4>we have speaking and our idioms and the way our

0:21:26.080 --> 0:21:29.639
<v Speaker 4>cadence come across it's much different because we're able to

0:21:29.680 --> 0:21:32.160
<v Speaker 4>bandwards and we don't need it English, we need the Oldish.

0:21:33.760 --> 0:21:36.080
<v Speaker 5>Yeah, English, you speaking and I speak out.

0:21:45.760 --> 0:21:48.199
<v Speaker 3>But that's the beauty about listening to you to your

0:21:48.280 --> 0:21:52.640
<v Speaker 3>music is sorry, it's not just you know you could

0:21:52.680 --> 0:21:54.880
<v Speaker 3>dance to like you actually school and people like, what's

0:21:54.960 --> 0:21:56.520
<v Speaker 3>what's the name of the record that it reminds me

0:21:56.600 --> 0:21:57.560
<v Speaker 3>of a NAS record?

0:21:58.200 --> 0:22:00.600
<v Speaker 1>We talk about guns? Oh I got to.

0:22:04.080 --> 0:22:07.240
<v Speaker 3>So you ever heard the record that's had call I

0:22:07.320 --> 0:22:10.359
<v Speaker 3>Gave You Power where he's talking about a gun? Was

0:22:10.440 --> 0:22:12.720
<v Speaker 3>that record inspired by Mister nine?

0:22:13.240 --> 0:22:17.400
<v Speaker 4>I grew up in a culture where those with the gun,

0:22:17.840 --> 0:22:20.760
<v Speaker 4>I think they have the power gun man. No, you

0:22:20.840 --> 0:22:23.600
<v Speaker 4>can't be policed, it can't be sold. Those generally with

0:22:23.720 --> 0:22:27.880
<v Speaker 4>the gun, I think they're so powerful and they don't

0:22:27.880 --> 0:22:30.119
<v Speaker 4>have They don't realize that. What they have done is

0:22:30.240 --> 0:22:33.160
<v Speaker 4>show the younger generation a type cast or a kind

0:22:33.200 --> 0:22:35.280
<v Speaker 4>of mindset that if you do have, you're not powerful.

0:22:37.040 --> 0:22:40.240
<v Speaker 4>There's some consciously broadcast this that if you don't have

0:22:40.240 --> 0:22:43.000
<v Speaker 4>a gone you're not powerful, but that sound telling you

0:22:43.160 --> 0:22:45.880
<v Speaker 4>that whether you have a nine to sixty doesn't matter

0:22:45.960 --> 0:22:50.479
<v Speaker 4>what you have, it doesn't matter. You're not living right

0:22:50.520 --> 0:22:52.920
<v Speaker 4>because the gun can't hurt anybody. It's the individual and

0:22:52.960 --> 0:22:55.680
<v Speaker 4>the mindset that perpetrator. I can committed end result.

0:22:55.800 --> 0:22:55.919
<v Speaker 1>Right.

0:22:56.600 --> 0:22:59.000
<v Speaker 4>You put a fucking drink right here, it's harmless. The

0:22:59.080 --> 0:23:01.800
<v Speaker 4>person consume it, then it becomes a dud. Same thing

0:23:01.840 --> 0:23:02.200
<v Speaker 4>with a gun.

0:23:10.359 --> 0:23:15.440
<v Speaker 1>Don't kill people, peopleeople, you know, bunch of one of

0:23:15.480 --> 0:23:15.879
<v Speaker 1>my songs.

0:23:16.400 --> 0:23:20.640
<v Speaker 4>So the premise exists. Yeah, don't kill people. People kill people,

0:23:20.680 --> 0:23:23.399
<v Speaker 4>mister nine said to mister five five. So it's like

0:23:23.480 --> 0:23:27.240
<v Speaker 4>the guns are talking to themselves. We're not leaving right, you.

0:23:27.280 --> 0:23:30.400
<v Speaker 3>Know, So it doesn't attend to That's why actually, because

0:23:30.400 --> 0:23:32.560
<v Speaker 3>it reminds me of the Navs song where nas is

0:23:32.880 --> 0:23:35.680
<v Speaker 3>actually talking to a gun and he makes it so

0:23:36.240 --> 0:23:38.320
<v Speaker 3>so there is no correlation. You know, I've never heard

0:23:38.400 --> 0:23:43.920
<v Speaker 3>nothing song before. Okay, okay, okay, this is great. You know,

0:23:44.040 --> 0:23:47.879
<v Speaker 3>so we spoke about some of it earlier. We said, uh,

0:23:47.960 --> 0:23:50.800
<v Speaker 3>when you came home the airport incident where people will

0:23:50.840 --> 0:23:52.480
<v Speaker 3>you know, rushing you and you you kind of like

0:23:52.560 --> 0:23:53.200
<v Speaker 3>needed your time.

0:23:53.280 --> 0:23:56.680
<v Speaker 1>But then this car say comes right after this. I

0:23:56.800 --> 0:23:57.560
<v Speaker 1>read the reviews.

0:23:57.640 --> 0:23:59.240
<v Speaker 3>They said that this might have been one of the

0:23:59.320 --> 0:24:01.280
<v Speaker 3>greatest cars serious on earth.

0:24:03.280 --> 0:24:07.320
<v Speaker 4>I think Jamaica outsideis fried with Jamaica. I've seen larger concerts.

0:24:07.920 --> 0:24:12.840
<v Speaker 4>It's a monumental occasion for Iman. Still being home bland still,

0:24:12.920 --> 0:24:16.960
<v Speaker 4>you know, given appreciation for the love of cause I

0:24:17.080 --> 0:24:18.600
<v Speaker 4>grew up in a simple home.

0:24:19.320 --> 0:24:21.480
<v Speaker 5>The love of God was always there.

0:24:21.560 --> 0:24:21.720
<v Speaker 1>You know.

0:24:22.520 --> 0:24:25.760
<v Speaker 4>My enemies try to destroy me because you don't know

0:24:25.840 --> 0:24:27.240
<v Speaker 4>who I am. But trust me, they know.

0:24:29.560 --> 0:24:31.399
<v Speaker 5>And they dwell.

0:24:32.000 --> 0:24:34.879
<v Speaker 4>And I think credibility and if it destroyed, credibility is

0:24:34.920 --> 0:24:36.159
<v Speaker 4>easy for you to destroy the man.

0:24:36.240 --> 0:24:36.600
<v Speaker 5>Any man.

0:24:38.160 --> 0:24:41.000
<v Speaker 4>Once you destroy any man's credibility, it's always easier for

0:24:41.080 --> 0:24:43.520
<v Speaker 4>you to go at them. But my father, he stood

0:24:43.560 --> 0:24:44.960
<v Speaker 4>in the bridge and showed them that this is my

0:24:45.119 --> 0:24:48.040
<v Speaker 4>servant and I'm un easier to serve me, not you.

0:24:49.320 --> 0:24:52.600
<v Speaker 4>So yes, they thought they put me away, but what

0:24:52.720 --> 0:24:58.399
<v Speaker 4>they did was raised me up. Because you have to

0:24:58.480 --> 0:25:02.760
<v Speaker 4>realize what man plan to hurt you with, your father

0:25:03.359 --> 0:25:07.960
<v Speaker 4>plan to help you with. Okay, we're living in a world.

0:25:08.000 --> 0:25:10.160
<v Speaker 4>We know that this world, especially the United Stans of Americas,

0:25:10.240 --> 0:25:14.720
<v Speaker 4>is domain. We don't come to contesting we'll come to

0:25:14.840 --> 0:25:19.680
<v Speaker 4>walk like job and we'll not get a robe signal,

0:25:19.920 --> 0:25:26.600
<v Speaker 4>a champion, even more champion dan job because music has

0:25:26.640 --> 0:25:29.080
<v Speaker 4>been used against the people now as a weapon. I

0:25:29.280 --> 0:25:33.359
<v Speaker 4>was here in the early nineteen nineties when I was

0:25:33.400 --> 0:25:36.480
<v Speaker 4>a young man. You had no dreads, and I saw

0:25:36.600 --> 0:25:39.159
<v Speaker 4>the trajectory, and I saw what they were trying to do.

0:25:39.320 --> 0:25:41.760
<v Speaker 4>And they've accomplished it. They are accomplished killing the ki

0:25:41.880 --> 0:25:44.399
<v Speaker 4>arrest one. They've accomplished killing everything positive that comes to

0:25:44.480 --> 0:25:47.160
<v Speaker 4>the music. And it went on a spiral of we'd

0:25:47.240 --> 0:25:52.000
<v Speaker 4>to become the batchery and everything the furious and every

0:25:52.080 --> 0:25:54.679
<v Speaker 4>so after the people gain their consciousness and they hit

0:25:54.720 --> 0:25:57.560
<v Speaker 4>them when someone or something else and they would drive

0:25:57.680 --> 0:26:00.679
<v Speaker 4>the message room so hard that they have no escape.

0:26:01.760 --> 0:26:03.920
<v Speaker 4>We are fortunate enough to be on an island where

0:26:03.920 --> 0:26:06.800
<v Speaker 4>we can educate to ourselves from these circumstances and cultivate

0:26:06.840 --> 0:26:09.680
<v Speaker 4>an identity for our own and a spiritual awareness of

0:26:09.840 --> 0:26:14.320
<v Speaker 4>our own and a firmness to take us through this struggle.

0:26:15.720 --> 0:26:18.960
<v Speaker 5>We don't hear to convert people because we're at a cult.

0:26:20.200 --> 0:26:22.639
<v Speaker 4>Yes, we aim to open the eyes of the ones

0:26:22.760 --> 0:26:25.800
<v Speaker 4>who are hearing the earth so they can partic of

0:26:25.880 --> 0:26:28.720
<v Speaker 4>the goodness of God, not of the goodness of the devil.

0:26:28.760 --> 0:26:31.560
<v Speaker 4>Becaus want to last for a minute, But the goodness

0:26:31.600 --> 0:26:38.920
<v Speaker 4>of God is ever lasting. Now they might say, You

0:26:39.119 --> 0:26:41.639
<v Speaker 4>might say, well, what does reggae music our hold? Does

0:26:41.680 --> 0:26:43.400
<v Speaker 4>reggae music play a part in this? And I will

0:26:43.440 --> 0:26:46.200
<v Speaker 4>say to you, music is here to teach us one lesson.

0:26:46.720 --> 0:26:48.919
<v Speaker 4>If music is the only thing that shall never die,

0:26:49.040 --> 0:26:51.240
<v Speaker 4>Ask yourself, why do you get tired of some music

0:26:51.280 --> 0:26:51.920
<v Speaker 4>in two months?

0:26:52.200 --> 0:26:52.920
<v Speaker 5>Something is wrong?

0:26:53.359 --> 0:27:00.880
<v Speaker 4>Oh tis, I should be timeless, right, it's not anymore?

0:27:01.200 --> 0:27:01.840
<v Speaker 5>So what's happening?

0:27:02.600 --> 0:27:03.440
<v Speaker 1>Disposable music?

0:27:03.520 --> 0:27:13.960
<v Speaker 4>Yes, music is never disposable. The artists are disposable. See

0:27:14.000 --> 0:27:19.760
<v Speaker 4>our profession. Our profession was divinely given to us. It

0:27:19.880 --> 0:27:22.440
<v Speaker 4>is written in the Basic Instruction before leaving Earth that

0:27:22.520 --> 0:27:24.600
<v Speaker 4>you are called the Bible, that a singer and a

0:27:24.640 --> 0:27:27.399
<v Speaker 4>player of instruments shall go before the Lad's coming. So

0:27:27.720 --> 0:27:29.439
<v Speaker 4>what shall we go and do? We shall proclaim it's

0:27:29.480 --> 0:27:33.600
<v Speaker 4>coming forward. You shall bring the people together, you know

0:27:33.640 --> 0:27:36.880
<v Speaker 4>what I'm saying. But if we're not doing that, then

0:27:37.040 --> 0:27:40.440
<v Speaker 4>we shall be thrown into the fire heap. Yeah, so

0:27:40.560 --> 0:27:44.199
<v Speaker 4>are my Muslim brothers. They notice, and my author's as brothers.

0:27:44.240 --> 0:27:46.639
<v Speaker 4>They notice my Christian brothers who are standing up. They

0:27:46.760 --> 0:27:49.639
<v Speaker 4>notice this Barkley is not against flesh and blood. It's

0:27:49.680 --> 0:27:51.920
<v Speaker 4>not against none of you guys. It's a spiritual wickedness

0:27:52.000 --> 0:27:55.600
<v Speaker 4>and principalities and darkness in high and low places.

0:27:56.359 --> 0:27:56.920
<v Speaker 1>You know what I mean.

0:27:57.440 --> 0:28:01.080
<v Speaker 5>So you can continue, I can head towards the light.

0:28:02.080 --> 0:28:03.240
<v Speaker 5>Your choice, you all do.

0:28:09.359 --> 0:28:12.080
<v Speaker 1>Let's talk about did your your mother give you the

0:28:12.160 --> 0:28:20.840
<v Speaker 1>nickname Buju? Actually I are actually yes? How did this?

0:28:21.760 --> 0:28:33.480
<v Speaker 1>I wasn't there. I wasn't aware I was there, but

0:28:33.560 --> 0:28:35.000
<v Speaker 1>I wasn't aware, you know.

0:28:35.240 --> 0:28:37.720
<v Speaker 4>But I grew up here in Caliman, Bojo. You know,

0:28:38.040 --> 0:28:43.080
<v Speaker 4>BuJo is a Maroon world. Maro Maroon are some of

0:28:43.160 --> 0:28:46.800
<v Speaker 4>the indigenous warriors on my island. We fought the British relentlessly.

0:28:47.120 --> 0:28:47.840
<v Speaker 1>Those are the Moors.

0:28:48.400 --> 0:28:53.960
<v Speaker 4>Maroons are from Blackmores. But my generation originated from Nigeria.

0:28:54.440 --> 0:28:58.440
<v Speaker 4>I'm an Ebu man coming to my bloodline, and we

0:28:58.640 --> 0:29:02.480
<v Speaker 4>fought the British relentle We fared King Charles for farty

0:29:02.560 --> 0:29:05.480
<v Speaker 4>years and I come to the British treaty anybody sustain

0:29:05.560 --> 0:29:08.760
<v Speaker 4>our over eight years automaticala window sovereignty. So we fared

0:29:08.800 --> 0:29:11.040
<v Speaker 4>in for five years and glasses fire and when he

0:29:11.120 --> 0:29:13.920
<v Speaker 4>bardon you to fighting the five years after that, So

0:29:14.000 --> 0:29:16.840
<v Speaker 4>we tricked them into fighting for eight years without sensation.

0:29:17.400 --> 0:29:19.280
<v Speaker 5>And we want our sovereignty from the British.

0:29:19.640 --> 0:29:19.880
<v Speaker 1>Wow.

0:29:20.040 --> 0:29:25.000
<v Speaker 4>Yeah, And we ruled from the Cockpit country down to

0:29:25.120 --> 0:29:30.400
<v Speaker 4>the Clarendian But now our indigenous life and our indigenous

0:29:30.440 --> 0:29:32.640
<v Speaker 4>way of life and our lands are being threatened by

0:29:32.640 --> 0:29:35.800
<v Speaker 4>the current government administries and of Jamnica who seek to

0:29:35.880 --> 0:29:39.280
<v Speaker 4>bring Chinese and the nationalities into the Cockpit region, which

0:29:39.320 --> 0:29:41.360
<v Speaker 4>is an indigenous secret region.

0:29:42.000 --> 0:29:45.320
<v Speaker 5>Do you serve us the Maroons as the warrior as

0:29:45.440 --> 0:29:46.080
<v Speaker 5>so it's.

0:29:46.000 --> 0:29:47.280
<v Speaker 1>Crazy that's happening right now.

0:29:47.520 --> 0:29:50.120
<v Speaker 4>Yes, Well, there's indigenous people all across the world around.

0:29:50.120 --> 0:29:54.680
<v Speaker 4>Actually went from Peru because the multi national seats. People

0:29:55.040 --> 0:29:59.000
<v Speaker 4>have phones, they have, but the multi national seat the

0:29:59.080 --> 0:30:02.840
<v Speaker 4>national resources of the land. Like in the capital country

0:30:02.840 --> 0:30:05.800
<v Speaker 4>of Jamaica. We're rich in backside right now. There's certain

0:30:05.880 --> 0:30:08.560
<v Speaker 4>companies like Nrandom and certain Russian companies who have been

0:30:08.600 --> 0:30:11.560
<v Speaker 4>taking this backside for over seventeen years. And they would

0:30:12.040 --> 0:30:15.440
<v Speaker 4>destroy your school just to take the backside under the school.

0:30:15.720 --> 0:30:18.680
<v Speaker 4>But there's no payment given to the community, not the chief,

0:30:18.840 --> 0:30:22.080
<v Speaker 4>not the council of the indigenous community. It's done to

0:30:22.480 --> 0:30:26.520
<v Speaker 4>the government's structure where these people are just totally and

0:30:27.240 --> 0:30:30.280
<v Speaker 4>your land is being pilfered, like you know, it's crazy.

0:30:30.840 --> 0:30:33.840
<v Speaker 4>So it's a new generation of young men rising up.

0:30:34.520 --> 0:30:36.120
<v Speaker 1>What's the two political parties that you make.

0:30:36.160 --> 0:30:37.960
<v Speaker 5>I don't give a fuck about political.

0:30:44.160 --> 0:30:45.720
<v Speaker 1>That should be one of the political.

0:30:45.360 --> 0:30:48.240
<v Speaker 4>Parties, you know, because they say it's two sides of

0:30:48.320 --> 0:30:52.400
<v Speaker 4>the same kind for change and we who upset.

0:30:52.520 --> 0:30:53.640
<v Speaker 5>But you have to understand that.

0:30:55.560 --> 0:30:58.640
<v Speaker 4>A country is basically a corporation which are elected official

0:30:58.720 --> 0:30:59.480
<v Speaker 4>as a CEO.

0:31:00.080 --> 0:31:03.480
<v Speaker 1>Mm hmm. Yeah.

0:31:04.080 --> 0:31:06.800
<v Speaker 4>A lot of people think a prime minister run a country,

0:31:06.920 --> 0:31:09.320
<v Speaker 4>but you have to understand that these motherfuckers are ceo

0:31:09.600 --> 0:31:11.840
<v Speaker 4>the company called the country, and.

0:31:11.960 --> 0:31:15.600
<v Speaker 5>My board members have the answer. Sometimes these board members

0:31:15.640 --> 0:31:17.080
<v Speaker 5>are so powerful that these.

0:31:17.120 --> 0:31:19.440
<v Speaker 4>Assole ship in your pants when they get a phone

0:31:19.440 --> 0:31:22.800
<v Speaker 4>call from these motherfuckers. You can't tell me that in

0:31:22.920 --> 0:31:27.280
<v Speaker 4>the Caribbean we can improve our standard up living for

0:31:27.360 --> 0:31:30.680
<v Speaker 4>our people. And as a disaster, I'm run going begging left,

0:31:30.760 --> 0:31:33.200
<v Speaker 4>right and center. And these are to say, motherfuckers who

0:31:33.680 --> 0:31:36.200
<v Speaker 4>came into politics with three thousand dollars in their bank

0:31:36.200 --> 0:31:39.760
<v Speaker 4>account us and leaving politices with six hundred thousand million million,

0:31:40.400 --> 0:31:43.320
<v Speaker 4>So where this Where does millions come from? But the

0:31:43.400 --> 0:31:45.680
<v Speaker 4>Caribban people are so passive. I think they put something

0:31:45.720 --> 0:31:49.840
<v Speaker 4>into our water over the years. We'ren't fighting anymore, we're accepting.

0:31:51.000 --> 0:31:52.200
<v Speaker 4>We're not standing up anymore.

0:31:52.240 --> 0:31:53.040
<v Speaker 1>We're laying down.

0:31:53.720 --> 0:31:56.920
<v Speaker 4>And these motherfuckers we call a politician, the real criminals

0:31:56.960 --> 0:32:01.360
<v Speaker 4>and the real crooks. They're having a blast because there's

0:32:01.400 --> 0:32:04.360
<v Speaker 4>no checking balance. Chickan balance don't come from your cronies.

0:32:04.440 --> 0:32:08.000
<v Speaker 4>Checkan balands come from people who feel the pin. And

0:32:08.080 --> 0:32:10.760
<v Speaker 4>that's why you see what like even in Kenya, they

0:32:10.800 --> 0:32:13.440
<v Speaker 4>were taking aback. They didn't know that the young men

0:32:13.560 --> 0:32:16.000
<v Speaker 4>and the young women of Kenya had their dogs so

0:32:16.120 --> 0:32:18.400
<v Speaker 4>much in a way that they could tell each politician.

0:32:18.080 --> 0:32:20.840
<v Speaker 1>What they owned and where they live and where the

0:32:20.960 --> 0:32:22.840
<v Speaker 1>investments were. That shook them.

0:32:24.160 --> 0:32:26.960
<v Speaker 4>So we realized that you know, in the region, ever,

0:32:27.040 --> 0:32:29.440
<v Speaker 4>the better as the leaders we stopped. We need to

0:32:29.480 --> 0:32:33.120
<v Speaker 4>stop elect people based on your skin color and then

0:32:33.200 --> 0:32:36.240
<v Speaker 4>being charming. It should be on your mandate and we

0:32:36.360 --> 0:32:39.880
<v Speaker 4>have to hold your feet to the fire to accomplish

0:32:40.080 --> 0:32:40.880
<v Speaker 4>what you promised.

0:32:42.360 --> 0:32:47.880
<v Speaker 1>Simple and coming from the islands that historically were the

0:32:47.960 --> 0:32:48.560
<v Speaker 1>ones fighting.

0:32:49.640 --> 0:32:53.120
<v Speaker 4>Listen the islands far listen The first island far to

0:32:53.200 --> 0:32:56.640
<v Speaker 4>Freus was eighty and where's heated today? In as Caribbean

0:32:56.680 --> 0:32:59.480
<v Speaker 4>conjures who look at eighty in disgust because they don't

0:32:59.480 --> 0:33:01.960
<v Speaker 4>see themselves us standing with them, brother, the first nation

0:33:02.120 --> 0:33:05.280
<v Speaker 4>to fight for free us. And you ask yourself, why

0:33:05.400 --> 0:33:07.920
<v Speaker 4>is eighty suffering so much? And why are my Haitians

0:33:07.920 --> 0:33:09.120
<v Speaker 4>brothers on so much pressure?

0:33:09.160 --> 0:33:09.560
<v Speaker 1>You know why?

0:33:09.880 --> 0:33:13.040
<v Speaker 4>Because they stand up against the giant who they should

0:33:13.080 --> 0:33:16.800
<v Speaker 4>have bowed, and they refuse, and everyone wants them to bow.

0:33:16.920 --> 0:33:17.240
<v Speaker 1>Hate it.

0:33:17.440 --> 0:33:19.920
<v Speaker 5>Do not bow, Keep standing up. We stand with you.

0:33:20.560 --> 0:33:20.760
<v Speaker 1>Yep.

0:33:22.920 --> 0:33:23.239
<v Speaker 5>M hm.

0:33:28.000 --> 0:33:31.480
<v Speaker 1>So I oh, let's talk about Pehouse Records for a second.

0:33:34.760 --> 0:33:37.160
<v Speaker 1>How do you get down with Pinhouse records? I'm on.

0:33:38.840 --> 0:33:43.560
<v Speaker 4>Well, Pandos records is a story where I used to

0:33:43.720 --> 0:33:46.800
<v Speaker 4>leave Chancellly and down't town kings. Oh my gun jade,

0:33:46.880 --> 0:33:49.880
<v Speaker 4>everybody smoking scept give me my blood, clap.

0:33:53.440 --> 0:34:04.640
<v Speaker 1>Giant. That's the first time we got to drink chance.

0:34:11.040 --> 0:34:13.279
<v Speaker 2>As many of y'all know, drink Chaps wants to give

0:34:13.360 --> 0:34:16.400
<v Speaker 2>flowers that people are here to receive them, giving flowers

0:34:16.440 --> 0:34:18.839
<v Speaker 2>and celebrating our legends while they can still smell us.

0:34:19.520 --> 0:34:21.640
<v Speaker 2>We have partnered with what the flowers to create this

0:34:21.800 --> 0:34:24.640
<v Speaker 2>movement where everyone can give flowers to the legends in

0:34:24.719 --> 0:34:27.840
<v Speaker 2>their lives. You can now order a custom flower box

0:34:28.160 --> 0:34:30.400
<v Speaker 2>for to someone you want to show appreciation to you

0:34:30.840 --> 0:34:34.800
<v Speaker 2>by visiting www dot wt flower dot com.

0:34:35.440 --> 0:34:45.399
<v Speaker 1>Your orders artist. What were we talking about? Let's yes, yes,

0:34:46.560 --> 0:34:48.840
<v Speaker 1>So you about pans?

0:34:49.000 --> 0:34:49.160
<v Speaker 2>Yes.

0:34:50.040 --> 0:34:59.480
<v Speaker 4>So in nineteen eighty six August is seventeenth, I went

0:34:59.560 --> 0:35:02.160
<v Speaker 4>to Blue Mounting Records. Right, I was in a car,

0:35:02.320 --> 0:35:05.160
<v Speaker 4>a taxi with Henry and it's a taxi driver. We

0:35:05.320 --> 0:35:09.239
<v Speaker 4>claim I claiment. I was my protege. It's like it

0:35:09.440 --> 0:35:11.680
<v Speaker 4>was in those days. I used to DJ and sound

0:35:11.719 --> 0:35:15.000
<v Speaker 4>systems and I used to jump on the sound system

0:35:15.080 --> 0:35:18.720
<v Speaker 4>truck like Friday and I wouldn't come back home until Sunday.

0:35:19.680 --> 0:35:19.879
<v Speaker 1>Yeah.

0:35:19.920 --> 0:35:23.200
<v Speaker 4>I would DJ Friday night, Saturday night, and I come

0:35:23.239 --> 0:35:24.840
<v Speaker 4>back home Sunday and Monday morning.

0:35:24.960 --> 0:35:25.160
<v Speaker 1>Yeah.

0:35:25.840 --> 0:35:28.879
<v Speaker 4>I used to work on a sound system called Rambo International,

0:35:29.480 --> 0:35:31.319
<v Speaker 4>and then I started working on Sweet Love.

0:35:32.280 --> 0:35:32.320
<v Speaker 1>No.

0:35:32.440 --> 0:35:35.560
<v Speaker 4>Sweet Love song system was owned by Flowa Gun, a

0:35:35.760 --> 0:35:40.640
<v Speaker 4>very popular DJ. We run things, things, don't runway anything

0:35:40.680 --> 0:35:44.800
<v Speaker 4>we do Red Dragon, Flowa Gun's brother was Red Dragon.

0:35:45.520 --> 0:35:48.359
<v Speaker 4>So Red Dragon saying, look, every person your feel why

0:35:48.400 --> 0:35:52.239
<v Speaker 4>now come home? Look every person you ever. So Red

0:35:52.280 --> 0:35:55.040
<v Speaker 4>Dragon to me was the beddest motherfuckers at DJ.

0:35:56.480 --> 0:35:59.200
<v Speaker 1>So what my role was to warm the dance up?

0:36:00.080 --> 0:36:00.799
<v Speaker 1>He man?

0:36:12.239 --> 0:36:19.400
<v Speaker 3>So, by the way, the whole time, I was like,

0:36:19.840 --> 0:36:20.600
<v Speaker 3>I gotta watch how.

0:36:20.560 --> 0:36:23.520
<v Speaker 7>He wrote a Smith today. So I've been waiting for

0:36:23.640 --> 0:36:27.040
<v Speaker 7>this this whole moment, I was like, what's the warm

0:36:27.320 --> 0:36:31.000
<v Speaker 7>the dance? I used to as a young entertainer.

