WEBVTT - Insect Love Song

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to stuff to Blow your mind.

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<v Speaker 1>My name is Robert Lamb and my name is Julie

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<v Speaker 1>Cricket Douglas. That's your your nickname these days because of

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<v Speaker 1>your proficiency in the sport of cricket. No, no, no,

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<v Speaker 1>my chripping. Oh you're chirping. Yes, it's summer. This is

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<v Speaker 1>when I chirped. Yeah. I mean, you know we've talked

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<v Speaker 1>about before. We're social creatures. We want to fall in

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<v Speaker 1>line with what everybody seems to be doing. And if

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<v Speaker 1>you go out on a summer night, even in a

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<v Speaker 1>city of sprawling and is artificial in many places as Atlanta,

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<v Speaker 1>what do you hear at now? You hear this, this

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<v Speaker 1>constant cacophony, This just roar at times of insect life

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<v Speaker 1>in the trees and the grass hiding underneath your house,

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<v Speaker 1>just chirping away, cricking away, making all these crazy noises.

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<v Speaker 1>And you know, after a while, you just give up,

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<v Speaker 1>You fall in line, and you just start chirping at

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<v Speaker 1>the moon, chirping at the moon, dripping at the moon. Yeah,

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<v Speaker 1>it's true. That's what I love about summer is that

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<v Speaker 1>does bring on that cacophony of nature. Yeah, and if

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<v Speaker 1>you're like me, just grab a fresh jug of moonshine

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<v Speaker 1>and you go out onto your porch. You really get

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<v Speaker 1>to enjoy the sounds of nature. What you don't do that?

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<v Speaker 1>It's the South. We're in Georgia. You don't have moonshine.

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<v Speaker 1>Is this store about moonshine or is that are you

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<v Speaker 1>making this in your top? It is hand crafted moonshine

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<v Speaker 1>from my local artisan. Well that's that's the way to

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<v Speaker 1>do it. Then, yeah, yeah, it really is making it

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<v Speaker 1>come back by the way. Oh yeah, and it's you

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<v Speaker 1>have like, yeah, artisan um moonshine showing up people drinking

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<v Speaker 1>out of mason jars and all. Yeah it's quaint, but yeah,

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<v Speaker 1>I mean this is this is the time to really

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<v Speaker 1>enjoy that cacophony. And I did want to point out

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<v Speaker 1>before we start to talk about what some of this um,

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<v Speaker 1>these sounds of nature mean when we really eats drop

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<v Speaker 1>in closely, I did want to point out that crickets

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<v Speaker 1>are really huge in some parts of the world, particularly

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<v Speaker 1>in Japan. Bob Pemberton, he's an associate with the Florida

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<v Speaker 1>Museum of Natural History. He says that there's a rich

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<v Speaker 1>tradition of keeping singing insects, beginning with emperors who kept

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<v Speaker 1>them in cages in their courts, and he's sad. In fact,

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<v Speaker 1>there is a Buddhist temple near Kyoto with a meditation

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<v Speaker 1>room which terrariums filled with tree crickets, and the monkey

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<v Speaker 1>was taking him through this um meditation room said that

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<v Speaker 1>the voice of cricket is the voice of the Buddha. Well,

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<v Speaker 1>that's an interesting way of looking at I mean, certainly

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<v Speaker 1>there's something very meditative about these organic sounds, about about

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<v Speaker 1>bird song or certainly insects sounds. Um, you can you

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<v Speaker 1>can buy CDs filled with these kind of nature sounds

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<v Speaker 1>to help you relax. So it makes sense that before

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<v Speaker 1>the age of New Age meditation albums, you would just

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<v Speaker 1>stemp will simply put a handful of crickets in a

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<v Speaker 1>cage and uh stick that in your yoga in right. Yeah. Yeah,

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<v Speaker 1>Well apparently to like keeping crickets is a thing in Japan,

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<v Speaker 1>like you keep them in little cages or sometimes people

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<v Speaker 1>will drop them into their pockets so they can enjoy

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<v Speaker 1>the sound. Well, you know, growing up, I remember, and

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<v Speaker 1>I don't know to what extent this is like a

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<v Speaker 1>larger thing. If this is like a Southern thing or what.

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<v Speaker 1>But I always heard, you know, if you have a

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<v Speaker 1>cricket in your house, it's good luck. You're not supposed

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<v Speaker 1>to kill a cricket. At most, you're supposed to let

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<v Speaker 1>it go outside, which generally what I tried to do

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<v Speaker 1>with insects of any kind that wander into the house.

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<v Speaker 1>But specifically the cricket was was good luck, and it

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<v Speaker 1>was a bad omen if you squashed it. Did you

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<v Speaker 1>have this? I have never heard of this, never heard

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<v Speaker 1>of it ever. So not a Michigan thing. It's not

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<v Speaker 1>a Michigan thing. I mean, the only reference point I

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<v Speaker 1>have two crickets is my great uncle Louis mcgulley, who

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<v Speaker 1>used to cheap what was that last name, mcgulley from Chicologo,

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<v Speaker 1>who would keep a cricket in his pocket. But I

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<v Speaker 1>think he did that more as like just some sort

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<v Speaker 1>of parlor truck, like a real cricket. Or is this

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<v Speaker 1>like code for a handgun? A good question, but but

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<v Speaker 1>we'll go with a real crick He assuming he had

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<v Speaker 1>a real cricket, he kept a real cricket in his

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<v Speaker 1>pocket at all times. He did we defeat it. I

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<v Speaker 1>don't know. I just heard stories of us, and I

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<v Speaker 1>almostly mean that he replaced this cricket well quite often,

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<v Speaker 1>you'd want otherwise would just be heartbroking breaking to have

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<v Speaker 1>care that that cricket around with you all the time.

