1 00:00:02,960 --> 00:00:05,520 Speaker 1: I'm rooting for you, just I mean like I've always 2 00:00:05,600 --> 00:00:07,360 Speaker 1: you know, I've always been rooting. 3 00:00:07,120 --> 00:00:09,040 Speaker 2: For you, thanks man, And I've told. 4 00:00:08,800 --> 00:00:12,840 Speaker 3: You in terms of balance, yeah, I I am rooting against. 5 00:00:12,520 --> 00:00:15,720 Speaker 4: You, but in a way that should be encouraged. 6 00:00:15,960 --> 00:00:16,720 Speaker 2: That means more. 7 00:00:17,320 --> 00:00:20,000 Speaker 4: That's when you've made it, you know, or I mean, 8 00:00:20,000 --> 00:00:23,520 Speaker 4: as in your case, when you have almost made it, 9 00:00:23,960 --> 00:00:28,400 Speaker 4: because because what's I still do have pretty good odds 10 00:00:28,400 --> 00:00:29,440 Speaker 4: on rooting against you. 11 00:00:29,720 --> 00:00:32,320 Speaker 1: Yeah, yeah, no, it's good to have enemies. 12 00:00:33,000 --> 00:00:34,440 Speaker 2: You have a career. 13 00:00:34,840 --> 00:00:39,320 Speaker 1: Yeah, you can call it that. I mean, it's going on, right, 14 00:00:40,200 --> 00:00:41,040 Speaker 1: I know, I'm in here. 15 00:00:41,120 --> 00:00:43,080 Speaker 2: I want let's go back through it a little bit. 16 00:00:43,120 --> 00:00:47,120 Speaker 2: Because you wrote me and Earle in The Dying Girl. 17 00:00:47,760 --> 00:00:52,760 Speaker 2: It was a book. It was a poem first. Just 18 00:00:52,840 --> 00:00:58,000 Speaker 2: the title was rhymes the whole poem. 19 00:00:58,200 --> 00:01:01,520 Speaker 1: You went title first, Yeah, yeah, yeah, title first. It 20 00:01:01,560 --> 00:01:03,640 Speaker 1: was in the New Yorker, like you know that there's 21 00:01:03,640 --> 00:01:05,440 Speaker 1: like a poem next to. 22 00:01:05,400 --> 00:01:07,760 Speaker 2: The what are you doing with show? Like explain with 23 00:01:07,840 --> 00:01:12,240 Speaker 2: your hand, like what like what is up there? You're 24 00:01:12,280 --> 00:01:14,959 Speaker 2: you're you're drawing like a huge magazine. 25 00:01:15,120 --> 00:01:18,959 Speaker 4: I was being made very comfortable, yeah, by the gesticuling, 26 00:01:18,959 --> 00:01:21,319 Speaker 4: because it almost felt like the magazine could fall on. 27 00:01:21,360 --> 00:01:24,800 Speaker 1: Me like the weight of a magazine that big, and 28 00:01:24,840 --> 00:01:26,959 Speaker 1: the poem is very small. 29 00:01:27,040 --> 00:01:27,800 Speaker 2: Tiny in there. 30 00:01:27,920 --> 00:01:31,360 Speaker 4: The font would have to be I'm not a numbers guy, 31 00:01:31,440 --> 00:01:36,840 Speaker 4: but something like fifty thou you know, in order to 32 00:01:36,880 --> 00:01:39,360 Speaker 4: fill a magazine like that with that little tiny poem. 33 00:01:39,920 --> 00:01:42,400 Speaker 1: It's it's a New Yorker. It's like a big town, 34 00:01:42,680 --> 00:01:44,280 Speaker 1: big city, big font. 35 00:01:44,440 --> 00:01:45,839 Speaker 3: You speak up please for the show? 36 00:01:46,240 --> 00:01:47,800 Speaker 2: Yeah? Sorry, yeah, yeah, yeah, yeah. 37 00:01:47,880 --> 00:01:50,040 Speaker 4: I want the listeners to be able to hear you, 38 00:01:50,120 --> 00:01:52,600 Speaker 4: whether what you're saying is something they agree with or 39 00:01:52,760 --> 00:01:55,560 Speaker 4: in many cases not, They have to be able to 40 00:01:55,560 --> 00:01:55,840 Speaker 4: hear it. 41 00:01:56,040 --> 00:01:56,240 Speaker 2: Yeah. 42 00:01:56,680 --> 00:02:01,040 Speaker 1: So does someone come to you and it's like Jesse Andrews, you, oh, 43 00:02:01,080 --> 00:02:05,240 Speaker 1: the poem. We gotta do this book. This poem has 44 00:02:05,280 --> 00:02:07,360 Speaker 1: to be a book. That's got to be a book. 45 00:02:07,360 --> 00:02:09,320 Speaker 1: An agent was like, is it a book yet? And 46 00:02:09,360 --> 00:02:12,519 Speaker 1: I was like I don't know, No, I don't could 47 00:02:12,560 --> 00:02:15,000 Speaker 1: you could it be? And they were like yeah, just right, yeah, 48 00:02:15,360 --> 00:02:17,440 Speaker 1: you know, just sit down in front of just put 49 00:02:17,480 --> 00:02:20,679 Speaker 1: one word after the other. Yeah, pretty soon you got 50 00:02:20,680 --> 00:02:21,120 Speaker 1: a book. 51 00:02:21,360 --> 00:02:25,400 Speaker 2: My thing was with the whole idea was can we 52 00:02:25,560 --> 00:02:27,440 Speaker 2: just pick one? Can it be? 53 00:02:27,840 --> 00:02:30,680 Speaker 3: Like that's been driving me insane as. 54 00:02:30,560 --> 00:02:32,680 Speaker 2: Well, instead of all three of these. 55 00:02:32,560 --> 00:02:36,720 Speaker 4: Because it's like, when it was a poem, I was 56 00:02:37,639 --> 00:02:39,079 Speaker 4: blissfully unaware of it. 57 00:02:40,360 --> 00:02:44,240 Speaker 3: When it became a book, that was okay with me too. 58 00:02:44,760 --> 00:02:48,080 Speaker 4: Yeah, once it becomes a movie, I go, well, I 59 00:02:48,160 --> 00:02:49,600 Speaker 4: kind of want to do a movie. 60 00:02:49,800 --> 00:02:52,600 Speaker 2: I want to do that. And there's three of them. 61 00:02:52,880 --> 00:02:57,800 Speaker 1: Yeah, yeah, yeah, yeah, so that's nine. Yeah, it's nine 62 00:02:57,880 --> 00:02:58,840 Speaker 1: things overall. 63 00:03:00,280 --> 00:03:00,520 Speaker 2: Three. 64 00:03:00,639 --> 00:03:04,600 Speaker 1: I think that's like it. That's it's like starting out, 65 00:03:05,280 --> 00:03:08,320 Speaker 1: you're often operating from the place of insecurity, so you're like, 66 00:03:09,560 --> 00:03:11,640 Speaker 1: is this enough? Is will it ever be enough? 67 00:03:11,680 --> 00:03:13,720 Speaker 2: You know? I have one character. It's not going to 68 00:03:13,800 --> 00:03:14,560 Speaker 2: really hold people. 69 00:03:14,720 --> 00:03:15,679 Speaker 3: Turn the volume back down. 70 00:03:15,760 --> 00:03:18,720 Speaker 4: Actually, I thought that I was gonna want a little 71 00:03:18,720 --> 00:03:23,079 Speaker 4: more energy, and it's yeah, exact clipping it. 72 00:03:24,600 --> 00:03:26,280 Speaker 2: Yeah, I'm sorry. 73 00:03:26,520 --> 00:03:30,760 Speaker 1: Yeah, And so I was, can we like pick one 74 00:03:30,760 --> 00:03:31,600 Speaker 1: of these characters? 75 00:03:31,639 --> 00:03:33,680 Speaker 2: And of course he's like, oh, well, what what what 76 00:03:33,720 --> 00:03:38,480 Speaker 2: if it's me? Where you get that idea? 77 00:03:38,920 --> 00:03:43,320 Speaker 3: Look, who's telling you that? It's like I for me, 78 00:03:44,200 --> 00:03:48,800 Speaker 3: it can't be me unless it was me. Yeah, but 79 00:03:48,840 --> 00:03:49,840 Speaker 3: for me, it can't be me. 80 00:03:50,680 --> 00:03:55,880 Speaker 4: And we've already done all right, So you think that 81 00:03:55,920 --> 00:03:59,839 Speaker 4: his name is well, here's my thing it probably can't 82 00:03:59,880 --> 00:04:01,720 Speaker 4: be dying girl either, because the shelf life on that 83 00:04:01,840 --> 00:04:03,840 Speaker 4: is very short, dying. 