WEBVTT - Paul Mecurio

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<v Speaker 1>Welcome to Access Podcast, the podcast about podcast. I'm your host,

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<v Speaker 1>Mattie Stout, and this week I'm really happy to welcome

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<v Speaker 1>an old friend of mine, Emmy and Peabody Award winning

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<v Speaker 1>comedian Paul Mecurio. Now, Paul, you might know him from

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<v Speaker 1>The Daily Show, where he was a writer for many,

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<v Speaker 1>many years, but he's also got a podcast, The Paul

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<v Speaker 1>Mecurio Show, where he interviews a less guests from entertainment, media, sports, music, politics,

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<v Speaker 1>and science. Let's hear a little taste of that right now.

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<v Speaker 1>We just we're waiters who were nauseated by the concept

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<v Speaker 1>of food and we're reading a specials list. That's it,

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<v Speaker 1>and we just are going say we have a cop

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<v Speaker 1>sell with a and I'm happy to having him on

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<v Speaker 1>the show. Paul, I think I met you fifteen years

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<v Speaker 1>ago at a bar after the Opie and Anthony Show

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<v Speaker 1>in New York. Wow was it? Oh? Yeah, you picked

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<v Speaker 1>me up. We had a great night of sex. It

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<v Speaker 1>was awesome, It was great. Yeah, you're gentle, gentle lover.

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<v Speaker 1>Uh So, Paul is uh one of one of the guys.

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<v Speaker 1>I'm really happy to say that I've as I've known

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<v Speaker 1>for a while that I've watched uh kind of jump

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<v Speaker 1>into podcasting and and do it and do it well.

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<v Speaker 1>And since the first one you've done, you've got to

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<v Speaker 1>inter interview all kinds of people since then. Yeah, yeah,

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<v Speaker 1>it's been crazy. Like I try, I like to do

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<v Speaker 1>the one I want interviews, you know, in long form

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<v Speaker 1>and uh and you know, kind of just go wherever

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<v Speaker 1>it goes with people. And so I've been lucky to

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<v Speaker 1>get some really cool guests like Brian Cranston, Stephen Colbert,

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<v Speaker 1>Neil Legrasse, Tyson Sugar, Ray Leonard, this up and coming

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<v Speaker 1>musician Paul McCartney. Um, and uh so it's been pretty insane.

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<v Speaker 1>Like people are they? I think they like being able

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<v Speaker 1>to go long form and talk more than like the

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<v Speaker 1>five minute sound bites that they normally get on like

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<v Speaker 1>a stand on a on a late night talk show.

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<v Speaker 1>You know. Well, I'm gonna say the Paul McCartney story

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<v Speaker 1>for a little bit later because it's a good one.

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<v Speaker 1>But the folks who maybe have not um heard you before,

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<v Speaker 1>I have not seen your stand up, they should know

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<v Speaker 1>who you are. But your introduction into comedy is very

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<v Speaker 1>much unlike anyone else that I know. I love this

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<v Speaker 1>story of how you got into comedy, and I just

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<v Speaker 1>was wondering if you could relate that to folks that

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<v Speaker 1>haven't heard you before. Yeah. Absolutely. So I have a

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<v Speaker 1>big drug habit, and uh I needed extra money, you know.

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<v Speaker 1>Uh I was on I went to law school and

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<v Speaker 1>then I ended up in New York City. Uh I

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<v Speaker 1>grew up in Providence, Rod Island, middle class family, don't

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<v Speaker 1>have money. Ended up on Wall Street as a lawyer

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<v Speaker 1>and an investment banker, doing these like huge merger deals.

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<v Speaker 1>And then I started writing jokes as a hobby. And

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<v Speaker 1>uh I was making short films and one of my

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<v Speaker 1>short films got into a big festival and I met

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<v Speaker 1>like like Woody Allen and Albert Brooks and all these

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<v Speaker 1>filmmakers there. I lied, I told it firm that I

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<v Speaker 1>I might I had to go help my brother move

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<v Speaker 1>or something, and I was. I was in Colorado with

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<v Speaker 1>a big festival with all these people. So I started

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<v Speaker 1>to live this like secret double life on Wall Street.

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<v Speaker 1>And then I started writing jokes and I'm Jay Leno

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<v Speaker 1>was a private entertainment um at this private function that

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<v Speaker 1>a client had and they invited us from the firm,

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<v Speaker 1>and I almost wasn't going to go and I just

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<v Speaker 1>as I was leaving, I said, what the heck? And

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<v Speaker 1>I printed out like a like twelve pages of jokes

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<v Speaker 1>that I had been writing and I don't know what

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<v Speaker 1>I was gonna do with them. And I went up

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<v Speaker 1>to him after the performance and I said to Leno

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<v Speaker 1>and I said, I'm a lawyer. I'm never going to

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<v Speaker 1>use these jokes. I don't know if you need jokes,

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<v Speaker 1>but here you're going. He's like, okay, man, he really

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<v Speaker 1>does talk like they letting helium out of a balloon

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<v Speaker 1>very very slowly, you know, like like like like whenever

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<v Speaker 1>you talk to you just want to go breathe, breathe

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<v Speaker 1>and uh. And so I he takes them and then uh,

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<v Speaker 1>I get a few feet away and he goes, hey,

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<v Speaker 1>come back here, I go to go. You might want

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<v Speaker 1>to put your name in your phone numberrun here so

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<v Speaker 1>I know how to reach it. Like that's how that's

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<v Speaker 1>how nervous. I was like, I'm here, I am Mr

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<v Speaker 1>wall Street, M and a deal and I can't even

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<v Speaker 1>put my name on a document and just complete idiot.

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<v Speaker 1>And I thought, he said, okay, I'll take a look,

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<v Speaker 1>and then I thought I got a nice blow off.

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<v Speaker 1>And then Two days later, my phone rings and he goes, uh,

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<v Speaker 1>hies paul Er, it's Jay Lenno. I'm like, uh And

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<v Speaker 1>I told my friend David, who does good impressions, about this,

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<v Speaker 1>and I thought it was him punking me. Then I go, yeah, David, right, stop,

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<v Speaker 1>I know it's you. I think, goes, not really a

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<v Speaker 1>j Leno. I go, David, you do alousy jay Leno.

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<v Speaker 1>I said to Jay Leno that he does allowsy jay Leno.

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<v Speaker 1>He does, yeah exactly, he goes. He goes, I think

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<v Speaker 1>I do a pretty good Jay Lenno. I'm Jay Lenno.

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<v Speaker 1>I'm like, nah, the voice is not right, so it

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<v Speaker 1>was out it was Jay Leno. When he goes, I

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<v Speaker 1>read the stuff and I'm gonna hire you to start

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<v Speaker 1>sending jokes in for the Tonight Show monologue. You don't

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<v Speaker 1>have to leave your job. He said, you just send

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<v Speaker 1>me stuff and if I use it, I'll pay it

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<v Speaker 1>per joke. And I'm like, are you kidding me? He goes, no, no,

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<v Speaker 1>He goes, I need jokes for the monologue. I can't

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<v Speaker 1>you jokes from my tonight show act. I mean from

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<v Speaker 1>my regular night cluback, because people feel ripped off if

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<v Speaker 1>they see it on the Tonight Show. And then they

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<v Speaker 1>see me doing the same joke that they paid on

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<v Speaker 1>under bucks to see. So and he goes, by the way,

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<v Speaker 1>what do you do for a living? I go, I'm

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<v Speaker 1>a lawyer, and he goes, I knew it. He starts

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<v Speaker 1>laughing at me and go why. He goes, you're right

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<v Speaker 1>like a lawyer. You're way too worthy. He goes, get

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<v Speaker 1>to the punchline. He goes, you don't need to give

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<v Speaker 1>me stage direction when to make a funny face. I'm like,

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<v Speaker 1>all right, right, do you? Then a week later he

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<v Speaker 1>called me go ahead, sorry, I'm sorry. Do you remember

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<v Speaker 1>one of those jokes? Yeah, the joke he did. He

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<v Speaker 1>called me a week later and he did one. He said,

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<v Speaker 1>I'm going to do one of your jokes on the

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<v Speaker 1>Tonight Show. And I went and got some champagne with

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<v Speaker 1>my girlfriend and my girlfriend and my wife and another

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<v Speaker 1>couple and we watched it and he did my joke

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<v Speaker 1>and it was the most powerful thing that I had

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<v Speaker 1>ever seen in my life. He paid me fifty bucks

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<v Speaker 1>for this joke. So here I am like this, you know,

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<v Speaker 1>middle class kid from Italian neighborhood and Rhode Island doing

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<v Speaker 1>big m and a deals and that's not impressing me

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<v Speaker 1>as much as a silly fifty dollar joke on the

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<v Speaker 1>Tonight Show, right, because it was this box that I

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<v Speaker 1>had been watching where comedy came out of, and now

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<v Speaker 1>my comedy was coming out of. It was just weird.

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<v Speaker 1>It was surreal, and the joke was about something to

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<v Speaker 1>the effect of, you know, it was watching one of

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<v Speaker 1>these modeling shows like this Old House, and he goes up,

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<v Speaker 1>you know, they're always a contractor's very neat well, kept

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<v Speaker 1>these polities on time, he's under budget. He goes to

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<v Speaker 1>these people exist in real life, every contractor, I know,

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<v Speaker 1>you know, he's showing plumber crack, hitting on my wife, drunk,

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<v Speaker 1>stealing stuff from my house like that kind of thing, Right,

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<v Speaker 1>And the joke did well, and then he yeah and

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<v Speaker 1>I and I started sending them stuff and and he

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<v Speaker 1>started kept doing it. And then I was like, okay,

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<v Speaker 1>but I didn't have any plans to leave or whilst

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<v Speaker 1>you or anything. So he said to me, little, you know,

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<v Speaker 1>you could try the jokes out before you send them

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<v Speaker 1>to me. And I go, how do I do that?

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<v Speaker 1>He goes, well, you can get a sense of the jokes,

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<v Speaker 1>are any good? You go to some go to some

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<v Speaker 1>open mic nights and like you know, bars and stuff.

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<v Speaker 1>So I did, and I that's where I truly started

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<v Speaker 1>to live this secret double life where I was a

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<v Speaker 1>lawyer by day in a comic by night. Now I

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<v Speaker 1>want to ask you a question, as I've heard this

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<v Speaker 1>story a few times. Did you have to hide that

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<v Speaker 1>you were doing comedy? Was it that frowned upon as

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<v Speaker 1>being a lawyer, that that you would be out, you know,

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<v Speaker 1>kind of doing that on the side at this kind

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<v Speaker 1>of firm. Yes, it was one of these big, big,

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<v Speaker 1>international white shoe law firms, like it would not be

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<v Speaker 1>considered proper. They would have they would have like they

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<v Speaker 1>expect a certain level of the quorum and behavior and

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<v Speaker 1>stuff like that. It wasn't like a solo practitioner one

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<v Speaker 1>guy I was working for. UM. It wasn't like bigl

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<v Speaker 1>you weren't you personal. It wasn't like a better call sault,

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<v Speaker 1>you know what I mean. Yeah, it was like it

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<v Speaker 1>was like you know when you see I don't know

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<v Speaker 1>a movie that's about corrupt big law firm. Not that

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<v Speaker 1>this law firm was corrupt, but that like that those big,

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<v Speaker 1>big law firms with like five hundred lawyers all over

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<v Speaker 1>the country and in Europe, like that's what this firm was.

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<v Speaker 1>It was one of the biggest firms in the world.

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<v Speaker 1>So they just, you know, they don't want their people

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<v Speaker 1>to be acting like a buffoon, I guess, like you know,

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<v Speaker 1>and stuff like that, and they have their clients see

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<v Speaker 1>and then go, hey, I got a guy who was

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<v Speaker 1>telling some dick jokes doing my deal. I don't know

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<v Speaker 1>if I feel comfortable with that, right like, so that

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<v Speaker 1>was why I had to do it. And I was

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<v Speaker 1>also embarrassed, to be honest with you personally, like I

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<v Speaker 1>felt like it was I don't know, silly, frivolous, not

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<v Speaker 1>going to be taken seriously by these people. Like you

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<v Speaker 1>gotta understand, these are like really intense, kind of serious,

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<v Speaker 1>almost to the point of you know, taking themselves too seriously.

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<v Speaker 1>Do you think you could have gone away with it

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<v Speaker 1>if in today's world with social media? Do you do

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<v Speaker 1>you think that like your story would even be possible.

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<v Speaker 1>I mean no, I I'd be willing to bet that

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<v Speaker 1>the social media stuff with those firms that you you,

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<v Speaker 1>I'm sure that they have the people who work at

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<v Speaker 1>those firms no sign stuff. And the firms look at

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<v Speaker 1>what they're doing, Like no, I mean, I mean maybe

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<v Speaker 1>I could do some like joke, you mean, like write

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<v Speaker 1>some jokes and put it on social media that kind

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<v Speaker 1>of thing. Well, I mean just even as far as

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<v Speaker 1>you know, people capturing your act and and putting it

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<v Speaker 1>out and hey, look I saw doing common and I

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<v Speaker 1>think that would be a problem for them, Like I

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<v Speaker 1>think it would be like, you know, that's not what

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<v Speaker 1>we do, this is not who we are. It just

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<v Speaker 1>it just it taints the brand, you know what I mean.

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<v Speaker 1>And I think that that I know that that would

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<v Speaker 1>have not flown. Like if you wanted to do comedy,

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<v Speaker 1>go do comedy, but you gotta quit. And I wasn't

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<v Speaker 1>prepared to do that. But I didn't want to stop

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<v Speaker 1>doing the comedy because I was getting something out of

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<v Speaker 1>it creatively, Like I really connected with it, you know.

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<v Speaker 1>So it's like, well what do I do here? You know,

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<v Speaker 1>I was kind of between a rock and a hard place.

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<v Speaker 1>But but that was that was That's a good question.

