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Speaker 1: It's nine O Genegen with Jenny Garth and Tory Spelling. Well,

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Speaker 1: this is weird, guys. We are recapping stormy weather today

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Speaker 1: and it's raining.

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Speaker 2: It's like dumping. So when we taped this, it's dumping

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Speaker 2: rain in La. But I'm in the sun. It's lucky.

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Speaker 2: Now we actually like we like the rain. But it's

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Speaker 2: so crazy week.

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Speaker 1: I know, we keep saying it like you guys, we're

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Speaker 1: so on.

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Speaker 3: Point, but we're really like on points.

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Speaker 1: It's like we've like melded into storylines. If Beverly Hills

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Speaker 1: nine O two and O.

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Speaker 2: Why do you think they love making it rain in

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Speaker 2: Beverly Hills?

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Speaker 1: When is it actually never dies? But it's so beautiful,

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Speaker 1: you guys, when it rains really is in La, it's beautiful.

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Speaker 1: Nobody people can't drive, No, they.

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Speaker 2: Can't even leave their houses.

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Speaker 1: You can sustain itself here because we're going to school.

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Speaker 3: I'm like, it's rain.

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Speaker 1: My daughter's school got made. They do it remotely because

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Speaker 1: of the rain today.

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Speaker 2: Yeah, I know a lot of sun.

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Speaker 1: You believe that it's raining people.

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Speaker 4: That would have been helpful to me, I know, but

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Speaker 4: yeah no, it was like just keep showing up and

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Speaker 4: I had to be like, this is normal. Of course

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Speaker 4: you're supposed to just go and I was like, right,

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Speaker 4: it's just rain.

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Speaker 1: I don't understand it. But I was happy because I

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Speaker 1: have a you know, my daughter drives herself to school,

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Speaker 1: so I was happy she didn't have to get on

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Speaker 1: the freeways because they are flooded.

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Speaker 2: I don't want to be a negator, but the rain

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Speaker 2: on I know two one oh is it? First of all,

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Speaker 2: it's way too heavy when you guys come out of

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Speaker 2: the peach pit. And then I know we'll get to it.

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Speaker 2: But there's a scene where you're like, oh, it's raining,

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Speaker 2: yet there was no rain.

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Speaker 1: So true, it was such a little story to notice

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Speaker 1: that so sucked into this story. You guys, we're talking

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Speaker 1: about season five, episode twenty one, Stormy Weather, and aired

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Speaker 1: February fifteenth, nineteen ninety five.

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Speaker 4: Synopsis Heavy rain in La can't extinguish Valeries lust for

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Speaker 4: Ray prove it even after he shows his violent tendencies.

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Speaker 4: Donna gets mister it yet again.

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Speaker 3: Shocker. Dylan beats Finley.

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Speaker 4: At his own game, while Brandon finds a Findley survivor

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Speaker 4: to help his cause. When Kelly finally.

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Speaker 1: Sees the light, Dylan sees he has lost her to

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Speaker 1: Brandon and bows out gracefully.

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Speaker 3: Don't go away, mad, Actually, don't go at all.

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Speaker 1: Don't go away? No, please, Yeah, this is a good episode. Yes,

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Speaker 1: Oh my god.

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Speaker 2: They really like it when we go through scene by

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Speaker 2: scene in order. So, Jenny, how do you feel about

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Speaker 2: being our leader? Wait?

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Speaker 1: They like it. They really like it.

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Speaker 2: They do.

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Speaker 3: Oh it's a proven there you go.

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Speaker 1: We're here to please, so well do it that way again,

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Speaker 1: you guys. This episode, I will say, was directed by

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Speaker 1: Bethany or Rooney, written by Larry Mullin, and starring us.

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Speaker 1: Oh yeah, I'm staring us, just us.

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Speaker 2: That's all.

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Speaker 1: Okay, so let's start. Let's just start. Should we do

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Speaker 1: it trivia again? Or should we talk about some some

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Speaker 1: vocabulary words from Finley?

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Speaker 3: Yeah?

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Speaker 2: Do you have trivia?

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Speaker 1: I have trivia? I have Yeah, I'd like a little here. Okay,

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Speaker 1: all right, we'll start with one trivia then, okay.

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Speaker 3: Trivia, a little bit of both, a little bit of both.

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Speaker 1: Let's do trivia first. Caroline McWilliams, who played leu Anne Pruett,

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Speaker 1: was married to Michael Keaton. You guys, I didn't know that.

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Speaker 2: Wait that that's her. That's this the mom of Michael

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Speaker 2: Keaton's kid.

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Speaker 1: Yeah, wow, isn't that exciting?

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Speaker 3: Wow? I love Michael Keaton.

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Speaker 1: In a bit of confusing trivia, Yes.

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Speaker 2: His name is Michael Douglas. So when she was she

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Speaker 2: was actually married to Yeah, so the kid's last name

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Speaker 2: is Douglas because Michael Keaton's last name is Douglas. But

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Speaker 2: obviously he couldn't be Michael Douglas because there was.

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Speaker 3: Oh wait, where does Gooven come from?

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Speaker 2: This had to just make it up because that's so

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Speaker 2: Michael Douglas was taken.

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Speaker 1: I didn't note this.

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Speaker 2: No, I liked that, and they got divorced slightly before this,

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Speaker 2: just five years earlier. They got divorced in nineteen ninety.

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Speaker 1: Because he knew she was going to play Luayne Pruett. Oh,

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Speaker 1: nobody likes Louis and Prue.

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Speaker 3: Close to Michael Keton. We didn't even know she's good.

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Speaker 2: I mean she passed away, but you see her in

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Speaker 2: a lot of things.

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Speaker 1: Yeah, good actress. Okay, let's let's do a findlayus my god,

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Speaker 1: wait really fast, Yes.

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Speaker 2: I forgot that. Michael Keaton also dated Courtney Cox.

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Speaker 3: Oh, yes he did.

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Speaker 1: Michael Keat came back to me dated Courtney when at.

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Speaker 4: This time for a long time, ninety to ninety five,

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Speaker 4: it was like shocking to people because what was.

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Speaker 1: The because he was older.

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Speaker 4: Yeah, but like people are like, oh, I know he's

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Speaker 4: not home older twenty years old, maybe twenty years that's

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Speaker 4: like nothing.

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Speaker 2: But they were cute, Like I forgot about that.

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Speaker 1: Oh I do not remember that either, I do.

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Speaker 2: Oh my god, yes, look remember that now? Sure do

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Speaker 2: I do too? Whoa? He's my favorite batman anyway, the same.

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Speaker 1: Yeah, I love him, mister mom batman.

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Speaker 2: See there's something kind of sexy about him. Like look

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Speaker 2: how cool they were.

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Speaker 4: Yeah, they were any hot that takes us? Okay, finlaysm

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Speaker 4: which one? Oh, okay, which one you want? Well, we

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Speaker 4: already know extern, we know negator. Extern is somebody outside

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Speaker 4: the circle, right, or people that don't have a clue.

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Speaker 4: A negator is someone who denies or goes against Finley's teachings.

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Speaker 3: Really like the word voyager.

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Speaker 1: Voyager, ooh, those are people on the new evolution journey.

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Speaker 1: What about that you?

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Speaker 2: Well, I couldn't quite understand what they were saying. Malletting, maleetting,

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Speaker 2: Oh my god.

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Speaker 5: It was a.

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Speaker 1: Wedding for two people entering the new millennium together. Yeah,

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Speaker 1: but I also think it could stand for a millennial

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Speaker 1: and a wedding.

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Speaker 2: That's what I thought.

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Speaker 1: But they didn't know millennial then that wasn't like something.

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Speaker 1: They didn't refer to younger people as a millennial because

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Speaker 1: a millennial marrying a boomer.

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Speaker 4: So again, we were cutting edge milletting, but there wasn't

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Speaker 4: Millennials weren't even a think yet.

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Speaker 2: I don't want to jump ahead, but when that guy

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Speaker 2: whips out the picture of the college kid with the

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Speaker 2: grandma wedding, I was like, oh my gosh.

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Speaker 3: Guess what you just jumped ahead.

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Speaker 1: Yeah, you did this thing that you always do. Okay,

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Speaker 1: go ahead. Episode is starts in the beach pit with

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Speaker 1: our three favorite gals, Donna, Claire, and Kelly, and it's

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Speaker 1: getting a little tense between the ladies kill against one

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Speaker 1: drop out.

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Speaker 2: Of school or the sorority. No, she's just dropping out

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Speaker 2: of the alpha.

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Speaker 1: House around and her friend group. Basically, Donna and Claire

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Speaker 1: are trying to get her to reason with them. But

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Speaker 1: before anything happens, Dylan, who's been lingering over there in

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Speaker 1: a turtleneck looking hot in a turtleneck, J and I

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Speaker 1: hate turtlenecks on men.

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Speaker 2: I don't because he looked great.

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Speaker 1: I mean, he can't not look good, but like, it

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Speaker 1: just doesn't feel very Dylan to be wearing a turtleneck.

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Speaker 1: I'm just I'm sorry.

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Speaker 2: And then he's got his fringe coat raincoat sort of

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Speaker 2: Berbery style.

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Speaker 4: You know, I'm not liking any of the s wardrobe

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Speaker 4: from here on out that he wears, so it's just

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Speaker 4: really takes me out of the Dylan moment.

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Speaker 1: I'm the saying, okay, but Brandon's waiting outside for Dylan,

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Speaker 1: because Brandon has put Dylan up to all of this

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Speaker 1: to go and beat in kahoots and try to save

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Speaker 1: Kelly from Professor Finley.

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Speaker 2: Right, yeah, can you explain to me though, how Kelly

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Speaker 2: doesn't see the Mustang clearly there?

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Speaker 1: This whole storyline is crazy. I don't know.

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Speaker 2: I just go with it.

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Speaker 1: Yeah, it's raining really hard. I guess it's raining so

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Speaker 1: hard that me Jenny wouldn't go out and shoot in

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Speaker 1: the rain because that wasn't me, you guys, No, that

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Speaker 1: was somebody in a blonde wig.

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Speaker 2: Are you serious?

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Speaker 4: Oh?

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Speaker 1: Dead serious? Wait?

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Speaker 2: Was it real rain?

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Speaker 3: We know it wasn't you. Not wanting to do it.

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Speaker 1: They just were trying to say, wait, I will not

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Speaker 1: go in the rain.

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Speaker 2: Was it fake rain?

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Speaker 1: No, that's real rain. It's just like from a rain

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Speaker 1: bar they put up over head water rain.

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Speaker 2: It's real water.

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Speaker 1: It's real rain. When waterfall out of the sky, it's rain.

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Speaker 2: Do you remember that that isn't you? Or can you

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Speaker 2: tell that.

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Speaker 1: That it can tell that's not me?

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Speaker 2: Was it Luke?

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Speaker 1: Yeah? It was Luke.

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Speaker 3: Oh, I was like Luke and a blonde wig.

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Speaker 1: No, it was Luke with somebody else.

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Speaker 2: Would that be considered rude that you're like, Luke, you

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Speaker 2: do it. I'm not gonna go do it.

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Speaker 1: I mean, yeah, that would have been considered rude. But

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Speaker 1: I'm sure that's not how it happened. So they were like,

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Speaker 1: sure it was a production thing. Like I was in

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Speaker 1: the makeup trailer getting my burn up.

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Speaker 2: Yeah, you're daily in.

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Speaker 1: The scene like they're the tanker they need to win. Yeah,

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Speaker 1: she leaves. But I looked like a little bit like

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Speaker 1: it reminded me of the Crown with a resist Diana wig.

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Speaker 2: On back and watch to see if I can tell

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Speaker 2: it's not you.

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Speaker 1: You'll be able to tell.

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Speaker 3: I feel like, do you think they gave you approval

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Speaker 3: of that wing though.

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Speaker 4: Like like walk by while you're in the making, they're like,

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Speaker 4: is this okay?

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Speaker 1: And you're like, okay, sure, no, and you're like, I

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Speaker 1: had nothing to say about that.

