WEBVTT - WHO told Dorit about the TEXT? Carlos Investigates

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<v Speaker 1>Welcome to Reality the King. It's me Carlos King.

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<v Speaker 2>The King of Reality TV and one of the most

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<v Speaker 2>sought after executive producers in reality television with over ten

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<v Speaker 2>years a production experience. Twice a week from Reality with

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<v Speaker 2>the King, we'll sit down with my friends across the

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<v Speaker 2>entertainment industry, recap our favorite reality shows and revisit unforgettable

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<v Speaker 2>moments that we are still talking and tweeting about. Welcome

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<v Speaker 2>back the amazing DJ red Chiefs.

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<v Speaker 1>Were doing on I want.

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<v Speaker 2>To get into before we get into the recent episode

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<v Speaker 2>of The Real Housewives of Billy Hills, I want to

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<v Speaker 2>get into just where we are with the state of

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<v Speaker 2>reality television.

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<v Speaker 1>You know, we talked about.

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<v Speaker 2>The essence op ed with Mia Thornton, the journalist, saying

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<v Speaker 2>she doesn't find me a story entertaining. We're seeing more

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<v Speaker 2>and more of you know, cast members on Twitter defending things,

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<v Speaker 2>blaming editing, blaming everything in the world just based on

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<v Speaker 2>the reality that we're watching. We're seeing reality stars on

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<v Speaker 2>these shows struggle to be honest about things that we

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<v Speaker 2>later find out like, well, girl, that is what I

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<v Speaker 2>read what I saw, Like what's happening here? You are

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<v Speaker 2>a huge fan of reality television and you have been

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<v Speaker 2>for a very very long time, Richie. I want to

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<v Speaker 2>kick this off by just asking you. You watch them all,

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<v Speaker 2>from the Real Housewives franchise to the Love and Marriage franchise,

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<v Speaker 2>Bell Collective, Love and Hip Hop.

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<v Speaker 1>You watch all of the shows in two twenty five.

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<v Speaker 2>How are you feeling about the state of reality television?

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<v Speaker 3>You know what, I think that there have been some

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<v Speaker 3>shows this year that have had amazing seasons.

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<v Speaker 4>I do, I like, I mean.

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<v Speaker 3>From Bell Collective, Salt Lake City, I think the previous

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<v Speaker 3>season of Married to Medicine.

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<v Speaker 1>You know, I have the on the previous look into

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<v Speaker 1>that too, but go ahead, I caught that baby.

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<v Speaker 4>You know.

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<v Speaker 3>And clearly Love and Maritonsville is thriving, right, you know,

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<v Speaker 3>because I feel like you guys almost film like year round.

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<v Speaker 4>So here's what I think that.

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<v Speaker 3>One of the things that I've come to realize as

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<v Speaker 3>a viewer and as somebody who reviews these shows is

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<v Speaker 3>that I I can only I can no longer.

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<v Speaker 4>Absorb, right, And I think sometimes.

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<v Speaker 3>As as lovers of the show, you know, we watch

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<v Speaker 3>these shows. These people are in our homes every week,

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<v Speaker 3>or you know, sometimes they go live and you know,

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<v Speaker 3>we can reach out and touch them. And I think

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<v Speaker 3>sometimes storylines may reson not storylines, I don't want to.

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<v Speaker 4>I hate that term.

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<v Speaker 3>Stories resonate so so so much with certain people that

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<v Speaker 3>I think that sometimes that what it does is I

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<v Speaker 3>think sometimes fans internalize those stories and and and they

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<v Speaker 3>resonate with them so much that it can that it

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<v Speaker 3>can take things to another level. And I think that

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<v Speaker 3>when it gets to that other level for that person,

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<v Speaker 3>it may start to feel unhealthy, and the energy around

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<v Speaker 3>the show can feel unhealthy. I think we've seen aspects

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<v Speaker 3>of that. What's some of every show just just just

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<v Speaker 3>about right? So, and I think that the other thing

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<v Speaker 3>that the audience is, We're the audience is smart. So

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<v Speaker 3>you can't do the same thing every year like you.

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<v Speaker 3>I'm we as audiences were looking for new stories. I

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<v Speaker 3>am looking for something new to happen from season to season.

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<v Speaker 3>If I see the same thing continuing to happen every season,

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<v Speaker 3>I'm over it, right. And then the other thing is

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<v Speaker 3>for me, how do we make this season different from

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<v Speaker 3>the last?

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<v Speaker 4>Right?

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<v Speaker 3>So I always think I think that the this was

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<v Speaker 3>brilliant for love and marathonsviel, It's brilliant for love and

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<v Speaker 3>hip hop when the cast has something to do together.

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<v Speaker 3>That is why Bell Collective has always been able to work,

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<v Speaker 3>because it wasn't just about the women.

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<v Speaker 4>It was also about Ferris Street, you.

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<v Speaker 3>Know, love and Maritonsville has the real estate, the business

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<v Speaker 3>is you know, the Black Business Expo. I mean that,

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<v Speaker 3>you know it that spun off into so many other

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<v Speaker 3>different things.

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<v Speaker 4>So for some of these.

