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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home? Either way we want

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Speaker 2: to be there, doesn't matter how much baggage you claim.

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Speaker 2: You give us time and a germanol and gay. We

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Speaker 2: want to send you off instid. Do you wanna welcome

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Speaker 2: you back home? Tell us all about it? We scared her?

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Speaker 2: Was it fine? Malborn? Do you need to ride? Do

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Speaker 2: you need to ride? Do you need to ride? Do

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Speaker 2: you need to ride? Do you need to ride? Do

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Speaker 2: you need ride?

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Speaker 1: With Karen and Cress welcome to Do you need a ride?

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Speaker 1: This is Chris.

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Speaker 2: Fairbanks, this is Karl Gera.

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Speaker 1: We are leaving the ride aid on Vermont and Hollywood Boulevard.

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Speaker 2: And we're going to do a podcast that we're going

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Speaker 2: to put up and let you listen to in a

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Speaker 2: timely fashion.

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Speaker 1: We are currently doing that.

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Speaker 2: That's what weird. That's why we started talking, is because

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Speaker 2: that's the plan.

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Speaker 1: We're recording this and you're listening.

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Speaker 2: To it, and that was the plan, is what we wanted.

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Speaker 1: Yep. What you're listening to now is the current following

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Speaker 1: through of a plan that is in full force.

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Speaker 2: And the thing was last week we had the exact

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Speaker 2: same plan we followed through in the exact same way,

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Speaker 2: and it's still it didn't come together.

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Speaker 1: It's one of those classic cases of technical difficulties, very real.

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Speaker 1: I'm not sure what the difficulty was specifically, but it

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Speaker 1: did exist, and it was only a partial recording, and

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Speaker 1: we disappointed our troops as a result, because it was

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Speaker 1: our Memorial Day episode, yeah, which I will always remember

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Speaker 1: to never forget that we lost that episode.

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Speaker 2: And we broke many many veterans' hearts in the process,

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Speaker 2: and then many lay people, street civilians. We're deeply broken

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Speaker 2: hearted and we're very important.

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Speaker 1: I mean part of me. I'm being serious. I mean

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Speaker 1: not that I'm calling you out. We were both speaking

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Speaker 1: in jest. And now I'm going to say that that

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Speaker 1: day I did look at some pictures of my grandpa.

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Speaker 2: Oh nice, Yeah, because he served in.

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Speaker 1: What the Army, the big one, the big I guess

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Speaker 1: they're all pretty big. The Deuce you know too. I

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Speaker 1: have a hat that says USA back to back World

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Speaker 1: War Champs, so I wore that hat and and then

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Speaker 1: I also looked at pictures of my grandpa who did

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Speaker 1: storm the beach at Normandy.

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Speaker 2: Holy shit.

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Speaker 1: Really, yeah, that's that scene in Yo, Yeah, saving Private

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Speaker 1: Ryan where they're on these armored boats and just jumping

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Speaker 1: out not knowing what's happening, and they're most most of

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Speaker 1: the people got killed.

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Speaker 2: Yeah, it was the way they shot that, which I

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Speaker 2: believe if I'm remembering, it's saving Private Ryan. It's so

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Speaker 2: scary because they're all just sitting in that boat. It's

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Speaker 2: it could have been the thin red line, though, but

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Speaker 2: I think it was saving Private Ryan where you feel

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Speaker 2: like you're you have to do it too, and it's

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Speaker 2: so awful.

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Speaker 1: Yeah, it's horrifying. And I remember the only time my

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Speaker 1: grandpa talked about doing that was after having seen the movie,

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Speaker 1: which he if anyone who helped make that movie, my

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Speaker 1: grandpa said it was very authentic. Oh and he just

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Speaker 1: said one thing about his his friend's head dismantling. I

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Speaker 1: don't know, yeah, but that's the only thing they ever

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Speaker 1: talked about. So, but had is it a silver heart?

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Speaker 1: There's like a purple heart, which I have a joke

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Speaker 1: about my dad getting, but it was just a polaroid

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Speaker 1: of him squeezing his own balls. That's a joke I

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Speaker 1: tell on stage.

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Speaker 2: On common stages.

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Speaker 1: Oh yeah, Okay, some of the better ones, the ones

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Speaker 1: that are ready to hear me push the envelope. Yes,

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Speaker 1: but I am not proud of it.

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Speaker 2: I think it's funny.

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Speaker 1: But the silver heart is another or a silver.

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Speaker 2: Star something silver star I've heard of.

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Speaker 1: That's a polaroid of my grandfather pouring mercury onto his buttle.

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Speaker 1: But that one I just made up. I mean, well,

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Speaker 1: you know I like to fly by that seat of

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Speaker 1: my pants.

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Speaker 2: And yes, I'm glad you did.

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Speaker 3: So.

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Speaker 2: This was our This is our memorial episode of Memorial Day.

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Speaker 1: Yes, we are remembering the day of remembrance.

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Speaker 2: In the fallen episode, and we're also.

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Speaker 1: Doing that classic thing we're so far during the podcast,

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Speaker 1: we've pretended the guest is not currently in the back.

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Speaker 2: So uncomfortable it always is, feels.

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Speaker 1: He Usually I don't like doing it too people, because

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Speaker 1: I don't like it when I'm there.

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Speaker 2: Who's there?

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Speaker 3: Hello?

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Speaker 1: Yes, yes, hello, who's this?

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Speaker 3: Oh?

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Speaker 1: But of course, of course, thank you, thank you for

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Speaker 1: joining us.

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Speaker 2: Ladies and gentlemen. It's Nate Fernald.

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Speaker 3: Yay.

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Speaker 2: Have we ever had an aplous break?

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Speaker 1: No? Usually I'm holding a Bob Barker Mike.

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Speaker 2: Oh that's right, I'm I'm only the only one that

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Speaker 2: can because I'm loved.

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Speaker 3: Yay.

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Speaker 2: Nate Fernald, one of my favorite people.

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Speaker 1: Hey, Nate, Hello, how are you?

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Speaker 3: Oh?

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Speaker 1: This person's hitting us?

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Speaker 2: What?

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Speaker 1: I don't know, honey.

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Speaker 3: Oh.

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Speaker 1: She she had a look of fear and on her face.

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Speaker 2: She was totally regretting that she did.

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Speaker 1: Her reaction was appropriate and as was yours. You could

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Speaker 1: have gone to anger.

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Speaker 3: So is it dangerous recording a podcast?

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Speaker 1: You know, it's a funny time and appropriate that you

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Speaker 1: asked just then, because we did almost.

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Speaker 2: Get literally that was inches away.

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Speaker 1: I'll have you known, Nate, no one has died on

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Speaker 1: our podcast.

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Speaker 2: Yes, that's a guarantee. Okay, that that's never happened.

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Speaker 1: That's a guarantee that hasn't happened thus far.

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Speaker 2: That's right, guaranteed. Shit, that was kind of funny. I

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Speaker 2: would like to say that every time we have almost

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Speaker 2: been in an accident, it's because like exactly like that,

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Speaker 2: someone's almost hit us.

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Speaker 3: Yeah, that was you were one in the right on that, Yes, she.

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Speaker 1: She did not. I think maybe she thought those parked

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Speaker 1: cars were just a string of traffic and she was

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Speaker 1: rushing to get in line.

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Speaker 4: She was in the right turn only lane next to

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Speaker 4: us at a light. Yes, and then when we went

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Speaker 4: through she was trying to go into the lane.

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Speaker 1: Classic poor driver man.

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Speaker 2: She looked genuinely shocked that she was.

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Speaker 4: She seemed very scared. And I think she's going to

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Speaker 4: be nervous driving for the rest of the day and

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Speaker 4: will be extra careful because of it.

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Speaker 2: For the best.

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Speaker 1: So and it all turned out and any ill feelings,

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Speaker 1: any blaming herself that she might be doing right now deservedly.

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Speaker 2: So yeah, wait, did I hunk?

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Speaker 1: Yep, you did. And and I'll add that her window

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Speaker 1: was rolled down, so she really felt it.

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Speaker 2: But I think only because I so that she would

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Speaker 2: stop driving into my car. It wasn't anger after the fact.

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Speaker 4: Right right, No, No, the second you beeped it, it

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Speaker 4: was a very reasonable beep, and she realized what was happening.

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Speaker 4: She stopped her car, gave like a kind of apologetic

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Speaker 4: she was.

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Speaker 1: She gave puppy dog eyes, okay, good, and you went,

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Speaker 1: oh honey.

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Speaker 3: And then she put a gun in her mouth.

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Speaker 1: Yeah that was something I saw in the rear view mirror.

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Speaker 3: It's real upsetting, but yeah, on the way out, but

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Speaker 3: LA is a safer place because of her.

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Speaker 2: Yeah, I mean, I think if you do mess up

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Speaker 2: in traffic, taking yourself out is the most responsible thing.

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Speaker 1: It's it's the easiest way to get off the road. Ye, yes,

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Speaker 1: it's letting yourself.

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Speaker 2: Let's go back into the Nates introduction and how excited we.

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Speaker 1: Are there before we were rudely interrupted.

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Speaker 2: Stand up comedian actor writer. You may recently have seen

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Speaker 2: him on the television show Louis as a young comedian, right, Nate,

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Speaker 2: you didn't play yourself on that.

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Speaker 3: I did not play myself. What was your character's name,

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Speaker 3: Bart Folding?

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Speaker 2: And you were just kind of not that great stand

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Speaker 2: up comic.

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Speaker 3: Terrible stand up comic.

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Speaker 1: And I haven't seen this episode. Does he tell you you're

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Speaker 1: not great?

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Speaker 3: He tells me I'm terrible, And he tells me that

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Speaker 3: I should quit.

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Speaker 1: Oh, well, yeah, and your feelings are hurt. Yes, and

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Speaker 1: it's awkward.

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Speaker 4: Now if I explain the rest of the episode, it's

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Speaker 4: kind of a spoiler.

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Speaker 3: So I don't know if you.

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Speaker 1: Want me to or it has not yet aired.

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Speaker 3: It has aired a few weeks ago.

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Speaker 2: Well, but maybe just we'll tell people to keep an

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Speaker 2: eye out because I've heard other people rave to you

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Speaker 2: about how much they love that episode.

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Speaker 1: Oh, I'm excited.

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Speaker 4: It was a really fun episode. It was I was

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Speaker 4: really excited to be a part of it.

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Speaker 1: That's exciting for me to hear about.

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Speaker 2: Did you know? I was did you how many things

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Speaker 2: have you acted in like on TV before that?

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Speaker 3: I think that was probably like my four or fifth thing.

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Speaker 3: I mean, but that includes like commercials.

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Speaker 2: Right, Oh, I've seen it? Is it?

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Speaker 3: Yeah?

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Speaker 4: Triple zero zero fats, zero carbs, zero sugars, twenty five

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Speaker 4: brands of protein for that extra protein punch that you

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Speaker 4: need to start your day.

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Speaker 1: Hi wow, I'm sold you a good yogurt.

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Speaker 4: Yogurt has protein in it, so it's not just for

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Speaker 4: women anymore. Now men can have yogurt to Finally, this

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Speaker 4: is a big part of Danon's rebranding to let men

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Speaker 4: know that they can also eat yogurt and that.

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Speaker 2: When that's why you catch a cheerleader as a nerdy

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Speaker 2: y clerk because like you're you are now taking on

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Speaker 2: the Okoy lifestyle.

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Speaker 3: It's O Coast, Karen.

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Speaker 1: Okos. It's a vacation spot in northern New York State.

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Speaker 2: You know what I was thinking is my favorite on Cocomo.

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Speaker 1: Way down that's where the fruit is.

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Speaker 4: Well, the funny thing is in the commercial, like, uh,

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Speaker 4: there's a football man in it.

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Speaker 1: A football playing man, football playing manure an athletic, professional athletic,

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Speaker 1: and a sports guy.

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Speaker 4: Yeah, he is Papa John and he's like telling all

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Speaker 4: about this yogurt. And then I am just this scared

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Speaker 4: little stock boy and I.

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Speaker 3: Come up and I'm like, but up my game? And

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Speaker 3: then after I asked that, a beautiful cheerleader lands in

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Speaker 3: my arms, just drops out of the sky into my arms,

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Speaker 3: and I'm pretty psyched. And then he looks at me

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Speaker 3: and he goes, no, man, So I guess it won't

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Speaker 3: up your game?

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Speaker 1: Oh wow?

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Speaker 2: Is he was that supposed to be a comedic turn.

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Speaker 3: No, that was rifted and they kept it.

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Speaker 1: Oh yeah, oh that he said, no man?

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Speaker 3: He said no man.

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Speaker 1: Well then what then? Did you have to drop the

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Speaker 1: girl because it did up your game? You took her from.

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Speaker 3: My arms and just went to town.

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Speaker 1: Oh my god.

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Speaker 3: Yeah, it's that doesn't know me. I see the edited version on.

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Speaker 2: TV, but there's some dirty shit that takes place.

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Speaker 3: Yeah.

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Speaker 2: Wow.

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Speaker 4: After he ripped the line, no man, I went, but

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Speaker 4: we can still hang right did they leave that in?

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Speaker 3: They did not leave that? I know.

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Speaker 2: That's really fine.

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Speaker 1: I just got done shooting a commercial last week and

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Speaker 1: I know that everything that I said that I was

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Speaker 1: proud of will not end up in it. And because

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Speaker 1: there's a lady with a stopwatch, yes saying speak faster,

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Speaker 1: it has to be under thirty seconds. And I know

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Speaker 1: it's going to be the short scripted version.

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Speaker 3: That sounds high pressure.

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Speaker 1: Yeah, it was high pressure. I got covered in ants.

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Speaker 1: I got bit by the ants. Look at this bike.

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Speaker 1: That's they just covered me with ants. Karen, you look

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Speaker 1: at the road. We'll look at that might hurt.

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Speaker 5: I have.

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Speaker 1: I have other on my torso. Karen, look at the torso, Karen,

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Speaker 1: pull over and let's check it out.

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Speaker 2: Yeah, let's do a full body crush.

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Speaker 1: Oh and I got leech They were fakely. I had

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Speaker 1: to pretend to wrestle Piranha.

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Speaker 2: What if you got leeches and then and then when

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Speaker 2: they they're real, and then they took them off of

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Speaker 2: you and you were like one hundred percent totally healthy, right,

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Speaker 2: none of your bones hurt?

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Speaker 3: You know.

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Speaker 1: I was making those kind of jokes. And they apparently

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Speaker 1: they still do leeches for mostly beauty. You know, like

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Speaker 1: you'r Gwyneth Paltrow types will get leeches on on our

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Speaker 1: kidneys or something for real. Yeah, you know, like dumb

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Speaker 1: people do it.

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Speaker 2: Oh, I see, that's like candy spelling tory spellings. Mother

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Speaker 2: used to have water from Mexico shipped up so that

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Speaker 2: she could drink it and get diarrhea and then lose weight.

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Speaker 2: Oh my, that was a common practice in the eighties.

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Speaker 1: There's so many domestic ways to get diarrhea.

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Speaker 2: I know she wanted the most exotic ones.

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Speaker 3: I would want to I want to know how to

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Speaker 3: not have diarrhea.

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Speaker 1: Oh weird. Do you want to get fat? That doesn't

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Speaker 1: make any sense.

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Speaker 2: This is the diarrhea generation.

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Speaker 4: Because that's my dieting tip. To be so nervous you

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Speaker 4: always have diarrhea.

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Speaker 2: Yes, I mean, that's how a lot of people do it.

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Speaker 3: Yeah.

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Speaker 1: Mine is to be a caroless with chicken preparation. That's

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Speaker 1: how I stay fit.

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Speaker 2: Sometimes I'll just cut myself deeply, let the wound uh

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Speaker 2: exposed to dirt and germs, Karen, and then get it

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Speaker 2: get kind of a deep staff infection. Oh God. Then

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Speaker 2: they have to go in and dig out bone. Oh Jesus,

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Speaker 2: which is just nauseating to talk about.

