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Speaker 1: When there's a Housewives trip, you know it's going to

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Speaker 1: be a drama filled episode. This one is a masterpiece,

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Speaker 1: described by Christine Taylor, who is phenomenal and a fan.

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Speaker 1: Her daughter's a fan. The Ladies of New York are

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Speaker 1: heading to Miami, and the women find out Ramona made

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Speaker 1: out with Harry Dubin and Sonya lashes out at Luana

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Speaker 1: Ramona and the wheels come off. Ronnie superfan Christine Taylor

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Speaker 1: joins me to recap this episode. This is real Housewives

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Speaker 1: of New York Season eleven, episode thirteen. It's not you,

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Speaker 1: It's Miami. Let's get into it. I'm a fan and

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Speaker 1: I was really excited that you did this.

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Speaker 2: Oh my god, I'm so excited.

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Speaker 1: Can I ask a weird question? Did you married now?

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Speaker 1: Did you get back together? You're back?

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Speaker 3: Yes?

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Speaker 2: Yes, yes, we're back together. We never divorced, we separated,

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Speaker 2: we're back together. I know it's it's like it's so

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Speaker 2: not newsworthy, but it seems to have I think it's

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Speaker 2: so newsy in newsworthy. But yeah, I don't find it

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Speaker 2: as newsworthy as others do.

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Speaker 1: But I mean, I think the only like Melanie Griff

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Speaker 1: and Antonio Banderiz kept getting back together, and maybe, like

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Speaker 1: Richard Burton and Elizabeth Taylor, I think it's newsworthy. I

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Speaker 1: just feel like, yeah, that's a common No, I broke

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Speaker 1: up with someone that was like the love of my

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Speaker 1: life for I don't know if it was a year

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Speaker 1: and I was miserable, and it gives you perspective. Was

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Speaker 1: it during the like me during during the pandemic, and

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Speaker 1: it was exactly that it was. It was well for us.

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Speaker 2: We found our way back during the pandemic because we

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Speaker 2: were all forced to live under the same roof, So

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Speaker 2: it could have gone either way.

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Speaker 1: Yes, Oh, because distractions and life were part of it.

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Speaker 1: And then well that's very interesting because mine was the opposite.

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Speaker 1: And when I got COVID and I got it really bad,

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Speaker 1: it was like I had like a four hundred and

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Speaker 1: four and chattering teeth and like felt so alone and

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Speaker 1: he was so amazing during that time. It's funny, I'm

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Speaker 1: remembering now that was part of it. Like I felt

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Speaker 1: needy for him. We weren't together because he was we

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Speaker 1: were long distance, but it still like connected us. So yeah, funny,

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Speaker 1: and we also but it ended like at the beginning

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Speaker 1: of the pandemic because it was also wonky. It was

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Speaker 1: like weird, it was mundane, and we were in twoday

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Speaker 1: with States and it was just like every day is

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Speaker 1: the same. Let's talk about the roast chicken you ate,

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Speaker 1: and let's be on the treadmill and say nothing and like,

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Speaker 1: h it's all blah and like we broke up. But

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Speaker 1: then the same thing. So I just I don't know why.

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Speaker 1: That's the first when I saw it. It's the first

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Speaker 1: thing I thought. So I don't know why. But that's

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Speaker 1: nothing to do with what we're doing here. And on

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Speaker 1: the other show, Jess b we could talk about that

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Speaker 1: and relationships, but here we're to talk about very important things,

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Speaker 1: way more than relationships and love. So you live in

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Speaker 1: La No, I'm in New York.

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Speaker 2: I'm right. Yes, we have been in New York since

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Speaker 2: twenty eleven, twenty yes, early twenty eleven.

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Speaker 1: Yes, oh my god, Like wow, I like became friends,

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Speaker 1: you know, friends with Elizabeth moss on here, like we

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Speaker 1: really like each other, so maybe maybe by the end

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Speaker 1: we'll be friends.

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Speaker 2: So you I was gonna say, we we have been

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Speaker 2: like keeping our eyes peeled for you all over the

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Speaker 2: you know course, watching this.

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Speaker 1: I never I never leave the I never leave the house,

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Speaker 1: by the way, same same, Yes, is that really true though,

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Speaker 1: Like I really don't know that's it's bad.

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Speaker 2: I really That's why the pandemic was, Like I am

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Speaker 2: such an isolator, so the fact that people were saying,

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Speaker 2: you can't leave your house was a gift. But no,

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Speaker 2: I go out when there's like you're being paid, scheduled

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Speaker 2: event paid to leave.

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Speaker 1: If you're gonna pay me, I'll leave. Yeah.

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Speaker 2: We do a lot of ordering in yes, exactly.

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Speaker 1: Okay, So the pandemic gave me. It's bad in a

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Speaker 1: sense because it gave me permission to be more of

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Speaker 1: who I really am and life still went on, so

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Speaker 1: like I got more and more deep inside. Like the

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Speaker 1: only the one reason that I loved being on reality TV,

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Speaker 1: and there were many reasons, but one of the things

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Speaker 1: was that, like, as a young woman in my twenties,

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Speaker 1: I would walk to Starbucks with pimple medicine on in

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Speaker 1: my pajamas, like sixty two bucks away. I didn't care,

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Speaker 1: Like who cares on my pajamas, Let people pajama I

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Speaker 1: I just always was a person who was a major homebody,

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Speaker 1: and it would like I'd make plans next week and

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Speaker 1: then have anxiety the whole day and not want to

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Speaker 1: go and think of reasons and someone would cancel. I'd

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Speaker 1: be so excited, like it was problem but life. Then

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Speaker 1: when I got in the entertainment industry, I would have

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Speaker 1: a reason to like put on clothes because I like

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Speaker 1: buying stuff and put on makeup, and so the pandemic

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Speaker 1: then was really like, this is weird. And then we're

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Speaker 1: being allowed to never leave to work. So it's been

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Speaker 1: almost bad because you're like I'm like Kim Beazinger, where

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Speaker 1: it's like, no, like why would I leave? Why would

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Speaker 1: I ever get?

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Speaker 4: Why?

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Speaker 1: Movie from here? This week? It seems exciting, it was

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Speaker 1: a big stars, I could wear a great outfit. I

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Speaker 1: cancel because I'm like, why am I going? Why don't

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Speaker 1: you seem.

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Speaker 2: So social to me? And I know that's part of

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Speaker 2: what the show was, and that was obviously what took

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Speaker 2: you out of that comfort zone. I guess right, because.

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Speaker 1: I'm interactive because I like banter. This show gave me

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Speaker 1: another reason I've made friends that I've never even met.