0:36:31.320 --> 0:36:34.759
<v Speaker 4>I used to be entertainer called Terry Ganzy, so it

0:36:34.880 --> 0:36:37.680
<v Speaker 4>just be Butcher Mount and Terry Ganzy, Daddy Lizad Clement

0:36:37.800 --> 0:36:42.600
<v Speaker 4>I flower Gun, a red Dragon, Sanchez, red Rose, you know,

0:36:43.000 --> 0:36:48.360
<v Speaker 4>and you know. So one day the rain was falling

0:36:49.040 --> 0:36:52.680
<v Speaker 4>and Clement said, no problem, he's going to Blue Mountain

0:36:52.760 --> 0:36:56.080
<v Speaker 4>Records and he wants me to come now. The guy

0:36:56.120 --> 0:36:58.319
<v Speaker 4>at Blue Mountain Record was a true revolutionary.

0:36:58.360 --> 0:36:59.920
<v Speaker 5>His name is Omar Harris.

0:37:00.719 --> 0:37:01.400
<v Speaker 1>He was very.

0:37:01.360 --> 0:37:05.480
<v Speaker 4>Instrumental in the Brickistan Riots revolutionary and I loved him.

0:37:05.560 --> 0:37:06.520
<v Speaker 1>So brisit in London.

0:37:06.760 --> 0:37:10.040
<v Speaker 4>Yeah, okay, I used to go to school, right, So

0:37:10.160 --> 0:37:12.320
<v Speaker 4>every time I leave school or before I go to school,

0:37:12.360 --> 0:37:15.080
<v Speaker 4>I go by the studio I seen in my car

0:37:15.200 --> 0:37:16.640
<v Speaker 4>key and my bag used to be in front of me.

0:37:16.680 --> 0:37:18.560
<v Speaker 4>But this guy will call me come here, let me

0:37:18.600 --> 0:37:21.279
<v Speaker 4>see a book and take my book back and go

0:37:21.400 --> 0:37:22.160
<v Speaker 4>to my book back, and.

0:37:22.160 --> 0:37:23.600
<v Speaker 5>Shit, I'm like, fuck this guy up.

0:37:24.920 --> 0:37:25.799
<v Speaker 1>He was shaking you down.

0:37:26.360 --> 0:37:29.160
<v Speaker 5>But he liked my he liked my style. I didn't

0:37:29.200 --> 0:37:29.960
<v Speaker 5>know that anyway.

0:37:34.080 --> 0:37:36.040
<v Speaker 4>When there, I went there and the rain was falling,

0:37:37.080 --> 0:37:39.319
<v Speaker 4>and Clementine was in the studio and he was saying

0:37:39.360 --> 0:37:42.520
<v Speaker 4>he was going to paint Hors records, and Omaharris looked

0:37:42.520 --> 0:37:45.480
<v Speaker 4>at Clementary and said, take Bojo with you so we

0:37:45.560 --> 0:37:47.759
<v Speaker 4>can have an experience of what a studio looked like.

0:37:47.880 --> 0:37:50.719
<v Speaker 4>I was sixteen years old. I didn't see what I

0:37:50.760 --> 0:37:52.400
<v Speaker 4>didn't see what a studio looked like yet. But I

0:37:52.480 --> 0:37:54.560
<v Speaker 4>was DJing in the dancer and the microphone, and you

0:37:54.760 --> 0:37:57.920
<v Speaker 4>would never tell. So they took me to the studio.

0:37:57.960 --> 0:38:00.759
<v Speaker 4>When they went to the studio, you know, I saw

0:38:01.480 --> 0:38:04.080
<v Speaker 4>all these guys inside was big fucking chains and ship.

0:38:04.320 --> 0:38:08.239
<v Speaker 4>I became nervous, you know, and I said, hey, who's that?

0:38:09.080 --> 0:38:12.200
<v Speaker 4>That's Little Lenny. Then those days, Little Lennie had the

0:38:12.200 --> 0:38:14.200
<v Speaker 4>biggest song in Jamaica. Gone in a buggy.

0:38:14.520 --> 0:38:16.760
<v Speaker 1>She she she has the gun in a giggy.

0:38:17.400 --> 0:38:19.600
<v Speaker 5>I said, fuck Lenny right there, and who's that?

0:38:20.320 --> 0:38:24.759
<v Speaker 1>That's little curve before a little way. You had little

0:38:24.800 --> 0:38:37.000
<v Speaker 1>Lennie and little Kirk. Okay, he wasn't born anyway. Clementary

0:38:37.080 --> 0:38:38.000
<v Speaker 1>set of Robert French.

0:38:38.080 --> 0:38:41.360
<v Speaker 4>Robert French was a big singer in Jamaica, and he

0:38:41.480 --> 0:38:44.960
<v Speaker 4>invited Clementine to this Clementary set to Robert Frendship, this

0:38:45.120 --> 0:38:46.840
<v Speaker 4>is a DJENR bojo.

0:38:47.000 --> 0:38:50.560
<v Speaker 5>I want you to hear him, and they laughed.

0:38:50.280 --> 0:38:50.839
<v Speaker 1>At my name.

0:38:52.560 --> 0:38:53.200
<v Speaker 5>I can't remember.

0:38:53.280 --> 0:38:57.200
<v Speaker 4>Tony Keyler was the engineer and they said to me, oh,

0:38:57.320 --> 0:39:00.080
<v Speaker 4>this guy finished recording and they said, clement said, you

0:39:00.120 --> 0:39:02.399
<v Speaker 4>want to hear what the sounds like? And Robert Friend

0:39:02.440 --> 0:39:05.520
<v Speaker 4>said yes. So Tony Kelly said to me, go around there.

0:39:05.840 --> 0:39:07.680
<v Speaker 4>You put the headphones on, and when you see that

0:39:07.800 --> 0:39:12.520
<v Speaker 4>red light come on, that's your cue. And I went

0:39:12.560 --> 0:39:15.040
<v Speaker 4>around there and put the headphones on and they turned

0:39:15.080 --> 0:39:18.640
<v Speaker 4>on this red light and that was my cue. And

0:39:18.760 --> 0:39:22.560
<v Speaker 4>I closed my eyes, immerse myself deliver one of the

0:39:22.600 --> 0:39:25.400
<v Speaker 4>best lyrics I know. I had Steward in my cranium.

0:39:26.000 --> 0:39:27.960
<v Speaker 4>When I opened my eyes, the old studio was in

0:39:28.120 --> 0:39:31.439
<v Speaker 4>fucking it was like I'm like they.

0:39:31.480 --> 0:39:31.719
<v Speaker 2>Like it.

0:39:34.600 --> 0:39:36.600
<v Speaker 4>Was it over beat, over a fucking beat. It was

0:39:36.680 --> 0:39:39.040
<v Speaker 4>my first time I ever did one take. I sung

0:39:39.120 --> 0:39:42.800
<v Speaker 4>for three four minutes forty five seconds straight, no stop.

0:39:44.160 --> 0:39:47.160
<v Speaker 4>But in those days, also we are doub plates and

0:39:47.480 --> 0:39:49.880
<v Speaker 4>them plates were live, so you go to the studio

0:39:50.000 --> 0:39:51.960
<v Speaker 4>and the record will be cutting right while you're singing it,

0:39:52.200 --> 0:39:55.440
<v Speaker 4>so you came in no mistake. Is the dop plate

0:39:55.560 --> 0:39:57.200
<v Speaker 4>is three minutes, you got to be singing for three

0:39:57.280 --> 0:40:01.239
<v Speaker 4>minutes with no mistake as you don't get paid. So

0:40:01.320 --> 0:40:03.160
<v Speaker 4>with that mindset, I was able to go inside the

0:40:03.200 --> 0:40:05.360
<v Speaker 4>studio and do the song. It's called Rouleaut for my

0:40:05.480 --> 0:40:12.160
<v Speaker 4>very first song. It was released in Toronto on All Stars. Yeah,

0:40:12.239 --> 0:40:16.160
<v Speaker 4>so that was my first exposure to Pentos. Now, trying

0:40:16.320 --> 0:40:19.640
<v Speaker 4>trying to get back to pentals was difficult. So I

0:40:19.680 --> 0:40:21.799
<v Speaker 4>would leave school every day and I would go by

0:40:23.080 --> 0:40:25.040
<v Speaker 4>sty six slipe en road. No, I would go by

0:40:25.120 --> 0:40:28.560
<v Speaker 4>Technique Record downtown Kingston because my school was downtown and

0:40:28.640 --> 0:40:29.360
<v Speaker 4>were spangled.

0:40:29.480 --> 0:40:31.920
<v Speaker 5>So we'll go up on the Avenue a.

0:40:31.960 --> 0:40:35.120
<v Speaker 4>Week, you know, our year at that and I would

0:40:35.120 --> 0:40:37.920
<v Speaker 4>go to Techniques and mister Winston Riley had two sons,

0:40:38.040 --> 0:40:40.680
<v Speaker 4>Kurt Riley Dana U and a couple of friends like

0:40:40.840 --> 0:40:42.200
<v Speaker 4>Mitch Aansworth.

0:40:42.640 --> 0:40:43.719
<v Speaker 5>We came we're young men.

0:40:43.800 --> 0:40:43.960
<v Speaker 4>You know.

0:40:44.840 --> 0:40:46.560
<v Speaker 1>And one day I was there and I met this

0:40:46.640 --> 0:40:49.680
<v Speaker 1>guy called Cabletan Wow.

0:40:50.200 --> 0:40:52.719
<v Speaker 4>I was leaning up on the Salvation Army wall and

0:40:52.800 --> 0:40:54.480
<v Speaker 4>I said, this guy coming and went into the record

0:40:54.560 --> 0:40:56.320
<v Speaker 4>shop and he came over and stand up beside me.

0:40:57.480 --> 0:40:59.600
<v Speaker 1>Look cream up and where you come from?

0:41:00.600 --> 0:41:02.359
<v Speaker 4>You know what I mean? Tell where I'm coming from.

0:41:02.400 --> 0:41:06.080
<v Speaker 4>I was a start rollanti anyway, I saw himself. Yes

0:41:06.560 --> 0:41:12.840
<v Speaker 4>barshat check it out in those they don't pay a

0:41:12.840 --> 0:41:14.400
<v Speaker 4>boss fear and I was jump on the boss and

0:41:14.440 --> 0:41:19.719
<v Speaker 4>beat the boss up. Yeah, you can't charge me at work.

0:41:23.440 --> 0:41:25.200
<v Speaker 4>So I went to Penthos and this guy would not

0:41:25.400 --> 0:41:28.800
<v Speaker 4>let us in, this guy the gate man anyway, you know,

0:41:29.760 --> 0:41:31.440
<v Speaker 4>we keep going back and keep going back, and it

0:41:31.560 --> 0:41:34.320
<v Speaker 4>was a tassel. But then I record a song on

0:41:34.440 --> 0:41:37.600
<v Speaker 4>by by from mister Winston Rally who technique records through

0:41:37.640 --> 0:41:41.000
<v Speaker 4>the downtown car stamming a Daddy, and this song take off.

0:41:41.160 --> 0:41:43.600
<v Speaker 4>Import More was a different province, and there was this

0:41:43.800 --> 0:41:46.400
<v Speaker 4>engineer who worked at Pentos by the name of Stumpy

0:41:47.280 --> 0:41:49.440
<v Speaker 4>who knew about this song and what he was.

0:41:49.480 --> 0:41:52.520
<v Speaker 5>Doing in that part of the island. And he heard

0:41:52.520 --> 0:41:55.080
<v Speaker 5>the house at the gate and he told him to

0:41:55.160 --> 0:41:55.480
<v Speaker 5>let me in.

0:41:57.719 --> 0:42:03.040
<v Speaker 4>But Donovan Dreman wasn't there, and they weren't really having

0:42:03.080 --> 0:42:07.920
<v Speaker 4>it because the gate Man was there. I used to

0:42:07.920 --> 0:42:10.000
<v Speaker 4>spa with some John Glass and one named Jo and

0:42:10.080 --> 0:42:12.400
<v Speaker 4>the Vibe and looked down the gate Man cars, it

0:42:12.480 --> 0:42:14.680
<v Speaker 4>would letter. So I'm looking down with a big stone.

0:42:15.880 --> 0:42:18.880
<v Speaker 1>Oh god, I wasn't very.

0:42:20.719 --> 0:42:22.239
<v Speaker 5>So when the boss, he said, I looked on him

0:42:22.239 --> 0:42:22.640
<v Speaker 5>gate Man.

0:42:22.719 --> 0:42:23.759
<v Speaker 1>They go on to do that.

0:42:25.480 --> 0:42:29.000
<v Speaker 4>Anyway, stompy plee my cars and I go inside there

0:42:29.000 --> 0:42:30.640
<v Speaker 4>and I sing a song for them, man for Dead.

0:42:31.080 --> 0:42:33.359
<v Speaker 4>Met them knowing now seeing the let gun shaft bo's

0:42:33.440 --> 0:42:36.080
<v Speaker 4>up in the infirm my head, and I seen an

0:42:36.080 --> 0:42:38.560
<v Speaker 4>excellent for them named Jackie and Jackson the gun from

0:42:38.640 --> 0:42:39.800
<v Speaker 4>Price big up on the self.

0:42:41.280 --> 0:42:41.480
<v Speaker 1>Yeah.

0:42:42.440 --> 0:42:46.360
<v Speaker 5>So they gave a year and then they killed like

0:42:46.440 --> 0:42:49.920
<v Speaker 5>my writing style, and.

0:42:50.000 --> 0:42:53.240
<v Speaker 4>I started picking up in the ghetto, coming the ghetto,

0:42:53.280 --> 0:42:55.839
<v Speaker 4>Come pick I up, bring you to the studio. Yeah,

0:42:56.360 --> 0:42:58.160
<v Speaker 4>we're the when I started coming to getto come pick

0:42:58.200 --> 0:43:04.680
<v Speaker 4>I up and take a the various dances and various

0:43:04.800 --> 0:43:07.399
<v Speaker 4>barbecues and various concerts at the MATTERFA, so I could

0:43:07.440 --> 0:43:08.480
<v Speaker 4>warn my skills, you know.

0:43:09.480 --> 0:43:11.400
<v Speaker 5>So that was my first introduction on the printers.

0:43:11.400 --> 0:43:13.359
<v Speaker 4>I still never meet done a Van Germany until about

0:43:13.400 --> 0:43:16.560
<v Speaker 4>six eight months later when you come and near my

0:43:16.760 --> 0:43:18.719
<v Speaker 4>music and the first thing he said was this can

0:43:18.880 --> 0:43:19.839
<v Speaker 4>they put out on his label?

0:43:19.840 --> 0:43:22.880
<v Speaker 1>Look? It was too rough, So we asked him for

0:43:22.920 --> 0:43:25.320
<v Speaker 1>a lable and he gave us a labled boy Kelly.

0:43:25.280 --> 0:43:30.560
<v Speaker 3>And that was it and I was underd Wow, Yeah,

0:43:30.800 --> 0:43:32.680
<v Speaker 3>you have a business with what is it?

0:43:32.760 --> 0:43:33.960
<v Speaker 1>VP? No.

0:43:34.120 --> 0:43:35.400
<v Speaker 5>VP Records is a star.

0:43:35.320 --> 0:43:39.239
<v Speaker 4>Wart in the Germanican community because they're able not only

0:43:39.320 --> 0:43:41.440
<v Speaker 4>to understand the music, but to market it to a

0:43:41.480 --> 0:43:42.239
<v Speaker 4>demographics that.

0:43:42.440 --> 0:43:44.280
<v Speaker 5>Need it and make it reach the masses.

0:43:44.360 --> 0:43:46.759
<v Speaker 4>Now, they've been here for quiet some time and they've

0:43:46.800 --> 0:43:49.439
<v Speaker 4>been doing tremendous work. We had VP, we had super power,

0:43:49.520 --> 0:43:50.120
<v Speaker 4>we have Shelley.

0:43:51.000 --> 0:43:53.040
<v Speaker 1>VP was Chinese people already we VP.

0:43:53.200 --> 0:43:55.040
<v Speaker 5>We had super power, we had Shelley.

0:43:55.640 --> 0:43:58.680
<v Speaker 4>Those are style war distribute as from the you know,

0:43:59.200 --> 0:44:03.000
<v Speaker 4>the music prominent steeple in the United State of America

0:44:03.080 --> 0:44:07.720
<v Speaker 4>with Clinton Lindsey and various Arab David Levy's and various

0:44:07.800 --> 0:44:11.200
<v Speaker 4>other individuals who were able to use their platform to

0:44:11.880 --> 0:44:13.920
<v Speaker 4>move this marginalized music forward.

0:44:14.800 --> 0:44:17.520
<v Speaker 3>Yes, Is that the ultimate goal when you are a

0:44:17.640 --> 0:44:21.040
<v Speaker 3>reggae artist coming from Jamaica? Is Is it not only

0:44:21.239 --> 0:44:24.440
<v Speaker 3>have it a hit record in Jamaica. But what is

0:44:24.440 --> 0:44:26.600
<v Speaker 3>the ultimate goal is get the ultimate market?

0:44:27.960 --> 0:44:31.400
<v Speaker 4>Ultimate goals different, Okay, everyone ultimate goal different.

0:44:32.280 --> 0:44:34.200
<v Speaker 5>If you want to know what is my ultimate I

0:44:34.239 --> 0:44:36.719
<v Speaker 5>can't tell her. What's the next guy? Ultimately, you know

0:44:37.520 --> 0:44:40.680
<v Speaker 5>I can't tell us said my ultimate goal is this music?

0:44:40.760 --> 0:44:44.080
<v Speaker 4>Yeah, I love even by my ancestors who are fast

0:44:44.120 --> 0:44:46.320
<v Speaker 4>and gone to be in the grave and turn and

0:44:46.520 --> 0:44:50.239
<v Speaker 4>smile and said, yes, there's someone out there carrying on

0:44:50.400 --> 0:44:51.000
<v Speaker 4>the message.

0:44:51.520 --> 0:44:51.799
<v Speaker 1>No matter.

0:44:51.840 --> 0:44:53.640
<v Speaker 4>You can't sing a bunch of create, but to sing

0:44:53.760 --> 0:44:58.520
<v Speaker 4>something positive for the people at least once Manie Angels smile. Look,

0:44:58.680 --> 0:45:01.840
<v Speaker 4>this is godly music, you know. You know I go

0:45:02.000 --> 0:45:08.759
<v Speaker 4>through some tribulation and it's reggae music. Could identify with it.

0:45:09.280 --> 0:45:11.640
<v Speaker 4>I have played some artword music will have got related

0:45:11.719 --> 0:45:14.360
<v Speaker 4>to my situation at the present moment, and oblifty and

0:45:14.400 --> 0:45:17.759
<v Speaker 4>give me clarity something that speaks to my soul. Now

0:45:18.840 --> 0:45:22.560
<v Speaker 4>everyone different. Someone will find it in soundscape, but no vice.

0:45:22.760 --> 0:45:24.840
<v Speaker 4>But does music and orange drops?

0:45:26.440 --> 0:45:26.960
<v Speaker 1>You know what I mean?

0:45:27.560 --> 0:45:30.280
<v Speaker 5>But I take sally and reggae a lot of people.

0:45:30.400 --> 0:45:32.440
<v Speaker 4>Do you know it has not been not the same

0:45:32.520 --> 0:45:34.200
<v Speaker 4>for from because you must admit the fact that we

0:45:34.280 --> 0:45:37.040
<v Speaker 4>are trying to you know what I mean, not similar

0:45:37.120 --> 0:45:40.560
<v Speaker 4>to what is hip hop? And the new generation is

0:45:40.600 --> 0:45:44.040
<v Speaker 4>someone aching leaning to us that you know what I mean,

0:45:44.239 --> 0:45:46.399
<v Speaker 4>We can't we can't knock them because it's what they're

0:45:46.440 --> 0:45:49.520
<v Speaker 4>exposed to. The current generation, Yeah, it's what they're exposed to.

0:45:49.600 --> 0:45:53.400
<v Speaker 4>And if you understand, each generation see things different. We

0:45:53.520 --> 0:45:56.120
<v Speaker 4>have those that in time at least one or two

0:45:56.200 --> 0:45:58.640
<v Speaker 4>of them will come around to the reality that you

0:45:58.680 --> 0:46:02.200
<v Speaker 4>are similating and not originated and created and keeping your

0:46:02.680 --> 0:46:06.800
<v Speaker 4>your original consistency abundant. Because if someone wants to invest

0:46:07.160 --> 0:46:09.200
<v Speaker 4>in our culture and you're going to spend your money

0:46:09.800 --> 0:46:12.000
<v Speaker 4>with a wrap artist and say you want something different,

0:46:12.239 --> 0:46:14.120
<v Speaker 4>why would I send to Jamaica to get someone to

0:46:14.200 --> 0:46:17.320
<v Speaker 4>wrap on my truck. I want someone to speak on

0:46:17.440 --> 0:46:19.239
<v Speaker 4>my truck from Jamaica, or not wrap on my ship.

0:46:20.400 --> 0:46:23.160
<v Speaker 4>I cancerer the Memphish anywhere Los Angeles have someone.

0:46:23.040 --> 0:46:23.879
<v Speaker 1>To wrap on my ship.

0:46:24.160 --> 0:46:25.759
<v Speaker 4>But I said my ship to Dreamanic or someone for

0:46:25.880 --> 0:46:28.360
<v Speaker 4>a difference, because I want an ardcore.

0:46:29.560 --> 0:46:30.400
<v Speaker 5>Feeling, know what I mean?

0:46:32.600 --> 0:46:38.600
<v Speaker 1>This guy in those so I don't know if you

0:46:38.640 --> 0:46:42.600
<v Speaker 1>remember doing being a part of this compilation. I lie

0:46:42.719 --> 0:46:44.880
<v Speaker 1>about that. So you're on this complete. I got this

0:46:44.960 --> 0:46:46.360
<v Speaker 1>when I was in high school. Let me see it

0:46:48.440 --> 0:46:53.160
<v Speaker 1>how it is? And it was introducing dance artists over

0:46:53.680 --> 0:46:54.040
<v Speaker 1>hip hop.

0:46:55.640 --> 0:47:01.440
<v Speaker 4>Yeah, why everything? I get the DM So that's the

0:47:01.520 --> 0:47:07.120
<v Speaker 4>only I have one Nam Boom mod Is and that

0:47:07.840 --> 0:47:11.440
<v Speaker 4>they're my fight. Remember I under my Red Fox, not

0:47:11.640 --> 0:47:16.800
<v Speaker 4>the Runks, Crazy Captain Remo, Remo, I was on Scurve remod.

0:47:18.600 --> 0:47:20.080
<v Speaker 1>This is, this is what it is.

0:47:20.120 --> 0:47:22.440
<v Speaker 4>When you know, I used to perform and build more

0:47:22.520 --> 0:47:25.200
<v Speaker 4>bar room program I used to come to America when

0:47:25.200 --> 0:47:27.359
<v Speaker 4>I have a concert like two, three, four weeks before

0:47:27.360 --> 0:47:31.359
<v Speaker 4>I'm performed with a band called eighteen with Nasty, the greatest.

0:47:31.080 --> 0:47:33.399
<v Speaker 1>Drummer from New York City.

0:47:34.200 --> 0:47:37.200
<v Speaker 2>And you were hearing you were obviously hearing early hip

0:47:37.239 --> 0:47:39.960
<v Speaker 2>hop at that time. Yeah, what was your first impression

0:47:40.040 --> 0:47:43.040
<v Speaker 2>of hip hop and what you thought how you would

0:47:43.040 --> 0:47:44.000
<v Speaker 2>collaborate with it? Now?

0:47:44.040 --> 0:47:47.120
<v Speaker 4>It was fourteen years old. I get my friend upstairs,

0:47:48.040 --> 0:47:51.720
<v Speaker 4>but his mom bought him a boombox.

0:47:52.440 --> 0:47:53.839
<v Speaker 5>And we got exposed to hip hop.

0:47:54.520 --> 0:47:58.360
<v Speaker 4>We're listening to Slick Creck Dogget Fresh the show six minutes,

0:47:58.400 --> 0:47:59.239
<v Speaker 4>six minutes.

0:47:58.960 --> 0:48:02.440
<v Speaker 1>Douget Fresh show on mell My.

0:48:03.760 --> 0:48:05.880
<v Speaker 4>So we grew up on slick. We grew up on

0:48:06.000 --> 0:48:11.640
<v Speaker 4>Doggy Run DMC, you know what I mean, So hip

0:48:12.040 --> 0:48:14.640
<v Speaker 4>always been influential. But then when I start dilving to

0:48:14.760 --> 0:48:18.000
<v Speaker 4>the history of hippa and realized that cool work was

0:48:18.040 --> 0:48:21.799
<v Speaker 4>as a drumming used to make the fusion more palatable,

0:48:22.160 --> 0:48:26.279
<v Speaker 4>that said, Okay, the dynamics makes sense, understand, so we

0:48:26.440 --> 0:48:28.160
<v Speaker 4>embraced it and focus too much rapper.

0:48:28.520 --> 0:48:30.880
<v Speaker 5>I have a couple of rapper friends, you know.

0:48:30.880 --> 0:48:34.239
<v Speaker 1>What I mean, like Fat Jewel, yes, my brother, yeah,

0:48:34.320 --> 0:48:44.080
<v Speaker 1>but no more. I tell you this. I'll tell you

0:48:44.239 --> 0:48:45.520
<v Speaker 1>this on your release.

0:48:46.080 --> 0:48:48.840
<v Speaker 3>Now, remember looking at social media and everyone being so

0:48:48.960 --> 0:48:51.640
<v Speaker 3>happy that you that that you came home like like

0:48:51.719 --> 0:48:53.840
<v Speaker 3>it was a universal love.

0:48:53.719 --> 0:48:56.840
<v Speaker 4>Was paying full moment not only for me, but for

0:48:56.960 --> 0:48:59.400
<v Speaker 4>the entire music fraternity and to all my fans for

0:48:59.520 --> 0:49:02.440
<v Speaker 4>the paying want to apologize to them because I never

0:49:02.520 --> 0:49:03.080
<v Speaker 4>want to see.

0:49:02.960 --> 0:49:03.640
<v Speaker 5>Their cry over me.

0:49:05.160 --> 0:49:07.399
<v Speaker 3>I remember seeing footage of that carcert and I remember

0:49:07.440 --> 0:49:10.880
<v Speaker 3>seeing ladies just saying, man, I just love Boojoo like

0:49:11.360 --> 0:49:13.200
<v Speaker 3>like and I'm just seeing it and then you know,

0:49:13.239 --> 0:49:15.200
<v Speaker 3>you know, how did they do behind the scenes thing

0:49:15.600 --> 0:49:18.840
<v Speaker 3>of you, like the concerts something like that, And I

0:49:18.960 --> 0:49:22.680
<v Speaker 3>just remember the camera's going and people just just expressing

0:49:22.719 --> 0:49:24.719
<v Speaker 3>their love for you. This is the first concert I'm

0:49:24.719 --> 0:49:27.320
<v Speaker 3>talking about. When you came home and I was just like, damn,

0:49:27.360 --> 0:49:29.000
<v Speaker 3>I wondered, did you see that?

0:49:30.120 --> 0:49:32.040
<v Speaker 4>I do chance to see a lot of things, but

0:49:32.400 --> 0:49:36.000
<v Speaker 4>love is just separated, and it's just seprecated because I

0:49:36.120 --> 0:49:39.319
<v Speaker 4>love my people. I love how people, black, white, no matter,

0:49:39.560 --> 0:49:41.520
<v Speaker 4>just as long as you understand the love is love,

0:49:41.640 --> 0:49:44.960
<v Speaker 4>love the color. You know, we've been separated along so

0:49:45.160 --> 0:49:51.320
<v Speaker 4>many lines racial, political right. We've been separated along so

0:49:51.520 --> 0:49:52.080
<v Speaker 4>many lines.

0:49:52.120 --> 0:49:52.640
<v Speaker 5>Everyone knows.