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Speaker 1: You getting rid of heavy bone.

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Speaker 2: Yes, I mean, because I'm big boned like Garfield.

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Speaker 1: Oh, I love lasagna causes. Oh, don't get me started

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Speaker 1: on lasagna.

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Speaker 2: Let's not get started on Garfield.

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Speaker 3: Box right here.

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Speaker 2: Oh yeah, that's right. What do you want some pizza?

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Speaker 1: There's pasta on the pizza.

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Speaker 4: No, it's just it's just it's actually not very designing.

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Speaker 4: I don't know why they call it lazangna pizza. It's

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Speaker 4: more like meat and cheese pizza without the noodles.

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Speaker 3: No noodles.

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Speaker 1: That makes me as mad as chicken pot pie soup.

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Speaker 1: Everything about the cross the only good part. Yeah, it

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Speaker 1: makes me furious every time I see that Wolfgang puck

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Speaker 1: lie soup.

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Speaker 2: He's got a such a punchable face that he is

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Speaker 2: the most he is.

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Speaker 1: His face is like a target. Yeah, punches.

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Speaker 3: What is no staging on fig mean?

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Speaker 1: Oh it's uh, it's an old theater term back when

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Speaker 1: they did I don't know. I'm actually not.

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Speaker 3: Because that flashing sign just said no staging on fig.

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Speaker 2: So do they mean we're on figaroll right now?

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Speaker 1: But they just call it fig?

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Speaker 2: I mean maybe the sign burnt out? And also, what's staging?

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Speaker 3: Yeah, that's a cool sign.

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Speaker 1: Staging Does that mean like stopping in the road and

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Speaker 1: posing confidently?

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Speaker 3: Yeah?

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Speaker 2: Please don't do that because you will get murdered by cars.

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Speaker 1: Yeah, that's like a fast and furious type phrase.

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Speaker 3: Yeah, we're riding on Fig right now.

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Speaker 2: Yeah, we're straight on Fig. We're gonna go downtown. Just

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Speaker 2: drive around this horrifying downtown part of Los Angeles.

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Speaker 1: You know what, during the day, it's not that bad.

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Speaker 2: What is this?

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Speaker 4: This is terrifying. You're just driving down the street and

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Speaker 4: then all of a sudden it becomes the wrong way.

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Speaker 1: Yeah, yeah, isn't. This is one of the most poorly

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Speaker 1: designed moments you can have in Los Angeles. Wow, there's

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Speaker 1: no all of a sudden No, and the only option

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Speaker 1: to our right here is to get on a freeway

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Speaker 1: you may or may not want to be on.

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Speaker 2: Yeah, the one ten, which you kind of never want

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Speaker 2: to be on.

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Speaker 1: Oh I hate those accidental freeway moments.

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Speaker 2: Yeah, they're pretty upsetting.

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Speaker 3: Does the one ten go to Santa Monica?

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Speaker 1: The No, the one ten you can use it to

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Speaker 1: get to the ten, which will then takes It's very

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Speaker 1: confusing learning.

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Speaker 2: You're learning just in time to leave.

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Speaker 3: Yeah, I know, and you are?

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Speaker 1: When are you? We aren't taking you to the airport?

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Speaker 3: Right? You can if we do, if we do this

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Speaker 3: podcast again.

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Speaker 1: When is your When is your flight?

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Speaker 3: Tuesday night?

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Speaker 1: Okay, Wednesday night? Okay? That that we'd be dropping you

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Speaker 1: off way to early. I rented a car, so oh terrific.

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Speaker 1: What'd you get?

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Speaker 3: I got a what's the h car? That's not because

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Speaker 3: this is a Honda?

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Speaker 2: Yes?

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Speaker 1: Okay, then yes, I I pronounced every syllable, hyend, every

356
00:16:16,040 --> 00:16:23,800
Speaker 1: cont a, can a, whoa. I haven't seen that move

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Speaker 1: since DC cab.

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Speaker 2: You're gonna say with the Chas palmonary movie where he

359
00:16:29,920 --> 00:16:32,320
Speaker 2: drives backwards all the way to the bar he's the gangster,

360
00:16:32,520 --> 00:16:35,320
Speaker 2: was a bronxtail, I don't know. One of my favorite

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Speaker 2: moments of any movie. He just drives in reverse to

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Speaker 2: the bar that he works at to impress a person

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Speaker 2: that's in the car with him, to show that he's

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Speaker 2: the king of Brooklyn or wherever.

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Speaker 4: What's the craziest thing you guys have seen on the

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Speaker 4: road while doing this podcast?

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Speaker 1: There was a couple of crazy things happened during the

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Speaker 1: top Glass episode. I think that's both that we would

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00:16:54,880 --> 00:16:58,960
Speaker 1: both mention that one was I and I did roll

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Speaker 1: down the window and taunt. There was a guy riding

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Speaker 1: a bike on a fixed gear bike and he was

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Speaker 1: being very strange and cocky and weaving around, and I

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Speaker 1: rolled down the window and said, yeah, we get it.

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Speaker 1: You're on a bike or something. And he pulled off

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Speaker 1: his you lock and chased us and we we were

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Speaker 1: stopped at a light, and he took a swing at

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Speaker 1: Karen's mirror, trying to knock off the mirror and launched

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Speaker 1: into traffic and could have gotten killed, but he didn't.

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Speaker 1: And right when we were done talking about that, we

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Speaker 1: saw a horrible fight that ended in a knockout at

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Speaker 1: a bus stop.

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Speaker 3: Oh my god.

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Speaker 1: Yeah, yeah, and so we just because this is only audio,

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Speaker 1: we'd had to oh my god, we just saw a guy.

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Speaker 3: It's got to be a frustrating thing to listen to

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Speaker 3: his eyes rolled back.

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Speaker 2: What I love is sometimes when I listened to the

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Speaker 2: episodes and just like, what will happen when like that

389
00:17:57,040 --> 00:17:59,879
Speaker 2: lady almost hit us. Where there's a totally normal, calm

390
00:18:00,040 --> 00:18:02,160
Speaker 2: station where people were talking about stuff and then everyone

391
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Speaker 2: just starts yelling all at once.

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Speaker 1: Yeah, yeah, that's kind of fun. Yeah. That's one thing

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Speaker 1: that I think I think people like about our podcast

394
00:18:09,000 --> 00:18:13,199
Speaker 1: is there's sudden outbursts of fear just while you're in

395
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Speaker 1: the middle of talking about the latest Ye, I know

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Speaker 1: a lot of.

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Speaker 4: People listen to podcasts while driving. Do you think they

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00:18:18,800 --> 00:18:20,440
Speaker 4: listen to this one while sitting.

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Speaker 1: We've heard that they listen to it while driving also,

400
00:18:24,160 --> 00:18:27,840
Speaker 1: and then double drive. Yeah, and whatever happens in the car,

401
00:18:28,520 --> 00:18:31,080
Speaker 1: you know, oftentimes, like in a radio commercial, it's so

402
00:18:31,280 --> 00:18:33,320
Speaker 1: horrible when they do this, like there will be a

403
00:18:33,359 --> 00:18:37,359
Speaker 1: honking noise or a siren on a rap song or something,

404
00:18:37,359 --> 00:18:39,720
Speaker 1: and you freak out and almost pull over. I guess

405
00:18:39,800 --> 00:18:42,040
Speaker 1: people have that same experience with our podcast.

406
00:18:42,280 --> 00:18:44,720
Speaker 4: Has anyone ever done like a riff tracks type thing

407
00:18:44,760 --> 00:18:46,639
Speaker 4: where they were like they get the root that you

408
00:18:46,720 --> 00:18:50,320
Speaker 4: drove and then they listened to that episode and drive.

409
00:18:52,280 --> 00:18:55,240
Speaker 2: Their roots that we use are like, it's basically me

410
00:18:55,880 --> 00:18:58,320
Speaker 2: just going where I want and then at some point

411
00:18:58,359 --> 00:19:01,600
Speaker 2: realizing I now have to get back to where we started.

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Speaker 1: It's because we you know, we every one of our

413
00:19:05,840 --> 00:19:08,840
Speaker 1: rides has to last exactly an hour, huh, or we

414
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Speaker 1: try to make them last night.

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Speaker 2: When we don't when we do the ones like that. Now, wait,

416
00:19:12,440 --> 00:19:13,680
Speaker 2: n do you in New York?

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Speaker 3: You don't have a car, right, I do not know?

418
00:19:15,320 --> 00:19:18,040
Speaker 2: So you just you're just a public transit like I.

419
00:19:17,960 --> 00:19:20,880
Speaker 3: Do a biking do you really really? Yeah?

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00:19:20,920 --> 00:19:22,960
Speaker 4: But I'm I'm not the kind of guy who's gonna

421
00:19:22,960 --> 00:19:28,320
Speaker 4: swing my you lock in a mirror norrible. I bike

422
00:19:28,560 --> 00:19:32,800
Speaker 4: super defensively, So I actually haven't had my like the

423
00:19:32,840 --> 00:19:36,320
Speaker 4: only thing that happens is like, you know, someone opening

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00:19:36,359 --> 00:19:40,080
Speaker 4: their door and not looking, or someone like turning right

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Speaker 4: and not looking in the bike lane.

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Speaker 1: My mom broke the arm of a lunch lady at

427
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Speaker 1: my school.

428
00:19:44,400 --> 00:19:46,600
Speaker 2: That way, turning right in front of me, and she.

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Speaker 1: Threw open the door on our Volkswagen bus. And that's old.

430
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Speaker 1: She was elderly. She hit the door and broke her arm.

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Speaker 4: I don't bike super fast, and I am like, I'm

432
00:19:55,359 --> 00:19:59,719
Speaker 4: always like looking like when I'm biking along, like I

433
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Speaker 4: look in the cars to see if there's people in them,

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Speaker 4: and then if I see a person, and I kind

435
00:20:04,080 --> 00:20:06,560
Speaker 4: of like go a little wider. So I haven't had

436
00:20:06,960 --> 00:20:10,280
Speaker 4: too much crazy stuff, Like I've had more crazy stuff.

437
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Speaker 3: Happened when I am just walking in a biker's being

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Speaker 3: a dickhead. Right.

439
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Speaker 1: Well, I'm I'm really impressed because I find this to

440
00:20:18,880 --> 00:20:21,040
Speaker 1: be a horrifying city to ride a bike in. But

441
00:20:21,760 --> 00:20:23,800
Speaker 1: in New York, I found it was horrifying just to

442
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Speaker 1: be in a cab. They really moved really fast. All

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00:20:28,119 --> 00:20:30,000
Speaker 1: the cars are close together. It's hard to get used

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Speaker 1: to and I can't imagine being a bike.

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Speaker 2: I try to be in the Rath who we most

446
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Speaker 2: people know. I drove with him. He drove an suv

447
00:20:38,840 --> 00:20:42,040
Speaker 2: in New York City one time so expertly, and I

448
00:20:42,119 --> 00:20:44,080
Speaker 2: was like, how are you doing this. I don't even know,

449
00:20:44,560 --> 00:20:47,720
Speaker 2: like nobody is of being the actual rules of the road.

450
00:20:47,920 --> 00:20:50,000
Speaker 2: I don't understand what's happening. Like he was just like

451
00:20:50,480 --> 00:20:53,040
Speaker 2: gunning it up Seventh Avenue. It was crazy.

452
00:20:53,320 --> 00:20:53,639
Speaker 1: Wow.

453
00:20:53,960 --> 00:20:55,240
Speaker 3: I hate driving in New York.

454
00:20:55,440 --> 00:20:59,399
Speaker 2: It's crazy. I mean, it's just a very specialized skill.

455
00:20:59,480 --> 00:21:02,240
Speaker 1: I think surprises me about Dave because one time he

456
00:21:02,359 --> 00:21:04,600
Speaker 1: was my manager for a little while. One time we

457
00:21:04,680 --> 00:21:09,439
Speaker 1: all went to Mammoth Mountain, me and and Morgan Murphy

458
00:21:09,480 --> 00:21:12,600
Speaker 1: and this guy Zeke pie Strip who's my friend, and

459
00:21:13,119 --> 00:21:19,320
Speaker 1: I separated my shoulder severely snowboarding, and I and I Drew,

460
00:21:19,520 --> 00:21:22,760
Speaker 1: I have a shifter car. You know there's shifter cars.

461
00:21:23,320 --> 00:21:24,920
Speaker 1: And I was the only one out of all those

462
00:21:24,960 --> 00:21:28,679
Speaker 1: adults that how to drive a stick shift.

463
00:21:28,800 --> 00:21:31,040
Speaker 3: I learned on stick shift and I said.

464
00:21:30,840 --> 00:21:33,639
Speaker 1: Please, could someone drive my car back for me? My

465
00:21:33,800 --> 00:21:35,760
Speaker 1: arm is in a sling And they said, sorry, man,

466
00:21:36,320 --> 00:21:38,919
Speaker 1: we only drive automatics. And I said, how do you

467
00:21:38,960 --> 00:21:40,040
Speaker 1: call yourselves grown up?

468
00:21:40,520 --> 00:21:43,119
Speaker 2: Seriously, that's so lame.

469
00:21:43,760 --> 00:21:45,920
Speaker 4: The last time I saw all of them, I had

470
00:21:45,920 --> 00:21:50,120
Speaker 4: a one time car valet job once, and anytime someone

471
00:21:50,200 --> 00:21:52,840
Speaker 4: dropped off a stick shift, they had to wait for

472
00:21:52,960 --> 00:21:54,280
Speaker 4: me to get back.

473
00:21:55,119 --> 00:21:57,560
Speaker 1: Oh, that's a great car, So it is common. It's

474
00:21:57,800 --> 00:21:58,560
Speaker 1: surprising to me.

475
00:21:58,640 --> 00:22:00,840
Speaker 2: But yeah, it surpised me because I grew up. My

476
00:22:00,920 --> 00:22:05,560
Speaker 2: dad loved Volkswagen Bugs, so that's we always had one,

477
00:22:05,680 --> 00:22:07,920
Speaker 2: and that he made my sister and I learned to drive.

478
00:22:08,119 --> 00:22:11,000
Speaker 1: I learned in the Volkswagen Bus. And it's not the

479
00:22:11,040 --> 00:22:12,360
Speaker 1: easiest shifting experience.

480
00:22:12,440 --> 00:22:13,399
Speaker 3: Yeah, no, it's.

481
00:22:13,160 --> 00:22:17,879
Speaker 2: Really it's like you're it's like you're driving the most

482
00:22:19,280 --> 00:22:22,560
Speaker 2: pared down version of a of a standard shift car.

483
00:22:22,760 --> 00:22:26,320
Speaker 2: It's like you can see the gears almost right. And

484
00:22:26,359 --> 00:22:28,040
Speaker 2: he taught me how to do it by ear and

485
00:22:28,080 --> 00:22:30,560
Speaker 2: he would get really livid if I would love the engine.

486
00:22:30,840 --> 00:22:32,800
Speaker 2: So like, I can't have you ever driven with someone

487
00:22:32,840 --> 00:22:34,680
Speaker 2: who kind of doesn't really know how to drive a

488
00:22:34,680 --> 00:22:37,320
Speaker 2: stick shift so they like lug the engine the entire time.

489
00:22:37,600 --> 00:22:41,520
Speaker 4: Well, I when I first had my stick shift car,

490
00:22:41,960 --> 00:22:45,120
Speaker 4: I was not totally comfortable driving it. So I would

491
00:22:45,160 --> 00:22:47,160
Speaker 4: wake up early to go to school before my mom

492
00:22:47,240 --> 00:22:49,760
Speaker 4: left for work, and just take her car and just

493
00:22:49,840 --> 00:22:51,040
Speaker 4: leave her with my stick shift.

494
00:22:51,080 --> 00:22:56,080
Speaker 3: You're like, it's your problem, and where did that?

