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Speaker 1: Hey Yosa, Hey mama, Can you believe we've been podcasting

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Speaker 1: for five whole years? Um? I truly cannot believe it.

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Speaker 1: It's absolutely mind blowing. It's like out of this world.

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Speaker 1: And I know that we're still in a deadly global pandemic,

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Speaker 1: get your vaccines. But I feel like we need to

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Speaker 1: celebrate this milestone. I agree, and you know what, Let's

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Speaker 1: bring back look at That a live a podcast party. Yes,

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Speaker 1: that's an excellent idea. The listeners deserve to come together

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Speaker 1: to congregate and celebrate our five year look adversary with

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Speaker 1: us boosted and in person. So how about March thirteen

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Speaker 1: at Resident in downtown l A. Oh my god, I'm down,

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Speaker 1: I'm free. Let's book it with an all star lineup

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Speaker 1: of comedians, DJs and live music. You read my mind.

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Speaker 1: I was just going to suggest the very thing, So

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Speaker 1: you can all head to Resident detail a dot com

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Speaker 1: and at your tickets. See you there. Radio Radio Radio

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Speaker 1: Commies a myth and Bullshit a radiophonic novella Look Radio

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Speaker 1: hosted by Malaca Morres. Welcome back to season six of

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Speaker 1: Local Radios next Door. Look At Radio is a radiophonic

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Speaker 1: novella which is just a very extra way of saying

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Speaker 1: a pod podcast fast. I'm fiosa and I'm mala. Thanks

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Speaker 1: for tuning into one twenty. We are so excited to

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Speaker 1: be here, to be recording and to have you are

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Speaker 1: local morres tuning in for the sixth season. And this

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Speaker 1: episode is actually our season six launch and the very

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Speaker 1: first episode sde of look At Radio for two. We're

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Speaker 1: so excited. Thank you for being here, thank you for

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Speaker 1: coming back to look At Radio. We have some updates

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Speaker 1: per husu as you know, like we do before we

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Speaker 1: get into the meet the entree, the gardner of today's

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Speaker 1: to begin. Follow us across socials. We are everywhere at

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Speaker 1: look Underscore Radio on all platforms. If you are looking

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Speaker 1: for a findom drain and instead of emailing me directly

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Speaker 1: and calling my personal line, please escort yourself over to

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Speaker 1: our venmo at look at a Dash Radio. Yes that

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Speaker 1: really did happen. Yes, the folks are thirsty to be

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Speaker 1: days pay pick leave her alone and hit the venmo instead.

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Speaker 1: You can also get fifteen percent off your next purchase

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Speaker 1: from Latina owned makeup brand to Viva Cosmetics. Head to

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Speaker 1: Viva Cosmetics dot com and use our affiliate code look

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Speaker 1: at Radio fifteen. As you know, in one we launched

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Speaker 1: Look at our Productions LLC, our very own indie podcast

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Speaker 1: production house. Under that new production banner, we also launched

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Speaker 1: a brand new comedy cannabis podcast called might one at

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Speaker 1: a podcast for poth heads. You can use our Muddy

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Speaker 1: one at an affiliate code mighty one at a P

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Speaker 1: four P for your next bob purchase at Latina owned

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Speaker 1: Mota Glass. Head to Mota glass dot com and use

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Speaker 1: the affiliate code mighty one at a P four P

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Speaker 1: for a discount. Another thing that we launched in one

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Speaker 1: was our very own book club look Auspos hosted by me.

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Speaker 1: All Right, those are most of our updates. Will sprinkle

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Speaker 1: some other stuff in as we get to our chat today.

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Speaker 1: We do have some teasers, some new work. We've got

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Speaker 1: stuff coming up in the look audio verse. Um. We're

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Speaker 1: we've been busy and we have a lot of things

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Speaker 1: that we have yet to unveil to you all. But

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Speaker 1: before we get to those updates, welcome to season six.

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Speaker 1: We are your podcast at us next Door. And when

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Speaker 1: thinking about this year's theme, as you know, each season

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Speaker 1: has a theme and it's always over the top. It's

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Speaker 1: always the best, there's always beautiful visuals to accompany it,

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Speaker 1: and so each year we tried to top last year's.

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Speaker 1: So this year podcast as next Door. We were inspired

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Speaker 1: by some reality TV from the early two thousand's. We

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Speaker 1: were inspired by you know, the Playmates, Yes, Girls next Door,

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Speaker 1: Girls next Door, and so we are your next Door

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Speaker 1: just your friendly neighborhood podcasts. Trying to make a podcast

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Speaker 1: while living at home. And you know, it is season

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Speaker 1: three of The Pandemic and as we were basically writing

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Speaker 1: our script for this episode, we came to the realization

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Speaker 1: that essentially half of our podcast life has now been

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Speaker 1: indoors and in a pandemic and we didn't even realize it.

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Speaker 1: Season three of The Pandemic and season six of Look

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Speaker 1: at Our Radio? When did that happen? How did where

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Speaker 1: did the time go? It's season three of the Pandemic

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Speaker 1: and we are still recording from home, and with that

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Speaker 1: comes a lot of pros and cons. So let's get

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Speaker 1: into some of them today. We're gonna get into a

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Speaker 1: lot of them today. We were laughing, dying because there

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Speaker 1: are some cons that we cannot share on air. Basically,

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Speaker 1: we we are not at liberty to say, um, just

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Speaker 1: know that when you you live where you work, and

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Speaker 1: you work where you live, and everybody is at home

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Speaker 1: in this horrible situation, I feel like tempers are high,

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Speaker 1: you know what I mean, Like people get into little

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Speaker 1: spats and disputes over all kinds of things. We were

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Speaker 1: just cracking up sharing parking horror stories where in l

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Speaker 1: A like people will go to great lengths over parking spaces,

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Speaker 1: like don't underestimate what a desperate person will do when

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Speaker 1: they need a parking spot in the city of Los Angeles. Yes,

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Speaker 1: there's also lots of entitlement when it comes to parking. Personally,

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Speaker 1: where I live there's ample parking, but people get very

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Speaker 1: very um comfy with their parking and they don't want

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Speaker 1: you to park in front of their house even though

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Speaker 1: it's a public right away. Maybe there was a fight,

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Speaker 1: maybe not, I don't know, but it did not involve me.

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Speaker 1: It's all I'm gonna say, And I think that that's

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Speaker 1: that's perfect. We're gonna keep it that vague. Um. Sometimes

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Speaker 1: older Mexican people think that they can put an orange

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Speaker 1: traffic cone on a public street and claim it as

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Speaker 1: their own personal parking spot and then like get mad

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Speaker 1: and yell at people and start fights when they try

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Speaker 1: and move said cone and parking said public parking spot.

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Speaker 1: Someone that I know that works for the city will

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Speaker 1: remove those because it's not legal to do that. And

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Speaker 1: maybe sometimes when you try and explain things like that

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Speaker 1: to set older Mexican person, they're like, why are you

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Speaker 1: Why are you criticizing me? Like why are you judging me?

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Speaker 1: Where are you? Who are you being a hater. Basically

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Speaker 1: I'm not being a hater. I'm just saying it's a

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Speaker 1: public street, right right, good times. Let's talk about some

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Speaker 1: pros of recording from home now, aside from the barking,

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Speaker 1: which is a nightmare. Um, we're comfy, comfy, there's no

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Speaker 1: commuting or traffic involved. Beautiful. I think that's it. I mean,

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Speaker 1: it is a blessing that, you know, we're able to

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Speaker 1: continue podcasting in spite of everything that's going on. Um,

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Speaker 1: luckily mikes are affordable enough and we have our computers.

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Speaker 1: That's really it. I mean, that's what we what we use,

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Speaker 1: and that we have a pretty basic set up y'all.

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Speaker 1: Like we don't have a handheld recorder. Those are expensive,

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Speaker 1: you know. The mic that we have, it's a good

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Speaker 1: quality mike, but it connects to our computer, we get

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Speaker 1: it done. You know, we're not to go out and

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Speaker 1: spend a ton of money on equipment. That's that's what

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Speaker 1: you like to do. Cool. We never advocate for people

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Speaker 1: to spend more than they more than they can afford.

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Speaker 1: So this is what works for us UM. But there's

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Speaker 1: also a lot of like scheduling that goes around working

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Speaker 1: from recording from home and like today, you know, early January,

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Speaker 1: we had a voiceover gig and we had to like

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Speaker 1: there was a lot of prep work in order to

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Speaker 1: make sure that our space was ready for one. I

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Speaker 1: had to ask my parents to leave by nine am.

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Speaker 1: My parents are very loud when they leave. It's a

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Speaker 1: whole production. It's a show to get them out the door.

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Speaker 1: So I was like, I really need you all to

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Speaker 1: leave by nine am, Like you have to because they're

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Speaker 1: going to hear everything and it's really important that I'm professional.

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Speaker 1: I need you to be gone by nine And they respected.

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Speaker 1: If they didn't, they were all got both My parents

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Speaker 1: were gone ten minutes to nine. It was nice. Thank god,

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Speaker 1: that's good. See when you have the cooperation, that's lovely.

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Speaker 1: Like my grandpa likes to saw things, you know, and

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Speaker 1: like I live above the garage, my little apartment, and

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Speaker 1: the garage is his like workshop where his drills and

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Speaker 1: his saws. I'm directly above it. So we have like

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Speaker 1: an understanding. And I'm like, Grandpa, I'm recording today, can

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Speaker 1: you not saw anything in half? Just for like forty

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Speaker 1: five minutes? And He's like, got it, I'll go hammer

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Speaker 1: this thing over here instead, you know. So it's all

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Speaker 1: about teamwork. But yeah, the thing is like there's a

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Speaker 1: lot of ambient sounds. There's just a lot of environmental

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Speaker 1: noise when you're at home and you have neighbors and

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Speaker 1: you have family and you have tons of dogs like

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Speaker 1: we have, or if you have like a shitty white

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Speaker 1: fridge like I have. Like during today's very same voice

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Speaker 1: over gig, their sound engineer was like, what's that humming noise?

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Speaker 1: And we were at the USA and I at the

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Speaker 1: same time, We're like my fridge, So I had to

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Speaker 1: unplug it. It's unplugged again right now, son? Yes, yes,

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Speaker 1: do you remember early on o G listeners know when

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Speaker 1: the smoke detector beeping and we unplugged it and it

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Speaker 1: was still beeping and we changed the batteries. It just

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Speaker 1: kept beeping. It was insane and people were listeners are

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Speaker 1: mad about it, and we're like, we know, okay, we know,

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Speaker 1: we we hear it too, We really do hear it.

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Speaker 1: Tried fixing it, We changed the batteries, okay, we did

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Speaker 1: everything we could do. And then like, for a while,

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Speaker 1: I could not figure out how to at the message

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Speaker 1: the messages notification on my laptop. I couldn't for the

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Speaker 1: life of me. And then I would I would Google

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Speaker 1: and I would look at the instructions and then I

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Speaker 1: would try it, and they still kept coming through. Listeners

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Speaker 1: got mad about that too. Sorry guys. Um, yeah, good stuff.