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Speaker 2: Wow, what Well if.

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Speaker 4: They had asked me, I would have said no, because one,

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Speaker 4: I'm almost not on board with this hair to begin with,

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Speaker 4: and no, I'm not approving that way.

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Speaker 1: No, we would have never really good. Then we go

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Speaker 1: to Valerie's hotel room where she's we think somebody's having

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Speaker 1: a romantic breakfast for two. It was it you guys.

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Speaker 3: It was like, pretty woman, Is that what they were

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Speaker 3: trying to do?

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Speaker 1: Like, like, I was so excited. It looks so nice.

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Speaker 3: It was visually beautiful. I was in there in the moment.

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Speaker 1: And then all of a sudden, Oh mfg, I forgot

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Speaker 1: all about Ray being writing words.

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Speaker 3: I'm like, okay, I'm okay.

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Speaker 2: First of all, the table, the pink table. I was like,

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Speaker 2: what is this?

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Speaker 3: That's what I mean. It's all laid out, it's suposed

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Speaker 3: to be so like.

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Speaker 2: It was a little cheesy with their pink table.

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Speaker 1: But then it was nineteen ninety five. It's very scene,

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Speaker 1: so unhinged on so many levels.

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Speaker 2: Talk about it. Uh huh.

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Speaker 1: I had completely forgotten that they were doing this until.

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Speaker 2: What I did not. I didn't forget any second.

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Speaker 4: Take all my men whatever, And then I really felt

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Speaker 4: I felt a little gutted in the scene. You guys like,

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Speaker 4: I'm yeah, I'm gonna hear it. Not really, I don't care.

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Speaker 2: She's terrible, you guys.

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Speaker 1: She's terrible and Calorie terrible. He does a great job, right,

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Speaker 1: prove it officially.

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Speaker 2: The scene was so terrible.

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Speaker 3: She's somebody who cares about.

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Speaker 1: Me.

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Speaker 2: It's so bad. She's so smiley, he's so weird and

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Speaker 2: such a lying.

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Speaker 4: The most mad is she like basically threatens, like if

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Speaker 4: you don't stand at breakfast with me, like I'm gonna

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Speaker 4: tell Donna.

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Speaker 3: And then she laid it on that she wanted and like, oh.

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Speaker 1: That's my favorite breakfast you.

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Speaker 2: You two. I'm a breakfast person. So then I couldn't

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Speaker 2: really be mad. She calls you miss goody two shoes.

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Speaker 1: Wait wait, you couldn't be mad because she wanted eggs beededict.

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Speaker 4: No, I couldn't be mad because it got me all

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Speaker 4: hungry and I was excited, and I remember.

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Speaker 1: The taste like the holiday sauce, and I was like, well,

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Speaker 1: I did let it go.

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Speaker 2: Ray looked.

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Speaker 1: I did kind of get a little when Ray flipped

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Speaker 1: the table. I like that.

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Speaker 4: I like, oh, I like my best friend just got

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Speaker 4: a little over like my boyfriend.

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Speaker 1: See that feels okay to me.

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Speaker 4: Like that, I'm excited about no mystery.

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Speaker 3: I don't think messed up.

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Speaker 2: So just break it down, because I was like taking

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Speaker 2: this for at face value, like going, okay, she is

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Speaker 2: a two timing backstabbing Meani right, she's Meani, miss me

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Speaker 2: t shoes like me too. Ray is a jerk. So

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Speaker 2: Ray just slept with her, which okay, pretend he is

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Speaker 2: just cheating on you. He's still like, should stay for breakfast.

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Speaker 2: She's gonna be nice about it. Flipping the table was insane.

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Speaker 1: I liked it.

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Speaker 3: I liked it too. That was the part of the

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Speaker 3: scene I liked after the.

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Speaker 2: Exp but it was so like, yes, I get it,

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Speaker 2: she's she's totally annoying and crazy. It seemed level ten,

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Speaker 2: Like just leave, bro, just leave and just say you

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Speaker 2: know what, I apologize. I made a mistake. I never

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Speaker 2: should have done this. I'm out.

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Speaker 3: He's along with the line.

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Speaker 4: What's the end of the scene. Breakfast is served? Like

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Speaker 4: you have to punctuate that, so.

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Speaker 3: It had to be done.

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Speaker 1: Yeah, he was, so he is so that double layer

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Speaker 1: the T shirts.

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Speaker 2: Oh you gouys, it's terrible.

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Speaker 1: Look we like bad boys, it's clear, yeah, but you

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Speaker 1: and I.

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Speaker 2: And it's just like his response was level ten when

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Speaker 2: her annoyingness was like level two.

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Speaker 1: She's not two or two maybe like a sick.

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Speaker 2: Why is he sleeping with her? Like, knock it off

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Speaker 2: right and all?

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Speaker 1: He can't get any loving from his lady, so he's

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Speaker 1: doing what his mama told him.

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Speaker 2: I know that that was bad too. M hm.

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Speaker 1: On, we go on, we go really fast.

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Speaker 2: There's so many people out there that love Valerie. I

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Speaker 2: just need to know why? Why do people love her

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Speaker 2: up to this point? She's mean because she's cute.

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Speaker 1: She's really cute, and she's like like there's that little

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Speaker 1: wicked you like that little wicked devilish like you and

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Speaker 1: I like the bad boys. There's people out there that

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Speaker 1: like the bad girls.

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Speaker 2: I love to hate her, Winkle.

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Speaker 1: Yes, that's what it is. Okay, I am curious.

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Speaker 3: You're right.

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Speaker 4: I mean, like after this moment and he's now cheated

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Speaker 4: on Donna and she's talked about Donna.

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Speaker 2: This way.

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Speaker 3: How will they feel about Valeria. I don't think they're

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Speaker 3: going to not like her?

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Speaker 2: What about the car? I know we're not quite there yet.

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Speaker 1: No, we're not there yet, so you have to hold

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Speaker 1: your beans. We're going to go to the hospital now. Amy,

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Speaker 1: I'm sorry to break it to you.

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Speaker 2: It's okay. I like it.

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Speaker 1: You like the storyline too?

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Speaker 2: Okay, terrible, but I like it.

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00:15:28,480 --> 00:15:31,960
Speaker 1: Andrea is going for a job interview that I think

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Speaker 1: Peter doctor, I mean, sorry, what is he doctor?

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00:15:36,440 --> 00:15:39,440
Speaker 2: He's a residence a time doctor.

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Speaker 1: Peter Tucker is going to get her the job, right

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Speaker 1: because he's excited to have her at the hospital so

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Speaker 1: he can see her every day. Yeah, he's so so

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Speaker 1: flirty and sassy and I like it too.

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Speaker 2: They're flirting is cute. It's so wrong, but it's cute.

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Speaker 3: Their chemistry is good.

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Speaker 2: Good call Tory. Yes, it is so.

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00:16:03,760 --> 00:16:06,840
Speaker 1: Yeah, it doesn't happen very often, but it's good.

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00:16:07,680 --> 00:16:08,479
Speaker 2: Yeah.

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00:16:08,600 --> 00:16:13,080
Speaker 1: Then up Brando. Brando goes to Chancellor Arnold's to get

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Speaker 1: help with Kelly right in his calliny office. Oh right,

333
00:16:16,520 --> 00:16:17,440
Speaker 1: he's got a leak.

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00:16:17,920 --> 00:16:20,560
Speaker 2: He needs some pump. Did you hear him say, do

335
00:16:20,600 --> 00:16:21,640
Speaker 2: you have a some pump?

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00:16:22,360 --> 00:16:23,840
Speaker 1: Yeah? Because everybody has one of those.

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00:16:23,920 --> 00:16:25,160
Speaker 2: I know what it is.

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00:16:25,680 --> 00:16:30,080
Speaker 1: Last night I had to get one. You guys both

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Speaker 1: had to get some pumps.

340
00:16:32,280 --> 00:16:33,840
Speaker 2: I luckily didn't have to do last night, but I

341
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Speaker 2: knew what it was.

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00:16:36,400 --> 00:16:39,600
Speaker 4: I'll never forget what it is now, no gosh. And

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Speaker 4: then I watched this episode and it's there again.

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Speaker 1: It was just like you're like, yep, life art art life,

345
00:16:48,040 --> 00:16:50,760
Speaker 1: and then there's But Chancellor Arnold says he cannot give

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Speaker 1: Brandon any confidential confidential information about Professor Finley and that

347
00:16:56,040 --> 00:16:59,080
Speaker 1: there's nothing he can do for him. However, he is

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Speaker 1: willing to step outside. Well, Brandon sneaks a peak.

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Speaker 2: That wasn't quite yet.

350
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Speaker 5: But fine, wait, but what's the there's a word that wait,

351
00:17:08,680 --> 00:17:18,200
Speaker 5: there's a word called prosthelyte, prosthlyizing, prostolytizing, prostest it's a prostate.

352
00:17:18,280 --> 00:17:22,600
Speaker 2: It's some kind of from prostitute. What it's a it's

353
00:17:22,640 --> 00:17:25,400
Speaker 2: a word but from prostitute.

354
00:17:25,160 --> 00:17:29,800
Speaker 1: Or does it mean prost like pros like you know

355
00:17:29,840 --> 00:17:32,400
Speaker 1: in church they give a sermon and they're given the.

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Speaker 2: Oh oh you're right, Oh my gosh, Jenny. It is

357
00:17:37,840 --> 00:17:41,600
Speaker 2: to convert or attempt to convert from one religion, belief

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Speaker 2: or opinion to another.

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00:17:42,880 --> 00:17:47,239
Speaker 1: What's the word prosely I can't say it. It's prostolizing.

360
00:17:47,359 --> 00:17:48,840
Speaker 2: So I was completely wrong.

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00:17:48,960 --> 00:17:51,040
Speaker 1: And Jenny, when they said that, I was like, whoa,

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00:17:51,200 --> 00:17:52,400
Speaker 1: they're doing that on campus.

363
00:17:53,240 --> 00:17:55,480
Speaker 2: I thought it was prostituting. But it's not.

364
00:17:57,400 --> 00:17:59,919
Speaker 1: A prostate problem, so they're anoscolotize.

365
00:18:01,400 --> 00:18:02,400
Speaker 2: Proselytize.

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Speaker 3: That's a hard word to say.

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00:18:04,600 --> 00:18:08,840
Speaker 2: Wow, I couldn't have been more wrong, never saying again proselytized.

368
00:18:08,880 --> 00:18:11,320
Speaker 1: There's no But I actually knew the definition of a

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Speaker 1: word that she didn't.

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00:18:12,960 --> 00:18:15,800
Speaker 2: I am p r O c l Y T.

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00:18:16,000 --> 00:18:19,080
Speaker 1: I Baby, I was wrong hair for you.

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Speaker 3: I mean, I'm just sitting here in between you guys going.

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00:18:22,359 --> 00:18:28,080
Speaker 2: My college years, did nothing and your.

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Speaker 3: And she nailed.

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00:18:27,720 --> 00:18:30,879
Speaker 1: Sorry, you know what, Amy I am. I'm not book smart,

376
00:18:30,880 --> 00:18:31,639
Speaker 1: I'm street smart.

377
00:18:31,640 --> 00:18:32,320
Speaker 2: I bow down.

378
00:18:32,560 --> 00:18:36,840
Speaker 3: I was just a pretty face with hair, not.

379
00:18:36,720 --> 00:18:37,480
Speaker 2: Just a pretty face.

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00:18:37,960 --> 00:18:41,520
Speaker 1: Well done, professor, Yes, thank you, thank you so much.

381
00:18:42,720 --> 00:18:45,040
Speaker 1: Now we're going to go to the New Evolution headquarters.

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00:18:45,080 --> 00:18:47,560
Speaker 1: I love when we go there. It's very yeah, it's

383
00:18:47,720 --> 00:18:51,080
Speaker 1: very like. It convinces me that something is going down.

384
00:18:51,200 --> 00:18:53,040
Speaker 2: Agree, very like Hogwarts.

