Speaker 1: It's nine O Genegen with Jenny Garth and Tory Spelling. Well,
Speaker 1: this is weird, guys. We are recapping stormy weather today
Speaker 1: and it's raining.
Speaker 2: It's like dumping. So when we taped this, it's dumping
Speaker 2: rain in La. But I'm in the sun. It's lucky.
Speaker 2: Now we actually like we like the rain. But it's
Speaker 2: so crazy week.
Speaker 1: I know, we keep saying it like you guys, we're
Speaker 1: so on.
Speaker 3: Point, but we're really like on points.
Speaker 1: It's like we've like melded into storylines. If Beverly Hills
Speaker 1: nine O two and O.
Speaker 2: Why do you think they love making it rain in
Speaker 2: Beverly Hills?
Speaker 1: When is it actually never dies? But it's so beautiful,
Speaker 1: you guys, when it rains really is in La, it's beautiful.
Speaker 1: Nobody people can't drive, No, they.
Speaker 2: Can't even leave their houses.
Speaker 1: You can sustain itself here because we're going to school.
Speaker 3: I'm like, it's rain.
Speaker 1: My daughter's school got made. They do it remotely because
Speaker 1: of the rain today.
Speaker 2: Yeah, I know a lot of sun.
Speaker 1: You believe that it's raining people.
Speaker 4: That would have been helpful to me, I know, but
Speaker 4: yeah no, it was like just keep showing up and
Speaker 4: I had to be like, this is normal. Of course
Speaker 4: you're supposed to just go and I was like, right,
Speaker 4: it's just rain.
Speaker 1: I don't understand it. But I was happy because I
Speaker 1: have a you know, my daughter drives herself to school,
Speaker 1: so I was happy she didn't have to get on
Speaker 1: the freeways because they are flooded.
Speaker 2: I don't want to be a negator, but the rain
Speaker 2: on I know two one oh is it? First of all,
Speaker 2: it's way too heavy when you guys come out of
Speaker 2: the peach pit. And then I know we'll get to it.
Speaker 2: But there's a scene where you're like, oh, it's raining,
Speaker 2: yet there was no rain.
Speaker 1: So true, it was such a little story to notice
Speaker 1: that so sucked into this story. You guys, we're talking
Speaker 1: about season five, episode twenty one, Stormy Weather, and aired
Speaker 1: February fifteenth, nineteen ninety five.
Speaker 4: Synopsis Heavy rain in La can't extinguish Valeries lust for
Speaker 4: Ray prove it even after he shows his violent tendencies.
Speaker 4: Donna gets mister it yet again.
Speaker 3: Shocker. Dylan beats Finley.
Speaker 4: At his own game, while Brandon finds a Findley survivor
Speaker 4: to help his cause. When Kelly finally.
Speaker 1: Sees the light, Dylan sees he has lost her to
Speaker 1: Brandon and bows out gracefully.
Speaker 3: Don't go away, mad, Actually, don't go at all.
Speaker 1: Don't go away? No, please, Yeah, this is a good episode. Yes,
Speaker 1: Oh my god.
Speaker 2: They really like it when we go through scene by
Speaker 2: scene in order. So, Jenny, how do you feel about
Speaker 2: being our leader? Wait?
Speaker 1: They like it. They really like it.
Speaker 2: They do.
Speaker 3: Oh it's a proven there you go.
Speaker 1: We're here to please, so well do it that way again,
Speaker 1: you guys. This episode, I will say, was directed by
Speaker 1: Bethany or Rooney, written by Larry Mullin, and starring us.
Speaker 1: Oh yeah, I'm staring us, just us.
Speaker 2: That's all.
Speaker 1: Okay, so let's start. Let's just start. Should we do
Speaker 1: it trivia again? Or should we talk about some some
Speaker 1: vocabulary words from Finley?
Speaker 3: Yeah?
Speaker 2: Do you have trivia?
Speaker 1: I have trivia? I have Yeah, I'd like a little here. Okay,
Speaker 1: all right, we'll start with one trivia then, okay.
Speaker 3: Trivia, a little bit of both, a little bit of both.
Speaker 1: Let's do trivia first. Caroline McWilliams, who played leu Anne Pruett,
Speaker 1: was married to Michael Keaton. You guys, I didn't know that.
Speaker 2: Wait that that's her. That's this the mom of Michael
Speaker 2: Keaton's kid.
Speaker 1: Yeah, wow, isn't that exciting?
Speaker 3: Wow? I love Michael Keaton.
Speaker 1: In a bit of confusing trivia, Yes.
Speaker 2: His name is Michael Douglas. So when she was she
Speaker 2: was actually married to Yeah, so the kid's last name
Speaker 2: is Douglas because Michael Keaton's last name is Douglas. But
Speaker 2: obviously he couldn't be Michael Douglas because there was.
Speaker 3: Oh wait, where does Gooven come from?
Speaker 2: This had to just make it up because that's so
Speaker 2: Michael Douglas was taken.
Speaker 1: I didn't note this.
Speaker 2: No, I liked that, and they got divorced slightly before this,
Speaker 2: just five years earlier. They got divorced in nineteen ninety.
Speaker 1: Because he knew she was going to play Luayne Pruett. Oh,
Speaker 1: nobody likes Louis and Prue.
Speaker 3: Close to Michael Keton. We didn't even know she's good.
Speaker 2: I mean she passed away, but you see her in
Speaker 2: a lot of things.
Speaker 1: Yeah, good actress. Okay, let's let's do a findlayus my god,
Speaker 1: wait really fast, Yes.
Speaker 2: I forgot that. Michael Keaton also dated Courtney Cox.
Speaker 3: Oh, yes he did.
Speaker 1: Michael Keat came back to me dated Courtney when at.
Speaker 4: This time for a long time, ninety to ninety five,
Speaker 4: it was like shocking to people because what was.
Speaker 1: The because he was older.
Speaker 4: Yeah, but like people are like, oh, I know he's
Speaker 4: not home older twenty years old, maybe twenty years that's
Speaker 4: like nothing.
Speaker 2: But they were cute, Like I forgot about that.
Speaker 1: Oh I do not remember that either, I do.
Speaker 2: Oh my god, yes, look remember that now? Sure do
Speaker 2: I do too? Whoa? He's my favorite batman anyway, the same.
Speaker 1: Yeah, I love him, mister mom batman.
Speaker 2: See there's something kind of sexy about him. Like look
Speaker 2: how cool they were.
Speaker 4: Yeah, they were any hot that takes us? Okay, finlaysm
Speaker 4: which one? Oh, okay, which one you want? Well, we
Speaker 4: already know extern, we know negator. Extern is somebody outside
Speaker 4: the circle, right, or people that don't have a clue.
Speaker 4: A negator is someone who denies or goes against Finley's teachings.
Speaker 3: Really like the word voyager.
Speaker 1: Voyager, ooh, those are people on the new evolution journey.
Speaker 1: What about that you?
Speaker 2: Well, I couldn't quite understand what they were saying. Malletting, maleetting,
Speaker 2: Oh my god.
Speaker 5: It was a.
Speaker 1: Wedding for two people entering the new millennium together. Yeah,
Speaker 1: but I also think it could stand for a millennial
Speaker 1: and a wedding.
Speaker 2: That's what I thought.
Speaker 1: But they didn't know millennial then that wasn't like something.