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<v Speaker 3>Shows, give them something to do. The med gallup, right,

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<v Speaker 3>that is now taking us in a new direction. I

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<v Speaker 3>like when the shows have stakes, something is at stake

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<v Speaker 3>and there's some new element to a story that we

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<v Speaker 3>haven't seen before. And so I think if the shows

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<v Speaker 3>can continue to evolve in that way, which is again

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<v Speaker 3>why Beverly Hills I think is doing so well as well.

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<v Speaker 3>This is new territory, but we could We've seen this

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<v Speaker 3>build up, We've seen it, but it just hadn't blown

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<v Speaker 3>up the way that it has this year. So I

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<v Speaker 3>think that it's twofold, right. We as audiences we have

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<v Speaker 3>to respect what's happening on the show and sort of

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<v Speaker 3>leave the show to the show. If the people sign

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<v Speaker 3>up for the show in the next season, that means

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<v Speaker 3>but at least on some level they are happy in

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<v Speaker 3>some regard to keep going back, right, So I have

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<v Speaker 3>to look at it from that perspective, and I can

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<v Speaker 3>only say, okay, well, everybody's back. Everybody must be excited

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<v Speaker 3>about what they're doing.

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<v Speaker 1>Yeah, no, I agree with you. I agree with you.

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<v Speaker 2>You know, I agree with everything that's saying they're okay.

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<v Speaker 2>So I just said to you recently that you know, listen,

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<v Speaker 2>I've been in the reality business for seventeen years.

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<v Speaker 1>You know, God, I age myself for seventeen years.

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<v Speaker 2>My first production experience was the Real Housewaves of Atlanta

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<v Speaker 2>Season one, episode one, boom right.

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<v Speaker 1>It's vastly different now.

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<v Speaker 2>It's vastly different because what happens nowadays is when you

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<v Speaker 2>have a reality start say to you, I'm not giving

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<v Speaker 2>you that, that's my real life. And I'm like, I

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<v Speaker 2>didn't know we were, you know, at a medical center

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<v Speaker 2>and I'm here to draw blood.

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<v Speaker 3>Go ahead, I have a question from the back of

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<v Speaker 3>the room.

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<v Speaker 4>So people are saying.

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<v Speaker 2>That I can count on more than two hands how

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<v Speaker 2>many cast members I've worked with have said this is

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<v Speaker 2>my real life, I'm not giving you that, or this

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<v Speaker 2>is too real, and.

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<v Speaker 1>That always confused me.

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<v Speaker 2>Oh yes, and and and this is coming from somebody

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<v Speaker 2>who's in production. You do hear that unfortunately sometimes, and

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<v Speaker 2>that's when you know the person who signed you are gagging.

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<v Speaker 1>That's when you know the person who signed. Yes, that happens.

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<v Speaker 1>That happens, you know on Love and Matter of DC.

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<v Speaker 2>You know, I I have a cast member named Ashley

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<v Speaker 2>Silva who is a dynamic dynamite.

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<v Speaker 1>Of a reality star.

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<v Speaker 2>And when she revealed to Joy on camera that look girl,

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<v Speaker 2>I told people I eat the producers that you sickly

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<v Speaker 2>got married. I remember saying at the reunion, like that's

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<v Speaker 2>her reality rather or not it was right or wrong.

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<v Speaker 1>That's the that's that's for those friends to judge.

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<v Speaker 2>But as a producer, when I said this to them,

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<v Speaker 2>as a producer, I didn't think anything's wrong with it.

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<v Speaker 2>She she told Joy on camera, that's what you're doing

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<v Speaker 2>a reality show. Joy disagrees with me, and that's that's okay.

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<v Speaker 2>I said to her, that's why Ashley was cast, baby,

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<v Speaker 2>because that's that's actually gives her reality to the show.

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<v Speaker 2>And when you think think about Robin Dixon, Robin, I

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<v Speaker 2>like you still.

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<v Speaker 1>I don't want anymore. Oh gosh, Robin, I love you baby.

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<v Speaker 2>When Robin Dixon did not disclose wands indiscretions or scandal

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<v Speaker 2>and said, well, I was waiting for the other girls

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<v Speaker 2>to break it up.

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<v Speaker 1>That's I'm telling you, Richie, That's what I knew.

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<v Speaker 2>The temperature and the intention has changed, and I'm concerned

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<v Speaker 2>about that. As great as Bailey Hill's Housewife is this

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<v Speaker 2>current season, and we'll get into this most recent episode,

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<v Speaker 2>I am a little bit disappointed that it took us

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<v Speaker 2>to see Durry and PK be separated for us to

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<v Speaker 2>know they had issues, because we never saw anything to

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<v Speaker 2>your point leading up to it. On Love and Marriage Huntsville,

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<v Speaker 2>when Melody Martell divorced, we saw every everything leading up

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<v Speaker 2>to it, and those two are phenomenal when it comes

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<v Speaker 2>to give them the reality.

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<v Speaker 1>That's concerns me.