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Speaker 1: My dog he likes to come bother me the second

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Speaker 1: we start recording. It's true, it's true. There's a lot

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Speaker 1: of external noise, the dogs barking. Sometimes my cat is mewing. Um,

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Speaker 1: you know. And it's really funny to me when podcasters

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Speaker 1: more like the the like studio network podcasters, probably some

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Speaker 1: indie two, But when they talk about recording in their closets,

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Speaker 1: I'm like, how like I don't have a walk in closet,

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Speaker 1: I don't fit in my closet, Like I cannot record

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Speaker 1: in a closet, So that that joke about podcasters recording

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Speaker 1: in their closet. Can't relate, doesn't apply to me, can't relate.

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Speaker 1: I guess if you live in a mansion, if you're

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Speaker 1: podcasting in a wing of Oprah Winfreeze house, you can

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Speaker 1: record in a closet. There's no where to sit, it's

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Speaker 1: filled with stuff. It's filled with stuff, and don't even

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Speaker 1: have like I have the type of closet like like

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Speaker 1: like an old closet where like sliding doors, like there's

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Speaker 1: they don't open up outwards. That sounds very rich and

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Speaker 1: lovely to me. The extravaganza of it all. One day

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Speaker 1: we aspire to record in our closets. One day, I

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Speaker 1: think that's when we'll know we've really made it, if

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Speaker 1: we have closets big enough to record our indie podcasting,

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Speaker 1: or we have an actual studio. I mean, I think

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Speaker 1: that would be the real measure. Whatever, it's fine. We

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Speaker 1: persevere through it all. We persevere through it all, all

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Speaker 1: while recording from home. And so I want to ask you, Mala,

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Speaker 1: what kind of neighbor are you? Yes? Yes, so we

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Speaker 1: are the you know podcast at us next door, and um,

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Speaker 1: the type of neighbor I am? I think that I'm

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Speaker 1: very aloof. I am a hermit. I am definitely the

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Speaker 1: neighborhood mariwanea. Um. I do smoke at home and in

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Speaker 1: and around like well, I mean in my space with

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Speaker 1: like the doors and window shots like my grandparents you know,

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Speaker 1: are not necessarily so cognizant that I'm getting high. But um,

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Speaker 1: when I walk my dog, I smoke. And so I

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Speaker 1: think people like know that, like I'm like the neighborhood,

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Speaker 1: you know, pothead, and I have earned that title, Okay,

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Speaker 1: I've worked very diligently, um at that that place in

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Speaker 1: the neighborhood. So I'm kind of also the Grinch, Like

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Speaker 1: I stay up here in my space and I do

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Speaker 1: my writing, and I do my podcasting, and I do

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Speaker 1: my TV watching, and I do my my research unless

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Speaker 1: I'm like, you know, not here, unless I'm like outskating

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Speaker 1: or I'm like meeting up with people. So I think

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Speaker 1: I'm very like Aloof, and I come down when I'm

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Speaker 1: like summoned or with like an invitation lots of coaxing.

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Speaker 1: I'm like the Grinch, and I only come down to

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Speaker 1: Huville on very rare occasions. Definitely like a curmudged le

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Speaker 1: hottie because there's a lot of like street harassment in

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Speaker 1: my neighborhood. And so like I don't say hi to anybody,

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Speaker 1: I don't say how to anyone. I don't address anyone

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Speaker 1: unless you're you're my grandma's friend and you're like another

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Speaker 1: Senora or like you're like a Senora walking her dog

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Speaker 1: and I'm walking my dog. Like I will talk to you,

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Speaker 1: but like literally no one else. Um, I'm also like

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Speaker 1: the naked window neighbor because I will forget that I

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Speaker 1: don't have any clothes on and that my window is open,

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Speaker 1: you know, Like I'm also that person, but I'm trying

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Speaker 1: to work on that because I'm like, you know what,

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Speaker 1: this is a very highly populated area and like my

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Speaker 1: windows are not tinted, like people can see me. So

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Speaker 1: that's the type of neighbor I am. How about you,

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Speaker 1: We need to get you some curtains, and so I'm here.

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Speaker 1: I do I have very heavy um the Roman lines

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Speaker 1: that you pull down, yes, and they're always down, but

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Speaker 1: then except when they're not, and then I forget, you

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Speaker 1: know what I mean, that happens. It happens, happens, it happens.

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Speaker 1: What kind of neighbor are you? Um? I think that

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Speaker 1: I am a toss between. Well, first, I feel like

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Speaker 1: I'm the dog walker, Like I have lots of dogs

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Speaker 1: and I walk them all at once. So there are

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Speaker 1: a good times where people do ask me if I

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Speaker 1: walk dogs, like are you a dog walker? And I'm like, yes,

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Speaker 1: you can't afford me, you cannot afford my services. You

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Speaker 1: cannot afford my services. Um, I am the dog walker.

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Speaker 1: So there's that. I also feel like I like I'm

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Speaker 1: a toss between like friendly hottie next door and like

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Speaker 1: unfriendly hottie next door, Like catch me on the wrong day.

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Speaker 1: I'm not going to be the friendly hottie. I'm not

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Speaker 1: gonna I'm just gonna get in my car and not

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Speaker 1: say hi and like zoom off. Other times, sure, I'll

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Speaker 1: have the convo with you. We'll talk about what's happening

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Speaker 1: on your roses and of changes that you're doing to

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Speaker 1: your house and blah blah blah um. You know. And also,

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Speaker 1: since I've been living in my house for close to

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Speaker 1: twenty years, with the exception of you know, moving to

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Speaker 1: Zenna Barbara for undergrad my neighbors have really seen me

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Speaker 1: grow up and have seen like, you know, the evolving

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Speaker 1: partners that have come by. I love that. So evolving partners,

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Speaker 1: you know, that's a journey. I don't want to say

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Speaker 1: it's a rotation because it's not more of like in evolved.

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Speaker 1: You know, as I have grown up, so have the partners.

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Speaker 1: Partners have changed. You know. I'm also like, you know,

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Speaker 1: snack sneaking my boyfriend in or why don't really sneak

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Speaker 1: fitting on the wind? But more so like you know,

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Speaker 1: he's over. I'm that, I'm that neighbor. Yes, I love that.

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Speaker 1: I love that, and I love that. It's like, Okay,

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Speaker 1: there's probably just like the associate a different phase of

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Speaker 1: your life, probably with like your hair cut in color.

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Speaker 1: And then also who were you dating? That's so true.

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Speaker 1: You're right, You're right. You're right. And and and and

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Speaker 1: and and and and and and and and and and

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Speaker 1: and and and and and um um um um um

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Speaker 1: um um um um um um of it and ship. Alright, y'all.

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Speaker 1: So today we want to talk about one of our

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Speaker 1: favorite topics and something that has kind of had a

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Speaker 1: renaissance via TikTok via gen z and also an inspo

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Speaker 1: for the season's theme. Yeah, we're talking about bimbos, and

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Speaker 1: this episode is in defense of bimbos, some iconic bimbos

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Speaker 1: throughout history, bimbos who have been inspirations to us, and

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Speaker 1: too many out there it seems. And yeah, we're pocas

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Speaker 1: at us next door. That definitely is a callback and

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Speaker 1: a throwback to the girls next door. Um, there's actually

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Speaker 1: a new documentary out about like Surviving Playboy and like

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Speaker 1: the drama and the disaster and how it was kind

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Speaker 1: of an abusive environment. So I think that there's a

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Speaker 1: lot more to being a bimbo than we previously recognize

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Speaker 1: as a culture. Yeah, you know, we at Local Tora

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Speaker 1: are all about the count narratives about looking at popular

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Speaker 1: culture from a different lens, which is why we developed

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Speaker 1: look up hisstemologies. So I think anything that is said

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Speaker 1: here is through that lens, it's through that viewpoint. So

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Speaker 1: just to get started, let's define what a bimbo is.

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Speaker 1: So there are a lot of definitions now, especially visa

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Speaker 1: v TikTok. A lot of folks who are like bimbo

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Speaker 1: content creators, Like they're dressing up in a particular way,

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Speaker 1: you know, lots of cleavage, tiny skirts, full face hair

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Speaker 1: and makeup. The ship that we love, the ship that

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Speaker 1: we're all about we love it, we love it. The

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Speaker 1: other day, Mala was like, so are mini skirts back

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Speaker 1: micro skirts? And I was like did they ever leave?

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Speaker 1: You know? So like they're having a resurgence, resurgence truly, truly,

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Speaker 1: And some of these bimbo content creators have like put

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Speaker 1: out definitions for what a bimbo is and some of

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Speaker 1: them like make sure to include like bimbos are pro sects, work,

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Speaker 1: anti capitalists, anti prison, Like bimbos are social justice minded, Yes,

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Speaker 1: yes they are. And but just to like before we

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Speaker 1: get into like the new definitions that folks are creating,

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Speaker 1: I just want to read like a standard probably written

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Speaker 1: by a white person, a white man. A bimbo, according

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Speaker 1: to dictionary dot com is an attractive, but unintelligent or

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Speaker 1: frivolous young woman. Sounds like a fem to me, sounds

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Speaker 1: like a fucking fem. And again, the ship we love,

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Speaker 1: you know, we've been talking about for years, like the

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Speaker 1: things that women like that fams like makeup, dressing up, nails.

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Speaker 1: You know, we call it all kinds of things. Goddess worship,

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Speaker 1: we call it firm defense, even fem technology. And we're

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Speaker 1: just all about reclaiming these things that we get made

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Speaker 1: fun of. For yes, the things that are seen as frivolous,

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Speaker 1: And it's like the question is frivolous to who do

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Speaker 1: and in what context? I mean? And there are so

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Speaker 1: many famous bimbos throughout history, we like went and did

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Speaker 1: like a little deep dive into some of our favorite bimbos,

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Speaker 1: so of course, so who like how can we forget

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Speaker 1: Elwoods of Legally Blonde? We love el Woods, brought to

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Speaker 1: life by Reese Witherspoon, one of the most iconic bimbos

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Speaker 1: of all time. But it's hard. Oh my god, such

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Speaker 1: a good movie, such good acting, such good writings, such

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Speaker 1: an amazing wardrobe. Yes, yes, and um el is just

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Speaker 1: that girl and we love her and I feel like

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Speaker 1: legally Blonde. And also el Woods is having their own

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Speaker 1: like redefining that it's actually a feminist movie. Hell yeah,

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Speaker 1: you know. And at the time I didn't receive that

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Speaker 1: kind of accolade. But now, like looking back, we're looking

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Speaker 1: back at early two thousand films. Obviously in pulp culture,

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Speaker 1: it's having a resurgence and folks are giving giving it

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Speaker 1: the claim and the accolades that it deserves because it

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Speaker 1: is a feminist film. It is and not only that,

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Speaker 1: but I think folks are also like recognizing some really

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Speaker 1: incredible performances from that film, like um, Jennifer Coolidge in

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Speaker 1: and of herself as having a moment, and I think

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Speaker 1: she is like considered maybe in this spectrum of bimbo

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Speaker 1: hood and has played many a bimbo and like to

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Speaker 1: a t and I mean like Paultte bonafante, like stop it.

