WEBVTT - Tremaine Emory: How to Become a Creative Director in Fashion

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<v Speaker 1>Pushkin. Over the years, the streetwear trend has moved beyond

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<v Speaker 1>the actual streets and has been adopted by big box

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<v Speaker 1>stores and even luxury European fashion brands. That change wasn't

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<v Speaker 1>an accident. People like Virgil Ablo, who in twenty eighteen

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<v Speaker 1>became artistic director of Louis Vutan, and whether or not

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<v Speaker 1>we'd like to admit it, also, people like Kanye West

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<v Speaker 1>wore pioneers in the modern luxury streetwear crossover. But so

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<v Speaker 1>was my guest today, Tremaine Emery Tremaine is now the

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<v Speaker 1>creative director at Supreme, which in and of itself is

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<v Speaker 1>a major win, but considering he's the first black man

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<v Speaker 1>or woman to ever hold that position, it's a coup.

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<v Speaker 1>Speaking with Tremaine was eye opening the way his parents

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<v Speaker 1>raised him to explore and encouraged his passions and education,

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<v Speaker 1>while also imbuing him with a strong sense that having

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<v Speaker 1>fun was still important. I mean, I imagine that's the kind

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<v Speaker 1>of balanced approach to life that's allowed to Remaine to

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<v Speaker 1>flourish in a field as precarious as fashion. I'm sure

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<v Speaker 1>it's also helped to navigate his recent hardships, like the

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<v Speaker 1>loss of his best friend Virtual autload of cancer and

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<v Speaker 1>Tremain's own recent health scare that he's still recovering from.

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<v Speaker 1>This is starting from the bottom harder and success stories

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<v Speaker 1>from people like us. What's your day to day like

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<v Speaker 1>these days?

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<v Speaker 2>Man, just chilling. I'm recovering. So I had out of aneurism,

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<v Speaker 2>out of lower aortic aneurism, and I'm recovering. You know,

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<v Speaker 2>eight out of ten people passed from having it, so

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<v Speaker 2>I was fortunate enough to survive it when in the

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<v Speaker 2>hospital in octell and in of December, right before New

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<v Speaker 2>Year's got out. So I've been spending most of my

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<v Speaker 2>time recovering doing physical therapy because the aneurysm, the lower

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<v Speaker 2>aortic aneurysm, really it messed up my legs. So I'm

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<v Speaker 2>just building up muscle on my legs and waiting on

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<v Speaker 2>some nerves to wake up. So yeah, but my health

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<v Speaker 2>is great. I'm actually healthier than probably I've been in

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<v Speaker 2>a long time. I had a lot of had and

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<v Speaker 2>have a lot of support from people in my life. Yeah,

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<v Speaker 2>I'm good.

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<v Speaker 1>I mean I imagine this sort of slowed down like this

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<v Speaker 1>sort of taking you know, sort of recovery time. It's

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<v Speaker 1>probably the first time in a while that you really

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<v Speaker 1>slowed down, right.

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<v Speaker 2>Yeah, Yeah, definitely. It's been interesting because it's like also

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<v Speaker 2>since I'm in New York, so I hadn't lived in

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<v Speaker 2>New York in thirteen years. I've been on you know.

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<v Speaker 2>I was living in London since twenty ten for seven years,

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<v Speaker 2>and then moved to la and then moved to New

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<v Speaker 2>York in twenty twenty two February. My first day at

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<v Speaker 2>Supreme was out Valentine's Day, February fourteen. It's been the

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<v Speaker 2>first time I've just been like not on the airplane

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<v Speaker 2>every week or like on a train, you know, trains, planes, automobiles,

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<v Speaker 2>you know. So it's been good. A lot of it.

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<v Speaker 2>Part of it was just like when I was in

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<v Speaker 2>the hospital, my focus was just getting out the hospital, surviving,

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<v Speaker 2>doing what I could to listen to the doctors. And

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<v Speaker 2>it's interesting when you get that sick, when you're like

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<v Speaker 2>on the verge of death, which was like a couple

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<v Speaker 2>of times whilst I was in the hospital, it's you know,

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<v Speaker 2>will power. Definitely, you gotta want to be here. That

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<v Speaker 2>plays a part of it. So I want to I wanted,

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<v Speaker 2>I wanted to be here, so not just being grateful

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<v Speaker 2>for surviving because in the end we all die. So

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<v Speaker 2>you survived something, but it's only extending, you know. So

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<v Speaker 2>my it's my focus has been on the five w's,

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<v Speaker 2>So who, what, when, where, and why? You know, It's like,

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<v Speaker 2>well why, you know, why what do I want to do?

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<v Speaker 2>But again, before I got sick, I always kind of

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<v Speaker 2>lived my life like that because that's how my parents

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<v Speaker 2>raised me. So this life is finite. So we gotta

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<v Speaker 2>have fun. We gotta be good to each other, we

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<v Speaker 2>gotta love each other, we gotta have fun. My dads

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<v Speaker 2>they have fun, you know, and do the things you

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<v Speaker 2>want to do. So I always always been on that wave.

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<v Speaker 2>I got maybe perspective on far as things is like

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<v Speaker 2>myself having a family. I don't have one yet, I

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<v Speaker 2>don't have any kids, and stuff on that more even

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<v Speaker 2>but even that, I had that perspective of wanting that

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<v Speaker 2>and wanting to find the right person to build a

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<v Speaker 2>family with. But far as like living it to the limit,

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<v Speaker 2>I did that already, you know, maybe to maybe to

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<v Speaker 2>my detriment, maybe too much.

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<v Speaker 1>Maybe too much, I mean, just even thinking too like

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<v Speaker 1>with that happening so close to you know, what happened

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<v Speaker 1>with Virgil and I guess maybe you probably knew about

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<v Speaker 1>that for a while. I mean, I don't know. Man

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<v Speaker 1>would have been like for me, really hard to process,

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<v Speaker 1>you know, you.

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<v Speaker 2>Know what I felt. It was definitely something I thought about,

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<v Speaker 2>even I remember thinking about it in the ambulance, like

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<v Speaker 2>I thought about V. And you know, like me and V,

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<v Speaker 2>both young black men, creatives breaking into a world that

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<v Speaker 2>didn't want us. There necessarily ones that used to having

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<v Speaker 2>people that look like us there. Who were you know,

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<v Speaker 2>a rogue squadron trying to take down the empire, you know,

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<v Speaker 2>and you know, to lose a comrade. That's the first

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<v Speaker 2>time I lost a comrade. And you know, just like

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<v Speaker 2>even stuff with the Supreme thing, like I got the letter,

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<v Speaker 2>I got my offer to take the position the same

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<v Speaker 2>week he died. And the last time I seen him,

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<v Speaker 2>the last thing he said to me, he's like, what

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<v Speaker 2>you're going to do with the Supreme You're going to

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<v Speaker 2>take the Supreme job. I remember we were both staying

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<v Speaker 2>at the Mercer and he was staying on the sixth floor.

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<v Speaker 2>I was staying on the fourth. So I got off

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<v Speaker 2>the elevator first. That's the last time I seen him

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<v Speaker 2>getting off the elevator and then he was you know,

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<v Speaker 2>he was gone a month later. So it's like even

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<v Speaker 2>just not even to get to tell him, even though

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<v Speaker 2>in this grand scheme of thing, it don't even matter.

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<v Speaker 2>It's just a job. It's kind of arbitrary, but you know,

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<v Speaker 2>all we fought for, you know, just like Cats, our crew,

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<v Speaker 2>things we talked about late night way back. I'm talking

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<v Speaker 2>twenty twelve, twenty thirteen, before Off White, before did Them Tears,

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<v Speaker 2>before No Vacancy n Cats was just like DJing making

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<v Speaker 2>getting two hundred dollars to DJ, just trying to make

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<v Speaker 2>it happen, and we had a lot of ideas and

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<v Speaker 2>just yeah, just like your comrade to go be able

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<v Speaker 2>to build with them or call them and talk to

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<v Speaker 2>about the emotions and the you know, the highs and

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<v Speaker 2>the lows. Yeah, yeah, yeah, it sucks basically a side

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<v Speaker 2>and v I basically studied under them. They friends, slash mentors,

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<v Speaker 2>you know what I mean. It's like.

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<v Speaker 1>Luke.