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<v Speaker 2>Even when we saw Mauricio and Kyle, it was and

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<v Speaker 2>I'm a Kyle stand so again, it was we don't

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<v Speaker 2>see any issues with Mauricio and Kyle until it's like

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<v Speaker 2>we're separated, And I'm disappointed in that because that's not

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<v Speaker 2>why I fell in love with this genre.

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<v Speaker 1>That's not why I spend time.

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<v Speaker 2>Away from my family, relationships, whatever, to give a show

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<v Speaker 2>forty two minutes of my time because I want to

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<v Speaker 2>see what's real. And when you talk about Salt Lake

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<v Speaker 2>City Housewives, I enjoyed this season so much because I

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<v Speaker 2>do feel like we're getting real stuff and I feel

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<v Speaker 2>like those girls are funny and and and and bram

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<v Speaker 2>and revealing Todd cheated like love the fact that she

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<v Speaker 2>was honest about that, and the previous season of Maritime Medicine.

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<v Speaker 1>I I tends across the board because we.

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<v Speaker 2>Were giving, not giving. We were we were given some

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<v Speaker 2>real stuff. And my concern is nowadays people look at

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<v Speaker 2>reality TV as a quick buck to.

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<v Speaker 1>Make in exchange for popularity, but.

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<v Speaker 2>It truly has become the only occupation to where you

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<v Speaker 2>can lot on your application and get away with it.

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<v Speaker 3>That's so sad to me, you know, because it's almost

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<v Speaker 3>like telling me and I know it's no. Oh, I

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<v Speaker 3>shouldn't even say it, but it's no Santa Claus, you

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<v Speaker 3>know what I'm saying.

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<v Speaker 1>Okay, Ritchie, Ritchie next time. Given disclaimer.

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<v Speaker 2>A lot of my listeners are mothers who children are

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<v Speaker 2>whose children are the back seat.

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<v Speaker 3>That's why I paused when I as I was saying it,

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<v Speaker 3>because I realized I was like, oh, snap, oh, edit.

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<v Speaker 2>Mean, look, we don't add out important things. Go ahead,

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<v Speaker 2>I'm ahead, child, we are just getting started. This is

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<v Speaker 2>reality with the King and I'm Carlos King. Let's get

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<v Speaker 2>back into the show.

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<v Speaker 4>Yeah, that disappoints me.

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<v Speaker 3>And you know, I think that that does go a

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<v Speaker 3>long way towards what you were saying about kylein Mauricio.

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<v Speaker 3>I don't We didn't see anything leading up to to

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<v Speaker 3>understand what was going on other than Kyle running around

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<v Speaker 3>the world with this woman, Morgan. And now it's like

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<v Speaker 3>to see a season later she can't even say her

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<v Speaker 3>name on TV. Girl, No, I'm saying her name. I'm

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<v Speaker 3>gonna say you. You don't tattooed this woman on TV.

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<v Speaker 3>I'm saying her name. I don't know why you're not

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<v Speaker 3>saying it, and I don't know why you're not telling

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<v Speaker 3>us if y'all broke up allegedly.

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<v Speaker 4>I don't know.

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<v Speaker 3>But I mean you you're gonna have to give me something,

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<v Speaker 3>because because you did, it's still giving nothing. Even fighting

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<v Speaker 3>with Darrie is giving me nothing because I still know

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<v Speaker 3>nothing about your your your separation from Mauricio.

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<v Speaker 4>I know more about your arguments.

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<v Speaker 3>I know more about the conversations you have with p

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<v Speaker 3>K than I do about your your your conversations with.

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<v Speaker 4>Mauricio about why you guys are getting at this place.

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<v Speaker 2>Anyway, that's my problem, that's my problem. That's my problem,

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<v Speaker 2>and that's the reason why listen. I said this last

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<v Speaker 2>week on my podcast. I really enjoyed ourselves scene in

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<v Speaker 2>that episode because I just enjoy when you're talking about

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<v Speaker 2>something real, but I feel like it's relatable.

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<v Speaker 1>As great as Beverly Hill's Housewife is.

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<v Speaker 2>I do think we all know that the show is

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<v Speaker 2>known for having one storyline that they that they hook on,

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<v Speaker 2>and that's what we get for the next fourteen episodes,

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<v Speaker 2>and we know that's Dereit and and Kyle.

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<v Speaker 1>So we saw this episode.

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<v Speaker 2>It was the It was the continuation of Kyle versus Derit.

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<v Speaker 2>And Kyle said this without saying it, and I wonder

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<v Speaker 2>if you caught it too. Kyle kept intimating that me

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<v Speaker 2>and DeWitt were fine just a week ago, you know,

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<v Speaker 2>we he made amends and she said, I don't know

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<v Speaker 2>why dere is trying to start another problem with me,

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<v Speaker 2>And she intimated pretty much that Dereet, you know, needs

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<v Speaker 2>the show and the check and it's at Kyle's expense again,

0:15:19.680 --> 0:15:24.600
<v Speaker 2>I'm paraphrasing what she said, but I really caught the

0:15:24.760 --> 0:15:28.880
<v Speaker 2>innuendows that Kyle was throwing her confessionals. By the way,

0:15:29.000 --> 0:15:31.920
<v Speaker 2>love that black and silver number, Kyle. You look gorgeous, honey.