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Speaker 1: She's the original dog mom, the original dog mom. We

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Speaker 1: love Paulette. She brought us the bendon snap. I mean,

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Speaker 1: it's just good time. So we've got bimbos upon bimbos

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Speaker 1: um and then of course, like we said, our namesake

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Speaker 1: for this season, the Girl's next door? Who are some

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Speaker 1: of the girls next door? Like the really popular ones

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Speaker 1: that really took off? Who would you say? I don't

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Speaker 1: remember any of their kee. She's the only one I

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Speaker 1: can really think of Wilkinson right, Yes, yes, she's a

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Speaker 1: real estate agent. Now, good for her. She has a

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Speaker 1: TV show now with her kids. Yes she's in real estate,

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Speaker 1: good for her. Um. Dolly Parton is obviously an o

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Speaker 1: G bimbo, iconic bimbo, and like a huge philanthropist, she

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Speaker 1: does a ton of work, like donates a ton of money,

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Speaker 1: gives like books to children. Children she's paying for like

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Speaker 1: if her employees at Dolly would want to go to school,

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Speaker 1: like she's paying for their education. A bimbo of the people, Yes,

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Speaker 1: the people's bimbo. The people's bimbo very much. Though we

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Speaker 1: love Dolly and Dolly has always had such an amazing

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Speaker 1: sense of humor, Like I love looking at old interview

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Speaker 1: clips of Dolly Parton on like whatever fucking talk show,

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Speaker 1: because she has outlived all of them, basically, and you know,

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Speaker 1: they want to come for her fake tips, and they

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Speaker 1: want to come for her nails and her wigs. But

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Speaker 1: she she has her one liner is just ready in

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Speaker 1: the cliff, ready to go. She has them cute up, yes,

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Speaker 1: and she could always make fun of herself, very self aware.

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Speaker 1: I love Dolly And then, of course, okay, have you

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Speaker 1: been watching Pam and Tommy? I haven't because I've been

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Speaker 1: hearing like we're not supposed to, like, because she doesn't

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Speaker 1: want to say she didn't actually consent to it, So

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Speaker 1: I've had some feelings about it, like should I watch it? Right?

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Speaker 1: That's fair, that's fair. I would also venture to say

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Speaker 1: that's probably true of like any like unauthorized biography autobiography

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Speaker 1: docu series. Yes, yes, you know, and not to be

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Speaker 1: like just watch it anyways, it's so good. So I

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Speaker 1: just say I've had like an internal dilemma. I feel you.

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Speaker 1: I hear obviously, folks, you know, watch what you want,

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Speaker 1: you know, and no shame or anything. I'm just me personally,

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Speaker 1: I'm like, do I watch this? But I also want to,

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Speaker 1: you know, like anything, like I want to keep up

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Speaker 1: with the online chatter, like I want to know what,

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Speaker 1: folks we're talking about. Yes, now here's what's fascinating about

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Speaker 1: the show. So Pamela Anderson, of course, iconic bimbo of

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Speaker 1: like film, television, Hollywood, famous for Baywatch, killing it in Baywatch,

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Speaker 1: famous for her relationship, famous for her boobs, you know,

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Speaker 1: like quite specifically, and the time period of like Pam

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Speaker 1: and Tommy. I remember being a kid and like just

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Speaker 1: seeing things like on TV because you know, in l a,

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Speaker 1: Hollywood news and celebrity news is on the same channel

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Speaker 1: as the news. News intertwined, and I realized that other

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Speaker 1: people in other places don't have celebrity news as part

401
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Speaker 1: of the regular news. Are you feeling I'm serious. I

402
00:25:38,160 --> 00:25:42,880
Speaker 1: was talking to somebody who grew up in the Midwest. Yes,

403
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Speaker 1: I was. He was like, I was talking to this

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00:25:45,600 --> 00:25:48,200
Speaker 1: guy who, like um, grew up in the Midwest, and

405
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Speaker 1: he was saying like, yeah, you know, for us, like

406
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Speaker 1: just chatting about celebs and the things that they do

407
00:25:55,160 --> 00:25:58,240
Speaker 1: is not we don't keep up with that info. And

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00:25:58,600 --> 00:26:00,520
Speaker 1: he's like, you guys seem to know so much about it,

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00:26:00,520 --> 00:26:02,159
Speaker 1: And I'm like, well, yeah, because you could literally be

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Speaker 1: watching Channel four local news and in between k t

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00:26:05,760 --> 00:26:09,440
Speaker 1: l A or whatever the traffic report, it's access Hollywood

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Speaker 1: celebrity reports. We consider that to be news, but other

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Speaker 1: people are not getting that as their news. I'm dying.

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Speaker 1: I had no idea. It was just standard w It's

415
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Speaker 1: like not a thing. It's our local ship. That's like okay,

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00:26:28,960 --> 00:26:31,359
Speaker 1: so all of our like out of state. Look, I'm

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Speaker 1: what is Please let me know. I need you to

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Speaker 1: confirm with me. Do you not get celebrity news as

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Speaker 1: a part of your daytime news, your evening news. Let

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Speaker 1: us know the local local news. Tell us you know,

421
00:26:44,119 --> 00:26:48,040
Speaker 1: like not fancy cable or whatever, your local Well that

422
00:26:48,119 --> 00:26:51,080
Speaker 1: would make sense because it's not local to them, right,

423
00:26:51,359 --> 00:26:53,080
Speaker 1: So it's not a part of local news like it

424
00:26:53,280 --> 00:26:57,919
Speaker 1: is US. Yes, our local news is sex Tapes Hollywood.

425
00:26:59,040 --> 00:27:06,200
Speaker 1: Mario Lopez, right, Mario Lopez is a correspondent basically delivers

426
00:27:06,280 --> 00:27:11,640
Speaker 1: are celebrity news. Wow, doesn't that put so many things

427
00:27:11,680 --> 00:27:14,800
Speaker 1: into contact? It really does? It really does. I've always wondered, like,

428
00:27:15,520 --> 00:27:19,280
Speaker 1: you know, it's just so like ingrained in US, you know,

429
00:27:19,480 --> 00:27:21,280
Speaker 1: like we know, even if you're not you have to

430
00:27:21,359 --> 00:27:24,600
Speaker 1: try really hard to not know what's happening in like

431
00:27:24,720 --> 00:27:27,880
Speaker 1: celebrity culture. You know, even when I was like going

432
00:27:27,920 --> 00:27:30,960
Speaker 1: through like my I'm an intellectual phase, you know, you know,

433
00:27:31,080 --> 00:27:32,440
Speaker 1: like when I was in high school, it was like

434
00:27:32,520 --> 00:27:33,720
Speaker 1: I don't I don't want to keep up with that.

435
00:27:33,840 --> 00:27:35,840
Speaker 1: You can't, It's impossible. You live here in l A

436
00:27:36,080 --> 00:27:39,640
Speaker 1: like exactly. So today you know, now people have their

437
00:27:39,760 --> 00:27:43,840
Speaker 1: row coup, people have every streaming package. I'm sure the

438
00:27:43,960 --> 00:27:47,520
Speaker 1: access to celebrity news is greater now. But when we

439
00:27:47,640 --> 00:27:50,800
Speaker 1: were just kids and like there was celebt news, that

440
00:27:51,000 --> 00:27:54,320
Speaker 1: was us. That was just our unique experience. Well, like

441
00:27:54,440 --> 00:27:57,919
Speaker 1: when like TMZ was founded, like we were in probably

442
00:27:57,960 --> 00:28:02,280
Speaker 1: middle school, right, maybe high school, and that was like

443
00:28:02,600 --> 00:28:06,080
Speaker 1: its inception. So for us, we've always known like a

444
00:28:06,200 --> 00:28:10,760
Speaker 1: TMZ paparazzi world exactly, so specifically to our date, our

445
00:28:10,800 --> 00:28:13,520
Speaker 1: age demographic, to our age demographic as being like, oh,

446
00:28:13,600 --> 00:28:15,879
Speaker 1: this is just local news updates. So now people have

447
00:28:16,000 --> 00:28:18,639
Speaker 1: the Internet, people have Twitter, people have TikTok, everybody has

448
00:28:18,640 --> 00:28:20,520
Speaker 1: access to news now. But yeah, so back in the

449
00:28:20,640 --> 00:28:23,080
Speaker 1: day when Pam and Tommy was the thing, we were

450
00:28:23,119 --> 00:28:28,200
Speaker 1: seeing Pam and Tommy on our local news, right, you know.

451
00:28:28,359 --> 00:28:30,920
Speaker 1: So it's kind of unlocking these interesting memories for me

452
00:28:31,080 --> 00:28:33,280
Speaker 1: and like getting the behind the scenes in the background.

453
00:28:33,400 --> 00:28:36,520
Speaker 1: And there's this one episode where sorry this is a spoiler,

454
00:28:37,240 --> 00:28:40,959
Speaker 1: when the sex tape is getting distributed. It's getting distributed online,

455
00:28:41,000 --> 00:28:43,200
Speaker 1: but no one knows what the internet is yet, and

456
00:28:43,400 --> 00:28:46,120
Speaker 1: Pam and Tommy go to the library to use a

457
00:28:46,200 --> 00:28:48,920
Speaker 1: computer to like go on the internet to try and

458
00:28:49,040 --> 00:28:50,800
Speaker 1: see what is the internet? And what do you mean

459
00:28:50,880 --> 00:28:52,920
Speaker 1: the tape is on the internet. I don't have in

460
00:28:53,120 --> 00:28:59,840
Speaker 1: we don't have internet. Stress. Oh my god, that's terrible. Also,

461
00:29:00,720 --> 00:29:04,000
Speaker 1: fun fact about Pamela Anderson. Years ago, there was this

462
00:29:04,240 --> 00:29:07,320
Speaker 1: gymnast I don't remember her full name, but the nickname

463
00:29:07,400 --> 00:29:09,640
Speaker 1: that everyone gave her was Mo and she was like

464
00:29:09,720 --> 00:29:13,240
Speaker 1: an older gymnast for gm USA, and Pamela Anderson was

465
00:29:13,360 --> 00:29:17,680
Speaker 1: like her primary benefactor and supporter and paid for her

466
00:29:17,760 --> 00:29:21,360
Speaker 1: training and her transportation and went to the Olympics to

467
00:29:21,600 --> 00:29:25,920
Speaker 1: see her perform. If you google Pamela Anderson mo gymnastics,

468
00:29:26,040 --> 00:29:28,760
Speaker 1: you'll see Pam Anderson with her son like cheering on

469
00:29:29,520 --> 00:29:32,480
Speaker 1: this gymnast with these signs at say go mo. So anyways,

470
00:29:32,520 --> 00:29:35,320
Speaker 1: I want a big Pam Anderson kick right now, you

471
00:29:35,640 --> 00:29:39,440
Speaker 1: chaman one of our favor bimbo Yeah. And you know

472
00:29:39,520 --> 00:29:42,240
Speaker 1: when obviously, when compiling this list, we were like, Okay,

473
00:29:42,600 --> 00:29:44,920
Speaker 1: there are a lot of white bimbos, clearly like in

474
00:29:45,040 --> 00:29:49,080
Speaker 1: pop culture. And so that of course led us to ask,

475
00:29:49,400 --> 00:29:53,720
Speaker 1: like who is allowed to be a bimbo ran society? Right,

476
00:29:53,840 --> 00:29:57,240
Speaker 1: Like even if it's looked down upon, Like, do women

477
00:29:57,280 --> 00:30:02,239
Speaker 1: of color ever get labeled bimbo os or are they

478
00:30:02,360 --> 00:30:05,840
Speaker 1: just like sex like sex goddesses or sex symbols. Do

479
00:30:06,000 --> 00:30:11,440
Speaker 1: they fall into these tropes of like spicy latinos, right,

480
00:30:11,640 --> 00:30:14,120
Speaker 1: And so we started to like think about some of

481
00:30:14,200 --> 00:30:18,400
Speaker 1: our some of the bimbos of color if you will,

482
00:30:18,760 --> 00:30:22,120
Speaker 1: in pop culture and media. And so one of them

483
00:30:22,320 --> 00:30:26,680
Speaker 1: is actually like a cartoon, which would be Betty Boop.

