WEBVTT - Thoughts on the Design of Whistling Straits

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<v Speaker 1>Welcome back to another edition of the Fridagg Podcast. Today's

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<v Speaker 1>episode is brought to you by ourselves. Hey, I just

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<v Speaker 1>wanted to take a quick minute to talk about our

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<v Speaker 1>print shop. We have my photography somem of Garrett Morrison's

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<v Speaker 1>photography in our pro shop at proshop dot Thefridagg dot com.

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<v Speaker 1>There you will find a photography tab. We have paper prints,

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<v Speaker 1>we have frame paper prints, and we also have metal

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<v Speaker 1>prints just to give you an idea. Those metal prints

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<v Speaker 1>are really unique, bright prints that will spruce up any

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<v Speaker 1>room as well as your traditional paper print and frame

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<v Speaker 1>paper print. So we have a ton of courses including

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<v Speaker 1>this week's Ryder Cup Venue, Whistling Straits on there. Others

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<v Speaker 1>included Ballyneil, Kingsley Club, Sand Valley, pas Tempo Prairie Dunes,

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<v Speaker 1>among many other stream song. We have a ton of

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<v Speaker 1>courses up there, a ton of different prints, a ton

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<v Speaker 1>of op If you're looking for something else that you

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<v Speaker 1>may have seen us post, feel free to reach out

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<v Speaker 1>on the contact us page. We are doing twenty percent off.

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<v Speaker 1>That's not an insignificant amount of money off and use

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<v Speaker 1>the code RC twenty twenty. That's our C twenty twenty

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<v Speaker 1>for twenty percent off. Today's episode is a conversation about

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<v Speaker 1>Whistling Straits between myself and Garrett Morrison, our managing editor.

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<v Speaker 1>So we talk all things Whistling Straits, the venue for

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<v Speaker 1>this year's Ryder Cup, and we get in the nitty

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<v Speaker 1>gritty there and it's a good conversation. Later this week

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<v Speaker 1>we will have another episode that is a five Things

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<v Speaker 1>episode where I will host a colleague in the media space.

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<v Speaker 1>I think I've got an irishman coming on. He can

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<v Speaker 1>be a little surly and hasn't given me really a

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<v Speaker 1>straight answer. So I think I have an irishman coming on.

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<v Speaker 1>He's been on the pod before. We'll see if he uh,

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<v Speaker 1>if he follows through with that. But without further ado,

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<v Speaker 1>here is Garrett and I's conversation on Whistling straight I.

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<v Speaker 2>Missed a green, for example, I'm already upset when I

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<v Speaker 2>find my ball in the bunker, I'm really upset.

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<v Speaker 3>And when I find my ball in a bright egg Friday,

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<v Speaker 3>egg Frida, egg Frida, egg fridagg bride egg Lie, I'm

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<v Speaker 3>about ready to run off of the course. All right,

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<v Speaker 3>So Andy, you were just at Whistling Straights.

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<v Speaker 1>Uh, yes, yeah, it was there. Quick trip, just just

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<v Speaker 1>there to shoot the course. I didn't didn't play, but

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<v Speaker 1>walked walk both nines and uh, good to see it again.

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<v Speaker 1>I've been there a few times in my lifetime, so

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<v Speaker 1>you know, it's always been a big u big drag

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<v Speaker 1>grown up, I mean, Coler the Cohler Resort was like

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<v Speaker 1>the destination place, the one that you always dreamed of

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<v Speaker 1>going to when you were a kid, because it was

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<v Speaker 1>like the nice the real nice course. Being a Midwestern

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<v Speaker 1>like that was the resort of the Midwest growing.

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<v Speaker 3>Up, Chicago's riviera maybe you could call it.

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<v Speaker 2>I don't know.

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<v Speaker 1>I mean, you got you got Lake, you got Lake

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<v Speaker 1>Chadiva areas, a big Chicago land and then you got

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<v Speaker 1>the new Buffaloes like the Hamptons of Chicago land. But

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<v Speaker 1>Cohler was this just like five star lux resort that

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<v Speaker 1>popped up, and you know, from a golfing sense, you know,

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<v Speaker 1>they were hosting at black Wolf, they hosted that US

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<v Speaker 1>Women's Open in ninety seven, and then all of a sudden,

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<v Speaker 1>the PGA started to go to Whistling Straits after they

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<v Speaker 1>built that, and it was you know, that was right

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<v Speaker 1>when I was getting into golf those years, and you know,

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<v Speaker 1>it became an aspirational place. So it's a h you know,

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<v Speaker 1>for any kid that grew up in the Midwest around

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<v Speaker 1>my age, it's a it's a place that you always

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<v Speaker 1>dreamed of playing. And I've been lucky to get out

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<v Speaker 1>there a few times in my lifetime, and you know,

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<v Speaker 1>I still have pictures from the first time I went

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<v Speaker 1>out there with my family, and you know, I think,

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<v Speaker 1>like you know, when you look at the whole place architecturally,

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<v Speaker 1>there's some things that you him and haw about. But

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<v Speaker 1>at the same time, this is a place historically that

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<v Speaker 1>will always be remembered for putting Wisconsin on the map

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<v Speaker 1>as a golf tourism place and really starting this renaissance

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<v Speaker 1>of golf tourism in the Midwest, in the Upper Midwest

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<v Speaker 1>specifically with with obviously it and now there's Sand Valley

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<v Speaker 1>and Aaron Hills, all of the states. So, you know,

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<v Speaker 1>Whistling Straits, but more so black Wolf Run was the

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<v Speaker 1>start of that with with Herb Cohler's kind of vision

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<v Speaker 1>for this place.

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<v Speaker 3>Right, Yeah, the Straights course at Whistling Straits was the

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<v Speaker 3>second course at Coohler I believe, right, I think well,

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<v Speaker 3>I think.

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<v Speaker 1>Well, black Wolf Run has two courses okay, and they

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<v Speaker 1>had the there. Originally it was one course, but then

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<v Speaker 1>they split the course into two when they expanded it. Okay,

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<v Speaker 1>then they built straights on this which isn't It's not connected,

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<v Speaker 1>Like you know, black Wolf Fronds really tied in close

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<v Speaker 1>to cole Is in Coaler and is tied into the

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<v Speaker 1>resort really closely. But then Whistling Straits is a good

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<v Speaker 1>ten to fifteen minutes from the resort in Haven I

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<v Speaker 1>think is actually technically the town.

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<v Speaker 3>So the Straights course was built in nineteen ninety eight

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<v Speaker 3>or opened in nineteen ninety eight, I guess I should say.

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<v Speaker 3>It hosted the PGA Championship in two thousand and four,

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<v Speaker 3>twenty ten, in twenty fifteen. But obviously the reason we're

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<v Speaker 3>talking about it today is that it is going to

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<v Speaker 3>host the Ryder Cup coming up here in a couple

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<v Speaker 3>of weeks. And you were up there to photograph it.

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<v Speaker 3>You definitely saw some infrastructure, some healthy buildouts.

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<v Speaker 2>Yeah.

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<v Speaker 1>You know, I haven't been to a Ryder Cup since

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<v Speaker 1>in twenty twelve, and having been to numerous major championships

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<v Speaker 1>in the last few years, there's just really nothing like

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<v Speaker 1>a Ryder Cup build out. The infrastructure I remember when

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<v Speaker 1>I said Kiwa this winter talking with one of the

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<v Speaker 1>tournament directors down there, I was like, why doesnt Kia

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<v Speaker 1>ever host a Ryder Cup And he was like, they can't.

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<v Speaker 2>They don't have the space.

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<v Speaker 1>You know, the infrastructure needs for a Ryder Cup are

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<v Speaker 1>insane and the buildout is extraordinary. You just look at it,

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<v Speaker 1>I mean the amount of time, and it just reminds

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<v Speaker 1>you how much money is on the line with the

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<v Speaker 1>Ryder Cup and why it was not played last year.

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<v Speaker 3>So they are ready for the crowds. You mentioned Whistling

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<v Speaker 3>Straits's importance in the history of Wisconsin golf. Now people

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<v Speaker 3>know Wisconsin as a premium golf destination. It is one

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<v Speaker 3>of the places to go in America for outstanding golf,

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<v Speaker 3>and Whistling Straits really stands as one of the found

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<v Speaker 3>moments of that Black Wolf run also very important, but

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<v Speaker 3>I feel like Whistling Straits's debut was even more high

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<v Speaker 3>profile than Blackwolf runs, partly because of this incredible location

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<v Speaker 3>that the Straits course has.

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<v Speaker 1>Yeah, I mean it's right on Lake Michigan. The one

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<v Speaker 1>thing I will say is like, there's some really interesting

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<v Speaker 1>ground along Lake Michigan in different parts of Illinois and Wisconsin.

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<v Speaker 1>At this part of the Wisconsin it is dead flat.

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<v Speaker 1>It's just dead flat up to Bluff, you know. So

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<v Speaker 1>everything there is created, everything's artificial. And when you think

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<v Speaker 1>about when you see the adjacent land to the golf course,

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<v Speaker 1>it's amazing what's there. You just look at it and

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<v Speaker 1>you say, Jesus Christ, like, how did this happen? And

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<v Speaker 1>the golf course, though is completely artificially made, is right

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<v Speaker 1>on Lake Michigan. I think one of the things that

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<v Speaker 1>I was thinking about just recently, you know, when I

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<v Speaker 1>was up there was just about how much coastline, like

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<v Speaker 1>it's not ocean coast, but Lake Michigan. A lot of

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<v Speaker 1>people come to Chicago and it is like what ocean

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<v Speaker 1>is that? You know, that's a common thing for out

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<v Speaker 1>of town or to say, which is kind of funny,

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<v Speaker 1>but Lake Michigan is kind of like, you know, an

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<v Speaker 1>ocean in a sense of how it looks. You can't

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<v Speaker 1>see the other side of the lake, and the amount

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<v Speaker 1>of coastline that it occupies is tremendous and I'm not

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<v Speaker 1>sure how it would compare to a lot of places,

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<v Speaker 1>but there's more coastline than pebble and definitely more coastline

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<v Speaker 1>than most of the courses abandoned Sheep Branch might be

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<v Speaker 1>able to contend with it in terms of pure coastline,

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<v Speaker 1>but there's a lot of holes right on Lake Michigan,

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<v Speaker 1>which obviously gives stunning views throughout. It is a it's

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<v Speaker 1>a place that like, no matter how many times you've

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<v Speaker 1>been there, you kind of walk like with like this

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<v Speaker 1>like turn like you're always kind of angled a little

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<v Speaker 1>bit because you're looking at the lake to your left

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<v Speaker 1>or right, depending on which way you're walking.

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<v Speaker 3>I believe there are eight holes along the coast, but

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<v Speaker 3>in addition to those, the holes that are inland have

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<v Speaker 3>views of the ocean because of the way that the

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<v Speaker 3>course was kind of built on stair steps, right, Yeah,

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<v Speaker 3>so the fairways inland are higher, so you tend to

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<v Speaker 3>be able to see I said ocean before. I think

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<v Speaker 3>you can see the lake. Yeah, I lived next to

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<v Speaker 3>Lake Michigan at one point. It really does look like

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<v Speaker 3>an ocean. But in any case, you can. You can.