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<v Speaker 1>But I don't think I could have. Also, I was

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<v Speaker 1>embarrassed personally to say something because I just, like I said,

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<v Speaker 1>I just felt like I was with these heavy hitter,

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<v Speaker 1>like very serious people and like I'm gonna. I just

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<v Speaker 1>think it would have I felt at the time it

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<v Speaker 1>would have compromised me with the people I worked with,

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<v Speaker 1>you know what I mean. And and so I would

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<v Speaker 1>sneak out of work and it did a break and um,

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<v Speaker 1>I would go to these like dive bars around New

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<v Speaker 1>York City working open mic nights, um and literally lead

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<v Speaker 1>like I would get in a car and all the

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<v Speaker 1>other associates, the young lawyers were going to, you know, uh,

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<v Speaker 1>get dinner and I'm I would go down to this place.

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<v Speaker 1>One of the places were called Downtown Bay Route too

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<v Speaker 1>and I and I I always loved the two because

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<v Speaker 1>I see that they were franchising these hell holes or

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<v Speaker 1>somebody somebody blew up one, you know, I don't some

0:10:22.520 --> 0:10:27.080
<v Speaker 1>some bomber. Uh. And it was literally like it was

0:10:27.120 --> 0:10:31.240
<v Speaker 1>a dysfunctional cheers. They had hookers there, They dealt drugs

0:10:31.280 --> 0:10:32.680
<v Speaker 1>out of there. There was a sign on the men's

0:10:32.760 --> 0:10:35.320
<v Speaker 1>room door that said the toilet seat is only to

0:10:35.360 --> 0:10:37.240
<v Speaker 1>be used to go to the bathroom, not to cut coke.

0:10:37.360 --> 0:10:40.840
<v Speaker 1>Thank you the management, And it literally said thank you

0:10:40.880 --> 0:10:43.480
<v Speaker 1>the management. Which is always my favorite part of this

0:10:43.559 --> 0:10:46.679
<v Speaker 1>is like they were so polite in their debauchery, you know.

0:10:47.080 --> 0:10:50.240
<v Speaker 1>And and I would go and I pick a number

0:10:50.280 --> 0:10:52.520
<v Speaker 1>in my little Brooks Brothers suit with a bunch of

0:10:52.520 --> 0:10:55.600
<v Speaker 1>people that looked either homeless or where hookers or drug addicts,

0:10:55.960 --> 0:10:59.319
<v Speaker 1>and I'd wait to go on stage. And the end

0:10:59.320 --> 0:11:01.240
<v Speaker 1>of the story is one night, one one night, I

0:11:01.320 --> 0:11:04.880
<v Speaker 1>go on stage and there's a scuffle just before I

0:11:04.920 --> 0:11:06.960
<v Speaker 1>go on stage, there's a scuffle at the pool table

0:11:07.640 --> 0:11:10.800
<v Speaker 1>and this guy grabs his neck and another guy runs

0:11:10.800 --> 0:11:13.080
<v Speaker 1>out and he and the guy grabbed his next start screaming,

0:11:13.120 --> 0:11:15.400
<v Speaker 1>he cut me, man, he cut me. And it was

0:11:15.440 --> 0:11:18.040
<v Speaker 1>like a drug deal gone bad. And he cut him

0:11:18.120 --> 0:11:20.599
<v Speaker 1>right there at the bar by the pool table with

0:11:20.720 --> 0:11:24.000
<v Speaker 1>a knife cutter, with a with a box cutter. And

0:11:24.000 --> 0:11:27.080
<v Speaker 1>and I'm next. But I think the show's over at

0:11:27.080 --> 0:11:29.800
<v Speaker 1>this point because it's complete mayhem. He's screaming, his girlfriend's crying.

0:11:29.800 --> 0:11:32.400
<v Speaker 1>We're at my boyfriends. The cops are there now taking

0:11:32.440 --> 0:11:35.240
<v Speaker 1>a police do you hear their walkie talk and sex

0:11:35.360 --> 0:11:37.720
<v Speaker 1>or nine rink? And then all of a sudden, I here,

0:11:37.760 --> 0:11:41.560
<v Speaker 1>all right, you guys ready for some comedy. I'm the

0:11:41.600 --> 0:11:43.839
<v Speaker 1>next guy up. And I'm not doing it long enough

0:11:43.880 --> 0:11:45.600
<v Speaker 1>to know that I don't really have to go up.

0:11:46.200 --> 0:11:49.199
<v Speaker 1>So I go up, and I remember thinking, even then

0:11:49.200 --> 0:11:51.160
<v Speaker 1>when I had no experience, like I gotta say something

0:11:51.200 --> 0:11:52.960
<v Speaker 1>about what's going on in the room, would be weird

0:11:53.000 --> 0:11:56.040
<v Speaker 1>not to say something, So I say, nice to be here.

0:11:56.400 --> 0:11:58.880
<v Speaker 1>I always at the Downtown baby route to I always

0:11:58.880 --> 0:12:01.880
<v Speaker 1>wanted to follow a slap, which I thought was a

0:12:01.880 --> 0:12:05.400
<v Speaker 1>pretty good line, you know what I mean, yeah, exactly.

0:12:05.440 --> 0:12:07.800
<v Speaker 1>And then but the guy who got his neck cut

0:12:08.080 --> 0:12:10.080
<v Speaker 1>heard me say it, and I don't think he thought

0:12:10.080 --> 0:12:12.240
<v Speaker 1>it was very funny, and he said, you make it

0:12:12.280 --> 0:12:14.000
<v Speaker 1>fun of me. He's drunk. He goes, I don't need

0:12:14.040 --> 0:12:16.120
<v Speaker 1>to take this, and he takes all these bloody napkins

0:12:16.480 --> 0:12:18.360
<v Speaker 1>and he wants them up and throws them at me

0:12:18.440 --> 0:12:20.840
<v Speaker 1>and they stick to my shirt, to my like white

0:12:21.320 --> 0:12:24.679
<v Speaker 1>Brooks Brothers shirt. Right now, a normal person says, I'm

0:12:24.679 --> 0:12:27.920
<v Speaker 1>getting off stage, but I'm determined screw this. I'm I'm

0:12:27.960 --> 0:12:30.760
<v Speaker 1>I'm gonna. I'm gonna see this to the end. So

0:12:31.320 --> 0:12:34.120
<v Speaker 1>he turns back to me and he goes, so I'm trying.

0:12:34.200 --> 0:12:36.520
<v Speaker 1>I'm getting no laps. He's wandering around the bar screaming

0:12:36.520 --> 0:12:38.760
<v Speaker 1>about this guy. I'm gonna get him. I'm gonna and

0:12:38.760 --> 0:12:40.680
<v Speaker 1>he goes, what are you doing anyway? He yells at me.

0:12:40.720 --> 0:12:42.760
<v Speaker 1>I go, I'm trying to tell jokes. He goes, oh yeah,

0:12:43.000 --> 0:12:45.160
<v Speaker 1>he goes, I like jokes and he turns back to

0:12:45.200 --> 0:12:47.480
<v Speaker 1>the bar. He goes, hey, everybody, shut the hell up.

0:12:47.520 --> 0:12:50.040
<v Speaker 1>This guy's trying to tell jokes. And the whole place

0:12:50.640 --> 0:12:53.360
<v Speaker 1>shuts up. And I finished my set. It was like

0:12:53.400 --> 0:12:55.360
<v Speaker 1>the best two minutes I've ever had in my life.

0:12:56.120 --> 0:12:59.160
<v Speaker 1>Upstand up. And I go back to the firm with

0:12:59.200 --> 0:13:02.439
<v Speaker 1>this like blood stain on my shirt, and I think

0:13:02.559 --> 0:13:04.640
<v Speaker 1>I'll just put like a like you know, like when

0:13:04.640 --> 0:13:06.839
<v Speaker 1>you're twelve and you break your mother's face, You think

0:13:06.840 --> 0:13:08.880
<v Speaker 1>you glue back together and she'll never notice. But the

0:13:08.880 --> 0:13:11.880
<v Speaker 1>minute she sees that, she notices. Let's that was me.

0:13:11.920 --> 0:13:14.320
<v Speaker 1>I turned into a twelve year old. I started walking

0:13:14.320 --> 0:13:15.480
<v Speaker 1>around the firm the rest of the night with a

0:13:15.520 --> 0:13:17.959
<v Speaker 1>file folder up against my rib cage, thinking nobody will

0:13:18.000 --> 0:13:20.640
<v Speaker 1>notice the big, grapefruit sized blood stain on my shirt.

0:13:21.320 --> 0:13:24.760
<v Speaker 1>And I walk into the I walk into the meeting

0:13:25.240 --> 0:13:27.360
<v Speaker 1>with his like seeing your partner of the firm, They

0:13:27.400 --> 0:13:29.640
<v Speaker 1>couldn't find me. He's screaming at me, where have you been?

0:13:29.720 --> 0:13:31.880
<v Speaker 1>What have you been doing? Why do you have a

0:13:31.920 --> 0:13:35.400
<v Speaker 1>blood stain on your shirt? Right? And I'm thinking, okay,

0:13:35.440 --> 0:13:37.920
<v Speaker 1>my secrets out, this double life that I was trying

0:13:37.920 --> 0:13:40.800
<v Speaker 1>to hide is going to be revealed. And I didn't

0:13:40.840 --> 0:13:42.640
<v Speaker 1>know what to say. And another lawyer goes, what kind

0:13:42.640 --> 0:13:45.200
<v Speaker 1>of shirt is that? I go it's a Brooks Brothers shirt.

0:13:45.200 --> 0:13:47.040
<v Speaker 1>Why he goes, oh, I know how to get blood

0:13:47.040 --> 0:13:50.920
<v Speaker 1>out of a Brooks Brothers shirt. He goes close out

0:13:50.960 --> 0:13:53.240
<v Speaker 1>and lemon juice and another guy goes, not no, now,

0:13:53.760 --> 0:13:56.800
<v Speaker 1>ARMANI that's the shirt you want when you want to

0:13:56.840 --> 0:14:00.080
<v Speaker 1>get blood like that. Literally they were arguing about and

0:14:00.080 --> 0:14:02.560
<v Speaker 1>I'm what's sure it's better when you get put And

0:14:02.600 --> 0:14:04.280
<v Speaker 1>I just blurt it out, as are you guys really

0:14:04.320 --> 0:14:08.880
<v Speaker 1>making American Psycho? What's going on? And and that became

0:14:08.920 --> 0:14:11.280
<v Speaker 1>my life. And I did that for a while until

0:14:11.280 --> 0:14:13.720
<v Speaker 1>I almost had a nervous breakdown and I'm like, I

0:14:13.720 --> 0:14:16.440
<v Speaker 1>gotta either, you know, should to get off the pot here.

0:14:16.480 --> 0:14:18.640
<v Speaker 1>And so I decided to go for it full time

0:14:18.720 --> 0:14:21.280
<v Speaker 1>and and I did, and I sold my apartment and

0:14:21.360 --> 0:14:24.920
<v Speaker 1>unraveled my life and started over again. You know, it

0:14:25.040 --> 0:14:28.320
<v Speaker 1>was crazy. Moved to a rooming house with um, I

0:14:28.360 --> 0:14:30.920
<v Speaker 1>lived below a three pound phone sex operator who sold

0:14:30.960 --> 0:14:33.840
<v Speaker 1>Herbalife diet product story Door that was that was one

0:14:33.880 --> 0:14:37.160
<v Speaker 1>of my roommates and this in this house. It was

0:14:37.240 --> 0:14:44.520
<v Speaker 1>really crazy. So from those days until now. We had

0:14:44.560 --> 0:14:46.960
<v Speaker 1>how Magical on last week and I was talking about

0:14:47.200 --> 0:14:50.080
<v Speaker 1>how social media is changing comedy and in some ways

0:14:50.120 --> 0:14:52.960
<v Speaker 1>that are good, in some ways that are bad. How

0:14:52.960 --> 0:14:56.160
<v Speaker 1>do you feel about comics sharing so much of their

0:14:56.160 --> 0:14:59.920
<v Speaker 1>personal thoughts and let's just end political beliefs on social media.

0:15:00.040 --> 0:15:02.400
<v Speaker 1>Do you think that sometimes will turn an audience off

0:15:02.440 --> 0:15:07.920
<v Speaker 1>to them? Um? Well, especially political stuff. We're so divided

0:15:07.960 --> 0:15:10.440
<v Speaker 1>in the country right now. I do think it's really

0:15:10.440 --> 0:15:14.440
<v Speaker 1>hard to kind of have a have an honest, open

0:15:14.480 --> 0:15:18.200
<v Speaker 1>conversation without you know, somebody getting piste off, you know.

0:15:18.360 --> 0:15:22.240
<v Speaker 1>And it's a shame because you know, if you look

0:15:22.280 --> 0:15:25.560
<v Speaker 1>at political comedy going back to the sixties, people in

0:15:25.600 --> 0:15:27.080
<v Speaker 1>the room may not agree with you, but they were

0:15:27.120 --> 0:15:28.840
<v Speaker 1>all laughing at least because they will laugh at the

0:15:28.840 --> 0:15:31.280
<v Speaker 1>absurdity of it. But people, this is do or die.

0:15:31.360 --> 0:15:35.440
<v Speaker 1>I mean there as we're speaking, the President endorsed Roy More,

0:15:35.840 --> 0:15:39.040
<v Speaker 1>you know, alleged pedophiles, So clearly politics is more important

0:15:39.040 --> 0:15:42.800
<v Speaker 1>than pedophilia. Like it's crazy. Um so I do think

0:15:42.880 --> 0:15:45.640
<v Speaker 1>that it can hurt you if you do that. But

0:15:45.720 --> 0:15:48.360
<v Speaker 1>the other thing is, I personally, if I weren't a comedian,

0:15:48.360 --> 0:15:50.720
<v Speaker 1>I wouldn't be on social media. I'm I go on

0:15:50.800 --> 0:15:53.160
<v Speaker 1>and I give my opinions about things that will make jokes.