0:15:33.600 --> 0:15:39.600
<v Speaker 2>She kept referring to it, and it does make you wonder.

0:15:39.680 --> 0:15:41.520
<v Speaker 2>And I wonder if you number one.

0:15:41.520 --> 0:15:44.120
<v Speaker 1>Caught that and two?

0:15:46.680 --> 0:15:52.640
<v Speaker 2>Because Deree has never ever told us that her and

0:15:52.640 --> 0:15:57.280
<v Speaker 2>pet care were having issues? Is she using this battle

0:15:57.480 --> 0:16:02.000
<v Speaker 2>with Kyle and extending it because she knows that the

0:16:02.240 --> 0:16:06.280
<v Speaker 2>moment they make up, what the fuck is she gonna

0:16:06.280 --> 0:16:06.760
<v Speaker 2>talk about?

0:16:07.000 --> 0:16:12.240
<v Speaker 4>I read this differently a little bit. I love Kyle.

0:16:12.400 --> 0:16:16.000
<v Speaker 4>I think that Kyle. You know I'm not. I don't

0:16:16.000 --> 0:16:18.840
<v Speaker 4>need to get the disclaimers. We know why we love Kyle.

0:16:19.400 --> 0:16:22.640
<v Speaker 3>But the thing that I don't love about Kyle is

0:16:22.880 --> 0:16:27.760
<v Speaker 3>I think that Kyle is I don't think she's that

0:16:27.840 --> 0:16:34.000
<v Speaker 3>self aware because if any of those women were texting Mauricio,

0:16:35.440 --> 0:16:41.240
<v Speaker 3>she would snap. Okay, she would snap, and she definitely

0:16:41.240 --> 0:16:43.440
<v Speaker 3>would have snapped on de Ree if it had been

0:16:43.520 --> 0:16:47.160
<v Speaker 3>if the situation had been reversed. So for me, I

0:16:47.160 --> 0:16:50.280
<v Speaker 3>don't know how DEREI found out because unless I missed,

0:16:50.360 --> 0:16:53.800
<v Speaker 3>unless I blinked. I don't know who told her, because

0:16:53.800 --> 0:16:58.480
<v Speaker 3>I thought it was going to be cross Jane told her, Okay, listen,

0:16:58.880 --> 0:16:59.560
<v Speaker 3>I need to.

0:17:01.360 --> 0:17:03.880
<v Speaker 4>And I got it. I got a whole other issue

0:17:03.920 --> 0:17:04.280
<v Speaker 4>with Erica.

0:17:04.560 --> 0:17:06.440
<v Speaker 2>But first of all, I have no issues with Erica

0:17:06.560 --> 0:17:11.040
<v Speaker 2>Jay because Erica Jay is doing it's farting the reality. Look,

0:17:11.640 --> 0:17:14.360
<v Speaker 2>I could be wrong, and range drops tell me if

0:17:14.400 --> 0:17:18.200
<v Speaker 2>I'm wrong or if I'm just assuming here. I thought

0:17:18.200 --> 0:17:22.080
<v Speaker 2>I was very interesting with something. It was something right,

0:17:22.119 --> 0:17:26.360
<v Speaker 2>who asked? But who told you? And the reason response

0:17:26.640 --> 0:17:28.200
<v Speaker 2>was what did she say?

0:17:28.280 --> 0:17:28.560
<v Speaker 1>Richie?

0:17:28.680 --> 0:17:32.959
<v Speaker 3>I cannot recall exactly what she said, but she didn't

0:17:33.119 --> 0:17:34.159
<v Speaker 3>name a person.

0:17:33.920 --> 0:17:37.360
<v Speaker 2>I think it was. Didn't Erica talk about this already?

0:17:37.760 --> 0:17:40.880
<v Speaker 3>Well, remember they did a flashback I think what it

0:17:40.920 --> 0:17:43.560
<v Speaker 3>was either doing the after show, oh my god, and watch.

0:17:43.400 --> 0:17:44.840
<v Speaker 4>So many of these little clips with them.

0:17:45.200 --> 0:17:50.320
<v Speaker 3>But when they showed the clip of the flashback of

0:17:50.640 --> 0:17:55.679
<v Speaker 3>dark asking Erica if she knew of of of Kyle

0:17:55.800 --> 0:17:59.199
<v Speaker 3>talking to p K, Erica was like, I don't know.

0:17:59.280 --> 0:18:00.800
<v Speaker 3>I don't not that I I don't know.

0:18:01.160 --> 0:18:01.920
<v Speaker 1>Okay, this is.

0:18:01.960 --> 0:18:04.240
<v Speaker 3>So I'm still I'm still trying to figure out how

0:18:04.240 --> 0:18:09.360
<v Speaker 3>she found out in true crime formats. Okay, we can

0:18:09.560 --> 0:18:15.320
<v Speaker 3>relatively assume that it was perchance Erica who told her,

0:18:15.320 --> 0:18:20.080
<v Speaker 3>but Erica then acts completely oblivious in real time.