484
00:30:27,240 --> 00:30:30,400
Speaker 1: One of the origin stories of Betty Boop is actually

485
00:30:30,840 --> 00:30:35,000
Speaker 1: um that she was a black singer from the nineteen

486
00:30:35,040 --> 00:30:39,440
Speaker 1: twenties and she you know, singing clubs and saying specifically

487
00:30:39,480 --> 00:30:41,800
Speaker 1: in Harlem. And her name is Esther Jones or was

488
00:30:42,040 --> 00:30:45,840
Speaker 1: Esther Jones, And she has been attributed as the inspiration

489
00:30:46,480 --> 00:30:49,520
Speaker 1: and I would say also probably the forgotten inspiration of

490
00:30:49,680 --> 00:30:52,160
Speaker 1: Betty Boop. And so the character that we know and love,

491
00:30:53,000 --> 00:30:56,280
Speaker 1: um is inspired by a black woman, and um, I

492
00:30:56,360 --> 00:31:00,440
Speaker 1: would say that she was probably a bimbo of that era. Yeah,

493
00:31:00,480 --> 00:31:04,480
Speaker 1: I think like there's maybe. And of course, like these

494
00:31:05,000 --> 00:31:09,520
Speaker 1: names and categories like probably mean many different things like

495
00:31:10,000 --> 00:31:12,600
Speaker 1: now when we're talking about them on a podcast versus

496
00:31:12,680 --> 00:31:16,080
Speaker 1: at the time. But I'm thinking about like show girls

497
00:31:16,200 --> 00:31:20,000
Speaker 1: and chorus girls and you know, um women who are

498
00:31:20,080 --> 00:31:23,320
Speaker 1: like doing strip teases and exotic dancers. I feel like

499
00:31:23,360 --> 00:31:27,680
Speaker 1: they're probably all sort of existing somewhere in this bimbo

500
00:31:28,440 --> 00:31:32,560
Speaker 1: spectrum for sure. For sure, like the show girl, Yes,

501
00:31:34,960 --> 00:31:37,040
Speaker 1: and I think she was like a dancer, a show

502
00:31:37,120 --> 00:31:43,200
Speaker 1: girl type of vibe singer performer, singer performer exactly exactly,

503
00:31:43,560 --> 00:31:46,520
Speaker 1: So Betty Boop. There's a lot more we were thinking

504
00:31:46,560 --> 00:31:50,200
Speaker 1: about the cast of Clueless, because obviously share is like

505
00:31:50,280 --> 00:31:51,960
Speaker 1: a little bit of a bimbo in her own way,

506
00:31:52,000 --> 00:31:57,880
Speaker 1: but so is her friend Dion, as portrayed by Stacy Dash. Yes,

507
00:31:58,400 --> 00:31:59,960
Speaker 1: I would say she was a bimbo at the time,

508
00:32:00,480 --> 00:32:03,240
Speaker 1: very much so. I couldn't drive, Yeah, I couldn't drive.

509
00:32:04,080 --> 00:32:07,680
Speaker 1: Love to shop. I have no further comments on Stacy Stacy. Dad,

510
00:32:08,240 --> 00:32:10,800
Speaker 1: We're not talking about Stacy Dash. We're talking about the

511
00:32:10,960 --> 00:32:16,239
Speaker 1: character Dione. We love die Deanna hilarious. Yeah. I mean

512
00:32:16,480 --> 00:32:19,040
Speaker 1: also that they were both named in the film, right,

513
00:32:19,080 --> 00:32:23,160
Speaker 1: Their characters are both named after famous singers, like that's

514
00:32:23,320 --> 00:32:26,600
Speaker 1: That's something named after Diva's very much so love it.

515
00:32:27,320 --> 00:32:31,520
Speaker 1: I think also another like loved beloved bimbo would be

516
00:32:31,800 --> 00:32:34,680
Speaker 1: like Hillary Banks of Fresh Prince of bel Air. Love

517
00:32:34,840 --> 00:32:37,640
Speaker 1: Hillary Bank, you know, I feel like she was treating

518
00:32:37,680 --> 00:32:42,080
Speaker 1: like her family treated her as like a frivolous, very

519
00:32:42,240 --> 00:32:45,080
Speaker 1: pretty girl and that was it. They didn't give her

520
00:32:45,120 --> 00:32:48,760
Speaker 1: the depth she probably deserved. But she was stylish, she

521
00:32:48,880 --> 00:32:53,640
Speaker 1: was fashionable for super Yeah. Hillary was very funny. Hillary

522
00:32:53,760 --> 00:32:56,600
Speaker 1: had some really good one liners. She did. She did.

523
00:32:56,720 --> 00:32:59,040
Speaker 1: She had always a quippy thing to say about men,

524
00:32:59,440 --> 00:33:04,360
Speaker 1: men with money, men without money. Love. Hillary Banks also

525
00:33:04,640 --> 00:33:08,240
Speaker 1: best dressed on TV who else. I used to watch

526
00:33:08,320 --> 00:33:12,600
Speaker 1: Girlfriends a lot growing up. Girlfriends was that show, and

527
00:33:12,680 --> 00:33:16,720
Speaker 1: I think Lynn was maybe considered the bimbo of the group.

528
00:33:17,000 --> 00:33:19,560
Speaker 1: Even though Lynn is always in like a PhD program,

529
00:33:19,640 --> 00:33:24,120
Speaker 1: she was always getting some type of degree, like not finishing,

530
00:33:24,160 --> 00:33:26,600
Speaker 1: and that was the joke, right, She's always in school

531
00:33:26,680 --> 00:33:31,640
Speaker 1: and never done no degree. Yes, love Lynn, love girlfriends,

532
00:33:32,120 --> 00:33:36,520
Speaker 1: and then of course we have friends. We have Phoebe. Phoebe.

533
00:33:37,560 --> 00:33:40,880
Speaker 1: I would say she was given like the ditzy, the bimbo,

534
00:33:41,040 --> 00:33:43,640
Speaker 1: hippy hippie. She's like, that's and that's its own category

535
00:33:43,720 --> 00:33:49,320
Speaker 1: that we were talking about. There's like the hippie, dizzy granola.

536
00:33:50,480 --> 00:33:54,320
Speaker 1: She's a granola, a granola hippie bimbo for sure. Yeah,

537
00:33:55,040 --> 00:33:57,360
Speaker 1: I love that. And I think one of my favorites too,

538
00:33:58,200 --> 00:34:02,880
Speaker 1: would be Evan Glodia's character and Desperate Housewives, So good,

539
00:34:03,080 --> 00:34:08,160
Speaker 1: Gabby Sull, so good, Carlos. She also had one liners.

540
00:34:08,239 --> 00:34:11,480
Speaker 1: My favorite is when she says, I love going to therapy.

541
00:34:11,800 --> 00:34:18,320
Speaker 1: I just talked about myself the entire same girl exactly.

542
00:34:19,880 --> 00:34:23,239
Speaker 1: So she, you know, Gabby Sellis is her own sort

543
00:34:23,280 --> 00:34:26,160
Speaker 1: of blueprint. You know, she got the guy, she got

544
00:34:26,239 --> 00:34:28,920
Speaker 1: the house, she got the neighborhood was the model. She

545
00:34:29,120 --> 00:34:33,759
Speaker 1: was the model. So we love her, we love and

546
00:34:33,800 --> 00:34:37,640
Speaker 1: we also love the character. Yes, Gabby Sullies. I think

547
00:34:38,520 --> 00:34:41,920
Speaker 1: Desperate Housewives also gave us a little inspo for our photoship.

548
00:34:42,280 --> 00:34:46,000
Speaker 1: It did like literally next door down the street with

549
00:34:46,120 --> 00:34:52,960
Speaker 1: Steria Lane Podcaster Lane exactly. They definitely made it to

550
00:34:53,000 --> 00:34:56,440
Speaker 1: our pinterest board. We'll say that the mood board. Who else, Okay,

551
00:34:56,600 --> 00:35:02,160
Speaker 1: ugly Betty, the sister, the sister, that's at least, no,

552
00:35:02,560 --> 00:35:08,880
Speaker 1: that's that's the politician. Yeah, I'm thinking of yes, no,

553
00:35:09,160 --> 00:35:13,279
Speaker 1: not the politician, don't hope me. Um, that's what is

554
00:35:13,640 --> 00:35:18,000
Speaker 1: of ugly Betty. Um. She was like the teen mom

555
00:35:18,680 --> 00:35:22,000
Speaker 1: trying to figure out her like creative career right with

556
00:35:22,120 --> 00:35:27,040
Speaker 1: the gay side, yes, yes, but very supportive, very amazing.

557
00:35:27,360 --> 00:35:29,479
Speaker 1: She was very involved with her family. But they also

558
00:35:29,680 --> 00:35:32,440
Speaker 1: put her in like the little outfits with the with

559
00:35:32,560 --> 00:35:38,160
Speaker 1: the the plunging necklines and cleaving. Yes, yes, absolutely it's her.

560
00:35:38,360 --> 00:35:42,640
Speaker 1: And then it's Modern Family's Gloria. Yeah, so do you like?