0:15:53.720 --> 0:15:56.720
<v Speaker 1>But I really feel like it's a chore and I

0:15:56.760 --> 0:16:00.400
<v Speaker 1>don't really like doing it because it doesn't feel organic

0:16:00.480 --> 0:16:03.480
<v Speaker 1>to me. It feels like something I have to do

0:16:03.600 --> 0:16:06.320
<v Speaker 1>to stay in touch with fans and stuff like that,

0:16:06.920 --> 0:16:09.440
<v Speaker 1>and I'd rather have it be like have them see

0:16:09.480 --> 0:16:11.320
<v Speaker 1>me on TV or see me live or in a

0:16:11.360 --> 0:16:16.400
<v Speaker 1>movie or whatever. But it's I think that, um, I

0:16:16.440 --> 0:16:19.280
<v Speaker 1>think exposing every aspect of your life is not something

0:16:19.280 --> 0:16:22.440
<v Speaker 1>that I'm necessarily particularly interested in. It's like, I think

0:16:22.480 --> 0:16:24.960
<v Speaker 1>that you can kind of be entertaining in ways that

0:16:25.000 --> 0:16:26.960
<v Speaker 1>are more creative than that. But there are some people

0:16:26.960 --> 0:16:29.160
<v Speaker 1>that like to live every aspect of their day. So

0:16:30.320 --> 0:16:31.960
<v Speaker 1>you know, like saying, hey, I just had a really

0:16:32.000 --> 0:16:34.920
<v Speaker 1>great grilled cheese sandwich with munster cheese. I like munster

0:16:35.000 --> 0:16:37.640
<v Speaker 1>cheese better than American cheese. I kind of want to

0:16:37.640 --> 0:16:40.800
<v Speaker 1>put a bullet in my head. But like, sometimes you've

0:16:40.800 --> 0:16:44.560
<v Speaker 1>got to do that kind of stuff. So I feel

0:16:44.600 --> 0:16:49.040
<v Speaker 1>like as a performer in the in the comedy clubs too,

0:16:49.080 --> 0:16:50.920
<v Speaker 1>like they rely on it, you know, they want you

0:16:50.960 --> 0:16:53.440
<v Speaker 1>to have a following, so the following knows about what

0:16:53.480 --> 0:16:55.760
<v Speaker 1>you're doing and comes out and all that stuff and

0:16:56.320 --> 0:16:59.440
<v Speaker 1>Facebook and you know, you know, putting you know, putting

0:16:59.480 --> 0:17:02.520
<v Speaker 1>posts about your weekend. You know, like I'm you know,

0:17:02.560 --> 0:17:04.360
<v Speaker 1>where I'm gonna be in the next couple of weeks.

0:17:04.359 --> 0:17:07.320
<v Speaker 1>I got to do that. But it's just it just

0:17:07.400 --> 0:17:10.919
<v Speaker 1>doesn't for me anyway, It just doesn't feel And I

0:17:10.960 --> 0:17:13.679
<v Speaker 1>also again again also I feel like it takes you

0:17:13.720 --> 0:17:15.960
<v Speaker 1>out of the moment. Like there's this one comic I know,

0:17:16.359 --> 0:17:20.560
<v Speaker 1>and he's constantly like taking pictures and posting them on Instagram,

0:17:20.720 --> 0:17:22.840
<v Speaker 1>like constantly, like we'll be in the middle of talking,

0:17:22.880 --> 0:17:24.119
<v Speaker 1>you know, I'll look at you a little there, I'm

0:17:24.119 --> 0:17:26.240
<v Speaker 1>gonna take a picture. It takes a picture, post something

0:17:26.359 --> 0:17:28.840
<v Speaker 1>you know, funny about it. Whatever. But it's like it

0:17:29.040 --> 0:17:33.240
<v Speaker 1>just it just becomes a job and not it just doesn't.

0:17:33.240 --> 0:17:35.480
<v Speaker 1>It's just not something that I have fun with, but

0:17:35.680 --> 0:17:38.720
<v Speaker 1>I'll do it, and it doesn't really play into your

0:17:38.760 --> 0:17:41.720
<v Speaker 1>strengths as a comedian. So if not seeing Paul live,

0:17:41.840 --> 0:17:43.639
<v Speaker 1>go see him live. In fact, you can see him

0:17:43.640 --> 0:17:46.040
<v Speaker 1>a Tampa at the Tampa Improv December seven through tenth,

0:17:46.440 --> 0:17:48.560
<v Speaker 1>and the fourteenth or the seventeenth, it will be at

0:17:48.600 --> 0:17:51.280
<v Speaker 1>the Omaha Funny Bone. The thing I like about your

0:17:51.280 --> 0:17:53.960
<v Speaker 1>stand up, Paul is that it's it's never the same.

0:17:54.160 --> 0:17:56.000
<v Speaker 1>And I mean I've I've gone to see you two

0:17:56.119 --> 0:17:57.840
<v Speaker 1>or three times when you've been in San Francisco in

0:17:57.880 --> 0:18:01.320
<v Speaker 1>the same stretch because you do so with the audience

0:18:01.440 --> 0:18:04.600
<v Speaker 1>and that you know you're not you're not gonna go

0:18:04.680 --> 0:18:06.760
<v Speaker 1>up and hear the same jokes every time because you're

0:18:06.800 --> 0:18:09.080
<v Speaker 1>coming up with them as you go. So I think

0:18:09.080 --> 0:18:11.439
<v Speaker 1>that that's something that you do that are not a

0:18:11.440 --> 0:18:14.080
<v Speaker 1>lot of comics. Do Do you find that to be

0:18:14.200 --> 0:18:16.240
<v Speaker 1>hard today with the climate? Do you find it some

0:18:16.240 --> 0:18:18.919
<v Speaker 1>people don't want to play as much as they used to. No,

0:18:19.200 --> 0:18:21.480
<v Speaker 1>that's not a problem. I do think that, you know,

0:18:21.680 --> 0:18:23.639
<v Speaker 1>I like to do that because it's just it's just

0:18:23.720 --> 0:18:25.920
<v Speaker 1>weird for me to walk into a room and not

0:18:26.840 --> 0:18:29.320
<v Speaker 1>and they just start launching into material. It's sort of

0:18:29.359 --> 0:18:32.520
<v Speaker 1>like walking in just like it's like you're walking into uh,

0:18:33.440 --> 0:18:35.840
<v Speaker 1>I don't know, a dinner party and just like start

0:18:36.119 --> 0:18:39.440
<v Speaker 1>just making a speech, you know, it's like it's like,

0:18:40.200 --> 0:18:41.960
<v Speaker 1>you know, you go hello, how you do It's just

0:18:42.119 --> 0:18:45.159
<v Speaker 1>weird for me not to. So I've come to the

0:18:45.200 --> 0:18:47.000
<v Speaker 1>point where I do what I do and stand up

0:18:47.400 --> 0:18:49.239
<v Speaker 1>a lot of times. I do for me because if

0:18:49.280 --> 0:18:51.199
<v Speaker 1>I'm enjoying it, then they'll enjoy it. I mean, I

0:18:51.200 --> 0:18:52.760
<v Speaker 1>want them to enjoy the show. But I got to

0:18:52.880 --> 0:18:55.520
<v Speaker 1>enjoy the show. And so I find that talking to

0:18:55.600 --> 0:18:59.199
<v Speaker 1>people in the way that I do it anyway, they

0:18:59.200 --> 0:19:02.000
<v Speaker 1>don't see it a lot. I really engage. It's not

0:19:02.080 --> 0:19:04.199
<v Speaker 1>like some people will talk to the audience as a

0:19:04.240 --> 0:19:05.920
<v Speaker 1>way to get into a bit, like oh, I see

0:19:05.920 --> 0:19:07.600
<v Speaker 1>you got a plaid shirt, and make a quick joke

0:19:07.600 --> 0:19:09.040
<v Speaker 1>about the plaid shirt, and then the guy's got a

0:19:09.040 --> 0:19:12.560
<v Speaker 1>five minute bit about plaid shirts. That's kind of obvious

0:19:12.600 --> 0:19:14.280
<v Speaker 1>why he's talked to the guy with a plaid shirt.

0:19:14.880 --> 0:19:17.080
<v Speaker 1>I'd rather just I just don't care. I don't have

0:19:17.119 --> 0:19:19.600
<v Speaker 1>a plan, and they'll convict something. And woman could have

0:19:19.640 --> 0:19:22.000
<v Speaker 1>a set of period pair of earrings on us. It's

0:19:22.000 --> 0:19:23.879
<v Speaker 1>just sitting a certain way with her arms fold and

0:19:23.920 --> 0:19:25.520
<v Speaker 1>she looks like she's a little piste off, and I'll

0:19:25.520 --> 0:19:28.720
<v Speaker 1>say that and it becomes a real conversation So I'm

0:19:28.720 --> 0:19:33.120
<v Speaker 1>trying to transform the show from a from a presentational

0:19:33.320 --> 0:19:37.119
<v Speaker 1>experience where they're sitting taking you in and you're presenting

0:19:37.200 --> 0:19:42.760
<v Speaker 1>something to them, to a more um engaged um conversation

0:19:43.080 --> 0:19:45.199
<v Speaker 1>where like we're all hanging out in somebody's room and

0:19:45.240 --> 0:19:47.520
<v Speaker 1>everybody is saying something funny here and there, and I'm

0:19:47.600 --> 0:19:50.000
<v Speaker 1>kind of leading the charge. And but I find like

0:19:50.080 --> 0:19:54.159
<v Speaker 1>people are frying with talking. The one thing that has

0:19:54.280 --> 0:19:59.040
<v Speaker 1>changed is the PC thing has gotten to the point

0:19:59.119 --> 0:20:01.959
<v Speaker 1>where it's a real pain in the asthmtimes, Like you

0:20:02.000 --> 0:20:06.240
<v Speaker 1>can't even like I'll say to somebody, so you're so

0:20:06.440 --> 0:20:08.320
<v Speaker 1>you're black, and they'll go like, I'm like what the

0:20:08.359 --> 0:20:10.760
<v Speaker 1>guy's fucking black? Like I can't say, like, what are

0:20:10.800 --> 0:20:13.800
<v Speaker 1>we supposed to do now? Like you just what happened

0:20:13.840 --> 0:20:17.280
<v Speaker 1>last night? So then I go there, oh, sir, your Asian? Right?

0:20:17.320 --> 0:20:19.480
<v Speaker 1>I go, yeah, I go stand up, he stood up?

0:20:19.680 --> 0:20:24.399
<v Speaker 1>Turn around, I go everybody that's an Asian guy, okay, everybody, okay,

0:20:24.440 --> 0:20:28.480
<v Speaker 1>we're all still alive, right, our heads that explode, And

0:20:28.480 --> 0:20:30.600
<v Speaker 1>and so I just go at it. I go right

0:20:30.640 --> 0:20:34.760
<v Speaker 1>at it because I think otherwise you're then giving into

0:20:34.800 --> 0:20:39.119
<v Speaker 1>this power that's inappropriate. Like I This happened to me

0:20:39.400 --> 0:20:41.560
<v Speaker 1>four days ago. Five days ago. My wife and I

0:20:41.600 --> 0:20:43.159
<v Speaker 1>were in Central Park. We live in New York. We're

0:20:43.160 --> 0:20:45.320
<v Speaker 1>walking our dog and it's a law you have supposed

0:20:45.320 --> 0:20:47.800
<v Speaker 1>to have dog on a leash. And so we're like

0:20:47.840 --> 0:20:50.800
<v Speaker 1>at a point where people want to literally create controversy

0:20:50.840 --> 0:20:53.240
<v Speaker 1>when there is none, like and I think that ties

0:20:53.280 --> 0:20:55.280
<v Speaker 1>into the social media thing you were talking about, Like,

0:20:55.640 --> 0:20:58.320
<v Speaker 1>I think people are empowered by social media, so it

0:20:58.359 --> 0:21:00.399
<v Speaker 1>gives it just because you have an opinion, it doesn't

0:21:00.400 --> 0:21:01.960
<v Speaker 1>mean I give a shit about it, you know what

0:21:02.000 --> 0:21:04.400
<v Speaker 1>I mean. Like there's just some people like that shouldn't

0:21:04.400 --> 0:21:07.240
<v Speaker 1>be putting anything out on social media because they're idiots

0:21:07.280 --> 0:21:10.000
<v Speaker 1>or they're racist or whatever. But everybody can do whatever

0:21:10.040 --> 0:21:14.520
<v Speaker 1>they want. So it empowers people not just on social

0:21:14.560 --> 0:21:18.720
<v Speaker 1>media but in life. And they and they feel like

0:21:18.760 --> 0:21:21.439
<v Speaker 1>the voice that they have on Twitter, I give a

0:21:21.440 --> 0:21:24.520
<v Speaker 1>ship about in the park, or I'll tell you another

0:21:24.560 --> 0:21:26.160
<v Speaker 1>story in a minute that happened to me two weeks

0:21:26.200 --> 0:21:29.840
<v Speaker 1>ago at a club. So people have more opinions and

0:21:29.880 --> 0:21:33.639
<v Speaker 1>more and more boisterous and forthcoming and about them than

0:21:33.680 --> 0:21:35.040
<v Speaker 1>I think than they used to be. And I think

0:21:35.080 --> 0:21:38.560
<v Speaker 1>because social media has in bold in them right. So

0:21:38.600 --> 0:21:40.760
<v Speaker 1>this guy goes to me, I, uh, there's a guy

0:21:40.760 --> 0:21:42.480
<v Speaker 1>in the park our dogs on a leash. There's a

0:21:42.480 --> 0:21:44.600
<v Speaker 1>guy whose dog isn't on a leash and the dog

0:21:44.600 --> 0:21:46.560
<v Speaker 1>looked aggressive. So I said, excuse me, so your dog

0:21:46.640 --> 0:21:48.640
<v Speaker 1>it really it should be on a leash. And he goes,

0:21:48.640 --> 0:21:52.200
<v Speaker 1>why because it's a pit bull, like said it away,

0:21:52.280 --> 0:21:55.800
<v Speaker 1>like implying that I was racist towards pit bulls. And

0:21:55.880 --> 0:21:58.400
<v Speaker 1>I'm like, no, because it's got a baby in its mouth, right, asshole,

0:21:58.520 --> 0:22:02.760
<v Speaker 1>that's why. So so, And I'm not doing a bit.