0:18:20.240 --> 0:18:22.560
<v Speaker 2>This is why I love it, Erica Jane. I'm gonna

0:18:22.600 --> 0:18:28.920
<v Speaker 2>be real with you, and I'm on Erica Jane's side,

0:18:29.119 --> 0:18:34.880
<v Speaker 2>and y'all know I go for kaya, okay, but I also.

0:18:34.720 --> 0:18:35.200
<v Speaker 1>Keep it real.

0:18:36.200 --> 0:18:39.160
<v Speaker 2>Erica feels like none of those girls were a true

0:18:39.160 --> 0:18:41.600
<v Speaker 2>friend to her when she was going through her issues

0:18:41.640 --> 0:18:45.680
<v Speaker 2>with Tom Geraldine. Erica feels like the only true friend

0:18:45.720 --> 0:18:48.680
<v Speaker 2>she had was Lisa Renna. Lisa Renda was the one

0:18:48.680 --> 0:18:51.360
<v Speaker 2>who was like, I'm on your side, I'm with you.

0:18:51.920 --> 0:18:54.919
<v Speaker 2>When Erica Jane was reading the girls about like what

0:18:55.040 --> 0:18:57.320
<v Speaker 2>about me and my ear rings or whatever, and Lisa

0:18:57.359 --> 0:19:02.800
<v Speaker 2>were like, okay, go time to go. Lisa Reda said, okay, girl,

0:19:02.880 --> 0:19:06.600
<v Speaker 2>let me get let me escort you out of here, honey, okay,

0:19:06.840 --> 0:19:09.880
<v Speaker 2>because you're gonna say things that you are going to regret.

0:19:11.240 --> 0:19:14.040
<v Speaker 1>And I feel like Erica had a.

0:19:14.160 --> 0:19:18.359
<v Speaker 2>Very rough two to three seasons, and she said it.

0:19:18.400 --> 0:19:20.240
<v Speaker 2>She didn't feel like eating of these girls had her back.

0:19:20.280 --> 0:19:22.040
<v Speaker 2>And she even told Andy Cohen when it came to

0:19:22.119 --> 0:19:24.240
<v Speaker 2>Kyin Morgan, you better grill heart.

0:19:24.280 --> 0:19:28.040
<v Speaker 1>The way you grilled me, right, So I still that

0:19:28.160 --> 0:19:29.080
<v Speaker 1>to say.

0:19:30.960 --> 0:19:36.320
<v Speaker 2>Erica is like, good is somebody's time or turned to

0:19:36.400 --> 0:19:40.560
<v Speaker 2>be in the hot seat and Erica is playing chess.

0:19:40.920 --> 0:19:44.400
<v Speaker 2>She's like, look bitch to de Ree, look bitch, your

0:19:44.440 --> 0:19:49.119
<v Speaker 2>girl is texting your man like And I thought it

0:19:49.200 --> 0:19:53.840
<v Speaker 2>was very clever that production kept in Sutton's question. Now,

0:19:53.920 --> 0:19:55.720
<v Speaker 2>what I did think was going to happen was a

0:19:55.760 --> 0:20:00.400
<v Speaker 2>flashback or flash sideways or whatever of them find out

0:20:00.440 --> 0:20:08.320
<v Speaker 2>and maybe maybe maybe it just dawned on me, what's upcoming, Richie?

0:20:08.600 --> 0:20:09.680
<v Speaker 1>What we saw on the trailer.

0:20:10.520 --> 0:20:12.600
<v Speaker 2>It's a scene where all the girls are in the

0:20:12.760 --> 0:20:15.879
<v Speaker 2>robes and I think they're at like Bosey's house or event,

0:20:16.000 --> 0:20:19.359
<v Speaker 2>and they're all like whatever, and Kyle gets up and

0:20:19.400 --> 0:20:21.879
<v Speaker 2>she leaves, starts off and quits the show and pretty

0:20:21.920 --> 0:20:25.000
<v Speaker 2>much said, you guys are my friends. Maybe that's when

0:20:25.080 --> 0:20:29.080
<v Speaker 2>it's revealed that Erica Jane told to read what Kyle

0:20:29.160 --> 0:20:32.320
<v Speaker 2>to her in private and my private, I mean with

0:20:32.400 --> 0:20:33.479
<v Speaker 2>ten cameras in front of her.

0:20:33.480 --> 0:20:39.040
<v Speaker 4>But go ahead, mmm, because oh here's the thing.

0:20:39.200 --> 0:20:44.800
<v Speaker 3>I'm like, you know, Erica is normally so brash and brazen,

0:20:45.720 --> 0:20:48.679
<v Speaker 3>and I love listen, I didn't like her necessarily.

0:20:48.680 --> 0:20:50.880
<v Speaker 4>I didn't like her actions.

0:20:50.640 --> 0:20:54.520
<v Speaker 3>During those seasons where the girls were questioning her because

0:20:54.560 --> 0:20:58.520
<v Speaker 3>I feel like these were questions that we the audience had, like, girl,

0:20:58.640 --> 0:21:01.560
<v Speaker 3>like this whole divorce is real suspicious with the timing

0:21:01.640 --> 0:21:04.800
<v Speaker 3>of what's happening with him, Like, so you're gonna really

0:21:04.880 --> 0:21:06.840
<v Speaker 3>like because we didn't see no lead up.