385
00:18:53,119 --> 00:18:57,800
Speaker 1: Good set for a sketchy good set, yeah, and real,

386
00:18:57,920 --> 00:19:00,640
Speaker 1: like you can tell this is a big, real house. Yes,

387
00:19:00,920 --> 00:19:05,240
Speaker 1: So Kelly takes Dylan there to meet Professor Finley in a.

388
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Speaker 4: Suit, in an ill fitting suit. I'm not happy with

389
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Speaker 4: the Dylan suit.

390
00:19:08,760 --> 00:19:10,680
Speaker 2: I like the ruse though. I like the whole thing.

391
00:19:10,760 --> 00:19:11,520
Speaker 1: I like it too.

392
00:19:12,200 --> 00:19:14,040
Speaker 2: I like that we're kind of it's a setup, but

393
00:19:14,119 --> 00:19:18,840
Speaker 2: Dylan's very good at it, open mindness. I'm enjoying their connecting.

394
00:19:20,480 --> 00:19:25,200
Speaker 2: Although crystals, wait, say.

395
00:19:24,960 --> 00:19:28,520
Speaker 1: That again, I like to talk of MAUI yeah, right, I.

396
00:19:29,560 --> 00:19:32,160
Speaker 2: Have questions about them at the end, but for now,

397
00:19:32,200 --> 00:19:34,440
Speaker 2: I enjoyed their kiss. I enjoyed it all.

398
00:19:35,400 --> 00:19:42,720
Speaker 1: Well, this is the part where we really see Dylan

399
00:19:42,760 --> 00:19:46,040
Speaker 1: putting it on, right, But I didn't know he was

400
00:19:46,080 --> 00:19:48,680
Speaker 1: putting it on as an audience, like a little bit

401
00:19:48,760 --> 00:19:51,360
Speaker 1: maybe great, but I kind of was like, oh, he's

402
00:19:51,359 --> 00:19:53,080
Speaker 1: there to support Kelly, and.

403
00:19:53,080 --> 00:19:54,480
Speaker 4: I think he's open in the same way I was

404
00:19:54,520 --> 00:20:00,200
Speaker 4: drawing into that, like, yeah, so it's kind of both though, right, I.

405
00:20:00,119 --> 00:20:02,120
Speaker 1: Looked a little puffy in this scene. I will say

406
00:20:02,320 --> 00:20:05,480
Speaker 1: I did not notice that he neither. I was like,

407
00:20:05,600 --> 00:20:08,520
Speaker 1: either I'm sicked that day and I wasn't feeling well,

408
00:20:08,720 --> 00:20:11,080
Speaker 1: or that's what I look like when I get brainwashed.

409
00:20:11,320 --> 00:20:15,439
Speaker 2: You do have a scene later where you look extraordinarily pretty.

410
00:20:15,560 --> 00:20:17,320
Speaker 2: I have to It'll come back to me when I

411
00:20:17,320 --> 00:20:19,000
Speaker 2: see it. There's like a big close up on you.

412
00:20:19,640 --> 00:20:23,520
Speaker 2: That being said, I think Dylan went because Randon's like, bro,

413
00:20:23,880 --> 00:20:26,080
Speaker 2: this is bad. But I don't think he's going in

414
00:20:26,240 --> 00:20:28,640
Speaker 2: hot like this is bad. I gotta drag her.

415
00:20:28,520 --> 00:20:30,480
Speaker 1: Out like he's like, no, he's like going in undercover.

416
00:20:30,640 --> 00:20:32,240
Speaker 2: I'm gonna see what's happening here.

417
00:20:32,560 --> 00:20:35,520
Speaker 1: He's slipping into Professor Finley's d MS.

418
00:20:35,680 --> 00:20:39,560
Speaker 2: Kind of Yeah, he learned a lot from Jonesy, so

419
00:20:39,600 --> 00:20:40,240
Speaker 2: he's using.

420
00:20:40,119 --> 00:20:44,959
Speaker 1: All that's true true wi okay, so pop up from

421
00:20:45,040 --> 00:20:48,000
Speaker 1: under the desk. But now we go to Andrea's house,

422
00:20:48,080 --> 00:20:52,080
Speaker 1: where we see baby Hannah, who looks nothing like Jesse.

423
00:20:53,400 --> 00:20:53,760
Speaker 2: At all.

424
00:20:53,840 --> 00:20:56,120
Speaker 1: That baby does not look like their baby. I'm sorry,

425
00:20:56,200 --> 00:20:59,400
Speaker 1: rod twist it's Brandon's.

426
00:20:58,880 --> 00:21:06,840
Speaker 2: That would have been really juicy, imagine.

427
00:21:07,119 --> 00:21:09,760
Speaker 1: But Jesse doubles down on the fact that he really

428
00:21:09,840 --> 00:21:11,720
Speaker 1: likes Peter and his wife and he wants to invite

429
00:21:11,760 --> 00:21:17,560
Speaker 1: them over for dinner. So awkward award yikes. Did we

430
00:21:17,600 --> 00:21:18,639
Speaker 1: go to Dylan's house?

431
00:21:19,359 --> 00:21:20,479
Speaker 2: Oh yeah? By the fire?

432
00:21:21,040 --> 00:21:25,200
Speaker 1: Oh yeah, because I didn't know where they were at first,

433
00:21:25,240 --> 00:21:28,399
Speaker 1: Like I didn't recognize that set.

434
00:21:27,520 --> 00:21:30,520
Speaker 2: Dylan or were they at the Finley mansion?

435
00:21:30,800 --> 00:21:33,560
Speaker 1: They were at Dylan's. Oh wow, it wasn't It's like

436
00:21:33,560 --> 00:21:34,320
Speaker 1: a part of Dylan's.

437
00:21:34,680 --> 00:21:35,000
Speaker 2: Because the.

438
00:21:36,920 --> 00:21:41,920
Speaker 1: Phone rings and she invites Dylan to the malletting and.

439
00:21:41,840 --> 00:21:45,159
Speaker 2: He's not interested. Someone's trying to sell him magazines, but

440
00:21:45,240 --> 00:21:47,800
Speaker 2: it's Brandon. Yeah, the malletting.

441
00:21:47,960 --> 00:21:49,120
Speaker 3: You guys are going fast.

442
00:21:49,800 --> 00:21:53,800
Speaker 1: It's a big deal. The malletting. This is a Yeah.

443
00:21:53,960 --> 00:21:58,000
Speaker 1: We find out that this is a young woman that

444
00:21:58,119 --> 00:22:02,440
Speaker 1: Finley has set up to marry an older money bags guy.

445
00:22:02,720 --> 00:22:10,360
Speaker 2: Gross. So gross sketchy dot com. Yeah, speaking of sketchy,

446
00:22:12,760 --> 00:22:13,919
Speaker 2: the next scene go.

447
00:22:13,760 --> 00:22:16,960
Speaker 1: Ahead, Jenny outside the peach pit after dark word Ray

448
00:22:16,960 --> 00:22:18,320
Speaker 1: and Donna are making out in his truck.

449
00:22:18,600 --> 00:22:21,040
Speaker 2: Uh. Yeah, it is so sketchy.

450
00:22:21,440 --> 00:22:26,080
Speaker 1: I wrote down, OMG, I hate you Ray Pruett, You're

451
00:22:26,119 --> 00:22:26,639
Speaker 1: a liar.

452
00:22:27,480 --> 00:22:31,320
Speaker 2: Yeah, but I was like Valerie with the crazy face.

453
00:22:32,400 --> 00:22:35,040
Speaker 1: Like that, Why would she park like that behind his car,

454
00:22:35,160 --> 00:22:42,320
Speaker 1: like basically blocking his so weirdy they're crazy, and poor

455
00:22:42,400 --> 00:22:43,320
Speaker 1: Donna is just.

456
00:22:44,280 --> 00:22:46,359
Speaker 3: Know she's so in love.

457
00:22:46,760 --> 00:22:47,800
Speaker 1: We want to shaker.

458
00:22:49,440 --> 00:22:51,480
Speaker 2: Yeah, it was worse if we had a name.

459
00:22:51,720 --> 00:22:57,280
Speaker 1: Who's worse Valerie or Ray? Say you or Donna at

460
00:22:57,320 --> 00:23:00,119
Speaker 1: this point in your life at this time? No, it

461
00:23:00,200 --> 00:23:05,520
Speaker 1: was so confused. I wasn't sure at this moment, Ray,

462
00:23:05,680 --> 00:23:08,399
Speaker 1: because he's lying to Donna's face.

463
00:23:09,280 --> 00:23:15,840
Speaker 2: True, okay, fair, fair, she we expect nothing of Valerie.

464
00:23:16,640 --> 00:23:21,359
Speaker 1: No, yeah, true, we want to like this guy because

465
00:23:21,400 --> 00:23:23,640
Speaker 1: Donna likes him. Wait, do I get to stay on mess?

466
00:23:23,880 --> 00:23:24,080
Speaker 2: Yeah?

467
00:23:24,960 --> 00:23:26,760
Speaker 1: You think? I mean you could say something? Ask me

468
00:23:26,840 --> 00:23:30,520
Speaker 1: the question again, who's worse at this moment? Ray or

469
00:23:30,640 --> 00:23:34,000
Speaker 1: val Okay, it's not worse. Worse at what like that

470
00:23:34,080 --> 00:23:35,760
Speaker 1: could be being a human being?

471
00:23:36,680 --> 00:23:40,959
Speaker 4: Ooh, existing, I mean Valerie's not hurting anyone. She had

472
00:23:41,000 --> 00:23:42,720
Speaker 4: no investment in Donna. It's not her problem.

473
00:23:43,119 --> 00:23:43,960
Speaker 2: Like she's just doing.

474
00:23:44,080 --> 00:23:47,000
Speaker 1: She's not hurting anyone. She's hurting everyone, but she doesn't

475
00:23:48,480 --> 00:23:51,359
Speaker 1: she she has stakes in it. She is no no

476
00:23:51,480 --> 00:23:54,479
Speaker 1: emotional steaks in anyone. She's doing what's right for her.

477
00:23:55,240 --> 00:23:58,440
Speaker 4: She's going way below the belt, is the thing anymore?

478
00:23:59,720 --> 00:24:01,560
Speaker 4: Or of the belt are all around the belt?

479
00:24:01,680 --> 00:24:06,080
Speaker 3: But you know, I don't know. Yeah, I guess Ray? Fine?

480
00:24:07,240 --> 00:24:12,439
Speaker 1: Oh nice, you actually saw yeah pretty terrible?

481
00:24:12,560 --> 00:24:17,640
Speaker 2: Yeah, No, Ray, because I don't even like Ray from

482
00:24:17,760 --> 00:24:21,639
Speaker 2: the Breakfast Flip. Pretend there was no Donna, or pretend

483
00:24:21,720 --> 00:24:23,440
Speaker 2: Donna's some random we don't even care about.

484
00:24:24,359 --> 00:24:26,440
Speaker 1: I don't like Ray at all. I don't like Ray.

485
00:24:26,840 --> 00:24:29,440
Speaker 1: I don't like Bray and his little whiny want to

486
00:24:29,520 --> 00:24:31,560
Speaker 1: Donna all the time about what he wants, what he

487
00:24:31,600 --> 00:24:32,160
Speaker 1: doesn't want.

488
00:24:32,160 --> 00:24:35,920
Speaker 3: Sing it all on the show back his performance in

489
00:24:36,040 --> 00:24:37,200
Speaker 3: him slightly.

490
00:24:37,480 --> 00:24:42,399
Speaker 1: Not like thatble So it's like, oh, yeah, but what

491
00:24:42,720 --> 00:24:45,440
Speaker 1: would be watching him sing at the peach pit after

492
00:24:45,600 --> 00:24:49,640
Speaker 1: dark make me like him? You liking musicians so amazing? Yeah,

493
00:24:49,800 --> 00:24:51,840
Speaker 1: you're right, Oh my god, that's so funny. I was.