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<v Speaker 2>I'm not comparing myself saying I'm Luke Skywalk the character,

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<v Speaker 2>but just like when Obi Wan went out, you know

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<v Speaker 2>what I mean, it's like, fuck, the mission continues, but damn,

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<v Speaker 2>you know what I mean. Yeah, and it's like it's

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<v Speaker 2>like that with Virgil on a side, because those are

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<v Speaker 2>the two.

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<v Speaker 1>Guys, yeah, man, a side, the DJ who was a

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<v Speaker 1>collaborator in some of your early ventures before Supreme and Virgil,

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<v Speaker 1>but also your parents too, man. They seemed like they

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<v Speaker 1>were super ambitious people to come from middle of nowhere Georgia, Yeah,

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<v Speaker 1>George and Georgia.

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<v Speaker 2>To fifth when they lived there, fifteen hundred, two thousand people,

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<v Speaker 2>one red light town, you know, one red light most

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<v Speaker 2>people went and worked worked, you know, bricklayers or worked

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<v Speaker 2>at the pe Cam factory or nah. My parents are radicals.

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<v Speaker 2>They they got they got up out of there and

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<v Speaker 2>they were curious and that curiosity got passed to me,

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<v Speaker 2>that curiosity about the world and not being afraid of

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<v Speaker 2>the world.

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<v Speaker 1>Yeah, because to move from Harlem, Georgia to New York City,

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<v Speaker 1>like that's a huge no.

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<v Speaker 2>My mom, My mom and dad are deep. Like I remember, like,

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<v Speaker 2>you know, we're going to see Pavaratti at Central Park.

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<v Speaker 2>Who's Pavaratti. He's an opera singer. He's got the Harlem

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<v Speaker 2>Boys choir or singing with him. And it was a

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<v Speaker 2>free concert at Central Park. I heard opera. I'm a

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<v Speaker 2>young I'm a young black kid that live in Jamaica. Queens.

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<v Speaker 1>They used to make a Queens to Central Park is

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<v Speaker 1>not a It's not a short trip exactly.

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<v Speaker 2>And I'm we're going to take you to see this

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<v Speaker 2>confluence of culture. Halem boys choir singing with this Italian

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<v Speaker 2>opera singer. So even so it's not even this take

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<v Speaker 2>me to opera. They take me to opera. But then

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<v Speaker 2>on stage of opera there's some people that look like me.

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<v Speaker 2>My parents are very conscious of these things, and so

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<v Speaker 2>that mix I had, and I think that's a big

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<v Speaker 2>part of my creative output is living in the hood.

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<v Speaker 2>It was great, it was an adventure. It was like

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<v Speaker 2>I tell people, my childhood was like Sandlot meets boys

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<v Speaker 2>in the hood, you know what I mean, Because it

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<v Speaker 2>was like that. It was like we played basketball, football

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<v Speaker 2>all the time. We having fun, but then there was

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<v Speaker 2>the dark side of shit that would go down too.

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<v Speaker 2>You know, I'm privilege with the type of family I had,

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<v Speaker 2>not perfect, but privileged the type of family and the

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<v Speaker 2>stuff they taught me, and that, you know, it's kind

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<v Speaker 2>of my shield and armor against the bullshit of the world,

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<v Speaker 2>because there's a lot of bullshit out there. You know,

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<v Speaker 2>but my parents prepared me for it. The best micro

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<v Speaker 2>for macro story. I could tell you my dad when

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<v Speaker 2>he was in the army for six years and he

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<v Speaker 2>learned how to become a motion picture photographer, so you know,

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<v Speaker 2>shoot film. He became great at it. And then when

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<v Speaker 2>he got out, he started working for a TV station

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<v Speaker 2>in Atlanta, and then then he got the job at

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<v Speaker 2>CBS in New York. I think in the second ever

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<v Speaker 2>black TV news cameraman at CBS in New York. And

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<v Speaker 2>then we moved. Oh yeah, we moved. We moved when

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<v Speaker 2>I was three months old, nineteen eighty.

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<v Speaker 1>One, second only the second black cameraman in CBS New York.

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<v Speaker 2>Yeah, my dad's Emmy Award winning TV news cameraman. He

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<v Speaker 2>has like two Emmy Awards. He's been nominated maybe I

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<v Speaker 2>think ten times. He has two Emmys. But he needed,

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<v Speaker 2>you know, he needed a frontive action to get his job,

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<v Speaker 2>you know what I mean. That's how that's how he

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<v Speaker 2>got his job. He couldn't just all those anti in

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<v Speaker 2>front of action people. My dad an Emmy Award winning

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<v Speaker 2>TV news camera and he needed a firm of action

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<v Speaker 2>to get his job, you know what I mean. They

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<v Speaker 2>would not give him that job if it wasn't for

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<v Speaker 2>government intervention. But that's a that's another podcast.

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<v Speaker 1>Well, we're we're at a point now where people are

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<v Speaker 1>really again looking at like again, how we have to

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<v Speaker 1>fight this battle again in front of action, like.

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<v Speaker 2>Yo, bro, look at look at me and Van and

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<v Speaker 2>Maximilian Max you know over at Ferragamo. You know, now

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<v Speaker 2>you got Pat Louis. But fashions existed a while now.

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<v Speaker 2>How many black carave directors have there been in the

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<v Speaker 2>history of fashion? The history counted on your hand, Joe Hayford,

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<v Speaker 2>he's the first, i think black careve director for Javanci

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<v Speaker 2>in the eighties or nineties. And then you know he

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<v Speaker 2>was the first and he was European, he's British. Virgil

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<v Speaker 2>was the first African American at a French fashion house ever.

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<v Speaker 2>And that's twenty eighteen.

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<v Speaker 1>Yeah, that's forty years later, thirty years later for thirty five.

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<v Speaker 2>So it's kind of like the same reaction you had

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<v Speaker 2>about my dad being the second chieving news camera man

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<v Speaker 2>at CBS in nineteen one. Shit ain't really change if

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<v Speaker 2>v was, you know, the second black crave director at

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<v Speaker 2>the French fashion house in the first African American. You know,

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<v Speaker 2>Supreme is an American fashion house, skate brand, but they

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<v Speaker 2>make fashion right to where I'm a crave director. I mean,

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<v Speaker 2>how many black crave directors have there been at American brands?

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<v Speaker 2>Not a lot, not even relegated to black? What about Asian?

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<v Speaker 2>What about Hispanic? You know what I mean? You keep going,

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<v Speaker 2>you know what I mean, It's just.

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<v Speaker 1>How do you contend with that? Because I mean, you

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<v Speaker 1>are in an industry that it feels like to the outsider,

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<v Speaker 1>the outside eyes, has only really recently embraced black people. Man,

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<v Speaker 1>you know, did you feel that then? Have you felt

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<v Speaker 1>that throughout your career? Do you still feel that now

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<v Speaker 1>every once in a while, or.

0:12:57.036 --> 0:12:59.876
<v Speaker 2>Like example, you know, I worked at Jay Crewe and

0:13:00.596 --> 0:13:02.476
<v Speaker 2>two thousand and one, I was working at Jay Crewe.

0:13:02.516 --> 0:13:05.756
<v Speaker 2>I was a sales associate and I had long braids

0:13:05.956 --> 0:13:08.156
<v Speaker 2>or I'll either rock bridge or fro like your hear

0:13:08.356 --> 0:13:10.716
<v Speaker 2>just like yours. And they and they said to me,

0:13:10.836 --> 0:13:13.676
<v Speaker 2>this is see, this is funny. It's before the acceptance

0:13:13.716 --> 0:13:16.756
<v Speaker 2>of black people and culture and in the fashion world.

0:13:16.756 --> 0:13:20.676
<v Speaker 2>They were like the CEO came in and you know,

0:13:20.716 --> 0:13:23.436
<v Speaker 2>he said, you basically, your hair is not the standard.

0:13:23.916 --> 0:13:25.996
<v Speaker 2>If you look at the if you look at our catalog,

0:13:26.076 --> 0:13:29.076
<v Speaker 2>no one has hair like that. And they wrote me up.