561
00:35:43,080 --> 00:35:47,160
Speaker 1: Obviously what is the character came first and then it

562
00:35:47,360 --> 00:35:52,480
Speaker 1: was Gloria for modern family, correlation must be there, must

563
00:35:52,520 --> 00:35:55,480
Speaker 1: be right, like the blueprint, and I know that, like,

564
00:35:55,880 --> 00:35:58,719
Speaker 1: for example, one of our friends, um Celestian, has done

565
00:35:58,760 --> 00:36:02,000
Speaker 1: like um in our article, like an academic article about

566
00:36:02,040 --> 00:36:06,880
Speaker 1: Gloria and her accent. Love it. And so we're not

567
00:36:06,960 --> 00:36:09,800
Speaker 1: going to deep dive into like the trope and the

568
00:36:09,960 --> 00:36:16,640
Speaker 1: caricature of Gloria herself. But I think that she at

569
00:36:16,719 --> 00:36:19,719
Speaker 1: least the character maybe the writers like I, I really

570
00:36:19,760 --> 00:36:21,960
Speaker 1: appreciated this line that she has in the show where

571
00:36:22,000 --> 00:36:24,160
Speaker 1: she's like, do you know how hard it is to

572
00:36:24,360 --> 00:36:27,520
Speaker 1: like be funny in another language and be smart in

573
00:36:27,600 --> 00:36:30,680
Speaker 1: another language and are always making fun of me? And

574
00:36:30,760 --> 00:36:33,680
Speaker 1: I really appreciated that because I feel like it gives

575
00:36:33,880 --> 00:36:36,520
Speaker 1: that depth to that character of like not just being

576
00:36:36,600 --> 00:36:39,520
Speaker 1: sexy in a pretty face like I'm just worry, Like

577
00:36:39,680 --> 00:36:43,160
Speaker 1: she knew how to work it, you know. I love

578
00:36:43,239 --> 00:36:46,480
Speaker 1: that they give her um, They give her a lot

579
00:36:46,560 --> 00:36:48,799
Speaker 1: of really good dialogue, Like, they give her a lot

580
00:36:48,880 --> 00:36:53,000
Speaker 1: of really funny jokes, and they allow her character, I think,

581
00:36:53,200 --> 00:36:55,600
Speaker 1: to be like very quick, and I think that like

582
00:36:56,040 --> 00:36:59,000
Speaker 1: with her in Jay, like she always wins, she always wins,

583
00:36:59,120 --> 00:37:02,200
Speaker 1: She always wins, because that that's like also its own

584
00:37:02,320 --> 00:37:05,640
Speaker 1: dynamic right of like the young hot wife and like

585
00:37:05,760 --> 00:37:09,360
Speaker 1: the older man, the older husband, and she's just like

586
00:37:09,640 --> 00:37:14,319
Speaker 1: always going to get what she wants. Yes, why else

587
00:37:14,600 --> 00:37:19,680
Speaker 1: a bimbo? Why else? Um? And then finally, you know,

588
00:37:19,800 --> 00:37:23,000
Speaker 1: this is this is not an extensive list, but finally

589
00:37:23,200 --> 00:37:26,799
Speaker 1: we had to talk about the O G Many Santhos.

590
00:37:27,120 --> 00:37:30,360
Speaker 1: We love Many Santhos and in the age of e

591
00:37:30,560 --> 00:37:35,440
Speaker 1: Fouria Darling, like we just say Many Santhos walk. Yes,

592
00:37:35,520 --> 00:37:39,840
Speaker 1: so those bitches couldn't run. Yes, Yes, without Mannie Santos,

593
00:37:39,880 --> 00:37:43,800
Speaker 1: there is no Maddie Perez. It's true. There's no like

594
00:37:44,640 --> 00:37:49,319
Speaker 1: song as an accessory without Many Santos. It's true. It's

595
00:37:49,360 --> 00:37:55,480
Speaker 1: true our Canadian queen. Yes. Obsessed with her, obsessed with her.

596
00:37:56,560 --> 00:38:01,239
Speaker 1: She was, Yeah, I just loved her character, Like I

597
00:38:01,320 --> 00:38:05,080
Speaker 1: don't think in De Grassi she plays Latina, like I

598
00:38:05,120 --> 00:38:08,000
Speaker 1: think she's actually Filipino and her characters, but I remember

599
00:38:08,120 --> 00:38:10,800
Speaker 1: like reading her as Latina and I was like, this

600
00:38:11,000 --> 00:38:13,080
Speaker 1: is my girl, you know, like it felt like the

601
00:38:13,239 --> 00:38:17,759
Speaker 1: representation as like a little kid, even even even you know,

602
00:38:18,280 --> 00:38:20,800
Speaker 1: loving that she was a Filipino character and being like

603
00:38:21,000 --> 00:38:24,239
Speaker 1: so down for that, you know, absolutely, like I didn't

604
00:38:24,280 --> 00:38:26,120
Speaker 1: feel like, oh but that's not me, Like no, that

605
00:38:26,360 --> 00:38:30,279
Speaker 1: was me, Like even if it wasn't necessarily the same culture. Yes,

606
00:38:30,480 --> 00:38:33,520
Speaker 1: she killed it. I mean from being very daring with

607
00:38:33,680 --> 00:38:37,560
Speaker 1: the wardrobe, that character, having the self awareness of like

608
00:38:37,719 --> 00:38:40,640
Speaker 1: there's some slut shaming going on in high school, but

609
00:38:40,760 --> 00:38:42,360
Speaker 1: she's like, you know what, I'm going to own it.

610
00:38:42,680 --> 00:38:46,000
Speaker 1: Fuck you guys, you're boring. You're boring, and you're going

611
00:38:46,040 --> 00:38:49,759
Speaker 1: to see my chain thomb. You're gonna see it. Yes,

612
00:38:50,160 --> 00:38:52,239
Speaker 1: I love it. And then her opposite, what was the

613
00:38:52,280 --> 00:38:58,919
Speaker 1: opposite character, Emma? Was it Emma? She was like the prudisha. Yeah,

614
00:38:59,080 --> 00:39:01,640
Speaker 1: that like is doing some of the slush shaming too,

615
00:39:02,719 --> 00:39:05,080
Speaker 1: you see. And this is interesting because in Euphoria they

616
00:39:05,120 --> 00:39:09,400
Speaker 1: have a very interesting similar dynamic with Maddie and Cassie. Interesting.

617
00:39:09,840 --> 00:39:14,239
Speaker 1: I'm not up on the Euphoria, but yeah, but there's

618
00:39:14,239 --> 00:39:17,160
Speaker 1: a similar There's two friends in their opposites and one

619
00:39:17,280 --> 00:39:20,520
Speaker 1: is like the blonde, innocent one, and then one is

620
00:39:20,640 --> 00:39:25,960
Speaker 1: Maddie Alexa Demi's character. Yeah, but the blonde one is

621
00:39:26,000 --> 00:39:31,920
Speaker 1: sleeping with Alexa Demi's boyfriend, So how innocent is she really? Right? Right?

622
00:39:32,880 --> 00:39:35,200
Speaker 1: But they're all like, oh, Maddie press fights with everybody,

623
00:39:35,280 --> 00:39:38,000
Speaker 1: She gets into fights, so she's like the dangerous one

624
00:39:38,760 --> 00:39:41,920
Speaker 1: she'll suck you up. But then this girl's like Cassie's

625
00:39:41,960 --> 00:39:49,480
Speaker 1: the innocent angel, but she's sleeping with your boyfriends. To

626
00:39:49,520 --> 00:39:54,640
Speaker 1: start watching Euphoria, it's good, it's good, it's good. That's stressful.

627
00:39:54,760 --> 00:39:57,560
Speaker 1: That's like another show like the chatter I need to keep.

628
00:39:57,600 --> 00:39:59,399
Speaker 1: I need I want to know what people are talking

629
00:39:59,440 --> 00:40:02,719
Speaker 1: about mine. People are talking about it. There's the thing

630
00:40:02,840 --> 00:40:04,920
Speaker 1: pieces either you love it, you hate it. Is what

631
00:40:05,000 --> 00:40:08,680
Speaker 1: I've gathered. Oh yeah, there's like no in between. I

632
00:40:08,719 --> 00:40:11,040
Speaker 1: think you would watch it and that you would appreciate

633
00:40:11,480 --> 00:40:13,360
Speaker 1: it for what it is, but I think part of

634
00:40:13,440 --> 00:40:17,360
Speaker 1: you would be like, this is what everybody's There's some

635
00:40:17,480 --> 00:40:20,680
Speaker 1: stuff in there that's a little questionable, the stuff with Cal,

636
00:40:20,880 --> 00:40:23,160
Speaker 1: with Nate's dad, with Nate, and there's just a lot

637
00:40:23,239 --> 00:40:26,560
Speaker 1: of there's just there's you have to see it. That's

638
00:40:26,600 --> 00:40:30,360
Speaker 1: my homework. Okay, I'll do it. I'll watch it. So

639
00:40:31,440 --> 00:40:33,680
Speaker 1: what else we also wanted to? Of course, we have

640
00:40:33,880 --> 00:40:38,279
Speaker 1: this conversation without shouting out like Sama hyak Now, I

641
00:40:38,360 --> 00:40:43,720
Speaker 1: wouldn't consider Samahaya a bimbo, more like a sex symbol. Right, agreed?

642
00:40:43,800 --> 00:40:46,799
Speaker 1: I agree completely, But I think that she like could

643
00:40:46,880 --> 00:40:50,080
Speaker 1: be under this category because I think that she like

644
00:40:50,719 --> 00:40:54,440
Speaker 1: it's also someone that I think she like. This is

645
00:40:54,480 --> 00:40:56,200
Speaker 1: just my assessment. I have no I have no way

646
00:40:56,239 --> 00:40:58,320
Speaker 1: to back this up, Okay, but I'm just saying my

647
00:40:58,680 --> 00:41:02,399
Speaker 1: my assessment of Salma Hike is that when her when

648
00:41:02,440 --> 00:41:04,719
Speaker 1: she firstarted her career, she very much like played by

649
00:41:04,719 --> 00:41:06,560
Speaker 1: the roles and did what she had to do because

650
00:41:06,600 --> 00:41:09,719
Speaker 1: she knew, like, I'm Latina getting into the scene, right

651
00:41:09,840 --> 00:41:12,960
Speaker 1: into the industry, so I'm gonna like be nice, right.

652
00:41:13,080 --> 00:41:15,080
Speaker 1: And now I feel like, obviously she has like this

653
00:41:15,200 --> 00:41:17,840
Speaker 1: decade long career, and I see her like more vocal

654
00:41:18,000 --> 00:41:21,239
Speaker 1: about like her career in the past and like, you know,

655
00:41:21,560 --> 00:41:24,400
Speaker 1: the sexual inappropriate things that would happen to her on

656
00:41:24,600 --> 00:41:26,719
Speaker 1: set and like all that, and so I feel like

657
00:41:27,640 --> 00:41:30,800
Speaker 1: maybe then even if we wouldn't classify her as a bimbo,

658
00:41:31,239 --> 00:41:34,839
Speaker 1: there was still like some bimbo practices if you will,

659
00:41:35,600 --> 00:41:40,600
Speaker 1: just to survive yesty. Yes, yeah, I think that this

660
00:41:40,760 --> 00:41:44,800
Speaker 1: is a thing right when sometimes women we talk about

661
00:41:44,840 --> 00:41:48,680
Speaker 1: like playing dumb or playing like we don't know. Oh help,

662
00:41:48,760 --> 00:41:54,040
Speaker 1: I'm I don't know. I I tell her onto my

663
00:41:54,080 --> 00:41:56,120
Speaker 1: partner all the time. He's like, aren't you a strong

664
00:41:56,160 --> 00:41:58,560
Speaker 1: independent woman? And I literally tell him, no, I'm not.