494
00:24:52,480 --> 00:24:54,520
Speaker 1: Jason sent me a text the other day that he

495
00:24:54,680 --> 00:24:56,960
Speaker 1: was said, I've met the Nashville Airport and I saw

496
00:24:57,040 --> 00:24:58,320
Speaker 1: this and it made me think of you want me

497
00:24:58,359 --> 00:24:59,800
Speaker 1: to pick you up? One? And it was a te

498
00:25:00,080 --> 00:25:02,879
Speaker 1: shirt that said DIBs on the drummer.

499
00:25:04,680 --> 00:25:06,399
Speaker 3: That's good funny, right.

500
00:25:07,080 --> 00:25:13,360
Speaker 1: I like musicians, but anymore, I mean I used to. Yeah, yeah,

501
00:25:13,480 --> 00:25:15,160
Speaker 1: this seems pretty heart wrenching.

502
00:25:14,920 --> 00:25:17,920
Speaker 4: To watch everyone else musician my entire life except on

503
00:25:18,000 --> 00:25:19,680
Speaker 4: TV except for rayp rut.

504
00:25:19,760 --> 00:25:21,680
Speaker 1: He was the one and only and look what he

505
00:25:21,760 --> 00:25:25,600
Speaker 1: did to you, I know, So yeah, yep.

506
00:25:26,320 --> 00:25:26,680
Speaker 2: Then we go.

507
00:25:26,840 --> 00:25:29,480
Speaker 1: Yep, we're at the Miletting. It's a very beautiful ceremony.

508
00:25:29,760 --> 00:25:36,240
Speaker 1: Dylan's there with Killy killing Dylan and Chilly well they're

509
00:25:36,320 --> 00:25:41,560
Speaker 1: killing her softly basically, yeah, Kelly. And that's where Dylan

510
00:25:41,600 --> 00:25:45,480
Speaker 1: finds out that the elderly man Mason that is getting

511
00:25:45,520 --> 00:25:48,480
Speaker 1: married to the young gal, he is going to sell

512
00:25:48,560 --> 00:25:50,840
Speaker 1: his house to give that money to the new evolution.

513
00:25:51,440 --> 00:25:52,000
Speaker 2: So crazy?

514
00:25:52,200 --> 00:25:55,680
Speaker 1: How much you think that is? Like couple mill No,

515
00:25:56,160 --> 00:25:56,960
Speaker 1: three hundred thousand.

516
00:25:57,440 --> 00:25:59,400
Speaker 3: I was gonna say fifty. I don't know. I don't

517
00:25:59,400 --> 00:25:59,720
Speaker 3: feel like.

518
00:25:59,760 --> 00:26:01,280
Speaker 2: It's I don't think he was a millionaire.

519
00:26:02,280 --> 00:26:06,159
Speaker 1: Well that is a pretty nice house, you guys, what

520
00:26:07,240 --> 00:26:09,760
Speaker 1: those are? Maybe have to get the crisis the house there,

521
00:26:10,280 --> 00:26:13,000
Speaker 1: he's going to sell that house and donate that money.

522
00:26:13,080 --> 00:26:15,080
Speaker 2: Oh a million? I do think it. Then?

523
00:26:15,560 --> 00:26:17,520
Speaker 3: Oh, I was thinking answers in.

524
00:26:18,160 --> 00:26:23,359
Speaker 2: Some house in Studio City. I don't know. No. I

525
00:26:23,560 --> 00:26:27,000
Speaker 2: like this scene where they're kind of talking and there

526
00:26:27,240 --> 00:26:30,320
Speaker 2: is this where we have the kiss. Where do we

527
00:26:30,440 --> 00:26:31,920
Speaker 2: but be outside?

528
00:26:32,760 --> 00:26:34,080
Speaker 1: I think we have the kiss outside?

529
00:26:34,359 --> 00:26:37,840
Speaker 2: Yeah, okay, so I think there's an Andrea. Sorry, oh

530
00:26:37,920 --> 00:26:39,320
Speaker 2: my god, there's an Andrea.

531
00:26:39,720 --> 00:26:42,760
Speaker 3: Wow. That was a real creamy pause.

532
00:26:42,880 --> 00:26:44,480
Speaker 1: Would you like us to edit that or would you.

533
00:26:44,520 --> 00:26:48,560
Speaker 2: Like let it be left in?

534
00:26:49,640 --> 00:26:49,960
Speaker 1: You would?

535
00:26:50,160 --> 00:26:54,480
Speaker 2: Wow? That was and kiss? I think then we go back,

536
00:26:54,680 --> 00:26:57,719
Speaker 2: so go for it. Talk to me about all the kisses.

537
00:26:58,200 --> 00:27:00,200
Speaker 1: Well, did you I did notice a little but in

538
00:27:00,280 --> 00:27:04,159
Speaker 1: this scene that I didn't see any burn glue on

539
00:27:04,280 --> 00:27:07,040
Speaker 1: Kelly's neck. We were shooting like right over her shoulders,

540
00:27:07,359 --> 00:27:09,840
Speaker 1: and my neck was pure as the driven snow.

541
00:27:10,040 --> 00:27:13,720
Speaker 2: Like it used to be. Burn consistency is not always

542
00:27:13,880 --> 00:27:17,560
Speaker 2: accurate because the burn comes and goes like the wind.

543
00:27:17,680 --> 00:27:24,080
Speaker 1: I think too, Yeah, Diana Valentine, Diane Valentine, Oh our

544
00:27:24,240 --> 00:27:28,000
Speaker 1: continuity later, Yeah, she never missed a thing. That's interesting.

545
00:27:28,560 --> 00:27:31,800
Speaker 1: Was she there then in that season? I think so, Yeah,

546
00:27:32,080 --> 00:27:34,880
Speaker 1: she was always there. But you know what they used

547
00:27:34,920 --> 00:27:37,720
Speaker 1: for that? When I say the neck glue, because that's

548
00:27:37,760 --> 00:27:42,000
Speaker 1: what they used to put on my neck, rubber cement. No,

549
00:27:42,359 --> 00:27:46,080
Speaker 1: like rub it around and then paint a makeup over it. Wait,

550
00:27:46,119 --> 00:27:48,919
Speaker 1: it was like a rubber prosthetic and then they made.

551
00:27:48,800 --> 00:27:52,600
Speaker 2: It make a look. It was literally ball that we

552
00:27:52,680 --> 00:27:53,680
Speaker 2: all made in sixth grade.

553
00:27:54,200 --> 00:27:57,440
Speaker 3: Yeah, shut up, and then you use.

554
00:27:57,480 --> 00:27:59,359
Speaker 1: Spread it on your head and then like rub it

555
00:27:59,440 --> 00:28:00,440
Speaker 1: and make a book on it.

556
00:28:03,520 --> 00:28:06,359
Speaker 4: Because it was glue, but then it wasn't glue, like

557
00:28:06,400 --> 00:28:07,840
Speaker 4: one kid in the corner that was eating it and

558
00:28:07,920 --> 00:28:08,240
Speaker 4: you were.

559
00:28:08,160 --> 00:28:09,800
Speaker 3: Like, oh god, far glue.

560
00:28:10,400 --> 00:28:13,159
Speaker 2: That's Stuff's going to be a problem from that. But

561
00:28:13,400 --> 00:28:15,399
Speaker 2: rubber cement, when we got to rubber cement from the

562
00:28:15,480 --> 00:28:18,800
Speaker 2: White Elmers, that was life changing because you could you

563
00:28:18,880 --> 00:28:20,560
Speaker 2: could really go out, you didn't have to be so

564
00:28:20,720 --> 00:28:22,680
Speaker 2: perfect about it, and then you could rub it off

565
00:28:22,840 --> 00:28:23,240
Speaker 2: the over.

566
00:28:23,680 --> 00:28:29,119
Speaker 1: Oh yeah, you're glue overage. Yeah. So yeah, there's that.

567
00:28:29,320 --> 00:28:31,360
Speaker 1: And then they kiss in the non rain.

568
00:28:32,040 --> 00:28:34,680
Speaker 2: Right, but they oh, it's so beautiful in the rain.

569
00:28:36,240 --> 00:28:39,200
Speaker 2: But I like that kiss. I mean, I don't know

570
00:28:39,280 --> 00:28:41,720
Speaker 2: who I like you with more both.

571
00:28:43,040 --> 00:28:45,600
Speaker 1: I know, I don't know who I like Kelly with

572
00:28:45,760 --> 00:28:48,040
Speaker 1: more either. And that's the hardest part. It's because people

573
00:28:48,640 --> 00:28:52,400
Speaker 1: for the rest of my life will ask me which

574
00:28:52,440 --> 00:28:55,280
Speaker 1: one was it, Kelly, Dylan or Brandon.

575
00:28:55,560 --> 00:28:59,000
Speaker 2: Both splitter into Like they said, a splitter into.

576
00:29:00,200 --> 00:29:05,280
Speaker 1: It sounds gross, But yeah, so Dylan and Kelly kiss,

577
00:29:05,320 --> 00:29:10,160
Speaker 1: which is a pretty big plot twist there. Yeah. Then

578
00:29:10,200 --> 00:29:12,240
Speaker 1: we go back and we see Andrea, who all of

579
00:29:12,280 --> 00:29:14,360
Speaker 1: a sudden has a conscience.

580
00:29:15,360 --> 00:29:16,040
Speaker 3: Why start now?

581
00:29:16,320 --> 00:29:18,920
Speaker 2: But I was rising in the elevator. Was this kissing

582
00:29:18,960 --> 00:29:21,840
Speaker 2: in the elevator scene and then the door opens into Chelsey.

583
00:29:22,440 --> 00:29:25,760
Speaker 1: No, this is when they're in the she's got started

584
00:29:25,800 --> 00:29:29,600
Speaker 1: her job and he comes in there and he doesn't

585
00:29:29,600 --> 00:29:32,160
Speaker 1: even shut the door all the way right.

586
00:29:32,280 --> 00:29:34,560
Speaker 4: Sorry, the elevator's later, so she doesn't like that he's

587
00:29:34,560 --> 00:29:37,760
Speaker 4: getting messy with it. I just didn't understand she didn't care, Like, no,

588
00:29:38,160 --> 00:29:39,360
Speaker 4: she cares all of a sudden.

589
00:29:40,200 --> 00:29:42,680
Speaker 1: Maybe it's because it's like interfering with her work.

590
00:29:42,840 --> 00:29:45,040
Speaker 4: Of a type personality and HER's coming out it's like

591
00:29:45,040 --> 00:29:47,600
Speaker 4: a working now, okay, personal didn't matter.

592
00:29:47,880 --> 00:29:49,400
Speaker 2: And now she's kissing the doctor.

593
00:29:50,240 --> 00:29:52,880
Speaker 1: It's so cliche and right in front of the window

594
00:29:53,080 --> 00:29:55,120
Speaker 1: with the weird little cutouts so you can see right

595
00:29:55,160 --> 00:29:57,600
Speaker 1: through it. I'm not comfortable with his hair.

596
00:29:57,760 --> 00:29:59,240
Speaker 2: That makes him so cute though.

597
00:29:59,320 --> 00:30:01,480
Speaker 1: It's his hair and its dimples.

598
00:30:01,680 --> 00:30:03,040
Speaker 2: Yeah, maybe I like the.

599
00:30:03,080 --> 00:30:04,360
Speaker 3: Hair, like long hairs.

600
00:30:04,520 --> 00:30:07,080
Speaker 2: Yeah, it's gonna get bad for them.

601
00:30:07,800 --> 00:30:08,840
Speaker 3: Start back and watch.

602
00:30:21,520 --> 00:30:24,960
Speaker 1: Now we're gonna go to Rai's mom's house smoking while

603
00:30:25,000 --> 00:30:30,360
Speaker 1: she vacuums. Well, because who doesn't totally her hoss was

604
00:30:30,360 --> 00:30:31,680
Speaker 1: a mess. What do you think that was on the

605
00:30:31,720 --> 00:30:32,880
Speaker 1: floor When.

