1 00:00:00,760 --> 00:00:18,440 Speaker 1: I Am all In. I Am all In with Scott 2 00:00:18,440 --> 00:00:22,800 Speaker 1: Patterson and I Heart Radio podcast. Here we are. I'm 3 00:00:22,840 --> 00:00:26,479 Speaker 1: your host, Scott Patterson, and this is I Am all 4 00:00:26,560 --> 00:00:29,640 Speaker 1: In podcast on I Heart Radio. We are going to 5 00:00:29,840 --> 00:00:35,400 Speaker 1: break down love and Warren Snow, what an episode? What 6 00:00:35,680 --> 00:00:37,960 Speaker 1: an episode? I mean you talk? I mean there are 7 00:00:38,000 --> 00:00:41,120 Speaker 1: episodes and then there are episodes. But this was an episode. 8 00:00:41,120 --> 00:00:44,960 Speaker 1: My heart broke for you, My heart actually broke for you. 9 00:00:45,080 --> 00:00:48,880 Speaker 1: Am I that good? Did I get you? Yes? Oh? 10 00:00:48,960 --> 00:00:54,360 Speaker 1: Yes it was effective? Yes I did too. I did too. 11 00:00:55,440 --> 00:00:57,680 Speaker 1: But you know, technically you're not supposed to feel it 12 00:00:57,720 --> 00:00:59,840 Speaker 1: that much. You're supposed to let the audience feel it 13 00:01:00,000 --> 00:01:01,639 Speaker 1: because if you're feeling it too much, then you take 14 00:01:01,640 --> 00:01:04,640 Speaker 1: away all that feeling from them. Yeah. Well I was 15 00:01:04,680 --> 00:01:07,280 Speaker 1: the audience. I am the audience, and I felt it. 16 00:01:07,440 --> 00:01:09,720 Speaker 1: You can't give too much. Yeah, you gotta hold back. 17 00:01:10,360 --> 00:01:12,600 Speaker 1: The old saying is in theater, if you feel seventy 18 00:01:12,640 --> 00:01:15,720 Speaker 1: p what is it if you feel se show fifty, 19 00:01:15,800 --> 00:01:18,640 Speaker 1: If you feel show seventy, If you feel more than that, 20 00:01:18,720 --> 00:01:22,039 Speaker 1: just go home. Maybe it's the other way around. I 21 00:01:22,040 --> 00:01:24,199 Speaker 1: think I think I screwed. You gotta reverse that. Something 22 00:01:24,200 --> 00:01:28,360 Speaker 1: like that is that to avoid over acting, as they say, 23 00:01:28,400 --> 00:01:30,600 Speaker 1: because then if if if you're up on stage and 24 00:01:30,640 --> 00:01:34,199 Speaker 1: you're just you know, you're dramming all over the place, 25 00:01:34,600 --> 00:01:37,120 Speaker 1: then the audience doesn't get sucked in. They're sort of 26 00:01:37,160 --> 00:01:39,200 Speaker 1: put off by it because it's too much. You want 27 00:01:39,240 --> 00:01:42,640 Speaker 1: to you want them to lean in. Well, it worked 28 00:01:42,640 --> 00:01:46,440 Speaker 1: in this because in that scene when you see her 29 00:01:46,520 --> 00:01:53,680 Speaker 1: with Max, you the pain was subtle. I'm assuming in 30 00:01:53,760 --> 00:01:59,640 Speaker 1: the acting, but the pain I felt watching was really tangible. 31 00:01:59,760 --> 00:02:03,600 Speaker 1: Like was it was he went to that dark, lonely place. Yeah, 32 00:02:05,920 --> 00:02:09,200 Speaker 1: but you know what a beautiful setup because he's serving coffee. 33 00:02:09,280 --> 00:02:12,440 Speaker 1: He's being you know, compassionate and friendly with those guys, 34 00:02:12,440 --> 00:02:14,240 Speaker 1: out of character for him. He's in a kind of 35 00:02:14,240 --> 00:02:17,800 Speaker 1: a vulnerable moment. What I didn't expect was he was 36 00:02:17,840 --> 00:02:20,919 Speaker 1: taking specialty orders like oh, you want cocoa, you want to? 37 00:02:21,120 --> 00:02:23,360 Speaker 1: Normally Luke says you're gonna get the coffee, shut up 38 00:02:23,360 --> 00:02:25,480 Speaker 1: and drink it, or I'm leaving, right, even even in 39 00:02:25,520 --> 00:02:28,760 Speaker 1: the midst of compassion, right, but he was so vulnerable 40 00:02:28,760 --> 00:02:30,240 Speaker 1: he said, oh, let me take care of you guys, 41 00:02:30,280 --> 00:02:32,320 Speaker 1: and he was having a dad moment. He kind of 42 00:02:32,520 --> 00:02:34,960 Speaker 1: regressed into this sort of younger version of himself where 43 00:02:35,000 --> 00:02:36,560 Speaker 1: he's helping his dad out a little bit. I don't 44 00:02:36,600 --> 00:02:41,160 Speaker 1: want to get to psychological here because I can't really um, 45 00:02:41,200 --> 00:02:44,280 Speaker 1: but that was a perfect moment to hit him, hit 46 00:02:44,360 --> 00:02:47,720 Speaker 1: him in the you know what's with the old maxim 47 00:02:47,720 --> 00:02:50,640 Speaker 1: Medina stick? You know what I mean? It was? It 48 00:02:50,760 --> 00:02:53,480 Speaker 1: was actually rough to watch. It was tough. Yeah, I 49 00:02:53,919 --> 00:02:58,200 Speaker 1: loved I love this episode. I really love this episode. Wow, 50 00:02:59,440 --> 00:03:02,200 Speaker 1: And we have no no, go ahead, no no, You're 51 00:03:02,200 --> 00:03:05,440 Speaker 1: gonna say something profound, and yet again I've stopped you 52 00:03:05,520 --> 00:03:09,640 Speaker 1: go ahead first before we break it all down. We 53 00:03:09,800 --> 00:03:16,080 Speaker 1: have something iconic about to happen. Yes, we have. UM. 54 00:03:16,120 --> 00:03:20,720 Speaker 1: We have a very very very very special guest this week. 55 00:03:21,240 --> 00:03:25,800 Speaker 1: And I don't know if I've ever been more excited 56 00:03:25,960 --> 00:03:31,120 Speaker 1: to do a podcast because we're not only interviewing a person, 57 00:03:31,320 --> 00:03:37,920 Speaker 1: we're interviewing his hair, and his hair could talk. We 58 00:03:37,960 --> 00:03:40,440 Speaker 1: would want to talk to his hair. And I kind 59 00:03:40,440 --> 00:03:45,680 Speaker 1: of have a feeling that Chase Penny, who played rich 60 00:03:46,640 --> 00:03:51,480 Speaker 1: and Rick Blumenfeld, he has the ability to get his 61 00:03:51,560 --> 00:03:54,400 Speaker 1: hair to show up and talk to us, because that's 62 00:03:54,400 --> 00:03:59,880 Speaker 1: who we're going to talk to, and that hair was luxurious. 63 00:04:00,040 --> 00:04:03,520 Speaker 1: Got jealous. I wanted to run my finger through his 64 00:04:03,600 --> 00:04:05,760 Speaker 1: hair through the TV screen. I'm like, that is some 65 00:04:05,880 --> 00:04:09,680 Speaker 1: great hair. I did too. I was reaching with her. 66 00:04:10,360 --> 00:04:15,120 Speaker 1: I mean it was just yes, reach for that hair. Listen, everybody, 67 00:04:15,200 --> 00:04:19,719 Speaker 1: we've got Chase Penny here. He played Rich Bloomenfeld in 68 00:04:19,960 --> 00:04:24,159 Speaker 1: uh in this episode, um Love and Warren Snow, and 69 00:04:24,200 --> 00:04:26,960 Speaker 1: he plays two characters on the Gilmore episodes between two 70 00:04:26,960 --> 00:04:28,960 Speaker 1: thousand two thousand three. The first time we seem as 71 00:04:29,000 --> 00:04:35,640 Speaker 1: Rich Bloomfeld bloomen Feld Lane soulmate with dreamy hair, and 72 00:04:35,680 --> 00:04:38,320 Speaker 1: as we can see, you still have the dreamy hair. 73 00:04:39,440 --> 00:04:45,159 Speaker 1: And he appeared as Rich Bloomenfeld in season one episode eight, 74 00:04:45,200 --> 00:04:47,359 Speaker 1: which is what we're talking about. Second time we Sam 75 00:04:47,440 --> 00:04:51,279 Speaker 1: is in as a new twenty one year old party goer. 76 00:04:51,520 --> 00:04:55,960 Speaker 1: So that was season three episode nine, keg Max April 77 00:04:56,000 --> 00:04:59,560 Speaker 1: two thousand and three. So so you've been working in 78 00:04:59,600 --> 00:05:02,000 Speaker 1: the inner same business for a long time. Tell us, 79 00:05:02,920 --> 00:05:07,560 Speaker 1: first of all, how did they find you and your hair? 80 00:05:08,360 --> 00:05:13,640 Speaker 1: How did casting find you? Jeeus? Um, I don't know. 81 00:05:13,680 --> 00:05:16,080 Speaker 1: I always grow it out when I have the opportunity, 82 00:05:16,160 --> 00:05:19,000 Speaker 1: and then as work comes along and I cut it off. 83 00:05:19,040 --> 00:05:23,920 Speaker 1: So my agent, who coincidentally is my wife now seventeen 84 00:05:24,000 --> 00:05:26,440 Speaker 1: years would always send me out on these different type 85 00:05:26,560 --> 00:05:30,359 Speaker 1: roles and basically that was one of them. So I 86 00:05:30,400 --> 00:05:33,200 Speaker 1: got sent out for it and they must have liked, 87 00:05:33,279 --> 00:05:35,880 Speaker 1: you know, what they saw, and you know it was 88 00:05:36,400 --> 00:05:39,279 Speaker 1: I was the same ages, uh, I believe the actress 89 00:05:39,279 --> 00:05:43,039 Speaker 1: that played Lane and so you know seven, I think 90 00:05:43,160 --> 00:05:47,360 Speaker 1: I was playing a high schooler. Oh yeah, the golden locks, 91 00:05:47,440 --> 00:05:50,680 Speaker 1: and you know they casted me and you know, definitely 92 00:05:50,720 --> 00:05:52,760 Speaker 1: green as an actor back then. That was one of 93 00:05:52,800 --> 00:05:56,200 Speaker 1: my first shows. And yeah, I went out and you know, 94 00:05:56,800 --> 00:05:59,680 Speaker 1: crapping my pants in regards to how the whole system 95 00:05:59,720 --> 00:06:02,200 Speaker 1: worked and stuff. And it was just funny. Run here 96 00:06:02,240 --> 00:06:05,640 Speaker 1: with your trumpet, kneel down and and wait for her 97 00:06:05,720 --> 00:06:07,400 Speaker 1: to run her fingers through the hair. Do you go? 98 00:06:07,600 --> 00:06:10,039 Speaker 1: If there you go? So have you always, I mean 99 00:06:10,080 --> 00:06:12,640 Speaker 1: ever since you were can you remember, ever since you 100 00:06:12,680 --> 00:06:15,599 Speaker 1: were a kid, have you always had the beautiful locks, 101 00:06:15,680 --> 00:06:19,360 Speaker 1: the shock of hair. No. I was a gymnast growing up, 102 00:06:19,400 --> 00:06:21,280 Speaker 1: so we always had to have it, you know, high 103 00:06:21,279 --> 00:06:24,040 Speaker 1: and tight, and so that was always my dream growing 104 00:06:24,120 --> 00:06:27,640 Speaker 1: up to you know, have the Edward van Halen hair. No, 105 00:06:27,800 --> 00:06:29,880 Speaker 1: coach just wouldn't allow it, so we always had to 106 00:06:29,920 --> 00:06:32,560 Speaker 1: have it, not touching the collar and it was kind 107 00:06:32,600 --> 00:06:36,200 Speaker 1: of you know the tough part of doing gymnastics back then. 108 00:06:36,240 --> 00:06:37,720 Speaker 1: So as soon as I got out to Hollywood and 109 00:06:37,880 --> 00:06:41,839 Speaker 1: I gonna let this grow. What were you in the gymnastics, 110 00:06:41,839 --> 00:06:44,720 Speaker 1: that's interesting. I was all around. Yeah, so I did 111 00:06:44,760 --> 00:06:48,360 Speaker 1: all six events for for men's gymnastics, and it was 112 00:06:48,440 --> 00:06:51,880 Speaker 1: fortunate enough to get a scholarship to University of Illinois, Chicago, 113 00:06:51,960 --> 00:06:56,200 Speaker 1: and after I graduated, headed out to California to basically 114 00:06:56,279 --> 00:06:58,680 Speaker 1: learn how to surf. And then we had a family 115 00:06:58,720 --> 00:07:01,960 Speaker 1: friend that was in the entertaining business. Is Tom Cruises 116 00:07:02,000 --> 00:07:05,640 Speaker 1: stunt double? And he called me after I graduated and yeah, 117 00:07:05,800 --> 00:07:08,360 Speaker 1: he said, move out to Hollywood and sleep on my couch. 