1 00:00:00,080 --> 00:00:03,280 Speaker 1: Guess what will what's that mango? So today I lost 2 00:00:03,320 --> 00:00:06,400 Speaker 1: half an hour looking up team restaurants that I definitely 3 00:00:06,440 --> 00:00:08,680 Speaker 1: don't want to eat at. Have you heard of the 4 00:00:08,760 --> 00:00:12,680 Speaker 1: Disaster Cafe? I haven't, but I have to admit I'm intrigued. 5 00:00:12,720 --> 00:00:15,600 Speaker 1: So what happens at the Disaster Cafe? So this is 6 00:00:15,600 --> 00:00:18,640 Speaker 1: a failed restaurant concept from Spain, but it's so great. 7 00:00:18,800 --> 00:00:21,120 Speaker 1: So when you walk in, you travel down to the 8 00:00:21,200 --> 00:00:23,319 Speaker 1: depths of the earth, as they put it, and get 9 00:00:23,320 --> 00:00:26,520 Speaker 1: seated in this cave like area. And the first thing 10 00:00:26,560 --> 00:00:29,120 Speaker 1: most patrons noticed is that all the weight staff is 11 00:00:29,120 --> 00:00:33,199 Speaker 1: wearing these hard hats like construction cats. And then when 12 00:00:33,200 --> 00:00:36,479 Speaker 1: you order your food, the trays are all super super heavy. 13 00:00:36,520 --> 00:00:39,320 Speaker 1: But the entire concept of the place is that sometime 14 00:00:39,479 --> 00:00:42,839 Speaker 1: during your meal, you'll actually experience a simulated earthquake that 15 00:00:42,840 --> 00:00:46,400 Speaker 1: measures seven point eight on the Richter scale. All right, 16 00:00:46,440 --> 00:00:48,320 Speaker 1: so let me get this straight. I'm actually paying to 17 00:00:48,560 --> 00:00:52,280 Speaker 1: eat and feel an earthquake at the same time. And 18 00:00:52,280 --> 00:00:54,560 Speaker 1: why is it a seven point eight? I think because 19 00:00:54,600 --> 00:00:59,680 Speaker 1: that's the optimal earthquake setting for maximum dining enjoyment. But no, 20 00:00:59,840 --> 00:01:02,000 Speaker 1: I have no idea. But but the whole concept is 21 00:01:02,000 --> 00:01:04,479 Speaker 1: that you don't know when the earthquake is actually gonna happen, 22 00:01:04,600 --> 00:01:08,039 Speaker 1: So I guess it's for thrill seekers, or maybe for 23 00:01:08,080 --> 00:01:10,560 Speaker 1: people who love playing Russian Roulette over a fine meal. 24 00:01:10,760 --> 00:01:12,240 Speaker 1: So I have to know that was was the food 25 00:01:12,280 --> 00:01:15,240 Speaker 1: any good? Yeah? Apparently the food is great. And like 26 00:01:15,400 --> 00:01:18,480 Speaker 1: most theme restaurants, business was initially strong because of the buzz, 27 00:01:18,520 --> 00:01:21,680 Speaker 1: but eventually the novelty wore off, and the fact that 28 00:01:21,720 --> 00:01:23,880 Speaker 1: the drinks build all over the place regularly and you 29 00:01:23,920 --> 00:01:26,800 Speaker 1: couldn't wear nice clothes there took its toll. So I 30 00:01:26,840 --> 00:01:29,880 Speaker 1: guess the owners snuffed out their beloved disaster cafe. But 31 00:01:30,959 --> 00:01:34,240 Speaker 1: today's Nine Things is all about theme restaurants, because even 32 00:01:34,280 --> 00:01:36,240 Speaker 1: if we don't want to eat at them or invest 33 00:01:36,280 --> 00:01:38,959 Speaker 1: in them, we definitely want to talk about them. Let's 34 00:01:38,959 --> 00:02:03,040 Speaker 1: dig in. Hey, their podcast listeners, welcome to Part Time Genius. 