1 00:00:01,680 --> 00:00:04,640 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,080 --> 00:00:06,560 Speaker 1: just to touch to get you through. 3 00:00:07,320 --> 00:00:08,000 Speaker 2: Yeah, me too. 4 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 5 00:00:11,960 --> 00:00:30,920 Speaker 1: to Disgraceland. The after Party. Welcome to the Disgraceland bonus episode, 6 00:00:30,920 --> 00:00:33,440 Speaker 1: a little thing that we like to call the after party. 7 00:00:33,680 --> 00:00:36,200 Speaker 1: This is the show after the show, the party after 8 00:00:36,240 --> 00:00:38,440 Speaker 1: the party, the bridge to get you from one full 9 00:00:38,520 --> 00:00:41,360 Speaker 1: episode of Disgraceland to the other, the backyard to dig 10 00:00:41,400 --> 00:00:44,840 Speaker 1: into the dirt. On this episode, we are talking about, 11 00:00:44,880 --> 00:00:48,600 Speaker 1: among other things, do Suckcliffe It's right, the Fifth Beatle, 12 00:00:48,720 --> 00:00:53,000 Speaker 1: also Pantera, Dimebag, Daryl, and of course your voicemails, text, 13 00:00:53,159 --> 00:00:56,840 Speaker 1: dms and more, as well as a whole lot of Rosie. 14 00:00:57,080 --> 00:00:58,760 Speaker 1: All right, Discos, Let's. 15 00:00:58,480 --> 00:01:18,880 Speaker 3: Get it done. 16 00:01:10,400 --> 00:01:14,880 Speaker 1: This week in Disgraceland, Part nine, number nine, Number nine, 17 00:01:15,120 --> 00:01:18,080 Speaker 1: Number nine, number nine, if you can believe it, Number nine, 18 00:01:18,200 --> 00:01:22,280 Speaker 1: Episode nine in our ongoing Beatles saga, this one featuring 19 00:01:22,319 --> 00:01:27,080 Speaker 1: original member Stu Suckcliffe as our lead. This follows let's 20 00:01:27,080 --> 00:01:31,320 Speaker 1: see two episodes on the Beatles themselves where we cover 21 00:01:31,440 --> 00:01:33,399 Speaker 1: these sort of if you're looking at the member of the 22 00:01:33,400 --> 00:01:35,960 Speaker 1: Beatles anthology, they did the Blue One and the red 23 00:01:35,959 --> 00:01:37,720 Speaker 1: one and one was the early years, which I think 24 00:01:37,800 --> 00:01:39,640 Speaker 1: was the red one, and the blue one was the 25 00:01:39,680 --> 00:01:42,199 Speaker 1: later years, and they're standing on that balcony looking down. 26 00:01:43,080 --> 00:01:46,000 Speaker 1: One photo is from early in their career with the 27 00:01:46,000 --> 00:01:49,880 Speaker 1: mop tops. Well that's the first episode of that Beatles 28 00:01:50,440 --> 00:01:53,120 Speaker 1: Part two that I'm talking about in the second is 29 00:01:53,400 --> 00:01:55,600 Speaker 1: the photo where they're looking down in the same photo, 30 00:01:55,680 --> 00:01:58,600 Speaker 1: same place, but it's about four or five years later, 31 00:01:58,720 --> 00:02:00,560 Speaker 1: and they got the long hair and the and they're 32 00:02:00,560 --> 00:02:03,280 Speaker 1: all hippied out, And that's really the second episode. That's 33 00:02:03,320 --> 00:02:05,880 Speaker 1: the framing there that we did with those two Beatles episodes. 34 00:02:05,920 --> 00:02:09,600 Speaker 1: Then we did We've done three episodes on John Lennon alone. 35 00:02:10,160 --> 00:02:14,160 Speaker 1: We did two on his what was his assassination, and 36 00:02:14,200 --> 00:02:17,640 Speaker 1: then we did one on sort of the lost seventies 37 00:02:17,760 --> 00:02:21,240 Speaker 1: years there for John. We did one on Paul, we 38 00:02:21,280 --> 00:02:25,280 Speaker 1: did one on George, we did one on Ringo. So yeah, 39 00:02:24,760 --> 00:02:28,400 Speaker 1: that checks out. That's eight and Stu Suckcliffe here makes 40 00:02:28,520 --> 00:02:31,000 Speaker 1: nine and we have a great idea for a tenth 41 00:02:31,040 --> 00:02:34,320 Speaker 1: episode as well. There's just so much material here with 42 00:02:34,360 --> 00:02:38,120 Speaker 1: the Beatles, and I'm endlessly fascinated by them, and I 43 00:02:38,120 --> 00:02:39,720 Speaker 1: can tell you guys are as well. There's been a 44 00:02:39,760 --> 00:02:42,200 Speaker 1: lot of excitement about even the Stu Suckcliffe episode, which 45 00:02:42,200 --> 00:02:45,960 Speaker 1: I did not anticipate. Stu Suckcliffe, of course, was a 46 00:02:46,200 --> 00:02:48,720 Speaker 1: huge part of the Beatles history. The Beatles would not 47 00:02:48,800 --> 00:02:51,640 Speaker 1: be who they became if it were not for Stu 48 00:02:51,720 --> 00:02:55,320 Speaker 1: Suckcliffe in this era, that's the Stu Stuckcliffe era, the 49 00:02:55,400 --> 00:02:59,200 Speaker 1: early years in Hamburg and Germany. It's a very interesting time. 50 00:02:59,240 --> 00:03:01,040 Speaker 1: We covered some of it in that that part two 51 00:03:01,120 --> 00:03:03,880 Speaker 1: Beatles run that we did that I was just talking 52 00:03:03,919 --> 00:03:06,080 Speaker 1: about the early days, but we get into it a 53 00:03:06,080 --> 00:03:10,040 Speaker 1: lot more deeply here with Stu Suckcliffe. Just the raunchiness, 54 00:03:10,200 --> 00:03:14,480 Speaker 1: the debauchery, the deprevity, the violence, the gangs. Uh this 55 00:03:14,760 --> 00:03:20,000 Speaker 1: deportation involved Paul McCartney gets attacked on stage by a 56 00:03:20,000 --> 00:03:22,640 Speaker 1: fellow Beatle. There's all kinds of stuff happening in this 57 00:03:22,800 --> 00:03:24,839 Speaker 1: and Stu Suckcliffe is at the center of it all 58 00:03:24,960 --> 00:03:28,000 Speaker 1: and more more specifically, Stu Suckcliffe's cool is at the 59 00:03:28,040 --> 00:03:31,760 Speaker 1: center his attitude. That was very formative to the Beatles and, 60 00:03:31,840 --> 00:03:35,960 Speaker 1: like I said, to what they became. So I'm going 61 00:03:36,040 --> 00:03:38,040 Speaker 1: to ask, you know, do you want more Beatles episodes? 