495
00:22:56,200 --> 00:22:57,159
Speaker 1: Where did you grow up?

496
00:22:58,560 --> 00:23:01,919
Speaker 4: I grew up in Boston, but then I moved to

497
00:23:01,960 --> 00:23:04,680
Speaker 4: a suburb of Boston and that wasn't that was.

498
00:23:04,720 --> 00:23:07,920
Speaker 3: Right near the oak near the Oclick coast.

499
00:23:08,080 --> 00:23:10,040
Speaker 1: Yeah, yeah, the Yogurt Valley.

500
00:23:09,640 --> 00:23:15,040
Speaker 2: I know, I know that Yogurt Valley is so upset.

501
00:23:15,560 --> 00:23:19,240
Speaker 1: Yeah. Yeah, it just really sounds like an unpleasant it.

502
00:23:19,200 --> 00:23:23,520
Speaker 2: Would smell so sour day.

503
00:23:24,480 --> 00:23:27,040
Speaker 4: But to tell you my big story from from set

504
00:23:27,280 --> 00:23:28,200
Speaker 4: from the yogurt set.

505
00:23:28,480 --> 00:23:31,840
Speaker 3: No, So I hope I can talk about this with that.

506
00:23:33,680 --> 00:23:36,760
Speaker 1: I was told to pull out, pull down all the

507
00:23:36,800 --> 00:23:38,840
Speaker 1: photos on Instagram today.

508
00:23:38,960 --> 00:23:42,920
Speaker 4: Well, so this morning we filmed in well, the commercials

509
00:23:42,920 --> 00:23:43,960
Speaker 4: already aired, so I think.

510
00:23:43,840 --> 00:23:46,280
Speaker 1: It's okay, No, You're free to talk about.

511
00:23:46,480 --> 00:23:49,760
Speaker 4: So there was we were filming in like an active

512
00:23:49,760 --> 00:23:52,560
Speaker 4: grocery store, but we had like the back blocked off

513
00:23:52,560 --> 00:23:55,960
Speaker 4: where we were and there's a bunch of extras who

514
00:23:55,960 --> 00:23:59,440
Speaker 4: had like the new product logo on their jerseys in

515
00:23:59,560 --> 00:24:04,240
Speaker 4: the the Dan and Guy was like, hey, if if

516
00:24:04,240 --> 00:24:07,960
Speaker 4: you're not filming and you're walking around the grocery store,

517
00:24:08,359 --> 00:24:10,840
Speaker 4: make sure you cover up that logo because we don't

518
00:24:10,880 --> 00:24:13,720
Speaker 4: want people taking photos and tweeting out our new logo

519
00:24:13,800 --> 00:24:16,480
Speaker 4: before a commercial goes out. And everyone's like, who the

520
00:24:16,480 --> 00:24:18,560
Speaker 4: fuck is gonna be? Like, oh new dann and logo?

521
00:24:18,720 --> 00:24:20,760
Speaker 4: Sick kinda kind of gram.

522
00:24:20,720 --> 00:24:23,680
Speaker 1: This just hardcore graphic designers, so no.

523
00:24:23,600 --> 00:24:25,400
Speaker 3: One really gave a ship.

524
00:24:25,480 --> 00:24:26,879
Speaker 4: And then a bunch of extras are walking on the

525
00:24:26,920 --> 00:24:30,040
Speaker 4: store and then this guy starts taking photos of them

526
00:24:30,080 --> 00:24:33,040
Speaker 4: with his phone and you hear the Dan and Guy go.

527
00:24:33,320 --> 00:24:35,320
Speaker 3: That guy works for Chobani. Get him out of here,

528
00:24:35,400 --> 00:24:40,000
Speaker 3: get him no way, And it was a spy.

529
00:24:39,320 --> 00:24:40,880
Speaker 1: Yes, no way.

530
00:24:41,600 --> 00:24:44,880
Speaker 4: On the set, it was like like like taking pictures

531
00:24:44,880 --> 00:24:47,760
Speaker 4: to find out what this new product was himself.

532
00:24:48,280 --> 00:24:49,480
Speaker 3: It was. It's funny.

533
00:24:49,520 --> 00:24:54,840
Speaker 4: This commercial was this was the first post Stamos Dannon commercial.

534
00:24:56,280 --> 00:24:58,600
Speaker 4: He's a Dan and Guy, but they dropped him because

535
00:24:58,600 --> 00:25:01,320
Speaker 4: they're going for the because men don't give a fuck

536
00:25:01,359 --> 00:25:03,720
Speaker 4: about Stamos and they need to get men to eat

537
00:25:03,760 --> 00:25:07,080
Speaker 4: yogurt now, so they got the football man instead. Uh,

538
00:25:08,600 --> 00:25:12,920
Speaker 4: so I like to pretend that I like replaced John Stamos.

539
00:25:13,200 --> 00:25:15,760
Speaker 4: And then I audition. He has a new TV show

540
00:25:15,800 --> 00:25:17,040
Speaker 4: coming out that Dan Klein.

541
00:25:16,960 --> 00:25:20,879
Speaker 3: Is writing for. Yeah, okay, and I auditioned for the

542
00:25:20,880 --> 00:25:24,439
Speaker 3: part of his son in it. And uh and I

543
00:25:24,480 --> 00:25:25,199
Speaker 3: was auditioned for it.

544
00:25:25,240 --> 00:25:29,120
Speaker 4: I was like, hey, guys, you know, if I get

545
00:25:29,160 --> 00:25:30,880
Speaker 4: further in this, you know, just don't let stay less

546
00:25:30,960 --> 00:25:32,560
Speaker 4: know I'm in this new Danna commercial, because you know,

547
00:25:32,600 --> 00:25:34,320
Speaker 4: I feel like that could really fuck up my chances.

548
00:25:35,600 --> 00:25:38,520
Speaker 1: Oh you said that to the casting people. Hey, guys,

549
00:25:38,760 --> 00:25:40,480
Speaker 1: did they get every time I do it? I said

550
00:25:40,600 --> 00:25:43,760
Speaker 1: to my age, Okay, okay, I've tried to say jokes

551
00:25:43,800 --> 00:25:47,560
Speaker 1: like that auditions and yet never stopped that. Yes, they

552
00:25:47,600 --> 00:25:49,480
Speaker 1: do not. They never have a sense of humor.

553
00:25:49,640 --> 00:25:52,159
Speaker 2: They don't. Do you imagine the people that try to

554
00:25:52,160 --> 00:25:56,320
Speaker 2: be funny in those audition Yeah, yeah, yeah, And.

555
00:25:58,840 --> 00:26:02,439
Speaker 1: We are the ones every once in a while at

556
00:26:02,480 --> 00:26:03,320
Speaker 1: works so well.

557
00:26:03,400 --> 00:26:05,159
Speaker 3: I'm sure the rest of the people just do their

558
00:26:05,240 --> 00:26:06,320
Speaker 3: jobs and read the lines.

559
00:26:06,480 --> 00:26:10,360
Speaker 1: Yeah, and they walk in quiet and they don't nervously blurt.

560
00:26:12,040 --> 00:26:15,280
Speaker 2: I was gonna say, Nate, do you want to talk

561
00:26:15,320 --> 00:26:18,120
Speaker 2: a little bit about your new mashup album. I'd love

562
00:26:18,200 --> 00:26:20,520
Speaker 2: maybe we can listen to a lot.

563
00:26:20,560 --> 00:26:21,000
Speaker 3: I'd love to.

564
00:26:21,160 --> 00:26:24,119
Speaker 4: So, you know, comedy is how I pay my bills,

565
00:26:24,119 --> 00:26:30,119
Speaker 4: but my real passion is music. And I recently, I

566
00:26:30,119 --> 00:26:32,760
Speaker 4: actually come recent completed volume two of my new mashup album.

567
00:26:33,359 --> 00:26:35,520
Speaker 4: And I guess you know, for those of you who

568
00:26:35,520 --> 00:26:38,159
Speaker 4: don't know, a mashup is when you take, like you know,

569
00:26:38,440 --> 00:26:41,159
Speaker 4: parts of different songs and like put them together and

570
00:26:41,200 --> 00:26:42,160
Speaker 4: make like a new song.

571
00:26:42,600 --> 00:26:44,840
Speaker 3: Right, So is your stereo on?

572
00:26:46,160 --> 00:26:46,680
Speaker 2: Yes, it is.

573
00:26:48,040 --> 00:26:50,560
Speaker 4: So here's just a couple of tracks off my mashup album.

574
00:26:50,600 --> 00:26:53,080
Speaker 4: And I hope that the sound reaches from the speakers

575
00:26:53,080 --> 00:26:54,280
Speaker 4: into the microphone problem.

576
00:26:54,320 --> 00:26:59,320
Speaker 1: They will, they will, everyone ust accordingly. So like you

577
00:26:59,359 --> 00:27:08,160
Speaker 1: know this song, I've heard this sound garden, I think.

578
00:27:10,320 --> 00:27:11,760
Speaker 3: So you know that's one song off the match.

579
00:27:12,200 --> 00:27:14,120
Speaker 1: That's great? Is that it? That's a full track.

580
00:27:14,560 --> 00:27:16,040
Speaker 3: Well, you know, it finishes out.

581
00:27:16,320 --> 00:27:18,000
Speaker 2: You just get the idea you're just getting.

582
00:27:18,520 --> 00:27:21,840
Speaker 3: I'm just previewing it. So here's another Okay.

583
00:27:21,600 --> 00:27:28,080
Speaker 1: Oh I like that first one.

584
00:27:28,680 --> 00:27:29,800
Speaker 3: So it's another track.

585
00:27:31,480 --> 00:27:33,560
Speaker 1: Yeah, kind of reminded me of the last one.

586
00:27:34,320 --> 00:27:35,719
Speaker 3: Do you guys just like the show Friends?

587
00:27:36,520 --> 00:27:38,520
Speaker 1: I Love Friends? Okay, mash up the.

588
00:27:38,440 --> 00:27:41,080
Speaker 3: Theme song of Friends.

589
00:27:42,119 --> 00:27:48,040
Speaker 1: I like where that's going. God damn it, God damn it, Nate,

590
00:27:49,280 --> 00:27:53,600
Speaker 1: God damn it. All right, I'm willing to listen to

591
00:27:53,600 --> 00:27:54,280
Speaker 1: a fourth.

592
00:27:54,040 --> 00:27:55,800
Speaker 3: Track anyone here? Like the Stones?

593
00:27:56,200 --> 00:28:01,639
Speaker 1: Oh, I love the Rolling Stones are classic. Oh, this

594
00:28:01,840 --> 00:28:05,560
Speaker 1: is a good one.

595
00:28:06,920 --> 00:28:09,560
Speaker 2: So you know that's and how many more tracks are

596
00:28:09,560 --> 00:28:10,000
Speaker 2: on this one?

597
00:28:10,040 --> 00:28:12,440
Speaker 3: So this is their ten tracks? This is volume one.

598
00:28:12,640 --> 00:28:16,280
Speaker 4: Okay, Week Music Volume one, but I just this week

599
00:28:16,400 --> 00:28:18,040
Speaker 4: completed Week Music Volume two.

600
00:28:18,600 --> 00:28:20,600
Speaker 3: I would love to play some tracks of Week Music

601
00:28:20,680 --> 00:28:21,880
Speaker 3: Volume two, just kind.

602
00:28:21,680 --> 00:28:25,520
Speaker 1: Of okay, okay, cool. It's a different album, right, different albums, Okay.

603
00:28:26,520 --> 00:28:27,240
Speaker 2: In a different direction.

604
00:28:30,560 --> 00:28:42,120
Speaker 6: Yeah, god damn it.

605
00:28:44,480 --> 00:28:50,600
Speaker 1: You know this is really taken by Orange County Punk.

606
00:28:50,880 --> 00:28:55,960
Speaker 3: God damn it, name this one.

607
00:28:56,040 --> 00:28:57,960
Speaker 4: I took some different directions. I don't know, you know,

608
00:28:57,960 --> 00:29:00,280
Speaker 4: if there's any classical fans.

609
00:29:00,320 --> 00:29:13,000
Speaker 5: But yeah, baby, that wasn't even they weren't even.

610
00:29:13,680 --> 00:29:16,000
Speaker 1: Yeah, there there was a gap there. They weren't even

611
00:29:16,040 --> 00:29:16,719
Speaker 1: mashed together.

612
00:29:16,960 --> 00:29:19,960
Speaker 2: I mean, well, that's the gap that's in. That's the

613
00:29:19,960 --> 00:29:20,760
Speaker 2: gap that's there.

614
00:29:20,960 --> 00:29:22,840
Speaker 1: Okay, you used the silence too.

615
00:29:23,400 --> 00:29:25,160
Speaker 2: He was using that silence to draw us in.

616
00:29:25,560 --> 00:29:27,280
Speaker 3: Are you guys friends of the band of the Rentals.

617
00:29:28,480 --> 00:29:34,280
Speaker 1: Oh dude, dude, is that sorry? I just maybe we

618
00:29:34,280 --> 00:29:35,160
Speaker 1: should listen to it.

619
00:29:35,280 --> 00:29:37,560
Speaker 4: Well, here's the thing, is this one Unless you know

620
00:29:37,880 --> 00:29:41,160
Speaker 4: this song by the Rentals, the mashup may not be

621
00:29:41,200 --> 00:29:41,880
Speaker 4: as impactful.

622
00:29:41,960 --> 00:29:45,200
Speaker 1: I only know of the Rentals because of one song,

623
00:29:45,320 --> 00:29:46,280
Speaker 1: So I bet this is it.

624
00:29:46,280 --> 00:29:47,280
Speaker 3: It's probably that song.

625
00:29:47,400 --> 00:29:53,480
Speaker 1: Okay, God damn it.

626
00:29:54,360 --> 00:29:59,440
Speaker 4: Jesus one yeah, one more match. This is the final

627
00:29:59,480 --> 00:30:02,600
Speaker 4: track on Weak Music Volume two, ten volume series.

628
00:30:02,600 --> 00:30:05,960
Speaker 2: By the way, Okay, there's gonna be ten albums of this.

629
00:30:05,880 --> 00:30:08,960
Speaker 3: Yes, perfect willing to give it.

630
00:30:09,200 --> 00:30:22,920
Speaker 1: I'm willing to give it a listen. Yeah, okay, it's

631
00:30:22,960 --> 00:30:31,120
Speaker 1: just old Bowie. I think ground control. Oh, my favorite

632
00:30:31,120 --> 00:30:34,920
Speaker 1: part of this song is coming up It's coming up

633
00:30:36,440 --> 00:30:43,800
Speaker 1: here it is this is my favorite It built up

634
00:30:43,840 --> 00:30:45,840
Speaker 1: here and it's my favorite part.

635
00:30:46,560 --> 00:30:48,320
Speaker 2: Was a genius control.

636
00:30:52,080 --> 00:30:56,240
Speaker 1: They really do count down to my favorite part. And

637
00:31:06,000 --> 00:31:18,600
Speaker 1: here's my favorite part.

638
00:31:19,240 --> 00:31:22,280
Speaker 3: God damn it, God.

639
00:31:22,200 --> 00:31:27,800
Speaker 1: Dammit, that was right during my favorite part. All right,

640
00:31:28,760 --> 00:31:36,120
Speaker 1: I'm I mean I like artist subjective artist, subjective artist, subjective.

641
00:31:37,200 --> 00:31:38,240
Speaker 2: Nate, what what is.

642
00:31:41,560 --> 00:31:41,760
Speaker 3: Here?

643
00:31:41,800 --> 00:31:42,120
Speaker 1: We go?

644
00:31:43,120 --> 00:31:44,520
Speaker 2: This one needs no introduction?

645
00:31:48,720 --> 00:31:51,680
Speaker 1: All right, I'm starting to get anxiety.