118 00:07:08,400 --> 00:07:10,160 Speaker 1: And you know, I'm never here, and so that's what 119 00:07:10,320 --> 00:07:13,560 Speaker 1: I did. Back in I'm getting, you know, I'm getting 120 00:07:13,560 --> 00:07:16,120 Speaker 1: a Tom Cruise vibe from you. He sounds like him, 121 00:07:16,200 --> 00:07:19,960 Speaker 1: They look like him. You could be his brother. It's wild. 122 00:07:20,000 --> 00:07:24,200 Speaker 1: You could be as young now I see it. Yeah, 123 00:07:24,400 --> 00:07:26,520 Speaker 1: it always changes, you know, And I've never met him. 124 00:07:26,640 --> 00:07:29,679 Speaker 1: He was I was too short to be his stunt double. 125 00:07:29,880 --> 00:07:32,960 Speaker 1: So the guy, uh, my friend Keith Campbell, he was 126 00:07:33,080 --> 00:07:36,000 Speaker 1: you know, six ft and Tom Cruise is stunt double. 127 00:07:36,040 --> 00:07:38,960 Speaker 1: And you know, actors they always love having taller stunt 128 00:07:39,240 --> 00:07:42,840 Speaker 1: guys to make them look bigger on on TV. So yeah, 129 00:07:42,960 --> 00:07:46,600 Speaker 1: they always you know, have bigger people and and fortunately 130 00:07:46,640 --> 00:07:50,360 Speaker 1: I couldn't get those stunt roles. So with my career 131 00:07:50,400 --> 00:07:52,000 Speaker 1: it's just kind of, you know what, it bounced back 132 00:07:52,000 --> 00:07:54,880 Speaker 1: and forth in regards to getting these you know, stunt 133 00:07:54,880 --> 00:07:58,160 Speaker 1: type roles and then started doing acting and then stunt 134 00:07:58,160 --> 00:08:01,560 Speaker 1: coordinators would would, uh find me, and they say, find 135 00:08:01,560 --> 00:08:04,120 Speaker 1: a stunt double for this kid, and they're like, I know, 136 00:08:04,200 --> 00:08:06,200 Speaker 1: this guy can do his own stunts. So that's how 137 00:08:06,200 --> 00:08:08,040 Speaker 1: it kind of you know panned out for me. Can 138 00:08:08,080 --> 00:08:12,120 Speaker 1: you do the the iron Cross? I used to be able? 139 00:08:12,120 --> 00:08:17,800 Speaker 1: To goodness? How do you dream that it's a job? Honestly, Scott, 140 00:08:17,800 --> 00:08:20,240 Speaker 1: it's a job. Back then. You know, you're you're working 141 00:08:20,560 --> 00:08:22,920 Speaker 1: six hours a day, you know, five days a week 142 00:08:22,960 --> 00:08:25,480 Speaker 1: in the gym, and you know that was that was 143 00:08:25,600 --> 00:08:28,720 Speaker 1: the life. But you know, back then that's what it took. 144 00:08:28,880 --> 00:08:31,160 Speaker 1: Just like anything else, that's where it takes dedication and 145 00:08:31,200 --> 00:08:33,960 Speaker 1: time and commitment. And then you know we see where 146 00:08:34,000 --> 00:08:39,680 Speaker 1: the chips fall. Um really fascinating. Wow, good for you. Yeah, 147 00:08:39,840 --> 00:08:41,800 Speaker 1: it's crazy. My store is crazy. You know. Did you 148 00:08:41,840 --> 00:08:46,600 Speaker 1: have to do anything particular, h to have your hair 149 00:08:46,840 --> 00:08:51,360 Speaker 1: be so quote unquote dreamy. Your hair has been dubbed 150 00:08:51,480 --> 00:08:54,440 Speaker 1: dreamy in the show, so it is or it was 151 00:08:54,640 --> 00:08:56,200 Speaker 1: and it still is. So did you have to do 152 00:08:56,240 --> 00:09:01,400 Speaker 1: anything to it to get it that uh? Oh yeah, 153 00:09:01,520 --> 00:09:05,839 Speaker 1: lots of nutrients and you know, just cow's met and 154 00:09:06,000 --> 00:09:09,920 Speaker 1: sak you rub it in. Yeah, right, that's what I did, 155 00:09:10,440 --> 00:09:13,360 Speaker 1: and it didn't work. I was I was young, That's 156 00:09:13,360 --> 00:09:16,400 Speaker 1: what it was. I remember though, when they when when 157 00:09:16,480 --> 00:09:18,319 Speaker 1: you know, they prepped me for the scene and everything. 158 00:09:18,360 --> 00:09:21,679 Speaker 1: I think they had the hair rollers that you know 159 00:09:21,800 --> 00:09:24,679 Speaker 1: that the old ladies used to get it that wavy. 160 00:09:25,040 --> 00:09:28,199 Speaker 1: And I'm looking at this going what are they doing 161 00:09:28,400 --> 00:09:32,000 Speaker 1: to hair? You know? And so it was probably twenty 162 00:09:32,000 --> 00:09:36,720 Speaker 1: minutes of preparation of hair spray and curls and you know, 163 00:09:37,360 --> 00:09:41,000 Speaker 1: more hair spray. So yeah, you're in their hands. You 164 00:09:41,080 --> 00:09:44,480 Speaker 1: just have to go with it, right, Yeah. So what 165 00:09:44,679 --> 00:09:49,000 Speaker 1: I did when you were on the set shooting, um uh? 166 00:09:49,040 --> 00:09:52,320 Speaker 1: And I think Alan Meyerson directed this episode. Did did 167 00:09:52,360 --> 00:09:58,040 Speaker 1: you get any direction on on the scene? I don't 168 00:09:58,040 --> 00:10:02,120 Speaker 1: think so. No, they what I'm trying to remember the 169 00:10:02,240 --> 00:10:07,800 Speaker 1: look that they wanted, you know, confusion. Um. So it 170 00:10:08,280 --> 00:10:10,720 Speaker 1: was a weird scene, you know, as it was so 171 00:10:10,840 --> 00:10:13,400 Speaker 1: just run in, hit your mark, kneel down, pull out 172 00:10:13,440 --> 00:10:16,640 Speaker 1: your instrument, and then wait for the fingers to run 173 00:10:16,679 --> 00:10:19,520 Speaker 1: through and then turn around and stare at you know, 174 00:10:20,280 --> 00:10:23,560 Speaker 1: stare at the camera. And I think it was just 175 00:10:23,559 --> 00:10:26,320 Speaker 1: just be confused. Why is this girl running her fingers 176 00:10:26,400 --> 00:10:31,600 Speaker 1: through there? So yeah, I think that's um, you know, 177 00:10:31,679 --> 00:10:35,880 Speaker 1: I took that direction as complicated as it was. And 178 00:10:37,640 --> 00:10:39,880 Speaker 1: has that ever happened to you in your life? Do 179 00:10:39,960 --> 00:10:42,560 Speaker 1: you have do people run their fingers through your hair? 180 00:10:42,800 --> 00:10:45,480 Speaker 1: Was that a requirement for the audition? And did you say, listen, 181 00:10:45,480 --> 00:10:51,400 Speaker 1: this happens to me all the time. Yeah, no, no, never, never, 182 00:10:52,040 --> 00:10:55,600 Speaker 1: never had that happen to me. Um, I'm trying to think. 183 00:10:55,640 --> 00:11:00,440 Speaker 1: The closest I came to it, you know, is my wife, 184 00:11:00,760 --> 00:11:03,120 Speaker 1: you know, she she told me to get rid of 185 00:11:03,160 --> 00:11:07,320 Speaker 1: my long hair. Well, she sent me out for this 186 00:11:07,640 --> 00:11:10,080 Speaker 1: one audition with It was a movie called The Hot 187 00:11:10,160 --> 00:11:13,320 Speaker 1: Chick with Rob Schneider and this is when we you know, 188 00:11:13,440 --> 00:11:17,880 Speaker 1: we're starting to become a couple and everything. And for 189 00:11:18,000 --> 00:11:20,680 Speaker 1: that role, my hair was still long. But they wanted 190 00:11:21,000 --> 00:11:24,280 Speaker 1: really long, because the joke in the movie was, you know, 191 00:11:24,320 --> 00:11:27,240 Speaker 1: I get into this fighting and grass my ponytail and 192 00:11:27,240 --> 00:11:29,960 Speaker 1: they whip me around and rips it out, and so 193 00:11:30,000 --> 00:11:33,680 Speaker 1: they put these hair extensions. And when we first started dating, 194 00:11:34,240 --> 00:11:36,560 Speaker 1: we had to go to one of her best friend's 195 00:11:36,559 --> 00:11:39,160 Speaker 1: weddings and I had to show up with this. It 196 00:11:39,240 --> 00:11:42,760 Speaker 1: was a mullet basically, and so that's, you know, that 197 00:11:42,880 --> 00:11:46,959 Speaker 1: was her interpretation of, listen, this isn't going to work 198 00:11:47,080 --> 00:11:49,839 Speaker 1: with us if you know, if this has to continue 199 00:11:49,920 --> 00:11:53,000 Speaker 1: with your mullet style hair. So that's kind of what 200 00:11:53,000 --> 00:11:54,840 Speaker 1: I'm doing now. You know, half my roles I get 201 00:11:54,840 --> 00:11:58,280 Speaker 1: now are characteristic of you know, dirt bags or drug 202 00:11:58,280 --> 00:12:01,520 Speaker 1: dealers or something like that, waiting for that role that 203 00:12:01,760 --> 00:12:04,320 Speaker 1: come up where I can shave the sides and you know, 204 00:12:04,480 --> 00:12:07,480 Speaker 1: have the the business up top and the party in 205 00:12:07,520 --> 00:12:10,520 Speaker 1: the back. What is it? What just what is it 206 00:12:10,559 --> 00:12:14,520 Speaker 1: about Rob Schneider and mullets that go together perfectly? Well? What? 207 00:12:14,720 --> 00:12:18,080 Speaker 1: I associate Rob Snyder with mullets for some reason, and 208 00:12:18,080 --> 00:12:20,200 Speaker 1: and maybe David Spade too. I mean there's a lot 209 00:12:20,200 --> 00:12:23,480 Speaker 1: of mullets going on in there. They're little comedy lines. 210 00:12:24,640 --> 00:12:29,320 Speaker 1: Can you explain that Chase. I think it's just it's 211 00:12:29,360 --> 00:12:32,440 Speaker 1: a it's a fashion statement, you know, if you can, 212 00:12:32,880 --> 00:12:34,679 Speaker 1: if you can pull that off, I think it's just 213 00:12:34,720 --> 00:12:40,600 Speaker 1: basically sane. I don't nobody can pull off. Maybe you could, 214 00:12:40,640 --> 00:12:46,920 Speaker 1: and you probably are. Yeah. Um, so that's that's really interesting. 