606
00:30:32,800 --> 00:30:35,720
Speaker 2: She says it's a dump, She's all a nice place.

607
00:30:35,800 --> 00:30:39,840
Speaker 1: That says nice place. It's a dump. I mean, I

608
00:30:40,000 --> 00:30:44,800
Speaker 1: mean I looked very comfortable. It's feel comfortable there watching it, right,

609
00:30:45,560 --> 00:30:46,480
Speaker 1: I felt comfortable.

610
00:30:46,880 --> 00:30:47,480
Speaker 2: I did not.

611
00:30:48,760 --> 00:30:50,400
Speaker 1: I wanted to help her clean it a little bit.

612
00:30:50,920 --> 00:30:52,760
Speaker 2: I felt nervous about that rug that it hasn't been

613
00:30:52,840 --> 00:30:53,760
Speaker 2: shampooed in a while.

614
00:30:54,240 --> 00:30:54,720
Speaker 1: Mm hmmm.

615
00:30:55,080 --> 00:30:57,960
Speaker 2: Probably smells so smoky. She smokes a lot. I can't tell.

616
00:30:58,000 --> 00:30:59,720
Speaker 2: She was kind of going to go outside to smoke.

617
00:30:59,800 --> 00:31:05,720
Speaker 1: But like, Na, how did Valerie find out where Ray lives?

618
00:31:06,040 --> 00:31:08,520
Speaker 4: She can find out anything, you guys. This is great,

619
00:31:08,720 --> 00:31:10,480
Speaker 4: her first biger, first radio.

620
00:31:10,640 --> 00:31:12,440
Speaker 1: She is like, she google it?

621
00:31:13,040 --> 00:31:14,480
Speaker 2: Wa question?

622
00:31:16,560 --> 00:31:20,240
Speaker 1: She looked in the Thomas Guide. How would she know

623
00:31:20,320 --> 00:31:23,080
Speaker 1: where he yellow page? They had yellow pages still.

624
00:31:23,960 --> 00:31:26,240
Speaker 2: Oh yeah, maybe the addresses in the white pages.

625
00:31:26,720 --> 00:31:29,920
Speaker 1: The white pages. But it's all one thing, right, It's

626
00:31:30,000 --> 00:31:32,520
Speaker 1: so back to the future. Remember what comes first?

627
00:31:32,640 --> 00:31:33,200
Speaker 3: Yellow or white?

628
00:31:33,240 --> 00:31:35,360
Speaker 2: How do they do yellow businesses? Right?

629
00:31:35,520 --> 00:31:39,000
Speaker 1: And it depends on how big your town is, because

630
00:31:39,320 --> 00:31:41,760
Speaker 1: if your town's really big, then it's just like exclusive

631
00:31:41,800 --> 00:31:44,360
Speaker 1: to the yellow pages. Oh they don't like sorry, only

632
00:31:44,440 --> 00:31:45,240
Speaker 1: New Beverly Hills.

633
00:31:45,880 --> 00:31:48,080
Speaker 2: Like it just makes me think of Marty McFly. He

634
00:31:48,200 --> 00:31:50,160
Speaker 2: goes and the diner and he's trying to find Doc

635
00:31:50,200 --> 00:31:51,600
Speaker 2: Brown and he tears the page.

636
00:31:53,040 --> 00:31:55,920
Speaker 1: That's how she did it. That's how she found him. Wait,

637
00:31:56,440 --> 00:32:01,320
Speaker 1: she comes over to bring him his sheet music? Does

638
00:32:01,360 --> 00:32:04,240
Speaker 1: he really carry a portfolio with his she? Is he

639
00:32:04,320 --> 00:32:06,000
Speaker 1: a freaking conductor? What's happening?

640
00:32:06,200 --> 00:32:07,360
Speaker 3: I just got really defensive.

641
00:32:07,480 --> 00:32:11,040
Speaker 4: Oh my god, you guys, I'm so screwed up emotionally

642
00:32:11,120 --> 00:32:12,840
Speaker 4: with all of these men on the show.

643
00:32:13,120 --> 00:32:16,680
Speaker 2: And these people are a mess, Like I literally want

644
00:32:16,720 --> 00:32:21,880
Speaker 2: to yeah, they're a mess. Because she then this pushed

645
00:32:21,960 --> 00:32:24,160
Speaker 2: this whole thing pushes me over the edge. What the

646
00:32:24,240 --> 00:32:27,880
Speaker 2: hell are you doing? Then she says, I'm sorry, I

647
00:32:28,000 --> 00:32:29,200
Speaker 2: got so possessive.

648
00:32:29,720 --> 00:32:33,120
Speaker 1: I just was like, wtf is authough?

649
00:32:33,160 --> 00:32:34,720
Speaker 3: She's just doing a mind app on him?

650
00:32:34,800 --> 00:32:38,080
Speaker 2: Like correct, But also remember back then we would use

651
00:32:38,120 --> 00:32:41,440
Speaker 2: that word possessive. Don't be possessive of him?

652
00:32:41,520 --> 00:32:42,880
Speaker 3: Oh you're right, what is that word now?

653
00:32:43,400 --> 00:32:43,800
Speaker 2: Clingy?

654
00:32:44,040 --> 00:32:44,200
Speaker 1: Now?

655
00:32:44,480 --> 00:32:48,720
Speaker 2: Maybe clingy? I don't know what triggered me. I was like, Valerie,

656
00:32:49,240 --> 00:32:54,800
Speaker 2: it's not being crazy, how about that? And raise so mean?

657
00:32:55,440 --> 00:32:57,800
Speaker 2: Like she should be like, you're not even a nice

658
00:32:58,360 --> 00:33:01,400
Speaker 2: like side piece. I'm saying, is like even if I

659
00:33:01,520 --> 00:33:04,320
Speaker 2: was to open my mind to this nonsense of him

660
00:33:04,400 --> 00:33:09,040
Speaker 2: being like her side piece and she's his. Okay, he's mean,

661
00:33:09,360 --> 00:33:11,440
Speaker 2: here's a terrible side piece like that.

662
00:33:11,520 --> 00:33:14,719
Speaker 1: I mean, but we've already established that she's not well mentally,

663
00:33:14,880 --> 00:33:17,280
Speaker 1: and so she of course is going to want that

664
00:33:17,840 --> 00:33:19,080
Speaker 1: person that's going to be mean to her.

665
00:33:19,520 --> 00:33:21,120
Speaker 2: I'll tell you how this is going to work.

666
00:33:21,480 --> 00:33:25,240
Speaker 1: Like a challenge. I start saying the word possessive. That's awesome,

667
00:33:25,720 --> 00:33:27,560
Speaker 1: but possess it was like a demon though.

668
00:33:27,640 --> 00:33:29,640
Speaker 2: Yeah, you weren't well. Yeah, but like I remember in

669
00:33:29,720 --> 00:33:32,520
Speaker 2: college being like people being like, don't be possessive.

670
00:33:32,640 --> 00:33:34,960
Speaker 1: You're right, No, I know what it was like so bad,

671
00:33:35,160 --> 00:33:36,560
Speaker 1: And I'm like, you know what I mean, I would

672
00:33:36,600 --> 00:33:37,560
Speaker 1: we even say that?

673
00:33:37,680 --> 00:33:38,760
Speaker 2: We were so dumb?

674
00:33:39,680 --> 00:33:41,840
Speaker 1: Yep. Then leu Anne comes out and gives him some

675
00:33:41,960 --> 00:33:43,760
Speaker 1: more advice to watch out for that one.

676
00:33:44,600 --> 00:33:46,360
Speaker 2: She's here's the thing.

677
00:33:46,600 --> 00:33:49,800
Speaker 4: Okay, let's say touched Luann for a second. So his mama,

678
00:33:50,800 --> 00:33:53,240
Speaker 4: here's the thing. There's some of the weird thing going

679
00:33:53,280 --> 00:33:54,920
Speaker 4: on here, like wait, what is it?

680
00:33:55,040 --> 00:33:55,760
Speaker 3: The Oedipus note?

681
00:33:55,800 --> 00:33:56,120
Speaker 1: What is it?

682
00:33:56,960 --> 00:33:57,120
Speaker 2: Yeah?

683
00:33:57,240 --> 00:34:02,160
Speaker 4: That's okay, Yeah, So she wants to screw up everything

684
00:34:02,240 --> 00:34:04,080
Speaker 4: for him. She doesn't want him to be happy. She

685
00:34:04,120 --> 00:34:06,600
Speaker 4: doesn't want him to leave her because she's saying, just

686
00:34:06,680 --> 00:34:08,839
Speaker 4: go screw someone, and she done your good.

687
00:34:09,400 --> 00:34:12,080
Speaker 1: I think she's she wants to make sure he keeps Donna.

688
00:34:12,760 --> 00:34:17,799
Speaker 2: I oh, so she likes to Donna gravy train too.

689
00:34:17,960 --> 00:34:18,840
Speaker 2: She wants she.

690
00:34:18,880 --> 00:34:20,280
Speaker 3: Wants him to pick the rate.

691
00:34:22,080 --> 00:34:24,200
Speaker 4: Girl to cheat on, but he's she said, just go

692
00:34:24,280 --> 00:34:26,279
Speaker 4: on and get someone, get someone, get it somewhere else.

693
00:34:26,440 --> 00:34:28,799
Speaker 1: But I think she doesn't want him to get caught

694
00:34:28,840 --> 00:34:31,080
Speaker 1: up with this one because she's in a class by herself. Yeah,

695
00:34:32,200 --> 00:34:32,760
Speaker 1: she's trouble.

696
00:34:32,880 --> 00:34:34,879
Speaker 3: What does Louianne want for Ray?

697
00:34:35,360 --> 00:34:36,279
Speaker 2: She's not a great mom.

698
00:34:36,400 --> 00:34:38,879
Speaker 1: I'm not gonna she is not She wants Donna for Ray,

699
00:34:38,920 --> 00:34:42,879
Speaker 1: but she wants Ray to be happy. Whether it's right

700
00:34:43,000 --> 00:34:47,200
Speaker 1: to get his you know, I want anybody is want

701
00:34:48,680 --> 00:34:50,120
Speaker 1: because I don't think she's happy.

702
00:34:49,920 --> 00:34:51,040
Speaker 3: And she doesn't want him to be happy.

703
00:34:51,760 --> 00:34:55,080
Speaker 2: Oh I didn't get that. My take was he's gonna

704
00:34:55,120 --> 00:34:58,240
Speaker 2: dump Donna and she doesn't sleep with him. So missus

705
00:34:58,320 --> 00:35:02,560
Speaker 2: Pruett is saying, no, oh, keep Donna, but just get

706
00:35:02,600 --> 00:35:05,360
Speaker 2: your rocks off? Is that how you say that? On

707
00:35:05,480 --> 00:35:09,719
Speaker 2: the side, it's terrible mothering. She's not a good it's

708
00:35:10,120 --> 00:35:16,640
Speaker 2: not good mothering. She's terrible advice. I mean, it's all bad.

709
00:35:17,120 --> 00:35:20,399
Speaker 2: There's a mess, and are actually meant for each other

710
00:35:20,480 --> 00:35:21,720
Speaker 2: because they're both terrible.

711
00:35:24,320 --> 00:35:26,000
Speaker 3: It's just a mess. Okay.

712
00:35:26,680 --> 00:35:29,239
Speaker 1: Then we go to the house. We see Brandon and

713
00:35:29,400 --> 00:35:33,040
Speaker 1: Dylan together, which is always nice to see.

714
00:35:33,400 --> 00:35:35,479
Speaker 2: They both looked great, they did.

715
00:35:36,040 --> 00:35:40,080
Speaker 1: And they're at Brandon's house now, so he's there to

716
00:35:40,120 --> 00:35:42,560
Speaker 1: basically report back to Brandon about what he saw at

717
00:35:43,000 --> 00:35:46,040
Speaker 1: the New Evolution, and I was very pleased.