35 00:02:03,080 --> 00:02:05,440 Speaker 1: I'm Will Pearson and is always I'm joined by my 36 00:02:05,480 --> 00:02:08,400 Speaker 1: good friend Mangueshot Ticketer, or at least halfway joined by 37 00:02:08,400 --> 00:02:11,680 Speaker 1: Mangeshot Ticketer. I'm in New York waiting on Mango and 38 00:02:11,720 --> 00:02:14,320 Speaker 1: Tristan to come up here tomorrow. Now, Mango, I have 39 00:02:14,360 --> 00:02:16,720 Speaker 1: to know, is is Tristan sitting behind the glass, and 40 00:02:16,800 --> 00:02:19,400 Speaker 1: if so, what is he doing today? He is indeed 41 00:02:19,400 --> 00:02:21,880 Speaker 1: sitting behind that glass, and today he's looking at recipes 42 00:02:21,919 --> 00:02:25,480 Speaker 1: from his Bubba Gump Shrimp Company cookbook. Wow, he's always 43 00:02:25,560 --> 00:02:27,960 Speaker 1: up to something interesting. Hey, that's perfect because I don't 44 00:02:27,960 --> 00:02:29,760 Speaker 1: know if that still exists up here in New York, 45 00:02:29,800 --> 00:02:31,960 Speaker 1: but if it does, we definitely have to take him 46 00:02:31,960 --> 00:02:33,760 Speaker 1: over there and just just drop him off. I don't 47 00:02:33,760 --> 00:02:36,080 Speaker 1: want to go in, and we'll drop him off at 48 00:02:36,080 --> 00:02:39,280 Speaker 1: the Bubba Gump Shrimp Company. So now today, Mango, we're 49 00:02:39,280 --> 00:02:42,120 Speaker 1: talking about theme restaurants. So I'm curious, what are your 50 00:02:42,160 --> 00:02:44,880 Speaker 1: feelings about theme restaurants? You know, I was thinking about 51 00:02:44,880 --> 00:02:48,440 Speaker 1: this earlier. I'm actually kind of conflicted because I mean, 52 00:02:48,480 --> 00:02:52,080 Speaker 1: they're they're obviously tourist trots, and I feel like there 53 00:02:52,160 --> 00:02:54,040 Speaker 1: was an age when I was super into them, right 54 00:02:54,160 --> 00:02:56,240 Speaker 1: like maybe when I was eleven or twelve, I was 55 00:02:56,360 --> 00:02:59,880 Speaker 1: all about going to like hard rock cafes and Planet Hollywood's. 56 00:03:00,000 --> 00:03:02,560 Speaker 1: Then if there was, I don't know, like a Hedgehog 57 00:03:02,560 --> 00:03:04,480 Speaker 1: cafe in my neighborhood, I'm sure I would have begged 58 00:03:04,480 --> 00:03:07,320 Speaker 1: my parents to go. But then you kind of age 59 00:03:07,320 --> 00:03:09,799 Speaker 1: out of them, right like like medieval times and where 60 00:03:09,800 --> 00:03:12,359 Speaker 1: you want to get dragged as an angsty teen unless 61 00:03:12,360 --> 00:03:15,000 Speaker 1: you're into like dragon con or Renaissance fairs. And then 62 00:03:15,040 --> 00:03:17,160 Speaker 1: you get a little older and it's exactly where you 63 00:03:17,200 --> 00:03:20,880 Speaker 1: want to drag your nephews or nieces. I mean I 64 00:03:20,960 --> 00:03:23,600 Speaker 1: subjected my little nephew Ryan a ton of things that 65 00:03:23,639 --> 00:03:26,679 Speaker 1: he wouldn't want to do, Like what what do you mean? 66 00:03:27,200 --> 00:03:29,280 Speaker 1: Like I forced him to go to that Ninja cafe 67 00:03:29,320 --> 00:03:33,200 Speaker 1: in New York. Yeah, they're They're all those like secret 68 00:03:33,280 --> 00:03:35,520 Speaker 1: hiding spots and the ninja's jumped out at you and 69 00:03:35,560 --> 00:03:38,120 Speaker 1: like clouds of smoke and the sushi comes on a 70 00:03:38,160 --> 00:03:41,680 Speaker 1: bed of dry eyes, so it's all smoky too. And 71 00:03:41,960 --> 00:03:43,880 Speaker 1: I think the weirdest thing is that the ninja's come 72 00:03:43,880 --> 00:03:48,720 Speaker 1: around to your tables to do card tricks. Well, speaking 73 00:03:48,760 --> 00:03:51,040 Speaker 1: of magic, I do know you wanted to talk about 74 