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Speaker 1: It you like my new pimpund now? Yeah, because think

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Speaker 1: about have you ever think about it? You could not

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Speaker 1: that you think about me, but like try to find

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Speaker 1: me on a red carpet, like it's maybe like one

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Speaker 1: Sprinkle year, because if you invite me to the Vanity

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Speaker 1: Fair after party, I'll go, Sure it'll be.

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Speaker 2: But you don't go to every single opening that you

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Speaker 2: get invited to, and same. I always feel like I

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Speaker 2: want to go see a Broadway show when there's no

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Speaker 2: red carpet, I don't want to go to the opening.

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Speaker 2: I want to see the show fly under the radar.

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Speaker 2: I really, because it's just so much work.

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Speaker 1: It's just well, if you go to the Broadway show

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Speaker 1: and there's a red carpet, it doesn't matter that it's

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Speaker 1: like sort of casual, like they're like, oh, it's Rock

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Speaker 1: Center and it's like the night of the disco skating

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Speaker 1: and I want to go because I like skating and

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Speaker 1: it's a thing. And then I'm like, fine, who cares,

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Speaker 1: it's a skating thing. I'll do my own makeup. And

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Speaker 1: then that picture shows everywhere and other people look amazing.

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Speaker 1: I look like a shipbox. So you got to spend

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Speaker 1: one thousand dollars to go to a fucking movie from here?

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Speaker 1: If there's a record it is, it is true.

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Speaker 2: You have to get your glam. I agree, I agree,

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Speaker 2: I know, I know, all.

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Speaker 1: Right, So you've watched all them? Shows? Are just some?

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Speaker 1: Do you have one over it? Where are you?

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Speaker 2: And here is how it all came to pass. Last summer,

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Speaker 2: My well, my daughter who's just turned twenty one, became

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Speaker 2: a fan. Her best friend loved the show New York.

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Speaker 2: You're all of you guys, and Ella was behind the

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Speaker 2: game on it. Then she started watching it with her

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Speaker 2: best friend. Then she got her wisdom teeth out last

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Speaker 2: summer and she reeled in me and my our son,

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Speaker 2: my son who is now he's almost eighteen. But we

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Speaker 2: started watching and I want to say, the first episode

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Speaker 2: she showed us so I don't know how many seasons

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Speaker 2: in she was, but was was the uh Berkshire's Christmas,

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Speaker 2: the classic. Yeah, it was all of it. It was,

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Speaker 2: and so we were sucked in immediately to the craziness.

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Speaker 2: But and then and then she just went because she

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Speaker 2: had everything downloaded, so it wasn't like she was waiting

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Speaker 2: to watch with us. So whenever she was like, do

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Speaker 2: you guys want to watch some episodes, we would pop in.

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Speaker 5: So and she liked New York in particular your son

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Speaker 5: only New York, only New York.

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Speaker 2: She just started, and she'll yell at me if I

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Speaker 2: get this wrong. But she she's getting more into Beverly

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Speaker 2: Hills now. But it's not the same, That's what she

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Speaker 2: has said.

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Speaker 1: It's not it's not the same. Because what I realized today,

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Speaker 1: which we're going to get into, like, you know, the

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Speaker 1: thing is when you're in it, and you know this

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Speaker 1: from doing TV, I think it's different, but you know,

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Speaker 1: it's like you're in a kitchen and you're watching different

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Speaker 1: INGREDI and then like four days before so degrading as

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Speaker 1: people on this cast. Four days before we get the

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Speaker 1: episode like Jen Pop basically for and like so we're

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Speaker 1: just cramming through to see what like covers we have

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Speaker 1: to hide under for something we said, and then it's

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Speaker 1: on and you don't even watch it. When it's on,

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Speaker 1: you just want to know, like what hits you're taking.

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Speaker 1: So you didn't really enjoy it because it's just like

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Speaker 1: you can't you two in it.

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Speaker 2: Right.

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Speaker 1: So now I'm watching this and I'm like watching it

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Speaker 1: like a person, and I'm just one of the characters

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Speaker 1: on there, and I appreciate it and I understand what

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Speaker 1: New York is different. About I mean, New York is

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Speaker 1: slobbery and messy and like it's smart, but it's it's

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Speaker 1: met it's really fucking it's not perfect, Like all our

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Speaker 1: luggage is so chaotic, and we don't mind looking like

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Speaker 1: train wrecks and Beverly Hills. It looks like it's like

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Speaker 1: a like thing, like a little shiny, like diny little

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Speaker 1: mark on everything. Like everything is to be so perfect.

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Speaker 1: We are not glossed over. We're like, no, it's tressy,

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Speaker 1: it's real, which I love.

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Speaker 2: And when I found out what episode we were supposed

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Speaker 2: to watch, you know, to talk about today, I watched

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Speaker 2: it out of context. Then I opened the last few

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Speaker 2: days watched the entire season and then and then of

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Speaker 2: course went to start it and realize you left right

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Speaker 2: after the season, so I was like, I got to

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Speaker 2: see your hey Day final season and yes, yes, and I.

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Speaker 1: Will say, I'm going to tell you a lot of

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Speaker 1: behind the scenes because so this is in my it

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Speaker 1: is in my I think this is Listen, there's vintage

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Speaker 1: me in like the blue sweater that I pulled out

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Speaker 1: of the raggedy drawer that I bought at a vintage

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Speaker 1: store with no makeup on and the one liners, and

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Speaker 1: then there's this which is kind of me iconic because

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Speaker 1: this is me working at like not meaning working at it,

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Speaker 1: but yeah, working at it. Like I was going through

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Speaker 1: a wretched ten year divorce. So when I came back,

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Speaker 1: they paid me shit tons of money because they begged

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Speaker 1: me to come back, and they paid me ship tons.

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Speaker 1: Now I'm back and I'm gonna deliver because when when

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Speaker 1: the campaign came back that I was coming back, it

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Speaker 1: was the Bee is back. So it was like so

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Speaker 1: much pressure and the bar the bar, and the ratings

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Speaker 1: had plummeted from three million to one point six I

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Speaker 1: think it was or one point four, like so half

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Speaker 1: the audience was gone now, so it was gonna be

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Speaker 1: not even back. Oh Bethany couldn't save it or she

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Speaker 1: came back, No one cares. So I felt like I'm

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Speaker 1: coming back, and like it was so much pressure because

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Speaker 1: everyone was making a big deal about it and not

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Speaker 1: just letting me glide on in. So I came back,

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Speaker 1: and I also was going through a wretched divorce. Where

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Speaker 1: my custody schedule was was if I was asking if

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Speaker 1: I was getting paid ten million dollars to do something

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Speaker 1: four months from Thursday I couldn't get a switch, and

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Speaker 1: I was going through real stress. So I came back

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Speaker 1: and I said to them, I'll take this boatload of money,

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Speaker 1: but I won't work on nights that I have my daughter,

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Speaker 1: and I'm gonna have to work with my custody schedule.