62 00:03:38,080 --> 00:03:39,480 Speaker 1: I'm sure, I'm sure a lot of you are like, 63 00:03:39,520 --> 00:03:42,800 Speaker 1: come on, do nine, where's that Replacements episode? Where's where's 64 00:03:42,840 --> 00:03:46,280 Speaker 1: that where's that Link Ray episode? You know, we're not 65 00:03:46,320 --> 00:03:48,480 Speaker 1: going to do a Beatles that for a while, Okay, 66 00:03:48,520 --> 00:03:49,960 Speaker 1: but we do. We are going to do a part ten. 67 00:03:50,120 --> 00:03:51,800 Speaker 1: Perhaps I don't want to give it away, but it 68 00:03:51,880 --> 00:03:53,880 Speaker 1: might be on Brian Epstein, It might be on Pete Best, 69 00:03:54,280 --> 00:03:56,800 Speaker 1: might be on George Martin, might be might might even 70 00:03:56,840 --> 00:03:58,960 Speaker 1: maybe we can get one out on Billy Preston. Okay, 71 00:03:58,960 --> 00:04:01,040 Speaker 1: how's that Billy Preston the fifth Beatle for a while 72 00:04:01,080 --> 00:04:02,960 Speaker 1: as well. I think that's a stretch. I don't think 73 00:04:02,960 --> 00:04:07,000 Speaker 1: we can title a Billy Preston episode a Beatles episode, 74 00:04:07,080 --> 00:04:08,640 Speaker 1: or maybe we can't. Maybe we just center it around 75 00:04:08,640 --> 00:04:12,000 Speaker 1: the years he was making music with the Beatles. Let 76 00:04:12,040 --> 00:04:13,520 Speaker 1: me know what you think of this new two cycle 77 00:04:13,520 --> 00:04:16,279 Speaker 1: of episode six one seven nine oh six six six 78 00:04:16,560 --> 00:04:19,599 Speaker 1: three eight, And let me know what your favorite era 79 00:04:19,720 --> 00:04:23,800 Speaker 1: Beatles is for you? What do you prefer which album? 80 00:04:24,120 --> 00:04:26,080 Speaker 1: What are you listening to right now? For me, I 81 00:04:26,080 --> 00:04:27,560 Speaker 1: love it all, like I'm sure all of you do. 82 00:04:27,640 --> 00:04:30,320 Speaker 1: And I go through phases. I go through heavy phases 83 00:04:30,360 --> 00:04:32,720 Speaker 1: of like all right, I'm just into these years of 84 00:04:32,760 --> 00:04:35,560 Speaker 1: the Beatles when they were transitioning from mop top to 85 00:04:35,680 --> 00:04:38,920 Speaker 1: the sort of drug era, or I'm just into you know, 86 00:04:39,040 --> 00:04:41,760 Speaker 1: my son right now is super into the White album, 87 00:04:41,839 --> 00:04:43,920 Speaker 1: so that's playing in the house constantly, and of course 88 00:04:43,960 --> 00:04:46,960 Speaker 1: I'm pulled back into that. What's your favorite Beatles era, 89 00:04:47,080 --> 00:04:50,120 Speaker 1: favorite Beatles albums, favorite Beatle hit me? I want to know? 90 00:04:50,240 --> 00:04:54,960 Speaker 1: All right? Did some George Harrison stuff over on Instagram 91 00:04:55,000 --> 00:04:58,120 Speaker 1: and TikTok this week, got into got into his home invasion, 92 00:04:58,120 --> 00:05:00,320 Speaker 1: which we covered in the episode on George harrih. But 93 00:05:00,360 --> 00:05:01,960 Speaker 1: we did a little video on that that was fun. 94 00:05:02,240 --> 00:05:04,680 Speaker 1: Also got into the formation of the Traveling Wilbury's. You 95 00:05:04,720 --> 00:05:08,320 Speaker 1: can find all that at Disgraceland pod on Instagram and TikTok. 96 00:05:08,560 --> 00:05:12,000 Speaker 1: And we're releasing more videos every single day, more and more, 97 00:05:12,040 --> 00:05:15,039 Speaker 1: I should say, every single day. Additionally, this week in 98 00:05:15,040 --> 00:05:18,400 Speaker 1: our rewind episode on Friday, we'll get this episode. We're 99 00:05:18,400 --> 00:05:21,000 Speaker 1: re releasing the Pantera episode, which is really a Dinebag 100 00:05:21,080 --> 00:05:23,440 Speaker 1: Daryl episode. If you guys have not heard this, or 101 00:05:23,480 --> 00:05:24,840 Speaker 1: if you're just like I don't know who the hell 102 00:05:24,920 --> 00:05:27,560 Speaker 1: Dinebag Daryl is, why do I care? You need to 103 00:05:27,600 --> 00:05:30,320 Speaker 1: listen to this episode. It's one of my favorites. It's 104 00:05:30,360 --> 00:05:34,240 Speaker 1: some of my favorite writing that I've done for Disgraceland. 105 00:05:35,440 --> 00:05:37,520 Speaker 1: In the way that we scored this episode and the 106 00:05:37,520 --> 00:05:41,240 Speaker 1: way that we lead up to the tragedy that takes place, 107 00:05:41,279 --> 00:05:45,040 Speaker 1: that is the climax of this episode. It's it's all, 108 00:05:45,960 --> 00:05:48,240 Speaker 1: it's something and I can't wait for you to hear 109 00:05:48,279 --> 00:05:50,760 Speaker 1: it if you have not heard it. Of course, dinebag 110 00:05:50,839 --> 00:05:55,240 Speaker 1: Daryl Abbott was gunned down on stage when he was 111 00:05:55,279 --> 00:05:58,800 Speaker 1: in his band Damage Plan, which was just after Pantera. 