00:03:51,080 --> 00:03:55,360 Speaker 1: your favorite magic cafe, and that's David copper Fields Magic Underground, right, 75 00:03:55,560 --> 00:03:58,240 Speaker 1: that's right. So you know when I was a kid, 76 00:03:58,400 --> 00:04:01,400 Speaker 1: I mentioned this to you, but I David Copperfield and 77 00:04:01,440 --> 00:04:03,440 Speaker 1: we actually went to see him when he came to Wilmington's. 78 00:04:03,520 --> 00:04:05,680 Speaker 1: My my mom used to take the specials on TV 79 00:04:05,800 --> 00:04:08,200 Speaker 1: so we could watch them, and I had, of course 80 00:04:08,240 --> 00:04:10,920 Speaker 1: heard about his legendary statue of Liberty trick. That's where 81 00:04:10,960 --> 00:04:13,560 Speaker 1: he made it disappear on TV, right, Yeah, that's right. 82 00:04:13,760 --> 00:04:16,040 Speaker 1: And over the years, of course I saw him more 83 00:04:16,040 --> 00:04:18,640 Speaker 1: as a character than that cool magician you love as 84 00:04:18,680 --> 00:04:21,200 Speaker 1: a nine year old kind of more of a job character. 85 00:04:21,360 --> 00:04:24,919 Speaker 1: But apparently in the mid nineties he spent three years 86 00:04:24,960 --> 00:04:28,440 Speaker 1: trying to launch copper Field's Magic Underground restaurant, and the 87 00:04:28,520 --> 00:04:32,000 Speaker 1: plans were so elaborate. So apparently the first one was 88 00:04:32,000 --> 00:04:34,400 Speaker 1: supposed to be in Times Square and it is just 89 00:04:34,480 --> 00:04:36,880 Speaker 1: too good. So I'm actually gonna read you the description 90 00:04:36,880 --> 00:04:39,839 Speaker 1: from the New York Times article about it. So, the 91 00:04:39,880 --> 00:04:42,520 Speaker 1: designs from the Times Square restaurant called for a heroic 92 00:04:42,920 --> 00:04:46,359 Speaker 1: forty five foot figure to stand astride the front entrance, 93 00:04:46,760 --> 00:04:50,279 Speaker 1: flanked by a pair of eighteen foot gas torches. Neon 94 00:04:50,320 --> 00:04:53,040 Speaker 1: signs were to erupt every hour in a ninety second 95 00:04:53,120 --> 00:04:56,680 Speaker 1: light show, with lights proclaiming the site copper Field's Magic 96 00:04:56,760 --> 00:05:00,280 Speaker 1: Underground emerging from the display. So it's already ridiculous, right, 97 00:05:00,640 --> 00:05:02,840 Speaker 1: And then you get inside. They're supposed to be a 98 00:05:02,960 --> 00:05:06,560 Speaker 1: seventy foot atrium with gargoyles perched on steel trusses in 99 00:05:06,560 --> 00:05:10,120 Speaker 1: a style Mr Rockwell called industrial Gothic. Diners were to 100 00:05:10,160 --> 00:05:12,440 Speaker 1: sit on terraces, nestled around a model to the statue 101 00:05:12,440 --> 00:05:15,080 Speaker 1: of Liberty's torch and to the eye, banquettes and a 102 00:05:15,080 --> 00:05:18,880 Speaker 1: bar would levitate, while a section of diners would suddenly disappear, 103 00:05:19,040 --> 00:05:21,200 Speaker 1: and once an hour a death saw would appear to 104 00:05:21,200 --> 00:05:23,960 Speaker 1: cut a diner and a half. Everywhere there would be 105 00:05:23,960 --> 00:05:28,360 Speaker 1: what became known as the David's large scale likenesses of Mr. Copperfield. 