0:21:06.760 --> 0:21:09.320
<v Speaker 4>For their breakup either. We didn't know nothing.

0:21:09.520 --> 0:21:11.840
<v Speaker 3>We didn't know any of what she claimed she was

0:21:11.880 --> 0:21:15.920
<v Speaker 3>going through until after she is now divorcing this man.

0:21:16.040 --> 0:21:19.840
<v Speaker 3>So none of these marriages are showing anything that's actually

0:21:19.880 --> 0:21:22.120
<v Speaker 3>going on with them. So it does make it hard

0:21:22.160 --> 0:21:25.359
<v Speaker 3>to believe that. Oh not hard to believe per se,

0:21:25.400 --> 0:21:28.520
<v Speaker 3>but it's shocking to us right now that we're hearing

0:21:28.560 --> 0:21:31.200
<v Speaker 3>these stories. It's like, well, where was this all this time?

0:21:31.280 --> 0:21:31.600
<v Speaker 4>Agreed?

0:21:31.920 --> 0:21:36.520
<v Speaker 3>So now in present moment, it's like, Okay. What I

0:21:36.560 --> 0:21:41.520
<v Speaker 3>feel like is Erica is gives each one of them

0:21:42.040 --> 0:21:46.320
<v Speaker 3>what she thinks they need, and she is not giving

0:21:46.400 --> 0:21:47.760
<v Speaker 3>them the truth.

0:21:49.520 --> 0:21:50.399
<v Speaker 4>That's what I feel like.

0:21:50.840 --> 0:21:56.600
<v Speaker 2>I buy the friendship between de Reed and Erica because

0:21:57.040 --> 0:22:03.439
<v Speaker 2>they started off rocky with Pantygate, right, but I think

0:22:03.680 --> 0:22:06.280
<v Speaker 2>which is very interesting and entertaining, and which is why

0:22:06.320 --> 0:22:10.119
<v Speaker 2>I love reality. I love it when two girls start

0:22:10.160 --> 0:22:14.320
<v Speaker 2>off rocky and end up being friends. That's why I

0:22:14.359 --> 0:22:17.520
<v Speaker 2>was looking forward to Kenyan Porsche this upcoming season of Atlanta.

0:22:19.240 --> 0:22:21.119
<v Speaker 2>I think Eric Henduriy had a lot of respect for

0:22:21.160 --> 0:22:24.879
<v Speaker 2>each other, right, and I think when it comes to

0:22:25.000 --> 0:22:28.280
<v Speaker 2>de Rey, when we saw Erica like okay, girls time ago,

0:22:29.119 --> 0:22:33.199
<v Speaker 2>like right, like, this is turning into some love and

0:22:33.240 --> 0:22:34.240
<v Speaker 2>hip hop type of shit.

0:22:34.320 --> 0:22:37.040
<v Speaker 1>Let's let's let me take you out.

0:22:37.359 --> 0:22:40.879
<v Speaker 3>When I saw that scene, Carlos, honestly, I felt like,

0:22:42.080 --> 0:22:45.640
<v Speaker 3>here's my thing. I felt like there had every right

0:22:45.680 --> 0:22:48.360
<v Speaker 3>to feel how she thought in that moment, and if anything,

0:22:49.000 --> 0:22:53.000
<v Speaker 3>I would have been telling Kyle, hey, girl, like you

0:22:53.080 --> 0:22:56.000
<v Speaker 3>need to like, you need to chill because none of

0:22:56.000 --> 0:22:58.200
<v Speaker 3>the stuff that you didn't what we're doing with PK

0:22:58.480 --> 0:23:00.840
<v Speaker 3>it is not right because you know, at the end

0:23:00.880 --> 0:23:03.879
<v Speaker 3>of the day, you wouldn't want anybody. And I felt

0:23:03.880 --> 0:23:06.840
<v Speaker 3>like Kyle was talking masks mass. I mean she was,

0:23:07.760 --> 0:23:10.639
<v Speaker 3>she was going ham on Durie, and so when Durie

0:23:10.720 --> 0:23:13.480
<v Speaker 3>finally snaps back and Eric is yanking her up out

0:23:13.520 --> 0:23:15.760
<v Speaker 3>of here, I'm like, unless you just don't want her

0:23:15.800 --> 0:23:16.760
<v Speaker 3>to reveal that it was.

0:23:16.760 --> 0:23:21.560
<v Speaker 4>You, then yeah, you gonna want her to be quiet.

0:23:24.080 --> 0:23:25.720
<v Speaker 4>Is that why you wanted her to shut up?

0:23:26.119 --> 0:23:30.200
<v Speaker 3>Come on, girl, like, no, no, let her go in.

0:23:32.880 --> 0:23:36.119
<v Speaker 4>Unless you don't want it to slip. Okay, oh girl,

0:23:36.119 --> 0:23:37.199
<v Speaker 4>you about to tell I said it.