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Speaker 1: They took anything, and my boyfriend's not coming on and

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Speaker 1: my daughter's not coming. Like I gave you this crazy menu.

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Speaker 2: Yep.

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Speaker 1: So and I've never told that story about the a

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Speaker 1: la carte menu, but I gave this crazy menu. So

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Speaker 1: on this trip, I said, I was in three states

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Speaker 1: in one day. I was working. So they're like, you

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Speaker 1: have to come the whole time. The trips is the

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Speaker 1: whole thing. I said, I can't. So I was there

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Speaker 1: for three out of the five days, or two out

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Speaker 1: of the four days. I came late and left early.

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Speaker 2: That's what you say, you say, I'm I'm always the

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Speaker 2: one coming late. I'm the last to arrive and the

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Speaker 2: first to lead, right.

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Speaker 1: So you have resentment from other people because I have

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Speaker 1: special rules, right, and they know I'm getting paid a

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Speaker 1: fuck time and I have to perform whilst there. And

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Speaker 1: it turned out on this show they edited out the

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Speaker 1: whole day after I left. They all went to some

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Speaker 1: organic farm and the woman who runs the company was like,

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Speaker 1: we need we need you because it's all gonna fucking

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Speaker 1: be garbage and that shit's gonna be on the floor.

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Speaker 1: So you come and you're like I and you can

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Speaker 1: almost see it, Like I walk into the dinner and

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Speaker 1: I'm like zero dark thirty, what I'm not check check check,

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Speaker 1: go to Luand's room, check check, check. So and you

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Speaker 1: go to bed check check check. So it's like I'm

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Speaker 1: fucking slag and dragons and leave they're exhausted. So that's

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Speaker 1: like a little context for like what era this was, Like,

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Speaker 1: I'm gonta fucking deliver.

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Speaker 2: Well, yeah, I mean you are so no nonsense. You

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Speaker 2: are so no nonsense through all of it. When I

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Speaker 2: when I watched the entire season, there is no question.

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Speaker 2: It's like you are You're the talking behind backs and

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Speaker 2: all You're like, no, I'm going right to the person

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Speaker 2: I'm saying, like you'll talk about it, and then you're like, no,

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Speaker 2: I'm just gonna go straight. Where's the other girls? They'll

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Speaker 2: talk about people behind each other's backs, but then let

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Speaker 2: somebody else tell and that becomes the drama. But you

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Speaker 2: bring it right to like you can just tell you

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Speaker 2: are I just? I mean, it's a It's a beauty

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Speaker 2: to watch because there is a lesson to be learned

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Speaker 2: in you know, saying what you mean, meaning what you say.

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Speaker 2: And you always say, I'm not trying to offend you

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Speaker 2: or you know, there's that saying but don't say it mean.

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Speaker 2: But you are the queen of being able to to

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Speaker 2: go in and just put it on the table.

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Speaker 1: It's appreciated.

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Speaker 2: It's very fearless.

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Speaker 1: I am fairly fearless, and I am into a direct

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Speaker 1: to consumer model in all areas of life. Like I

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Speaker 1: watched Sonya. Luanne said Sonya's taking pills, and Sonya told

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Speaker 1: fucking Mickey Mouse and Donald Dot come back. It's like

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Speaker 1: a circle jerk, and I just I don't got nobody

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Speaker 1: and nobody got time, so so here we go. Okay,

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Speaker 1: So this for everyone listening is exciting. And I love

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Speaker 1: when people are I love I love when people are

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Speaker 1: passionate about this. Some people come on and have never watched,

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Speaker 1: but they put their back into it, and I love that.

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Speaker 1: And but I love this. This is like Elizabeth Moss,

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Speaker 1: you know, like a like a successful person coming on

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Speaker 1: and like really has studied this like it's her most

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Speaker 1: important work she's ever done. So here we are and

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Speaker 1: this is this is one of my I did not

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Speaker 1: realize this is one of my favorite episodes, and I

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Speaker 1: have chosen because of this episode my legacy cast. Like

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Speaker 1: I have a scenario where I come back. I am

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Speaker 1: an ex producer in Vanity and name only. I don't

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Speaker 1: really you know, I'm not gonna insult. I'm just want

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Speaker 1: the I want the credit, credit seeker. I want the credit,

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Speaker 1: and I'll tell you it's Bethany and the Blondes, be

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Speaker 1: and the Blondes and it's me Tinsley, which I wouldn't

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Speaker 1: have thought. But you need that little frosting otherwise it's

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Speaker 1: all too like it's all like razor Blade, so you

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Speaker 1: write frosted, right, So me Tinsley, and I like Tinsley.

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Speaker 1: I do Derinda, Sonya and Ramona. It's messy and it's

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Speaker 1: not it's good business. It's not that I love everyone

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Speaker 1: want to hang out with him. It's good business. And aside,

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Speaker 1: like a friend side, dish a quarter Luanne, okay, any side.

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Speaker 1: I don't want the whole thing and I'm not doing it.

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Speaker 1: But like literally she's.

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Speaker 2: An Luyanne would be the Barbara to you, and she's

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Speaker 2: the very.

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Speaker 1: Barbara acted like a friend even though she was cast

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Speaker 1: worst casting, possibly the worst casting in Housewives history. But yeah,

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Speaker 1: but but Luanne is like a like a quarter character.

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Speaker 1: She's a friend of her friend. She dips in and

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Speaker 1: out and that's it. And these women would take that

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Speaker 1: deal because they're not getting their legacy shout, they're getting

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Speaker 1: a legacy trip. So they probably each getting paid one

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Speaker 1: hundred thousand for a week. Did each take that deal.

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Speaker 1: They wouldn't mind that I was getting paid boatloads of

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Speaker 1: money because it's the only way I'd do it, and

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Speaker 1: the vanity title because they want back off the bench coach,

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Speaker 1: so that that's my cast. And Tinsley would probably only

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Speaker 1: come back to the Housewives in that scenario because she

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Speaker 1: doesn't really want to do it. But I would personally,

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Speaker 1: you know, And I wouldn't have thought that when I

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Speaker 1: was there. That's why I'm changing my perspective, Tinsley. I

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Speaker 1: didn't think when I was there was like that great

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Speaker 1: because sometimes it was like, all right, get out of

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Speaker 1: the way with the big you know, the adults have

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Speaker 1: to talk over here, right, And I like a little.