646
00:31:51,720 --> 00:31:55,600
Speaker 2: Describe the devious look on Nate Fernald's face right now,

647
00:31:56,120 --> 00:31:58,520
Speaker 2: it looks like an eight year old with a fart machine.

648
00:31:59,320 --> 00:32:02,920
Speaker 3: I'm a bad boy, thrilled, so thrilled.

649
00:32:06,120 --> 00:32:08,000
Speaker 2: How long did it take you to make these albums, Saint?

650
00:32:08,240 --> 00:32:14,400
Speaker 3: Yeah, you know a little while. It's hard to say.

651
00:32:14,480 --> 00:32:18,080
Speaker 3: I go through a lot of songs before I find like,

652
00:32:18,120 --> 00:32:21,560
Speaker 3: I actually mashed up about fifteen or twenty songs before

653
00:32:21,720 --> 00:32:23,479
Speaker 3: I found the ten for this volume.

654
00:32:23,600 --> 00:32:26,480
Speaker 1: I see, I mash up a lot of them, and

655
00:32:26,480 --> 00:32:30,200
Speaker 1: then I kind of So you have rejected B sides

656
00:32:30,240 --> 00:32:32,360
Speaker 1: that can maybe come out on an eleventh album.

657
00:32:32,440 --> 00:32:33,160
Speaker 3: Oh I sure do.

658
00:32:33,440 --> 00:32:36,440
Speaker 2: Oh that So you're gonna have like a peel session situation.

659
00:32:36,560 --> 00:32:39,040
Speaker 3: Take ye, there's gonna be We'll do a B size

660
00:32:39,080 --> 00:32:39,680
Speaker 3: and rarities.

661
00:32:39,800 --> 00:32:43,720
Speaker 1: The only peel session will be me trying to get

662
00:32:43,760 --> 00:32:46,080
Speaker 1: me off the edge of my seat waiting. Yeah, I

663
00:32:46,120 --> 00:32:48,080
Speaker 1: don't know that i'd get that correct, I got I

664
00:32:48,120 --> 00:32:48,520
Speaker 1: was okay?

665
00:32:49,800 --> 00:32:52,920
Speaker 2: Well, Nate, So people can buy this in stores everywhere.

666
00:32:54,080 --> 00:32:57,080
Speaker 3: They could buy the components of it in stores everywhere.

667
00:32:56,720 --> 00:32:58,360
Speaker 2: And then do put it together themselves.

668
00:32:58,440 --> 00:33:01,000
Speaker 4: But if they would like to hear it's entirely just

669
00:33:01,040 --> 00:33:02,440
Speaker 4: go to natefernol dot com.

670
00:33:02,480 --> 00:33:03,440
Speaker 3: Slash week music?

671
00:33:03,600 --> 00:33:06,600
Speaker 2: Hey, and what else is on your website?

672
00:33:08,800 --> 00:33:10,240
Speaker 3: A link to my Twitter account?

673
00:33:10,480 --> 00:33:13,920
Speaker 2: Great for people who don't can't approach Twitter in a

674
00:33:13,960 --> 00:33:14,480
Speaker 2: direct way.

675
00:33:14,680 --> 00:33:17,880
Speaker 1: Yeah, it's sometimes it's hard to find someone's handle because

676
00:33:17,880 --> 00:33:21,400
Speaker 1: some investment banker has your same name somewhere and you.

677
00:33:21,440 --> 00:33:25,200
Speaker 4: Can't remember Twitter dot com slash Nate Fernald. Then just

678
00:33:25,280 --> 00:33:31,160
Speaker 4: go to natefernal dot com slash Twitter mailing list and

679
00:33:31,200 --> 00:33:33,480
Speaker 4: there you can sign up for my Twitter mailing list,

680
00:33:34,440 --> 00:33:36,280
Speaker 4: or I will email you every time I tweet.

681
00:33:37,960 --> 00:33:41,360
Speaker 3: This is true, by the way, No, this is true. No,

682
00:33:41,760 --> 00:33:42,480
Speaker 3: it's true.

683
00:33:42,800 --> 00:33:43,680
Speaker 2: This is the truth.

684
00:33:43,800 --> 00:33:44,520
Speaker 3: This is the truth.

685
00:33:44,600 --> 00:33:45,280
Speaker 2: Oh my god.

686
00:33:45,880 --> 00:33:49,320
Speaker 4: Dot com slash Twitter mailing list. I don't I don't

687
00:33:49,360 --> 00:33:51,600
Speaker 4: email you the tweet. I email you letting you know

688
00:33:51,640 --> 00:33:54,560
Speaker 4: I've tweeted, and you gotta go to my profile and

689
00:33:54,600 --> 00:33:56,000
Speaker 4: you got to look at the tweet yourself.

690
00:33:56,280 --> 00:33:58,680
Speaker 1: So it's up to Yeah, okay, yeah, that's just.

691
00:33:58,640 --> 00:34:01,600
Speaker 3: A friendly reminder. I give you some backstory about the tweet.

692
00:34:01,800 --> 00:34:02,920
Speaker 1: How often do you tweet?

693
00:34:03,440 --> 00:34:05,040
Speaker 3: Uh?

694
00:34:05,400 --> 00:34:09,200
Speaker 4: Not as often? Well, here's the thing. I used to

695
00:34:09,239 --> 00:34:11,520
Speaker 4: only tweet, like you know, once a week or twice

696
00:34:11,520 --> 00:34:14,279
Speaker 4: a week. But now I've been tweeting a little bit

697
00:34:14,280 --> 00:34:18,680
Speaker 4: more and unfortunately Anonymous hacked my Twitter mailing list. But

698
00:34:18,719 --> 00:34:20,719
Speaker 4: they're still be cool and we'll send out like an

699
00:34:20,719 --> 00:34:23,080
Speaker 4: email about my tweets like every now and then, but

700
00:34:23,280 --> 00:34:24,720
Speaker 4: just not as not every tweet.

701
00:34:25,040 --> 00:34:27,520
Speaker 2: So what are you being serious about? The anonymous part?

702
00:34:29,960 --> 00:34:33,160
Speaker 4: They they have sent out emails from my Twitter mailing

703
00:34:33,239 --> 00:34:36,640
Speaker 4: list I see, letting them know that it's been hacked.

704
00:34:36,920 --> 00:34:40,200
Speaker 4: And they're basically demanding that more people fave in our

705
00:34:40,239 --> 00:34:42,200
Speaker 4: team my tweets before they release.

706
00:34:43,680 --> 00:34:43,719
Speaker 3: Me.

707
00:34:43,840 --> 00:34:46,280
Speaker 2: So they're really taking some political action on your.

708
00:34:46,880 --> 00:34:48,480
Speaker 3: I mean they like my tweets.

709
00:34:48,560 --> 00:34:51,439
Speaker 1: Okay, Yeah, that's that only sounds like a good thing.

710
00:34:51,560 --> 00:34:53,600
Speaker 2: You're lucky they're on your side because they can really

711
00:34:53,640 --> 00:34:55,040
Speaker 2: do some damage.

712
00:34:55,120 --> 00:34:57,560
Speaker 1: And they're like those for Vendetta people. Yeah they are,

713
00:34:57,719 --> 00:34:59,800
Speaker 1: and that's their little avatar.

714
00:35:00,120 --> 00:35:01,720
Speaker 3: Karen, do you know about Spider Man tweet?

715
00:35:02,680 --> 00:35:05,239
Speaker 2: I don't know. Isn't anything like shrekk.

716
00:35:06,800 --> 00:35:12,040
Speaker 4: Very similar? So did I kind of got a little

717
00:35:12,040 --> 00:35:16,000
Speaker 4: bit of a backstory here. So my friend Jim Van Blair,

718
00:35:16,040 --> 00:35:19,759
Speaker 4: come great guy. He posted an article on his Facebook

719
00:35:20,080 --> 00:35:24,200
Speaker 4: about how they're rebooting the Spider Man franchise and I

720
00:35:24,280 --> 00:35:27,080
Speaker 4: left the comment on that on his Facebook. I said

721
00:35:27,560 --> 00:35:32,440
Speaker 4: more like repeater Parker, Yeah, it's a good joke. It is,

722
00:35:32,680 --> 00:35:36,239
Speaker 4: And it got a few likes, like pretty quick, like

723
00:35:36,320 --> 00:35:39,760
Speaker 4: pretty fast. So I then put it out there on Facebook.

724
00:35:39,800 --> 00:35:43,160
Speaker 4: I said, hey, if this Facebook comment gets ten likes,

725
00:35:43,480 --> 00:35:45,799
Speaker 4: I'll turn this joke into its own tweet, you know,

726
00:35:45,920 --> 00:35:48,880
Speaker 4: to see if people wanted it. Blue past ten likes

727
00:35:49,080 --> 00:35:52,520
Speaker 4: pretty quickly, so we added some stretch goals to the campaign.

728
00:35:54,800 --> 00:35:57,399
Speaker 4: If the comment could get twenty likes, my friend Zach

729
00:35:57,400 --> 00:35:59,960
Speaker 4: Brissard was going to retweet it to his five thousand

730
00:36:00,280 --> 00:36:02,120
Speaker 4: Facebook Twitter followers.

731
00:36:02,280 --> 00:36:02,600
Speaker 2: Wow.

732
00:36:02,800 --> 00:36:04,120
Speaker 3: And then if the comment can.

733
00:36:04,040 --> 00:36:08,280
Speaker 4: Get seventy five likes on Facebook last week Tonight, writer

734
00:36:08,440 --> 00:36:11,520
Speaker 4: and co author of the popular Modern Seinfeld Twitter account,

735
00:36:11,920 --> 00:36:16,480
Speaker 4: would retweet it to his his bunch of Twitter followers.

736
00:36:16,560 --> 00:36:16,799
Speaker 2: Wow.

737
00:36:17,239 --> 00:36:19,000
Speaker 3: We reached those goals, no problem.

738
00:36:19,600 --> 00:36:23,000
Speaker 4: And a word about this tweet got around and I

739
00:36:23,120 --> 00:36:26,040
Speaker 4: was contacted by Saturday Night Lives Vanessa Bayer.

740
00:36:26,640 --> 00:36:28,280
Speaker 1: And she's like, this tweet went viral.

741
00:36:28,400 --> 00:36:33,200
Speaker 4: She said, she said, if this Facebook comment can get

742
00:36:33,239 --> 00:36:37,319
Speaker 4: a hundred likes, she would also retweet this tweet. So,

743
00:36:37,520 --> 00:36:40,480
Speaker 4: you know, I did some campaigning on Facebook. Keep in mind,

744
00:36:40,719 --> 00:36:43,400
Speaker 4: most of this time Jim's Facebook was private, so people

745
00:36:43,440 --> 00:36:46,480
Speaker 4: had to friend him so that they could like this comment.

746
00:36:48,960 --> 00:36:51,440
Speaker 3: And we reached to one hundred.

747
00:36:51,440 --> 00:36:55,800
Speaker 4: We blew past one hundred, and then Silicon Valley's Alice

748
00:36:55,800 --> 00:36:56,920
Speaker 4: Weddlin contacted me.

749
00:36:57,040 --> 00:36:58,640
Speaker 3: She's like, I love the Spider Man tweet.

750
00:36:58,680 --> 00:37:01,399
Speaker 4: I want in if if this, if you can get

751
00:37:01,400 --> 00:37:04,719
Speaker 4: two hundred likes on the Facebook comment, then she would

752
00:37:04,719 --> 00:37:05,560
Speaker 4: also retweet it.

753
00:37:06,080 --> 00:37:09,480
Speaker 3: We made it. She retweeted it, and then Kumil Angianni

754
00:37:09,560 --> 00:37:10,000
Speaker 3: got on there.

755
00:37:10,400 --> 00:37:10,520
Speaker 1: No.

756
00:37:10,600 --> 00:37:12,320
Speaker 3: He said, if we get to two hundred and fifty

757
00:37:13,160 --> 00:37:15,920
Speaker 3: likes on the Facebook comment, he would retweet it. We

758
00:37:15,960 --> 00:37:16,359
Speaker 3: made it.

759
00:37:16,560 --> 00:37:19,560
Speaker 4: He retweeted it, and he also promised that if we

760
00:37:19,640 --> 00:37:23,719
Speaker 4: get one thousand likes on the Facebook comment I left

761
00:37:23,719 --> 00:37:26,840
Speaker 4: on Jim vanclare comes Facebook, then he would get the

762
00:37:26,960 --> 00:37:30,640
Speaker 4: entire cast of Silicon Valley to retweet Spider Man tweet.

763
00:37:31,640 --> 00:37:34,040
Speaker 3: And that's right right now, we're a little over three hundred.

764
00:37:34,360 --> 00:37:36,680
Speaker 2: Even Martin Star, oh wow.

765
00:37:36,480 --> 00:37:37,240
Speaker 3: That's what he said.

766
00:37:37,480 --> 00:37:39,000
Speaker 1: I mean, it sounds like it might make it on

767
00:37:39,080 --> 00:37:39,440
Speaker 1: the show.

768
00:37:39,680 --> 00:37:41,280
Speaker 3: So we're trying to get there.

769
00:37:41,440 --> 00:37:41,680
Speaker 1: You know.

770
00:37:41,800 --> 00:37:43,480
Speaker 4: If so, if you guys go to natepernol dot com

771
00:37:43,520 --> 00:37:46,719
Speaker 4: slash Spider Man tweet, you can now Nate, Yeah.

772
00:37:46,480 --> 00:37:50,479
Speaker 2: Are you a viral marketer? Are you an Internet ecce?

773
00:37:51,040 --> 00:37:54,840
Speaker 4: I'm someone who takes my passions as far as they can.

774
00:37:54,680 --> 00:37:56,719
Speaker 2: Go and makes them happen. It seems like.

775
00:37:57,560 --> 00:37:59,799
Speaker 4: So, you know, Spider Man tweet is probably one of

776
00:37:59,800 --> 00:38:01,600
Speaker 4: my most successful tweets to date.

777
00:38:01,880 --> 00:38:04,440
Speaker 3: Yeah, and you know.

778
00:38:04,600 --> 00:38:05,520
Speaker 1: Does the tweet go.

779
00:38:07,640 --> 00:38:13,160
Speaker 3: They're relaunching Spider Man again more like repeater Parker. Oh yes, yeah, I'm.

780
00:38:13,040 --> 00:38:15,720
Speaker 2: Sorry you forgot the beginning of the story.

781
00:38:15,920 --> 00:38:18,040
Speaker 1: Yeah, that it was kind of a ways back then,

782
00:38:18,080 --> 00:38:20,200
Speaker 1: I remember, more like repeater.

783
00:38:20,360 --> 00:38:22,719
Speaker 4: But to all the listeners, I'd really appreciate it if

784
00:38:22,719 --> 00:38:24,960
Speaker 4: you could maybe go give some likes to this tweets to.

785
00:38:24,920 --> 00:38:26,160
Speaker 2: Remember a call to action.

786
00:38:26,400 --> 00:38:28,880
Speaker 3: Yeah, we're hashtag race to one thousand.

787
00:38:29,239 --> 00:38:31,080
Speaker 4: We're trying to get to a thousand likes on this

788
00:38:31,120 --> 00:38:34,080
Speaker 4: Facebook comment so that we can get more retweets on

789
00:38:34,120 --> 00:38:34,640
Speaker 4: this tweet.

790
00:38:35,560 --> 00:38:37,440
Speaker 2: I'd love to help you, but I'm not on Facebook.

791
00:38:37,520 --> 00:38:39,479
Speaker 1: And if you're listening to do you need to ride

792
00:38:39,480 --> 00:38:43,120
Speaker 1: on iTunes? Go on iTunes and give that tweet high rating?

793
00:38:43,280 --> 00:38:45,240
Speaker 3: Yeah? Well yeah, yeah, So.

794
00:38:45,440 --> 00:38:47,680
Speaker 1: Have you gone through iTunes? Have you done any marketing

795
00:38:47,680 --> 00:38:48,280
Speaker 1: through iTunes?