Speaker 1: They didn't refer to younger people as a millennial because
Speaker 1: a millennial marrying a boomer.
Speaker 4: So again, we were cutting edge milletting, but there wasn't
Speaker 4: Millennials weren't even a think yet.
Speaker 2: I don't want to jump ahead, but when that guy
Speaker 2: whips out the picture of the college kid with the
Speaker 2: grandma wedding, I was like, oh my gosh.
Speaker 3: Guess what you just jumped ahead.
Speaker 1: Yeah, you did this thing that you always do. Okay,
Speaker 1: go ahead. Episode is starts in the beach pit with
Speaker 1: our three favorite gals, Donna, Claire, and Kelly, and it's
Speaker 1: getting a little tense between the ladies kill against one
Speaker 1: drop out.
Speaker 2: Of school or the sorority. No, she's just dropping out
Speaker 2: of the alpha.
Speaker 1: House around and her friend group. Basically, Donna and Claire
Speaker 1: are trying to get her to reason with them. But
Speaker 1: before anything happens, Dylan, who's been lingering over there in
Speaker 1: a turtleneck looking hot in a turtleneck, J and I
Speaker 1: hate turtlenecks on men.
Speaker 2: I don't because he looked great.
Speaker 1: I mean, he can't not look good, but like, it
Speaker 1: just doesn't feel very Dylan to be wearing a turtleneck.
Speaker 1: I'm just I'm sorry.
Speaker 2: And then he's got his fringe coat raincoat sort of
Speaker 2: Berbery style.
Speaker 4: You know, I'm not liking any of the s wardrobe
Speaker 4: from here on out that he wears, so it's just
Speaker 4: really takes me out of the Dylan moment.
Speaker 1: I'm the saying, okay, but Brandon's waiting outside for Dylan,
Speaker 1: because Brandon has put Dylan up to all of this
Speaker 1: to go and beat in kahoots and try to save
Speaker 1: Kelly from Professor Finley.
Speaker 2: Right, yeah, can you explain to me though, how Kelly
Speaker 2: doesn't see the Mustang clearly there?
Speaker 1: This whole storyline is crazy. I don't know.
Speaker 2: I just go with it.
Speaker 1: Yeah, it's raining really hard. I guess it's raining so
Speaker 1: hard that me Jenny wouldn't go out and shoot in
Speaker 1: the rain because that wasn't me, you guys, No, that
Speaker 1: was somebody in a blonde wig.
Speaker 2: Are you serious?
Speaker 4: Oh?
Speaker 1: Dead serious? Wait?
Speaker 2: Was it real rain?
Speaker 3: We know it wasn't you. Not wanting to do it.
Speaker 1: They just were trying to say, wait, I will not
Speaker 1: go in the rain.
Speaker 2: Was it fake rain?
Speaker 1: No, that's real rain. It's just like from a rain
Speaker 1: bar they put up over head water rain.
Speaker 2: It's real water.
Speaker 1: It's real rain. When waterfall out of the sky, it's rain.
Speaker 2: Do you remember that that isn't you? Or can you
Speaker 2: tell that.
Speaker 1: That it can tell that's not me?
Speaker 2: Was it Luke?
Speaker 1: Yeah? It was Luke.
Speaker 3: Oh, I was like Luke and a blonde wig.
Speaker 1: No, it was Luke with somebody else.
Speaker 2: Would that be considered rude that you're like, Luke, you
Speaker 2: do it. I'm not gonna go do it.
Speaker 1: I mean, yeah, that would have been considered rude. But
Speaker 1: I'm sure that's not how it happened. So they were like,
Speaker 1: sure it was a production thing. Like I was in
Speaker 1: the makeup trailer getting my burn up.
Speaker 2: Yeah, you're daily in.
Speaker 1: The scene like they're the tanker they need to win. Yeah,
Speaker 1: she leaves. But I looked like a little bit like
Speaker 1: it reminded me of the Crown with a resist Diana wig.
Speaker 2: On back and watch to see if I can tell
Speaker 2: it's not you.
Speaker 1: You'll be able to tell.
Speaker 3: I feel like, do you think they gave you approval
Speaker 3: of that wing though.
Speaker 4: Like like walk by while you're in the making, they're like,
Speaker 4: is this okay?
Speaker 1: And you're like, okay, sure, no, and you're like, I
Speaker 1: had nothing to say about that.
Speaker 2: Wow, what Well if.
Speaker 4: They had asked me, I would have said no, because one,
Speaker 4: I'm almost not on board with this hair to begin with,
Speaker 4: and no, I'm not approving that way.
Speaker 1: No, we would have never really good. Then we go
Speaker 1: to Valerie's hotel room where she's we think somebody's having
Speaker 1: a romantic breakfast for two. It was it you guys.
Speaker 3: It was like, pretty woman, Is that what they were
Speaker 3: trying to do?
Speaker 1: Like, like, I was so excited. It looks so nice.
Speaker 3: It was visually beautiful. I was in there in the moment.
Speaker 1: And then all of a sudden, Oh mfg, I forgot
Speaker 1: all about Ray being writing words.
Speaker 3: I'm like, okay, I'm okay.
Speaker 2: First of all, the table, the pink table. I was like,
Speaker 2: what is this?
Speaker 3: That's what I mean. It's all laid out, it's suposed
Speaker 3: to be so like.
Speaker 2: It was a little cheesy with their pink table.
Speaker 1: But then it was nineteen ninety five. It's very scene,
Speaker 1: so unhinged on so many levels.
Speaker 2: Talk about it. Uh huh.
Speaker 1: I had completely forgotten that they were doing this until.
Speaker 2: What I did not. I didn't forget any second.
Speaker 4: Take all my men whatever, And then I really felt
Speaker 4: I felt a little gutted in the scene. You guys like,
Speaker 4: I'm yeah, I'm gonna hear it. Not really, I don't care.
Speaker 2: She's terrible, you guys.
Speaker 1: She's terrible and Calorie terrible. He does a great job, right,
Speaker 1: prove it officially.
Speaker 2: The scene was so terrible.
Speaker 3: She's somebody who cares about.
Speaker 1: Me.
Speaker 2: It's so bad. She's so smiley, he's so weird and
Speaker 2: such a lying.
Speaker 4: The most mad is she like basically threatens, like if
Speaker 4: you don't stand at breakfast with me, like I'm gonna
Speaker 4: tell Donna.
Speaker 3: And then she laid it on that she wanted and like, oh.
Speaker 1: That's my favorite breakfast you.
Speaker 2: You two. I'm a breakfast person. So then I couldn't
Speaker 2: really be mad. She calls you miss goody two shoes.
Speaker 1: Wait wait, you couldn't be mad because she wanted eggs beededict.
Speaker 4: No, I couldn't be mad because it got me all
Speaker 4: hungry and I was excited, and I remember.
Speaker 1: The taste like the holiday sauce, and I was like, well,
Speaker 1: I did let it go.
Speaker 2: Ray looked.
Speaker 1: I did kind of get a little when Ray flipped
Speaker 1: the table. I like that.
Speaker 4: I like, oh, I like my best friend just got
Speaker 4: a little over like my boyfriend.
Speaker 1: See that feels okay to me.
Speaker 4: Like that, I'm excited about no mystery.
Speaker 3: I don't think messed up.