84 00:04:04,240 --> 00:04:05,120 Speaker 2: Like in order to deliver. 85 00:04:06,040 --> 00:04:08,600 Speaker 3: And so I would say, let's just not do am 86 00:04:08,600 --> 00:04:09,640 Speaker 3: I crazy? Don't do it? 87 00:04:09,680 --> 00:04:12,600 Speaker 1: And I make the case for me. Okay, when everyone 88 00:04:12,640 --> 00:04:14,880 Speaker 1: sees the word yeah. 89 00:04:14,640 --> 00:04:16,520 Speaker 3: That's this, that's this business. 90 00:04:16,720 --> 00:04:19,360 Speaker 1: I know, you gotta make you gotta throw an elbow 91 00:04:19,400 --> 00:04:22,159 Speaker 1: every now and then. So when you write the word me, 92 00:04:22,800 --> 00:04:23,480 Speaker 1: everyone's like. 93 00:04:23,480 --> 00:04:24,640 Speaker 2: Oh, that's me. 94 00:04:25,279 --> 00:04:28,400 Speaker 1: Oh, you know, so you're sort of it's like everyone 95 00:04:29,240 --> 00:04:31,200 Speaker 1: in a way. It's the sight of hand, you know. 96 00:04:31,279 --> 00:04:34,240 Speaker 1: And by the time they actually get in, get their 97 00:04:34,240 --> 00:04:38,120 Speaker 1: butt in the seat. Actually, yeah, it actually did happen 98 00:04:38,160 --> 00:04:38,920 Speaker 1: to me a little bit. 99 00:04:39,040 --> 00:04:42,680 Speaker 4: Okay, like just now, well even just in me saying 100 00:04:42,760 --> 00:04:45,159 Speaker 4: for me, you'd have to you'd have to rule out me. 101 00:04:45,760 --> 00:04:48,200 Speaker 4: But when I started it, I was talking about you. 102 00:04:48,400 --> 00:04:50,640 Speaker 4: But by the time I got around to explaining and 103 00:04:50,760 --> 00:04:56,400 Speaker 4: I said, actually, that could actually be kind of bitching. 104 00:04:56,120 --> 00:04:57,480 Speaker 2: If it was me. It was you. 105 00:04:57,960 --> 00:05:00,720 Speaker 1: That's the power of pronouns, you know, and if you 106 00:05:00,839 --> 00:05:01,440 Speaker 1: use them. 107 00:05:01,320 --> 00:05:03,719 Speaker 4: Well, you had a whole rant about pronouns you wanted 108 00:05:03,760 --> 00:05:04,440 Speaker 4: to do on the show. 109 00:05:04,480 --> 00:05:05,800 Speaker 3: I mean, that's part of why you're here. 110 00:05:05,760 --> 00:05:07,480 Speaker 2: Right, I really I did. I did? 111 00:05:07,600 --> 00:05:10,960 Speaker 1: Yeah that, like you know, do you know? So do 112 00:05:11,000 --> 00:05:12,240 Speaker 1: you know the word antecedent? 113 00:05:14,080 --> 00:05:14,760 Speaker 2: Uh? 114 00:05:15,200 --> 00:05:16,120 Speaker 3: I know parts of it? 115 00:05:16,400 --> 00:05:19,279 Speaker 2: Yeah? Yeah yeah, and I know what that is, like 116 00:05:19,400 --> 00:05:21,800 Speaker 2: bugs life crap again. Yeah, that's. 117 00:05:26,560 --> 00:05:33,640 Speaker 4: I love it, Pixar stuff and we gotta figure it out. Ants, yes, 118 00:05:33,880 --> 00:05:36,800 Speaker 4: spreading their seeds to other ants, which I think is 119 00:05:36,800 --> 00:05:38,159 Speaker 4: what you were referencing before. 120 00:05:38,279 --> 00:05:38,479 Speaker 2: Yeah. 121 00:05:38,560 --> 00:05:42,400 Speaker 3: Yeah, I don't think kids should see that, you. 122 00:05:42,360 --> 00:05:42,880 Speaker 2: Know what I mean. 123 00:05:43,480 --> 00:05:46,080 Speaker 1: I think they should decide what they get to see. 124 00:05:46,200 --> 00:05:48,200 Speaker 2: You know, I don't. I don't. 125 00:05:48,880 --> 00:05:52,840 Speaker 1: I think that, like you go to a kid and 126 00:05:52,839 --> 00:05:55,520 Speaker 1: and this is why my books have been pretty widely banned, 127 00:05:55,800 --> 00:05:59,279 Speaker 1: you know, like all over America. Yeah, but you know, 128 00:05:59,320 --> 00:06:02,360 Speaker 1: I think that's like a cyclical thing. Oliver America, Yeah, 129 00:06:02,520 --> 00:06:06,280 Speaker 1: all like the book Oliver America, Oliver America. 130 00:06:06,400 --> 00:06:07,599 Speaker 2: Yeah, I don't know. 131 00:06:07,640 --> 00:06:09,200 Speaker 3: I don't know American Oliver Twist. 132 00:06:09,360 --> 00:06:11,400 Speaker 2: It's you don't know, because it had to be banned 133 00:06:11,400 --> 00:06:11,800 Speaker 2: so much. 134 00:06:12,160 --> 00:06:14,840 Speaker 3: It was even more twisted than Oliver Twist. Yeah, and 135 00:06:14,960 --> 00:06:15,520 Speaker 3: more American. 136 00:06:16,520 --> 00:06:18,560 Speaker 1: Yeah, it sounds like Mark Twain. 137 00:06:18,720 --> 00:06:21,560 Speaker 2: Do you have this movie coming out? I know we 138 00:06:21,720 --> 00:06:24,360 Speaker 2: skipped another one, but like we will get to it. 139 00:06:24,520 --> 00:06:26,039 Speaker 2: Don't worry, we'll go back. 140 00:06:26,640 --> 00:06:29,599 Speaker 3: Oh Jesus Christ, I mean keeping score? 141 00:06:29,760 --> 00:06:33,039 Speaker 2: Sorry, how many did we skip? 142 00:06:34,040 --> 00:06:36,680 Speaker 3: Okay, so I don't know if that's a few, is it? 143 00:06:37,279 --> 00:06:39,800 Speaker 2: That's a couple? A few is two to five for me. 144 00:06:41,400 --> 00:06:45,039 Speaker 2: You have this movie coming out. It's called Hoppers several 145 00:06:46,600 --> 00:06:49,320 Speaker 2: it's a Pixar movie. 146 00:06:49,400 --> 00:06:53,159 Speaker 1: Yeah, yeah, right, yes, yeah, yeah, Hoppers is. 147 00:06:53,120 --> 00:06:54,360 Speaker 2: The name of the movie. Hoppers. 148 00:06:54,560 --> 00:06:56,880 Speaker 3: Yeah, yeah, it must be about beavers. 149 00:06:58,040 --> 00:07:00,080 Speaker 2: Yeah, I mean, I hear how. 150 00:07:00,600 --> 00:07:03,599 Speaker 1: Yeah, I oh, you're the first person who said that. 151 00:07:03,800 --> 00:07:07,400 Speaker 1: It's a relief to hear. That's great. Yeah, if you 152 00:07:07,400 --> 00:07:09,640 Speaker 1: could say that like more publicly because. 153 00:07:11,600 --> 00:07:13,559 Speaker 2: About beavers. Yeah, hoppers wolf. 154 00:07:14,120 --> 00:07:17,120 Speaker 4: But you made that lead incoming, you made that hop Yeah, 155 00:07:17,200 --> 00:07:20,600 Speaker 4: I mean yeah, yeah, I'm I'm a little beaver myself, right. 156 00:07:20,520 --> 00:07:23,600 Speaker 3: Yeah yeah yeah, hopping hopping down the beaver trail. 157 00:07:23,680 --> 00:07:24,480 Speaker 2: Yeah yeah. Yeah. 158 00:07:24,520 --> 00:07:27,440 Speaker 1: Well they can you know, and they have big hind 159 00:07:27,480 --> 00:07:29,520 Speaker 1: feet and that could propel you into the air. 160 00:07:29,800 --> 00:07:31,160 Speaker 2: But theorizes. 161 00:07:32,280 --> 00:07:36,480 Speaker 1: Happen in the movie, of course, no, well no, it doesn't. 162 00:07:36,840 --> 00:07:40,320 Speaker 1: Okay now once but but you know, if there's sequels 163 00:07:40,360 --> 00:07:44,640 Speaker 1: maybe or there's like like promo spots, we could do yeah, 164 00:07:44,720 --> 00:07:46,600 Speaker 1: you know, if you're on Instagram and you're kind of 165 00:07:46,600 --> 00:07:48,720 Speaker 1: scrolling and then all of a sudden, Oh, who's this 166 00:07:48,800 --> 00:07:52,520 Speaker 1: beaver hopping along? Hey, go see hoppers. This won't happen 167 00:07:52,560 --> 00:07:53,880 Speaker 1: in the movie. You have to put that in the 168 00:07:53,920 --> 00:07:55,640 Speaker 1: fine print or people will feel lied to. 169 00:07:56,440 --> 00:07:58,240 Speaker 4: Well, you didn't have any problem doing that on me 170 00:07:58,240 --> 00:08:01,320 Speaker 4: and her on the Dying girl lying Yeah, yeah, you 171 00:08:01,400 --> 00:08:03,960 Speaker 4: wanted them to get their button the seat under false pretenses. 