1 00:00:00,040 --> 00:00:05,280 Speaker 1: All right, We're good that you're doing the lowriter. It's 2 00:00:05,320 --> 00:00:10,320 Speaker 1: three am and I'm watching George Lopez. Uh yeah, Welcome 3 00:00:10,360 --> 00:00:12,600 Speaker 1: back to Movie Mike's movie podcast. I am your host 4 00:00:12,600 --> 00:00:15,040 Speaker 1: Movie Mike joined with my wife and co host Kelsey. 5 00:00:15,080 --> 00:00:16,599 Speaker 1: How are you getting that caffeine in? 6 00:00:16,720 --> 00:00:19,640 Speaker 2: I'm getting that caffeine. I this is what I wear 7 00:00:19,760 --> 00:00:21,520 Speaker 2: when I'm on meetings at work. I have one workout 8 00:00:21,560 --> 00:00:24,200 Speaker 2: clothes and the throwing this nice cardigan over it. But 9 00:00:24,239 --> 00:00:26,159 Speaker 2: I was facetiming my younger brother last week and he 10 00:00:26,160 --> 00:00:27,840 Speaker 2: told me I looked like an English teacher, and I 11 00:00:27,920 --> 00:00:30,720 Speaker 2: was like, yeah. I was like, I'm almost thirty one 12 00:00:31,080 --> 00:00:33,960 Speaker 2: with eight to five. I do look like an English teacher. 13 00:00:34,040 --> 00:00:35,040 Speaker 3: English teachers are cool. 14 00:00:35,240 --> 00:00:39,000 Speaker 2: I am almost thirty one in three weeks. Three weeks 15 00:00:39,000 --> 00:00:39,639 Speaker 2: from Today's my. 16 00:00:39,600 --> 00:00:41,479 Speaker 3: Birthday, Happy early birthday, Thank you. 17 00:00:41,680 --> 00:00:43,760 Speaker 1: Today we're going to talk about what I believe are 18 00:00:43,880 --> 00:00:46,720 Speaker 1: the top ten most underrated movies of the year, and 19 00:00:46,760 --> 00:00:49,440 Speaker 1: I'll give you exactly how I broke these down in 20 00:00:49,520 --> 00:00:51,440 Speaker 1: the movie review. I'll be talking about Y two K 21 00:00:51,600 --> 00:00:53,440 Speaker 1: before I get into my thoughts. What's your quick review 22 00:00:53,479 --> 00:00:57,840 Speaker 1: of Y two KH? It's okay, I'm surprised you enjoyed 23 00:00:57,840 --> 00:00:59,000 Speaker 1: it even a little bit. 24 00:00:59,440 --> 00:01:02,120 Speaker 4: Please don't horror and only horror. And I asked you. 25 00:01:02,200 --> 00:01:03,840 Speaker 2: I was like, it's a horror comedy and you were like, 26 00:01:03,840 --> 00:01:06,160 Speaker 2: it's probably stupid comedy. There was there was a lot gore, 27 00:01:06,400 --> 00:01:08,880 Speaker 2: and as we've said from Gladiator, I don't do gore. 28 00:01:09,080 --> 00:01:11,160 Speaker 4: Yeah, you did lead me astray with that. There was 29 00:01:11,200 --> 00:01:12,000 Speaker 4: a lot of gore. 30 00:01:12,120 --> 00:01:14,600 Speaker 1: I didn't know how gorey it was gonna be. I 31 00:01:14,680 --> 00:01:16,639 Speaker 1: knew it would be a little bit like slash your funny, 32 00:01:16,640 --> 00:01:18,680 Speaker 1: like ha ha, but it was a little bit more 33 00:01:18,800 --> 00:01:21,600 Speaker 1: abrasive than I was expecting, like, oh okay, but. 34 00:01:21,640 --> 00:01:25,040 Speaker 2: It was fine overall. I had Chumblewamba stuck in my 35 00:01:25,080 --> 00:01:25,440 Speaker 2: head after. 36 00:01:25,520 --> 00:01:26,160 Speaker 4: Was that in the movie? 37 00:01:26,280 --> 00:01:26,480 Speaker 3: Yeah? 38 00:01:26,840 --> 00:01:28,200 Speaker 4: Is that why I had tub thumpings? 39 00:01:28,240 --> 00:01:30,000 Speaker 3: Everybody was in that movie. 40 00:01:30,360 --> 00:01:32,440 Speaker 1: In the trailer park, we'll be talking about twenty eight 41 00:01:32,520 --> 00:01:35,200 Speaker 1: years Later, which is a trilogy, and I'll explain to 42 00:01:35,240 --> 00:01:38,959 Speaker 1: you why you need to buy more physical media because 43 00:01:39,000 --> 00:01:41,880 Speaker 1: of the history of the original movie. I'll get into 44 00:01:41,920 --> 00:01:43,560 Speaker 1: that later. But thank you for being here, thank you 45 00:01:43,600 --> 00:01:46,119 Speaker 1: for being subscribed. Shout out to the Monday Morning Movie crew. 46 00:01:46,280 --> 00:01:47,760 Speaker 1: And now let's talk. 47 00:01:47,600 --> 00:01:50,520 Speaker 5: Movies in a world where everyone and their mother has 48 00:01:50,560 --> 00:01:54,920 Speaker 5: a podcast. One man stands to infiltrate the ears of 49 00:01:55,000 --> 00:01:59,440 Speaker 5: listeners like never before in a movie podcast. A man 50 00:01:59,600 --> 00:02:02,720 Speaker 5: was so much much movie knowledge. He's basically like a 51 00:02:02,880 --> 00:02:08,040 Speaker 5: walking IMTV with glasses from the Nashville Podcast Network This 52 00:02:09,040 --> 00:02:11,040 Speaker 5: movie Mikes Movie Podcast. 53 00:02:11,560 --> 00:02:13,440 Speaker 1: All right, let's get into what I believe or the 54 00:02:13,480 --> 00:02:16,720 Speaker 1: top ten most underrated movies of the year. What I 55 00:02:16,760 --> 00:02:19,640 Speaker 1: did is I went to go see other people's ratings. 56 00:02:19,680 --> 00:02:22,600 Speaker 1: I went to ron Tomatoes got the audience score because 57 00:02:22,600 --> 00:02:25,480 Speaker 1: that's the one I believe more. I put that against 58 00:02:25,520 --> 00:02:28,359 Speaker 1: what I rated the movie. I also looked at the 59 00:02:28,400 --> 00:02:31,800 Speaker 1: box office numbers compared to the budget. So I'm gonna 60 00:02:31,800 --> 00:02:34,440 Speaker 1: factor that into because some of these movies, I will say, 61 00:02:34,560 --> 00:02:38,120 Speaker 1: have a higher rating that you would assume for a 62 00:02:38,600 --> 00:02:40,320 Speaker 1: if you were calling something underrated and it has like 63 00:02:40,360 --> 00:02:42,760 Speaker 1: a pretty decent score. But then if you factor in 64 00:02:42,760 --> 00:02:44,880 Speaker 1: how much money it made versus how much money it 65 00:02:44,919 --> 00:02:47,839 Speaker 1: spent to make that movie, I consider that as well, 66 00:02:47,840 --> 00:02:50,240 Speaker 1: because sometimes you see a list and you're like, oh, 67 00:02:50,280 --> 00:02:52,280 Speaker 1: this is a box office bomb, even though it could 68 00:02:52,280 --> 00:02:54,240 Speaker 1: be a good movie. So let's get into the list. 69 00:02:54,280 --> 00:02:58,160 Speaker 1: At number ten, I have Ricky Staniki from Amazon which 70 00:02:58,200 --> 00:03:01,960 Speaker 1: hasn't no funny audience score of six, costs fifty million 71 00:03:02,000 --> 00:03:04,560 Speaker 1: dollars to make, doesn't have a box office because well 72 00:03:04,560 --> 00:03:07,480 Speaker 1: it went to Amazon. But I feel like when people 73 00:03:07,520 --> 00:03:10,640 Speaker 1: take movies so seriously, but sometimes you just want a 74 00:03:10,720 --> 00:03:11,440 Speaker 1: dumb movie. 75 00:03:11,520 --> 00:03:14,120 Speaker 4: If John Cena isn't it he was in Ricky Snicky. 76 00:03:14,240 --> 00:03:18,280 Speaker 2: Yeah, I'm not expecting it to be comedy club acting. 77 00:03:18,400 --> 00:03:21,000 Speaker 2: I just want like dumb humor, and that delivered. 78 00:03:21,360 --> 00:03:24,760 Speaker 1: The movie was about they were all childhood friends and 79 00:03:24,800 --> 00:03:28,320 Speaker 1: they came up with some random name to blame something 80 00:03:28,360 --> 00:03:30,519 Speaker 1: on that they did his kids, and then they kept 81 00:03:30,639 --> 00:03:33,280 Speaker 1: using that person to go do other things to. 82 00:03:33,280 --> 00:03:35,360 Speaker 2: Get out of things, like they would tell their wives 83 00:03:35,360 --> 00:03:36,800 Speaker 2: like Ricky needs us, like. 84 00:03:36,760 --> 00:03:38,480 Speaker 3: Oh, we gotta go to the Vegas to go hang 85 00:03:38,480 --> 00:03:39,080 Speaker 3: out with Ricky. 86 00:03:39,320 --> 00:03:41,920 Speaker 4: Ricky's girlfriend dumbed him he really needs a cheer up club. 87 00:03:42,040 --> 00:03:44,840 Speaker 1: So anytime they needed a bailout, he was their alibi, 88 00:03:45,000 --> 00:03:49,160 Speaker 1: like shell person, like a shell company, until time came 89 00:03:49,280 --> 00:03:51,600 Speaker 1: that everybody needed to meet Ricky. And then it gets 90 00:03:51,600 --> 00:03:52,400 Speaker 1: into this whole thing. 91 00:03:52,720 --> 00:03:53,640 Speaker 3: So it's a dumb plot. 92 00:03:53,720 --> 00:03:56,680 Speaker 1: But I just feel like every movie I giggled, Yeah, 93 00:03:56,920 --> 00:03:58,160 Speaker 1: certain movies that go into. 94 00:03:58,040 --> 00:04:00,360 Speaker 3: It and I want a little bit more and I leave. Man, 95 00:04:00,400 --> 00:04:01,720 Speaker 3: that was dumb. That was bad writing. 96 00:04:02,000 --> 00:04:04,680 Speaker 1: But sometimes you just want something dumb. And I think 97 00:04:05,360 --> 00:04:07,480 Speaker 1: in an era which I tried to include, I think 98 00:04:07,520 --> 00:04:10,760 Speaker 1: I did include no sequels, no franchises on this entire list. 99 00:04:11,080 --> 00:04:11,840 Speaker 3: When we are. 100 00:04:11,680 --> 00:04:15,840 Speaker 1: Complaining about there aren't great comedies anymore, and then we don't. 101 00:04:16,120 --> 00:04:17,600 Speaker 2: Because we don't go see the ones that they put out. 102 00:04:17,600 --> 00:04:19,239 Speaker 2: See THENT me just get seventeen sears. 103 00:04:19,279 --> 00:04:21,800 Speaker 1: You don't see the ones in theaters, so you're gonna 104 00:04:21,800 --> 00:04:24,320 Speaker 1: get less of them there, and then the ones on 105 00:04:24,520 --> 00:04:27,760 Speaker 1: streaming are gonna be a little bit lesser of quality 106 00:04:27,880 --> 00:04:30,360 Speaker 1: because you can't spend that same amount because people aren't 107 00:04:30,360 --> 00:04:33,599 Speaker 1: going to see them in theaters. I enjoy movies like this. 108 00:04:34,160 --> 00:04:38,159 Speaker 1: I think one every now and then is worthy, especially 109 00:04:38,160 --> 00:04:40,240 Speaker 1: if you're somebody who just really wants a comedy and 110 00:04:40,279 --> 00:04:42,840 Speaker 1: are itching for one. If you aren't giving movies like 111 00:04:42,880 --> 00:04:45,520 Speaker 1: this a chance, then well maybe you don't deserve a comedy. 112 00:04:45,800 --> 00:04:49,240 Speaker 1: Harsh At number nine, I have Self Reliance, which I 113 00:04:49,240 --> 00:04:51,560 Speaker 1: gave before out of five. You can watch it on Hulu. 114 00:04:51,960 --> 00:04:55,160 Speaker 1: This was the Jake Johnson movie Yes, which I feel. 115 00:04:55,480 --> 00:04:58,159 Speaker 1: I watched it and I loved it, and I couldn't 116 00:04:58,160 --> 00:05:00,839 Speaker 1: imagine anybody else not enjoying it as much as I did. 117 00:05:00,960 --> 00:05:02,960 Speaker 4: So then imagine your surprise when people didn't. 118 00:05:03,080 --> 00:05:06,960 Speaker 1: Everybody hated this movie, and I don't understand what the 119 00:05:07,120 --> 00:05:07,719 Speaker 1: hate was. 120 00:05:07,880 --> 00:05:10,280 Speaker 4: I did, my surprise, no one else did. 121 00:05:10,360 --> 00:05:12,520 Speaker 1: I was like, guys, this is a good one, isn't it. 122 00:05:12,600 --> 00:05:15,360 Speaker 1: I posted that review. Everybody hated this movie. 123 00:05:15,600 --> 00:05:18,520 Speaker 3: I personally attacked it did get a little ridiculous here 124 00:05:18,560 --> 00:05:21,640 Speaker 3: and there, but I just didn't love the journey of 125 00:05:21,680 --> 00:05:23,680 Speaker 3: this movie, and I thought it was a really good movie. 126 00:05:23,839 --> 00:05:24,760 Speaker 4: I was MEH on it. 127 00:05:24,839 --> 00:05:25,320 Speaker 3: Why men? 128 00:05:25,680 --> 00:05:28,560 Speaker 1: It was good, just not your It's weird, Yeah, yeah, 129 00:05:28,600 --> 00:05:31,440 Speaker 1: I like the plot being weird, and I like Anna 130 00:05:31,520 --> 00:05:33,520 Speaker 1: Kendrick in it. I thought her and Jake Johnson were 131 00:05:33,560 --> 00:05:36,600 Speaker 1: really good together. I just thought the entire premise behind 132 00:05:36,640 --> 00:05:39,520 Speaker 1: it was fun and that's all I wanted out of it. 133 00:05:39,960 --> 00:05:42,120 Speaker 1: And at the end of the movie, I was satisfied. 134 00:05:42,120 --> 00:05:43,800 Speaker 1: But I found that a lot of other people were 135 00:05:43,839 --> 00:05:46,360 Speaker 1: not satisfied by the ending of this movie. It did 136 00:05:46,400 --> 00:05:48,760 Speaker 1: cost seventy million dollars to make, which is a lot. 137 00:05:48,839 --> 00:05:51,040 Speaker 4: Cad imagine what I could do seventy millions. 138 00:05:51,120 --> 00:05:51,760 Speaker 3: A lot of money. 139 00:05:51,880 --> 00:05:54,479 Speaker 4: It doesn't think about these like budgets for movies. I'm 140 00:05:54,520 --> 00:05:55,920 Speaker 4: just like, I could do so much. 141 00:05:56,279 --> 00:05:57,880 Speaker 1: I have been thinking about that a lot because I've 142 00:05:57,920 --> 00:06:00,320 Speaker 1: been watching a lot of just histories of movies. 143 00:06:00,400 --> 00:06:03,200 Speaker 4: Right now, you're in a big Yeah what is the 144 00:06:03,440 --> 00:06:04,279 Speaker 4: Vice series? 145 00:06:04,400 --> 00:06:05,160 Speaker 3: Advice series? 146 00:06:05,200 --> 00:06:09,640 Speaker 1: Yeah, the RD series and before Sometimes I think like, 147 00:06:09,680 --> 00:06:11,960 Speaker 1: how could they spend two hundred and fifty million dollars 148 00:06:11,960 --> 00:06:15,120 Speaker 1: on a movie? And then they slop or you just 149 00:06:15,160 --> 00:06:18,080 Speaker 1: start wondering like what even goes into that? And the 150 00:06:18,160 --> 00:06:20,000 Speaker 1: more I watch some of these behind the scenes, you 151 00:06:20,279 --> 00:06:22,200 Speaker 1: kind of start to see it. You think of it 152 00:06:22,240 --> 00:06:24,960 Speaker 1: as a big production. Even like TI is on there 153 00:06:25,000 --> 00:06:28,039 Speaker 1: talking about how great craft services that Marvel has anything. 154 00:06:28,240 --> 00:06:30,839 Speaker 3: Yeah, food gets expensive? T Yeah. 155 00:06:31,000 --> 00:06:34,120 Speaker 1: TI was in ant Man oh so he did an 156 00:06:34,160 --> 00:06:35,880 Speaker 1: interview for it, and he was talking about they had 157 00:06:35,920 --> 00:06:38,080 Speaker 1: the best craft services out of any movie he's ever 158 00:06:38,120 --> 00:06:40,279 Speaker 1: worked on. So you think about how much money they're 159 00:06:40,320 --> 00:06:41,560 Speaker 1: just spending on food today. 160 00:06:41,880 --> 00:06:43,880 Speaker 4: I mean all the TI was the interview. 161 00:06:43,920 --> 00:06:46,599 Speaker 1: They can get a lot of people on there, but 162 00:06:46,600 --> 00:06:48,200 Speaker 1: that was just the one that stuck out because ran 163 00:06:48,960 --> 00:06:50,760 Speaker 1: you talk about the things that I care about, like 164 00:06:50,800 --> 00:06:52,880 Speaker 1: how much money are they spending on food and how 165 00:06:52,880 --> 00:06:55,160 Speaker 1: good of food is a two hundred and fifty million 166 00:06:55,160 --> 00:06:57,640 Speaker 1: dollar Marvel movie compared to like a low budget movie 167 00:06:57,680 --> 00:06:59,240 Speaker 1: where you probably have to bring your own lunch. 