Speaker 2: So just break it down, because I was like taking
Speaker 2: this for at face value, like going, okay, she is
Speaker 2: a two timing backstabbing Meani right, she's Meani, miss me
Speaker 2: t shoes like me too. Ray is a jerk. So
Speaker 2: Ray just slept with her, which okay, pretend he is
Speaker 2: just cheating on you. He's still like, should stay for breakfast.
Speaker 2: She's gonna be nice about it. Flipping the table was insane.
Speaker 1: I liked it.
Speaker 3: I liked it too. That was the part of the
Speaker 3: scene I liked after the.
Speaker 2: Exp but it was so like, yes, I get it,
Speaker 2: she's she's totally annoying and crazy. It seemed level ten,
Speaker 2: Like just leave, bro, just leave and just say you
Speaker 2: know what, I apologize. I made a mistake. I never
Speaker 2: should have done this. I'm out.
Speaker 3: He's along with the line.
Speaker 4: What's the end of the scene. Breakfast is served? Like
Speaker 4: you have to punctuate that, so.
Speaker 3: It had to be done.
Speaker 1: Yeah, he was, so he is so that double layer
Speaker 1: the T shirts.
Speaker 2: Oh you gouys, it's terrible.
Speaker 1: Look we like bad boys, it's clear, yeah, but you
Speaker 1: and I.
Speaker 2: And it's just like his response was level ten when
Speaker 2: her annoyingness was like level two.
Speaker 1: She's not two or two maybe like a sick.
Speaker 2: Why is he sleeping with her? Like, knock it off
Speaker 2: right and all?
Speaker 1: He can't get any loving from his lady, so he's
Speaker 1: doing what his mama told him.
Speaker 2: I know that that was bad too. M hm.
Speaker 1: On, we go on, we go really fast.
Speaker 2: There's so many people out there that love Valerie. I
Speaker 2: just need to know why? Why do people love her
Speaker 2: up to this point? She's mean because she's cute.
Speaker 1: She's really cute, and she's like like there's that little
Speaker 1: wicked you like that little wicked devilish like you and
Speaker 1: I like the bad boys. There's people out there that
Speaker 1: like the bad girls.
Speaker 2: I love to hate her, Winkle.
Speaker 1: Yes, that's what it is. Okay, I am curious.
Speaker 3: You're right.
Speaker 4: I mean, like after this moment and he's now cheated
Speaker 4: on Donna and she's talked about Donna.
Speaker 2: This way.
Speaker 3: How will they feel about Valeria. I don't think they're
Speaker 3: going to not like her?
Speaker 2: What about the car? I know we're not quite there yet.
Speaker 1: No, we're not there yet, so you have to hold
Speaker 1: your beans. We're going to go to the hospital now. Amy,
Speaker 1: I'm sorry to break it to you.
Speaker 2: It's okay. I like it.
Speaker 1: You like the storyline too?
Speaker 2: Okay, terrible, but I like it.
Speaker 1: Andrea is going for a job interview that I think
Speaker 1: Peter doctor, I mean, sorry, what is he doctor?
Speaker 2: He's a residence a time doctor.
Speaker 1: Peter Tucker is going to get her the job, right
Speaker 1: because he's excited to have her at the hospital so
Speaker 1: he can see her every day. Yeah, he's so so
Speaker 1: flirty and sassy and I like it too.
Speaker 2: They're flirting is cute. It's so wrong, but it's cute.
Speaker 3: Their chemistry is good.
Speaker 2: Good call Tory. Yes, it is so.
Speaker 1: Yeah, it doesn't happen very often, but it's good.
Speaker 2: Yeah.
Speaker 1: Then up Brando. Brando goes to Chancellor Arnold's to get
Speaker 1: help with Kelly right in his calliny office. Oh right,
Speaker 1: he's got a leak.
Speaker 2: He needs some pump. Did you hear him say, do
Speaker 2: you have a some pump?
Speaker 1: Yeah? Because everybody has one of those.
Speaker 2: I know what it is.
Speaker 1: Last night I had to get one. You guys both
Speaker 1: had to get some pumps.
Speaker 2: I luckily didn't have to do last night, but I
Speaker 2: knew what it was.
Speaker 4: I'll never forget what it is now, no gosh. And
Speaker 4: then I watched this episode and it's there again.
Speaker 1: It was just like you're like, yep, life art art life,
Speaker 1: and then there's But Chancellor Arnold says he cannot give
Speaker 1: Brandon any confidential confidential information about Professor Finley and that
Speaker 1: there's nothing he can do for him. However, he is
Speaker 1: willing to step outside. Well, Brandon sneaks a peak.
Speaker 2: That wasn't quite yet.
Speaker 5: But fine, wait, but what's the there's a word that wait,
Speaker 5: there's a word called prosthelyte, prosthlyizing, prostolytizing, prostest it's a prostate.
Speaker 2: It's some kind of from prostitute. What it's a it's
Speaker 2: a word but from prostitute.
Speaker 1: Or does it mean prost like pros like you know
Speaker 1: in church they give a sermon and they're given the.
Speaker 2: Oh oh you're right, Oh my gosh, Jenny. It is
Speaker 2: to convert or attempt to convert from one religion, belief
Speaker 2: or opinion to another.
Speaker 1: What's the word prosely I can't say it. It's prostolizing.
Speaker 2: So I was completely wrong.
Speaker 1: And Jenny, when they said that, I was like, whoa,
Speaker 1: they're doing that on campus.
Speaker 2: I thought it was prostituting. But it's not.
Speaker 1: A prostate problem, so they're anoscolotize.
Speaker 2: Proselytize.
Speaker 3: That's a hard word to say.
Speaker 2: Wow, I couldn't have been more wrong, never saying again proselytized.
Speaker 1: There's no But I actually knew the definition of a
Speaker 1: word that she didn't.
Speaker 2: I am p r O c l Y T.
Speaker 1: I Baby, I was wrong hair for you.
Speaker 3: I mean, I'm just sitting here in between you guys going.
Speaker 2: My college years, did nothing and your.
Speaker 3: And she nailed.
Speaker 1: Sorry, you know what, Amy I am. I'm not book smart,
Speaker 1: I'm street smart.
Speaker 2: I bow down.
Speaker 3: I was just a pretty face with hair, not.
Speaker 2: Just a pretty face.
Speaker 1: Well done, professor, Yes, thank you, thank you so much.
Speaker 1: Now we're going to go to the New Evolution headquarters.
Speaker 1: I love when we go there. It's very yeah, it's
Speaker 1: very like. It convinces me that something is going down.
Speaker 2: Agree, very like Hogwarts.
Speaker 1: Good set for a sketchy good set, yeah, and real,
Speaker 1: like you can tell this is a big, real house. Yes,
Speaker 1: So Kelly takes Dylan there to meet Professor Finley in a.
Speaker 4: Suit, in an ill fitting suit. I'm not happy with
Speaker 4: the Dylan suit.
Speaker 2: I like the ruse though. I like the whole thing.
Speaker 1: I like it too.
Speaker 2: I like that we're kind of it's a setup, but
Speaker 2: Dylan's very good at it, open mindness. I'm enjoying their connecting.
Speaker 2: Although crystals, wait, say.
Speaker 1: That again, I like to talk of MAUI yeah, right, I.
Speaker 2: Have questions about them at the end, but for now,
Speaker 2: I enjoyed their kiss. I enjoyed it all.