172 00:08:04,480 --> 00:08:05,960 Speaker 3: But seems to be a theme. 173 00:08:05,960 --> 00:08:08,960 Speaker 4: I don't know about the part a couple of movies 174 00:08:08,960 --> 00:08:10,920 Speaker 4: we skipped, but I feel like I'm gonna find some 175 00:08:11,000 --> 00:08:14,800 Speaker 4: problems there too. You don't want to even. 176 00:08:15,080 --> 00:08:17,480 Speaker 1: I mean, there were also the end of this well, 177 00:08:17,560 --> 00:08:19,720 Speaker 1: to be fair, there were scripts that were not turned 178 00:08:19,760 --> 00:08:25,520 Speaker 1: into movies. So that's even more than the two, right, Yeah, okay. 179 00:08:25,880 --> 00:08:27,960 Speaker 2: So let's do it. And they still could tak about 180 00:08:28,040 --> 00:08:35,640 Speaker 2: every every creative endeavor, every failed yeah, well initiative you've 181 00:08:35,679 --> 00:08:36,280 Speaker 2: ever taken. 182 00:08:36,400 --> 00:08:38,400 Speaker 4: They kindly get my eyeballs out from the back of 183 00:08:38,440 --> 00:08:39,360 Speaker 4: my head real quick. 184 00:08:39,800 --> 00:08:41,640 Speaker 3: They seem to have rolled all the way around. 185 00:08:41,679 --> 00:08:43,480 Speaker 1: I feel like we've started out on the wrong foot. 186 00:08:43,559 --> 00:08:46,960 Speaker 1: I We're almost done, It's really close. 187 00:08:47,040 --> 00:08:48,360 Speaker 2: Yeah, yeah, I want to know. 188 00:08:48,440 --> 00:08:51,079 Speaker 1: I yeah, I I am trying to get. 189 00:08:50,880 --> 00:08:54,160 Speaker 2: My career on track. Here. You're part of this scrappy 190 00:08:54,240 --> 00:08:58,040 Speaker 2: little team over it picks are up north taking a 191 00:08:58,040 --> 00:09:03,360 Speaker 2: lot of swings. Yeah, I really admire that. 192 00:09:03,840 --> 00:09:08,880 Speaker 1: Between yeah, between Berkeley and Oakland, h East Bay, yeah 193 00:09:08,960 --> 00:09:10,839 Speaker 1: east by Listen lou We. 194 00:09:12,480 --> 00:09:13,319 Speaker 2: Exactly man. 195 00:09:13,480 --> 00:09:16,360 Speaker 1: Yeah, so starting to get some attention finally, you know, 196 00:09:17,160 --> 00:09:20,920 Speaker 1: Long Last Black Panthers also yeah, you know from there 197 00:09:21,280 --> 00:09:23,479 Speaker 1: and anyway. 198 00:09:23,280 --> 00:09:24,560 Speaker 2: Uh yeah. 199 00:09:25,920 --> 00:09:29,840 Speaker 1: Yeah, oh uh yeah. 200 00:09:30,120 --> 00:09:47,360 Speaker 2: The movies Bugs Life. You tried it. Yeah, it turned out, yes, 201 00:09:47,440 --> 00:09:50,079 Speaker 2: there are a lot of bugs, yeah. 202 00:09:50,120 --> 00:09:53,480 Speaker 1: Yeah, yes, yeah, yeah that I didn't work on that, that. 203 00:09:54,040 --> 00:09:58,679 Speaker 2: Was true, yeah yeah yeah, but it also turned out 204 00:09:58,679 --> 00:10:01,400 Speaker 2: that they don't go to the movie. Yeah, and that 205 00:10:01,720 --> 00:10:03,240 Speaker 2: it was worth a try. 206 00:10:03,480 --> 00:10:07,119 Speaker 3: Yeah, I had to just from sheer numbers. If even. 207 00:10:08,520 --> 00:10:09,439 Speaker 2: Eighty percent of the. 208 00:10:09,400 --> 00:10:11,640 Speaker 4: Bugs had bought a ticket, it would be one of 209 00:10:11,679 --> 00:10:13,480 Speaker 4: the most successful movies of all time. 210 00:10:13,320 --> 00:10:17,160 Speaker 1: Statistically, like the most common type of animal in the world, 211 00:10:18,360 --> 00:10:18,680 Speaker 1: you know. 212 00:10:18,920 --> 00:10:23,160 Speaker 2: And now you're doing this other one, yeah, which is 213 00:10:23,200 --> 00:10:29,040 Speaker 2: about beavers. Beavers and that are also guys, so you're 214 00:10:29,040 --> 00:10:32,120 Speaker 2: trying to really trying to have it all. 215 00:10:32,840 --> 00:10:36,360 Speaker 1: Yeah, well, like guys like neighbors that are also guys. 216 00:10:36,400 --> 00:10:40,000 Speaker 2: Yeah, men, men or people you guys my men here? Yeah, 217 00:10:40,280 --> 00:10:41,200 Speaker 2: come on, yeah, we. 218 00:10:41,120 --> 00:10:44,680 Speaker 1: Can do there's gals too, It's not just guys. 219 00:10:44,840 --> 00:10:48,480 Speaker 2: But but yeah, but yeah, saying that there's men in 220 00:10:48,520 --> 00:10:52,800 Speaker 2: the movie. Is it allowed for men to be in 221 00:10:53,280 --> 00:10:54,160 Speaker 2: a movie today? 222 00:10:54,240 --> 00:10:56,040 Speaker 3: No, it's true power of pronouns. 223 00:10:56,360 --> 00:10:58,680 Speaker 4: Then coming up, you know what I mean, Yeah, there's 224 00:10:58,720 --> 00:11:00,319 Speaker 4: some guys in the movie, right, I was. 225 00:11:00,280 --> 00:11:02,839 Speaker 1: Just saying that, yeah, there's some man's man. 226 00:11:03,120 --> 00:11:06,320 Speaker 2: What are those guys getting up to? They're well, they. 227 00:11:06,240 --> 00:11:08,560 Speaker 1: Make a damn, they make a couple of damns. They 228 00:11:09,200 --> 00:11:12,040 Speaker 1: they cut down a tree with their teeth and then 229 00:11:12,040 --> 00:11:15,920 Speaker 1: they bring it into or like a running body like 230 00:11:16,000 --> 00:11:16,840 Speaker 1: a stream. 231 00:11:17,080 --> 00:11:19,160 Speaker 3: Oh damn Daniel. 232 00:11:18,160 --> 00:11:22,600 Speaker 2: Did you damn Daniel the movie? No, we didn't ship. 233 00:11:23,360 --> 00:11:26,080 Speaker 2: There's nobody named damn Daniel in them. There is not 234 00:11:26,160 --> 00:11:31,280 Speaker 2: a beaver. Can I make it? Can we stop? Thank you? 235 00:11:31,400 --> 00:11:34,280 Speaker 2: So this is what can I We always tried to 236 00:11:34,320 --> 00:11:38,000 Speaker 2: preach you can change the movie at any time. Why 237 00:11:38,040 --> 00:11:38,920 Speaker 2: do were doing, like. 238 00:11:41,120 --> 00:11:44,599 Speaker 4: Yes, we're totally reworking at the ball is going to 239 00:11:46,080 --> 00:11:49,360 Speaker 4: yeah yeah, yeah, And I was resistant, you know what 240 00:11:49,360 --> 00:11:52,880 Speaker 4: I mean, you'd always wanna, you know, you want to 241 00:11:52,960 --> 00:11:54,760 Speaker 4: kind of put it away and say this is done. 242 00:11:54,840 --> 00:11:57,200 Speaker 4: But the fact that art is never done. 243 00:11:57,240 --> 00:12:00,320 Speaker 2: A living document. What's wrong with the ball? 244 00:12:02,000 --> 00:12:04,560 Speaker 3: It's different. But so let's deal with your shime. 245 00:12:05,040 --> 00:12:05,760 Speaker 2: You know, I did. 246 00:12:05,880 --> 00:12:08,679 Speaker 1: I did listen to time to like list off everything 247 00:12:08,720 --> 00:12:11,479 Speaker 1: that's wrong. I listened to it, but a little starstruck. 