0:22:02.800 --> 0:22:04.840
<v Speaker 1>I mean, I really liked said something sarcastic to me,

0:22:04.880 --> 0:22:07.480
<v Speaker 1>and I like, and that's kind of what happens. Like

0:22:07.520 --> 0:22:09.840
<v Speaker 1>I was talking to a couple in the back of

0:22:09.880 --> 0:22:12.439
<v Speaker 1>the room. You know, I like to talk and you

0:22:12.480 --> 0:22:14.600
<v Speaker 1>know me, you've seen me like, I'm not I'm not

0:22:15.160 --> 0:22:17.480
<v Speaker 1>I'm not a jerk. I'm not like, hey, your boy,

0:22:17.480 --> 0:22:19.560
<v Speaker 1>you're fat. I just talk like in a real way

0:22:19.600 --> 0:22:22.119
<v Speaker 1>and just see wherever it goes. And we're talking to

0:22:22.200 --> 0:22:24.600
<v Speaker 1>this couple and the guy was answering all the questions

0:22:24.600 --> 0:22:27.280
<v Speaker 1>like you know, how long you how did you meet?

0:22:27.520 --> 0:22:29.439
<v Speaker 1>What did you like him? And then I said, how

0:22:29.480 --> 0:22:31.679
<v Speaker 1>long you've been married, and the woman blurted out twenty

0:22:31.680 --> 0:22:33.800
<v Speaker 1>five years and the way she said it was funny,

0:22:33.840 --> 0:22:36.639
<v Speaker 1>the place laugh and the fact that she jumped on that.

0:22:37.400 --> 0:22:39.720
<v Speaker 1>I made some mark remarked like, oh, maybe the guy

0:22:39.760 --> 0:22:42.920
<v Speaker 1>couldn't remember how long. And there was a woman young

0:22:43.080 --> 0:22:48.240
<v Speaker 1>like goes, uh, what a man can't speak in public?

0:22:49.080 --> 0:22:51.879
<v Speaker 1>I go, what? She goes, a man and only me?

0:22:52.080 --> 0:22:54.399
<v Speaker 1>Only men are allowed to speak, women are allowed to speak.

0:22:54.400 --> 0:22:56.560
<v Speaker 1>And I go, it was so outrageous. I thought she

0:22:56.600 --> 0:22:58.679
<v Speaker 1>was joking. I got you're kidding, right, She goes, now

0:22:59.040 --> 0:23:01.560
<v Speaker 1>what man arely? And the place starts going come on

0:23:01.640 --> 0:23:03.399
<v Speaker 1>like everybody who was like, and I go, oh, I

0:23:03.440 --> 0:23:06.000
<v Speaker 1>see what this is? I said, okay, I said, I'm

0:23:06.040 --> 0:23:08.320
<v Speaker 1>only up there like three minutes. I said, here's gonna happen.

0:23:08.320 --> 0:23:10.440
<v Speaker 1>I'm gonna be here for fifteen minutes. You're gonna walk

0:23:10.440 --> 0:23:11.960
<v Speaker 1>out that door and sit at the bar, and there's

0:23:11.960 --> 0:23:13.760
<v Speaker 1>a window. You can look at me through the window,

0:23:14.359 --> 0:23:16.720
<v Speaker 1>and when you see through the window that I'm off stage,

0:23:16.720 --> 0:23:19.600
<v Speaker 1>you can come back in and sit. I said. But

0:23:19.640 --> 0:23:21.880
<v Speaker 1>if you think that you're gonna come in here and

0:23:21.920 --> 0:23:26.399
<v Speaker 1>create some false non PC situation, that never happened, because

0:23:26.400 --> 0:23:29.040
<v Speaker 1>you have some agenda. It is not gonna happen. You're

0:23:29.040 --> 0:23:31.959
<v Speaker 1>gonna sit there and shut the funk up, or you're

0:23:31.960 --> 0:23:34.800
<v Speaker 1>gonna get out, I said, because I know what you

0:23:34.800 --> 0:23:36.439
<v Speaker 1>know what you need. I said, you need a march.

0:23:36.640 --> 0:23:38.560
<v Speaker 1>You need to leave here and go find a march

0:23:38.760 --> 0:23:40.639
<v Speaker 1>in march and say what you want to say. But

0:23:40.720 --> 0:23:43.960
<v Speaker 1>you have some agenda that doesn't fit in this room.

0:23:44.080 --> 0:23:46.360
<v Speaker 1>And if you want to say something in this room,

0:23:46.440 --> 0:23:49.479
<v Speaker 1>I suggest you go out and leave your secure career

0:23:49.880 --> 0:23:52.119
<v Speaker 1>and spend ten years honing your act as a stand

0:23:52.160 --> 0:23:54.440
<v Speaker 1>up and shoot gigs all around the country and earn

0:23:54.520 --> 0:23:56.760
<v Speaker 1>the right to be up here. But until then, you're

0:23:56.800 --> 0:24:01.919
<v Speaker 1>either out or you shut up. And she stayed. But that,

0:24:02.280 --> 0:24:05.320
<v Speaker 1>but that's a real thing, and that that that sentiment

0:24:05.440 --> 0:24:07.680
<v Speaker 1>of like, we'll be careful what you say, be careful

0:24:07.800 --> 0:24:09.639
<v Speaker 1>you talk to be careful how you say it is

0:24:10.800 --> 0:24:18.840
<v Speaker 1>is kind of out there right now. You know, the

0:24:18.920 --> 0:24:22.439
<v Speaker 1>key to a good comedian is is being observant, telling

0:24:22.520 --> 0:24:24.879
<v Speaker 1>and telling a good story. And I think that's also

0:24:24.920 --> 0:24:27.200
<v Speaker 1>what makes a great podcast. You know, you know my

0:24:27.200 --> 0:24:30.760
<v Speaker 1>my quote I always say is when when podcast build empathy? Yeah,

0:24:30.920 --> 0:24:34.159
<v Speaker 1>and and so have you found that the skills that

0:24:34.200 --> 0:24:36.400
<v Speaker 1>you've owned as a comedian and a writer all these

0:24:36.480 --> 0:24:39.760
<v Speaker 1>years make you that much better of an interviewer and

0:24:39.800 --> 0:24:42.320
<v Speaker 1>a storyteller, you know when you have these guests on

0:24:42.320 --> 0:24:44.960
<v Speaker 1>on the Paul Mercurio Show. Oh yeah, absolutely. I mean

0:24:45.000 --> 0:24:47.480
<v Speaker 1>I think, especially the way I talk to audiences, I

0:24:47.520 --> 0:24:50.840
<v Speaker 1>think it's just kind of made me a natural interviewer

0:24:50.920 --> 0:24:54.879
<v Speaker 1>because you know, with a podcast, I do research, I

0:24:54.920 --> 0:24:58.680
<v Speaker 1>get you know, publicists send me reels and books to

0:24:58.720 --> 0:25:01.800
<v Speaker 1>look at and blah blah blah. So I go in prepared,

0:25:01.880 --> 0:25:03.320
<v Speaker 1>but when I go out and do stand them, I'm

0:25:03.359 --> 0:25:06.000
<v Speaker 1>completely not prepared. It's funny because sometimes people say to

0:25:06.000 --> 0:25:08.560
<v Speaker 1>me with those people plants, like when you've seen me

0:25:08.560 --> 0:25:10.320
<v Speaker 1>in San Francisco, I've had people come up to me,

0:25:11.080 --> 0:25:12.640
<v Speaker 1>what do you mean as well? It always you talk

0:25:12.680 --> 0:25:14.159
<v Speaker 1>to them, and it just always worked out, and it

0:25:14.240 --> 0:25:16.280
<v Speaker 1>was funny. Go yeah, I call ahead and I say

0:25:16.280 --> 0:25:19.119
<v Speaker 1>I need a black guy and Indian guy, two women,

0:25:19.200 --> 0:25:21.000
<v Speaker 1>and the fact that no, I said, I just talked

0:25:21.040 --> 0:25:22.960
<v Speaker 1>to them and I'll speak to that. That And if

0:25:23.000 --> 0:25:25.120
<v Speaker 1>you know someone in the crowd, like when you've seen

0:25:25.160 --> 0:25:28.200
<v Speaker 1>me there, you you specifically make sure you don't talk

0:25:28.240 --> 0:25:31.399
<v Speaker 1>to people you know in the crowd, you know, because

0:25:31.600 --> 0:25:34.120
<v Speaker 1>it'd be weird to be like I'd have to either

0:25:34.200 --> 0:25:36.960
<v Speaker 1>pretend that I didn't know you, which would be weird,

0:25:37.119 --> 0:25:39.000
<v Speaker 1>or I'd have to be like, hey, Maddie, that was funny.

0:25:39.000 --> 0:25:41.000
<v Speaker 1>And then suddenly, like you and I are talking, everyone's like,

0:25:41.000 --> 0:25:42.600
<v Speaker 1>why do I give a shit about this guy? Maddie?

0:25:42.640 --> 0:25:44.479
<v Speaker 1>Who is this guy? Like they don't care? Right, So,

0:25:44.680 --> 0:25:49.920
<v Speaker 1>like it doesn't work, And but the point is in

0:25:50.040 --> 0:25:53.360
<v Speaker 1>sort of just sort of talking to these people over

0:25:53.400 --> 0:25:58.960
<v Speaker 1>the years, Um, it just kind of naturally kind of

0:25:59.000 --> 0:26:01.240
<v Speaker 1>prepared me to be able to, I think, be a

0:26:01.280 --> 0:26:04.359
<v Speaker 1>good interviewer, which I think the key is hopefully I

0:26:04.400 --> 0:26:07.200
<v Speaker 1>am people think I AM is doing a lot of research,

0:26:07.240 --> 0:26:11.080
<v Speaker 1>trying to ask questions that other people haven't asked, and um,

0:26:11.320 --> 0:26:13.960
<v Speaker 1>letting the conversation go where it's going to go and

0:26:14.000 --> 0:26:17.359
<v Speaker 1>not be stuck to your script, you know. Like, um,

0:26:17.440 --> 0:26:20.160
<v Speaker 1>And I think that's the same with my stand up, right, So,

0:26:20.280 --> 0:26:22.720
<v Speaker 1>like I might have a decide, I might make a

0:26:22.760 --> 0:26:25.320
<v Speaker 1>decision that I'm going to do some jokes about my

0:26:25.480 --> 0:26:28.480
<v Speaker 1>crazy Italian mom, But then I get the sense that

0:26:28.560 --> 0:26:30.320
<v Speaker 1>I don't know, maybe it's a younger crowd or something,

0:26:30.320 --> 0:26:32.479
<v Speaker 1>and they're just not gonna go for I do a

0:26:32.520 --> 0:26:35.280
<v Speaker 1>mom joke and it doesn't do well, I'll shift, I'll

0:26:35.280 --> 0:26:37.959
<v Speaker 1>shift out of it and go to something else. And

0:26:38.040 --> 0:26:40.800
<v Speaker 1>that's the same thing with an interview where the podcast

0:26:40.960 --> 0:26:44.000
<v Speaker 1>is Like what I love about the podcast and the

0:26:44.080 --> 0:26:47.760
<v Speaker 1>long form and the and no interruptions is that you

0:26:47.800 --> 0:26:50.240
<v Speaker 1>can start down a strain of you know, talking to

0:26:50.720 --> 0:26:53.040
<v Speaker 1>you know you about your career and radio. But then

0:26:53.119 --> 0:26:55.640
<v Speaker 1>you have this great story that kind of veers off

0:26:56.480 --> 0:26:58.520
<v Speaker 1>that says, have something else about you that I had

0:26:58.520 --> 0:27:01.880
<v Speaker 1>no preparation for, that I I didn't read about. And

0:27:01.920 --> 0:27:04.080
<v Speaker 1>that that to me is when you know, you get

0:27:04.119 --> 0:27:07.560
<v Speaker 1>goose bumps and it's like a great conversation because now

0:27:07.800 --> 0:27:10.359
<v Speaker 1>I know the guests is comfortable because I'm they're taking

0:27:10.400 --> 0:27:13.000
<v Speaker 1>me places that they normally don't go, and interviews they're

0:27:13.080 --> 0:27:17.119
<v Speaker 1>less guarded and it becomes a real conversation as opposed to, Hi,

0:27:17.240 --> 0:27:20.600
<v Speaker 1>I'm gonna answer these four kind of questions that always

0:27:20.600 --> 0:27:22.320
<v Speaker 1>get asked to me, like what's it like to kiss

0:27:22.720 --> 0:27:25.720
<v Speaker 1>George Clooney? And well do you have a big trailer

0:27:25.760 --> 0:27:28.119
<v Speaker 1>around the set? And all the same questions that they answer,

0:27:28.240 --> 0:27:31.040
<v Speaker 1>and when you start asking questions that they don't normally get.

0:27:31.080 --> 0:27:33.280
<v Speaker 1>They go, oh my god, this is so much fun.