168 00:06:59,360 --> 00:07:01,800 Speaker 4: No, I'm thinking TI I the whatever you like song. 169 00:07:02,120 --> 00:07:07,160 Speaker 1: Yeah, he was good at it man, and a lot 170 00:07:07,160 --> 00:07:09,840 Speaker 1: of that stuff. I think for his character in particular, 171 00:07:10,000 --> 00:07:12,960 Speaker 1: it wasn't written until he got on set. They were 172 00:07:13,000 --> 00:07:14,200 Speaker 1: just kind of like, all right, here we go, we're 173 00:07:14,200 --> 00:07:16,040 Speaker 1: gonna give you some lines. So he didn't even have 174 00:07:16,080 --> 00:07:16,920 Speaker 1: a whole lot of time. 175 00:07:16,800 --> 00:07:18,480 Speaker 4: To like t I doesn't care what he's doing. He's like, 176 00:07:18,480 --> 00:07:20,120 Speaker 4: they got craps, they. 177 00:07:19,960 --> 00:07:21,600 Speaker 3: Got great food. I'm showing up for that. 178 00:07:22,080 --> 00:07:24,160 Speaker 1: But you can kind of start to see how movie 179 00:07:24,200 --> 00:07:27,160 Speaker 1: budgets ballooning up when you're having to feed people, you're 180 00:07:27,200 --> 00:07:30,920 Speaker 1: having to transport people, makeup pir and then in those 181 00:07:30,960 --> 00:07:33,920 Speaker 1: movies you're having to pay people to do all the 182 00:07:34,000 --> 00:07:36,960 Speaker 1: special effects, and that's why that gets expensive. I always thought, like, 183 00:07:36,960 --> 00:07:39,120 Speaker 1: how could special effects cost you money? 184 00:07:39,280 --> 00:07:42,840 Speaker 2: You're paying for someone's time exactly, So really all were 185 00:07:42,840 --> 00:07:45,000 Speaker 2: ever being paid for in theroll is certain time. 186 00:07:45,240 --> 00:07:47,080 Speaker 1: Yeah, that movie didn't have a box office because it 187 00:07:47,080 --> 00:07:50,120 Speaker 1: went to who I find that's a really expensive Hulu movie. 188 00:07:50,800 --> 00:07:52,880 Speaker 2: Hulu spends a lot of money from movies that I'm 189 00:07:52,960 --> 00:07:54,680 Speaker 2: just like, no one's gonna see this. 190 00:07:55,120 --> 00:07:57,360 Speaker 1: But that was one I was surprised by. I still 191 00:07:57,400 --> 00:07:59,440 Speaker 1: stand by and enjoying this movie. I put that one 192 00:07:59,440 --> 00:08:02,360 Speaker 1: at number and number eight. I have fly Me to 193 00:08:02,400 --> 00:08:04,760 Speaker 1: the Moon, which I think, for the most part, it 194 00:08:04,840 --> 00:08:07,840 Speaker 1: had a pretty good reaction. It has a ninety percent 195 00:08:07,920 --> 00:08:08,680 Speaker 1: popcord meter. 196 00:08:09,040 --> 00:08:10,840 Speaker 4: Came out the week for Twisters, though. 197 00:08:10,680 --> 00:08:12,520 Speaker 1: But I think it was bad timing and if you 198 00:08:12,560 --> 00:08:14,640 Speaker 1: look at the box office number, it's pretty bad. It's 199 00:08:14,640 --> 00:08:17,960 Speaker 1: one hundred million dollar movie made forty two million at 200 00:08:17,960 --> 00:08:20,280 Speaker 1: the box office, so lost the good amount of money. 201 00:08:20,680 --> 00:08:24,440 Speaker 1: I think this was one that audiences enjoyed more than critics. 202 00:08:24,520 --> 00:08:25,520 Speaker 3: We love this movie. 203 00:08:25,600 --> 00:08:26,960 Speaker 4: I think it should have just gone to Apple. 204 00:08:27,280 --> 00:08:29,800 Speaker 1: That was the intention of this movie. You can still 205 00:08:29,840 --> 00:08:32,480 Speaker 1: watch it on Apple, and I think putting it out 206 00:08:32,520 --> 00:08:36,520 Speaker 1: in theaters, spending that money on advertising probably ballooned up 207 00:08:36,559 --> 00:08:39,559 Speaker 1: at least the just the advertising budget. 208 00:08:40,400 --> 00:08:42,439 Speaker 3: Oh, but I think it's pretty solid. 209 00:08:42,679 --> 00:08:46,600 Speaker 1: I thought Scarlett Johansson and Channing Tatum's chemistry. 210 00:08:46,200 --> 00:08:46,800 Speaker 3: Was really good. 211 00:08:46,880 --> 00:08:49,040 Speaker 1: It did up great chemistry, and it also contributed to 212 00:08:49,080 --> 00:08:51,520 Speaker 1: a lot of people having conspiracy theories about the moon 213 00:08:51,600 --> 00:08:52,560 Speaker 1: landing in space. 214 00:08:52,600 --> 00:08:54,000 Speaker 4: You know, I'm very big into space. Now you need 215 00:08:54,040 --> 00:08:55,320 Speaker 4: to read a book about the moon landing. 216 00:08:55,400 --> 00:08:57,160 Speaker 1: What do you think about the moon landing? Did we 217 00:08:57,240 --> 00:08:59,080 Speaker 1: actually go after watching this movie? 218 00:08:59,120 --> 00:08:59,640 Speaker 3: What do you think? 219 00:08:59,800 --> 00:09:02,320 Speaker 4: Yeah, the movie did make me have some questions. 220 00:09:02,559 --> 00:09:05,520 Speaker 1: Yeah, you just wonder where this theory in particular from 221 00:09:05,520 --> 00:09:08,320 Speaker 1: this movie comes from, because the entire thing is about 222 00:09:08,600 --> 00:09:11,880 Speaker 1: Scarlett Johansson having to go in and essentially do a 223 00:09:11,960 --> 00:09:14,720 Speaker 1: pr for NASA and make them cool, and then she 224 00:09:14,800 --> 00:09:16,680 Speaker 1: does such a good job that they're like, well, we 225 00:09:16,760 --> 00:09:19,600 Speaker 1: actually have a lot of attention here. We have to 226 00:09:19,840 --> 00:09:22,040 Speaker 1: come up with a backup plan in case this doesn't 227 00:09:22,080 --> 00:09:22,520 Speaker 1: work out. 228 00:09:22,840 --> 00:09:23,200 Speaker 6: I don't know. 229 00:09:23,240 --> 00:09:26,040 Speaker 2: I think if I if I just start believing conspiracy 230 00:09:26,080 --> 00:09:26,800 Speaker 2: theories about. 231 00:09:26,559 --> 00:09:28,480 Speaker 3: That and you're gonna believe it about everything. 232 00:09:28,200 --> 00:09:29,520 Speaker 4: I'm never gonna believe anything again. 233 00:09:30,240 --> 00:09:32,760 Speaker 1: I am getting to that point with all the AI 234 00:09:32,920 --> 00:09:35,160 Speaker 1: online where I'm like, did they even say that? 235 00:09:35,360 --> 00:09:36,000 Speaker 3: Is that them? 236 00:09:36,400 --> 00:09:39,120 Speaker 1: And I'm over analyzing things just because I'm like everything's 237 00:09:39,120 --> 00:09:39,680 Speaker 1: a scam. 238 00:09:39,800 --> 00:09:43,439 Speaker 2: I I'll talk more about my interest in space in 239 00:09:43,480 --> 00:09:45,480 Speaker 2: my book Episode of the Year, But yeah, I need 240 00:09:45,520 --> 00:09:47,600 Speaker 2: to read a moon landing book. Because I'm very big 241 00:09:47,640 --> 00:09:51,280 Speaker 2: into like NASA right now. It's my hyper obsession of 242 00:09:51,320 --> 00:09:51,679 Speaker 2: the week. 243 00:09:51,840 --> 00:09:53,920 Speaker 1: If you were given the opportunity to go to space, 244 00:09:53,920 --> 00:09:55,839 Speaker 1: would you go. Were talking about this the other day, 245 00:09:55,920 --> 00:09:57,400 Speaker 1: like what do you even do in space? Like what 246 00:09:57,400 --> 00:09:58,439 Speaker 1: are they doing up there? 247 00:09:58,600 --> 00:09:58,880 Speaker 6: No? 248 00:09:59,760 --> 00:10:02,160 Speaker 2: I I think I'd get too motion sick. I don't 249 00:10:02,160 --> 00:10:04,160 Speaker 2: think I would do well. And you get like space 250 00:10:04,360 --> 00:10:05,680 Speaker 2: like sickness syndrome. 251 00:10:06,400 --> 00:10:09,800 Speaker 3: That sounds kind of cool, though, No, on a hurl 252 00:10:09,800 --> 00:10:10,880 Speaker 3: in a space suit. 253 00:10:11,160 --> 00:10:13,239 Speaker 4: It floats away from you. That's disgusting. 254 00:10:13,360 --> 00:10:15,480 Speaker 3: That's cool, it's disgusting. You can just see it like 255 00:10:15,520 --> 00:10:16,240 Speaker 3: floating around. 256 00:10:17,360 --> 00:10:19,600 Speaker 1: I would like to go like straight up see the 257 00:10:19,640 --> 00:10:21,240 Speaker 1: Earth from up there and then come back town. 258 00:10:21,360 --> 00:10:23,920 Speaker 2: That's the part that sounded cool reading some of these books. 259 00:10:24,000 --> 00:10:27,600 Speaker 2: But like I'm just feel stressful. But I have ended 260 00:10:27,679 --> 00:10:30,400 Speaker 2: up on several wormholes lately, like Wikipedia, like what is 261 00:10:30,440 --> 00:10:33,040 Speaker 2: the International Space Station? What are they doing up there? 262 00:10:33,640 --> 00:10:35,560 Speaker 2: What are we taking up there? When they talk about 263 00:10:35,559 --> 00:10:37,280 Speaker 2: all these satellites, what are we doing? Are we just 264 00:10:37,320 --> 00:10:39,400 Speaker 2: like leaving them up there? There's those people that are 265 00:10:39,400 --> 00:10:42,680 Speaker 2: like stranded in space right now. Currently, I have more 266 00:10:42,760 --> 00:10:44,120 Speaker 2: questions than I have answers to you. 267 00:10:44,120 --> 00:10:44,680 Speaker 4: About space. 268 00:10:44,800 --> 00:10:48,439 Speaker 2: So until I have concrete evidence that the moon landing 269 00:10:48,800 --> 00:10:50,679 Speaker 2: did not occur, I'm gonna believe it. 270 00:10:50,720 --> 00:10:53,040 Speaker 1: Well, if you haven't seen this movie, go watch it 271 00:10:53,280 --> 00:10:55,760 Speaker 1: and come up with your own theory about it. At 272 00:10:55,840 --> 00:10:58,120 Speaker 1: number seven, I have The fall Guy, which you can 273 00:10:58,160 --> 00:11:01,120 Speaker 1: watch now on Peacock. Number one under four out of five. 274 00:11:01,200 --> 00:11:03,760 Speaker 1: It was so so funny. It was funny, It had 275 00:11:03,800 --> 00:11:07,240 Speaker 1: great action. It was a little meta because it's about 276 00:11:07,320 --> 00:11:11,120 Speaker 1: Ryan Gosling, who's a stuntman, and he's doing stuntman things 277 00:11:11,240 --> 00:11:14,800 Speaker 1: inside of a stuntman movie, so it goes that other level. 278 00:11:14,880 --> 00:11:17,880 Speaker 1: The director was a former stuntman. He was a stuntman 279 00:11:17,920 --> 00:11:21,080 Speaker 1: for Brad Pitt. The movie cost one hundred and thirty 280 00:11:21,120 --> 00:11:24,560 Speaker 1: million dollars to make, made one edighty one at the 281 00:11:24,559 --> 00:11:27,600 Speaker 1: box office, but really to be profitable you have to 282 00:11:27,640 --> 00:11:30,520 Speaker 1: make back twice your budget. So this is definitely going 283 00:11:30,600 --> 00:11:32,360 Speaker 1: to be on the list of the biggest bombs of 284 00:11:32,400 --> 00:11:35,600 Speaker 1: the year. It had a really bad opening weekend. 285 00:11:35,920 --> 00:11:38,840 Speaker 3: I don't know how where. I was shocked about how 286 00:11:38,920 --> 00:11:40,120 Speaker 3: much how little. 287 00:11:40,280 --> 00:11:41,960 Speaker 1: I guess it was the timing of this movie too, 288 00:11:42,320 --> 00:11:45,280 Speaker 1: of how summer, how little money it didn't make, and 289 00:11:45,320 --> 00:11:48,120 Speaker 1: you have two huge stars Ryan Gosling and Emily Blunt. 290 00:11:48,280 --> 00:11:50,760 Speaker 4: I we laughed so hard at this movie. I left 291 00:11:50,800 --> 00:11:51,360 Speaker 4: and I was like, that. 292 00:11:51,360 --> 00:11:54,480 Speaker 1: Was great, because I feel for us. For a movie 293 00:11:54,520 --> 00:11:56,760 Speaker 1: like this, it had something for the both of us. 294 00:11:56,920 --> 00:11:59,440 Speaker 1: It had like the rom com aspect, but it also 295 00:11:59,480 --> 00:12:01,680 Speaker 1: had that action aspect, and then it had like an 296 00:12:01,840 --> 00:12:05,920 Speaker 1: entirely different level of film that was something that felt 297 00:12:05,960 --> 00:12:08,199 Speaker 1: truly unique because it's based on a TV show. I'n't 298 00:12:08,240 --> 00:12:10,360 Speaker 1: really familiar with this TV show from way back in 299 00:12:10,400 --> 00:12:14,240 Speaker 1: the day, so to me, even though technically it's a 300 00:12:14,400 --> 00:12:17,120 Speaker 1: reboot or reimagination of a TV show, it didn't really 301 00:12:17,120 --> 00:12:20,560 Speaker 1: feel like they were rehashing something old to make money 302 00:12:20,600 --> 00:12:23,920 Speaker 1: off of it because I wasn't familiar with the source material. 303 00:12:24,760 --> 00:12:26,880 Speaker 4: I didn't know what was based on a TV show. Oh, 304 00:12:26,880 --> 00:12:27,520 Speaker 4: it news to me. 305 00:12:27,960 --> 00:12:29,120 Speaker 3: I'm just learning that right now. 306 00:12:29,320 --> 00:12:31,439 Speaker 4: I was today years old when I learned that. 307 00:12:31,760 --> 00:12:31,960 Speaker 6: See. 308 00:12:32,040 --> 00:12:35,560 Speaker 1: Yeah, most people didn't know. But of all the movies 309 00:12:35,600 --> 00:12:37,880 Speaker 1: that lost a lot of money this year, this one 310 00:12:37,920 --> 00:12:39,839 Speaker 1: just makes me a little bit sad because I think 311 00:12:40,000 --> 00:12:42,800 Speaker 1: it should have done better. It has a pretty decent 312 00:12:43,080 --> 00:12:45,080 Speaker 1: audience score at eighty five percent, so I think the 313 00:12:45,080 --> 00:12:47,960 Speaker 1: people that did go see it did enjoy it, but 314 00:12:48,640 --> 00:12:51,760 Speaker 1: oftentimes it's about looking back in history and seeing the 315 00:12:51,760 --> 00:12:54,720 Speaker 1: box office numbers versus the budget that this is just 316 00:12:54,760 --> 00:12:57,319 Speaker 1: going to go down as being a flop, and that sucks, 317 00:12:57,400 --> 00:12:59,560 Speaker 1: especially for Ryan Gosling where he is that at this 318 00:12:59,600 --> 00:13:01,400 Speaker 1: point of career where I feel like he's trying to 319 00:13:01,400 --> 00:13:04,600 Speaker 1: do movies that aren't the same thing over and over again, 320 00:13:04,720 --> 00:13:06,400 Speaker 1: and then you do something like this that was probably 321 00:13:06,400 --> 00:13:08,560 Speaker 1: fun for him, and I was like, man, do I 322 00:13:08,600 --> 00:13:10,480 Speaker 1: just have to go back and doing what people enjoy 323 00:13:11,000 --> 00:13:12,960 Speaker 1: instead of doing what I want to do? But I 324 00:13:12,960 --> 00:13:15,400 Speaker 1: felt bad for that movie. I put that one at 325 00:13:15,480 --> 00:13:19,040 Speaker 1: number seven, at number six, you can watch it on Amazon. 326 00:13:19,160 --> 00:13:20,560 Speaker 3: Now. I have drive away. 327 00:13:20,440 --> 00:13:23,240 Speaker 4: Dolls so funny. Do not watch your children around? 328 00:13:23,360 --> 00:13:23,560 Speaker 3: Yeah? 329 00:13:23,559 --> 00:13:27,880 Speaker 1: I think that's probably ultimately what led to not more 330 00:13:27,920 --> 00:13:30,480 Speaker 1: people seeing and enjoying this movie. It is a pretty 331 00:13:30,559 --> 00:13:33,839 Speaker 1: crude movie just from the opening scene, and it's essentially 332 00:13:33,920 --> 00:13:37,240 Speaker 1: like I would say, kind of in this generation Stilma 333 00:13:37,280 --> 00:13:40,160 Speaker 1: and Louise. It's a road trip movie. You have some 334 00:13:40,280 --> 00:13:43,959 Speaker 1: bad guys going after these girls. They're doing very crude 335 00:13:44,000 --> 00:13:48,880 Speaker 1: things all throughout, a lot of slapstick comedy, just crude comedy. 