0:13:30.436 --> 0:13:34.516
<v Speaker 2>So who I am. There was this bookstore called Revolution Books,

0:13:35.396 --> 0:13:38.436
<v Speaker 2>not far from the job, and I went to Revolution

0:13:38.596 --> 0:13:41.596
<v Speaker 2>Books and I bought the book about in New York

0:13:41.676 --> 0:13:46.796
<v Speaker 2>employee rights. That's me. And I went through the book

0:13:46.956 --> 0:13:49.316
<v Speaker 2>and I read. I called up the j crew line

0:13:50.036 --> 0:13:52.556
<v Speaker 2>and I read, I read it out the complaint line.

0:13:52.556 --> 0:13:56.196
<v Speaker 2>I said, New York State, you cannot discriminate against someone

0:13:56.556 --> 0:14:04.236
<v Speaker 2>with immutable characteristics. My hair is an immutable characteristic. Next day, oh, Tremaine,

0:14:04.276 --> 0:14:07.316
<v Speaker 2>there was some gray area in that discussion. We're sorry,

0:14:08.116 --> 0:14:11.516
<v Speaker 2>d D. I got up out of there, but I

0:14:11.556 --> 0:14:14.636
<v Speaker 2>didn't let that deterred me from working in fashion, work

0:14:14.676 --> 0:14:18.116
<v Speaker 2>in retail. I didn't let that stop me. Imagine if

0:14:18.116 --> 0:14:22.036
<v Speaker 2>I would have let the motherfuckers stop me if I said, oh,

0:14:22.036 --> 0:14:25.596
<v Speaker 2>you know what, and guess what. Mark Jacobs wasn't like that.

0:14:26.356 --> 0:14:29.596
<v Speaker 2>Down from Mark to Robert Duffy to everyone I worked

0:14:29.596 --> 0:14:32.236
<v Speaker 2>with that people of all colors and genders working on

0:14:32.276 --> 0:14:35.356
<v Speaker 2>all levels of the company at that time. You know,

0:14:35.436 --> 0:14:37.636
<v Speaker 2>for myself, I became a start off as a stot guy,

0:14:37.756 --> 0:14:41.956
<v Speaker 2>ended up as an assistant manager, and up until you know,

0:14:42.036 --> 0:14:44.596
<v Speaker 2>with Mark and Robert running it, you know they treat

0:14:44.636 --> 0:14:48.676
<v Speaker 2>everyone the same. Everyone got the same clothing allowance. Security

0:14:48.756 --> 0:14:51.996
<v Speaker 2>dudes got the same clothing allowance as the store manager. Anyway,

0:14:52.156 --> 0:14:55.396
<v Speaker 2>it wasn't perfect. But what I'm saying is I didn't

0:14:55.476 --> 0:14:58.916
<v Speaker 2>let how Jaku treated me on some racist shit because

0:14:58.916 --> 0:15:02.076
<v Speaker 2>it was straight racist bullshit. I didn't let that deter me.

0:15:02.956 --> 0:15:06.156
<v Speaker 2>So that's my thing is just yeah, I can't let

0:15:06.236 --> 0:15:08.316
<v Speaker 2>I can't. I can't, I can't. I can't let nothing

0:15:08.356 --> 0:15:12.556
<v Speaker 2>deter me. It's obstacles. My aneurysm is an obstacle or

0:15:12.596 --> 0:15:16.196
<v Speaker 2>a dude telling me thinking I'm homeless and kicking me

0:15:16.236 --> 0:15:18.036
<v Speaker 2>out a cafe the first week I moved back to

0:15:18.076 --> 0:15:21.036
<v Speaker 2>New York. It's Crave director of Supreme. That happened. Yeah,

0:15:21.076 --> 0:15:23.356
<v Speaker 2>straight up, you know what I mean. And you know,

0:15:23.476 --> 0:15:25.116
<v Speaker 2>dude kicked me out. I said, you gotta get out

0:15:25.116 --> 0:15:26.756
<v Speaker 2>of here. I told you before not to come in here.

0:15:27.196 --> 0:15:32.636
<v Speaker 2>He thought I was homeless. So but again that's his problem.

0:15:33.316 --> 0:15:36.756
<v Speaker 2>But I'm also gonna press him. I'm gonna press him.

0:15:36.956 --> 0:15:38.956
<v Speaker 2>I'm gonna call and press that place, and then I'm

0:15:38.956 --> 0:15:42.236
<v Speaker 2>gonna move on. You know what I mean, and.

0:15:41.636 --> 0:15:42.956
<v Speaker 1>Not let it become your problem.

0:15:43.516 --> 0:15:46.156
<v Speaker 2>Yeah. Yeah, well it is my problem, but I'm not

0:15:46.196 --> 0:15:48.196
<v Speaker 2>gonna let it stop me.

0:15:50.036 --> 0:15:52.716
<v Speaker 1>After the break, Tremaine talks about what it was about

0:15:52.756 --> 0:16:05.556
<v Speaker 1>style that made him fall in love with it. For me,

0:16:05.716 --> 0:16:08.156
<v Speaker 1>it's funny, like I grew up skating on the West Coast,

0:16:08.196 --> 0:16:11.916
<v Speaker 1>like in the nineties, and so for me, fashion was

0:16:11.956 --> 0:16:15.916
<v Speaker 1>always wasn't something I deeply cared about in terms of

0:16:15.916 --> 0:16:18.116
<v Speaker 1>brands with things. I just knew like, okay, how do

0:16:18.156 --> 0:16:20.276
<v Speaker 1>I express myself? And it was like I'm skating. There's

0:16:20.316 --> 0:16:23.916
<v Speaker 1>like a few companies Vans or whatever right from out here.

0:16:23.956 --> 0:16:26.396
<v Speaker 1>But I would get magazines and I would see things

0:16:26.876 --> 0:16:30.356
<v Speaker 1>coming out of New York like Zoo York or Supreme.

0:16:30.796 --> 0:16:33.036
<v Speaker 1>It was for someone like me on the West Coast,

0:16:33.076 --> 0:16:36.916
<v Speaker 1>it was very intimidating to see the styles and the

0:16:36.956 --> 0:16:39.876
<v Speaker 1>trends coming out of New York. Having grown up in

0:16:39.916 --> 0:16:43.756
<v Speaker 1>it in hip hop in New York eighties and nineties,

0:16:44.436 --> 0:16:45.876
<v Speaker 1>when did you first fall in love with it? And

0:16:45.876 --> 0:16:47.916
<v Speaker 1>how was that viewing the evolution of it?

0:16:48.476 --> 0:16:51.876
<v Speaker 2>Fall in love with like style, like yeah, clothing, yes, yeah, man,

0:16:51.996 --> 0:16:57.956
<v Speaker 2>I mean I always been obsessed with style, and I'm

0:16:58.036 --> 0:17:03.236
<v Speaker 2>conveying emotion through the way you dress and conveying texture,

0:17:03.556 --> 0:17:07.436
<v Speaker 2>color on proportion. I think it started with my parents,

0:17:07.596 --> 0:17:10.716
<v Speaker 2>just like how my parents dressed and what they were into,

0:17:10.876 --> 0:17:14.596
<v Speaker 2>and then their style, and then going to school. And

0:17:14.596 --> 0:17:17.196
<v Speaker 2>then also I used to spend my summers in Harlem, Georgia,

0:17:17.876 --> 0:17:20.236
<v Speaker 2>so every summer I go there, and just like you know,

0:17:20.316 --> 0:17:23.596
<v Speaker 2>like my uncle Ray, he was definitely a style icon

0:17:23.636 --> 0:17:26.716
<v Speaker 2>in my eyes. My uncle Ray, like his nickname was Sharper,

0:17:27.236 --> 0:17:29.556
<v Speaker 2>you know what I mean, Like the way he would

0:17:29.596 --> 0:17:31.236
<v Speaker 2>just break off his hat, whether he had on a

0:17:32.716 --> 0:17:35.436
<v Speaker 2>dressy style hat or like a truck a hat. He

0:17:35.476 --> 0:17:37.876
<v Speaker 2>always he always said, I gotta break your hat off, right.