112 00:05:58,920 --> 00:06:01,800 Speaker 1: But the band Panta, their music anyway, plays a role 113 00:06:01,880 --> 00:06:03,480 Speaker 1: in this episode. You're gonna want to check that out. 114 00:06:03,520 --> 00:06:05,839 Speaker 1: I'll talk about it later here in this bonus episode 115 00:06:05,880 --> 00:06:08,760 Speaker 1: as well. Six one seven nine oh six, six six 116 00:06:08,960 --> 00:06:11,800 Speaker 1: three eight, Hit with your voicemails, hit me with your text, 117 00:06:11,920 --> 00:06:17,240 Speaker 1: disgracelam pod on the socials, and of course disgracelanpod at 118 00:06:17,400 --> 00:06:21,599 Speaker 1: gmail dot com on email. And let's check out this 119 00:06:21,760 --> 00:06:26,839 Speaker 1: email from Joe Schrader, subject episode suggestion from the seven 120 00:06:26,880 --> 00:06:29,000 Speaker 1: to sixty five. Hey love your show. Every time I 121 00:06:29,040 --> 00:06:32,160 Speaker 1: tell Alexa to play bad Lands podcast, I get the 122 00:06:32,200 --> 00:06:35,520 Speaker 1: first few bars of the Springsteen Classics. So I'm glad 123 00:06:35,520 --> 00:06:39,400 Speaker 1: you're combining the two shows. My suggestion is to do 124 00:06:39,440 --> 00:06:42,680 Speaker 1: a dive on the Quaid brothers. Dennis seems pretty legit, 125 00:06:42,839 --> 00:06:46,479 Speaker 1: but Randy is way out there. Hope to hear it someday. 126 00:06:46,920 --> 00:06:50,320 Speaker 1: Thanks for entertaining me while I work, Joe, You got it, Joe, 127 00:06:50,960 --> 00:06:53,840 Speaker 1: what do you do for work? Joe? Let me know. Hey, 128 00:06:53,960 --> 00:06:56,800 Speaker 1: that's a good idea I've heard. I've heard some stories 129 00:06:56,800 --> 00:07:00,960 Speaker 1: about Randy Quaid. I don't know much about it, but 130 00:07:01,279 --> 00:07:02,919 Speaker 1: I will look into it. I like that kind of 131 00:07:02,920 --> 00:07:06,760 Speaker 1: off the beaten path suggestion. This one comes from another 132 00:07:06,880 --> 00:07:10,920 Speaker 1: Joe Trotter, who writes in Hey, this is the subject, Hey, Bono, 133 00:07:11,200 --> 00:07:14,320 Speaker 1: Michael Hudgens, and song tributes for dead people all in one. 134 00:07:15,000 --> 00:07:15,120 Speaker 4: Hey. 135 00:07:15,240 --> 00:07:17,880 Speaker 1: Jake wrote to you long ago about your brilliant episodes. 136 00:07:17,920 --> 00:07:20,600 Speaker 1: Was catching up during some snow days and caught the 137 00:07:20,680 --> 00:07:24,120 Speaker 1: episodes on YouTube. Michael Hutchins and Blondie. I also heard 138 00:07:24,160 --> 00:07:27,000 Speaker 1: you asking about song tributes to dead artists, and I'm 139 00:07:27,040 --> 00:07:29,840 Speaker 1: sure you know that Bono and Hutchins were close. Before 140 00:07:29,840 --> 00:07:32,000 Speaker 1: he died, Michael had worked on a solo album, but 141 00:07:32,000 --> 00:07:34,240 Speaker 1: it was not done. Bono was given one of the 142 00:07:34,280 --> 00:07:37,600 Speaker 1: songs and he finished it. He sang with Hutchins' original vocals. 143 00:07:37,840 --> 00:07:40,760 Speaker 1: He's basically singing to Michael in it. It is called 144 00:07:40,960 --> 00:07:44,000 Speaker 1: slide away. So give that a listen, all right, I will. 145 00:07:44,040 --> 00:07:45,680 Speaker 1: I did not know that. I did not know that 146 00:07:45,760 --> 00:07:48,200 Speaker 1: at all. That's from Joe in the eight five nine 147 00:07:48,320 --> 00:07:51,080 Speaker 1: Great email. Appreciate that. Gonna look into it. This one 148 00:07:51,120 --> 00:07:55,440 Speaker 1: comes from Clay Strider and the subject is Sharon Stone 149 00:07:55,840 --> 00:08:00,640 Speaker 1: episode and it's and it says, I this shit all. 150 00:08:00,720 --> 00:08:02,760 Speaker 1: I get this shit wrong all the time. Okay, but 151 00:08:02,800 --> 00:08:06,680 Speaker 1: I'm blaming Zeth who wrote this episode. This one from 152 00:08:06,720 --> 00:08:09,560 Speaker 1: Clay says, hey, man, I love your shows. I hate 153 00:08:09,600 --> 00:08:11,760 Speaker 1: to be that guy. And if you had already heard 154 00:08:11,760 --> 00:08:14,240 Speaker 1: from other gun nuts, but a glock twenty two is 155 00:08:14,280 --> 00:08:17,680 Speaker 1: a forty caliber pistol with no external safety. Also, it 156 00:08:17,760 --> 00:08:19,840 Speaker 1: is a striker fired weapon without a hammer that you 157 00:08:19,880 --> 00:08:22,760 Speaker 1: would cock. Seriously, I love your show. This just kind 158 00:08:22,800 --> 00:08:24,200 Speaker 1: of took me out of the moment for a bit. 159 00:08:24,320 --> 00:08:28,840 Speaker 1: Forgive the pedantary pedantreie like I think your great piece 160 00:08:28,880 --> 00:08:32,400 Speaker 1: in rock and roll, Clay, Clay, I apologize you're speaking 161 00:08:32,400 --> 00:08:32,800 Speaker 1: Greek to me. 162 00:08:32,840 --> 00:08:33,000 Speaker 4: Man. 163 00:08:33,040 --> 00:08:35,520 Speaker 1: I don't own guns. I don't know much about guns. 164 00:08:35,880 --> 00:08:38,200 Speaker 1: I fired a gun before. It's a lot of fun, 165 00:08:38,520 --> 00:08:40,800 Speaker 1: but I don't know much about you know what I'm 166 00:08:40,800 --> 00:08:42,880 Speaker 1: talking about, so I didn't write this one. Zeth did 167 00:08:42,960 --> 00:08:45,520 Speaker 1: Zeth and throwing you under the bus in public. I'm 168 00:08:45,559 --> 00:08:47,480 Speaker 1: not sure if you understood what I just read there 169 00:08:47,480 --> 00:08:49,160 Speaker 1: from Clay, but if you did, you know, we'll go back, 170 00:08:49,200 --> 00:08:51,079 Speaker 1: we'll fix that, We'll try to do better next time. 171 00:08:51,120 --> 00:08:54,760 Speaker 1: This one comes from Lee Stevens and it says, Hey, 172 00:08:54,840 --> 00:08:57,160 Speaker 1: Jake and team. It's a message from the other side 173 00:08:57,160 --> 00:09:00,280 Speaker 1: of the pond of the South coast of England. Having 174 00:09:00,360 --> 00:09:03,520 Speaker 1: now caught up with all the episodes mild laps during 175 00:09:03,520 --> 00:09:05,960 Speaker 1: the Amazon exclusive years, I can now give you my 176 00:09:06,040 --> 00:09:08,920 Speaker 1: thoughts on artists that you may want to cover, and 177 