0:49:53.360 --> 0:49:55.520
<v Speaker 4>Don't focused from where them, don't fuck with you know

0:49:55.560 --> 0:49:58.399
<v Speaker 4>what I mean? So I just want the people who

0:49:58.480 --> 0:50:01.719
<v Speaker 4>understand said when I'm on coming found when I don't

0:50:01.760 --> 0:50:06.359
<v Speaker 4>come for Georgia, I come for love your eye. I'm

0:50:06.360 --> 0:50:08.680
<v Speaker 4>gonna come to love your dreadlock with this music. Yeah

0:50:09.480 --> 0:50:12.560
<v Speaker 4>you know I won't say yeah sunk up. Oh they

0:50:12.640 --> 0:50:14.040
<v Speaker 4>stop the fuck and get it right.

0:50:18.520 --> 0:50:19.160
<v Speaker 1>We want you to know.

0:50:19.320 --> 0:50:22.440
<v Speaker 3>Our show is about giving people they flowers while they're around.

0:50:22.480 --> 0:50:23.840
<v Speaker 3>We want to tell you how dope you are. I

0:50:23.880 --> 0:50:25.719
<v Speaker 3>want to tell you how iconic you are. We want

0:50:25.760 --> 0:50:27.560
<v Speaker 3>to give you your flowers face to face.

0:50:35.800 --> 0:50:38.080
<v Speaker 4>Real Listen on next thing, I get some flowers and

0:50:38.320 --> 0:50:45.799
<v Speaker 4>I'm planning so you know, flow flourish them off the growing. Yes,

0:50:46.160 --> 0:50:47.399
<v Speaker 4>but I thank you guys very much.

0:50:47.840 --> 0:50:53.560
<v Speaker 1>Love that's great. So yes, we're gonna play a game

0:50:53.600 --> 0:50:56.080
<v Speaker 1>real quick. Let's Chris tim slam now. If you want

0:50:56.600 --> 0:51:01.240
<v Speaker 1>anybody or any of your friends the standing in as

0:51:01.280 --> 0:51:02.920
<v Speaker 1>a drink drinking game. It's a drinking game.

0:51:03.000 --> 0:51:07.680
<v Speaker 5>I'm on give me, but I'll know you with the water.

0:51:08.560 --> 0:51:12.040
<v Speaker 1>I'll take wan. So he's hold up, we're going to

0:51:12.040 --> 0:51:20.319
<v Speaker 1>look got Yeah, that's from the car for the next

0:51:20.320 --> 0:51:25.120
<v Speaker 1>twenty four hours on Roster. You pull over, so let

0:51:25.160 --> 0:51:28.280
<v Speaker 1>me ask you. Let me ask you. Are you vegan

0:51:28.800 --> 0:51:29.879
<v Speaker 1>or you eat fish and money?

0:51:29.880 --> 0:51:30.319
<v Speaker 5>I'm a fish.

0:51:30.400 --> 0:51:32.600
<v Speaker 1>I kill a fish. Okay, you kill fish?

0:51:32.640 --> 0:51:36.239
<v Speaker 4>I mean likely by fish in our career, Sean. Right now,

0:51:36.280 --> 0:51:38.840
<v Speaker 4>I say ease food fish.

0:51:39.120 --> 0:51:40.480
<v Speaker 3>Because I want to ask you a question. It's my

0:51:40.560 --> 0:51:42.800
<v Speaker 3>friend Roster. He's vegan.

0:51:43.040 --> 0:51:46.960
<v Speaker 5>He's vegan about work for you're still fun?

0:51:47.400 --> 0:51:50.319
<v Speaker 1>Instide I went and kill the fish. Then no, we can't.

0:51:51.280 --> 0:52:03.680
<v Speaker 8>We can't teary trip every now and then. Yeah, okay,

0:52:04.080 --> 0:52:07.560
<v Speaker 8>don't give very much. It is wide all right.

0:52:07.680 --> 0:52:11.280
<v Speaker 1>I don't got don't get no, no, no, you you're

0:52:11.320 --> 0:52:14.239
<v Speaker 1>drinking for all of us. I'm drinking with him, he's

0:52:14.840 --> 0:52:17.959
<v Speaker 1>drinking from me. So did you explain him the rules

0:52:18.400 --> 0:52:21.920
<v Speaker 1>deigned to drive off? Yeah, yeah, yeah, you explained to

0:52:21.960 --> 0:52:22.479
<v Speaker 1>him the rules.

0:52:23.360 --> 0:52:27.560
<v Speaker 2>Yeah, we're gonna two choices. You pick one, we don't drink.

0:52:28.320 --> 0:52:30.799
<v Speaker 2>If you say both are neither of the two, you drink,

0:52:30.920 --> 0:52:33.480
<v Speaker 2>we drink. We all come on, let's go and any

0:52:33.520 --> 0:52:38.040
<v Speaker 2>stories anything we mentioned it's about just anything, Jay.

0:52:37.960 --> 0:52:44.439
<v Speaker 1>Z or nas that's our bad mind.

0:52:45.719 --> 0:52:51.360
<v Speaker 3>No, No, it's okay, that's fire Tupac, Bob Marley, Bob times.

0:52:52.880 --> 0:52:55.640
<v Speaker 1>I wouldn't asked that. Questions on our list.

0:52:57.800 --> 0:53:01.480
<v Speaker 3>Yellow Man or Ninja Man, Yeah, love the King okay,

0:53:02.880 --> 0:53:06.720
<v Speaker 3>Biggie or d m X bote Jesus okay, yeah.

0:53:07.640 --> 0:53:08.319
<v Speaker 1>Spot right there.

0:53:10.560 --> 0:53:13.160
<v Speaker 5>Peace to both, that's a good one.

0:53:13.680 --> 0:53:20.319
<v Speaker 1>Shop Ranks or cudding rsh Caros want to rock him?

0:53:22.640 --> 0:53:25.239
<v Speaker 4>Carris Wine can Okay, I'm going Carross Wine and put

0:53:25.280 --> 0:53:29.239
<v Speaker 4>some powerful world Callde his work speak for himself being

0:53:29.320 --> 0:53:34.840
<v Speaker 4>a man or bounty killer, No, no, mercy, no, no,

0:53:34.960 --> 0:53:37.720
<v Speaker 4>get me going thirsty on a medium Percy.

0:53:38.680 --> 0:53:40.919
<v Speaker 1>You know I just answered, what did I say? Bounty killer?

0:53:46.239 --> 0:53:52.080
<v Speaker 1>It's the voice. Any stories though, you got, you got

0:53:52.120 --> 0:53:52.880
<v Speaker 1>bounty stories for.

0:53:52.920 --> 0:53:56.879
<v Speaker 4>Then no, Radley, Priceless is the best, you know real.

0:53:57.440 --> 0:54:00.719
<v Speaker 4>I call him priceless because he's riding the rice. But

0:54:00.760 --> 0:54:04.080
<v Speaker 4>there's no price on such an individual. He's priceless, you

0:54:04.160 --> 0:54:06.080
<v Speaker 4>know what I mean. That's my story, and it's the best.

0:54:10.280 --> 0:54:13.520
<v Speaker 4>Red Dragon or Sanchez, No Sanchez and Red Dragon is

0:54:13.560 --> 0:54:14.560
<v Speaker 4>two different personalities.

0:54:14.600 --> 0:54:15.960
<v Speaker 5>One is a single, one is a DJ.

0:54:16.719 --> 0:54:20.239
<v Speaker 4>So the dichotomy, you have to choose Sanchez in a

0:54:20.280 --> 0:54:22.640
<v Speaker 4>singer category and Red Dragon a DJ category.

0:54:22.719 --> 0:54:24.439
<v Speaker 5>So in this particular stage, I choose both.

0:54:25.360 --> 0:54:32.080
<v Speaker 2>Take it, take a drink that made it up, Burning

0:54:32.120 --> 0:54:34.480
<v Speaker 2>spears of the techniques, Burning.

0:54:34.160 --> 0:54:40.200
<v Speaker 4>Spear, he's still active. Techniques have retired. M hmm, you're

0:54:40.239 --> 0:54:41.799
<v Speaker 4>still doing the work a labor of love.

0:54:44.080 --> 0:54:51.440
<v Speaker 1>Public Enemy or dead press both Public enemy Malcolm X

0:54:51.600 --> 0:54:53.480
<v Speaker 1>or Marcus Goffy, Marcus.

0:54:53.200 --> 0:54:57.319
<v Speaker 5>Giavi Marcaus Govey, you know what I mean.

0:54:58.640 --> 0:55:00.719
<v Speaker 4>The refuse to come to get a with Malcolm with

0:55:00.880 --> 0:55:03.240
<v Speaker 4>Marcus ga sharing the same idea that gender.

0:55:03.320 --> 0:55:07.000
<v Speaker 1>I tried to reilroad him in this Blood Marks Jamaican. Correct, Yeah,

0:55:07.200 --> 0:55:08.480
<v Speaker 1>that's the last railroad him.

0:55:08.560 --> 0:55:10.799
<v Speaker 5>One of them tried from the na A CP.

0:55:11.000 --> 0:55:12.480
<v Speaker 4>Come right, we know what it is street and I

0:55:12.520 --> 0:55:14.880
<v Speaker 4>can't fool I don't know what about black people? They

0:55:14.880 --> 0:55:17.120
<v Speaker 4>all what about black people in America? The other one

0:55:17.120 --> 0:55:19.840
<v Speaker 4>of the main reason why we did not come together

0:55:20.239 --> 0:55:22.000
<v Speaker 4>to be bigger than me, It was because they were

0:55:22.120 --> 0:55:25.440
<v Speaker 4>parties and and infiltrated by old side forces with outside

0:55:25.440 --> 0:55:28.279
<v Speaker 4>agenda to fight against the swap back doctrine as they

0:55:28.360 --> 0:55:35.080
<v Speaker 4>call the Marcus swap back doctor. Yeah, but this philosophy

0:55:35.120 --> 0:55:37.000
<v Speaker 4>and opinion shines true even to this day.

0:55:37.280 --> 0:55:46.360
<v Speaker 1>Yeah theirs, Yes, Wow, what is that? It's secret message?

0:55:46.880 --> 0:55:50.640
<v Speaker 2>Gregory Isaac or Peter Tosh both, Oh my god, brothers.

0:55:51.160 --> 0:55:55.800
<v Speaker 2>You know Greg, we share the same birthday, right, same birthday.

0:55:57.200 --> 0:55:59.960
<v Speaker 2>Super Cat or shine Head, super card.

0:56:01.520 --> 0:56:08.040
<v Speaker 1>Man. Shoutout super cat Man, regg or Dance both a fan.

0:56:10.840 --> 0:56:13.719
<v Speaker 5>You know it's too great. It's too great. Medium of expression.

0:56:15.200 --> 0:56:19.440
<v Speaker 3>Lady Saw or Patra both okay because they both represent

0:56:19.520 --> 0:56:21.960
<v Speaker 3>two different era and the both different nomenal stuff for

0:56:22.040 --> 0:56:22.919
<v Speaker 3>their generations.

0:56:23.920 --> 0:56:26.040
<v Speaker 4>Patra was the breaking point to show the world our

0:56:26.160 --> 0:56:29.439
<v Speaker 4>female ars were capable, and Ladies Saw is a persion

0:56:29.520 --> 0:56:32.240
<v Speaker 4>the representation of what they can represent themselves.

0:56:31.920 --> 0:56:37.359
<v Speaker 1>As both dope too and both spectaculating their own way.

0:56:37.520 --> 0:56:43.040
<v Speaker 1>Yea or Lauren Hill, both drink. He's making this drink.

0:56:47.640 --> 0:56:49.719
<v Speaker 1>I think you're drinking bitters though you're tricking the crowd.

0:56:52.280 --> 0:56:55.280
<v Speaker 1>Welcome to wait. But by the way, bitteress is very strong.

0:56:55.360 --> 0:57:05.680
<v Speaker 1>You get drink, drink Champion and water. That's fact. Okay.

0:57:06.640 --> 0:57:11.120
<v Speaker 1>Shutters or Third World Cup. Two different dynamics.

0:57:11.160 --> 0:57:13.560
<v Speaker 4>One depict an era which I don't to forget, and

0:57:13.600 --> 0:57:14.600
<v Speaker 4>the other depicer.

0:57:14.360 --> 0:57:15.280
<v Speaker 5>Era, which I embrace.

0:57:15.600 --> 0:57:22.920
<v Speaker 4>Okay, So turn a cop I mean, dance all queen, right,

0:57:23.640 --> 0:57:26.040
<v Speaker 4>dance all queen picks an era where it's just fun

0:57:26.400 --> 0:57:31.200
<v Speaker 4>show you and Shutters right, dance a queen the quicker

0:57:31.320 --> 0:57:35.640
<v Speaker 4>era when the music is growing, budding and it shows

0:57:35.680 --> 0:57:37.640
<v Speaker 4>you what any results of what it comes out to be.

0:57:38.200 --> 0:57:41.840
<v Speaker 4>In Shutters, we see a culture, a Breman gun culture

0:57:42.160 --> 0:57:44.440
<v Speaker 4>which is on the horizon and we all know where

0:57:44.480 --> 0:57:44.920
<v Speaker 4>that end up.

0:57:45.360 --> 0:57:47.320
<v Speaker 1>Yeah, now I am on.

0:57:47.600 --> 0:57:51.080
<v Speaker 5>When it come to Jamican movie, I like moving Mecca. Laugh.

0:57:51.880 --> 0:57:55.640
<v Speaker 4>Come my people, funny and dramatic, you know what I mean.

0:57:55.760 --> 0:57:59.440
<v Speaker 4>If I get them serious, they will be. But if

0:57:59.480 --> 0:58:01.560
<v Speaker 4>I asked something on the big screen, I want to

0:58:01.560 --> 0:58:04.760
<v Speaker 4>stare a blood laugh where I know this is Johnny.

0:58:04.800 --> 0:58:08.120
<v Speaker 5>I can't I can do that. I cannot say that

0:58:08.840 --> 0:58:10.400
<v Speaker 5>you know, so we would do something I want.

0:58:10.640 --> 0:58:14.400
<v Speaker 4>I don't want brutalities everywhere and people have been fed

0:58:14.480 --> 0:58:15.480
<v Speaker 4>too much trauma.

0:58:16.000 --> 0:58:16.600
<v Speaker 5>I don't like it.

0:58:18.280 --> 0:58:19.840
<v Speaker 1>And you don't like those phones neither. You said you

0:58:19.880 --> 0:58:20.680
<v Speaker 1>don't trust.

0:58:20.800 --> 0:58:23.200
<v Speaker 4>No, I'm un used it in our room and because

0:58:23.440 --> 0:58:25.000
<v Speaker 4>we're not come to the room. If you don't have

0:58:25.000 --> 0:58:26.360
<v Speaker 4>a phone, it's I guess and alone.

0:58:28.960 --> 0:58:32.720
<v Speaker 1>I thought that was crazy. Trust trust.

0:58:33.080 --> 0:58:36.280
<v Speaker 4>Yeah, we'll come back to that, okay. Sean Paul or

0:58:36.360 --> 0:58:41.360
<v Speaker 4>Shaggy both to different even to different representations. I'm Shaggy.

0:58:41.440 --> 0:58:44.720
<v Speaker 4>This is something that we are paying homage because it broke, Yes,

0:58:44.920 --> 0:58:47.520
<v Speaker 4>and it wasn't whole, and it wasn't him.

0:58:47.600 --> 0:58:51.320
<v Speaker 5>It wasn't And Sean, you know, he's still continued doing stuff.

0:58:51.440 --> 0:58:55.240
<v Speaker 4>And I mean Sean has people, and they're both great

0:58:55.320 --> 0:58:57.479
<v Speaker 4>and both talented, and that would means for its.

0:58:57.400 --> 0:58:59.800
<v Speaker 1>No cap Yes, yes, they both go to the like

0:59:00.080 --> 0:59:06.840
<v Speaker 1>you're making karate class. Give it up, Shaggy the drink

0:59:06.920 --> 0:59:07.400
<v Speaker 1>champces at.

0:59:10.200 --> 0:59:14.400
<v Speaker 5>I do not disrespect my lass. No do I speak.

0:59:14.480 --> 0:59:20.960
<v Speaker 4>Don't speakable anyone back behind back, you know, as a principle, man, guy,

0:59:20.960 --> 0:59:23.360
<v Speaker 4>I tried that they will get funk up. No, no, no,

0:59:23.800 --> 0:59:26.240
<v Speaker 4>so I tried that I want know, I want him

0:59:26.480 --> 0:59:29.200
<v Speaker 4>that I'm on You know I speak truth. Whatever I

0:59:29.320 --> 0:59:32.920
<v Speaker 4>say is I'm an opinion. You are a stand It's

0:59:33.000 --> 0:59:36.880
<v Speaker 4>not a general consensus. You know it's not the agent opinion.

0:59:36.920 --> 0:59:37.760
<v Speaker 4>And choose who to buy.

0:59:38.160 --> 0:59:44.840
<v Speaker 2>So leave me with mine, Chris, Okay, you in the

0:59:44.880 --> 0:59:48.160
<v Speaker 2>next one, sister Nancy or Papa Son?

0:59:48.680 --> 0:59:51.520
<v Speaker 5>Oh, two different presentation, two different era.

0:59:52.040 --> 0:59:58.920
<v Speaker 1>Tchoose both? Okay, he wants to dream. No, Rod, you're

0:59:58.920 --> 0:59:59.480
<v Speaker 1>going too fast.

1:00:00.200 --> 1:00:02.920
<v Speaker 4>My Steve Maley know you're talking about run doesn't sing

1:00:03.080 --> 1:00:04.400
<v Speaker 4>as opposed to Stephen will sing.

1:00:04.960 --> 1:00:11.240
<v Speaker 1>So please, I can't compare the father with the son. Okay.

1:00:11.760 --> 1:00:15.520
<v Speaker 4>And Stephen is like Damian's daddy, his brother musically speaking,

1:00:16.160 --> 1:00:17.600
<v Speaker 4>you know what I mean. We watch him grow, we

1:00:17.720 --> 1:00:21.000
<v Speaker 4>help him grow and help him mooning skill. So I

1:00:21.000 --> 1:00:23.240
<v Speaker 4>would choose both because you know one is it?

1:00:23.360 --> 1:00:23.520
<v Speaker 2>One?

1:00:23.600 --> 1:00:29.720
<v Speaker 1>Is it? One is the process? After there that I

1:00:29.840 --> 1:00:31.880
<v Speaker 1>got one that's not on, Go ahead, go for it. Bro.

1:00:33.800 --> 1:00:35.720
<v Speaker 1>Would you then mention either one of these guys? I

1:00:35.800 --> 1:00:41.480
<v Speaker 1>just want to know Garnet Silk or Tennis saw Well

1:00:41.560 --> 1:00:41.800
<v Speaker 1>now to.

1:00:41.960 --> 1:00:45.480
<v Speaker 4>The French genres of music, because ghan is Silk is

1:00:45.520 --> 1:00:48.200
<v Speaker 4>more spiritually aligned and spiritually you know what I mean.

1:00:48.680 --> 1:00:51.920
<v Speaker 5>Santa and Tennis sing songs that we can relate to.

1:00:52.440 --> 1:00:54.920
<v Speaker 4>However, we didn't get enough of Tennasa to make a

1:00:55.040 --> 1:00:56.880
<v Speaker 4>fear comparison, so I choose both.

1:00:57.920 --> 1:01:02.040
<v Speaker 1>Of course, he's about he answered everything genius. It's like

1:01:02.160 --> 1:01:02.760
<v Speaker 1>a genius.

1:01:03.640 --> 1:01:07.800
<v Speaker 4>You think he's gonna say one of them, Well, you

1:01:07.880 --> 1:01:10.560
<v Speaker 4>know our fearness and honesty if we've gotten more of Tennis.

1:01:10.760 --> 1:01:13.280
<v Speaker 5>His life was cut short in Texas.

1:01:13.400 --> 1:01:16.520
<v Speaker 4>Yes, but what we saw we love and in stated

1:01:16.800 --> 1:01:19.880
<v Speaker 4>just like nitty Gritty, Nitty Gritty gave us somewhere. You

1:01:19.960 --> 1:01:22.560
<v Speaker 4>guys know, if a guy called nitty gritty right, let.

1:01:22.560 --> 1:01:26.320
<v Speaker 1>Them come corby the she boomed.

1:01:27.560 --> 1:01:31.760
<v Speaker 4>So those guys they sung some songs that we wanted more,

1:01:31.920 --> 1:01:33.840
<v Speaker 4>but we just didn't get enough. So it's unfear for

1:01:33.960 --> 1:01:38.080
<v Speaker 4>me to make a correlation between him and dry an

1:01:38.200 --> 1:01:42.360
<v Speaker 4>inference with Ghan and Silk, who has done so much records,

1:01:43.720 --> 1:01:46.200
<v Speaker 4>and it's present even this to this moment in a

1:01:46.360 --> 1:01:53.280
<v Speaker 4>psychic weigh in Wonder or Garnet Silk. No, I have

1:01:53.400 --> 1:01:56.080
<v Speaker 4>a choose boat because we want to No, No, we

1:01:56.240 --> 1:01:58.160
<v Speaker 4>know we know that different kind of single. We know

1:01:58.920 --> 1:02:02.200
<v Speaker 4>you just said that, but we want we can still

1:02:02.200 --> 1:02:04.120
<v Speaker 4>address it. We want that is a girls I'm singer.

1:02:04.960 --> 1:02:09.360
<v Speaker 4>Singer ye Ghana says battle line really just girls, and

1:02:09.560 --> 1:02:14.280
<v Speaker 4>so it's to different singer rasta reality and reality of them.

1:02:14.360 --> 1:02:16.280
<v Speaker 3>I choose I got a song away in one of

1:02:16.280 --> 1:02:19.000
<v Speaker 3>the and lexus and we shouted in Tavoy gardens, are

1:02:19.040 --> 1:02:19.560
<v Speaker 3>you serious?

1:02:20.200 --> 1:02:23.840
<v Speaker 1>One of the most scariust days about life. But you

1:02:23.960 --> 1:02:31.640
<v Speaker 1>know it was crazy. You know, my island is so nice.

1:02:31.640 --> 1:02:42.920
<v Speaker 1>We name me twice Jamaica, Jamaica. That's just okay, bears

1:02:43.080 --> 1:02:44.480
<v Speaker 1>hermon or Junior read.

1:02:44.880 --> 1:02:48.360
<v Speaker 4>No comparison to the French genre of music, and I

1:02:48.480 --> 1:02:53.439
<v Speaker 4>chose both because both I've done exemplary, will work, Junior reed.

1:02:53.560 --> 1:02:55.400
<v Speaker 4>We grew up on from the Black You Black You

1:02:55.480 --> 1:02:59.840
<v Speaker 4>huru Hera after Michael Rose Docky Simpson and uh what's

1:02:59.880 --> 1:03:05.280
<v Speaker 4>the name? You know, so we remember that and they

1:03:05.360 --> 1:03:08.240
<v Speaker 4>remember the impact of the One Blood to unify us

1:03:08.360 --> 1:03:11.960
<v Speaker 4>all black people all across America, Jamaica and the diaspora.

1:03:12.720 --> 1:03:16.479
<v Speaker 4>And you know it's two different comparisons. Also, remember mister

1:03:17.600 --> 1:03:20.960
<v Speaker 4>mister b samon Od the Boss as you call him

1:03:20.960 --> 1:03:23.240
<v Speaker 4>and refer to him as someone who has not only

1:03:23.320 --> 1:03:25.560
<v Speaker 4>been a mentor to me, but a mentor to anyone

1:03:25.640 --> 1:03:28.280
<v Speaker 4>who desired to enter the field of music. And it's

1:03:28.320 --> 1:03:31.240
<v Speaker 4>still consistent, still making music and still able to be

1:03:31.360 --> 1:03:34.080
<v Speaker 4>a guide rail to us because he's still alive. Is

1:03:34.720 --> 1:03:38.320
<v Speaker 4>respect to me. I can't put me in no category.

1:03:38.560 --> 1:03:40.640
<v Speaker 4>So this is one of the categories. We are going

1:03:40.720 --> 1:03:45.400
<v Speaker 4>to just say that Juniery is a great artist, tremendous,

1:03:45.680 --> 1:03:50.600
<v Speaker 4>super whatever, but please put mister Almond in a different category.

1:03:51.160 --> 1:03:51.720
<v Speaker 5>Okay, thank you.

1:03:51.840 --> 1:03:52.200
<v Speaker 1>I like that.

1:03:52.840 --> 1:03:54.919
<v Speaker 3>So let me ask you who do you like more,

1:03:56.320 --> 1:03:59.600
<v Speaker 3>performing the record or making the making the record?

1:03:59.760 --> 1:04:02.080
<v Speaker 1>Make I would have you perform.

1:04:02.720 --> 1:04:04.840
<v Speaker 5>Making record is where I enjoy it before you do.

1:04:06.960 --> 1:04:10.480
<v Speaker 1>Okay, okay, okay, I'm trying to take okay.

1:04:10.600 --> 1:04:12.880
<v Speaker 4>So that's where I really have my phone, so then

1:04:12.920 --> 1:04:14.960
<v Speaker 4>I can have an idea of what you're going to enjoy,

1:04:15.560 --> 1:04:17.800
<v Speaker 4>you know what I mean. So like before I really

1:04:17.840 --> 1:04:20.520
<v Speaker 4>record a song and someone said, what's your favorite song,

1:04:20.520 --> 1:04:22.480
<v Speaker 4>I can't tell you because I have recorded it yet,

1:04:23.360 --> 1:04:26.640
<v Speaker 4>So until the is gone, it's no longer my favorite.

1:04:26.680 --> 1:04:27.960
<v Speaker 4>But I have to live with my music for a

1:04:28.000 --> 1:04:29.640
<v Speaker 4>little bit, and I love my music. So when you

1:04:29.720 --> 1:04:32.360
<v Speaker 4>get it, you I mean, sometimes I watch to see

1:04:32.840 --> 1:04:34.840
<v Speaker 4>the lines that people react to because those are the

1:04:34.920 --> 1:04:37.560
<v Speaker 4>lines that really get me cracking up. So really and

1:04:37.640 --> 1:04:41.479
<v Speaker 4>truly recording to me, and then recording is also where

1:04:41.640 --> 1:04:43.360
<v Speaker 4>I spend a lot of time because I believe in

1:04:43.520 --> 1:04:47.120
<v Speaker 4>perfection and I like to make my mistakes there because

1:04:47.160 --> 1:04:48.120
<v Speaker 4>I can fix it right there.

1:04:49.240 --> 1:04:55.920
<v Speaker 1>That's the next one. Nicodemus or Tennis saw a boat.

1:04:56.280 --> 1:05:00.240
<v Speaker 4>Two different But Tennis is a singer and Nicode must

1:05:00.280 --> 1:05:02.680
<v Speaker 4>It's like the Godfather. He was the first one to

1:05:02.720 --> 1:05:04.840
<v Speaker 4>tell us or to settle in the middle after reading

1:05:05.880 --> 1:05:07.920
<v Speaker 4>I mean not peop don't understand that, but those.

1:05:07.760 --> 1:05:09.240
<v Speaker 1>Who do do right.

1:05:10.880 --> 1:05:12.479
<v Speaker 3>It's the last one of great time of slam Nuga.

1:05:12.520 --> 1:05:15.640
<v Speaker 3>Get back to the interview. Loyalty or respect?

1:05:16.800 --> 1:05:23.480
<v Speaker 4>Hmm, loyalty you know, respect wings and people. People drift

1:05:24.080 --> 1:05:26.600
<v Speaker 4>in terms of food, their respect. Respect sometimes come because

1:05:26.600 --> 1:05:29.920
<v Speaker 4>of what your own, where you live, what you value.

1:05:31.120 --> 1:05:34.600
<v Speaker 4>But if someone is a lawyer, their lawyer forever. And

1:05:35.680 --> 1:05:39.320
<v Speaker 4>if you should take up your phone and you can't

1:05:39.360 --> 1:05:41.400
<v Speaker 4>call none of those numbers after three a m. And

1:05:41.480 --> 1:05:43.160
<v Speaker 4>the answer you have a problem.

1:05:46.360 --> 1:05:53.600
<v Speaker 1>I have a serious problem. Both big ship never stops

1:05:53.640 --> 1:05:57.000
<v Speaker 1>saying put my bottom away.