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<v Speaker 3>You can see the lake at a lot of different

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<v Speaker 3>points on the course, and part of that's because of

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<v Speaker 3>how that site was reshaped. I believe when Die arrived

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<v Speaker 3>that it was more of a sheer cliff right next

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<v Speaker 3>to the lake, and he moved a lot of that

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<v Speaker 3>dirt from the top of the cliffs inland so that

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<v Speaker 3>the holes that are on the lake are lower.

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<v Speaker 1>You see that, especially on the front nine, like the

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<v Speaker 1>par threes jump to mind, those kind of sit down,

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<v Speaker 1>and especially like the seventh hole sits into like a

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<v Speaker 1>little cavity that's cut out. It's the lowest hole in

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<v Speaker 1>terms of like proximity to the shoreline. A lot of

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<v Speaker 1>the back nine plays a little bit higher, but that

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<v Speaker 1>definitely is the case for some of the par three's

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<v Speaker 1>or where he set those in. And now that you

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<v Speaker 1>mention it, you think about it, and it kind of

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<v Speaker 1>makes sense, like you scrape out stuff and that's a

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<v Speaker 1>perfect spot to just nook in a little par three,

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<v Speaker 1>you know. And and the par three's all play along

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<v Speaker 1>the coast, and that obviously is a big thing that

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<v Speaker 1>the Kaiser's stress with with you know, their ocean front

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<v Speaker 1>courses is if you go to Sheep Branch, there's it's

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<v Speaker 1>no coincidence that every part three plays either directly at

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<v Speaker 1>the ocean or along the ocean like that. That's uh,

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<v Speaker 1>that's not by coincidence. And Whistling Straits has you know,

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<v Speaker 1>the all four part threes right on Lake Michigan. So

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<v Speaker 1>you know, it was pretty clever routing how he did

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<v Speaker 1>it because he has all this coastline right and all

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<v Speaker 1>the interest. You know, there's not a lot of interest

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<v Speaker 1>to be gained in inland because the land was dead

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<v Speaker 1>flat and the coast was really the star of the show.

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<v Speaker 1>That's probably why Herb Kohler bought the property, was just

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<v Speaker 1>because of the coastline on on Lake Michigan. So it's

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<v Speaker 1>it's interesting how he built the course. Obviously, the clubhouse

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<v Speaker 1>sits back from the lake significantly, and that's where eighteen

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<v Speaker 1>ends and one t's off like just like any traditional course,

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<v Speaker 1>but one gets you out there. And the way he

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<v Speaker 1>oriented both the back and the front nine, so ten

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<v Speaker 1>and eighteen and one and nine are holes that go

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<v Speaker 1>out to the coast and back from the coast, you know,

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<v Speaker 1>and everything else there is oriented in a figure eight.

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<v Speaker 1>So there's two figure eights on each side. You know,

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<v Speaker 1>on the south side you got the front nine, on

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<v Speaker 1>the north side you got the back nine, and each

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<v Speaker 1>is a figure eight. So what it does is you

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<v Speaker 1>play in the case of the front nine, you play

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<v Speaker 1>above the holes that are along the coast, but then

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<v Speaker 1>you cross over at a par three, which is the

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<v Speaker 1>third hole, and then you get on the coast for four.

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<v Speaker 1>Five lines back, and then six plays above the coast,

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<v Speaker 1>and then seven, another par three gets you back on

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<v Speaker 1>the coast. So it's a really cool kind of figure

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<v Speaker 1>eight when you think about it. And then eight is

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<v Speaker 1>obviously right along the coast, beautiful par four, and then

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<v Speaker 1>nine plays back to the clubhouse, but then ten same thing.

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<v Speaker 1>Ten you play out, eleven plays above the coast, and

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<v Speaker 1>then twelve brings you onto the coast for thirteen and

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<v Speaker 1>then fourteen fifteen play above and then sixteen a par

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<v Speaker 1>five gets you back on but fifteen kind of next

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<v Speaker 1>in to right by twelve, and that's that crossing point

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<v Speaker 1>of the of the figure eight.

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<v Speaker 3>There's an interesting comparison to the Kiowa routing.

0:12:33.240 --> 0:12:35.240
<v Speaker 2>Yes, yes, I was thinking about that while I was

0:12:35.240 --> 0:12:35.959
<v Speaker 2>out there.

0:12:35.800 --> 0:12:41.080
<v Speaker 3>Because Kioa is two loops, and so there are sequences

0:12:41.120 --> 0:12:43.760
<v Speaker 3>of holes that all run along on the back, nine

0:12:44.080 --> 0:12:46.920
<v Speaker 3>all run along the beach, and they're kind of all

0:12:46.920 --> 0:12:51.320
<v Speaker 3>on one side at Whistling Straits. The lake front holes

0:12:51.640 --> 0:12:56.240
<v Speaker 3>are distributed out across the nines in different ways, and

0:12:56.320 --> 0:12:59.280
<v Speaker 3>so you visit the lakefront at different points during the

0:12:59.400 --> 0:13:01.440
<v Speaker 3>nine instead of visiting it all at once.

0:13:02.240 --> 0:13:05.080
<v Speaker 1>It's almost like, you know, obviously Whistling Straits was built

0:13:05.120 --> 0:13:08.880
<v Speaker 1>after Kiowa, and it's almost like an evolution because it is,

0:13:09.280 --> 0:13:11.719
<v Speaker 1>in a way a little bit more sophisticated because it

0:13:12.040 --> 0:13:14.800
<v Speaker 1>becomes it becomes more of a treat, and then you leave,

0:13:14.880 --> 0:13:18.720
<v Speaker 1>you come back like you. It creates these gathering points,

0:13:18.880 --> 0:13:21.559
<v Speaker 1>which for anybody that are going, you know, ryder Cups

0:13:21.559 --> 0:13:24.400
<v Speaker 1>are a zoo. It's really hard to get around. You

0:13:24.480 --> 0:13:26.760
<v Speaker 1>kind of have to pick your spot. There are two

0:13:26.840 --> 0:13:30.240
<v Speaker 1>gathering points right at the cross sections of these figure eights,

0:13:30.400 --> 0:13:34.319
<v Speaker 1>where it's the sixth green, the second green, the third green,

0:13:34.480 --> 0:13:36.679
<v Speaker 1>and the seventh green are all in the same spot.

0:13:36.720 --> 0:13:39.080
<v Speaker 1>There's a grand stand. I was thinking the best spot

0:13:39.160 --> 0:13:41.280
<v Speaker 1>might be up in the top of that grand stand

0:13:41.320 --> 0:13:43.480
<v Speaker 1>because you'd be able to see everything from there. But

0:13:43.640 --> 0:13:48.320
<v Speaker 1>that figure eight creates a concentration of energy and a

0:13:48.400 --> 0:13:50.640
<v Speaker 1>place where everything's going to be happening when they're playing

0:13:50.640 --> 0:13:53.040
<v Speaker 1>the front nine. So if I was spectating, I might

0:13:53.080 --> 0:13:55.520
<v Speaker 1>think about going out there if I'm going to catch

0:13:55.520 --> 0:13:58.360
<v Speaker 1>the front nine and then booking my way over to

0:13:58.400 --> 0:14:01.160
<v Speaker 1>the back nine and getting to that same figure eight

0:14:01.240 --> 0:14:06.480
<v Speaker 1>point where everything crosses because there you have twelve, eleven, fifteen,

0:14:06.600 --> 0:14:09.200
<v Speaker 1>and sixteen right there where you can watch a lot

0:14:09.240 --> 0:14:12.480
<v Speaker 1>of action and getting a good high perch right there

0:14:12.679 --> 0:14:14.480
<v Speaker 1>where you're gonna be able to see a lot of shots.

0:14:14.679 --> 0:14:17.640
<v Speaker 1>So in that sense, it's advantageous if you know what

0:14:17.640 --> 0:14:19.680
<v Speaker 1>you're looking and where you're trying to get for the

0:14:19.760 --> 0:14:22.840
<v Speaker 1>Ryder Cup. But like those figure eights make those really

0:14:23.520 --> 0:14:26.360
<v Speaker 1>concentrated pockets of the golf course because going out to

0:14:26.440 --> 0:14:29.440
<v Speaker 1>either end is a real haul. But those figure eates

0:14:29.440 --> 0:14:31.880
<v Speaker 1>are really cool because they, you know, they kind of

0:14:31.880 --> 0:14:34.880
<v Speaker 1>give you you get to look ahead when you're playing

0:14:35.040 --> 0:14:37.480
<v Speaker 1>and then also look back when you're coming back at

0:14:37.640 --> 0:14:39.680
<v Speaker 1>you know, you get to think about, hey, what happened

0:14:39.720 --> 0:14:42.200
<v Speaker 1>on that short par three twelve, Like when you're on fifteen,

0:14:42.320 --> 0:14:44.400
<v Speaker 1>like I can't believe I hit it in the water

0:14:44.480 --> 0:14:45.560
<v Speaker 1>there or something. You know.

0:14:46.040 --> 0:14:49.880
<v Speaker 3>Yeah, you mentioned the par three's earlier. All of them

0:14:50.080 --> 0:14:52.720
<v Speaker 3>are along the lake. So does that mean that they're

0:14:52.800 --> 0:14:55.880
<v Speaker 3>sort of repetitive or are there ways that Die managed

0:14:55.920 --> 0:14:57.240
<v Speaker 3>to distinguish them from each other?

0:14:58.040 --> 0:15:00.480
<v Speaker 1>Yeah, So two play in one direction to play in

0:15:00.520 --> 0:15:04.160
<v Speaker 1>the other direction to play south, to play north. The

0:15:04.200 --> 0:15:07.040
<v Speaker 1>first Part three you encounter is the third hole. It's

0:15:07.040 --> 0:15:10.280
<v Speaker 1>got a really big green and it angles you're playing south,

0:15:10.640 --> 0:15:13.560
<v Speaker 1>and it's right on the ocean or on the cheese,

0:15:13.560 --> 0:15:14.320
<v Speaker 1>on the lake.

0:15:14.520 --> 0:15:19.239
<v Speaker 3>And lifelong Chicago in right here exactly.

0:15:19.320 --> 0:15:22.720
<v Speaker 1>It's a middle length Part four, so they vary in distance.

0:15:22.960 --> 0:15:25.240
<v Speaker 1>You know, you've got two middle length Part four are

0:15:25.240 --> 0:15:28.920
<v Speaker 1>Part three's and three and seven three being a little

0:15:28.920 --> 0:15:31.560
<v Speaker 1>bit shorter than seven, and then you've got a long

0:15:31.640 --> 0:15:35.240
<v Speaker 1>part three and seventeen and twelve is a short part three,

0:15:35.520 --> 0:15:38.280
<v Speaker 1>very short part three. So you have good variety in

0:15:38.400 --> 0:15:43.360
<v Speaker 1>terms of the distances. They're all relatively flat. None of

0:15:43.360 --> 0:15:46.680
<v Speaker 1>them plays significantly uphill or downhill, but they all have

0:15:46.880 --> 0:15:51.640
<v Speaker 1>unique kind of green complexes and green surrounds that very them.