00:09:08,960 --> 00:09:11,680 Speaker 1: as you are combining your lands, i'll give you both here. 178 00:09:12,000 --> 00:09:14,480 Speaker 1: Ian Durry from Ian Dury and the Blockheads fame died 179 00:09:14,480 --> 00:09:16,520 Speaker 1: in the year two thousand from cancer, but a fascinating 180 00:09:16,520 --> 00:09:20,199 Speaker 1: life punctuated by childhood polio trailblazing the nascent pub rock 181 00:09:20,280 --> 00:09:22,360 Speaker 1: scene in the mid seventies to hitting the top of 182 00:09:22,400 --> 00:09:26,400 Speaker 1: the charts on both sides of the Atlantic. Very familiar 183 00:09:26,480 --> 00:09:30,120 Speaker 1: with Ian. Yeah, that's a good idea. Lastly, the other 184 00:09:30,160 --> 00:09:33,880 Speaker 1: suggestion John Landis, not for the Blues Brothers, not for thriller, 185 00:09:34,400 --> 00:09:37,920 Speaker 1: but for the Twilight Zone movie Dodgy as Fuck, an 186 00:09:37,920 --> 00:09:40,240 Speaker 1: incident that ended up with two dead children. Wow, I 187 00:09:40,240 --> 00:09:43,200 Speaker 1: didn't know this violation of labor laws and found not guilty. 188 00:09:43,960 --> 00:09:48,520 Speaker 1: Damn did not know that. I saw John Landis recently 189 00:09:48,520 --> 00:09:52,840 Speaker 1: in that Michael Jackson documentary on Showtime, and he's really compelling. 190 00:09:52,920 --> 00:09:56,960 Speaker 1: He's a really interesting guy to see and hear be interviewed. 191 00:09:57,400 --> 00:09:59,839 Speaker 1: So maybe I'll look into that. I don't like that 192 00:10:00,080 --> 00:10:02,640 Speaker 1: movie Twilight Zone. I find it hard to get through, 193 00:10:03,120 --> 00:10:06,600 Speaker 1: but I appreciate the email here Lee, we will check 194 00:10:06,640 --> 00:10:09,680 Speaker 1: it out. All right, Guys, Disgrace Lampod at gmail dot com. 195 00:10:09,760 --> 00:10:12,040 Speaker 1: Hit me with your emails on anything, anything you want 196 00:10:12,080 --> 00:10:14,559 Speaker 1: to talk about. I love talking about the episodes themselves, 197 00:10:15,000 --> 00:10:17,360 Speaker 1: things you've heard, things you've listened to, things you want 198 00:10:17,400 --> 00:10:20,360 Speaker 1: to hear. So as always, get at me, Disgrace Lampod 199 00:10:20,480 --> 00:10:23,160 Speaker 1: at gmail dot com. You can call me six one 200 00:10:23,240 --> 00:10:24,920 Speaker 1: seven nine oh six six sixty three eight, leave a 201 00:10:25,000 --> 00:10:27,520 Speaker 1: voicemail or send me a text. Take a quick break 202 00:10:27,520 --> 00:10:30,240 Speaker 1: back on the other side with some of those voicemails 203 00:10:30,240 --> 00:10:56,000 Speaker 1: and texts. All right, we are back gonna do some 204 00:10:56,360 --> 00:10:58,720 Speaker 1: voicemails and texts here. I want to let you guys know, 205 00:10:59,600 --> 00:11:03,080 Speaker 1: releaseeing a lot more content these last few weeks over 206 00:11:03,160 --> 00:11:06,880 Speaker 1: on Instagram and TikTok at Disgrace lam Pod in both 207 00:11:06,920 --> 00:11:11,319 Speaker 1: places and on x also at Disgrace lamp Pod. These 208 00:11:11,360 --> 00:11:14,480 Speaker 1: little videos try my best to figure out how to 209 00:11:14,520 --> 00:11:19,000 Speaker 1: distill some of the more interesting topics that we cover here, 210 00:11:19,440 --> 00:11:21,440 Speaker 1: some of the more holy shit moments, some of the 211 00:11:21,520 --> 00:11:23,719 Speaker 1: tributes to the artists, some of the shocks, some of 212 00:11:23,760 --> 00:11:26,280 Speaker 1: the awe some of the horror, and the real short 213 00:11:26,360 --> 00:11:30,600 Speaker 1: form content for Instagram and TikTok in particular, and like 214 00:11:30,640 --> 00:11:35,240 Speaker 1: I said, we're releasing those with regularity, so go check 215 00:11:35,280 --> 00:11:37,400 Speaker 1: them out. If you're not following us on either platform, 216 00:11:37,480 --> 00:11:40,719 Speaker 1: get on over there. If you are following us and 217 00:11:41,000 --> 00:11:44,120 Speaker 1: we're not in your feed, check us out, give us 218 00:11:44,120 --> 00:11:47,360 Speaker 1: a like, give us, give us a comment something, you know, 219 00:11:47,480 --> 00:11:49,320 Speaker 1: get in our get in the algo, as they say, 220 00:11:49,360 --> 00:11:52,560 Speaker 1: get us in your algorithm. And I don't know do 221 00:11:52,600 --> 00:11:54,080 Speaker 1: they say get in the algo. I don't think they do. 222 00:11:54,120 --> 00:11:56,120 Speaker 1: I think I just said that, And you know you'll 223 00:11:56,240 --> 00:11:58,560 Speaker 1: you'll then start getting served the videos that we're releasing 224 00:11:58,600 --> 00:12:00,400 Speaker 1: over there and I'm having fun with it and it's 225 00:12:00,400 --> 00:12:02,320 Speaker 1: given me another venue to talk to you guys. So 226 00:12:02,400 --> 00:12:05,199 Speaker 1: that's great as well at disgrace landpodu and super active 227 00:12:05,240 --> 00:12:08,920 Speaker 1: over there on Instagram and on TikTok, So follow away. 228 00:12:09,559 --> 00:12:13,000 Speaker 1: Let's do some voicemails and some texts. All right, let's 229 00:12:13,080 --> 00:12:15,240 Speaker 1: check out this voicemail from the three four. 230 00:12:15,840 --> 00:12:20,480 Speaker 4: Hey, Jake, this is April and I'm just finished listening 231 00:12:20,520 --> 00:12:25,720 Speaker 4: to your episode of Disgraceland about Sean Colmes, and I 232 00:12:25,800 --> 00:12:28,640 Speaker 4: love learning about P Diddy having to pay sting and 233 00:12:28,840 --> 00:12:32,240 Speaker 4: that's why I think that you need to cover Metallica now, 234 00:12:32,280 --> 00:12:32,760 Speaker 4: hear me out. 235 00:12:32,760 --> 00:12:34,439 Speaker 5: I know a lot of people have covered. 