336 00:13:48,920 --> 00:13:50,960 Speaker 1: From beginning to end, a lot of curse words, a 337 00:13:50,960 --> 00:13:53,800 Speaker 1: lot of nudity, but something that I just it just 338 00:13:53,840 --> 00:13:54,800 Speaker 1: felt fresh to me. 339 00:13:55,240 --> 00:13:57,440 Speaker 2: It was Margaret Quayley was so good in it, and 340 00:13:57,559 --> 00:13:58,600 Speaker 2: Beanie Feldsteine. 341 00:13:58,880 --> 00:14:02,120 Speaker 1: I think this started Margaret Quayley's run of movies that 342 00:14:02,200 --> 00:14:04,120 Speaker 1: she doesn't want her parents to go see. 343 00:14:04,160 --> 00:14:06,880 Speaker 2: She was like movies that my family can't see this year, 344 00:14:06,960 --> 00:14:10,400 Speaker 2: Driveaway Dolls, Kinds of Kindness and The Substance. 345 00:14:10,120 --> 00:14:11,200 Speaker 3: And yeah, this started it. 346 00:14:11,559 --> 00:14:14,600 Speaker 1: But I feel like next year is going to be 347 00:14:14,640 --> 00:14:17,240 Speaker 1: even stronger for her because I feel with her three 348 00:14:17,280 --> 00:14:19,240 Speaker 1: movies that I feel like all three movies of hers 349 00:14:19,240 --> 00:14:20,960 Speaker 1: were solid this year. When we do the best of 350 00:14:21,480 --> 00:14:25,120 Speaker 1: twenty twenty four episode, I think The Substance is going 351 00:14:25,200 --> 00:14:26,840 Speaker 1: to end up on this list and I wanted to 352 00:14:26,840 --> 00:14:28,240 Speaker 1: include Driveaway Dolls here. 353 00:14:29,000 --> 00:14:31,200 Speaker 3: It has an audience score thirty six percent. 354 00:14:31,320 --> 00:14:34,120 Speaker 4: That's so lowly low. I same times the audience the 355 00:14:34,160 --> 00:14:35,760 Speaker 4: low audience scores are the best movies. 356 00:14:35,920 --> 00:14:36,600 Speaker 3: Yeah, I think. 357 00:14:36,560 --> 00:14:39,400 Speaker 1: Out of every movie I put on this list, it 358 00:14:39,480 --> 00:14:42,080 Speaker 1: has the lowest score. Had a budget of thirteen million, 359 00:14:42,120 --> 00:14:45,120 Speaker 1: which isn't crazy, but only made seven point nine million 360 00:14:45,120 --> 00:14:47,960 Speaker 1: dollars at the box office, lost about five million dollars. 361 00:14:48,320 --> 00:14:52,000 Speaker 1: But this is a movie that just didn't have any advertising. No, 362 00:14:52,480 --> 00:14:54,200 Speaker 1: you didn't see anything about it. I don't even remember 363 00:14:54,240 --> 00:14:55,320 Speaker 1: how we learned about it. 364 00:14:55,800 --> 00:14:57,360 Speaker 4: There were a couple trailers. 365 00:14:57,800 --> 00:14:58,480 Speaker 3: I think that was it. 366 00:14:58,520 --> 00:15:00,720 Speaker 1: I think we just like Margaret Quayley's so related to 367 00:15:00,720 --> 00:15:03,120 Speaker 1: go watch a new Margret Quayley movie that's not about right, 368 00:15:03,240 --> 00:15:04,680 Speaker 1: and no one else went to go see it. But 369 00:15:04,720 --> 00:15:06,640 Speaker 1: that's why I put that one at number six. At 370 00:15:06,760 --> 00:15:10,880 Speaker 1: number five, I have the Ministry of Ungentlemanly. 371 00:15:10,240 --> 00:15:12,320 Speaker 4: Warfare again, really enjoyed it. 372 00:15:12,520 --> 00:15:14,920 Speaker 1: This was a movie that I feel we went to 373 00:15:14,960 --> 00:15:18,400 Speaker 1: go see because we were trying to utilize and maximize 374 00:15:18,400 --> 00:15:20,240 Speaker 1: how much we use our regal unlimited, or. 375 00:15:20,240 --> 00:15:22,040 Speaker 2: We had nothing else to do the weekend, or unless 376 00:15:22,120 --> 00:15:25,440 Speaker 2: we get a little too start crazy, and really our 377 00:15:25,440 --> 00:15:28,240 Speaker 2: hobbies are either spending money or going to the movies, 378 00:15:28,280 --> 00:15:30,200 Speaker 2: and we have to alternate those hobbies because you know, 379 00:15:30,280 --> 00:15:32,520 Speaker 2: spending money gets too expensive. To think that was a 380 00:15:32,560 --> 00:15:34,480 Speaker 2: weekend where we were like, we just need to get 381 00:15:34,480 --> 00:15:35,280 Speaker 2: out of the house. 382 00:15:35,160 --> 00:15:37,680 Speaker 1: Especially during the warmer months in the summer where we're like, 383 00:15:37,880 --> 00:15:38,880 Speaker 1: let's just go hang out. 384 00:15:38,920 --> 00:15:39,840 Speaker 3: Somebody's cold acee. 385 00:15:40,040 --> 00:15:41,960 Speaker 2: No, truly, we turned the air up in the house, 386 00:15:42,040 --> 00:15:43,920 Speaker 2: but we're not running it here, and then we go 387 00:15:44,000 --> 00:15:46,000 Speaker 2: sit in the freezing caled Regal theater. 388 00:15:46,560 --> 00:15:48,960 Speaker 1: So I think this was one I kind of remember 389 00:15:49,000 --> 00:15:51,200 Speaker 1: that day we realized, let's go watch, let's see what's happening. 390 00:15:51,640 --> 00:15:54,960 Speaker 1: And maybe it's because we had such low expectations. I 391 00:15:55,080 --> 00:15:57,920 Speaker 1: knew you would enjoy the World War Two elements a 392 00:15:57,960 --> 00:16:00,920 Speaker 1: little bit. Me never, but it's not like your typical 393 00:16:00,960 --> 00:16:04,160 Speaker 1: World War Two movie. I really like the style of 394 00:16:04,280 --> 00:16:07,720 Speaker 1: action and just the overall cinematography in this movie. I 395 00:16:07,760 --> 00:16:09,680 Speaker 1: love the scenes out on the water where it just 396 00:16:10,000 --> 00:16:12,160 Speaker 1: looks so blue and rich, like that is my favorite 397 00:16:12,200 --> 00:16:15,320 Speaker 1: color palette, Like that water that even though I wouldn't 398 00:16:15,320 --> 00:16:16,880 Speaker 1: want to jump in the ocean, it makes me want 399 00:16:16,920 --> 00:16:17,720 Speaker 1: to jump in the ocean. 400 00:16:18,280 --> 00:16:19,320 Speaker 3: I thought the action. 401 00:16:19,240 --> 00:16:21,680 Speaker 1: Was really good, and I really like Henry cavill and 402 00:16:21,720 --> 00:16:24,800 Speaker 1: I feel like he has been done dirty by DC, 403 00:16:25,040 --> 00:16:26,840 Speaker 1: by them saying, hey, you're going to come back a Superman. 404 00:16:27,200 --> 00:16:29,080 Speaker 1: Actually we're moving on and we're gonna do a different 405 00:16:29,080 --> 00:16:29,960 Speaker 1: Superman movie. 406 00:16:30,160 --> 00:16:31,440 Speaker 4: I think it's a great point. 407 00:16:31,640 --> 00:16:34,720 Speaker 1: He left the Witcher for that, he had the cameo 408 00:16:34,840 --> 00:16:36,360 Speaker 1: in the movie. He was all set up to come 409 00:16:36,360 --> 00:16:38,720 Speaker 1: back a Superman and now they're probably not gonna bring 410 00:16:38,800 --> 00:16:39,160 Speaker 1: him back. 411 00:16:39,280 --> 00:16:42,280 Speaker 2: It does not hurt that he's so attractive. I did 412 00:16:42,360 --> 00:16:43,800 Speaker 2: not mind looking at him on the screen. 413 00:16:43,560 --> 00:16:46,160 Speaker 1: For two hours, except when he was in Argyle. We 414 00:16:47,080 --> 00:16:48,960 Speaker 1: were like, we're good on Henry Cavill. 415 00:16:49,200 --> 00:16:50,040 Speaker 4: That whole movie. 416 00:16:50,520 --> 00:16:52,920 Speaker 1: That is not an underrated not underrated, that's gonna make 417 00:16:52,920 --> 00:16:54,520 Speaker 1: the word that was overrated. 418 00:16:55,000 --> 00:16:57,320 Speaker 3: Yeah, some people really enjoyed that movie, but this was 419 00:16:57,600 --> 00:16:58,320 Speaker 3: not among them. 420 00:16:58,360 --> 00:17:01,280 Speaker 1: But this movie had a budget of sixty million dollars 421 00:17:01,320 --> 00:17:04,600 Speaker 1: and only made twenty nine million dollars at the box office. 422 00:17:04,320 --> 00:17:06,639 Speaker 4: Fifty percent loss, so it lost a lot of money. 423 00:17:06,880 --> 00:17:08,520 Speaker 1: But I think it's a solid movie. I gave it 424 00:17:08,520 --> 00:17:10,879 Speaker 1: a four out of five. It's not on a streaming service. 425 00:17:10,920 --> 00:17:13,960 Speaker 1: You have to have stars to watch it, so I 426 00:17:14,000 --> 00:17:16,080 Speaker 1: don't think we have stars. You'd probably just have to 427 00:17:16,119 --> 00:17:16,439 Speaker 1: rent it. 428 00:17:16,600 --> 00:17:19,719 Speaker 4: We gotta stop having so many services everyone PSA. 429 00:17:19,800 --> 00:17:20,880 Speaker 3: I think we have a Momo now. 430 00:17:21,040 --> 00:17:23,520 Speaker 4: It's getting to it's so it's more expensive than cable 431 00:17:23,560 --> 00:17:24,360 Speaker 4: TV would have been. 432 00:17:24,440 --> 00:17:26,439 Speaker 3: Yeah, we're back at the same thing now, and they're not. 433 00:17:26,520 --> 00:17:29,000 Speaker 4: Even At first I was like, oh, convenience, they're on 434 00:17:29,080 --> 00:17:32,200 Speaker 4: the same place. But they're not. They're on Prime, They're on. 435 00:17:32,160 --> 00:17:36,400 Speaker 2: Hulu, it's on Netflix, it's on Max, so many places. 436 00:17:36,480 --> 00:17:38,800 Speaker 3: The only one we don't have right now is Paramount Plus. 437 00:17:38,960 --> 00:17:40,720 Speaker 4: Yeah, because we got Peacock too. 438 00:17:41,160 --> 00:17:42,640 Speaker 3: Yeah, that Black Friday sale. 439 00:17:42,680 --> 00:17:44,359 Speaker 4: Guy and I will watch Twisters enough to get our 440 00:17:44,400 --> 00:17:44,959 Speaker 4: money's right now. 441 00:17:44,960 --> 00:17:47,320 Speaker 1: I was like, oh, I love to bundle them up 442 00:17:47,320 --> 00:17:49,320 Speaker 1: when you can save money. But yeah, that one comes 443 00:17:49,359 --> 00:17:52,640 Speaker 1: in at number five, at number four. You can watch 444 00:17:52,640 --> 00:17:54,640 Speaker 1: it on Hulu. I gave it a four point five 445 00:17:54,680 --> 00:17:56,440 Speaker 1: out of five. It is Babes. 446 00:17:56,720 --> 00:17:57,920 Speaker 4: I saw someone on TikTok. 447 00:17:58,080 --> 00:18:01,120 Speaker 2: This is the movie that I brought up months ago 448 00:18:01,119 --> 00:18:02,960 Speaker 2: where I saw someone on TikTok say they walked out 449 00:18:02,960 --> 00:18:04,240 Speaker 2: of a movie and it was the worst movie of 450 00:18:04,240 --> 00:18:05,560 Speaker 2: the year, And I was like, I can't remember what 451 00:18:05,600 --> 00:18:06,600 Speaker 2: the movie was that they hated. 452 00:18:06,680 --> 00:18:07,440 Speaker 4: It was Babe. 453 00:18:07,480 --> 00:18:09,040 Speaker 3: They walked out of Babes. 454 00:18:09,160 --> 00:18:11,399 Speaker 4: They hated Babes. What. 455 00:18:11,840 --> 00:18:16,240 Speaker 2: I'm horrified for that person because this was like Bridesmaids 456 00:18:16,280 --> 00:18:16,480 Speaker 2: to me. 457 00:18:17,160 --> 00:18:18,479 Speaker 4: It was that level of funny. 458 00:18:19,520 --> 00:18:22,919 Speaker 1: It was the movie about a girl gets pregnant on 459 00:18:22,960 --> 00:18:26,000 Speaker 1: a one night stand, decides to keep the baby, and 460 00:18:26,160 --> 00:18:28,600 Speaker 1: basically it's from that moment all the way up to 461 00:18:28,640 --> 00:18:31,359 Speaker 1: when she has the baby kind of like a knocked 462 00:18:31,440 --> 00:18:34,560 Speaker 1: up kind of like a bridesmaid's like you said, but 463 00:18:34,600 --> 00:18:38,159 Speaker 1: really just a story about two friends and how when 464 00:18:38,240 --> 00:18:41,600 Speaker 1: you get older your friendships change because when you're young, 465 00:18:41,640 --> 00:18:43,719 Speaker 1: you spend all your time together, but when you get older, 466 00:18:44,320 --> 00:18:47,240 Speaker 1: one of you has kids, has a husband, has a family. 467 00:18:47,920 --> 00:18:50,960 Speaker 1: Having to maintain a really close relationship with a friend 468 00:18:51,040 --> 00:18:51,880 Speaker 1: it's hard to do. 469 00:18:52,119 --> 00:18:53,080 Speaker 4: And it is really hard. 470 00:18:53,080 --> 00:18:55,119 Speaker 2: And as someone who's in the phase of married but 471 00:18:55,640 --> 00:18:57,879 Speaker 2: doesn't have kids yet, I have friends that are married 472 00:18:58,280 --> 00:19:00,000 Speaker 2: and have kids, and then I have friends that aren't married. 473 00:19:00,119 --> 00:19:03,640 Speaker 2: So it's like we're all in different phases and it's 474 00:19:03,680 --> 00:19:06,200 Speaker 2: not It's not even the like being together is weird. 475 00:19:06,240 --> 00:19:09,320 Speaker 2: It's just finding the time to hang out when you 476 00:19:09,359 --> 00:19:10,480 Speaker 2: all live in different places. 477 00:19:10,640 --> 00:19:12,360 Speaker 1: Yeah, that's probably the hardest thing for you, is that 478 00:19:13,320 --> 00:19:15,760 Speaker 1: everybody has dispersed all over the country. 479 00:19:15,920 --> 00:19:17,920 Speaker 4: It's very hard. Does give me excuses to go visit 480 00:19:18,000 --> 00:19:18,119 Speaker 4: f on. 481 00:19:18,160 --> 00:19:22,199 Speaker 1: Places and me I left from where all my friends 482 00:19:22,240 --> 00:19:25,439 Speaker 1: are like my well, it's mostly family. I have friends 483 00:19:25,480 --> 00:19:28,520 Speaker 1: in Texas that I was still living there I would 484 00:19:28,520 --> 00:19:30,440 Speaker 1: hang out with, but yours are just all over. 485 00:19:30,280 --> 00:19:31,560 Speaker 4: The place they are. 486 00:19:32,640 --> 00:19:34,960 Speaker 3: But I feel at the core of what Babes was about. 487 00:19:35,160 --> 00:19:37,800 Speaker 1: Yeah, it's about her getting pregnant, but it's I would say, 488 00:19:37,800 --> 00:19:41,280 Speaker 1: mostly about their relationship, female friendship and that bond. But 489 00:19:41,320 --> 00:19:43,960 Speaker 1: the movie has a seventy nine percent audience score, which 490 00:19:44,000 --> 00:19:47,560 Speaker 1: is decent. It's passing, but had a budget of three 491 00:19:47,600 --> 00:19:50,520 Speaker 1: point seven million dollars and only made three point eight 492 00:19:50,640 --> 00:19:53,800 Speaker 1: so about broke even. But I don't feel like there 493 00:19:53,840 --> 00:19:56,439 Speaker 1: was too much advertising on this movie. 494 00:19:57,440 --> 00:20:01,480 Speaker 4: This movie was so funny they failed and not advertising it. 495 00:20:01,880 --> 00:20:04,920 Speaker 1: Hopefully more people are watching it now that it's on Hulu, 496 00:20:05,520 --> 00:20:06,200 Speaker 1: and it was cool. 497 00:20:06,240 --> 00:20:07,879 Speaker 3: We went to go see at the Bellcourt. We got 498 00:20:07,880 --> 00:20:08,840 Speaker 3: to see like that pre. 499 00:20:09,200 --> 00:20:11,320 Speaker 2: Yeah, they had a live view into like a screening 500 00:20:11,359 --> 00:20:13,560 Speaker 2: because we saw on a Mother's Day and its screening 501 00:20:13,680 --> 00:20:17,000 Speaker 2: with Julia Luis Dreyfuss as the moderator. 502 00:20:17,680 --> 00:20:19,560 Speaker 1: I just thought this movie had some of the best 503 00:20:19,560 --> 00:20:23,439 Speaker 1: writing in anything this year. Was very witty, funny and clever. 