665
00:41:59,080 --> 00:42:01,440
Speaker 1: And I'm like, obviously I know that I am and

666
00:42:01,480 --> 00:42:04,880
Speaker 1: I can do whatever, blah blah blah, but like, please

667
00:42:04,960 --> 00:42:07,040
Speaker 1: just open this jar for me, you know what I mean, Like,

668
00:42:07,120 --> 00:42:12,000
Speaker 1: please just move this item for me, Like just do it. Like, no,

669
00:42:12,160 --> 00:42:17,040
Speaker 1: I'm not help me, help, Yeah, exactly, I need a

670
00:42:17,120 --> 00:42:21,960
Speaker 1: lot of help and I'm very incapable. I don't want

671
00:42:22,000 --> 00:42:24,279
Speaker 1: anyone to think that I'm more than a pretty face

672
00:42:24,680 --> 00:42:27,000
Speaker 1: because they want you to do things well. And so

673
00:42:27,120 --> 00:42:29,200
Speaker 1: this is the layer that we wanted to discuss for

674
00:42:29,280 --> 00:42:36,160
Speaker 1: this episode in particular, is like our women actually bimbos

675
00:42:36,680 --> 00:42:41,160
Speaker 1: or do we just want you to think that we're

676
00:42:41,239 --> 00:42:43,640
Speaker 1: dumb and not know what we're doing because we don't

677
00:42:43,640 --> 00:42:47,400
Speaker 1: want to do free work for you, like free labor

678
00:42:48,080 --> 00:42:50,239
Speaker 1: on like and however you wanted to find that like

679
00:42:50,520 --> 00:42:54,839
Speaker 1: free labor emotionally, free labor, like physically, like we don't

680
00:42:54,840 --> 00:42:57,600
Speaker 1: want to do ship for you. And so now like

681
00:42:57,800 --> 00:43:00,640
Speaker 1: and part of what inspired this episode two is like

682
00:43:01,200 --> 00:43:05,600
Speaker 1: the girl Boss is dead, like the girl Boss Like

683
00:43:05,719 --> 00:43:08,600
Speaker 1: that's like the conversation that's happening now and we're in

684
00:43:08,680 --> 00:43:11,800
Speaker 1: the era of resting and what does resting mean? Like

685
00:43:11,960 --> 00:43:15,040
Speaker 1: we're going to do what we want and lounge and

686
00:43:15,239 --> 00:43:18,200
Speaker 1: not do free work. The free work is done, Yeah,

687
00:43:18,520 --> 00:43:21,680
Speaker 1: because we're too busy doing our own free work for ourselves.

688
00:43:22,760 --> 00:43:25,319
Speaker 1: We're not doing free work for you. We don't have time.

689
00:43:25,719 --> 00:43:28,160
Speaker 1: We're already doing a lot of unveaid labor. There's just

690
00:43:28,360 --> 00:43:32,920
Speaker 1: no room on the schedule. I'm with that and with that,

691
00:43:34,120 --> 00:43:38,719
Speaker 1: and I'm also look, I've been watching Love is Blind, right,

692
00:43:39,120 --> 00:43:43,200
Speaker 1: and there's this one couple on there where every time

693
00:43:43,320 --> 00:43:46,040
Speaker 1: the man gets asked, what do you like about her?

694
00:43:46,840 --> 00:43:49,680
Speaker 1: This is Jared. I I know where this is going,

695
00:43:49,800 --> 00:43:52,080
Speaker 1: and I have no I'm not even watching the show, right.

696
00:43:52,680 --> 00:43:55,320
Speaker 1: Everybody that asks him when he meets her family, what

697
00:43:55,360 --> 00:43:58,000
Speaker 1: do you like about Ayana? And he says her resilience.

698
00:43:58,080 --> 00:44:01,680
Speaker 1: She's so resilient. She's so resilient. She's just so strong.

699
00:44:02,000 --> 00:44:05,120
Speaker 1: She's just you know, bad things have happened to her

700
00:44:05,160 --> 00:44:06,880
Speaker 1: and she just picks herself up. But that is the

701
00:44:07,080 --> 00:44:11,040
Speaker 1: only answer he has given in every episode so far

702
00:44:11,280 --> 00:44:14,280
Speaker 1: this season, we're what five episodes out. They keep asking

703
00:44:14,360 --> 00:44:16,080
Speaker 1: him what they like about her. The only thing he

704
00:44:16,120 --> 00:44:19,360
Speaker 1: will say is resilient. Sometimes it's like, Okay, no, I

705
00:44:19,560 --> 00:44:22,080
Speaker 1: want you to think that I'm fragile and weak because

706
00:44:22,160 --> 00:44:23,919
Speaker 1: you're not going to put me through anything. I don't

707
00:44:23,920 --> 00:44:25,920
Speaker 1: want you to think that I'm resilient. I don't want

708
00:44:25,960 --> 00:44:29,280
Speaker 1: you to think that I can overcome any I cannot overcome.

709
00:44:29,400 --> 00:44:31,879
Speaker 1: Don't put me through anything. I am done over because

710
00:44:31,880 --> 00:44:34,279
Speaker 1: I can't. I can't do it. I saw this. I

711
00:44:34,400 --> 00:44:36,200
Speaker 1: saw this meme that was like it was like a

712
00:44:36,320 --> 00:44:38,719
Speaker 1: text post, and it was like, if I go through

713
00:44:38,760 --> 00:44:41,760
Speaker 1: any more character development, I'm going to develop into a villain.

714
00:44:42,560 --> 00:44:44,640
Speaker 1: I was like when I saw that, I was like,

715
00:44:45,080 --> 00:44:48,360
Speaker 1: literally fucking same. Not put me through any more growth

716
00:44:48,560 --> 00:44:51,640
Speaker 1: because I'm gonna snap, like I will become the villain.

717
00:44:52,120 --> 00:44:55,839
Speaker 1: Enough is enough, I hear you, I hear you. Yes,

718
00:44:55,880 --> 00:44:58,160
Speaker 1: It's like I just want to be treated gently and

719
00:44:58,400 --> 00:45:02,360
Speaker 1: kindly and that is all. Yes, my sister says, like

720
00:45:02,840 --> 00:45:06,000
Speaker 1: to be treated like glass. Yes, and that's the one.

721
00:45:06,880 --> 00:45:10,920
Speaker 1: I'm a bimbo made of glass. So so let's talk

722
00:45:10,960 --> 00:45:13,600
Speaker 1: about that because I'm sure that this topic could probably

723
00:45:13,640 --> 00:45:16,040
Speaker 1: make like some folks uncomfortable. Right because one of the

724
00:45:16,160 --> 00:45:18,400
Speaker 1: articles that I was reading, which is this Vice article

725
00:45:18,480 --> 00:45:21,880
Speaker 1: that we will link in the show notes and the

726
00:45:21,960 --> 00:45:25,680
Speaker 1: title is bimbification is taking over What does that mean

727
00:45:26,160 --> 00:45:32,440
Speaker 1: for you and so and so the one of the

728
00:45:33,200 --> 00:45:37,040
Speaker 1: folks that they talked to. Um, she says that people

729
00:45:37,120 --> 00:45:40,359
Speaker 1: tell her that she's putting feminism back by fifty years,

730
00:45:40,719 --> 00:45:44,399
Speaker 1: like she's she's like ruining it. Women have worked so hard,

731
00:45:44,840 --> 00:45:47,920
Speaker 1: they've broken allegedly the glass ceiling, blah blah blah, all

732
00:45:47,960 --> 00:45:50,000
Speaker 1: that stuff. And so what she says, and I'm going

733
00:45:50,080 --> 00:45:53,200
Speaker 1: to read the starct quote, I'm saying, maybe, instead of

734
00:45:53,280 --> 00:45:56,239
Speaker 1: dedicating our time to people who want to misunderstand us

735
00:45:56,320 --> 00:45:58,520
Speaker 1: no matter what we say or how we explain it,

736
00:45:58,719 --> 00:46:01,040
Speaker 1: why don't we just let them and let the results

737
00:46:01,080 --> 00:46:05,880
Speaker 1: at the end prove everything. Bimboism says, you don't have

738
00:46:06,040 --> 00:46:09,120
Speaker 1: to be unintelligent to choose happiness. You just need to

739
00:46:09,160 --> 00:46:12,280
Speaker 1: focus on thinking about things that actually matter, like community,

740
00:46:12,640 --> 00:46:15,480
Speaker 1: setting an example, and building others up, which can only

741
00:46:15,560 --> 00:46:18,319
Speaker 1: be achieved by building yourself up to the point where

742
00:46:18,360 --> 00:46:21,600
Speaker 1: you aren't plagued by anxieties, whether you are liked or loved,

743
00:46:21,680 --> 00:46:23,719
Speaker 1: whether you said the wrong thing, whether you are enough.

744
00:46:23,920 --> 00:46:28,200
Speaker 1: Bimbos say, who cares? I I mean that sounds like

745
00:46:28,239 --> 00:46:33,440
Speaker 1: an ideology. We can all get behind this, and Satanism

746
00:46:35,200 --> 00:46:38,560
Speaker 1: church that we loved every point we were like, yes,

747
00:46:38,960 --> 00:46:42,400
Speaker 1: are we Satanists. I think we're Satanists and bimbo we

748
00:46:42,480 --> 00:46:46,880
Speaker 1: are Satanist bimbos. That's it. Oh my god, our poor fathers,

749
00:46:48,120 --> 00:46:56,040
Speaker 1: our mothers, mothers, so and then I want this article

750
00:46:56,120 --> 00:46:57,719
Speaker 1: is so great, y'all. And I feel like, if you

751
00:46:57,800 --> 00:47:00,680
Speaker 1: want to learn more about like what folks are saying abo, bimboism,

752
00:47:00,760 --> 00:47:03,279
Speaker 1: and mainly like the children, like the gen z er is,

753
00:47:03,280 --> 00:47:07,040
Speaker 1: there are young adults, the young adults, what they're saying, Yes, um, well,

754
00:47:07,120 --> 00:47:09,880
Speaker 1: girl bust. Feminism says I may be a girl, but

755
00:47:09,960 --> 00:47:12,279
Speaker 1: I can climb the status quos ladder and succeed in

756
00:47:12,400 --> 00:47:17,560
Speaker 1: capitalism just like any other man. Meanwhile, bimboism says I'm

757
00:47:17,600 --> 00:47:19,759
Speaker 1: literally just here to vibe. Either vibe with me or

758
00:47:19,840 --> 00:47:22,880
Speaker 1: leave me alone. That's so real, and I feel like

759
00:47:23,000 --> 00:47:27,800
Speaker 1: that's an alignment with our lives. We're very much grinding

760
00:47:27,960 --> 00:47:32,640
Speaker 1: but also vibing. Yes, But the pod casting with everything

761
00:47:32,680 --> 00:47:35,680
Speaker 1: else that we do, it's like if you don't get it,

762
00:47:35,920 --> 00:47:38,120
Speaker 1: you gotta get out of the way. You don't get it.