718
00:35:46,239 --> 00:35:51,320
Speaker 2: He tells about the kiss. He's very honest. I was like,

719
00:35:51,480 --> 00:35:54,640
Speaker 2: these two are my kind of people because I was so.

720
00:35:54,719 --> 00:35:58,920
Speaker 1: Brandon says, did you sleep with her? Yep, and Dylan says, no,

721
00:35:59,120 --> 00:36:02,000
Speaker 1: we kissed a couple of times. He had to add

722
00:36:02,040 --> 00:36:04,680
Speaker 1: that part though, I'm super honest about it more than

723
00:36:04,719 --> 00:36:08,160
Speaker 1: what you know what I mean, Like he's like, you

724
00:36:08,239 --> 00:36:08,880
Speaker 1: need to sell.

725
00:36:09,440 --> 00:36:10,040
Speaker 2: All of that.

726
00:36:10,280 --> 00:36:13,120
Speaker 1: Yeah, you didn't write, so he just had to like

727
00:36:13,160 --> 00:36:19,400
Speaker 1: get a little. But he does say to Brandon the

728
00:36:19,440 --> 00:36:23,080
Speaker 1: Finley isn't such a bad guy, like he sees the

729
00:36:23,760 --> 00:36:26,320
Speaker 1: things that Kelly sees, like the good parts of it.

730
00:36:27,040 --> 00:36:32,719
Speaker 2: Yes, I was a little concerned that the finleyness or

731
00:36:32,760 --> 00:36:34,960
Speaker 2: whatever it was called was sucking Dylan in But I

732
00:36:35,120 --> 00:36:36,520
Speaker 2: but I wasn't too concerned.

733
00:36:36,280 --> 00:36:39,719
Speaker 1: Just a little yeah, because you kind of felt like

734
00:36:39,800 --> 00:36:41,759
Speaker 1: he might be. That's good, because that's what we were

735
00:36:41,800 --> 00:36:42,399
Speaker 1: supposed to think.

736
00:36:42,520 --> 00:36:42,759
Speaker 2: Yeah.

737
00:36:46,000 --> 00:36:49,560
Speaker 1: Next next at Chancellor Arnold's office. We're back there with

738
00:36:49,760 --> 00:36:53,759
Speaker 1: Chancellor Arnold and Brandon the plastic. I was very concorded, right,

739
00:36:53,880 --> 00:36:55,960
Speaker 1: you're right. This is where he gets these condition of

740
00:36:56,040 --> 00:36:56,759
Speaker 1: the mold.

741
00:36:56,560 --> 00:36:58,560
Speaker 2: Because they're just like drying out the rug and I'm like,

742
00:36:58,600 --> 00:37:01,560
Speaker 2: you're gonna need to rip that up. I have a

743
00:37:01,680 --> 00:37:02,400
Speaker 2: mold problem.

744
00:37:02,480 --> 00:37:05,719
Speaker 1: But okay, I like seeing Chancellor Arnold in his rain

745
00:37:05,800 --> 00:37:06,279
Speaker 1: boots though.

746
00:37:06,640 --> 00:37:11,560
Speaker 2: Yep, he's so adorable. Really is. If you were to

747
00:37:11,680 --> 00:37:14,759
Speaker 2: look in my drawer, I wouldn't know anything about it.

748
00:37:15,560 --> 00:37:18,359
Speaker 2: You want to go to lunch, Oh I'm not available

749
00:37:18,520 --> 00:37:21,960
Speaker 2: because I'm going to be going through your files exactly.

750
00:37:22,080 --> 00:37:26,240
Speaker 1: And then he gets the information that he needs, Thank goodness, Greg, Jared.

751
00:37:29,719 --> 00:37:34,799
Speaker 1: So we are going to go back to wait, hold on, yeah,

752
00:37:34,920 --> 00:37:38,399
Speaker 1: this was weird. Oh okay, yeah, oh this is so weird.

753
00:37:38,480 --> 00:37:40,799
Speaker 1: This scene was creepy. We go back to the New

754
00:37:40,840 --> 00:37:45,400
Speaker 1: Evolution headquarters, where Dylan has gone to visit Professor Finley

755
00:37:45,760 --> 00:37:46,400
Speaker 1: was gross.

756
00:37:47,840 --> 00:37:48,080
Speaker 2: Yeah.

757
00:37:48,440 --> 00:37:50,640
Speaker 1: I wasn't sure at first what was going on. I

758
00:37:50,840 --> 00:37:55,560
Speaker 1: was like, wait a second, is does is Professor Finley

759
00:37:55,640 --> 00:37:59,040
Speaker 1: saying that he's going to marry Kelly like that he

760
00:37:59,200 --> 00:38:00,680
Speaker 1: wants to be listen.

761
00:38:00,560 --> 00:38:03,319
Speaker 2: To it somehow because he's like, we haven't become intimate yet,

762
00:38:04,680 --> 00:38:05,280
Speaker 2: not physically.

763
00:38:05,400 --> 00:38:07,439
Speaker 1: That was really good.

764
00:38:07,800 --> 00:38:08,720
Speaker 2: I wanted to puke.

765
00:38:09,760 --> 00:38:10,000
Speaker 1: Yeah.

766
00:38:12,040 --> 00:38:16,760
Speaker 2: Yeah, and then Dylan starts his double news, his double

767
00:38:16,840 --> 00:38:18,880
Speaker 2: He's now he's a double double agent.

768
00:38:19,520 --> 00:38:20,160
Speaker 3: Doubling down.

769
00:38:21,000 --> 00:38:23,399
Speaker 1: He tells Finley that he will donate all his money

770
00:38:23,800 --> 00:38:27,279
Speaker 1: to the New Evolution if Finley can convince Kelly to

771
00:38:27,400 --> 00:38:28,400
Speaker 1: be with Dylan.

772
00:38:29,000 --> 00:38:29,720
Speaker 2: Pretty genius.

773
00:38:30,360 --> 00:38:31,800
Speaker 3: It is really good that.

774
00:38:32,000 --> 00:38:35,600
Speaker 1: I was like, wow, okay, So in the other milettings

775
00:38:36,080 --> 00:38:38,920
Speaker 1: that we saw, it was usually a younger girl and

776
00:38:39,040 --> 00:38:41,680
Speaker 1: an older man, or young man and an older woman.

777
00:38:42,680 --> 00:38:45,280
Speaker 1: In this case, I feel like Kelly really hit the jackpot.

778
00:38:45,360 --> 00:38:48,960
Speaker 1: He should just go with it. You should just do

779
00:38:49,120 --> 00:38:52,040
Speaker 1: this because then they just be untouchable and they could

780
00:38:52,080 --> 00:38:53,240
Speaker 1: live happily ever after.

781
00:38:55,000 --> 00:38:55,960
Speaker 2: Make out with Finley.

782
00:38:57,400 --> 00:38:58,480
Speaker 1: What if that happened?

783
00:38:59,520 --> 00:39:02,440
Speaker 2: Oh, thank Maxium guy watched this and that's how he

784
00:39:02,560 --> 00:39:03,720
Speaker 2: got all his ideas.

785
00:39:04,600 --> 00:39:10,279
Speaker 3: Probably so grow that would be sad. That would be

786
00:39:10,440 --> 00:39:12,040
Speaker 3: We'd like to know we influenced a lot of people,

787
00:39:12,120 --> 00:39:12,840
Speaker 3: but not kissed.

788
00:39:13,320 --> 00:39:15,720
Speaker 2: Then Brandon's bebop to the beach else.

789
00:39:16,000 --> 00:39:19,960
Speaker 1: Yeah, I guess he's there looking for Kelly right, probably,

790
00:39:20,080 --> 00:39:21,640
Speaker 1: and he ends up using her phone and trying to

791
00:39:21,680 --> 00:39:23,759
Speaker 1: find this Greg Jarrett dude.

792
00:39:23,719 --> 00:39:27,960
Speaker 2: But he was also playing scrabble well everybody else.

793
00:39:28,080 --> 00:39:30,239
Speaker 1: Wait, this is the only place that we see Am

794
00:39:30,280 --> 00:39:32,200
Speaker 1: I wrong? Is this the only scene where we see

795
00:39:32,320 --> 00:39:33,919
Speaker 1: Steve but only the back of his head?

796
00:39:34,200 --> 00:39:37,680
Speaker 3: Again? That's right? Every episode? What number episode is this?

797
00:39:37,800 --> 00:39:37,920
Speaker 1: Now?

798
00:39:37,960 --> 00:39:39,560
Speaker 3: He's popped into one or two scenes.

799
00:39:39,800 --> 00:39:42,279
Speaker 1: Did he is happening? He did not.

800
00:39:42,360 --> 00:39:42,960
Speaker 2: He just walked.

801
00:39:43,080 --> 00:39:45,439
Speaker 1: You literally see the back of him walk through Frank.

802
00:39:45,880 --> 00:39:47,400
Speaker 3: Was it him or the same person that had on

803
00:39:47,480 --> 00:39:47,799
Speaker 3: that way?

804
00:39:49,280 --> 00:39:51,799
Speaker 2: It's so weird. I wonder what was going on? Could

805
00:39:51,840 --> 00:39:54,279
Speaker 2: he have been having like going on.

806
00:39:54,440 --> 00:39:56,600
Speaker 4: Like something at this point, there's something going on, like

807
00:39:56,680 --> 00:39:57,479
Speaker 4: he was filming something.

808
00:39:57,520 --> 00:39:58,359
Speaker 3: There was something else.

809
00:39:58,480 --> 00:40:01,719
Speaker 1: But they're having a game, they're having people over and

810
00:40:01,880 --> 00:40:03,280
Speaker 1: Donna is also invited.

811
00:40:05,160 --> 00:40:07,160
Speaker 2: You know, he probably spoke and it got cut.

812
00:40:09,440 --> 00:40:12,440
Speaker 1: I want to find out because it's been several episodes

813
00:40:12,480 --> 00:40:14,560
Speaker 1: where Steve Sanders is just after.

814
00:40:14,440 --> 00:40:16,560
Speaker 2: He had such a big one with Milton Brown.

815
00:40:16,680 --> 00:40:21,640
Speaker 1: Yeah, weird. Then we go back to the headquarters where

816
00:40:21,640 --> 00:40:23,680
Speaker 1: Professor Finley tells Kelly.

817
00:40:24,120 --> 00:40:27,200
Speaker 2: Struggling, No, it's me.

818
00:40:27,640 --> 00:40:28,160
Speaker 3: There's something.

819
00:40:29,719 --> 00:40:33,560
Speaker 1: Professor Finley tells Kelly that Dylan is her soulmate and

820
00:40:33,680 --> 00:40:37,680
Speaker 1: that he has potential to be a path.

821
00:40:37,560 --> 00:40:41,279
Speaker 3: Find That just must have screwed with her new on

822
00:40:41,760 --> 00:40:42,840
Speaker 3: so many levels.

823
00:40:43,160 --> 00:40:46,719
Speaker 1: Right, She was like processing all that and thinking late, yeah,

824
00:40:47,800 --> 00:40:51,800
Speaker 1: are you sure? Yeah? That was confusing.

825
00:40:52,160 --> 00:40:54,880
Speaker 2: I don't want to go backwards, but I do feel

826
00:40:54,920 --> 00:41:01,120
Speaker 2: that we have to acknowledge Clayre's belt, her crop top

827
00:41:01,719 --> 00:41:06,319
Speaker 2: with her belt around her just nothing. Did you guys

828
00:41:06,400 --> 00:41:06,680
Speaker 2: notice that?

829
00:41:06,960 --> 00:41:07,120
Speaker 1: Yeah?

830
00:41:07,160 --> 00:41:08,040
Speaker 3: I remember that was a thing.

831
00:41:08,840 --> 00:41:10,720
Speaker 2: She was wearing a crop top at a belt around

832
00:41:10,760 --> 00:41:12,440
Speaker 2: her stomach. Yeah, no pants.

833
00:41:13,640 --> 00:41:14,640
Speaker 1: I did not notice it.