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<v Speaker 1>I should also point out, I'm of course talking about

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<v Speaker 1>the cute little black cricket and not the grotesque um

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<v Speaker 1>geeger esque humpback cricket camel cricket. That's funny, said, I

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<v Speaker 1>was about to say ena more. Yeah, because those those

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<v Speaker 1>are the ones that did generally live under the house

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<v Speaker 1>and then creep up into the surface world to gross

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<v Speaker 1>you out, or if you're a cat, enthrall you with

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<v Speaker 1>your jumping ability. Cats love them at them and I'm

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<v Speaker 1>sure they're full protein as well, it's true. Um, So

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<v Speaker 1>shall we lean in close and with the aid of

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<v Speaker 1>entomologists really eavesdrop on that comphony of nature? Yeah, because

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<v Speaker 1>to us it's cacophony. To it it were it at most,

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<v Speaker 1>it's sort of a serene musical performance that we that

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<v Speaker 1>we just kind of take in. But really what we

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<v Speaker 1>are hearing is acid communication in the insect and interact

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<v Speaker 1>need world. Um, mostly insect that we're hearing all of

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<v Speaker 1>the communications is going on at once. We can't understand it.

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<v Speaker 1>We don't know what they're talking about. Um, I mean

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<v Speaker 1>unless you study it. And we're gonna talk about some

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<v Speaker 1>of those studies here shortly. But but yeah, when you

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<v Speaker 1>start breaking it down, uh, these are actual communications. Uh.

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<v Speaker 1>Species talking to like species. Uh species warning enemies to

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<v Speaker 1>stay away from them. Species trying to confuse enemies. Uh.

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<v Speaker 1>Species trying to draw prey into their grasps uh species

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<v Speaker 1>or particular suitors trying to deal with rival suitors or

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<v Speaker 1>attractive may There's all sorts of stuff going on. Just

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<v Speaker 1>imagine like a million different emails or phone calls just

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<v Speaker 1>zipping through the sky invisible. And that's what's going on

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<v Speaker 1>in the insects song world. And there's no better insect

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<v Speaker 1>to start off with than cicadas, which we have covered before.

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<v Speaker 1>We talked about a cicadas and and that throng, that

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<v Speaker 1>humming that you hear in the trees that used to

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<v Speaker 1>to me sonify like the hottest parts of the summer

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<v Speaker 1>and decaying in death. But now now I look at

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<v Speaker 1>this song, is is this really actually beautiful symphony that

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<v Speaker 1>we're putting together. Well, let's hear a quick clip from

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<v Speaker 1>it from the Song of the Cicada U copyright Whenever

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<v Speaker 1>cicadas decided to cross of the ground originally, Uh, here

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<v Speaker 1>we go. Now, I agree with you that for me,

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<v Speaker 1>the sound of the cicadas, it's always just been a

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<v Speaker 1>part of a hot summer, just sweltering out and the

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<v Speaker 1>and the trees the forest around you are just throbbing

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<v Speaker 1>in the same way that the heat is throbbing. And

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<v Speaker 1>in the cyclical nature of the brood emergence. Also, it's

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<v Speaker 1>impossible not to to correlate that with with cycles of

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<v Speaker 1>life and death, you know, especially as the broods vanished

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<v Speaker 1>the cicada song vanishes, other things in your life may

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<v Speaker 1>van sure change as well, and then the cicada has

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<v Speaker 1>come back, and uh, and then there is something kind

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<v Speaker 1>of magical about that. Well, especially if you consider that

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<v Speaker 1>that brood is either thirteen years in the making or

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<v Speaker 1>seventeen years in making, you know, seventeen years underground. And

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<v Speaker 1>then they come out and they sing their very white

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<v Speaker 1>love songs that the males do to the ladies out there,

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<v Speaker 1>and they really do exist just to to reproduce and

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<v Speaker 1>die off. Yeah, And of course, as we discussed in

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<v Speaker 1>our we we didn't eos about cicada's a while back,

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<v Speaker 1>which people can can look up, but they sort of

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<v Speaker 1>an important purpose. You have all these nutrients that are

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<v Speaker 1>locked away in the ground when they're just when they

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<v Speaker 1>when they when they haven't emerged yet, and when they emerge,

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<v Speaker 1>they're bringing all those nutrients out into the world. So

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<v Speaker 1>it's feast day as well for birds, humans, even cats

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<v Speaker 1>of course, anybody who wants to get in on the

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<v Speaker 1>feast of the cicada. Yeah. You know, what's so fascinating

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<v Speaker 1>about that is that they're not quite sure how cicadas

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<v Speaker 1>are cued to come out after seventeen years. They think

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<v Speaker 1>it's weather related, but still it's a bit of a mystery.