0:15:51.920 --> 0:15:55.720
<v Speaker 1>So the third has a really beautiful, like wavy green

0:15:56.040 --> 0:15:59.320
<v Speaker 1>that has contours that kind of cut in on diagonals

0:15:59.360 --> 0:16:02.120
<v Speaker 1>throughout the green which create a lot of very cool

0:16:02.200 --> 0:16:06.280
<v Speaker 1>pin positions, and it opens from right to left going back.

0:16:06.480 --> 0:16:08.800
<v Speaker 1>You know, the seventh a little bit longer of a

0:16:08.800 --> 0:16:11.120
<v Speaker 1>par three that is bench right. I mean, it's so

0:16:11.240 --> 0:16:14.560
<v Speaker 1>intimidating right along the lake, and that one opens from

0:16:14.640 --> 0:16:17.400
<v Speaker 1>left to right, so opens to the kind of the

0:16:17.480 --> 0:16:20.880
<v Speaker 1>opposite shot shape, so the first you know third hole.

0:16:21.200 --> 0:16:23.280
<v Speaker 1>They look they're very similar in the sense that they're

0:16:23.320 --> 0:16:27.040
<v Speaker 1>both mid length par threes. One opens from the right

0:16:27.080 --> 0:16:29.120
<v Speaker 1>to right to left, the other opens from left to

0:16:29.200 --> 0:16:31.080
<v Speaker 1>right and then you go to the back.

0:16:31.200 --> 0:16:31.400
<v Speaker 2>Nine.

0:16:31.480 --> 0:16:35.920
<v Speaker 1>Twelve is a wild green. It is a very cool,

0:16:36.520 --> 0:16:39.760
<v Speaker 1>unique short par three. I think in terms of the

0:16:39.800 --> 0:16:42.840
<v Speaker 1>golf course, probably my favorite hole on the golf course,

0:16:42.960 --> 0:16:46.160
<v Speaker 1>right on the lake, and it's mainly because of the green.

0:16:46.240 --> 0:16:48.520
<v Speaker 1>It's a green that I haven't ever seen a green

0:16:48.800 --> 0:16:52.240
<v Speaker 1>like it. Maybe a hoopies a hole green might be

0:16:52.280 --> 0:16:54.520
<v Speaker 1>the only thing that I've seen that has a similar

0:16:54.680 --> 0:16:56.040
<v Speaker 1>even flare to it.

0:16:56.040 --> 0:16:56.720
<v Speaker 2>It's law.

0:16:56.840 --> 0:17:00.840
<v Speaker 1>It's kind of very narrow, and it kind of along

0:17:00.920 --> 0:17:03.400
<v Speaker 1>these bunkers, so you have like a front left side

0:17:03.840 --> 0:17:07.119
<v Speaker 1>that's short left and then it kind of runs on

0:17:07.200 --> 0:17:10.400
<v Speaker 1>a diagonal and then goes serpentines all the way back

0:17:10.440 --> 0:17:14.159
<v Speaker 1>to back. Little pin that's like sits out on the

0:17:14.200 --> 0:17:17.840
<v Speaker 1>peninsula and they better put the pin there, is all

0:17:17.840 --> 0:17:21.680
<v Speaker 1>I'm gonna say. Like, I'm going to be extremely disappointed

0:17:21.720 --> 0:17:25.640
<v Speaker 1>if there's not a pin back there. But in it

0:17:25.640 --> 0:17:28.520
<v Speaker 1>it has the boldest contours of any green, which you

0:17:28.560 --> 0:17:30.720
<v Speaker 1>would expect with a short part three. Like, one of

0:17:30.720 --> 0:17:33.199
<v Speaker 1>the things you can do with short part three's is

0:17:33.200 --> 0:17:35.440
<v Speaker 1>you can push the contours and make it a little

0:17:35.480 --> 0:17:38.439
<v Speaker 1>bit more extreme because it's not as big of a

0:17:38.520 --> 0:17:41.120
<v Speaker 1>journey to get there. So this green has a lot

0:17:41.119 --> 0:17:43.720
<v Speaker 1>of very sharp contours, and if you're not in the

0:17:43.800 --> 0:17:46.200
<v Speaker 1>right section of it, it's gonna be a really hard

0:17:46.240 --> 0:17:50.199
<v Speaker 1>two put. And then furthermore, the way it angles, with

0:17:50.240 --> 0:17:54.520
<v Speaker 1>it being long right short left, that's really tough for

0:17:54.640 --> 0:17:57.800
<v Speaker 1>right handers because your missus are short right or long left,

0:17:58.000 --> 0:17:59.720
<v Speaker 1>which are both in both cases.

0:17:59.760 --> 0:18:02.440
<v Speaker 3>Truck, have you told me about seventeen?

0:18:03.080 --> 0:18:06.480
<v Speaker 1>Oh, last one? I mean, so you get like a

0:18:06.520 --> 0:18:11.000
<v Speaker 1>gettabull par five sixteen right before it, and then seventeen

0:18:11.040 --> 0:18:14.040
<v Speaker 1>and eighteen are complete bears. I mean, I think it's

0:18:14.119 --> 0:18:18.200
<v Speaker 1>about two twenty two thirty from the back, and this

0:18:18.280 --> 0:18:21.080
<v Speaker 1>hole is pushed up on the edge of the of

0:18:21.119 --> 0:18:24.560
<v Speaker 1>the lake, very steep drop off to the left. There's

0:18:24.600 --> 0:18:27.720
<v Speaker 1>space left, but it's nowhere you want to be. It's

0:18:27.760 --> 0:18:30.200
<v Speaker 1>almost like you know, if the pin's left, you miss left,

0:18:30.240 --> 0:18:33.840
<v Speaker 1>it's almost guaranteed bogie. Very severe penalty for missing over

0:18:33.880 --> 0:18:37.199
<v Speaker 1>there on the right, there's a big towering bunker that

0:18:37.320 --> 0:18:40.280
<v Speaker 1>kind of obscures the right half of the green, and

0:18:40.320 --> 0:18:42.600
<v Speaker 1>the only way to get anywhere near that pin is

0:18:42.640 --> 0:18:45.560
<v Speaker 1>with a high fade from you know to twenty two thirty.

0:18:45.800 --> 0:18:47.760
<v Speaker 1>It's a really tough shot to hit. I mean, most

0:18:47.760 --> 0:18:49.240
<v Speaker 1>people are just gonna be aiming for the middle of

0:18:49.280 --> 0:18:51.560
<v Speaker 1>the green, trying to hit the green. But you know,

0:18:51.600 --> 0:18:55.160
<v Speaker 1>it's a longer, narrower, but it's got that little right

0:18:55.440 --> 0:18:57.880
<v Speaker 1>kind of pocket where you can put a middle pin right.

0:18:57.960 --> 0:19:01.160
<v Speaker 1>So you've got really interesting pins everywhere that you look

0:19:01.200 --> 0:19:04.320
<v Speaker 1>on that green. If it's short left, they have te's

0:19:04.400 --> 0:19:06.960
<v Speaker 1>on the right and left sides, so you could it

0:19:06.960 --> 0:19:09.520
<v Speaker 1>could be a little bit more right, which when you

0:19:09.600 --> 0:19:12.600
<v Speaker 1>use that right pin, a lot of people would automatically

0:19:12.600 --> 0:19:16.639
<v Speaker 1>assume the left t is a little bit harder because

0:19:16.640 --> 0:19:19.560
<v Speaker 1>you're right on the lake there. But that right ta

0:19:19.640 --> 0:19:22.639
<v Speaker 1>what it does is it brings your where you're gonna

0:19:22.640 --> 0:19:26.880
<v Speaker 1>miss long left becomes the lake, you know, as opposed

0:19:26.920 --> 0:19:29.720
<v Speaker 1>to like you can shade from that tea that's pressed

0:19:29.760 --> 0:19:32.359
<v Speaker 1>on the on the lake. It's easier shot to just

0:19:32.400 --> 0:19:35.199
<v Speaker 1>bail right. It becomes harder to bail right when they

0:19:35.240 --> 0:19:37.320
<v Speaker 1>have the t right, which I think they're gonna use

0:19:37.359 --> 0:19:40.040
<v Speaker 1>that right tea most of the time, and it brings

0:19:40.119 --> 0:19:43.280
<v Speaker 1>that the lake much more into your your shot pattern.

0:19:43.359 --> 0:19:46.320
<v Speaker 1>So front left obviously you have to deal with the

0:19:46.760 --> 0:19:49.560
<v Speaker 1>with the left side and the lake. Back left you

0:19:49.600 --> 0:19:51.800
<v Speaker 1>have to deal with the left side, and then middle

0:19:51.880 --> 0:19:54.760
<v Speaker 1>right you have to deal with that really really gnarly

0:19:54.840 --> 0:19:55.840
<v Speaker 1>volcano bunker.

0:19:56.080 --> 0:19:56.640
<v Speaker 2>Short right.

0:19:57.680 --> 0:20:00.159
<v Speaker 3>So we've talked about the part threes. What are some

0:20:00.240 --> 0:20:02.760
<v Speaker 3>other holes that you think people should watch out for

0:20:02.880 --> 0:20:03.640
<v Speaker 3>at the Ryder Cup.

0:20:04.280 --> 0:20:07.560
<v Speaker 1>Yeah, so you know this is a rarity. Pete Die

0:20:07.640 --> 0:20:10.320
<v Speaker 1>was like, not a big drivable par four guy. No,

0:20:10.520 --> 0:20:13.119
<v Speaker 1>he was a short part four necessarily like that. It

0:20:13.200 --> 0:20:15.119
<v Speaker 1>was like one of the things you noticed at a

0:20:15.160 --> 0:20:17.240
<v Speaker 1>lot of his course is very few drivable par four.

0:20:17.359 --> 0:20:20.720
<v Speaker 3>Yeah. And in fact, quick story here when they built

0:20:20.800 --> 0:20:24.560
<v Speaker 3>a drivable par four at TPC Sawgrass on the twelfth hole,

0:20:24.600 --> 0:20:27.520
<v Speaker 3>when the PGA Tour decided to make that a drivable

0:20:27.560 --> 0:20:30.440
<v Speaker 3>par four. This was before Pete Die had passed away,

0:20:30.440 --> 0:20:34.040
<v Speaker 3>but he wasn't in public much at that point. Alice Dye,

0:20:34.040 --> 0:20:38.119
<v Speaker 3>his wife, was still speaking occasionally in public, and what

0:20:38.240 --> 0:20:43.600
<v Speaker 3>she said bluntly was my husband did not like short

0:20:43.640 --> 0:20:47.080
<v Speaker 3>par fours that much. He didn't really like drivable par fours.

0:20:47.200 --> 0:20:50.280
<v Speaker 3>This is not really representative of something that he would

0:20:50.320 --> 0:20:52.680
<v Speaker 3>want to do. She said that about the new twelfth

0:20:52.680 --> 0:20:55.840
<v Speaker 3>hole at TPC Sawgrass. But we do see a couple

0:20:55.840 --> 0:20:59.520
<v Speaker 3>of instances of short par fours at Whistling Straits, which

0:20:59.600 --> 0:21:00.000
<v Speaker 3>is interesting.