248 00:12:11,600 --> 00:12:14,280 Speaker 2: We barely scratched the surface, because once he got in there, 249 00:12:15,200 --> 00:12:17,520 Speaker 2: under the hood, there was way more. 250 00:12:18,720 --> 00:12:21,880 Speaker 4: I was finding new problems everywhere. 251 00:12:22,559 --> 00:12:24,839 Speaker 2: Is that was a thread? I was so close to it? 252 00:12:25,840 --> 00:12:28,480 Speaker 1: Yeah, just one ball though? Is that maybe that's your problem. 253 00:12:29,120 --> 00:12:30,800 Speaker 3: I don't want to talk about it with you. 254 00:12:31,440 --> 00:12:33,760 Speaker 4: I have so many issues with what you're doing for 255 00:12:33,880 --> 00:12:38,040 Speaker 4: your own projects that it's actually disgusting. I am to 256 00:12:38,040 --> 00:12:40,559 Speaker 4: spend enough time on my thing, which is being handled 257 00:12:40,640 --> 00:12:43,760 Speaker 4: very well by myself. Heyes, and a whole team of 258 00:12:43,840 --> 00:12:44,720 Speaker 4: ball engineers. 259 00:12:44,880 --> 00:12:48,040 Speaker 1: Yeah, you know, you guys are crushing it. And also, 260 00:12:48,120 --> 00:12:51,120 Speaker 1: like live action to me too, is like so much 261 00:12:51,120 --> 00:12:54,480 Speaker 1: harder than animation in a way because like live action, 262 00:12:54,600 --> 00:12:57,760 Speaker 1: like you have to have the ball animation you can 263 00:12:57,840 --> 00:13:00,920 Speaker 1: just draw whatever you know. And that's why I got 264 00:13:00,960 --> 00:13:04,040 Speaker 1: into it, because like I was finding live action really 265 00:13:04,160 --> 00:13:07,079 Speaker 1: really hard. I would write a live action script like 266 00:13:07,440 --> 00:13:10,200 Speaker 1: girl becomes a beaver and they would say like, yeah, 267 00:13:10,240 --> 00:13:12,080 Speaker 1: how did how And I'm like, I don't know. 268 00:13:12,120 --> 00:13:13,679 Speaker 2: It's the message, dude, right. 269 00:13:13,800 --> 00:13:18,520 Speaker 1: Or I'm sorry, yeah, yeah, yeah. A guy, a real 270 00:13:18,640 --> 00:13:22,720 Speaker 1: American joe, you know, kind of strides out of the bar, 271 00:13:23,600 --> 00:13:25,520 Speaker 1: you know, with a beer and a gun and he 272 00:13:25,600 --> 00:13:29,640 Speaker 1: becomes a beaver and then you know, and they stop. 273 00:13:29,760 --> 00:13:31,800 Speaker 2: You can't do that. You can't do that. 274 00:13:32,200 --> 00:13:34,000 Speaker 1: And because the truth is, and this is the message 275 00:13:34,000 --> 00:13:36,840 Speaker 1: of the movie, that an actual red blooded American male 276 00:13:36,840 --> 00:13:41,000 Speaker 1: like you're describing isn't dangered species. Yeah, which is what 277 00:13:41,080 --> 00:13:41,800 Speaker 1: the movie's about. 278 00:13:41,880 --> 00:13:46,000 Speaker 2: That's what the movie is about. Coached, they are, Yeah, 279 00:13:46,200 --> 00:13:48,920 Speaker 2: they're hunted for sport. 280 00:13:49,320 --> 00:13:50,920 Speaker 3: It's open season, by the poetry. 281 00:13:52,000 --> 00:13:54,080 Speaker 4: And then it's been open season for quite some time, 282 00:13:54,720 --> 00:13:56,839 Speaker 4: and it's time to, you know, strengthen some of the 283 00:13:56,880 --> 00:13:57,680 Speaker 4: permit laws. 284 00:13:57,880 --> 00:13:58,760 Speaker 2: Who, in your. 285 00:13:58,679 --> 00:14:01,040 Speaker 1: Opinion, is doing that Obamba. 286 00:14:02,440 --> 00:14:03,040 Speaker 3: Easy one? 287 00:14:03,480 --> 00:14:07,280 Speaker 1: Obamba? Is that different from Obama or is that just 288 00:14:07,360 --> 00:14:10,480 Speaker 1: how you say it? Oh, his name is Obamba Obamba 289 00:14:10,840 --> 00:14:11,720 Speaker 1: this particular and. 290 00:14:13,320 --> 00:14:15,040 Speaker 4: If you and if you, if you want to see 291 00:14:15,080 --> 00:14:17,680 Speaker 4: the spelling of his name to confirm it, just check 292 00:14:17,679 --> 00:14:21,480 Speaker 4: his birth certificate. Oh wait, I forgot yeah, oh, wait, 293 00:14:21,560 --> 00:14:23,440 Speaker 4: I forgot that's good. 294 00:14:23,480 --> 00:14:24,120 Speaker 2: That's a good one. 295 00:14:25,480 --> 00:14:29,880 Speaker 1: Yeah, because yeah, thank. 296 00:14:29,680 --> 00:14:32,480 Speaker 3: You, thank you for complimenting the joke. 297 00:14:35,160 --> 00:14:38,840 Speaker 4: I'm always I'm always aiming to make a good one. 298 00:14:39,280 --> 00:14:39,520 Speaker 2: Yeah. 299 00:14:39,720 --> 00:14:42,640 Speaker 3: And the idea that I just did that was it. 300 00:14:42,560 --> 00:14:45,280 Speaker 2: Wasn't sure like the way he approaches like you said 301 00:14:45,280 --> 00:14:46,600 Speaker 2: that was a good one. Well, he doesn't even think 302 00:14:46,600 --> 00:14:48,360 Speaker 2: you're talking to him. Yeah, yeah, yeah, you. 303 00:14:48,320 --> 00:14:51,600 Speaker 4: Know, I I assume there was someone else behind me, you, 304 00:14:51,800 --> 00:14:54,040 Speaker 4: who had made a good one of some kind, because 305 00:14:54,120 --> 00:14:56,840 Speaker 4: it's been so long since I landed a good one. 306 00:14:57,960 --> 00:14:59,960 Speaker 3: And talk about what you liked about the joke. 307 00:15:01,800 --> 00:15:07,160 Speaker 1: All right, I like you set me up with like, oh, yeah, 308 00:15:07,160 --> 00:15:10,400 Speaker 1: he's got a birth certificate, and then as in my 309 00:15:10,520 --> 00:15:14,120 Speaker 1: mind I'm realizing, wait, I haven't seen it, then you 310 00:15:14,200 --> 00:15:16,600 Speaker 1: hit me with oh wait where is it? And I'm like, oh, 311 00:15:16,640 --> 00:15:19,280 Speaker 1: you already know you're two steps ahead. So that's just 312 00:15:19,400 --> 00:15:20,040 Speaker 1: set up punching. 313 00:15:20,120 --> 00:15:24,000 Speaker 4: And some people will say it's problematic or whatever, but 314 00:15:24,040 --> 00:15:26,320 Speaker 4: those but those people are trouble. 315 00:15:27,000 --> 00:15:31,200 Speaker 3: Just obamba. I mean at that point that if you 316 00:15:31,280 --> 00:15:35,520 Speaker 3: say that, now you're obamba obumba. 317 00:15:36,040 --> 00:15:38,080 Speaker 1: Yeah you. 318 00:15:39,680 --> 00:15:41,640 Speaker 2: And so what do they do? What? Like? What what 319 00:15:41,720 --> 00:15:44,200 Speaker 2: do what did they do they're building a dam. What 320 00:15:44,240 --> 00:15:44,800 Speaker 2: are they doing? 321 00:15:45,240 --> 00:15:47,680 Speaker 1: Well, they're making a damn, So all right, this is 322 00:15:47,720 --> 00:15:50,240 Speaker 1: really interesting. So you take like, you know, if a 323 00:15:50,320 --> 00:15:53,080 Speaker 1: stream or like a like a creek or a river 324 00:15:53,120 --> 00:15:56,480 Speaker 1: it's flowing to the sea. Beavers are like, hey, wait 325 00:15:56,480 --> 00:15:58,320 Speaker 1: a minute. If you put a bunch of sticks in 326 00:15:58,320 --> 00:16:01,560 Speaker 1: the way, then the water becomes a pond. 327 00:16:01,800 --> 00:16:03,280 Speaker 2: Right, It like holds up. 328 00:16:03,160 --> 00:16:07,600 Speaker 1: The water, and now you have standing water and you 329 00:16:07,640 --> 00:16:10,200 Speaker 1: can use that to like build a house. You have 330 00:16:10,240 --> 00:16:14,520 Speaker 1: in te ecosystem tons of bacteria, which is food. It's 331 00:16:14,520 --> 00:16:20,400 Speaker 1: all food. It's all protein. You know, seaweed. Well, I'm 332 00:16:20,440 --> 00:16:24,880 Speaker 1: eating you could you're eating something that ate it. Let's 333 00:16:24,920 --> 00:16:28,880 Speaker 1: say it makes its way up to you in the theater. 