1:05:57.640 --> 1:06:00.440
<v Speaker 4>Big ship never stops saying two differential to ask for

1:06:00.520 --> 1:06:04.720
<v Speaker 4>two influential individuals who met tremendous music. You know what

1:06:04.720 --> 1:06:06.680
<v Speaker 4>I mean in the world love and review of their work.

1:06:07.160 --> 1:06:12.160
<v Speaker 4>You know, I hope this questionnaire is not aimed to pit.

1:06:12.160 --> 1:06:12.720
<v Speaker 5>Us at each other.

1:06:12.840 --> 1:06:15.920
<v Speaker 4>No, it will never work in that sense, because you're

1:06:15.920 --> 1:06:19.200
<v Speaker 4>asking me about people of metrementdous contributions. I mean, we

1:06:19.400 --> 1:06:23.720
<v Speaker 4>are created equal equally, but we're not equally appointed, thank you.

1:06:24.160 --> 1:06:25.920
<v Speaker 2>No, we bring up these names out of respect for

1:06:25.960 --> 1:06:29.200
<v Speaker 2>everybody involved, just to bring equally.

1:06:28.920 --> 1:06:31.880
<v Speaker 4>But an equally appointed and for each one's appointment that

1:06:32.040 --> 1:06:32.600
<v Speaker 4>you respect.

1:06:34.880 --> 1:06:42.280
<v Speaker 1>That's hard, that's hard. I brought I have. I have

1:06:42.360 --> 1:06:43.160
<v Speaker 1>a bunch of records.

1:06:43.920 --> 1:06:46.480
<v Speaker 2>Today I can only find one out of my steps

1:06:46.960 --> 1:06:48.920
<v Speaker 2>the place untold Stories.

1:06:49.520 --> 1:06:52.800
<v Speaker 1>Operational Willy no operational? Will now tell me I got

1:06:52.840 --> 1:06:53.800
<v Speaker 1>the boot leg man, No, no, no, no.

1:06:55.560 --> 1:06:57.680
<v Speaker 4>So if you look at this label, you will see

1:06:58.000 --> 1:06:59.960
<v Speaker 4>like this is like someone we're in a condom, right,

1:07:00.480 --> 1:07:01.320
<v Speaker 4>you look at it properly?

1:07:01.440 --> 1:07:07.640
<v Speaker 1>Oh ship? Yeah? For all these years, so operational WILLI.

1:07:08.080 --> 1:07:09.720
<v Speaker 4>I was sitting on a plane going to trainer and

1:07:09.800 --> 1:07:12.160
<v Speaker 4>I was inspired to write a song called Ragamuffin. Don't

1:07:12.200 --> 1:07:13.640
<v Speaker 4>be silly put a robot anial?

1:07:13.680 --> 1:07:13.919
<v Speaker 1>WILLI?

1:07:14.920 --> 1:07:17.560
<v Speaker 4>In those days was on the horizon in Jamaica, but

1:07:17.960 --> 1:07:20.520
<v Speaker 4>there was a stigma attached to it, and there were

1:07:20.600 --> 1:07:23.080
<v Speaker 4>kids bound with a's and they will be abandoned, and

1:07:23.200 --> 1:07:25.120
<v Speaker 4>there was this aspect that was taking care of them.

1:07:25.360 --> 1:07:29.080
<v Speaker 4>And we became instrumental in making sure these kids got everything.

1:07:29.120 --> 1:07:31.560
<v Speaker 4>Their live span is very short and we make it

1:07:31.680 --> 1:07:34.960
<v Speaker 4>sure that they have everything that they needed in that time.

1:07:35.040 --> 1:07:37.600
<v Speaker 5>And this was the Operation Willi Foundation.

1:07:38.280 --> 1:07:41.200
<v Speaker 1>Wow, So the record's raising money for that, Yes, the label.

1:07:41.280 --> 1:07:43.480
<v Speaker 4>I created the label and Operation will was on this

1:07:43.600 --> 1:07:46.360
<v Speaker 4>label and also place other songs on this label and

1:07:46.400 --> 1:07:49.680
<v Speaker 4>the process go directly. I had to put money from

1:07:49.720 --> 1:07:52.160
<v Speaker 4>my pocket into it because you know records, you know

1:07:52.200 --> 1:07:54.880
<v Speaker 4>what I mean. So seeing that you just brought me

1:07:55.000 --> 1:07:57.600
<v Speaker 4>back to some of the works that we have done

1:07:57.640 --> 1:07:58.080
<v Speaker 4>in the past.

1:08:01.840 --> 1:08:05.280
<v Speaker 9>So Operation really put a condom on you. Willly operation

1:08:05.480 --> 1:08:08.160
<v Speaker 9>with Roga Mophy. Don't be silly, mayby Roe Pan Willi.

1:08:08.400 --> 1:08:09.960
<v Speaker 9>He is on go Ron and we don't want to

1:08:10.080 --> 1:08:12.840
<v Speaker 9>catch it. Rude boy, don't be silly. Roll by Pania Willi.

1:08:13.120 --> 1:08:14.520
<v Speaker 9>He is on Goran and we're.

1:08:14.360 --> 1:08:16.320
<v Speaker 1>Doing what you got seventeen kids.

1:08:16.720 --> 1:08:22.519
<v Speaker 5>Of course, of course I.

1:08:24.680 --> 1:08:33.680
<v Speaker 1>Listen. I've got sixteen sisters. I was listening them no

1:08:33.800 --> 1:08:34.920
<v Speaker 1>Operation will Friend.

1:08:36.280 --> 1:08:36.639
<v Speaker 5>Mission.

1:08:39.720 --> 1:08:40.680
<v Speaker 1>So you got one of the.

1:08:40.760 --> 1:08:45.519
<v Speaker 3>Most interesting nicknames besides Bouje. Well yeah, now that's from

1:08:45.560 --> 1:08:46.040
<v Speaker 3>the Smurfs.

1:08:46.600 --> 1:08:46.840
<v Speaker 1>Yeah.

1:08:47.360 --> 1:08:49.200
<v Speaker 4>I was given to me by weighing one down. Frank

1:08:49.320 --> 1:08:51.960
<v Speaker 4>is like, because growing up I was I was a

1:08:52.040 --> 1:08:55.599
<v Speaker 4>trouble maker. I was a rude boy and I take

1:08:55.680 --> 1:08:57.840
<v Speaker 4>talk from me and and I just do it.

1:08:59.160 --> 1:09:00.960
<v Speaker 1>And Doc was a the foul dude in the smirk.

1:09:04.080 --> 1:09:08.519
<v Speaker 3>Yeah, but they said they have to eat the Smurs.

1:09:10.479 --> 1:09:14.760
<v Speaker 4>Yeah, man, I'm cocar spurs look blue people and so

1:09:15.280 --> 1:09:17.880
<v Speaker 4>so when they named you that, did you like it?

1:09:19.560 --> 1:09:23.000
<v Speaker 5>You know, Jamaica, if you don't want a name to

1:09:23.040 --> 1:09:26.200
<v Speaker 5>be stick on you in Jamaica, like it.

1:09:26.840 --> 1:09:31.439
<v Speaker 4>You gotta like it because if they resented it's yours.

1:09:32.479 --> 1:09:33.559
<v Speaker 1>That's a mistake. I mean.

1:09:36.960 --> 1:09:39.559
<v Speaker 5>But over time, over time they keep.

1:09:39.520 --> 1:09:45.719
<v Speaker 3>Calling me, it doesn't and especially for people who didn't

1:09:45.720 --> 1:09:46.799
<v Speaker 3>see the Spurs, who.

1:09:46.680 --> 1:09:48.840
<v Speaker 1>Doesn't know that that's an evil character. That just sounds

1:09:48.880 --> 1:09:52.280
<v Speaker 1>like a very unique name, like you ain't gonna hear

1:09:52.320 --> 1:09:53.040
<v Speaker 1>nobody else say that.

1:09:53.360 --> 1:10:07.559
<v Speaker 10>Yeah, well listen smith Brook Okay, sorry, no, no, it's

1:10:07.560 --> 1:10:08.599
<v Speaker 10>all good, so good.

1:10:08.760 --> 1:10:11.160
<v Speaker 1>It's a revolution different.

1:10:12.840 --> 1:10:16.240
<v Speaker 3>And I come from but in one year, you broke

1:10:16.479 --> 1:10:18.519
<v Speaker 3>Bob Marley's record for the most number one.

1:10:18.600 --> 1:10:21.760
<v Speaker 4>Don't hear them say all the time, but act like

1:10:21.840 --> 1:10:23.400
<v Speaker 4>and I supposed to be prod that's something.

1:10:23.439 --> 1:10:24.720
<v Speaker 1>But you know what I mean.

1:10:25.560 --> 1:10:36.479
<v Speaker 4>Listen, let's be realistic. I am coming from an era.

1:10:36.840 --> 1:10:38.599
<v Speaker 4>We're a record. What's that record?

1:10:39.160 --> 1:10:39.479
<v Speaker 5>M hm?

1:10:42.240 --> 1:10:43.240
<v Speaker 1>And this said record?

1:10:48.120 --> 1:10:49.479
<v Speaker 5>What's so my record?

1:10:49.800 --> 1:10:50.120
<v Speaker 1>Five?

1:10:51.160 --> 1:10:55.639
<v Speaker 4>I'm in the mile a seven dollars six dollars, five dollars,

1:10:56.160 --> 1:10:58.280
<v Speaker 4>four dollar, three dollars.

1:10:58.280 --> 1:10:59.920
<v Speaker 1>Two that's all it grows and come fum.

1:11:02.439 --> 1:11:03.960
<v Speaker 4>Then I mana come to a time where I have

1:11:04.160 --> 1:11:07.120
<v Speaker 4>no more bumba cloud record. I can find myself for

1:11:07.240 --> 1:11:17.120
<v Speaker 4>a city. I'manna accept it. I'm still hear my music.

1:11:17.280 --> 1:11:23.559
<v Speaker 5>And I'm self all sting to represent my ownership after music.

1:11:23.640 --> 1:11:24.360
<v Speaker 5>When I listen to.

1:11:29.320 --> 1:11:31.439
<v Speaker 1>Then, I man go sleep and wake up yourselmon.

1:11:31.560 --> 1:11:35.160
<v Speaker 4>Now, no record, no CD, but music not a blood

1:11:35.200 --> 1:11:36.000
<v Speaker 4>cloud cloud.

1:11:42.320 --> 1:11:43.600
<v Speaker 1>This is a cloud.

1:11:46.200 --> 1:11:49.280
<v Speaker 4>I got from stage of owning my music. I can

1:11:49.400 --> 1:11:53.160
<v Speaker 4>play every time I blood cloud want. If I have

1:11:53.240 --> 1:11:55.439
<v Speaker 4>my full non blood cloud subscribe.

1:11:55.120 --> 1:12:04.040
<v Speaker 1>Yeah my music when it is something to me and

1:12:04.160 --> 1:12:05.720
<v Speaker 1>we all sit and laugh, and I think it's a

1:12:05.760 --> 1:12:10.720
<v Speaker 1>blood cloud. Go back with musical and I take my music.

1:12:10.760 --> 1:12:13.200
<v Speaker 4>I'm putting out a cloud and I can't get my

1:12:13.360 --> 1:12:15.360
<v Speaker 4>music physical player of my music. When I want your

1:12:15.400 --> 1:12:21.479
<v Speaker 4>my music, get your pay and nothing pay music please, right,

1:12:22.520 --> 1:12:25.000
<v Speaker 4>and then a class pennies to make this blood clot

1:12:25.840 --> 1:12:32.000
<v Speaker 4>right your trick, Quill, and the major players who supposed

1:12:32.000 --> 1:12:34.080
<v Speaker 4>to speak of about this trick with and marry your

1:12:34.120 --> 1:12:37.400
<v Speaker 4>blood cloud robbery and still intellectual property are silent.

1:12:38.760 --> 1:12:39.120
<v Speaker 1>Mm hmm.

1:12:41.000 --> 1:12:43.080
<v Speaker 4>I want to carry a box some blood cloud record

1:12:43.120 --> 1:12:44.600
<v Speaker 4>of the stairs when don't carry a phone full of

1:12:44.640 --> 1:12:47.200
<v Speaker 4>blood if I don't pay my formula the music enough.

1:12:49.200 --> 1:12:51.120
<v Speaker 1>This bout it. Don't pay a four but don't get

1:12:51.240 --> 1:12:56.719
<v Speaker 1>no music. But I do want to preserve this record.

1:13:04.720 --> 1:13:07.920
<v Speaker 1>One person, one person who stepped up, and I love

1:13:07.960 --> 1:13:08.599
<v Speaker 1>what you just said.

1:13:09.000 --> 1:13:12.639
<v Speaker 3>One person stepped up and started talking about the robbery

1:13:12.720 --> 1:13:14.719
<v Speaker 3>of the streaming. Was a person you got a record

1:13:14.760 --> 1:13:17.720
<v Speaker 3>with Snoop Dogg. Snoop Dogg stepped up and said, this

1:13:17.840 --> 1:13:21.160
<v Speaker 3>is highway robbery. How the hell can you download you know,

1:13:21.760 --> 1:13:24.040
<v Speaker 3>a billion streams and then give me ten thousand dollars

1:13:24.160 --> 1:13:25.200
<v Speaker 3>meanwhile the record label.

1:13:25.320 --> 1:13:27.880
<v Speaker 1>So you think more people should step up like that?

1:13:28.280 --> 1:13:32.120
<v Speaker 1>Absolutely something that's happened to us. We'll moved from in Parao.

1:13:31.840 --> 1:13:36.360
<v Speaker 4>Okay, our distribution where we got a physical product. You know,

1:13:37.479 --> 1:13:39.439
<v Speaker 4>I understand you think it's too bulky in the world

1:13:39.520 --> 1:13:41.920
<v Speaker 4>is moving, and but there are people like us. I

1:13:42.040 --> 1:13:44.040
<v Speaker 4>want my music, I want my record, I want to

1:13:44.040 --> 1:13:45.880
<v Speaker 4>put my record. I want to hear the nigga go s.

1:13:49.280 --> 1:13:50.320
<v Speaker 4>It means something to me.

1:13:51.000 --> 1:13:51.200
<v Speaker 1>Yeah.

1:13:51.560 --> 1:13:54.240
<v Speaker 4>The other day I was in my recording studio and

1:13:54.320 --> 1:13:56.760
<v Speaker 4>this young lady was doing a final papers at the

1:13:56.800 --> 1:14:00.600
<v Speaker 4>Universe of the West Indies and she wanted to do

1:14:00.720 --> 1:14:03.559
<v Speaker 4>something on me, and I said, okay, I welcome, welcomed

1:14:03.600 --> 1:14:06.240
<v Speaker 4>her and she came in the studio and was talking

1:14:06.280 --> 1:14:08.599
<v Speaker 4>along the line of music and she has never seen

1:14:08.640 --> 1:14:14.360
<v Speaker 4>a phone before, crazy and I had to take up

1:14:14.400 --> 1:14:18.160
<v Speaker 4>a phono that I'm sure. So you realize that there's

1:14:18.200 --> 1:14:19.360
<v Speaker 4>a generation that doesn't know what a.

1:14:19.400 --> 1:14:20.040
<v Speaker 1>Vinyl looks like?

1:14:20.240 --> 1:14:20.360
<v Speaker 4>Right?

1:14:21.479 --> 1:14:21.599
<v Speaker 1>Right?

1:14:22.200 --> 1:14:24.479
<v Speaker 4>Are some aspects of that generation and doesn't know what

1:14:24.560 --> 1:14:27.120
<v Speaker 4>I'm vinyl and how it is played and how or

1:14:27.120 --> 1:14:30.920
<v Speaker 4>you received sown to a piece of plastic. So are

1:14:30.960 --> 1:14:33.439
<v Speaker 4>we moving so far ahead that we're taking the things

1:14:33.479 --> 1:14:36.439
<v Speaker 4>that make us real humans away from us?

1:14:37.920 --> 1:14:38.040
<v Speaker 1>Right?

1:14:38.479 --> 1:14:44.000
<v Speaker 2>And what DJ Quick said that that the analog recording,

1:14:44.640 --> 1:14:48.640
<v Speaker 2>which I think transfers onto vinyl and tape. There's an

1:14:48.760 --> 1:14:50.920
<v Speaker 2>energy transfer there that's there. You can't get that from

1:14:50.920 --> 1:14:52.599
<v Speaker 2>the digital world, right Never.

1:14:53.760 --> 1:14:55.320
<v Speaker 3>No, I like what you said earlier. It is like

1:14:55.680 --> 1:14:58.320
<v Speaker 3>people wanted that physical, the physical thing. They wanted to

1:14:58.360 --> 1:14:59.840
<v Speaker 3>look at the producers, they wanted to be proud of

1:14:59.840 --> 1:15:00.360
<v Speaker 3>them product.

1:15:00.600 --> 1:15:02.840
<v Speaker 4>Remember those days when you hit a record in your

1:15:02.880 --> 1:15:06.479
<v Speaker 4>robit on your pants, did the plastic You rub the

1:15:06.520 --> 1:15:09.160
<v Speaker 4>front and the plastics open like this, and you go

1:15:09.240 --> 1:15:09.759
<v Speaker 4>to your record.

1:15:10.840 --> 1:15:12.280
<v Speaker 1>You want to put your ship back in the sleeve

1:15:12.400 --> 1:15:14.519
<v Speaker 1>so good and put them out down the jackets so good,

1:15:16.040 --> 1:15:17.040
<v Speaker 1>and you read the credits.

1:15:17.360 --> 1:15:19.599
<v Speaker 4>Oh and when the music is plaining, can take all

1:15:19.600 --> 1:15:21.120
<v Speaker 4>your sleeve and read around.

1:15:22.360 --> 1:15:25.040
<v Speaker 1>Those days. Then you know who the an R was.

1:15:25.120 --> 1:15:28.120
<v Speaker 1>You know who the label was given from from.

1:15:28.120 --> 1:15:30.920
<v Speaker 4>From from From a financial standpoint, I don't think the

1:15:31.000 --> 1:15:33.400
<v Speaker 4>young cats today will be able to get their life

1:15:33.400 --> 1:15:35.439
<v Speaker 4>in order based on what they're being paid from the

1:15:35.520 --> 1:15:37.000
<v Speaker 4>current mode of income.

1:15:38.120 --> 1:15:42.760
<v Speaker 5>It's not gonna happen. It's not gonna happen. So we're

1:15:42.840 --> 1:15:43.360
<v Speaker 5>being robbed.

1:15:43.360 --> 1:15:47.200
<v Speaker 4>And when industry is being raped, somebody's getting that cash.

1:15:48.680 --> 1:15:50.360
<v Speaker 4>But nobody don't want to have about it. You come

1:15:50.400 --> 1:15:55.479
<v Speaker 4>from the island. You see the industry go mature, yet

1:15:55.800 --> 1:15:58.040
<v Speaker 4>the artists who made the industries are sideline.

1:15:59.160 --> 1:16:02.960
<v Speaker 1>You can't be like that. We need to see her play, right,

1:16:06.120 --> 1:16:08.479
<v Speaker 1>let me change the subject for a second. M hm.

1:16:10.120 --> 1:16:13.760
<v Speaker 3>Back in the days, it was a group called Born Jamerican, right, yeah,

1:16:14.520 --> 1:16:18.720
<v Speaker 3>and it was it set off this whole thing Jamaicans.

1:16:18.880 --> 1:16:24.920
<v Speaker 3>That's Jamaican, but they're from America, and like like for us,

1:16:25.439 --> 1:16:29.719
<v Speaker 3>I'm half Puerto Rican and Puerto Ricans from the island

1:16:29.760 --> 1:16:32.840
<v Speaker 3>don't really fuck with Puerto Ricans from New York, Is

1:16:33.160 --> 1:16:33.400
<v Speaker 3>it is?

1:16:33.479 --> 1:16:33.519
<v Speaker 4>It?

1:16:33.720 --> 1:16:37.080
<v Speaker 1>Is it like that with Jamaicans and and boring Americans?

1:16:37.120 --> 1:16:37.559
<v Speaker 1>I'm asking?

1:16:38.960 --> 1:16:42.920
<v Speaker 4>Yeah, No, you know, we Jamiaicans, we're port of our

1:16:43.000 --> 1:16:46.200
<v Speaker 4>heritage and we're proud of all over black bearers. You know,

1:16:46.400 --> 1:16:49.639
<v Speaker 4>once you have a Jamaican blood, no matter what, you're

1:16:49.640 --> 1:16:50.280
<v Speaker 4>a jamia Gan.

1:16:51.360 --> 1:16:55.360
<v Speaker 1>But no matter where in the world, the gold Jamakan

1:16:56.760 --> 1:17:00.760
<v Speaker 1>and you know you're born in Japan and you Jamaica.

1:17:01.120 --> 1:17:04.880
<v Speaker 4>Jamaican father, Japanese money Jamaican of course. But you find

1:17:04.920 --> 1:17:09.160
<v Speaker 4>that we're very protective for our culture. You can't blame us.

1:17:09.439 --> 1:17:14.240
<v Speaker 4>So when people or burst, you know, you must realize

1:17:14.280 --> 1:17:17.960
<v Speaker 4>that this is one of the most abuse cultures Jamaican artists,

1:17:19.160 --> 1:17:23.479
<v Speaker 4>and you know this story the powers that we don't

1:17:23.479 --> 1:17:26.360
<v Speaker 4>respect us many underpay us.

1:17:26.600 --> 1:17:29.479
<v Speaker 5>She's just like, you know what I mean, you know this.

1:17:29.840 --> 1:17:31.000
<v Speaker 1>I didn't know that till you said it.

1:17:31.120 --> 1:17:34.280
<v Speaker 4>Though, when we step out, if you don't step out

1:17:34.360 --> 1:17:37.000
<v Speaker 4>and search yourself so this motherfuckers can know who you're

1:17:37.040 --> 1:17:40.040
<v Speaker 4>dealing with, you're going to subject yourself to that. So

1:17:40.120 --> 1:17:42.640
<v Speaker 4>we have to always know what we're dealing with and

1:17:42.720 --> 1:17:46.240
<v Speaker 4>let them know what they are dealing with. Yeah, and

1:17:47.040 --> 1:17:50.560
<v Speaker 4>it's just that I'm sure my rapper brothers face the

1:17:50.600 --> 1:17:52.120
<v Speaker 4>same thing. They have to step up and they even

1:17:52.160 --> 1:17:54.400
<v Speaker 4>know that they know what they work and know their value.

1:17:54.680 --> 1:17:57.160
<v Speaker 4>So you don't respect It's up to you. But if

1:17:57.200 --> 1:17:58.479
<v Speaker 4>you want to do business with us, you've got to

1:17:58.520 --> 1:17:58.920
<v Speaker 4>respect it.

1:18:00.600 --> 1:18:03.960
<v Speaker 3>You know something That's that's was interesting when I heard you.

1:18:04.960 --> 1:18:07.280
<v Speaker 3>He was doing another interview, and you was like, I

1:18:07.360 --> 1:18:09.559
<v Speaker 3>believe you called reggaeto culture votes.

1:18:10.920 --> 1:18:12.160
<v Speaker 1>I believe you said that. I don't know.

1:18:12.200 --> 1:18:14.720
<v Speaker 3>I don't want to misquoat you. I don't want to

1:18:14.720 --> 1:18:18.640
<v Speaker 3>miss calling right, But then you said you said, I

1:18:18.720 --> 1:18:20.800
<v Speaker 3>believe it's what you said. You can correct me, and

1:18:20.880 --> 1:18:22.800
<v Speaker 3>you said, it's like they only work with each other,

1:18:23.240 --> 1:18:24.960
<v Speaker 3>like they don't work with outside in the team.

1:18:25.000 --> 1:18:28.120
<v Speaker 4>When I was nineteen years old, right, no matter sixteen

1:18:28.200 --> 1:18:30.679
<v Speaker 4>years old, I remember I remember a son called Boom

1:18:30.680 --> 1:18:38.000
<v Speaker 4>Boom Boom Ele from Panamanian. This show us love because

1:18:38.080 --> 1:18:41.200
<v Speaker 4>I went there and I met Kafu Bantan who was

1:18:41.240 --> 1:18:43.720
<v Speaker 4>the next four runner who you know what I mean.

1:18:44.479 --> 1:18:46.040
<v Speaker 5>But then the music went to Puerto Rico.

1:18:46.400 --> 1:18:48.080
<v Speaker 4>Then the music went in all boat and all of

1:18:48.120 --> 1:18:50.360
<v Speaker 4>a sudden, it's like you created this ship, then you

1:18:50.400 --> 1:18:52.080
<v Speaker 4>want to take the white. I think there's so many

1:18:52.240 --> 1:18:56.360
<v Speaker 4>last suits currently from Jamaican producers with reggaeton. There's a

1:18:56.439 --> 1:19:00.000
<v Speaker 4>major lawsuits right now Stelli and Clevie Stelli and Cleviey's

1:19:00.000 --> 1:19:02.719
<v Speaker 4>one of our biggest producers, you understand.

1:19:02.760 --> 1:19:05.240
<v Speaker 5>And these guys have been because.

1:19:04.960 --> 1:19:08.360
<v Speaker 1>It's the same taken. They're taken right the same.

1:19:08.720 --> 1:19:13.679
<v Speaker 4>Ship because they think we're from the Caribbean and there's

1:19:13.720 --> 1:19:15.720
<v Speaker 4>no intellectual property controler.

1:19:15.800 --> 1:19:17.280
<v Speaker 1>We have no idea what we're doing.

1:19:17.680 --> 1:19:22.840
<v Speaker 5>But it's a new Dane gotam the Batman's st alive.

1:19:27.320 --> 1:19:30.200
<v Speaker 3>And then Afrobs does doesn't raise no laws, touit like that.

1:19:30.320 --> 1:19:33.519
<v Speaker 3>But you're saying that they just it wasn't the love

1:19:33.640 --> 1:19:34.320
<v Speaker 3>is not there, like.

1:19:35.400 --> 1:19:39.320
<v Speaker 5>We should have a more tighter relationship with even Listen.

1:19:39.360 --> 1:19:40.080
<v Speaker 1>I agree with everything.

1:19:40.160 --> 1:19:44.439
<v Speaker 4>When Nelson Mandela was locked up in South Africa, it

1:19:44.640 --> 1:19:47.200
<v Speaker 4>was a vice Africaco free. In terms of the music,

1:19:47.400 --> 1:19:54.679
<v Speaker 4>it was weii weii Mandyla free soon Africa. Jamia cansin

1:19:54.800 --> 1:19:58.120
<v Speaker 4>consistently making the world a weird about African flight.

1:20:00.479 --> 1:20:05.920
<v Speaker 5>Ethiopia, you name it Angola. We name our readying the

1:20:06.160 --> 1:20:06.920
<v Speaker 5>mp l A.

1:20:07.840 --> 1:20:13.799
<v Speaker 4>The MPLA movement was from Angola, the liberation struggle in Angola. Okay,

1:20:14.280 --> 1:20:19.240
<v Speaker 4>we named Riadim Shankai shek based upon Shanki Sheeck fleeing

1:20:19.320 --> 1:20:23.000
<v Speaker 4>from mainland China to what is now called Taiwan, which

1:20:23.040 --> 1:20:24.400
<v Speaker 4>is family farm Mosta.

1:20:26.400 --> 1:20:29.800
<v Speaker 5>We understand. So we are integral and world affairs and

1:20:29.960 --> 1:20:32.320
<v Speaker 5>our music speak to the demographics of the globe.

1:20:34.439 --> 1:20:37.759
<v Speaker 4>Well, so when we you know African brothers and sisters

1:20:37.840 --> 1:20:39.760
<v Speaker 4>doing music that they can identify with, but do not

1:20:39.880 --> 1:20:42.080
<v Speaker 4>hear nothing to free Africa, the free the minds of

1:20:42.160 --> 1:20:45.880
<v Speaker 4>African we are concerned, all right, because if we're in

1:20:45.960 --> 1:20:49.200
<v Speaker 4>Jamaica and we are singing about sexuality, and violence, and

1:20:49.320 --> 1:20:52.160
<v Speaker 4>they can say to us, my brothers in Jamaica, we

1:20:52.280 --> 1:20:53.680
<v Speaker 4>remember when you use to speak to us.