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Speaker 4: You know.

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Speaker 1: I like her, I've always liked her, but as a housewife,

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Speaker 1: I appreciate her for how she fits into this puzzle

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Speaker 1: piece of these Bethany and the Blondes.

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Speaker 2: That's but Tinsley disappeared, too, right, and Leah came in.

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Speaker 1: Yeah, right, Tinsley disappeared and Leah came in and and

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Speaker 1: Tinsley is not an excellent housewife. But she's a good

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Speaker 1: solid player to get on the field sometimes, like you know,

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Speaker 1: she's a good solid and she gets you know.

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Speaker 2: I think it's a good sprinkling.

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Speaker 1: She's not good with every like, she's not somebody who's

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Speaker 1: just gonna get like Kelly Ben someone you're it's gonna

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Speaker 1: go throw her in with everybody. She's not good with

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Speaker 1: everybody's because because our dynastic Tinsley's good with me because

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Speaker 1: it's unexpected and it would be nice. So that's where

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Speaker 1: I stand with that. That's my that's my weird legacy

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Speaker 1: cas that I've never thought of before. And I'm the

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Speaker 1: words of the prophet Needy Leaks. I say what I said.

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Speaker 1: I love it so more, more and more little tidbits

347
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Speaker 1: for you. We are so messy and we always go

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Speaker 1: in the messy trips. We don't go to like Bali

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Speaker 1: or like you know, Dubai. We go to Miami, we

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Speaker 1: go to Des Moines, like yeah, they may they make

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Speaker 1: Kingston into you know, that's our Kingston is.

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Speaker 2: Our Balie exactly.

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Speaker 1: So it's like show. It was like, it's like we're

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00:17:10,359 --> 00:17:12,840
Speaker 1: there a Kathy Griffin life on the D List of Housewives.

355
00:17:12,840 --> 00:17:14,120
Speaker 1: We're always like a wreck.

356
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Speaker 2: So that's why I think it's everybody's favorite.

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Speaker 1: It's a favorite. It's a favorite, and that it doesn't

358
00:17:21,040 --> 00:17:23,680
Speaker 1: rate the highest, but it's more like arrested development or something.

359
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Speaker 1: It's like a people people.

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Speaker 2: Like it as I'd rather take that. Yes, exactly. Yes.

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00:17:28,480 --> 00:17:33,000
Speaker 1: So so let's start with Luanne and just Cabaret as

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Speaker 1: a concept and her just her singing for Christmas, Like right, well.

363
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Speaker 2: Well it starts with that, and it starts you know,

364
00:17:40,720 --> 00:17:43,040
Speaker 2: I mean, I feel like that is it's always that.

365
00:17:43,160 --> 00:17:45,840
Speaker 2: That was the thing. The hook that Ella brought my

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Speaker 2: son and I into too was Luanne's songs and she

367
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Speaker 2: would play us the songs over the summer and I

368
00:17:52,920 --> 00:17:58,080
Speaker 2: couldn't believe that it was it was real, it was

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Speaker 2: and it was so auto tuned and very you know,

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Speaker 2: what I mean, it was so overproduced, you know, And

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Speaker 2: then I see her in the beginning of this episode

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Speaker 2: sort of, you know, in her rehearsal, and she's it's

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Speaker 2: not that she's tone deaf. And you guys talk about

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Speaker 2: it later in the season at one or maybe you

375
00:18:14,040 --> 00:18:16,640
Speaker 2: talk about it at the reunion at the end. Yeah,

376
00:18:16,680 --> 00:18:19,240
Speaker 2: where it's not that she sings badly. That's just not

377
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Speaker 2: the strength. It's it's more bad.

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Speaker 1: It's not that she sings badly, it's that she thinks

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Speaker 1: it's that she's a bad singer. You didn't describe. It's

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Speaker 1: that she's a bad singer, right, But what's the best?

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Speaker 1: And I have a good callback. It's very Zoolander.

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00:18:31,960 --> 00:18:36,440
Speaker 2: It's you know what, that's you're right, because he's it's commitment.

383
00:18:37,200 --> 00:18:40,320
Speaker 2: It's fully committed. It's and lacking a little bit of

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Speaker 2: self awareness, right yet totally in the zone and fully committed.

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Speaker 1: Yes, okay, I just thought that spot I don't. Yeah,

386
00:18:47,119 --> 00:18:49,800
Speaker 1: so I'm saying that. But also it's very Housewives because

387
00:18:49,880 --> 00:18:51,760
Speaker 1: like only on The Housewives, can you have can you

388
00:18:51,920 --> 00:18:54,440
Speaker 1: like make a career out of not being able to sing?

389
00:18:54,960 --> 00:18:58,439
Speaker 1: Kim Zolziak has ten billion dollars in probably fake diamond

390
00:18:58,440 --> 00:19:00,880
Speaker 1: bracelets and is playing rich and now she in foreclosure

391
00:19:01,000 --> 00:19:03,879
Speaker 1: and like oz I r s money, like it doesn't

392
00:19:04,119 --> 00:19:06,760
Speaker 1: have to be real, it doesn't have to be There

393
00:19:06,800 --> 00:19:08,680
Speaker 1: were times when Sonia said she owned it, like was

394
00:19:08,720 --> 00:19:12,440
Speaker 1: investing in a soccer team and fragrances and it doesn't matter.

395
00:19:13,200 --> 00:19:15,159
Speaker 1: She by charat you could do a fashion show. Their

396
00:19:15,200 --> 00:19:17,360
Speaker 1: head doesn't have to be clothing, right.

397
00:19:17,640 --> 00:19:21,160
Speaker 2: And what happened to Luanne's Broadway debut too, that didn't

398
00:19:21,359 --> 00:19:25,560
Speaker 2: seem to happen right. Remember she she talks about that

399
00:19:25,680 --> 00:19:28,480
Speaker 2: she was cast in Chicago on Broadway and I don't, oh,

400
00:19:28,800 --> 00:19:29,480
Speaker 2: I love.