0:27:33.320 --> 0:27:36.800
<v Speaker 1>I can't believe you knew that, and research that and

0:27:36.800 --> 0:27:40.119
<v Speaker 1>and so I think that there's so much that comes

0:27:40.119 --> 0:27:43.840
<v Speaker 1>out of it, out of podcasting, just as beyond just

0:27:44.480 --> 0:27:47.560
<v Speaker 1>the entertainment factor. I like. I I like to have

0:27:47.600 --> 0:27:50.119
<v Speaker 1>people on my podcast. I have two kinds of people,

0:27:50.160 --> 0:27:53.840
<v Speaker 1>people that you know, a list you know, good good

0:27:53.880 --> 0:27:57.399
<v Speaker 1>celebrity name people from different walks of life, who you

0:27:57.440 --> 0:27:59.480
<v Speaker 1>think you know, but you don't really know, and this

0:27:59.520 --> 0:28:01.080
<v Speaker 1>is gonna give you a chance to really get a

0:28:01.080 --> 0:28:03.560
<v Speaker 1>window into them because it's a long form interview, or

0:28:03.640 --> 0:28:05.879
<v Speaker 1>people you don't know who I think you should know,

0:28:06.119 --> 0:28:08.399
<v Speaker 1>Like I did to two Emmy specials right around the

0:28:08.400 --> 0:28:11.000
<v Speaker 1>Emmys with my acting coach, who's one of the who's

0:28:11.040 --> 0:28:14.040
<v Speaker 1>probably the best acting coach in the country and a

0:28:14.119 --> 0:28:16.960
<v Speaker 1>big director too, and he talked about the history of

0:28:16.960 --> 0:28:19.120
<v Speaker 1>the Emmy's, what they really mean, why they don't really

0:28:19.119 --> 0:28:23.280
<v Speaker 1>mean that much, and it was so fascinating. And I

0:28:23.320 --> 0:28:26.000
<v Speaker 1>think that's what podcasting for me should do. It should

0:28:26.040 --> 0:28:28.080
<v Speaker 1>sort of expose people to things that they haven't been

0:28:28.080 --> 0:28:31.760
<v Speaker 1>exposed to before. I tell my class at the university,

0:28:32.040 --> 0:28:34.119
<v Speaker 1>the class one of the classes I teached that I

0:28:34.119 --> 0:28:37.400
<v Speaker 1>always feel like the podcast goes best when I only

0:28:37.440 --> 0:28:39.360
<v Speaker 1>get to maybe two of the questions I wrote down.

0:28:39.400 --> 0:28:41.640
<v Speaker 1>And when they go badly is when I keep forcing

0:28:41.680 --> 0:28:44.480
<v Speaker 1>it and trying to ask the questions that I think

0:28:44.520 --> 0:28:48.080
<v Speaker 1>I want to ask and I think people want to know. Yeah, yeah,

0:28:48.120 --> 0:28:50.920
<v Speaker 1>and never those never sound as good, right. But the

0:28:50.920 --> 0:28:52.840
<v Speaker 1>thing is, like, that's what some people will do. I mean,

0:28:52.880 --> 0:28:55.040
<v Speaker 1>you're so great that people should know, Like, like you said,

0:28:55.040 --> 0:28:58.000
<v Speaker 1>we've known each other, You're you're probably the best person

0:28:58.080 --> 0:29:01.160
<v Speaker 1>I've been with on radio because you are prepared. But

0:29:01.200 --> 0:29:04.080
<v Speaker 1>then you throw the script out and you're you're engaged

0:29:04.120 --> 0:29:06.640
<v Speaker 1>and you care and you like you make the guests

0:29:06.680 --> 0:29:10.440
<v Speaker 1>feel like what they're saying really matters if somebody wants

0:29:10.480 --> 0:29:13.280
<v Speaker 1>to hear it. But when someone like is so tied

0:29:13.360 --> 0:29:16.560
<v Speaker 1>to their script that they like, I'll listen. Sometimes, not

0:29:16.640 --> 0:29:19.720
<v Speaker 1>just on podcasts, the TV or whatever, somebody will say

0:29:19.760 --> 0:29:23.840
<v Speaker 1>something that's grab I'm yelling at the screen or whatever.

0:29:23.920 --> 0:29:27.440
<v Speaker 1>Grab sake follow up on that, like instead, they they're

0:29:27.440 --> 0:29:30.200
<v Speaker 1>walking to the next freaking question and the guy or

0:29:30.200 --> 0:29:32.800
<v Speaker 1>the woman just gave him a piece of gold and

0:29:32.840 --> 0:29:35.240
<v Speaker 1>they missed it, and they missed it because they weren't

0:29:35.240 --> 0:29:37.240
<v Speaker 1>in the moment. They weren't listening, you know. And it's

0:29:37.760 --> 0:29:39.920
<v Speaker 1>kind of cliche, but it is about all. It is

0:29:39.960 --> 0:29:42.440
<v Speaker 1>about the listening. It's the same exact thing with my

0:29:43.040 --> 0:29:45.640
<v Speaker 1>stand up. Like if I if I go up with

0:29:45.680 --> 0:29:47.320
<v Speaker 1>a prepared thing where I'm going to talk to you

0:29:47.320 --> 0:29:49.160
<v Speaker 1>about your plaid shirt and into a plaid shirt, you

0:29:49.240 --> 0:29:52.160
<v Speaker 1>might say something like, yeah, it's plaid, and my wife's

0:29:52.200 --> 0:29:54.680
<v Speaker 1>cheating on me. So anyway, I got a plaid shirt too,

0:29:54.800 --> 0:29:57.920
<v Speaker 1>and I missed my wife, and like I should be

0:29:58.000 --> 0:30:00.520
<v Speaker 1>drummed out of stand up if that happens. Believe me,

0:30:00.520 --> 0:30:02.600
<v Speaker 1>there are people to do that, like they'll miss it

0:30:03.000 --> 0:30:07.040
<v Speaker 1>because they're so fixated and they're not listening. And uh

0:30:07.080 --> 0:30:10.480
<v Speaker 1>and so you know, I think that for me anyway,

0:30:10.480 --> 0:30:12.560
<v Speaker 1>And you know that in my podcast it's funny. I'm

0:30:12.600 --> 0:30:15.000
<v Speaker 1>a comedian, but like it's not me doing my bit

0:30:15.360 --> 0:30:16.960
<v Speaker 1>on a podcast. If you want to see me to

0:30:17.000 --> 0:30:18.680
<v Speaker 1>stand up, become to see me to stand up. This

0:30:18.760 --> 0:30:21.080
<v Speaker 1>is like another part of me that I and I

0:30:21.160 --> 0:30:23.200
<v Speaker 1>just always like wong form interviews, so I figured it

0:30:23.320 --> 0:30:30.960
<v Speaker 1>why not. You know, what's a couple of the surprising

0:30:30.960 --> 0:30:34.160
<v Speaker 1>moments that you've had so far on the show, Neil

0:30:34.200 --> 0:30:36.360
<v Speaker 1>the Crosse Tyson telling me that he was almost gonna

0:30:36.400 --> 0:30:40.400
<v Speaker 1>be a male stripper to make extra money. No ship. Yeah,

0:30:40.480 --> 0:30:43.160
<v Speaker 1>he was at the University of Texas. I mean, I

0:30:43.160 --> 0:30:44.840
<v Speaker 1>think everybody knows who he is. Who he is, but

0:30:44.880 --> 0:30:47.000
<v Speaker 1>he's the head of the Haydon Hayden Planetarium here in

0:30:47.000 --> 0:30:52.480
<v Speaker 1>New York and like a genius uh astrophysicist, like you know,

0:30:52.640 --> 0:30:56.920
<v Speaker 1>he's but a great personality too, and he was getting

0:30:56.920 --> 0:30:59.880
<v Speaker 1>his PhD. I think at the University of Texas. Any

0:31:00.080 --> 0:31:02.240
<v Speaker 1>was you know, hard up for money, and he was

0:31:02.240 --> 0:31:04.360
<v Speaker 1>an athlete, like he was a he was a wrestler

0:31:04.400 --> 0:31:07.040
<v Speaker 1>and then um, I think he was a dancer too,

0:31:07.320 --> 0:31:10.040
<v Speaker 1>Like he's quite an athlete, and some of his buddies

0:31:10.040 --> 0:31:13.160
<v Speaker 1>were like stripping from extra money at the local strip club.

0:31:13.200 --> 0:31:16.240
<v Speaker 1>So he went down and was considering it. So he's free.

0:31:16.240 --> 0:31:17.920
<v Speaker 1>He came. He went down with one of his friends

0:31:18.000 --> 0:31:20.360
<v Speaker 1>and he sits down and the first guy comes out.

0:31:20.440 --> 0:31:23.120
<v Speaker 1>It's not his friends, just the guy, and the guy

0:31:23.280 --> 0:31:25.680
<v Speaker 1>like tears off his pants and he's doing the whole

0:31:25.760 --> 0:31:27.840
<v Speaker 1>dancing stuff. And now he's down there his thong and

0:31:29.360 --> 0:31:32.080
<v Speaker 1>he takes light of fluid and squirts it on his uh,

0:31:32.200 --> 0:31:34.600
<v Speaker 1>you know, his growing area and then lights it on fire.

0:31:34.640 --> 0:31:39.080
<v Speaker 1>It's a great balls of fire. And so at that

0:31:39.080 --> 0:31:41.080
<v Speaker 1>moment Neil goes, I think I got up and I

0:31:41.160 --> 0:31:43.400
<v Speaker 1>walked out and said this isn't for me, right, so

0:31:44.320 --> 0:31:49.360
<v Speaker 1>um or you know, like it's just well, you know,

0:31:49.440 --> 0:31:51.720
<v Speaker 1>we talked about Paul McCartney and yeah, that story is

0:31:51.720 --> 0:31:54.640
<v Speaker 1>great because I know how excited you were to get

0:31:54.640 --> 0:31:56.880
<v Speaker 1>that interview too, and how you got it's pretty interested

0:31:56.920 --> 0:31:59.200
<v Speaker 1>it it was crazy. Yeah, well he's got a great

0:31:59.240 --> 0:32:01.840
<v Speaker 1>story of just they used to tour around in a

0:32:01.960 --> 0:32:05.000
<v Speaker 1>van when they had no money, and that the van

0:32:05.120 --> 0:32:07.440
<v Speaker 1>got broken into one night and it was freezing and

0:32:07.440 --> 0:32:10.160
<v Speaker 1>they had to like all sleep in the van and

0:32:10.240 --> 0:32:12.360
<v Speaker 1>what he calls like a Beatles sandwich and they all,

0:32:12.400 --> 0:32:14.640
<v Speaker 1>like the four them, like huddled up against each other,

0:32:14.680 --> 0:32:17.320
<v Speaker 1>and I could just picture that, like these are guys

0:32:17.360 --> 0:32:20.480
<v Speaker 1>that are, you know, bigger than anybody on the planet

0:32:20.520 --> 0:32:22.240
<v Speaker 1>and that but to see that side of them in

0:32:22.280 --> 0:32:25.560
<v Speaker 1>your mind, I think is really fascinating. And he was great,

0:32:25.640 --> 0:32:27.600
<v Speaker 1>like I. He was at the Colbert Report and he

0:32:27.680 --> 0:32:31.920
<v Speaker 1>was he was going to be the special musical guest

0:32:32.120 --> 0:32:34.360
<v Speaker 1>and uh, don't ask me why I think the guy

0:32:34.440 --> 0:32:37.800
<v Speaker 1>is just average. No, I'm kidding. Uh and uh and

0:32:37.800 --> 0:32:39.960
<v Speaker 1>and he had just finished rehearsal and I was working

0:32:39.960 --> 0:32:43.040
<v Speaker 1>at the Colbert Report, and I was running downstairs to

0:32:43.080 --> 0:32:44.840
<v Speaker 1>go into the studio. And I round the corner and

0:32:44.880 --> 0:32:47.400
<v Speaker 1>Paul McCartney standing in the hallway like all alone. And

0:32:47.440 --> 0:32:50.000
<v Speaker 1>I mean like all alone. You didn't have anybody with him,

0:32:50.000 --> 0:32:52.640
<v Speaker 1>which threw me more than anything else, because you'd expect

0:32:52.680 --> 0:32:55.360
<v Speaker 1>the guy of that stature, you know, to kind of

0:32:56.000 --> 0:32:59.520
<v Speaker 1>have all security and a helicopter hovering above his head

0:32:59.560 --> 0:33:01.000
<v Speaker 1>all the time time, you know what I mean, like,

0:33:01.560 --> 0:33:04.840
<v Speaker 1>but nothing And uh. And I'm like, should I say hi?

0:33:04.920 --> 0:33:07.120
<v Speaker 1>Should I not say Hi? And I'm like, you know,

0:33:07.200 --> 0:33:10.920
<v Speaker 1>what's screw it? He's he's alone, uh, in a hallway,

0:33:11.440 --> 0:33:14.840
<v Speaker 1>no guards or anything. He's like a gazelle on the

0:33:14.840 --> 0:33:17.360
<v Speaker 1>Serengetti plane and on the line. I'm gonna pounce, right.

0:33:17.440 --> 0:33:19.760
<v Speaker 1>So I just go over and I say, hey, it's

0:33:19.920 --> 0:33:21.600
<v Speaker 1>great to meet you. I'm a big fan. I start

0:33:21.640 --> 0:33:23.000
<v Speaker 1>to walk away and he goes, hey, come back. I

0:33:23.040 --> 0:33:25.320
<v Speaker 1>go where he goes what's your name? I go Paul

0:33:25.320 --> 0:33:28.040
<v Speaker 1>And he goes, oh, Paul, that's a good name. I'm like,

0:33:28.240 --> 0:33:30.720
<v Speaker 1>I'll do the joke's asshole, all right, just back off.

0:33:30.800 --> 0:33:33.640
<v Speaker 1>This is all I have. Okay, You've got everything. So

0:33:34.440 --> 0:33:36.000
<v Speaker 1>he goes, what do you do? I'm a stand up

0:33:36.040 --> 0:33:37.479
<v Speaker 1>You start talking. You got a kid? Yeah, I got

0:33:37.520 --> 0:33:39.680
<v Speaker 1>a kid touring, that's all right. Yeah. One thing leads

0:33:39.720 --> 0:33:43.440
<v Speaker 1>to another, and I'm talking to Paul McCartney like, I'm

0:33:43.480 --> 0:33:45.200
<v Speaker 1>talking to you for like ten minutes. If people walking

0:33:45.240 --> 0:33:47.160
<v Speaker 1>by me like great, Paul mecury, Paul McCarty, Like I

0:33:47.200 --> 0:33:48.840
<v Speaker 1>don't know, and I'm waiting for someone that tays me

0:33:48.920 --> 0:33:50.920
<v Speaker 1>for talking to the guy like I don't know what's

0:33:50.920 --> 0:33:53.640
<v Speaker 1>going on. And then and on the outside, I'm all

0:33:53.640 --> 0:33:55.800
<v Speaker 1>smooth and hip. I'm like, hey, I'm talking to Paul McCarty.