0:21:00.320 --> 0:21:02.520
<v Speaker 1>Yeah, And I think like one of them, like ten,

0:21:02.680 --> 0:21:05.639
<v Speaker 1>is shorter than it would be because of some hospitality.

0:21:05.880 --> 0:21:07.119
<v Speaker 1>You know, I think that tea is going to be

0:21:07.200 --> 0:21:08.720
<v Speaker 1>up a little because of hospitality.

0:21:09.119 --> 0:21:09.320
<v Speaker 2>You know.

0:21:09.440 --> 0:21:12.960
<v Speaker 1>It's an enticing drivable par four for somebody like Bryson,

0:21:13.680 --> 0:21:17.480
<v Speaker 1>the really long hitters. But then like the predominant drivable

0:21:17.520 --> 0:21:20.800
<v Speaker 1>part four is the sixth. It's a really cool hole

0:21:20.840 --> 0:21:23.960
<v Speaker 1>because of the green. The green has like two very

0:21:24.000 --> 0:21:27.720
<v Speaker 1>distinct sections, like and I think everybody that's watched tournament

0:21:27.760 --> 0:21:30.040
<v Speaker 1>golf out there has probably seen it. But it's almost

0:21:30.080 --> 0:21:33.760
<v Speaker 1>like it's almost like a pair of glasses right with

0:21:33.880 --> 0:21:36.720
<v Speaker 1>your right and left eye, and then there's a bunker

0:21:36.800 --> 0:21:39.199
<v Speaker 1>that cuts in and is like your nose piece of

0:21:39.240 --> 0:21:43.479
<v Speaker 1>your glasses, and the left side's very inviting, has kind

0:21:43.520 --> 0:21:46.159
<v Speaker 1>of a slope that kicks things in there that is

0:21:46.200 --> 0:21:49.119
<v Speaker 1>a very inviting pin to go for the green because

0:21:49.160 --> 0:21:51.399
<v Speaker 1>you can miss to the left and you've got a

0:21:51.440 --> 0:21:54.040
<v Speaker 1>really easy chip. Things get a little bit more difficult

0:21:54.080 --> 0:21:56.639
<v Speaker 1>when the pin's over on the right side because you

0:21:56.680 --> 0:21:59.280
<v Speaker 1>know there's no option. There's no way you could carry

0:21:59.280 --> 0:22:02.560
<v Speaker 1>it there, fly it there and have it stop. You know,

0:22:02.600 --> 0:22:05.919
<v Speaker 1>the question is will these guys prefer hitting that bunker

0:22:05.920 --> 0:22:08.040
<v Speaker 1>shot from just right around the green or are they

0:22:08.040 --> 0:22:10.760
<v Speaker 1>gonna lay up back into the layup area. I hit

0:22:10.800 --> 0:22:13.480
<v Speaker 1>a wedge because it's a really small target, like it's

0:22:13.480 --> 0:22:16.800
<v Speaker 1>not necessarily an easy wed shot to that right pin

0:22:17.320 --> 0:22:19.840
<v Speaker 1>and left the left. I think when the pin's over

0:22:19.920 --> 0:22:22.320
<v Speaker 1>the left, you're gonna see everybody go for that because

0:22:22.320 --> 0:22:23.280
<v Speaker 1>it's not a long hole.

0:22:23.640 --> 0:22:24.800
<v Speaker 2>I think almost.

0:22:24.440 --> 0:22:26.760
<v Speaker 1>Everybody in this Ryder Cup will be able to hit

0:22:26.800 --> 0:22:31.720
<v Speaker 1>to get close to it. So that's a really compelling hole,

0:22:32.040 --> 0:22:34.440
<v Speaker 1>and obviously, in the cadence of things, it comes after

0:22:34.480 --> 0:22:36.480
<v Speaker 1>a part five, so it's part of the section of

0:22:36.520 --> 0:22:39.040
<v Speaker 1>the golf course that you really expect to score. The

0:22:39.880 --> 0:22:43.760
<v Speaker 1>tenth hole I previously mentioned, but that'll be played up

0:22:43.800 --> 0:22:47.040
<v Speaker 1>a couple teas. Again, if you lay up, it's not

0:22:47.240 --> 0:22:50.439
<v Speaker 1>easy because you never have a visible shot unless you

0:22:50.480 --> 0:22:52.639
<v Speaker 1>get up by the green because the green sits so

0:22:52.800 --> 0:22:56.119
<v Speaker 1>high up that you're never really gonna get close enough

0:22:56.160 --> 0:22:58.560
<v Speaker 1>that you can see the green, So then it brings

0:22:58.560 --> 0:23:01.320
<v Speaker 1>in this kind of awkward wedge where everybody struggles a

0:23:01.320 --> 0:23:03.880
<v Speaker 1>little bit when they can't see what they're hitting it at.

0:23:04.720 --> 0:23:06.640
<v Speaker 1>You can see the pin, but you have no depth

0:23:06.760 --> 0:23:09.840
<v Speaker 1>perception and there's nothing good left there. So that's the

0:23:10.560 --> 0:23:12.680
<v Speaker 1>thing with the hitting driver. If you hit it left,

0:23:12.800 --> 0:23:14.760
<v Speaker 1>you could be in a really bad spot. And then

0:23:14.800 --> 0:23:19.080
<v Speaker 1>the final one is the fourteenth hole. Everybody probably forgets

0:23:19.080 --> 0:23:21.000
<v Speaker 1>about the fourteenth hole. I think it's a really nice

0:23:21.040 --> 0:23:25.080
<v Speaker 1>little hole and really like maybe one of the most

0:23:25.480 --> 0:23:28.919
<v Speaker 1>slept on holes out. There's a blind t shot and

0:23:29.000 --> 0:23:31.040
<v Speaker 1>you can play out right or you can take on

0:23:31.680 --> 0:23:35.119
<v Speaker 1>a big swath of bunkers on the left, and if

0:23:35.160 --> 0:23:37.040
<v Speaker 1>you take on that, you could definitely hit the green,

0:23:37.119 --> 0:23:39.879
<v Speaker 1>like you know, as the crow flies. It's much shorter

0:23:39.920 --> 0:23:42.960
<v Speaker 1>than the yardage on the card, and I would expect

0:23:43.000 --> 0:23:45.240
<v Speaker 1>a lot of guys to be trying to go for

0:23:45.280 --> 0:23:48.199
<v Speaker 1>that green off the tee and you can't see it

0:23:48.920 --> 0:23:51.720
<v Speaker 1>from the tee, so it's completely blind. But you can

0:23:52.000 --> 0:23:54.880
<v Speaker 1>lay up out to the right and it winds around

0:23:54.920 --> 0:23:57.760
<v Speaker 1>the bunker, but it leaves you with like a webshot

0:23:57.840 --> 0:24:02.320
<v Speaker 1>from probably not the flattest lye. The fairway banks pretty

0:24:02.320 --> 0:24:05.040
<v Speaker 1>hard right to left to green that you know, it's

0:24:05.080 --> 0:24:08.520
<v Speaker 1>not it's shallow and wide. It's not the easiest green

0:24:08.520 --> 0:24:09.439
<v Speaker 1>to hit a wedge into.

0:24:10.440 --> 0:24:13.000
<v Speaker 3>So you've described a couple of greens so far. It

0:24:13.080 --> 0:24:16.399
<v Speaker 3>seems like one of the most memorable characteristics of this

0:24:16.520 --> 0:24:19.439
<v Speaker 3>course is that the greens are really varied, and some

0:24:19.480 --> 0:24:22.399
<v Speaker 3>of them have pretty wild shapes. So what are some

0:24:22.520 --> 0:24:25.600
<v Speaker 3>patterns that you noticed among the whistling straight screens.

0:24:26.640 --> 0:24:28.800
<v Speaker 1>Yeah, so I think one of the things that di

0:24:29.000 --> 0:24:32.440
<v Speaker 1>did really well for his era was build really compelling

0:24:32.480 --> 0:24:35.520
<v Speaker 1>greens that had variety in them, you know that. I

0:24:35.560 --> 0:24:37.640
<v Speaker 1>think that's one of the things you see in that

0:24:37.760 --> 0:24:39.879
<v Speaker 1>era of architecture was the greens were a little bit

0:24:39.960 --> 0:24:42.560
<v Speaker 1>dumbed down and bland compared to Golden Age, and I

0:24:42.600 --> 0:24:46.520
<v Speaker 1>think Die had kind of the most spunk out of

0:24:46.560 --> 0:24:51.800
<v Speaker 1>everybody then. And with what you see as nonlinear contours.

0:24:52.080 --> 0:24:54.480
<v Speaker 1>So what I mean by that is this era was

0:24:54.560 --> 0:24:58.560
<v Speaker 1>so line oriented, right, so if you built a tier,

0:24:58.600 --> 0:25:01.439
<v Speaker 1>it was a straight tier. All of dies kind of

0:25:01.480 --> 0:25:05.000
<v Speaker 1>go on diagonals and they have ups and downs, kind

0:25:05.000 --> 0:25:07.479
<v Speaker 1>of like you'd see of a Maxwell roll. It's not

0:25:07.560 --> 0:25:09.800
<v Speaker 1>just like an up and flat. They all have like

0:25:09.880 --> 0:25:13.280
<v Speaker 1>kind of backsides and front sides to the slopes. And

0:25:13.640 --> 0:25:16.760
<v Speaker 1>I think that's what makes them really fun is they

0:25:16.800 --> 0:25:19.680
<v Speaker 1>create these really small sections. Whether it's a big green

0:25:19.760 --> 0:25:22.480
<v Speaker 1>or a smaller green, all of them have very distinct

0:25:22.480 --> 0:25:24.399
<v Speaker 1>sections and you have to hit a really good shot

0:25:24.440 --> 0:25:26.320
<v Speaker 1>to get in those sections. And if you're not in

0:25:26.320 --> 0:25:29.080
<v Speaker 1>those sections, it becomes like how do I two putt?

0:25:29.480 --> 0:25:31.960
<v Speaker 1>Not how do I make this putt? So it really

0:25:32.040 --> 0:25:33.920
<v Speaker 1>rewards great iron play.

0:25:35.240 --> 0:25:38.840
<v Speaker 3>So one of the ideas going into this Ryder Cup

0:25:38.880 --> 0:25:40.919
<v Speaker 3>that seems to be popular right now is that this

0:25:41.040 --> 0:25:44.800
<v Speaker 3>course is going to strongly prioritize distance. What do you

0:25:44.840 --> 0:25:45.359
<v Speaker 3>think about that?

0:25:46.200 --> 0:25:46.879
<v Speaker 2>I agree with that.

0:25:47.240 --> 0:25:48.600
<v Speaker 3>I mean distance and irons.

0:25:48.680 --> 0:25:52.439
<v Speaker 1>Uh yeah, I mean when you hit it further, you

0:25:52.440 --> 0:25:56.240
<v Speaker 1>get shorter irons, which really helps your proximity, you know,

0:25:56.359 --> 0:25:59.280
<v Speaker 1>especially when you're talking about the best players in the world. So,

0:25:59.760 --> 0:26:03.520
<v Speaker 1>as Joe Lamannia said this podcast a couple of weeks ago,

0:26:03.720 --> 0:26:06.600
<v Speaker 1>one of the things is why distance is so important

0:26:06.880 --> 0:26:09.400
<v Speaker 1>is some of the faraways get wider the further you go.