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<v Speaker 1>But it turns out that there are some cicadas that

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<v Speaker 1>don't get the cue and they crawl out like a

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<v Speaker 1>year later, and there's like that lone cicada just you know,

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<v Speaker 1>that lonely little chirping. Yeah, we know, all right. There's

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<v Speaker 1>something like sadly poetic about like the one hippie cicada

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<v Speaker 1>showing up a would stock the year after, yes, yes,

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<v Speaker 1>saying hello, any ladies out there, and literally it's crickets.

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<v Speaker 1>So um. Mainly it is the males, of course making

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<v Speaker 1>the sound. It's worth noting that females can it can

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<v Speaker 1>also make sounds as well, though it's not the signature

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<v Speaker 1>sound that we've heard, and they often all make a

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<v Speaker 1>slightly different sound when they're warning you, hey, don't pick

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<v Speaker 1>me up, um, don't stick me in your pocket. That's

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<v Speaker 1>a different sound as well. Yeah. David Rothenberg, he is

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<v Speaker 1>an interspecies musician. He actually talks about this about the

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<v Speaker 1>very specific noises that they make, the song that they make,

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<v Speaker 1>and he says that whenever you hear a summer convergence

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<v Speaker 1>of Scatta's, you're really hearing nine separate sounds made by

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<v Speaker 1>three related species and they're all there at the same time.

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<v Speaker 1>And so you've got something called the magic Cicada cass

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<v Speaker 1>and i and that makes that swump swelling sound that

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<v Speaker 1>you kind of hear, and to me, that's the most

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<v Speaker 1>prominent sound um that you just hear that swell and

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<v Speaker 1>it just sounds like something is about to burst. And

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<v Speaker 1>then there's the Magicada semendicular and that's another species that

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<v Speaker 1>makes more of a percussive sound. And then the third

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<v Speaker 1>species is magic Cicada sept in sennial and this sounds

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<v Speaker 1>like Pharaoh like saying it's like fair, fair crow. And uh,

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<v Speaker 1>it's really cool because this is a three part process,

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<v Speaker 1>this mating call. That first sound, that that squoshing sound,

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<v Speaker 1>and this this whole process is just sort of attracting

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<v Speaker 1>the ladies and saying I'm right here, and the closer

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<v Speaker 1>they get together, the more the sounds change. And the

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<v Speaker 1>cool thing is that in these pauses between these sounds,

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<v Speaker 1>the female just flicks her wing as a way to

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<v Speaker 1>say here I am. Yeah, so that's kind of her

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<v Speaker 1>call in response. Of course, how how is this signature

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<v Speaker 1>male sound made? Um, the female sound that you mentioned,

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<v Speaker 1>that's just made by flicking their wings together. But the

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<v Speaker 1>males use a membrane and we call this membrane the

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<v Speaker 1>timble and really the best way and it's it's like

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<v Speaker 1>an on their abdomen. And in terms of describing what

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<v Speaker 1>the material looks like and how it generates the sound,

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<v Speaker 1>the best real world uh, well not real world, but

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<v Speaker 1>let's say artificial human world. Um uh. Analog that we

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<v Speaker 1>have is the bindy straw, you know, the bindy part

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<v Speaker 1>of the bindy straw, and it makes that signature noise

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<v Speaker 1>that is essentially what's going on, right, because the abdomen

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<v Speaker 1>is more like that accordion part that's air filled this

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<v Speaker 1>air filled sack, and then the tembles aren't either side,

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<v Speaker 1>and then you have these series of three to five

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<v Speaker 1>kings that excite a residence in the abdomen and that's

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<v Speaker 1>radiated as sound through the insects ear drums. This is

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<v Speaker 1>so cool that's located at the bottom of the abdomen.

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<v Speaker 1>The insects ear drums are at the bottom of the

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<v Speaker 1>abdomen um, so that creates this huge sound pressure that

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<v Speaker 1>acts as a sound converter, and then you have a

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<v Speaker 1>sound that is one hundred and eight decibels loud at

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<v Speaker 1>a one meter range. So just to give you guys

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<v Speaker 1>a little context up there, um, an alarm clock is

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<v Speaker 1>eighty decibles, a rock concert is a hundred and ten decibles,

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<v Speaker 1>in a thundercloup is a hundred and twenty decibles. It's

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<v Speaker 1>interesting that too, that the the cicadas actually tuned down

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<v Speaker 1>their own hearing via muscles to ensure that they're not

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<v Speaker 1>deafened by their own noises. Right. It's it's so if

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<v Speaker 1>you ever think what these guys are loud, that they

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<v Speaker 1>know it too, that's why they're having to tune down

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<v Speaker 1>to sing these songs. Um. So this year's World Science Festival,

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<v Speaker 1>they had a presentation titled the Cicada Serenades, Music, Mating

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<v Speaker 1>and Meaning and it was really good stuff. Um. It

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<v Speaker 1>was quite an adventure to get there because we had

0:11:56.280 --> 0:11:59.480
<v Speaker 1>to go all the way from Manhattan to to the

0:11:59.480 --> 0:12:01.640
<v Speaker 1>Bronx to the Botanical Garden there and we have like

0:12:01.679 --> 0:12:03.520
<v Speaker 1>an hour to do it. And it turns out and

0:12:04.080 --> 0:12:06.480
<v Speaker 1>New Yorkers may laugh at me for even thinking that

0:12:06.480 --> 0:12:08.600
<v Speaker 1>that was a reasonable amount of time to get all

0:12:08.600 --> 0:12:11.680
<v Speaker 1>the way up to the Bronx. Uh, we barely made it.