763
00:47:38,520 --> 00:47:40,839
Speaker 1: It's like that other viral, like the girls they get

764
00:47:40,880 --> 00:47:42,759
Speaker 1: it get it, and the girls that don't don't yeah,

765
00:47:44,320 --> 00:47:46,480
Speaker 1: that's just what it is. That's just what it is.

766
00:47:46,640 --> 00:47:49,120
Speaker 1: And mind you, like, I am also just blown away

767
00:47:49,160 --> 00:47:51,520
Speaker 1: by how much TikTok has in from this episode, because

768
00:47:51,560 --> 00:47:54,840
Speaker 1: like we're like barely on tikto not on TikTok, but

769
00:47:55,040 --> 00:47:58,080
Speaker 1: it's already influencing so much of our lives. Okay, well

770
00:47:58,160 --> 00:48:01,880
Speaker 1: let me just share. Let me just share that the

771
00:48:01,960 --> 00:48:04,360
Speaker 1: reason I found this was because it was through Instagram

772
00:48:04,440 --> 00:48:07,880
Speaker 1: because Vice posted the article which led me to the Tigdong.

773
00:48:07,960 --> 00:48:10,279
Speaker 1: So I'm still very much on i G you know,

774
00:48:10,440 --> 00:48:13,440
Speaker 1: you know, but that, but this article was very much

775
00:48:13,480 --> 00:48:16,440
Speaker 1: informed by TikTok and what what the girls are saying,

776
00:48:17,000 --> 00:48:20,440
Speaker 1: what the bimbos are saying on TikTok. And something to

777
00:48:20,520 --> 00:48:22,799
Speaker 1: add to is like what I've seen in this conversation

778
00:48:23,000 --> 00:48:25,800
Speaker 1: is that bimbos are also like can be of any gender.

779
00:48:26,320 --> 00:48:28,880
Speaker 1: And when I was talking to our our makeup artist, Robert,

780
00:48:29,640 --> 00:48:32,560
Speaker 1: I was telling Robert about this episode and Robert was like, well,

781
00:48:32,560 --> 00:48:34,960
Speaker 1: I'm a bimbo, like I self identify as a bimbo,

782
00:48:35,960 --> 00:48:38,759
Speaker 1: and what we'll bring him on eventually to like talk

783
00:48:38,800 --> 00:48:42,160
Speaker 1: about his own bimboisms, but he's very much like I

784
00:48:42,280 --> 00:48:44,759
Speaker 1: want to look hot and I do my makeup and

785
00:48:44,840 --> 00:48:48,000
Speaker 1: I'm very smart, but I'm just not going to give

786
00:48:48,000 --> 00:48:51,480
Speaker 1: you access to that. No. And Robert, You're gonna see

787
00:48:51,480 --> 00:48:54,759
Speaker 1: a lot more of Robert this season season six. I mean,

788
00:48:54,840 --> 00:48:57,120
Speaker 1: starting with our pro amount, you're going to see more

789
00:48:57,120 --> 00:49:03,520
Speaker 1: of Robert. So look out, look up. Um. And then

790
00:49:03,760 --> 00:49:05,400
Speaker 1: you know, there's just been a lot of great like

791
00:49:05,560 --> 00:49:10,520
Speaker 1: think pieces about like bimbos um and there's like another

792
00:49:10,600 --> 00:49:14,759
Speaker 1: one by Refinery twenty nine. Um. And I want to

793
00:49:14,880 --> 00:49:17,320
Speaker 1: read this because I think this really informs like what

794
00:49:17,480 --> 00:49:21,960
Speaker 1: we believe at lok Um. Bimbification made its Internet debut

795
00:49:22,239 --> 00:49:25,640
Speaker 1: in the early adds as a controversial kink that eroticized

796
00:49:25,680 --> 00:49:28,600
Speaker 1: the transition from smart and modest to air headed and hot.

797
00:49:29,640 --> 00:49:32,960
Speaker 1: Then misogynists took a piece of erotic bimbo fan art

798
00:49:33,040 --> 00:49:35,040
Speaker 1: and flipped it to mourn the loss of the so

799
00:49:35,239 --> 00:49:39,319
Speaker 1: called smart, modest woman. It's a familiar in cell cry.

800
00:49:39,800 --> 00:49:42,600
Speaker 1: Society is spiraling out of control now that hot women

801
00:49:42,640 --> 00:49:45,640
Speaker 1: have the power to reject them. When bemification is no

802
00:49:45,800 --> 00:49:48,759
Speaker 1: longer anchored in the fetish scene, people are once again

803
00:49:48,840 --> 00:49:55,239
Speaker 1: craving bemification, only this time for themselves. Fascinating, There's something

804
00:49:55,320 --> 00:49:58,160
Speaker 1: here y'all there really is. Okay, you remember that mean

805
00:49:58,280 --> 00:50:02,880
Speaker 1: where it's like it's like that evolution of man. Is

806
00:50:02,960 --> 00:50:06,359
Speaker 1: that what they're talking about? Describe it? So that meme

807
00:50:06,520 --> 00:50:08,800
Speaker 1: that's like a plan the evolution of man where you

808
00:50:08,960 --> 00:50:12,360
Speaker 1: have like a girl in a hoodie and a backpack

809
00:50:12,560 --> 00:50:15,760
Speaker 1: and she's very dressed down reading a book, has glasses,

810
00:50:16,400 --> 00:50:19,320
Speaker 1: and then they draw different iterations of that girl and

811
00:50:19,480 --> 00:50:26,040
Speaker 1: slowly she becomes visually like sluttier bot. She loses the book,

812
00:50:26,120 --> 00:50:28,719
Speaker 1: loses the glasses, loses the hoodie, loses the jeans. She's

813
00:50:28,719 --> 00:50:33,320
Speaker 1: wearing like a tight pink you know, like micro dress,

814
00:50:33,800 --> 00:50:39,080
Speaker 1: and like what would be called stripper heels, blonde hair, notebook,

815
00:50:39,200 --> 00:50:44,160
Speaker 1: huge tits, nips showing basically, And so a bunch of

816
00:50:44,280 --> 00:50:49,200
Speaker 1: people online I remember that meme has become like okay,

817
00:50:49,280 --> 00:50:53,160
Speaker 1: no goals, Yes, that meme has become this was what

818
00:50:53,280 --> 00:50:56,440
Speaker 1: happened to me after college. Thank god, I've reached my

819
00:50:56,560 --> 00:50:59,759
Speaker 1: final form. Yes, yeah, So I guess this piece, like

820
00:50:59,800 --> 00:51:02,960
Speaker 1: a originated in the King community. And let me just say,

821
00:51:03,000 --> 00:51:06,359
Speaker 1: the King community is constantly informing like what we see

822
00:51:06,480 --> 00:51:09,520
Speaker 1: in like queer culture, feminist practices, like all of that,

823
00:51:10,239 --> 00:51:13,600
Speaker 1: and so this print or this piece of art um

824
00:51:14,200 --> 00:51:16,640
Speaker 1: that was taken and turned into like a meme by

825
00:51:16,760 --> 00:51:20,600
Speaker 1: like in cells, originated in the king community, and then

826
00:51:20,640 --> 00:51:22,760
Speaker 1: a lot of us like took power, like you're saying

827
00:51:22,880 --> 00:51:25,760
Speaker 1: like from it, like yeah goals, like yeah, that doesn't

828
00:51:25,760 --> 00:51:28,080
Speaker 1: happen to me, like when I got my relationship, you know,

829
00:51:29,200 --> 00:51:32,560
Speaker 1: all those things. So we're here for the bimbos, And

830
00:51:33,120 --> 00:51:36,280
Speaker 1: I think a lot of it has to do with access,

831
00:51:36,400 --> 00:51:40,279
Speaker 1: like who are you giving access to, like your full

832
00:51:40,520 --> 00:51:43,640
Speaker 1: self and who are you just like letting see like

833
00:51:44,160 --> 00:51:49,000
Speaker 1: I'm a pretty face? True, also very true, I think

834
00:51:49,040 --> 00:51:51,239
Speaker 1: to like in the age of the Internet, where you're

835
00:51:51,320 --> 00:51:56,080
Speaker 1: like constantly there's pressure to be super vulnerable to strangers

836
00:51:56,719 --> 00:51:59,120
Speaker 1: all the time every day, you know, when it's like actually,

837
00:51:59,160 --> 00:52:00,560
Speaker 1: I don't know you and don't know me, and you

838
00:52:00,600 --> 00:52:03,040
Speaker 1: don't need to know anything about my live facts. But

839
00:52:03,160 --> 00:52:06,759
Speaker 1: you could see the pretty stuff. Yeah, you could see

840
00:52:06,840 --> 00:52:10,480
Speaker 1: the bimbo ification and that's it, and that's it, and

841
00:52:10,600 --> 00:52:13,440
Speaker 1: that's it. I love it. In defensive bimbos, we're here

842
00:52:13,480 --> 00:52:17,239
Speaker 1: for them, We're here for bimbo culture. Hell yeah, we're

843
00:52:17,320 --> 00:52:21,040
Speaker 1: here for bimbos that are pro sex worker, pro black

844
00:52:21,080 --> 00:52:26,839
Speaker 1: lives Matter, pro everything, pro choice, pro choice. And here's

845
00:52:26,840 --> 00:52:30,000
Speaker 1: the thing that the idea that one today with something

846
00:52:30,080 --> 00:52:33,000
Speaker 1: like this bimbo ifaication can be setting us back fifty years.

847
00:52:33,760 --> 00:52:35,759
Speaker 1: It's like, okay, but we're still fighting some of the

848
00:52:35,840 --> 00:52:39,080
Speaker 1: same battles we were fighting fifty years ago, like book

849
00:52:39,120 --> 00:52:43,520
Speaker 1: bannings Um, the right to choose like is being argued

850
00:52:43,640 --> 00:52:47,640
Speaker 1: like at the federal level again again. So yeah, exactly,

851
00:52:47,760 --> 00:52:51,080
Speaker 1: we're having the same conversation, the same conversation battling the

852
00:52:51,160 --> 00:52:55,279
Speaker 1: same second battles, so we might as well still be

853
00:52:56,040 --> 00:53:02,000
Speaker 1: doing this. Basically, it's we're tired of thinking. It's true

854
00:53:02,680 --> 00:53:05,319
Speaker 1: that No. I think there's just a lot of there's

855
00:53:05,360 --> 00:53:10,000
Speaker 1: a lot of pressure to like always say something profound

856
00:53:10,080 --> 00:53:16,160
Speaker 1: and thoughtful and like contribute to the discourse when actually,

857
00:53:16,360 --> 00:53:19,680
Speaker 1: like we can just pass the mic and like uplift

858
00:53:19,800 --> 00:53:23,560
Speaker 1: what people are saying already and like we ourselves don't

859
00:53:23,560 --> 00:53:26,560
Speaker 1: have to say everything. And I think that's partly like

860
00:53:27,120 --> 00:53:29,840
Speaker 1: we've made our dues, y'all, Like weren't season six, like

861
00:53:30,080 --> 00:53:31,960
Speaker 1: you like, if you want to go back to the

862
00:53:32,040 --> 00:53:35,480
Speaker 1: really nitty gritty heavy discourse, they go to the earlier seasons.