106 00:05:28,400 --> 00:05:31,600 Speaker 1: I mean, it is so amazing, And apparently it was 107 00:05:31,640 --> 00:05:35,400 Speaker 1: like a thirty thousand square foot place, and the New 108 00:05:35,480 --> 00:05:38,360 Speaker 1: York Times rights the restaurant's greatest trick was making thirty 109 00:05:38,360 --> 00:05:42,640 Speaker 1: four million dollars of investment money disappear thirty four million 110 00:05:42,680 --> 00:05:45,640 Speaker 1: dollars and nothing ever came of this. That's not amazing, 111 00:05:45,720 --> 00:05:48,320 Speaker 1: That is that is an impressive trick. All right, Well, 112 00:05:48,560 --> 00:05:50,920 Speaker 1: here is a place I'm fascinated by. It's called oh 113 00:05:50,920 --> 00:05:53,480 Speaker 1: now Are in Montreal, And when you go in, you're 114 00:05:53,520 --> 00:05:56,960 Speaker 1: actually asked to surrender anything that glints light, so we're 115 00:05:56,960 --> 00:06:00,560 Speaker 1: talking watches, phones, anything like that, and then you're let 116 00:06:00,600 --> 00:06:03,400 Speaker 1: into this completely dark room where you eat your meal 117 00:06:03,880 --> 00:06:07,039 Speaker 1: and the experience is supposed to be incredible because all 118 00:06:07,120 --> 00:06:10,880 Speaker 1: your other senses are heightened when you're just focusing on touch, smell, 119 00:06:11,080 --> 00:06:14,080 Speaker 1: and hearing. So I'm curious about this, dude. People ever 120 00:06:14,120 --> 00:06:17,680 Speaker 1: get scared of the dark or uncomfortable when they're there? Well, actually, 121 00:06:17,720 --> 00:06:20,400 Speaker 1: that feeling of discomfort is part of the experience. You know. 122 00:06:20,440 --> 00:06:22,919 Speaker 1: People occasionally will want to leave because they're scared of 123 00:06:22,920 --> 00:06:25,240 Speaker 1: the dark, and then they'll be calmed down by the 124 00:06:25,240 --> 00:06:28,120 Speaker 1: weight staff. But you know, the really interesting thing about 125 00:06:28,160 --> 00:06:30,919 Speaker 1: the place is that all the weight staff is blind, 126 00:06:31,360 --> 00:06:33,400 Speaker 1: and the proceeds from the restaurant go to the local 127 00:06:33,440 --> 00:06:36,680 Speaker 1: groups that support the visually impaired. And the whole idea 128 00:06:36,720 --> 00:06:38,720 Speaker 1: is that people initially go to the place because of 129 00:06:38,760 --> 00:06:40,960 Speaker 1: the novelty of it, you know, or because the food 130 00:06:41,040 --> 00:06:43,479 Speaker 1: is actually supposed to be really good. But from the 131 00:06:43,560 --> 00:06:46,320 Speaker 1: articles I've read, they've really come away from the experience 132 00:06:46,360 --> 00:06:49,520 Speaker 1: with more empathy and kind of this appreciation for how 133 00:06:49,560 --> 00:06:53,359 Speaker 1: the visually impaired navigate the world. That is awesome. Well, 134 00:06:53,480 --> 00:06:55,560 Speaker 1: I've got to say the next theme restaurant on my 135 00:06:55,600 --> 00:06:59,000 Speaker 1: list has a far less humanitarian mission. It's a place 136 00:06:59,040 --> 00:07:01,680 Speaker 1: I have no intention of going and it's called Taiwan's 137 00:07:01,800 --> 00:07:06,359 Speaker 1: Modern Toilet Restaurant. So I read the section on the 138 00:07:06,400 --> 00:07:09,960 Speaker 1: website about it that says business philosophy and direction, and 139 00:07:09,960 --> 00:07:13,800 Speaker 1: it says in April two th six, all Mordern restaurants 140 00:07:13,840 --> 00:07:17,239 Speaker 1: changed their name to Modern Toilet Restaurants. In the future, 141 00:07:17,280 --> 00:07:20,560 Speaker 1: a greater range of washroom facilities will greet new customers 142 00:07:20,600 --> 00:07:24,680 Speaker 1: and old friends alike. So what's the story behind. I 143 00:07:24,720 --> 00:07:27,720 Speaker 1: don't know. I guess it's just good branding. But apparently 144 