0:17:38.436 --> 0:17:42.716
<v Speaker 2>Style was incredible. And then yeah, just movies. I think

0:17:42.836 --> 0:17:44.756
<v Speaker 2>movies is a big part of it. My parents owned

0:17:44.756 --> 0:17:49.276
<v Speaker 2>a video store, just us Videos and Elmhurst Queens and yeah,

0:17:49.316 --> 0:17:52.156
<v Speaker 2>and East Elmhurst and the Hood. They owned a video

0:17:52.196 --> 0:17:55.636
<v Speaker 2>store in the eighties. So just watching films, and you know,

0:17:56.116 --> 0:18:00.756
<v Speaker 2>obviously every every film has a stylist, has someone that

0:18:00.836 --> 0:18:04.236
<v Speaker 2>does the wardrobe, you know, whether it's taxi driver or

0:18:05.196 --> 0:18:07.436
<v Speaker 2>do the right thing, you know what I mean, or

0:18:08.396 --> 0:18:10.876
<v Speaker 2>John go Art film you know what I mean, contempt,

0:18:11.356 --> 0:18:16.516
<v Speaker 2>So it's like films. It's where you know, a lot

0:18:16.516 --> 0:18:18.636
<v Speaker 2>of picked up a lot of style from that and.

0:18:18.676 --> 0:18:20.316
<v Speaker 1>Then when you saw it, because like for me, I

0:18:20.316 --> 0:18:23.596
<v Speaker 1>would see those same films and see the styles be

0:18:23.716 --> 0:18:25.876
<v Speaker 1>very impressed. But you must have had some kind of

0:18:25.916 --> 0:18:28.196
<v Speaker 1>eye to not to see it and be able to

0:18:28.236 --> 0:18:31.796
<v Speaker 1>incorporate that into your day to day, you know.

0:18:32.676 --> 0:18:36.916
<v Speaker 2>Yeah, I don't know. It's just always, you know, always

0:18:36.956 --> 0:18:40.276
<v Speaker 2>been on it, man, Like I always tell his story

0:18:40.316 --> 0:18:43.596
<v Speaker 2>and interviews. But Yo, when I was six years old,

0:18:43.636 --> 0:18:46.956
<v Speaker 2>my parents took me to get a cat, and they're like, yo,

0:18:46.996 --> 0:18:48.836
<v Speaker 2>you gotta name the cat. And the cat was a

0:18:48.916 --> 0:18:56.356
<v Speaker 2>Calico cat. So Calico's got stripes, spots, gold gray, black spots.

0:18:56.396 --> 0:18:59.516
<v Speaker 2>Whatever I named the fashion, I named the cat fashion.

0:19:00.036 --> 0:19:02.636
<v Speaker 2>I feel like she reminded me of like one of

0:19:02.636 --> 0:19:05.316
<v Speaker 2>my mom's dresses or something like that, you know what

0:19:05.356 --> 0:19:08.236
<v Speaker 2>I mean. And like so I kind of just always

0:19:08.236 --> 0:19:11.116
<v Speaker 2>been into it, man. And then like once I hit

0:19:11.276 --> 0:19:14.516
<v Speaker 2>jumped off the porch, you know, we'd be on Colisseum

0:19:14.556 --> 0:19:17.516
<v Speaker 2>every day, going to the coliseum, going to Jamaica, app

0:19:17.596 --> 0:19:20.236
<v Speaker 2>going in the stores. Then I start hopping on the train,

0:19:20.476 --> 0:19:23.796
<v Speaker 2>go downtown, going in the stores. That's how I first

0:19:23.876 --> 0:19:27.756
<v Speaker 2>learned the James Jevier Like me and James Jeba have

0:19:27.876 --> 0:19:33.676
<v Speaker 2>been in each other's six degrees radius probably since the

0:19:33.756 --> 0:19:36.796
<v Speaker 2>year nineteen ninety nine, two thousand, because I discovered the

0:19:36.836 --> 0:19:41.436
<v Speaker 2>store he owned called Union, and the Union was a

0:19:41.476 --> 0:19:45.076
<v Speaker 2>shop that had all kinds of brands. They sold Stucie.

0:19:45.276 --> 0:19:47.036
<v Speaker 2>I think there was the first store to sell Stuscie

0:19:47.076 --> 0:19:49.156
<v Speaker 2>in New York. And I used to just hang out there.

0:19:49.196 --> 0:19:51.316
<v Speaker 2>It was kind of like a Union rat. I remember

0:19:51.356 --> 0:19:52.796
<v Speaker 2>my first thing I bought from the Union was this

0:19:52.876 --> 0:19:56.996
<v Speaker 2>black Jesus sweatshirt during by this brand called Sir, which

0:19:57.076 --> 0:19:59.756
<v Speaker 2>was a streetwear brand of the time, and it was

0:19:59.836 --> 0:20:02.276
<v Speaker 2>ran by this guy named Russ and he did this

0:20:02.756 --> 0:20:06.156
<v Speaker 2>thing where he had a you could buy the sweatshirt

0:20:06.396 --> 0:20:08.876
<v Speaker 2>or the M sixty five with the black Jesus or

0:20:08.876 --> 0:20:11.276
<v Speaker 2>the Jesus, you know what I mean. You could choose

0:20:11.276 --> 0:20:13.596
<v Speaker 2>which one you want. And to me, I was like, damn,

0:20:13.676 --> 0:20:16.596
<v Speaker 2>this is deeper than just clothing, Like you know what

0:20:16.636 --> 0:20:18.556
<v Speaker 2>I mean, I'm like, And then I bought it. I

0:20:18.596 --> 0:20:20.156
<v Speaker 2>used to wear it. I remember the reaction I used

0:20:20.156 --> 0:20:22.756
<v Speaker 2>to wear when I got that sweatshirt was like crazy,

0:20:23.396 --> 0:20:26.156
<v Speaker 2>people stop you, like that's my Savior. People be like laughing,

0:20:26.196 --> 0:20:29.116
<v Speaker 2>that's black. Jesus ain't black. Oh watch ill, is you

0:20:29.156 --> 0:20:31.196
<v Speaker 2>a light? Cats stopping you in the street, like yo,

0:20:31.676 --> 0:20:35.516
<v Speaker 2>let me let me give you the knowledge though they yeah,

0:20:35.716 --> 0:20:37.396
<v Speaker 2>is your a white? Cats? In front of the Jamaica's

0:20:37.676 --> 0:20:41.036
<v Speaker 2>Jamaica the Jamaica AD train station, they see me with

0:20:41.076 --> 0:20:43.476
<v Speaker 2>the black Jesus sweatshirt. They're like, yo, come me to God,

0:20:43.796 --> 0:20:45.956
<v Speaker 2>put you on. I'm like, nah, I'm good. You guys

0:20:45.996 --> 0:20:48.956
<v Speaker 2>are racist, you know, like you guys are racist. I

0:20:48.996 --> 0:20:52.076
<v Speaker 2>don't fuck with y'all, but in respect to Israelites, but

0:20:52.156 --> 0:20:56.036
<v Speaker 2>I don't really rock that doctrine. But anyway, you know,

0:20:56.116 --> 0:20:57.916
<v Speaker 2>I remember, like I grew up with cats that would

0:20:57.916 --> 0:21:00.276
<v Speaker 2>say stuff to me like yo, while you be hanging

0:21:00.316 --> 0:21:03.676
<v Speaker 2>out downtown, they don't want to stand there. The gay

0:21:03.716 --> 0:21:07.476
<v Speaker 2>people there. It's more expensive there, And I'd be like, well,

0:21:07.836 --> 0:21:11.836
<v Speaker 2>I don't got no problem with gay people to y'all

0:21:11.876 --> 0:21:15.716
<v Speaker 2>go to the Red Lobster. Y'all go to bbq's. I'm

0:21:15.716 --> 0:21:17.636
<v Speaker 2>gonna spend the same amount of money at Lovely Day

0:21:18.436 --> 0:21:20.556
<v Speaker 2>and maybe the food's better than or not. I just

0:21:20.596 --> 0:21:23.356
<v Speaker 2>want to have this food too. Y'all still do Bbq's

0:21:23.396 --> 0:21:24.876
<v Speaker 2>I still do Red to this day. I still do

0:21:24.916 --> 0:21:28.356
<v Speaker 2>Red Lobster. So cats saying they scared or they don't

0:21:28.356 --> 0:21:31.716
<v Speaker 2>want to go hang out downtown. I knew there was

0:21:31.756 --> 0:21:34.516
<v Speaker 2>something down there for me, and yeah, I had to

0:21:34.516 --> 0:21:37.836
<v Speaker 2>deal with some bullshit down there, but there's bullshit in

0:21:37.876 --> 0:21:41.076
<v Speaker 2>the hood too, we dodging bullets, you know what I mean.