796
00:38:48,320 --> 00:38:48,920
Speaker 3: I haven't yet.

797
00:38:48,960 --> 00:38:51,440
Speaker 4: I was thinking about maybe making a Spider Man Tweet podcast,

798
00:38:51,480 --> 00:38:52,560
Speaker 4: just to keep the fans up.

799
00:38:52,520 --> 00:38:55,400
Speaker 3: To date on what's going to Right, We've got a

800
00:38:55,440 --> 00:38:58,760
Speaker 3: Facebook group. People can join this little community. I would

801
00:38:58,760 --> 00:39:01,719
Speaker 3: go on to talk about Spider Man tweet, square.

802
00:39:01,480 --> 00:39:03,759
Speaker 1: Space or something and just make a website for it.

803
00:39:03,880 --> 00:39:06,560
Speaker 4: Well, I had naperal dot com Flash spider Man tweet.

804
00:39:06,600 --> 00:39:09,000
Speaker 4: We've also got a merchandise page there. You can buy

805
00:39:09,000 --> 00:39:11,759
Speaker 4: Spider Man tweet teas. No, yeah, yeah, yeah.

806
00:39:11,760 --> 00:39:12,960
Speaker 2: Do you have any coffee monks?

807
00:39:12,960 --> 00:39:13,319
Speaker 3: We do?

808
00:39:13,480 --> 00:39:13,960
Speaker 2: Oh great.

809
00:39:14,040 --> 00:39:17,080
Speaker 4: So currently I'm dealing with the legal team right now.

810
00:39:17,400 --> 00:39:20,440
Speaker 4: Cafe Press just pulled all the Spider Man tweet images

811
00:39:20,520 --> 00:39:24,840
Speaker 4: because they think it's in Marvel Comics copyright violation.

812
00:39:25,040 --> 00:39:25,799
Speaker 3: Yeah, but it's not.

813
00:39:26,040 --> 00:39:30,280
Speaker 4: I don't think it is because it's hashtag spider Man tweet.

814
00:39:30,320 --> 00:39:31,480
Speaker 3: One word, no spaces.

815
00:39:31,840 --> 00:39:32,759
Speaker 2: It has a different feel.

816
00:39:32,840 --> 00:39:34,320
Speaker 3: Yeah, it's a different time on that.

817
00:39:34,440 --> 00:39:36,319
Speaker 1: Maybe you can get Sam Raimi on board. Is he

818
00:39:36,560 --> 00:39:37,600
Speaker 1: in charge of the new.

819
00:39:37,719 --> 00:39:38,920
Speaker 2: Does he know Alice Waterland?

820
00:39:39,640 --> 00:39:42,319
Speaker 3: He might? Okay, you might, but you know, we got

821
00:39:42,360 --> 00:39:43,719
Speaker 3: a lot of a lot of a long way to go.

822
00:39:43,719 --> 00:39:45,720
Speaker 3: There's a lot. It's an uphill battle with Spider Man tweet.

823
00:39:45,760 --> 00:39:47,480
Speaker 1: But I think it's gonna it'll be worth it.

824
00:39:47,520 --> 00:39:48,799
Speaker 3: Yeah, I think it's gonna be worth it well.

825
00:39:48,840 --> 00:39:51,839
Speaker 2: And also, so with the legal battle that you're in,

826
00:39:52,480 --> 00:39:55,800
Speaker 2: is there anything to connecting some kind of go fundme

827
00:39:57,160 --> 00:40:00,720
Speaker 2: in the go go kickstarter elements so that you don't

828
00:40:00,800 --> 00:40:04,080
Speaker 2: lose money while you're trying to get this tweet from out?

829
00:40:04,280 --> 00:40:07,160
Speaker 4: I have thought about maybe making an adie go go

830
00:40:07,920 --> 00:40:12,359
Speaker 4: to if if I can't get the Spider Man tweets,

831
00:40:13,200 --> 00:40:17,600
Speaker 4: the graphic ocade for me to make those t shirts. Yeah,

832
00:40:17,880 --> 00:40:21,600
Speaker 4: I was thinking of maybe raising some funds to.

833
00:40:23,360 --> 00:40:25,680
Speaker 3: Properly license Spider Man.

834
00:40:26,000 --> 00:40:29,160
Speaker 1: Okay, well, if you need to raise awareness about those funds,

835
00:40:29,239 --> 00:40:30,000
Speaker 1: I can help there.

836
00:40:30,200 --> 00:40:32,880
Speaker 2: It might be could it be cheaper to raise funds

837
00:40:32,960 --> 00:40:34,839
Speaker 2: to sue Marvel for the.

838
00:40:34,760 --> 00:40:36,520
Speaker 1: Rest that lawyer? Up?

839
00:40:37,080 --> 00:40:39,040
Speaker 3: Hey Karen, how would you like to be headed to

840
00:40:39,040 --> 00:40:39,719
Speaker 3: Team Spider Man?

841
00:40:39,800 --> 00:40:42,200
Speaker 2: Hey? Have I pitched some great ideas today?

842
00:40:42,280 --> 00:40:43,800
Speaker 3: Or what only have producers?

843
00:40:44,560 --> 00:40:48,040
Speaker 1: I was filled with ideas a second ago. You know

844
00:40:48,080 --> 00:40:51,840
Speaker 1: when my when my place is needed, I am available.

845
00:40:51,440 --> 00:40:54,360
Speaker 3: Chris, I'll say this. Our intern was just promoted to

846
00:40:54,480 --> 00:40:57,760
Speaker 3: junior producer. Oh, so we are looking for an intern.

847
00:40:57,840 --> 00:40:59,759
Speaker 2: A lot about mobility is that.

848
00:40:59,760 --> 00:41:04,200
Speaker 1: As an unpaid position, it is unpaid the whole time.

849
00:41:05,640 --> 00:41:06,440
Speaker 3: It is unpaid.

850
00:41:07,080 --> 00:41:11,520
Speaker 1: But it's okay. I can. I can just stay afloat

851
00:41:11,520 --> 00:41:13,200
Speaker 1: with the money I make on this podcast.

852
00:41:13,680 --> 00:41:16,920
Speaker 4: Like I said, our our last intern was promoted to

853
00:41:17,000 --> 00:41:17,840
Speaker 4: junior producer.

854
00:41:18,040 --> 00:41:19,560
Speaker 1: And how quickly did that happen?

855
00:41:19,600 --> 00:41:21,520
Speaker 3: It was probably about two months. That's a.

856
00:41:23,000 --> 00:41:25,880
Speaker 4: Spider Man campaign for spider Man tweet, So there is like,

857
00:41:25,960 --> 00:41:27,560
Speaker 4: it's not just like a dead end internship.

858
00:41:27,600 --> 00:41:30,000
Speaker 1: There is a future, not with the merch and the mugs.

859
00:41:30,000 --> 00:41:32,000
Speaker 1: How much revenue have you have you?

860
00:41:32,960 --> 00:41:36,160
Speaker 4: I have said it to the lowest possible revenue on

861
00:41:36,280 --> 00:41:40,000
Speaker 4: Cafe press because it's not about the money for me.

862
00:41:40,040 --> 00:41:40,840
Speaker 3: It's about the tweet.

863
00:41:43,239 --> 00:41:46,200
Speaker 4: Because there's been such a huge, great community of people

864
00:41:46,280 --> 00:41:48,920
Speaker 4: helping like this thing on Facebook and getting the word

865
00:41:48,960 --> 00:41:51,040
Speaker 4: of this tweet out there. I don't feel that it's

866
00:41:51,160 --> 00:41:53,440
Speaker 4: right for me to be profiting a lot off of

867
00:41:53,480 --> 00:41:54,400
Speaker 4: this tweet because.

868
00:41:54,200 --> 00:41:57,040
Speaker 1: It's too many people are these days, I feel our tweet,

869
00:41:57,080 --> 00:41:59,160
Speaker 1: you know, too many people are tweeting for the wrong reasons.

870
00:41:59,280 --> 00:42:01,600
Speaker 2: Yeah, you was your way. When the money comes in,

871
00:42:01,880 --> 00:42:03,400
Speaker 2: it's very easy to get caught in that.

872
00:42:03,680 --> 00:42:07,000
Speaker 1: Every every dick joke someone fires off, all they're seeing

873
00:42:07,040 --> 00:42:07,840
Speaker 1: is dollar signs.

874
00:42:07,920 --> 00:42:10,640
Speaker 4: Yeah, when we reached one hundred likes on the Facebook

875
00:42:10,680 --> 00:42:14,960
Speaker 4: coming for the tweet, I actually said that anyone who

876
00:42:15,800 --> 00:42:19,799
Speaker 4: had clicked like in the first one, I gave them

877
00:42:19,840 --> 00:42:24,200
Speaker 4: full permission to tweet Spider Man, tweet themselves and not

878
00:42:24,320 --> 00:42:26,120
Speaker 4: even have to rteam my tweet.

879
00:42:26,200 --> 00:42:27,799
Speaker 3: But like tweeting on their own.

880
00:42:27,920 --> 00:42:31,359
Speaker 2: That's great. And people love autonomy and they really that's

881
00:42:31,400 --> 00:42:32,239
Speaker 2: ownership for them.

882
00:42:32,280 --> 00:42:34,359
Speaker 4: It's a community project, and you know, I love it.

883
00:42:34,400 --> 00:42:36,600
Speaker 4: If the fans of d you need to wanted to

884
00:42:36,600 --> 00:42:38,399
Speaker 4: get involved like a co op.

885
00:42:38,640 --> 00:42:42,480
Speaker 2: I mean we you've easily now got about twenty one

886
00:42:42,520 --> 00:42:43,360
Speaker 2: people on the hook.

887
00:42:43,600 --> 00:42:46,960
Speaker 1: That's right, is right? Wouldn't you say that are currently listening?

888
00:42:47,160 --> 00:42:49,920
Speaker 2: Yeah, and just gotta be fascinated.

889
00:42:49,640 --> 00:42:51,640
Speaker 3: That can put us over three fifty.

890
00:42:51,680 --> 00:42:53,400
Speaker 2: No problems, that would be amazing.

891
00:42:53,560 --> 00:42:56,160
Speaker 1: Up until now we've been serious. But that of course

892
00:42:56,239 --> 00:43:00,279
Speaker 1: there's more people than twenty one listening. Let's just very

893
00:43:00,320 --> 00:43:03,400
Speaker 1: high numbers on this podcast. That's something I will not

894
00:43:03,520 --> 00:43:05,960
Speaker 1: joke about, something.

895
00:43:05,719 --> 00:43:08,600
Speaker 2: I will not Suddenly fair Banks gets deadly serious.

896
00:43:08,719 --> 00:43:11,920
Speaker 1: I'm sorry, sorry, And also I can get Sam Raimie

897
00:43:12,080 --> 00:43:15,440
Speaker 1: just no one asked shit. Tig Nataro used to be

898
00:43:15,520 --> 00:43:23,279
Speaker 1: Sam Ramie's assistant. So the end, hold on to the end,

899
00:43:23,520 --> 00:43:24,000
Speaker 1: the end.

900
00:43:25,080 --> 00:43:28,719
Speaker 2: When you when you dangled that out there, it was

901
00:43:28,840 --> 00:43:29,560
Speaker 2: for a reason.

902
00:43:29,800 --> 00:43:32,920
Speaker 1: Yeah, I see no one. But now I'm just saying

903
00:43:33,040 --> 00:43:36,480
Speaker 1: I can get Sam Raimi got it. I got I

904
00:43:36,560 --> 00:43:39,560
Speaker 1: know someone who is very close with who will call

905
00:43:39,600 --> 00:43:42,480
Speaker 1: me back that has him on her phone.

906
00:43:42,680 --> 00:43:44,640
Speaker 3: It sounds like a great way to kick off your internship.

907
00:43:44,840 --> 00:43:48,400
Speaker 2: This is this will lock that internship down.

908
00:43:49,400 --> 00:43:51,600
Speaker 4: I'll tell you right now, if you tell if you

909
00:43:51,880 --> 00:43:54,000
Speaker 4: promised me to get on that, I'm not even going

910
00:43:54,040 --> 00:43:55,880
Speaker 4: to interview anyone else for the internship position.

911
00:43:56,200 --> 00:43:59,560
Speaker 2: Really, it's a guaranteed free internship job.

912
00:43:59,640 --> 00:44:02,000
Speaker 4: I will I will make the formal announcement this week

913
00:44:02,000 --> 00:44:04,320
Speaker 4: that you are the new spider Man tweet intern.

914
00:44:04,520 --> 00:44:07,560
Speaker 1: Oh but that feels good. God, And I thought today

915
00:44:07,600 --> 00:44:10,400
Speaker 1: we were just doing a regular old podcast where nothing

916
00:44:10,440 --> 00:44:10,960
Speaker 1: comes of it.

917
00:44:11,080 --> 00:44:13,360
Speaker 2: Yeah, you'd think it was just fun times. But that's

918
00:44:13,440 --> 00:44:15,200
Speaker 2: not how social media works anymore.

919
00:44:15,440 --> 00:44:17,319
Speaker 1: No, God, I got I wish I was like you

920
00:44:17,400 --> 00:44:18,960
Speaker 1: to where I just had it all dialed.

921
00:44:19,280 --> 00:44:21,479
Speaker 2: Yeah, well we can all aim to be like Nate.

922
00:44:21,680 --> 00:44:22,279
Speaker 3: Here's the thing.

923
00:44:22,640 --> 00:44:24,560
Speaker 4: You know a lot of people make a lot of

924
00:44:24,560 --> 00:44:26,880
Speaker 4: great tweets and then they just move on down the

925
00:44:26,880 --> 00:44:28,480
Speaker 4: feed and they get lost to history.

926
00:44:28,800 --> 00:44:31,439
Speaker 3: Spider Man tweeting ain't going nowhere. Yeah, spider Man.

927
00:44:31,320 --> 00:44:35,520
Speaker 4: Two has been getting consistently artied for approximately two months

928
00:44:36,200 --> 00:44:38,040
Speaker 4: so and it doesn't.

929
00:44:38,080 --> 00:44:40,040
Speaker 3: It doesn't appear to be slowing down anytime soon.

930
00:44:40,400 --> 00:44:41,480
Speaker 1: It only is building.

931
00:44:41,600 --> 00:44:42,040
Speaker 3: Yeah.

932
00:44:42,080 --> 00:44:44,560
Speaker 2: I mean, do you have any connections on because I

933
00:44:44,600 --> 00:44:47,840
Speaker 2: know Silicon Valley, it's a great show. It's critically acclaim show.

934
00:44:48,040 --> 00:44:51,400
Speaker 2: It's an HBO show, might not have the viewership of

935
00:44:51,440 --> 00:44:57,080
Speaker 2: a Big Bang Theory or of a The Mysteries of Laura.

936
00:44:57,440 --> 00:45:00,600
Speaker 2: Do you know any people that are on network? Yeah,

937
00:45:00,760 --> 00:45:02,480
Speaker 2: that you might be able to connect him, like a.

938
00:45:02,480 --> 00:45:04,280
Speaker 1: Huge Lori vehicle network.

939
00:45:04,640 --> 00:45:08,760
Speaker 3: But I am about two degrees connected to zach Efron.

940
00:45:09,160 --> 00:45:12,120
Speaker 1: What sorry, Chuck, Lori Zach Efron, So.

941
00:45:12,560 --> 00:45:13,279
Speaker 3: You know, I don't know.

942
00:45:13,360 --> 00:45:15,920
Speaker 4: I mean, first, right now, my priority is getting this tweet,

943
00:45:16,400 --> 00:45:19,120
Speaker 4: getting this Facebook post to a thousand likes so we

944
00:45:19,160 --> 00:45:22,719
Speaker 4: can get some more solid artis on this thing. And

945
00:45:22,760 --> 00:45:25,120
Speaker 4: then once we do that, I might start exploring those

946
00:45:25,120 --> 00:45:27,279
Speaker 4: connections and seeing if we can get Efron on the line.