215 00:12:46,960 --> 00:12:50,360 Speaker 1: You know. I I used to wear my hair very long, 216 00:12:50,640 --> 00:12:52,800 Speaker 1: as long as I could wear it as long as 217 00:12:52,800 --> 00:12:58,040 Speaker 1: I could. Long hair has defined my youth and and 218 00:12:58,080 --> 00:13:00,319 Speaker 1: there's a reason for it. And I'm gon ask you. 219 00:13:00,559 --> 00:13:03,480 Speaker 1: You know, my father used to cut my hair and 220 00:13:03,760 --> 00:13:05,840 Speaker 1: he used to get the thinning shears out and just 221 00:13:06,000 --> 00:13:09,320 Speaker 1: cut thin and thin because I had the biggest bushy, 222 00:13:09,720 --> 00:13:12,559 Speaker 1: thick hair and he just would thin it for an 223 00:13:12,559 --> 00:13:15,160 Speaker 1: hour until I would cry, you know, and my sister 224 00:13:15,200 --> 00:13:17,680 Speaker 1: would be there looking at me, like dad, let him 225 00:13:17,760 --> 00:13:22,640 Speaker 1: bath throw it. Doesn't want to get his hair. So 226 00:13:23,040 --> 00:13:25,240 Speaker 1: I just grew, you know, I just want wild, grew 227 00:13:25,280 --> 00:13:27,680 Speaker 1: my hair all the time. But I obviously I'm not 228 00:13:27,760 --> 00:13:30,920 Speaker 1: able to do that anymore. But did you have a 229 00:13:30,960 --> 00:13:35,000 Speaker 1: similar traumatic experience when you were growing with with hair 230 00:13:35,040 --> 00:13:38,600 Speaker 1: cuts that made you want to grow your hair long? Yeah? 231 00:13:38,559 --> 00:13:41,400 Speaker 1: I know is bowl cuts, you know, when I was younger, 232 00:13:41,720 --> 00:13:45,040 Speaker 1: and then I finally hit that thirteen, fifteen years old, 233 00:13:45,080 --> 00:13:47,439 Speaker 1: and then all of a sudden it just went crazy wavy, 234 00:13:47,840 --> 00:13:50,680 Speaker 1: and it was it was terrible. You know, I always 235 00:13:50,679 --> 00:13:52,400 Speaker 1: looked young when I was growing up, so I looked 236 00:13:52,440 --> 00:13:55,600 Speaker 1: like I was probably ten years old as a senior 237 00:13:55,600 --> 00:13:58,480 Speaker 1: in high school. And that was, you know, when I 238 00:13:58,520 --> 00:14:03,280 Speaker 1: started the gymnastics career, so it's constantly short. And then I, um, 239 00:14:03,320 --> 00:14:05,600 Speaker 1: you know, fell in love with Eddie van halen Is, 240 00:14:06,040 --> 00:14:08,959 Speaker 1: you know, guitar playing, and just seeing the photographs of him, 241 00:14:08,960 --> 00:14:12,360 Speaker 1: I'm like, that's exactly how I want my hair to look. 242 00:14:12,920 --> 00:14:15,160 Speaker 1: And so I just kept trying to grow it out 243 00:14:15,160 --> 00:14:17,800 Speaker 1: and it never happened because of the gymnastics. And then 244 00:14:17,960 --> 00:14:20,600 Speaker 1: you know, as you go through your career with that, 245 00:14:21,440 --> 00:14:23,880 Speaker 1: it's it's short all the time. So it was always 246 00:14:23,920 --> 00:14:28,960 Speaker 1: the number number two, you know, blade on the wall, 247 00:14:29,520 --> 00:14:33,080 Speaker 1: clippers and uh, we all used to cut our own 248 00:14:33,120 --> 00:14:36,080 Speaker 1: hair because it's just easy just to you know, shave 249 00:14:36,160 --> 00:14:38,720 Speaker 1: it off and never had to deal with it. We're talking, Yeah, 250 00:14:38,760 --> 00:14:42,080 Speaker 1: we're seriously talking hair, aren't we. It's like it's a 251 00:14:42,080 --> 00:14:45,200 Speaker 1: great subject. I never realized what a fun topic it was. 252 00:14:45,480 --> 00:14:50,960 Speaker 1: I was curious to see how this conversation would go okay, So, 253 00:14:50,960 --> 00:14:54,240 Speaker 1: so Chase, how did you because it's like a Kirk 254 00:14:54,320 --> 00:14:57,080 Speaker 1: you know, it's a Kirk mix thing, right where where 255 00:14:57,120 --> 00:15:01,160 Speaker 1: Seawan Gunn had two different names. Uh, they they settled 256 00:15:01,160 --> 00:15:03,040 Speaker 1: on Kirk, but in the beginning it was mixed. So 257 00:15:03,560 --> 00:15:06,920 Speaker 1: you started off as Rich and then became Rick. What's 258 00:15:06,920 --> 00:15:10,120 Speaker 1: that about? How did that happen? I I think um, 259 00:15:10,600 --> 00:15:14,200 Speaker 1: To be honest, I think casting I frequently changed my look, 260 00:15:14,240 --> 00:15:16,680 Speaker 1: and so I think casting just kind of, you know, 261 00:15:16,760 --> 00:15:19,280 Speaker 1: I showed up as a different guys, a little bit older. 262 00:15:19,320 --> 00:15:23,240 Speaker 1: I think for the second the Keg Max episode, I 263 00:15:23,280 --> 00:15:28,080 Speaker 1: had this kind of weak mustache. And so what I 264 00:15:28,120 --> 00:15:31,440 Speaker 1: think happened is I went into casting and they you know, 265 00:15:31,480 --> 00:15:33,360 Speaker 1: it was a couple of years since we for you know, 266 00:15:33,400 --> 00:15:37,400 Speaker 1: film that first episode, and so they probably forgot who 267 00:15:37,480 --> 00:15:40,120 Speaker 1: I was and they just needed somebody that, you know, 268 00:15:40,240 --> 00:15:44,320 Speaker 1: play that ridiculous role um, which was my favorite on 269 00:15:44,360 --> 00:15:47,680 Speaker 1: that show. And so I don't think anybody ever caught it, 270 00:15:47,800 --> 00:15:50,600 Speaker 1: and then probably wasn't until afterwards they're like, wait a minute, 271 00:15:50,680 --> 00:15:53,400 Speaker 1: Rick Rich, you know, screw it, give him the same 272 00:15:53,440 --> 00:15:56,480 Speaker 1: last name. I don't think anybody will, you know, notice, 273 00:15:56,560 --> 00:15:59,800 Speaker 1: but you know, you can't tell it was, you know 274 00:16:00,120 --> 00:16:02,640 Speaker 1: that the one we're talking about now with that golden 275 00:16:02,720 --> 00:16:05,400 Speaker 1: locks and if you you know, get to the other episode, 276 00:16:05,400 --> 00:16:07,480 Speaker 1: you'll see it was partying in the middle and straight 277 00:16:07,480 --> 00:16:11,200 Speaker 1: down the side and you know, the mustache and just 278 00:16:11,280 --> 00:16:13,360 Speaker 1: kind of there was a start of my kind of 279 00:16:13,400 --> 00:16:16,880 Speaker 1: dirtbag roles if you will, playing those you know, odd 280 00:16:17,000 --> 00:16:20,960 Speaker 1: characters of of you know that that that type of 281 00:16:21,080 --> 00:16:24,600 Speaker 1: you know roles. It's just acting. We know that now. 282 00:16:24,880 --> 00:16:27,120 Speaker 1: Just talking to you, you seemed like a really good guy. 283 00:16:27,160 --> 00:16:30,840 Speaker 1: You're not one of those guys. Um, what how many 284 00:16:30,880 --> 00:16:35,080 Speaker 1: takes did did you have to do so for the 285 00:16:35,240 --> 00:16:38,160 Speaker 1: perfect take? How many takes did Kiko and you have 286 00:16:38,240 --> 00:16:41,400 Speaker 1: to do for she's I think she nailed it on 287 00:16:41,440 --> 00:16:44,600 Speaker 1: the first one, you know, yeah, being the professional that 288 00:16:44,680 --> 00:16:47,120 Speaker 1: it is, and they had all the uh very called 289 00:16:47,160 --> 00:16:51,320 Speaker 1: it was this you know, the dishwasher detergent snow that 290 00:16:51,400 --> 00:16:54,200 Speaker 1: was coming down and so they didn't you know, clumping 291 00:16:54,280 --> 00:16:57,200 Speaker 1: in there, and yeah, she banged it out in in 292 00:16:57,560 --> 00:17:00,320 Speaker 1: one take too. If anything, you know, we all hit 293 00:17:00,360 --> 00:17:03,320 Speaker 1: our marks. I was and my pants because it's one 294 00:17:03,320 --> 00:17:05,879 Speaker 1: of my first jobs and you know, on the major 295 00:17:05,960 --> 00:17:08,960 Speaker 1: show like that. So I'm like please just don't screw 296 00:17:09,040 --> 00:17:12,400 Speaker 1: this up. Don't give a weird you know look. So yeah, 297 00:17:12,520 --> 00:17:14,520 Speaker 1: it was, you know, one of those things that everybody 298 00:17:14,520 --> 00:17:16,920 Speaker 1: just knew what they were doing, and if you did, 299 00:17:17,200 --> 00:17:19,160 Speaker 1: they would have come on set and wiped it off. 300 00:17:19,240 --> 00:17:21,239 Speaker 1: They would have taken care of That's their job they 301 00:17:21,280 --> 00:17:24,480 Speaker 1: because they're always looking at the monitors to check the 302 00:17:24,520 --> 00:17:27,200 Speaker 1: actor's looks, I mean wardrobe and hair and everybody there, 303 00:17:27,400 --> 00:17:31,119 Speaker 1: you know, and makeup. They're looking be known. It's the 304 00:17:31,119 --> 00:17:33,080 Speaker 1: guy that you know, like, oh my god, he had 305 00:17:33,119 --> 00:17:36,200 Speaker 1: a huge booger hanging out of his nose or something. So, 306 00:17:36,840 --> 00:17:39,120 Speaker 1: you know, it's tough as a young actor and being 307 00:17:39,160 --> 00:17:43,320 Speaker 1: super green and and you know, not knowing the protocol 308 00:17:43,440 --> 00:17:46,520 Speaker 1: and what you expect so you know, growing up at 309 00:17:46,560 --> 00:17:49,360 Speaker 1: that time and just keep your mouth shut and observe 310 00:17:49,480 --> 00:17:52,280 Speaker 1: and watch and see how things are done. So it's great, 311 00:17:52,640 --> 00:17:54,960 Speaker 1: you know, it's fortunate enough to have that as one 312 00:17:54,960 --> 00:17:57,119 Speaker 1: of my first roles. By the way, we we we 313 00:17:57,240 --> 00:18:00,800 Speaker 1: felt that way every day on set. Yea, the same way. 314 00:18:01,080 --> 00:18:09,600 Speaker 1: Just keep your mouth shut. Hope you don't um uh hey, Chase, 315 00:18:09,640 --> 00:18:12,680 Speaker 1: how was it wearing all that band gear? Was it? 316 00:18:12,720 --> 00:18:15,159 Speaker 1: Was it hot? That was it? A hot night. No, 317 00:18:15,440 --> 00:18:18,560 Speaker 1: it was, Yeah, it was cool. I don't remember you know, 318 00:18:18,880 --> 00:18:22,479 Speaker 1: sweating or being out of breath running into the scene 319 00:18:22,760 --> 00:18:27,520 Speaker 1: or anything. So it's you know, it's it's interesting. It 320 00:18:27,640 --> 00:18:30,080 Speaker 1: just it kind of takes over at that point, you know, 321 00:18:30,800 --> 00:18:35,680 Speaker 1: run their land on your mark weight turn look and 322 00:18:35,960 --> 00:18:38,040 Speaker 1: you know, I think the nerves just kind of take over. 323 00:18:38,160 --> 00:18:40,320 Speaker 1: So that that was probably half of the expression on 324 00:18:40,359 --> 00:18:43,000 Speaker 1: my face too, was you know, turning around and having 325 00:18:43,000 --> 00:18:47,400 Speaker 1: that confused look and you know figuring out. But yeah, 326 00:18:47,440 --> 00:18:53,320 Speaker 1: there was It started amazing, all that preparation, you know 327 00:18:53,440 --> 00:18:56,800 Speaker 1: for one little scene that lasted a couple of seconds, 328 00:18:57,160 --> 00:18:59,439 Speaker 1: and you were in there hours early, and then you 329 00:18:59,440 --> 00:19:01,880 Speaker 1: probably had to sit around and you're in your little 330 00:19:01,960 --> 00:19:04,480 Speaker 1: room for