WEBVTT - It's Raining Liars and Cheats!

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<v Speaker 1>It's nine O Genegen with Jenny Garth and Tory Spelling. Well,

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<v Speaker 1>this is weird, guys. We are recapping stormy weather today

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<v Speaker 1>and it's raining.

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<v Speaker 2>It's like dumping. So when we taped this, it's dumping

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<v Speaker 2>rain in La. But I'm in the sun. It's lucky.

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<v Speaker 2>Now we actually like we like the rain. But it's

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<v Speaker 2>so crazy week.

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<v Speaker 1>I know, we keep saying it like you guys, we're

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<v Speaker 1>so on.

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<v Speaker 3>Point, but we're really like on points.

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<v Speaker 1>It's like we've like melded into storylines. If Beverly Hills

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<v Speaker 1>nine O two and O.

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<v Speaker 2>Why do you think they love making it rain in

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<v Speaker 2>Beverly Hills?

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<v Speaker 1>When is it actually never dies? But it's so beautiful,

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<v Speaker 1>you guys, when it rains really is in La, it's beautiful.

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<v Speaker 1>Nobody people can't drive, No, they.

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<v Speaker 2>Can't even leave their houses.

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<v Speaker 1>You can sustain itself here because we're going to school.

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<v Speaker 3>I'm like, it's rain.

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<v Speaker 1>My daughter's school got made. They do it remotely because

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<v Speaker 1>of the rain today.

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<v Speaker 2>Yeah, I know a lot of sun.

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<v Speaker 1>You believe that it's raining people.

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<v Speaker 4>That would have been helpful to me, I know, but

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<v Speaker 4>yeah no, it was like just keep showing up and

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<v Speaker 4>I had to be like, this is normal. Of course

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<v Speaker 4>you're supposed to just go and I was like, right,

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<v Speaker 4>it's just rain.

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<v Speaker 1>I don't understand it. But I was happy because I

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<v Speaker 1>have a you know, my daughter drives herself to school,

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<v Speaker 1>so I was happy she didn't have to get on

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<v Speaker 1>the freeways because they are flooded.

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<v Speaker 2>I don't want to be a negator, but the rain

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<v Speaker 2>on I know two one oh is it? First of all,

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<v Speaker 2>it's way too heavy when you guys come out of

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<v Speaker 2>the peach pit. And then I know we'll get to it.

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<v Speaker 2>But there's a scene where you're like, oh, it's raining,

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<v Speaker 2>yet there was no rain.

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<v Speaker 1>So true, it was such a little story to notice

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<v Speaker 1>that so sucked into this story. You guys, we're talking

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<v Speaker 1>about season five, episode twenty one, Stormy Weather, and aired

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<v Speaker 1>February fifteenth, nineteen ninety five.

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<v Speaker 4>Synopsis Heavy rain in La can't extinguish Valeries lust for

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<v Speaker 4>Ray prove it even after he shows his violent tendencies.

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<v Speaker 4>Donna gets mister it yet again.

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<v Speaker 3>Shocker. Dylan beats Finley.

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<v Speaker 4>At his own game, while Brandon finds a Findley survivor

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<v Speaker 4>to help his cause. When Kelly finally.

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<v Speaker 1>Sees the light, Dylan sees he has lost her to

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<v Speaker 1>Brandon and bows out gracefully.

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<v Speaker 3>Don't go away, mad, Actually, don't go at all.

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<v Speaker 1>Don't go away? No, please, Yeah, this is a good episode. Yes,

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<v Speaker 1>Oh my god.

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<v Speaker 2>They really like it when we go through scene by

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<v Speaker 2>scene in order. So, Jenny, how do you feel about

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<v Speaker 2>being our leader? Wait?

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<v Speaker 1>They like it. They really like it.

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<v Speaker 2>They do.

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<v Speaker 3>Oh it's a proven there you go.

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<v Speaker 1>We're here to please, so well do it that way again,

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<v Speaker 1>you guys. This episode, I will say, was directed by

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<v Speaker 1>Bethany or Rooney, written by Larry Mullin, and starring us.

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<v Speaker 1>Oh yeah, I'm staring us, just us.

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<v Speaker 2>That's all.

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<v Speaker 1>Okay, so let's start. Let's just start. Should we do

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<v Speaker 1>it trivia again? Or should we talk about some some

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<v Speaker 1>vocabulary words from Finley?

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<v Speaker 3>Yeah?

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<v Speaker 2>Do you have trivia?

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<v Speaker 1>I have trivia? I have Yeah, I'd like a little here. Okay,

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<v Speaker 1>all right, we'll start with one trivia then, okay.

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<v Speaker 3>Trivia, a little bit of both, a little bit of both.

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<v Speaker 1>Let's do trivia first. Caroline McWilliams, who played leu Anne Pruett,

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<v Speaker 1>was married to Michael Keaton. You guys, I didn't know that.

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<v Speaker 2>Wait that that's her. That's this the mom of Michael

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<v Speaker 2>Keaton's kid.

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<v Speaker 1>Yeah, wow, isn't that exciting?

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<v Speaker 3>Wow? I love Michael Keaton.

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<v Speaker 1>In a bit of confusing trivia, Yes.

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<v Speaker 2>His name is Michael Douglas. So when she was she

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<v Speaker 2>was actually married to Yeah, so the kid's last name

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<v Speaker 2>is Douglas because Michael Keaton's last name is Douglas. But

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<v Speaker 2>obviously he couldn't be Michael Douglas because there was.

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<v Speaker 3>Oh wait, where does Gooven come from?

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<v Speaker 2>This had to just make it up because that's so

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<v Speaker 2>Michael Douglas was taken.

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<v Speaker 1>I didn't note this.

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<v Speaker 2>No, I liked that, and they got divorced slightly before this,

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<v Speaker 2>just five years earlier. They got divorced in nineteen ninety.

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<v Speaker 1>Because he knew she was going to play Luayne Pruett. Oh,

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<v Speaker 1>nobody likes Louis and Prue.

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<v Speaker 3>Close to Michael Keton. We didn't even know she's good.

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<v Speaker 2>I mean she passed away, but you see her in

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<v Speaker 2>a lot of things.

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<v Speaker 1>Yeah, good actress. Okay, let's let's do a findlayus my god,

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<v Speaker 1>wait really fast, Yes.

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<v Speaker 2>I forgot that. Michael Keaton also dated Courtney Cox.

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<v Speaker 3>Oh, yes he did.

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<v Speaker 1>Michael Keat came back to me dated Courtney when at.

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<v Speaker 4>This time for a long time, ninety to ninety five,

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<v Speaker 4>it was like shocking to people because what was.

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<v Speaker 1>The because he was older.

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<v Speaker 4>Yeah, but like people are like, oh, I know he's

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<v Speaker 4>not home older twenty years old, maybe twenty years that's

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<v Speaker 4>like nothing.

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<v Speaker 2>But they were cute, Like I forgot about that.

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<v Speaker 1>Oh I do not remember that either, I do.

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<v Speaker 2>Oh my god, yes, look remember that now? Sure do

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<v Speaker 2>I do too? Whoa? He's my favorite batman anyway, the same.

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<v Speaker 1>Yeah, I love him, mister mom batman.

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<v Speaker 2>See there's something kind of sexy about him. Like look

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<v Speaker 2>how cool they were.

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<v Speaker 4>Yeah, they were any hot that takes us? Okay, finlaysm

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<v Speaker 4>which one? Oh, okay, which one you want? Well, we

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<v Speaker 4>already know extern, we know negator. Extern is somebody outside

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<v Speaker 4>the circle, right, or people that don't have a clue.

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<v Speaker 4>A negator is someone who denies or goes against Finley's teachings.

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<v Speaker 3>Really like the word voyager.

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<v Speaker 1>Voyager, ooh, those are people on the new evolution journey.

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<v Speaker 1>What about that you?

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<v Speaker 2>Well, I couldn't quite understand what they were saying. Malletting, maleetting,

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<v Speaker 2>Oh my god.

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<v Speaker 5>It was a.

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<v Speaker 1>Wedding for two people entering the new millennium together. Yeah,

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<v Speaker 1>but I also think it could stand for a millennial

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<v Speaker 1>and a wedding.

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<v Speaker 2>That's what I thought.

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<v Speaker 1>But they didn't know millennial then that wasn't like something.

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<v Speaker 1>They didn't refer to younger people as a millennial because

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<v Speaker 1>a millennial marrying a boomer.

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<v Speaker 4>So again, we were cutting edge milletting, but there wasn't

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<v Speaker 4>Millennials weren't even a think yet.

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<v Speaker 2>I don't want to jump ahead, but when that guy

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<v Speaker 2>whips out the picture of the college kid with the

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<v Speaker 2>grandma wedding, I was like, oh my gosh.

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<v Speaker 3>Guess what you just jumped ahead.

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<v Speaker 1>Yeah, you did this thing that you always do. Okay,

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<v Speaker 1>go ahead. Episode is starts in the beach pit with

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<v Speaker 1>our three favorite gals, Donna, Claire, and Kelly, and it's

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<v Speaker 1>getting a little tense between the ladies kill against one

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<v Speaker 1>drop out.

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<v Speaker 2>Of school or the sorority. No, she's just dropping out

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<v Speaker 2>of the alpha.

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<v Speaker 1>House around and her friend group. Basically, Donna and Claire

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<v Speaker 1>are trying to get her to reason with them. But

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<v Speaker 1>before anything happens, Dylan, who's been lingering over there in

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<v Speaker 1>a turtleneck looking hot in a turtleneck, J and I

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<v Speaker 1>hate turtlenecks on men.

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<v Speaker 2>I don't because he looked great.

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<v Speaker 1>I mean, he can't not look good, but like, it

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<v Speaker 1>just doesn't feel very Dylan to be wearing a turtleneck.

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<v Speaker 1>I'm just I'm sorry.

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<v Speaker 2>And then he's got his fringe coat raincoat sort of

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<v Speaker 2>Berbery style.

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<v Speaker 4>You know, I'm not liking any of the s wardrobe

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<v Speaker 4>from here on out that he wears, so it's just

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<v Speaker 4>really takes me out of the Dylan moment.

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<v Speaker 1>I'm the saying, okay, but Brandon's waiting outside for Dylan,

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<v Speaker 1>because Brandon has put Dylan up to all of this

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<v Speaker 1>to go and beat in kahoots and try to save

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<v Speaker 1>Kelly from Professor Finley.

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<v Speaker 2>Right, yeah, can you explain to me though, how Kelly

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<v Speaker 2>doesn't see the Mustang clearly there?

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<v Speaker 1>This whole storyline is crazy. I don't know.

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<v Speaker 2>I just go with it.

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<v Speaker 1>Yeah, it's raining really hard. I guess it's raining so

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<v Speaker 1>hard that me Jenny wouldn't go out and shoot in

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<v Speaker 1>the rain because that wasn't me, you guys, No, that

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<v Speaker 1>was somebody in a blonde wig.

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<v Speaker 2>Are you serious?

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<v Speaker 4>Oh?

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<v Speaker 1>Dead serious? Wait?

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<v Speaker 2>Was it real rain?

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<v Speaker 3>We know it wasn't you. Not wanting to do it.

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<v Speaker 1>They just were trying to say, wait, I will not

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<v Speaker 1>go in the rain.

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<v Speaker 2>Was it fake rain?

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<v Speaker 1>No, that's real rain. It's just like from a rain

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<v Speaker 1>bar they put up over head water rain.

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<v Speaker 2>It's real water.

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<v Speaker 1>It's real rain. When waterfall out of the sky, it's rain.

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<v Speaker 2>Do you remember that that isn't you? Or can you

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<v Speaker 2>tell that.

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<v Speaker 1>That it can tell that's not me?

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<v Speaker 2>Was it Luke?

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<v Speaker 1>Yeah? It was Luke.

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<v Speaker 3>Oh, I was like Luke and a blonde wig.

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<v Speaker 1>No, it was Luke with somebody else.

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<v Speaker 2>Would that be considered rude that you're like, Luke, you

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<v Speaker 2>do it. I'm not gonna go do it.

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<v Speaker 1>I mean, yeah, that would have been considered rude. But

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<v Speaker 1>I'm sure that's not how it happened. So they were like,

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<v Speaker 1>sure it was a production thing. Like I was in

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<v Speaker 1>the makeup trailer getting my burn up.

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<v Speaker 2>Yeah, you're daily in.

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<v Speaker 1>The scene like they're the tanker they need to win. Yeah,

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<v Speaker 1>she leaves. But I looked like a little bit like

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<v Speaker 1>it reminded me of the Crown with a resist Diana wig.

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<v Speaker 2>On back and watch to see if I can tell

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<v Speaker 2>it's not you.

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<v Speaker 1>You'll be able to tell.