236 00:12:34,160 --> 00:12:37,800 Speaker 4: Them, but I'm gen X or old, and I know 237 00:12:37,960 --> 00:12:43,000 Speaker 4: that Stranger Things has brought them a new generation of fans. 238 00:12:42,080 --> 00:12:46,520 Speaker 5: And the Lars versus Napster situation needs to be properly 239 00:12:46,600 --> 00:12:49,680 Speaker 5: explained to them, because whether or not do like Lars 240 00:12:49,720 --> 00:12:52,280 Speaker 5: or Metallica, someone would have had to say, hey, pay 241 00:12:52,360 --> 00:12:56,439 Speaker 5: us at some point anything. That's all I wanted to say. 242 00:12:56,920 --> 00:12:58,319 Speaker 4: Love all you do, have you have a great day. 243 00:12:58,400 --> 00:12:59,520 Speaker 2: Go bye, April. 244 00:12:59,600 --> 00:13:02,640 Speaker 1: Thank you for the voicemail. I really want to cover Metallica. 245 00:13:02,679 --> 00:13:05,880 Speaker 1: There's a couple of different ways in the you know, 246 00:13:05,920 --> 00:13:09,520 Speaker 1: the whole Lars Napster thing isn't isn't that interesting to me? 247 00:13:09,760 --> 00:13:11,839 Speaker 1: It really bummed me out when it was happening. I 248 00:13:12,160 --> 00:13:14,760 Speaker 1: think even if you asked Metallica and Lars, they would 249 00:13:14,760 --> 00:13:16,920 Speaker 1: probably tell you the same thing. It was an unfortunate 250 00:13:17,720 --> 00:13:19,640 Speaker 1: It was just unfortunate for them to be at the 251 00:13:19,640 --> 00:13:22,200 Speaker 1: tip of that spere. That's all I'll say. And you know, 252 00:13:22,840 --> 00:13:25,080 Speaker 1: I don't know people spatting back and forth in court. 253 00:13:25,640 --> 00:13:27,800 Speaker 1: You know, It's just I don't know how interesting of 254 00:13:27,800 --> 00:13:30,079 Speaker 1: an episode that's going to make, but there are there's 255 00:13:30,320 --> 00:13:32,520 Speaker 1: you know, the Cliff Burton thing for sure. I think 256 00:13:32,520 --> 00:13:35,320 Speaker 1: that's a way into Metallica. I love Metallica, April, like you, 257 00:13:35,520 --> 00:13:39,760 Speaker 1: So that's gonna happen at some point. I've just I've 258 00:13:39,840 --> 00:13:42,440 Speaker 1: just been hesitant because I think because I like the 259 00:13:42,480 --> 00:13:44,199 Speaker 1: band so damn much, I want to make sure that 260 00:13:44,240 --> 00:13:47,559 Speaker 1: I have the exact right angle and lane into telling 261 00:13:47,600 --> 00:13:49,599 Speaker 1: their stories. So it will happen at some point. I 262 00:13:49,600 --> 00:13:52,679 Speaker 1: appreciate your voicemail, April, Uh, keep your ear out. We'll 263 00:13:52,679 --> 00:13:55,439 Speaker 1: get to Metallica soon enough. All right, let's check out 264 00:13:55,440 --> 00:13:57,040 Speaker 1: this voicemail from the four O seven. 265 00:13:57,720 --> 00:14:01,520 Speaker 6: Hey, Jake, this is Hal Shore alling from Longwood, Florida, 266 00:14:02,040 --> 00:14:05,560 Speaker 6: looking forward to the Icon series kickoff with Anthony Bourdain. 267 00:14:06,080 --> 00:14:09,800 Speaker 6: And in your email you asked about who we think 268 00:14:09,880 --> 00:14:14,680 Speaker 6: you should cover? How about Andy Kaufman? Talk about an icon? 269 00:14:15,440 --> 00:14:20,920 Speaker 6: That's my pick? Looking forward to the new genre, looking 270 00:14:20,960 --> 00:14:25,280 Speaker 6: forward to everything Disgraceland, bad Land, Sportsland and another question, 271 00:14:25,440 --> 00:14:29,640 Speaker 6: any any chance of Blood on the Tracks coming back? 272 00:14:30,480 --> 00:14:32,040 Speaker 6: Love you Jake later. 273 00:14:32,480 --> 00:14:36,040 Speaker 1: Hell, thanks, man, appreciate you. And yeah, man, we're psyched 274 00:14:36,080 --> 00:14:40,120 Speaker 1: to get Anthony Bourdain into your ears. And I love 275 00:14:40,640 --> 00:14:44,680 Speaker 1: your suggestion of Andy Kaufman. Just great, great, great suggestion. 276 00:14:45,600 --> 00:14:48,000 Speaker 1: Can't believe we didn't think about that, Zess. Make sure 277 00:14:48,120 --> 00:14:50,720 Speaker 1: make sure we note that that's we should cover Andy 278 00:14:50,720 --> 00:14:54,640 Speaker 1: this year if we can. As for Blood on the Tracks, 279 00:14:55,600 --> 00:14:59,120 Speaker 1: probably not coming back anytime soon, but we have something 280 00:14:59,200 --> 00:15:02,080 Speaker 1: similar that. Stephan. I fully inspired by Blood on the 281 00:15:02,120 --> 00:15:04,080 Speaker 1: Tracks and I think we're gonna start fucking with this year. 282 00:15:04,560 --> 00:15:08,520 Speaker 1: I'm not ready to talk about it yet, but something 283 00:15:08,960 --> 00:15:11,640 Speaker 1: something Blood on the Tracks ish Okay, thanks to the call. 284 00:15:11,720 --> 00:15:14,000 Speaker 1: Appreciate it. Six one seven nine oh six six six 285 00:15:14,080 --> 00:15:16,040 Speaker 1: three eight Get at me, guys. Leave me a voicemail, 286 00:15:16,080 --> 00:15:19,160 Speaker 1: send me a text. Let's do some text here. Three 287 00:15:19,240 --> 00:15:23,160 Speaker 1: ye oh one writes in, Hey Jake, how about doing 288 00:15:23,160 --> 00:15:25,480 Speaker 1: an episode on Trey Songs? He was a bigger ARMB 289 00:15:25,560 --> 00:15:27,240 Speaker 1: singer in the two thousands, but we only hear about 290 00:15:27,280 --> 00:15:29,440 Speaker 1: him now when allegations are being made against him. Keep 291 00:15:29,520 --> 00:15:32,160 Speaker 1: up the good work. I don't know anything about Trey Songs, 292 00:15:32,760 --> 00:15:34,440 Speaker 1: but now I'm going to look into it, and I 293 00:15:34,520 --> 00:15:37,160 Speaker 1: appreciate that. Thanks for the text. So six one two 294 00:15:37,280 --> 00:15:39,840 Speaker 1: writes in Hey Jake, I found disgrace Land during season 295 00:15:39,840 --> 00:15:42,400 Speaker 1: one and I've been hooked ever since. My specific question 296 00:15:42,520 --> 00:15:45,320 Speaker 1: is regarding your crossover content on the Manson murders. I 297 00:15:45,360 --> 00:15:47,840 Speaker 1: fucking love the way you have presented it and opened 298 00:15:47,840 --> 00:15:50,360 Speaker 1: the door to very different motivations for the crime spree. 