Speaker 1: Well, this is the part where we really see Dylan
Speaker 1: putting it on, right, But I didn't know he was
Speaker 1: putting it on as an audience, like a little bit
Speaker 1: maybe great, but I kind of was like, oh, he's
Speaker 1: there to support Kelly, and.
Speaker 4: I think he's open in the same way I was
Speaker 4: drawing into that, like, yeah, so it's kind of both though, right, I.
Speaker 1: Looked a little puffy in this scene. I will say
Speaker 1: I did not notice that he neither. I was like,
Speaker 1: either I'm sicked that day and I wasn't feeling well,
Speaker 1: or that's what I look like when I get brainwashed.
Speaker 2: You do have a scene later where you look extraordinarily pretty.
Speaker 2: I have to It'll come back to me when I
Speaker 2: see it. There's like a big close up on you.
Speaker 2: That being said, I think Dylan went because Randon's like, bro,
Speaker 2: this is bad. But I don't think he's going in
Speaker 2: hot like this is bad. I gotta drag her.
Speaker 1: Out like he's like, no, he's like going in undercover.
Speaker 2: I'm gonna see what's happening here.
Speaker 1: He's slipping into Professor Finley's d MS.
Speaker 2: Kind of Yeah, he learned a lot from Jonesy, so
Speaker 2: he's using.
Speaker 1: All that's true true wi okay, so pop up from
Speaker 1: under the desk. But now we go to Andrea's house,
Speaker 1: where we see baby Hannah, who looks nothing like Jesse.
Speaker 2: At all.
Speaker 1: That baby does not look like their baby. I'm sorry,
Speaker 1: rod twist it's Brandon's.
Speaker 2: That would have been really juicy, imagine.
Speaker 1: But Jesse doubles down on the fact that he really
Speaker 1: likes Peter and his wife and he wants to invite
Speaker 1: them over for dinner. So awkward award yikes. Did we
Speaker 1: go to Dylan's house?
Speaker 2: Oh yeah? By the fire?
Speaker 1: Oh yeah, because I didn't know where they were at first,
Speaker 1: Like I didn't recognize that set.
Speaker 2: Dylan or were they at the Finley mansion?
Speaker 1: They were at Dylan's. Oh wow, it wasn't It's like
Speaker 1: a part of Dylan's.
Speaker 2: Because the.
Speaker 1: Phone rings and she invites Dylan to the malletting and.
Speaker 2: He's not interested. Someone's trying to sell him magazines, but
Speaker 2: it's Brandon. Yeah, the malletting.
Speaker 3: You guys are going fast.
Speaker 1: It's a big deal. The malletting. This is a Yeah.
Speaker 1: We find out that this is a young woman that
Speaker 1: Finley has set up to marry an older money bags guy.
Speaker 2: Gross. So gross sketchy dot com. Yeah, speaking of sketchy,
Speaker 2: the next scene go.
Speaker 1: Ahead, Jenny outside the peach pit after dark word Ray
Speaker 1: and Donna are making out in his truck.
Speaker 2: Uh. Yeah, it is so sketchy.
Speaker 1: I wrote down, OMG, I hate you Ray Pruett, You're
Speaker 1: a liar.
Speaker 2: Yeah, but I was like Valerie with the crazy face.
Speaker 1: Like that, Why would she park like that behind his car,
Speaker 1: like basically blocking his so weirdy they're crazy, and poor
Speaker 1: Donna is just.
Speaker 3: Know she's so in love.
Speaker 1: We want to shaker.
Speaker 2: Yeah, it was worse if we had a name.
Speaker 1: Who's worse Valerie or Ray? Say you or Donna at
Speaker 1: this point in your life at this time? No, it
Speaker 1: was so confused. I wasn't sure at this moment, Ray,
Speaker 1: because he's lying to Donna's face.
Speaker 2: True, okay, fair, fair, she we expect nothing of Valerie.
Speaker 1: No, yeah, true, we want to like this guy because
Speaker 1: Donna likes him. Wait, do I get to stay on mess?
Speaker 2: Yeah?
Speaker 1: You think? I mean you could say something? Ask me
Speaker 1: the question again, who's worse at this moment? Ray or
Speaker 1: val Okay, it's not worse. Worse at what like that
Speaker 1: could be being a human being?
Speaker 4: Ooh, existing, I mean Valerie's not hurting anyone. She had
Speaker 4: no investment in Donna. It's not her problem.
Speaker 2: Like she's just doing.
Speaker 1: She's not hurting anyone. She's hurting everyone, but she doesn't
Speaker 1: she she has stakes in it. She is no no
Speaker 1: emotional steaks in anyone. She's doing what's right for her.
Speaker 4: She's going way below the belt, is the thing anymore?
Speaker 4: Or of the belt are all around the belt?
Speaker 3: But you know, I don't know. Yeah, I guess Ray? Fine?
Speaker 1: Oh nice, you actually saw yeah pretty terrible?
Speaker 2: Yeah, No, Ray, because I don't even like Ray from
Speaker 2: the Breakfast Flip. Pretend there was no Donna, or pretend
Speaker 2: Donna's some random we don't even care about.
Speaker 1: I don't like Ray at all. I don't like Ray.
Speaker 1: I don't like Bray and his little whiny want to
Speaker 1: Donna all the time about what he wants, what he
Speaker 1: doesn't want.
Speaker 3: Sing it all on the show back his performance in
Speaker 3: him slightly.
Speaker 1: Not like thatble So it's like, oh, yeah, but what
Speaker 1: would be watching him sing at the peach pit after
Speaker 1: dark make me like him? You liking musicians so amazing? Yeah,
Speaker 1: you're right, Oh my god, that's so funny. I was.
Speaker 1: Jason sent me a text the other day that he
Speaker 1: was said, I've met the Nashville Airport and I saw
Speaker 1: this and it made me think of you want me
Speaker 1: to pick you up? One? And it was a te
Speaker 1: shirt that said DIBs on the drummer.
Speaker 3: That's good funny, right.
Speaker 1: I like musicians, but anymore, I mean I used to. Yeah, yeah,
Speaker 1: this seems pretty heart wrenching.
Speaker 4: To watch everyone else musician my entire life except on
Speaker 4: TV except for rayp rut.
Speaker 1: He was the one and only and look what he
Speaker 1: did to you, I know, So yeah, yep.
Speaker 2: Then we go.
Speaker 1: Yep, we're at the Miletting. It's a very beautiful ceremony.
Speaker 1: Dylan's there with Killy killing Dylan and Chilly well they're
Speaker 1: killing her softly basically, yeah, Kelly. And that's where Dylan
Speaker 1: finds out that the elderly man Mason that is getting
Speaker 1: married to the young gal, he is going to sell
Speaker 1: his house to give that money to the new evolution.
Speaker 2: So crazy?
Speaker 1: How much you think that is? Like couple mill No,
Speaker 1: three hundred thousand.
Speaker 3: I was gonna say fifty. I don't know. I don't
Speaker 3: feel like.
Speaker 2: It's I don't think he was a millionaire.
Speaker 1: Well that is a pretty nice house, you guys, what
Speaker 1: those are? Maybe have to get the crisis the house there,
Speaker 1: he's going to sell that house and donate that money.
Speaker 2: Oh a million? I do think it. Then?
Speaker 3: Oh, I was thinking answers in.