947
00:45:27,360 --> 00:45:29,799
Speaker 1: Okay, the only thing if I was able to meet him,

948
00:45:29,840 --> 00:45:32,680
Speaker 1: And it sounds like we're on the right path to that.

949
00:45:32,760 --> 00:45:36,840
Speaker 1: I'm gonna say, hey, maybe you're getting too ripped. You

950
00:45:36,880 --> 00:45:38,759
Speaker 1: don't want to see someone like Zach. He's still a

951
00:45:38,840 --> 00:45:44,560
Speaker 1: kid to me, pulling up Joe Piscopo and getting distractingly muscular. Well,

952
00:45:44,760 --> 00:45:47,839
Speaker 1: take away from his comedy is one of the better

953
00:45:47,880 --> 00:45:49,840
Speaker 1: comedic actors, and he's getting ripped.

954
00:45:50,960 --> 00:45:54,080
Speaker 3: Yeah, he's getting he's getting pretty rock hard up there.

955
00:45:54,239 --> 00:45:57,640
Speaker 1: Yeah, yeah, but not down there. I've seen his legs

956
00:45:57,680 --> 00:46:02,239
Speaker 1: are like, hey, someone's skipping a gym day, but his

957
00:46:02,360 --> 00:46:04,800
Speaker 1: upper his up upper. Yeah, it's very muscular.

958
00:46:05,320 --> 00:46:07,000
Speaker 2: Uh, just one more idea.

959
00:46:07,080 --> 00:46:08,960
Speaker 1: That asshole needs a muffler. Sorry.

960
00:46:09,960 --> 00:46:12,000
Speaker 2: What about Tyrese who.

961
00:46:11,800 --> 00:46:15,000
Speaker 1: Seems to the actors slash model.

962
00:46:15,200 --> 00:46:17,319
Speaker 2: Isn't he the one that's on Twitter and has tons

963
00:46:17,320 --> 00:46:18,840
Speaker 2: of followers and follows everybody?

964
00:46:19,000 --> 00:46:21,080
Speaker 3: Oh no, that's dig Digs.

965
00:46:22,000 --> 00:46:23,479
Speaker 2: Another racist moment with Karen.

966
00:46:24,080 --> 00:46:28,080
Speaker 1: Yeah, it's that that is only chalked up to racism.

967
00:46:28,239 --> 00:46:30,120
Speaker 2: I mean, but there's the letters T and Y in

968
00:46:30,239 --> 00:46:32,320
Speaker 2: both names, and they had a similar faces.

969
00:46:32,480 --> 00:46:35,840
Speaker 3: That guy Twitter, MLK or something.

970
00:46:40,360 --> 00:46:41,120
Speaker 2: He's either.

971
00:46:42,840 --> 00:46:45,480
Speaker 1: Man. If my arm twisted that way, we would be

972
00:46:45,600 --> 00:46:46,080
Speaker 1: high five.

973
00:46:47,520 --> 00:46:48,839
Speaker 3: He's your rockets thirty four.

974
00:46:49,560 --> 00:46:53,160
Speaker 2: Well, I apologize to everybody that's not bright white like me.

975
00:46:54,719 --> 00:46:56,279
Speaker 3: You know, Karen, you've worked in the TV industry a

976
00:46:56,280 --> 00:46:56,640
Speaker 3: long time.

977
00:46:56,719 --> 00:46:59,600
Speaker 4: You think you got any any connections you might be

978
00:46:59,600 --> 00:47:01,920
Speaker 4: interested in getting involved in Spider Man tweet.

979
00:47:02,000 --> 00:47:03,800
Speaker 3: I mean it'd be great for their image.

980
00:47:03,920 --> 00:47:07,319
Speaker 2: I count pretty much every staff member of the Ellen

981
00:47:07,400 --> 00:47:10,799
Speaker 2: Dejenner Show is my deep enemy. So we've got those connections,

982
00:47:11,200 --> 00:47:14,880
Speaker 2: which can sometimes be more powerful than positive ones.

983
00:47:16,040 --> 00:47:18,800
Speaker 3: You think Spider Man tweet could repair those bridges.

984
00:47:19,160 --> 00:47:22,960
Speaker 2: I mean, here's the thing. They on that show they

985
00:47:23,040 --> 00:47:27,080
Speaker 2: work in. They love social media. They utilize social media.

986
00:47:27,160 --> 00:47:30,560
Speaker 2: They use it as their own content for free. It

987
00:47:30,640 --> 00:47:32,000
Speaker 2: seems to be right up their alley.

988
00:47:32,080 --> 00:47:34,800
Speaker 4: It's that you bring up Alan because Alan DeGeneres currently

989
00:47:34,880 --> 00:47:39,359
Speaker 4: holds the record for most RTI tweet really.

990
00:47:39,400 --> 00:47:42,719
Speaker 2: From the oscars from the oscarsh Oh that photo? So

991
00:47:42,800 --> 00:47:47,120
Speaker 2: you're so is your aim perhaps to beat that record?

992
00:47:47,200 --> 00:47:51,120
Speaker 3: I would love if Spider Man tweet. Could you could

993
00:47:51,160 --> 00:47:52,360
Speaker 3: get ARTI more times?

994
00:47:52,600 --> 00:47:54,240
Speaker 1: The only way you could do it is get everyone

995
00:47:54,239 --> 00:47:55,440
Speaker 1: in that photo involved.

996
00:47:55,840 --> 00:48:00,200
Speaker 4: How many times did did that tweet? Get urte a

997
00:48:00,840 --> 00:48:01,560
Speaker 4: tweet it?

998
00:48:02,320 --> 00:48:05,200
Speaker 1: I had no idea. You mean came with the information.

999
00:48:05,320 --> 00:48:08,480
Speaker 2: Yeah, you're the one that's spouting all this bullshit, so

1000
00:48:08,880 --> 00:48:11,160
Speaker 2: you can't then turn around and ask us questions about it.

1001
00:48:11,719 --> 00:48:14,719
Speaker 1: I feel like maybe literally that bullshit ca Yeah, it

1002
00:48:14,760 --> 00:48:16,640
Speaker 1: seems I was surprised by Nate.

1003
00:48:17,080 --> 00:48:19,080
Speaker 2: I'm not sure when this sketch is going to end,

1004
00:48:19,120 --> 00:48:23,399
Speaker 2: but shot, I thought I was playing my part as

1005
00:48:23,480 --> 00:48:23,799
Speaker 2: the bitch.

1006
00:48:23,920 --> 00:48:25,759
Speaker 3: No, Karen, I need to know that everything I've said

1007
00:48:25,760 --> 00:48:26,839
Speaker 3: about spieringmen teeters one.

1008
00:48:28,320 --> 00:48:30,120
Speaker 2: Not any of it is untrue.

1009
00:48:30,200 --> 00:48:31,920
Speaker 3: I literally have two producers in.

1010
00:48:31,880 --> 00:48:37,359
Speaker 2: An internal No, I don't. Your comedy is so new,

1011
00:48:37,480 --> 00:48:39,719
Speaker 2: it's so of the now in the way that it's

1012
00:48:39,960 --> 00:48:45,640
Speaker 2: real and twenty four to seven it's like living theater.

1013
00:48:46,200 --> 00:48:48,640
Speaker 1: Yeah, I think I know that. After today, I'm going

1014
00:48:48,680 --> 00:48:53,080
Speaker 1: to reapproach the way I do it tweeting comedy and tweeting.

1015
00:48:53,160 --> 00:48:54,560
Speaker 1: I mean, now you're interning.

1016
00:48:54,880 --> 00:48:59,600
Speaker 3: I'm serious about announcing you as as new intern for

1017
00:48:59,640 --> 00:49:00,440
Speaker 3: Spider Man. Tweet.

1018
00:49:00,560 --> 00:49:04,320
Speaker 1: Well, tell me what I need to do. I'll start

1019
00:49:04,360 --> 00:49:18,560
Speaker 1: with retweeting. Okay, we're back. Ran out of power there.

1020
00:49:18,600 --> 00:49:21,640
Speaker 1: We were talking about Ellen DeGeneres and the batteries went

1021
00:49:21,719 --> 00:49:22,279
Speaker 1: tits up.

1022
00:49:22,400 --> 00:49:24,400
Speaker 2: How many retweets did her offer?

1023
00:49:24,680 --> 00:49:27,479
Speaker 4: Ellen's oscars tweet, which currently holds a record for most

1024
00:49:27,560 --> 00:49:31,120
Speaker 4: arties has three point three four million artists.

1025
00:49:32,000 --> 00:49:33,200
Speaker 1: That's ridiculous.

1026
00:49:33,440 --> 00:49:34,400
Speaker 2: Three million.

1027
00:49:37,320 --> 00:49:40,600
Speaker 3: I think Spider Man tweet and that is.

1028
00:49:40,520 --> 00:49:44,960
Speaker 1: The population of Montana and Wyoming combined.

1029
00:49:46,520 --> 00:49:48,719
Speaker 3: I don't even think I've gotten that many arts on

1030
00:49:48,840 --> 00:49:50,080
Speaker 3: all my tea's combined.

1031
00:49:52,560 --> 00:49:56,400
Speaker 1: I'm gonna I'm sorry to be presumptuous, but I guarantee

1032
00:49:56,440 --> 00:49:56,960
Speaker 1: you haven't.

1033
00:49:57,080 --> 00:49:57,279
Speaker 2: Yeah.

1034
00:49:58,600 --> 00:50:02,400
Speaker 1: See, now I've attacked. That's something we've done on the podcast.

1035
00:50:02,480 --> 00:50:04,200
Speaker 2: I like it. I don't mind it at all.

1036
00:50:04,360 --> 00:50:06,040
Speaker 3: I like the first guest who's been attacked.

1037
00:50:06,560 --> 00:50:08,960
Speaker 1: No, no, this is something we do. At the forty

1038
00:50:08,960 --> 00:50:13,680
Speaker 1: five minute mark, we start our our self esteem gets challenged.

1039
00:50:14,120 --> 00:50:16,920
Speaker 1: We worry about the future of the podcast right at

1040
00:50:16,920 --> 00:50:19,759
Speaker 1: the forty five minute mark, and then we lash out

1041
00:50:20,120 --> 00:50:24,759
Speaker 1: or the batteries just die. Yeah, what was that?

1042
00:50:24,840 --> 00:50:25,160
Speaker 3: I love?

1043
00:50:25,239 --> 00:50:28,480
Speaker 2: That dog was just walking into the street, which it was.

1044
00:50:29,120 --> 00:50:34,120
Speaker 1: Curb your animal, did you guys what? I've been confused

1045
00:50:34,120 --> 00:50:37,520
Speaker 1: by those science that say curb your pet. It means, well,

1046
00:50:37,560 --> 00:50:39,479
Speaker 1: it makes me think of American history acts.

1047
00:50:39,600 --> 00:50:43,120
Speaker 4: I have been to curb stomp your pets literally yesterday.

1048
00:50:43,160 --> 00:50:44,239
Speaker 3: I think I figured it out.

1049
00:50:44,520 --> 00:50:45,759
Speaker 2: It means pick up your dog shit.

1050
00:50:45,880 --> 00:50:48,800
Speaker 3: Well, but oh no, it doesn't doesn't.

1051
00:50:48,840 --> 00:50:51,640
Speaker 1: And that's what everyone thinks, like, have your dog near

1052
00:50:52,160 --> 00:50:52,839
Speaker 1: dickhead now.

1053
00:50:52,800 --> 00:50:55,440
Speaker 2: Here, I'm always the dickhead.

1054
00:50:56,560 --> 00:50:59,880
Speaker 1: Curb as in, like, curb your enthusiasm, keep it at

1055
00:51:00,040 --> 00:51:04,120
Speaker 1: a minimum, the excitement level of Curb your pet, do

1056
00:51:04,239 --> 00:51:07,600
Speaker 1: not have them bark, do not have them in a frenzy.

1057
00:51:08,000 --> 00:51:09,160
Speaker 1: Let's curb them.

1058
00:51:09,400 --> 00:51:12,040
Speaker 4: No, that's not what I Here's what I thought. Okay,

1059
00:51:12,239 --> 00:51:13,680
Speaker 4: and again I don't know if this is true. This

1060
00:51:13,719 --> 00:51:14,680
Speaker 4: is just all conjections.

1061
00:51:14,719 --> 00:51:18,439
Speaker 2: I hope I know what I have said to be true.

1062
00:51:18,520 --> 00:51:19,759
Speaker 1: But all right, we'll hear you out.

1063
00:51:19,960 --> 00:51:21,319
Speaker 3: So this is what I think.

1064
00:51:21,360 --> 00:51:23,640
Speaker 4: And then listeners, you know, if you know the answer,

1065
00:51:24,719 --> 00:51:26,839
Speaker 4: click like on Spider Man tweet and the tweet at us.

1066
00:51:26,920 --> 00:51:28,680
Speaker 1: Yeah, and that'll be a good way of letting us

1067
00:51:28,719 --> 00:51:31,200
Speaker 1: know specifically who who you believe.

1068
00:51:31,600 --> 00:51:34,640
Speaker 2: Please email then and let them know what your voting.

1069
00:51:34,840 --> 00:51:38,080
Speaker 4: And that is so I think you mean because I

1070
00:51:38,120 --> 00:51:41,879
Speaker 4: saw someone with a like string around their lawn and

1071
00:51:41,920 --> 00:51:45,359
Speaker 4: then a sign on the string on the lawn that said,

1072
00:51:45,440 --> 00:51:48,799
Speaker 4: please curb your dog, and I took it to mean,

1073
00:51:49,440 --> 00:51:52,200
Speaker 4: don't let your dog go to the bathroom on our lawn.

1074
00:51:52,360 --> 00:51:54,319
Speaker 3: Have it go to the bathroom on the.

1075
00:51:54,120 --> 00:51:57,560
Speaker 1: Curb, like the actual cement edge, or like the grass

1076
00:51:57,600 --> 00:51:59,919
Speaker 1: the grass. I mean, if you stop and think about

1077
00:52:00,080 --> 00:52:03,840
Speaker 1: what you've said, and and and and put it, you know,

1078
00:52:03,960 --> 00:52:06,000
Speaker 1: put it up against the logic of what I've said.

1079
00:52:07,160 --> 00:52:10,279
Speaker 1: I just ask you for a minute, who who in

1080
00:52:10,360 --> 00:52:12,840
Speaker 1: the world would ask a dog to poop on the

1081
00:52:12,960 --> 00:52:16,200
Speaker 1: edge of a curb, specifically poop on the curb.

1082
00:52:16,640 --> 00:52:19,040
Speaker 4: I think it's more saying, don't have your dog poop

1083
00:52:19,080 --> 00:52:19,960
Speaker 4: on my lawn.

1084
00:52:19,920 --> 00:52:23,520
Speaker 1: If and and I oftentimes I don't pull rank on people.

1085
00:52:23,560 --> 00:52:25,560
Speaker 1: I'm not someone that's confident, and I didn't do that

1086
00:52:25,560 --> 00:52:28,400
Speaker 1: well in school. But I am right. It is curb

1087
00:52:28,480 --> 00:52:32,319
Speaker 1: and the usage of the show curb your enthusiasm, it is,

1088
00:52:32,480 --> 00:52:34,880
Speaker 1: it is, keep it, keep it at a minimum.

1089
00:52:34,920 --> 00:52:37,080
Speaker 2: And I would just like to say that I'm pon

1090
00:52:37,160 --> 00:52:40,640
Speaker 2: hearing both of your definitions. I know for a fact

1091
00:52:40,640 --> 00:52:43,840
Speaker 2: I'm right. Uh, and this is going to be a

1092
00:52:44,160 --> 00:52:45,480
Speaker 2: delicious reveal.