299 00:15:50,440 --> 00:15:52,760 Speaker 1: You mentioned. The book Chaos by Tom O'Neill is a 300 00:15:52,760 --> 00:15:55,040 Speaker 1: great source for much of this. I have a copy 301 00:15:55,160 --> 00:15:57,800 Speaker 1: arriving today. The question is do I need to read 302 00:15:57,800 --> 00:16:00,760 Speaker 1: the Buliosi book first to fully enjoy Chaos. We all 303 00:16:00,800 --> 00:16:02,920 Speaker 1: know the Helter Skelter story, and as a kid of 304 00:16:02,920 --> 00:16:05,320 Speaker 1: the seventies and eighties I'm fifty seven, the story and 305 00:16:05,360 --> 00:16:07,640 Speaker 1: the made for TV movie all were the stuff of 306 00:16:07,760 --> 00:16:09,720 Speaker 1: nightmares for me, but I am familiar with it by 307 00:16:09,720 --> 00:16:12,800 Speaker 1: mere repetition and reputation. Should I read Helter Skelter first? 308 00:16:12,920 --> 00:16:15,840 Speaker 1: Thanks JC John Christensen in the six' five to One 309 00:16:16,000 --> 00:16:21,600 Speaker 1: Saint Paul JOHN. Jc, yes Read Helter skelter as much 310 00:16:21,640 --> 00:16:27,040 Speaker 1: AS i THINK buliosi fucked. It Helter. Skelter even if 311 00:16:27,040 --> 00:16:31,720 Speaker 1: it is, fictional air, quotes, fictional half, fictional however you 312 00:16:31,720 --> 00:16:36,400 Speaker 1: want to define, it, embellished highly, Umbellished it's still a great. 313 00:16:36,480 --> 00:16:40,040 Speaker 1: Read it, is it's the it's THE i think it's 314 00:16:40,120 --> 00:16:43,440 Speaker 1: the biggest selling true crime book of all, time ahead 315 00:16:43,480 --> 00:16:46,920 Speaker 1: Of Truman capote's In Cold, blood and that's for a. 316 00:16:46,960 --> 00:16:51,360 Speaker 1: Reason it's a great fucking, Read so, YES i would read. 317 00:16:51,360 --> 00:16:54,280 Speaker 1: It plus it's just gonna make chaos that much more 318 00:16:54,400 --> 00:16:57,320 Speaker 1: enjoyable for you as. Well so, yes the answer is 319 00:16:57,320 --> 00:17:00,640 Speaker 1: is a, Yes, Yes, Yes And jac just gonna Say 320 00:17:00,760 --> 00:17:04,439 Speaker 1: welcome to the rabbit. Hole, Jake, Jake, Jake. Jake this 321 00:17:04,520 --> 00:17:06,960 Speaker 1: from the four oh One Jake Jake. Jake first, Off 322 00:17:07,000 --> 00:17:09,680 Speaker 1: Happy New. Year It's alexandra reaching out to Say i'm 323 00:17:09,680 --> 00:17:12,880 Speaker 1: continually blown away by The Disgrace slam. Podcast i'm here 324 00:17:12,920 --> 00:17:15,600 Speaker 1: to say man Oh man The Michael hutchinson In excess 325 00:17:15,640 --> 00:17:18,800 Speaker 1: Episode Chef's. Kiss what a fantastic job you did tell 326 00:17:18,960 --> 00:17:20,320 Speaker 1: the story in the short amount of time that you. 327 00:17:20,359 --> 00:17:22,199 Speaker 1: DID i think it's really great that you made a 328 00:17:22,200 --> 00:17:24,399 Speaker 1: point to call out the rumors surrounding his cause of. 329 00:17:24,440 --> 00:17:26,880 Speaker 1: DEATH i also would like to SAY i love how 330 00:17:26,920 --> 00:17:29,280 Speaker 1: you open the episode with a brief touch On Nick. 331 00:17:29,320 --> 00:17:31,880 Speaker 1: CAVE i asked you before for A Nick cave, Episode 332 00:17:31,880 --> 00:17:34,040 Speaker 1: maybe one in twenty twenty four take care Of Jake. 333 00:17:34,119 --> 00:17:37,040 Speaker 1: Rockarola i'd love to Do Nick cave. Episode i'd love 334 00:17:37,080 --> 00:17:39,720 Speaker 1: to See Nick. Cave i'd love to collaborate With Nick. 335 00:17:39,760 --> 00:17:43,800 Speaker 1: Cave i'm all About Nick cave right. Now maybe we'll See. 336 00:17:44,000 --> 00:17:49,199 Speaker 1: Houston moore writes In Los lobos want an, introduction to 337 00:17:49,280 --> 00:17:51,480 Speaker 1: WHICH i, say, yeah, sure why? NOT i fucking Love Los. 338 00:17:51,520 --> 00:17:53,800 Speaker 1: Lobos hook me, Up. Houston i'm gonna send you my 339 00:17:53,920 --> 00:17:56,840 Speaker 1: number in my. Email get at me all, right, Dude 340 00:17:57,760 --> 00:18:00,440 Speaker 1: let's do one more tech six one seven nine six 341 00:18:00,600 --> 00:18:03,480 Speaker 1: six three. Eight, Guys i'm still looking for recommendations. Here 342 00:18:04,000 --> 00:18:06,639 Speaker 1: this one comes from the three to zero. Four Hey, milkman, 343 00:18:06,720 --> 00:18:09,439 Speaker 1: again you've been asking for suggestions in the. Past you 344 00:18:09,480 --> 00:18:12,080 Speaker 1: asked for, suggestions like what you did With Wu, Tang 345 00:18:12,240 --> 00:18:15,240 Speaker 1: what about the beats you've recently Done. Burrows, WELL i 346 00:18:15,280 --> 00:18:18,320 Speaker 1: haven't Released burrows. Yet They're, milkman but it is. Coming 347 00:18:18,840 --> 00:18:21,919 Speaker 1: one of my bull, gods he. Writes, However krawak And 348 00:18:22,000 --> 00:18:25,080 Speaker 1: ginsburg are obviously Worthy Neil, cassidy of, course