334 00:16:30,320 --> 00:16:32,640 Speaker 1: You're eating something that it's in the popcorn. 335 00:16:33,320 --> 00:16:36,360 Speaker 2: We did it. Something that ate this with AMC is 336 00:16:36,400 --> 00:16:37,280 Speaker 2: in the popcorn. 337 00:16:37,400 --> 00:16:40,280 Speaker 1: There are because they're doing all these special buckets and stuff, 338 00:16:40,320 --> 00:16:44,680 Speaker 1: animals in every bucket they put something that ate this stuff. 339 00:16:44,720 --> 00:16:47,200 Speaker 1: There's a living animal in the bucket, in the bottom 340 00:16:47,200 --> 00:16:49,360 Speaker 1: of the bucket, and if you get all the way 341 00:16:49,360 --> 00:16:52,760 Speaker 1: down to it, yeah okay, and it can sometimes eat 342 00:16:52,800 --> 00:16:57,720 Speaker 1: its way out because it's so strong. Yeah, surprise, healthy 343 00:16:57,760 --> 00:17:00,720 Speaker 1: because it ate we brought a special kind, a new 344 00:17:00,800 --> 00:17:04,240 Speaker 1: kind of mammal. Okay, it's well, it's like a nutrient. 345 00:17:04,880 --> 00:17:07,080 Speaker 1: A nutrient is like a beaver. Yeah, you know, so 346 00:17:07,119 --> 00:17:09,159 Speaker 1: it looks like a beaver, but it's very small and 347 00:17:09,200 --> 00:17:13,239 Speaker 1: it comes out and I know what it is. I know, 348 00:17:13,320 --> 00:17:15,240 Speaker 1: you know, But it's for the listeners. 349 00:17:15,080 --> 00:17:20,480 Speaker 2: Our listeners. Unfortunately, they all know what a nutrient. Yes, Unfortunately, 350 00:17:20,480 --> 00:17:24,560 Speaker 2: our listeners are very invested in just like the beast 351 00:17:24,640 --> 00:17:26,160 Speaker 2: shoal realm. 352 00:17:26,800 --> 00:17:30,119 Speaker 4: We've tried to find another topic that they'll engage with 353 00:17:30,200 --> 00:17:32,439 Speaker 4: us on and it's a fool's Errand I. 354 00:17:32,400 --> 00:17:36,280 Speaker 2: Don't like how you said that. I can I can 355 00:17:36,320 --> 00:17:41,400 Speaker 2: feel them sort of like arching their back when they 356 00:17:41,440 --> 00:17:43,679 Speaker 2: hear the nutrient discussion. 357 00:17:43,880 --> 00:17:52,720 Speaker 4: A rodent of unusual sides inconceivable Princess Bride, Rob Reiner, Yes, yes, yes, 358 00:17:52,800 --> 00:17:54,960 Speaker 4: you had a rant you wanted to go up about that? 359 00:17:55,040 --> 00:18:00,960 Speaker 2: Is that correct? Yes? Yeah, I don't pronouns. I didn't. 360 00:18:01,080 --> 00:18:02,280 Speaker 2: I don't think he I don't know how. 361 00:18:02,600 --> 00:18:04,720 Speaker 1: I don't think he's dead. I don't think he's dead. 362 00:18:04,760 --> 00:18:05,720 Speaker 1: I just don't think he is. 363 00:18:05,880 --> 00:18:08,560 Speaker 2: Okay, yeah, great filmmaker, never is. 364 00:18:08,680 --> 00:18:11,320 Speaker 4: I mean, their their stories stay with us forever and 365 00:18:11,480 --> 00:18:15,200 Speaker 4: my review for this you know, supposed hoppers movie, and 366 00:18:15,600 --> 00:18:17,919 Speaker 4: I don't believe it when I see it is the 367 00:18:17,920 --> 00:18:20,640 Speaker 4: same as it was for all of Rob's movies, which is. 368 00:18:22,240 --> 00:18:29,960 Speaker 3: Interesting if true. Interesting if true it is true, I'm 369 00:18:30,000 --> 00:18:31,000 Speaker 3: not so sure. 370 00:18:32,040 --> 00:18:34,520 Speaker 1: This movie is true. Yeah, and it is a movie 371 00:18:34,640 --> 00:18:37,600 Speaker 1: actually movie, Like i' believe it when I see it. 372 00:18:37,640 --> 00:18:39,679 Speaker 1: You can see I invited you guys to see it. 373 00:18:39,760 --> 00:18:43,040 Speaker 1: I want you to see it. Really when yeah, I 374 00:18:43,080 --> 00:18:46,639 Speaker 1: didn't get it. Can I talk about something else? Kevin 375 00:18:46,680 --> 00:18:49,240 Speaker 1: had a party this weekend? Yeah, and he like told 376 00:18:49,320 --> 00:18:50,760 Speaker 1: us about the party. 377 00:18:50,960 --> 00:18:52,639 Speaker 4: He told us about it on the podcast while we 378 00:18:52,640 --> 00:18:55,640 Speaker 4: were recording, which when I'm doing this, actually, when I'm 379 00:18:55,640 --> 00:19:00,200 Speaker 4: doing anything, it's so loud in here, like there's nothing 380 00:19:00,320 --> 00:19:02,760 Speaker 4: really getting like numbers and dates and stuff are not 381 00:19:02,800 --> 00:19:03,400 Speaker 4: coming in. 382 00:19:03,600 --> 00:19:07,080 Speaker 2: And he's talking about the party full invite and how 383 00:19:07,080 --> 00:19:10,920 Speaker 2: many people have RSVP'd right, And he like tells us 384 00:19:10,920 --> 00:19:11,760 Speaker 2: he's like, it's weekends. 385 00:19:11,800 --> 00:19:13,919 Speaker 3: After I said, am I going to get the official invite? 386 00:19:14,000 --> 00:19:16,240 Speaker 2: He said, you're getting it now, and he said, he said, 387 00:19:16,240 --> 00:19:19,440 Speaker 2: you're getting it now, And then the weekend rolls around 388 00:19:20,040 --> 00:19:21,720 Speaker 2: like I'm out of town. He's doing other stuff but 389 00:19:21,800 --> 00:19:23,520 Speaker 2: also we never actually did get it. 390 00:19:23,640 --> 00:19:26,800 Speaker 4: Noted, I never got the party full invite it, just 391 00:19:26,960 --> 00:19:30,680 Speaker 4: never texting each other like is this was this happening 392 00:19:30,760 --> 00:19:32,360 Speaker 4: right now? I got a text for somebodyho was like, Hey, 393 00:19:32,359 --> 00:19:34,040 Speaker 4: are you coming to Kevin's thing? And I was like 394 00:19:34,119 --> 00:19:36,240 Speaker 4: when is it? And then I realized I wouldn't be 395 00:19:36,280 --> 00:19:39,440 Speaker 4: getting this text unless it was happening right now. Certainly, 396 00:19:39,480 --> 00:19:42,880 Speaker 4: no one's like anticipating Kevin's thing and wondering who will 397 00:19:42,920 --> 00:19:47,560 Speaker 4: be there. They're physically there at that moment, going like, yeah, 398 00:19:47,760 --> 00:19:49,760 Speaker 4: feels a little empty. Is there anyone else I can 399 00:19:49,800 --> 00:19:50,359 Speaker 4: reach out to? 400 00:19:50,560 --> 00:19:54,960 Speaker 2: We under invited people. Did it go to that dam? Unfortunately? 401 00:19:55,040 --> 00:19:58,160 Speaker 2: Not the problem. We underdid everything else in our life 402 00:19:58,160 --> 00:20:00,840 Speaker 2: before that. Yes, you know what I mean. 403 00:20:00,960 --> 00:20:04,280 Speaker 1: Yeah, it's the road leading up to the yes once 404 00:20:04,320 --> 00:20:07,280 Speaker 1: the once the problem is there, yea, the problem is 405 00:20:07,320 --> 00:20:09,440 Speaker 1: never the problem which is screenwriting. 