1:20:53.640 --> 1:20:54.160
<v Speaker 5>From your heart.

1:20:54.200 --> 1:20:56.439
<v Speaker 4>No, you're speaking to us on your lips, and we

1:20:56.560 --> 1:20:58.800
<v Speaker 4>have to pull ourselves up by the bootstop. Then we

1:20:58.880 --> 1:21:00.400
<v Speaker 4>must be able to speak to our brothers across the

1:21:00.479 --> 1:21:03.880
<v Speaker 4>pond and say, my brothers, if we're lacking, pull us up.

1:21:06.360 --> 1:21:17.240
<v Speaker 1>You know that's blood club. That's deep because you know.

1:21:19.439 --> 1:21:22.880
<v Speaker 3>Says like you said, handles boom boom boom, mommy, mommy, mommy,

1:21:23.960 --> 1:21:25.040
<v Speaker 3>And then I've seen this.

1:21:25.400 --> 1:21:26.320
<v Speaker 1>It's the same rhythm.

1:21:26.720 --> 1:21:30.400
<v Speaker 3>I always heard this is me, this is this is me,

1:21:30.960 --> 1:21:33.599
<v Speaker 3>me being a little bit in that section. Always heard

1:21:33.680 --> 1:21:36.559
<v Speaker 3>them show love to shop. I heard them show show

1:21:36.640 --> 1:21:39.880
<v Speaker 3>love to you and show love to other people's soul.

1:21:40.200 --> 1:21:43.880
<v Speaker 3>But when you said I think you said this, it's like,

1:21:44.040 --> 1:21:46.760
<v Speaker 3>but it didn't work with us, and I was just like, damn,

1:21:46.800 --> 1:21:47.120
<v Speaker 3>I didn't.

1:21:47.160 --> 1:21:49.400
<v Speaker 1>I didn't realize that didn't. So did you have some

1:21:50.479 --> 1:21:56.000
<v Speaker 1>heeral no? No, you heeral no, and you go along

1:21:56.080 --> 1:21:56.400
<v Speaker 1>the list.

1:21:56.479 --> 1:21:59.080
<v Speaker 5>The answer is no, No. I take the equation.

1:21:59.240 --> 1:21:59.920
<v Speaker 1>What about.

1:22:01.640 --> 1:22:02.439
<v Speaker 5>Name somebody else?

1:22:06.360 --> 1:22:08.519
<v Speaker 4>Well, you know they went into the same charate school, right,

1:22:24.720 --> 1:22:27.920
<v Speaker 4>But so but the reality exists, that's not present. There's

1:22:27.920 --> 1:22:31.719
<v Speaker 4>nothing archives and I'm talking something frivolous. I'm not capping

1:22:32.320 --> 1:22:33.240
<v Speaker 4>your research.

1:22:33.840 --> 1:22:34.720
<v Speaker 1>You're right, you're right.

1:22:35.000 --> 1:22:40.120
<v Speaker 5>So I mean if if someone come from Africa and

1:22:40.120 --> 1:22:41.280
<v Speaker 5>they said Bojo.

1:22:42.400 --> 1:22:43.120
<v Speaker 1>Like I don't.

1:22:43.120 --> 1:22:46.200
<v Speaker 4>I've done some with Sally Kit, I've done some with uh,

1:22:46.680 --> 1:22:49.720
<v Speaker 4>several African collaborations.

1:22:51.040 --> 1:22:54.759
<v Speaker 5>It's good because I want to speak to my people.

1:22:56.200 --> 1:22:57.519
<v Speaker 5>I want to faster that bridge.

1:22:58.160 --> 1:22:58.320
<v Speaker 1>Right.

1:22:58.640 --> 1:23:01.240
<v Speaker 4>We want to create this simple at the relationship where

1:23:01.240 --> 1:23:04.800
<v Speaker 4>we both understand each other and can relate to each other.

1:23:05.800 --> 1:23:08.519
<v Speaker 4>And the music is the common language of people. It's

1:23:08.520 --> 1:23:10.320
<v Speaker 4>a universal language of all nations.

1:23:11.680 --> 1:23:14.880
<v Speaker 1>Absolutely is That's real, man, that's real. I'm glad, I mean,

1:23:14.920 --> 1:23:15.160
<v Speaker 1>you know what.

1:23:16.200 --> 1:23:18.240
<v Speaker 3>I'm glad to hear you say that because I want

1:23:18.920 --> 1:23:20.600
<v Speaker 3>it's gonna be a lot of people that's gonna watch this,

1:23:21.800 --> 1:23:25.040
<v Speaker 3>and I feel like the situation will be fixed from

1:23:25.280 --> 1:23:27.879
<v Speaker 3>from from your powerful voice, from the voice to Jamaica,

1:23:28.240 --> 1:23:32.920
<v Speaker 3>you know, because because you're the only one I ever

1:23:33.040 --> 1:23:38.080
<v Speaker 3>heard step up and say something. I mean maybe others has,

1:23:38.360 --> 1:23:39.200
<v Speaker 3>but I haven't seen it.

1:23:41.040 --> 1:23:43.080
<v Speaker 4>But that's why I mean it did it mm hmm.

1:23:43.960 --> 1:23:48.560
<v Speaker 4>And I'm not I appreciated in many aspects. But that

1:23:48.640 --> 1:23:50.920
<v Speaker 4>doesn't matter because, like I said, I'm a serve ONTI

1:23:51.000 --> 1:23:53.000
<v Speaker 4>that Ye're not here to serve me.

1:23:53.120 --> 1:23:54.080
<v Speaker 5>I am here to serve you.

1:23:54.880 --> 1:23:56.800
<v Speaker 4>You are the people who make a sacrifice and make

1:23:56.840 --> 1:23:59.439
<v Speaker 4>a decision between buying our bread, buying our shoes, paying

1:23:59.479 --> 1:24:02.360
<v Speaker 4>your rent. I'm coming to see me, and the end

1:24:02.960 --> 1:24:05.320
<v Speaker 4>you put all those things aside and you come to

1:24:05.360 --> 1:24:09.000
<v Speaker 4>see me. I'm here to serve you. I'm here to

1:24:09.080 --> 1:24:11.240
<v Speaker 4>serve your truth. I'm here to serve your music. I'm

1:24:11.240 --> 1:24:14.160
<v Speaker 4>here to serve you in my life. I'm just serving hopefulness.

1:24:15.080 --> 1:24:17.960
<v Speaker 4>Am I perfect? No? Because if your fuck I'll take

1:24:18.000 --> 1:24:23.920
<v Speaker 4>your head off. Okay, but I'm here for you. I'm

1:24:23.920 --> 1:24:27.400
<v Speaker 4>here as your servant. Good I'm not how good servant

1:24:27.479 --> 1:24:28.160
<v Speaker 4>must be serious.

1:24:29.000 --> 1:24:32.439
<v Speaker 1>I'm ready to serve you. What's your favorite place to

1:24:32.479 --> 1:24:36.320
<v Speaker 1>perform besides your makeup? I say Africa. No part of Africa.

1:24:36.560 --> 1:24:38.040
<v Speaker 1>Every part of Africa is a trill.

1:24:38.160 --> 1:24:42.160
<v Speaker 4>Do I bear my soul to the continent from the

1:24:42.240 --> 1:24:47.240
<v Speaker 4>north to the The Nazis on the west, you know

1:24:47.280 --> 1:24:47.640
<v Speaker 4>what I mean?

1:24:48.360 --> 1:24:50.720
<v Speaker 5>Because they don't see a a lot.

1:24:52.320 --> 1:24:55.280
<v Speaker 4>It's far all right. So when I go there after

1:24:55.360 --> 1:24:59.320
<v Speaker 4>traw and give them a good show and sing out

1:24:59.400 --> 1:24:59.920
<v Speaker 4>for them, you know.

1:25:00.400 --> 1:25:01.840
<v Speaker 1>And stay awhile because if you're going to do the

1:25:01.880 --> 1:25:04.439
<v Speaker 1>whole continent. Yeah, well in time.

1:25:05.080 --> 1:25:07.200
<v Speaker 4>But the last time I was there was in Stansted

1:25:07.240 --> 1:25:10.080
<v Speaker 4>Stadium with my good friend mister Lucky Dubaby God bless

1:25:10.120 --> 1:25:12.920
<v Speaker 4>his spirit down. We had a beautiful time. It was

1:25:12.920 --> 1:25:14.880
<v Speaker 4>an amazing moment. I want to see enough love to

1:25:14.920 --> 1:25:16.640
<v Speaker 4>South African and all South Africans.

1:25:16.920 --> 1:25:17.760
<v Speaker 1>Yes, I have been there.

1:25:17.840 --> 1:25:20.960
<v Speaker 4>Great people, man, beautiful place, beautiful people, our people.

1:25:21.479 --> 1:25:25.400
<v Speaker 3>Right now, you just sold out two shows thirty six

1:25:25.520 --> 1:25:26.639
<v Speaker 3>thousand in New York City.

1:25:26.720 --> 1:25:33.240
<v Speaker 1>Got that? I mean? I know you don't call yourself king,

1:25:33.840 --> 1:25:35.639
<v Speaker 1>but there's a lot of people who do call you king.

1:25:36.240 --> 1:25:40.120
<v Speaker 5>That I am a servant of the people and a

1:25:40.200 --> 1:25:41.240
<v Speaker 5>servanti the music.

1:25:41.320 --> 1:25:41.479
<v Speaker 1>You know.

1:25:42.080 --> 1:25:46.200
<v Speaker 5>You see, let't me break it down to you.

1:25:46.600 --> 1:25:50.320
<v Speaker 4>Yes, I know where in the United States of America

1:25:51.640 --> 1:25:56.599
<v Speaker 4>a lot of people get it twisted. You know, who

1:25:56.760 --> 1:25:59.360
<v Speaker 4>is a not to get caught up in all of that.

1:26:01.800 --> 1:26:06.840
<v Speaker 4>We're just to continue being humble, being touchable, accessible, reachable,

1:26:07.360 --> 1:26:12.320
<v Speaker 4>communicate to the people. And you know, because my people

1:26:12.520 --> 1:26:16.320
<v Speaker 4>are used to people they can identify with and resonate with,

1:26:16.640 --> 1:26:20.640
<v Speaker 4>not people who are alienated from them and people who

1:26:20.680 --> 1:26:23.160
<v Speaker 4>are you know what I mean, there's a buffer between

1:26:23.200 --> 1:26:25.720
<v Speaker 4>them and twenty people pushing them, boxing them, shoving them.

1:26:26.720 --> 1:26:29.640
<v Speaker 5>I don't de do that kind of fuckreak, you know

1:26:29.640 --> 1:26:30.000
<v Speaker 5>what I mean?

1:26:30.120 --> 1:26:32.400
<v Speaker 4>Because the same people at my security and push away

1:26:32.400 --> 1:26:35.840
<v Speaker 4>with the same people that make sure I can't pay right.

1:26:37.000 --> 1:26:42.080
<v Speaker 4>So you know, the moment you realize that, humble yourself

1:26:42.560 --> 1:26:45.719
<v Speaker 4>that I told you our profession was directed directly Carlo

1:26:45.880 --> 1:26:49.240
<v Speaker 4>by the Fiums as singers and players of instruments, and

1:26:49.360 --> 1:26:51.679
<v Speaker 4>then it's a bartender and then it's a bar tough.

1:26:53.200 --> 1:26:56.080
<v Speaker 5>And didn't see all the part of these things. So

1:26:56.200 --> 1:26:58.479
<v Speaker 5>you know that you're doing something.

1:26:58.560 --> 1:27:00.479
<v Speaker 4>It's easy to have people listening to you know, like

1:27:00.600 --> 1:27:04.320
<v Speaker 4>I said earlier, what it's important to figure out what.

1:27:04.400 --> 1:27:05.240
<v Speaker 5>You have to say to them.

1:27:06.800 --> 1:27:10.360
<v Speaker 1>So let me ask you a question. Bob Marley movie,

1:27:10.400 --> 1:27:11.080
<v Speaker 1>I love it right.

1:27:11.600 --> 1:27:13.240
<v Speaker 3>There was one part of the movie where he uh,

1:27:14.240 --> 1:27:15.840
<v Speaker 3>he sent to his manager and he was like, yo,

1:27:15.960 --> 1:27:19.000
<v Speaker 3>whenever there's an Africa play, it's not a money play,

1:27:20.120 --> 1:27:22.320
<v Speaker 3>like meaning like he just wants to go to Africa

1:27:22.360 --> 1:27:23.439
<v Speaker 3>whenever they ask for him.

1:27:23.840 --> 1:27:25.320
<v Speaker 1>Is that how you feel about Africa as well?

1:27:25.800 --> 1:27:28.280
<v Speaker 4>Africa is a beautiful place where I have made many

1:27:28.400 --> 1:27:32.080
<v Speaker 4>sacrifices over the years, many many many soccer. The first

1:27:32.080 --> 1:27:34.160
<v Speaker 4>time I go to Africa, I come up to Jamaica

1:27:34.160 --> 1:27:35.840
<v Speaker 4>and have to pay my entire band out of my

1:27:36.040 --> 1:27:40.720
<v Speaker 4>personal pocket. You know, several times it happens to us

1:27:41.040 --> 1:27:43.320
<v Speaker 4>because you know, you give people the benefit of the

1:27:43.360 --> 1:27:45.040
<v Speaker 4>door that they're going to do business, but it never

1:27:45.160 --> 1:27:48.280
<v Speaker 4>materialized that way. But it can't be a money tinkerse

1:27:48.320 --> 1:27:49.920
<v Speaker 4>want someone to go on, the show must go on.

1:27:50.240 --> 1:27:56.160
<v Speaker 4>But nevertheless, we pride ourselves in doing good business, and

1:27:56.240 --> 1:27:58.680
<v Speaker 4>as black people have a bad stigma attached to us

1:27:58.920 --> 1:28:01.680
<v Speaker 4>that we don't do good businesiness. So it's important for

1:28:01.840 --> 1:28:04.080
<v Speaker 4>us to have good agreements and stick to our agreements

1:28:04.120 --> 1:28:07.960
<v Speaker 4>and execute the agreements accordingly. You know, you need good

1:28:08.000 --> 1:28:09.960
<v Speaker 4>for the next brother who comes into the territory to

1:28:10.000 --> 1:28:11.720
<v Speaker 4>do business, who calls me on the phone and say,

1:28:11.920 --> 1:28:16.639
<v Speaker 4>how was your experience? All right, very good, So all

1:28:16.680 --> 1:28:17.559
<v Speaker 4>things are relative.

1:28:18.680 --> 1:28:20.160
<v Speaker 1>Let's talk about bona fide love.

1:28:21.120 --> 1:28:27.439
<v Speaker 4>Bonafi Bonafi Love was originally done by Erald Dunkley and

1:28:27.640 --> 1:28:37.400
<v Speaker 4>then it was done by den Right. It was remade

1:28:37.520 --> 1:28:41.840
<v Speaker 4>Byway No Wonder for the Pintos label. I think it's

1:28:41.880 --> 1:28:46.360
<v Speaker 4>one of the most pivotal recordings memos Away Wonder has

1:28:46.400 --> 1:28:49.919
<v Speaker 4>ever done. But it's a remake from the original.

1:28:50.120 --> 1:28:54.320
<v Speaker 1>Okay, yeah, Now when we may highlighte for Snoop Dogg,

1:28:54.360 --> 1:28:59.120
<v Speaker 1>who smoked more weed? I don't know. Actually, it seems

1:28:59.120 --> 1:29:01.160
<v Speaker 1>like it was a fun ritter. I was.

1:29:01.280 --> 1:29:03.639
<v Speaker 4>I was in I was in my student Carla Avenue

1:29:03.720 --> 1:29:06.240
<v Speaker 4>and we were speaking on the phone. So I said,

1:29:06.320 --> 1:29:11.920
<v Speaker 4>we were He said, this is in the spaceship you

1:29:12.000 --> 1:29:15.640
<v Speaker 4>call his recording students spaceship. I said, I'm sitting there

1:29:15.840 --> 1:29:17.720
<v Speaker 4>under the tree. So he said, is that a mango tree?

1:29:17.760 --> 1:29:21.479
<v Speaker 4>I said yeah, And we were both smoking. So I

1:29:21.560 --> 1:29:24.200
<v Speaker 4>was on the tree smoking in the spaceship smoking. I

1:29:24.280 --> 1:29:25.880
<v Speaker 4>started So I started singing.

1:29:25.960 --> 1:29:36.639
<v Speaker 1>Highlight and I said, good weed all day and night.

1:29:37.800 --> 1:29:38.280
<v Speaker 1>I said, hey.

1:29:38.400 --> 1:29:40.439
<v Speaker 4>So I went into notes and I started writing it,

1:29:42.280 --> 1:29:44.200
<v Speaker 4>and I said, hey, I'm going to write your partners, well,

1:29:44.240 --> 1:29:45.320
<v Speaker 4>I'm going to write in part to us.

1:29:45.360 --> 1:29:46.320
<v Speaker 5>I wrote, and I sent it to you.

1:29:46.400 --> 1:29:48.760
<v Speaker 1>That's why he did it so much in patful. We

1:29:48.880 --> 1:29:51.280
<v Speaker 1>stayed on the phone and suck it right up. It

1:29:51.400 --> 1:29:53.360
<v Speaker 1>was good man. It was a good day, good vibe.

1:29:54.000 --> 1:29:55.920
<v Speaker 4>And it shows me that it's a true artist because

1:29:55.960 --> 1:29:58.559
<v Speaker 4>it's not many people can do that and dialve into

1:29:58.760 --> 1:30:00.560
<v Speaker 4>their creativity just like that.

1:30:00.760 --> 1:30:03.960
<v Speaker 5>And I mean it's our chemistry as well. Yeah, just

1:30:04.040 --> 1:30:05.320
<v Speaker 5>good good kid, good brethren.

1:30:05.720 --> 1:30:08.240
<v Speaker 1>You know. You know what I love about you? Is

1:30:09.160 --> 1:30:10.360
<v Speaker 1>you a man?

1:30:10.479 --> 1:30:13.400
<v Speaker 3>Can't put you in a box. You can't say you're

1:30:13.479 --> 1:30:16.000
<v Speaker 3>just one way? Like you make feel good music, you

1:30:16.120 --> 1:30:18.880
<v Speaker 3>make you know, club music, you make you know.

1:30:18.880 --> 1:30:22.400
<v Speaker 1>What I mean? You make conscious music? Like how do

1:30:22.479 --> 1:30:24.680
<v Speaker 1>you do that and not be whack? Like?

1:30:24.720 --> 1:30:26.680
<v Speaker 3>You know what I'm saying, because certain people can you

1:30:26.760 --> 1:30:28.080
<v Speaker 3>know what I'm saying, Like certain people can go to

1:30:28.120 --> 1:30:34.240
<v Speaker 3>another genre. I don't know, okay answers, I don't know.

1:30:34.400 --> 1:30:37.719
<v Speaker 5>I'm a free spirited person. You have to be happy.

1:30:38.000 --> 1:30:38.160
<v Speaker 1>You know.

1:30:38.479 --> 1:30:41.160
<v Speaker 4>My children, my guys think come the funniest father in

1:30:41.240 --> 1:30:42.880
<v Speaker 4>the world, right, you know what I mean?

1:30:43.080 --> 1:30:45.280
<v Speaker 5>I love to laugh. People don't know that side of me.

1:30:45.320 --> 1:30:46.760
<v Speaker 5>I don't show them as side of me. They don't

1:30:46.800 --> 1:30:49.880
<v Speaker 5>need to. But music should come from a happy place.

1:30:51.000 --> 1:30:53.800
<v Speaker 4>So if you're a person who's constantly angry, you're going

1:30:53.880 --> 1:30:56.760
<v Speaker 4>to make angry music. If you're constantly bitter, your music

1:30:56.800 --> 1:31:00.160
<v Speaker 4>will reflect that, you know, I mean, I never go

1:31:00.280 --> 1:31:03.120
<v Speaker 4>to my bed with an argument. I tell you how

1:31:03.160 --> 1:31:03.559
<v Speaker 4>I feel.

1:31:03.600 --> 1:31:04.000
<v Speaker 5>And that's it.

1:31:04.360 --> 1:31:13.160
<v Speaker 4>Tomorrow I'm going to say, no, what's up? Oh this

1:31:13.320 --> 1:31:15.360
<v Speaker 4>is so great the music I would come for a

1:31:15.400 --> 1:31:19.120
<v Speaker 4>pure place. So when when that is intact, you know,

1:31:19.520 --> 1:31:21.000
<v Speaker 4>the inspiration flows, you know.

1:31:21.800 --> 1:31:24.200
<v Speaker 1>So let's talk about I'm saying it wrong because I'm

1:31:24.200 --> 1:31:26.120
<v Speaker 1>I'm dyslexic. Don't be conqueror.

1:31:27.320 --> 1:31:27.479
<v Speaker 2>Yeah.

1:31:27.560 --> 1:31:27.720
<v Speaker 1>Yeah.

1:31:27.800 --> 1:31:31.000
<v Speaker 3>With Steven Marley when you both performed and you're both

1:31:31.040 --> 1:31:31.799
<v Speaker 3>shed a tear.

1:31:31.760 --> 1:31:33.560
<v Speaker 1>Oh my god, why did you go there? I know

1:31:33.680 --> 1:31:39.400
<v Speaker 1>my ship. I know at first he said you shall

1:31:39.439 --> 1:31:41.559
<v Speaker 1>a tear and then you said he and you're both like.

1:31:42.320 --> 1:31:45.120
<v Speaker 5>You know, I say that was an emotional movement because.

1:31:46.320 --> 1:31:46.519
<v Speaker 1>You know.

1:31:49.360 --> 1:31:54.800
<v Speaker 4>That relationship and friendship with that birdren coming like a job.

1:31:55.120 --> 1:31:56.000
<v Speaker 4>It's ever in sand.

1:31:56.120 --> 1:31:56.280
<v Speaker 1>You know.

1:31:57.320 --> 1:31:58.200
<v Speaker 5>The irony is.

1:31:58.320 --> 1:32:00.320
<v Speaker 4>I used to the murders to give mine in the

1:32:00.439 --> 1:32:03.160
<v Speaker 4>morning four o'clock game, used to pick me up on

1:32:03.240 --> 1:32:05.040
<v Speaker 4>my house. I used to go running on the beach

1:32:05.360 --> 1:32:07.840
<v Speaker 4>the first moning Ziggy brat and burta I never owned

1:32:07.920 --> 1:32:08.519
<v Speaker 4>Ziggy again.

1:32:10.920 --> 1:32:12.960
<v Speaker 1>Used to used to run with Ziggy. Then he brung

1:32:13.080 --> 1:32:14.599
<v Speaker 1>Damien you never seen again.

1:32:14.680 --> 1:32:17.360
<v Speaker 4>The first morning Ziggy brings Steve Maley and my a

1:32:17.400 --> 1:32:18.840
<v Speaker 4>pick figure by the beach.

1:32:19.640 --> 1:32:22.639
<v Speaker 1>J Yeah, I never run with Ziggy again.

1:32:25.439 --> 1:32:28.200
<v Speaker 4>And Steve McKey, my best friend at that time until

1:32:28.280 --> 1:32:32.800
<v Speaker 4>this day, we make music together. When the demon wanted

1:32:32.840 --> 1:32:35.320
<v Speaker 4>to enter music, was there making sure that get the

1:32:35.439 --> 1:32:39.680
<v Speaker 4>rudiments of his right. You know, you know that's a

1:32:39.760 --> 1:32:42.720
<v Speaker 4>good friend. That's Bob Madley in this time for all

1:32:42.800 --> 1:32:44.519
<v Speaker 4>of you. But if you do advice, you won't.

1:32:44.320 --> 1:32:44.800
<v Speaker 5>See what.

1:32:47.439 --> 1:32:48.840
<v Speaker 1>Did you have a meat pop? I know you got.

1:32:49.439 --> 1:32:52.080
<v Speaker 4>Once my mother used to sell in the square raft

1:32:52.120 --> 1:32:57.599
<v Speaker 4>Barbecome Square and once a blue Mitsubishi Tony pull up

1:32:58.800 --> 1:33:02.559
<v Speaker 4>and this rasta man was driving and pushing mad and said, mother,

1:33:03.160 --> 1:33:05.120
<v Speaker 4>give me a pack of craving in. And my mother

1:33:05.280 --> 1:33:07.360
<v Speaker 4>gave me the pack of craving in, which is cigarettes.

1:33:07.520 --> 1:33:09.320
<v Speaker 4>And I run across the road and give it to him.

1:33:09.320 --> 1:33:11.040
<v Speaker 4>And by the time I should put it in his

1:33:11.160 --> 1:33:15.080
<v Speaker 4>hand like this, there's a guy in the car, ask

1:33:15.200 --> 1:33:17.080
<v Speaker 4>my mom. And by the time I gave them the

1:33:17.080 --> 1:33:19.920
<v Speaker 4>cigarette like this, the poor community was doing on the car.

1:33:20.760 --> 1:33:25.600
<v Speaker 5>And I says, my first encounter with them, that's a

1:33:25.640 --> 1:33:26.519
<v Speaker 5>little little kid.

1:33:30.840 --> 1:33:37.160
<v Speaker 2>Yeah, it's Bob Marley. Me and your shop about me.

1:33:37.640 --> 1:33:40.160
<v Speaker 2>These are like ordained means.

1:33:40.280 --> 1:33:43.360
<v Speaker 3>You know, My God is good and don't make no mistake,

1:33:45.640 --> 1:33:50.800
<v Speaker 3>God damn it. That's a helly selassie Ethiopia. This is

1:33:50.840 --> 1:33:56.360
<v Speaker 3>what the Rasta cultures correct. So how how did this start?

1:33:56.520 --> 1:33:59.400
<v Speaker 3>He came to Jamaica, Well before.

1:33:59.160 --> 1:34:01.360
<v Speaker 4>We were coming to Jimmy, as the rat is we

1:34:02.400 --> 1:34:05.080
<v Speaker 4>we really it's a construction before leaving Earth, which the

1:34:05.160 --> 1:34:08.360
<v Speaker 4>I don't know as the Bible. And there have been

1:34:08.439 --> 1:34:12.080
<v Speaker 4>many a prophecy, and we know that Ethiopia, the all

1:34:12.400 --> 1:34:15.840
<v Speaker 4>Africa was called eat Euopia before Cyrus African or went

1:34:15.880 --> 1:34:21.320
<v Speaker 4>and conquered. We are carded Carthage and drive Annibal them

1:34:21.439 --> 1:34:24.719
<v Speaker 4>south and then name the continent after himself.

1:34:25.439 --> 1:34:26.680
<v Speaker 5>The content was.

1:34:26.720 --> 1:34:32.400
<v Speaker 4>Called Ethiopia, the world continent, the whole African continent. See,

1:34:33.200 --> 1:34:35.800
<v Speaker 4>and then colonization common and die set the continent and

1:34:35.880 --> 1:34:39.360
<v Speaker 4>put invisible bads her name this shad congo, this that

1:34:39.600 --> 1:34:42.880
<v Speaker 4>that that that. But to the uncolonization of Egypt, assure

1:34:42.960 --> 1:34:44.400
<v Speaker 4>me and touch and her name and me and you

1:34:44.479 --> 1:34:48.559
<v Speaker 4>see him she found that piece. But the dynasty goes

1:34:48.640 --> 1:34:52.280
<v Speaker 4>back as far as Salomon and Sheba and too many

1:34:52.360 --> 1:34:57.280
<v Speaker 4>lake and to Rasmo Konen, you overstand, And then they

1:34:57.320 --> 1:35:01.519
<v Speaker 4>say was from Marasmo Konen. Then all I see and

1:35:01.680 --> 1:35:05.160
<v Speaker 4>then and he's a family with Jesus. Well, I can't

1:35:05.200 --> 1:35:09.439
<v Speaker 4>do religion. The blood line come from the line of Christ.