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<v Speaker 3>I feel like, do you think they gave you approval

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<v Speaker 3>of that wing though.

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<v Speaker 4>Like like walk by while you're in the making, they're like,

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<v Speaker 4>is this okay?

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<v Speaker 1>And you're like, okay, sure, no, and you're like, I

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<v Speaker 1>had nothing to say about that.

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<v Speaker 2>Wow, what Well if.

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<v Speaker 4>They had asked me, I would have said no, because one,

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<v Speaker 4>I'm almost not on board with this hair to begin with,

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<v Speaker 4>and no, I'm not approving that way.

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<v Speaker 1>No, we would have never really good. Then we go

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<v Speaker 1>to Valerie's hotel room where she's we think somebody's having

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<v Speaker 1>a romantic breakfast for two. It was it you guys.

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<v Speaker 3>It was like, pretty woman, Is that what they were

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<v Speaker 3>trying to do?

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<v Speaker 1>Like, like, I was so excited. It looks so nice.

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<v Speaker 3>It was visually beautiful. I was in there in the moment.

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<v Speaker 1>And then all of a sudden, Oh mfg, I forgot

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<v Speaker 1>all about Ray being writing words.

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<v Speaker 3>I'm like, okay, I'm okay.

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<v Speaker 2>First of all, the table, the pink table. I was like,

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<v Speaker 2>what is this?

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<v Speaker 3>That's what I mean. It's all laid out, it's suposed

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<v Speaker 3>to be so like.

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<v Speaker 2>It was a little cheesy with their pink table.

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<v Speaker 1>But then it was nineteen ninety five. It's very scene,

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<v Speaker 1>so unhinged on so many levels.

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<v Speaker 2>Talk about it. Uh huh.

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<v Speaker 1>I had completely forgotten that they were doing this until.

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<v Speaker 2>What I did not. I didn't forget any second.

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<v Speaker 4>Take all my men whatever, And then I really felt

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<v Speaker 4>I felt a little gutted in the scene. You guys like,

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<v Speaker 4>I'm yeah, I'm gonna hear it. Not really, I don't care.

0:11:18.240 --> 0:11:20.000
<v Speaker 2>She's terrible, you guys.

0:11:20.040 --> 0:11:25.319
<v Speaker 1>She's terrible and Calorie terrible. He does a great job, right,

0:11:25.440 --> 0:11:27.400
<v Speaker 1>prove it officially.

0:11:27.440 --> 0:11:30.440
<v Speaker 2>The scene was so terrible.

0:11:31.240 --> 0:11:33.080
<v Speaker 3>She's somebody who cares about.

0:11:35.240 --> 0:11:35.320
<v Speaker 1>Me.

0:11:36.120 --> 0:11:40.960
<v Speaker 2>It's so bad. She's so smiley, he's so weird and

0:11:41.040 --> 0:11:42.000
<v Speaker 2>such a lying.

0:11:44.160 --> 0:11:47.080
<v Speaker 4>The most mad is she like basically threatens, like if

0:11:47.120 --> 0:11:49.240
<v Speaker 4>you don't stand at breakfast with me, like I'm gonna

0:11:49.240 --> 0:11:49.920
<v Speaker 4>tell Donna.

0:11:50.360 --> 0:11:55.040
<v Speaker 3>And then she laid it on that she wanted and like, oh.

0:11:55.320 --> 0:11:56.520
<v Speaker 1>That's my favorite breakfast you.

0:11:58.120 --> 0:12:01.120
<v Speaker 2>You two. I'm a breakfast person. So then I couldn't

0:12:01.160 --> 0:12:04.800
<v Speaker 2>really be mad. She calls you miss goody two shoes.

0:12:04.760 --> 0:12:08.400
<v Speaker 1>Wait wait, you couldn't be mad because she wanted eggs beededict.

0:12:09.559 --> 0:12:11.240
<v Speaker 4>No, I couldn't be mad because it got me all

0:12:11.320 --> 0:12:13.000
<v Speaker 4>hungry and I was excited, and I remember.

0:12:12.720 --> 0:12:16.400
<v Speaker 1>The taste like the holiday sauce, and I was like, well,

0:12:16.520 --> 0:12:17.480
<v Speaker 1>I did let it go.

0:12:18.320 --> 0:12:18.839
<v Speaker 2>Ray looked.

0:12:18.920 --> 0:12:21.440
<v Speaker 1>I did kind of get a little when Ray flipped

0:12:21.440 --> 0:12:23.440
<v Speaker 1>the table. I like that.

0:12:24.240 --> 0:12:26.440
<v Speaker 4>I like, oh, I like my best friend just got

0:12:26.480 --> 0:12:28.560
<v Speaker 4>a little over like my boyfriend.

0:12:28.559 --> 0:12:29.840
<v Speaker 1>See that feels okay to me.

0:12:30.280 --> 0:12:33.960
<v Speaker 4>Like that, I'm excited about no mystery.

0:12:33.960 --> 0:12:35.920
<v Speaker 3>I don't think messed up.

0:12:36.240 --> 0:12:38.840
<v Speaker 2>So just break it down, because I was like taking

0:12:38.880 --> 0:12:43.760
<v Speaker 2>this for at face value, like going, okay, she is

0:12:43.760 --> 0:12:48.079
<v Speaker 2>a two timing backstabbing Meani right, she's Meani, miss me

0:12:48.360 --> 0:12:54.920
<v Speaker 2>t shoes like me too. Ray is a jerk. So

0:12:55.080 --> 0:13:00.200
<v Speaker 2>Ray just slept with her, which okay, pretend he is

0:13:00.280 --> 0:13:04.720
<v Speaker 2>just cheating on you. He's still like, should stay for breakfast.

0:13:09.320 --> 0:13:14.200
<v Speaker 2>She's gonna be nice about it. Flipping the table was insane.

0:13:14.920 --> 0:13:15.480
<v Speaker 1>I liked it.

0:13:15.600 --> 0:13:17.080
<v Speaker 3>I liked it too. That was the part of the

0:13:17.120 --> 0:13:19.040
<v Speaker 3>scene I liked after the.

0:13:19.040 --> 0:13:21.480
<v Speaker 2>Exp but it was so like, yes, I get it,

0:13:21.559 --> 0:13:26.680
<v Speaker 2>she's she's totally annoying and crazy. It seemed level ten,

0:13:27.080 --> 0:13:30.040
<v Speaker 2>Like just leave, bro, just leave and just say you

0:13:30.040 --> 0:13:33.040
<v Speaker 2>know what, I apologize. I made a mistake. I never

0:13:33.040 --> 0:13:34.320
<v Speaker 2>should have done this. I'm out.

0:13:34.679 --> 0:13:35.960
<v Speaker 3>He's along with the line.

0:13:36.360 --> 0:13:38.440
<v Speaker 4>What's the end of the scene. Breakfast is served? Like

0:13:38.640 --> 0:13:40.319
<v Speaker 4>you have to punctuate that, so.

0:13:41.920 --> 0:13:42.559
<v Speaker 3>It had to be done.

0:13:43.120 --> 0:13:46.480
<v Speaker 1>Yeah, he was, so he is so that double layer

0:13:46.640 --> 0:13:47.560
<v Speaker 1>the T shirts.

0:13:47.640 --> 0:13:49.520
<v Speaker 2>Oh you gouys, it's terrible.

0:13:50.200 --> 0:13:54.120
<v Speaker 1>Look we like bad boys, it's clear, yeah, but you

0:13:54.280 --> 0:13:55.880
<v Speaker 1>and I.

0:13:56.880 --> 0:14:01.840
<v Speaker 2>And it's just like his response was level ten when

0:14:01.880 --> 0:14:04.439
<v Speaker 2>her annoyingness was like level two.

0:14:05.000 --> 0:14:09.000
<v Speaker 1>She's not two or two maybe like a sick.

0:14:08.880 --> 0:14:11.440
<v Speaker 2>Why is he sleeping with her? Like, knock it off

0:14:11.520 --> 0:14:12.120
<v Speaker 2>right and all?

0:14:12.840 --> 0:14:16.559
<v Speaker 1>He can't get any loving from his lady, so he's

0:14:16.920 --> 0:14:18.400
<v Speaker 1>doing what his mama told him.

0:14:18.679 --> 0:14:21.880
<v Speaker 2>I know that that was bad too. M hm.

0:14:23.320 --> 0:14:25.560
<v Speaker 1>On, we go on, we go really fast.

0:14:25.640 --> 0:14:28.920
<v Speaker 2>There's so many people out there that love Valerie. I

0:14:29.200 --> 0:14:31.880
<v Speaker 2>just need to know why? Why do people love her

0:14:32.320 --> 0:14:35.480
<v Speaker 2>up to this point? She's mean because she's cute.

0:14:36.760 --> 0:14:41.760
<v Speaker 1>She's really cute, and she's like like there's that little

0:14:41.760 --> 0:14:45.080
<v Speaker 1>wicked you like that little wicked devilish like you and

0:14:45.120 --> 0:14:47.320
<v Speaker 1>I like the bad boys. There's people out there that

0:14:47.400 --> 0:14:48.160
<v Speaker 1>like the bad girls.

0:14:48.520 --> 0:14:50.040
<v Speaker 2>I love to hate her, Winkle.

0:14:50.120 --> 0:14:52.720
<v Speaker 1>Yes, that's what it is. Okay, I am curious.

0:14:52.720 --> 0:14:53.080
<v Speaker 3>You're right.

0:14:53.120 --> 0:14:55.720
<v Speaker 4>I mean, like after this moment and he's now cheated

0:14:55.800 --> 0:14:57.560
<v Speaker 4>on Donna and she's talked about Donna.

0:14:57.600 --> 0:14:57.920
<v Speaker 2>This way.

0:14:58.280 --> 0:15:00.480
<v Speaker 3>How will they feel about Valeria. I don't think they're

0:15:00.480 --> 0:15:01.120
<v Speaker 3>going to not like her?

0:15:01.720 --> 0:15:05.240
<v Speaker 2>What about the car? I know we're not quite there yet.

0:15:05.360 --> 0:15:07.480
<v Speaker 1>No, we're not there yet, so you have to hold

0:15:07.520 --> 0:15:22.000
<v Speaker 1>your beans. We're going to go to the hospital now. Amy,

0:15:22.040 --> 0:15:22.960
<v Speaker 1>I'm sorry to break it to you.

0:15:23.120 --> 0:15:24.160
<v Speaker 2>It's okay. I like it.

0:15:24.400 --> 0:15:25.920
<v Speaker 1>You like the storyline too?

0:15:26.120 --> 0:15:27.560
<v Speaker 2>Okay, terrible, but I like it.

0:15:28.480 --> 0:15:31.960
<v Speaker 1>Andrea is going for a job interview that I think

0:15:32.000 --> 0:15:36.360
<v Speaker 1>Peter doctor, I mean, sorry, what is he doctor?

0:15:36.440 --> 0:15:39.440
<v Speaker 2>He's a residence a time doctor.

0:15:39.520 --> 0:15:42.880
<v Speaker 1>Peter Tucker is going to get her the job, right

0:15:43.280 --> 0:15:46.520
<v Speaker 1>because he's excited to have her at the hospital so

0:15:46.520 --> 0:15:51.880
<v Speaker 1>he can see her every day. Yeah, he's so so

0:15:52.080 --> 0:15:54.120
<v Speaker 1>flirty and sassy and I like it too.

0:15:55.040 --> 0:15:58.280
<v Speaker 2>They're flirting is cute. It's so wrong, but it's cute.

0:15:58.320 --> 0:15:59.360
<v Speaker 3>Their chemistry is good.

0:16:00.600 --> 0:16:03.600
<v Speaker 2>Good call Tory. Yes, it is so.

0:16:03.760 --> 0:16:06.840
<v Speaker 1>Yeah, it doesn't happen very often, but it's good.

0:16:07.680 --> 0:16:08.479
<v Speaker 2>Yeah.

0:16:08.600 --> 0:16:13.080
<v Speaker 1>Then up Brando. Brando goes to Chancellor Arnold's to get

0:16:13.120 --> 0:16:16.400
<v Speaker 1>help with Kelly right in his calliny office. Oh right,

0:16:16.520 --> 0:16:17.440
<v Speaker 1>he's got a leak.

0:16:17.920 --> 0:16:20.560
<v Speaker 2>He needs some pump. Did you hear him say, do

0:16:20.600 --> 0:16:21.640
<v Speaker 2>you have a some pump?

0:16:22.360 --> 0:16:23.840
<v Speaker 1>Yeah? Because everybody has one of those.

0:16:23.920 --> 0:16:25.160
<v Speaker 2>I know what it is.

0:16:25.680 --> 0:16:30.080
<v Speaker 1>Last night I had to get one. You guys both

0:16:30.120 --> 0:16:31.880
<v Speaker 1>had to get some pumps.