834
00:41:14,880 --> 00:41:18,960
Speaker 2: It was very like what Kathleen.

835
00:41:18,680 --> 00:41:20,400
Speaker 1: Would do that a lot would do. Was that a

836
00:41:20,480 --> 00:41:22,800
Speaker 1: thing then or did she just like start that. I

837
00:41:22,920 --> 00:41:25,440
Speaker 1: don't remember this at all ever seeing her do that.

838
00:41:26,000 --> 00:41:27,840
Speaker 3: I remember Kathleen doing this often.

839
00:41:28,239 --> 00:41:44,320
Speaker 2: It was crazy cool though. So anyway back to Finley

840
00:41:45,080 --> 00:41:47,760
Speaker 2: being a matchmaker.

841
00:41:47,840 --> 00:41:51,800
Speaker 1: Right, he tells Kelly to love Dylan emotionally, spiritually, and physically,

842
00:41:52,920 --> 00:41:56,160
Speaker 1: and she's facing it in her head. Great, okay, okay,

843
00:41:57,560 --> 00:41:59,319
Speaker 1: if I have to twist my arm.

844
00:42:00,600 --> 00:42:03,320
Speaker 2: Was this also right before where Ray yells at Donna

845
00:42:03,480 --> 00:42:08,720
Speaker 2: because Valerie? Oh my god, yes, Oh, he's just getting

846
00:42:08,760 --> 00:42:09,440
Speaker 2: worse and worse.

847
00:42:10,120 --> 00:42:14,680
Speaker 4: Okay, okay, relax, my boyfriend you're talking about he's terrible, toy,

848
00:42:14,800 --> 00:42:15,640
Speaker 4: He's terrible.

849
00:42:15,760 --> 00:42:19,160
Speaker 2: You've got to goriam. Oh going.

850
00:42:20,160 --> 00:42:23,160
Speaker 1: Then we see Greg Jared's house, where Brandon has driven

851
00:42:23,200 --> 00:42:24,600
Speaker 1: all the way to the OC.

852
00:42:25,200 --> 00:42:28,960
Speaker 3: Which is irrelevant. He drives everywhere in like ten minutes,

853
00:42:29,000 --> 00:42:30,040
Speaker 3: so it doesn't matter.

854
00:42:30,600 --> 00:42:33,120
Speaker 1: Not that far in the right, and Greg tells him

855
00:42:33,160 --> 00:42:36,360
Speaker 1: to leave because he doesn't want to talk about anything

856
00:42:36,520 --> 00:42:41,280
Speaker 1: friendly related. Somehow he gets him to listen.

857
00:42:41,480 --> 00:42:48,160
Speaker 2: Yeah, our boy wonder convinced yes and gets the goods.

858
00:42:48,520 --> 00:42:50,839
Speaker 1: Oh my gosh. This is the scene where they're back

859
00:42:50,880 --> 00:42:53,560
Speaker 1: at the Cedars. We're back at the hospital and Jesse

860
00:42:53,800 --> 00:42:57,160
Speaker 1: and Andrea, I mean no, Peter and Andrea are making

861
00:42:57,320 --> 00:42:59,000
Speaker 1: out in the elevator, you guys, and.

862
00:42:59,000 --> 00:42:59,960
Speaker 2: The door opens in there.

863
00:43:00,080 --> 00:43:02,719
Speaker 3: It's Jesse. This is the one Amy's been waiting for.

864
00:43:03,280 --> 00:43:06,600
Speaker 2: It was a great makeout, even though I'm not happy

865
00:43:06,640 --> 00:43:07,000
Speaker 2: about it.

866
00:43:07,719 --> 00:43:14,560
Speaker 1: What are the chances zero? The chances are actually zero?

867
00:43:14,760 --> 00:43:15,600
Speaker 2: Are actually zero.

868
00:43:15,800 --> 00:43:18,120
Speaker 1: But this stuff happens to you guys in real life

869
00:43:18,200 --> 00:43:19,319
Speaker 1: on TV on TV.

870
00:43:20,000 --> 00:43:23,200
Speaker 4: Not this exactly, but just when you're like nothing like

871
00:43:23,280 --> 00:43:26,120
Speaker 4: this would ever happen, and somehow happens, it happens.

872
00:43:26,440 --> 00:43:30,919
Speaker 2: Here's my thought. Yes, Peter is too good at this, Peter,

873
00:43:31,040 --> 00:43:31,319
Speaker 2: I know.

874
00:43:32,120 --> 00:43:33,560
Speaker 3: No, don't stay.

875
00:43:33,760 --> 00:43:34,480
Speaker 2: I thought so too.

876
00:43:34,640 --> 00:43:37,680
Speaker 1: I was like, I've this smells fishy. Yes, so what

877
00:43:37,920 --> 00:43:38,880
Speaker 1: he's done this before?

878
00:43:38,960 --> 00:43:40,000
Speaker 3: How many times? Do you think?

879
00:43:40,480 --> 00:43:40,839
Speaker 1: A lot?

880
00:43:40,960 --> 00:43:43,320
Speaker 2: Because he's not happy with his wife. There's lots of

881
00:43:43,400 --> 00:43:47,200
Speaker 2: nurses and lots of young man you know who's he

882
00:43:47,320 --> 00:43:48,239
Speaker 2: is at the hospital.

883
00:43:48,600 --> 00:43:49,399
Speaker 1: Yep, yep, yep.

884
00:43:50,040 --> 00:43:54,680
Speaker 2: Totally. He is way too smooth. He was not even

885
00:43:55,200 --> 00:43:58,440
Speaker 2: taken the sideways by Jesse. It was just hey, hey,

886
00:43:58,560 --> 00:44:01,680
Speaker 2: great to see you, Andrea Man, I'd love to do dinner.

887
00:44:02,680 --> 00:44:08,560
Speaker 2: And I just was like, oh yeah yeah.

888
00:44:10,719 --> 00:44:15,320
Speaker 1: Then back to Dylan's house where they kind of have

889
00:44:15,560 --> 00:44:19,480
Speaker 1: set up like a little intervention are Kelly, Yes, and

890
00:44:19,600 --> 00:44:24,239
Speaker 1: she thinks she's coming over to get her man, Yeah,

891
00:44:24,400 --> 00:44:29,520
Speaker 1: seal the deal. She's gonna go do some Finley speak

892
00:44:29,640 --> 00:44:30,200
Speaker 1: with Dylan.

893
00:44:31,040 --> 00:44:33,360
Speaker 2: Oh Finley speak, and she.

894
00:44:33,400 --> 00:44:38,920
Speaker 1: Says, meaningful change begins with personal sacrifice. Oh gosh, and

895
00:44:40,120 --> 00:44:42,560
Speaker 1: he tells her the truth. He tells her that Finley

896
00:44:43,400 --> 00:44:46,680
Speaker 1: it would take his money if he could sleep with Kelly,

897
00:44:47,520 --> 00:44:49,680
Speaker 1: and then he calls out Brandon and Greg.

898
00:44:49,840 --> 00:44:52,840
Speaker 2: Yeah, he's like behind door number two, go on, Brandon,

899
00:44:53,160 --> 00:44:58,440
Speaker 2: come on Greg. Oh but that picture, the picture, oh,

900
00:44:58,520 --> 00:44:59,439
Speaker 2: the picture.

901
00:44:59,239 --> 00:45:01,880
Speaker 1: Of him man carrying that woman who must have been

902
00:45:01,920 --> 00:45:05,239
Speaker 1: eighty years old, definitely eighty.

903
00:45:05,840 --> 00:45:08,399
Speaker 2: The terribleness that he tried to commit suicide.

904
00:45:09,239 --> 00:45:11,680
Speaker 1: I think that was it for Kelly. Once she saw that.

905
00:45:11,920 --> 00:45:16,560
Speaker 3: Totally, she was like, oh, yeah, what have I done?

906
00:45:17,880 --> 00:45:21,920
Speaker 2: Yeah. Then I got confused because she leaves with Dylan.

907
00:45:22,520 --> 00:45:25,279
Speaker 1: H Brandon's like, I'll take you, and then she leaves

908
00:45:25,280 --> 00:45:28,680
Speaker 1: with Dylan. I didn't really weird because she's always left

909
00:45:28,760 --> 00:45:31,239
Speaker 1: with Dylan and she'll always leave with Dylan in her heart,

910
00:45:31,680 --> 00:45:32,319
Speaker 1: except at.

911
00:45:32,200 --> 00:45:35,440
Speaker 2: The end of this episode she goes with Brandon and

912
00:45:35,640 --> 00:45:37,120
Speaker 2: Dylan walks off alone.

913
00:45:37,719 --> 00:45:40,719
Speaker 1: I think that she wants to go with Dylan. Like

914
00:45:40,800 --> 00:45:43,680
Speaker 1: I feel that she wants to go with Dylan. I mean,

915
00:45:44,000 --> 00:45:47,480
Speaker 1: not just because she was brainwashed, but and then even

916
00:45:47,600 --> 00:45:50,120
Speaker 1: at the scene when they're leaving the New Evolution at

917
00:45:50,160 --> 00:45:53,680
Speaker 1: the end, YEP, I feel like she's just pulled so

918
00:45:53,880 --> 00:45:57,880
Speaker 1: strongly back to him. But goes with Brandon anyway.

919
00:45:58,040 --> 00:46:00,520
Speaker 2: I hate to say it, but her so old mate

920
00:46:00,640 --> 00:46:01,120
Speaker 2: is Dylan.

921
00:46:01,760 --> 00:46:03,960
Speaker 3: But you can have two versions of a soulmate, like.

922
00:46:04,480 --> 00:46:05,960
Speaker 2: A great poietory. True.

923
00:46:06,239 --> 00:46:09,800
Speaker 1: Yeah, I think Brandon's her soulmate on a different level.

924
00:46:11,000 --> 00:46:13,840
Speaker 1: But I think Brandon's good for her. I mean, aside

925
00:46:13,840 --> 00:46:15,279
Speaker 1: from the fact that he cheated on her and let

926
00:46:15,320 --> 00:46:18,799
Speaker 1: her burn in the house fire. But I think as

927
00:46:18,880 --> 00:46:22,440
Speaker 1: of her partner, he's he is, he's solid, he's a

928
00:46:22,520 --> 00:46:27,200
Speaker 1: good match, and he calms her in. But Dylan ignites

929
00:46:27,280 --> 00:46:31,840
Speaker 1: her in every meaningful way. It's just yeah, let's go

930
00:46:31,920 --> 00:46:35,440
Speaker 1: back to the peach bit though, because Ray apologizes to

931
00:46:35,600 --> 00:46:37,640
Speaker 1: Donna for acting like a jerk when he yelled at

932
00:46:37,680 --> 00:46:40,719
Speaker 1: her about Valerie. Not I mean, obviously he's not gonna

933
00:46:40,719 --> 00:46:42,800
Speaker 1: stick around for Valerie to come over and play scrabble.

934
00:46:43,239 --> 00:46:45,080
Speaker 2: That was so crazy too.

935
00:46:45,360 --> 00:46:50,640
Speaker 1: And of course Donna forgives him right away, which I

936
00:46:50,840 --> 00:46:51,239
Speaker 1: did not like.

937
00:46:51,320 --> 00:46:55,440
Speaker 2: See yeah, too soon she forgives him, And then there's

938
00:46:55,800 --> 00:46:56,680
Speaker 2: crazy Valerie.

939
00:46:56,800 --> 00:47:00,880
Speaker 1: There's old val How does she wind to walk in

940
00:47:01,160 --> 00:47:03,719
Speaker 1: just the right moments? Every time literally got a they

941
00:47:03,760 --> 00:47:09,520
Speaker 1: said action and they were like que gallory. I know,

942
00:47:09,719 --> 00:47:10,919
Speaker 1: but I don't think of that when.

943
00:47:10,840 --> 00:47:13,719
Speaker 2: I pretend it's real, pretending it's real.

944
00:47:13,920 --> 00:47:17,080
Speaker 1: And she and then she goes backstage. She goes backstage

945
00:47:17,120 --> 00:47:18,399
Speaker 1: and she wants to get frisky with Ray.