0:12:12.120 --> 0:12:16.240
<v Speaker 1>But but they they they they presented a really fascinating

0:12:16.559 --> 0:12:20.480
<v Speaker 1>presentation on cicada song and insects song. Rothenburger we mentioned

0:12:20.480 --> 0:12:23.600
<v Speaker 1>was there another individual we're gonna mention in a minute,

0:12:23.600 --> 0:12:26.600
<v Speaker 1>was there as well. One thing that they pointed out

0:12:26.800 --> 0:12:31.760
<v Speaker 1>is that we we don't really understand why some male

0:12:31.800 --> 0:12:34.839
<v Speaker 1>cicadas get lucky and others don't because they're all singing

0:12:34.880 --> 0:12:37.520
<v Speaker 1>this this, this song and uh, a number of you know,

0:12:37.960 --> 0:12:39.960
<v Speaker 1>countless other species out there in the world. We know

0:12:40.000 --> 0:12:42.600
<v Speaker 1>that they're mating. Display is like saying, hey, ladies, this

0:12:42.679 --> 0:12:44.880
<v Speaker 1>is what I have to offer, and the ladies go

0:12:45.600 --> 0:12:48.320
<v Speaker 1>which one has the best mating display, you know, sort

0:12:48.320 --> 0:12:50.719
<v Speaker 1>of like which which guy has the nicest car or

0:12:50.800 --> 0:12:54.040
<v Speaker 1>the coolest house or the most beautiful singing voice. But

0:12:54.040 --> 0:12:56.920
<v Speaker 1>but they don't seem to have any judgment along those lines,

0:12:56.960 --> 0:12:59.320
<v Speaker 1>like all the skata songs are basically the same, so

0:12:59.480 --> 0:13:01.880
<v Speaker 1>it remains a bit of a mystery. Yeah, and there's

0:13:01.920 --> 0:13:06.320
<v Speaker 1>so many of them, yes, um, And so you gotta wonder,

0:13:06.559 --> 0:13:10.880
<v Speaker 1>is this just a matter of proximity, you know, where

0:13:10.840 --> 0:13:12.920
<v Speaker 1>there are that many of them where it's just like, hey,

0:13:12.960 --> 0:13:16.079
<v Speaker 1>we have x amount of days here, it's team on us,

0:13:16.160 --> 0:13:17.760
<v Speaker 1>like ten days. We need to go ahead and do

0:13:17.800 --> 0:13:21.440
<v Speaker 1>that because we're going to be like dust. Pretty well.

0:13:21.440 --> 0:13:24.040
<v Speaker 1>They've been in the ground for a long time. So yeah,

0:13:24.120 --> 0:13:25.880
<v Speaker 1>maybe it's just proximity. And there's so many of them,

0:13:25.880 --> 0:13:28.360
<v Speaker 1>maybe they just realize we've we've got it figured out.

0:13:28.400 --> 0:13:30.720
<v Speaker 1>There's no need to be choosy guys, let's just do it.

0:13:30.840 --> 0:13:34.439
<v Speaker 1>So yeah, I mean, it's let's go back to woodstock.

0:13:34.559 --> 0:13:39.880
<v Speaker 1>It's one big woodstock, like you know, converging right, alright,

0:13:39.920 --> 0:13:41.839
<v Speaker 1>So let's take a quick break and when we get

0:13:41.840 --> 0:13:45.199
<v Speaker 1>back we will cover crickets, of course, but also an

0:13:45.200 --> 0:13:47.960
<v Speaker 1>insect that uses it's en us to make a noise

0:13:48.040 --> 0:14:02.400
<v Speaker 1>of gray labnoses. Alright, so we've talked about Okay, does

0:14:02.400 --> 0:14:05.120
<v Speaker 1>do you anything else to add about the cicada love songs? No,

0:14:05.360 --> 0:14:08.840
<v Speaker 1>just that it's reframed my my idea of what cicadas mean.

0:14:09.000 --> 0:14:12.000
<v Speaker 1>Now I think about tons of love making going on

0:14:12.080 --> 0:14:14.439
<v Speaker 1>when I hear that swell as opposed to deaf and

0:14:14.520 --> 0:14:21.400
<v Speaker 1>decay in the the summer storms coming on. Well, it

0:14:21.440 --> 0:14:23.920
<v Speaker 1>should be obvious cicadas are not the only creatures that

0:14:23.960 --> 0:14:26.800
<v Speaker 1>make make songs. Again, there are a countless varieties of

0:14:26.840 --> 0:14:29.720
<v Speaker 1>insects out there in the night or in even the day,

0:14:29.720 --> 0:14:32.480
<v Speaker 1>even creating all of these sounds. And we're going to

0:14:32.520 --> 0:14:34.840
<v Speaker 1>mention some of the other ones that are worth noting.