401
00:19:29,359 --> 00:19:31,880
Speaker 1: You, look at you piling facts and it's been like tea,

402
00:19:31,960 --> 00:19:33,600
Speaker 1: I didn't even know. I forgot about that because we

403
00:19:33,640 --> 00:19:37,680
Speaker 1: probably didn't take it seriously. So cabaret just as it's

404
00:19:37,840 --> 00:19:40,199
Speaker 1: and it's just cabaret, and like that could have been

405
00:19:40,440 --> 00:19:42,920
Speaker 1: that's a satire movie. It's Saturday Night Live. It's like

406
00:19:43,040 --> 00:19:46,439
Speaker 1: I am black and you are white? Here is blind?

407
00:19:46,560 --> 00:19:51,960
Speaker 1: Does it beat your Star wars? Nothing? Yes, it is.

408
00:19:52,119 --> 00:19:56,639
Speaker 2: She's talk singing a story. It's it's it's you know

409
00:19:57,560 --> 00:20:00,560
Speaker 2: and and you know, and I feel like this starting

410
00:20:00,640 --> 00:20:03,280
Speaker 2: it out because of where it goes later in the season,

411
00:20:03,440 --> 00:20:06,080
Speaker 2: this episode in particular, of the of her getting ready

412
00:20:06,080 --> 00:20:08,359
Speaker 2: for Christmas and saying this is very different from her

413
00:20:08,880 --> 00:20:11,800
Speaker 2: cabaret show. This is a Christmas show because later, you

414
00:20:11,880 --> 00:20:15,680
Speaker 2: guys are so done with seeing the shows, and there's

415
00:20:15,800 --> 00:20:18,080
Speaker 2: the whole thing that happens later where the Christmas party,

416
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Speaker 2: the surprise party scheduled on the same night, and and

417
00:20:21,600 --> 00:20:25,359
Speaker 2: you guys don't go anyway, she is it just you know,

418
00:20:25,560 --> 00:20:28,240
Speaker 2: and then and then it's it's it's Sonya coming in.

419
00:20:28,359 --> 00:20:30,800
Speaker 2: And by the way, she's the only one who seems

420
00:20:30,840 --> 00:20:31,920
Speaker 2: to call her Sonia.

421
00:20:32,640 --> 00:20:36,200
Speaker 1: And she's because she because she's another thing. Another thing

422
00:20:36,280 --> 00:20:39,760
Speaker 1: that can happen on the Housewives and with Madonna is

423
00:20:39,840 --> 00:20:43,080
Speaker 1: you can make up your own accents and be European

424
00:20:43,160 --> 00:20:46,400
Speaker 1: because you you once did a layover in Frankfurt.

425
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Speaker 2: Like it.

426
00:20:47,920 --> 00:20:50,480
Speaker 1: It doesn't it doesn't matter, it's not important.

427
00:20:51,119 --> 00:20:53,639
Speaker 2: So that's not that would that would answer why she

428
00:20:53,920 --> 00:20:56,280
Speaker 2: pronounces alcohol alcohol right, right?

429
00:20:56,480 --> 00:20:58,600
Speaker 1: And yeah, I'm sure, yeah, exactly, it's there are a

430
00:20:58,640 --> 00:21:01,679
Speaker 1: lot of influences that say, Turely, it doesn't mean anything.

431
00:21:01,760 --> 00:21:04,480
Speaker 1: It's just what they say. So, yeah, she's because she

432
00:21:04,760 --> 00:21:09,360
Speaker 1: was from Connecticut, but also mild or you know, eight

433
00:21:09,560 --> 00:21:12,320
Speaker 1: in an Italian restaurant. We don't know. It doesn't matter,

434
00:21:12,440 --> 00:21:14,480
Speaker 1: it's not important to see. Don't get don't get caught

435
00:21:14,560 --> 00:21:15,040
Speaker 1: up in the truth.

436
00:21:15,040 --> 00:21:17,760
Speaker 2: It's not I will not. I will not. You're clearing

437
00:21:17,840 --> 00:21:19,040
Speaker 2: so much up for me right now.

438
00:21:19,080 --> 00:21:22,960
Speaker 1: Facts don't matter at all. On the Auswives. Yeah, but

439
00:21:23,240 --> 00:21:26,360
Speaker 1: Sonia does seem high like I love Sonya so much,

440
00:21:26,440 --> 00:21:28,280
Speaker 1: but she has mixed up the medications.

441
00:21:29,200 --> 00:21:32,399
Speaker 2: Yes, I mean too many. Even though you guys clear

442
00:21:32,560 --> 00:21:37,280
Speaker 2: her of that, it feels as if there's something sort of,

443
00:21:37,480 --> 00:21:41,359
Speaker 2: you know, being mismanaged. Yeah, high on life is not

444
00:21:41,560 --> 00:21:45,080
Speaker 2: usually does not usually look like that, as it doesn't.

445
00:21:45,280 --> 00:21:47,399
Speaker 1: And I will say this, I don't know what she

446
00:21:47,560 --> 00:21:49,960
Speaker 1: was doing overall. And I will say this as it

447
00:21:50,040 --> 00:21:53,520
Speaker 1: pertains to drinking. I don't know how this affects anybody

448
00:21:53,520 --> 00:21:55,880
Speaker 1: who's taking anxiety medication. I will tell you as a fact.

449
00:21:55,880 --> 00:21:57,159
Speaker 1: And this is one of the problems I do have

450
00:21:57,240 --> 00:22:00,959
Speaker 1: with the whole genre, because people like you and your

451
00:22:01,040 --> 00:22:03,720
Speaker 1: kids are watching and it's entertaining because to you it

452
00:22:03,800 --> 00:22:06,160
Speaker 1: is it is almost like watching Saturday Ight Live or Zoolander.

453
00:22:06,240 --> 00:22:09,120
Speaker 1: But many of these women who go on the show

454
00:22:09,280 --> 00:22:12,920
Speaker 1: end up like going on anxiety medication because of the show.

455
00:22:13,000 --> 00:22:15,880
Speaker 1: So it's like this self created yeah of something that's

456
00:22:15,920 --> 00:22:18,680
Speaker 1: like not real, but you're making money and your work,

457
00:22:18,760 --> 00:22:23,920
Speaker 1: you know, so it's crazy. But you drink more when

458
00:22:23,920 --> 00:22:27,320
Speaker 1: you're doing the show because like you're getting ready and

459
00:22:27,359 --> 00:22:29,399
Speaker 1: everything seems exciting and it's like, let's have a drink,

460
00:22:29,400 --> 00:22:32,399
Speaker 1: and it's nothing seems real. It's all like it's just

461
00:22:32,480 --> 00:22:35,000
Speaker 1: something to do. It's like it's like eating pistachio nuts

462
00:22:35,080 --> 00:22:36,800
Speaker 1: or smoking a cigarette. Like you walk in and you're

463
00:22:36,800 --> 00:22:38,440
Speaker 1: just like, let's have a drink and let's have another drink,

464
00:22:38,440 --> 00:22:39,840
Speaker 1: and then it seems like a good idea because you

465
00:22:39,840 --> 00:22:44,360
Speaker 1: have such anxiety and like you're gearing up for something

466
00:22:44,400 --> 00:22:46,520
Speaker 1: and you have to be so on. So I guess

467
00:22:46,600 --> 00:22:50,400
Speaker 1: many people doing stand up or improv or their live

468
00:22:50,520 --> 00:22:53,720
Speaker 1: show like can relate to that, like you just have to.