0:21:41.156 --> 0:21:45.996
<v Speaker 2>So it's like I'm getting knowledge from the hood and

0:21:46.036 --> 0:21:49.396
<v Speaker 2>so much. I learned so much from guys and girls

0:21:49.436 --> 0:21:52.116
<v Speaker 2>and people there, you know what I mean, about life,

0:21:52.236 --> 0:21:55.596
<v Speaker 2>the human condition and more morals and being a stand

0:21:55.676 --> 0:21:59.476
<v Speaker 2>up person and so many things. I've learned loads of

0:21:59.476 --> 0:22:01.596
<v Speaker 2>stuff from hanging out downtown too, and hanging out in

0:22:01.636 --> 0:22:04.876
<v Speaker 2>the city and being around other walks of life. So

0:22:06.036 --> 0:22:09.996
<v Speaker 2>I can't let the powers that be stop me from

0:22:10.036 --> 0:22:13.596
<v Speaker 2>being where I want to be. Yeah, So then I

0:22:13.636 --> 0:22:16.476
<v Speaker 2>was hanging out there, and then my man Wilkins took

0:22:16.556 --> 0:22:18.716
<v Speaker 2>over as a manager, and I met him and I

0:22:18.796 --> 0:22:20.436
<v Speaker 2>used to hang it. So I started hanging out there

0:22:20.476 --> 0:22:23.196
<v Speaker 2>like every day, and all the cats that worked there

0:22:23.876 --> 0:22:25.876
<v Speaker 2>allowed me just to hang out. I was broke, dude,

0:22:26.076 --> 0:22:27.276
<v Speaker 2>you know what I mean. And they give me T

0:22:27.396 --> 0:22:31.476
<v Speaker 2>shirts on the low and then so to see this

0:22:32.476 --> 0:22:35.516
<v Speaker 2>a store that had these brands that were local that

0:22:35.596 --> 0:22:38.036
<v Speaker 2>were small runs of T shirts, and they were flipping

0:22:38.076 --> 0:22:42.436
<v Speaker 2>ideas and flipping iconography and flipping logos from popular culture

0:22:42.836 --> 0:22:45.436
<v Speaker 2>and from things we knew of, you know. So even

0:22:45.516 --> 0:22:49.036
<v Speaker 2>just just seeing that communication through T shirts and sweatshirts

0:22:49.036 --> 0:22:53.396
<v Speaker 2>and clothing, and I'm looking at the shot a shirt

0:22:53.516 --> 0:22:56.876
<v Speaker 2>and Wilkins goes, you like that T shirt? I'm like yeah,

0:22:56.916 --> 0:22:58.516
<v Speaker 2>And then he took it and put it in a

0:22:58.516 --> 0:23:00.476
<v Speaker 2>bag and gave it to me and he's like, Yo,

0:23:00.596 --> 0:23:03.196
<v Speaker 2>that's for you. Just make sure you come back and

0:23:03.276 --> 0:23:05.356
<v Speaker 2>kick it with me, you know what I mean? Like that,

0:23:05.836 --> 0:23:08.476
<v Speaker 2>like real g shit, Like Yo. It was ill like

0:23:08.756 --> 0:23:10.596
<v Speaker 2>Union was it was. It was dope. It was just

0:23:10.636 --> 0:23:13.676
<v Speaker 2>like it was start provoking, you know, the T shirts

0:23:13.676 --> 0:23:15.636
<v Speaker 2>and the sweatshirts and the stuff, and there it was.

0:23:16.076 --> 0:23:19.116
<v Speaker 2>It wasn't just fodder. It was something behind it. And

0:23:19.156 --> 0:23:21.516
<v Speaker 2>I was to hang out. And so it's kind of

0:23:21.516 --> 0:23:23.556
<v Speaker 2>why I start working in Soho to be near Union.

0:23:23.956 --> 0:23:26.156
<v Speaker 2>So I got a job at Kate Spade back in

0:23:26.156 --> 0:23:27.876
<v Speaker 2>like two thousand and two, after I was working at a

0:23:27.916 --> 0:23:31.076
<v Speaker 2>liquor store in the hood, and then I got a

0:23:31.116 --> 0:23:33.756
<v Speaker 2>job at kse Spade and then after Kate Spade got

0:23:33.796 --> 0:23:36.956
<v Speaker 2>the Mark Jacobs job. But Union is where I learned it.

0:23:37.116 --> 0:23:40.116
<v Speaker 1>Learned it after the break, Tremaine and I get into

0:23:40.156 --> 0:23:52.556
<v Speaker 1>what it takes to be a great creative director for

0:23:52.636 --> 0:23:56.876
<v Speaker 1>those those of us were uninitiated. What are the skills

0:23:56.876 --> 0:23:59.876
<v Speaker 1>it takes to be a creative director of a company,

0:23:59.956 --> 0:24:00.956
<v Speaker 1>fashion brand.

0:24:01.716 --> 0:24:08.636
<v Speaker 2>Done Dune Dune? To be a creative director is it's

0:24:08.716 --> 0:24:11.876
<v Speaker 2>It's not about sitting there and designing every garment or

0:24:12.476 --> 0:24:16.276
<v Speaker 2>this senator. It's about being a leader and guiding a

0:24:16.316 --> 0:24:20.636
<v Speaker 2>team with a vision and feeling for what each season

0:24:20.956 --> 0:24:24.796
<v Speaker 2>is going to be and what's the story. What's the feeling?

0:24:24.876 --> 0:24:28.276
<v Speaker 2>Who are the muses, who are the people we're designing for?

0:24:28.756 --> 0:24:30.796
<v Speaker 2>What are the references? When the team goes out and

0:24:30.836 --> 0:24:33.556
<v Speaker 2>looks for references? What are we looking for? You know,

0:24:33.596 --> 0:24:36.396
<v Speaker 2>it's this season? What's the edge? What's the mean? Like,

0:24:36.436 --> 0:24:39.116
<v Speaker 2>what's the meaning? What are we trying to say? Were

0:24:39.116 --> 0:24:40.716
<v Speaker 2>trying to say something about New York? We trying to

0:24:40.716 --> 0:24:43.556
<v Speaker 2>say something about society? What are we speaking about? What

0:24:43.596 --> 0:24:45.916
<v Speaker 2>are the things we pull in from? What errors are

0:24:45.916 --> 0:24:49.876
<v Speaker 2>we pulling from? You're the coach, You're the director, You're

0:24:49.876 --> 0:24:53.436
<v Speaker 2>Martin Scorsese, Mark Scorsese, you don't edit the film. He's

0:24:53.436 --> 0:24:59.116
<v Speaker 2>not the cinematographer, you know, like Spike Lee Crookland author

0:24:59.236 --> 0:25:04.356
<v Speaker 2>Jafa is the cinematographer. Spike Lee's the director. He's the

0:25:04.396 --> 0:25:07.396
<v Speaker 2>crave director of the film. And you put together the

0:25:07.436 --> 0:25:12.276
<v Speaker 2>team and work with the team to create the film,

0:25:12.556 --> 0:25:19.036
<v Speaker 2>the clothing, the food, the restaurant, the bookstore, whatever it is.

0:25:19.436 --> 0:25:20.796
<v Speaker 2>That's what the crave director does.

0:25:20.996 --> 0:25:23.116
<v Speaker 1>You know, you're kind of like the general, like you're

0:25:23.156 --> 0:25:27.636
<v Speaker 1>marshaling in every resource available to accomplish something. So like

0:25:27.676 --> 0:25:32.996
<v Speaker 1>all the disparate positions and talents, breaking them together and

0:25:33.556 --> 0:25:35.636
<v Speaker 1>figuring out the vision, giving them the vision for how

0:25:35.676 --> 0:25:37.236
<v Speaker 1>to move forward and what to do and how to

0:25:37.236 --> 0:25:38.636
<v Speaker 1>do the best work and all that.

0:25:38.756 --> 0:25:44.076
<v Speaker 2>And you know, also listening career director ain't just telling

0:25:44.116 --> 0:25:46.196
<v Speaker 2>your team what to do. Is listening to your team?

0:25:46.396 --> 0:25:49.396
<v Speaker 2>Career director has the final say but doesn't mean to say.