0:16:32.280 --> 0:16:33.840
<v Speaker 2>I luckily didn't have to do last night, but I

0:16:33.880 --> 0:16:34.640
<v Speaker 2>knew what it was.

0:16:36.400 --> 0:16:39.600
<v Speaker 4>I'll never forget what it is now, no gosh. And

0:16:39.640 --> 0:16:42.040
<v Speaker 4>then I watched this episode and it's there again.

0:16:42.160 --> 0:16:47.840
<v Speaker 1>It was just like you're like, yep, life art art life,

0:16:48.040 --> 0:16:50.760
<v Speaker 1>and then there's But Chancellor Arnold says he cannot give

0:16:50.840 --> 0:16:56.000
<v Speaker 1>Brandon any confidential confidential information about Professor Finley and that

0:16:56.040 --> 0:16:59.080
<v Speaker 1>there's nothing he can do for him. However, he is

0:16:59.120 --> 0:17:03.119
<v Speaker 1>willing to step outside. Well, Brandon sneaks a peak.

0:17:03.120 --> 0:17:03.960
<v Speaker 2>That wasn't quite yet.

0:17:04.000 --> 0:17:08.120
<v Speaker 5>But fine, wait, but what's the there's a word that wait,

0:17:08.680 --> 0:17:18.200
<v Speaker 5>there's a word called prosthelyte, prosthlyizing, prostolytizing, prostest it's a prostate.

0:17:18.280 --> 0:17:22.600
<v Speaker 2>It's some kind of from prostitute. What it's a it's

0:17:22.640 --> 0:17:25.400
<v Speaker 2>a word but from prostitute.

0:17:25.160 --> 0:17:29.800
<v Speaker 1>Or does it mean prost like pros like you know

0:17:29.840 --> 0:17:32.400
<v Speaker 1>in church they give a sermon and they're given the.

0:17:32.640 --> 0:17:37.800
<v Speaker 2>Oh oh you're right, Oh my gosh, Jenny. It is

0:17:37.840 --> 0:17:41.600
<v Speaker 2>to convert or attempt to convert from one religion, belief

0:17:41.720 --> 0:17:42.760
<v Speaker 2>or opinion to another.

0:17:42.880 --> 0:17:47.239
<v Speaker 1>What's the word prosely I can't say it. It's prostolizing.

0:17:47.359 --> 0:17:48.840
<v Speaker 2>So I was completely wrong.

0:17:48.960 --> 0:17:51.040
<v Speaker 1>And Jenny, when they said that, I was like, whoa,

0:17:51.200 --> 0:17:52.400
<v Speaker 1>they're doing that on campus.

0:17:53.240 --> 0:17:55.480
<v Speaker 2>I thought it was prostituting. But it's not.

0:17:57.400 --> 0:17:59.919
<v Speaker 1>A prostate problem, so they're anoscolotize.

0:18:01.400 --> 0:18:02.400
<v Speaker 2>Proselytize.

0:18:02.800 --> 0:18:03.880
<v Speaker 3>That's a hard word to say.

0:18:04.600 --> 0:18:08.840
<v Speaker 2>Wow, I couldn't have been more wrong, never saying again proselytized.

0:18:08.880 --> 0:18:11.320
<v Speaker 1>There's no But I actually knew the definition of a

0:18:11.320 --> 0:18:12.320
<v Speaker 1>word that she didn't.

0:18:12.960 --> 0:18:15.800
<v Speaker 2>I am p r O c l Y T.

0:18:16.000 --> 0:18:19.080
<v Speaker 1>I Baby, I was wrong hair for you.

0:18:19.760 --> 0:18:21.960
<v Speaker 3>I mean, I'm just sitting here in between you guys going.

0:18:22.359 --> 0:18:28.080
<v Speaker 2>My college years, did nothing and your.

0:18:26.920 --> 0:18:27.440
<v Speaker 3>And she nailed.

0:18:27.720 --> 0:18:30.879
<v Speaker 1>Sorry, you know what, Amy I am. I'm not book smart,

0:18:30.880 --> 0:18:31.639
<v Speaker 1>I'm street smart.

0:18:31.640 --> 0:18:32.320
<v Speaker 2>I bow down.

0:18:32.560 --> 0:18:36.840
<v Speaker 3>I was just a pretty face with hair, not.

0:18:36.720 --> 0:18:37.480
<v Speaker 2>Just a pretty face.

0:18:37.960 --> 0:18:41.520
<v Speaker 1>Well done, professor, Yes, thank you, thank you so much.

0:18:42.720 --> 0:18:45.040
<v Speaker 1>Now we're going to go to the New Evolution headquarters.

0:18:45.080 --> 0:18:47.560
<v Speaker 1>I love when we go there. It's very yeah, it's

0:18:47.720 --> 0:18:51.080
<v Speaker 1>very like. It convinces me that something is going down.

0:18:51.200 --> 0:18:53.040
<v Speaker 2>Agree, very like Hogwarts.

0:18:53.119 --> 0:18:57.800
<v Speaker 1>Good set for a sketchy good set, yeah, and real,

0:18:57.920 --> 0:19:00.640
<v Speaker 1>like you can tell this is a big, real house. Yes,

0:19:00.920 --> 0:19:05.240
<v Speaker 1>So Kelly takes Dylan there to meet Professor Finley in a.

0:19:05.200 --> 0:19:07.760
<v Speaker 4>Suit, in an ill fitting suit. I'm not happy with

0:19:07.800 --> 0:19:08.520
<v Speaker 4>the Dylan suit.

0:19:08.760 --> 0:19:10.680
<v Speaker 2>I like the ruse though. I like the whole thing.

0:19:10.760 --> 0:19:11.520
<v Speaker 1>I like it too.

0:19:12.200 --> 0:19:14.040
<v Speaker 2>I like that we're kind of it's a setup, but

0:19:14.119 --> 0:19:18.840
<v Speaker 2>Dylan's very good at it, open mindness. I'm enjoying their connecting.

0:19:20.480 --> 0:19:25.200
<v Speaker 2>Although crystals, wait, say.

0:19:24.960 --> 0:19:28.520
<v Speaker 1>That again, I like to talk of MAUI yeah, right, I.

0:19:29.560 --> 0:19:32.160
<v Speaker 2>Have questions about them at the end, but for now,

0:19:32.200 --> 0:19:34.440
<v Speaker 2>I enjoyed their kiss. I enjoyed it all.

0:19:35.400 --> 0:19:42.720
<v Speaker 1>Well, this is the part where we really see Dylan

0:19:42.760 --> 0:19:46.040
<v Speaker 1>putting it on, right, But I didn't know he was

0:19:46.080 --> 0:19:48.680
<v Speaker 1>putting it on as an audience, like a little bit

0:19:48.760 --> 0:19:51.360
<v Speaker 1>maybe great, but I kind of was like, oh, he's

0:19:51.359 --> 0:19:53.080
<v Speaker 1>there to support Kelly, and.

0:19:53.080 --> 0:19:54.480
<v Speaker 4>I think he's open in the same way I was

0:19:54.520 --> 0:20:00.200
<v Speaker 4>drawing into that, like, yeah, so it's kind of both though, right, I.

0:20:00.119 --> 0:20:02.120
<v Speaker 1>Looked a little puffy in this scene. I will say

0:20:02.320 --> 0:20:05.480
<v Speaker 1>I did not notice that he neither. I was like,

0:20:05.600 --> 0:20:08.520
<v Speaker 1>either I'm sicked that day and I wasn't feeling well,

0:20:08.720 --> 0:20:11.080
<v Speaker 1>or that's what I look like when I get brainwashed.

0:20:11.320 --> 0:20:15.439
<v Speaker 2>You do have a scene later where you look extraordinarily pretty.

0:20:15.560 --> 0:20:17.320
<v Speaker 2>I have to It'll come back to me when I

0:20:17.320 --> 0:20:19.000
<v Speaker 2>see it. There's like a big close up on you.

0:20:19.640 --> 0:20:23.520
<v Speaker 2>That being said, I think Dylan went because Randon's like, bro,

0:20:23.880 --> 0:20:26.080
<v Speaker 2>this is bad. But I don't think he's going in

0:20:26.240 --> 0:20:28.640
<v Speaker 2>hot like this is bad. I gotta drag her.

0:20:28.520 --> 0:20:30.480
<v Speaker 1>Out like he's like, no, he's like going in undercover.

0:20:30.640 --> 0:20:32.240
<v Speaker 2>I'm gonna see what's happening here.

0:20:32.560 --> 0:20:35.520
<v Speaker 1>He's slipping into Professor Finley's d MS.

0:20:35.680 --> 0:20:39.560
<v Speaker 2>Kind of Yeah, he learned a lot from Jonesy, so

0:20:39.600 --> 0:20:40.240
<v Speaker 2>he's using.

0:20:40.119 --> 0:20:44.959
<v Speaker 1>All that's true true wi okay, so pop up from

0:20:45.040 --> 0:20:48.000
<v Speaker 1>under the desk. But now we go to Andrea's house,

0:20:48.080 --> 0:20:52.080
<v Speaker 1>where we see baby Hannah, who looks nothing like Jesse.

0:20:53.400 --> 0:20:53.760
<v Speaker 2>At all.

0:20:53.840 --> 0:20:56.120
<v Speaker 1>That baby does not look like their baby. I'm sorry,

0:20:56.200 --> 0:20:59.400
<v Speaker 1>rod twist it's Brandon's.

0:20:58.880 --> 0:21:06.840
<v Speaker 2>That would have been really juicy, imagine.

0:21:07.119 --> 0:21:09.760
<v Speaker 1>But Jesse doubles down on the fact that he really

0:21:09.840 --> 0:21:11.720
<v Speaker 1>likes Peter and his wife and he wants to invite

0:21:11.760 --> 0:21:17.560
<v Speaker 1>them over for dinner. So awkward award yikes. Did we

0:21:17.600 --> 0:21:18.639
<v Speaker 1>go to Dylan's house?

0:21:19.359 --> 0:21:20.479
<v Speaker 2>Oh yeah? By the fire?

0:21:21.040 --> 0:21:25.200
<v Speaker 1>Oh yeah, because I didn't know where they were at first,

0:21:25.240 --> 0:21:28.399
<v Speaker 1>Like I didn't recognize that set.

0:21:27.520 --> 0:21:30.520
<v Speaker 2>Dylan or were they at the Finley mansion?

0:21:30.800 --> 0:21:33.560
<v Speaker 1>They were at Dylan's. Oh wow, it wasn't It's like

0:21:33.560 --> 0:21:34.320
<v Speaker 1>a part of Dylan's.

0:21:34.680 --> 0:21:35.000
<v Speaker 2>Because the.

0:21:36.920 --> 0:21:41.920
<v Speaker 1>Phone rings and she invites Dylan to the malletting and.

0:21:41.840 --> 0:21:45.159
<v Speaker 2>He's not interested. Someone's trying to sell him magazines, but

0:21:45.240 --> 0:21:47.800
<v Speaker 2>it's Brandon. Yeah, the malletting.

0:21:47.960 --> 0:21:49.120
<v Speaker 3>You guys are going fast.

0:21:49.800 --> 0:21:53.800
<v Speaker 1>It's a big deal. The malletting. This is a Yeah.

0:21:53.960 --> 0:21:58.000
<v Speaker 1>We find out that this is a young woman that

0:21:58.119 --> 0:22:02.440
<v Speaker 1>Finley has set up to marry an older money bags guy.

0:22:02.720 --> 0:22:10.360
<v Speaker 2>Gross. So gross sketchy dot com. Yeah, speaking of sketchy,

0:22:12.760 --> 0:22:13.919
<v Speaker 2>the next scene go.

0:22:13.760 --> 0:22:16.960
<v Speaker 1>Ahead, Jenny outside the peach pit after dark word Ray

0:22:16.960 --> 0:22:18.320
<v Speaker 1>and Donna are making out in his truck.

0:22:18.600 --> 0:22:21.040
<v Speaker 2>Uh. Yeah, it is so sketchy.

0:22:21.440 --> 0:22:26.080
<v Speaker 1>I wrote down, OMG, I hate you Ray Pruett, You're

0:22:26.119 --> 0:22:26.639
<v Speaker 1>a liar.

0:22:27.480 --> 0:22:31.320
<v Speaker 2>Yeah, but I was like Valerie with the crazy face.

0:22:32.400 --> 0:22:35.040
<v Speaker 1>Like that, Why would she park like that behind his car,

0:22:35.160 --> 0:22:42.320
<v Speaker 1>like basically blocking his so weirdy they're crazy, and poor

0:22:42.400 --> 0:22:43.320
<v Speaker 1>Donna is just.

0:22:44.280 --> 0:22:46.359
<v Speaker 3>Know she's so in love.