504 00:20:24,440 --> 00:20:26,760 Speaker 1: I still stand by my four point five out of five. 505 00:20:26,920 --> 00:20:28,320 Speaker 1: That's why I put it at number four. 506 00:20:28,520 --> 00:20:30,560 Speaker 2: I take it back, this is my number one underrated. 507 00:20:30,560 --> 00:20:32,000 Speaker 2: I didn't know this was on the list. Over the 508 00:20:32,000 --> 00:20:34,640 Speaker 2: fall Guy. Babes was phenomenal. 509 00:20:34,640 --> 00:20:35,520 Speaker 3: Babes, You're number one. 510 00:20:35,560 --> 00:20:38,320 Speaker 1: All right, I have at number three, Love Lives Bleeding, 511 00:20:38,600 --> 00:20:40,320 Speaker 1: which I gave a four out of five. You can 512 00:20:40,359 --> 00:20:42,639 Speaker 1: watch it now on Max. Did I see that you 513 00:20:42,680 --> 00:20:44,080 Speaker 1: did not watch this one with me? It's an a 514 00:20:44,160 --> 00:20:49,560 Speaker 1: twenty four movies with Kristin Stewart. She has a job 515 00:20:49,600 --> 00:20:51,959 Speaker 1: at a gym, she meets a bodybuilder. They have this 516 00:20:52,000 --> 00:20:57,040 Speaker 1: really chaotic relationship. Kristin Stewart's family is like a crime family. 517 00:20:57,440 --> 00:21:00,879 Speaker 1: So I feel that this movie did pretty well as 518 00:21:00,920 --> 00:21:02,919 Speaker 1: far as the audience score has an eighty two percent, 519 00:21:03,000 --> 00:21:05,600 Speaker 1: but the movie coused ten million dollars to make only 520 00:21:05,600 --> 00:21:08,159 Speaker 1: made about twelve million dollars at the box office, so 521 00:21:08,240 --> 00:21:10,639 Speaker 1: it really didn't clear a whole lot. But this is 522 00:21:10,680 --> 00:21:14,720 Speaker 1: one of the most imaginative movies of the year. Where 523 00:21:15,560 --> 00:21:17,840 Speaker 1: I think the problem some people might have with it 524 00:21:17,880 --> 00:21:21,119 Speaker 1: is it goes from being so based in reality to 525 00:21:21,280 --> 00:21:24,240 Speaker 1: having a lot of elements of fantasy. And I love 526 00:21:24,280 --> 00:21:27,159 Speaker 1: that aspect of it because at the core of it, 527 00:21:27,160 --> 00:21:30,280 Speaker 1: it seemed just like a crime drama. I was so 528 00:21:30,400 --> 00:21:33,800 Speaker 1: invested in their relationship and them just wanting to make 529 00:21:33,840 --> 00:21:37,360 Speaker 1: it out of their bad situation. And then it kind 530 00:21:37,359 --> 00:21:40,240 Speaker 1: of changes in the third act where it breaks the 531 00:21:40,320 --> 00:21:43,640 Speaker 1: rules of reality and turns into this really fantastical story 532 00:21:44,160 --> 00:21:46,720 Speaker 1: and it almost felt like this old little fairy tale 533 00:21:46,840 --> 00:21:49,280 Speaker 1: in the form of an A twenty four movie. And 534 00:21:49,320 --> 00:21:51,879 Speaker 1: I thought this movie was gonna be huge given that 535 00:21:51,920 --> 00:21:54,680 Speaker 1: it has Kristen Stewart in it. I feel like she's 536 00:21:54,720 --> 00:21:59,160 Speaker 1: in that era of her career where she is taking 537 00:21:59,640 --> 00:22:01,600 Speaker 1: more old risks in her roles, and I thought this 538 00:22:01,720 --> 00:22:04,080 Speaker 1: was a great example of that. I just can't believe 539 00:22:04,119 --> 00:22:06,280 Speaker 1: this movie didn't make more money, so I decided to 540 00:22:06,280 --> 00:22:10,080 Speaker 1: put that one at number three at number two. Another 541 00:22:10,080 --> 00:22:11,760 Speaker 1: one you didn't watch with me. It's called It's What's 542 00:22:11,760 --> 00:22:14,520 Speaker 1: Inside on Netflix. I gave it a four out of five. 543 00:22:15,040 --> 00:22:15,680 Speaker 4: Is it scary? 544 00:22:15,960 --> 00:22:17,080 Speaker 3: It's kind of scary. 545 00:22:17,119 --> 00:22:20,320 Speaker 1: It's more on the level of a Black Mirror episode 546 00:22:20,920 --> 00:22:23,800 Speaker 1: where they're at this party. It's before these couple is 547 00:22:23,800 --> 00:22:28,560 Speaker 1: getting married, and this guy has this device that everybody 548 00:22:28,600 --> 00:22:30,440 Speaker 1: puts on these little things on their head and they're 549 00:22:30,440 --> 00:22:32,800 Speaker 1: able to switch bodies with somebody else in the room, 550 00:22:33,320 --> 00:22:35,240 Speaker 1: and then the game is that you have to decide 551 00:22:35,240 --> 00:22:38,880 Speaker 1: who was in your body. So just the premise alone 552 00:22:39,040 --> 00:22:42,360 Speaker 1: is fantastic. And this is one that it's on Netflix, 553 00:22:42,400 --> 00:22:45,040 Speaker 1: but it's not a Netflix original. It is a movie 554 00:22:45,080 --> 00:22:47,880 Speaker 1: that Netflix acquired the rights to, So there's no real 555 00:22:48,040 --> 00:22:50,800 Speaker 1: budget that was put out about it, no real box 556 00:22:50,840 --> 00:22:53,719 Speaker 1: office performance, but they did buy it for seventeen million dollars, 557 00:22:54,280 --> 00:22:56,480 Speaker 1: So I didn't really see a whole lot of people 558 00:22:56,600 --> 00:22:59,359 Speaker 1: talking about this movie whenever it was put out on Netflix. 559 00:22:59,680 --> 00:23:02,800 Speaker 1: And that's why I feel that sometimes it's hard to 560 00:23:02,880 --> 00:23:06,359 Speaker 1: gauge the reaction a Netflix movie had because sometimes they 561 00:23:06,440 --> 00:23:09,280 Speaker 1: come out and just kind of fall into the abyss. 562 00:23:09,720 --> 00:23:11,800 Speaker 4: So because there's always stuff coming out. 563 00:23:12,000 --> 00:23:14,280 Speaker 1: Yeah, like they had that whole initiative of a couple 564 00:23:14,400 --> 00:23:17,119 Speaker 1: maybe even back in the Pandemic or twenty twenty one, 565 00:23:17,160 --> 00:23:18,880 Speaker 1: where they were putting out a new movie every single week, 566 00:23:18,880 --> 00:23:21,440 Speaker 1: and they still kind of do that, but it almost 567 00:23:21,520 --> 00:23:23,840 Speaker 1: just feels like content at this point, where it's somebody 568 00:23:23,880 --> 00:23:26,439 Speaker 1: just putting up a YouTube video. Shout everybody on YouTube 569 00:23:26,520 --> 00:23:30,080 Speaker 1: right now, but it's like, dang, Like they acquired the 570 00:23:30,160 --> 00:23:33,200 Speaker 1: rights of this movie. A sixty nine percent audience score 571 00:23:33,280 --> 00:23:36,160 Speaker 1: is pretty good, but the movie comes out and then 572 00:23:36,560 --> 00:23:40,960 Speaker 1: that week or two after it's added on there, Like, 573 00:23:40,960 --> 00:23:42,880 Speaker 1: how do you even search out a movie on Netflix 574 00:23:42,920 --> 00:23:44,440 Speaker 1: if it's not up there? In like the top ten, 575 00:23:45,119 --> 00:23:47,280 Speaker 1: like how are they pushing it to people? After a while, 576 00:23:47,600 --> 00:23:49,600 Speaker 1: I thought that movie would have had a little bit 577 00:23:49,600 --> 00:23:50,560 Speaker 1: more of an impact. 578 00:23:51,280 --> 00:23:54,520 Speaker 3: And I don't know how you really make money. 579 00:23:54,280 --> 00:23:57,800 Speaker 1: From Netflix, because yeah, they buy the rights to movies, 580 00:23:57,800 --> 00:23:59,640 Speaker 1: but I don't feel like that was one that like, hey, 581 00:23:59,680 --> 00:24:01,720 Speaker 1: look at all these people in this movie. It's gonna 582 00:24:01,720 --> 00:24:04,920 Speaker 1: get people over there to subscribe. So that is why 583 00:24:04,960 --> 00:24:07,359 Speaker 1: I put that one at number two. At number one, 584 00:24:07,840 --> 00:24:11,240 Speaker 1: my most underrated movie of twenty twenty four. I have 585 00:24:11,440 --> 00:24:14,600 Speaker 1: my Old Ass So Good, which I gave a four 586 00:24:14,760 --> 00:24:18,040 Speaker 1: out of five. It has a pretty decent audience score, 587 00:24:18,080 --> 00:24:20,639 Speaker 1: like a great eighty nine percent. But I think this 588 00:24:20,680 --> 00:24:22,959 Speaker 1: one comes down to the box office. Had a budget 589 00:24:22,960 --> 00:24:25,320 Speaker 1: of three million dollars, which is wild that they made 590 00:24:25,359 --> 00:24:27,600 Speaker 1: this movie for three million dollars, but it only made 591 00:24:27,640 --> 00:24:28,480 Speaker 1: five million dollars. 592 00:24:28,680 --> 00:24:31,879 Speaker 2: That's two million dollars now though it sputtering bean in 593 00:24:31,920 --> 00:24:33,040 Speaker 2: the red, I. 594 00:24:32,960 --> 00:24:36,719 Speaker 1: Just think that it is hard to make a fresh 595 00:24:36,760 --> 00:24:38,359 Speaker 1: coming of age movie at this point. 596 00:24:38,480 --> 00:24:40,000 Speaker 3: And I love the formula. 597 00:24:40,119 --> 00:24:43,520 Speaker 1: I could watch the same coming of age formula in 598 00:24:43,600 --> 00:24:46,480 Speaker 1: any amount of movies and I would still enjoy There's 599 00:24:46,520 --> 00:24:49,600 Speaker 1: just something special about it when done right and this one. 600 00:24:49,800 --> 00:24:53,359 Speaker 1: The twist was that she takes some mushrooms, she sees 601 00:24:53,359 --> 00:24:56,359 Speaker 1: her older self, which is Aubrey Plaza. She tells her 602 00:24:56,359 --> 00:24:59,000 Speaker 1: all this stuff about her future and kind of gives 603 00:24:59,000 --> 00:25:02,480 Speaker 1: their advice on like what to avoid, and then puts 604 00:25:02,480 --> 00:25:04,879 Speaker 1: her phone number in her phone and she's able to 605 00:25:04,880 --> 00:25:08,000 Speaker 1: communicate with her. My only thing was I wanted more 606 00:25:08,000 --> 00:25:08,639 Speaker 1: Aubrey Plaza. 607 00:25:08,880 --> 00:25:11,240 Speaker 2: But it was cool to see Aubrey Plaza on more 608 00:25:11,280 --> 00:25:13,520 Speaker 2: like I mean, she was still her like dry, comedic self, 609 00:25:13,560 --> 00:25:16,040 Speaker 2: but a little bit more of an emotional Yeah. 610 00:25:16,160 --> 00:25:18,359 Speaker 3: Well, there was a scene in this movie where I 611 00:25:18,440 --> 00:25:19,320 Speaker 3: damn near cried. 612 00:25:19,640 --> 00:25:20,320 Speaker 4: Yeah, I think you did. 613 00:25:20,880 --> 00:25:22,960 Speaker 1: Like I think it was there was a span of 614 00:25:23,000 --> 00:25:25,439 Speaker 1: movies there, I think this one in the Wild Robot. 615 00:25:25,440 --> 00:25:28,200 Speaker 1: We watched back to back, I believe, and both times 616 00:25:28,280 --> 00:25:32,399 Speaker 1: the movies like I almost cried. I look, and I 617 00:25:32,440 --> 00:25:34,760 Speaker 1: did not expect to go there because there's just a 618 00:25:34,800 --> 00:25:37,159 Speaker 1: moment where it's like, oh man, all this stuff that 619 00:25:37,200 --> 00:25:40,040 Speaker 1: had been building up and building up. Yeah, there's a 620 00:25:40,080 --> 00:25:43,200 Speaker 1: lot of fights between her younger self and her older self, 621 00:25:43,720 --> 00:25:46,800 Speaker 1: which I would question things that I would be telling 622 00:25:46,880 --> 00:25:50,120 Speaker 1: my younger self, and there's a moment that just hits 623 00:25:50,160 --> 00:25:52,439 Speaker 1: you right in the gut, and then it just like, 624 00:25:52,520 --> 00:25:54,440 Speaker 1: oh man, I just kind of sat with it. 625 00:25:54,600 --> 00:25:57,240 Speaker 2: What's the number one thing that you would tell your 626 00:25:57,240 --> 00:25:59,120 Speaker 2: younger self sitting here now? 627 00:25:59,400 --> 00:26:02,240 Speaker 4: Is it? Thirty three year old? I always have to remember, 628 00:26:02,280 --> 00:26:03,960 Speaker 4: hold you or it's very difficult me. 629 00:26:04,160 --> 00:26:06,119 Speaker 1: I don't know how cliche this is, but like stop 630 00:26:06,200 --> 00:26:07,479 Speaker 1: caring what people think. 631 00:26:07,640 --> 00:26:09,720 Speaker 3: I think that kept me from. 632 00:26:09,600 --> 00:26:12,840 Speaker 1: Doing a lot of things that I enjoyed younger because 633 00:26:12,840 --> 00:26:15,280 Speaker 1: I was worried about how they would be perceived by 634 00:26:15,280 --> 00:26:17,679 Speaker 1: other people. And at that time, I didn't realize that 635 00:26:17,720 --> 00:26:19,800 Speaker 1: those other people would not matter when I was older. 636 00:26:20,040 --> 00:26:21,760 Speaker 1: Like look at this room now, Like all these things 637 00:26:21,760 --> 00:26:25,000 Speaker 1: that I embraced now were things that I hid back then. 638 00:26:25,280 --> 00:26:26,919 Speaker 1: And I think all the things about me now that 639 00:26:27,000 --> 00:26:31,200 Speaker 1: I enjoy actually about myself I was ashamed of probably 640 00:26:31,400 --> 00:26:36,600 Speaker 1: fifteen years ago. And it's hard to say to imagine 641 00:26:36,640 --> 00:26:39,359 Speaker 1: me like being cool, but I had a feeling of 642 00:26:39,440 --> 00:26:41,199 Speaker 1: like I need to be cool because I was so 643 00:26:41,359 --> 00:26:43,840 Speaker 1: one cool that I didn't want to come across of 644 00:26:43,880 --> 00:26:46,240 Speaker 1: like putting anything against me because there was already a 645 00:26:46,280 --> 00:26:47,959 Speaker 1: lot of things held against me. I felt like like 646 00:26:48,320 --> 00:26:51,040 Speaker 1: I was overweight, I had bad skin, my teeth are 647 00:26:51,040 --> 00:26:53,440 Speaker 1: messed up. There were just things I felt that kept 648 00:26:53,440 --> 00:26:55,840 Speaker 1: me from being cool, and I was like, I just 649 00:26:55,920 --> 00:26:58,800 Speaker 1: can't show any other weakness. I think that's what it 650 00:26:58,840 --> 00:27:00,360 Speaker 1: would be it for me. I would just not care 651 00:27:00,359 --> 00:27:02,200 Speaker 1: about what anybody else thought. And just like the things 652 00:27:02,200 --> 00:27:03,800 Speaker 1: I like, would you tell yourself? 653 00:27:04,640 --> 00:27:08,479 Speaker 2: Mine's also cliche, and mine would be to like stop 654 00:27:08,680 --> 00:27:12,359 Speaker 2: worrying about the boys that didn't like me. Like I 655 00:27:12,440 --> 00:27:14,520 Speaker 2: just was like, no one's ever gonna like me. I'm 656 00:27:14,560 --> 00:27:17,840 Speaker 2: gonna be single forever. I felt that too, and I 657 00:27:17,960 --> 00:27:20,640 Speaker 2: was so young. But I think I think when you're 658 00:27:20,640 --> 00:27:23,240 Speaker 2: in high school and it's like you have those couples 659 00:27:23,280 --> 00:27:25,359 Speaker 2: and like ever I never had a boyfriend. 660 00:27:25,600 --> 00:27:27,080 Speaker 4: You were my first boyfriend. 661 00:27:27,480 --> 00:27:30,280 Speaker 3: I damn you went my first girlfriend dates. 662 00:27:30,320 --> 00:27:33,800 Speaker 2: Like I liked people, I talk to people, but like 663 00:27:33,840 --> 00:27:35,600 Speaker 2: no one ever really fully liked me. And I just 664 00:27:35,680 --> 00:27:38,960 Speaker 2: used to think, like I'm ugly, no one's gonna like me. 665 00:27:39,040 --> 00:27:41,280 Speaker 2: And I'm just saying in retrospect, I think I was 666 00:27:41,400 --> 00:27:43,879 Speaker 2: just like too smart. I think I intimidated people like 667 00:27:44,080 --> 00:27:46,399 Speaker 2: not to toot my own horn, but I think I 668 00:27:46,520 --> 00:27:49,280 Speaker 2: just was like unapproachable because I was really smart. 