0:14:35.200 --> 0:14:37.720
<v Speaker 1>That's right, crickets. Okay, So a lot of people think

0:14:37.760 --> 0:14:41.400
<v Speaker 1>that crickets just rub their legs to make their iconic noise,

0:14:41.600 --> 0:14:45.000
<v Speaker 1>but they do not. Male crickets have a file on

0:14:45.000 --> 0:14:48.640
<v Speaker 1>one wing and a scraper or a plectrum on the

0:14:48.680 --> 0:14:50.960
<v Speaker 1>other wing. They rub the scraper with a file and

0:14:50.960 --> 0:14:54.680
<v Speaker 1>then that makes that chirping noise, which turns out to

0:14:54.720 --> 0:14:57.680
<v Speaker 1>be one hundred dest bulls by the way. Yeah, and

0:14:58.320 --> 0:15:00.640
<v Speaker 1>it's important you have that you mentioned the ridges too,

0:15:00.640 --> 0:15:02.280
<v Speaker 1>because it's not just a matter of like, oh, let's

0:15:02.280 --> 0:15:04.320
<v Speaker 1>say I've got a leg and I've got a wing

0:15:04.440 --> 0:15:06.520
<v Speaker 1>or or another, you know, insects I've got, I've got

0:15:06.560 --> 0:15:08.280
<v Speaker 1>a couple of legs. If you got a couple of wings,

0:15:08.280 --> 0:15:10.000
<v Speaker 1>I should just rub all this stuff together and see

0:15:10.040 --> 0:15:13.520
<v Speaker 1>what happens. Uh No, it's it's much more deliberate than that.

0:15:13.560 --> 0:15:17.000
<v Speaker 1>There is one ridge moves against another ridge, and that

0:15:17.240 --> 0:15:20.040
<v Speaker 1>is uh, that is what creates the noise. Yeah. And uh,

0:15:20.160 --> 0:15:22.520
<v Speaker 1>I did want to point out something called mull crickets

0:15:22.560 --> 0:15:25.440
<v Speaker 1>here because they sort of up the game and they

0:15:25.640 --> 0:15:29.000
<v Speaker 1>use a burrow to act as an acoustic device and

0:15:29.000 --> 0:15:31.920
<v Speaker 1>then radiate sound much like you would with a megaphone.

0:15:32.120 --> 0:15:35.320
<v Speaker 1>So they basically make their own amphitheater for their performance. Yeah.

0:15:35.360 --> 0:15:37.600
<v Speaker 1>And when I say megaphone, that really that's way too

0:15:37.600 --> 0:15:40.680
<v Speaker 1>simple of an explanation because really they're they're acoustic setup

0:15:40.760 --> 0:15:43.800
<v Speaker 1>is far more nuanced and complex than that. Yeah. And

0:15:44.960 --> 0:15:49.960
<v Speaker 1>occasionally you do encounter insects that accidentally benefit from acoustic residents. Um,

0:15:50.280 --> 0:15:52.240
<v Speaker 1>if you have have anyone who's ever had a bug getting

0:15:52.280 --> 0:15:55.280
<v Speaker 1>your ear. I think there's a app Also there's proximity

0:15:55.320 --> 0:15:57.440
<v Speaker 1>to the noise that's going on there as well. But

0:15:58.200 --> 0:16:01.080
<v Speaker 1>there they have their own amphitheater. And uh once I

0:16:01.120 --> 0:16:04.920
<v Speaker 1>had a click bug crawl into a picture frame. So

0:16:05.000 --> 0:16:06.560
<v Speaker 1>it was in there and like just the right spot,

0:16:06.560 --> 0:16:09.240
<v Speaker 1>and it was exceedingly loud. It took me for every

0:16:09.280 --> 0:16:10.480
<v Speaker 1>to figure out what it was. I thought there was

0:16:10.560 --> 0:16:14.760
<v Speaker 1>like somebody in the wall tapping on something click the bug. Yeah,

0:16:14.840 --> 0:16:17.800
<v Speaker 1>like a click click beetle type thing. Okay, pop, you know,

0:16:18.200 --> 0:16:20.080
<v Speaker 1>and if they have something to pop against and then

0:16:20.120 --> 0:16:23.640
<v Speaker 1>if that can resonate, then it becomes this whole different performance.

0:16:24.000 --> 0:16:26.800
<v Speaker 1>It's true, and it is a performance. Uh. For instance,

0:16:26.800 --> 0:16:29.480
<v Speaker 1>grasshoppers like the cricket, they use this what's called stride

0:16:29.720 --> 0:16:34.280
<v Speaker 1>stride eulation that's the scraper, and they used the scraper

0:16:34.360 --> 0:16:37.480
<v Speaker 1>on these little pegs on their hind legs. Yeah, which

0:16:37.520 --> 0:16:40.560
<v Speaker 1>kind of reminded me again of moon shine and making

0:16:40.680 --> 0:16:44.760
<v Speaker 1>music and you know, using a washboard to make some

0:16:44.840 --> 0:16:47.600
<v Speaker 1>sort of sound. Like I am instantly imagining like grasshoppers