hours and hours and hours until they called 331 00:19:04,480 --> 00:19:06,720 Speaker 1: you onto the set, right, and then you finally get 332 00:19:06,760 --> 00:19:09,520 Speaker 1: there and you rehearse it and it takes forever, and 333 00:19:09,560 --> 00:19:11,400 Speaker 1: then you do the turn and the thing and it's 334 00:19:11,440 --> 00:19:14,200 Speaker 1: and it's really is nerve wracking, but it's exciting. You 335 00:19:14,280 --> 00:19:16,679 Speaker 1: must have been very excited. But did you have to 336 00:19:16,720 --> 00:19:19,240 Speaker 1: wait a long long time? Was that day? That was 337 00:19:19,280 --> 00:19:21,359 Speaker 1: a long day for you? Right? You probably you were 338 00:19:21,400 --> 00:19:24,560 Speaker 1: probably there, uh in the afternoon and We didn't shoot 339 00:19:24,560 --> 00:19:26,439 Speaker 1: it till probably late at night. I remember it was 340 00:19:26,680 --> 00:19:29,720 Speaker 1: waiting too the night, yeah, pretty late. Yeah, oh yeah, 341 00:19:29,760 --> 00:19:32,080 Speaker 1: the whole day sitting in you know, costume and just 342 00:19:32,119 --> 00:19:34,840 Speaker 1: waiting and trying to go over. I mean, didn't have 343 00:19:34,880 --> 00:19:36,840 Speaker 1: any lines that you know for me that those are 344 00:19:36,840 --> 00:19:39,119 Speaker 1: always the toughest ones. You don't have to say anything, 345 00:19:39,119 --> 00:19:40,720 Speaker 1: but it's all the look, you know, and it's a 346 00:19:40,720 --> 00:19:44,840 Speaker 1: close up, so you know, they was never don't screw 347 00:19:44,920 --> 00:19:46,760 Speaker 1: this up. But that's you know, I'm sure as you know, 348 00:19:46,920 --> 00:19:49,680 Speaker 1: constantly going through your head of of you know, how 349 00:19:49,720 --> 00:19:54,880 Speaker 1: to play this this small you know character, drive yourself 350 00:19:54,880 --> 00:19:58,320 Speaker 1: crazy with it. So listen, we're gonna do something called 351 00:19:58,440 --> 00:20:03,359 Speaker 1: rapid fire. Are you ready for rapid fire? Chase was 352 00:20:03,720 --> 00:20:07,840 Speaker 1: rapid fire. You're gonna find out. I'm gonna answer questions. 353 00:20:07,840 --> 00:20:11,000 Speaker 1: Fancy can you ready? R? Right? Here we go? How 354 00:20:11,040 --> 00:20:16,240 Speaker 1: do you take your coffee black? Can you smell snow? No? 355 00:20:16,920 --> 00:20:21,440 Speaker 1: Are you team Logan? Team Jasser, Team Dean, Team Logan, 356 00:20:21,520 --> 00:20:31,720 Speaker 1: Team Jaser, Team Dean, Dean, Dean Dean. Okay, who's the daddy? 357 00:20:32,320 --> 00:20:43,960 Speaker 1: I am always the dad. Take it easy, you were 358 00:20:44,040 --> 00:20:48,000 Speaker 1: always the daddy? All right? Wow, that's gonna be a moment. 359 00:20:48,040 --> 00:20:50,919 Speaker 1: There you go, buddy, that's the best thing. We've had 360 00:20:50,960 --> 00:20:54,080 Speaker 1: some good answers on that one. That was pretty good. Um, 361 00:20:54,520 --> 00:21:01,160 Speaker 1: best memory of Gilmore Girls, Ah, being all back to 362 00:21:01,160 --> 00:21:04,040 Speaker 1: to you know, playing a second character on the show. 363 00:21:05,600 --> 00:21:08,600 Speaker 1: And that was a good phone call. Sure, sure, show 364 00:21:08,680 --> 00:21:16,040 Speaker 1: you're binge watching right now? Oh gosh, not a show. 365 00:21:16,119 --> 00:21:19,159 Speaker 1: I'm watching the euro Cup right now. Yeah, that's so. 366 00:21:19,320 --> 00:21:23,000 Speaker 1: I guess you could call that binge watching cast member. 367 00:21:23,080 --> 00:21:31,440 Speaker 1: You texted most recently, jeez, um on the Show Girls. 368 00:21:33,200 --> 00:21:38,080 Speaker 1: M I mean I text with my buddies and on 369 00:21:38,200 --> 00:21:40,879 Speaker 1: Chicago Fire. I haven't talked to anybody from Gilmer Girls. 370 00:21:41,880 --> 00:21:47,320 Speaker 1: You're honest. Uh, well you were there for a fleeting moment. Um, Yeah, 371 00:21:47,359 --> 00:21:50,399 Speaker 1: I mean honestly, I'm It's funny. I don't think anybody 372 00:21:50,440 --> 00:21:54,879 Speaker 1: remember Chase who Well, no, it's Chase Penny. And listen, 373 00:21:55,000 --> 00:21:58,280 Speaker 1: it's been a pleasure catching up with you, talking to you. 374 00:21:59,040 --> 00:22:02,440 Speaker 1: Um uh, it was a lot of fun. You still 375 00:22:02,520 --> 00:22:08,160 Speaker 1: have fantastic hair. Congratulations, were all jealous and and listen, 376 00:22:08,200 --> 00:22:13,280 Speaker 1: good luck with everything, okay, and hopefully we'll talk soon. Okay. Yeah, 377 00:22:13,400 --> 00:22:17,000 Speaker 1: you're going through each episode? We are, Yeah, every single 378 00:22:17,080 --> 00:22:21,560 Speaker 1: episode in detail, We are we Are Yes, which we 379 00:22:21,680 --> 00:22:24,600 Speaker 1: found you to be the most interesting aspect of that episode. 380 00:22:25,280 --> 00:22:36,240 Speaker 1: Had well, thank you, appreciate, Take care, God bless Alright, alright, okay, everybody, 381 00:22:36,280 --> 00:22:39,159 Speaker 1: we're back from break. How great was Chase Penny? He 382 00:22:39,240 --> 00:22:41,840 Speaker 1: was fun, wasn't he? He was so nice? You know, 383 00:22:41,880 --> 00:22:46,000 Speaker 1: it's crazy about his character that never spoke is the 384 00:22:46,200 --> 00:22:51,159 Speaker 1: entire episode. He's basically a through line to the entire episode, 385 00:22:51,600 --> 00:22:54,000 Speaker 1: and he never spoke. I didn't have to pay him 386 00:22:54,119 --> 00:22:58,920 Speaker 1: very much. If you don't speak, you know, you gotta 387 00:22:59,000 --> 00:23:02,160 Speaker 1: get creative there at the w B. Do you get 388 00:23:02,240 --> 00:23:06,879 Speaker 1: special hair pay? Uh? But they should have. They should have. 389 00:23:06,960 --> 00:23:09,040 Speaker 1: They should have gotten him some kind of hair bonus. 390 00:23:09,640 --> 00:23:11,520 Speaker 1: If it didn't exist, they should have created for him 391 00:23:11,520 --> 00:23:14,359 Speaker 1: for that head of air at least commercial like something. 392 00:23:14,400 --> 00:23:18,480 Speaker 1: Come on, okay, and Riley is going to give the 393 00:23:18,520 --> 00:23:22,080 Speaker 1: synopsis of the episode. Go ahead, Riley. We're waiting with 394 00:23:22,160 --> 00:23:25,520 Speaker 1: bated breath. We can't wait. Riley is going to give 395 00:23:25,640 --> 00:23:28,679 Speaker 1: us a synopsis of the episode. Here we go, Riley. 396 00:23:28,800 --> 00:23:32,840 Speaker 1: You are on in five three to one go. Episode eight, 397 00:23:32,880 --> 00:23:36,600 Speaker 1: Love and War and Snow Air date December four, two thousand, 398 00:23:36,880 --> 00:23:40,240 Speaker 1: The first snowfall prompts Lorelai and Max's first date while 399 00:23:40,320 --> 00:23:43,320 Speaker 1: Rory is stuck in Hartford with Richard and Emily. Lean 400 00:23:43,480 --> 00:23:46,560 Speaker 1: is upset with Rory for being distracted with children and Dean. 401 00:23:47,160 --> 00:23:50,640 Speaker 1: What do we think about the fact that Lane goes 402 00:23:50,760 --> 00:23:57,080 Speaker 1: to Laura La with this major sort of teen dramatic 403 00:23:59,040 --> 00:24:04,120 Speaker 1: You know, she's she's losing her friend. She's freaking out, 404 00:24:04,160 --> 00:24:08,119 Speaker 1: she's losing her friend and and and she's so open 405 00:24:08,160 --> 00:24:10,720 Speaker 1: and honest about it. She's I mean, what does she 406 00:24:10,840 --> 00:24:15,240 Speaker 1: have without Rory and Laurela. She's got her mother and 407 00:24:15,760 --> 00:24:20,240 Speaker 1: you know that lifestyle. Yeah, I love I loved this 408 00:24:20,320 --> 00:24:24,119 Speaker 1: scene where she first of all, she catches I'm sorry 409 00:24:24,119 --> 00:24:26,439 Speaker 1: to hurt you with this, but she catches Max and 410 00:24:26,520 --> 00:24:32,040 Speaker 1: Laurel I fully making out, and that Laurel stops everything 411 00:24:32,800 --> 00:24:35,960 Speaker 1: for Lane. You know that she's like, I need to 412 00:24:35,960 --> 00:24:39,679 Speaker 1: go talk to her. She's a second daughter, And I 413 00:24:39,720 --> 00:24:41,920 Speaker 1: think that's how I think that's how Laurel I sees 414 00:24:41,920 --> 00:24:46,200 Speaker 1: her two Yeah, like she needs me. Like that's how 415 00:24:46,240 --> 00:24:48,960 Speaker 1: my mom was with the neighborhood kids, because they'd come 416 00:24:48,960 --> 00:24:52,320 Speaker 1: over and talk to her because they needed her, especially 417 00:24:52,440 --> 00:24:54,920 Speaker 1: one of my best friends. He would come over all 418 00:24:54,920 --> 00:24:58,119 Speaker 1: the time because he really needed my mom, you know so. 419 00:24:58,200 --> 00:24:59,879 Speaker 1: And I think I think Laurel I was like that 420 00:25:00,040 --> 00:25:05,440 Speaker 1: to Lane and that Lane feels comfortable to tell her 421 00:25:05,560 --> 00:25:09,800 Speaker 1: this embarrassing story and that Laurela just handles it in 422 00:25:09,880 --> 00:25:12,960 Speaker 1: the perfect Laurel Lie way and it's just like this 423 00:25:13,680 --> 00:25:17,880 Speaker 1: relief for Lane. Yeah, this is where you really see 424 00:25:17,920 --> 00:25:21,840 Speaker 1: the strength of Laurela. That's the strength of the characters. 