669 00:27:49,440 --> 00:27:52,960 Speaker 1: I've oddly been thinking about this lately. Is I always 670 00:27:53,000 --> 00:27:55,560 Speaker 1: felt that it was people not giving me a chance. 671 00:27:55,720 --> 00:27:57,720 Speaker 1: And when I look back on myself there, I think 672 00:27:57,720 --> 00:27:59,760 Speaker 1: I just didn't respect myself enough, Like I didn't put 673 00:27:59,800 --> 00:28:03,440 Speaker 1: an effort into myself to attract anybody. 674 00:28:03,480 --> 00:28:05,960 Speaker 3: I thought it was all about looks, but I. 675 00:28:05,920 --> 00:28:09,280 Speaker 1: Think it was how I treated myself and probably the 676 00:28:09,400 --> 00:28:11,960 Speaker 1: energy I put out that was really what it was. 677 00:28:12,040 --> 00:28:13,479 Speaker 1: And I just thought it was, like I said, just 678 00:28:13,520 --> 00:28:15,200 Speaker 1: people not give me a chance. But I thought about 679 00:28:15,240 --> 00:28:17,520 Speaker 1: like would I even want to be with me then? 680 00:28:18,040 --> 00:28:21,120 Speaker 1: So maybe that's the advice I would give to myself, like, hey, 681 00:28:21,119 --> 00:28:22,439 Speaker 1: working yourself a little more, dummy. 682 00:28:22,720 --> 00:28:24,840 Speaker 2: Yeah, I think I would tell myself to stop stressing 683 00:28:24,840 --> 00:28:27,040 Speaker 2: because I met you when I was twenty four's that 684 00:28:27,160 --> 00:28:31,440 Speaker 2: is still so young when in retrospect, I met you 685 00:28:31,440 --> 00:28:34,600 Speaker 2: when I was twenty four, I was married to twenty seven. 686 00:28:34,960 --> 00:28:36,399 Speaker 4: Like, I don't know. 687 00:28:36,440 --> 00:28:37,959 Speaker 2: I think I just was like, oh my god, I'm 688 00:28:38,000 --> 00:28:42,000 Speaker 2: going to be alone forever. But like those things feel 689 00:28:42,080 --> 00:28:46,000 Speaker 2: so big when you're younger. Yeah, they feel so monumental. 690 00:28:46,040 --> 00:28:47,960 Speaker 1: When you're younger, you want to get older. When you're older, 691 00:28:47,960 --> 00:28:49,760 Speaker 1: you want to be younger. I think if I was 692 00:28:49,800 --> 00:28:52,160 Speaker 1: more specific about my advice. I think it would be 693 00:28:52,320 --> 00:28:55,320 Speaker 1: that you're on your own timeline. Yeah, like nobody else 694 00:28:55,400 --> 00:28:57,600 Speaker 1: is really looking at your timeline, even though to you 695 00:28:57,640 --> 00:28:59,880 Speaker 1: it feels like, ah, I'm so behind, How am I 696 00:29:00,160 --> 00:29:02,640 Speaker 1: at this point in my life? Yet when really nobody 697 00:29:02,680 --> 00:29:05,600 Speaker 1: else cares about what's going on with you and in 698 00:29:05,680 --> 00:29:08,560 Speaker 1: the end it doesn't really matter, like what age you 699 00:29:08,600 --> 00:29:12,200 Speaker 1: are when you hit these supposed milestones that you're supposed 700 00:29:12,200 --> 00:29:12,440 Speaker 1: to hit. 701 00:29:12,520 --> 00:29:14,600 Speaker 2: I think I would also I would warn myself not 702 00:29:14,680 --> 00:29:16,800 Speaker 2: to like several of the guys that I liked. I 703 00:29:16,840 --> 00:29:19,560 Speaker 2: think I would be like, don't waste your time, don't 704 00:29:19,800 --> 00:29:22,480 Speaker 2: just don't just delete his number. 705 00:29:23,160 --> 00:29:25,200 Speaker 1: Even more specific advice, I would have told myself to 706 00:29:25,240 --> 00:29:27,680 Speaker 1: like to get into coding more, like pay attention to 707 00:29:28,160 --> 00:29:29,000 Speaker 1: technology more. 708 00:29:29,160 --> 00:29:31,880 Speaker 2: I would have told myself to purchase real estate at 709 00:29:32,040 --> 00:29:33,200 Speaker 2: the age of like five. 710 00:29:33,160 --> 00:29:35,960 Speaker 3: I'd invested in like TikTok or something. 711 00:29:36,480 --> 00:29:38,960 Speaker 4: I would have invested in bitcoin exactly. 712 00:29:39,040 --> 00:29:40,760 Speaker 3: I'd have bought it when it was so cheap. It'd 713 00:29:40,800 --> 00:29:43,360 Speaker 3: be millionaires. Now as I tell you. 714 00:29:43,480 --> 00:29:46,120 Speaker 4: I would have bought stock in Apple. 715 00:29:46,040 --> 00:29:47,520 Speaker 3: Would it have been as value? 716 00:29:47,640 --> 00:29:50,360 Speaker 1: I guess back then, I feel like the time would 717 00:29:50,400 --> 00:29:52,600 Speaker 1: have to buy it, would have been like the eighties. 718 00:29:52,600 --> 00:29:54,640 Speaker 1: Whenever they were first launching, it was like dirty. I 719 00:29:54,680 --> 00:29:56,400 Speaker 1: don't know if they were public by that point, it's. 720 00:29:56,280 --> 00:29:58,040 Speaker 4: Not, according to what one of the characters in the 721 00:29:58,080 --> 00:29:59,160 Speaker 4: Nicholas Sparks book did. 722 00:29:59,360 --> 00:30:02,240 Speaker 3: But all right, that is the list. Yours were in there, right, 723 00:30:02,320 --> 00:30:04,240 Speaker 3: my old ass. 724 00:30:03,760 --> 00:30:05,520 Speaker 4: Babbe Paul Guy yep. 725 00:30:06,120 --> 00:30:08,440 Speaker 1: So nothing else we need to add. All right, we'll 726 00:30:08,480 --> 00:30:10,440 Speaker 1: come back and I'll give my spoiler free review of 727 00:30:10,600 --> 00:30:16,360 Speaker 1: Y two K. Let's get into it now, a spoiler 728 00:30:16,400 --> 00:30:20,680 Speaker 1: free movie review of why two K. This is not 729 00:30:20,800 --> 00:30:23,560 Speaker 1: an SNL movie by any means. It is directed by 730 00:30:23,640 --> 00:30:26,600 Speaker 1: Kyle Mooney, who spent a lot of time on SNL 731 00:30:26,680 --> 00:30:30,680 Speaker 1: as a performer and a writer, and none of this 732 00:30:31,200 --> 00:30:33,680 Speaker 1: was conceptualized on the show. None of the characters are 733 00:30:33,680 --> 00:30:37,480 Speaker 1: from SNL. But to me it had that SNL feeling, 734 00:30:37,520 --> 00:30:41,440 Speaker 1: which there hasn't been an SNL movie in a while, 735 00:30:42,320 --> 00:30:44,720 Speaker 1: and for a long time that was kind of the norm. 736 00:30:44,960 --> 00:30:47,680 Speaker 1: A character would pop off on SNL and then make 737 00:30:47,720 --> 00:30:50,880 Speaker 1: a movie about it, probably more in the eighties and nineties. 738 00:30:51,640 --> 00:30:53,920 Speaker 1: On two thousand and two, there were some bombs along 739 00:30:53,960 --> 00:30:56,760 Speaker 1: the way, but I feel they've kind of gotten away 740 00:30:56,760 --> 00:30:58,360 Speaker 1: from that a little bit, So I feel like this 741 00:30:58,520 --> 00:31:00,920 Speaker 1: is the closest we're getting to that now. And I 742 00:31:00,960 --> 00:31:04,040 Speaker 1: was curious to see how Kyle Mooney was gonna be 743 00:31:04,560 --> 00:31:07,000 Speaker 1: as a director and also starting in the movie, which 744 00:31:07,040 --> 00:31:09,680 Speaker 1: is a really delicate thing to balance because for somebody 745 00:31:09,720 --> 00:31:13,920 Speaker 1: like Kyle Mooney who hasn't really broken out into acting 746 00:31:14,520 --> 00:31:17,880 Speaker 1: post SNL, how much is he going to put himself 747 00:31:17,880 --> 00:31:19,600 Speaker 1: in this movie? So that'll be the question I answered, 748 00:31:19,600 --> 00:31:21,560 Speaker 1: did he put himself in this movie too much? So 749 00:31:21,600 --> 00:31:24,480 Speaker 1: what Y two K is about? We're getting too ahead 750 00:31:24,480 --> 00:31:26,160 Speaker 1: of myself. Let me calm down and have a sip 751 00:31:26,160 --> 00:31:29,840 Speaker 1: of tea here. I'd like to have green tea while 752 00:31:29,880 --> 00:31:33,160 Speaker 1: I record these. So what Y two K is about 753 00:31:33,560 --> 00:31:37,560 Speaker 1: it is essentially what would have happened on New Year's 754 00:31:37,600 --> 00:31:40,480 Speaker 1: Eve nineteen ninety nine if what everybody was scared about 755 00:31:41,480 --> 00:31:45,520 Speaker 1: actually went down and all of the machines just shut down. 756 00:31:45,600 --> 00:31:47,920 Speaker 1: And this takes it to an extreme because really what 757 00:31:47,960 --> 00:31:51,080 Speaker 1: we were all worried about is once the calendar switched 758 00:31:51,080 --> 00:31:53,640 Speaker 1: from nineteen ninety nine to two thousand, computers were just 759 00:31:53,640 --> 00:31:56,000 Speaker 1: going to forget how to be computers, and you weren't 760 00:31:56,040 --> 00:31:58,120 Speaker 1: going to be able to go to your bank. You 761 00:31:58,160 --> 00:32:00,400 Speaker 1: weren't going to be able to do anything because the 762 00:32:00,440 --> 00:32:03,080 Speaker 1: computers were going to be so confused that it's two thousand. 763 00:32:03,480 --> 00:32:05,560 Speaker 1: These things were made to go to the two thousands, 764 00:32:05,720 --> 00:32:08,480 Speaker 1: that we were all going to freak out. There was 765 00:32:08,600 --> 00:32:12,560 Speaker 1: going to be power outages. Everybody fills up for gas 766 00:32:12,600 --> 00:32:15,200 Speaker 1: anytime any kind of disaster is on the break of happening. 767 00:32:15,680 --> 00:32:18,680 Speaker 1: Go fill up your gas tanks, Go get eggs, milk, 768 00:32:19,080 --> 00:32:21,520 Speaker 1: and bread from the grocery store. And that is really 769 00:32:21,560 --> 00:32:25,239 Speaker 1: all we thought about whenever the year two thousand hit. 770 00:32:25,440 --> 00:32:29,320 Speaker 1: I was nine years old, so I remember it. Oh, 771 00:32:29,360 --> 00:32:32,880 Speaker 1: the two thousands were a great time, But I grew 772 00:32:32,960 --> 00:32:35,800 Speaker 1: up as a young kid in the nineties, you know, 773 00:32:36,000 --> 00:32:38,200 Speaker 1: until I was nine, and then I feel like, I 774 00:32:38,280 --> 00:32:42,120 Speaker 1: really just I have better association with the two thousands. 775 00:32:42,680 --> 00:32:45,560 Speaker 1: So I feel like this movie was really geared towards 776 00:32:45,600 --> 00:32:50,680 Speaker 1: me with the humor. And I feel that nostalgia movies 777 00:32:50,760 --> 00:32:54,600 Speaker 1: are the new remakes and reboots, because I think everybody 778 00:32:54,680 --> 00:32:57,040 Speaker 1: is sick of remakes and reboots. Even though I mean, 779 00:32:57,080 --> 00:32:58,680 Speaker 1: I've been seeing this so much as I've been you know, 780 00:32:58,720 --> 00:33:00,840 Speaker 1: talking about in the year List. Even though what we've 781 00:33:00,840 --> 00:33:04,120 Speaker 1: been talking about all episodes long, which if you only 782 00:33:04,160 --> 00:33:06,040 Speaker 1: watch on YouTube, don't listen to the podcast, go check 783 00:33:06,080 --> 00:33:08,160 Speaker 1: out movie mis movie podcast wherever we listen to podcasts 784 00:33:09,160 --> 00:33:12,560 Speaker 1: is about underrated movies. And a lot of those movies 785 00:33:12,600 --> 00:33:16,160 Speaker 1: I mentioned were original movies that people just didn't pay 786 00:33:16,200 --> 00:33:20,520 Speaker 1: attention to. And I feel that there are new, fresh 787 00:33:20,560 --> 00:33:22,600 Speaker 1: movies coming out, and then I feel inside of that 788 00:33:22,960 --> 00:33:26,080 Speaker 1: where they're kind of getting around. Okay, we don't have 789 00:33:26,120 --> 00:33:28,640 Speaker 1: a known property, we don't have an ip here, but 790 00:33:28,720 --> 00:33:32,840 Speaker 1: what we do have is a time in everybody's life 791 00:33:33,040 --> 00:33:36,040 Speaker 1: where they still love life. And we saw that a 792 00:33:36,040 --> 00:33:40,040 Speaker 1: lot this year of movies dipping into the early two thousands, 793 00:33:40,080 --> 00:33:42,240 Speaker 1: and that nostalgia which is really becoming more of a 794 00:33:42,280 --> 00:33:45,200 Speaker 1: thing now in film and TV, where for the longest 795 00:33:45,240 --> 00:33:48,160 Speaker 1: time it was all nineties nineties, nineties, nineties nineties. But 796 00:33:48,280 --> 00:33:52,120 Speaker 1: now the people who are older and making this content, 797 00:33:52,240 --> 00:33:55,880 Speaker 1: making these films, making this art are at that age 798 00:33:55,920 --> 00:33:58,600 Speaker 1: like where I was, where either you grew up in 799 00:33:58,600 --> 00:34:01,440 Speaker 1: the two thousands or you were a teenager in the 800 00:34:01,440 --> 00:34:03,600 Speaker 1: two thousands, and there are a lot of things there 801 00:34:04,040 --> 00:34:06,280 Speaker 1: that people want to feel nostalgic about. So if you're 802 00:34:06,320 --> 00:34:09,400 Speaker 1: not making a remake, if you're not rebooting something or 803 00:34:09,440 --> 00:34:11,799 Speaker 1: making a prequel. I think the next thing on that 804 00:34:11,880 --> 00:34:14,560 Speaker 1: list in that same category is making something that is 805 00:34:14,640 --> 00:34:18,160 Speaker 1: nostalgia bate, which are just banking on people going to 806 00:34:18,160 --> 00:34:20,759 Speaker 1: see it because they want to feel that again. They 807 00:34:20,800 --> 00:34:23,560 Speaker 1: want to hear that music, they want to see those celebrities, 808 00:34:24,080 --> 00:34:26,120 Speaker 1: They want to go back to that time where we 809 00:34:26,120 --> 00:34:29,120 Speaker 1: were all young and still experiencing life and taking it 810 00:34:29,160 --> 00:34:32,480 Speaker 1: for what it is and weren't so jaded about everything. 