1:35:12.200 --> 1:35:13.960
<v Speaker 4>The blood line come from the line of Christ.

1:35:14.040 --> 1:35:15.280
<v Speaker 5>So I can't do.

1:35:15.800 --> 1:35:17.680
<v Speaker 1>Lilling age and genealogy.

1:35:18.000 --> 1:35:21.240
<v Speaker 5>That was true. I can't do rast the man ideology.

1:35:21.680 --> 1:35:26.680
<v Speaker 5>So in this time we knew that God don't go

1:35:26.760 --> 1:35:27.559
<v Speaker 5>all outside of us.

1:35:27.600 --> 1:35:31.640
<v Speaker 4>Well inside of us, I have good tarts, I have

1:35:31.760 --> 1:35:34.240
<v Speaker 4>bad tots, right the are the evil tarts and the

1:35:34.280 --> 1:35:35.679
<v Speaker 4>good tots are the godly tarts.

1:35:38.160 --> 1:35:40.800
<v Speaker 5>Yeside, So we see the Christ come any more on

1:35:40.840 --> 1:35:41.120
<v Speaker 5>the earth.

1:35:41.160 --> 1:35:43.559
<v Speaker 4>And I'm sure say, if you have fear, that's because

1:35:43.560 --> 1:35:47.400
<v Speaker 4>the monster see they can move a mountain. We said

1:35:47.479 --> 1:35:50.839
<v Speaker 4>Christ come anymore. I can sure say, just humble yourself.

1:35:51.120 --> 1:35:53.719
<v Speaker 4>I love the lad by God, I love your neighbor,

1:35:54.920 --> 1:35:57.479
<v Speaker 4>and certain things and teach us which you know I

1:35:57.520 --> 1:36:00.240
<v Speaker 4>don't think it's only rested on two pages. So if

1:36:00.280 --> 1:36:02.960
<v Speaker 4>you want to realize and realize what you really taught

1:36:02.960 --> 1:36:04.360
<v Speaker 4>to us, you have to go and do some research.

1:36:05.760 --> 1:36:09.400
<v Speaker 4>But are these things rastafar to realize that a game

1:36:09.439 --> 1:36:10.400
<v Speaker 4>has been played on us.

1:36:10.800 --> 1:36:14.000
<v Speaker 5>We haven't been taught the truth. Something is a miss

1:36:14.800 --> 1:36:15.840
<v Speaker 5>and why everything by.

1:36:15.840 --> 1:36:20.240
<v Speaker 4>This black black male, black road, blackyard, you know what

1:36:20.240 --> 1:36:24.519
<v Speaker 4>I mean, black book, black list, and everything that's supposed

1:36:24.560 --> 1:36:28.280
<v Speaker 4>to be blackboard. So we realize that there's a campaign

1:36:30.720 --> 1:36:36.560
<v Speaker 4>against not only a particular collab, which is stupidity, but

1:36:36.680 --> 1:36:41.360
<v Speaker 4>against our people as a nation. Can no matter how

1:36:41.439 --> 1:36:43.719
<v Speaker 4>much success you achieve in this country, you will always

1:36:43.760 --> 1:36:46.840
<v Speaker 4>be norried unless you go play dear ball.

1:36:48.280 --> 1:36:50.160
<v Speaker 5>So I join the karate club.

1:36:50.760 --> 1:36:56.400
<v Speaker 4>So we have to will forward this that brought us

1:36:56.439 --> 1:36:59.559
<v Speaker 4>into a different reality than the one we thought we knew.

1:37:00.800 --> 1:37:03.360
<v Speaker 4>And we said a lot of people coming on putting

1:37:03.400 --> 1:37:06.320
<v Speaker 4>on dress do nothing to understand the premise, the foundation,

1:37:07.360 --> 1:37:13.280
<v Speaker 4>what it means, what represents You've commercialized something that is

1:37:13.400 --> 1:37:14.599
<v Speaker 4>near and dear to others.

1:37:15.200 --> 1:37:20.280
<v Speaker 1>Right, But so let me ask you.

1:37:20.439 --> 1:37:23.080
<v Speaker 3>I just want to reiterate that how did this, this,

1:37:23.320 --> 1:37:25.320
<v Speaker 3>this matter party and culture come up? Did Hell It's

1:37:25.360 --> 1:37:26.679
<v Speaker 3>lasting physically go to Jamaica.

1:37:26.800 --> 1:37:30.000
<v Speaker 4>Yes, he went to Jamaica, of course, Alice last visits

1:37:30.040 --> 1:37:33.960
<v Speaker 4>in Jamaica, visits Jamaica, visited many places in Jamaica. Men

1:37:34.040 --> 1:37:39.080
<v Speaker 4>and Rastaman who many people taught were frivolous in they're

1:37:39.160 --> 1:37:44.880
<v Speaker 4>taught were venerated because the Emperor indeed came to the island.

1:37:45.840 --> 1:37:50.280
<v Speaker 1>Wow Ah and Marcus Garvey.

1:37:50.520 --> 1:37:53.840
<v Speaker 4>Marcus Garvey is from Jamaica, and he traveled to the

1:37:53.880 --> 1:37:56.400
<v Speaker 4>America's and traveled to England to spread the message of

1:37:56.560 --> 1:38:00.880
<v Speaker 4>unification from the u n I A you know what

1:38:00.920 --> 1:38:05.720
<v Speaker 4>I mean, the United Namin Association. Yes, and I have

1:38:06.000 --> 1:38:10.160
<v Speaker 4>had many charters across many continents, even from South America

1:38:10.200 --> 1:38:14.240
<v Speaker 4>to the Americas and expound upon the liberation of the

1:38:14.320 --> 1:38:15.400
<v Speaker 4>black man and woman.

1:38:17.479 --> 1:38:22.439
<v Speaker 3>If you was to say, people like you know leave Jamaica,

1:38:23.040 --> 1:38:25.559
<v Speaker 3>who do you think they go to? More London or US.

1:38:28.080 --> 1:38:31.240
<v Speaker 4>There's an existence, there's an existing training to gravity towards

1:38:31.320 --> 1:38:34.599
<v Speaker 4>United States of America and the migration stream. Much shoulders

1:38:34.640 --> 1:38:37.680
<v Speaker 4>that are are indication, and indicators are showed as is

1:38:37.720 --> 1:38:38.879
<v Speaker 4>a major place for migration.

1:38:40.320 --> 1:38:42.479
<v Speaker 1>How happy was you when they told you you could

1:38:42.680 --> 1:38:43.639
<v Speaker 1>come back to America?

1:38:44.320 --> 1:38:48.720
<v Speaker 4>Well, I was elated because initially I wasn't told I

1:38:48.720 --> 1:38:50.040
<v Speaker 4>we could come back. I was told that I was

1:38:50.080 --> 1:38:52.880
<v Speaker 4>permanently banned. And I said to the person who said that,

1:38:52.960 --> 1:38:53.960
<v Speaker 4>let's see what God will do.

1:39:00.000 --> 1:39:01.400
<v Speaker 1>And you said, let's see what God would do? That

1:39:01.560 --> 1:39:03.280
<v Speaker 1>that's all, yes, And so.

1:39:04.800 --> 1:39:06.880
<v Speaker 3>What happens someone gives you a call and say you

1:39:06.920 --> 1:39:08.479
<v Speaker 3>can come back to it because I heard you was

1:39:08.520 --> 1:39:10.400
<v Speaker 3>torn in Africa and I heard you was torn in

1:39:10.439 --> 1:39:10.920
<v Speaker 3>the Caribbee.

1:39:10.960 --> 1:39:14.160
<v Speaker 4>But actually in all you finished on honesty. I don't

1:39:14.160 --> 1:39:16.759
<v Speaker 4>want to chew anybody on the buss because I'm very tactful.

1:39:16.800 --> 1:39:19.400
<v Speaker 4>But this is my issuance of my visa to travel

1:39:19.439 --> 1:39:23.320
<v Speaker 4>to America. Was was sent to me in twenty twenty two.

1:39:23.600 --> 1:39:25.360
<v Speaker 4>And when I went to the embasses the ticket up,

1:39:25.400 --> 1:39:27.920
<v Speaker 4>the lady told me you're permanently band, and I looked

1:39:27.960 --> 1:39:29.479
<v Speaker 4>at her and I said, let's see what God will do.

1:39:30.880 --> 1:39:34.599
<v Speaker 4>And it until twenty twenty three last year, this year

1:39:34.680 --> 1:39:37.479
<v Speaker 4>twenty twenty four that it was really given to me,

1:39:37.720 --> 1:39:40.760
<v Speaker 4>not from that office, but it was given to.

1:39:40.800 --> 1:39:43.000
<v Speaker 1>Me from the higher ups. Come on, you connect the

1:39:43.040 --> 1:39:50.120
<v Speaker 1>goddamn it. I mean, how was that feeling?

1:39:50.240 --> 1:39:50.280
<v Speaker 4>Like?

1:39:51.360 --> 1:39:52.400
<v Speaker 1>Like the God did it? Was?

1:39:52.960 --> 1:39:57.479
<v Speaker 5>See you know, I'm here to serve my people.

1:39:59.200 --> 1:40:02.200
<v Speaker 4>You see how happy people in New Yorker was not

1:40:02.400 --> 1:40:05.160
<v Speaker 4>only because they saw me, but because they were able

1:40:05.240 --> 1:40:08.160
<v Speaker 4>to receive something that they're longing for.

1:40:08.360 --> 1:40:08.920
<v Speaker 1>You know, what is that?

1:40:09.360 --> 1:40:10.000
<v Speaker 5>A concert?

1:40:10.479 --> 1:40:14.040
<v Speaker 4>To hear music, to feel uplifted, to feel like there

1:40:14.120 --> 1:40:17.400
<v Speaker 4>was no car stolen, No one got robbed. No one

1:40:17.640 --> 1:40:21.000
<v Speaker 4>was mistreated. It was just a night of two nights

1:40:21.120 --> 1:40:27.160
<v Speaker 4>of pure fun, love and entertainment because of good energy,

1:40:27.680 --> 1:40:30.080
<v Speaker 4>good vibe. And you know, they try, like I told you,

1:40:30.400 --> 1:40:32.760
<v Speaker 4>you know, you to destroy. Somebody goes off going, they

1:40:32.800 --> 1:40:35.120
<v Speaker 4>go after the credibility out and then they go for

1:40:35.200 --> 1:40:35.759
<v Speaker 4>the jugular.

1:40:36.040 --> 1:40:39.080
<v Speaker 5>My people did not bite. Many bought in.

1:40:39.600 --> 1:40:42.760
<v Speaker 1>Well. Listen, the vice of the people is the voice

1:40:42.840 --> 1:40:43.200
<v Speaker 1>of God.

1:40:43.640 --> 1:40:44.320
<v Speaker 5>What's his man?

1:40:45.920 --> 1:40:52.719
<v Speaker 1>Yes, after me, let's talk about hills and valleys.

1:40:52.960 --> 1:40:59.280
<v Speaker 4>Oh, free the people to well liberated or truly well liberated.

1:40:59.680 --> 1:41:02.280
<v Speaker 5>That fine spirit you know over hills and valleys.

1:41:02.520 --> 1:41:06.000
<v Speaker 1>How did you? How did you make that? W was

1:41:06.040 --> 1:41:07.559
<v Speaker 1>you inhales and mountain and the valleys?

1:41:08.920 --> 1:41:11.559
<v Speaker 5>Actually I was on tour going through this the Swiss

1:41:11.680 --> 1:41:13.720
<v Speaker 5>Alps and my tour bus.

1:41:13.880 --> 1:41:15.720
<v Speaker 1>Oh that's the just the joint where the snow was

1:41:15.720 --> 1:41:16.080
<v Speaker 1>on top.

1:41:16.520 --> 1:41:19.960
<v Speaker 5>Yeah, I was going through some tons. Yeah, on tour

1:41:21.200 --> 1:41:22.080
<v Speaker 5>through the Swiss Alps.

1:41:22.080 --> 1:41:24.519
<v Speaker 4>Because I used to spend three months here tour in

1:41:24.560 --> 1:41:27.960
<v Speaker 4>the Americans, three months touring the European countries are four

1:41:28.400 --> 1:41:31.080
<v Speaker 4>then two in the Caribbean. And that's why I used

1:41:31.080 --> 1:41:33.360
<v Speaker 4>to spend my time and I was an inspiration. I

1:41:33.439 --> 1:41:36.960
<v Speaker 4>received while I was traversed in the earth. How does

1:41:37.040 --> 1:41:39.719
<v Speaker 4>it feel performed for the white people like that? Europe

1:41:40.000 --> 1:41:42.080
<v Speaker 4>very performing. You have to understand that reggae music is

1:41:42.080 --> 1:41:46.120
<v Speaker 4>an international music and you speak a universal language that connected.

1:41:46.160 --> 1:41:47.360
<v Speaker 5>I told you it's the King's music.

1:41:48.640 --> 1:41:50.080
<v Speaker 1>Like my white friend over there, I had to tell

1:41:50.160 --> 1:41:50.559
<v Speaker 1>him stop.

1:41:50.960 --> 1:41:54.400
<v Speaker 5>Yeah, and King music need like this.

1:41:54.560 --> 1:41:55.519
<v Speaker 1>I said, you can't do that.

1:41:55.880 --> 1:41:58.680
<v Speaker 4>It was a need for the people. It doesn't matter

1:41:58.760 --> 1:42:03.439
<v Speaker 4>you're grown and what you gone. Other days when we

1:42:03.560 --> 1:42:07.320
<v Speaker 4>can separate people along their racial adam color lines when

1:42:07.360 --> 1:42:10.120
<v Speaker 4>it come to music, you know much people love Kendrick

1:42:10.200 --> 1:42:11.320
<v Speaker 4>Lamardy and not like us.

1:42:16.040 --> 1:42:17.000
<v Speaker 1>I don't know how we got here.

1:42:21.840 --> 1:42:25.639
<v Speaker 4>And I'm trying to tell you is diverse, So don't

1:42:25.680 --> 1:42:29.160
<v Speaker 4>believe that you I'm under reggae music. There's a demographics

1:42:29.240 --> 1:42:32.880
<v Speaker 4>who's not. And the more people in Europe love reggae

1:42:32.920 --> 1:42:33.759
<v Speaker 4>music than America.

1:42:34.280 --> 1:42:36.320
<v Speaker 5>Full Okay.

1:42:36.840 --> 1:42:39.559
<v Speaker 4>When I when I play a concert in the Haague,

1:42:39.560 --> 1:42:44.720
<v Speaker 4>fore hundred thousand people in Holland Behague, one hundred thousand people.

1:42:48.120 --> 1:42:51.080
<v Speaker 3>Don't get it twisted. Whenever I'm more vacation like there's

1:42:51.360 --> 1:42:53.040
<v Speaker 3>but white people. That's what they playing reggae?

1:42:53.160 --> 1:42:57.479
<v Speaker 4>You know, reggae music. You have to understand also, my

1:42:57.600 --> 1:43:02.840
<v Speaker 4>forefather's cultivated Europe more than America in terms of making

1:43:02.880 --> 1:43:05.040
<v Speaker 4>the music heard and bringing the music to the masses.

1:43:06.160 --> 1:43:09.720
<v Speaker 4>That cultivated Europe a lot more so. Europeans are very

1:43:09.840 --> 1:43:12.519
<v Speaker 4>much deep into reggae music much so.

1:43:13.920 --> 1:43:16.120
<v Speaker 3>And then let's just talk about your relationship with college.

1:43:16.160 --> 1:43:18.920
<v Speaker 3>He was also a person that I've seen campaign you

1:43:19.120 --> 1:43:21.800
<v Speaker 3>so much, like when you when you when you came home.

1:43:22.240 --> 1:43:26.000
<v Speaker 3>I'm not saying the US's home. US is your home too,

1:43:26.080 --> 1:43:28.640
<v Speaker 3>you know, your second home whatever, but he was campaigning

1:43:28.680 --> 1:43:29.320
<v Speaker 3>for you so much.

1:43:29.479 --> 1:43:31.439
<v Speaker 1>How did you develop the relationship. I know your work

1:43:31.560 --> 1:43:36.200
<v Speaker 1>together Back in the days in there was an hurricane

1:43:36.680 --> 1:43:38.040
<v Speaker 1>this shime Miami card.

1:43:39.520 --> 1:43:42.599
<v Speaker 4>And in those days we used to have a whirrows

1:43:42.640 --> 1:43:44.280
<v Speaker 4>and one hundred and seventeenth streets.

1:43:45.880 --> 1:43:46.640
<v Speaker 5>On the courstyard.

1:43:50.160 --> 1:43:54.559
<v Speaker 1>I was walking down the road no after I trying to.

1:43:54.600 --> 1:43:58.280
<v Speaker 4>Find a wish bat and wish by wish bad. So

1:43:58.400 --> 1:44:01.800
<v Speaker 4>we're finding a ready sea Sean. That's how we met

1:44:01.880 --> 1:44:05.479
<v Speaker 4>up with Daddy's enjoy aboard Fox ninety six.

1:44:05.880 --> 1:44:06.559
<v Speaker 5>That's Miss nine.

1:44:08.520 --> 1:44:11.920
<v Speaker 1>Was Lady Terror DJ for a game and.

1:44:13.400 --> 1:44:15.920
<v Speaker 4>A couple of ones and ones well Karli it was

1:44:15.960 --> 1:44:19.440
<v Speaker 4>a part of that, but we eased to have right away.

1:44:20.960 --> 1:44:24.360
<v Speaker 5>Look a vibe. I'm talking skinnical.

1:44:25.880 --> 1:44:30.280
<v Speaker 4>So he used to come to Jerminica but in love

1:44:30.360 --> 1:44:34.599
<v Speaker 4>the music so much that you know, bechwing me beats,

1:44:35.760 --> 1:44:37.600
<v Speaker 4>try this and that, and I'm riding the car with

1:44:37.720 --> 1:44:41.160
<v Speaker 4>him and I'm open. But I realized that you had

1:44:41.200 --> 1:44:43.560
<v Speaker 4>a vision. I said, let's record it, let's make it

1:44:43.640 --> 1:44:46.040
<v Speaker 4>into a dog plate, and we started doing the ship.

1:44:46.240 --> 1:44:47.840
<v Speaker 4>So he used to go to Jamaica to play for

1:44:47.920 --> 1:44:51.360
<v Speaker 4>Fully Loaded. And when he came and saw the reaction

1:44:51.520 --> 1:44:54.559
<v Speaker 4>because in those days, when you do go and get

1:44:54.600 --> 1:44:59.360
<v Speaker 4>a gun salute, it's all gone saloon one. And when

1:44:59.400 --> 1:45:04.160
<v Speaker 4>he saw that, realize that this kid could and then

1:45:04.560 --> 1:45:07.120
<v Speaker 4>he's playing skills. How he did this thing and his

1:45:07.280 --> 1:45:10.599
<v Speaker 4>love for the music not the money, because in this game,

1:45:10.720 --> 1:45:13.800
<v Speaker 4>if you love the music, it loves you back. If

1:45:13.840 --> 1:45:16.719
<v Speaker 4>you love the music, it loves you back. I'm telling you, brother,

1:45:17.280 --> 1:45:19.000
<v Speaker 4>And he loved the music and it loves him. He

1:45:19.040 --> 1:45:22.200
<v Speaker 4>loves him back, as simple as that. So our friendship

1:45:22.360 --> 1:45:25.120
<v Speaker 4>is not based on who the world say he is

1:45:25.240 --> 1:45:31.479
<v Speaker 4>now and who he truly is. And he'll always be

1:45:31.600 --> 1:45:36.320
<v Speaker 4>my brother, always be my friend. It was good heart,

1:45:36.800 --> 1:45:40.800
<v Speaker 4>good spirit, love him family, good kid, and he loves music.

1:45:41.000 --> 1:45:41.800
<v Speaker 4>Most importantly.

1:45:45.880 --> 1:45:50.160
<v Speaker 3>Is there a real place called Holy Mountain? Yeah, in Jamaica,

1:45:50.560 --> 1:46:00.280
<v Speaker 3>wherever you find it, wherever you find it. Brother, Yes,

1:46:00.640 --> 1:46:01.920
<v Speaker 3>well that's real, that's real.

1:46:02.960 --> 1:46:07.160
<v Speaker 1>Oh, Driver, I don't stop at.

1:46:09.800 --> 1:46:13.840
<v Speaker 3>That record had New York City on the motherfucking when

1:46:13.880 --> 1:46:19.760
<v Speaker 3>that ship came on. Driver, that's my part, Like, I'm sorry,

1:46:19.800 --> 1:46:20.760
<v Speaker 3>I said, I heard it.

1:46:22.240 --> 1:46:23.720
<v Speaker 5>It was not so aggressive.

1:46:26.000 --> 1:46:32.200
<v Speaker 11>Drive, don't stop my towel. Have a fantasy, you won't

1:46:32.200 --> 1:46:36.680
<v Speaker 11>get a driver, right, I have.

1:46:36.720 --> 1:46:39.240
<v Speaker 1>A life respected. So but how did you come up

1:46:39.280 --> 1:46:45.840
<v Speaker 1>with that formula? Oh? I had a driver one night

1:46:45.880 --> 1:46:47.519
<v Speaker 1>I have to get to a studio. Was trying to

1:46:47.560 --> 1:46:51.040
<v Speaker 1>down here in Miami. I was leaving from my.

1:46:51.120 --> 1:46:53.880
<v Speaker 4>House in to get to the studio, and I had

1:46:53.920 --> 1:46:59.479
<v Speaker 4>a driver. I'm telling him push its let's go by

1:46:59.600 --> 1:47:01.559
<v Speaker 4>till I got after the studio, I was sinking, Driver.

1:47:03.160 --> 1:47:05.240
<v Speaker 4>So I put my program I was going to do

1:47:05.320 --> 1:47:08.519
<v Speaker 4>on hold and sent to Jamaica on the phone to

1:47:08.600 --> 1:47:10.960
<v Speaker 4>get the rodding from the taxi to make the demo

1:47:11.320 --> 1:47:13.320
<v Speaker 4>and fly home the next day because I knew it

1:47:13.439 --> 1:47:14.000
<v Speaker 4>was a smash.

1:47:14.800 --> 1:47:15.120
<v Speaker 1>Wow.

1:47:18.120 --> 1:47:21.639
<v Speaker 3>Do you want to mothers write about anything. Yo, that's crazy.

1:47:21.640 --> 1:47:24.200
<v Speaker 3>I would have never thought that at all. It makes

1:47:24.200 --> 1:47:31.120
<v Speaker 3>a noise for that. That's a holy ship. Okay we

1:47:32.000 --> 1:47:35.400
<v Speaker 3>speak about this yet, Walk like a champion. You know,

1:47:35.520 --> 1:47:38.599
<v Speaker 3>that's the girl's favorite. Such a classic.

1:47:38.680 --> 1:47:42.799
<v Speaker 5>Man, that's the girls. That's the girl's joint right there. Okay,

1:47:43.120 --> 1:47:44.280
<v Speaker 5>that's the girls joint right there.

1:47:44.320 --> 1:47:46.160
<v Speaker 1>Because Finn is gonna do the record over, You're gonna

1:47:46.160 --> 1:47:54.759
<v Speaker 1>do Drink like a champion. Oh yeah, just want to drink. Okay,

1:47:54.880 --> 1:47:56.479
<v Speaker 1>but how you talk about it? But how did you

1:47:56.560 --> 1:47:59.040
<v Speaker 1>make champion?

1:47:59.640 --> 1:48:01.839
<v Speaker 5>So that was a Penthos production.

1:48:02.520 --> 1:48:04.880
<v Speaker 4>I came to the studio one day and there was

1:48:04.920 --> 1:48:07.400
<v Speaker 4>this guy sitting down with a bass on a stool.

1:48:09.320 --> 1:48:11.120
<v Speaker 4>So his name is His name is Leroy Simbly. It's

1:48:11.120 --> 1:48:13.240
<v Speaker 4>a very famous singer from the group called Heptones. But

1:48:13.280 --> 1:48:17.280
<v Speaker 4>he's also a bass player, and he was singing a song.

1:48:18.920 --> 1:48:24.200
<v Speaker 4>I can't remember the song, excuse me, but it really

1:48:24.360 --> 1:48:27.040
<v Speaker 4>was so groovy. And you know, normally, because Pentos was

1:48:27.120 --> 1:48:29.920
<v Speaker 4>my Pentos became my home base. So when you come

1:48:30.000 --> 1:48:32.400
<v Speaker 4>here to work and I came, I wouldn't come out,

1:48:32.439 --> 1:48:33.880
<v Speaker 4>you know, I would just stay here and ulla vibe

1:48:33.880 --> 1:48:36.080
<v Speaker 4>with you to make sure whatever you're doing because in

1:48:36.160 --> 1:48:39.479
<v Speaker 4>those days, Donovan Jerman was like the boss, but it

1:48:39.600 --> 1:48:42.280
<v Speaker 4>was it was so cool. His girl, his man have

1:48:42.360 --> 1:48:45.880
<v Speaker 4>a recording studient is low period to run it. He'll

1:48:45.920 --> 1:48:47.800
<v Speaker 4>come to America and come back like once someone put

1:48:47.880 --> 1:48:50.559
<v Speaker 4>this on at the side and said, let me want

1:48:50.560 --> 1:48:53.559
<v Speaker 4>to make They would have to play what we did

1:48:54.000 --> 1:48:55.679
<v Speaker 4>for everybody, and then he just jump on the plane

1:48:55.680 --> 1:48:58.200
<v Speaker 4>and gone again. So we had the studio, so anybody

1:48:58.280 --> 1:49:01.760
<v Speaker 4>come there and said, Nana McLean from Canada and all

1:49:01.800 --> 1:49:03.280
<v Speaker 4>these people come to the studio and.

1:49:03.400 --> 1:49:04.920
<v Speaker 1>You know, you guys have free rein.

1:49:05.080 --> 1:49:09.280
<v Speaker 5>So yeah, so we were just making music. So I

1:49:09.439 --> 1:49:12.040
<v Speaker 5>was still checking it out and I'm like, so I'm good.

1:49:12.040 --> 1:49:12.639
<v Speaker 1>I like to beat.

1:49:13.760 --> 1:49:16.200
<v Speaker 5>And that's where the inspiration came with just recording.

1:49:16.600 --> 1:49:18.760
<v Speaker 1>So it was nothing but no championship.

1:49:19.240 --> 1:49:22.360
<v Speaker 4>No, there was no championships, more like an inspiration. And

1:49:22.439 --> 1:49:24.080
<v Speaker 4>the music was talking to me and I was just

1:49:24.200 --> 1:49:26.840
<v Speaker 4>talking back to it with a great conversation.

1:49:29.160 --> 1:49:32.920
<v Speaker 3>Yes, you know this, this story is fucking amazing. Man,

1:49:33.400 --> 1:49:36.200
<v Speaker 3>Hold up, i'menormous pronouncing this wrong.

1:49:36.640 --> 1:49:36.960
<v Speaker 1>So what.

1:49:39.360 --> 1:49:39.599
<v Speaker 5>Rider?

1:49:39.640 --> 1:49:43.439
<v Speaker 4>Yeah, okay, no bat to rider, don't get it twisted.

1:49:43.680 --> 1:49:46.240
<v Speaker 4>But to rider is a shot a very short shot

1:49:46.320 --> 1:49:49.759
<v Speaker 4>that the lady wears the ladies wears their cheeks.

1:49:50.080 --> 1:49:52.480
<v Speaker 5>Yeah, their ass cheeks are exposed.

1:49:53.320 --> 1:49:53.559
<v Speaker 1>Yeah.

1:49:54.160 --> 1:49:56.439
<v Speaker 4>So this was a trend back in the time, in

1:49:56.479 --> 1:49:59.560
<v Speaker 4>the early nineties, and it was the coming out for

1:49:59.640 --> 1:50:01.280
<v Speaker 4>the lady back in the time because we're coming from

1:50:01.280 --> 1:50:04.720
<v Speaker 4>an era we're almost fear the cloud. Okay, I mean

1:50:05.120 --> 1:50:08.640
<v Speaker 4>boderline Prutige, fear the cloud, conservative conservative.