469
00:22:53,720 --> 00:22:57,000
Speaker 2: Be Haydo taking theo. You wanted to feel a little

470
00:22:57,040 --> 00:23:00,080
Speaker 2: more loose and free and yes, yes it all make

471
00:23:00,160 --> 00:23:03,320
Speaker 2: sense and that's why it happens. That's so much, I think,

472
00:23:03,520 --> 00:23:06,520
Speaker 2: especially in the in the heated moments when stuff is

473
00:23:06,560 --> 00:23:08,600
Speaker 2: going on and everyone's like, okay, let's just have a drink.

474
00:23:08,680 --> 00:23:13,560
Speaker 2: Let's just you know, diffuse the situation and it's it's.

475
00:23:13,440 --> 00:23:16,879
Speaker 1: A it's an activity too, and it's yeah, like I

476
00:23:16,920 --> 00:23:19,080
Speaker 1: don't drink hard alcohol anymore. I don't drink as much

477
00:23:19,080 --> 00:23:20,720
Speaker 1: as I used to, even tho I'm watching this you know,

478
00:23:21,520 --> 00:23:26,680
Speaker 1: great Rose, But I sometimes I'll be like stressed. I

479
00:23:26,800 --> 00:23:29,480
Speaker 1: never drank to excess, but on a Tuesday, I'll just

480
00:23:29,560 --> 00:23:31,399
Speaker 1: be I never drank either for social like it'd be

481
00:23:31,440 --> 00:23:33,080
Speaker 1: like on a Tuesday, I'd be stressed like, oh, I

482
00:23:33,080 --> 00:23:35,080
Speaker 1: can't believe this happened, and I'd want to sip some

483
00:23:35,240 --> 00:23:38,000
Speaker 1: vodka just take the goddamn and it worked, like works.

484
00:23:38,040 --> 00:23:40,320
Speaker 1: So now I'm missing that thing because like an edible

485
00:23:40,960 --> 00:23:43,840
Speaker 1: or a pill which I don't take like zonks you

486
00:23:43,880 --> 00:23:45,680
Speaker 1: out and puts. It's a different type.

487
00:23:45,480 --> 00:23:49,880
Speaker 2: Of feel because yeah, yeah, yeah, yeah, exactly exactly type.

488
00:23:49,680 --> 00:23:51,320
Speaker 1: Like alcohol could just you could take a little and

489
00:23:51,359 --> 00:23:53,680
Speaker 1: it could just use properly. It just does take that

490
00:23:53,840 --> 00:23:56,160
Speaker 1: like right right right.

491
00:23:56,320 --> 00:23:56,480
Speaker 4: Well.

492
00:23:56,680 --> 00:23:58,440
Speaker 2: I feel like this is also the the you know,

493
00:23:58,680 --> 00:24:02,399
Speaker 2: the the quintessential episode where Luanne because she's sober and

494
00:24:02,560 --> 00:24:07,159
Speaker 2: she's you know, going to the AA meetings, and I

495
00:24:07,280 --> 00:24:12,480
Speaker 2: feel like she is not part of that. So she

496
00:24:12,880 --> 00:24:15,120
Speaker 2: is like the outside. She has a lot of judgment

497
00:24:15,400 --> 00:24:17,760
Speaker 2: when she's seeing it in action, even though she was

498
00:24:17,800 --> 00:24:20,240
Speaker 2: a train wreck before. Like it, you know, you can't

499
00:24:20,320 --> 00:24:23,159
Speaker 2: be judgmental when you're in one place in somebody else's

500
00:24:24,040 --> 00:24:28,719
Speaker 2: So even though classics, Sonya is a hot mess at

501
00:24:28,760 --> 00:24:32,440
Speaker 2: that dinner in Miami. I mean it is like off

502
00:24:32,560 --> 00:24:35,440
Speaker 2: the charts that whole day. I mean when she just

503
00:24:35,480 --> 00:24:38,520
Speaker 2: starts drinking. From the arrival and the unpacking.

504
00:24:38,800 --> 00:24:40,600
Speaker 1: Oh my god, we're going to get into the closet

505
00:24:40,640 --> 00:24:42,480
Speaker 1: and all that stuff. We're going back in the But

506
00:24:42,640 --> 00:24:44,480
Speaker 1: you're right, like there's a class there's a thing that

507
00:24:44,640 --> 00:24:47,320
Speaker 1: is very classic, which is someone goes sober. I guess

508
00:24:47,359 --> 00:24:50,200
Speaker 1: they have their They can now see things clearly. They're

509
00:24:50,200 --> 00:24:52,720
Speaker 1: looking at other people, but not everything needs to be said.

510
00:24:52,760 --> 00:24:55,400
Speaker 1: And the juxtaposition if I say something to Sonia, it's

511
00:24:55,520 --> 00:24:58,600
Speaker 1: very different than Luanne. Now let's get to the uh

512
00:24:59,560 --> 00:25:04,560
Speaker 1: during and at the Christmas Tree, Like I liked a

513
00:25:04,600 --> 00:25:06,760
Speaker 1: lot of these events seem fake and made up, and

514
00:25:06,880 --> 00:25:10,720
Speaker 1: I liked this event. It seemed elevated, it seemed legitimate.

515
00:25:10,880 --> 00:25:13,640
Speaker 1: I like what she wore, Like, you know, this event

516
00:25:13,680 --> 00:25:16,040
Speaker 1: doesn't really matter. It's just a vehicle to have this conversation.

517
00:25:16,160 --> 00:25:19,280
Speaker 1: But like, I like this event as a backdrop compared

518
00:25:19,280 --> 00:25:21,560
Speaker 1: to like they show in black and white like scenes

519
00:25:21,600 --> 00:25:23,760
Speaker 1: from going to Clay make because it never really made

520
00:25:23,800 --> 00:25:25,840
Speaker 1: it like this was a good This is like a

521
00:25:26,240 --> 00:25:28,280
Speaker 1: good event to me, you know, yes.