425 00:25:21,920 --> 00:25:30,120 Speaker 1: That is that mom, that that soothing, understanding, compassionate mom. 426 00:25:30,600 --> 00:25:34,560 Speaker 1: And that's the scene that moved me the most and 427 00:25:34,640 --> 00:25:37,960 Speaker 1: for me, defines the character to the best. You know, 428 00:25:38,000 --> 00:25:41,960 Speaker 1: despite all the verbiage and the wackiness and all the comedy, 429 00:25:42,040 --> 00:25:46,920 Speaker 1: that right there grounds that character beautifully makes it very 430 00:25:47,000 --> 00:25:50,320 Speaker 1: very makes her very appealing, very very I mean a 431 00:25:50,359 --> 00:25:54,480 Speaker 1: real rock. You know how the strength the strength of 432 00:25:54,480 --> 00:26:00,320 Speaker 1: of Laureli Gilmore comes through in that brief scene, beautiful scene. Yeah, 433 00:26:00,359 --> 00:26:03,800 Speaker 1: and she's so cool. That's what my takeaways is like, 434 00:26:04,480 --> 00:26:10,920 Speaker 1: this chick is so cool and unslappable. It's like she's cool. 435 00:26:11,000 --> 00:26:13,320 Speaker 1: I'm making she's making out. It's all good. I gotta 436 00:26:13,359 --> 00:26:16,680 Speaker 1: go in. I gotta help Lane. There's no embarrassment, there's 437 00:26:16,760 --> 00:26:21,480 Speaker 1: no like she doesn't. She just makes Lane feel better, 438 00:26:21,840 --> 00:26:25,080 Speaker 1: like the perfect cool mom, well after what she's been through, 439 00:26:25,280 --> 00:26:28,639 Speaker 1: what her parents had done to her and continue to 440 00:26:28,680 --> 00:26:33,320 Speaker 1: do to her because she didn't follow their prescribed path 441 00:26:33,480 --> 00:26:35,719 Speaker 1: for her life and didn't even bother to ask her 442 00:26:35,760 --> 00:26:38,880 Speaker 1: if she wanted to go along with it. Um, she's 443 00:26:38,880 --> 00:26:40,720 Speaker 1: not gonna put anybody else through that. She's going to 444 00:26:40,800 --> 00:26:44,680 Speaker 1: be that much more compassionate and open and listen. It 445 00:26:44,760 --> 00:26:46,840 Speaker 1: went full circle at the end of the episode two 446 00:26:46,960 --> 00:26:50,400 Speaker 1: when um Lauraa puts her hands through Max Medina's hair, 447 00:26:51,119 --> 00:26:54,479 Speaker 1: and I thought that was a really cute moment. I know, 448 00:26:55,240 --> 00:26:57,879 Speaker 1: I know, Scott, I'm so sorry, but Max is so 449 00:26:58,359 --> 00:27:01,600 Speaker 1: awesomely hot in this episode. I kinda tell you I 450 00:27:01,720 --> 00:27:08,439 Speaker 1: enjoyed watching that. I wasn't so triggered watching it. I 451 00:27:08,440 --> 00:27:11,359 Speaker 1: I got swept up in it. That's how good those 452 00:27:11,400 --> 00:27:16,359 Speaker 1: two are and how I just I was like, yeah, 453 00:27:16,400 --> 00:27:20,880 Speaker 1: that's great, you know, And then I just then when 454 00:27:20,960 --> 00:27:23,520 Speaker 1: she put the hands through there, I was like, don't touch. 455 00:27:23,880 --> 00:27:27,840 Speaker 1: How about when she's listening to the answering machine message, 456 00:27:27,920 --> 00:27:30,560 Speaker 1: and yes, it was an answering machine message, just over 457 00:27:30,640 --> 00:27:35,320 Speaker 1: and over and over, like everybody with a crush does 458 00:27:36,080 --> 00:27:38,840 Speaker 1: you know what I'm trying to put myself in. You know, 459 00:27:38,840 --> 00:27:43,160 Speaker 1: if I put myself in Rory situation. Right. Um, let's 460 00:27:43,200 --> 00:27:46,040 Speaker 1: say I'm sixteen and it's me and my dad, right, 461 00:27:46,880 --> 00:27:49,600 Speaker 1: and then I wake up one morning and uh, my 462 00:27:49,680 --> 00:27:54,400 Speaker 1: science teacher is asleep on the couch Mrs Steckler, Like, dad, 463 00:27:54,440 --> 00:27:57,560 Speaker 1: what's happening here? I have to go do a test 464 00:27:58,000 --> 00:28:01,119 Speaker 1: with her a little it'so one minutes. What are you doing? 465 00:28:01,920 --> 00:28:03,320 Speaker 1: What you are you trying to ruin my life? I 466 00:28:03,359 --> 00:28:06,359 Speaker 1: couldn't walk the halls of the school, you know. I 467 00:28:06,359 --> 00:28:09,040 Speaker 1: mean it's tough. I mean, listen, that's the reality of it. 468 00:28:09,200 --> 00:28:12,680 Speaker 1: That's the suspension of disbelief. That's the actor's job. That's 469 00:28:12,680 --> 00:28:15,720 Speaker 1: the writer's job, suspend the disbelief of the audience so 470 00:28:15,760 --> 00:28:19,600 Speaker 1: that they buy into it. It's just for me, it's hard. 471 00:28:20,600 --> 00:28:23,200 Speaker 1: That's hard. I mean, there's Max Medina on the couch 472 00:28:23,240 --> 00:28:25,879 Speaker 1: and Rory walks in there, both staring at him. So 473 00:28:25,920 --> 00:28:27,879 Speaker 1: I don't know, I don't know. That's tough for me. 474 00:28:28,160 --> 00:28:32,040 Speaker 1: That's tough. Yeah, yeah, I know it's And what's so 475 00:28:32,520 --> 00:28:36,919 Speaker 1: sort of the juxtaposition of how much you're starting to 476 00:28:37,080 --> 00:28:40,600 Speaker 1: love Laureli with Max and then at the same time 477 00:28:40,640 --> 00:28:42,720 Speaker 1: you're like, oh god, I forgot. How cringe and awful. 478 00:28:42,760 --> 00:28:49,200 Speaker 1: This is as Rory's in the kitchen freaking out like 479 00:28:49,200 --> 00:28:51,680 Speaker 1: like oh my god, oh my god, just as you're 480 00:28:51,720 --> 00:28:55,200 Speaker 1: like hard eyes, hard eyes, hard eyes for Max and Lorela, 481 00:28:55,680 --> 00:28:58,920 Speaker 1: then you're kind of like, oh no, like, oh god, 482 00:28:59,000 --> 00:29:02,880 Speaker 1: I forgot. Yeah, I mean, what are the odds though? 483 00:29:02,880 --> 00:29:05,040 Speaker 1: Can we go backwards that his car broke down and 484 00:29:05,080 --> 00:29:10,800 Speaker 1: stars hollow and then she bumped into him. I mean, 485 00:29:10,840 --> 00:29:17,240 Speaker 1: I loved it, but like, that's a swallow right there, 486 00:29:18,920 --> 00:29:23,880 Speaker 1: Mysteriously his old Mustang broke down right and stars hollow. 487 00:29:24,000 --> 00:29:30,800 Speaker 1: At the garage, laurelies walking by, you know, but you know, look, 488 00:29:30,960 --> 00:29:33,720 Speaker 1: I the reason I went along with it is because 489 00:29:33,760 --> 00:29:36,040 Speaker 1: I love snow too. I love snow as much as 490 00:29:36,080 --> 00:29:39,800 Speaker 1: she does. And yes, it's She was right, it's And 491 00:29:39,840 --> 00:29:43,160 Speaker 1: one of the funniest moments was when she was waxing 492 00:29:43,200 --> 00:29:46,400 Speaker 1: poetic at the Dragonfly by herself and the camera moved 493 00:29:46,400 --> 00:29:50,440 Speaker 1: in on her about snow and oh, it softens, everything softens. 494 00:29:50,480 --> 00:29:52,840 Speaker 1: And then the phone comes in and said, Yanny says, 495 00:29:52,960 --> 00:29:58,080 Speaker 1: it's your mother. You know, we haven't even talked about yet. 496 00:29:58,440 --> 00:30:04,160 Speaker 1: It's the pick opening scene of this episode with our 497 00:30:04,280 --> 00:30:11,280 Speaker 1: first town meeting, I laughed my ass off that they're 498 00:30:11,320 --> 00:30:14,239 Speaker 1: eating their hot dogs and their sodas, and you just 499 00:30:14,240 --> 00:30:17,959 Speaker 1: see Luke like a ball game, break it out, and 500 00:30:17,960 --> 00:30:20,760 Speaker 1: then you just explode. Oh yeah, where's your big green beffer, 501 00:30:21,400 --> 00:30:27,320 Speaker 1: where's your best we got you? Oh my god, I 502 00:30:27,400 --> 00:30:33,640 Speaker 1: just need you to calm down. So opening scene, Luke, Now, 503 00:30:34,600 --> 00:30:38,040 Speaker 1: I prefer when you have the flannel buttoned to as 504 00:30:38,040 --> 00:30:41,840 Speaker 1: opposed to the T shirt with the open flannel in 505 00:30:42,400 --> 00:30:44,960 Speaker 1: the town hall meeting tent. There's not a chance that 506 00:30:45,120 --> 00:30:48,920 Speaker 1: you prefer. You know, I prefer to live through the day. 507 00:30:49,000 --> 00:30:51,320 Speaker 1: That's what I You were wearing a popper two. You 508 00:30:51,400 --> 00:30:55,920 Speaker 1: must have been sweating, you think, Yeah, everybody was in 509 00:30:55,960 --> 00:31:02,200 Speaker 1: their spits and then everybody Okay, now Scott has on 510 00:31:02,480 --> 00:31:07,440 Speaker 1: the Luke puffer him Luke Puffer is this is the one? Huh? 511 00:31:07,640 --> 00:31:10,520 Speaker 1: I feel I feel like I want to I want 512 00:31:10,560 --> 00:31:13,760 Speaker 1: to pop a Taylor right now. Can you remember shooting 513 00:31:13,800 --> 00:31:18,280 Speaker 1: the first town meeting, because that was the first one 514 00:31:18,360 --> 00:31:20,760 Speaker 1: I do kind of remember. I do remember that because 515 00:31:20,800 --> 00:31:26,840 Speaker 1: I was having such gesticulations with uh, you know, I 516 00:31:27,120 --> 00:31:30,880 Speaker 1: really physicalized what I was hearing from Taylor. And then, 517 00:31:31,600 --> 00:31:33,320 Speaker 1: you know, because you got to set up the blow up. 518 00:31:33,360 --> 00:31:36,560 Speaker 1: But I enjoyed that scene. I you know, I'm gonna 519 00:31:36,600 --> 00:31:40,520 Speaker 1: be I'm very honest with critique of my own actor acting, 520 00:31:40,560 --> 00:31:42,680 Speaker 1: but I I enjoyed that. I thought that was pretty good. 521 00:31:42,680 --> 00:31:44,360 Speaker 1: I thought right now that the whole I mean the 522 00:31:44,440 --> 00:31:48,120 Speaker 1: whole scene to open the episode with. I mean, you 523 00:31:48,160 --> 00:31:50,800 Speaker 1: are It's like, I don't know how to explain it, 524 00:31:50,840 --> 00:31:53,959 Speaker 1: but suddenly that scene is going and you are just 525 00:31:54,280 --> 00:31:59,120 Speaker 1: pumped up. You're like, yes, I am in. The guy 526 00:31:59,200 --> 00:32:02,200 Speaker 1: calls me a calm eist. I understand. But Rory and 527 00:32:02,280 --> 00:32:05,960 Speaker 1: Lordly with their hot on doing the play by play, 528 00:32:06,480 --> 00:32:11,440 Speaker 1: you just breaking out there's three from Gilmore. That was 529 00:32:11,480 --> 00:32:15,959 Speaker 1: a high ball four. I'm really excited that you love 530 00:32:16,000 --> 00:32:17,640 Speaker 1: the scene so much because we're going to re enact 531 00:32:17,760 --> 00:32:23,160 Speaker 1: in this episode. It's a good scene. Yeah, but I said, 532 00:32:23,240 --> 00:32:26,480 Speaker 1: but the best thing about that scene was the cutaways, 533 00:32:27,200 --> 00:32:31,720 Speaker 1: the cut two Lauren and Alexis their reactions. Their reactions 534 00:32:31,760 --> 00:32:34,520 Speaker 1: were were genius. I know you've told us those scenes 535 00:32:34,560 --> 00:32:37,120 Speaker 1: took a long time to shoot, obviously, because there's so 536 00:32:37,160 --> 00:32:41,760 Speaker 1: many people in their day all day. They take all day, 537 00:32:42,000 --> 00:32:47,160 Speaker 1: like eight hours, ten hours twelve hours. We're talking fourteen wow, 538 00:32:47,280 --> 00:32:50,680 Speaker 1: sometimes sixteen hours. Yeah, you're there all day. It's hot 539 00:32:50,720 --> 00:32:53,960 Speaker 1: as all get out in there. They they're pumping in 540 00:32:54,440 --> 00:32:56,840 Speaker 1: you know, they have these huge tubes. They're pumping in 541 00:32:56,880 --> 00:33:00,240 Speaker 1: air conditioning. But the generators always break down and and 542 00:33:00,560 --> 00:33:02,440 Speaker 1: then it gets you know, it goes up above a 543 00:33:02,480 --> 00:33:05,000 Speaker 1: hundred degrees. You're you're on the back lot at Warner 544 00:33:05,040 --> 00:33:11,480 Speaker 1: Brothers in the summertime, California, in the valley, and