0:23:37.280 --> 0:23:39.440
<v Speaker 3>No, come on, come on, let's go to the bathroom

0:23:39.480 --> 0:23:40.680
<v Speaker 3>like that's what it was given.

0:23:40.880 --> 0:23:44.080
<v Speaker 2>Oh my god, this is so funny to be I

0:23:44.160 --> 0:23:45.119
<v Speaker 2>didn't think about that.

0:23:46.080 --> 0:23:48.400
<v Speaker 1>Erica was like a little bitch before you spill my tea, bitch,

0:23:48.480 --> 0:23:50.239
<v Speaker 1>let me take you out of your girl. We gotta go.

0:23:50.280 --> 0:23:53.280
<v Speaker 2>Bubbo Honey, the black cars outside, Honey, hop at the

0:23:53.320 --> 0:23:55.680
<v Speaker 2>drivers there, Honey with his bread tie.

0:23:57.280 --> 0:24:01.560
<v Speaker 1>Right, buddy, go home, honey. I think the kids need you, child. Honey.

0:24:01.640 --> 0:24:06.040
<v Speaker 2>The nanny's about to clock out. Hooey, you go home, child.

0:24:06.440 --> 0:24:10.280
<v Speaker 1>I mean because I was the reason why I can

0:24:10.320 --> 0:24:11.120
<v Speaker 1>have fun with this.

0:24:14.119 --> 0:24:18.159
<v Speaker 2>It's because the way eric go swooped in like she

0:24:18.400 --> 0:24:22.880
<v Speaker 2>was Kevin Kuner to de Ree Whitney Houston is what's

0:24:23.000 --> 0:24:26.200
<v Speaker 2>hilarious to me. Because my thing is this at the

0:24:26.320 --> 0:24:29.720
<v Speaker 2>end of the day, and listen, I will say this

0:24:29.800 --> 0:24:32.680
<v Speaker 2>and it's fine. This ate the real house was of Alata,

0:24:33.040 --> 0:24:36.359
<v Speaker 2>So I'm never thinking a girl will get snashed up

0:24:36.560 --> 0:24:41.639
<v Speaker 2>by her Ponytail, just saying I don't ever see you.

0:24:41.720 --> 0:24:46.400
<v Speaker 1>Can you imagine Drea Kyle pulling each other's hair?

0:24:46.520 --> 0:24:50.639
<v Speaker 2>Like, So that's why I was like, no, to your point, Ritchie,

0:24:51.480 --> 0:24:52.200
<v Speaker 2>let her go in.

0:24:52.480 --> 0:24:54.920
<v Speaker 1>They're not going to touch each.

0:24:54.720 --> 0:25:00.439
<v Speaker 3>Other, they're not gonna fight like, and I'm like, and

0:25:00.480 --> 0:25:01.800
<v Speaker 3>you know what it was, Carlos.

0:25:01.840 --> 0:25:04.120
<v Speaker 4>It was the way they ended the episode from from

0:25:04.240 --> 0:25:08.200
<v Speaker 4>last week. So you end the previous episode.

0:25:07.760 --> 0:25:11.080
<v Speaker 3>And you're like, you here glass and I'm thinking, oh,

0:25:11.680 --> 0:25:12.800
<v Speaker 3>they're shaking the table.

0:25:13.200 --> 0:25:15.760
<v Speaker 4>They are shaking the table. Then I see it and

0:25:15.800 --> 0:25:18.160
<v Speaker 4>I'm like, you ain't even let her get nowhere?

0:25:21.320 --> 0:25:22.040
<v Speaker 3>Can you let.

0:25:23.920 --> 0:25:28.280
<v Speaker 1>No let the read come?

0:25:29.800 --> 0:25:31.040
<v Speaker 4>I was so mad.

0:25:31.200 --> 0:25:33.640
<v Speaker 3>I was like, oh, yank up, Oh you ain't wanted

0:25:33.680 --> 0:25:34.560
<v Speaker 3>to tell your secret?

0:25:35.440 --> 0:25:36.840
<v Speaker 1>This is very interesting.

0:25:36.880 --> 0:25:40.160
<v Speaker 2>So rain Drops, y'all love to leave a comment, especially

0:25:40.200 --> 0:25:42.080
<v Speaker 2>on the Spotify, So.

0:25:42.160 --> 0:25:43.040
<v Speaker 1>Leave a comment.

0:25:43.680 --> 0:25:48.399
<v Speaker 2>Do y'all think Erica Jane is the one who told

0:25:48.520 --> 0:25:53.640
<v Speaker 2>dread about Kyle and PK texting? And do you think

0:25:53.680 --> 0:25:58.080
<v Speaker 2>that's the reason why Erica Jane was playing the role

0:25:58.160 --> 0:26:01.160
<v Speaker 2>of Kevin Costl and the bodyguard and Derek was Winnie

0:26:01.200 --> 0:26:03.720
<v Speaker 2>Houston and she had to snatch her up because the

0:26:03.720 --> 0:26:07.399
<v Speaker 2>crazy white Man with the silver hair, the stalker honey

0:26:07.480 --> 0:26:10.640
<v Speaker 2>was in in in the viper room child. So let

0:26:10.680 --> 0:26:16.120
<v Speaker 2>me know on the Spotify comments and I'll publish it

0:26:16.280 --> 0:26:19.040
<v Speaker 2>and then I'll come back next week talk about it. Richie,

0:26:19.119 --> 0:26:21.760
<v Speaker 2>thank you so much for stepping in this week. You

0:26:21.920 --> 0:26:25.600
<v Speaker 2>have been such a joy. Let my rain drops know

0:26:25.880 --> 0:26:28.400
<v Speaker 2>Richie where they can find you, follow you and support

0:26:28.520 --> 0:26:34.280
<v Speaker 2>your amazing podcast, YouTube channel, and yo, do we call

0:26:34.320 --> 0:26:38.160
<v Speaker 2>it a travel blog? Like explain all the amazing things you.