1093
00:52:46,120 --> 00:52:48,160
Speaker 4: Wait wait wait, can I before you make your bigger review?

1094
00:52:48,719 --> 00:52:52,799
Speaker 4: One more yeah, one more point towards mine. Okay, okay, uh,

1095
00:52:53,080 --> 00:52:56,319
Speaker 4: Because I I thought the phrase curb your enthusiasm came

1096
00:52:56,480 --> 00:52:58,160
Speaker 4: from the phrase curb your dog.

1097
00:52:58,920 --> 00:53:02,399
Speaker 1: Well, it's fine. The very first episode actually, which they

1098
00:53:02,400 --> 00:53:06,960
Speaker 1: didn't air because it was the pilot, Edward Norton curbs

1099
00:53:08,360 --> 00:53:11,960
Speaker 1: a Nazi. I forget hey, I think it's a good

1100
00:53:11,960 --> 00:53:14,320
Speaker 1: thing that I don't remember the plot of that painful movie.

1101
00:53:16,000 --> 00:53:17,080
Speaker 2: It's probably for the best.

1102
00:53:17,120 --> 00:53:19,560
Speaker 4: Well, so I interpreted curby your enthusiasm and like, hey,

1103
00:53:19,600 --> 00:53:23,080
Speaker 4: your enthusiasm, get it out of here, bring over the street.

1104
00:53:23,440 --> 00:53:26,919
Speaker 1: Yeah, yeah, we don't need your excitement in our lawn.

1105
00:53:27,080 --> 00:53:30,359
Speaker 1: And that is what curb your dog means. It's really

1106
00:53:30,400 --> 00:53:32,640
Speaker 1: not Okay, I'm gonna google it.

1107
00:53:32,920 --> 00:53:33,200
Speaker 2: Do it?

1108
00:53:33,239 --> 00:53:34,520
Speaker 1: Do you want me to do it? During the pod?

1109
00:53:34,680 --> 00:53:38,799
Speaker 1: I'm so impatient. I am wanting to know what is

1110
00:53:38,880 --> 00:53:42,000
Speaker 1: curb your dog mean. I'm going to use voice command.

1111
00:53:41,960 --> 00:53:44,239
Speaker 4: Now, I know. Chris just put the brakes on me

1112
00:53:44,320 --> 00:53:46,759
Speaker 4: pretty hard, and here we go. Now, I think me and.

1113
00:53:46,719 --> 00:53:49,400
Speaker 1: Him, okay, here we go.

1114
00:53:50,480 --> 00:53:51,440
Speaker 2: He wants an internship.

1115
00:53:52,160 --> 00:53:53,160
Speaker 3: He's got the internship.

1116
00:53:53,239 --> 00:53:55,920
Speaker 1: What does curb your dog mean? Question?

1117
00:53:56,040 --> 00:54:00,839
Speaker 2: Mark Ory?

1118
00:54:01,920 --> 00:54:03,800
Speaker 1: What does curb your dog means?

1119
00:54:03,880 --> 00:54:04,200
Speaker 3: Siri?

1120
00:54:06,480 --> 00:54:12,160
Speaker 1: Okay, okay, okay, here's what I found dog the curb,

1121
00:54:12,320 --> 00:54:16,800
Speaker 1: the term curb your dog. It's coming up on Urban Dictionary,

1122
00:54:16,840 --> 00:54:21,080
Speaker 1: a very valid source. What curb your dog? The term

1123
00:54:21,160 --> 00:54:23,320
Speaker 1: curb your dog basically has two meanings.

1124
00:54:23,400 --> 00:54:25,120
Speaker 2: Oh shit, don't use urban.

1125
00:54:25,719 --> 00:54:28,319
Speaker 1: One meaning is to keep your dog under control and

1126
00:54:28,400 --> 00:54:31,600
Speaker 1: out of trouble i e. Keep your dog leashed or

1127
00:54:31,719 --> 00:54:36,360
Speaker 1: confined to your property as to keep others from causing

1128
00:54:36,400 --> 00:54:39,680
Speaker 1: trouble for others. It means it means to pick up

1129
00:54:39,680 --> 00:54:42,680
Speaker 1: your dog's poo when they're out of property curb. The

1130
00:54:42,719 --> 00:54:45,120
Speaker 1: main meaning is keep your dog under control.

1131
00:54:45,200 --> 00:54:49,600
Speaker 2: Okay, I demand your urban dictionary does not count.

1132
00:54:50,160 --> 00:54:54,759
Speaker 1: Oh really, that's a thirteen year old boy, the frivolous,

1133
00:54:54,800 --> 00:54:59,040
Speaker 1: the fleeting thoughts that are diarrheaing out of your untrained brains.

1134
00:54:59,320 --> 00:55:02,520
Speaker 1: It beats a a valid website that gets very many lists.

1135
00:55:02,680 --> 00:55:03,480
Speaker 1: I'm sorry.

1136
00:55:03,200 --> 00:55:06,520
Speaker 4: I used to write for a trivia game years ago

1137
00:55:06,560 --> 00:55:08,759
Speaker 4: and we were not allowed to cite urban dictionaries.

1138
00:55:08,960 --> 00:55:10,840
Speaker 1: What about answers dot com?

1139
00:55:11,000 --> 00:55:12,480
Speaker 2: Yes, answers.

1140
00:55:12,600 --> 00:55:15,360
Speaker 1: Oh that's more valid. But we'll get ready to be

1141
00:55:15,560 --> 00:55:18,760
Speaker 1: double egg in your face, double face.

1142
00:55:19,040 --> 00:55:21,239
Speaker 2: Mirriam Webster someone that we've heard of.

1143
00:55:21,440 --> 00:55:26,879
Speaker 1: Oh yes, Merriam Webster, a fictitious, made up person who

1144
00:55:26,960 --> 00:55:31,720
Speaker 1: is no random house. All right, I'm at answers dot com,

1145
00:55:32,080 --> 00:55:34,480
Speaker 1: which is the same setup. I think it's the same people.

1146
00:55:35,000 --> 00:55:37,680
Speaker 2: Yeah, they're they're definitely under the same looking up.

1147
00:55:37,640 --> 00:55:42,319
Speaker 1: The the the What does curb your dog mean? These

1148
00:55:42,360 --> 00:55:45,480
Speaker 1: signs are often seen around cities or public areas. Curb

1149
00:55:45,520 --> 00:55:48,359
Speaker 1: your dog means that owners must keep their dogs from

1150
00:55:48,440 --> 00:55:52,920
Speaker 1: soiling building, sidewalks, in parks and walkways. Hi hi what Hi?

1151
00:55:53,040 --> 00:55:58,320
Speaker 1: I am no what? Dog owners in urban areas should

1152
00:55:58,400 --> 00:56:00,800
Speaker 1: refrain from letting their dogs go to a bathroom in

1153
00:56:00,840 --> 00:56:03,279
Speaker 1: the middle of the sidewalk or you'urinating on the well.

1154
00:56:03,280 --> 00:56:07,080
Speaker 1: It's not saying the actual curb meaning.

1155
00:56:08,480 --> 00:56:11,480
Speaker 2: Oh I'm starting to give up.

1156
00:56:12,160 --> 00:56:15,160
Speaker 1: Yeah, but that means it doesn't mean put the ship

1157
00:56:15,200 --> 00:56:17,440
Speaker 1: on the curb. It has nothing to do with a

1158
00:56:17,480 --> 00:56:19,240
Speaker 1: physical curb. That's all I'm saying.

1159
00:56:19,719 --> 00:56:22,480
Speaker 2: You said it meant to keep your dog calm.

1160
00:56:22,200 --> 00:56:23,640
Speaker 1: Yeah, which means don't.

1161
00:56:24,840 --> 00:56:27,520
Speaker 2: No, no, no, no, you didn't have ship in your definition.

1162
00:56:27,640 --> 00:56:29,759
Speaker 2: What does curb your dog on?

1163
00:56:30,239 --> 00:56:31,200
Speaker 1: Yeah? Who answers?

1164
00:56:32,239 --> 00:56:35,280
Speaker 2: We just keep bringing up different.

1165
00:56:37,120 --> 00:56:41,959
Speaker 1: Okay, okay, I should say specifically, oh no, our guests

1166
00:56:42,000 --> 00:56:43,800
Speaker 1: went to sleep.

1167
00:56:45,440 --> 00:56:46,280
Speaker 3: He's just upset.

1168
00:56:46,520 --> 00:56:49,000
Speaker 2: What's the matter? Now? What is it name?

1169
00:56:49,120 --> 00:56:51,560
Speaker 1: When you get mad, do you talk about yourself being mad.

1170
00:56:51,400 --> 00:56:54,040
Speaker 2: In the third person? He's so upset?

1171
00:56:54,360 --> 00:57:01,760
Speaker 3: Native is upset baby said, no, it sounds like of

1172
00:57:01,920 --> 00:57:05,960
Speaker 3: the multiple definitions of kurb mine wasn't even anywhere near

1173
00:57:06,000 --> 00:57:06,520
Speaker 3: any of them.

1174
00:57:06,760 --> 00:57:08,400
Speaker 1: Right, Well, at least we have.

1175
00:57:10,480 --> 00:57:12,240
Speaker 3: The weird thing is I'm still positive.

1176
00:57:14,440 --> 00:57:16,880
Speaker 2: Isn't this so like life? So everything goes?

1177
00:57:16,960 --> 00:57:19,160
Speaker 1: That's how I was in math class too, I would

1178
00:57:19,240 --> 00:57:22,160
Speaker 1: I refused to believe all of that, and I wasn't

1179
00:57:22,240 --> 00:57:24,840
Speaker 1: replacing it with any knowledge. I just refused to believe

1180
00:57:24,880 --> 00:57:25,120
Speaker 1: in it.

1181
00:57:25,800 --> 00:57:30,320
Speaker 2: I feel like I'm often wrong fifty percent of the time,

1182
00:57:30,640 --> 00:57:35,080
Speaker 2: and I'm always totally shocked. I can't believe it when

1183
00:57:35,120 --> 00:57:36,080
Speaker 2: I don't know what.

1184
00:57:36,000 --> 00:57:43,080
Speaker 1: I'm I wish I had your unshakable, unwarranted concoct oh

1185
00:57:43,800 --> 00:57:49,240
Speaker 1: infinity more like take that long to turn right rather

1186
00:57:49,360 --> 00:57:51,240
Speaker 1: than infinity the car.

1187
00:57:51,600 --> 00:57:54,480
Speaker 4: I'm often correct, but I never said the thing that

1188
00:57:54,520 --> 00:57:57,120
Speaker 4: I thought to be correct out loud, So I'm like

1189
00:57:57,200 --> 00:57:59,880
Speaker 4: only correct to me, like in my head, like yeah,

1190
00:57:59,880 --> 00:58:00,480
Speaker 4: I knew that.

1191
00:58:00,720 --> 00:58:02,360
Speaker 2: Can I tell you one of the best things Nate

1192
00:58:02,440 --> 00:58:04,080
Speaker 2: Ernald did when we were working on the Pete Home

1193
00:58:04,080 --> 00:58:09,440
Speaker 2: Show together. Yes, Pete Holmes would often like to lecture

1194
00:58:09,480 --> 00:58:12,800
Speaker 2: people about eating healthy food and making the right choices.

1195
00:58:12,840 --> 00:58:15,360
Speaker 2: So someone and it could have been me I don't

1196
00:58:15,360 --> 00:58:17,520
Speaker 2: know if it was you. There was an empty package

1197
00:58:17,560 --> 00:58:22,080
Speaker 2: of Reese's sticks next to you on the couch, and

1198
00:58:22,120 --> 00:58:24,400
Speaker 2: Pete started talking about who's eating that and blah blah blah.

1199
00:58:24,440 --> 00:58:25,880
Speaker 2: I think I was going to eat it, because I

1200
00:58:25,920 --> 00:58:28,480
Speaker 2: was immediately just silent. I was just like, I'm not

1201
00:58:28,680 --> 00:58:29,600
Speaker 2: admitting to anything.

1202
00:58:29,720 --> 00:58:32,640
Speaker 1: We just drove by Honey Boo Boo's mom. But please

1203
00:58:32,880 --> 00:58:33,600
Speaker 1: don't stop with you.

1204
00:58:34,200 --> 00:58:38,760
Speaker 2: Oh, don't stop, don't okay. So he started saying, you

1205
00:58:38,760 --> 00:58:40,880
Speaker 2: don't even know what's in that. You know, that's so crazy.

1206
00:58:41,160 --> 00:58:42,680
Speaker 2: Why would you eat that you don't even know what's

1207
00:58:42,720 --> 00:58:46,880
Speaker 2: in it? And he and Nac go's, Oh, because we

1208
00:58:46,960 --> 00:58:50,280
Speaker 2: all got them at the store, that's why. So Pete

1209
00:58:50,320 --> 00:58:52,600
Speaker 2: picked up a rapper that was near him and goes,

1210
00:58:52,680 --> 00:58:54,440
Speaker 2: you don't even know what's in this and you're eating it,

1211
00:58:54,680 --> 00:58:58,240
Speaker 2: and na goes, uh, I don't know dextros and then

1212
00:58:58,440 --> 00:59:01,680
Speaker 2: Pete Pete goes, you can't name five things. And Nate

1213
00:59:01,880 --> 00:59:04,720
Speaker 2: was naming. He was naming every single ingredient on this

1214
00:59:04,840 --> 00:59:08,200
Speaker 2: crazy candy that was all chemicals, and he was blowing

1215
00:59:08,240 --> 00:59:11,160
Speaker 2: Pete's mind. And I looked down like I was sitting there.

1216
00:59:11,240 --> 00:59:13,280
Speaker 2: I thought you Honestly, the way you were playing it, it

1217
00:59:13,360 --> 00:59:14,919
Speaker 2: was like you were off the top of your head,

1218
00:59:14,960 --> 00:59:17,720
Speaker 2: like rival flavor whatever.

1219
00:59:19,200 --> 00:59:21,200
Speaker 3: Mixed up, like didn't get some of the right order legs,

1220
00:59:21,240 --> 00:59:23,000
Speaker 3: like either yell.

1221
00:59:23,800 --> 00:59:26,000
Speaker 2: Had another one on your lap, And yes, it was

1222
00:59:26,040 --> 00:59:27,880
Speaker 2: just right next to him on the couch, so he

1223
00:59:27,880 --> 00:59:29,640
Speaker 2: didn't pick it up or anything. He was just looking

1224
00:59:29,680 --> 00:59:33,000
Speaker 2: down and peeking at the ingredient place. And it went

1225
00:59:33,040 --> 00:59:36,000
Speaker 2: on for a really long time before anyone cut on.

1226
00:59:36,080 --> 00:59:37,000
Speaker 2: It was so funny.

1227
00:59:37,040 --> 00:59:41,640
Speaker 3: Oh well, do you remember the jelly bean drake?

1228
00:59:42,600 --> 00:59:44,120
Speaker 1: Is that where you guess how many are in a

1229
00:59:44,120 --> 00:59:45,320
Speaker 1: big jar and you went a bike?

1230
00:59:49,880 --> 00:59:52,440
Speaker 2: Oh that was Joe de Rosa. I thought he was

1231
00:59:52,440 --> 00:59:56,320
Speaker 2: gonna prank everybody by by giving them box beans. Those

1232
00:59:56,680 --> 00:59:59,320
Speaker 2: the Harry Potter jelly beans that are terrible flavors like

1233
01:00:00,120 --> 01:00:03,600
Speaker 2: bar friend right right, yeah.

1234
01:00:03,240 --> 01:00:04,880
Speaker 3: Just like puke and boogers.

1235
01:00:04,880 --> 01:00:06,760
Speaker 1: Oh no, and they really taste like that.

1236
01:00:06,920 --> 01:00:08,680
Speaker 2: Yeah, apparently they really taste like that.

1237
01:00:09,640 --> 01:00:10,360
Speaker 1: Disgusting.