1:50:08.760 --> 1:50:08.960
<v Speaker 1>Yeah.

1:50:09.240 --> 1:50:13.240
<v Speaker 4>So this was also a coming on era where fashion

1:50:13.479 --> 1:50:17.479
<v Speaker 4>and embracing a fashion and trends was becoming more social nouns.

1:50:17.720 --> 1:50:21.960
<v Speaker 1>Yeah. Okay, so so up closer personal even though that's

1:50:21.960 --> 1:50:22.519
<v Speaker 1>a rhythm.

1:50:22.400 --> 1:50:26.439
<v Speaker 4>Right close and personal. Yes, it's a song, yeah, the

1:50:26.560 --> 1:50:32.240
<v Speaker 4>title of a song. Yeah, is that something that's common in.

1:50:34.520 --> 1:50:37.479
<v Speaker 3>The culture is like pretty much everyone rhyming on the

1:50:37.520 --> 1:50:39.280
<v Speaker 3>same beat and making their own version.

1:50:39.120 --> 1:50:41.120
<v Speaker 1>Of a song. Know what what happened was.

1:50:44.479 --> 1:50:47.120
<v Speaker 4>First for for DJ playing the music in the dance,

1:50:47.200 --> 1:50:50.280
<v Speaker 4>all right, the producer now has to put his mind

1:50:50.600 --> 1:50:52.680
<v Speaker 4>think about them. He has to think about them. So

1:50:53.120 --> 1:50:56.400
<v Speaker 4>you put this hot song on this beat, but there's

1:50:56.439 --> 1:51:01.240
<v Speaker 4>only one song. The letter and the guy who's playing

1:51:01.280 --> 1:51:03.720
<v Speaker 4>the music have four songs to keep the juggling going

1:51:03.920 --> 1:51:06.960
<v Speaker 4>as such a dynamic, so we try to give them

1:51:07.760 --> 1:51:08.280
<v Speaker 4>more play.

1:51:08.800 --> 1:51:10.160
<v Speaker 1>So that's particularly four the club.

1:51:10.320 --> 1:51:14.120
<v Speaker 4>Yes, so the guys, because even though when I make music,

1:51:14.160 --> 1:51:16.920
<v Speaker 4>I try to make music that I have three and

1:51:17.040 --> 1:51:20.080
<v Speaker 4>four songs on the beat, so the selector can get

1:51:20.080 --> 1:51:22.439
<v Speaker 4>a grace because when you do, when you go one song,

1:51:22.520 --> 1:51:25.000
<v Speaker 4>sometimes it's difficult for them just play this once and

1:51:25.040 --> 1:51:27.080
<v Speaker 4>then move on to something else. But is this what

1:51:27.200 --> 1:51:30.439
<v Speaker 4>you call a juggling. He can play this, he's play that,

1:51:30.640 --> 1:51:32.640
<v Speaker 4>mix that in and then go you know what I mean, so.

1:51:32.720 --> 1:51:33.519
<v Speaker 1>You make it more.

1:51:34.160 --> 1:51:36.400
<v Speaker 4>But I don't think no one is doing that anymore either.

1:51:36.439 --> 1:51:37.680
<v Speaker 4>I don't know what's going on with that.

1:51:38.600 --> 1:51:41.200
<v Speaker 1>Do you think that like died in in the late nineties.

1:51:41.439 --> 1:51:43.720
<v Speaker 4>No, I mean there's a new trend happening now when

1:51:43.800 --> 1:51:46.960
<v Speaker 4>new innovations are taking place. I mean, let's face it,

1:51:47.080 --> 1:51:49.799
<v Speaker 4>we're not We're not nineteen anymore, we're not twenty anymore.

1:51:49.840 --> 1:51:51.960
<v Speaker 5>Those were nineteen and twenty. Now they're seeing the music

1:51:52.240 --> 1:51:53.120
<v Speaker 5>through different lens.

1:51:53.479 --> 1:51:55.880
<v Speaker 4>So there's a paradigm shift, obviously, So we have to

1:51:56.439 --> 1:51:58.400
<v Speaker 4>hope and pray that they catch the bull by the

1:51:58.520 --> 1:52:02.559
<v Speaker 4>hands and integrate some of the good things that and.

1:52:02.640 --> 1:52:06.559
<v Speaker 2>Literally seeing it through a new lens. Everybody's their phone

1:52:06.880 --> 1:52:08.679
<v Speaker 2>lens absolutely literally.

1:52:09.040 --> 1:52:12.240
<v Speaker 1>So you know when you said you dj' earlier, you

1:52:12.320 --> 1:52:13.760
<v Speaker 1>talking about yeah J no.

1:52:13.840 --> 1:52:16.960
<v Speaker 4>No, the word DJ is always miss come school in America.

1:52:17.240 --> 1:52:19.000
<v Speaker 4>But the guy who played the music is called this

1:52:19.200 --> 1:52:23.680
<v Speaker 4>jock in Jamaica. Say a selector right now, the guy

1:52:23.720 --> 1:52:26.320
<v Speaker 4>who owns allD mic and rap like I do, it's

1:52:26.360 --> 1:52:26.920
<v Speaker 4>called a DJ.

1:52:27.280 --> 1:52:33.080
<v Speaker 1>That's right, and that's the A C T. Can you

1:52:33.200 --> 1:52:33.880
<v Speaker 1>DJ right now?

1:52:34.240 --> 1:52:38.200
<v Speaker 4>I'm on, I'm on dji man you can yeah, man,

1:52:39.200 --> 1:52:40.200
<v Speaker 4>Racca party right now. Y.

1:52:40.479 --> 1:52:43.200
<v Speaker 5>I wonder too. I want the tooth slim. I want

1:52:43.240 --> 1:52:45.120
<v Speaker 5>the kind of over weird. I want the two yo.

1:52:52.720 --> 1:52:56.920
<v Speaker 4>So I've time and put that pone up your nails

1:52:56.920 --> 1:52:59.880
<v Speaker 4>and you up your lap the way you on your movie.

1:53:00.080 --> 1:53:02.599
<v Speaker 4>I told you how many forever and we never quit

1:53:03.240 --> 1:53:06.360
<v Speaker 4>on the minister you forbis. I love it when you

1:53:06.520 --> 1:53:09.000
<v Speaker 4>do it like this in a downsid you're making turn.

1:53:09.040 --> 1:53:11.599
<v Speaker 4>I make it twists with the gym. When I drink

1:53:11.640 --> 1:53:14.519
<v Speaker 4>and ship water them, I drink of water, sip for you,

1:53:14.680 --> 1:53:23.080
<v Speaker 4>give them, get me music nice like this. So the

1:53:23.200 --> 1:53:26.880
<v Speaker 4>next album coming off from Babandannis Carr, I'm not telling

1:53:26.920 --> 1:53:29.240
<v Speaker 4>the titles. Ye can't do that, but it's one hundred

1:53:29.280 --> 1:53:32.560
<v Speaker 4>percent down side. Why I haven't given the massive in

1:53:32.640 --> 1:53:36.160
<v Speaker 4>the dance a music since I came home and you

1:53:36.280 --> 1:53:40.560
<v Speaker 4>know me, then if you know, Gagamel is still the Gagamel.

1:53:41.760 --> 1:53:49.679
<v Speaker 1>I got a bake on the talk yourself happen together

1:53:49.760 --> 1:53:50.040
<v Speaker 1>at all.

1:53:51.000 --> 1:53:53.800
<v Speaker 3>So if there's anything that you could do in this game,

1:53:53.920 --> 1:53:56.439
<v Speaker 3>do over, if you had one thing to do over,

1:53:56.760 --> 1:53:57.320
<v Speaker 3>what would you do?

1:53:59.000 --> 1:53:59.200
<v Speaker 1>You know?

1:54:00.600 --> 1:54:02.880
<v Speaker 4>If I had wanting to do over out the smart

1:54:02.960 --> 1:54:10.599
<v Speaker 4>that mother, I'm sorry, I wasn't ready.

1:54:15.280 --> 1:54:18.479
<v Speaker 1>No, you know, if I had wanting to do over

1:54:18.600 --> 1:54:21.000
<v Speaker 1>in this game, bro, I'm.

1:54:20.920 --> 1:54:27.920
<v Speaker 4>Serious, I would to make it my earnest, earnest, earnest

1:54:30.240 --> 1:54:34.840
<v Speaker 4>duty to make sure these motherfuckers know their dance all

1:54:34.840 --> 1:54:38.560
<v Speaker 4>this year to stay forever and Reggodness is going to

1:54:38.640 --> 1:54:41.240
<v Speaker 4>leave forever because I didn't think they get the message.

1:54:41.240 --> 1:54:43.240
<v Speaker 4>They didn't get the memo. I put some leaf lifts

1:54:43.360 --> 1:54:47.520
<v Speaker 4>under their door. They didn't read it. And that's one

1:54:47.560 --> 1:54:51.400
<v Speaker 4>of my biggest regrets because I know a lot of

1:54:51.440 --> 1:54:57.640
<v Speaker 4>people right they see this music, they love it, they

1:54:57.720 --> 1:54:58.720
<v Speaker 4>want to get close to it.

1:55:00.040 --> 1:55:02.080
<v Speaker 5>We've never been given the mainstream.

1:55:03.480 --> 1:55:03.560
<v Speaker 1>Hm.

1:55:04.440 --> 1:55:07.880
<v Speaker 4>You never hear us in every rotation unless we're selling

1:55:07.960 --> 1:55:10.320
<v Speaker 4>out singing like we're some guys from Disney.

1:55:11.560 --> 1:55:16.040
<v Speaker 5>You know what I mean. This is gonna come when

1:55:16.800 --> 1:55:18.320
<v Speaker 5>we're gonna have pirate stations.

1:55:18.480 --> 1:55:20.680
<v Speaker 4>And my only regret is that I didn't get another

1:55:20.760 --> 1:55:22.440
<v Speaker 4>first person to get one in America.

1:55:23.560 --> 1:55:24.800
<v Speaker 5>You guys need a pirate station.

1:55:25.560 --> 1:55:30.120
<v Speaker 1>That's that's what you guys started. I was lost started off.

1:55:30.560 --> 1:55:32.600
<v Speaker 5>So talk about regrets, that's what we regret.

1:55:32.720 --> 1:55:35.400
<v Speaker 4>We should have pirate station all among this motherfucker at

1:55:35.440 --> 1:55:37.840
<v Speaker 4>one pirate station, and we knew we could have done

1:55:37.840 --> 1:55:39.800
<v Speaker 4>it because guess what, it's difficult for them to climb

1:55:39.840 --> 1:55:41.720
<v Speaker 4>all these tall buildings to find those antennas.

1:55:41.720 --> 1:55:45.360
<v Speaker 5>Bro, what do you what do you antenna every day?

1:55:46.720 --> 1:55:48.840
<v Speaker 1>That's what DJ RO did on the bus. What do

1:55:48.920 --> 1:55:51.640
<v Speaker 1>you enjoy better? Independent or major label?

1:55:51.880 --> 1:55:52.400
<v Speaker 5>Independent?

1:55:52.440 --> 1:55:54.080
<v Speaker 4>Mone It means I take too long term shit our

1:55:54.080 --> 1:55:59.240
<v Speaker 4>own independent now Also the most money I ever making

1:55:59.240 --> 1:56:01.600
<v Speaker 4>other music business, those when I was independent to gogle

1:56:01.680 --> 1:56:04.560
<v Speaker 4>in music, Yeah, because I didn't have any I mean,

1:56:04.600 --> 1:56:07.560
<v Speaker 4>I'm at one, boss, You understanding those days we have

1:56:07.640 --> 1:56:11.280
<v Speaker 4>mechanical loses where the real des we want selling real records,

1:56:12.280 --> 1:56:14.320
<v Speaker 4>you know what I mean, not what we dealing with now,

1:56:14.680 --> 1:56:17.480
<v Speaker 4>but independent there is always good to have more creative control.

1:56:17.880 --> 1:56:20.280
<v Speaker 1>But you can see where your budget is going.

1:56:20.360 --> 1:56:27.240
<v Speaker 4>You have more financial control. Yeah, man, independent records, right,

1:56:28.400 --> 1:56:29.640
<v Speaker 4>goglelel music.

1:56:30.200 --> 1:56:38.880
<v Speaker 3>Music God comes down, It says, Bojo, you got one

1:56:39.040 --> 1:56:41.680
<v Speaker 3>record to save the whole humanity.

1:56:43.080 --> 1:56:44.480
<v Speaker 4>You I am you.

1:56:45.600 --> 1:56:48.320
<v Speaker 3>You gotta make this record, Bojo, and you get one

1:56:48.400 --> 1:56:53.080
<v Speaker 3>feature and one producer. Who is your one feature and

1:56:53.320 --> 1:56:54.560
<v Speaker 3>the one producer.

1:56:55.920 --> 1:56:58.280
<v Speaker 5>For some fun was doing blastphere.

1:57:00.040 --> 1:57:00.280
<v Speaker 1>On the.

1:57:02.200 --> 1:57:06.720
<v Speaker 4>Uh. But when she was my feature in creation, you

1:57:06.760 --> 1:57:09.760
<v Speaker 4>know it's better named Steve who and do a thing

1:57:10.640 --> 1:57:11.360
<v Speaker 4>back in that time?

1:57:11.520 --> 1:57:14.000
<v Speaker 5>Yes, seem fool men.

1:57:14.160 --> 1:57:18.920
<v Speaker 1>That's what we say here do a thing with saying

1:57:18.960 --> 1:57:20.040
<v Speaker 1>that we have stories.

1:57:24.240 --> 1:57:32.880
<v Speaker 5>Do a thing, Carl to be wonderful thing to do?

1:57:33.080 --> 1:57:47.800
<v Speaker 1>Do do? Did you? Uh? What's that song called? You

1:57:47.840 --> 1:57:51.040
<v Speaker 1>guys do not into music. I'm not telling you I'm

1:57:51.080 --> 1:58:02.200
<v Speaker 1>trying to damaging everything you do. Do j teens.

1:58:04.920 --> 1:58:11.400
<v Speaker 4>Don't get it yet, sound like Stevie Bright, You guys

1:58:11.440 --> 1:58:20.400
<v Speaker 4>are so slow. Master blaster guys. So the master Blaster right,

1:58:21.440 --> 1:58:24.360
<v Speaker 4>that's the master Blaster. It's called the Master Blaster right

1:58:25.080 --> 1:58:29.000
<v Speaker 4>by Steve Wanda. It's one of my favorite So you know,

1:58:29.240 --> 1:58:30.800
<v Speaker 4>I mean, no matter what mood I mean, I can

1:58:30.880 --> 1:58:33.200
<v Speaker 4>listen to the master Blaster and there's also this song

1:58:33.280 --> 1:58:36.920
<v Speaker 4>called by this guy from India called Japa Man called

1:58:37.520 --> 1:58:41.080
<v Speaker 4>so it's like a meditation song. And you know Japanman

1:58:42.960 --> 1:58:48.960
<v Speaker 4>uh decided You don't don't You guys don't even know

1:58:49.400 --> 1:58:54.960
<v Speaker 4>from But that's a beautiful, beautiful, beautiful vocal right here. Producer,

1:58:57.360 --> 1:59:00.720
<v Speaker 4>one of my greatest producers have passed away, Bobbie Digital Dixon.

1:59:01.320 --> 1:59:01.560
<v Speaker 1>You know.

1:59:03.600 --> 1:59:06.520
<v Speaker 4>Is that Donovan Germany is a good producer. You're talking

1:59:06.600 --> 1:59:08.440
<v Speaker 4>local right are you're talking internationally?

1:59:08.560 --> 1:59:09.160
<v Speaker 1>Whatever you want?

1:59:09.560 --> 1:59:14.280
<v Speaker 4>Yeah, Donovan Germany produce and Stephen and Stevie Wan. Now

1:59:15.080 --> 1:59:16.800
<v Speaker 4>that should be something classic, you know what I mean?

1:59:18.320 --> 1:59:19.080
<v Speaker 1>Crazy? I love that.

1:59:19.200 --> 1:59:21.800
<v Speaker 3>How you picked an artist that's here, but you picked

1:59:21.840 --> 1:59:23.280
<v Speaker 3>the producer that's passed away.

1:59:24.080 --> 1:59:24.520
<v Speaker 1>No, no, no, no no.

1:59:25.160 --> 1:59:26.840
<v Speaker 4>You wanted the producers were wanted to do it with

1:59:27.040 --> 1:59:32.560
<v Speaker 4>has passed away, which is Bobbi Bobbi Digital. So the

1:59:32.680 --> 1:59:36.200
<v Speaker 4>next best producer I know is Donavan Germany who's still alive.

1:59:36.240 --> 1:59:40.200
<v Speaker 4>And we're able to make such a vision materializes. You

1:59:40.240 --> 1:59:41.600
<v Speaker 4>know what I'm saying, I could see.

1:59:41.400 --> 1:59:42.080
<v Speaker 1>This record happened.

1:59:42.080 --> 1:59:46.560
<v Speaker 4>That could happen, definitely, that's gonna happen so because reggae music.

1:59:46.680 --> 1:59:48.680
<v Speaker 4>Stevie One is an ardent love of reggae music. And

1:59:48.720 --> 1:59:51.200
<v Speaker 4>I showed it because they performed with Bob Marley before.

1:59:51.440 --> 1:59:53.080
<v Speaker 5>So we know that he knows.

1:59:54.840 --> 1:59:59.960
<v Speaker 1>Genius and he's a musical, a musical meca. Yeah. Yeah.

2:00:00.120 --> 2:00:03.480
<v Speaker 3>Roy Eisley on here from the eyes of brother, and

2:00:03.600 --> 2:00:05.360
<v Speaker 3>he said that he saw Stevie One the course in the.

2:00:05.360 --> 2:00:09.760
<v Speaker 1>Street, busy street, and I bet Stevie saw him too,

2:00:15.720 --> 2:00:17.920
<v Speaker 1>said something for that. Jack said he got in the

2:00:17.960 --> 2:00:18.760
<v Speaker 1>elevator with him.

2:00:19.080 --> 2:00:22.520
<v Speaker 4>I was watching TikTok and someone waved on some one

2:00:22.600 --> 2:00:29.320
<v Speaker 4>show and the brother did this, So I'm like, you're winning, bro.

2:00:34.320 --> 2:00:36.440
<v Speaker 3>He said, you got an elevator with no one else, Like,

2:00:36.560 --> 2:00:38.480
<v Speaker 3>first of how you get in the elevator you're blind

2:00:38.560 --> 2:00:39.160
<v Speaker 3>with no one else.

2:00:39.480 --> 2:00:41.120
<v Speaker 1>And then he pressed the thing and he said, I

2:00:41.240 --> 2:00:44.560
<v Speaker 1>see you later on. Man. No, he's photographic memor Man,

2:00:45.040 --> 2:00:47.600
<v Speaker 1>photographic memory, true, is very true. That's what we Let's

2:00:47.600 --> 2:00:53.440
<v Speaker 1>talk about. Ringing along? Why why what's going on that record?

2:00:54.920 --> 2:00:56.560
<v Speaker 1>For that? Forla of a better term, I don't want

2:00:56.560 --> 2:00:58.680
<v Speaker 1>to use the Jamaican accent, but I got to use

2:00:58.760 --> 2:00:59.040
<v Speaker 1>him for this.

2:00:59.200 --> 2:01:02.120
<v Speaker 5>Go ahead, man, ring the alarms.

2:01:02.560 --> 2:01:06.280
<v Speaker 4>Now that rhythm is a phenomenal and that was produced

2:01:06.280 --> 2:01:10.160
<v Speaker 4>by Techniques mister Winston Riley, and that was on the

2:01:10.200 --> 2:01:15.760
<v Speaker 4>Technique label. And the readym is called Stalaga twenty twenty one,

2:01:15.880 --> 2:01:18.839
<v Speaker 4>nineteen twenty No. Starag is like the prison in Russia,

2:01:20.120 --> 2:01:25.640
<v Speaker 4>stalinra Yes, Stalag right. So if you don't understand we

2:01:25.720 --> 2:01:29.840
<v Speaker 4>name rhythms, we call our beats names, right, yeah, we

2:01:29.960 --> 2:01:32.400
<v Speaker 4>call it. We gave her ridyims names. So that beat

2:01:32.480 --> 2:01:35.680
<v Speaker 4>is called a staladder and the start is one of

2:01:35.680 --> 2:01:36.480
<v Speaker 4>the most powerful.

2:01:38.560 --> 2:01:42.800
<v Speaker 5>Do Do Do Do Do Do Do? It's crazy, yeah,

2:01:42.840 --> 2:01:45.200
<v Speaker 5>And that was Tennessa.

2:01:47.920 --> 2:01:49.800
<v Speaker 1>I Records, Yes bring the so.

2:01:50.080 --> 2:01:52.120
<v Speaker 4>So the irony of that song is like I grew

2:01:52.200 --> 2:01:55.280
<v Speaker 4>up listening to Tennessa because it was just such a

2:01:55.400 --> 2:01:58.280
<v Speaker 4>road whar I roll up his pants foot always and

2:01:58.400 --> 2:02:01.040
<v Speaker 4>it's Gyanzi and when he's on stage of the Flashy

2:02:01.080 --> 2:02:02.840
<v Speaker 4>Man and hey, you.

2:02:02.880 --> 2:02:06.280
<v Speaker 5>Know, you know, and then he passed away in Texas.

2:02:06.640 --> 2:02:10.120
<v Speaker 4>And to find myself years later with this track in

2:02:10.240 --> 2:02:13.640
<v Speaker 4>a studio working on it was I couldn't action, I

2:02:13.640 --> 2:02:15.839
<v Speaker 4>couldn't accent on the more than now. It's an amazing

2:02:15.880 --> 2:02:20.000
<v Speaker 4>feat and I'm happy I was able to accomplish that fire.

2:02:21.360 --> 2:02:22.480
<v Speaker 1>So let's talk about Estinay.

2:02:22.880 --> 2:02:27.680
<v Speaker 4>Oh mama, look when you call me now listening. Come

2:02:27.760 --> 2:02:30.480
<v Speaker 4>at a painfull point in my life, when a turning

2:02:30.600 --> 2:02:34.200
<v Speaker 4>point where you know, every ten years a man got

2:02:34.240 --> 2:02:36.640
<v Speaker 4>two changes in I'm life. Yeah, and that was one

2:02:36.640 --> 2:02:40.520
<v Speaker 4>of my ten year changes. We are you know, two

2:02:40.640 --> 2:02:42.360
<v Speaker 4>roles before you pick ach ie kind of thing, you

2:02:42.400 --> 2:02:44.760
<v Speaker 4>know what I mean. And the spirit came to me.

2:02:44.840 --> 2:02:51.000
<v Speaker 4>I say, yourself, your servant, this is your role. And

2:02:52.280 --> 2:02:55.000
<v Speaker 4>I was in California. I matter of fact, I was

2:02:55.040 --> 2:02:59.280
<v Speaker 4>staying at the Nikkey Hotel on Las Snega Nico Hotel.

2:02:59.360 --> 2:03:02.160
<v Speaker 5>Yeah, yeah, Nikki and Nicole. It was a Japanese street.

2:03:02.160 --> 2:03:04.160
<v Speaker 1>It was a fat burger. Yeah.

2:03:05.160 --> 2:03:12.280
<v Speaker 4>I found two fucking ondred dollars downstairs that place one day, hotel.

2:03:14.560 --> 2:03:15.160
<v Speaker 5>I was walking.

2:03:16.320 --> 2:03:19.640
<v Speaker 1>I don't trust those no, no, no, no no, I

2:03:19.760 --> 2:03:22.800
<v Speaker 1>don't trust those days. But I was eating burgers. I

2:03:22.920 --> 2:03:23.440
<v Speaker 1>was just walking.

2:03:23.480 --> 2:03:25.520
<v Speaker 4>I found two fucking ondred dollars. Roll up first, I

2:03:25.720 --> 2:03:26.879
<v Speaker 4>phone that I'm one in America.

2:03:27.760 --> 2:03:27.960
<v Speaker 1>Yeah.

2:03:28.880 --> 2:03:32.760
<v Speaker 4>And I came back to the hotel and I was

2:03:32.800 --> 2:03:35.520
<v Speaker 4>inspired the rich man because I was looking through the

2:03:35.560 --> 2:03:38.280
<v Speaker 4>window seeing all this editis in front of the man,

2:03:38.560 --> 2:03:41.520
<v Speaker 4>I was inspired, but that's all I came about.

2:03:41.800 --> 2:03:46.280
<v Speaker 5>Basically, I got tell them more, but.

2:03:48.040 --> 2:03:50.320
<v Speaker 2>I still want to hear the making of this record

2:03:50.320 --> 2:03:53.160
<v Speaker 2>and told stories and told stories.

2:03:53.240 --> 2:03:55.680
<v Speaker 4>Now I was I was working on the project card

2:03:55.720 --> 2:03:58.000
<v Speaker 4>to Shiloh, and we wanted something different.

2:04:00.240 --> 2:04:01.880
<v Speaker 5>So in those days, I used to go to the

2:04:01.920 --> 2:04:03.760
<v Speaker 5>studio in the night. No, I go to the studio

2:04:03.800 --> 2:04:04.160
<v Speaker 5>in the day.

2:04:05.760 --> 2:04:07.280
<v Speaker 4>I used to go to a studio like six o'clock

2:04:07.320 --> 2:04:11.240
<v Speaker 4>and until eight o'clock the next morning, sometime twelve o'clock

2:04:11.280 --> 2:04:11.760
<v Speaker 4>the next day.

2:04:12.640 --> 2:04:13.720
<v Speaker 5>And one night I came.

2:04:14.120 --> 2:04:16.720
<v Speaker 4>I came about eleven o'clock and there was this version

2:04:16.760 --> 2:04:18.840
<v Speaker 4>inside the studio sits't known with his guitar or dread

2:04:18.880 --> 2:04:22.440
<v Speaker 4>locks arrassed them on in some white Beard and I

2:04:22.480 --> 2:04:25.040
<v Speaker 4>said the dnavan was going on. He said, that's Glenn Brownie.

2:04:25.240 --> 2:04:28.680
<v Speaker 4>Won't make a song tonight. Say you want to make

2:04:28.760 --> 2:04:31.520
<v Speaker 4>a song whatever, I said, we're there's some music shots,

2:04:34.000 --> 2:04:37.560
<v Speaker 4>so we're going to make us sound only guitar, and

2:04:37.600 --> 2:04:39.320
<v Speaker 4>I'm like, yeah, sound good.

2:04:39.960 --> 2:04:43.360
<v Speaker 5>So he started playing. But I love music and I

2:04:43.400 --> 2:04:44.240
<v Speaker 5>love the guitar, you know.

2:04:45.000 --> 2:04:46.960
<v Speaker 4>So once he started playing with us, it was deer

2:04:47.040 --> 2:04:50.080
<v Speaker 4>until about two o'clock in the night that's what we got.

2:04:51.600 --> 2:04:53.160
<v Speaker 1>Was that the first time that you made a record

2:04:53.280 --> 2:04:53.440
<v Speaker 1>like that?

2:04:53.680 --> 2:04:53.880
<v Speaker 5>Yes?

2:04:54.600 --> 2:04:56.360
<v Speaker 1>And did it change anything from that point? Because it

2:04:56.480 --> 2:04:59.440
<v Speaker 1>was different for us? You know?

2:05:00.200 --> 2:05:03.120
<v Speaker 4>That was also my first Beyond that music, I delve

2:05:03.160 --> 2:05:05.840
<v Speaker 4>into production myself, where I produce Easier Road and I

2:05:05.960 --> 2:05:09.600
<v Speaker 4>produce Mighty Dread and I produced Small Acts and I

2:05:09.760 --> 2:05:11.680
<v Speaker 4>produce Rampage.

2:05:11.280 --> 2:05:12.360
<v Speaker 5>And I just start producing.