522
00:25:28,520 --> 00:25:31,840
Speaker 2: And I gotta say and maybe like for the real

523
00:25:32,000 --> 00:25:34,680
Speaker 2: diehard fans who have seen every single episode and no

524
00:25:35,000 --> 00:25:39,760
Speaker 2: to Rinda, like every episode through this season, to me,

525
00:25:40,320 --> 00:25:43,280
Speaker 2: it's like you and her are most are mostly the

526
00:25:43,400 --> 00:25:46,480
Speaker 2: voices of reason. I feel like Janda comes off the

527
00:25:46,640 --> 00:25:51,040
Speaker 2: least crazy as previous episodes i'd seen her in this season.

528
00:25:51,119 --> 00:25:53,159
Speaker 2: She's holds scrub, you know, she has the stuff with.

529
00:25:53,240 --> 00:25:58,560
Speaker 6: Luanne, but I feel like she is fairly on the

530
00:25:58,680 --> 00:26:02,399
Speaker 6: rails on the rail right, and and like it's she's drunk,

531
00:26:02,480 --> 00:26:03,760
Speaker 6: but it's like a drunk it's fun.

532
00:26:03,920 --> 00:26:04,440
Speaker 1: It's like fun.

533
00:26:04,640 --> 00:26:07,880
Speaker 2: Yes, it wasn't it's not. It's not terrible drunk. It's

534
00:26:07,920 --> 00:26:11,480
Speaker 2: not dark, it's not fringing drunk. It's not dark.

535
00:26:11,680 --> 00:26:24,160
Speaker 1: Right, So what do you think about Luanne talking about

536
00:26:24,200 --> 00:26:26,040
Speaker 1: her in her act and her saying she's gonna call

537
00:26:26,040 --> 00:26:28,800
Speaker 1: her lawyers. I don't think you can tell someone not

538
00:26:28,920 --> 00:26:30,760
Speaker 1: to talk about them in their act. Otherwise Kathy Griffin

539
00:26:30,760 --> 00:26:31,520
Speaker 1: wouldn't have a career.

540
00:26:31,840 --> 00:26:34,720
Speaker 2: Of course, not no, of course you can't get a

541
00:26:34,880 --> 00:26:37,680
Speaker 2: letter from lawyers about what you say in a show

542
00:26:37,920 --> 00:26:38,960
Speaker 2: and who you talk about.

543
00:26:39,040 --> 00:26:40,920
Speaker 1: I mean, you know, I don't know why we never

544
00:26:40,960 --> 00:26:42,600
Speaker 1: brought that. I don't know why I never I wasn't

545
00:26:42,640 --> 00:26:45,240
Speaker 1: around for those conversations because I don't know why. If

546
00:26:45,280 --> 00:26:47,280
Speaker 1: I was there, I'd be like, what are you talking about?

547
00:26:47,400 --> 00:26:48,600
Speaker 1: Like you can't, you know you can't.

548
00:26:49,680 --> 00:26:52,399
Speaker 2: Right, But you would think that Luanne would have the

549
00:26:52,480 --> 00:26:56,800
Speaker 2: Wherewithal anyway after because they they by this point they

550
00:26:56,920 --> 00:26:59,520
Speaker 2: had sort of made up with each other. You know,

551
00:26:59,720 --> 00:27:02,240
Speaker 2: the beginning of the season, they are not really speaking,

552
00:27:02,480 --> 00:27:05,760
Speaker 2: and you know it's one of them wants you know,

553
00:27:05,960 --> 00:27:07,879
Speaker 2: there's like the clam bake and one wants one to

554
00:27:07,960 --> 00:27:11,480
Speaker 2: apologize and Derenda's not showing up a barbes and the

555
00:27:11,560 --> 00:27:14,000
Speaker 2: whole thing, and they finally kind of make peace. So

556
00:27:14,040 --> 00:27:17,240
Speaker 2: you would think Luanne would also sort of like read

557
00:27:17,320 --> 00:27:18,200
Speaker 2: the room a little bit.

558
00:27:18,240 --> 00:27:20,320
Speaker 5: Right now, it's not put her in the show and

559
00:27:20,560 --> 00:27:23,320
Speaker 5: exactly do a joke about her like you're right, it's

560
00:27:23,359 --> 00:27:24,440
Speaker 5: button pushing.

561
00:27:24,400 --> 00:27:26,359
Speaker 1: Well, you're right, And they referenced Jo Vannie and it

562
00:27:26,400 --> 00:27:28,680
Speaker 1: would annoy me too. I gotta tell you if I

563
00:27:28,840 --> 00:27:32,399
Speaker 1: brought someone to a because that's also very housewives too.

564
00:27:32,440 --> 00:27:34,200
Speaker 1: This is some behind the scenes to you too about

565
00:27:34,560 --> 00:27:37,520
Speaker 1: housewives are very grabby, which I know isn't going to

566
00:27:37,560 --> 00:27:41,440
Speaker 1: shock you. But like, let's say you have a necklace

567
00:27:41,520 --> 00:27:44,520
Speaker 1: on and another girl says, and you were gifted it

568
00:27:44,600 --> 00:27:48,680
Speaker 1: from a brand on the Housewives, you have to gatekeep.

569
00:27:49,200 --> 00:27:52,159
Speaker 1: You must gatekeep because here's what will happen. So I

570
00:27:52,320 --> 00:27:54,720
Speaker 1: want to do to guest host on the Today Show

571
00:27:54,760 --> 00:27:59,440
Speaker 1: and another housewife called, and I won't rat them out

572
00:27:59,440 --> 00:28:01,320
Speaker 1: because then it's riding out Hoda or Jenna and I

573
00:28:01,400 --> 00:28:04,040
Speaker 1: never connected dot so Hoda came up to me and

574
00:28:04,080 --> 00:28:08,800
Speaker 1: told me that another housewife had called that morning to say,

575
00:28:08,880 --> 00:28:11,359
Speaker 1: like why would you have Bethany, Why wouldn't you have me?