1238
01:00:10,480 --> 01:00:12,800
Speaker 2: But wait, is it because he told you what he was.

1239
01:00:12,800 --> 01:00:13,120
Speaker 1: Going to do.

1240
01:00:13,400 --> 01:00:15,600
Speaker 4: So Joe had a box and Joe got me with it.

1241
01:00:15,680 --> 01:00:16,880
Speaker 4: He was like, dude, you got to try one of

1242
01:00:16,880 --> 01:00:18,520
Speaker 4: these jelly beans, and he gave me when I ate

1243
01:00:18,560 --> 01:00:20,400
Speaker 4: it and it was horrible, and I was like, what

1244
01:00:20,840 --> 01:00:21,200
Speaker 4: did you get?

1245
01:00:21,480 --> 01:00:22,400
Speaker 3: Uh? Diarrhea.

1246
01:00:24,120 --> 01:00:25,400
Speaker 1: That's the worst one to get.

1247
01:00:26,080 --> 01:00:29,200
Speaker 4: And then I was upset. I was like, I trusted you.

1248
01:00:29,440 --> 01:00:32,840
Speaker 4: I ingested something into my body that you gave to me,

1249
01:00:33,000 --> 01:00:36,080
Speaker 4: and I trusted you as a friend and you betrayed

1250
01:00:36,080 --> 01:00:36,560
Speaker 4: that trust.

1251
01:00:37,120 --> 01:00:38,320
Speaker 3: And I was very upset with him.

1252
01:00:38,720 --> 01:00:40,920
Speaker 4: So I went out and bought a bag of regular

1253
01:00:41,320 --> 01:00:44,160
Speaker 4: jelly beans and he wasn't looking. I dumped out his

1254
01:00:44,240 --> 01:00:47,200
Speaker 4: fake ones and filled the box with regular ones. So

1255
01:00:47,240 --> 01:00:50,320
Speaker 4: he kept trying to go prank people with these prank

1256
01:00:50,360 --> 01:00:51,280
Speaker 4: jelly beans, like, hey.

1257
01:00:51,160 --> 01:00:52,920
Speaker 3: Man, you gotta try the new jelly beans, Like here

1258
01:00:53,000 --> 01:00:55,880
Speaker 3: have one, and people are like, yeah, okay, that's pretty good.

1259
01:00:57,200 --> 01:01:01,200
Speaker 3: I have another one. And he kept like digging through

1260
01:01:01,200 --> 01:01:03,080
Speaker 3: the box trying to find the gross, the weird looking.

1261
01:01:03,600 --> 01:01:04,160
Speaker 1: You try this one.

1262
01:01:04,200 --> 01:01:04,720
Speaker 3: This one's the best.

1263
01:01:05,040 --> 01:01:08,760
Speaker 1: I love disarming someone's frank so funny because I'm not

1264
01:01:08,800 --> 01:01:12,360
Speaker 1: a pranker and I've there that's not my kind of hate.

1265
01:01:12,880 --> 01:01:15,800
Speaker 1: I don't like cranks either. Yeah, the worst, Hey, get it,

1266
01:01:15,920 --> 01:01:19,120
Speaker 1: I lied and you believed me because you were raised right.

1267
01:01:19,920 --> 01:01:22,400
Speaker 4: Like My all time least favorite prank is there's just

1268
01:01:22,840 --> 01:01:25,680
Speaker 4: some one of those like prank shows. There's this old

1269
01:01:25,720 --> 01:01:27,840
Speaker 4: lady walking around and like she dropped something out of

1270
01:01:27,880 --> 01:01:29,560
Speaker 4: her purse and then when someone went to pick it

1271
01:01:29,640 --> 01:01:32,240
Speaker 4: up for her, they got zapped And I was like,

1272
01:01:32,680 --> 01:01:35,280
Speaker 4: you just pushed a person for helping an old woman.

1273
01:01:35,360 --> 01:01:37,080
Speaker 1: Yeah, that's the worst kind.

1274
01:01:38,880 --> 01:01:39,080
Speaker 3: Yeah.

1275
01:01:39,120 --> 01:01:41,560
Speaker 1: There was a yeah, another one that I saw where

1276
01:01:41,560 --> 01:01:45,120
Speaker 1: someone had a baby carriage and they'd ask for directions

1277
01:01:45,120 --> 01:01:46,920
Speaker 1: and the baby carriage would go in the ocean and

1278
01:01:47,000 --> 01:01:50,479
Speaker 1: people freaked out and got emotional and wanted to jump

1279
01:01:50,480 --> 01:01:52,240
Speaker 1: in the water. And then he goes, ah, it's an

1280
01:01:52,280 --> 01:01:55,800
Speaker 1: empty baby carriage, and I wanted to leap into the TV.

1281
01:01:56,680 --> 01:01:59,720
Speaker 2: There was a show it was like Bloopers and Practical

1282
01:01:59,800 --> 01:02:03,600
Speaker 2: Joke or whatever that was on in the eighties, and right,

1283
01:02:03,760 --> 01:02:06,920
Speaker 2: I do. They're hilarious. I could watch them all day.

1284
01:02:07,000 --> 01:02:10,320
Speaker 2: But they had one they would show a practical joke

1285
01:02:10,360 --> 01:02:12,720
Speaker 2: shows from around the world, and there was one all

1286
01:02:12,760 --> 01:02:15,200
Speaker 2: the ones in South America were so intense and crazy.

1287
01:02:15,440 --> 01:02:17,480
Speaker 2: There was one where a guy would run up on

1288
01:02:17,520 --> 01:02:19,720
Speaker 2: a busy corner where there was like it would look

1289
01:02:19,760 --> 01:02:21,680
Speaker 2: like a New York City street corner of all these

1290
01:02:21,680 --> 01:02:24,000
Speaker 2: people waiting across the street. He would run up and

1291
01:02:24,040 --> 01:02:28,080
Speaker 2: put down a briefcase and then run away, and everyone

1292
01:02:28,160 --> 01:02:31,200
Speaker 2: would just start screaming and running in every direction, and

1293
01:02:31,240 --> 01:02:33,960
Speaker 2: it was like, that's terrorism. You can't just do that

1294
01:02:34,040 --> 01:02:37,240
Speaker 2: as people, But apparently it was fine, fine down there.

1295
01:02:37,440 --> 01:02:41,320
Speaker 1: It's I look for on the Internet. It's very specific

1296
01:02:41,760 --> 01:02:45,200
Speaker 1: videos that I look for after bum fights. I look

1297
01:02:45,320 --> 01:02:49,280
Speaker 1: for the pranks that go wrong because someone says, oh, really,

1298
01:02:49,320 --> 01:02:51,320
Speaker 1: you just put a piece of ham on my shoulder,

1299
01:02:51,880 --> 01:02:53,800
Speaker 1: patted me on the back, and now there's ham on

1300
01:02:53,840 --> 01:02:58,280
Speaker 1: there and they punch them because prank people forget that

1301
01:02:58,320 --> 01:03:01,160
Speaker 1: there's lunatics out there that will do fight you. Yeah,

1302
01:03:01,200 --> 01:03:02,560
Speaker 1: that's the one thing like.

1303
01:03:02,800 --> 01:03:05,240
Speaker 2: And they deserve to be thought if they're gonna maybe.

1304
01:03:05,000 --> 01:03:07,320
Speaker 1: I can relate more into those people that lash out

1305
01:03:07,360 --> 01:03:08,000
Speaker 1: and anger.

1306
01:03:07,760 --> 01:03:11,800
Speaker 3: Because I hate Vine Franks. It's the worst.

1307
01:03:11,560 --> 01:03:13,640
Speaker 1: Thing because I have to see him over and over.

1308
01:03:13,720 --> 01:03:17,040
Speaker 4: Vine is already the worst thing that happened to the Internet.

1309
01:03:16,880 --> 01:03:19,840
Speaker 4: But now there's those people on Vine who just make

1310
01:03:19,960 --> 01:03:21,560
Speaker 4: vines of them pranking people.

1311
01:03:21,640 --> 01:03:23,160
Speaker 1: Like that are animation.

1312
01:03:23,560 --> 01:03:26,040
Speaker 3: Yeah, those are cool, like actual the actual like art

1313
01:03:26,080 --> 01:03:26,840
Speaker 3: on Vine.

1314
01:03:26,640 --> 01:03:29,160
Speaker 1: Is great, yeah, like to stop motion, but yeah.

1315
01:03:29,080 --> 01:03:32,520
Speaker 4: Oh man, sometimes if I just want to like be

1316
01:03:32,680 --> 01:03:35,200
Speaker 4: upset for a little while. I go to Vine, like

1317
01:03:35,240 --> 01:03:38,840
Speaker 4: click the what's hot in comedy's haag, and oh my god,

1318
01:03:39,000 --> 01:03:40,280
Speaker 4: it is just oh.

1319
01:03:40,200 --> 01:03:43,560
Speaker 1: No, yeah, what what is hot in vine comedy? It

1320
01:03:43,600 --> 01:03:45,800
Speaker 1: is not what's hot in the real world.

1321
01:03:45,840 --> 01:03:47,480
Speaker 4: Actually, I want to like write an article about this.

1322
01:03:47,560 --> 01:03:50,600
Speaker 4: But there's basically like four vines that people are doing.

1323
01:03:51,200 --> 01:03:58,800
Speaker 4: There's basically, uh, something boring happening, and then all of

1324
01:03:58,840 --> 01:04:02,720
Speaker 4: a sudden cut to a day song playing, and then

1325
01:04:02,760 --> 01:04:07,880
Speaker 4: there's someone kind of complaining about something, complain about this,

1326
01:04:08,360 --> 01:04:13,400
Speaker 4: and then I was like, bitch, you know, like they

1327
01:04:13,520 --> 01:04:15,760
Speaker 4: just like get really loud at the last second.

1328
01:04:16,200 --> 01:04:18,240
Speaker 1: Yeah, yeah, yeah, that was kind of vines.

1329
01:04:18,400 --> 01:04:21,560
Speaker 3: And then there's a vine that's just someone like making

1330
01:04:21,600 --> 01:04:24,680
Speaker 3: a face, and then underneath it it says this is

1331
01:04:24,760 --> 01:04:27,320
Speaker 3: me when I'm watching yeah whatever.

1332
01:04:27,640 --> 01:04:29,960
Speaker 1: And there's who is the fourth one there's I don't

1333
01:04:29,960 --> 01:04:32,280
Speaker 1: know that this could be us, but you'd be playing

1334
01:04:32,400 --> 01:04:35,000
Speaker 1: or something. I don't like those. There's another one where

1335
01:04:35,040 --> 01:04:38,240
Speaker 1: it's like someone gets upset or runs here it's a

1336
01:04:38,360 --> 01:04:40,720
Speaker 1: kid like pushing another kid in a playground, and then

1337
01:04:40,760 --> 01:04:43,520
Speaker 1: it freezes and it says thug life and it will

1338
01:04:43,560 --> 01:04:45,320
Speaker 1: play some games that's the same.

1339
01:04:45,520 --> 01:04:48,080
Speaker 3: There's like this the same fourth things being done over

1340
01:04:48,160 --> 01:04:49,200
Speaker 3: and over and over again.

1341
01:04:49,200 --> 01:04:51,080
Speaker 1: And it might be out of jealousy, but I get

1342
01:04:51,120 --> 01:04:54,280
Speaker 1: offended by all these billboards now that have YouTube famous

1343
01:04:54,320 --> 01:04:58,080
Speaker 1: people where it's just some girl with a with a

1344
01:04:58,120 --> 01:05:01,640
Speaker 1: scarf or something holding a dog and it says Susie

1345
01:05:01,720 --> 01:05:06,080
Speaker 1: Johnson one million fans, and there's a billboard of it

1346
01:05:06,320 --> 01:05:10,320
Speaker 1: advertising to go see her video vlog. Yeah, video vlog,

1347
01:05:10,360 --> 01:05:13,720
Speaker 1: which is kind of like saying ATM machine or.

1348
01:05:18,520 --> 01:05:22,880
Speaker 4: Oh, we are we are doing we are.

1349
01:05:22,800 --> 01:05:24,720
Speaker 1: On the verge of running out of power. So I

1350
01:05:24,760 --> 01:05:28,000
Speaker 1: think I'm going to wrap it up. Let's let's spank

1351
01:05:28,040 --> 01:05:29,919
Speaker 1: this baby and put a fork in. It's asked.

1352
01:05:30,240 --> 01:05:32,120
Speaker 2: You're moving away back to New York, aren't you.

1353
01:05:32,280 --> 01:05:33,600
Speaker 3: I am on Wednesday.

1354
01:05:33,680 --> 01:05:34,880
Speaker 2: We're going to miss you very much.

1355
01:05:35,040 --> 01:05:35,280
Speaker 3: Yeah.

1356
01:05:35,320 --> 01:05:37,880
Speaker 1: I wish that you lived here and that we were friends.

1357
01:05:38,000 --> 01:05:40,600
Speaker 3: I'll be honest, guys, I think I might.

1358
01:05:40,440 --> 01:05:42,720
Speaker 4: Be happier in LA than New York. I gotta do

1359
01:05:42,800 --> 01:05:45,840
Speaker 4: some seriously, and.

1360
01:05:45,840 --> 01:05:49,000
Speaker 1: You haven't even gone to like the wilderness areas around here.

1361
01:05:49,080 --> 01:05:53,640
Speaker 3: Oh I have? Oh yeah, well I went swimming with waters.

1362
01:05:53,720 --> 01:05:56,600
Speaker 1: Ohe and when how can you can't do that? In

1363
01:05:56,600 --> 01:05:59,520
Speaker 1: New York. Yeah, you can swim with slush when you

1364
01:05:59,520 --> 01:06:02,400
Speaker 1: fall off your bike and you can. There are another

1365
01:06:02,440 --> 01:06:03,720
Speaker 1: better example, and you can.

1366
01:06:03,800 --> 01:06:06,200
Speaker 3: You can pee on a rant and you can.

1367
01:06:05,840 --> 01:06:09,280
Speaker 2: And you can drink till four in the morning, sometimes six.

1368
01:06:09,520 --> 01:06:11,439
Speaker 1: Okay, now I'm moving to New York.

1369
01:06:11,560 --> 01:06:13,360
Speaker 2: I gotta get out of goddowntown.

1370
01:06:17,000 --> 01:06:22,120
Speaker 4: Do you have anything to yeah, spideran twe Yeah. Then

1371
01:06:22,800 --> 01:06:26,080
Speaker 4: my comedy duo Team Submarine. We have two albums out.

1372
01:06:26,880 --> 01:06:30,400
Speaker 4: Check them out. I've heard you can get them wherever

1373
01:06:31,200 --> 01:06:33,520
Speaker 4: albums are on the internet. But if you go to

1374
01:06:33,560 --> 01:06:37,400
Speaker 4: website Team Submarine dot net uh and buy the physical.

1375
01:06:36,920 --> 01:06:40,520
Speaker 3: CD, that's the best deal. Awesome, So do that. I

1376
01:06:40,600 --> 01:06:42,280
Speaker 3: got boxes of them. I got to get them out.

1377
01:06:42,240 --> 01:06:45,040
Speaker 1: And go to iTunes and give us a high rating.

1378
01:06:45,040 --> 01:06:47,280
Speaker 1: As far as this podcast goes, this has been a

1379
01:06:47,360 --> 01:06:49,960
Speaker 1: terrific episode. I'm glad the last one's lost.

1380
01:06:50,120 --> 01:06:53,720
Speaker 2: I'm glad, although I mean male butt wagsing gone forever.

1381
01:06:55,480 --> 01:06:59,840
Speaker 4: Unless what are you guys doing tonight?

1382
01:07:00,200 --> 01:07:04,120
Speaker 1: It's been warmly to listen you've been listening to Do

1383
01:07:04,200 --> 01:07:09,600
Speaker 1: You Need a Ride? D y n A rh