406 00:20:09,760 --> 00:20:13,199 Speaker 2: You know, tell me what in my life brought me 407 00:20:13,240 --> 00:20:13,800 Speaker 2: to this point? 408 00:20:13,960 --> 00:20:16,600 Speaker 1: Well, I want, I need, i'm I need some some 409 00:20:17,000 --> 00:20:19,879 Speaker 1: guidance from you guys. But my understanding of a character 410 00:20:20,600 --> 00:20:23,840 Speaker 1: is that once you're once the character has a problem, 411 00:20:23,920 --> 00:20:28,119 Speaker 1: you need to drill back into their past and find 412 00:20:28,240 --> 00:20:31,760 Speaker 1: why and then the person in their past go into 413 00:20:31,760 --> 00:20:35,840 Speaker 1: their past, and then you're doing essentially a tree of life, 414 00:20:36,440 --> 00:20:38,880 Speaker 1: and you go back to dinosaurs, and you go back 415 00:20:38,920 --> 00:20:42,199 Speaker 1: to like the Big Bang, and then what's before that? 416 00:20:43,760 --> 00:20:46,600 Speaker 1: You know, is it like inside it like a child's eye. 417 00:20:46,400 --> 00:20:51,320 Speaker 3: Young Sheldon? What's before the big Bang? Young Sheldon? 418 00:20:54,960 --> 00:20:57,640 Speaker 1: No, I mean like the Yeah, I'm still learning new 419 00:20:57,720 --> 00:21:00,280 Speaker 1: laughs back there, like we don't know all these yeah 420 00:21:00,280 --> 00:21:02,600 Speaker 1: no guys like we're just. 421 00:21:02,640 --> 00:21:05,879 Speaker 2: Kind of learning what what pushes their buttons? Yeah, that 422 00:21:05,960 --> 00:21:08,520 Speaker 2: got a big one from one of the new that's 423 00:21:08,560 --> 00:21:10,760 Speaker 2: one of the new last Yeah. Yeah, so we're going 424 00:21:10,800 --> 00:21:13,160 Speaker 2: to be doing a lot more of that. That was good. 425 00:21:13,760 --> 00:21:18,919 Speaker 2: Was it intentional joke or was it? Yeah? No, I 426 00:21:18,920 --> 00:21:21,359 Speaker 2: don't know. I don't know. I don't know. I'm sorry, I. 427 00:21:21,320 --> 00:21:24,840 Speaker 4: Wouldn't sorry mind another good one. We've all heard the 428 00:21:25,040 --> 00:21:27,000 Speaker 4: joke be enjoyed out there. 429 00:21:27,400 --> 00:21:28,000 Speaker 2: And an ear. 430 00:21:28,320 --> 00:21:31,880 Speaker 1: Yeah, so I need to know when it's a joke. 431 00:21:31,920 --> 00:21:36,159 Speaker 1: If you could like signal or do some like I 432 00:21:36,160 --> 00:21:38,200 Speaker 1: don't know, like business. 433 00:21:37,880 --> 00:21:40,000 Speaker 3: This, I don't I can't have you don't want. 434 00:21:39,880 --> 00:21:43,120 Speaker 2: That at all. I'm sorry. I didn't mean that too much. 435 00:21:43,320 --> 00:21:45,359 Speaker 2: A big magazine and like it. 436 00:21:45,560 --> 00:21:50,000 Speaker 3: Whatever that was on physicality. 437 00:21:50,400 --> 00:21:51,320 Speaker 2: It's like three. 438 00:21:52,720 --> 00:21:57,439 Speaker 1: Sorry, the three Stooges. You know, that's pretty old school. 439 00:21:57,520 --> 00:22:00,680 Speaker 2: That was all three stuges. Yeah, you were being all 440 00:22:00,720 --> 00:22:03,000 Speaker 2: three stooges. Well one of them it's a hand to 441 00:22:03,240 --> 00:22:06,240 Speaker 2: hand and the other three each of them. 442 00:22:06,720 --> 00:22:09,320 Speaker 4: So, with all respect to you, and you've obviously done 443 00:22:09,960 --> 00:22:11,720 Speaker 4: three or four movies or something. 444 00:22:11,480 --> 00:22:12,240 Speaker 2: Yeah, yeah, four. 445 00:22:12,720 --> 00:22:17,800 Speaker 4: The amount of pleasure you got from your own idea 446 00:22:17,960 --> 00:22:21,399 Speaker 4: to say the three Stooges to the extent that you 447 00:22:21,440 --> 00:22:23,160 Speaker 4: couldn't even get it out for. 448 00:22:24,880 --> 00:22:26,480 Speaker 3: Six to seven tries. 449 00:22:28,040 --> 00:22:30,600 Speaker 4: And then when we got there, I said, I'm thinking, oh, 450 00:22:30,640 --> 00:22:33,320 Speaker 4: I'm gonna really enjoy this. Like here it comes like 451 00:22:33,359 --> 00:22:36,000 Speaker 4: this guy's sitting on a fucking keg of dynamite. 452 00:22:36,119 --> 00:22:38,520 Speaker 3: Yeah, but then you just said the three Stooges. 453 00:22:38,600 --> 00:22:41,640 Speaker 2: But that's why writers become writers, right, because the ship 454 00:22:41,800 --> 00:22:42,600 Speaker 2: is too good. 455 00:22:43,440 --> 00:22:44,280 Speaker 3: I can't like this. 456 00:22:45,600 --> 00:22:48,119 Speaker 2: And also to like say it yourself, to deliver the 457 00:22:48,119 --> 00:22:52,120 Speaker 2: line yourself on screen, that's tough. You barely survive. 458 00:22:53,160 --> 00:22:56,520 Speaker 1: I just like thinking about them that. Yeah, like they 459 00:22:56,560 --> 00:22:59,120 Speaker 1: make me laugh, but it's for me, and it's that's. 460 00:22:59,000 --> 00:23:00,960 Speaker 3: Like, what do you get your crazy ideas? 461 00:23:03,680 --> 00:23:06,200 Speaker 1: I start by reading the New Yorker. You know, I 462 00:23:06,280 --> 00:23:08,960 Speaker 1: get like a nice big copy and and a lot 463 00:23:08,960 --> 00:23:10,480 Speaker 1: of this, like listen, honest. 464 00:23:10,200 --> 00:23:13,120 Speaker 3: And it's huge. Magazines are so bannibals acting. 465 00:23:12,880 --> 00:23:15,919 Speaker 2: Like guys, I'm a three inches. 466 00:23:17,119 --> 00:23:17,680 Speaker 1: This is. 467 00:23:19,080 --> 00:23:22,680 Speaker 2: Almost every shouts of murmurs is like animals. 468 00:23:22,800 --> 00:23:25,120 Speaker 3: Yeah, it's a cat at the therapist. 469 00:23:25,200 --> 00:23:26,600 Speaker 2: I'm Penguin president. 470 00:23:26,720 --> 00:23:32,719 Speaker 1: Yes, the h o A meeting of the freaking squirrel 471 00:23:34,480 --> 00:23:39,080 Speaker 1: dog construction worker and it's stopping the cat muting his job. 472 00:23:39,400 --> 00:23:42,959 Speaker 2: Perfect example. Yeah, yeah, yeah, that's great. It's like, so 473 00:23:43,000 --> 00:23:44,720 Speaker 2: that's where I get. And then it's like, I'm like, 474 00:23:44,800 --> 00:23:45,639 Speaker 2: that's my idea. 475 00:23:46,040 --> 00:23:50,720 Speaker 3: Sorry, no, I'm not at all, not at all. 476 00:23:52,600 --> 00:23:55,560 Speaker 4: The only thing is me to compliment you again on 477 00:23:55,640 --> 00:23:58,359 Speaker 4: the example of the h o A or what was 478 00:23:58,359 --> 00:23:58,760 Speaker 4: that yours? 479 00:23:58,880 --> 00:23:59,440 Speaker 2: That was? 480 00:23:59,680 --> 00:23:59,879 Speaker 1: That was? 481 00:24:00,160 --> 00:24:02,399 Speaker 2: That one? Was great? One that was really good, but 482 00:24:02,480 --> 00:24:03,200 Speaker 2: it was great. 