0:33:55.840 --> 0:33:57.920
<v Speaker 1>And on the inside, I'm like, I'm talking like I

0:33:58.000 --> 0:34:00.120
<v Speaker 1>was out of my mind right like those girls as

0:34:00.120 --> 0:34:02.520
<v Speaker 1>you see, like from the sixties, screaming at the top

0:34:02.560 --> 0:34:08.279
<v Speaker 1>of their lunge. And so it comes full circle. By

0:34:08.320 --> 0:34:09.600
<v Speaker 1>the way, I just to stand up on the Lay

0:34:09.600 --> 0:34:11.920
<v Speaker 1>Show with Stephen Colbert, which is the stage where Ed

0:34:11.960 --> 0:34:15.200
<v Speaker 1>Sullivan Theater is, which is where the Beatles made that

0:34:15.560 --> 0:34:18.520
<v Speaker 1>famous performance when they first came to America was like,

0:34:18.560 --> 0:34:20.600
<v Speaker 1>so it's a full circle. So I'm standing on that

0:34:20.680 --> 0:34:23.400
<v Speaker 1>same stage a couple of weeks ago. I just doing

0:34:23.440 --> 0:34:26.800
<v Speaker 1>that stand up a stand up set. So anyway, um,

0:34:26.840 --> 0:34:28.560
<v Speaker 1>I say, okay, it's great to meet you, and I

0:34:28.640 --> 0:34:30.600
<v Speaker 1>leave and I call my wife and I'm like, I

0:34:30.640 --> 0:34:35.399
<v Speaker 1>go in the bathroom like hyperventilating, like Paul McCartney because

0:34:35.400 --> 0:34:37.120
<v Speaker 1>why are you breathing heavy in a bathroom? Like now,

0:34:37.160 --> 0:34:38.960
<v Speaker 1>I'm not doing that. I'm just calling you because I'm

0:34:38.960 --> 0:34:42.920
<v Speaker 1>really right. So I then hang up the phone and go,

0:34:43.280 --> 0:34:45.440
<v Speaker 1>Paul McCarney should do my podcast, Like that's how my

0:34:45.440 --> 0:34:47.759
<v Speaker 1>brain works. And I'm thinking, look at the guys in

0:34:47.760 --> 0:34:50.080
<v Speaker 1>his seventies even gonna know what a podcast is, right.

0:34:50.480 --> 0:34:52.120
<v Speaker 1>But I go and I knock on a dressing room

0:34:52.120 --> 0:34:54.040
<v Speaker 1>door and I'm like, hey, I know this is crazy,

0:34:54.080 --> 0:34:56.080
<v Speaker 1>but i'd love to talk to you about making music.

0:34:56.120 --> 0:34:58.400
<v Speaker 1>Would you do my podcast? He goes yeah, sure, just

0:34:58.640 --> 0:35:02.640
<v Speaker 1>like that wow, And that's what through me because I

0:35:02.719 --> 0:35:04.279
<v Speaker 1>it's sort of like when you're in high school and

0:35:04.280 --> 0:35:06.359
<v Speaker 1>there's that really hot girl. You want to ask out

0:35:06.360 --> 0:35:09.080
<v Speaker 1>our guy, but their way above your pay grade. Would

0:35:09.080 --> 0:35:11.839
<v Speaker 1>you ask him out? Anyway? But you know, they're gonna

0:35:11.840 --> 0:35:13.960
<v Speaker 1>say no. Instead they say yes and you don't have

0:35:14.000 --> 0:35:17.120
<v Speaker 1>a plan. Well that was me because he goes, yeah, sure,

0:35:17.160 --> 0:35:19.640
<v Speaker 1>how would we do it? And I literally made these noises.

0:35:19.680 --> 0:35:24.000
<v Speaker 1>I'm like uh um, and I'm like rubbing my leg

0:35:24.080 --> 0:35:26.600
<v Speaker 1>like rain man. I was just like completely, I go,

0:35:27.040 --> 0:35:30.440
<v Speaker 1>I go, I go, uh, I'll come to London. And

0:35:30.480 --> 0:35:32.160
<v Speaker 1>he goes, we're in New York City together. Why would

0:35:32.200 --> 0:35:35.319
<v Speaker 1>you come to London? And then he said is it

0:35:35.360 --> 0:35:37.919
<v Speaker 1>easy to do? And I actually said, to the most

0:35:37.960 --> 0:35:41.720
<v Speaker 1>influential musician in the last century, uh yeah, it's really easy.

0:35:42.080 --> 0:35:44.720
<v Speaker 1>You could do it on your phone naked from your toilet.

0:35:44.800 --> 0:35:47.400
<v Speaker 1>I'm like, what am I saying? I gotta get out

0:35:47.440 --> 0:35:50.000
<v Speaker 1>of here. I'm gonna screw this up, so I leave.

0:35:50.239 --> 0:35:52.360
<v Speaker 1>I'm about to leave. I say, I'll go set this

0:35:52.440 --> 0:35:54.160
<v Speaker 1>up with one of your assistants and he goes, now, man,

0:35:54.160 --> 0:35:55.839
<v Speaker 1>he goes, they'll just they'll mess it up. He goes,

0:35:55.840 --> 0:35:57.120
<v Speaker 1>you and I'll do it. I go, what do you mean?

0:35:57.120 --> 0:36:00.120
<v Speaker 1>He goes, let's just exchange numbers and I'll call all

0:36:00.200 --> 0:36:04.960
<v Speaker 1>you and we'll do it. And I'm like okay, And

0:36:04.960 --> 0:36:06.160
<v Speaker 1>then I said, I'm not going to sleep with you

0:36:06.160 --> 0:36:09.239
<v Speaker 1>old man. But then I said, actually, I'll sleep with

0:36:09.280 --> 0:36:11.360
<v Speaker 1>your your beetle, screw it, I'll sleep with you. No.

0:36:11.560 --> 0:36:14.080
<v Speaker 1>So I handed my number, my handshaking, and I'm handing

0:36:14.080 --> 0:36:16.000
<v Speaker 1>my number to Paul McCartney. He's giving me his number.

0:36:16.920 --> 0:36:18.759
<v Speaker 1>And then I thought I got it, like Leno. I

0:36:18.760 --> 0:36:20.640
<v Speaker 1>thought I got a really nice blow off. He does

0:36:20.840 --> 0:36:23.640
<v Speaker 1>the Colbert Show. Now I'm rushing to get to the

0:36:23.680 --> 0:36:25.920
<v Speaker 1>Daily Show. On my phone rings and I don't recognize

0:36:25.920 --> 0:36:29.319
<v Speaker 1>the number, and I let it ring the voicemail and

0:36:29.400 --> 0:36:34.759
<v Speaker 1>this is the message on my phone. Caught me here.

0:36:35.200 --> 0:36:38.560
<v Speaker 1>I'm gonna ring you back in five minutes the podcast thing.

0:36:39.040 --> 0:36:42.239
<v Speaker 1>I've got some time now, I'm gonna run out of time.

0:36:42.320 --> 0:36:46.000
<v Speaker 1>So if you're that at five minutes time, you call me, okay,

0:36:46.080 --> 0:36:52.560
<v Speaker 1>fine ship myself. I would I would shoot myself. And

0:36:52.600 --> 0:36:54.759
<v Speaker 1>then I'm just I picked that message up on the

0:36:54.800 --> 0:36:57.040
<v Speaker 1>streets of New York and I started like ranting, like

0:36:57.080 --> 0:36:59.360
<v Speaker 1>a you know, you see these sort of many people

0:36:59.400 --> 0:37:01.480
<v Speaker 1>with mental problems we talked to voices in their heads.

0:37:01.520 --> 0:37:05.000
<v Speaker 1>I was just like, damn it, scream called Paul McCartney.

0:37:05.360 --> 0:37:08.040
<v Speaker 1>H never get him back. I'm just ranting and running

0:37:08.040 --> 0:37:10.359
<v Speaker 1>around the sidewalk. It was a me and I called

0:37:10.440 --> 0:37:14.160
<v Speaker 1>him back and he picked up the phone and some

0:37:14.360 --> 0:37:16.279
<v Speaker 1>actually someone else that he was actually the on the

0:37:16.320 --> 0:37:18.239
<v Speaker 1>toilet and I had to wait for him. So that now,

0:37:18.320 --> 0:37:21.240
<v Speaker 1>well you told him you could do it on the toilet. Yeah, exactly.

0:37:21.280 --> 0:37:23.279
<v Speaker 1>So in all capul I go, just keep taking a

0:37:23.280 --> 0:37:25.920
<v Speaker 1>ship and we'll talk and no. So I got him

0:37:25.920 --> 0:37:28.880
<v Speaker 1>on and uh and I could picture him on the toilet.

0:37:28.960 --> 0:37:31.000
<v Speaker 1>I'm like, I must be the most genius ship ever.

0:37:31.080 --> 0:37:34.279
<v Speaker 1>He's a genius. Everything he does his genius right and uh.

0:37:34.520 --> 0:37:36.279
<v Speaker 1>And then I got him on the phone and we

0:37:36.320 --> 0:37:38.880
<v Speaker 1>talked and that was that was I got the interview.

0:37:38.920 --> 0:37:42.200
<v Speaker 1>It was crazy. And by the way, you would appreciate this,

0:37:42.520 --> 0:37:46.680
<v Speaker 1>you know, being creating podcast producing them being on my

0:37:47.680 --> 0:37:49.359
<v Speaker 1>studio at the time was in l A. And I'm

0:37:49.360 --> 0:37:51.920
<v Speaker 1>in New York. So I called him in l A

0:37:51.960 --> 0:37:54.480
<v Speaker 1>and I go, uh, I need a recording line. I

0:37:54.480 --> 0:37:57.040
<v Speaker 1>got Paul McCartney for an interview, and this young guy

0:37:57.160 --> 0:37:59.640
<v Speaker 1>who like was like clueless, goes, oh, yeah, we don't

0:37:59.640 --> 0:38:02.120
<v Speaker 1>have any available to somebody in the studio right now,

0:38:03.440 --> 0:38:08.000
<v Speaker 1>right exa and right, so, I you know, just losing

0:38:08.080 --> 0:38:10.960
<v Speaker 1>go did you not hear me, I have Paul McCartney.

0:38:11.040 --> 0:38:14.400
<v Speaker 1>I said, unless you have Jesus Christ or John Lennon

0:38:14.440 --> 0:38:16.359
<v Speaker 1>in that studio, get him out of there right now.

0:38:17.719 --> 0:38:19.239
<v Speaker 1>And then I was like, oh my god. And then

0:38:19.239 --> 0:38:21.560
<v Speaker 1>I had to stall Paul McCartney for twenty five minutes

0:38:21.560 --> 0:38:24.399
<v Speaker 1>while we got a line set up because they could

0:38:24.520 --> 0:38:26.600
<v Speaker 1>they had to get another different It was crazy. It

0:38:26.640 --> 0:38:29.319
<v Speaker 1>was the most stressful. At one point I just said, sir,

0:38:29.400 --> 0:38:32.000
<v Speaker 1>I'm losing my mind. Can we just set this up?

0:38:32.040 --> 0:38:33.719
<v Speaker 1>Anytime goes no. Man, you got me now, you gotta

0:38:33.760 --> 0:38:37.000
<v Speaker 1>get me now. And I got them and it was crazy,

0:38:37.200 --> 0:38:39.799
<v Speaker 1>you know. I think as listening to that story, you know,

0:38:39.840 --> 0:38:41.560
<v Speaker 1>one of the things that strikes me is is why

0:38:41.600 --> 0:38:44.040
<v Speaker 1>you got the interview, is that you asked and that

0:38:44.120 --> 0:38:46.799
<v Speaker 1>you went up and talked. Because I think today and

0:38:47.040 --> 0:38:49.919
<v Speaker 1>maybe you know, you've you've noticed as this as a celebrity,

0:38:50.040 --> 0:38:52.040
<v Speaker 1>nobody goes up and talks and says hi, and how

0:38:52.080 --> 0:38:54.080
<v Speaker 1>are you doing anymore? They just walk up, put their

0:38:54.120 --> 0:38:56.200
<v Speaker 1>camera up and want to get it fucking selfie. You

0:38:56.400 --> 0:38:59.680
<v Speaker 1>totally nailed it. That's exactly why I think. And I

0:38:59.760 --> 0:39:01.799
<v Speaker 1>heard later he doesn't like it when people ask him

0:39:01.800 --> 0:39:04.200
<v Speaker 1>for photos. I didn't ask him for a picture, and

0:39:04.239 --> 0:39:07.440
<v Speaker 1>I didn't ask him for an autographed and I didn't.

0:39:07.600 --> 0:39:10.160
<v Speaker 1>It wasn't one of those like sycophantic fans, like tell

0:39:10.200 --> 0:39:12.000
<v Speaker 1>me about John and what was true. I didn't talk

0:39:12.000 --> 0:39:14.920
<v Speaker 1>to him about the Beatles. I literally talked to him

0:39:14.960 --> 0:39:16.719
<v Speaker 1>like I talked to you. We talked about his kid

0:39:16.760 --> 0:39:20.600
<v Speaker 1>and my kid, and touring and comedy and the comedians

0:39:20.640 --> 0:39:22.760
<v Speaker 1>that he liked he was close with, like Richard Pryor

0:39:22.800 --> 0:39:25.040
<v Speaker 1>and some of these other guys. And I think they

0:39:25.080 --> 0:39:27.040
<v Speaker 1>just want to be treated like normal people, you know,

0:39:27.200 --> 0:39:30.000
<v Speaker 1>especially him. He's the biggest star on the planet literally,

0:39:30.680 --> 0:39:33.360
<v Speaker 1>and I think that's what ingratiated me to him and

0:39:33.480 --> 0:39:36.319
<v Speaker 1>I and I was honest when I said to him,

0:39:36.400 --> 0:39:38.040
<v Speaker 1>I want to interview because I want to talk to

0:39:38.120 --> 0:39:40.600
<v Speaker 1>you about music and how you make music. And that's

0:39:40.600 --> 0:39:42.720
<v Speaker 1>all I talked about. You go listen to the interview.