0:16:47.640 --> 0:16:51.120
<v Speaker 1>in crickets all setting around playing like string instruments and

0:16:51.200 --> 0:16:53.960
<v Speaker 1>playing the jug maybe and drinking menshine to the point

0:16:54.000 --> 0:16:57.040
<v Speaker 1>where I must have seen that somewhere. Maybe that exists,

0:16:57.160 --> 0:17:00.800
<v Speaker 1>probably in a Pixar movie or it should be. But

0:17:01.440 --> 0:17:03.320
<v Speaker 1>to your point, a lot of people don't realize that

0:17:03.560 --> 0:17:07.360
<v Speaker 1>crickets and grasshoppers are making their their sounds via completely

0:17:07.400 --> 0:17:11.000
<v Speaker 1>different methods. Yeah, and and speaking of completely different methods,

0:17:11.440 --> 0:17:13.560
<v Speaker 1>what if this guy showed up to the cricket and

0:17:13.560 --> 0:17:18.680
<v Speaker 1>grasshopper party. Um, this is called the micronecta Scholtzi, also

0:17:18.840 --> 0:17:22.640
<v Speaker 1>known as the singing penis. It is a freshwater insect

0:17:22.880 --> 0:17:26.359
<v Speaker 1>and it measures just two millimeters across. It's common across Europe,

0:17:26.400 --> 0:17:29.000
<v Speaker 1>so maybe some of our European listeners will will know

0:17:29.040 --> 0:17:31.240
<v Speaker 1>about the singing penis. And now this is not a

0:17:31.280 --> 0:17:34.479
<v Speaker 1>singing penis in the in line with Steve Martin sketch

0:17:34.720 --> 0:17:37.080
<v Speaker 1>if you remember this, uh, I think it was a

0:17:37.119 --> 0:17:39.920
<v Speaker 1>Saturday Night live bit that he did. I don't know.

0:17:40.160 --> 0:17:41.960
<v Speaker 1>He would he would end sip his pants and there's

0:17:41.960 --> 0:17:44.240
<v Speaker 1>a microphone and it's like singing, and then he would

0:17:44.359 --> 0:17:46.720
<v Speaker 1>actually he would smoke a cigarette with it as well.

0:17:46.760 --> 0:17:48.840
<v Speaker 1>That was part of the act. Was it kind of

0:17:48.840 --> 0:17:51.479
<v Speaker 1>like a ventriloquist act? Yeah, it was kind of supposed

0:17:51.480 --> 0:17:54.800
<v Speaker 1>to be like that, like like he was very um, dignified.

0:17:54.840 --> 0:17:56.960
<v Speaker 1>It was very much in the style of let's say,

0:17:56.960 --> 0:17:59.639
<v Speaker 1>the fartist that we've talked about before, you know, Um,

0:17:59.680 --> 0:18:01.679
<v Speaker 1>but I'm pretty sure was Saturday Nightlife Skin. I'm sure

0:18:01.680 --> 0:18:04.600
<v Speaker 1>it's on YouTube somewhere. Um, but but that is not

0:18:04.640 --> 0:18:08.119
<v Speaker 1>what's happening here. With the penis. We're seeing another example

0:18:08.400 --> 0:18:11.080
<v Speaker 1>of this stridulation that we've been talking about again. It's

0:18:11.080 --> 0:18:14.240
<v Speaker 1>one it's one part of the body rubbing against the other. Um.

0:18:14.240 --> 0:18:16.000
<v Speaker 1>I mean really, when you hear all that noise in

0:18:16.040 --> 0:18:18.720
<v Speaker 1>the in the the insects song in the forest, you're

0:18:18.760 --> 0:18:21.320
<v Speaker 1>just hearing a great rubbing of parts, It's true. And

0:18:21.320 --> 0:18:23.320
<v Speaker 1>in this part is it is the penis part, and

0:18:23.480 --> 0:18:26.879
<v Speaker 1>it's a ridge on our penis, which then is rubbed

0:18:26.880 --> 0:18:30.359
<v Speaker 1>against a ridge on the surface of their abdomen. And

0:18:30.400 --> 0:18:35.320
<v Speaker 1>this is so trippy. The surface area is roughly the

0:18:35.359 --> 0:18:39.240
<v Speaker 1>width of a human hair, and it is producing a

0:18:39.280 --> 0:18:43.680
<v Speaker 1>noise of like two decibels. This is incredibly loud. I mean,

0:18:43.680 --> 0:18:45.879
<v Speaker 1>this is like the equivalent of listening to a loud

0:18:46.000 --> 0:18:48.080
<v Speaker 1>orchestra play if you're in the front row. Yeah, like

0:18:48.080 --> 0:18:50.960
<v Speaker 1>just a freight train barreling by now Luckily, these guys

0:18:50.960 --> 0:18:56.600
<v Speaker 1>live in the water, so of the sound is muffled

0:18:56.840 --> 0:18:59.080
<v Speaker 1>by their by their natural habitat, but you can but

0:18:59.080 --> 0:19:01.399
<v Speaker 1>they're still pretty loud out if you're walking by and

0:19:01.440 --> 0:19:03.119
<v Speaker 1>they're they're in the water. And these guys are pretty