0:26:10.080 --> 0:26:12.760
<v Speaker 1>This is a resort golf course. So there's some really

0:26:12.840 --> 0:26:16.640
<v Speaker 1>generous spots on it, not necessarily fairway, if we could

0:26:16.640 --> 0:26:20.080
<v Speaker 1>talk about that later. But corridor wise, it's pretty wide

0:26:20.400 --> 0:26:23.080
<v Speaker 1>in spots, and there's certain areas where they pinch, and

0:26:23.119 --> 0:26:26.399
<v Speaker 1>I think when it was designed, the areas that that

0:26:26.480 --> 0:26:28.480
<v Speaker 1>they pinch are where the best players in the world

0:26:28.560 --> 0:26:32.480
<v Speaker 1>hit it, and now that's where they could hit it past,

0:26:32.880 --> 0:26:35.680
<v Speaker 1>and it does show its age a little in that

0:26:35.880 --> 0:26:38.840
<v Speaker 1>in that sense, right is where all the trouble is.

0:26:38.960 --> 0:26:41.439
<v Speaker 1>The longest hitters hit it past it now, which is

0:26:41.720 --> 0:26:43.960
<v Speaker 1>and that's also why some of these holes are drivable

0:26:44.000 --> 0:26:48.240
<v Speaker 1>part fours or close to drivable part fours that weren't

0:26:48.640 --> 0:26:49.640
<v Speaker 1>when they were designed.

0:26:50.400 --> 0:26:53.600
<v Speaker 3>Yeah. One of the things that stood out to me

0:26:53.720 --> 0:26:56.520
<v Speaker 3>when I was reading the chapter in Pete Dye's book

0:26:56.560 --> 0:26:59.480
<v Speaker 3>Bury Me in a Pop Punker that had a few

0:26:59.520 --> 0:27:03.119
<v Speaker 3>pages about the building of Whistling Straits is that he

0:27:03.200 --> 0:27:04.920
<v Speaker 3>and the people who are building the course the rest

0:27:04.920 --> 0:27:08.400
<v Speaker 3>of the people were very much thinking about the distance

0:27:08.440 --> 0:27:12.119
<v Speaker 3>explosion that was happening at that time. This course was

0:27:12.160 --> 0:27:15.520
<v Speaker 3>built in the late nineties. It opened in nineteen ninety eight,

0:27:15.560 --> 0:27:19.280
<v Speaker 3>and so this was right when the pros were getting

0:27:19.359 --> 0:27:22.439
<v Speaker 3>longer and longer, and some of those advances that have

0:27:22.560 --> 0:27:26.520
<v Speaker 3>really defined this next era of golf were first coming in,

0:27:26.720 --> 0:27:29.560
<v Speaker 3>you know, the solid core balls that everybody was playing,

0:27:29.600 --> 0:27:33.360
<v Speaker 3>the metal woods. You know, the game was changing and

0:27:33.640 --> 0:27:37.639
<v Speaker 3>die knew that, and on many holes on this course

0:27:37.920 --> 0:27:40.000
<v Speaker 3>you can see him trying to respond to that in

0:27:40.080 --> 0:27:43.720
<v Speaker 3>various ways, you know, going back to the prevalence of

0:27:43.720 --> 0:27:46.560
<v Speaker 3>short par fours on this course. I don't have anything

0:27:46.600 --> 0:27:49.200
<v Speaker 3>in particular to support this theory, but I suspect that

0:27:49.640 --> 0:27:52.600
<v Speaker 3>those holes were ones where die was thinking, well, the

0:27:52.640 --> 0:27:54.920
<v Speaker 3>longer players are not necessarily going to have a big

0:27:54.960 --> 0:27:55.760
<v Speaker 3>advantage on this.

0:27:55.720 --> 0:28:00.080
<v Speaker 1>Hole, Yeah, I think, But I think also like, but

0:28:00.640 --> 0:28:03.560
<v Speaker 1>the web shot into that six, for example, when the

0:28:03.600 --> 0:28:08.240
<v Speaker 1>pens are the right, that's not an easy shot. You know, sure,

0:28:08.600 --> 0:28:10.760
<v Speaker 1>if you're dialed in, you can hit it. And one

0:28:10.800 --> 0:28:12.639
<v Speaker 1>of the things that I think about a lot is

0:28:12.640 --> 0:28:15.080
<v Speaker 1>when the pin's over there on that side and it's

0:28:15.240 --> 0:28:18.439
<v Speaker 1>public play, how how do people even play that? Like?

0:28:18.480 --> 0:28:21.040
<v Speaker 1>How do you know there's gotta be some serious ping

0:28:21.119 --> 0:28:22.040
<v Speaker 1>pong that happens?

0:28:22.600 --> 0:28:25.679
<v Speaker 2>The rounds are slow out there, right, oh, glacial.

0:28:27.040 --> 0:28:29.080
<v Speaker 3>That's one of the things about this course is it's

0:28:29.560 --> 0:28:31.800
<v Speaker 3>it is a resort course, and there is some accounting

0:28:31.840 --> 0:28:34.480
<v Speaker 3>for the average player, but it is still an incredibly

0:28:34.520 --> 0:28:36.879
<v Speaker 3>hard course for the average golfer to play.

0:28:37.480 --> 0:28:40.240
<v Speaker 2>Yeah, I mean I would agree. I would agree with that.

0:28:40.840 --> 0:28:43.760
<v Speaker 1>It'll be interesting to see how they play some of

0:28:43.800 --> 0:28:48.280
<v Speaker 1>these holes, particularly an alternate shot when the when the

0:28:48.320 --> 0:28:51.200
<v Speaker 1>stakes are a little bit higher and there's less you know,

0:28:51.240 --> 0:28:53.680
<v Speaker 1>you don't have the insurance of your partner. I think,

0:28:53.840 --> 0:28:56.760
<v Speaker 1>like in best Ball, you'll see guys bombs away because

0:28:56.960 --> 0:28:59.440
<v Speaker 1>one of the two of them isn't going to probably

0:28:59.440 --> 0:29:02.080
<v Speaker 1>make worse than par if they both hit it up there,

0:29:02.360 --> 0:29:04.600
<v Speaker 1>Like one might get a bad break and a bad

0:29:04.640 --> 0:29:06.440
<v Speaker 1>line in the bunker, but both of them won't.

0:29:07.400 --> 0:29:09.480
<v Speaker 3>So one of the things that really stands out about

0:29:09.480 --> 0:29:12.480
<v Speaker 3>this course is the shaping style. You know, there's a

0:29:12.480 --> 0:29:17.600
<v Speaker 3>lot of really bold shaping out there. There are many, many,

0:29:17.640 --> 0:29:21.640
<v Speaker 3>many bunkers. I believe Ron Whitten of Golf Digest once

0:29:21.840 --> 0:29:26.040
<v Speaker 3>counted them and which which must have taken a while,

0:29:26.440 --> 0:29:29.760
<v Speaker 3>and his conclusion was that the eighth hole alone has

0:29:29.800 --> 0:29:32.320
<v Speaker 3>one hundred and two bunkers, and that there are about

0:29:32.400 --> 0:29:35.800
<v Speaker 3>nine hundred and sixty seven bunkers on the course in total.

0:29:36.400 --> 0:29:38.360
<v Speaker 3>They're just all over the place, and a lot of

0:29:38.400 --> 0:29:41.200
<v Speaker 3>them have these kind of you know, bold lips to

0:29:41.240 --> 0:29:43.920
<v Speaker 3>them that there's some of those volcano bunkers that that

0:29:44.200 --> 0:29:46.240
<v Speaker 3>you saw a lot of ended up seeing a lot

0:29:46.280 --> 0:29:51.080
<v Speaker 3>of it dies French Lick course, and so what does

0:29:51.120 --> 0:29:54.200
<v Speaker 3>have them? Yeah, the fewer of them at Whistling Straits.

0:29:54.240 --> 0:29:57.800
<v Speaker 3>They have they have made it and multiplied. They are

0:29:57.840 --> 0:30:00.320
<v Speaker 3>all over the place. So what are some of your

0:30:00.320 --> 0:30:03.040
<v Speaker 3>thoughts about the style of shaping that was used at

0:30:03.040 --> 0:30:03.520
<v Speaker 3>this course.

0:30:03.960 --> 0:30:07.240
<v Speaker 1>I mean you could clearly tell that the attempt here

0:30:07.480 --> 0:30:09.360
<v Speaker 1>was to create Ireland golf in Wiscon.

0:30:09.600 --> 0:30:11.880
<v Speaker 3>Yeah, and Cohler was specific about that. He said to

0:30:11.880 --> 0:30:15.160
<v Speaker 3>Pete Dye, I want this to look like Baalibunian. I

0:30:15.160 --> 0:30:17.880
<v Speaker 3>don't know if this looks anything like Baalibunian, but that

0:30:18.080 --> 0:30:22.320
<v Speaker 3>was certainly the intention to create a Irish Dune's look.

0:30:22.160 --> 0:30:24.640
<v Speaker 1>At this course, you know there's some of that. I

0:30:24.680 --> 0:30:27.440
<v Speaker 1>think it's a little sharp for that. It doesn't look

0:30:27.560 --> 0:30:30.520
<v Speaker 1>natural because of how sharp some of the lines are.

0:30:31.200 --> 0:30:35.560
<v Speaker 1>That being said, I do like sympathize slightly because you look,

0:30:36.160 --> 0:30:38.680
<v Speaker 1>especially with the drone you're flying around, you can see

0:30:38.680 --> 0:30:41.640
<v Speaker 1>the land right next door, or if you're driving out

0:30:41.640 --> 0:30:44.960
<v Speaker 1>of the property, turn right or left. How flat it is?

0:30:45.040 --> 0:30:48.480
<v Speaker 1>I mean there's nothing, there was nothing. Yeah, so you know,

0:30:48.600 --> 0:30:50.840
<v Speaker 1>like he went from nothing to what it is and

0:30:50.920 --> 0:30:54.640
<v Speaker 1>this is a remarkable feat of engineering just to do that.

0:30:55.160 --> 0:30:59.800
<v Speaker 1>But I would say, yeah, they're abrupt, it's overdone, and

0:31:00.040 --> 0:31:02.120
<v Speaker 1>a lot of places over the top and a lot

0:31:02.120 --> 0:31:05.720
<v Speaker 1>of places. But it does like you do play it

0:31:05.760 --> 0:31:09.040
<v Speaker 1>and you you know, as somebody who grew up in

0:31:09.080 --> 0:31:12.040
<v Speaker 1>the Midwest going to Lake Michigan, it's unlike anything else

0:31:12.080 --> 0:31:15.600
<v Speaker 1>you've seen, which you know, it does have intrinsic value.

0:31:15.640 --> 0:31:19.440
<v Speaker 1>I mean, this is extreme maximalism. This is as maximal

0:31:19.680 --> 0:31:23.600
<v Speaker 1>as you can get isleistly. I mean, I don't know

0:31:23.880 --> 0:31:27.400
<v Speaker 1>how many more places had more maximal projects of this place.