0:39:43.120 --> 0:39:46.520
<v Speaker 1>There's not one question about his relationship with Yoko and

0:39:46.520 --> 0:39:49.240
<v Speaker 1>if they still aid each other and you know, getting

0:39:49.320 --> 0:39:52.120
<v Speaker 1>laid on the road, or how drug stories or you

0:39:52.120 --> 0:39:54.520
<v Speaker 1>know what it was like. John Lennon was like and

0:39:54.560 --> 0:39:57.680
<v Speaker 1>none of that stuff, none of the salacious people magazine stuff.

0:39:57.680 --> 0:40:01.239
<v Speaker 1>It was literally about the process of writing music. Like,

0:40:01.280 --> 0:40:04.200
<v Speaker 1>the first question I asked him was, I'm a comic

0:40:04.239 --> 0:40:06.319
<v Speaker 1>and you have a certain style and your fans get

0:40:06.440 --> 0:40:10.040
<v Speaker 1>used to it. But where did you, guys, at the

0:40:10.040 --> 0:40:14.360
<v Speaker 1>tender age of where you had the world at your feet,

0:40:15.200 --> 0:40:17.839
<v Speaker 1>get the guts to change your sounds so radically from

0:40:17.880 --> 0:40:20.320
<v Speaker 1>one album to the next and not worry about losing

0:40:20.360 --> 0:40:23.239
<v Speaker 1>your fan base. And he goes, oh, nobody ever asked

0:40:23.239 --> 0:40:26.000
<v Speaker 1>me that before, and so when they say that, you know, yeah,

0:40:26.000 --> 0:40:28.120
<v Speaker 1>that's always the best I get. I get, I get

0:40:28.160 --> 0:40:31.640
<v Speaker 1>would anytime we hear that that exactly exactly, and you

0:40:31.640 --> 0:40:33.640
<v Speaker 1>get you don't get with that easily. You've got issues,

0:40:33.680 --> 0:40:37.839
<v Speaker 1>I know. And he said, you know, we didn't think

0:40:37.880 --> 0:40:39.840
<v Speaker 1>about that at the time. We just would do something

0:40:39.840 --> 0:40:42.080
<v Speaker 1>and we're like, okay, we did that sound. Now let's

0:40:42.360 --> 0:40:45.640
<v Speaker 1>go and explore and try something else. And it was

0:40:45.680 --> 0:40:51.239
<v Speaker 1>a pure artist's answer. So I think that, yeah, you know, attempting,

0:40:51.280 --> 0:40:53.440
<v Speaker 1>you know, working on these shows, you're around these celebrities

0:40:53.440 --> 0:40:55.680
<v Speaker 1>all the time. There is a sense, like sense sense

0:40:55.719 --> 0:40:57.839
<v Speaker 1>sensibility of like let me see even get something from

0:40:57.840 --> 0:40:59.480
<v Speaker 1>the guy, let me get a picture and show my friends.

0:40:59.480 --> 0:41:01.040
<v Speaker 1>And then this time us back to your question about

0:41:01.040 --> 0:41:03.279
<v Speaker 1>social media, because I'll post it on social media and

0:41:03.320 --> 0:41:05.759
<v Speaker 1>I'll get more followers and people think I'm cool. It's

0:41:05.800 --> 0:41:08.200
<v Speaker 1>like social media creates monsters out of people, you know

0:41:08.239 --> 0:41:10.239
<v Speaker 1>what I mean, like it it drives you to do

0:41:10.360 --> 0:41:13.520
<v Speaker 1>stuff that you normally wouldn't do, you know, So that

0:41:13.680 --> 0:41:15.880
<v Speaker 1>I think that was I think you're totally spot on.

0:41:15.920 --> 0:41:24.520
<v Speaker 1>That was the key to that whole thing. All right, Paul,

0:41:24.560 --> 0:41:26.600
<v Speaker 1>Before we go, We've got a little segment we do

0:41:26.680 --> 0:41:28.920
<v Speaker 1>at the end of the podcast called three Killer Questions.

0:41:29.160 --> 0:41:31.520
<v Speaker 1>I'm going to ask you three questions you're gonna give

0:41:31.520 --> 0:41:34.799
<v Speaker 1>me an answer. The first question is, if you could

0:41:34.800 --> 0:41:38.600
<v Speaker 1>listen to a podcast featuring anybody living or dead, whose

0:41:38.640 --> 0:41:42.200
<v Speaker 1>podcast would you want to listen to? You mean with

0:41:42.239 --> 0:41:44.880
<v Speaker 1>that person on it? Yeah, Like with that person hosting

0:41:44.880 --> 0:41:50.239
<v Speaker 1>it and being the point I think it would be.

0:41:51.400 --> 0:41:55.080
<v Speaker 1>I think the Pope, yeah, because like you never really

0:41:55.120 --> 0:41:57.680
<v Speaker 1>hear much from the Pope except some prayers in Latin,

0:41:57.800 --> 0:42:00.120
<v Speaker 1>and I don't have the time to study Latin and

0:42:00.360 --> 0:42:04.480
<v Speaker 1>uh ie like kind of but like a real, a

0:42:04.520 --> 0:42:06.799
<v Speaker 1>real conversation with the Pope, not one that just is

0:42:06.840 --> 0:42:09.000
<v Speaker 1>like the syrup be like religious thing. I think that

0:42:09.000 --> 0:42:11.480
<v Speaker 1>would be really cool. And then I got to ask him,

0:42:11.520 --> 0:42:12.960
<v Speaker 1>you know, just at d M, like what are you

0:42:13.000 --> 0:42:15.640
<v Speaker 1>wearing under your robe? Are you wearing anything? Are you

0:42:15.680 --> 0:42:17.560
<v Speaker 1>a tidy, whitey guy? You know, I just throwing a

0:42:17.640 --> 0:42:21.360
<v Speaker 1>couple of questions like that. What was the first piece

0:42:21.360 --> 0:42:27.799
<v Speaker 1>of technology that changed your life? Oh, vibrator? Uh yeah,

0:42:27.880 --> 0:42:29.719
<v Speaker 1>and I and I was alone with it. I just

0:42:29.800 --> 0:42:32.800
<v Speaker 1>used it on myself. It was it was I wanted

0:42:32.800 --> 0:42:36.279
<v Speaker 1>to go to prison. I liked it so much. Um,

0:42:36.360 --> 0:42:39.919
<v Speaker 1>the first piece of technology to change my life, I'd

0:42:39.960 --> 0:42:42.719
<v Speaker 1>have to say that the computer, like just the the

0:42:42.800 --> 0:42:46.880
<v Speaker 1>idea that you could just like not have to write

0:42:46.880 --> 0:42:48.719
<v Speaker 1>stuff out, and you know what I mean, Like, I

0:42:48.760 --> 0:42:54.280
<v Speaker 1>think that just totally changed the whole dynamic of everything. Finally,

0:42:54.320 --> 0:43:01.160
<v Speaker 1>what was the last podcast that you binged? Um? The

0:43:01.239 --> 0:43:06.480
<v Speaker 1>last podcast I binged was? It was probably, uh, it

0:43:06.560 --> 0:43:09.920
<v Speaker 1>was probably WTF Marins? But I don't binge that often.

0:43:10.560 --> 0:43:12.040
<v Speaker 1>I mean I did a few in a row, but

0:43:12.200 --> 0:43:16.960
<v Speaker 1>probably probably Marrin's. Yeah. Um. And also MPR. I tend

0:43:17.000 --> 0:43:19.440
<v Speaker 1>to sort of live a lot on MPR too, because

0:43:19.440 --> 0:43:21.960
<v Speaker 1>I think they bring on a variety of different guests

0:43:21.960 --> 0:43:24.480
<v Speaker 1>that I like, you know what I mean that I

0:43:24.600 --> 0:43:28.560
<v Speaker 1>probably say even before Marins m MPR when when they

0:43:29.040 --> 0:43:33.000
<v Speaker 1>um and that the New Yorker specifically with David Remnick.

0:43:34.560 --> 0:43:38.680
<v Speaker 1>He just had Bruce Springsteen on recently about talking about

0:43:38.680 --> 0:43:41.920
<v Speaker 1>his book and it was a really great conversation with Bruce.

0:43:42.440 --> 0:43:44.120
<v Speaker 1>That was the kind of conversation I like to have

0:43:44.160 --> 0:43:46.400
<v Speaker 1>on my podcast because you heard about stuff that you

0:43:46.440 --> 0:43:50.960
<v Speaker 1>didn't really know about until now, Like you know more

0:43:50.960 --> 0:43:54.239
<v Speaker 1>details about his relationship with his father, and you know

0:43:54.320 --> 0:43:56.440
<v Speaker 1>that that he had no drug policy in his band.

0:43:56.520 --> 0:44:00.640
<v Speaker 1>I didn't know that, you know. Uh so that that's

0:44:00.680 --> 0:44:05.239
<v Speaker 1>probably I reworked my answer to say, David Remnick is

0:44:05.280 --> 0:44:08.239
<v Speaker 1>a New Yorker podcast, maybe my number one there right now.

0:44:08.520 --> 0:44:12.160
<v Speaker 1>And the final bonus question, which I feel just get bonus. Yeah,

0:44:12.840 --> 0:44:15.600
<v Speaker 1>so this is this is embracing my wacky morning show

0:44:15.680 --> 0:44:19.239
<v Speaker 1>radio roots. If you're if you're a sandwich personified, not

0:44:19.320 --> 0:44:21.440
<v Speaker 1>your favorite sandwich, but if there was a sandwich that

0:44:21.520 --> 0:44:25.160
<v Speaker 1>said you what what? What would you be? Wow? Oh

0:44:25.280 --> 0:44:27.640
<v Speaker 1>I think I'd be like, uh, I think I'd be

0:44:27.680 --> 0:44:30.719
<v Speaker 1>like a really messy club sandwich, Like a lot of

0:44:30.760 --> 0:44:33.400
<v Speaker 1>stuff going on, but it kind of all works together,

0:44:33.480 --> 0:44:36.959
<v Speaker 1>but like a mess you know, like there's bacon, hanging

0:44:37.000 --> 0:44:40.319
<v Speaker 1>out of one side, and a half right tomato hanging

0:44:40.320 --> 0:44:42.799
<v Speaker 1>out of another, the chicken sou then you get that

0:44:42.840 --> 0:44:45.560
<v Speaker 1>bread in the middle, Then you got the you got

0:44:45.600 --> 0:44:48.080
<v Speaker 1>the maybe some lettuce, a little bit of onion. Like

0:44:48.120 --> 0:44:51.200
<v Speaker 1>I'm I got so much going on, like I'm I'm

0:44:51.280 --> 0:44:54.280
<v Speaker 1>kind of a mess, like I'm getting an arguments with people.

0:44:54.560 --> 0:44:56.879
<v Speaker 1>It's the Italian of me. It's like that kind of thing.

0:44:57.040 --> 0:44:59.160
<v Speaker 1>I think. I think that that would be I think

0:44:59.200 --> 0:45:03.200
<v Speaker 1>a chicken cloth sandwich, chicken salad club, that would be it.

0:45:03.840 --> 0:45:06.439
<v Speaker 1>Paul Mecurio from the Paul Mercurial Show. You can find

0:45:06.440 --> 0:45:08.879
<v Speaker 1>it out on I Heart Radio on the app. Also

0:45:09.000 --> 0:45:11.240
<v Speaker 1>check him out December seven through tenth that the Tampa

0:45:11.280 --> 0:45:14.080
<v Speaker 1>Improv in Tampa, Florida, and December fourteenth through the sevente

0:45:14.200 --> 0:45:17.120
<v Speaker 1>that Omaha Funny Bone in Omaha, Nebraska. I hope one

0:45:17.200 --> 0:45:19.640
<v Speaker 1>day I'm a list enough to have you interview me.

0:45:20.040 --> 0:45:22.040
<v Speaker 1>I've been on this end of interviews with you for

0:45:22.080 --> 0:45:24.200
<v Speaker 1>so many years now. I can't wait for that. Why,

0:45:24.200 --> 0:45:25.719
<v Speaker 1>I don't know, have you come on, let's do that.

0:45:26.120 --> 0:45:29.359
<v Speaker 1>I would do it anytime, sir? All right, um, what's

0:45:29.360 --> 0:45:33.719
<v Speaker 1>your name again? Uh? Exactly, yeah, yeah, let's do that.

0:45:33.800 --> 0:45:35.360
<v Speaker 1>You're right, we could do that. Why haven't we done that?

0:45:35.680 --> 0:45:40.120
<v Speaker 1>We'll do podcaster Maddie Stout right after Judd Apple, Brian

0:45:40.200 --> 0:45:44.759
<v Speaker 1>Cranston and Stephen Colbert fit right. Yeah, absolutely, we're gonna

0:45:44.760 --> 0:45:47.560
<v Speaker 1>have you definitely. I'm sorry I didn't even think of that. Yeah,

0:45:47.560 --> 0:45:49.560
<v Speaker 1>we'll do it like next week of the week after

0:45:50.000 --> 0:45:52.279
<v Speaker 1>you let me know, you know, i'd love you know what,

0:45:52.280 --> 0:45:54.640
<v Speaker 1>I'm booked up till, but I'll catch you in. I'll

0:45:54.640 --> 0:45:56.319
<v Speaker 1>work in. No, I would love to do that. That That

0:45:56.360 --> 0:45:58.319
<v Speaker 1>would be so awesome if you've got such a great

0:45:58.360 --> 0:46:01.960
<v Speaker 1>story yourself. All right, done, all right, it sounds good.

0:46:02.360 --> 0:46:12.280
<v Speaker 1>You know. I love you. I love you too, buddy.