0:22:46.760 --> 0:22:47.800
<v Speaker 1>We want to shaker.

0:22:49.440 --> 0:22:51.480
<v Speaker 2>Yeah, it was worse if we had a name.

0:22:51.720 --> 0:22:57.280
<v Speaker 1>Who's worse Valerie or Ray? Say you or Donna at

0:22:57.320 --> 0:23:00.119
<v Speaker 1>this point in your life at this time? No, it

0:23:00.200 --> 0:23:05.520
<v Speaker 1>was so confused. I wasn't sure at this moment, Ray,

0:23:05.680 --> 0:23:08.399
<v Speaker 1>because he's lying to Donna's face.

0:23:09.280 --> 0:23:15.840
<v Speaker 2>True, okay, fair, fair, she we expect nothing of Valerie.

0:23:16.640 --> 0:23:21.359
<v Speaker 1>No, yeah, true, we want to like this guy because

0:23:21.400 --> 0:23:23.640
<v Speaker 1>Donna likes him. Wait, do I get to stay on mess?

0:23:23.880 --> 0:23:24.080
<v Speaker 2>Yeah?

0:23:24.960 --> 0:23:26.760
<v Speaker 1>You think? I mean you could say something? Ask me

0:23:26.840 --> 0:23:30.520
<v Speaker 1>the question again, who's worse at this moment? Ray or

0:23:30.640 --> 0:23:34.000
<v Speaker 1>val Okay, it's not worse. Worse at what like that

0:23:34.080 --> 0:23:35.760
<v Speaker 1>could be being a human being?

0:23:36.680 --> 0:23:40.959
<v Speaker 4>Ooh, existing, I mean Valerie's not hurting anyone. She had

0:23:41.000 --> 0:23:42.720
<v Speaker 4>no investment in Donna. It's not her problem.

0:23:43.119 --> 0:23:43.960
<v Speaker 2>Like she's just doing.

0:23:44.080 --> 0:23:47.000
<v Speaker 1>She's not hurting anyone. She's hurting everyone, but she doesn't

0:23:48.480 --> 0:23:51.359
<v Speaker 1>she she has stakes in it. She is no no

0:23:51.480 --> 0:23:54.479
<v Speaker 1>emotional steaks in anyone. She's doing what's right for her.

0:23:55.240 --> 0:23:58.440
<v Speaker 4>She's going way below the belt, is the thing anymore?

0:23:59.720 --> 0:24:01.560
<v Speaker 4>Or of the belt are all around the belt?

0:24:01.680 --> 0:24:06.080
<v Speaker 3>But you know, I don't know. Yeah, I guess Ray? Fine?

0:24:07.240 --> 0:24:12.439
<v Speaker 1>Oh nice, you actually saw yeah pretty terrible?

0:24:12.560 --> 0:24:17.640
<v Speaker 2>Yeah, No, Ray, because I don't even like Ray from

0:24:17.760 --> 0:24:21.639
<v Speaker 2>the Breakfast Flip. Pretend there was no Donna, or pretend

0:24:21.720 --> 0:24:23.440
<v Speaker 2>Donna's some random we don't even care about.

0:24:24.359 --> 0:24:26.440
<v Speaker 1>I don't like Ray at all. I don't like Ray.

0:24:26.840 --> 0:24:29.440
<v Speaker 1>I don't like Bray and his little whiny want to

0:24:29.520 --> 0:24:31.560
<v Speaker 1>Donna all the time about what he wants, what he

0:24:31.600 --> 0:24:32.160
<v Speaker 1>doesn't want.

0:24:32.160 --> 0:24:35.920
<v Speaker 3>Sing it all on the show back his performance in

0:24:36.040 --> 0:24:37.200
<v Speaker 3>him slightly.

0:24:37.480 --> 0:24:42.399
<v Speaker 1>Not like thatble So it's like, oh, yeah, but what

0:24:42.720 --> 0:24:45.440
<v Speaker 1>would be watching him sing at the peach pit after

0:24:45.600 --> 0:24:49.640
<v Speaker 1>dark make me like him? You liking musicians so amazing? Yeah,

0:24:49.800 --> 0:24:51.840
<v Speaker 1>you're right, Oh my god, that's so funny. I was.

0:24:52.480 --> 0:24:54.520
<v Speaker 1>Jason sent me a text the other day that he

0:24:54.680 --> 0:24:56.960
<v Speaker 1>was said, I've met the Nashville Airport and I saw

0:24:57.040 --> 0:24:58.320
<v Speaker 1>this and it made me think of you want me

0:24:58.359 --> 0:24:59.800
<v Speaker 1>to pick you up? One? And it was a te

0:25:00.080 --> 0:25:02.879
<v Speaker 1>shirt that said DIBs on the drummer.

0:25:04.680 --> 0:25:06.399
<v Speaker 3>That's good funny, right.

0:25:07.080 --> 0:25:13.360
<v Speaker 1>I like musicians, but anymore, I mean I used to. Yeah, yeah,

0:25:13.480 --> 0:25:15.160
<v Speaker 1>this seems pretty heart wrenching.

0:25:14.920 --> 0:25:17.920
<v Speaker 4>To watch everyone else musician my entire life except on

0:25:18.000 --> 0:25:19.680
<v Speaker 4>TV except for rayp rut.

0:25:19.760 --> 0:25:21.680
<v Speaker 1>He was the one and only and look what he

0:25:21.760 --> 0:25:25.600
<v Speaker 1>did to you, I know, So yeah, yep.

0:25:26.320 --> 0:25:26.680
<v Speaker 2>Then we go.

0:25:26.840 --> 0:25:29.480
<v Speaker 1>Yep, we're at the Miletting. It's a very beautiful ceremony.

0:25:29.760 --> 0:25:36.240
<v Speaker 1>Dylan's there with Killy killing Dylan and Chilly well they're

0:25:36.320 --> 0:25:41.560
<v Speaker 1>killing her softly basically, yeah, Kelly. And that's where Dylan

0:25:41.600 --> 0:25:45.480
<v Speaker 1>finds out that the elderly man Mason that is getting

0:25:45.520 --> 0:25:48.480
<v Speaker 1>married to the young gal, he is going to sell

0:25:48.560 --> 0:25:50.840
<v Speaker 1>his house to give that money to the new evolution.

0:25:51.440 --> 0:25:52.000
<v Speaker 2>So crazy?

0:25:52.200 --> 0:25:55.680
<v Speaker 1>How much you think that is? Like couple mill No,

0:25:56.160 --> 0:25:56.960
<v Speaker 1>three hundred thousand.

0:25:57.440 --> 0:25:59.400
<v Speaker 3>I was gonna say fifty. I don't know. I don't

0:25:59.400 --> 0:25:59.720
<v Speaker 3>feel like.

0:25:59.760 --> 0:26:01.280
<v Speaker 2>It's I don't think he was a millionaire.

0:26:02.280 --> 0:26:06.159
<v Speaker 1>Well that is a pretty nice house, you guys, what

0:26:07.240 --> 0:26:09.760
<v Speaker 1>those are? Maybe have to get the crisis the house there,

0:26:10.280 --> 0:26:13.000
<v Speaker 1>he's going to sell that house and donate that money.

0:26:13.080 --> 0:26:15.080
<v Speaker 2>Oh a million? I do think it. Then?

0:26:15.560 --> 0:26:17.520
<v Speaker 3>Oh, I was thinking answers in.

0:26:18.160 --> 0:26:23.359
<v Speaker 2>Some house in Studio City. I don't know. No. I

0:26:23.560 --> 0:26:27.000
<v Speaker 2>like this scene where they're kind of talking and there

0:26:27.240 --> 0:26:30.320
<v Speaker 2>is this where we have the kiss. Where do we

0:26:30.440 --> 0:26:31.920
<v Speaker 2>but be outside?

0:26:32.760 --> 0:26:34.080
<v Speaker 1>I think we have the kiss outside?

0:26:34.359 --> 0:26:37.840
<v Speaker 2>Yeah, okay, so I think there's an Andrea. Sorry, oh

0:26:37.920 --> 0:26:39.320
<v Speaker 2>my god, there's an Andrea.

0:26:39.720 --> 0:26:42.760
<v Speaker 3>Wow. That was a real creamy pause.

0:26:42.880 --> 0:26:44.480
<v Speaker 1>Would you like us to edit that or would you.

0:26:44.520 --> 0:26:48.560
<v Speaker 2>Like let it be left in?

0:26:49.640 --> 0:26:49.960
<v Speaker 1>You would?

0:26:50.160 --> 0:26:54.480
<v Speaker 2>Wow? That was and kiss? I think then we go back,

0:26:54.680 --> 0:26:57.719
<v Speaker 2>so go for it. Talk to me about all the kisses.

0:26:58.200 --> 0:27:00.200
<v Speaker 1>Well, did you I did notice a little but in

0:27:00.280 --> 0:27:04.159
<v Speaker 1>this scene that I didn't see any burn glue on

0:27:04.280 --> 0:27:07.040
<v Speaker 1>Kelly's neck. We were shooting like right over her shoulders,

0:27:07.359 --> 0:27:09.840
<v Speaker 1>and my neck was pure as the driven snow.

0:27:10.040 --> 0:27:13.720
<v Speaker 2>Like it used to be. Burn consistency is not always

0:27:13.880 --> 0:27:17.560
<v Speaker 2>accurate because the burn comes and goes like the wind.

0:27:17.680 --> 0:27:24.080
<v Speaker 1>I think too, Yeah, Diana Valentine, Diane Valentine, Oh our

0:27:24.240 --> 0:27:28.000
<v Speaker 1>continuity later, Yeah, she never missed a thing. That's interesting.

0:27:28.560 --> 0:27:31.800
<v Speaker 1>Was she there then in that season? I think so, Yeah,

0:27:32.080 --> 0:27:34.880
<v Speaker 1>she was always there. But you know what they used

0:27:34.920 --> 0:27:37.720
<v Speaker 1>for that? When I say the neck glue, because that's

0:27:37.760 --> 0:27:42.000
<v Speaker 1>what they used to put on my neck, rubber cement. No,

0:27:42.359 --> 0:27:46.080
<v Speaker 1>like rub it around and then paint a makeup over it. Wait,

0:27:46.119 --> 0:27:48.919
<v Speaker 1>it was like a rubber prosthetic and then they made.

0:27:48.800 --> 0:27:52.600
<v Speaker 2>It make a look. It was literally ball that we

0:27:52.680 --> 0:27:53.680
<v Speaker 2>all made in sixth grade.

0:27:54.200 --> 0:27:57.440
<v Speaker 3>Yeah, shut up, and then you use.

0:27:57.480 --> 0:27:59.359
<v Speaker 1>Spread it on your head and then like rub it

0:27:59.440 --> 0:28:00.440
<v Speaker 1>and make a book on it.

0:28:03.520 --> 0:28:06.359
<v Speaker 4>Because it was glue, but then it wasn't glue, like

0:28:06.400 --> 0:28:07.840
<v Speaker 4>one kid in the corner that was eating it and

0:28:07.920 --> 0:28:08.240
<v Speaker 4>you were.

0:28:08.160 --> 0:28:09.800
<v Speaker 3>Like, oh god, far glue.

0:28:10.400 --> 0:28:13.159
<v Speaker 2>That's Stuff's going to be a problem from that. But

0:28:13.400 --> 0:28:15.399
<v Speaker 2>rubber cement, when we got to rubber cement from the

0:28:15.480 --> 0:28:18.800
<v Speaker 2>White Elmers, that was life changing because you could you

0:28:18.880 --> 0:28:20.560
<v Speaker 2>could really go out, you didn't have to be so

0:28:20.720 --> 0:28:22.680
<v Speaker 2>perfect about it, and then you could rub it off

0:28:22.840 --> 0:28:23.240
<v Speaker 2>the over.

0:28:23.680 --> 0:28:29.119
<v Speaker 1>Oh yeah, you're glue overage. Yeah. So yeah, there's that.

0:28:29.320 --> 0:28:31.360
<v Speaker 1>And then they kiss in the non rain.

0:28:32.040 --> 0:28:34.680
<v Speaker 2>Right, but they oh, it's so beautiful in the rain.

0:28:36.240 --> 0:28:39.200
<v Speaker 2>But I like that kiss. I mean, I don't know

0:28:39.280 --> 0:28:41.720
<v Speaker 2>who I like you with more both.

0:28:43.040 --> 0:28:45.600
<v Speaker 1>I know, I don't know who I like Kelly with

0:28:45.760 --> 0:28:48.040
<v Speaker 1>more either. And that's the hardest part. It's because people

0:28:48.640 --> 0:28:52.400
<v Speaker 1>for the rest of my life will ask me which

0:28:52.440 --> 0:28:55.280
<v Speaker 1>one was it, Kelly, Dylan or Brandon.