0:25:49.516 --> 0:25:54.116
<v Speaker 2>Is what you believe. It's you guiding and listening to

0:25:54.156 --> 0:25:56.436
<v Speaker 2>your team, listening to what's going on in the world

0:25:57.356 --> 0:26:01.356
<v Speaker 2>the customer. But you know, you're nothing without the team,

0:26:01.636 --> 0:26:04.396
<v Speaker 2>you know, and the team needs you too. And the

0:26:04.396 --> 0:26:06.636
<v Speaker 2>more that people understand that, the more the better you

0:26:06.676 --> 0:26:09.796
<v Speaker 2>can work. And that's why I was like, I don't

0:26:09.796 --> 0:26:11.076
<v Speaker 2>get you wrapped up in the title.

0:26:11.836 --> 0:26:14.516
<v Speaker 1>But it is an accomplishment. I mean, it's a real

0:26:15.356 --> 0:26:16.996
<v Speaker 1>I mean it is an honor in a lot of ways. Still,

0:26:16.996 --> 0:26:18.436
<v Speaker 1>even though you say you don't put much on the title,

0:26:18.436 --> 0:26:20.316
<v Speaker 1>I just want to make sure it's like you understand,

0:26:20.396 --> 0:26:24.036
<v Speaker 1>like it is. It's a real honor to that position.

0:26:25.436 --> 0:26:28.436
<v Speaker 2>It's a great honor, especially to work for a brand

0:26:28.476 --> 0:26:32.756
<v Speaker 2>like Supreme specifically and what Supreme stands for and what

0:26:32.876 --> 0:26:37.756
<v Speaker 2>James Jeb stands for and what Aaron and the people

0:26:37.756 --> 0:26:39.196
<v Speaker 2>that have been there for a long time, and it's

0:26:39.196 --> 0:26:42.116
<v Speaker 2>an absolute it's an absolute honor, just like it was an

0:26:42.156 --> 0:26:46.236
<v Speaker 2>honor to be do art direction at Stucy beforehand and

0:26:46.796 --> 0:26:48.636
<v Speaker 2>all the stuff, all of it's been an honor. Yeah,

0:26:48.876 --> 0:26:50.676
<v Speaker 2>every you know, definitely.

0:26:50.476 --> 0:26:53.436
<v Speaker 1>If I'm like a sixteen, seventeen, eighteen, nineteen, twenty year

0:26:53.476 --> 0:26:57.236
<v Speaker 1>old and I wanted to aspire to be like you

0:26:57.476 --> 0:27:01.036
<v Speaker 1>become a creative director of like a beloved brand, what

0:27:01.116 --> 0:27:03.116
<v Speaker 1>are steps you could take to do that? Like? How

0:27:03.156 --> 0:27:04.476
<v Speaker 1>do you work your way to that?

0:27:04.596 --> 0:27:05.036
<v Speaker 2>Kind of a.

0:27:06.596 --> 0:27:09.116
<v Speaker 1>And obvious there's some magic involved, there's some luck, involved,

0:27:09.756 --> 0:27:10.756
<v Speaker 1>of course, but.

0:27:14.076 --> 0:27:20.876
<v Speaker 2>I would say I would say focus on spending a

0:27:21.036 --> 0:27:24.396
<v Speaker 2>much time within reason around people you love and share

0:27:24.436 --> 0:27:26.836
<v Speaker 2>the same vision as you, and care about the things

0:27:26.836 --> 0:27:31.436
<v Speaker 2>you care about, and see where that will lead you. Honestly,

0:27:33.316 --> 0:27:37.676
<v Speaker 2>I didn't start hanging out with a side and other

0:27:37.756 --> 0:27:41.676
<v Speaker 2>friends and you know, like, yo, me and this guy

0:27:41.716 --> 0:27:44.636
<v Speaker 2>going to start a brand one day. He's this cool

0:27:44.676 --> 0:27:47.196
<v Speaker 2>dude that I learned a lot from a great person

0:27:47.556 --> 0:27:53.276
<v Speaker 2>and hilarious vis cool dude, hilarious and grew to love

0:27:53.316 --> 0:27:56.916
<v Speaker 2>these guys Wilkins at Union. You know, I hung out

0:27:56.916 --> 0:27:58.476
<v Speaker 2>there because I love these guys and we have fun.

0:27:58.516 --> 0:28:00.436
<v Speaker 2>I didn't know I would learn stuff there that would

0:28:00.476 --> 0:28:02.676
<v Speaker 2>use the rest of my life. And what I'm trying

0:28:02.676 --> 0:28:06.876
<v Speaker 2>to say moral of the story is I love style,

0:28:06.996 --> 0:28:10.356
<v Speaker 2>I love art. I stayed my black ass up in

0:28:10.396 --> 0:28:12.756
<v Speaker 2>the museum. I stayed in my black ass up in

0:28:12.756 --> 0:28:16.396
<v Speaker 2>a bookstore. I stayed my black ass window shopping. I

0:28:16.396 --> 0:28:19.796
<v Speaker 2>stayed my black ass on the internet. I stayed my

0:28:19.796 --> 0:28:22.916
<v Speaker 2>black ass up in the books. You know, like, I

0:28:22.996 --> 0:28:25.596
<v Speaker 2>just hung around things I love and then if you're

0:28:25.636 --> 0:28:29.476
<v Speaker 2>really lucky, something will happen. But there's no guarantee. There's

0:28:29.476 --> 0:28:32.276
<v Speaker 2>no deserves in this life? Who would write down that

0:28:32.396 --> 0:28:35.356
<v Speaker 2>When I finally achieve and become a creative director of Supreme,

0:28:36.116 --> 0:28:39.636
<v Speaker 2>six months later I get aneurism and almost die, and

0:28:39.676 --> 0:28:42.036
<v Speaker 2>now in the fight of my life trying to get

0:28:42.036 --> 0:28:47.156
<v Speaker 2>my legs back and take care of my health. There's

0:28:47.236 --> 0:28:51.276
<v Speaker 2>no deserves. So my thing is, I got no regrets

0:28:51.316 --> 0:28:53.116
<v Speaker 2>if I would have died, I got no regrets because

0:28:53.436 --> 0:28:55.036
<v Speaker 2>I spent as much. I spent a lot of time

0:28:55.076 --> 0:28:56.836
<v Speaker 2>with people I love and doing the things I love,

0:28:57.596 --> 0:29:03.036
<v Speaker 2>and it led me to great heights, which considered success.

0:29:03.596 --> 0:29:06.876
<v Speaker 2>But when I was in the bed and literally at

0:29:06.956 --> 0:29:11.756
<v Speaker 2>points my deathbed, fighting for my life, what mattered most

0:29:11.796 --> 0:29:14.556
<v Speaker 2>was the people coming to visit me, and my friends

0:29:14.756 --> 0:29:19.236
<v Speaker 2>and my girl, and you know who showed up a

0:29:19.396 --> 0:29:24.956
<v Speaker 2>sad cactus. You know, Andy changed Yebia, you know, and

0:29:27.356 --> 0:29:29.556
<v Speaker 2>he started off as my boss, but now I value

0:29:29.596 --> 0:29:32.556
<v Speaker 2>his friendship more than anything. If I never worked another

0:29:32.596 --> 0:29:38.276
<v Speaker 2>day with him. So I don't know how to tell

0:29:38.276 --> 0:29:40.636
<v Speaker 2>you how to be a crave director. I know how

0:29:40.636 --> 0:29:42.756
<v Speaker 2>to tell you how to be a full human being.