00:07:28,080 --> 00:07:30,920 Speaker 1: it started because an owner was reading his comics on 145 00:07:30,960 --> 00:07:34,800 Speaker 1: the toilet and inspiration struck and the shop began as 146 00:07:35,200 --> 00:07:37,880 Speaker 1: actually as an ice cream parlor where they served chocolate 147 00:07:37,920 --> 00:07:40,160 Speaker 1: only ice cream and put the scoops in these squat 148 00:07:40,200 --> 00:07:45,000 Speaker 1: toilet containers, and for some reason people went wild for it. 149 00:07:45,440 --> 00:07:47,720 Speaker 1: And then I expanded to like a full restaurant where 150 00:07:47,720 --> 00:07:50,440 Speaker 1: you got hot pot and mini commodes. I I really 151 00:07:50,480 --> 00:07:53,000 Speaker 1: don't get this, but according to the site, I know 152 00:07:53,120 --> 00:07:56,640 Speaker 1: that they've launched over sixteen places, and apparently there was 153 00:07:56,680 --> 00:07:58,520 Speaker 1: even like a short lived one in Vegas where you 154 00:07:58,560 --> 00:08:00,320 Speaker 1: could sit on a throne as you ate from a 155 00:08:00,320 --> 00:08:03,680 Speaker 1: tin year throne, but for some reason it didn't take off. 156 00:08:04,360 --> 00:08:06,560 Speaker 1: I can't imagine why. I'm it just seems like such 157 00:08:06,600 --> 00:08:09,360 Speaker 1: a brilliant business model. All right, Well, here is a 158 00:08:09,400 --> 00:08:11,480 Speaker 1: fun one. If you're tired of watching the pit master 159 00:08:11,600 --> 00:08:14,120 Speaker 1: at a barbecue restaurant do his work or board by 160 00:08:14,160 --> 00:08:16,640 Speaker 1: the local hibachi chef, you need to head to the 161 00:08:16,640 --> 00:08:19,280 Speaker 1: El Diablo restaurant in Spain. And that's where the chefs 162 00:08:19,320 --> 00:08:23,320 Speaker 1: actually cook over an active volcano. So I don't get it, Like, 163 00:08:23,520 --> 00:08:26,080 Speaker 1: what is it with Spain and all these disaster restaurants, 164 00:08:26,120 --> 00:08:29,320 Speaker 1: Like first the earthquake thing, now we're real volcano. I 165 00:08:29,360 --> 00:08:32,080 Speaker 1: have no idea, but this one actually does sound pretty fascinating. 166 00:08:32,080 --> 00:08:34,840 Speaker 1: And it's not like those viral videos of people cooking 167 00:08:34,920 --> 00:08:38,400 Speaker 1: steak over lava. It's more just a giant grill over 168 00:08:38,440 --> 00:08:41,480 Speaker 1: a four hundred and fifty degrees celsius fire pit in 169 00:08:41,559 --> 00:08:44,440 Speaker 1: the ground. But it's still pretty cool. And in the 170 00:08:44,520 --> 00:08:47,600 Speaker 1: view from the place it's actually on a national park 171 00:08:47,640 --> 00:08:50,559 Speaker 1: and it's supposed to be just stunning. Man, well, I 172 00:08:50,760 --> 00:08:53,040 Speaker 1: can definitely see the feel of that. Well, if we're 173 00:08:53,040 --> 00:08:55,199 Speaker 1: going for something scarier, I think we should move from 174 00:08:55,240 --> 00:08:59,719 Speaker 1: volcanoes to Spain to Japan's alcatraz e Er restaurant. But 175 00:09:00,000 --> 00:09:02,000 Speaker 1: it sounds a little bit weird, but but what is it? 176 00:09:02,520 --> 00:09:05,760 Speaker 1: It's so weird and again, not a restaurant I would 177 00:09:05,800 --> 00:09:08,679 Speaker 1: ever go to, but it's fun to talk about. So 178 00:09:08,960 --> 00:09:12,360 Speaker 1: according to Atlas Obscura, this place is a kitchy horror 179 00:09:12,440 --> 00:09:15,280 Speaker 1: themed restaurant. Instead of being sort of playful horror, you know, 180 