0:31:27.760 --> 0:31:31.720
<v Speaker 1>You know, in something there is something about the feel

0:31:31.800 --> 0:31:35.400
<v Speaker 1>of departing, like there's obviously sense of place, but there

0:31:35.480 --> 0:31:39.400
<v Speaker 1>is also a form of art of departing the world

0:31:39.600 --> 0:31:42.520
<v Speaker 1>as you know it and going to different place. And

0:31:42.640 --> 0:31:46.080
<v Speaker 1>that's more of what this is than Hey, this is

0:31:46.120 --> 0:31:50.600
<v Speaker 1>not the Sheboyk in Wisconsin Coast. It's not that it's

0:31:50.800 --> 0:31:53.200
<v Speaker 1>it's just it's avake believe place.

0:31:54.520 --> 0:31:57.080
<v Speaker 3>So what are some other courses that are kind of

0:31:57.160 --> 0:32:00.840
<v Speaker 3>like this? That take that approach to place. I guess

0:32:00.840 --> 0:32:02.520
<v Speaker 3>Shadow Creek is the ultimate example.

0:32:03.200 --> 0:32:06.280
<v Speaker 1>Arcadia Bluff has some of this going on, which is,

0:32:06.360 --> 0:32:08.200
<v Speaker 1>you know, just on the other side of Lake Michigan.

0:32:09.080 --> 0:32:11.080
<v Speaker 3>And do you do you think that's the right approach

0:32:11.120 --> 0:32:12.240
<v Speaker 3>on these kinds of properties.

0:32:12.920 --> 0:32:15.200
<v Speaker 1>I mean, I don't know how compelling of a golf

0:32:15.200 --> 0:32:18.280
<v Speaker 1>course you could have built without moving much earth there.

0:32:18.760 --> 0:32:21.480
<v Speaker 1>It's dead flat, you know, like it would have been

0:32:21.480 --> 0:32:23.680
<v Speaker 1>cool because you would have been staring at the lake.

0:32:23.920 --> 0:32:27.000
<v Speaker 1>You know, that's always a good thing. But I think

0:32:27.040 --> 0:32:29.600
<v Speaker 1>one of the things that it does so effectively for

0:32:29.840 --> 0:32:34.400
<v Speaker 1>a resort course, people are only going to play Whistling straits.

0:32:34.560 --> 0:32:37.160
<v Speaker 1>You know, most people will only play Whistling Streets once

0:32:37.200 --> 0:32:39.680
<v Speaker 1>in their life if they get there. You know, that's

0:32:39.720 --> 0:32:42.240
<v Speaker 1>the reality. And one of the things that it does

0:32:42.360 --> 0:32:45.680
<v Speaker 1>is it will give you a lasting memory, no matter

0:32:45.800 --> 0:32:48.920
<v Speaker 1>who you are, no matter how many golf courses you've seen,

0:32:49.600 --> 0:32:53.760
<v Speaker 1>the place will make you feel something some you know.

0:32:54.040 --> 0:32:56.120
<v Speaker 1>I have a lot of qualms about some of the

0:32:56.160 --> 0:33:00.200
<v Speaker 1>things out there, with the stuff that people don't want

0:33:00.280 --> 0:33:03.840
<v Speaker 1>to talk about, which is drained touch. But I remember

0:33:03.880 --> 0:33:05.600
<v Speaker 1>the first time I played it when I was in

0:33:05.840 --> 0:33:09.200
<v Speaker 1>I think I was in college. You know, you're just

0:33:09.320 --> 0:33:12.719
<v Speaker 1>taking a back that the place exists. I don't know

0:33:12.760 --> 0:33:16.040
<v Speaker 1>what the right place is for it. It's obviously destroyed

0:33:16.120 --> 0:33:19.720
<v Speaker 1>a landscape that was there. I don't think the landscape

0:33:19.760 --> 0:33:21.920
<v Speaker 1>that was there was really that special. It's like almost

0:33:21.920 --> 0:33:24.640
<v Speaker 1>like amusement mark park golf in the sense of that.

0:33:25.720 --> 0:33:28.600
<v Speaker 1>But you know, I think the design's really good in

0:33:28.680 --> 0:33:31.400
<v Speaker 1>a lot of ways, Like the routing's really clever. There

0:33:31.400 --> 0:33:35.000
<v Speaker 1>are a lot of like really cool holes, and you know,

0:33:35.040 --> 0:33:38.120
<v Speaker 1>they created this landscape, so there's you know, you go

0:33:38.240 --> 0:33:42.400
<v Speaker 1>back and forth. Yeah, My biggest issue with it centers

0:33:42.440 --> 0:33:46.960
<v Speaker 1>around the way the golf course is presented, given what

0:33:47.120 --> 0:33:50.080
<v Speaker 1>the intention and the vision for the golf course was.

0:33:50.680 --> 0:33:53.160
<v Speaker 1>You know, I think it's it's over watered.

0:33:53.600 --> 0:33:53.800
<v Speaker 3>You know.

0:33:54.240 --> 0:33:56.320
<v Speaker 2>The fairway withs are a joke.

0:33:56.760 --> 0:33:59.360
<v Speaker 1>You know, they haven't pushed them back out since they

0:33:59.360 --> 0:34:02.480
<v Speaker 1>hosted the first PGA, So you get a lot of

0:34:02.480 --> 0:34:04.480
<v Speaker 1>what you had a kiwa where you have these wider

0:34:04.520 --> 0:34:08.000
<v Speaker 1>corridors but narrow fairways, you know, And I think that's

0:34:08.680 --> 0:34:10.839
<v Speaker 1>that's one of the things. It's a resort, so that's

0:34:10.920 --> 0:34:14.440
<v Speaker 1>why the way it's maintained, which isn't necessarily right or wrong,

0:34:14.600 --> 0:34:17.359
<v Speaker 1>Like banded dunes are a resort and it's maintained one way.

0:34:17.440 --> 0:34:20.680
<v Speaker 1>In Whistling Straight Straits is a very different resort and

0:34:20.719 --> 0:34:21.839
<v Speaker 1>it's maintained this way.

0:34:22.560 --> 0:34:25.120
<v Speaker 3>You can imagine that Pete Die would prefer this course

0:34:25.160 --> 0:34:26.520
<v Speaker 3>to play faster than it does.

0:34:27.080 --> 0:34:31.800
<v Speaker 1>Yeah, it plays very slow, and that's the complete opposite

0:34:31.800 --> 0:34:34.040
<v Speaker 1>of the way it should play if it wants to

0:34:34.080 --> 0:34:35.880
<v Speaker 1>be an Irish links course.

0:34:36.080 --> 0:34:39.160
<v Speaker 3>Yeah. In terms of course, is that emulate a sand

0:34:39.239 --> 0:34:42.360
<v Speaker 3>dune environment. It feels a little bit dated because we

0:34:42.480 --> 0:34:47.760
<v Speaker 3>have examples like Kingsbarnes where the effort to emulate links

0:34:47.840 --> 0:34:51.520
<v Speaker 3>Land was quite a bit more successful if you're trying

0:34:51.560 --> 0:34:54.120
<v Speaker 3>to come up with an imitation Stewart, something that really

0:34:54.120 --> 0:34:59.600
<v Speaker 3>feels like it Castle Stewart. At the same time, I'm

0:34:59.640 --> 0:35:02.320
<v Speaker 3>not sure if it's better to try to fool people

0:35:02.360 --> 0:35:04.600
<v Speaker 3>into thinking that they're on a piece of links Land

0:35:05.320 --> 0:35:09.200
<v Speaker 3>or if it's better to just create something weird and

0:35:09.280 --> 0:35:13.520
<v Speaker 3>wonderful and theme park like, which Whistling Straits is. You know,

0:35:13.800 --> 0:35:19.560
<v Speaker 3>if it was unsuccessful in imitating Ballibanion, Whistling Straits isn't

0:35:19.560 --> 0:35:22.640
<v Speaker 3>necessarily a failure because of that it has done something

0:35:22.680 --> 0:35:24.760
<v Speaker 3>else and it's pretty unique.

0:35:25.160 --> 0:35:28.480
<v Speaker 1>Yeah, I mean it is completely unique. There's nothing else

0:35:28.640 --> 0:35:31.040
<v Speaker 1>like it. In a way, it's like it's a piece

0:35:31.040 --> 0:35:33.160
<v Speaker 1>of art because it was completely created.

0:35:33.280 --> 0:35:34.720
<v Speaker 2>Everything there was created.

0:35:34.840 --> 0:35:37.120
<v Speaker 1>Yeah, you know, it's not necessarily by cup of tea

0:35:37.200 --> 0:35:41.440
<v Speaker 1>of architecture. But like, I think another thing that's kind

0:35:41.440 --> 0:35:45.240
<v Speaker 1>of underrated about it just in general is how easy

0:35:45.320 --> 0:35:49.279
<v Speaker 1>the walk is given how much space they can like

0:35:49.440 --> 0:35:53.439
<v Speaker 1>have for infrastructure, Like the Green to Tea walks are

0:35:53.480 --> 0:35:57.359
<v Speaker 1>really really intimate, but yet like they can build out

0:35:57.360 --> 0:36:00.759
<v Speaker 1>this infrastructure unlike anything else. And I know I know

0:36:00.840 --> 0:36:05.840
<v Speaker 1>from anecdotally, like the tour really advocates for courses to

0:36:05.880 --> 0:36:08.279
<v Speaker 1>have long walks from green to Tea so they can

0:36:08.320 --> 0:36:11.320
<v Speaker 1>put grand stands in. Yeah, like this place like doesn't

0:36:11.800 --> 0:36:14.759
<v Speaker 1>have long walks green to Tea and it still has

0:36:14.800 --> 0:36:18.080
<v Speaker 1>all this space for grand stands. And that's something that Die.

0:36:18.520 --> 0:36:22.760
<v Speaker 1>You know, he understood building tournament golf, like big scale

0:36:22.800 --> 0:36:26.680
<v Speaker 1>tournament golf, maybe better than any architect that we've ever seen.

0:36:27.719 --> 0:36:30.840
<v Speaker 3>Yeah, his way of figuring out where people would stand,

0:36:31.120 --> 0:36:33.839
<v Speaker 3>where they would watch the action from, how they could

0:36:33.840 --> 0:36:37.719
<v Speaker 3>have sightlines on different shots is pretty much unparalleled.

0:36:38.000 --> 0:36:41.800
<v Speaker 1>But also his designs because his designs have really endured

0:36:41.840 --> 0:36:47.000
<v Speaker 1>pretty well and stood up fairly well to you know, advances.

0:36:47.600 --> 0:36:49.040
<v Speaker 3>How do you think this is going to compare it

0:36:49.080 --> 0:36:52.040
<v Speaker 3>to a place like Kiowa or even a course like

0:36:52.120 --> 0:36:54.880
<v Speaker 3>TPC Sawgrass in terms of the way that it's going

0:36:54.960 --> 0:36:56.960
<v Speaker 3>to challenge the best players in the world.