0:46:13.480 --> 0:46:16.200
<v Speaker 1>You know why I like that interview the best. I

0:46:16.239 --> 0:46:17.920
<v Speaker 1>didn't have to do very much. Yeah, he does a

0:46:17.920 --> 0:46:20.520
<v Speaker 1>lot of talking. He's got some good stories. I love Paul.

0:46:20.960 --> 0:46:24.080
<v Speaker 1>And Paul tells a great story. And and he's just

0:46:24.360 --> 0:46:28.520
<v Speaker 1>he's easy. And I'll tell you what though, that guy

0:46:28.560 --> 0:46:30.600
<v Speaker 1>works in hustles a lot, like when he comes to town.

0:46:31.000 --> 0:46:33.239
<v Speaker 1>You know, he's always you know, trying to you know,

0:46:33.680 --> 0:46:36.320
<v Speaker 1>you know, hustle to get folks at the show. And um,

0:46:36.360 --> 0:46:38.759
<v Speaker 1>and I think that we didn't talk about it during

0:46:38.800 --> 0:46:42.560
<v Speaker 1>the podcast a lot. But the thing he's best known

0:46:42.640 --> 0:46:45.200
<v Speaker 1>for is being a writer for The Daily Show and

0:46:45.239 --> 0:46:47.880
<v Speaker 1>the colbar Rapport, and that's where he won the Peabody

0:46:47.920 --> 0:46:49.839
<v Speaker 1>Award was for being a writer for The Daily Show.

0:46:49.960 --> 0:46:52.680
<v Speaker 1>So he is one of the top comedy writers out there.

0:46:52.800 --> 0:46:54.879
<v Speaker 1>It's so crazy to see, like hear his story from

0:46:54.920 --> 0:46:57.040
<v Speaker 1>being a lawyer and living that double life and then

0:46:57.560 --> 0:47:01.520
<v Speaker 1>making like switching career so drastically and then going to

0:47:01.560 --> 0:47:03.920
<v Speaker 1>the level he's at. It was really cool to see that.

0:47:04.040 --> 0:47:05.640
<v Speaker 1>I mean, getting to The Daily Show is like a

0:47:05.680 --> 0:47:08.239
<v Speaker 1>pinnacle for a lot of comedians. Oh yeah, you know.

0:47:08.600 --> 0:47:10.960
<v Speaker 1>And and he was there from the day one, so

0:47:11.600 --> 0:47:13.680
<v Speaker 1>oh yeah, he was part of the team that built

0:47:13.719 --> 0:47:17.000
<v Speaker 1>that show. That's awesome. Yeah. So anyway, we're gonna run

0:47:17.000 --> 0:47:19.600
<v Speaker 1>through this because that interview went a lot longer than expected.

0:47:19.680 --> 0:47:22.239
<v Speaker 1>So z is in, by the way, to tell us

0:47:22.280 --> 0:47:25.439
<v Speaker 1>about some podcasts that you should be listening to. Yes,

0:47:25.520 --> 0:47:28.160
<v Speaker 1>So my first one is The Ezra Client Show. And

0:47:28.280 --> 0:47:30.080
<v Speaker 1>I was already a fan of him because he's the

0:47:30.200 --> 0:47:32.560
<v Speaker 1>editor at large at vox dot com, which is one

0:47:32.560 --> 0:47:36.520
<v Speaker 1>of my favorite websites, and it's a political interview podcast.

0:47:36.640 --> 0:47:38.640
<v Speaker 1>But he's just so well thought out, and he's so

0:47:38.719 --> 0:47:42.840
<v Speaker 1>well researched, and he just makes the guests go the

0:47:42.880 --> 0:47:45.120
<v Speaker 1>extra mile with his follow up questions, and I really

0:47:45.160 --> 0:47:48.640
<v Speaker 1>like that it's educational. There is a pretty interesting series

0:47:48.640 --> 0:47:50.799
<v Speaker 1>of debates about impeachment if you go back into the

0:47:50.800 --> 0:47:54.959
<v Speaker 1>constitutional connections, and at some point there is a version

0:47:54.960 --> 0:47:58.239
<v Speaker 1>of the impeachment power proposed that enumerates what you can

0:47:58.280 --> 0:48:01.880
<v Speaker 1>be impeached for and the ideas for bribery and treason,

0:48:02.560 --> 0:48:06.080
<v Speaker 1>and that's it. And someone comes back and says, blats ridiculous. Um,

0:48:06.080 --> 0:48:09.880
<v Speaker 1>there's much more. And there's another version that has mal administration,

0:48:10.520 --> 0:48:12.640
<v Speaker 1>which is much closer to to the argument I'm making,

0:48:12.680 --> 0:48:14.960
<v Speaker 1>by the way, about Trump, and that is also to

0:48:15.000 --> 0:48:18.560
<v Speaker 1>be fair rejected. I'm a big fan of Fox's I

0:48:18.600 --> 0:48:21.120
<v Speaker 1>pull a lot of prep really good content, really good

0:48:21.160 --> 0:48:24.680
<v Speaker 1>content if if you're looking for a content place, yeah, exactly.

0:48:25.000 --> 0:48:27.640
<v Speaker 1>Next one is the Joe Rogan experience. He is a

0:48:27.680 --> 0:48:30.120
<v Speaker 1>stand up comedian and he also does like color commentary

0:48:30.160 --> 0:48:33.279
<v Speaker 1>for UFC. I don't want to take credit for Joe

0:48:33.320 --> 0:48:37.640
<v Speaker 1>Rogan's career as far as podcasting and radio, but when

0:48:37.760 --> 0:48:41.680
<v Speaker 1>I did the Alice Morning Show, we had when comedians

0:48:41.719 --> 0:48:43.959
<v Speaker 1>came in, We let them just hang out and talk.

0:48:44.080 --> 0:48:47.800
<v Speaker 1>That was my philosophy on on comedians. And Joe would

0:48:47.800 --> 0:48:51.440
<v Speaker 1>come in and he was so happy. He never had

0:48:51.480 --> 0:48:53.480
<v Speaker 1>a place that let him come in and spout his

0:48:53.560 --> 0:48:58.680
<v Speaker 1>craziness and talk about going into his his immersion chamber

0:48:58.800 --> 0:49:00.719
<v Speaker 1>and the drugs that he took and all of that,

0:49:01.040 --> 0:49:03.279
<v Speaker 1>and we gave him an open for him. So when

0:49:03.360 --> 0:49:06.480
<v Speaker 1>Joe would come in, he'd sit in for two hours,

0:49:06.520 --> 0:49:09.879
<v Speaker 1>so I know he got a good taste of that. Yeah,

0:49:09.920 --> 0:49:12.319
<v Speaker 1>And I know, like you know, when Kevin Smith came

0:49:12.360 --> 0:49:14.200
<v Speaker 1>in a lot, he said the same thing that those

0:49:14.200 --> 0:49:16.680
<v Speaker 1>guys um felt like that's where they actually got to

0:49:16.719 --> 0:49:18.719
<v Speaker 1>spread their wings and and and get into that kind

0:49:18.719 --> 0:49:21.399
<v Speaker 1>of talk radio. So I'm not taking credit for but

0:49:21.600 --> 0:49:24.439
<v Speaker 1>but you're a part of its credit. But I really

0:49:24.480 --> 0:49:27.680
<v Speaker 1>like his podcast because it's it varies from comedy to

0:49:28.120 --> 0:49:30.040
<v Speaker 1>like he has great people on, Like he can talk

0:49:30.080 --> 0:49:32.640
<v Speaker 1>to Jamie Foxx in one episode and then like a

0:49:32.680 --> 0:49:37.560
<v Speaker 1>psychology professor about mental illness and you know, inequality and stuff.

0:49:37.560 --> 0:49:41.200
<v Speaker 1>So it's super it ranges. Rogan is wicked smart, yeah,

0:49:41.239 --> 0:49:43.480
<v Speaker 1>and he really is. He really is. You can't do

0:49:43.520 --> 0:49:45.560
<v Speaker 1>a talk show if you're not super smart. Let's check

0:49:45.560 --> 0:49:48.160
<v Speaker 1>out a little taste of it. You also get humbled

0:49:48.160 --> 0:49:50.880
<v Speaker 1>a lot as a comedian. Yeah, you gotta get those jokes.

0:49:50.920 --> 0:49:53.600
<v Speaker 1>You're performing in front of a live audience. It's all live.

0:49:54.280 --> 0:49:56.560
<v Speaker 1>He's gotta work, and it doesn't work, you gotta go

0:49:56.600 --> 0:50:00.560
<v Speaker 1>back to trying boards and act. Just don't get a

0:50:00.600 --> 0:50:01.800
<v Speaker 1>lot of that. That's one of the reasons why the

0:50:01.960 --> 0:50:05.480
<v Speaker 1>kind of shaky more shaky, all right, what you got now?

0:50:05.520 --> 0:50:08.040
<v Speaker 1>The last one is Fresh Air with Terry gross That

0:50:08.200 --> 0:50:13.920
<v Speaker 1>the the ultimate pineticle of Pinnacle, Pinetic Pinnacle, Pinnacle of

0:50:14.360 --> 0:50:16.719
<v Speaker 1>interview podcast as opposed to mine, which is kind of

0:50:16.719 --> 0:50:21.280
<v Speaker 1>a down stop. Hey uh yeah, I mean Terry Grosses

0:50:21.480 --> 0:50:24.719
<v Speaker 1>is as the legend and I I've been listening to

0:50:24.760 --> 0:50:27.880
<v Speaker 1>her for years, but I used to make fun of

0:50:27.920 --> 0:50:31.080
<v Speaker 1>her a bit because sometimes your questions, she's so well researched,

0:50:31.080 --> 0:50:36.920
<v Speaker 1>should be like, so in third grade you wrote a poem.

0:50:36.960 --> 0:50:41.080
<v Speaker 1>Now last year you did a movie. Uh, in the

0:50:41.200 --> 0:50:44.319
<v Speaker 1>and in the main scene where you talking to your lover,

0:50:44.920 --> 0:50:47.120
<v Speaker 1>there was no tree in the background. Now, I couldn't

0:50:47.160 --> 0:50:49.560
<v Speaker 1>help but put those two together. Is there anything to that?

0:50:49.719 --> 0:50:51.800
<v Speaker 1>And she'll bring those guests to that mile right, and

0:50:51.840 --> 0:50:53.239
<v Speaker 1>then the guy and then the guys will be like,

0:50:53.320 --> 0:50:57.080
<v Speaker 1>absolutely right, Terry, that's the same tree as in the poem.

0:50:57.320 --> 0:50:59.759
<v Speaker 1>And the thing is like you did her personation and

0:51:00.040 --> 0:51:02.680
<v Speaker 1>that's what I love most about her. Her voice eases me.

0:51:02.760 --> 0:51:04.759
<v Speaker 1>So I could be like cooking or like cleaning, and

0:51:04.760 --> 0:51:10.320
<v Speaker 1>I'll just put it on that. Yeah, exactly. It's always

0:51:10.320 --> 0:51:12.680
<v Speaker 1>it's always nice when you're listening to Terry Gross. She

0:51:12.760 --> 0:51:18.120
<v Speaker 1>never gets too excited about anything like that. All right,

0:51:18.200 --> 0:51:22.960
<v Speaker 1>let's hear Terry. You had to basically study everything that

0:51:23.080 --> 0:51:29.400
<v Speaker 1>makes the room weird and unintentionally funny, the right acting,

0:51:29.480 --> 0:51:32.319
<v Speaker 1>the edits, the use of music because you had to

0:51:32.360 --> 0:51:35.520
<v Speaker 1>reproduce some of it in addition to telling the behind

0:51:35.560 --> 0:51:42.480
<v Speaker 1>the scenes story. That was wonderful. See you've done a

0:51:42.480 --> 0:51:47.720
<v Speaker 1>great job today. Hey everybody, it's been another fantastic show.

0:51:48.440 --> 0:51:53.040
<v Speaker 1>It's been Access Podcast. I'm your host, Mattie Stout. Access

0:51:53.080 --> 0:51:56.440
<v Speaker 1>Podcast is been brought to you by the fine support

0:51:57.160 --> 0:52:01.960
<v Speaker 1>of the Wilcox family, Katie will Coxon family at I

0:52:02.040 --> 0:52:06.120
<v Speaker 1>Heeart Radio, San Francisco, and a stand of wonderful donation

0:52:06.160 --> 0:52:08.640
<v Speaker 1>from the Peterson Group, Chris Peterson and I Heart Radio

0:52:09.520 --> 0:52:12.120
<v Speaker 1>Special Thanks goes out to Dalton run Burke for doing

0:52:12.120 --> 0:52:15.600
<v Speaker 1>the artwork and Casey Franco for the wonderful music that

0:52:15.640 --> 0:52:19.560
<v Speaker 1>we've heard today on Excess Podcast. I want to specially

0:52:19.640 --> 0:52:24.839
<v Speaker 1>thank our guest today, Paul Mercurio. Go look him up

0:52:24.880 --> 0:52:29.640
<v Speaker 1>at the Paul Mercurial Show on I Heart Radio and

0:52:29.840 --> 0:52:33.080
<v Speaker 1>Z I just want to say to you, you're doing

0:52:33.120 --> 0:52:39.400
<v Speaker 1>a fantastic job today as our producer. That's gonna do

0:52:39.480 --> 0:52:41.279
<v Speaker 1>it for now. If you'd like to hear more about

0:52:41.280 --> 0:52:46.600
<v Speaker 1>our show, go to access Podcast on Facebook or access

0:52:46.640 --> 0:52:49.719
<v Speaker 1>podcast one on the Twitter. I hear all the kids

0:52:49.760 --> 0:52:54.560
<v Speaker 1>are into the twittering. Go check us out there. Thanks

0:52:54.560 --> 0:52:58.520
<v Speaker 1>for listening, and don't forget Go find a podcast on

0:52:58.600 --> 0:53:01.400
<v Speaker 1>I Heart Radio and tell your friends about it by

0:53:01.480 --> 0:53:01.719
<v Speaker 1>backh