0:26:38.080 --> 0:26:38.680
<v Speaker 1>Have going on?

0:26:39.640 --> 0:26:42.560
<v Speaker 3>Okay, so first of all, follow me at DJ Richie

0:26:42.560 --> 0:26:48.520
<v Speaker 3>Scott everything on all social media Instagram, Facebook, TikTok, YouTube, snapchat,

0:26:48.680 --> 0:26:52.080
<v Speaker 3>all of that, and then when you do dive in

0:26:52.880 --> 0:26:55.520
<v Speaker 3>come travel with me. We got some trips coming up

0:26:55.520 --> 0:26:59.120
<v Speaker 3>to Thailand. We're doing group trips to Kate Town and Zanzibar,

0:26:59.520 --> 0:27:01.520
<v Speaker 3>so we got some exciting things coming up.

0:27:01.560 --> 0:27:02.480
<v Speaker 4>So you guys can.

0:27:02.400 --> 0:27:04.920
<v Speaker 3>If you are a traveler, if you've never traveled out

0:27:04.920 --> 0:27:06.520
<v Speaker 3>of the country, if you want to travel with the

0:27:06.560 --> 0:27:09.720
<v Speaker 3>group and your friends don't want to go because they can't,

0:27:09.800 --> 0:27:11.480
<v Speaker 3>you know, make up their minds, then this is the

0:27:11.520 --> 0:27:11.920
<v Speaker 3>place for you.

0:27:12.200 --> 0:27:17.119
<v Speaker 2>Yes and rain Drops. Tomorrow Friday, January.

0:27:17.480 --> 0:27:17.840
<v Speaker 4>Hold on.

0:27:20.280 --> 0:27:23.359
<v Speaker 5>Look edit that out let me, Oh like what Okay,

0:27:23.359 --> 0:27:33.280
<v Speaker 5>I got it? Okay, here we go, damn and rain drops. Tomorrow,

0:27:33.440 --> 0:27:37.280
<v Speaker 5>January seventeen, Catch episode two of my podcast on the

0:27:37.320 --> 0:27:40.400
<v Speaker 5>Oprah Winfrey Network. Reality of the King is on own

0:27:40.920 --> 0:27:44.640
<v Speaker 5>eight o'clock seventh Central, and my guest is Lisa Ray

0:27:44.960 --> 0:27:48.080
<v Speaker 5>McCoy as we talk about all.

0:27:48.000 --> 0:27:50.639
<v Speaker 1>Things couples on the Oprah Winfrey Network.

0:27:50.720 --> 0:27:53.480
<v Speaker 2>So Reality for the King is on TV the Oprah

0:27:53.520 --> 0:27:58.159
<v Speaker 2>Winfrey Network. Check your local listings eight o'clock seventh Central

0:27:59.000 --> 0:28:01.960
<v Speaker 2>on Richie, I'll see you the next one.

0:28:02.160 --> 0:28:07.400
<v Speaker 5>Love y'all, Love you.

0:28:08.640 --> 0:28:10.840
<v Speaker 1>Thank you for listening to Reality with the King.

0:28:11.320 --> 0:28:17.000
<v Speaker 2>New episodes drop on Tuesdays and Thursdays. Share, comment, follow

0:28:17.200 --> 0:28:19.680
<v Speaker 2>and subscribe to Reality with the King.

0:28:20.000 --> 0:28:22.199
<v Speaker 1>Wherever you get your podcast.

0:28:22.240 --> 0:28:25.679
<v Speaker 2>Visit Reality withthe King dot com and be sure to

0:28:25.760 --> 0:28:30.440
<v Speaker 2>follow me at the Carlos King Underscore on Instagram, Twitter,

0:28:30.680 --> 0:28:34.119
<v Speaker 2>TikTok and Yes Baby, my YouTube channel where you can

0:28:34.160 --> 0:28:38.160
<v Speaker 2>get all of my visuals, baby, my expressions, Yes, and

0:28:38.320 --> 0:28:41.680
<v Speaker 2>don't forget Tweet me your thoughts and hot takes about

0:28:41.760 --> 0:28:47.560
<v Speaker 2>this episode using the hashtag Reality with the King. Reality

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<v Speaker 2>with the King is a production of Kingdom Reign Entertainment,

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<v Speaker 2>an executive produced by me Carlos King Kingdom Ring Entertainment,

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<v Speaker 2>Baby