0:36:57.600 --> 0:37:01.759
<v Speaker 1>It's totally different, obviously, because I think it gives you

0:37:01.840 --> 0:37:04.520
<v Speaker 1>way more space off the tea. Yeah, this is a

0:37:04.520 --> 0:37:08.719
<v Speaker 1>golf course that just visually cripples average players, Like they

0:37:08.800 --> 0:37:11.759
<v Speaker 1>just can't get over the fact of all those bunkers

0:37:11.960 --> 0:37:14.840
<v Speaker 1>that's all they see. They don't see the like sixty

0:37:14.920 --> 0:37:18.400
<v Speaker 1>yard wide corridor that they have. I've you know, having

0:37:18.440 --> 0:37:22.080
<v Speaker 1>played it with my father. It just threw them into fits,

0:37:22.120 --> 0:37:25.480
<v Speaker 1>like you know, like the that's the thing is like,

0:37:25.760 --> 0:37:29.359
<v Speaker 1>if you're a good player, it's significantly easier than an

0:37:29.400 --> 0:37:33.320
<v Speaker 1>average player because just the visual intimidation. So it's wider,

0:37:33.440 --> 0:37:36.600
<v Speaker 1>there's way more space, which for these guys is they

0:37:36.640 --> 0:37:40.560
<v Speaker 1>aren't scared of the bunkers, so it's it's a little

0:37:40.680 --> 0:37:42.200
<v Speaker 1>gentler off the tee.

0:37:42.440 --> 0:37:43.320
<v Speaker 2>It's longer.

0:37:43.680 --> 0:37:47.040
<v Speaker 1>I guess it's not longer than Kiwa anymore because of

0:37:47.040 --> 0:37:48.359
<v Speaker 1>those new te's, but.

0:37:48.960 --> 0:37:50.040
<v Speaker 2>It's it's bigger.

0:37:50.120 --> 0:37:52.719
<v Speaker 1>It's a bigger ballpark in a way, and I think

0:37:52.760 --> 0:37:56.720
<v Speaker 1>the greens are a little bit more interesting at Whistling

0:37:56.760 --> 0:37:59.840
<v Speaker 1>Straits than And one of the things I will say,

0:38:00.360 --> 0:38:03.279
<v Speaker 1>and this is an important point, is that the penalty

0:38:03.400 --> 0:38:08.200
<v Speaker 1>for missing fairways at Whistling Straits is huge, and that

0:38:08.360 --> 0:38:10.719
<v Speaker 1>is something to watch at the Ryder Cup, especially in

0:38:10.800 --> 0:38:14.719
<v Speaker 1>match play, because if you miss a fairway, say like

0:38:14.760 --> 0:38:17.880
<v Speaker 1>the eighteenth hole is a great example of this. Matches

0:38:17.920 --> 0:38:20.799
<v Speaker 1>that get to eighteen, it is pivotal to hit a

0:38:20.840 --> 0:38:22.520
<v Speaker 1>good T shot there because if you don't hit a

0:38:22.520 --> 0:38:25.440
<v Speaker 1>good T shot there, you're likely laying up back at

0:38:25.480 --> 0:38:27.879
<v Speaker 1>like one hundred and sixty yards, you know, like you're

0:38:27.920 --> 0:38:30.680
<v Speaker 1>not laying up to fifty yards. It's not like one

0:38:30.719 --> 0:38:32.920
<v Speaker 1>of those spots you hack it out and you get

0:38:32.960 --> 0:38:35.440
<v Speaker 1>it up close to the green and it's a relatively

0:38:35.480 --> 0:38:38.200
<v Speaker 1>easy up and down for four. Like you're making probably

0:38:38.200 --> 0:38:40.600
<v Speaker 1>a bogie if you miss the fairway there. And I

0:38:40.640 --> 0:38:43.120
<v Speaker 1>think that's the case with the par fives out here too,

0:38:43.480 --> 0:38:47.560
<v Speaker 1>that there's a really high degree of missus out here,

0:38:47.680 --> 0:38:49.520
<v Speaker 1>and I think all the par fives do it pretty

0:38:49.560 --> 0:38:53.040
<v Speaker 1>well too. Obviously, eleven is converted to par four for

0:38:53.080 --> 0:38:56.799
<v Speaker 1>this competition. But two, if you miss the fairway, you're

0:38:56.800 --> 0:38:59.960
<v Speaker 1>probably not getting home. And then it's not an easy layup,

0:39:00.080 --> 0:39:02.360
<v Speaker 1>Like it's not easy to get to a place you

0:39:02.440 --> 0:39:04.360
<v Speaker 1>really want to get to if you miss the fairway.

0:39:05.320 --> 0:39:05.760
<v Speaker 2>The same.

0:39:06.320 --> 0:39:09.400
<v Speaker 1>I mean, five's like maybe the worst hole is definitely

0:39:09.400 --> 0:39:11.759
<v Speaker 1>the worst hole on property and doesn't fit the golf

0:39:11.800 --> 0:39:15.360
<v Speaker 1>course at all. Like five alone knocks the golf course

0:39:15.520 --> 0:39:18.759
<v Speaker 1>down from being like really great because of how bad

0:39:18.880 --> 0:39:19.359
<v Speaker 1>five is.

0:39:19.719 --> 0:39:20.839
<v Speaker 3>Why is it so bad?

0:39:21.239 --> 0:39:22.960
<v Speaker 2>Oh, it's just a horrendous golf hole.

0:39:23.280 --> 0:39:26.319
<v Speaker 1>It's like a s fairaway and it doesn't work because

0:39:26.320 --> 0:39:27.960
<v Speaker 1>if you're a long hitter, you just hit it over

0:39:28.000 --> 0:39:33.640
<v Speaker 1>the s. That hole separates a scratch player from a

0:39:33.640 --> 0:39:37.480
<v Speaker 1>twenty handicap better than maybe any hole in America. I mean,

0:39:37.520 --> 0:39:40.880
<v Speaker 1>you'll see these guys. They're just gonna hit it over everything. Yeah,

0:39:40.920 --> 0:39:43.360
<v Speaker 1>and it just renders the hole, Like that's a distance

0:39:43.480 --> 0:39:45.680
<v Speaker 1>rendering a hole completely obsolete.

0:39:45.840 --> 0:39:48.080
<v Speaker 3>Well, I mean that might be one of those holes

0:39:48.080 --> 0:39:51.160
<v Speaker 3>where Pete Die thought in nineteen ninety eight. Yeah, Hey,

0:39:51.200 --> 0:39:53.000
<v Speaker 3>this is going to kind of blunt the advantage of

0:39:53.040 --> 0:39:56.200
<v Speaker 3>the players who can hit it three hundred yards. But

0:39:56.280 --> 0:39:57.759
<v Speaker 3>now that we have players who can hit it three

0:39:57.840 --> 0:39:58.840
<v Speaker 3>hundred and fifty yards.

0:39:59.080 --> 0:40:03.239
<v Speaker 1>It has been de Yeah, exactly exactly, especially if they

0:40:03.239 --> 0:40:06.160
<v Speaker 1>catch it down wind. You know, it might be different

0:40:06.200 --> 0:40:08.640
<v Speaker 1>if they get like a north wind, which would make

0:40:08.680 --> 0:40:11.759
<v Speaker 1>it pretty cold there. And then obviously eleven's converted, but

0:40:11.760 --> 0:40:15.560
<v Speaker 1>there's huge penalty for miss there, and same with sixteen sixteen.

0:40:15.640 --> 0:40:17.279
<v Speaker 1>And one of the things he did with the par

0:40:17.440 --> 0:40:22.080
<v Speaker 1>fives is there's these like little extremely penal bunkers in

0:40:22.160 --> 0:40:27.000
<v Speaker 1>layup areas, like little gnarly bunkers, Like on the second hold,

0:40:27.080 --> 0:40:31.520
<v Speaker 1>there's this like almost principal nosy looking thing, and I'd

0:40:31.600 --> 0:40:33.880
<v Speaker 1>love if a ball got in the top of it somehow.

0:40:35.600 --> 0:40:38.799
<v Speaker 1>I hope that happens. That's something I'm really hoping for.

0:40:39.719 --> 0:40:41.839
<v Speaker 1>And then, uh yeah, So I think that's the thing

0:40:41.960 --> 0:40:45.440
<v Speaker 1>is like with the par fours. In the par fives

0:40:45.480 --> 0:40:48.960
<v Speaker 1>more so, you know, obviously like Kiwa has large penalties

0:40:48.960 --> 0:40:52.560
<v Speaker 1>for hitting it into the water, but this place has

0:40:52.600 --> 0:40:55.759
<v Speaker 1>a huge penalty for missing without losing your golf ball.

0:40:57.520 --> 0:41:01.319
<v Speaker 3>So what is the number one thing that you think

0:41:01.440 --> 0:41:03.280
<v Speaker 3>is great about Whistling Straits.

0:41:04.480 --> 0:41:09.719
<v Speaker 1>I mean, you're just staring at Lake Michigan all day. Great,

0:41:10.280 --> 0:41:13.759
<v Speaker 1>I mean, it's incredible like if you haven't, if you

0:41:13.760 --> 0:41:15.960
<v Speaker 1>haven't been out there. I mean, it's just like it's

0:41:15.960 --> 0:41:17.839
<v Speaker 1>hard to have a bad day when you're just like

0:41:17.920 --> 0:41:20.719
<v Speaker 1>walking looking at a giant body of water on a

0:41:20.719 --> 0:41:24.560
<v Speaker 1>beautiful day. I say that, but like it's true. You know,

0:41:24.640 --> 0:41:27.400
<v Speaker 1>everybody always wants to say, oh, if pebble wasn't on

0:41:27.800 --> 0:41:30.359
<v Speaker 1>Pacific Ocean, it wouldn't be a top ten course.

0:41:30.400 --> 0:41:32.480
<v Speaker 2>Well, let me tell you. It's on the Pacific oce.

0:41:32.400 --> 0:41:34.000
<v Speaker 3>Right there, and it's pretty great.

0:41:34.440 --> 0:41:37.200
<v Speaker 1>Exactly, Like you know, there's like a there's like a

0:41:37.239 --> 0:41:39.680
<v Speaker 1>threshold of like how bad can your day go if

0:41:39.719 --> 0:41:42.359
<v Speaker 1>you're staring at the lake all day? Like it's such

0:41:42.400 --> 0:41:46.080
<v Speaker 1>a beautiful place, you know, and obviously like the catch

0:41:46.120 --> 0:41:50.040
<v Speaker 1>basins are so awful, like and and those are drainage things,

0:41:50.080 --> 0:41:52.120
<v Speaker 1>and I don't you know, I always look at the

0:41:52.200 --> 0:41:55.040
<v Speaker 1>lake and wonder there had to be environmental restrictions how

0:41:55.080 --> 0:41:56.759
<v Speaker 1>they had to drain it. They probably can't drain it

0:41:56.800 --> 0:41:58.800
<v Speaker 1>and drain a golf course into Lake Michigan.

0:41:58.880 --> 0:41:59.640
<v Speaker 2>That probably would.