it's 545 00:33:11,520 --> 00:33:13,720 Speaker 1: a hundred and ten out there, and you're in it. 546 00:33:13,880 --> 00:33:19,760 Speaker 1: You're tented, you're inside of a tent with it. Because 547 00:33:19,840 --> 00:33:22,720 Speaker 1: that those scenes are some of the best of the 548 00:33:22,720 --> 00:33:26,160 Speaker 1: whole show, in this one without question. Oh my god, 549 00:33:26,160 --> 00:33:29,280 Speaker 1: Well should we reenact it? Now? Let's do it all right, now, 550 00:33:29,360 --> 00:33:32,920 Speaker 1: let's do it. Let's bring in Chelsea she Um is 551 00:33:32,920 --> 00:33:35,480 Speaker 1: one of our listeners and she's super excited to re 552 00:33:35,600 --> 00:33:38,680 Speaker 1: enact a scene. So let's bring her in. Hi, welcome, 553 00:33:40,080 --> 00:33:42,600 Speaker 1: thank you. How did you end up? How did you 554 00:33:42,720 --> 00:33:46,040 Speaker 1: end up on this podcast? What's that? How did you 555 00:33:46,160 --> 00:33:48,240 Speaker 1: end up on this podcast? Did you did you email 556 00:33:48,240 --> 00:33:51,560 Speaker 1: in because you wanted to be in this scene? Um, 557 00:33:51,600 --> 00:33:53,920 Speaker 1: I don't know. I just saw the thing on Instagram, 558 00:33:53,920 --> 00:33:55,360 Speaker 1: and I was like, I'm gonna respond to this, and I, 559 00:33:55,440 --> 00:34:00,080 Speaker 1: of course don't think i'd ever get picked. But we're 560 00:34:00,120 --> 00:34:04,240 Speaker 1: where are you calling in from? From Michigan? Okay? Yeah, 561 00:34:04,640 --> 00:34:07,280 Speaker 1: so you're ready to take a whack at this thing? 562 00:34:07,320 --> 00:34:11,719 Speaker 1: Do you have any prior acting experience? Please divulge this information. 563 00:34:11,880 --> 00:34:15,399 Speaker 1: We don't want to be embarrassed. No, not at all. 564 00:34:15,400 --> 00:34:20,439 Speaker 1: I'm actually terrible actors. But that's okay. It's gonna be fun. 565 00:34:20,840 --> 00:34:24,640 Speaker 1: I'm sure you'll do fine. Alright, alright, so Chelsea, you 566 00:34:24,640 --> 00:34:26,279 Speaker 1: have the first line. Are you ready for this? I 567 00:34:26,560 --> 00:34:30,480 Speaker 1: am ready. Let's do it. Okay, my script right here. Okay, 568 00:34:30,520 --> 00:34:33,919 Speaker 1: let's pretend like we're on set and a lighting set. 569 00:34:33,960 --> 00:34:38,840 Speaker 1: Everybody set, and I would like to know, move on 570 00:34:38,880 --> 00:34:41,200 Speaker 1: to something of even greater importance. As you all know, 571 00:34:41,360 --> 00:34:43,760 Speaker 1: this coming Friday is an anniversary of the legendary Battle 572 00:34:43,800 --> 00:34:48,000 Speaker 1: of Stars Hollow. Where's Luke? Wow? All right, let's start. 573 00:34:48,000 --> 00:34:50,799 Speaker 1: Oh I'm sorry, I'm gonna have to say cut. Yeah, 574 00:34:50,840 --> 00:34:53,560 Speaker 1: let's let's tighten up our cues. There, you gotta jump 575 00:34:53,640 --> 00:34:57,520 Speaker 1: on the cues. Thank you, thank you. Riley? All right, 576 00:34:57,600 --> 00:35:03,799 Speaker 1: sorry about that, Chelsea. Let's take two. Everybody quiet, on set. 577 00:35:03,880 --> 00:35:08,759 Speaker 1: Let's clear, clear eye lines and action. I would like 578 00:35:08,800 --> 00:35:11,000 Speaker 1: to now move on to something of even greater importance. 579 00:35:11,040 --> 00:35:13,120 Speaker 1: As you all know, this coming Friday is the anniversary 580 00:35:13,160 --> 00:35:16,520 Speaker 1: of the legendary Battle of stars Hollow. Where's Luke there? 581 00:35:17,320 --> 00:35:19,359 Speaker 1: Patty will be circulating a sign up sheet for those 582 00:35:19,360 --> 00:35:20,880 Speaker 1: of you who would like to participate in the re 583 00:35:21,000 --> 00:35:24,799 Speaker 1: enactment of foresaid battle. He's turning red, all right. It 584 00:35:24,880 --> 00:35:27,160 Speaker 1: was a frigid November night some two d and twenty 585 00:35:27,239 --> 00:35:30,440 Speaker 1: four years ago. He's shifting in a seat. A brave 586 00:35:30,480 --> 00:35:32,919 Speaker 1: Hollow militia stood and wait for the Red coats. He's 587 00:35:32,920 --> 00:35:36,439 Speaker 1: suggesting his cap tired and hungry twelve problem and took 588 00:35:36,440 --> 00:35:39,319 Speaker 1: their positions in the town square. He's fighting the Hurg. 589 00:35:39,360 --> 00:35:43,120 Speaker 1: He's fighting the Urge, leaving their fighting in the valiant effort. 590 00:35:43,320 --> 00:35:45,239 Speaker 1: For God's sake, do we have to go through this 591 00:35:45,280 --> 00:35:49,880 Speaker 1: every damn year and Urge winsday? We were here to 592 00:35:49,920 --> 00:35:54,600 Speaker 1: discuss town issues. Excuse me, who's talking? It's me, Harry Luke. 593 00:35:54,640 --> 00:35:57,680 Speaker 1: You've known me since I was five years old. Oh 594 00:35:57,760 --> 00:36:00,320 Speaker 1: lou yes, sit down now. As I was saying, a 595 00:36:00,400 --> 00:36:02,560 Speaker 1: twelve r owd man assemble of guns around ready to 596 00:36:02,560 --> 00:36:05,440 Speaker 1: meet their making. Are you talking about twelve guys stood 597 00:36:05,440 --> 00:36:08,680 Speaker 1: in a row all night waiting for the red who 598 00:36:08,760 --> 00:36:11,920 Speaker 1: never showed? Now, just a minute, twelve guys stood in 599 00:36:11,920 --> 00:36:15,359 Speaker 1: a row all night waiting for an enemy that that 600 00:36:15,480 --> 00:36:18,480 Speaker 1: neither showed. They got stood up, So you should have 601 00:36:18,480 --> 00:36:21,360 Speaker 1: been wearing prom dresses. I've had about enough of this 602 00:36:21,520 --> 00:36:26,520 Speaker 1: sit down, Taylor, suck up five bucks as somebody ends 603 00:36:26,600 --> 00:36:29,080 Speaker 1: up in headlock you're on. Have you ever considered the 604 00:36:29,120 --> 00:36:32,080 Speaker 1: fact that you're glorifying a war we fought so we 605 00:36:32,120 --> 00:36:35,799 Speaker 1: could keep land that we stole. If you don't like 606 00:36:35,880 --> 00:36:37,480 Speaker 1: it here in America, why don't you go stand in 607 00:36:37,480 --> 00:36:39,960 Speaker 1: line for toilet paper in the USSR? There is no 608 00:36:40,120 --> 00:36:44,680 Speaker 1: more USSR, Harry. A sense of community is so important, 609 00:36:44,719 --> 00:36:50,160 Speaker 1: isn't it? That's what made our country great. M Why 610 00:36:53,400 --> 00:36:59,400 Speaker 1: I'm back, Baby, I'm back. Chelsea did great? Oh? Thank you? 611 00:36:59,760 --> 00:37:02,960 Speaker 1: Was that fun? Was that fun? That was very fun? Yeah? Yeah, 612 00:37:03,200 --> 00:37:05,360 Speaker 1: I can't. I still can't believe I'm talking to Scott Patterson. 613 00:37:05,719 --> 00:37:09,760 Speaker 1: Where is this? Is he here? I didn't know that? 614 00:37:09,760 --> 00:37:15,920 Speaker 1: That's exciting? Wow? Who's that? Kelsey? Do you have a 615 00:37:15,960 --> 00:37:22,120 Speaker 1: great Gilmore question? Before? Oh? That's pure um. Anything you 616 00:37:22,160 --> 00:37:25,120 Speaker 1: want to ask. This is jumping way ahead, but how 617 00:37:25,120 --> 00:37:27,640 Speaker 1: did you Scott as the actor who played Luke, feel 618 00:37:27,680 --> 00:37:31,560 Speaker 1: about when Lorline get married in the seventh season. Oh, 619 00:37:31,600 --> 00:37:35,279 Speaker 1: I didn't really care. You didn't care set that day. 620 00:37:35,360 --> 00:37:38,920 Speaker 1: So I mean at that at that point, I knew 621 00:37:39,000 --> 00:37:43,799 Speaker 1: that that nothing and no one could come between us 622 00:37:43,960 --> 00:37:48,279 Speaker 1: in a real long term sense. And I you know, 623 00:37:48,360 --> 00:37:51,560 Speaker 1: that may change over time. I have no idea, but 624 00:37:51,600 --> 00:37:55,359 Speaker 1: I always felt like people do this team Luke thing, 625 00:37:55,560 --> 00:38:01,120 Speaker 1: and I just don't that that's a construct from the media. Yeah, 626 00:38:02,239 --> 00:38:04,200 Speaker 1: And I just never saw it as a team. I 627 00:38:04,239 --> 00:38:06,560 Speaker 1: never saw it as a competition because there just isn't 628 00:38:06,600 --> 00:38:09,200 Speaker 1: any competition. I mean, it's just like Luke and Laurel. 629 00:38:09,280 --> 00:38:12,080 Speaker 1: I are like, you know, salt and pepper and yeah, 630 00:38:12,600 --> 00:38:15,200 Speaker 1: it's it's just as natural as a night and day 631 00:38:15,239 --> 00:38:20,480 Speaker 1: and it's there was no so the team looked thing. 632 00:38:20,520 --> 00:38:23,239 Speaker 1: I appreciate it, but for me, it was never like 633 00:38:23,320 --> 00:38:27,600 Speaker 1: a team. Yeah, it's like it's just Luke. Yeah, I 634 00:38:27,640 --> 00:38:29,319 Speaker 1: think you're right with Laurel, I were just meant to 635 00:38:29,320 --> 00:38:32,640 Speaker 1: be together from the very good Yeah, that was a 636 00:38:32,680 --> 00:38:35,480 Speaker 1: spoiler for someone who hasn't seen that. For you and Chelsea, 637 00:38:35,560 --> 00:38:39,400 Speaker 1: who do you like for Rory. Um, I was always 638 00:38:39,400 --> 00:38:42,839 Speaker 1: team Dean. I just again the first three seasons, they're 639 00:38:42,840 --> 00:38:46,360 Speaker 1: like my favorite. So I just love her first relationship 640 00:38:46,440 --> 00:38:49,680 Speaker 1: with Dean. But I I don't necessarily think he's meant 641 00:38:49,680 --> 00:38:51,720 Speaker 1: for her, but he's probably my favorite out of her boyfriend. 642 00:38:51,800 --> 00:38:53,759 Speaker 1: So wait a minute, you weren't, Chelsea. I have some 643 00:38:53,840 --> 00:38:56,560 Speaker 1: questions for you, now, Okay, all right, you just opened 644 00:38:56,600 --> 00:38:59,399 Speaker 1: up a can of worms for me. All right. So 645 00:38:59,600 --> 00:39:03,600 Speaker 1: he and his attitude. In the last episode in in 646 00:39:03,719 --> 00:39:07,880 Speaker 1: Kiss and Tell, he kisses her in the grocery store, 647 00:39:08,120 --> 00:39:16,200 Speaker 1: he gets invited to movie night, he mentions boogie nights. 