00:09:15,360 --> 00:09:18,280 Speaker 1: like like Beetlejuice or something, it's it's more of a 181 00:09:18,400 --> 00:09:22,800 Speaker 1: jail slash haunted mental institution live. So you go in 182 00:09:22,880 --> 00:09:24,480 Speaker 1: and you get thrown on the floor of a cell 183 00:09:24,559 --> 00:09:26,959 Speaker 1: with some drinks, and to get any more service you 184 00:09:27,000 --> 00:09:30,040 Speaker 1: actually have to rattle the bars and yell desperately, which 185 00:09:30,120 --> 00:09:34,120 Speaker 1: sounds terrible, and then the drinks coming heads, which is, 186 00:09:34,160 --> 00:09:36,960 Speaker 1: you know, kind of tacky but okay, But this is 187 00:09:37,000 --> 00:09:39,559 Speaker 1: the most terrifying part to me. Every so often, killer 188 00:09:39,600 --> 00:09:43,760 Speaker 1: clowns come out to harass you and a friendly. They 189 00:09:43,800 --> 00:09:45,319 Speaker 1: take people to the middle of the room and then 190 00:09:45,640 --> 00:09:48,320 Speaker 1: manhandle them and poked them with fake syringes. It just 191 00:09:48,320 --> 00:09:51,280 Speaker 1: sounds awful to me. Yeah, I was. I was okay 192 00:09:51,360 --> 00:09:53,400 Speaker 1: with the general idea until you got to the killer 193 00:09:53,400 --> 00:09:57,120 Speaker 1: clowns cooking with fake synches. But what I'm curious, like, 194 00:09:57,160 --> 00:09:59,720 Speaker 1: what are the reviews like, do people like it? I 195 00:09:59,800 --> 00:10:03,079 Speaker 1: think they're pretty med from the most part. Like most 196 00:10:03,120 --> 00:10:05,360 Speaker 1: people say, the food is good and the service is terrible, 197 00:10:05,440 --> 00:10:07,960 Speaker 1: but you shouldn't go in the afternoon because the scaring 198 00:10:08,040 --> 00:10:13,040 Speaker 1: is sort of halfhearted them. That's good to know. Well, 199 00:10:13,280 --> 00:10:15,160 Speaker 1: here's one that I don't know if it counts as 200 00:10:15,160 --> 00:10:17,640 Speaker 1: a theme restaurant, but it's from North Korea, so I 201 00:10:17,880 --> 00:10:19,640 Speaker 1: do want to talk about it. So, I mean, I 202 00:10:19,880 --> 00:10:22,200 Speaker 1: realized it's a little late to discuss this, but what 203 00:10:22,280 --> 00:10:24,640 Speaker 1: are you using as your criteria for a theme restaurant? 204 00:10:25,160 --> 00:10:27,679 Speaker 1: All right, Well, so the definition I've found says it's 205 00:10:27,679 --> 00:10:31,600 Speaker 1: where the concept of the restaurant takes priority over everything else. 206 00:10:31,679 --> 00:10:34,640 Speaker 1: So it could be the architecture or maybe the feeling 207 00:10:34,880 --> 00:10:38,800 Speaker 1: or some novelty aspect like killer clowns, poking with sorrentious. 208 00:10:39,000 --> 00:10:42,480 Speaker 1: But I think North Korea's pizza restaurant does count though, 209 00:10:42,520 --> 00:10:46,080 Speaker 1: because it's a manufactured experience of the West that it's 210 00:10:46,120 --> 00:10:49,920 Speaker 1: supposed to be novel there. Okay, so so what's it like? Well, 211 00:10:49,960 --> 00:10:53,720 Speaker 1: apparently it's really weird. Kim john Ill spent ten years 212 00:10:53,720 --> 00:10:55,880 Speaker 1: trying to get it up and running. He brought an 213 00:10:55,920 --> 00:10:59,880 Speaker 1: Italian chefs to train the cooks. He imported cheese and tomatoes. 