483 00:24:03,480 --> 00:24:05,159 Speaker 1: I was kind of in the ballpark and I was 484 00:24:05,160 --> 00:24:07,600 Speaker 1: thinking about that stuff too, So I see it. I'm like, 485 00:24:07,680 --> 00:24:08,800 Speaker 1: that's maybe that's my idea. 486 00:24:09,520 --> 00:24:14,000 Speaker 2: I really want to keep talking about the new trias. Yeah, 487 00:24:14,000 --> 00:24:15,560 Speaker 2: I'm just gonna tap on the mic a little bit. 488 00:24:15,600 --> 00:24:18,280 Speaker 1: They like just when you talk about one of these beasts, 489 00:24:18,320 --> 00:24:21,159 Speaker 1: like a little yeah. 490 00:24:20,960 --> 00:24:27,680 Speaker 2: Somewhere, but it stands for something else. Animals smut more 491 00:24:28,760 --> 00:24:37,040 Speaker 2: right now, an animal right now, right now, right now. 492 00:24:37,119 --> 00:24:39,600 Speaker 2: It's one word. It has to be because they're they're saying, 493 00:24:39,600 --> 00:24:41,800 Speaker 2: it's so fun. It's a meeting. They need it. 494 00:24:41,800 --> 00:24:46,800 Speaker 1: It's urgency. Yeah, what tell me about the guys in 495 00:24:46,840 --> 00:24:50,679 Speaker 1: the movie. Yeah, we got all kinds of guys. We 496 00:24:50,720 --> 00:24:53,119 Speaker 1: have like a Bobby moynihan guy. Yeah, we have a 497 00:24:53,200 --> 00:24:57,520 Speaker 1: John Hamm guy. Yeah, we have an Eduardo Franco guy. 498 00:24:57,720 --> 00:25:00,280 Speaker 1: Very stranger things, you know, but he does others. 499 00:25:00,000 --> 00:25:03,399 Speaker 3: Stuff too, also a voice and goat. 500 00:25:03,920 --> 00:25:06,480 Speaker 1: He's in Goat. He didn't tell us what is he 501 00:25:06,520 --> 00:25:07,360 Speaker 1: in Goat? 502 00:25:07,520 --> 00:25:13,280 Speaker 2: Wait? What is he? Is? He a beaver? I think so? Fuck? Wait, 503 00:25:13,359 --> 00:25:15,520 Speaker 2: really he's a beaver that plays incredible defense. 504 00:25:16,480 --> 00:25:18,480 Speaker 1: He's he's but he's a deep and built a whole 505 00:25:18,520 --> 00:25:23,439 Speaker 1: damn out there playing ball that's really good. There's a 506 00:25:23,560 --> 00:25:26,640 Speaker 1: damn on the court and it's stopping people. 507 00:25:26,400 --> 00:25:29,160 Speaker 2: From builds it really fast and like you can't get 508 00:25:29,200 --> 00:25:32,199 Speaker 2: around it. He boxes out all right. 509 00:25:32,280 --> 00:25:34,000 Speaker 3: I think they call him Damn Daniel in it. 510 00:25:35,040 --> 00:25:40,199 Speaker 1: Fuck all right, Well he didn't say anything about this 511 00:25:40,240 --> 00:25:44,280 Speaker 1: to us. Did you ask did you actually ask him 512 00:25:44,280 --> 00:25:45,760 Speaker 1: one question about himself. 513 00:25:45,800 --> 00:25:48,560 Speaker 4: I've ever asked him anything about himself other than like, 514 00:25:48,640 --> 00:25:50,600 Speaker 4: what time can you help me with my movie? 515 00:25:50,800 --> 00:25:55,320 Speaker 2: Yeah? I mean no, I don't. Yeah, I feel kind 516 00:25:55,359 --> 00:25:57,120 Speaker 2: of money. I feel kind of put on the spot 517 00:25:57,200 --> 00:25:57,600 Speaker 2: right now. 518 00:25:58,119 --> 00:26:01,960 Speaker 1: I'm just trying to solve this problem. This is really 519 00:26:01,960 --> 00:26:06,320 Speaker 1: fucking bad. Did anyone see Goat? Did anyone see Goat? 520 00:26:06,520 --> 00:26:11,040 Speaker 2: It was a nice little piece of business, took home 521 00:26:11,200 --> 00:26:18,800 Speaker 2: a pretty penny or two. Fuck, we're all rooting for it. 522 00:26:19,320 --> 00:26:21,800 Speaker 2: Why are you rooting for it? 523 00:26:21,800 --> 00:26:24,680 Speaker 1: It's it's just a good time at the movies and 524 00:26:25,119 --> 00:26:29,400 Speaker 1: just having again, don't see it, don't say that, stop it, 525 00:26:30,119 --> 00:26:31,200 Speaker 1: stop it. I can't. 526 00:26:32,320 --> 00:26:36,920 Speaker 2: Sorry, it's a rising tide. Yeah, it lives, you know 527 00:26:36,960 --> 00:26:38,760 Speaker 2: what I mean, But not any other movie. 528 00:26:38,800 --> 00:26:40,879 Speaker 1: I can't believe how much we're talking about Goat on 529 00:26:40,920 --> 00:26:43,760 Speaker 1: this episode at this point. 530 00:26:44,200 --> 00:26:47,480 Speaker 2: Two different movies talking about Goat. 531 00:26:47,600 --> 00:26:50,000 Speaker 3: Listen, we turn off, turn it all in The Dying 532 00:26:50,080 --> 00:26:52,240 Speaker 3: Girl before turn Out. No problem with. 533 00:26:52,119 --> 00:26:57,720 Speaker 2: That, the Goat conversation. Yeah, I wrote that movie. I 534 00:26:57,760 --> 00:27:01,280 Speaker 2: wrote The Princess Bride. I thought of it. I've been 535 00:27:01,320 --> 00:27:02,160 Speaker 2: thinking about it. 536 00:27:02,400 --> 00:27:05,000 Speaker 3: Well, your idea is for yeah, for movies to start 537 00:27:05,000 --> 00:27:05,560 Speaker 3: as books. 538 00:27:05,800 --> 00:27:08,520 Speaker 1: Yeah, that's and that is what it is. Or he's 539 00:27:08,520 --> 00:27:10,520 Speaker 1: reading a book at the beginning, and I think it 540 00:27:10,560 --> 00:27:13,719 Speaker 1: was a book. Therefore it's mine. It's my idea. 541 00:27:13,960 --> 00:27:19,320 Speaker 2: It's all. Sorry, all right, I'm sorry. I I've been 542 00:27:19,320 --> 00:27:23,680 Speaker 2: working on this. No, it's the men. It's good. 543 00:27:23,680 --> 00:27:25,200 Speaker 3: There's other pot some of the men. 544 00:27:26,000 --> 00:27:29,760 Speaker 2: Yeah, so yeah, adult men. That's great. Bobby moynihan, John Hamm, 545 00:27:30,280 --> 00:27:32,640 Speaker 2: Meryl Street. What are they're like? I know to you 546 00:27:32,680 --> 00:27:34,960 Speaker 2: these are just like names on a poster. Yeah. Yeah, 547 00:27:34,960 --> 00:27:38,639 Speaker 2: but like the characters in the movie, like what are 548 00:27:38,720 --> 00:27:42,080 Speaker 2: they into? Yeah, they get what kind of mess they make? 549 00:27:42,119 --> 00:27:46,040 Speaker 1: And yeah, boy, Well there's a very funny scene where 550 00:27:46,119 --> 00:27:50,520 Speaker 1: John ham gets into his car and he thinks he's alone. 551 00:27:51,240 --> 00:27:51,959 Speaker 2: He's not alone. 552 00:27:52,280 --> 00:27:55,000 Speaker 1: Animals are in there and they take his stuff and 553 00:27:55,040 --> 00:27:57,800 Speaker 1: they take his phone and they start typing emojis in 554 00:27:57,880 --> 00:28:00,560 Speaker 1: a sort of text to speech way, and so they're 555 00:28:00,600 --> 00:28:04,240 Speaker 1: like beaver, beaver, beaver, and John Hamm is like. 556 00:28:05,400 --> 00:28:07,040 Speaker 2: How do you do that? How do you how do 557 00:28:07,080 --> 00:28:07,680 Speaker 2: you type the mode? 558 00:28:07,720 --> 00:28:09,680 Speaker 1: There's a little button that says text to speech and 559 00:28:09,840 --> 00:28:11,399 Speaker 1: so yeah, they. 560 00:28:11,520 --> 00:28:13,080 Speaker 3: They know about that button, but we don't. 561 00:28:14,119 --> 00:28:16,080 Speaker 1: Yeah, it to be on your phone. It's on it's 562 00:28:16,119 --> 00:28:16,760 Speaker 1: on my phone. 563 00:28:18,119 --> 00:28:20,359 Speaker 2: You have that it's one button? Can I show you 564 00:28:20,560 --> 00:28:21,320 Speaker 2: it's on your phone? 