Speaker 2: Some house in Studio City. I don't know. No. I
Speaker 2: like this scene where they're kind of talking and there
Speaker 2: is this where we have the kiss. Where do we
Speaker 2: but be outside?
Speaker 1: I think we have the kiss outside?
Speaker 2: Yeah, okay, so I think there's an Andrea. Sorry, oh
Speaker 2: my god, there's an Andrea.
Speaker 3: Wow. That was a real creamy pause.
Speaker 1: Would you like us to edit that or would you.
Speaker 2: Like let it be left in?
Speaker 1: You would?
Speaker 2: Wow? That was and kiss? I think then we go back,
Speaker 2: so go for it. Talk to me about all the kisses.
Speaker 1: Well, did you I did notice a little but in
Speaker 1: this scene that I didn't see any burn glue on
Speaker 1: Kelly's neck. We were shooting like right over her shoulders,
Speaker 1: and my neck was pure as the driven snow.
Speaker 2: Like it used to be. Burn consistency is not always
Speaker 2: accurate because the burn comes and goes like the wind.
Speaker 1: I think too, Yeah, Diana Valentine, Diane Valentine, Oh our
Speaker 1: continuity later, Yeah, she never missed a thing. That's interesting.
Speaker 1: Was she there then in that season? I think so, Yeah,
Speaker 1: she was always there. But you know what they used
Speaker 1: for that? When I say the neck glue, because that's
Speaker 1: what they used to put on my neck, rubber cement. No,
Speaker 1: like rub it around and then paint a makeup over it. Wait,
Speaker 1: it was like a rubber prosthetic and then they made.
Speaker 2: It make a look. It was literally ball that we
Speaker 2: all made in sixth grade.
Speaker 3: Yeah, shut up, and then you use.
Speaker 1: Spread it on your head and then like rub it
Speaker 1: and make a book on it.
Speaker 4: Because it was glue, but then it wasn't glue, like
Speaker 4: one kid in the corner that was eating it and
Speaker 4: you were.
Speaker 3: Like, oh god, far glue.
Speaker 2: That's Stuff's going to be a problem from that. But
Speaker 2: rubber cement, when we got to rubber cement from the
Speaker 2: White Elmers, that was life changing because you could you
Speaker 2: could really go out, you didn't have to be so
Speaker 2: perfect about it, and then you could rub it off
Speaker 2: the over.
Speaker 1: Oh yeah, you're glue overage. Yeah. So yeah, there's that.
Speaker 1: And then they kiss in the non rain.
Speaker 2: Right, but they oh, it's so beautiful in the rain.
Speaker 2: But I like that kiss. I mean, I don't know
Speaker 2: who I like you with more both.
Speaker 1: I know, I don't know who I like Kelly with
Speaker 1: more either. And that's the hardest part. It's because people
Speaker 1: for the rest of my life will ask me which
Speaker 1: one was it, Kelly, Dylan or Brandon.
Speaker 2: Both splitter into Like they said, a splitter into.
Speaker 1: It sounds gross, But yeah, so Dylan and Kelly kiss,
Speaker 1: which is a pretty big plot twist there. Yeah. Then
Speaker 1: we go back and we see Andrea, who all of
Speaker 1: a sudden has a conscience.
Speaker 3: Why start now?
Speaker 2: But I was rising in the elevator. Was this kissing
Speaker 2: in the elevator scene and then the door opens into Chelsey.
Speaker 1: No, this is when they're in the she's got started
Speaker 1: her job and he comes in there and he doesn't
Speaker 1: even shut the door all the way right.
Speaker 4: Sorry, the elevator's later, so she doesn't like that he's
Speaker 4: getting messy with it. I just didn't understand she didn't care, Like, no,
Speaker 4: she cares all of a sudden.
Speaker 1: Maybe it's because it's like interfering with her work.
Speaker 4: Of a type personality and HER's coming out it's like
Speaker 4: a working now, okay, personal didn't matter.
Speaker 2: And now she's kissing the doctor.
Speaker 1: It's so cliche and right in front of the window
Speaker 1: with the weird little cutouts so you can see right
Speaker 1: through it. I'm not comfortable with his hair.
Speaker 2: That makes him so cute though.
Speaker 1: It's his hair and its dimples.
Speaker 2: Yeah, maybe I like the.
Speaker 3: Hair, like long hairs.
Speaker 2: Yeah, it's gonna get bad for them.
Speaker 3: Start back and watch.
Speaker 1: Now we're gonna go to Rai's mom's house smoking while
Speaker 1: she vacuums. Well, because who doesn't totally her hoss was
Speaker 1: a mess. What do you think that was on the
Speaker 1: floor When.
Speaker 2: She says it's a dump, She's all a nice place.
Speaker 1: That says nice place. It's a dump. I mean, I
Speaker 1: mean I looked very comfortable. It's feel comfortable there watching it, right,
Speaker 1: I felt comfortable.
Speaker 2: I did not.
Speaker 1: I wanted to help her clean it a little bit.
Speaker 2: I felt nervous about that rug that it hasn't been
Speaker 2: shampooed in a while.
Speaker 1: Mm hmmm.
Speaker 2: Probably smells so smoky. She smokes a lot. I can't tell.
Speaker 2: She was kind of going to go outside to smoke.
Speaker 1: But like, Na, how did Valerie find out where Ray lives?
Speaker 4: She can find out anything, you guys. This is great,
Speaker 4: her first biger, first radio.
Speaker 1: She is like, she google it?
Speaker 2: Wa question?
Speaker 1: She looked in the Thomas Guide. How would she know
Speaker 1: where he yellow page? They had yellow pages still.
Speaker 2: Oh yeah, maybe the addresses in the white pages.
Speaker 1: The white pages. But it's all one thing, right, It's
Speaker 1: so back to the future. Remember what comes first?
Speaker 3: Yellow or white?
Speaker 2: How do they do yellow businesses? Right?
Speaker 1: And it depends on how big your town is, because
Speaker 1: if your town's really big, then it's just like exclusive
Speaker 1: to the yellow pages. Oh they don't like sorry, only
Speaker 1: New Beverly Hills.
Speaker 2: Like it just makes me think of Marty McFly. He
Speaker 2: goes and the diner and he's trying to find Doc
Speaker 2: Brown and he tears the page.
Speaker 1: That's how she did it. That's how she found him. Wait,
Speaker 1: she comes over to bring him his sheet music? Does
Speaker 1: he really carry a portfolio with his she? Is he
Speaker 1: a freaking conductor? What's happening?
Speaker 3: I just got really defensive.
Speaker 4: Oh my god, you guys, I'm so screwed up emotionally
Speaker 4: with all of these men on the show.
Speaker 2: And these people are a mess, Like I literally want
Speaker 2: to yeah, they're a mess. Because she then this pushed
Speaker 2: this whole thing pushes me over the edge. What the
Speaker 2: hell are you doing? Then she says, I'm sorry, I
Speaker 2: got so possessive.
Speaker 1: I just was like, wtf is authough?
Speaker 3: She's just doing a mind app on him?
Speaker 2: Like correct, But also remember back then we would use
Speaker 2: that word possessive. Don't be possessive of him?
Speaker 3: Oh you're right, what is that word now?
Speaker 2: Clingy?
Speaker 1: Now?
Speaker 2: Maybe clingy? I don't know what triggered me. I was like, Valerie,
Speaker 2: it's not being crazy, how about that? And raise so mean?