2:05:12.400 --> 2:05:16.440
<v Speaker 4>But Lantern, right, because I found that there's a direction

2:05:16.600 --> 2:05:19.840
<v Speaker 4>that I have dalving and making this song and working

2:05:19.880 --> 2:05:22.120
<v Speaker 4>with Glenn Browne opened me up to all the possibilities

2:05:22.160 --> 2:05:25.840
<v Speaker 4>that was latent inside of me musically, right, And I

2:05:26.040 --> 2:05:27.680
<v Speaker 4>you know, because I was primarily.

2:05:27.320 --> 2:05:31.160
<v Speaker 1>Dance all it's stripped down, it's so full, so.

2:05:31.360 --> 2:05:34.480
<v Speaker 5>And then you know, yeah, I became more musical, so

2:05:34.600 --> 2:05:35.000
<v Speaker 5>to speak.

2:05:36.640 --> 2:05:38.080
<v Speaker 1>So let me ask you. That's my friend right there

2:05:38.200 --> 2:05:41.440
<v Speaker 1>from Peru, Oh yeah, in Jamaica. Oh yeah. So if

2:05:41.480 --> 2:05:46.000
<v Speaker 1>he goes to Jamaica, where where do you should sell

2:05:46.080 --> 2:05:46.440
<v Speaker 1>him to go?

2:05:47.000 --> 2:05:48.840
<v Speaker 5>What do you what do you interest? What are you interests?

2:05:48.880 --> 2:05:49.600
<v Speaker 5>What is his interest?

2:05:49.800 --> 2:05:56.160
<v Speaker 1>He likes to wrestle, wrestle, he likes if you like

2:05:56.240 --> 2:06:02.120
<v Speaker 1>to wrestle, you're gonna fly past from me. I go

2:06:02.280 --> 2:06:03.560
<v Speaker 1>to a place on Memphis.

2:06:09.320 --> 2:06:11.160
<v Speaker 3>For anybody who never came to Jamaica, what is what

2:06:11.280 --> 2:06:13.400
<v Speaker 3>is some spots that they need Jamaica's experience.

2:06:13.840 --> 2:06:16.440
<v Speaker 4>You got one hundred and five four square miles to traverse,

2:06:17.080 --> 2:06:20.240
<v Speaker 4>you got beaches, you got mountains, you got rainforests, you

2:06:20.360 --> 2:06:22.640
<v Speaker 4>got good cuisine, the best food you can think of,

2:06:23.120 --> 2:06:24.240
<v Speaker 4>lovely hospitality.

2:06:24.520 --> 2:06:27.520
<v Speaker 5>So you got from Kingston to Negro to Alcherio's Montago Bay.

2:06:28.560 --> 2:06:29.800
<v Speaker 5>Those are prime spots.

2:06:29.880 --> 2:06:33.080
<v Speaker 4>Then you have an claps like Portland that you can

2:06:33.200 --> 2:06:38.040
<v Speaker 4>still find a beautiful place and have a great Jamaican experience.

2:06:38.840 --> 2:06:41.920
<v Speaker 5>So I mean I can sell my island all day,

2:06:42.800 --> 2:06:44.400
<v Speaker 5>go and experience that ship for yourself.

2:06:44.600 --> 2:06:48.640
<v Speaker 1>Is it nice part to Kingston? Beautiful? Nice part? It's

2:06:48.680 --> 2:06:49.880
<v Speaker 1>not all gunting? Right?

2:06:50.160 --> 2:06:53.080
<v Speaker 4>Oh no, No, that's a misnomal like yes, please look,

2:06:54.680 --> 2:06:56.879
<v Speaker 4>I'm sure you know when you look at the television

2:06:56.880 --> 2:06:59.920
<v Speaker 4>and show Haiti all the show use young violence. Right

2:07:00.560 --> 2:07:02.480
<v Speaker 4>you have you've been to eighty. You see that eighty

2:07:02.680 --> 2:07:05.080
<v Speaker 4>beautiful part, just like what it did to us with Africa.

2:07:05.840 --> 2:07:10.960
<v Speaker 4>It shows only the represent the dirt road knows beautiful country.

2:07:12.120 --> 2:07:12.800
<v Speaker 5>Just like Jamaica.

2:07:12.880 --> 2:07:14.240
<v Speaker 4>You're going to see a lot of zin fence and

2:07:14.280 --> 2:07:16.480
<v Speaker 4>you're going to hear about the crime. But it's a

2:07:16.520 --> 2:07:20.000
<v Speaker 4>beautiful country. No, you have to understand these things exist everywhere,

2:07:20.040 --> 2:07:23.960
<v Speaker 4>and there's a particular demographic who make profit from selling

2:07:24.000 --> 2:07:29.000
<v Speaker 4>you trauma. Okay, but if you haven't been, excuse me

2:07:29.160 --> 2:07:33.080
<v Speaker 4>to these places. I have the experience for yourself. I'm

2:07:33.080 --> 2:07:34.879
<v Speaker 4>not saying that's our kulture.

2:07:34.960 --> 2:07:35.320
<v Speaker 5>Everywhere.

2:07:35.320 --> 2:07:37.280
<v Speaker 4>There is good and bad everywhere. But you're not going

2:07:37.320 --> 2:07:39.480
<v Speaker 4>for a bad experience. You do not plant to see

2:07:39.520 --> 2:07:42.600
<v Speaker 4>that having a bad experience. You're going for a great experience.

2:07:42.640 --> 2:07:44.880
<v Speaker 4>So your mind is already geared towards having a good time,

2:07:45.320 --> 2:07:48.760
<v Speaker 4>so nothing will interfere with that. You understand that you

2:07:48.800 --> 2:07:53.040
<v Speaker 4>are a sum total of your thoughts. Okay, So that

2:07:53.240 --> 2:07:58.120
<v Speaker 4>being said, Jamaica is entirely beautiful. Now is it totally safe?

2:07:58.160 --> 2:08:01.320
<v Speaker 4>One hundred percent? Nowhere in the world is okay, So

2:08:01.400 --> 2:08:04.440
<v Speaker 4>you'd be mindfully to stay on your six what anywhere

2:08:04.480 --> 2:08:07.360
<v Speaker 4>you go? Yeah, a soldier right gone on the days?

2:08:07.440 --> 2:08:11.720
<v Speaker 4>No man not mana anymore. They want to traveler's guide,

2:08:15.120 --> 2:08:16.240
<v Speaker 4>and I'm up on their phone.

2:08:23.000 --> 2:08:26.800
<v Speaker 1>Last time I went to Jamaica, nowhere had good weed.

2:08:26.920 --> 2:08:27.800
<v Speaker 1>But then they said.

2:08:32.000 --> 2:08:35.880
<v Speaker 3>He just respected Did they say they say, go to

2:08:35.880 --> 2:08:37.920
<v Speaker 3>the case they got the H grade.

2:08:38.400 --> 2:08:40.520
<v Speaker 1>Where did you go on? You baby? Yeah, it was

2:08:40.600 --> 2:08:42.280
<v Speaker 1>like something like that. Did we went to? We went to?

2:08:42.480 --> 2:08:42.800
<v Speaker 1>We went?

2:08:42.960 --> 2:08:46.080
<v Speaker 3>No, well, well Capone went the typically gods at Mountain View.

2:08:46.280 --> 2:08:49.800
<v Speaker 1>Was it I'm saying it right, they found the high grade.

2:08:51.480 --> 2:08:56.080
<v Speaker 4>Listen to me and see that this stigma somehow died

2:08:56.160 --> 2:08:59.440
<v Speaker 4>thoughn as a concerned marijuana in my country, I would

2:08:59.560 --> 2:09:03.640
<v Speaker 4>like to tell myself, and with the advent of the

2:09:04.440 --> 2:09:08.120
<v Speaker 4>marijuana shop popping up, I still think there's an abundance

2:09:08.200 --> 2:09:09.640
<v Speaker 4>of adult depends on when did you go?

2:09:09.800 --> 2:09:11.560
<v Speaker 5>Because what I've seen I've gotten.

2:09:12.200 --> 2:09:16.400
<v Speaker 4>Is the abundance of herb dispenseries that that that sells

2:09:16.640 --> 2:09:21.360
<v Speaker 4>good quality. But I'm an I still don't do commercial

2:09:21.520 --> 2:09:24.240
<v Speaker 4>or by one from the field. To my hand, I

2:09:24.320 --> 2:09:27.200
<v Speaker 4>don't want that nigger guy, you know what I mean?

2:09:27.920 --> 2:09:30.240
<v Speaker 4>Because a profit doo inspire, all.

2:09:30.240 --> 2:09:32.280
<v Speaker 3>Right, because remember back in the days to have used

2:09:32.280 --> 2:09:33.840
<v Speaker 3>to have black weed, brown weed.

2:09:34.040 --> 2:09:35.520
<v Speaker 5>No, I don't know what a black weed used to

2:09:35.560 --> 2:09:38.320
<v Speaker 5>have in Decca in in in Deca.

2:09:38.280 --> 2:09:44.760
<v Speaker 4>Okay, okay, okay, okay, okay, okay, and purple skunk and

2:09:44.880 --> 2:09:45.520
<v Speaker 4>properly he is.

2:09:46.080 --> 2:09:47.560
<v Speaker 1>Yeah, So that was from the earth.

2:09:48.080 --> 2:09:50.920
<v Speaker 4>Yeah, man, screw up from the sun and your grottal

2:09:51.040 --> 2:09:53.760
<v Speaker 4>and this Saniel. Remember those days used to smoke one

2:09:53.840 --> 2:09:54.560
<v Speaker 4>giant all day?

2:09:54.840 --> 2:10:04.640
<v Speaker 1>Yes, I saw smo you know, yeah, yes, bucking doors

2:10:04.760 --> 2:10:07.080
<v Speaker 1>is a smoke one giant for one being and it

2:10:07.240 --> 2:10:07.920
<v Speaker 1>just keeps olden.

2:10:08.040 --> 2:10:09.800
<v Speaker 5>They keep lighting it and it's just feel nice.

2:10:10.360 --> 2:10:13.000
<v Speaker 4>They have commercialized the herbs so much, even the poor

2:10:13.120 --> 2:10:14.240
<v Speaker 4>tendency has been reduced.

2:10:15.400 --> 2:10:18.480
<v Speaker 3>Let me let me tell you, man, I've seen an

2:10:18.520 --> 2:10:21.280
<v Speaker 3>interview with you, and I believe the brother was from Jamaica,

2:10:21.720 --> 2:10:24.280
<v Speaker 3>and he kept saying how you preserved yourself? Meaning like

2:10:24.880 --> 2:10:27.800
<v Speaker 3>you didn't come home looking crazy? You came home looking

2:10:27.880 --> 2:10:29.880
<v Speaker 3>like like you said you was working out three times

2:10:29.920 --> 2:10:33.680
<v Speaker 3>a day. But not only that, it was your style.

2:10:34.040 --> 2:10:37.320
<v Speaker 3>Most people are about, you know, spitting. Most people go

2:10:37.400 --> 2:10:39.880
<v Speaker 3>to jail and then they lose their style, like so

2:10:39.960 --> 2:10:44.640
<v Speaker 3>many people lose it because they're not writing it, not practicing, Like,

2:10:44.760 --> 2:10:47.360
<v Speaker 3>how did you come home and you still sound just

2:10:47.440 --> 2:10:49.480
<v Speaker 3>as good as you used to sound in several cases

2:10:49.520 --> 2:10:49.960
<v Speaker 3>even better.

2:10:50.680 --> 2:10:52.560
<v Speaker 5>You know that place has stopped me.

2:10:53.560 --> 2:10:57.360
<v Speaker 4>One particular thing that when someone does something to you

2:10:57.480 --> 2:11:00.880
<v Speaker 4>that he's deciding to hurt you. And then you know

2:11:01.000 --> 2:11:03.040
<v Speaker 4>in your heart. They're around you. Don't fight with them

2:11:03.080 --> 2:11:06.200
<v Speaker 4>because no one on earth will ever believe you. It's

2:11:06.280 --> 2:11:09.160
<v Speaker 4>all a god came to your innocency. But you can

2:11:09.480 --> 2:11:13.040
<v Speaker 4>give a choice. You can stand that trajectory and steal

2:11:13.160 --> 2:11:18.720
<v Speaker 4>this bitter motherfucker, or you can forgive them and live

2:11:18.800 --> 2:11:22.840
<v Speaker 4>your life. The greatest weapon we have against all our

2:11:22.920 --> 2:11:27.800
<v Speaker 4>adversaries are forgiveness. They don't understand it. They can't see why. Yes,

2:11:29.320 --> 2:11:31.360
<v Speaker 4>they don't know why you're not hungry. They don't know

2:11:31.440 --> 2:11:33.120
<v Speaker 4>why you're not bitter. They don't know why you're not

2:11:33.200 --> 2:11:41.280
<v Speaker 4>traveling that grind, and that drives them mad. So the

2:11:42.040 --> 2:11:49.560
<v Speaker 4>ability to forgive enable us to continue our life and

2:11:49.680 --> 2:11:52.000
<v Speaker 4>the path that our father wants us to continue on.

2:11:52.800 --> 2:11:57.040
<v Speaker 4>The ability to project ourselves outside of the bad circumstances.

2:11:56.320 --> 2:11:59.120
<v Speaker 5>Into good light is what we have. We're in control

2:11:59.200 --> 2:12:01.880
<v Speaker 5>of that, Hm, You are in control of that.

2:12:02.880 --> 2:12:06.040
<v Speaker 4>If you allow them to make you into a monster,

2:12:06.240 --> 2:12:10.560
<v Speaker 4>they willie my chiefs, dear dear desire right, they would

2:12:10.600 --> 2:12:10.920
<v Speaker 4>have won.

2:12:12.680 --> 2:12:14.760
<v Speaker 1>Most people in your position would have got broke down.

2:12:15.080 --> 2:12:17.840
<v Speaker 4>Oh, I'm telling you, brother, that's the intent. That's the

2:12:17.960 --> 2:12:21.800
<v Speaker 4>aim of the enemy. Okay, And the only way you

2:12:21.960 --> 2:12:24.720
<v Speaker 4>circumvent that you have to forgive him. We said, father,

2:12:24.880 --> 2:12:28.720
<v Speaker 4>forgive him, not because he know what he did, not

2:12:28.840 --> 2:12:30.920
<v Speaker 4>a bullshit, But you forgiveause they don't know what they did.

2:12:31.000 --> 2:12:33.880
<v Speaker 1>They know what they did, so you did it there.

2:12:34.760 --> 2:12:38.640
<v Speaker 1>I would do my work simple. You forgot to meet

2:12:38.680 --> 2:12:43.480
<v Speaker 1>Michael Jackson. No I ah, no, no, Drid. How about Prince?

2:12:43.560 --> 2:12:47.080
<v Speaker 4>No I meet the King Bob No I of course

2:12:47.240 --> 2:12:51.560
<v Speaker 4>I of course, I mean Bobby. I give him my

2:12:51.560 --> 2:12:53.640
<v Speaker 4>cigarette and them care and I don't need to meet

2:12:53.680 --> 2:12:54.040
<v Speaker 4>the Prince.

2:12:59.840 --> 2:13:11.600
<v Speaker 1>I just want to thank you, man. I really want

2:13:11.600 --> 2:13:13.520
<v Speaker 1>to take brother. I want to thank you for all

2:13:13.560 --> 2:13:14.839
<v Speaker 1>these roles that I can plan.

2:13:21.480 --> 2:13:21.800
<v Speaker 2>The tour.

2:13:22.760 --> 2:13:26.080
<v Speaker 1>You say speaking yees so no, no, no, no, no,

2:13:26.160 --> 2:13:27.160
<v Speaker 1>I want to drop this thin man.

2:13:27.640 --> 2:13:31.520
<v Speaker 4>So my tour kicks off. My tour is called overcome

2:13:31.560 --> 2:13:34.200
<v Speaker 4>a tour. Why the overcome out. Guys have been through

2:13:34.240 --> 2:13:36.600
<v Speaker 4>a lot, a whole lot, And it was a love

2:13:36.680 --> 2:13:38.720
<v Speaker 4>of the people, love the Almighty God that brought me

2:13:38.840 --> 2:13:40.720
<v Speaker 4>to it for me to be here, sitsing't done right

2:13:40.800 --> 2:13:43.360
<v Speaker 4>now in ninetive America and drink champs.

2:13:43.480 --> 2:13:46.320
<v Speaker 5>You love the people, nor come upon all those days.

2:13:46.800 --> 2:13:49.440
<v Speaker 4>So I would say that we have overcome a lot,

2:13:50.080 --> 2:13:53.080
<v Speaker 4>and this tour exemplifies that spirit of overcoming a lot

2:13:53.080 --> 2:13:55.480
<v Speaker 4>of people. You're going to adversus in your life, and

2:13:55.560 --> 2:13:58.000
<v Speaker 4>if you're an overcomer, come out, come celebrate with me,

2:13:58.440 --> 2:14:00.560
<v Speaker 4>because this is the overcome a.

2:14:00.600 --> 2:14:03.720
<v Speaker 5>Tour coming you away. One show only to miss is

2:14:03.800 --> 2:14:03.960
<v Speaker 5>to this.

2:14:04.080 --> 2:14:05.520
<v Speaker 4>I don't know when you're going to say a next one,

2:14:05.600 --> 2:14:08.200
<v Speaker 4>but right now we're overcoming and I'm coming over, so

2:14:08.360 --> 2:14:08.680
<v Speaker 4>be there.

2:14:13.760 --> 2:14:14.560
<v Speaker 1>No, this is bunch of.

2:14:14.560 --> 2:14:17.440
<v Speaker 4>Bands and alongside Friday, this is a school singer called Friday.

2:14:18.040 --> 2:14:20.440
<v Speaker 5>And I love Friday's music, you know.

2:14:20.440 --> 2:14:20.760
<v Speaker 1>What I mean?

2:14:20.880 --> 2:14:25.040
<v Speaker 4>And I like his presentation and God did project and

2:14:25.120 --> 2:14:27.880
<v Speaker 4>we invited him out and he accepted my invitation to

2:14:27.960 --> 2:14:28.560
<v Speaker 4>be on toward me.

2:14:28.720 --> 2:14:30.360
<v Speaker 5>So Friday is going to be on the road. The

2:14:30.400 --> 2:14:31.840
<v Speaker 5>Bucherband and lngside reach.

2:14:31.720 --> 2:14:35.040
<v Speaker 4>You feeling from Jamaica, giving you some hardcore danceoun music

2:14:35.120 --> 2:14:37.360
<v Speaker 4>and your soul and let's go.

2:14:37.720 --> 2:14:39.240
<v Speaker 5>Let's overcome because I'm coming.

2:14:39.960 --> 2:14:41.680
<v Speaker 3>Like, I just want to say this one more time.

2:14:41.720 --> 2:14:44.040
<v Speaker 3>I said this on your intro, but I truly believe

2:14:44.080 --> 2:14:45.840
<v Speaker 3>you're one of the greatest performers on the planet.

2:14:46.120 --> 2:14:48.040
<v Speaker 5>I try, I might try, like like.

2:14:49.800 --> 2:14:52.840
<v Speaker 1>Listen, I enjoy doing research when I when.

2:14:52.760 --> 2:14:55.560
<v Speaker 3>I do this, Like so I was watching your interviews,

2:14:55.880 --> 2:14:58.080
<v Speaker 3>listening to your music, but when I got start looking

2:14:58.120 --> 2:15:00.360
<v Speaker 3>at your car service, I could not stop. Like I

2:15:00.480 --> 2:15:02.840
<v Speaker 3>just kept looking at how you bring the people and

2:15:03.000 --> 2:15:05.960
<v Speaker 3>like you make people cry, you make people like it's

2:15:06.040 --> 2:15:08.720
<v Speaker 3>just like it's something I've never seen before, Like you

2:15:08.800 --> 2:15:09.000
<v Speaker 3>know what I.

2:15:09.040 --> 2:15:14.320
<v Speaker 4>Mean, how I feel it and from I feel it,

2:15:14.400 --> 2:15:16.360
<v Speaker 4>I want the masters to feel it. Every night is

2:15:16.440 --> 2:15:19.600
<v Speaker 4>not to see. Sometimes you go there. Your spirit is high,

2:15:19.680 --> 2:15:25.520
<v Speaker 4>high high, and sometimes you go there like I was

2:15:25.600 --> 2:15:32.240
<v Speaker 4>in Liman, Costa Rica, and the spirit came to me.

2:15:32.280 --> 2:15:35.040
<v Speaker 4>I said get up and go to the beach. And

2:15:35.240 --> 2:15:37.200
<v Speaker 4>I get up and I went to go to the beach,

2:15:37.240 --> 2:15:39.160
<v Speaker 4>and the security stopped me and said I cannot go

2:15:39.240 --> 2:15:41.200
<v Speaker 4>to the beach right now because they're doing a loading

2:15:41.760 --> 2:15:43.440
<v Speaker 4>and they don't want the people on the beach walking

2:15:43.600 --> 2:15:46.000
<v Speaker 4>into the loading. So I went back to the room

2:15:46.400 --> 2:15:48.240
<v Speaker 4>and then the promoter came to me and said, you

2:15:48.320 --> 2:15:50.320
<v Speaker 4>want to go to the beach. I said yeah. The

2:15:50.600 --> 2:15:53.120
<v Speaker 4>security said they're doing a loading. Let them angling business.

2:15:53.400 --> 2:15:56.760
<v Speaker 4>He said no, I'm gonna come. I'll take you because

2:15:56.760 --> 2:15:58.040
<v Speaker 4>the spirit came to me. I said, you need to

2:15:58.080 --> 2:15:59.840
<v Speaker 4>go to the beach, but this guy stopped me, so

2:15:59.920 --> 2:16:01.520
<v Speaker 4>he come someone or to fulfill that.

2:16:03.120 --> 2:16:05.440
<v Speaker 5>So we went to the beach. While I was standing

2:16:05.480 --> 2:16:10.800
<v Speaker 5>on the beach, I just felt sad. I don't know why,

2:16:12.200 --> 2:16:17.640
<v Speaker 5>so sad. I started walking down the beach and the

2:16:17.760 --> 2:16:21.480
<v Speaker 5>sun came to me saying, I love you, Lord, cous.

2:16:21.240 --> 2:16:22.640
<v Speaker 1>You mercy, never feace.

2:16:23.200 --> 2:16:25.160
<v Speaker 4>I said to the guy was in security, I said,

2:16:25.160 --> 2:16:27.440
<v Speaker 4>you know the song? Let me say yeah, I said,

2:16:27.440 --> 2:16:28.160
<v Speaker 4>I love this song?

2:16:28.480 --> 2:16:29.000
<v Speaker 1>Who sing it?

2:16:29.760 --> 2:16:32.400
<v Speaker 4>So pull it upstart listening to it on the beach

2:16:36.240 --> 2:16:39.920
<v Speaker 4>and I went back to the hotel room. I spoke

2:16:39.959 --> 2:16:44.600
<v Speaker 4>to one of my sons about four o'clock and I

2:16:44.680 --> 2:16:50.480
<v Speaker 4>went on the stage about eight o'clock. While I'm on

2:16:50.560 --> 2:16:57.080
<v Speaker 4>the stage, I just felt, agreed. Feeling came over me

2:16:58.760 --> 2:17:01.120
<v Speaker 4>so much that I was at a crying on the stage.

2:17:02.200 --> 2:17:05.119
<v Speaker 4>Only the coming of the stage. I'm coming to Jamaica.

2:17:05.240 --> 2:17:08.200
<v Speaker 4>I heard that my son died the same night here

2:17:08.360 --> 2:17:13.240
<v Speaker 4>in America. I felt that I felt a piece of

2:17:13.360 --> 2:17:17.800
<v Speaker 4>me left me. I was on the stage, So people

2:17:17.959 --> 2:17:24.160
<v Speaker 4>feel things. And if I can feel that, what can

2:17:24.520 --> 2:17:26.600
<v Speaker 4>the masses in front of me feel? If I am

2:17:27.000 --> 2:17:28.640
<v Speaker 4>being true to myself and my art?

2:17:31.560 --> 2:17:31.879
<v Speaker 5>Mhm.

2:17:33.200 --> 2:17:37.840
<v Speaker 4>So It's like the music shan It is a vessel.

2:17:39.360 --> 2:17:41.640
<v Speaker 4>That embody is something that when I go out there

2:17:41.760 --> 2:17:43.920
<v Speaker 4>and impoort the wine. If wine is coming from a

2:17:44.000 --> 2:17:51.680
<v Speaker 4>dirty vessel, the wine is dirty fullid sediments. But the

2:17:51.760 --> 2:17:57.080
<v Speaker 4>wine is coming from a vessel that's clean or palatable

2:17:57.760 --> 2:18:00.160
<v Speaker 4>one when drink and people go and feed up, lift.

2:18:01.840 --> 2:18:07.000
<v Speaker 5>Inspired filled. Thank you guys for having me here.

2:18:07.640 --> 2:18:15.640
<v Speaker 1>You all right, yeah, holy shit.

2:18:16.959 --> 2:18:20.400
<v Speaker 2>Drink Champs is a drink Champs LLC production hosts and

2:18:20.520 --> 2:18:23.720
<v Speaker 2>executive producers n O r E and dj e f

2:18:23.760 --> 2:18:29.240
<v Speaker 2>f N. Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

2:18:29.520 --> 2:18:33.160
<v Speaker 2>or wherever you get your podcasts. Thanks for joining us

2:18:33.200 --> 2:18:35.800
<v Speaker 2>for another episode of drink Champs hosted by Yours truly,

2:18:35.959 --> 2:18:38.480
<v Speaker 2>dj e f N and n O r E. Please

2:18:38.560 --> 2:18:40.720
<v Speaker 2>make sure to follow us on all our socials That's

2:18:40.800 --> 2:18:44.359
<v Speaker 2>at drink Champs across all platforms, at the Real Noriagon,

2:18:44.480 --> 2:18:47.959
<v Speaker 2>I g at Noriega on Twitter, mine is at Who's

2:18:48.000 --> 2:18:51.440
<v Speaker 2>Crazy on I g at dj e f N on Twitter,

2:18:51.800 --> 2:18:54.359
<v Speaker 2>And most importantly, stay up to date with the latest releases,

2:18:54.760 --> 2:18:57.920
<v Speaker 2>news and merch by going to drink Champs dot com.

2:19:08.160 --> 2:19:09.640
<v Speaker 1>Hazard is Sounds.

2:19:09.720 --> 2:19:17.000
<v Speaker 4>Rosing the Machines Castrumentals Volume one available now on all platforms.

2:19:17.959 --> 2:19:19.519
<v Speaker 1>Download today.

2:19:29.440 --> 2:19:33.800
<v Speaker 4>ROS of the Machines Song Contest seeking out all artists

2:19:34.640 --> 2:19:36.640
<v Speaker 4>that want to take their career to the next level.

2:19:37.200 --> 2:19:41.080
<v Speaker 3>Go ahead and join today by downloading the album, picking

2:19:41.120 --> 2:19:44.000
<v Speaker 3>out your favorite beat, and making a song versu or

2:19:44.040 --> 2:19:48.200
<v Speaker 3>hook to it submitted to Hazard Sounds at gmail dot

2:19:48.320 --> 2:19:49.320
<v Speaker 3>com and.

2:19:49.400 --> 2:19:52.879
<v Speaker 4>You will be judged by celebrity judges dj EFN, Drink

2:19:52.959 --> 2:19:58.400
<v Speaker 4>Champs owned SB Killer Plantnum producer, and Scram Jones Multiplantum

2:19:58.440 --> 2:19:59.240
<v Speaker 4>producer as well.

2:20:00.080 --> 2:20:03.760
<v Speaker 3>Can also summit via ig by recording a video and

2:20:03.920 --> 2:20:04.840
<v Speaker 3>performing the song.

2:20:06.520 --> 2:20:10.600
<v Speaker 5>Simply tag Rising the Machine Song Contest and we will

2:20:10.680 --> 2:20:12.440
<v Speaker 5>repost your video as well.

2:20:14.080 --> 2:20:16.040
<v Speaker 1>Winners will be announced September seventh.

2:20:17.920 --> 2:20:20.560
<v Speaker 5>Joined today and may the best artists win