0:19:03.119 --> 0:19:06.560
<v Speaker 1>common throughout Europe, I believe. Yeah, yeah they are. And

0:19:06.760 --> 0:19:10.000
<v Speaker 1>uh so that of course leads us to a really

0:19:10.400 --> 0:19:14.240
<v Speaker 1>wily insect, and this is the tiger mom Yeah. These

0:19:14.280 --> 0:19:16.679
<v Speaker 1>other insects we've been talking about, they're largely talking to

0:19:16.720 --> 0:19:19.280
<v Speaker 1>each other. It's largely a matter of mating or occasionally,

0:19:19.320 --> 0:19:21.600
<v Speaker 1>as with this Kida's saying, get your hands off of

0:19:21.600 --> 0:19:22.800
<v Speaker 1>me and put me back in that tree so I

0:19:22.840 --> 0:19:26.040
<v Speaker 1>can do it. Um. But in this case, the tiger

0:19:26.080 --> 0:19:28.240
<v Speaker 1>moth is doing doing something a lot more subtle and

0:19:28.240 --> 0:19:31.280
<v Speaker 1>a lot more fascinating. Yeah, I mean, because it's talking

0:19:31.320 --> 0:19:37.320
<v Speaker 1>to another species. Uh specifically it's predator, a bat, and

0:19:37.480 --> 0:19:42.040
<v Speaker 1>it is making its little song. They think, our researchers think, uh,

0:19:42.359 --> 0:19:45.080
<v Speaker 1>it could be one of three theories. One is that

0:19:45.160 --> 0:19:48.320
<v Speaker 1>it's saying, hey, guess what, I'm poisonous. You probably don't

0:19:48.320 --> 0:19:50.159
<v Speaker 1>know this at night because you can't see any but

0:19:50.240 --> 0:19:52.920
<v Speaker 1>other people these daytime people they know that this these

0:19:52.960 --> 0:19:56.080
<v Speaker 1>markings on my wings, they indicate that I'm poisonous. But

0:19:56.280 --> 0:19:58.760
<v Speaker 1>since it's evening and you can't see this glorious pattern

0:19:58.800 --> 0:20:00.679
<v Speaker 1>on my wings, I'm just gonna tell you. So they

0:20:00.680 --> 0:20:04.119
<v Speaker 1>think that that could be one reason, uh for the

0:20:04.480 --> 0:20:07.800
<v Speaker 1>noise it makes. The second theory is that it's could

0:20:07.880 --> 0:20:12.160
<v Speaker 1>be jamming the bats sonar m. And then the third

0:20:12.240 --> 0:20:15.879
<v Speaker 1>theory is that it's kind of saying boo to the

0:20:15.880 --> 0:20:19.320
<v Speaker 1>bat um and in a sort of acoustic warning system,

0:20:20.200 --> 0:20:22.359
<v Speaker 1>I know you're here. Yeah, Like you know, the bat's

0:20:22.440 --> 0:20:24.600
<v Speaker 1>kind of honing in, hunting in and then or homing

0:20:24.640 --> 0:20:27.639
<v Speaker 1>in and it says, oh, hey, I'm here, and then

0:20:27.680 --> 0:20:29.560
<v Speaker 1>the bat kind of gets freaked out. And this is

0:20:29.600 --> 0:20:32.480
<v Speaker 1>called a startle response. And this is something that Ron

0:20:32.560 --> 0:20:36.000
<v Speaker 1>Hoy talks about um in some of his papers. He

0:20:36.119 --> 0:20:38.040
<v Speaker 1>was on the panels NY. He was on the panel.

0:20:38.080 --> 0:20:40.480
<v Speaker 1>He was great because he brought a number of acoustic

0:20:40.480 --> 0:20:43.800
<v Speaker 1>instruments with him, because I mean you also had David Rothenberg,

0:20:43.840 --> 0:20:47.440
<v Speaker 1>who again he is amazing. He's a philosopher, a musician

0:20:47.440 --> 0:20:50.399
<v Speaker 1>and author um in New Jersey, I believe, and he

0:20:50.560 --> 0:20:53.960
<v Speaker 1>um he's all about like taking natural sounds in the

0:20:53.960 --> 0:20:56.600
<v Speaker 1>world things, sounds of insects, the sounds of whales, and

0:20:56.640 --> 0:20:58.880
<v Speaker 1>the doing of his own stuff. So he actually had

0:20:59.440 --> 0:21:01.760
<v Speaker 1>a container or of cicadas. He has taken him out,

0:21:02.240 --> 0:21:04.439
<v Speaker 1>sticking him on the microphone, and then he's playing like

0:21:04.600 --> 0:21:07.640
<v Speaker 1>an alto sacks. And then he had this fabulous percussionists

0:21:07.640 --> 0:21:11.840
<v Speaker 1>there that was doing kind of um my, my musical

0:21:11.840 --> 0:21:15.320
<v Speaker 1>knowledge isn't sufficient enough to describe it, but very um

0:21:15.800 --> 0:21:19.080
<v Speaker 1>this guy's percussion would not have been out of place

0:21:19.119 --> 0:21:21.960
<v Speaker 1>in a yoga studio or or or it's some sort

0:21:22.000 --> 0:21:25.080
<v Speaker 1>of tribal kind of performance. So it was it was

0:21:25.119 --> 0:21:28.760
<v Speaker 1>a very very cool little little gig you put together there.