0:28:55.560 --> 0:28:59.000
<v Speaker 2>Both splitter into Like they said, a splitter into.

0:29:00.200 --> 0:29:05.280
<v Speaker 1>It sounds gross, But yeah, so Dylan and Kelly kiss,

0:29:05.320 --> 0:29:10.160
<v Speaker 1>which is a pretty big plot twist there. Yeah. Then

0:29:10.200 --> 0:29:12.240
<v Speaker 1>we go back and we see Andrea, who all of

0:29:12.280 --> 0:29:14.360
<v Speaker 1>a sudden has a conscience.

0:29:15.360 --> 0:29:16.040
<v Speaker 3>Why start now?

0:29:16.320 --> 0:29:18.920
<v Speaker 2>But I was rising in the elevator. Was this kissing

0:29:18.960 --> 0:29:21.840
<v Speaker 2>in the elevator scene and then the door opens into Chelsey.

0:29:22.440 --> 0:29:25.760
<v Speaker 1>No, this is when they're in the she's got started

0:29:25.800 --> 0:29:29.600
<v Speaker 1>her job and he comes in there and he doesn't

0:29:29.600 --> 0:29:32.160
<v Speaker 1>even shut the door all the way right.

0:29:32.280 --> 0:29:34.560
<v Speaker 4>Sorry, the elevator's later, so she doesn't like that he's

0:29:34.560 --> 0:29:37.760
<v Speaker 4>getting messy with it. I just didn't understand she didn't care, Like, no,

0:29:38.160 --> 0:29:39.360
<v Speaker 4>she cares all of a sudden.

0:29:40.200 --> 0:29:42.680
<v Speaker 1>Maybe it's because it's like interfering with her work.

0:29:42.840 --> 0:29:45.040
<v Speaker 4>Of a type personality and HER's coming out it's like

0:29:45.040 --> 0:29:47.600
<v Speaker 4>a working now, okay, personal didn't matter.

0:29:47.880 --> 0:29:49.400
<v Speaker 2>And now she's kissing the doctor.

0:29:50.240 --> 0:29:52.880
<v Speaker 1>It's so cliche and right in front of the window

0:29:53.080 --> 0:29:55.120
<v Speaker 1>with the weird little cutouts so you can see right

0:29:55.160 --> 0:29:57.600
<v Speaker 1>through it. I'm not comfortable with his hair.

0:29:57.760 --> 0:29:59.240
<v Speaker 2>That makes him so cute though.

0:29:59.320 --> 0:30:01.480
<v Speaker 1>It's his hair and its dimples.

0:30:01.680 --> 0:30:03.040
<v Speaker 2>Yeah, maybe I like the.

0:30:03.080 --> 0:30:04.360
<v Speaker 3>Hair, like long hairs.

0:30:04.520 --> 0:30:07.080
<v Speaker 2>Yeah, it's gonna get bad for them.

0:30:07.800 --> 0:30:08.840
<v Speaker 3>Start back and watch.

0:30:21.520 --> 0:30:24.960
<v Speaker 1>Now we're gonna go to Rai's mom's house smoking while

0:30:25.000 --> 0:30:30.360
<v Speaker 1>she vacuums. Well, because who doesn't totally her hoss was

0:30:30.360 --> 0:30:31.680
<v Speaker 1>a mess. What do you think that was on the

0:30:31.720 --> 0:30:32.880
<v Speaker 1>floor When.

0:30:32.800 --> 0:30:35.720
<v Speaker 2>She says it's a dump, She's all a nice place.

0:30:35.800 --> 0:30:39.840
<v Speaker 1>That says nice place. It's a dump. I mean, I

0:30:40.000 --> 0:30:44.800
<v Speaker 1>mean I looked very comfortable. It's feel comfortable there watching it, right,

0:30:45.560 --> 0:30:46.480
<v Speaker 1>I felt comfortable.

0:30:46.880 --> 0:30:47.480
<v Speaker 2>I did not.

0:30:48.760 --> 0:30:50.400
<v Speaker 1>I wanted to help her clean it a little bit.

0:30:50.920 --> 0:30:52.760
<v Speaker 2>I felt nervous about that rug that it hasn't been

0:30:52.840 --> 0:30:53.760
<v Speaker 2>shampooed in a while.

0:30:54.240 --> 0:30:54.720
<v Speaker 1>Mm hmmm.

0:30:55.080 --> 0:30:57.960
<v Speaker 2>Probably smells so smoky. She smokes a lot. I can't tell.

0:30:58.000 --> 0:30:59.720
<v Speaker 2>She was kind of going to go outside to smoke.

0:30:59.800 --> 0:31:05.720
<v Speaker 1>But like, Na, how did Valerie find out where Ray lives?

0:31:06.040 --> 0:31:08.520
<v Speaker 4>She can find out anything, you guys. This is great,

0:31:08.720 --> 0:31:10.480
<v Speaker 4>her first biger, first radio.

0:31:10.640 --> 0:31:12.440
<v Speaker 1>She is like, she google it?

0:31:13.040 --> 0:31:14.480
<v Speaker 2>Wa question?

0:31:16.560 --> 0:31:20.240
<v Speaker 1>She looked in the Thomas Guide. How would she know

0:31:20.320 --> 0:31:23.080
<v Speaker 1>where he yellow page? They had yellow pages still.

0:31:23.960 --> 0:31:26.240
<v Speaker 2>Oh yeah, maybe the addresses in the white pages.

0:31:26.720 --> 0:31:29.920
<v Speaker 1>The white pages. But it's all one thing, right, It's

0:31:30.000 --> 0:31:32.520
<v Speaker 1>so back to the future. Remember what comes first?

0:31:32.640 --> 0:31:33.200
<v Speaker 3>Yellow or white?

0:31:33.240 --> 0:31:35.360
<v Speaker 2>How do they do yellow businesses? Right?

0:31:35.520 --> 0:31:39.000
<v Speaker 1>And it depends on how big your town is, because

0:31:39.320 --> 0:31:41.760
<v Speaker 1>if your town's really big, then it's just like exclusive

0:31:41.800 --> 0:31:44.360
<v Speaker 1>to the yellow pages. Oh they don't like sorry, only

0:31:44.440 --> 0:31:45.240
<v Speaker 1>New Beverly Hills.

0:31:45.880 --> 0:31:48.080
<v Speaker 2>Like it just makes me think of Marty McFly. He

0:31:48.200 --> 0:31:50.160
<v Speaker 2>goes and the diner and he's trying to find Doc

0:31:50.200 --> 0:31:51.600
<v Speaker 2>Brown and he tears the page.

0:31:53.040 --> 0:31:55.920
<v Speaker 1>That's how she did it. That's how she found him. Wait,

0:31:56.440 --> 0:32:01.320
<v Speaker 1>she comes over to bring him his sheet music? Does

0:32:01.360 --> 0:32:04.240
<v Speaker 1>he really carry a portfolio with his she? Is he

0:32:04.320 --> 0:32:06.000
<v Speaker 1>a freaking conductor? What's happening?

0:32:06.200 --> 0:32:07.360
<v Speaker 3>I just got really defensive.

0:32:07.480 --> 0:32:11.040
<v Speaker 4>Oh my god, you guys, I'm so screwed up emotionally

0:32:11.120 --> 0:32:12.840
<v Speaker 4>with all of these men on the show.

0:32:13.120 --> 0:32:16.680
<v Speaker 2>And these people are a mess, Like I literally want

0:32:16.720 --> 0:32:21.880
<v Speaker 2>to yeah, they're a mess. Because she then this pushed

0:32:21.960 --> 0:32:24.160
<v Speaker 2>this whole thing pushes me over the edge. What the

0:32:24.240 --> 0:32:27.880
<v Speaker 2>hell are you doing? Then she says, I'm sorry, I

0:32:28.000 --> 0:32:29.200
<v Speaker 2>got so possessive.

0:32:29.720 --> 0:32:33.120
<v Speaker 1>I just was like, wtf is authough?

0:32:33.160 --> 0:32:34.720
<v Speaker 3>She's just doing a mind app on him?

0:32:34.800 --> 0:32:38.080
<v Speaker 2>Like correct, But also remember back then we would use

0:32:38.120 --> 0:32:41.440
<v Speaker 2>that word possessive. Don't be possessive of him?

0:32:41.520 --> 0:32:42.880
<v Speaker 3>Oh you're right, what is that word now?

0:32:43.400 --> 0:32:43.800
<v Speaker 2>Clingy?

0:32:44.040 --> 0:32:44.200
<v Speaker 1>Now?

0:32:44.480 --> 0:32:48.720
<v Speaker 2>Maybe clingy? I don't know what triggered me. I was like, Valerie,

0:32:49.240 --> 0:32:54.800
<v Speaker 2>it's not being crazy, how about that? And raise so mean?

0:32:55.440 --> 0:32:57.800
<v Speaker 2>Like she should be like, you're not even a nice

0:32:58.360 --> 0:33:01.400
<v Speaker 2>like side piece. I'm saying, is like even if I

0:33:01.520 --> 0:33:04.320
<v Speaker 2>was to open my mind to this nonsense of him

0:33:04.400 --> 0:33:09.040
<v Speaker 2>being like her side piece and she's his. Okay, he's mean,

0:33:09.360 --> 0:33:11.440
<v Speaker 2>here's a terrible side piece like that.

0:33:11.520 --> 0:33:14.719
<v Speaker 1>I mean, but we've already established that she's not well mentally,

0:33:14.880 --> 0:33:17.280
<v Speaker 1>and so she of course is going to want that

0:33:17.840 --> 0:33:19.080
<v Speaker 1>person that's going to be mean to her.

0:33:19.520 --> 0:33:21.120
<v Speaker 2>I'll tell you how this is going to work.

0:33:21.480 --> 0:33:25.240
<v Speaker 1>Like a challenge. I start saying the word possessive. That's awesome,

0:33:25.720 --> 0:33:27.560
<v Speaker 1>but possess it was like a demon though.

0:33:27.640 --> 0:33:29.640
<v Speaker 2>Yeah, you weren't well. Yeah, but like I remember in

0:33:29.720 --> 0:33:32.520
<v Speaker 2>college being like people being like, don't be possessive.

0:33:32.640 --> 0:33:34.960
<v Speaker 1>You're right, No, I know what it was like so bad,

0:33:35.160 --> 0:33:36.560
<v Speaker 1>And I'm like, you know what I mean, I would

0:33:36.600 --> 0:33:37.560
<v Speaker 1>we even say that?

0:33:37.680 --> 0:33:38.760
<v Speaker 2>We were so dumb?

0:33:39.680 --> 0:33:41.840
<v Speaker 1>Yep. Then leu Anne comes out and gives him some

0:33:41.960 --> 0:33:43.760
<v Speaker 1>more advice to watch out for that one.

0:33:44.600 --> 0:33:46.360
<v Speaker 2>She's here's the thing.

0:33:46.600 --> 0:33:49.800
<v Speaker 4>Okay, let's say touched Luann for a second. So his mama,

0:33:50.800 --> 0:33:53.240
<v Speaker 4>here's the thing. There's some of the weird thing going

0:33:53.280 --> 0:33:54.920
<v Speaker 4>on here, like wait, what is it?

0:33:55.040 --> 0:33:55.760
<v Speaker 3>The Oedipus note?

0:33:55.800 --> 0:33:56.120
<v Speaker 1>What is it?

0:33:56.960 --> 0:33:57.120
<v Speaker 2>Yeah?

0:33:57.240 --> 0:34:02.160
<v Speaker 4>That's okay, Yeah, So she wants to screw up everything

0:34:02.240 --> 0:34:04.080
<v Speaker 4>for him. She doesn't want him to be happy. She

0:34:04.120 --> 0:34:06.600
<v Speaker 4>doesn't want him to leave her because she's saying, just

0:34:06.680 --> 0:34:08.839
<v Speaker 4>go screw someone, and she done your good.

0:34:09.400 --> 0:34:12.080
<v Speaker 1>I think she's she wants to make sure he keeps Donna.

0:34:12.760 --> 0:34:17.799
<v Speaker 2>I oh, so she likes to Donna gravy train too.

0:34:17.960 --> 0:34:18.840
<v Speaker 2>She wants she.

0:34:18.880 --> 0:34:20.280
<v Speaker 3>Wants him to pick the rate.

0:34:22.080 --> 0:34:24.200
<v Speaker 4>Girl to cheat on, but he's she said, just go

0:34:24.280 --> 0:34:26.279
<v Speaker 4>on and get someone, get someone, get it somewhere else.

0:34:26.440 --> 0:34:28.799
<v Speaker 1>But I think she doesn't want him to get caught

0:34:28.840 --> 0:34:31.080
<v Speaker 1>up with this one because she's in a class by herself. Yeah,

0:34:32.200 --> 0:34:32.760
<v Speaker 1>she's trouble.