648 00:39:17,160 --> 00:39:20,000 Speaker 1: Mh to did he did he say it to Rory? 649 00:39:20,080 --> 00:39:23,360 Speaker 1: Just say, you know he said it to Rory? I 650 00:39:23,400 --> 00:39:28,240 Speaker 1: think so. Yeah. And then he was when I thought 651 00:39:28,360 --> 00:39:31,000 Speaker 1: was a little bit disrespectful with Laurela when he when 652 00:39:31,080 --> 00:39:34,279 Speaker 1: after she gave him the speech like don't hurt my kid, 653 00:39:34,360 --> 00:39:37,600 Speaker 1: and you know, don't knock her up or else you're 654 00:39:37,600 --> 00:39:39,279 Speaker 1: gonna have the whole town to deal with, you know, 655 00:39:39,360 --> 00:39:42,799 Speaker 1: the Don Corleone kind of threat, and uh, he said that, 656 00:39:42,880 --> 00:39:45,359 Speaker 1: now is it my turn to speak? And I just thought, boy, 657 00:39:45,440 --> 00:39:49,120 Speaker 1: his kid, it's it's like too much from he was 658 00:39:49,160 --> 00:39:53,520 Speaker 1: out for me at that moment. That's he's done, So 659 00:39:53,560 --> 00:39:56,000 Speaker 1: you forgave him for that. And my my own wife 660 00:39:56,000 --> 00:39:58,440 Speaker 1: tells me, I'm overreacting. What what do you think? I 661 00:39:59,239 --> 00:40:01,359 Speaker 1: think a little bit. I think you're just a little 662 00:40:01,360 --> 00:40:05,600 Speaker 1: bit protective of Cory in this situation. Um, but I 663 00:40:05,640 --> 00:40:07,600 Speaker 1: get it. But I don't think he was all the one, 664 00:40:07,640 --> 00:40:09,040 Speaker 1: even not even with the kiss. I think he was 665 00:40:09,120 --> 00:40:13,200 Speaker 1: just confident and he was going for it. And and 666 00:40:13,280 --> 00:40:15,160 Speaker 1: I mean with him saying is it my turn to 667 00:40:15,200 --> 00:40:17,520 Speaker 1: talk to LORELEI, I mean she kind of did, like 668 00:40:18,440 --> 00:40:21,279 Speaker 1: really put the screws to him there, and I feel 669 00:40:21,320 --> 00:40:25,440 Speaker 1: like he needs to kind of find himself. But she 670 00:40:25,680 --> 00:40:28,920 Speaker 1: felt what I felt like, this kid could be trouble. 671 00:40:29,080 --> 00:40:32,960 Speaker 1: He's a little confident, he's a little cocky. I wanna 672 00:40:33,480 --> 00:40:36,720 Speaker 1: or on the side of caution, I make a mistake. 673 00:40:37,160 --> 00:40:39,520 Speaker 1: And a lot of kids like that in because it's 674 00:40:39,560 --> 00:40:41,800 Speaker 1: just like, if you're sure he's a good kid, that 675 00:40:41,880 --> 00:40:43,600 Speaker 1: other five percent come up and bite you and then 676 00:40:43,640 --> 00:40:46,120 Speaker 1: you know what, Yeah again, I think maybe it might 677 00:40:46,200 --> 00:40:49,920 Speaker 1: change your mind on Dean though, when did you keep watching? Well, 678 00:40:49,960 --> 00:40:53,600 Speaker 1: I wouldn't be surprised, Yeah, I wouldn't be surprised. Am 679 00:40:53,600 --> 00:40:56,279 Speaker 1: I the only person that loves Logan so much? Like 680 00:40:56,360 --> 00:41:00,279 Speaker 1: I love him so much. You're the only person I 681 00:41:00,320 --> 00:41:02,960 Speaker 1: think Logan gets a little bit more hate than he deserves. 682 00:41:03,040 --> 00:41:06,440 Speaker 1: But out of her boyfriends, is definitely not my favorite. 683 00:41:07,000 --> 00:41:09,840 Speaker 1: I think Logan loves Logan the way you love Logan. 684 00:41:11,480 --> 00:41:14,239 Speaker 1: I don't even know I love Logan or if I 685 00:41:14,280 --> 00:41:16,560 Speaker 1: love Matt, like I don't know who I love, but 686 00:41:16,640 --> 00:41:21,040 Speaker 1: I love them both. Logan, you know what? You know? 687 00:41:21,080 --> 00:41:26,120 Speaker 1: What bugs me is like, hey, Ace, oh god, I 688 00:41:26,200 --> 00:41:32,239 Speaker 1: love that. My mom always loved that. He called her Ace. 689 00:41:32,600 --> 00:41:35,560 Speaker 1: O God, It's so cute and charming. Oh my god, 690 00:41:35,600 --> 00:41:39,120 Speaker 1: I love him so much. I often google Matt Zukri shirtless. 691 00:41:39,160 --> 00:41:46,640 Speaker 1: I do you anyway? Chelsea rock Oh, thank you. We'll 692 00:41:46,640 --> 00:41:51,319 Speaker 1: have you on again soon. Another scene I prett believe 693 00:41:51,360 --> 00:41:52,920 Speaker 1: I got picked. I was like, oh wow, that's I 694 00:41:53,000 --> 00:41:54,960 Speaker 1: never expected that. But it was fun. It was a 695 00:41:54,960 --> 00:41:57,200 Speaker 1: lot of fun. You're now in line to be nominated 696 00:41:57,280 --> 00:42:03,120 Speaker 1: for an online Acting award. Yeah, we have our We'll 697 00:42:03,160 --> 00:42:06,120 Speaker 1: have our eyem all in awards at the end of 698 00:42:06,160 --> 00:42:10,520 Speaker 1: the season. You could get an eyem all in awesome. 699 00:42:10,560 --> 00:42:17,520 Speaker 1: Thank you, Chelsea, have a good bye. Chelsea. So I 700 00:42:17,600 --> 00:42:21,000 Speaker 1: didn't see it, but I heard the clown pillow returns, 701 00:42:21,200 --> 00:42:22,680 Speaker 1: and I need to know because I would have to 702 00:42:22,719 --> 00:42:25,520 Speaker 1: go back and find it. Oh, it's there. It's a 703 00:42:25,600 --> 00:42:29,360 Speaker 1: partial pillow, but it's there. She is sitting on the 704 00:42:29,360 --> 00:42:33,400 Speaker 1: couch listening to the voicemail and propped up right behind her. Yea, what, 705 00:42:33,760 --> 00:42:36,400 Speaker 1: oh my god. I think I was so taken into 706 00:42:36,440 --> 00:42:39,759 Speaker 1: the voicemail because I loved it. We watched the first 707 00:42:40,680 --> 00:42:46,400 Speaker 1: you know. No, no, I didn't see it. I was 708 00:42:46,440 --> 00:42:51,440 Speaker 1: too busy covering my ears and my own. I was like, here, 709 00:42:51,520 --> 00:42:56,600 Speaker 1: no evil, see, no evil, talk, no evil, all of that. 710 00:43:01,760 --> 00:43:04,560 Speaker 1: I'm Riley and this is pop culture. So our first one. 711 00:43:04,800 --> 00:43:07,840 Speaker 1: Laura Lee nods to Lane and says Sergeant Pepper. Sergeant 712 00:43:07,840 --> 00:43:10,760 Speaker 1: Pepper's Lonely Hearts Club band is Beatles eighth album, released 713 00:43:10,840 --> 00:43:14,400 Speaker 1: June one seven. The title came from the salt and 714 00:43:14,440 --> 00:43:18,200 Speaker 1: pepper packets on Paul McCartney's airplane. Did not know that. 715 00:43:18,800 --> 00:43:25,239 Speaker 1: I did not know that, so obscure, very interesting, very interesting. 716 00:43:26,080 --> 00:43:27,799 Speaker 1: The song A Day in the Life contains a high 717 00:43:27,840 --> 00:43:30,480 Speaker 1: pitched tone that is inaudible to humans but can be 718 00:43:30,560 --> 00:43:37,000 Speaker 1: heard by dogs. Also totally weird. Very weird what Laura 719 00:43:37,080 --> 00:43:39,839 Speaker 1: Lee says, I'm making a point. In Mauthey McGee guil 720 00:43:39,880 --> 00:43:42,640 Speaker 1: Thorpe's sports focused Commas strip, which has been published in 721 00:43:42,680 --> 00:43:46,880 Speaker 1: the newspaper since September eight, three days later I was born. 722 00:43:48,400 --> 00:43:55,200 Speaker 1: It's a good birthday gift for Gil for all of us. 723 00:43:56,760 --> 00:43:59,000 Speaker 1: This strip of details everyday life of Gil Thorpe, but 724 00:43:59,000 --> 00:44:01,719 Speaker 1: the athletic director of Ford High School over the course 725 00:44:01,719 --> 00:44:03,560 Speaker 1: of his thirty eight years, and the creator broke the 726 00:44:03,680 --> 00:44:06,440 Speaker 1: ground with many of his stories, often detailing with sensitive 727 00:44:06,480 --> 00:44:09,920 Speaker 1: social issues of the time. Gil Thorpe is also the 728 00:44:09,960 --> 00:44:12,239 Speaker 1: name of Phil Dumpy's business rival on the hit show 729 00:44:12,320 --> 00:44:17,520 Speaker 1: Modern Family. I auditioned for Modern Family. I auditioned for 730 00:44:17,560 --> 00:44:23,160 Speaker 1: the show. Yeah, I did for Gil. Who's the lead guy, 731 00:44:23,560 --> 00:44:26,839 Speaker 1: Bill Dumpy? Yeah, that was the guy. Yeah, the dad. 732 00:44:26,880 --> 00:44:30,480 Speaker 1: I auditioned for the dad. Yeah. Fun. Yeah. I just 733 00:44:30,800 --> 00:44:34,640 Speaker 1: you know, you get a feeling from the material whether 734 00:44:34,680 --> 00:44:36,319 Speaker 1: you're going to be right for that or not. And 735 00:44:36,400 --> 00:44:38,960 Speaker 1: I never felt like I was right for it and 736 00:44:39,120 --> 00:44:43,120 Speaker 1: justifiable I didn't get the role. You kind of feel 737 00:44:43,120 --> 00:44:46,040 Speaker 1: it during the reading too, and they're producers are just 738 00:44:46,080 --> 00:44:51,080 Speaker 1: sort of looking at you, like, not him. When I 739 00:44:51,120 --> 00:44:54,200 Speaker 1: went and forget the Gilmore role. It just all felt right. 740 00:44:54,239 --> 00:44:57,280 Speaker 1: It all felt friendly and natural and real and fun, 741 00:44:58,480 --> 00:45:02,080 Speaker 1: and the it happens, but and you still don't get 742 00:45:02,120 --> 00:45:04,520 Speaker 1: the role. But it's um. I don't know that one 743 00:45:04,560 --> 00:45:07,719 Speaker 1: felt particularly good. But I remember the Modern Family role 744 00:45:07,840 --> 00:45:11,200 Speaker 1: was over at Fox and it just didn't. It just 745 00:45:11,280 --> 00:45:15,560 Speaker 1: never felt right. That's very interesting, Okay. So the next 746 00:45:15,600 --> 00:45:19,319 Speaker 1: one is from Lorelei. She says, well, gee, Mom, I 747 00:45:19,320 --> 00:45:21,880 Speaker 1: don't know. Let me see black Eye s treacherous rhads. 748 00:45:22,040 --> 00:45:24,560 Speaker 1: I'll put on my red, white and blue leotard, grabbed 749 00:45:24,560 --> 00:45:26,759 Speaker 1: my golden lasso and fly the invisible plane on over. 750 00:45:27,200 --> 00:45:31,200 Speaker 1: I love it so good. Obviously a reference to wonder Woman. 751 00:45:31,840 --> 00:45:36,000 Speaker 1: Wonder Woman first emerge. She was the first mainstream female 752 00:45:36,000 --> 00:45:39,439 Speaker 1: superhero ever and was played by the iconic Linda Carter 753 00:45:39,560 --> 00:45:42,359 Speaker 1: in the seventies. Linda Carter, we we have to get 754 00:45:42,400 --> 00:45:45,000 Speaker 1: her on the show. Get let's get my God. I 755 00:45:45,040 --> 00:45:48,680 Speaker 1: love her so much, She's like my my icon. I 756 00:45:48,880 --> 00:45:51,720 Speaker 1: love her. I have a wonder Woman poster in my bathroom. 757 00:45:51,960 --> 00:45:55,200 Speaker 1: Linda Carter has a cameo as Asteria in Wonder Woman, 758 00:45:56,280 --> 00:45:59,919 Speaker 1: as a nod to Gal Gadotes portrayal of wonder Woman. 