Speaker 2: Like she should be like, you're not even a nice
Speaker 2: like side piece. I'm saying, is like even if I
Speaker 2: was to open my mind to this nonsense of him
Speaker 2: being like her side piece and she's his. Okay, he's mean,
Speaker 2: here's a terrible side piece like that.
Speaker 1: I mean, but we've already established that she's not well mentally,
Speaker 1: and so she of course is going to want that
Speaker 1: person that's going to be mean to her.
Speaker 2: I'll tell you how this is going to work.
Speaker 1: Like a challenge. I start saying the word possessive. That's awesome,
Speaker 1: but possess it was like a demon though.
Speaker 2: Yeah, you weren't well. Yeah, but like I remember in
Speaker 2: college being like people being like, don't be possessive.
Speaker 1: You're right, No, I know what it was like so bad,
Speaker 1: And I'm like, you know what I mean, I would
Speaker 1: we even say that?
Speaker 2: We were so dumb?
Speaker 1: Yep. Then leu Anne comes out and gives him some
Speaker 1: more advice to watch out for that one.
Speaker 2: She's here's the thing.
Speaker 4: Okay, let's say touched Luann for a second. So his mama,
Speaker 4: here's the thing. There's some of the weird thing going
Speaker 4: on here, like wait, what is it?
Speaker 3: The Oedipus note?
Speaker 1: What is it?
Speaker 2: Yeah?
Speaker 4: That's okay, Yeah, So she wants to screw up everything
Speaker 4: for him. She doesn't want him to be happy. She
Speaker 4: doesn't want him to leave her because she's saying, just
Speaker 4: go screw someone, and she done your good.
Speaker 1: I think she's she wants to make sure he keeps Donna.
Speaker 2: I oh, so she likes to Donna gravy train too.
Speaker 2: She wants she.
Speaker 3: Wants him to pick the rate.
Speaker 4: Girl to cheat on, but he's she said, just go
Speaker 4: on and get someone, get someone, get it somewhere else.
Speaker 1: But I think she doesn't want him to get caught
Speaker 1: up with this one because she's in a class by herself. Yeah,
Speaker 1: she's trouble.
Speaker 3: What does Louianne want for Ray?
Speaker 2: She's not a great mom.
Speaker 1: I'm not gonna she is not She wants Donna for Ray,
Speaker 1: but she wants Ray to be happy. Whether it's right
Speaker 1: to get his you know, I want anybody is want
Speaker 1: because I don't think she's happy.
Speaker 3: And she doesn't want him to be happy.
Speaker 2: Oh I didn't get that. My take was he's gonna
Speaker 2: dump Donna and she doesn't sleep with him. So missus
Speaker 2: Pruett is saying, no, oh, keep Donna, but just get
Speaker 2: your rocks off? Is that how you say that? On
Speaker 2: the side, it's terrible mothering. She's not a good it's
Speaker 2: not good mothering. She's terrible advice. I mean, it's all bad.
Speaker 2: There's a mess, and are actually meant for each other
Speaker 2: because they're both terrible.
Speaker 3: It's just a mess. Okay.
Speaker 1: Then we go to the house. We see Brandon and
Speaker 1: Dylan together, which is always nice to see.
Speaker 2: They both looked great, they did.
Speaker 1: And they're at Brandon's house now, so he's there to
Speaker 1: basically report back to Brandon about what he saw at
Speaker 1: the New Evolution, and I was very pleased.
Speaker 2: He tells about the kiss. He's very honest. I was like,
Speaker 2: these two are my kind of people because I was so.
Speaker 1: Brandon says, did you sleep with her? Yep, and Dylan says, no,
Speaker 1: we kissed a couple of times. He had to add
Speaker 1: that part though, I'm super honest about it more than
Speaker 1: what you know what I mean, Like he's like, you
Speaker 1: need to sell.
Speaker 2: All of that.
Speaker 1: Yeah, you didn't write, so he just had to like
Speaker 1: get a little. But he does say to Brandon the
Speaker 1: Finley isn't such a bad guy, like he sees the
Speaker 1: things that Kelly sees, like the good parts of it.
Speaker 2: Yes, I was a little concerned that the finleyness or
Speaker 2: whatever it was called was sucking Dylan in But I
Speaker 2: but I wasn't too concerned.
Speaker 1: Just a little yeah, because you kind of felt like
Speaker 1: he might be. That's good, because that's what we were
Speaker 1: supposed to think.
Speaker 2: Yeah.
Speaker 1: Next next at Chancellor Arnold's office. We're back there with
Speaker 1: Chancellor Arnold and Brandon the plastic. I was very concorded, right,
Speaker 1: you're right. This is where he gets these condition of
Speaker 1: the mold.
Speaker 2: Because they're just like drying out the rug and I'm like,
Speaker 2: you're gonna need to rip that up. I have a
Speaker 2: mold problem.
Speaker 1: But okay, I like seeing Chancellor Arnold in his rain
Speaker 1: boots though.
Speaker 2: Yep, he's so adorable. Really is. If you were to
Speaker 2: look in my drawer, I wouldn't know anything about it.
Speaker 2: You want to go to lunch, Oh I'm not available
Speaker 2: because I'm going to be going through your files exactly.
Speaker 1: And then he gets the information that he needs, Thank goodness, Greg, Jared.
Speaker 1: So we are going to go back to wait, hold on, yeah,
Speaker 1: this was weird. Oh okay, yeah, oh this is so weird.
Speaker 1: This scene was creepy. We go back to the New
Speaker 1: Evolution headquarters, where Dylan has gone to visit Professor Finley
Speaker 1: was gross.
Speaker 2: Yeah.
Speaker 1: I wasn't sure at first what was going on. I
Speaker 1: was like, wait a second, is does is Professor Finley
Speaker 1: saying that he's going to marry Kelly like that he
Speaker 1: wants to be listen.
Speaker 2: To it somehow because he's like, we haven't become intimate yet,
Speaker 2: not physically.
Speaker 1: That was really good.
Speaker 2: I wanted to puke.
Speaker 1: Yeah.
Speaker 2: Yeah, and then Dylan starts his double news, his double
Speaker 2: He's now he's a double double agent.
Speaker 3: Doubling down.
Speaker 1: He tells Finley that he will donate all his money
Speaker 1: to the New Evolution if Finley can convince Kelly to
Speaker 1: be with Dylan.
Speaker 2: Pretty genius.
Speaker 3: It is really good that.
Speaker 1: I was like, wow, okay, So in the other milettings
Speaker 1: that we saw, it was usually a younger girl and
Speaker 1: an older man, or young man and an older woman.
Speaker 1: In this case, I feel like Kelly really hit the jackpot.
Speaker 1: He should just go with it. You should just do
Speaker 1: this because then they just be untouchable and they could
Speaker 1: live happily ever after.
Speaker 2: Make out with Finley.
Speaker 1: What if that happened?
Speaker 2: Oh, thank Maxium guy watched this and that's how he
Speaker 2: got all his ideas.
Speaker 3: Probably so grow that would be sad. That would be
Speaker 3: We'd like to know we influenced a lot of people,
Speaker 3: but not kissed.
Speaker 2: Then Brandon's bebop to the beach else.
Speaker 1: Yeah, I guess he's there looking for Kelly right, probably,
Speaker 1: and he ends up using her phone and trying to
Speaker 1: find this Greg Jarrett dude.