0:34:32.880 --> 0:34:34.879
<v Speaker 3>What does Louianne want for Ray?

0:34:35.360 --> 0:34:36.279
<v Speaker 2>She's not a great mom.

0:34:36.400 --> 0:34:38.879
<v Speaker 1>I'm not gonna she is not She wants Donna for Ray,

0:34:38.920 --> 0:34:42.879
<v Speaker 1>but she wants Ray to be happy. Whether it's right

0:34:43.000 --> 0:34:47.200
<v Speaker 1>to get his you know, I want anybody is want

0:34:48.680 --> 0:34:50.120
<v Speaker 1>because I don't think she's happy.

0:34:49.920 --> 0:34:51.040
<v Speaker 3>And she doesn't want him to be happy.

0:34:51.760 --> 0:34:55.080
<v Speaker 2>Oh I didn't get that. My take was he's gonna

0:34:55.120 --> 0:34:58.240
<v Speaker 2>dump Donna and she doesn't sleep with him. So missus

0:34:58.320 --> 0:35:02.560
<v Speaker 2>Pruett is saying, no, oh, keep Donna, but just get

0:35:02.600 --> 0:35:05.360
<v Speaker 2>your rocks off? Is that how you say that? On

0:35:05.480 --> 0:35:09.719
<v Speaker 2>the side, it's terrible mothering. She's not a good it's

0:35:10.120 --> 0:35:16.640
<v Speaker 2>not good mothering. She's terrible advice. I mean, it's all bad.

0:35:17.120 --> 0:35:20.399
<v Speaker 2>There's a mess, and are actually meant for each other

0:35:20.480 --> 0:35:21.720
<v Speaker 2>because they're both terrible.

0:35:24.320 --> 0:35:26.000
<v Speaker 3>It's just a mess. Okay.

0:35:26.680 --> 0:35:29.239
<v Speaker 1>Then we go to the house. We see Brandon and

0:35:29.400 --> 0:35:33.040
<v Speaker 1>Dylan together, which is always nice to see.

0:35:33.400 --> 0:35:35.479
<v Speaker 2>They both looked great, they did.

0:35:36.040 --> 0:35:40.080
<v Speaker 1>And they're at Brandon's house now, so he's there to

0:35:40.120 --> 0:35:42.560
<v Speaker 1>basically report back to Brandon about what he saw at

0:35:43.000 --> 0:35:46.040
<v Speaker 1>the New Evolution, and I was very pleased.

0:35:46.239 --> 0:35:51.320
<v Speaker 2>He tells about the kiss. He's very honest. I was like,

0:35:51.480 --> 0:35:54.640
<v Speaker 2>these two are my kind of people because I was so.

0:35:54.719 --> 0:35:58.920
<v Speaker 1>Brandon says, did you sleep with her? Yep, and Dylan says, no,

0:35:59.120 --> 0:36:02.000
<v Speaker 1>we kissed a couple of times. He had to add

0:36:02.040 --> 0:36:04.680
<v Speaker 1>that part though, I'm super honest about it more than

0:36:04.719 --> 0:36:08.160
<v Speaker 1>what you know what I mean, Like he's like, you

0:36:08.239 --> 0:36:08.880
<v Speaker 1>need to sell.

0:36:09.440 --> 0:36:10.040
<v Speaker 2>All of that.

0:36:10.280 --> 0:36:13.120
<v Speaker 1>Yeah, you didn't write, so he just had to like

0:36:13.160 --> 0:36:19.400
<v Speaker 1>get a little. But he does say to Brandon the

0:36:19.440 --> 0:36:23.080
<v Speaker 1>Finley isn't such a bad guy, like he sees the

0:36:23.760 --> 0:36:26.320
<v Speaker 1>things that Kelly sees, like the good parts of it.

0:36:27.040 --> 0:36:32.719
<v Speaker 2>Yes, I was a little concerned that the finleyness or

0:36:32.760 --> 0:36:34.960
<v Speaker 2>whatever it was called was sucking Dylan in But I

0:36:35.120 --> 0:36:36.520
<v Speaker 2>but I wasn't too concerned.

0:36:36.280 --> 0:36:39.719
<v Speaker 1>Just a little yeah, because you kind of felt like

0:36:39.800 --> 0:36:41.759
<v Speaker 1>he might be. That's good, because that's what we were

0:36:41.800 --> 0:36:42.399
<v Speaker 1>supposed to think.

0:36:42.520 --> 0:36:42.759
<v Speaker 2>Yeah.

0:36:46.000 --> 0:36:49.560
<v Speaker 1>Next next at Chancellor Arnold's office. We're back there with

0:36:49.760 --> 0:36:53.759
<v Speaker 1>Chancellor Arnold and Brandon the plastic. I was very concorded, right,

0:36:53.880 --> 0:36:55.960
<v Speaker 1>you're right. This is where he gets these condition of

0:36:56.040 --> 0:36:56.759
<v Speaker 1>the mold.

0:36:56.560 --> 0:36:58.560
<v Speaker 2>Because they're just like drying out the rug and I'm like,

0:36:58.600 --> 0:37:01.560
<v Speaker 2>you're gonna need to rip that up. I have a

0:37:01.680 --> 0:37:02.400
<v Speaker 2>mold problem.

0:37:02.480 --> 0:37:05.719
<v Speaker 1>But okay, I like seeing Chancellor Arnold in his rain

0:37:05.800 --> 0:37:06.279
<v Speaker 1>boots though.

0:37:06.640 --> 0:37:11.560
<v Speaker 2>Yep, he's so adorable. Really is. If you were to

0:37:11.680 --> 0:37:14.759
<v Speaker 2>look in my drawer, I wouldn't know anything about it.

0:37:15.560 --> 0:37:18.359
<v Speaker 2>You want to go to lunch, Oh I'm not available

0:37:18.520 --> 0:37:21.960
<v Speaker 2>because I'm going to be going through your files exactly.

0:37:22.080 --> 0:37:26.240
<v Speaker 1>And then he gets the information that he needs, Thank goodness, Greg, Jared.

0:37:29.719 --> 0:37:34.799
<v Speaker 1>So we are going to go back to wait, hold on, yeah,

0:37:34.920 --> 0:37:38.399
<v Speaker 1>this was weird. Oh okay, yeah, oh this is so weird.

0:37:38.480 --> 0:37:40.799
<v Speaker 1>This scene was creepy. We go back to the New

0:37:40.840 --> 0:37:45.400
<v Speaker 1>Evolution headquarters, where Dylan has gone to visit Professor Finley

0:37:45.760 --> 0:37:46.400
<v Speaker 1>was gross.

0:37:47.840 --> 0:37:48.080
<v Speaker 2>Yeah.

0:37:48.440 --> 0:37:50.640
<v Speaker 1>I wasn't sure at first what was going on. I

0:37:50.840 --> 0:37:55.560
<v Speaker 1>was like, wait a second, is does is Professor Finley

0:37:55.640 --> 0:37:59.040
<v Speaker 1>saying that he's going to marry Kelly like that he

0:37:59.200 --> 0:38:00.680
<v Speaker 1>wants to be listen.

0:38:00.560 --> 0:38:03.319
<v Speaker 2>To it somehow because he's like, we haven't become intimate yet,

0:38:04.680 --> 0:38:05.280
<v Speaker 2>not physically.

0:38:05.400 --> 0:38:07.439
<v Speaker 1>That was really good.

0:38:07.800 --> 0:38:08.720
<v Speaker 2>I wanted to puke.

0:38:09.760 --> 0:38:10.000
<v Speaker 1>Yeah.

0:38:12.040 --> 0:38:16.760
<v Speaker 2>Yeah, and then Dylan starts his double news, his double

0:38:16.840 --> 0:38:18.880
<v Speaker 2>He's now he's a double double agent.

0:38:19.520 --> 0:38:20.160
<v Speaker 3>Doubling down.

0:38:21.000 --> 0:38:23.399
<v Speaker 1>He tells Finley that he will donate all his money

0:38:23.800 --> 0:38:27.279
<v Speaker 1>to the New Evolution if Finley can convince Kelly to

0:38:27.400 --> 0:38:28.400
<v Speaker 1>be with Dylan.

0:38:29.000 --> 0:38:29.720
<v Speaker 2>Pretty genius.

0:38:30.360 --> 0:38:31.800
<v Speaker 3>It is really good that.

0:38:32.000 --> 0:38:35.600
<v Speaker 1>I was like, wow, okay, So in the other milettings

0:38:36.080 --> 0:38:38.920
<v Speaker 1>that we saw, it was usually a younger girl and

0:38:39.040 --> 0:38:41.680
<v Speaker 1>an older man, or young man and an older woman.

0:38:42.680 --> 0:38:45.280
<v Speaker 1>In this case, I feel like Kelly really hit the jackpot.

0:38:45.360 --> 0:38:48.960
<v Speaker 1>He should just go with it. You should just do

0:38:49.120 --> 0:38:52.040
<v Speaker 1>this because then they just be untouchable and they could

0:38:52.080 --> 0:38:53.240
<v Speaker 1>live happily ever after.

0:38:55.000 --> 0:38:55.960
<v Speaker 2>Make out with Finley.

0:38:57.400 --> 0:38:58.480
<v Speaker 1>What if that happened?

0:38:59.520 --> 0:39:02.440
<v Speaker 2>Oh, thank Maxium guy watched this and that's how he

0:39:02.560 --> 0:39:03.720
<v Speaker 2>got all his ideas.

0:39:04.600 --> 0:39:10.279
<v Speaker 3>Probably so grow that would be sad. That would be

0:39:10.440 --> 0:39:12.040
<v Speaker 3>We'd like to know we influenced a lot of people,

0:39:12.120 --> 0:39:12.840
<v Speaker 3>but not kissed.

0:39:13.320 --> 0:39:15.720
<v Speaker 2>Then Brandon's bebop to the beach else.

0:39:16.000 --> 0:39:19.960
<v Speaker 1>Yeah, I guess he's there looking for Kelly right, probably,

0:39:20.080 --> 0:39:21.640
<v Speaker 1>and he ends up using her phone and trying to

0:39:21.680 --> 0:39:23.759
<v Speaker 1>find this Greg Jarrett dude.

0:39:23.719 --> 0:39:27.960
<v Speaker 2>But he was also playing scrabble well everybody else.

0:39:28.080 --> 0:39:30.239
<v Speaker 1>Wait, this is the only place that we see Am

0:39:30.280 --> 0:39:32.200
<v Speaker 1>I wrong? Is this the only scene where we see

0:39:32.320 --> 0:39:33.919
<v Speaker 1>Steve but only the back of his head?

0:39:34.200 --> 0:39:37.680
<v Speaker 3>Again? That's right? Every episode? What number episode is this?

0:39:37.800 --> 0:39:37.920
<v Speaker 1>Now?

0:39:37.960 --> 0:39:39.560
<v Speaker 3>He's popped into one or two scenes.

0:39:39.800 --> 0:39:42.279
<v Speaker 1>Did he is happening? He did not.

0:39:42.360 --> 0:39:42.960
<v Speaker 2>He just walked.

0:39:43.080 --> 0:39:45.439
<v Speaker 1>You literally see the back of him walk through Frank.

0:39:45.880 --> 0:39:47.400
<v Speaker 3>Was it him or the same person that had on

0:39:47.480 --> 0:39:47.799
<v Speaker 3>that way?

0:39:49.280 --> 0:39:51.799
<v Speaker 2>It's so weird. I wonder what was going on? Could

0:39:51.840 --> 0:39:54.279
<v Speaker 2>he have been having like going on.

0:39:54.440 --> 0:39:56.600
<v Speaker 4>Like something at this point, there's something going on, like

0:39:56.680 --> 0:39:57.479
<v Speaker 4>he was filming something.

0:39:57.520 --> 0:39:58.359
<v Speaker 3>There was something else.

0:39:58.480 --> 0:40:01.719
<v Speaker 1>But they're having a game, they're having people over and

0:40:01.880 --> 0:40:03.280
<v Speaker 1>Donna is also invited.

0:40:05.160 --> 0:40:07.160
<v Speaker 2>You know, he probably spoke and it got cut.

0:40:09.440 --> 0:40:12.440
<v Speaker 1>I want to find out because it's been several episodes

0:40:12.480 --> 0:40:14.560
<v Speaker 1>where Steve Sanders is just after.

0:40:14.440 --> 0:40:16.560
<v Speaker 2>He had such a big one with Milton Brown.

0:40:16.680 --> 0:40:21.640
<v Speaker 1>Yeah, weird. Then we go back to the headquarters where

0:40:21.640 --> 0:40:23.680
<v Speaker 1>Professor Finley tells Kelly.