214 00:11:00,320 --> 00:11:04,119 Speaker 1: They made these very specific rules, like the exact measurements 215 00:11:04,160 --> 00:11:07,080 Speaker 1: that one olive should be from another, and supposedly they 216 00:11:07,120 --> 00:11:10,480 Speaker 1: worked over and over to perfect the recipes. But I 217 00:11:10,520 --> 00:11:13,240 Speaker 1: read this one review on Epicurious. It says this. It says, 218 00:11:13,559 --> 00:11:16,120 Speaker 1: the whole thing is supposed to be someone's idea of 219 00:11:16,160 --> 00:11:19,160 Speaker 1: New York or Italy, but the olive oil is rancid, 220 00:11:19,240 --> 00:11:22,800 Speaker 1: the pizza tastes like cardboard and flavorless. Maybe the whole 221 00:11:22,840 --> 00:11:25,720 Speaker 1: idea is propaganda to give the West a bad name. 222 00:11:26,200 --> 00:11:27,960 Speaker 1: But the best part is that at the end of 223 00:11:28,040 --> 00:11:31,080 Speaker 1: every night to North Korean lounge singers come out and 224 00:11:31,160 --> 00:11:34,160 Speaker 1: seeing off key Frank Sinatra tra tune. For anyone who 225 00:11:34,200 --> 00:11:38,280 Speaker 1: needs another reason not to go to the US, that's ridiculous. Well, 226 00:11:38,360 --> 00:11:40,720 Speaker 1: I know we've got two more restaurants to go, but 227 00:11:40,960 --> 00:11:56,520 Speaker 1: why don't we tackle those after the break? Welcome back 228 00:11:56,520 --> 00:11:58,880 Speaker 1: to part time genius, who were talking theme restaurants so 229 00:11:59,120 --> 00:12:01,640 Speaker 1: will So far you've talked about cooking over a volcano 230 00:12:01,840 --> 00:12:05,200 Speaker 1: and visiting North Korea for what sounds like pizza and 231 00:12:05,320 --> 00:12:09,280 Speaker 1: possibly food poisoning and a horrible lounge act. It almost 232 00:12:09,280 --> 00:12:11,040 Speaker 1: feels like you're going for a disaster tame here. So 233 00:12:11,080 --> 00:12:13,640 Speaker 1: how are you going to close this out? Well, I 234 00:12:13,679 --> 00:12:16,720 Speaker 1: did have that one touching story about the totally dark restaurants. 235 00:12:16,720 --> 00:12:18,440 Speaker 1: You gotta give me some credit for that. But but 236 00:12:18,520 --> 00:12:20,040 Speaker 1: you're all right, I'll try to make up for it. 237 00:12:20,120 --> 00:12:22,760 Speaker 1: So I've got one that's sure to keep you relaxed, 238 00:12:22,760 --> 00:12:26,600 Speaker 1: and it's my Hico Mono a k a. Tokyo's Hammock Cafe. 239 00:12:26,720 --> 00:12:29,079 Speaker 1: And I think part of the appeal of the cafe 240 00:12:29,160 --> 00:12:31,760 Speaker 1: is that if you're visiting and kind of running around 241 00:12:31,800 --> 00:12:35,160 Speaker 1: the city NonStop, this is the perfect place to kick 242 00:12:35,160 --> 00:12:37,400 Speaker 1: your feet up and get a drink. And in fact, 243 00:12:37,400 --> 00:12:40,480 Speaker 1: there actually isn't a single chair in the place. It's 244 00:12:40,559 --> 00:12:43,720 Speaker 1: just hammocks. So that reminds me of my favorite place 245 00:12:43,760 --> 00:12:45,679 Speaker 1: that used to be in the Empire State Building. It 246 00:12:45,760 --> 00:12:47,680 Speaker 1: was like a nap store where you could go in 247 00:12:47,720 --> 00:12:49,880 Speaker 1: and take ten or twenty minute naps in these space 248 00:12:49,960 --> 00:12:53,760 Speaker 1: egg ponds. It was so great. Yeah, exactly, But but 249 00:12:53,800 --> 00:12:56,600 Speaker 1: actually there's one catch to this place that there is 250 00:12:56,600 --> 00:12:58,880 Speaker 1: a time limit on how long you can stay. And 251 00:12:58,920 --> 00:13:01,080 Speaker 1: if the restaurant is big, see your cap to a 252 00:13:01,200 --> 00:13:05,480 Speaker 1: ninety