811 00:34:32,960 --> 00:34:36,400 Speaker 1: But that is kind of how I feel. The allure 812 00:34:36,640 --> 00:34:40,040 Speaker 1: was around y two K, going back to when we 813 00:34:40,040 --> 00:34:42,960 Speaker 1: weren't all on our phones, and I think I felt 814 00:34:43,520 --> 00:34:47,400 Speaker 1: oddly nostalgic in a good way. And I've seen a 815 00:34:47,400 --> 00:34:50,040 Speaker 1: lot of these movies happen where it just doesn't really 816 00:34:50,120 --> 00:34:52,680 Speaker 1: hit right and you can tell it's all fabricated, and 817 00:34:52,719 --> 00:34:54,600 Speaker 1: they wanted just to throw in references for the sake 818 00:34:54,640 --> 00:34:57,479 Speaker 1: of throwing in references. I felt like in this movie, 819 00:34:57,640 --> 00:35:01,040 Speaker 1: much like in d D, there was some good nostalgia 820 00:35:01,120 --> 00:35:04,279 Speaker 1: in there. In nineteen ninety nine is such an interesting year, 821 00:35:04,760 --> 00:35:08,520 Speaker 1: and it opens up with our main lead here played 822 00:35:08,520 --> 00:35:13,160 Speaker 1: by Jayden Martel on aim aol messenger, which just took 823 00:35:13,200 --> 00:35:15,719 Speaker 1: me back to an entirely different part of my life, 824 00:35:15,760 --> 00:35:18,680 Speaker 1: which I've seen that represented another movies recently, But for 825 00:35:18,719 --> 00:35:21,520 Speaker 1: some reason here, the way he was communicating with his 826 00:35:21,600 --> 00:35:25,040 Speaker 1: friends on Aim just reminded me of that time in 827 00:35:25,080 --> 00:35:28,400 Speaker 1: our lives where we had to wait for our friends 828 00:35:28,440 --> 00:35:31,759 Speaker 1: to go online. It wasn't a normous thing for us 829 00:35:31,840 --> 00:35:34,319 Speaker 1: just to be on our phones all the time, to 830 00:35:34,400 --> 00:35:35,400 Speaker 1: be a text away. 831 00:35:36,080 --> 00:35:38,120 Speaker 3: I remember getting on Aim. 832 00:35:38,000 --> 00:35:40,279 Speaker 1: And hoping that your friends were on there. And I 833 00:35:40,320 --> 00:35:43,440 Speaker 1: never had a computer at home. I would always go 834 00:35:43,520 --> 00:35:45,120 Speaker 1: to my cousin's house who had a computer, and I 835 00:35:45,120 --> 00:35:46,759 Speaker 1: thought that was the coolest thing ever. I'd sign into 836 00:35:46,800 --> 00:35:49,200 Speaker 1: my am account, so it felt like I was being 837 00:35:49,239 --> 00:35:51,799 Speaker 1: introduced to this whole new world. And I would get 838 00:35:51,840 --> 00:35:54,600 Speaker 1: on there maybe once a week, but sometimes two weeks, 839 00:35:54,600 --> 00:35:56,080 Speaker 1: and I'd be like, oh man, I got to catch 840 00:35:56,160 --> 00:35:58,920 Speaker 1: up on so much stuff. So it just reminded me 841 00:35:58,960 --> 00:36:03,279 Speaker 1: of how we communicate. There are away messages, having an icon, 842 00:36:03,360 --> 00:36:05,200 Speaker 1: you could have sound effects where you would send a 843 00:36:05,200 --> 00:36:06,600 Speaker 1: message or get a message. 844 00:36:07,040 --> 00:36:08,839 Speaker 3: It was such a big deal. 845 00:36:08,840 --> 00:36:12,239 Speaker 1: And picking your screen name, oh man, that was my 846 00:36:12,680 --> 00:36:15,200 Speaker 1: biggest thing of like, man, whenever I get a computer. 847 00:36:15,160 --> 00:36:18,120 Speaker 3: I get my own screen name. That is gonna be 848 00:36:18,239 --> 00:36:19,399 Speaker 3: so cool, And. 849 00:36:19,320 --> 00:36:22,080 Speaker 1: Where the movie really piled on the nostalgia was with 850 00:36:22,200 --> 00:36:24,640 Speaker 1: the soundtrack, but I thought they did a pretty good 851 00:36:24,719 --> 00:36:26,720 Speaker 1: job of not just throwing in a bunch of random 852 00:36:26,760 --> 00:36:29,319 Speaker 1: songs that meant nothing for no reason. And what the 853 00:36:29,360 --> 00:36:32,080 Speaker 1: movie is about, it's pretty simple. Like I mentioned earlier, 854 00:36:32,520 --> 00:36:37,360 Speaker 1: what would happen if the technology actually shut down, but 855 00:36:37,440 --> 00:36:41,040 Speaker 1: not only that, it revolted and started killing people right 856 00:36:41,080 --> 00:36:44,360 Speaker 1: when it went to midnight on December thirty first, nineteen 857 00:36:44,400 --> 00:36:47,080 Speaker 1: ninety nine, going into the new year. The movie centers 858 00:36:47,120 --> 00:36:50,920 Speaker 1: around two characters who are nerds, and anytime you have 859 00:36:50,960 --> 00:36:53,600 Speaker 1: two characters who are nerds trying to get lucky, you 860 00:36:53,640 --> 00:36:56,360 Speaker 1: instantly think about super Bad. And I don't think super 861 00:36:56,360 --> 00:36:59,400 Speaker 1: Bad invented that formula, but they just made it so 862 00:36:59,520 --> 00:37:02,400 Speaker 1: popular that anytime I see that now, it is what 863 00:37:02,480 --> 00:37:03,279 Speaker 1: it reminds me of. 864 00:37:03,840 --> 00:37:04,760 Speaker 3: And at the. 865 00:37:04,640 --> 00:37:08,640 Speaker 1: Core of this movie, it is about friendship, being yourself 866 00:37:08,719 --> 00:37:11,840 Speaker 1: and not being worried about being a nerd, and also 867 00:37:12,680 --> 00:37:16,120 Speaker 1: realizing that at some point you have to go for 868 00:37:16,200 --> 00:37:20,320 Speaker 1: what you want. In this case, Jayden Martel's character wants 869 00:37:20,400 --> 00:37:22,359 Speaker 1: to go after the girl of his dreams, played by 870 00:37:22,440 --> 00:37:23,160 Speaker 1: Rachel Zegler. 871 00:37:23,320 --> 00:37:25,560 Speaker 3: It starts out with them messaging on aim. 872 00:37:25,800 --> 00:37:28,200 Speaker 1: She just broke up with their boyfriend, and he's trying 873 00:37:28,239 --> 00:37:30,640 Speaker 1: to find a way to make a move, but he's 874 00:37:30,760 --> 00:37:33,520 Speaker 1: very neurotic, lives inside his head and doesn't know what 875 00:37:33,600 --> 00:37:36,200 Speaker 1: he needs to do to make that happen. His best 876 00:37:36,200 --> 00:37:38,560 Speaker 1: friend is trying to be his wingman and trying to 877 00:37:38,600 --> 00:37:42,160 Speaker 1: support him, but his best friend is also trying to 878 00:37:42,320 --> 00:37:45,000 Speaker 1: be cool himself. And for the most part they just 879 00:37:45,040 --> 00:37:48,120 Speaker 1: hang out in his room playing video games. But then 880 00:37:48,160 --> 00:37:50,960 Speaker 1: they decide, you know what, we gotta go out. We 881 00:37:51,040 --> 00:37:53,439 Speaker 1: heard about this party. We're gonna go party hard, try 882 00:37:53,480 --> 00:37:55,520 Speaker 1: to make some friends, try to meet a girl, and 883 00:37:55,560 --> 00:37:57,719 Speaker 1: try to kiss somebody at midnight. And that's the goal 884 00:37:57,760 --> 00:38:00,799 Speaker 1: of this movie. Much like an American the goal was 885 00:38:00,840 --> 00:38:03,799 Speaker 1: to get lucky. So it has that formula that we 886 00:38:03,840 --> 00:38:05,880 Speaker 1: all knew in the late nineties and early two thousands, 887 00:38:06,040 --> 00:38:09,280 Speaker 1: just forty teenagers trying to get lucky. There really wasn't 888 00:38:09,320 --> 00:38:12,520 Speaker 1: anything new that this movie brought to the table, and 889 00:38:12,600 --> 00:38:15,239 Speaker 1: I thought the comedy was actually pretty good. I would 890 00:38:15,280 --> 00:38:17,680 Speaker 1: say the first twenty to thirty minutes of this movie, 891 00:38:18,200 --> 00:38:22,080 Speaker 1: I was just enjoying their dynamic as friends, them interacting 892 00:38:22,120 --> 00:38:24,040 Speaker 1: with all the other clicks in the high school. I 893 00:38:24,120 --> 00:38:27,680 Speaker 1: thought how over exaggerated all those clicks were, like the 894 00:38:27,760 --> 00:38:31,480 Speaker 1: new metal kids, the jocks, the popular kids. That was 895 00:38:31,520 --> 00:38:34,279 Speaker 1: pretty funny and I felt more authentic to the time 896 00:38:34,360 --> 00:38:35,200 Speaker 1: period than it has. 897 00:38:35,120 --> 00:38:36,160 Speaker 3: Been represented before. 898 00:38:36,360 --> 00:38:37,760 Speaker 1: And I think if it would have been a straight 899 00:38:37,840 --> 00:38:40,759 Speaker 1: up comedy without the horror elements, it would have been 900 00:38:40,760 --> 00:38:42,960 Speaker 1: a much more enjoyable movie for me, and I love 901 00:38:43,000 --> 00:38:47,160 Speaker 1: horror movies, but I think when it came to the action, 902 00:38:47,440 --> 00:38:49,719 Speaker 1: it just felt very cheap. And it's an a twenty 903 00:38:49,719 --> 00:38:52,920 Speaker 1: four movie. And I know they're trying to venture out 904 00:38:53,440 --> 00:38:58,040 Speaker 1: and create movies in different genres. They have been really 905 00:38:58,120 --> 00:39:02,160 Speaker 1: indie darlings, some of the best dramas of the last decade. 906 00:39:02,560 --> 00:39:05,360 Speaker 1: Also some of the best horror movies of the last decade. 907 00:39:05,480 --> 00:39:07,400 Speaker 1: But now they are trying to do movies that are 908 00:39:07,400 --> 00:39:10,520 Speaker 1: a little bit more commercial. Earlier this year they had 909 00:39:10,520 --> 00:39:13,640 Speaker 1: their biggest attempt at making a big blockbuster with Civil War, 910 00:39:13,680 --> 00:39:16,440 Speaker 1: which did pretty well for them, maybe not as successful 911 00:39:16,520 --> 00:39:18,279 Speaker 1: as they wanted it to be, but that was a 912 00:39:18,320 --> 00:39:21,359 Speaker 1: really good, solid movie into saying Okay, we're a twenty four, 913 00:39:21,840 --> 00:39:24,279 Speaker 1: we can do all these really niche things. But we 914 00:39:24,320 --> 00:39:27,560 Speaker 1: can also make a big action movie that anybody can 915 00:39:27,600 --> 00:39:30,440 Speaker 1: go and enjoy. So they're trying to build these more 916 00:39:30,719 --> 00:39:33,160 Speaker 1: action franchises. They have the Rock coming out in the 917 00:39:33,200 --> 00:39:36,360 Speaker 1: movie soon hopefully shows us a different look at himself 918 00:39:36,400 --> 00:39:38,520 Speaker 1: as an actor in that movie. And then they have 919 00:39:38,640 --> 00:39:42,200 Speaker 1: movies like Y two K, which they have done a 920 00:39:42,239 --> 00:39:43,600 Speaker 1: lot of horror movies. They put out a lot of 921 00:39:43,600 --> 00:39:45,799 Speaker 1: horror movies, but they haven't really done one like this, 922 00:39:46,120 --> 00:39:48,839 Speaker 1: even though it's about nineteen ninety nine. I feel with 923 00:39:48,880 --> 00:39:51,520 Speaker 1: the cast are really trying to get in that gen 924 00:39:51,600 --> 00:39:55,160 Speaker 1: Z audience, which is the sweet spot for any movie 925 00:39:55,239 --> 00:39:58,560 Speaker 1: right now, to get anybody younger than twenty five to 926 00:39:58,680 --> 00:40:01,400 Speaker 1: care about watching a movie like this. And I often 927 00:40:01,440 --> 00:40:04,319 Speaker 1: think that is what some movies really miss out on, 928 00:40:04,480 --> 00:40:08,320 Speaker 1: is the casting in certain movies like a Borderlands earlier 929 00:40:08,360 --> 00:40:12,120 Speaker 1: this year, where that movie should have had an entirely 930 00:40:12,160 --> 00:40:15,280 Speaker 1: different cast because you have a video game that younger 931 00:40:15,320 --> 00:40:18,600 Speaker 1: people are gonna know and want to see, but then 932 00:40:18,640 --> 00:40:22,000 Speaker 1: you put in a bunch of thirty forty fifty plus 933 00:40:22,440 --> 00:40:25,960 Speaker 1: sixty seven year old actors in that movie. No disrespect 934 00:40:25,960 --> 00:40:29,600 Speaker 1: to them, but if you're trying to make a film 935 00:40:30,040 --> 00:40:32,680 Speaker 1: that is catered towards a younger audience, and you're putting 936 00:40:32,680 --> 00:40:35,520 Speaker 1: these people in there that they have no idea who 937 00:40:35,560 --> 00:40:37,439 Speaker 1: they are. They're not going to want to go see 938 00:40:37,440 --> 00:40:40,040 Speaker 1: that movie. I think that was a big fumble on 939 00:40:40,080 --> 00:40:43,680 Speaker 1: That movie's part of not having the right casting, and 940 00:40:43,680 --> 00:40:44,879 Speaker 1: it maybe would had a better shot. 941 00:40:45,000 --> 00:40:45,960 Speaker 3: Maybe I don't know. 942 00:40:46,000 --> 00:40:48,760 Speaker 1: Eli Rod really messed up some details there, but maybe 943 00:40:48,800 --> 00:40:52,000 Speaker 1: with the younger cast at least would have done better 944 00:40:52,080 --> 00:40:53,880 Speaker 1: that opening weekend at the box office. 945 00:40:53,920 --> 00:40:55,480 Speaker 3: That was a straight bomb this year. 946 00:40:55,640 --> 00:40:59,360 Speaker 1: Although the horror elements really didn't win me over, I 947 00:40:59,360 --> 00:41:01,279 Speaker 1: would say the movie had a lot of heart. I 948 00:41:01,320 --> 00:41:05,560 Speaker 1: found myself enjoying it was I completely engage the entire time. 949 00:41:05,920 --> 00:41:07,000 Speaker 3: Nah, did I. 950 00:41:07,080 --> 00:41:10,480 Speaker 1: Gain anything by watching it in theaters that I wouldn't 951 00:41:10,520 --> 00:41:12,319 Speaker 1: have if I just watched it at home. 952 00:41:12,480 --> 00:41:13,080 Speaker 3: I don't think so. 953 00:41:13,239 --> 00:41:16,120 Speaker 1: I think this is a straight streamer movie. So it's 954 00:41:16,160 --> 00:41:18,160 Speaker 1: not one that if you haven't seen yet, that you 955 00:41:18,280 --> 00:41:20,799 Speaker 1: need to go see in theaters. But it's definitely one 956 00:41:20,920 --> 00:41:24,560 Speaker 1: especially around next Halloween time, we're wanting to watch something 957 00:41:24,600 --> 00:41:26,880 Speaker 1: spooky and funny. To me, I feel like this is 958 00:41:26,920 --> 00:41:29,279 Speaker 1: almost right now, at least in this point of time. 959 00:41:29,640 --> 00:41:32,000 Speaker 1: Removing myself from it just a week from seeing it. 960 00:41:32,000 --> 00:41:34,600 Speaker 1: It kind of feels like this decade Idle Hands, where 961 00:41:35,400 --> 00:41:37,640 Speaker 1: you kind of have to be there to get it. 962 00:41:38,040 --> 00:41:40,640 Speaker 1: And I feel like a younger person who watches this 963 00:41:40,680 --> 00:41:43,000 Speaker 1: movie is gonna have that same relationship that I had 964 00:41:43,040 --> 00:41:45,600 Speaker 1: whenever I first saw Idle Hands back in nineteen ninety nine, 965 00:41:45,600 --> 00:41:47,759 Speaker 1: where this movie is set. And I'll end it with 966 00:41:48,120 --> 00:41:50,080 Speaker 1: answering my question that I had at the beginning of 967 00:41:50,080 --> 00:41:53,320 Speaker 1: this review. Did Kyle Mooney put himself in this movie 968 00:41:53,320 --> 00:41:53,759 Speaker 1: too much? 969 00:41:54,160 --> 00:41:54,440 Speaker 3: Yeah? 970 00:41:54,480 --> 00:41:57,040 Speaker 1: I don't think his character was that strong. He's a 971 00:41:57,080 --> 00:41:59,920 Speaker 1: guy who works at a video station, is a stoner. 972 00:42:00,520 --> 00:42:03,080 Speaker 1: I feel like he had played a variation of that 973 00:42:03,160 --> 00:42:05,719 Speaker 1: character on SNL. So that's why I said that even 974 00:42:05,760 --> 00:42:07,839 Speaker 1: though this wasn't an SNL movie, it felt like an 975 00:42:07,880 --> 00:42:10,359 Speaker 1: SNL movie. That's saw a lot of the cast being 976 00:42:10,400 --> 00:42:12,960 Speaker 1: happy for him and posting about this movie. But I 977 00:42:13,000 --> 00:42:15,080 Speaker 1: almost feel that he put himself in it just a 978 00:42:15,080 --> 00:42:17,960 Speaker 1: little bit too much because that wasn't the strongest character 979 00:42:18,520 --> 00:42:22,160 Speaker 1: in this movie. The character I love the most, I 980 00:42:22,200 --> 00:42:24,120 Speaker 1: feel like we did not get enough of and I 981 00:42:24,160 --> 00:42:26,360 Speaker 1: think that really hurt the movie. So I would be 982 00:42:26,480 --> 00:42:29,960 Speaker 1: curious to know his decision to put himself in more 983 00:42:30,520 --> 00:42:33,399 Speaker 1: than the character I actually love the most. I feel 984 00:42:33,400 --> 00:42:34,600 Speaker 1: like that would be hard for me too, if I 985 00:42:34,640 --> 00:42:37,399 Speaker 1: was directing a movie, I would easily put myself more 986 00:42:37,440 --> 00:42:38,680 Speaker 1: in a movie I was making. 