946
00:47:18,880 --> 00:47:20,040
Speaker 2: Oh, I forgot about that.

947
00:47:21,400 --> 00:47:24,560
Speaker 1: She's so stupid, Like she doesn't understand the word no.

948
00:47:25,360 --> 00:47:28,200
Speaker 3: She's the word no. She just wants what she wants.

949
00:47:28,560 --> 00:47:29,960
Speaker 2: And I think, Tori, this is where she sort of

950
00:47:30,000 --> 00:47:30,680
Speaker 2: does the threat.

951
00:47:32,200 --> 00:47:35,120
Speaker 1: Well right where she says, I wonder where Donna went.

952
00:47:35,920 --> 00:47:38,520
Speaker 1: She's going to go talk to her ice cream. Dad

953
00:47:38,760 --> 00:47:42,680
Speaker 1: threatened like, is she going to find you and tell you?

954
00:47:43,440 --> 00:47:46,480
Speaker 2: I mean, at some point, if you were Ray, would

955
00:47:46,520 --> 00:47:49,040
Speaker 2: you sleep with her? Or just tell Donna yourself? Hey, Donna,

956
00:47:49,600 --> 00:47:51,239
Speaker 2: I love you, but I messed up and I slept

957
00:47:51,280 --> 00:47:53,000
Speaker 2: at Valerie and now she's gone full Cray.

958
00:47:53,400 --> 00:47:56,440
Speaker 1: Okay, okay, he should because I feel like I know

959
00:47:56,520 --> 00:47:58,080
Speaker 1: you get what you guys are gonna say, Like Donna

960
00:47:58,120 --> 00:48:00,279
Speaker 1: forgets everything. But it would be the right thing to do,

961
00:48:00,480 --> 00:48:03,200
Speaker 1: and if they really had something and could move forward,

962
00:48:03,400 --> 00:48:04,600
Speaker 1: this would be the time to do it.

963
00:48:04,880 --> 00:48:06,319
Speaker 3: Yeah, to step to man up.

964
00:48:06,880 --> 00:48:09,440
Speaker 1: But she doesn't know yet that he's cheated on her. No,

965
00:48:09,640 --> 00:48:11,400
Speaker 1: but he could do the right thing though right now

966
00:48:11,560 --> 00:48:13,440
Speaker 1: and tell her he cheated on her, and then they

967
00:48:13,520 --> 00:48:16,480
Speaker 1: could make amends and move forward. And then it's Valerie

968
00:48:16,560 --> 00:48:18,960
Speaker 1: and she's turned psycho and yeah, and then Valerie does

969
00:48:20,040 --> 00:48:23,680
Speaker 1: would Yeah, well, Donna would have hopefully left his ass.

970
00:48:25,760 --> 00:48:29,720
Speaker 1: She wouldn't because Kelly's now back from the New Evolution.

971
00:48:29,880 --> 00:48:34,000
Speaker 1: She's not going to let you stand microphone down there.

972
00:48:34,719 --> 00:48:39,400
Speaker 1: I'm so palted. No, Donna get back with Ray. He

973
00:48:39,520 --> 00:48:42,799
Speaker 1: cheated on her, but I stayed, Okay, we'll talk about

974
00:48:42,840 --> 00:48:43,160
Speaker 1: that later.

975
00:48:43,200 --> 00:48:49,480
Speaker 3: If you're gonna get more mad, Ray is, so is Valerie.

976
00:48:50,360 --> 00:48:53,640
Speaker 2: It really kind of bothered me, Like I love it,

977
00:48:53,760 --> 00:48:54,880
Speaker 2: but it's bothered me.

978
00:48:55,480 --> 00:48:57,640
Speaker 1: Yeah, this episode left me with a feeling of like

979
00:48:58,360 --> 00:48:59,560
Speaker 1: unrest UNEs.

980
00:49:00,200 --> 00:49:01,600
Speaker 3: Yeah, I couldn't go to sleep after this.

981
00:49:01,920 --> 00:49:03,640
Speaker 1: I watched it the last night. I was like, like,

982
00:49:03,719 --> 00:49:07,239
Speaker 1: you're just like you're just like fired up. Yeah, but

983
00:49:07,320 --> 00:49:10,080
Speaker 1: you're supposed to be right. Andre is cheating on Jesse,

984
00:49:10,719 --> 00:49:14,439
Speaker 1: Rai's cheating on Donna. There's storms coming at you from

985
00:49:14,520 --> 00:49:19,280
Speaker 1: every angle in this. He's split in two. Brandon's heart's hurting,

986
00:49:19,400 --> 00:49:20,520
Speaker 1: Dylan's heart's hurting.

987
00:49:20,960 --> 00:49:22,760
Speaker 2: Steve is not on the show anymore.

988
00:49:22,840 --> 00:49:24,759
Speaker 1: Steve just wants to play scrabble.

989
00:49:25,520 --> 00:49:26,600
Speaker 2: I didn't even see him.

990
00:49:29,560 --> 00:49:31,480
Speaker 1: No, I swear I saw the back of his body

991
00:49:31,560 --> 00:49:32,200
Speaker 1: walk through frame.

992
00:49:33,680 --> 00:49:36,520
Speaker 2: Were Jim and Cindy in it? I don't remember that either.

993
00:49:36,760 --> 00:49:40,080
Speaker 1: No, I don't think so, you're in the cress.

994
00:49:41,680 --> 00:49:42,680
Speaker 2: That's so many characters.

995
00:49:43,080 --> 00:49:45,000
Speaker 1: There's a lot going on in this episode, so much,

996
00:49:45,080 --> 00:49:46,680
Speaker 1: so much. It was really good. You guys, what do

997
00:49:46,760 --> 00:49:47,360
Speaker 1: you give it?

998
00:49:47,719 --> 00:49:47,919
Speaker 5: Ooh?

999
00:49:48,920 --> 00:49:51,000
Speaker 1: So as a viewer, I.

1000
00:49:51,040 --> 00:49:52,440
Speaker 4: Want to give it atten just because it was like

1001
00:49:52,560 --> 00:49:55,160
Speaker 4: I was on the ride the entire time. But I

1002
00:49:55,280 --> 00:49:57,160
Speaker 4: have to put a little bit of myself and Donna

1003
00:49:57,200 --> 00:49:59,200
Speaker 4: in there, and it gave me a little PTSD on

1004
00:49:59,280 --> 00:50:01,400
Speaker 4: so many levels, just like, get it me a little bit.

1005
00:50:01,400 --> 00:50:03,000
Speaker 4: So I'm gonna have to go with a nine.

1006
00:50:03,200 --> 00:50:04,240
Speaker 1: Nine nine nine, Okay.

1007
00:50:05,160 --> 00:50:07,120
Speaker 2: I have a very similar feeling to Tori. I want

1008
00:50:07,120 --> 00:50:08,759
Speaker 2: to give it a ten, but I'm gonna give it

1009
00:50:08,760 --> 00:50:12,759
Speaker 2: a nine point five because I'm so upset and disturbed.

1010
00:50:13,719 --> 00:50:16,480
Speaker 2: I love it, but I'm really upset.

1011
00:50:16,960 --> 00:50:19,000
Speaker 1: I am in full agreement with both y'all, I'm gonna

1012
00:50:19,000 --> 00:50:23,839
Speaker 1: give it a nine point six. All right, we all

1013
00:50:23,960 --> 00:50:26,680
Speaker 1: really love this episode, but we all felt disturbed.

1014
00:50:27,000 --> 00:50:30,000
Speaker 3: Yeah, yeah, everyone feels a little disturbed sometimes.

1015
00:50:29,760 --> 00:50:31,640
Speaker 1: In a little I'm a little upset. I'm a little

1016
00:50:32,080 --> 00:50:33,839
Speaker 1: like I don't want to end a show that I've

1017
00:50:34,040 --> 00:50:37,240
Speaker 1: spent a whole I spent all week waiting for this episode.

1018
00:50:37,280 --> 00:50:39,560
Speaker 1: You guys to watch it, just like back in the

1019
00:50:39,680 --> 00:50:43,000
Speaker 1: nineties when you didn't have a DVR or those things,

1020
00:50:43,160 --> 00:50:45,279
Speaker 1: or it was only on at one time during the

1021
00:50:45,320 --> 00:50:47,719
Speaker 1: week and you had to wait. I waited all week. Yeah,

1022
00:50:48,080 --> 00:50:50,080
Speaker 1: and then I felt I feel like this after I

1023
00:50:50,200 --> 00:50:51,040
Speaker 1: watch it, and I don't.

1024
00:50:51,200 --> 00:50:54,040
Speaker 4: I'm I don't feel good even should you wait another

1025
00:50:54,120 --> 00:50:55,399
Speaker 4: week to watch another one?

1026
00:50:55,680 --> 00:51:00,560
Speaker 1: I'm gonna feel shitty all week and this unrest side.

1027
00:51:00,320 --> 00:51:03,600
Speaker 4: Of me unrest. But you can't wait for the next episode?

1028
00:51:03,760 --> 00:51:05,160
Speaker 4: Rates that's two?

1029
00:51:06,200 --> 00:51:07,880
Speaker 2: No, David was David in this?

1030
00:51:08,760 --> 00:51:09,080
Speaker 1: Nope?

1031
00:51:09,600 --> 00:51:15,160
Speaker 2: Oh? Shoot crazy one to four main characters.

1032
00:51:14,760 --> 00:51:17,200
Speaker 3: Not even in this next episode?

1033
00:51:17,320 --> 00:51:23,280
Speaker 1: Season five, episode twenty two, Alone at the top All that's.

1034
00:51:23,120 --> 00:51:23,759
Speaker 3: Gonna be hard.

1035
00:51:25,360 --> 00:51:28,560
Speaker 4: See your stomach's all unrest just so you could be

1036
00:51:28,680 --> 00:51:29,480
Speaker 4: alone at the top.

1037
00:51:29,600 --> 00:51:30,680
Speaker 3: That's not a good feeling either.

1038
00:51:30,840 --> 00:51:32,680
Speaker 1: Who's alone at the top? I don't know yet.

1039
00:51:33,120 --> 00:51:35,360
Speaker 3: Oh my god, I can't wait to see this.

1040
00:51:36,040 --> 00:51:38,479
Speaker 1: That's too much for me. Who couldn't be Who could

1041
00:51:38,520 --> 00:51:42,200
Speaker 1: it be that's alone at the top? Dylan Ray. Ray's

1042
00:51:42,239 --> 00:51:43,440
Speaker 1: at the top of his career.

1043
00:51:43,560 --> 00:51:44,280
Speaker 2: He's at the peak.

1044
00:51:45,719 --> 00:51:47,320
Speaker 1: No that we'll get to see it, but you know,

1045
00:51:49,360 --> 00:51:52,320
Speaker 1: I don't know. We'll find out. We'll see now. It

1046
00:51:52,600 --> 00:51:57,839
Speaker 1: is never ending, first of all, true and very good.

1047
00:51:58,000 --> 00:51:59,640
Speaker 1: We're getting to the part where I was like, you, guys,

1048
00:51:59,680 --> 00:52:01,839
Speaker 1: I feel like I liked season five.

1049
00:52:02,000 --> 00:52:04,400
Speaker 3: This is this is where they're starting.

1050
00:52:04,120 --> 00:52:08,360
Speaker 1: To get It's yeah, okay, I believe you. Well, I

1051
00:52:08,440 --> 00:52:10,360
Speaker 1: guess on that note, we all have to sit on

1052
00:52:10,560 --> 00:52:12,680
Speaker 1: pins and needles and wait until next week to find

1053
00:52:12,680 --> 00:52:15,520
Speaker 1: out who's at the top. Well, I won't be possessive

1054
00:52:15,560 --> 00:52:18,880
Speaker 1: and say goodbye first, so you guys go ahead, okay,

1055
00:52:20,280 --> 00:52:21,399
Speaker 1: bye bye us