0:29:43.876 --> 0:29:51.116
<v Speaker 2>And being a complete human being will protect you and

0:29:51.156 --> 0:29:53.236
<v Speaker 2>get you where you need to go. It might not

0:29:53.276 --> 0:29:56.196
<v Speaker 2>make you creative director, it might not help you survive aneurism,

0:29:57.276 --> 0:30:01.316
<v Speaker 2>but if you do become a crave director, you're going

0:30:01.396 --> 0:30:03.876
<v Speaker 2>to have friends that keep you down on earth, and

0:30:03.956 --> 0:30:05.876
<v Speaker 2>friends I get to give you advice and not actually

0:30:05.876 --> 0:30:07.716
<v Speaker 2>care about that title and just care about that you

0:30:07.756 --> 0:30:11.196
<v Speaker 2>haven't changed much, or that you've become becoming a better

0:30:11.236 --> 0:30:15.156
<v Speaker 2>person and a more compassionate and kind of person. And

0:30:15.236 --> 0:30:18.076
<v Speaker 2>so then back to the creative director thing, if you

0:30:18.196 --> 0:30:21.476
<v Speaker 2>foster these real friendships with people that are into art,

0:30:23.596 --> 0:30:28.196
<v Speaker 2>maybe that will help you grow your skills, get a recommendation,

0:30:28.956 --> 0:30:31.956
<v Speaker 2>blah blah blah. But it's got to come from a

0:30:31.996 --> 0:30:34.556
<v Speaker 2>real place. For me, there's people that do it different ways,

0:30:34.556 --> 0:30:37.116
<v Speaker 2>some people who are the straight climbers, like yo, da

0:30:37.196 --> 0:30:39.236
<v Speaker 2>da da. I'm gonna hang out with this person because

0:30:39.276 --> 0:30:41.076
<v Speaker 2>it can get me here, and I'm gonna do this.

0:30:41.196 --> 0:30:43.796
<v Speaker 2>I'm gonna work ten thousand hours. The shit ain't all

0:30:43.836 --> 0:30:46.716
<v Speaker 2>about working titles. And you know, yeah, you need health

0:30:46.716 --> 0:30:52.036
<v Speaker 2>insurance and you got your dreams, and but what I've

0:30:52.036 --> 0:30:55.756
<v Speaker 2>done on my own and with a side is just

0:30:55.796 --> 0:30:58.996
<v Speaker 2>as valid what I've done with Supreme. So if I

0:30:59.076 --> 0:31:02.596
<v Speaker 2>never got to Supreme job, I'm still me. I'm still

0:31:02.676 --> 0:31:05.436
<v Speaker 2>tremain and I'm still have the same ideas did them.

0:31:05.436 --> 0:31:09.596
<v Speaker 2>Tears still exist, No vacancy in still exist. I'm not

0:31:09.756 --> 0:31:13.756
<v Speaker 2>more because of supreme that I think that mentality for

0:31:13.836 --> 0:31:16.196
<v Speaker 2>me is which we'll get you there? Maybe?

0:31:17.076 --> 0:31:19.036
<v Speaker 1>Do you feel like you're the rarety? Do you feel

0:31:19.036 --> 0:31:22.076
<v Speaker 1>like you're the exception to the rule on this case,

0:31:22.156 --> 0:31:24.476
<v Speaker 1>like it feels like in your industry? Would you say

0:31:24.476 --> 0:31:28.196
<v Speaker 1>that that's a rare, a rare way to move in

0:31:28.236 --> 0:31:30.676
<v Speaker 1>your industry?

0:31:30.836 --> 0:31:36.276
<v Speaker 2>MM, I don't know. You'd have to do a control

0:31:36.436 --> 0:31:39.316
<v Speaker 2>and you talk to all them. You have to ground

0:31:39.396 --> 0:31:42.876
<v Speaker 2>up all the creative directors and ask them. I don't know, man,

0:31:42.996 --> 0:31:44.756
<v Speaker 2>I can only speak for me. I don't want to

0:31:44.756 --> 0:31:51.236
<v Speaker 2>speak for anyone else, you know, artist. Yeah, I just

0:31:51.316 --> 0:31:55.276
<v Speaker 2>hung around the stuff I love and start making things

0:31:55.316 --> 0:31:58.916
<v Speaker 2>and did my best at it and support the community

0:31:58.956 --> 0:32:03.316
<v Speaker 2>that supported me. And then this stuff happened. But I

0:32:03.356 --> 0:32:05.956
<v Speaker 2>didn't plan it out. I was just trying to impress

0:32:06.036 --> 0:32:09.636
<v Speaker 2>a side, you know what I mean, trying to impress Virgil,

0:32:09.756 --> 0:32:11.596
<v Speaker 2>you know what I mean, like doing things to impress

0:32:11.636 --> 0:32:14.996
<v Speaker 2>my friends. That's it. And I just wanted to hear

0:32:15.036 --> 0:32:17.756
<v Speaker 2>the music. MC talked my shit on the mic, let

0:32:17.796 --> 0:32:20.796
<v Speaker 2>people know a side is the best DJ. We'd start

0:32:20.876 --> 0:32:23.596
<v Speaker 2>doing that. We used to split one hundred bucks our

0:32:23.596 --> 0:32:26.796
<v Speaker 2>first gig, we split a hundred bucks. We used to

0:32:26.796 --> 0:32:29.636
<v Speaker 2>split one hundred bucks every Friday night, midnight in the narrows.

0:32:30.676 --> 0:32:34.396
<v Speaker 2>You know. We split one hundred pighs. Yeah. Yeah, I

0:32:34.476 --> 0:32:36.636
<v Speaker 2>was the host and A Side was DJing. And then

0:32:37.196 --> 0:32:39.756
<v Speaker 2>we started getting little, bigger gigs, you know, two hundred bucks,

0:32:39.796 --> 0:32:43.436
<v Speaker 2>five hundred bucks. Then we start traveling the world to

0:32:43.476 --> 0:32:45.676
<v Speaker 2>do it and getting big checks to do it. You know.

0:32:45.796 --> 0:32:49.716
<v Speaker 2>But I'm not saying we hippies or like straight like

0:32:49.916 --> 0:32:52.716
<v Speaker 2>we don't care about money. But what it came from love.

0:32:53.276 --> 0:32:57.476
<v Speaker 2>A side studies, a master studies the music thing. You know.

0:32:57.556 --> 0:33:00.316
<v Speaker 2>He owned over ten thousand records, you know. And me,

0:33:00.676 --> 0:33:04.036
<v Speaker 2>I'd love for just toasting the crowd and creating an

0:33:04.116 --> 0:33:07.556
<v Speaker 2>environment and finding a venue that with a good sound

0:33:07.676 --> 0:33:09.956
<v Speaker 2>and this that and the third where the party could

0:33:09.996 --> 0:33:13.076
<v Speaker 2>work and things happened grow out a night life, you know,

0:33:13.276 --> 0:33:15.076
<v Speaker 2>and we loved it and we did it, you know.

0:33:15.236 --> 0:33:16.676
<v Speaker 2>That's how we kind of linked up. That's how I

0:33:16.676 --> 0:33:19.236
<v Speaker 2>linked up with v over some night some night life shit,

0:33:19.396 --> 0:33:22.036
<v Speaker 2>you know, and that led to other things That's the

0:33:22.036 --> 0:33:25.036
<v Speaker 2>thing I saw. I can't give kids the blueprint because

0:33:25.076 --> 0:33:26.756
<v Speaker 2>my life is I grew up. When I grew up,

0:33:27.476 --> 0:33:30.196
<v Speaker 2>I moved to London. I couldn't predict Robert Duffy was

0:33:30.196 --> 0:33:32.996
<v Speaker 2>gonna move me to London. So how can I tell

0:33:32.996 --> 0:33:34.556
<v Speaker 2>a kid how to become a craveve director?

0:33:34.916 --> 0:33:37.076
<v Speaker 1>Right, Jacobs? You didn't know that was going to take

0:33:37.116 --> 0:33:38.636
<v Speaker 1>you from New York to London?

0:33:39.196 --> 0:33:41.476
<v Speaker 2>Yeah, even like you know how I met and worked

0:33:41.476 --> 0:33:44.356
<v Speaker 2>with Frank, who has become a great friend, is like.

0:33:44.996 --> 0:33:45.996
<v Speaker 1>How did you meet Frank Ocean?

0:33:46.036 --> 0:33:49.956
<v Speaker 2>How did that through V? Because we first night hung

0:33:49.996 --> 0:33:52.116
<v Speaker 2>out with V and me a sign V, hanging out

0:33:52.596 --> 0:33:54.556
<v Speaker 2>at the spot that I was I was working for

0:33:54.596 --> 0:33:58.676
<v Speaker 2>Serge Becker. I was a social director for Labodega Nigra.

0:33:59.276 --> 0:34:02.356
<v Speaker 2>So I'm in there hosting, putting stuff together, a size,

0:34:02.396 --> 0:34:05.156
<v Speaker 2>DJing up and there. And then one night my man

0:34:05.276 --> 0:34:11.196
<v Speaker 2>Kyle Demers, who works as Supreme, he's in town and

0:34:11.236 --> 0:34:14.036
<v Speaker 2>he's like, Yo, I'm with V. Have you guys ever met?