Speaker 2: But he was also playing scrabble well everybody else.
Speaker 1: Wait, this is the only place that we see Am
Speaker 1: I wrong? Is this the only scene where we see
Speaker 1: Steve but only the back of his head?
Speaker 3: Again? That's right? Every episode? What number episode is this?
Speaker 1: Now?
Speaker 3: He's popped into one or two scenes.
Speaker 1: Did he is happening? He did not.
Speaker 2: He just walked.
Speaker 1: You literally see the back of him walk through Frank.
Speaker 3: Was it him or the same person that had on
Speaker 3: that way?
Speaker 2: It's so weird. I wonder what was going on? Could
Speaker 2: he have been having like going on.
Speaker 4: Like something at this point, there's something going on, like
Speaker 4: he was filming something.
Speaker 3: There was something else.
Speaker 1: But they're having a game, they're having people over and
Speaker 1: Donna is also invited.
Speaker 2: You know, he probably spoke and it got cut.
Speaker 1: I want to find out because it's been several episodes
Speaker 1: where Steve Sanders is just after.
Speaker 2: He had such a big one with Milton Brown.
Speaker 1: Yeah, weird. Then we go back to the headquarters where
Speaker 1: Professor Finley tells Kelly.
Speaker 2: Struggling, No, it's me.
Speaker 3: There's something.
Speaker 1: Professor Finley tells Kelly that Dylan is her soulmate and
Speaker 1: that he has potential to be a path.
Speaker 3: Find That just must have screwed with her new on
Speaker 3: so many levels.
Speaker 1: Right, She was like processing all that and thinking late, yeah,
Speaker 1: are you sure? Yeah? That was confusing.
Speaker 2: I don't want to go backwards, but I do feel
Speaker 2: that we have to acknowledge Clayre's belt, her crop top
Speaker 2: with her belt around her just nothing. Did you guys
Speaker 2: notice that?
Speaker 1: Yeah?
Speaker 3: I remember that was a thing.
Speaker 2: She was wearing a crop top at a belt around
Speaker 2: her stomach. Yeah, no pants.
Speaker 1: I did not notice it.
Speaker 2: It was very like what Kathleen.
Speaker 1: Would do that a lot would do. Was that a
Speaker 1: thing then or did she just like start that. I
Speaker 1: don't remember this at all ever seeing her do that.
Speaker 3: I remember Kathleen doing this often.
Speaker 2: It was crazy cool though. So anyway back to Finley
Speaker 2: being a matchmaker.
Speaker 1: Right, he tells Kelly to love Dylan emotionally, spiritually, and physically,
Speaker 1: and she's facing it in her head. Great, okay, okay,
Speaker 1: if I have to twist my arm.
Speaker 2: Was this also right before where Ray yells at Donna
Speaker 2: because Valerie? Oh my god, yes, Oh, he's just getting
Speaker 2: worse and worse.
Speaker 4: Okay, okay, relax, my boyfriend you're talking about he's terrible, toy,
Speaker 4: He's terrible.
Speaker 2: You've got to goriam. Oh going.
Speaker 1: Then we see Greg Jared's house, where Brandon has driven
Speaker 1: all the way to the OC.
Speaker 3: Which is irrelevant. He drives everywhere in like ten minutes,
Speaker 3: so it doesn't matter.
Speaker 1: Not that far in the right, and Greg tells him
Speaker 1: to leave because he doesn't want to talk about anything
Speaker 1: friendly related. Somehow he gets him to listen.
Speaker 2: Yeah, our boy wonder convinced yes and gets the goods.
Speaker 1: Oh my gosh. This is the scene where they're back
Speaker 1: at the Cedars. We're back at the hospital and Jesse
Speaker 1: and Andrea, I mean no, Peter and Andrea are making
Speaker 1: out in the elevator, you guys, and.
Speaker 2: The door opens in there.
Speaker 3: It's Jesse. This is the one Amy's been waiting for.
Speaker 2: It was a great makeout, even though I'm not happy
Speaker 2: about it.
Speaker 1: What are the chances zero? The chances are actually zero?
Speaker 2: Are actually zero.
Speaker 1: But this stuff happens to you guys in real life
Speaker 1: on TV on TV.
Speaker 4: Not this exactly, but just when you're like nothing like
Speaker 4: this would ever happen, and somehow happens, it happens.
Speaker 2: Here's my thought. Yes, Peter is too good at this, Peter,
Speaker 2: I know.
Speaker 3: No, don't stay.
Speaker 2: I thought so too.
Speaker 1: I was like, I've this smells fishy. Yes, so what
Speaker 1: he's done this before?
Speaker 3: How many times? Do you think?
Speaker 1: A lot?
Speaker 2: Because he's not happy with his wife. There's lots of
Speaker 2: nurses and lots of young man you know who's he
Speaker 2: is at the hospital.
Speaker 1: Yep, yep, yep.
Speaker 2: Totally. He is way too smooth. He was not even
Speaker 2: taken the sideways by Jesse. It was just hey, hey,
Speaker 2: great to see you, Andrea Man, I'd love to do dinner.
Speaker 2: And I just was like, oh yeah yeah.
Speaker 1: Then back to Dylan's house where they kind of have
Speaker 1: set up like a little intervention are Kelly, Yes, and
Speaker 1: she thinks she's coming over to get her man, Yeah,
Speaker 1: seal the deal. She's gonna go do some Finley speak
Speaker 1: with Dylan.
Speaker 2: Oh Finley speak, and she.
Speaker 1: Says, meaningful change begins with personal sacrifice. Oh gosh, and
Speaker 1: he tells her the truth. He tells her that Finley
Speaker 1: it would take his money if he could sleep with Kelly,
Speaker 1: and then he calls out Brandon and Greg.
Speaker 2: Yeah, he's like behind door number two, go on, Brandon,
Speaker 2: come on Greg. Oh but that picture, the picture, oh,
Speaker 2: the picture.
Speaker 1: Of him man carrying that woman who must have been
Speaker 1: eighty years old, definitely eighty.
Speaker 2: The terribleness that he tried to commit suicide.
Speaker 1: I think that was it for Kelly. Once she saw that.
Speaker 3: Totally, she was like, oh, yeah, what have I done?
Speaker 2: Yeah. Then I got confused because she leaves with Dylan.
Speaker 1: H Brandon's like, I'll take you, and then she leaves
Speaker 1: with Dylan. I didn't really weird because she's always left
Speaker 1: with Dylan and she'll always leave with Dylan in her heart,
Speaker 1: except at.
Speaker 2: The end of this episode she goes with Brandon and
Speaker 2: Dylan walks off alone.
Speaker 1: I think that she wants to go with Dylan. Like
Speaker 1: I feel that she wants to go with Dylan. I mean,
Speaker 1: not just because she was brainwashed, but and then even
Speaker 1: at the scene when they're leaving the New Evolution at
Speaker 1: the end, YEP, I feel like she's just pulled so
Speaker 1: strongly back to him. But goes with Brandon anyway.
Speaker 2: I hate to say it, but her so old mate
Speaker 2: is Dylan.
Speaker 3: But you can have two versions of a soulmate, like.
Speaker 2: A great poietory. True.
Speaker 1: Yeah, I think Brandon's her soulmate on a different level.