759 00:46:00,440 --> 00:46:02,560 Speaker 1: It was kind of like a passing of the torch 760 00:46:03,239 --> 00:46:05,680 Speaker 1: type of thing. Here's what I love about this reference 761 00:46:05,719 --> 00:46:10,640 Speaker 1: in Gilmore. It totally worked twenty years ago because I 762 00:46:10,719 --> 00:46:13,720 Speaker 1: love Linda Carter as Wonder Woman, and it's just something 763 00:46:13,760 --> 00:46:17,839 Speaker 1: that Lourela I would totally say. And now twenty years later, 764 00:46:19,000 --> 00:46:21,520 Speaker 1: it's even more effective because Wonder Woman has had such 765 00:46:21,520 --> 00:46:24,799 Speaker 1: a resurgence with the new movies that it's like, oh 766 00:46:24,840 --> 00:46:27,080 Speaker 1: my god, it's just so epic. It's just such a great, 767 00:46:28,200 --> 00:46:30,840 Speaker 1: great reference with the Invisible Plane. I mean, she couldn't. 768 00:46:31,040 --> 00:46:34,560 Speaker 1: I don't know it. That's all you have to say. 769 00:46:35,320 --> 00:46:40,080 Speaker 1: It's Linda Carter. I know it's a mic drop. Do 770 00:46:40,200 --> 00:46:45,040 Speaker 1: yourself a favor and watch the seventies Wonder Woman's do 771 00:46:45,280 --> 00:46:49,640 Speaker 1: yourself a favor and if you like Fashion Season two, 772 00:46:49,880 --> 00:46:53,439 Speaker 1: she's so seventies and it's just Richard says, you also 773 00:46:53,520 --> 00:46:56,480 Speaker 1: knew that you wanted to marry Errol Flynn. He was 774 00:46:56,520 --> 00:46:59,759 Speaker 1: known for his romantic rules, frequent partnerships with Olivia to 775 00:46:59,840 --> 00:47:03,440 Speaker 1: have Bland, and had a reputation for being a womanizer 776 00:47:04,480 --> 00:47:12,239 Speaker 1: No Yes, and Rol's parties at Moholand Farm were legendary. 777 00:47:12,360 --> 00:47:15,840 Speaker 1: They were known to feature, live dance band, new divers, 778 00:47:16,080 --> 00:47:20,080 Speaker 1: fencing exhibits, and plenty of girls. The new divers No 779 00:47:20,880 --> 00:47:25,879 Speaker 1: new Divers. That makes me sort of gag. I think 780 00:47:25,880 --> 00:47:30,080 Speaker 1: that was the point of Errol Flynn's parties. Well, being 781 00:47:30,120 --> 00:47:32,520 Speaker 1: a womanizer. I think he would have done very well 782 00:47:32,560 --> 00:47:39,080 Speaker 1: in today's Hollywood, wouldn't he great? Okay, so our last 783 00:47:39,120 --> 00:47:42,279 Speaker 1: one is from Rory. You like Jane Austen. I knew 784 00:47:42,320 --> 00:47:45,920 Speaker 1: you would. Jane Austen was born in seventy Because the 785 00:47:45,960 --> 00:47:48,080 Speaker 1: world of writing was a man's world at the time, 786 00:47:48,200 --> 00:47:53,000 Speaker 1: Jane Austen's novels were published anonymously. Jane began writing when 787 00:47:53,040 --> 00:47:54,960 Speaker 1: she was just twelve years old and wrote a total 788 00:47:55,040 --> 00:47:57,759 Speaker 1: of six novels, including titles such as Pride and Prejudice, 789 00:47:57,880 --> 00:48:02,080 Speaker 1: Emma and Manfield Park. Jane Auson died in seventeen at 790 00:48:02,080 --> 00:48:04,480 Speaker 1: the age of forty one years old in a nude 791 00:48:04,480 --> 00:48:10,960 Speaker 1: diving accident. No, that's completely wrong and disrespectful. My apologies. 792 00:48:11,000 --> 00:48:14,960 Speaker 1: I want to apologize to all you Jane Austen fans. 793 00:48:15,280 --> 00:48:18,400 Speaker 1: I was not smirching the memory or the image of 794 00:48:19,239 --> 00:48:23,200 Speaker 1: a nude diving novelist. More importantly, I'd like to give 795 00:48:23,239 --> 00:48:27,239 Speaker 1: my favorite line oh really it was good. Once we 796 00:48:27,239 --> 00:48:34,040 Speaker 1: took the fog wall off. Sounds so good that the 797 00:48:34,080 --> 00:48:38,359 Speaker 1: whole pizza making. I have my lines from that from 798 00:48:38,360 --> 00:48:42,160 Speaker 1: that scene too. My favorite lines from Emily Gilmore when 799 00:48:42,200 --> 00:48:51,160 Speaker 1: she goes Rory the oven is buzzy. Remember when like 800 00:48:51,640 --> 00:48:55,000 Speaker 1: you invite jes where the cookie sheets are? It's like no. 801 00:48:55,960 --> 00:48:58,759 Speaker 1: My favorite line was, I'm sorry, that must be my 802 00:48:58,840 --> 00:49:08,880 Speaker 1: other daughter Schmore and Scott. You know, the biggest laugh 803 00:49:09,239 --> 00:49:11,600 Speaker 1: I got out of the whole thing, and there were many. 804 00:49:11,760 --> 00:49:15,320 Speaker 1: There was always there's always like twenty or big laughs 805 00:49:15,360 --> 00:49:18,560 Speaker 1: for me in this show. Um and again, this show 806 00:49:18,640 --> 00:49:21,720 Speaker 1: is magic. It was absolute magic. But my absolute favorite 807 00:49:21,760 --> 00:49:25,319 Speaker 1: moment was when Richards said he was They were at 808 00:49:25,320 --> 00:49:28,920 Speaker 1: the dinner table and I don't know what Emily said, 809 00:49:29,040 --> 00:49:37,200 Speaker 1: but he said, pardetto perdotto. Yes, it was that. God. 810 00:49:37,640 --> 00:49:39,920 Speaker 1: The whole pizza thing was, the whole piece of thing 811 00:49:39,960 --> 00:49:42,600 Speaker 1: was great. But it's so defined his character and it 812 00:49:42,680 --> 00:49:45,120 Speaker 1: was such a contrast to what they were eating and 813 00:49:45,280 --> 00:49:48,560 Speaker 1: his you know, his his pedigree. It was it was 814 00:49:48,640 --> 00:49:53,120 Speaker 1: just really funny to me. So it's how he deflects 815 00:49:53,200 --> 00:49:56,080 Speaker 1: her kind of Emily's kind of craziness, you know, And 816 00:49:56,280 --> 00:49:58,600 Speaker 1: I he's very good at it. He's very good at 817 00:49:58,640 --> 00:50:02,640 Speaker 1: managing her somehow and sort of he steals every moment. 818 00:50:02,800 --> 00:50:05,520 Speaker 1: I think he's just like he is such a genius. Yeah, 819 00:50:05,600 --> 00:50:09,000 Speaker 1: he was great. He was great. So that was my 820 00:50:09,000 --> 00:50:15,440 Speaker 1: my favorite moment loving Warren Snow episode. It really was. 821 00:50:15,680 --> 00:50:19,600 Speaker 1: The next episode is Rory's Dance. I'm excited for this one. 822 00:50:20,400 --> 00:50:23,720 Speaker 1: Rory's Dance. I can't remember it, so I'm pretty excited 823 00:50:23,800 --> 00:50:29,000 Speaker 1: to like out feeling there's Tristan. Something in my gut 824 00:50:29,040 --> 00:50:31,400 Speaker 1: is telling me watch out for Tristan. You know you 825 00:50:31,560 --> 00:50:36,719 Speaker 1: like me? Stop fighting it? What's the matter? Mary? This 826 00:50:36,840 --> 00:50:40,799 Speaker 1: is so much tristed him? How you doing, Mary? Did 827 00:50:40,800 --> 00:50:43,600 Speaker 1: you get so hot into the colum wheat? You know 828 00:50:43,680 --> 00:50:47,520 Speaker 1: you do? Alright, Wait a minute, wait, we gotta we 829 00:50:47,600 --> 00:50:50,319 Speaker 1: gotta do uh, we gotta promote. Uh. What's the name 830 00:50:50,320 --> 00:50:53,120 Speaker 1: of the town. It's in Unksville, Uncasville. If you want 831 00:50:53,120 --> 00:50:57,120 Speaker 1: to meet Scott, here's how I'll be the announcer. Hold on, 832 00:50:57,239 --> 00:50:58,360 Speaker 1: let me do it. I'll do the good, do the 833 00:50:58,360 --> 00:51:01,960 Speaker 1: announcing thing. Are you sitting at home this summer wondering 834 00:51:01,960 --> 00:51:05,239 Speaker 1: how you can possibly meet Scott Patterson? Is that what 835 00:51:05,320 --> 00:51:08,640 Speaker 1: you're wondering? Is that what you're longing for still? Connecticut 836 00:51:08,880 --> 00:51:10,920 Speaker 1: is the place that we can make this happen at 837 00:51:10,920 --> 00:51:15,880 Speaker 1: the Mohegan Sun Casino, taken Away Scott Terrific Con Terrific 838 00:51:15,920 --> 00:51:19,279 Speaker 1: con Convention. I will be there and I want to 839 00:51:19,320 --> 00:51:23,880 Speaker 1: meet everybody. And I love Connecticut. The highways are wonderful. 840 00:51:23,960 --> 00:51:26,680 Speaker 1: They have ridden motorcycles through your state and I've stayed 841 00:51:26,719 --> 00:51:28,600 Speaker 1: in your state. I love your state. I've been looking 842 00:51:28,640 --> 00:51:33,040 Speaker 1: at houses in your state all over the coastline, and uh, 843 00:51:33,239 --> 00:51:35,280 Speaker 1: I want to move there. It's just a short jount 844 00:51:35,320 --> 00:51:40,680 Speaker 1: from stars Hollow right. It is Uncasville, Connecticut, July thirty 845 00:51:41,320 --> 00:51:44,960 Speaker 1: to August one at the Terrific con Convention. Come on 846 00:51:45,040 --> 00:51:48,080 Speaker 1: down there. We're gonna do a panel on Sunday. That's 847 00:51:48,120 --> 00:51:50,920 Speaker 1: going to be a podcast. Um, I am all in 848 00:51:51,040 --> 00:51:57,000 Speaker 1: podcast Sunday. I guess that's August one, Sunday. Yeah, And 849 00:51:57,040 --> 00:52:00,960 Speaker 1: people can get more information on our Instagram or Instagram 850 00:52:01,080 --> 00:52:04,040 Speaker 1: or Ticketmaster. Yeah. So come on out. I want to 851 00:52:04,080 --> 00:52:06,440 Speaker 1: see everybody. I want to meet everybody, and we'll have 852 00:52:06,480 --> 00:52:09,920 Speaker 1: a we'll have a fun podcast, live live event podcast 853 00:52:10,000 --> 00:52:14,000 Speaker 1: with Sean Gunn and other special guests. It's gonna be 854 00:52:14,000 --> 00:52:16,560 Speaker 1: the Mohican's son is pretty iconic because people like a 855 00:52:16,560 --> 00:52:20,719 Speaker 1: trip to the Mohegans. What can we gamble there? Yeah? 856 00:52:20,719 --> 00:52:24,520 Speaker 1: I think so. It's a campaign. Dude, the Mohegans on casino. 857 00:52:24,640 --> 00:52:28,440 Speaker 1: I think we're gonna you can't gamble there? Right? Why 858 00:52:28,440 --> 00:52:30,920 Speaker 1: would they call it casino? That's like, I feel like 859 00:52:30,960 --> 00:52:33,120 Speaker 1: we're in Gilmore Girls right now. It seems like a scene. 860 00:52:33,440 --> 00:52:36,560 Speaker 1: We just acted our own scene. You don't have to gamble, 861 00:52:37,239 --> 00:52:42,000 Speaker 1: don't make you probably a deck of cards around alright, guys, 862 00:52:43,880 --> 00:53:19,600 Speaker 1: Chow chow, dance, dance watches, dance, watch hories, dance everybody, Hey, everybody, 863 00:53:19,600 --> 00:53:22,919 Speaker 1: and don't forget Follow us on Instagram at I Am 864 00:53:23,000 --> 00:53:26,960 Speaker 1: all In podcast and email us at Gilmore at I 865 00:53:27,160 --> 00:53:30,360 Speaker 1: heart radio dot com. Oh you, gil More fans. If 866 00:53:30,360 --> 00:53:32,360 Speaker 1: you're looking for the best cup of coffee in the world, 867 00:53:32,400 --> 00:53:36,359 Speaker 1: go to my website for my company scott EP dot com, 868 00:53:36,480 --> 00:53:38,640 Speaker 1: s C O T T y P dot com, scott 869 00:53:38,640 --> 00:53:49,440 Speaker 1: ep dot com Grade one Specialty Coffee