0:34:14.116 --> 0:34:16.996
<v Speaker 2>I'm like, not really met. Once He's like, you want

0:34:17.036 --> 0:34:19.396
<v Speaker 2>to come have a drink with us? We go down there,

0:34:19.436 --> 0:34:23.276
<v Speaker 2>we have a drink, playing music, listening to music, and

0:34:23.316 --> 0:34:27.236
<v Speaker 2>then V was like, Yo, can my friend come by?

0:34:27.476 --> 0:34:29.876
<v Speaker 2>I was like sure, and this is the genius of V.

0:34:29.996 --> 0:34:33.956
<v Speaker 2>Like he was so demure and then not dropping no

0:34:34.076 --> 0:34:35.996
<v Speaker 2>names or nothing. So to open the door, and it's Frank.

0:34:36.036 --> 0:34:38.996
<v Speaker 2>And I remember you had this dope, dope jacket. It

0:34:39.076 --> 0:34:43.596
<v Speaker 2>was sublimated trumpel oil, so it was like a bubble coat,

0:34:43.636 --> 0:34:47.156
<v Speaker 2>but it looked like a leather coat and a jean jacket.

0:34:47.596 --> 0:34:49.756
<v Speaker 2>So that's the first thing. I'm like, Yo, it's jacket's fire.

0:34:50.516 --> 0:34:53.636
<v Speaker 2>I'm like, oh, it's not Frank. And then we met

0:34:53.756 --> 0:34:55.756
<v Speaker 2>and then we just became cool, you know, like but

0:34:55.916 --> 0:34:59.276
<v Speaker 2>very casual. There was no you know, exchange of email,

0:34:59.356 --> 0:35:02.116
<v Speaker 2>a couple of emails here and there, what's up. And

0:35:02.156 --> 0:35:05.076
<v Speaker 2>then over years we got cool and then we started

0:35:05.156 --> 0:35:09.636
<v Speaker 2>working together and you know, I did did what I

0:35:09.636 --> 0:35:11.956
<v Speaker 2>did with him, and it's just like I can't tell

0:35:11.996 --> 0:35:15.596
<v Speaker 2>a kid how to do that. It came from friendship,

0:35:15.756 --> 0:35:18.796
<v Speaker 2>me and Kyle being friends and then Kyle being like,

0:35:18.836 --> 0:35:22.076
<v Speaker 2>let's have a drink, everyone being calm and chill, and

0:35:22.116 --> 0:35:24.676
<v Speaker 2>then that's it. And then if something you can do

0:35:24.836 --> 0:35:27.796
<v Speaker 2>workwise comes out of that cool, but that's not the intention.

0:35:27.876 --> 0:35:29.276
<v Speaker 2>And intention is to hang out.

0:35:29.476 --> 0:35:31.196
<v Speaker 1>What did come out of your relationship with Frank?

0:35:31.596 --> 0:35:34.076
<v Speaker 2>In terms of work, I was a six foot two

0:35:35.996 --> 0:35:40.116
<v Speaker 2>fly on the wall whilst he created Blonde and Boys

0:35:40.116 --> 0:35:42.836
<v Speaker 2>Don't Crime Magazine. I'm listed as a contributor on Boys

0:35:42.836 --> 0:35:47.276
<v Speaker 2>Don't Crime Magazine. You could call creative with consultant, I

0:35:47.396 --> 0:35:52.636
<v Speaker 2>say creative assistant and we just talk and sometimes ideas

0:35:52.676 --> 0:35:55.276
<v Speaker 2>would come out of that. Again, he had a team,

0:35:55.356 --> 0:35:57.796
<v Speaker 2>a small team of people he worked with. He's the

0:35:57.876 --> 0:36:02.516
<v Speaker 2>leader Crave director, his own Crave director, his own visionary.

0:36:02.556 --> 0:36:10.476
<v Speaker 2>You know, he's Frank, writer, producer, singer and artists, photographer.

0:36:11.116 --> 0:36:13.636
<v Speaker 2>He does a lot jewelry. You know, he designs jewelry

0:36:13.716 --> 0:36:17.156
<v Speaker 2>now as Julie Brand Homer. And yeah, I was like

0:36:17.196 --> 0:36:19.716
<v Speaker 2>a fly on a wall that would get asked questions

0:36:19.756 --> 0:36:22.916
<v Speaker 2>sometimes and I would offer my opinion or sometimes suggests

0:36:23.716 --> 0:36:28.836
<v Speaker 2>maybe suggest something or connected connected dot. So you know,

0:36:29.476 --> 0:36:31.676
<v Speaker 2>how do you become a Crave director? How do you

0:36:31.676 --> 0:36:33.636
<v Speaker 2>make it at Carnegie Hall? Right? Well, it's the joke.

0:36:33.916 --> 0:36:35.076
<v Speaker 2>How do you make it to car How do you

0:36:35.076 --> 0:36:36.876
<v Speaker 2>get in the cab? Which way? How do you get

0:36:36.876 --> 0:36:39.156
<v Speaker 2>to Carnegie Hall? Hard work? You know what I mean,

0:36:39.236 --> 0:36:44.316
<v Speaker 2>like hardworking luck, But maybe you want to be a

0:36:44.356 --> 0:36:46.116
<v Speaker 2>crave director and you end up somewhere else.

0:36:46.916 --> 0:36:49.516
<v Speaker 1>Yeah, man, Well, thank you so much for your time

0:36:49.556 --> 0:36:51.916
<v Speaker 1>for man. Man, it's just beautiful here when you speak likewise,

0:36:51.956 --> 0:36:54.156
<v Speaker 1>was doing great talking to you, man, beautiful conversation. Thank

0:36:54.196 --> 0:36:54.556
<v Speaker 1>you so much.

0:36:54.556 --> 0:36:58.556
<v Speaker 2>I'm around all right, man, Thank you, bro be easy,

0:36:59.116 --> 0:37:00.236
<v Speaker 2>all right, piece shall.

0:37:02.396 --> 0:37:04.196
<v Speaker 1>I really want to thank Tremaine for taking the time

0:37:04.276 --> 0:37:07.076
<v Speaker 1>to share his story with us. Obviously a lot of

0:37:07.076 --> 0:37:09.436
<v Speaker 1>people are taking times out of the busy schedule, time

0:37:09.476 --> 0:37:11.436
<v Speaker 1>away from work to appear on the show. But in

0:37:11.476 --> 0:37:13.716
<v Speaker 1>Tremayne's case, he's not just taking time away from work.

0:37:13.796 --> 0:37:17.436
<v Speaker 1>He's also taking time away from his own physical recovery.

0:37:18.196 --> 0:37:20.556
<v Speaker 1>Real pleasure talking to this guy. And I can't think

0:37:20.556 --> 0:37:22.716
<v Speaker 1>of a group of people who've had a bigger outsized

0:37:22.716 --> 0:37:26.356
<v Speaker 1>impact on a single industry than Tremaine and his cohort.

0:37:29.636 --> 0:37:32.956
<v Speaker 1>Started from the Bottom is produced by David Jah, edited

0:37:32.996 --> 0:37:37.276
<v Speaker 1>by keyshow Williams, engineered by Benlliday, booked by Laura Morgan

0:37:37.636 --> 0:37:41.356
<v Speaker 1>with production help from Lea Rose. The show is executive

0:37:41.396 --> 0:37:43.956
<v Speaker 1>produced by Jacob Goldstein, who's not all up in the

0:37:44.036 --> 0:37:48.436
<v Speaker 1>videos for Pushkin Industries. Our theme music's by Bent Holliday

0:37:48.476 --> 0:37:51.836
<v Speaker 1>and David Jaw featuring Anthony Yaggs and Savannah Joe Lack.

0:37:52.596 --> 0:37:54.836
<v Speaker 1>Listen to Started from the Bottom. Wherever you get your

0:37:54.876 --> 0:37:58.236
<v Speaker 1>podcasts and if you want ad free episodes available one

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<v Speaker 1>week early sign up for Pushkin Plus. Check out Pushkin

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<v Speaker 1>dot fm or the Apple Show page for more information.

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<v Speaker 1>If you like our show, please remember to share, rate,

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<v Speaker 1>and review us on your podcast that I'm just En Richmond.