863
00:53:35,719 --> 00:53:37,520
Speaker 1: That doesn't mean you're not going to get anything like

864
00:53:37,640 --> 00:53:40,719
Speaker 1: super deep and profound now. But it's like we can

865
00:53:40,760 --> 00:53:43,000
Speaker 1: talk about bimbos and we don't also don't have to

866
00:53:43,040 --> 00:53:47,480
Speaker 1: talk about every single thing that's important because it's literally impossible.

867
00:53:47,719 --> 00:53:50,120
Speaker 1: We also were having this conversation. We weren't using the

868
00:53:50,280 --> 00:53:53,120
Speaker 1: term bimbo, but in early episodes we were talking about

869
00:53:53,239 --> 00:53:59,360
Speaker 1: just this, you know, about the the fem as valid

870
00:54:00,040 --> 00:54:04,320
Speaker 1: and femininity is valid, and the science behind it, the

871
00:54:04,400 --> 00:54:08,120
Speaker 1: technology behind it, the performance, the ritual, all of it.

872
00:54:08,400 --> 00:54:10,520
Speaker 1: You know, I mean, I would argue that like our

873
00:54:11,280 --> 00:54:15,640
Speaker 1: what is it three like core episodes fem Tech, Multidimensional

874
00:54:15,719 --> 00:54:20,080
Speaker 1: Home and Goddess Worship. Our combination of bembification and what

875
00:54:20,239 --> 00:54:23,520
Speaker 1: folks are calling bemification, we've already defined it in our

876
00:54:23,560 --> 00:54:28,200
Speaker 1: own terms under the look audio verse. We predate TikTok.

877
00:54:29,239 --> 00:54:34,640
Speaker 1: Just remember that. Remember that, And I think that because

878
00:54:34,680 --> 00:54:37,960
Speaker 1: there's evolution to things, right, like even like that's why

879
00:54:38,040 --> 00:54:40,960
Speaker 1: folks go and get their PhDs and like continue on

880
00:54:41,360 --> 00:54:44,759
Speaker 1: discourse and to write and they have their dissertations. Like

881
00:54:45,239 --> 00:54:49,960
Speaker 1: for example, before us like kim Alan had fem science right,

882
00:54:50,239 --> 00:54:53,400
Speaker 1: and then Loba has I would lead the knowledge. You know,

883
00:54:53,560 --> 00:54:57,600
Speaker 1: we're all like creating these different terms for our own

884
00:54:57,640 --> 00:55:02,640
Speaker 1: communities and our own definition of them as well. So

885
00:55:02,800 --> 00:55:04,600
Speaker 1: much to say. I mean, we were talking about a

886
00:55:04,640 --> 00:55:06,760
Speaker 1: lot of this stuff also when we were being invited

887
00:55:06,760 --> 00:55:14,000
Speaker 1: to universities. Um, we're this more kind of discursive conversations, Yes,

888
00:55:14,239 --> 00:55:18,120
Speaker 1: if you will. But you know, these days we're making content.

889
00:55:18,400 --> 00:55:21,440
Speaker 1: You know, we're podcasting, we're trying to feed the algorithm.

890
00:55:21,600 --> 00:55:25,160
Speaker 1: We're trying to keep keep things up and get content

891
00:55:25,239 --> 00:55:28,880
Speaker 1: out for you guys. And honestly, like there's also like

892
00:55:29,080 --> 00:55:31,800
Speaker 1: just so much going on in the world. There's pop culture,

893
00:55:31,960 --> 00:55:34,200
Speaker 1: there's current events, and we want to be able to

894
00:55:34,280 --> 00:55:37,600
Speaker 1: touch on a little bit of everything. So thank you

895
00:55:37,680 --> 00:55:40,520
Speaker 1: for tuning in. Yeah, thank you for rocking with us

896
00:55:40,600 --> 00:55:43,560
Speaker 1: for six seasons. If you're an o G listener, we

897
00:55:43,760 --> 00:55:46,920
Speaker 1: love you. If you're a new listener, welcome, Welcome, We're

898
00:55:46,960 --> 00:55:50,120
Speaker 1: so happy you found us. If you want to continue

899
00:55:50,160 --> 00:55:55,040
Speaker 1: to support, get more of a sneak peek into our lives,

900
00:55:55,280 --> 00:56:01,160
Speaker 1: into bonus content, um into art that tomorrow makes. For

901
00:56:01,320 --> 00:56:04,160
Speaker 1: our patrons, we invite you all to head over to

902
00:56:04,280 --> 00:56:06,960
Speaker 1: our Look at thet Our productions Patreon and subscribe. We

903
00:56:07,040 --> 00:56:10,080
Speaker 1: have multiple tiers for all of our look at our projects,

904
00:56:10,120 --> 00:56:15,160
Speaker 1: whether that's Locas Libros, Theos's book Club, Marijuaneda podcast for

905
00:56:15,239 --> 00:56:18,080
Speaker 1: pod heeads. Also on Patreon look on what is Anonymous,

906
00:56:18,160 --> 00:56:20,920
Speaker 1: which unlocks every single tier and all the content that

907
00:56:21,040 --> 00:56:24,080
Speaker 1: we have. You can start at just five dollars, so

908
00:56:24,239 --> 00:56:28,160
Speaker 1: head over to Patreon. Sounds like a deal to me. Alright, y'all,

909
00:56:28,320 --> 00:56:31,080
Speaker 1: We will catch you next time. Let us know what

910
00:56:31,239 --> 00:56:33,959
Speaker 1: you think about this episode. Are you now a self

911
00:56:34,040 --> 00:56:38,320
Speaker 1: proclaimed bimbo? Let us know? Yeah, Leave us a comment,

912
00:56:38,440 --> 00:56:40,759
Speaker 1: leave us a review, leave us a note. You can

913
00:56:40,840 --> 00:56:43,120
Speaker 1: also head to our website look at the Radio dot

914
00:56:43,200 --> 00:56:46,120
Speaker 1: com and leave a voice memo. And if you leave

915
00:56:46,160 --> 00:56:48,160
Speaker 1: a voice note, it just might get played on a

916
00:56:48,239 --> 00:56:51,239
Speaker 1: future episode of look at Our Radio. And while you're

917
00:56:51,280 --> 00:56:54,920
Speaker 1: on our website, sign up for our website bestos for

918
00:56:55,160 --> 00:56:58,080
Speaker 1: our newsletter. Yes, sign up for the newsletter, y'all. And

919
00:56:58,400 --> 00:57:05,120
Speaker 1: before we close out this first episode of first episode

920
00:57:05,120 --> 00:57:09,120
Speaker 1: of season six, we do want to make a Patreon

921
00:57:09,200 --> 00:57:12,239
Speaker 1: announcement and a Patron shout out to all of our

922
00:57:12,320 --> 00:57:16,840
Speaker 1: Patreon subscribers who are subscribing at the dollar tier. You

923
00:57:16,920 --> 00:57:20,240
Speaker 1: get to hear your name shouted out on episodes of

924
00:57:20,280 --> 00:57:22,680
Speaker 1: lookout at Our Radio, and we have a new goal

925
00:57:22,800 --> 00:57:25,920
Speaker 1: that we want to share with you guys um before

926
00:57:26,040 --> 00:57:28,080
Speaker 1: March of do you want to tell them about it?

927
00:57:28,120 --> 00:57:32,080
Speaker 1: FIOSA yes. So what we love about the Patreon is

928
00:57:32,160 --> 00:57:34,440
Speaker 1: that we get to connect with our listeners and we

929
00:57:34,560 --> 00:57:37,760
Speaker 1: also have different tiers. We have the local Boobados, the

930
00:57:37,840 --> 00:57:42,080
Speaker 1: marijuana tier, and our local mootus anonymous and look at

931
00:57:42,080 --> 00:57:45,720
Speaker 1: that our radio tier which gives you bonus content monthly,

932
00:57:45,800 --> 00:57:49,560
Speaker 1: wallpapers for your phone, and a ton of other content.

933
00:57:50,160 --> 00:57:55,600
Speaker 1: And for March, we have a goal of reaching two

934
00:57:55,800 --> 00:58:00,080
Speaker 1: hundred Patreon subscribers. Were currently over a hundred, but we

935
00:58:00,120 --> 00:58:04,120
Speaker 1: want to reach two hundred by March because all of

936
00:58:04,360 --> 00:58:08,720
Speaker 1: the folks contributing on Patreon also helped contribute to production costs.

937
00:58:08,760 --> 00:58:10,880
Speaker 1: So if you love listening to look at the radio

938
00:58:11,720 --> 00:58:14,560
Speaker 1: and you're not a patron yet, know that one way

939
00:58:14,600 --> 00:58:17,240
Speaker 1: to support it is by becoming a patron and you

940
00:58:17,280 --> 00:58:20,680
Speaker 1: can subscribe monthly starting at five dollars for a boatload

941
00:58:20,760 --> 00:58:26,600
Speaker 1: of incentives. Visit patreon dot com slash local to Underscore

942
00:58:26,640 --> 00:58:30,480
Speaker 1: Productions for more info about all of our Patreon subscription

943
00:58:30,560 --> 00:58:33,560
Speaker 1: tiers and which you get in return. So we want

944
00:58:33,560 --> 00:58:37,440
Speaker 1: to thank the following local What is anonymous patrons for

945
00:58:37,560 --> 00:58:41,600
Speaker 1: your subscription at twenty five dollars a month um. We

946
00:58:41,800 --> 00:58:50,760
Speaker 1: have Caira Viegas, Lauda Muma Rosso, Barbara Rivera, Flores, Johnson Lopez,

947
00:58:50,880 --> 00:58:57,800
Speaker 1: Susana Gusman Serena, Thank You, Nina, Victoria Gavilla, Kiki, Nahomie Estivell,

948
00:58:58,320 --> 00:59:05,120
Speaker 1: Christian Gallindo Matti, since Shecko, Cristina Alva, Stephanie Picche, Dan

949
00:59:05,600 --> 00:59:09,000
Speaker 1: Duenna's and A J. P. This has been another copit

950
00:59:09,080 --> 00:59:17,760
Speaker 1: local radio radiophonic novella I'm Mala and I'm theosas LoVa

951
00:59:18,320 --> 00:59:32,240
Speaker 1: Radio Radio Radio commis a myth and bullshit, a radio

952
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Speaker 1: phonic novella local radio hosted by Malamnos and f