987 00:42:38,719 --> 00:42:41,600 Speaker 3: So I can't really hate on him for that, but 988 00:42:41,800 --> 00:42:42,960 Speaker 3: I think it did hurt. 989 00:42:42,800 --> 00:42:45,120 Speaker 1: The movie overall because I just thought to myself, that's 990 00:42:45,120 --> 00:42:46,680 Speaker 1: a little bit too much Kyle Mooney for me. 991 00:42:47,120 --> 00:42:49,160 Speaker 3: And I think his sense of humor is funny. 992 00:42:49,160 --> 00:42:52,160 Speaker 1: He's a great comedic performer, but I think his presence 993 00:42:52,200 --> 00:42:54,319 Speaker 1: kind of stunted this movie's growth in the third act. 994 00:42:54,480 --> 00:42:59,160 Speaker 1: So overall, it is a really chill, pretty slow paced movie, 995 00:42:59,400 --> 00:43:02,560 Speaker 1: definitely like a stoner movie to me. I don't smoke, 996 00:43:02,600 --> 00:43:04,479 Speaker 1: but I feel like if I did smoke, I would 997 00:43:04,520 --> 00:43:07,239 Speaker 1: have enjoyed it more because it had that vibe to it. 998 00:43:07,680 --> 00:43:10,160 Speaker 1: So for y two K, I give it three out 999 00:43:10,200 --> 00:43:17,400 Speaker 1: of five. Tamagatchi's it's time to head down to movie 1000 00:43:17,480 --> 00:43:19,960 Speaker 1: Mike trailer Paul I have It. 1001 00:43:21,000 --> 00:43:24,040 Speaker 3: Trailer of the Year goes to twenty eight years later. 1002 00:43:25,239 --> 00:43:26,600 Speaker 3: This trailer is fantastic. 1003 00:43:26,640 --> 00:43:28,239 Speaker 1: I don't know how good the movie is gonna be, 1004 00:43:28,239 --> 00:43:31,239 Speaker 1: but I am so enticed by this trailer that I 1005 00:43:31,280 --> 00:43:33,719 Speaker 1: am awarding get Trailer of the Year. I think before this, 1006 00:43:34,880 --> 00:43:38,200 Speaker 1: Long Legs probably was number one trailer of the year. 1007 00:43:38,200 --> 00:43:40,879 Speaker 1: But this one is so good because after watching it, 1008 00:43:42,040 --> 00:43:44,520 Speaker 1: just the concept trailer, I want to see this. 1009 00:43:44,680 --> 00:43:46,640 Speaker 3: Rarely does that promo at the. 1010 00:43:46,680 --> 00:43:49,160 Speaker 1: Very end of the trailer hit and I think, ah, 1011 00:43:49,280 --> 00:43:51,120 Speaker 1: I need to go buy tickets to this right now. 1012 00:43:51,480 --> 00:43:54,920 Speaker 1: When this trailer was over, I immediately made sure that 1013 00:43:54,960 --> 00:43:57,239 Speaker 1: it was coming out next year, in twenty twenty five, 1014 00:43:57,280 --> 00:43:59,920 Speaker 1: and it is. It is hitting theaters on June twentieth, 1015 00:44:00,040 --> 00:44:03,120 Speaker 1: twenty twenty five, and I thought to myself, I'm gonna 1016 00:44:03,120 --> 00:44:05,760 Speaker 1: get tickets for this as soon as it goes on sale. 1017 00:44:06,239 --> 00:44:09,120 Speaker 1: The movie takes place ten two hundred and twenty eight 1018 00:44:09,200 --> 00:44:12,880 Speaker 1: days after the first one. You have the original director 1019 00:44:12,920 --> 00:44:16,319 Speaker 1: coming back. You have Alex Garland writing this movie. He 1020 00:44:16,360 --> 00:44:19,520 Speaker 1: did Civil War earlier this year. He has also done 1021 00:44:19,600 --> 00:44:22,520 Speaker 1: movies like Ex Machina, Who oh Man. That is such 1022 00:44:22,560 --> 00:44:25,880 Speaker 1: a good movie on its own. But I was not 1023 00:44:26,120 --> 00:44:29,200 Speaker 1: that excited for this movie until now. The first movie 1024 00:44:29,280 --> 00:44:33,239 Speaker 1: is great. The sequel, which director Danny Boyle didn't do. 1025 00:44:33,360 --> 00:44:36,520 Speaker 1: I think he directed maybe the introduction scene to that 1026 00:44:36,640 --> 00:44:39,120 Speaker 1: and maybe a couple of scenes in between there, but 1027 00:44:39,320 --> 00:44:42,920 Speaker 1: an entirely different director on the sequel twenty eight weeks later. 1028 00:44:43,600 --> 00:44:45,640 Speaker 1: This one just seems to come out at the right time. 1029 00:44:45,680 --> 00:44:47,360 Speaker 1: Although that first one did come out in two thousand 1030 00:44:47,360 --> 00:44:49,239 Speaker 1: and two. If it really was twenty eight years later, 1031 00:44:49,480 --> 00:44:51,840 Speaker 1: then we wouldn't be getting this movie until twenty thirty. 1032 00:44:51,880 --> 00:44:54,320 Speaker 1: That's the only problem I have with this. But aside 1033 00:44:54,320 --> 00:44:57,759 Speaker 1: from that, it looks fantastic. It looks like Killy and 1034 00:44:57,880 --> 00:45:01,120 Speaker 1: Murphy is coming back. There are some theory on whether 1035 00:45:01,200 --> 00:45:03,239 Speaker 1: or not one of the zombies in the trailer is 1036 00:45:03,320 --> 00:45:05,920 Speaker 1: him or not. Some are saying it is, some are 1037 00:45:05,960 --> 00:45:09,239 Speaker 1: saying it isn't. He hasn't confirmed it. There's somebody else 1038 00:45:09,239 --> 00:45:11,040 Speaker 1: saying that, No, I was hired to do that role 1039 00:45:11,080 --> 00:45:13,200 Speaker 1: with That is me. That is not Killian Murphy. I 1040 00:45:13,239 --> 00:45:16,280 Speaker 1: don't think it's him either, because he's also a producer 1041 00:45:16,320 --> 00:45:18,799 Speaker 1: on this movie. I don't feel like he would have 1042 00:45:18,880 --> 00:45:21,880 Speaker 1: that minimal of a role that he would just be 1043 00:45:21,920 --> 00:45:24,879 Speaker 1: a zombie in this movie. I feel they don't want 1044 00:45:24,920 --> 00:45:28,680 Speaker 1: to reveal that until we actually see what is going 1045 00:45:28,719 --> 00:45:31,600 Speaker 1: on with this character. But there are so many things 1046 00:45:31,640 --> 00:45:33,839 Speaker 1: I love about this trailer. Before I get into more, 1047 00:45:33,880 --> 00:45:36,120 Speaker 1: here's just a little bit of the trailer which really 1048 00:45:36,120 --> 00:45:38,799 Speaker 1: doesn't have a whole lot of dialogue. There's a lot 1049 00:45:38,840 --> 00:45:40,879 Speaker 1: of great images, so if you haven't seen it yet, 1050 00:45:41,200 --> 00:45:44,719 Speaker 1: go watch it on YouTube. But the sound design is 1051 00:45:44,800 --> 00:45:48,279 Speaker 1: so daunting and not a lot of things going on 1052 00:45:48,320 --> 00:45:49,880 Speaker 1: as far as like telling you what the plot is, 1053 00:45:49,880 --> 00:45:51,880 Speaker 1: which is great. But here's just a little bit of 1054 00:45:51,880 --> 00:45:54,200 Speaker 1: the twenty eight years later trailer. 1055 00:45:58,800 --> 00:46:21,480 Speaker 6: Flaring fun eleven time. 1056 00:46:22,840 --> 00:46:23,440 Speaker 4: Seventeen. 1057 00:46:26,600 --> 00:46:29,320 Speaker 1: That is how you do with trailer that gets me excited. 1058 00:46:29,360 --> 00:46:32,880 Speaker 1: That audio is actually from a really old poem called Boots, 1059 00:46:32,920 --> 00:46:36,320 Speaker 1: which came out in nineteen fifty, and that poem was 1060 00:46:36,360 --> 00:46:42,040 Speaker 1: about sixty thousand British infantrymen who marched endlessly throughout South Africa, 1061 00:46:42,080 --> 00:46:46,160 Speaker 1: capturing settlement after settlement, and from that sixty twenty two 1062 00:46:46,200 --> 00:46:49,600 Speaker 1: thousand soldiers lost their lives. So this poem suggests that 1063 00:46:49,600 --> 00:46:52,759 Speaker 1: they have this psychological torture going on. Some of the 1064 00:46:52,760 --> 00:46:55,320 Speaker 1: lines of that poem declared that after six weeks of marching, 1065 00:46:55,320 --> 00:46:58,800 Speaker 1: that hell contains no fire, devil's dark or anything, only 1066 00:46:59,000 --> 00:47:03,680 Speaker 1: endless movement of boots. That sounds like a pretty horrific poem. 1067 00:47:04,200 --> 00:47:07,040 Speaker 1: And even though this trailer really doesn't tell you anything 1068 00:47:07,080 --> 00:47:09,719 Speaker 1: about the plot. It doesn't really sway you on what 1069 00:47:09,800 --> 00:47:13,399 Speaker 1: the story is going to be. You feel it from 1070 00:47:13,480 --> 00:47:16,520 Speaker 1: watching this trailer and seeing this action, seeing. 1071 00:47:16,239 --> 00:47:17,200 Speaker 3: The blood splatter. 1072 00:47:17,960 --> 00:47:21,320 Speaker 1: I love it when any film, not just a trailer specifically, 1073 00:47:21,320 --> 00:47:25,000 Speaker 1: but when any film shows something that is really haunting 1074 00:47:25,160 --> 00:47:29,480 Speaker 1: and shocking and violent but there is an absence of sound. 1075 00:47:30,360 --> 00:47:33,400 Speaker 1: Either there's a song that's really soft that doesn't match it, 1076 00:47:33,960 --> 00:47:37,239 Speaker 1: or there is complete silence. I think that is so impactful, 1077 00:47:37,600 --> 00:47:40,399 Speaker 1: and it's a big risk, but if you can really 1078 00:47:40,520 --> 00:47:44,239 Speaker 1: nail that sentiment, get that across, oh man, it just 1079 00:47:44,640 --> 00:47:48,160 Speaker 1: feels so much more impressive on the screen and makes 1080 00:47:48,200 --> 00:47:50,160 Speaker 1: me think that this movie is going to be something 1081 00:47:50,239 --> 00:47:54,200 Speaker 1: special and not just reviving a twenty two year old movie. 1082 00:47:54,400 --> 00:47:57,000 Speaker 1: It also gives you a feeling of how desolate the 1083 00:47:57,040 --> 00:48:00,960 Speaker 1: world has become since that original movie. There are some 1084 00:48:01,200 --> 00:48:04,960 Speaker 1: flashes throughout this trailer where you see some things on 1085 00:48:05,000 --> 00:48:08,480 Speaker 1: the wall describing the roles of everybody in this little community. 1086 00:48:08,680 --> 00:48:12,520 Speaker 1: They have these different jobs. Ray Fines looks psychotic in 1087 00:48:12,640 --> 00:48:16,360 Speaker 1: this trailer. He's like covered in war pain. He looks hardcore. 1088 00:48:16,840 --> 00:48:20,279 Speaker 1: Aaron Taylor Johnson. He is walking around with this other 1089 00:48:20,440 --> 00:48:23,840 Speaker 1: character that very much gives us Last of Us vibes, 1090 00:48:23,880 --> 00:48:27,960 Speaker 1: even though I would say this movie was probably inspiration 1091 00:48:28,040 --> 00:48:30,279 Speaker 1: of Last of Us. That is really, to me the 1092 00:48:30,400 --> 00:48:34,480 Speaker 1: last great zombie apocalypse type show or movie that we've had. 1093 00:48:34,920 --> 00:48:36,840 Speaker 1: So I think anything coming out now is gonna be like, 1094 00:48:36,880 --> 00:48:38,600 Speaker 1: oh yeah, this reminds me of the Last of Us, 1095 00:48:38,680 --> 00:48:42,400 Speaker 1: even though this predates that, and the big thing about 1096 00:48:42,400 --> 00:48:44,799 Speaker 1: Twenty eight Days Later. When it came out, it kind 1097 00:48:44,800 --> 00:48:48,640 Speaker 1: of redefined the zombie genre, even though it didn't invent 1098 00:48:49,280 --> 00:48:52,680 Speaker 1: the fast moving zombie, which was what really made that 1099 00:48:52,760 --> 00:48:55,520 Speaker 1: movie different back when it came out in two thousand 1100 00:48:55,560 --> 00:48:57,239 Speaker 1: and two, because before that you had the George A. 1101 00:48:57,320 --> 00:49:01,160 Speaker 1: Romero movies where all the zombies were really dumb, they 1102 00:49:01,239 --> 00:49:04,160 Speaker 1: walked slow, and you could get away from a zombie. 1103 00:49:04,239 --> 00:49:06,120 Speaker 1: You just had to worry about a lot of them 1104 00:49:06,120 --> 00:49:09,200 Speaker 1: piling up on you and eating your brains. But then 1105 00:49:09,200 --> 00:49:12,520 Speaker 1: when Twenty eight Days Later came out, you suddenly have 1106 00:49:12,880 --> 00:49:16,839 Speaker 1: these very fast paced zombies. They are very rabid, Their 1107 00:49:16,880 --> 00:49:19,840 Speaker 1: behavior was a lot different. They act based on instincts, 1108 00:49:20,120 --> 00:49:22,759 Speaker 1: even though they still don't eat, speak, or for many 1109 00:49:22,800 --> 00:49:25,560 Speaker 1: kind of new ideas. I think later in the twentys 1110 00:49:25,560 --> 00:49:28,279 Speaker 1: and twenty tens, you had this version of zombie that 1111 00:49:28,320 --> 00:49:30,839 Speaker 1: became a little bit more intuitive and they could kind 1112 00:49:30,840 --> 00:49:33,440 Speaker 1: of start putting things together. It had some brain activity, 1113 00:49:33,440 --> 00:49:35,279 Speaker 1: which I think a lot of people don't like. But 1114 00:49:35,480 --> 00:49:38,640 Speaker 1: what caused the zombies in twenty eight days later they 1115 00:49:38,640 --> 00:49:42,400 Speaker 1: were infected by this fictional rage virus which spread nationwide. 1116 00:49:42,440 --> 00:49:44,240 Speaker 3: There was an animal rights group who. 1117 00:49:44,239 --> 00:49:48,360 Speaker 1: Accidentally released this virus into the world, and it followed 1118 00:49:48,480 --> 00:49:51,200 Speaker 1: Killian Murphy's character who woke up in a hospital twenty 1119 00:49:51,239 --> 00:49:54,080 Speaker 1: eight days after that initial outbreak. But that movie was 1120 00:49:54,120 --> 00:49:56,479 Speaker 1: really intense, and that was also at a time where 1121 00:49:56,520 --> 00:50:00,200 Speaker 1: I love zombie movies. After twenty eight days later, I 1122 00:50:00,200 --> 00:50:02,120 Speaker 1: think my next favorite movie was in two thousand and 1123 00:50:02,160 --> 00:50:04,719 Speaker 1: four Donna the Dead, which was a remake, and that's 1124 00:50:04,719 --> 00:50:06,880 Speaker 1: still one of my favorite Donna the Dead movies because 1125 00:50:06,960 --> 00:50:10,280 Speaker 1: I discovered the two thousand zombie movies before I discovered 1126 00:50:10,320 --> 00:50:13,600 Speaker 1: all the old classics. But the thing about twenty eight 1127 00:50:13,680 --> 00:50:18,439 Speaker 1: days later is this movie is impossible to watch now 1128 00:50:18,840 --> 00:50:21,880 Speaker 1: because what happened was see what happened was Disney bought 1129 00:50:22,280 --> 00:50:25,120 Speaker 1: twenty first century Fox's assets, at least most of them, 1130 00:50:25,400 --> 00:50:29,120 Speaker 1: which included twentieth century Fox back in twenty nineteen and 1131 00:50:29,200 --> 00:50:30,799 Speaker 1: now it's just Century Studios. 