0:42:00.120 --> 0:42:02.800
<v Speaker 3>So for the people who haven't yet gone down the

0:42:02.880 --> 0:42:06.880
<v Speaker 3>rabbit hole with you about styles of drainage and catch basins,

0:42:07.239 --> 0:42:09.200
<v Speaker 3>what are you talking about? What is a catch basin.

0:42:09.840 --> 0:42:13.680
<v Speaker 1>Catch basins are are drainage basins, and that basically throws

0:42:13.680 --> 0:42:17.560
<v Speaker 1>it into drainage. You know, drainage that you don't think

0:42:17.600 --> 0:42:21.160
<v Speaker 1>about is golf course plumbing and that plumbing then takes

0:42:21.160 --> 0:42:24.560
<v Speaker 1>the water somewhere else. And like think about water on

0:42:24.600 --> 0:42:27.480
<v Speaker 1>a golf course is human waste or whatever you want

0:42:27.520 --> 0:42:27.719
<v Speaker 1>to do?

0:42:29.040 --> 0:42:32.200
<v Speaker 3>You know, so you want you want to get you want.

0:42:32.080 --> 0:42:34.680
<v Speaker 1>To get it off the golf course and in another place.

0:42:35.040 --> 0:42:38.520
<v Speaker 1>So what you'll see, like if you see aeriols, if

0:42:38.520 --> 0:42:40.959
<v Speaker 1>you watch, we're gonna put a video together, you'll see

0:42:40.960 --> 0:42:44.040
<v Speaker 1>these catch basins lining the fairways. Now, if your are

0:42:44.239 --> 0:42:48.360
<v Speaker 1>if you're constructing a golf course from scratch, what I

0:42:48.360 --> 0:42:51.600
<v Speaker 1>don't understand they've thought about all this stuff, how they're

0:42:51.600 --> 0:42:53.839
<v Speaker 1>going to build it. How do you not just do

0:42:54.040 --> 0:42:58.640
<v Speaker 1>like drainage, surface drainage. The best architects drain stuff without

0:42:58.680 --> 0:42:59.640
<v Speaker 1>you seeing.

0:42:59.719 --> 0:43:03.160
<v Speaker 3>The Yeah, and that's the problem with catch basins is

0:43:03.200 --> 0:43:05.520
<v Speaker 3>that they show you how the course is being drained.

0:43:05.840 --> 0:43:08.320
<v Speaker 1>You know what catch basins do. They collect water and

0:43:08.360 --> 0:43:10.680
<v Speaker 1>they collect golf balls. Yeah, and you'll see these catch

0:43:10.719 --> 0:43:14.120
<v Speaker 1>basins in front of hazards. So what it does is

0:43:14.160 --> 0:43:17.040
<v Speaker 1>it stops the ball from going into a bunker and

0:43:17.239 --> 0:43:19.279
<v Speaker 1>throws it into this catch basin where a lot of

0:43:19.320 --> 0:43:22.279
<v Speaker 1>balls get into and then you get all these divots

0:43:22.320 --> 0:43:25.319
<v Speaker 1>in them. You know, most people don't understand about the

0:43:25.360 --> 0:43:28.560
<v Speaker 1>real brilliance of say Bill Core or Tom Doak or

0:43:28.719 --> 0:43:32.719
<v Speaker 1>Gil is how much time they spend thinking about drainage

0:43:32.760 --> 0:43:36.520
<v Speaker 1>and getting the water off the hole in ways that

0:43:36.600 --> 0:43:38.640
<v Speaker 1>you wouldn't see the water get off the hole, and

0:43:39.280 --> 0:43:43.520
<v Speaker 1>using their resources they're building, they're shaping, they shape stuff

0:43:43.600 --> 0:43:47.160
<v Speaker 1>to get water to surface drain yeah, as opposed to

0:43:47.239 --> 0:43:48.360
<v Speaker 1>using catch basins.

0:43:48.440 --> 0:43:50.319
<v Speaker 3>And then they have to disguise it. They have to

0:43:50.360 --> 0:43:52.959
<v Speaker 3>tie it in with the rest of the stuff that's there.

0:43:53.400 --> 0:43:56.360
<v Speaker 3>And that's where the real art comes in, because drainage

0:43:56.400 --> 0:43:58.920
<v Speaker 3>has to be functional, like it has to make gravity

0:43:58.960 --> 0:44:02.440
<v Speaker 3>work on the water, but that doesn't always match up

0:44:02.480 --> 0:44:04.719
<v Speaker 3>with trying to make it look like it belongs there.

0:44:05.120 --> 0:44:07.799
<v Speaker 3>And that's where catch basins often fall short, is that

0:44:07.880 --> 0:44:10.759
<v Speaker 3>you can see them. There's just this hollow. You're like,

0:44:10.920 --> 0:44:14.840
<v Speaker 3>that's obviously not naturally occurring, and it kind of takes

0:44:14.880 --> 0:44:18.799
<v Speaker 3>you out of this illusion that you're experiencing the game

0:44:19.000 --> 0:44:22.080
<v Speaker 3>in a natural kind of environment or something that just

0:44:22.080 --> 0:44:24.040
<v Speaker 3>occurred and was not man made.

0:44:24.120 --> 0:44:27.160
<v Speaker 1>And a lot of like you know, naturally interesting golf

0:44:27.200 --> 0:44:30.000
<v Speaker 1>sites have drained one way for a number of years.

0:44:30.040 --> 0:44:32.880
<v Speaker 1>And when you move earth, what you do is you

0:44:32.960 --> 0:44:35.239
<v Speaker 1>disrupt it, and that's when you need the drainage.

0:44:35.680 --> 0:44:39.080
<v Speaker 3>And sand helps too. Sand helps a lot. Whistling Straits

0:44:39.160 --> 0:44:41.759
<v Speaker 3>is not built naturally on sand. They imported a lot

0:44:41.800 --> 0:44:44.200
<v Speaker 3>of sand, but that's not really what this site is.

0:44:44.719 --> 0:44:48.120
<v Speaker 1>And as well, like sometimes catch basins are one hundred

0:44:48.120 --> 0:44:52.799
<v Speaker 1>percent necessary, this is something that sometimes is needed. And

0:44:52.880 --> 0:44:55.440
<v Speaker 1>Pete Die built a lot of golf courses in places

0:44:55.520 --> 0:44:59.239
<v Speaker 1>where you shouldn't have golf courses, and catch basins were

0:44:59.280 --> 0:45:03.160
<v Speaker 1>one hundred percent sent necessary to build those courses. So

0:45:03.520 --> 0:45:06.320
<v Speaker 1>but this is one where if you're moving that much dirt,

0:45:06.680 --> 0:45:08.480
<v Speaker 1>I think you could have been a little They could

0:45:08.520 --> 0:45:13.279
<v Speaker 1>have been much more artistic and resourceful when figuring out

0:45:13.280 --> 0:45:16.520
<v Speaker 1>how to drain the golf course. Yeah, and keeping like

0:45:16.560 --> 0:45:20.160
<v Speaker 1>the basins affect the play like water obviously on that

0:45:20.280 --> 0:45:21.600
<v Speaker 1>you want to get it, you have to get it

0:45:21.640 --> 0:45:24.600
<v Speaker 1>off the golf course. But you know, the basins also

0:45:24.880 --> 0:45:28.840
<v Speaker 1>create an eyesore and create these areas like instead of

0:45:28.840 --> 0:45:31.719
<v Speaker 1>a ball rolling into one place, it almost removes the

0:45:32.280 --> 0:45:35.160
<v Speaker 1>randomness of where a ball rolls because it collects it

0:45:35.280 --> 0:45:36.439
<v Speaker 1>just like it would collect water.

0:45:37.560 --> 0:45:40.160
<v Speaker 3>Well, all that said, I'm pretty excited to see a

0:45:40.239 --> 0:45:40.960
<v Speaker 3>Ryder Cup here.

0:45:41.200 --> 0:45:43.280
<v Speaker 2>You know, we're ended on such a negative note.

0:45:43.440 --> 0:45:45.600
<v Speaker 3>I know something that we have to bring it back

0:45:45.640 --> 0:45:48.759
<v Speaker 3>around here. Most of this podcast has been devoted to

0:45:49.000 --> 0:45:51.520
<v Speaker 3>all the ways in which whistling straits is fun. I

0:45:51.560 --> 0:45:53.840
<v Speaker 3>think keep an eye on the greens at this course.

0:45:54.200 --> 0:45:56.799
<v Speaker 3>I bet you'll see some interesting shots around there. And

0:45:56.840 --> 0:46:00.160
<v Speaker 3>then of course Pete Dye's courses strategically have always has

0:46:00.200 --> 0:46:03.080
<v Speaker 3>been quite interesting, and so I think we'll see all

0:46:03.120 --> 0:46:05.319
<v Speaker 3>of those things come out at this Ryder Cup.

0:46:05.760 --> 0:46:09.319
<v Speaker 1>Yeah, there's definitely, like you know, lines of charm out there,

0:46:09.560 --> 0:46:13.600
<v Speaker 1>and the corridors are wide wide where the advantage of

0:46:13.600 --> 0:46:17.200
<v Speaker 1>being on certain halves is pretty large, especially with the

0:46:17.320 --> 0:46:20.200
<v Speaker 1>length of approaches that people will have in And it

0:46:20.200 --> 0:46:23.360
<v Speaker 1>should just be. It should be a really aesthetically a

0:46:23.400 --> 0:46:26.640
<v Speaker 1>great watch on TV, and it should be. I think

0:46:26.680 --> 0:46:29.719
<v Speaker 1>it'll translate better as a matchplay course than it does

0:46:29.760 --> 0:46:44.200
<v Speaker 1>as a championship stroke play course. Today's episode was edited

0:46:44.360 --> 0:46:48.480
<v Speaker 1>by Garrett Morrison. Just as a quick note, as I

0:46:48.480 --> 0:46:51.600
<v Speaker 1>always say, the newsletter is a great thing to sign

0:46:51.680 --> 0:46:55.480
<v Speaker 1>up for these days with the Ryder Cup. It is

0:46:55.560 --> 0:46:58.319
<v Speaker 1>a it'll keep you on top of everything going on.

0:46:58.560 --> 0:47:01.640
<v Speaker 1>It'll be unique this week. Will Nights right said for us, Well,

0:47:01.680 --> 0:47:04.400
<v Speaker 1>we'll be on site covering it as credentialed media.

0:47:04.600 --> 0:47:05.880
<v Speaker 2>Big big day for Will.

0:47:06.160 --> 0:47:09.600
<v Speaker 1>But that newsletter should have a little bit more insight

0:47:09.800 --> 0:47:10.800
<v Speaker 1>than normal.

0:47:10.560 --> 0:47:12.880
<v Speaker 2>So it'll be even better than normal this week.

0:47:13.239 --> 0:47:15.840
<v Speaker 1>And you can sign up at our website, the Fridagg

0:47:15.880 --> 0:47:18.759
<v Speaker 1>dot com and you'll get three days a week of

0:47:18.920 --> 0:47:20.240
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0:47:20.440 --> 0:47:21.480
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0:47:21.280 --> 0:47:23.399
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0:47:23.440 --> 0:47:27.080
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0:47:31.320 --> 0:47:34.319
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0:47:34.360 --> 0:47:48.920
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