and There's 349 00:18:25,119 --> 00:18:27,800 Speaker 1: ferrelynghetti And snyder and. Others it's hard to find a more, 350 00:18:27,800 --> 00:18:31,120 Speaker 1: brilliant more, volatile and more influential bunch of. Derelics oh 351 00:18:31,400 --> 00:18:34,320 Speaker 1: and what about The Holy trinity Of alabama Dipshits Hank, 352 00:18:34,440 --> 00:18:37,800 Speaker 1: Senior junior and the. Third we did one On Hank. 353 00:18:37,880 --> 00:18:40,919 Speaker 1: Senior you can hear that maybe we should just follow 354 00:18:41,000 --> 00:18:44,160 Speaker 1: up a couple more With junior And. Senior and, yes 355 00:18:44,200 --> 00:18:47,280 Speaker 1: we do have an episode coming On. BURROWS i will 356 00:18:47,320 --> 00:18:50,240 Speaker 1: most likely do A kerouac episode at some point as. 357 00:18:50,240 --> 00:18:55,120 Speaker 1: WELL i stayed in the cabin a friend of. MINE 358 00:18:55,160 --> 00:18:58,600 Speaker 1: i have a friend who's part of The kerohak, Family 359 00:18:59,160 --> 00:19:02,440 Speaker 1: and WHEN i on my, honeymoon he hooked us, up 360 00:19:02,600 --> 00:19:06,600 Speaker 1: and he hooked up the cabin That jack Wrote big sur. 361 00:19:06,920 --> 00:19:09,240 Speaker 1: In we were going To Big surf for our, honeymoon 362 00:19:09,240 --> 00:19:10,959 Speaker 1: and he hooked it up so we could stay there 363 00:19:10,960 --> 00:19:12,639 Speaker 1: for a couple of nights and it was incredible and 364 00:19:12,640 --> 00:19:15,520 Speaker 1: a Big caroac FAN i was before am now as. 365 00:19:15,560 --> 00:19:18,720 Speaker 1: Well so we'll definitely get into that at some. Point 366 00:19:18,720 --> 00:19:23,240 Speaker 1: And ginsburg's always been fascinating to. Me perhaps there's so 367 00:19:23,280 --> 00:19:25,320 Speaker 1: many different eras Of. GINSBURG i don't even know where 368 00:19:25,359 --> 00:19:27,680 Speaker 1: to start or how to. Start actually it's a, huge, 369 00:19:27,760 --> 00:19:30,480 Speaker 1: huge huge. Topic but, yes we will get into the 370 00:19:30,520 --> 00:19:33,480 Speaker 1: beat six one seven nine oh six six six three. 371 00:19:33,560 --> 00:19:35,640 Speaker 1: EIGHT i want your. Suggestions hit me. Up i'm gonna 372 00:19:35,640 --> 00:19:36,920 Speaker 1: take a quick. Break i'm gonna be back in a. 373 00:19:36,960 --> 00:19:54,399 Speaker 1: Flash all, right we are, back. EVERYBODY i want to 374 00:19:54,440 --> 00:19:56,720 Speaker 1: talk to you About. PANTERA i want to talk to 375 00:19:56,720 --> 00:19:58,520 Speaker 1: you About Dimebag. DARREL i want to talk to you 376 00:19:58,560 --> 00:20:02,560 Speaker 1: about this archive episode that's being re released this. Week 377 00:20:02,920 --> 00:20:05,159 Speaker 1: we're releasing it this week because it was around the 378 00:20:05,160 --> 00:20:09,280 Speaker 1: Time january, nineteenth to be. Exact back in nineteen ninety, 379 00:20:09,320 --> 00:20:13,399 Speaker 1: three The pantera released the Song, walk the fourth and 380 00:20:13,520 --> 00:20:15,800 Speaker 1: final single to be issued from the breakthrough album Voll 381 00:20:15,880 --> 00:20:19,320 Speaker 1: Go display Of. Power walk is the most Viewed pantera 382 00:20:19,400 --> 00:20:23,439 Speaker 1: song on, YouTube two hundred and seventy seven million views and. 383 00:20:24,000 --> 00:20:28,280 Speaker 1: Counting if you don't Know. Pantera pantera were one of these. 384 00:20:28,320 --> 00:20:31,200 Speaker 1: Bands they became, Huge it became a huge metal, band 385 00:20:31,280 --> 00:20:34,400 Speaker 1: BUT i was just starting to go to, shows all 386 00:20:34,440 --> 00:20:39,040 Speaker 1: ages shows as a kid fourteen fifteen when they were 387 00:20:39,080 --> 00:20:41,840 Speaker 1: on tour for their first, album AND i didn't get 388 00:20:41,840 --> 00:20:43,640 Speaker 1: to see them on that, tour but my friends did 389 00:20:43,720 --> 00:20:45,720 Speaker 1: and it was one of those formative experiences THAT i 390 00:20:45,800 --> 00:20:48,639 Speaker 1: missed out on in my. Neighborhood And i'll never forget. 391 00:20:48,640 --> 00:20:50,199 Speaker 1: It my friend's man actually opened up for them In 392 00:20:50,240 --> 00:20:53,800 Speaker 1: boston from our Hometown backbone opened up For. Pantera it 393 00:20:53,800 --> 00:20:56,320 Speaker 1: was a huge deal AND i missed it, Fomo BUT 394 00:20:56,320 --> 00:20:58,199 Speaker 1: i knew. Who the point, IS i knew Who pantera 395 00:20:58,240 --> 00:21:01,280 Speaker 1: was very early, on and by the time their second 396 00:21:01,320 --> 00:21:03,560 Speaker 1: record came, out they WERE i just discussed here of 397 00:21:03,600 --> 00:21:06,200 Speaker 1: vol display of. Power they started to really blow. Up 398 00:21:08,160 --> 00:21:13,600 Speaker 1: they became, huge, massive, headline, headlining stadium type of massive 399 00:21:13,640 --> 00:21:17,320 Speaker 1: for a little while, there and then of course they 400 00:21:17,600 --> 00:21:20,560 Speaker 1: came apart for a bunch of a bunch of reasons 401 00:21:20,600 --> 00:21:23,800 Speaker 1: THAT i won't get into. Here and as we get 402 00:21:23,800 --> 00:21:28,760 Speaker 1: into in the Episode, Dimebag DARYL Darryl abbott was gunned 403 00:21:28,760 --> 00:21:34,120 Speaker 1: down and. Killed and even THOUGH i wasn't the Biggest 404 00:21:34,240 --> 00:21:37,840 Speaker 1: pantera fan in the. World this death hit me in a, 405 00:21:37,880 --> 00:21:44,400 Speaker 1: weird very weird, way BECAUSE i think it's because there 406 00:21:44,520 --> 00:21:49,640 Speaker 1: wasn't a lot of distance between the sort of hardcore 407 00:21:49,720 --> 00:21:52,080 Speaker 1: scene the world THAT i was in at the, time 408 00:21:52,640 --> 00:21:56,760 Speaker 1: and the world That Dimebag daryl was was shot and killed. 