1132 00:50:30,840 --> 00:50:33,239 Speaker 3: They pretty much said, hey, is Fox, screw you. 1133 00:50:33,320 --> 00:50:35,960 Speaker 1: We're gonna take and buy your company and then remove 1134 00:50:36,040 --> 00:50:38,160 Speaker 1: your name from it. So now that is why you 1135 00:50:38,200 --> 00:50:41,120 Speaker 1: see a lot of these Century Studios movies on Hulu 1136 00:50:41,160 --> 00:50:44,640 Speaker 1: because Disney owns Hulu, and for the most part, I 1137 00:50:44,640 --> 00:50:47,640 Speaker 1: feel like to put out pretty good movies under that brand. Now, 1138 00:50:47,960 --> 00:50:53,800 Speaker 1: so I hate that Disney is slowly acquiring everything. It 1139 00:50:53,960 --> 00:50:56,600 Speaker 1: just feels like I don't want one studio to have 1140 00:50:56,719 --> 00:50:59,560 Speaker 1: that much power. But what happened with twenty eight days 1141 00:50:59,640 --> 00:51:03,240 Speaker 1: Later is they only own the rights to the sequel 1142 00:51:03,320 --> 00:51:05,680 Speaker 1: and will own the rights to this one now. So 1143 00:51:05,800 --> 00:51:08,000 Speaker 1: they have twenty eight weeks later, they're gonna have twenty 1144 00:51:08,080 --> 00:51:11,200 Speaker 1: eight years later, but they still don't own twenty eight 1145 00:51:11,320 --> 00:51:14,440 Speaker 1: days Later because it was independently funded. So that is 1146 00:51:14,440 --> 00:51:16,759 Speaker 1: why not only can you not watch this movie on 1147 00:51:16,800 --> 00:51:19,960 Speaker 1: any streaming service that you are subscribed to, you can't 1148 00:51:20,000 --> 00:51:23,640 Speaker 1: even go anywhere online to rent it unless you're finding 1149 00:51:23,680 --> 00:51:28,160 Speaker 1: some really dark web back door site, which I wouldn't 1150 00:51:28,160 --> 00:51:31,000 Speaker 1: recommend going to those, But there is nowhere you can 1151 00:51:31,040 --> 00:51:34,480 Speaker 1: go to stream this movie. That is why whenever this 1152 00:51:34,600 --> 00:51:37,319 Speaker 1: movie got announced that it was in production, a lot 1153 00:51:37,320 --> 00:51:41,480 Speaker 1: of people started going to stores and buying physical copies 1154 00:51:41,520 --> 00:51:43,360 Speaker 1: of this DVDs. I don't even know if it's on 1155 00:51:43,440 --> 00:51:45,440 Speaker 1: Blu Ray yet, because I think this movie came out 1156 00:51:45,680 --> 00:51:48,120 Speaker 1: before Blu Ray was as popular as it was. I'm 1157 00:51:48,120 --> 00:51:51,080 Speaker 1: sure a copy of it exists. But this is a 1158 00:51:51,120 --> 00:51:54,479 Speaker 1: reason why I feel that it is important to own 1159 00:51:54,560 --> 00:51:59,399 Speaker 1: some movies on Blu Ray, on dvdvhs, on laser disc, 1160 00:51:59,480 --> 00:52:03,920 Speaker 1: whatever have. If it's a movie you truly love and 1161 00:52:04,040 --> 00:52:07,200 Speaker 1: want to have forever and don't want to be at 1162 00:52:07,239 --> 00:52:11,400 Speaker 1: the mercy of some streaming service or the internet or wherever 1163 00:52:11,440 --> 00:52:14,880 Speaker 1: you can rent movies, sometimes it is just good to 1164 00:52:15,120 --> 00:52:16,960 Speaker 1: purchase one of those movies so you can have it, 1165 00:52:17,440 --> 00:52:19,120 Speaker 1: and I would say you would have it forever. But 1166 00:52:19,200 --> 00:52:22,160 Speaker 1: there is a certain shelf life on a Blu Ray 1167 00:52:22,239 --> 00:52:24,879 Speaker 1: on a DVD. If you look it up, you see 1168 00:52:24,920 --> 00:52:26,839 Speaker 1: a lot of conflicting things that could be anywhere from 1169 00:52:27,160 --> 00:52:29,399 Speaker 1: twenty to fifty years to one hundred years. I think 1170 00:52:29,440 --> 00:52:32,040 Speaker 1: they just really don't know how long a disc will last, 1171 00:52:32,360 --> 00:52:33,200 Speaker 1: but at. 1172 00:52:33,160 --> 00:52:35,239 Speaker 3: Least it probably will last your lifetime. 1173 00:52:35,320 --> 00:52:37,080 Speaker 1: I feel like we still have some DVDs from the 1174 00:52:37,080 --> 00:52:39,520 Speaker 1: two thousands that still work, So twenty four years later, 1175 00:52:39,560 --> 00:52:43,279 Speaker 1: those are still working. And there have been movies in 1176 00:52:43,360 --> 00:52:47,000 Speaker 1: the last six or seven years or so that I 1177 00:52:47,040 --> 00:52:49,600 Speaker 1: have enjoyed so much that I made it a point 1178 00:52:49,640 --> 00:52:52,760 Speaker 1: to buy them on Blu Ray because I just felt 1179 00:52:52,760 --> 00:52:56,680 Speaker 1: like owning a little piece of history and I wanted 1180 00:52:56,680 --> 00:52:58,840 Speaker 1: to be able at any time to sit down and 1181 00:52:58,880 --> 00:52:59,319 Speaker 1: watch them. 1182 00:52:59,320 --> 00:53:01,520 Speaker 3: So some of my favorite movies I have on Blu. 1183 00:53:01,440 --> 00:53:05,080 Speaker 1: Ray because I need to own them just to feel 1184 00:53:05,120 --> 00:53:07,160 Speaker 1: complete in my life. I've also become more of a 1185 00:53:07,200 --> 00:53:10,160 Speaker 1: collector in the last couple of years, so sometimes I 1186 00:53:10,320 --> 00:53:13,160 Speaker 1: just like owning a tangible subject. And I wish I 1187 00:53:13,200 --> 00:53:15,759 Speaker 1: had a copy of twenty eight Days Later because I 1188 00:53:15,800 --> 00:53:18,279 Speaker 1: haven't seen this original movie since the two thousands. 1189 00:53:18,400 --> 00:53:19,480 Speaker 3: It wasn't really. 1190 00:53:19,200 --> 00:53:22,400 Speaker 1: One of my favorite zombie films at the time. I 1191 00:53:22,440 --> 00:53:25,839 Speaker 1: think by it kind of building this aura around it 1192 00:53:25,880 --> 00:53:29,120 Speaker 1: as time and time went on, as we saw more 1193 00:53:29,200 --> 00:53:31,880 Speaker 1: things that kind of reflected what we saw in this movie, 1194 00:53:32,080 --> 00:53:35,640 Speaker 1: the twenty twenty Pandemic, for example. I feel like this 1195 00:53:35,760 --> 00:53:38,040 Speaker 1: movie is going to have more of an impact now 1196 00:53:38,520 --> 00:53:40,520 Speaker 1: than it did back in two thousand and two, where 1197 00:53:40,560 --> 00:53:44,080 Speaker 1: it felt more like something that could never happen, and 1198 00:53:44,120 --> 00:53:47,279 Speaker 1: it's maybe because we've been exposed to more movies and 1199 00:53:47,280 --> 00:53:47,920 Speaker 1: shows like this. 1200 00:53:48,040 --> 00:53:49,040 Speaker 3: But I am legend. 1201 00:53:49,080 --> 00:53:52,320 Speaker 1: Like I mentioned, the last of us Walking Dead obviously 1202 00:53:52,360 --> 00:53:55,080 Speaker 1: popped off at the end of the two thousands, dominated 1203 00:53:55,120 --> 00:53:58,359 Speaker 1: the twenty tens with zombie culture. I think we're at 1204 00:53:58,400 --> 00:54:02,520 Speaker 1: a point now where we want to see things depicted 1205 00:54:02,560 --> 00:54:06,360 Speaker 1: in movies to kind of prepare ourselves what's gonna happen 1206 00:54:06,440 --> 00:54:10,480 Speaker 1: if something actually goes crazy again? Can we maybe pick 1207 00:54:10,560 --> 00:54:13,040 Speaker 1: up some things from a movie So twenty eight years 1208 00:54:13,080 --> 00:54:15,960 Speaker 1: later coming out on June twentieth, twenty twenty five, and 1209 00:54:16,040 --> 00:54:18,319 Speaker 1: it is the trailer of the Year, And. 1210 00:54:18,480 --> 00:54:22,520 Speaker 4: That was this week's edition of Movie b Tramer. 1211 00:54:22,200 --> 00:54:24,040 Speaker 1: Park and that is going to do it for another 1212 00:54:24,080 --> 00:54:26,680 Speaker 1: episode here of the podcast. But before I go, I 1213 00:54:26,719 --> 00:54:28,920 Speaker 1: gotta give my listener shout out of the week. How 1214 00:54:28,920 --> 00:54:30,839 Speaker 1: do you go to listener shout out of the week. Well, 1215 00:54:31,040 --> 00:54:33,440 Speaker 1: it is easy, whoever you are in this room. Also 1216 00:54:33,719 --> 00:54:35,799 Speaker 1: underneath the desk or something, you can go to my 1217 00:54:35,880 --> 00:54:41,080 Speaker 1: Facebook page, Facebook dot com, slash Mike Dstro, TikTok, Instagram, 1218 00:54:41,360 --> 00:54:45,440 Speaker 1: YouTube dot com slash Mike Dstro, basically any social media site. 1219 00:54:45,480 --> 00:54:47,840 Speaker 1: Type in Mike Dstro and you will find my channel. 1220 00:54:47,880 --> 00:54:50,760 Speaker 1: You'll find my social media profiles if you ever forget 1221 00:54:50,760 --> 00:54:52,680 Speaker 1: that or you just like to click something instead of 1222 00:54:52,680 --> 00:54:55,680 Speaker 1: punching something in It is always in the show notes 1223 00:54:55,719 --> 00:54:59,480 Speaker 1: on every single episode. This week, I'm going over to YouTube, 1224 00:54:59,600 --> 00:55:02,399 Speaker 1: which I have been more consistent posting more videos there. 1225 00:55:03,200 --> 00:55:08,919 Speaker 1: So I don't film every single episode just because I'm 1226 00:55:08,920 --> 00:55:12,480 Speaker 1: the only one who produces this content. I edit, record, 1227 00:55:13,040 --> 00:55:16,000 Speaker 1: write all this stuff myself and on one team, and 1228 00:55:16,040 --> 00:55:18,520 Speaker 1: I'm trying really hard to build out that YouTube channel. 1229 00:55:18,880 --> 00:55:22,239 Speaker 1: Sometimes it's just really hard to do another video, but 1230 00:55:22,320 --> 00:55:25,360 Speaker 1: I've been trying to post not only the individual movie reviews, 1231 00:55:25,760 --> 00:55:27,480 Speaker 1: but also the recap. 1232 00:55:27,160 --> 00:55:28,840 Speaker 3: Videos with Kelsey and I. 1233 00:55:28,840 --> 00:55:31,799 Speaker 1: I've been doing those pretty consistently, trying to post more 1234 00:55:31,880 --> 00:55:34,880 Speaker 1: just individual clips on anything I am able to record, 1235 00:55:34,960 --> 00:55:38,480 Speaker 1: so be sure to subscribe, trying to get more subscribers 1236 00:55:38,480 --> 00:55:40,200 Speaker 1: over there, trying to grow that channel, so that would 1237 00:55:40,239 --> 00:55:41,920 Speaker 1: really mean a lot to me, and that is why 1238 00:55:41,920 --> 00:55:44,120 Speaker 1: I'm going over to YouTube for this week's listener shout 1239 00:55:44,120 --> 00:55:48,600 Speaker 1: out of the Week. It goes out to at kaior One. 1240 00:55:48,840 --> 00:55:51,120 Speaker 1: Not sure if that's a name or just an acronym 1241 00:55:51,160 --> 00:55:53,840 Speaker 1: for something, but they wrote in response to Kelsey and 1242 00:55:53,880 --> 00:55:57,680 Speaker 1: I talking about who we think should play Dorothy in 1243 00:55:57,719 --> 00:56:02,080 Speaker 1: an inevitable Wizard of Oz remake. They wrote, it doesn't 1244 00:56:02,120 --> 00:56:05,880 Speaker 1: need a remake. It is a bit disrespectful to the creator. 1245 00:56:06,360 --> 00:56:09,960 Speaker 1: Please watch the og one. That movie is lightning in 1246 00:56:10,040 --> 00:56:13,920 Speaker 1: a bottle. I wasn't saying that I think Wizard of 1247 00:56:13,920 --> 00:56:17,960 Speaker 1: Oz needs a remake. I just think that with Wicked 1248 00:56:18,000 --> 00:56:20,680 Speaker 1: being as popular as it is now, that it's going 1249 00:56:20,719 --> 00:56:24,000 Speaker 1: to make somebody, whether it's the people who have the 1250 00:56:24,080 --> 00:56:26,920 Speaker 1: rights or whenever it goes public domain, it's gonna make 1251 00:56:26,960 --> 00:56:30,239 Speaker 1: somebody remake this movie. I can already just envision that 1252 00:56:30,320 --> 00:56:33,360 Speaker 1: in my head because that is essentially money on the table. 1253 00:56:33,400 --> 00:56:36,479 Speaker 1: I don't think it needs a remake, and I would 1254 00:56:36,560 --> 00:56:39,080 Speaker 1: much rather go watch the original one. I think a 1255 00:56:39,080 --> 00:56:42,960 Speaker 1: lot of the allure of that movie is the history 1256 00:56:43,000 --> 00:56:45,719 Speaker 1: behind the original and how they were able to do 1257 00:56:45,760 --> 00:56:50,320 Speaker 1: that with very little technology. Going back and rewatching that movie, 1258 00:56:50,760 --> 00:56:54,640 Speaker 1: watching the tornado scene and the special effects with like 1259 00:56:54,719 --> 00:56:58,279 Speaker 1: the fire going and the trapdoors falling down, so they're 1260 00:56:58,360 --> 00:57:01,520 Speaker 1: there one moment and they're gone the net next. 1261 00:57:02,120 --> 00:57:04,160 Speaker 3: There are some really great. 1262 00:57:03,880 --> 00:57:07,040 Speaker 1: Special effects that how are they even able to do 1263 00:57:07,120 --> 00:57:08,759 Speaker 1: that back in that day? So it's not a movie 1264 00:57:08,840 --> 00:57:12,000 Speaker 1: I think needs to be remade, And although I don't 1265 00:57:12,000 --> 00:57:15,160 Speaker 1: think it would be disrespectful to the creator, I think, 1266 00:57:15,160 --> 00:57:18,520 Speaker 1: if anything, the creator was disrespectful to the actors. So 1267 00:57:18,680 --> 00:57:22,000 Speaker 1: it would be nice maybe to have a version that 1268 00:57:22,040 --> 00:57:25,680 Speaker 1: doesn't have this dark history of abuse and people getting hurt, 1269 00:57:26,040 --> 00:57:29,360 Speaker 1: people basically ending up dead because of the making of 1270 00:57:29,400 --> 00:57:32,120 Speaker 1: that movie. So a nice, clean movie, hopefully at least 1271 00:57:32,280 --> 00:57:34,720 Speaker 1: as clean as Hollywood can be these days. But I 1272 00:57:34,760 --> 00:57:38,920 Speaker 1: appreciate that comment. Sometimes it's hard to go read YouTube 1273 00:57:38,920 --> 00:57:42,200 Speaker 1: comments because you either have people who are like here, 1274 00:57:42,560 --> 00:57:46,600 Speaker 1: you're trying to start conversation. I don't get mad at 1275 00:57:46,640 --> 00:57:50,840 Speaker 1: people for voicing their opinion that differs from mine. That 1276 00:57:50,920 --> 00:57:52,840 Speaker 1: it's going to be inevitable. That is the great thing 1277 00:57:52,880 --> 00:57:56,320 Speaker 1: about talking about movies is we're gonna have different opinions 1278 00:57:56,320 --> 00:57:58,800 Speaker 1: on things. I'm gonna watch things that I think are 1279 00:57:58,880 --> 00:58:00,760 Speaker 1: great and recommend to you, and you're gonna watch them 1280 00:58:00,800 --> 00:58:02,120 Speaker 1: and say that was stupid. 1281 00:58:02,120 --> 00:58:03,040 Speaker 3: I hated that movie. 1282 00:58:03,560 --> 00:58:06,320 Speaker 1: That is the nature of entertainment and the way we 1283 00:58:07,000 --> 00:58:09,200 Speaker 1: find the things we like in life and our tastes. 1284 00:58:09,440 --> 00:58:12,840 Speaker 1: They're just gonna differ. Different thing about YouTube is sometimes 1285 00:58:12,840 --> 00:58:15,040 Speaker 1: people are just mean for the sake of being mean, 1286 00:58:16,000 --> 00:58:19,440 Speaker 1: and you just see these profiles that have nothing behind 1287 00:58:19,480 --> 00:58:21,280 Speaker 1: them just going. 1288 00:58:21,080 --> 00:58:22,080 Speaker 3: At me for no reason. 1289 00:58:22,160 --> 00:58:24,600 Speaker 1: And I'm a small creator over there, and it's like, man, 1290 00:58:25,080 --> 00:58:27,440 Speaker 1: if you get people like me a hard time who 1291 00:58:27,480 --> 00:58:31,560 Speaker 1: are just trying to start something they're passionate about and grow, 1292 00:58:31,680 --> 00:58:35,320 Speaker 1: something like, what are these huge creators have to deal with? 1293 00:58:35,520 --> 00:58:37,240 Speaker 1: But that has been on my mind lately. I try 1294 00:58:37,240 --> 00:58:39,760 Speaker 1: not to start my day by reading YouTube comments, but 1295 00:58:39,800 --> 00:58:42,880 Speaker 1: I appreciate that. Thank you for listening, thank you for 1296 00:58:42,960 --> 00:58:47,360 Speaker 1: being subscribed. And until next time, go out and watch 1297 00:58:47,360 --> 00:58:54,000 Speaker 1: good movies and I will talk to you