0:40:24.120 --> 0:40:27.200
<v Speaker 2>Struggling, No, it's me.

0:40:27.640 --> 0:40:28.160
<v Speaker 3>There's something.

0:40:29.719 --> 0:40:33.560
<v Speaker 1>Professor Finley tells Kelly that Dylan is her soulmate and

0:40:33.680 --> 0:40:37.680
<v Speaker 1>that he has potential to be a path.

0:40:37.560 --> 0:40:41.279
<v Speaker 3>Find That just must have screwed with her new on

0:40:41.760 --> 0:40:42.840
<v Speaker 3>so many levels.

0:40:43.160 --> 0:40:46.719
<v Speaker 1>Right, She was like processing all that and thinking late, yeah,

0:40:47.800 --> 0:40:51.800
<v Speaker 1>are you sure? Yeah? That was confusing.

0:40:52.160 --> 0:40:54.880
<v Speaker 2>I don't want to go backwards, but I do feel

0:40:54.920 --> 0:41:01.120
<v Speaker 2>that we have to acknowledge Clayre's belt, her crop top

0:41:01.719 --> 0:41:06.319
<v Speaker 2>with her belt around her just nothing. Did you guys

0:41:06.400 --> 0:41:06.680
<v Speaker 2>notice that?

0:41:06.960 --> 0:41:07.120
<v Speaker 1>Yeah?

0:41:07.160 --> 0:41:08.040
<v Speaker 3>I remember that was a thing.

0:41:08.840 --> 0:41:10.720
<v Speaker 2>She was wearing a crop top at a belt around

0:41:10.760 --> 0:41:12.440
<v Speaker 2>her stomach. Yeah, no pants.

0:41:13.640 --> 0:41:14.640
<v Speaker 1>I did not notice it.

0:41:14.880 --> 0:41:18.960
<v Speaker 2>It was very like what Kathleen.

0:41:18.680 --> 0:41:20.400
<v Speaker 1>Would do that a lot would do. Was that a

0:41:20.480 --> 0:41:22.800
<v Speaker 1>thing then or did she just like start that. I

0:41:22.920 --> 0:41:25.440
<v Speaker 1>don't remember this at all ever seeing her do that.

0:41:26.000 --> 0:41:27.840
<v Speaker 3>I remember Kathleen doing this often.

0:41:28.239 --> 0:41:44.320
<v Speaker 2>It was crazy cool though. So anyway back to Finley

0:41:45.080 --> 0:41:47.760
<v Speaker 2>being a matchmaker.

0:41:47.840 --> 0:41:51.800
<v Speaker 1>Right, he tells Kelly to love Dylan emotionally, spiritually, and physically,

0:41:52.920 --> 0:41:56.160
<v Speaker 1>and she's facing it in her head. Great, okay, okay,

0:41:57.560 --> 0:41:59.319
<v Speaker 1>if I have to twist my arm.

0:42:00.600 --> 0:42:03.320
<v Speaker 2>Was this also right before where Ray yells at Donna

0:42:03.480 --> 0:42:08.720
<v Speaker 2>because Valerie? Oh my god, yes, Oh, he's just getting

0:42:08.760 --> 0:42:09.440
<v Speaker 2>worse and worse.

0:42:10.120 --> 0:42:14.680
<v Speaker 4>Okay, okay, relax, my boyfriend you're talking about he's terrible, toy,

0:42:14.800 --> 0:42:15.640
<v Speaker 4>He's terrible.

0:42:15.760 --> 0:42:19.160
<v Speaker 2>You've got to goriam. Oh going.

0:42:20.160 --> 0:42:23.160
<v Speaker 1>Then we see Greg Jared's house, where Brandon has driven

0:42:23.200 --> 0:42:24.600
<v Speaker 1>all the way to the OC.

0:42:25.200 --> 0:42:28.960
<v Speaker 3>Which is irrelevant. He drives everywhere in like ten minutes,

0:42:29.000 --> 0:42:30.040
<v Speaker 3>so it doesn't matter.

0:42:30.600 --> 0:42:33.120
<v Speaker 1>Not that far in the right, and Greg tells him

0:42:33.160 --> 0:42:36.360
<v Speaker 1>to leave because he doesn't want to talk about anything

0:42:36.520 --> 0:42:41.280
<v Speaker 1>friendly related. Somehow he gets him to listen.

0:42:41.480 --> 0:42:48.160
<v Speaker 2>Yeah, our boy wonder convinced yes and gets the goods.

0:42:48.520 --> 0:42:50.839
<v Speaker 1>Oh my gosh. This is the scene where they're back

0:42:50.880 --> 0:42:53.560
<v Speaker 1>at the Cedars. We're back at the hospital and Jesse

0:42:53.800 --> 0:42:57.160
<v Speaker 1>and Andrea, I mean no, Peter and Andrea are making

0:42:57.320 --> 0:42:59.000
<v Speaker 1>out in the elevator, you guys, and.

0:42:59.000 --> 0:42:59.960
<v Speaker 2>The door opens in there.

0:43:00.080 --> 0:43:02.719
<v Speaker 3>It's Jesse. This is the one Amy's been waiting for.

0:43:03.280 --> 0:43:06.600
<v Speaker 2>It was a great makeout, even though I'm not happy

0:43:06.640 --> 0:43:07.000
<v Speaker 2>about it.

0:43:07.719 --> 0:43:14.560
<v Speaker 1>What are the chances zero? The chances are actually zero?

0:43:14.760 --> 0:43:15.600
<v Speaker 2>Are actually zero.

0:43:15.800 --> 0:43:18.120
<v Speaker 1>But this stuff happens to you guys in real life

0:43:18.200 --> 0:43:19.319
<v Speaker 1>on TV on TV.

0:43:20.000 --> 0:43:23.200
<v Speaker 4>Not this exactly, but just when you're like nothing like

0:43:23.280 --> 0:43:26.120
<v Speaker 4>this would ever happen, and somehow happens, it happens.

0:43:26.440 --> 0:43:30.919
<v Speaker 2>Here's my thought. Yes, Peter is too good at this, Peter,

0:43:31.040 --> 0:43:31.319
<v Speaker 2>I know.

0:43:32.120 --> 0:43:33.560
<v Speaker 3>No, don't stay.

0:43:33.760 --> 0:43:34.480
<v Speaker 2>I thought so too.

0:43:34.640 --> 0:43:37.680
<v Speaker 1>I was like, I've this smells fishy. Yes, so what

0:43:37.920 --> 0:43:38.880
<v Speaker 1>he's done this before?

0:43:38.960 --> 0:43:40.000
<v Speaker 3>How many times? Do you think?

0:43:40.480 --> 0:43:40.839
<v Speaker 1>A lot?

0:43:40.960 --> 0:43:43.320
<v Speaker 2>Because he's not happy with his wife. There's lots of

0:43:43.400 --> 0:43:47.200
<v Speaker 2>nurses and lots of young man you know who's he

0:43:47.320 --> 0:43:48.239
<v Speaker 2>is at the hospital.

0:43:48.600 --> 0:43:49.399
<v Speaker 1>Yep, yep, yep.

0:43:50.040 --> 0:43:54.680
<v Speaker 2>Totally. He is way too smooth. He was not even

0:43:55.200 --> 0:43:58.440
<v Speaker 2>taken the sideways by Jesse. It was just hey, hey,

0:43:58.560 --> 0:44:01.680
<v Speaker 2>great to see you, Andrea Man, I'd love to do dinner.

0:44:02.680 --> 0:44:08.560
<v Speaker 2>And I just was like, oh yeah yeah.

0:44:10.719 --> 0:44:15.320
<v Speaker 1>Then back to Dylan's house where they kind of have

0:44:15.560 --> 0:44:19.480
<v Speaker 1>set up like a little intervention are Kelly, Yes, and

0:44:19.600 --> 0:44:24.239
<v Speaker 1>she thinks she's coming over to get her man, Yeah,

0:44:24.400 --> 0:44:29.520
<v Speaker 1>seal the deal. She's gonna go do some Finley speak

0:44:29.640 --> 0:44:30.200
<v Speaker 1>with Dylan.

0:44:31.040 --> 0:44:33.360
<v Speaker 2>Oh Finley speak, and she.

0:44:33.400 --> 0:44:38.920
<v Speaker 1>Says, meaningful change begins with personal sacrifice. Oh gosh, and

0:44:40.120 --> 0:44:42.560
<v Speaker 1>he tells her the truth. He tells her that Finley

0:44:43.400 --> 0:44:46.680
<v Speaker 1>it would take his money if he could sleep with Kelly,

0:44:47.520 --> 0:44:49.680
<v Speaker 1>and then he calls out Brandon and Greg.

0:44:49.840 --> 0:44:52.840
<v Speaker 2>Yeah, he's like behind door number two, go on, Brandon,

0:44:53.160 --> 0:44:58.440
<v Speaker 2>come on Greg. Oh but that picture, the picture, oh,

0:44:58.520 --> 0:44:59.439
<v Speaker 2>the picture.

0:44:59.239 --> 0:45:01.880
<v Speaker 1>Of him man carrying that woman who must have been

0:45:01.920 --> 0:45:05.239
<v Speaker 1>eighty years old, definitely eighty.

0:45:05.840 --> 0:45:08.399
<v Speaker 2>The terribleness that he tried to commit suicide.

0:45:09.239 --> 0:45:11.680
<v Speaker 1>I think that was it for Kelly. Once she saw that.

0:45:11.920 --> 0:45:16.560
<v Speaker 3>Totally, she was like, oh, yeah, what have I done?

0:45:17.880 --> 0:45:21.920
<v Speaker 2>Yeah. Then I got confused because she leaves with Dylan.

0:45:22.520 --> 0:45:25.279
<v Speaker 1>H Brandon's like, I'll take you, and then she leaves

0:45:25.280 --> 0:45:28.680
<v Speaker 1>with Dylan. I didn't really weird because she's always left

0:45:28.760 --> 0:45:31.239
<v Speaker 1>with Dylan and she'll always leave with Dylan in her heart,

0:45:31.680 --> 0:45:32.319
<v Speaker 1>except at.

0:45:32.200 --> 0:45:35.440
<v Speaker 2>The end of this episode she goes with Brandon and

0:45:35.640 --> 0:45:37.120
<v Speaker 2>Dylan walks off alone.

0:45:37.719 --> 0:45:40.719
<v Speaker 1>I think that she wants to go with Dylan. Like

0:45:40.800 --> 0:45:43.680
<v Speaker 1>I feel that she wants to go with Dylan. I mean,

0:45:44.000 --> 0:45:47.480
<v Speaker 1>not just because she was brainwashed, but and then even

0:45:47.600 --> 0:45:50.120
<v Speaker 1>at the scene when they're leaving the New Evolution at

0:45:50.160 --> 0:45:53.680
<v Speaker 1>the end, YEP, I feel like she's just pulled so

0:45:53.880 --> 0:45:57.880
<v Speaker 1>strongly back to him. But goes with Brandon anyway.

0:45:58.040 --> 0:46:00.520
<v Speaker 2>I hate to say it, but her so old mate

0:46:00.640 --> 0:46:01.120
<v Speaker 2>is Dylan.

0:46:01.760 --> 0:46:03.960
<v Speaker 3>But you can have two versions of a soulmate, like.

0:46:04.480 --> 0:46:05.960
<v Speaker 2>A great poietory. True.

0:46:06.239 --> 0:46:09.800
<v Speaker 1>Yeah, I think Brandon's her soulmate on a different level.

0:46:11.000 --> 0:46:13.840
<v Speaker 1>But I think Brandon's good for her. I mean, aside

0:46:13.840 --> 0:46:15.279
<v Speaker 1>from the fact that he cheated on her and let

0:46:15.320 --> 0:46:18.799
<v Speaker 1>her burn in the house fire. But I think as

0:46:18.880 --> 0:46:22.440
<v Speaker 1>of her partner, he's he is, he's solid, he's a

0:46:22.520 --> 0:46:27.200
<v Speaker 1>good match, and he calms her in. But Dylan ignites

0:46:27.280 --> 0:46:31.840
<v Speaker 1>her in every meaningful way. It's just yeah, let's go

0:46:31.920 --> 0:46:35.440
<v Speaker 1>back to the peach bit though, because Ray apologizes to

0:46:35.600 --> 0:46:37.640
<v Speaker 1>Donna for acting like a jerk when he yelled at

0:46:37.680 --> 0:46:40.719
<v Speaker 1>her about Valerie. Not I mean, obviously he's not gonna

0:46:40.719 --> 0:46:42.800
<v Speaker 1>stick around for Valerie to come over and play scrabble.

0:46:43.239 --> 0:46:45.080
<v Speaker 2>That was so crazy too.