409 00:21:56,840 --> 00:21:59,639 Speaker 1: In it was in a small club In. OHIO i 410 00:21:59,640 --> 00:22:03,800 Speaker 1: played that club before years. Ago i'd played many clubs like, 411 00:22:03,880 --> 00:22:06,680 Speaker 1: It so WHEN i did this, EPISODE i really knew 412 00:22:06,680 --> 00:22:11,399 Speaker 1: the world and it, really it really hit me in 413 00:22:11,440 --> 00:22:14,399 Speaker 1: a in a, hard, hard hard. Way and you, know 414 00:22:14,440 --> 00:22:17,200 Speaker 1: it's about a. Shooting it's about an active. Shooter that's 415 00:22:17,200 --> 00:22:20,080 Speaker 1: a big fear of. Mine it's a recurring dream THAT i. 416 00:22:20,119 --> 00:22:22,439 Speaker 1: Have it's it's it's been that. Way you. Know you 417 00:22:22,440 --> 00:22:24,560 Speaker 1: can guess, why, Right you get little kids and you 418 00:22:24,640 --> 00:22:27,840 Speaker 1: watch the news and all, that AND i don't. KNOW 419 00:22:27,920 --> 00:22:31,119 Speaker 1: i JUST i felt particularly plugged into the writing of this, 420 00:22:31,200 --> 00:22:34,720 Speaker 1: episode and then the MORE i got to learn About 421 00:22:34,720 --> 00:22:38,320 Speaker 1: dimebag Darryl abbott and what kind of guy that he 422 00:22:38,520 --> 00:22:40,719 Speaker 1: was and how he was with the, fans it just 423 00:22:40,760 --> 00:22:43,359 Speaker 1: made me love him much much more THAN i already 424 00:22:43,400 --> 00:22:46,160 Speaker 1: had as a, musician but just as a, man AND 425 00:22:46,800 --> 00:22:48,320 Speaker 1: i don't. KNOW i want you to listen to it 426 00:22:48,359 --> 00:22:50,000 Speaker 1: if you haven't listened to, It AND i want you 427 00:22:50,040 --> 00:22:51,640 Speaker 1: to tell me what you. THINK i think you're gonna dig. 428 00:22:51,680 --> 00:22:55,360 Speaker 1: It six one seven nine oh six six six three. 429 00:22:55,520 --> 00:22:57,399 Speaker 1: Eight i'm gonna take a quick break back in a. 430 00:22:57,440 --> 00:23:16,800 Speaker 1: Flash all, right welcome back. Again six one seven nine 431 00:23:16,840 --> 00:23:19,640 Speaker 1: oh six six six three. Eight call me, voicemail, text 432 00:23:19,720 --> 00:23:20,800 Speaker 1: let me know what you're, thinking let me know what's 433 00:23:20,840 --> 00:23:21,800 Speaker 1: on your, mind let me know what we want to. 434 00:23:21,800 --> 00:23:23,000 Speaker 1: Hear let me know who you want us to. Cover 435 00:23:23,240 --> 00:23:26,240 Speaker 1: hit me up On instagram X facebook At Disgrace Slam. 436 00:23:26,359 --> 00:23:29,720 Speaker 1: Pod all, right let's, recap shall? We number one right 437 00:23:29,760 --> 00:23:31,520 Speaker 1: now in your? FEED a brand new episode On Stu 438 00:23:31,600 --> 00:23:34,520 Speaker 1: suckcliffe of The. Beatles number two coming, TOMORROW a rewind 439 00:23:34,560 --> 00:23:37,800 Speaker 1: episode On, pantera number three over in The Badlands. Feed 440 00:23:37,800 --> 00:23:39,840 Speaker 1: we get a new episode On Paul newman and number 441 00:23:39,880 --> 00:23:42,240 Speaker 1: four next week in The Disgrace Slam. Feed the official 442 00:23:42,240 --> 00:23:44,200 Speaker 1: trailer for what we're cooking out for you this year 443 00:23:44,200 --> 00:23:48,879 Speaker 1: in twenty twenty, four The Disgraceland icon, series as we're calling. 444 00:23:48,920 --> 00:23:51,840 Speaker 1: It you do not want to miss, this so stay. 445 00:23:51,840 --> 00:23:54,479 Speaker 1: Tuned my number six one seven nine oh, six six 446 00:23:54,560 --> 00:23:56,760 Speaker 1: sixty three eight call me on the. Telephone text. Me, 447 00:23:57,080 --> 00:23:58,919 Speaker 1: remember no one cares about the music you love more 448 00:23:58,960 --> 00:24:00,800 Speaker 1: than you doing. Well and that's a, grace all. Right 449 00:24:00,840 --> 00:24:03,160 Speaker 1: my moment of bliss in honor of this week's episode 450 00:24:03,200 --> 00:24:05,800 Speaker 1: me reading. You The Billboard hot one hundred chart from 451 00:24:05,800 --> 00:24:08,159 Speaker 1: the week Of august, fifteenth nineteen, sixty the week that 452 00:24:08,240 --> 00:24:11,760 Speaker 1: The beatles drove From liverpool To hamburg for their first 453 00:24:11,840 --> 00:24:27,879 Speaker 1: of their residencies in the Tumultuous Reberbond. District number One 454 00:24:28,320 --> 00:24:33,080 Speaker 1: It's now Or Never Elvis presley with The jordanaires last week, 455 00:24:33,440 --> 00:24:39,080 Speaker 1: three peak position one weeks on chart, five number. Two 456 00:24:39,640 --> 00:24:44,159 Speaker 1: Bitsy bitsy teeny weeny yellow polka dot Bikini Brian. Highland 457 00:24:44,840 --> 00:24:51,240 Speaker 1: last week, one peak position one weeks on chart, seven number. 458 00:24:51,280 --> 00:24:55,880 Speaker 2: Three i'm. Sorry last week, Two i'm sure peak position 459 00:24:56,080 --> 00:24:58,560 Speaker 2: peak one weeks on charteks tw. 460 00:25:00,200 --> 00:25:01,639 Speaker 1: Four don't you only. 461 00:25:01,440 --> 00:25:04,280 Speaker 2: The lesson to know HOW i? Feel yell cook last 462 00:25:04,280 --> 00:25:10,200 Speaker 2: week ran, position last week's on chart position elevens now. 463 00:25:10,600 --> 00:25:16,000 Speaker 1: FIVE i want don't work last week seven keep, Position 464 00:25:20,080 --> 00:25:21,840 Speaker 1: quit talking and start. 465 00:25:22,119 --> 00:25:22,560 Speaker 6: Mixing