565 00:28:21,480 --> 00:28:23,720 Speaker 3: I'm not going to let you touch my phone today or. 566 00:28:23,720 --> 00:28:27,119 Speaker 1: Okay, okay, no, that's okay, I understand, but I can 567 00:28:27,160 --> 00:28:29,720 Speaker 1: show you on my phone after the episode, and. 568 00:28:30,440 --> 00:28:32,000 Speaker 2: I'm not going to look at your it is and 569 00:28:32,080 --> 00:28:38,120 Speaker 2: by the way, it is after the episode. It's been 570 00:28:38,200 --> 00:28:40,600 Speaker 2: after the episode for a lot of time. I understand, 571 00:28:40,680 --> 00:28:44,480 Speaker 2: So that after has did it has come and will 572 00:28:44,560 --> 00:28:47,640 Speaker 2: forever be here and there will be no touching the 573 00:28:47,680 --> 00:28:49,120 Speaker 2: phone or anything else. 574 00:28:49,360 --> 00:28:52,080 Speaker 1: Did it happen after the goat or before the goat part? 575 00:28:52,400 --> 00:28:55,680 Speaker 2: Did the goat part? Did what happened this episode? After 576 00:28:55,720 --> 00:28:57,880 Speaker 2: the episode? Is that before goat? That part? 577 00:28:57,920 --> 00:29:00,640 Speaker 4: We have to leave in just legal, I think there's 578 00:29:00,640 --> 00:29:03,760 Speaker 4: probably going to be some sort of action taken against 579 00:29:03,760 --> 00:29:09,560 Speaker 4: you because you're what behavior was so insane and kind 580 00:29:09,560 --> 00:29:12,320 Speaker 4: of threatening, especially to some of the engineers who have 581 00:29:12,360 --> 00:29:15,040 Speaker 4: to like make sure that the sound levels are ready. Yeah, 582 00:29:15,080 --> 00:29:19,240 Speaker 4: they probably have some kind of assault pending because their 583 00:29:19,280 --> 00:29:24,400 Speaker 4: ears must be killing them from the wild petulant outbursts 584 00:29:24,400 --> 00:29:25,040 Speaker 4: regarding a. 585 00:29:25,000 --> 00:29:27,120 Speaker 3: Movie that was actually just for people to have. 586 00:29:27,040 --> 00:29:30,840 Speaker 2: Fun again, Produced by Steph Curry, Bay Area legend. If 587 00:29:30,840 --> 00:29:32,840 Speaker 2: I'm you, I'm not going home. 588 00:29:33,680 --> 00:29:36,120 Speaker 1: Yeah, you know what I mean, after something like this, 589 00:29:36,240 --> 00:29:38,200 Speaker 1: after you don't know how much the fucking money I 590 00:29:38,280 --> 00:29:42,440 Speaker 1: have after four four count them movies and at least 591 00:29:42,440 --> 00:29:46,360 Speaker 1: twenty scripts that were not made, but I did get 592 00:29:46,400 --> 00:29:48,840 Speaker 1: paid for some of them, and others might sell at 593 00:29:48,880 --> 00:29:51,160 Speaker 1: any time. And guess what, you can make any of 594 00:29:51,160 --> 00:29:55,440 Speaker 1: those scripts. I'm sorry, I'm getting angry again. It is 595 00:29:55,480 --> 00:29:57,760 Speaker 1: weird which ones scripts just like sell? 596 00:29:58,600 --> 00:29:59,600 Speaker 2: And they crazy? 597 00:29:59,720 --> 00:30:01,600 Speaker 1: You know, you just got this thing sitting around and 598 00:30:01,640 --> 00:30:03,840 Speaker 1: like you didn't even send it to anyone, but it's just. 599 00:30:03,840 --> 00:30:08,680 Speaker 2: Like I guess they want or whatever. Yeah that happened, 600 00:30:08,720 --> 00:30:11,520 Speaker 2: Like I guess they're like trying to buy this now, crazy, 601 00:30:11,520 --> 00:30:13,440 Speaker 2: how that happened? How does that? And it's always the 602 00:30:13,480 --> 00:30:15,720 Speaker 2: one that how does that? Barely even did? 603 00:30:15,800 --> 00:30:18,240 Speaker 4: And yeah that I was like actually kind of kidding, 604 00:30:18,440 --> 00:30:20,080 Speaker 4: like I was like sort of like being like a 605 00:30:20,160 --> 00:30:22,800 Speaker 4: minder and this was a script and then it's like, Okay, 606 00:30:22,840 --> 00:30:23,560 Speaker 4: now I guess it's done. 607 00:30:23,560 --> 00:30:26,720 Speaker 3: Now they want to buy it. It's like suit yourself. 608 00:30:26,840 --> 00:30:28,880 Speaker 2: Do you email it to? Who do you email it to? 609 00:30:28,960 --> 00:30:31,160 Speaker 1: Is there like a list or like a like. 610 00:30:31,160 --> 00:30:33,280 Speaker 4: A black list, and I know that this is sort 611 00:30:33,280 --> 00:30:35,160 Speaker 4: of a roundabout way for you to try to get 612 00:30:35,160 --> 00:30:36,840 Speaker 4: my phone again, and I'm just going to tell you 613 00:30:36,920 --> 00:30:39,160 Speaker 4: I can see it from here, and I am not 614 00:30:39,200 --> 00:30:40,040 Speaker 4: going to let that happen. 615 00:30:40,040 --> 00:30:43,440 Speaker 2: Okay, that's all right for depressed. The button that like 616 00:30:43,520 --> 00:30:47,520 Speaker 2: makes the phone start reading all our emails, like you 617 00:30:47,640 --> 00:30:50,720 Speaker 2: really are eager to just like push the button as 618 00:30:50,760 --> 00:30:54,120 Speaker 2: a beaver, And I'd love to get back to Hopper's 619 00:30:54,120 --> 00:30:56,960 Speaker 2: if we can't as a beaver, because that's that's what 620 00:30:57,040 --> 00:31:01,920 Speaker 2: I'm really here to. What's the tagline? Natural? Okay? 621 00:31:02,080 --> 00:31:05,120 Speaker 1: Yeah, because they because they don't know she's a beaver, 622 00:31:06,680 --> 00:31:09,280 Speaker 1: so she could or they don't know she's a human. 623 00:31:09,320 --> 00:31:12,320 Speaker 1: The beavers don't know she's a human in a lifelike 624 00:31:12,400 --> 00:31:16,800 Speaker 1: beaver cost robot, you know, like an avatar. 625 00:31:17,600 --> 00:31:20,760 Speaker 2: Essentially, we got to get this straightened out. The movie's 626 00:31:20,800 --> 00:31:21,960 Speaker 2: coming out really soon. 627 00:31:22,160 --> 00:31:25,960 Speaker 3: Yeah, describe the basis of it. 628 00:31:26,320 --> 00:31:30,880 Speaker 2: Let me try again. I probalistic beaver costume like a robot. 629 00:31:31,200 --> 00:31:33,640 Speaker 4: They don't know she's a beaver, is what he said first, 630 00:31:33,680 --> 00:31:35,760 Speaker 4: And it seemed like we've gotten pretty far away from that. 631 00:31:36,680 --> 00:31:40,640 Speaker 1: That was the original pitch. Yeah, but it does you know, 632 00:31:40,680 --> 00:31:43,080 Speaker 1: these things change. They take like five years to make 633 00:31:43,120 --> 00:31:46,280 Speaker 1: and so at the beginning you're doing something. Okay, no, 634 00:31:46,400 --> 00:31:48,040 Speaker 1: I practice this in my hotel room. 635 00:31:48,560 --> 00:31:50,840 Speaker 2: She is a human. 636 00:31:53,000 --> 00:31:58,000 Speaker 1: They the beavers is the day. That's the pronoun meaning beavers. 637 00:31:58,360 --> 00:31:59,800 Speaker 1: Beavers is the antecedent. 638 00:32:00,960 --> 00:32:01,880 Speaker 2: They don't know. 639 00:32:02,480 --> 00:32:06,640 Speaker 1: She's a human who put her consciousness through a wire. 640 00:32:06,920 --> 00:32:09,160 Speaker 2: By Hamburg