0:46:45.360 --> 0:46:50.640
<v Speaker 1>And of course Donna forgives him right away, which I

0:46:50.840 --> 0:46:51.239
<v Speaker 1>did not like.

0:46:51.320 --> 0:46:55.440
<v Speaker 2>See yeah, too soon she forgives him, And then there's

0:46:55.800 --> 0:46:56.680
<v Speaker 2>crazy Valerie.

0:46:56.800 --> 0:47:00.880
<v Speaker 1>There's old val How does she wind to walk in

0:47:01.160 --> 0:47:03.719
<v Speaker 1>just the right moments? Every time literally got a they

0:47:03.760 --> 0:47:09.520
<v Speaker 1>said action and they were like que gallory. I know,

0:47:09.719 --> 0:47:10.919
<v Speaker 1>but I don't think of that when.

0:47:10.840 --> 0:47:13.719
<v Speaker 2>I pretend it's real, pretending it's real.

0:47:13.920 --> 0:47:17.080
<v Speaker 1>And she and then she goes backstage. She goes backstage

0:47:17.120 --> 0:47:18.399
<v Speaker 1>and she wants to get frisky with Ray.

0:47:18.880 --> 0:47:20.040
<v Speaker 2>Oh, I forgot about that.

0:47:21.400 --> 0:47:24.560
<v Speaker 1>She's so stupid, Like she doesn't understand the word no.

0:47:25.360 --> 0:47:28.200
<v Speaker 3>She's the word no. She just wants what she wants.

0:47:28.560 --> 0:47:29.960
<v Speaker 2>And I think, Tori, this is where she sort of

0:47:30.000 --> 0:47:30.680
<v Speaker 2>does the threat.

0:47:32.200 --> 0:47:35.120
<v Speaker 1>Well right where she says, I wonder where Donna went.

0:47:35.920 --> 0:47:38.520
<v Speaker 1>She's going to go talk to her ice cream. Dad

0:47:38.760 --> 0:47:42.680
<v Speaker 1>threatened like, is she going to find you and tell you?

0:47:43.440 --> 0:47:46.480
<v Speaker 2>I mean, at some point, if you were Ray, would

0:47:46.520 --> 0:47:49.040
<v Speaker 2>you sleep with her? Or just tell Donna yourself? Hey, Donna,

0:47:49.600 --> 0:47:51.239
<v Speaker 2>I love you, but I messed up and I slept

0:47:51.280 --> 0:47:53.000
<v Speaker 2>at Valerie and now she's gone full Cray.

0:47:53.400 --> 0:47:56.440
<v Speaker 1>Okay, okay, he should because I feel like I know

0:47:56.520 --> 0:47:58.080
<v Speaker 1>you get what you guys are gonna say, Like Donna

0:47:58.120 --> 0:48:00.279
<v Speaker 1>forgets everything. But it would be the right thing to do,

0:48:00.480 --> 0:48:03.200
<v Speaker 1>and if they really had something and could move forward,

0:48:03.400 --> 0:48:04.600
<v Speaker 1>this would be the time to do it.

0:48:04.880 --> 0:48:06.319
<v Speaker 3>Yeah, to step to man up.

0:48:06.880 --> 0:48:09.440
<v Speaker 1>But she doesn't know yet that he's cheated on her. No,

0:48:09.640 --> 0:48:11.400
<v Speaker 1>but he could do the right thing though right now

0:48:11.560 --> 0:48:13.440
<v Speaker 1>and tell her he cheated on her, and then they

0:48:13.520 --> 0:48:16.480
<v Speaker 1>could make amends and move forward. And then it's Valerie

0:48:16.560 --> 0:48:18.960
<v Speaker 1>and she's turned psycho and yeah, and then Valerie does

0:48:20.040 --> 0:48:23.680
<v Speaker 1>would Yeah, well, Donna would have hopefully left his ass.

0:48:25.760 --> 0:48:29.720
<v Speaker 1>She wouldn't because Kelly's now back from the New Evolution.

0:48:29.880 --> 0:48:34.000
<v Speaker 1>She's not going to let you stand microphone down there.

0:48:34.719 --> 0:48:39.400
<v Speaker 1>I'm so palted. No, Donna get back with Ray. He

0:48:39.520 --> 0:48:42.799
<v Speaker 1>cheated on her, but I stayed, Okay, we'll talk about

0:48:42.840 --> 0:48:43.160
<v Speaker 1>that later.

0:48:43.200 --> 0:48:49.480
<v Speaker 3>If you're gonna get more mad, Ray is, so is Valerie.

0:48:50.360 --> 0:48:53.640
<v Speaker 2>It really kind of bothered me, Like I love it,

0:48:53.760 --> 0:48:54.880
<v Speaker 2>but it's bothered me.

0:48:55.480 --> 0:48:57.640
<v Speaker 1>Yeah, this episode left me with a feeling of like

0:48:58.360 --> 0:48:59.560
<v Speaker 1>unrest UNEs.

0:49:00.200 --> 0:49:01.600
<v Speaker 3>Yeah, I couldn't go to sleep after this.

0:49:01.920 --> 0:49:03.640
<v Speaker 1>I watched it the last night. I was like, like,

0:49:03.719 --> 0:49:07.239
<v Speaker 1>you're just like you're just like fired up. Yeah, but

0:49:07.320 --> 0:49:10.080
<v Speaker 1>you're supposed to be right. Andre is cheating on Jesse,

0:49:10.719 --> 0:49:14.439
<v Speaker 1>Rai's cheating on Donna. There's storms coming at you from

0:49:14.520 --> 0:49:19.280
<v Speaker 1>every angle in this. He's split in two. Brandon's heart's hurting,

0:49:19.400 --> 0:49:20.520
<v Speaker 1>Dylan's heart's hurting.

0:49:20.960 --> 0:49:22.760
<v Speaker 2>Steve is not on the show anymore.

0:49:22.840 --> 0:49:24.759
<v Speaker 1>Steve just wants to play scrabble.

0:49:25.520 --> 0:49:26.600
<v Speaker 2>I didn't even see him.

0:49:29.560 --> 0:49:31.480
<v Speaker 1>No, I swear I saw the back of his body

0:49:31.560 --> 0:49:32.200
<v Speaker 1>walk through frame.

0:49:33.680 --> 0:49:36.520
<v Speaker 2>Were Jim and Cindy in it? I don't remember that either.

0:49:36.760 --> 0:49:40.080
<v Speaker 1>No, I don't think so, you're in the cress.

0:49:41.680 --> 0:49:42.680
<v Speaker 2>That's so many characters.

0:49:43.080 --> 0:49:45.000
<v Speaker 1>There's a lot going on in this episode, so much,

0:49:45.080 --> 0:49:46.680
<v Speaker 1>so much. It was really good. You guys, what do

0:49:46.760 --> 0:49:47.360
<v Speaker 1>you give it?

0:49:47.719 --> 0:49:47.919
<v Speaker 5>Ooh?

0:49:48.920 --> 0:49:51.000
<v Speaker 1>So as a viewer, I.

0:49:51.040 --> 0:49:52.440
<v Speaker 4>Want to give it atten just because it was like

0:49:52.560 --> 0:49:55.160
<v Speaker 4>I was on the ride the entire time. But I

0:49:55.280 --> 0:49:57.160
<v Speaker 4>have to put a little bit of myself and Donna

0:49:57.200 --> 0:49:59.200
<v Speaker 4>in there, and it gave me a little PTSD on

0:49:59.280 --> 0:50:01.400
<v Speaker 4>so many levels, just like, get it me a little bit.

0:50:01.400 --> 0:50:03.000
<v Speaker 4>So I'm gonna have to go with a nine.

0:50:03.200 --> 0:50:04.240
<v Speaker 1>Nine nine nine, Okay.

0:50:05.160 --> 0:50:07.120
<v Speaker 2>I have a very similar feeling to Tori. I want

0:50:07.120 --> 0:50:08.759
<v Speaker 2>to give it a ten, but I'm gonna give it

0:50:08.760 --> 0:50:12.759
<v Speaker 2>a nine point five because I'm so upset and disturbed.

0:50:13.719 --> 0:50:16.480
<v Speaker 2>I love it, but I'm really upset.

0:50:16.960 --> 0:50:19.000
<v Speaker 1>I am in full agreement with both y'all, I'm gonna

0:50:19.000 --> 0:50:23.839
<v Speaker 1>give it a nine point six. All right, we all

0:50:23.960 --> 0:50:26.680
<v Speaker 1>really love this episode, but we all felt disturbed.

0:50:27.000 --> 0:50:30.000
<v Speaker 3>Yeah, yeah, everyone feels a little disturbed sometimes.

0:50:29.760 --> 0:50:31.640
<v Speaker 1>In a little I'm a little upset. I'm a little

0:50:32.080 --> 0:50:33.839
<v Speaker 1>like I don't want to end a show that I've

0:50:34.040 --> 0:50:37.240
<v Speaker 1>spent a whole I spent all week waiting for this episode.

0:50:37.280 --> 0:50:39.560
<v Speaker 1>You guys to watch it, just like back in the

0:50:39.680 --> 0:50:43.000
<v Speaker 1>nineties when you didn't have a DVR or those things,

0:50:43.160 --> 0:50:45.279
<v Speaker 1>or it was only on at one time during the

0:50:45.320 --> 0:50:47.719
<v Speaker 1>week and you had to wait. I waited all week. Yeah,

0:50:48.080 --> 0:50:50.080
<v Speaker 1>and then I felt I feel like this after I

0:50:50.200 --> 0:50:51.040
<v Speaker 1>watch it, and I don't.

0:50:51.200 --> 0:50:54.040
<v Speaker 4>I'm I don't feel good even should you wait another

0:50:54.120 --> 0:50:55.399
<v Speaker 4>week to watch another one?

0:50:55.680 --> 0:51:00.560
<v Speaker 1>I'm gonna feel shitty all week and this unrest side.

0:51:00.320 --> 0:51:03.600
<v Speaker 4>Of me unrest. But you can't wait for the next episode?

0:51:03.760 --> 0:51:05.160
<v Speaker 4>Rates that's two?

0:51:06.200 --> 0:51:07.880
<v Speaker 2>No, David was David in this?

0:51:08.760 --> 0:51:09.080
<v Speaker 1>Nope?

0:51:09.600 --> 0:51:15.160
<v Speaker 2>Oh? Shoot crazy one to four main characters.

0:51:14.760 --> 0:51:17.200
<v Speaker 3>Not even in this next episode?

0:51:17.320 --> 0:51:23.280
<v Speaker 1>Season five, episode twenty two, Alone at the top All that's.

0:51:23.120 --> 0:51:23.759
<v Speaker 3>Gonna be hard.

0:51:25.360 --> 0:51:28.560
<v Speaker 4>See your stomach's all unrest just so you could be

0:51:28.680 --> 0:51:29.480
<v Speaker 4>alone at the top.

0:51:29.600 --> 0:51:30.680
<v Speaker 3>That's not a good feeling either.

0:51:30.840 --> 0:51:32.680
<v Speaker 1>Who's alone at the top? I don't know yet.

0:51:33.120 --> 0:51:35.360
<v Speaker 3>Oh my god, I can't wait to see this.

0:51:36.040 --> 0:51:38.479
<v Speaker 1>That's too much for me. Who couldn't be Who could

0:51:38.520 --> 0:51:42.200
<v Speaker 1>it be that's alone at the top? Dylan Ray. Ray's

0:51:42.239 --> 0:51:43.440
<v Speaker 1>at the top of his career.

0:51:43.560 --> 0:51:44.280
<v Speaker 2>He's at the peak.

0:51:45.719 --> 0:51:47.320
<v Speaker 1>No that we'll get to see it, but you know,

0:51:49.360 --> 0:51:52.320
<v Speaker 1>I don't know. We'll find out. We'll see now. It

0:51:52.600 --> 0:51:57.839
<v Speaker 1>is never ending, first of all, true and very good.

0:51:58.000 --> 0:51:59.640
<v Speaker 1>We're getting to the part where I was like, you, guys,

0:51:59.680 --> 0:52:01.839
<v Speaker 1>I feel like I liked season five.

0:52:02.000 --> 0:52:04.400
<v Speaker 3>This is this is where they're starting.

0:52:04.120 --> 0:52:08.360
<v Speaker 1>To get It's yeah, okay, I believe you. Well, I

0:52:08.440 --> 0:52:10.360
<v Speaker 1>guess on that note, we all have to sit on

0:52:10.560 --> 0:52:12.680
<v Speaker 1>pins and needles and wait until next week to find

0:52:12.680 --> 0:52:15.520
<v Speaker 1>out who's at the top. Well, I won't be possessive

0:52:15.560 --> 0:52:18.880
<v Speaker 1>and say goodbye first, so you guys go ahead, okay,

0:52:20.280 --> 0:52:21.399
<v Speaker 1>bye bye us