0:21:28.880 --> 0:21:31.720
<v Speaker 1>But then yeah, Hoy brought all these different woodwind instruments,

0:21:31.800 --> 0:21:35.199
<v Speaker 1>not woodwind, um would percussion instruments to to demonstrate the

0:21:35.240 --> 0:21:40.399
<v Speaker 1>different forms of stridulation that go on with these different insects. Okay,

0:21:40.440 --> 0:21:41.800
<v Speaker 1>so you can kind of get the idea of the

0:21:41.840 --> 0:21:45.159
<v Speaker 1>frequency or the length. Yeah. So by the end of

0:21:45.200 --> 0:21:48.600
<v Speaker 1>it you had Rothenberg performing and then Hoy had passed

0:21:48.640 --> 0:21:51.359
<v Speaker 1>out all of his his toys to the other panelists

0:21:51.359 --> 0:21:54.800
<v Speaker 1>and they were all strumming or or or shaking or

0:21:55.000 --> 0:21:58.240
<v Speaker 1>rubbing sticks together to make the kind of jam with

0:21:58.280 --> 0:22:01.880
<v Speaker 1>the insects again the woods suck just came out? Yeah, yeah,

0:22:02.119 --> 0:22:04.840
<v Speaker 1>with the insects comes out would suck. Um. What I

0:22:04.880 --> 0:22:07.000
<v Speaker 1>like about David Rothenberg is that he has described as

0:22:07.040 --> 0:22:10.680
<v Speaker 1>an interspecies musician and there's actually a great radio lab

0:22:11.520 --> 0:22:15.000
<v Speaker 1>with him, and it's talking more specifically about Cicada's but

0:22:15.119 --> 0:22:18.879
<v Speaker 1>also about some of his work with the clarinet in

0:22:19.040 --> 0:22:22.560
<v Speaker 1>whales in this sort of column response that happens between

0:22:23.000 --> 0:22:25.400
<v Speaker 1>him and whales when he's playing the clarinets really interesting.

0:22:26.520 --> 0:22:28.440
<v Speaker 1>So there you have it. It's just an insight into

0:22:28.480 --> 0:22:30.840
<v Speaker 1>some of the sounds going on out there. Certainly not

0:22:30.920 --> 0:22:32.720
<v Speaker 1>all of them, and there are a number of other

0:22:32.760 --> 0:22:35.320
<v Speaker 1>creatures that that have some really interesting sounds going on.

0:22:35.600 --> 0:22:37.960
<v Speaker 1>It's worth noting the mosquitoes when they will twining. You

0:22:38.000 --> 0:22:41.440
<v Speaker 1>heard those of the lady mosquitoes, uh talking and and

0:22:41.880 --> 0:22:44.560
<v Speaker 1>potentially trying to mate as well with their insects. Song

0:22:45.000 --> 0:22:49.280
<v Speaker 1>jumping spiders have some phenomenal singing dancing routines that they

0:22:49.320 --> 0:22:52.120
<v Speaker 1>do that we can't hear with with our with our

0:22:52.119 --> 0:22:55.080
<v Speaker 1>ears without the actually uh you know, amplifying the sound,

0:22:55.080 --> 0:22:57.399
<v Speaker 1>but it's still fascinating. Be sure to look up some

0:22:57.480 --> 0:23:00.360
<v Speaker 1>videos of that if you haven't seen it. Uh. Yeah,

0:23:00.359 --> 0:23:03.160
<v Speaker 1>hopefully everyone will think a little a little bit differently

0:23:03.200 --> 0:23:06.320
<v Speaker 1>about the insect a company in the night, because it's

0:23:06.720 --> 0:23:10.159
<v Speaker 1>it's not just a background noise, you know, it is,

0:23:10.200 --> 0:23:13.480
<v Speaker 1>it's this massive communication and uh. And that the sounds

0:23:13.480 --> 0:23:16.800
<v Speaker 1>are being produced at a very small level, uh, with

0:23:16.840 --> 0:23:20.560
<v Speaker 1>some with some really interesting instruments. Indeed, and if you

0:23:20.600 --> 0:23:23.520
<v Speaker 1>want to check out some more insect sounds, go to

0:23:23.680 --> 0:23:28.000
<v Speaker 1>BBC's program called Nature in the episode is called Insect

0:23:28.160 --> 0:23:30.840
<v Speaker 1>Soundings and you can get some more clips of various

0:23:30.840 --> 0:23:35.320
<v Speaker 1>other insects and their role in nature. Uh. If you

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<v Speaker 1>have something you would like to share with us, if

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<v Speaker 1>you'd like to talk about what the cada sound sounds

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<v Speaker 1>mean to you, what insect sounds mean to you? What

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<v Speaker 1>what is your relationship with crickets? Did you grow up

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<v Speaker 1>hearing that they were good luck and them in your house?

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<v Speaker 1>Do you keep them a little cages? Do you keep

0:23:48.640 --> 0:23:51.320
<v Speaker 1>them in your pocket? Uh? Let us know. We'd love

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