minute time still too bad. Yeah, I don't not 253 00:13:05,600 --> 00:13:07,760 Speaker 1: ninety minutes feels like enough time to have a nice nap. 254 00:13:07,840 --> 00:13:11,000 Speaker 1: But uh, I mean, I really do like hammocks, but 255 00:13:11,120 --> 00:13:14,120 Speaker 1: I hate falling asleep around other people, and I'd have 256 00:13:14,240 --> 00:13:16,400 Speaker 1: such a hard time not falling asleep if I nestled 257 00:13:16,440 --> 00:13:19,719 Speaker 1: into one. But I do like that idea. Okay, So 258 00:13:19,960 --> 00:13:22,600 Speaker 1: here's my last theme restaurant, and it's also from Japan. 259 00:13:22,960 --> 00:13:26,200 Speaker 1: Have you heard of the Future Sweets Factory and Santa City, Japan? 260 00:13:27,080 --> 00:13:29,920 Speaker 1: I haven't even heard of Santa City. What what is this? 261 00:13:30,440 --> 00:13:33,240 Speaker 1: So this place is it's kind of like a kid's 262 00:13:33,280 --> 00:13:37,199 Speaker 1: only Willy Wonka factory for pastries and it sounds amazing. 263 00:13:37,600 --> 00:13:39,880 Speaker 1: So apparently no one over twelve can go in. And 264 00:13:39,960 --> 00:13:42,880 Speaker 1: this famous pastry chef started because he remembered a time 265 00:13:43,200 --> 00:13:45,800 Speaker 1: in Japan when kids could run wild and be kids. 266 00:13:45,880 --> 00:13:48,360 Speaker 1: But in a growing city, he felt like there wasn't 267 00:13:48,480 --> 00:13:51,200 Speaker 1: enough for them. So parents actually leave their kids at 268 00:13:51,240 --> 00:13:53,360 Speaker 1: the door, and then the kids go in and they 269 00:13:53,440 --> 00:13:57,040 Speaker 1: watch chefs work with crazy robots and making new types 270 00:13:57,080 --> 00:13:59,960 Speaker 1: of inventions and delicious sweets. But the other part of 271 00:14:00,040 --> 00:14:02,480 Speaker 1: the whole experience was that the chef thought that parents 272 00:14:02,480 --> 00:14:04,640 Speaker 1: weren't talking enough to their kids, like they were always 273 00:14:04,679 --> 00:14:06,640 Speaker 1: on social media or doing work on their phones. So 274 00:14:07,000 --> 00:14:08,760 Speaker 1: the only way you can actually find out what sort 275 00:14:08,800 --> 00:14:11,120 Speaker 1: of fun and mischief happens inside is to ask your 276 00:14:11,160 --> 00:14:13,160 Speaker 1: kids about the experience. And I guess I have a 277 00:14:13,160 --> 00:14:15,679 Speaker 1: conversation over some of the delicious pastries they bring out. 278 00:14:15,960 --> 00:14:18,160 Speaker 1: I love that well. I think after your talk of 279 00:14:18,200 --> 00:14:22,400 Speaker 1: ice cream, toilets and psycho clowns, you've totally redeemed yourself 280 00:14:22,400 --> 00:14:24,480 Speaker 1: with this one, Mangoes. So I think I'm gonna give 281 00:14:24,480 --> 00:14:27,280 Speaker 1: you today's trophy and thank you so much. That's it 282 00:14:27,440 --> 00:14:29,960 Speaker 1: for today's nine Things, Mango. I look forward to seeing 283 00:14:29,960 --> 00:14:32,240 Speaker 1: you and Tristan up here tomorrow, and I can't wait 284 00:14:32,280 --> 00:14:34,240 Speaker 1: to see the look on Tristan's face when he gets 285 00:14:34,240 --> 00:14:36,520 Speaker 1: to go to Bubba Comstrom Company, when he just gets 286 00:14:36,600 --> 00:14:41,120 Speaker 1: draft off there. All right, we'll be sure to check 287 00:14:41,160 --> 00:14:43,760 Speaker 1: back in tomorrow. We'll be back with a full length episode. 288 00:14:43,800 --> 00:15:01,720 Speaker 1: Thanks so much for listening. The brok