Speaker 1: But I think Brandon's good for her. I mean, aside
Speaker 1: from the fact that he cheated on her and let
Speaker 1: her burn in the house fire. But I think as
Speaker 1: of her partner, he's he is, he's solid, he's a
Speaker 1: good match, and he calms her in. But Dylan ignites
Speaker 1: her in every meaningful way. It's just yeah, let's go
Speaker 1: back to the peach bit though, because Ray apologizes to
Speaker 1: Donna for acting like a jerk when he yelled at
Speaker 1: her about Valerie. Not I mean, obviously he's not gonna
Speaker 1: stick around for Valerie to come over and play scrabble.
Speaker 2: That was so crazy too.
Speaker 1: And of course Donna forgives him right away, which I
Speaker 1: did not like.
Speaker 2: See yeah, too soon she forgives him, And then there's
Speaker 2: crazy Valerie.
Speaker 1: There's old val How does she wind to walk in
Speaker 1: just the right moments? Every time literally got a they
Speaker 1: said action and they were like que gallory. I know,
Speaker 1: but I don't think of that when.
Speaker 2: I pretend it's real, pretending it's real.
Speaker 1: And she and then she goes backstage. She goes backstage
Speaker 1: and she wants to get frisky with Ray.
Speaker 2: Oh, I forgot about that.
Speaker 1: She's so stupid, Like she doesn't understand the word no.
Speaker 3: She's the word no. She just wants what she wants.
Speaker 2: And I think, Tori, this is where she sort of
Speaker 2: does the threat.
Speaker 1: Well right where she says, I wonder where Donna went.
Speaker 1: She's going to go talk to her ice cream. Dad
Speaker 1: threatened like, is she going to find you and tell you?
Speaker 2: I mean, at some point, if you were Ray, would
Speaker 2: you sleep with her? Or just tell Donna yourself? Hey, Donna,
Speaker 2: I love you, but I messed up and I slept
Speaker 2: at Valerie and now she's gone full Cray.
Speaker 1: Okay, okay, he should because I feel like I know
Speaker 1: you get what you guys are gonna say, Like Donna
Speaker 1: forgets everything. But it would be the right thing to do,
Speaker 1: and if they really had something and could move forward,
Speaker 1: this would be the time to do it.
Speaker 3: Yeah, to step to man up.
Speaker 1: But she doesn't know yet that he's cheated on her. No,
Speaker 1: but he could do the right thing though right now
Speaker 1: and tell her he cheated on her, and then they
Speaker 1: could make amends and move forward. And then it's Valerie
Speaker 1: and she's turned psycho and yeah, and then Valerie does
Speaker 1: would Yeah, well, Donna would have hopefully left his ass.
Speaker 1: She wouldn't because Kelly's now back from the New Evolution.
Speaker 1: She's not going to let you stand microphone down there.
Speaker 1: I'm so palted. No, Donna get back with Ray. He
Speaker 1: cheated on her, but I stayed, Okay, we'll talk about
Speaker 1: that later.
Speaker 3: If you're gonna get more mad, Ray is, so is Valerie.
Speaker 2: It really kind of bothered me, Like I love it,
Speaker 2: but it's bothered me.
Speaker 1: Yeah, this episode left me with a feeling of like
Speaker 1: unrest UNEs.
Speaker 3: Yeah, I couldn't go to sleep after this.
Speaker 1: I watched it the last night. I was like, like,
Speaker 1: you're just like you're just like fired up. Yeah, but
Speaker 1: you're supposed to be right. Andre is cheating on Jesse,
Speaker 1: Rai's cheating on Donna. There's storms coming at you from
Speaker 1: every angle in this. He's split in two. Brandon's heart's hurting,
Speaker 1: Dylan's heart's hurting.
Speaker 2: Steve is not on the show anymore.
Speaker 1: Steve just wants to play scrabble.
Speaker 2: I didn't even see him.
Speaker 1: No, I swear I saw the back of his body
Speaker 1: walk through frame.
Speaker 2: Were Jim and Cindy in it? I don't remember that either.
Speaker 1: No, I don't think so, you're in the cress.
Speaker 2: That's so many characters.
Speaker 1: There's a lot going on in this episode, so much,
Speaker 1: so much. It was really good. You guys, what do
Speaker 1: you give it?
Speaker 5: Ooh?
Speaker 1: So as a viewer, I.
Speaker 4: Want to give it atten just because it was like
Speaker 4: I was on the ride the entire time. But I
Speaker 4: have to put a little bit of myself and Donna
Speaker 4: in there, and it gave me a little PTSD on
Speaker 4: so many levels, just like, get it me a little bit.
Speaker 4: So I'm gonna have to go with a nine.
Speaker 1: Nine nine nine, Okay.
Speaker 2: I have a very similar feeling to Tori. I want
Speaker 2: to give it a ten, but I'm gonna give it
Speaker 2: a nine point five because I'm so upset and disturbed.
Speaker 2: I love it, but I'm really upset.
Speaker 1: I am in full agreement with both y'all, I'm gonna
Speaker 1: give it a nine point six. All right, we all
Speaker 1: really love this episode, but we all felt disturbed.
Speaker 3: Yeah, yeah, everyone feels a little disturbed sometimes.
Speaker 1: In a little I'm a little upset. I'm a little
Speaker 1: like I don't want to end a show that I've
Speaker 1: spent a whole I spent all week waiting for this episode.
Speaker 1: You guys to watch it, just like back in the
Speaker 1: nineties when you didn't have a DVR or those things,
Speaker 1: or it was only on at one time during the
Speaker 1: week and you had to wait. I waited all week. Yeah,
Speaker 1: and then I felt I feel like this after I
Speaker 1: watch it, and I don't.
Speaker 4: I'm I don't feel good even should you wait another
Speaker 4: week to watch another one?
Speaker 1: I'm gonna feel shitty all week and this unrest side.
Speaker 4: Of me unrest. But you can't wait for the next episode?
Speaker 4: Rates that's two?
Speaker 2: No, David was David in this?
Speaker 1: Nope?
Speaker 2: Oh? Shoot crazy one to four main characters.
Speaker 3: Not even in this next episode?
Speaker 1: Season five, episode twenty two, Alone at the top All that's.
Speaker 3: Gonna be hard.
Speaker 4: See your stomach's all unrest just so you could be
Speaker 4: alone at the top.
Speaker 3: That's not a good feeling either.
Speaker 1: Who's alone at the top? I don't know yet.
Speaker 3: Oh my god, I can't wait to see this.
Speaker 1: That's too much for me. Who couldn't be Who could
Speaker 1: it be that's alone at the top? Dylan Ray. Ray's
Speaker 1: at the top of his career.
Speaker 2: He's at the peak.
Speaker 1: No that we'll get to see it, but you know,
Speaker 1: I don't know. We'll find out. We'll see now. It
Speaker 1: is never ending, first of all, true and very good.
Speaker 1: We're getting to the part where I was like, you, guys,
Speaker 1: I feel like I liked season five.
Speaker 3: This is this is where they're starting.
Speaker 1: To get It's yeah, okay, I believe you. Well, I
Speaker 1: guess on that note, we all have to sit on
Speaker 1: pins and needles and wait until next week to find
Speaker 1: out who's at the top. Well, I won't be possessive
Speaker 1: and say goodbye first, so you guys go ahead, okay,
Speaker 1: bye bye us