576
00:28:11,640 --> 00:28:14,800
Speaker 1: Because a minute you tell someone. So also if it's stuff,

577
00:28:15,480 --> 00:28:18,520
Speaker 1: if you say I got this, that other housewife immediately

578
00:28:18,600 --> 00:28:20,600
Speaker 1: like this is a Ramona and Luanne special. They are

579
00:28:20,640 --> 00:28:23,520
Speaker 1: the most Tinsey would never do this. Sonya might, but

580
00:28:23,600 --> 00:28:27,919
Speaker 1: she'd forget about it. But the most the most vicious

581
00:28:27,960 --> 00:28:30,399
Speaker 1: offenders would be Jill Zarin, Ramona and Luanne would be

582
00:28:30,520 --> 00:28:33,280
Speaker 1: calling by noon to make an appointment at the show

583
00:28:33,320 --> 00:28:35,000
Speaker 1: and say, Bethany got some stuff. I thought I could

584
00:28:35,000 --> 00:28:37,040
Speaker 1: come up Like they have no shame in their game, right, right,

585
00:28:37,119 --> 00:28:39,160
Speaker 1: so you got to kind of gate keep. So Durinda

586
00:28:39,240 --> 00:28:42,640
Speaker 1: brought Luanne to Jovanni and like Luanne had to fucking

587
00:28:42,680 --> 00:28:44,719
Speaker 1: bust it open like a pinata, like okay, you got

588
00:28:44,760 --> 00:28:46,600
Speaker 1: a dress or too. You don't have to like you know,

589
00:28:46,840 --> 00:28:50,200
Speaker 1: it's just like it annoyed Durinda, which I do understand, right,

590
00:28:50,360 --> 00:28:53,120
Speaker 1: it's annoying, right, and she didn't give her credit, and

591
00:28:53,120 --> 00:28:56,040
Speaker 1: all Durnda wants is credit, like thank you, this wouldn't

592
00:28:56,040 --> 00:28:58,280
Speaker 1: have happened. It's not money. It's just it's annoying that

593
00:28:58,400 --> 00:29:00,600
Speaker 1: Luana has to make everything like it was her idea.

594
00:29:01,320 --> 00:29:04,360
Speaker 1: Tried to claim Skinny Girl Margarita, like Luanne has to

595
00:29:04,760 --> 00:29:07,440
Speaker 1: make things that don't matter, that that that she came

596
00:29:07,560 --> 00:29:08,480
Speaker 1: up with them and own.

597
00:29:08,360 --> 00:29:12,120
Speaker 2: Them right exactly not to go and that's I feel

598
00:29:12,160 --> 00:29:14,280
Speaker 2: like that that is a you know, I remember having

599
00:29:14,360 --> 00:29:17,040
Speaker 2: like a high school friend who would copy the things

600
00:29:17,280 --> 00:29:20,640
Speaker 2: and my mother would say, oh, imitation is the best flattery,

601
00:29:20,760 --> 00:29:21,680
Speaker 2: but that's bullshit.

602
00:29:21,800 --> 00:29:22,960
Speaker 1: Yeah, I agree, with my health.

603
00:29:23,080 --> 00:29:25,120
Speaker 2: Got the thing that you know, annoying.

604
00:29:25,840 --> 00:29:27,840
Speaker 1: No, I tell brand like not to copy. And there's

605
00:29:27,840 --> 00:29:30,440
Speaker 1: a person in our lives that like copies every single thing,

606
00:29:30,840 --> 00:29:33,960
Speaker 1: and we told her like stop, like it's too much.

607
00:29:34,080 --> 00:29:36,520
Speaker 1: I don't want even copy me. Also, it's so funny

608
00:29:36,600 --> 00:29:38,240
Speaker 1: in the middle of the night because I'll say to Paul,

609
00:29:38,400 --> 00:29:40,640
Speaker 1: oh you copied me, my fiance, my fiance, I don't

610
00:29:40,640 --> 00:29:42,600
Speaker 1: want to copy me either, And I'll wake up in

611
00:29:42,640 --> 00:29:43,680
Speaker 1: the middle of the night and I'll pie and then

612
00:29:43,720 --> 00:29:46,200
Speaker 1: he'll go, oh, you just copied me. He'll cry because

613
00:29:46,200 --> 00:29:47,480
Speaker 1: I have a thing about being copied.

614
00:29:47,480 --> 00:29:50,000
Speaker 2: I don't like yes, it's like your own yes, to

615
00:29:50,440 --> 00:29:53,600
Speaker 2: take your own path, let me have mine. Or if

616
00:29:53,680 --> 00:29:55,720
Speaker 2: you're if you love something so much and you want

617
00:29:55,800 --> 00:29:57,800
Speaker 2: to just say I love that. I think I'm gonna

618
00:29:57,800 --> 00:30:00,720
Speaker 2: get it and I will give you full credit. You know,

619
00:30:00,880 --> 00:30:02,800
Speaker 2: I don't know, but it's still annoying, still annoying.

620
00:30:03,320 --> 00:30:06,120
Speaker 1: If it's like a thing like like like green is

621
00:30:06,200 --> 00:30:07,720
Speaker 1: my thing, so I have like a green car and

622
00:30:07,800 --> 00:30:10,200
Speaker 1: a green watch, like stay away, right, I can't own

623
00:30:10,240 --> 00:30:11,760
Speaker 1: a color, but it's gonna be. It's gonna be my

624
00:30:11,840 --> 00:30:15,120
Speaker 1: color for now. Like in this friend's circle, right, and yeah,

625
00:30:15,120 --> 00:30:16,560
Speaker 1: and if you don't well yeah, if you don't own

626
00:30:16,560 --> 00:30:18,720
Speaker 1: a lot of green things, then yeah, stay the fuck

627
00:30:18,760 --> 00:30:19,400
Speaker 1: away from my collar.

628
00:30:19,520 --> 00:30:21,920
Speaker 2: Yeah yah yeah, so so so I get it.

629
00:30:22,400 --> 00:30:25,920
Speaker 1: And it's but but Dirinda, if Dorinda had said it's

630
00:30:25,960 --> 00:30:28,640
Speaker 1: funny because The Housewives is a zero s game, someone

631
00:30:28,680 --> 00:30:30,680
Speaker 1: always has to be winning, someone always has to be losing.

632
00:30:31,000 --> 00:30:34,960
Speaker 1: So in that scene now twenty twenty hindsight, it's obvious

633
00:30:35,160 --> 00:30:38,160
Speaker 1: to me, just like with the tipsy girl thing, I

634
00:30:38,200 --> 00:30:40,840
Speaker 1: should have just said something nicely to Sonya or constructively

635
00:30:40,880 --> 00:30:43,040
Speaker 1: I got mad or not taken the bait, and it

636
00:30:43,040 --> 00:30:47,440
Speaker 1: would have been on TV. But in this scene, Diorinda

637
00:30:47,440 --> 00:30:49,320
Speaker 1: should have just said, will you do me a favor?

638
00:30:49,560 --> 00:30:52,120
Speaker 1: It may be weird, and who cares? Can you just

639
00:30:52,480 --> 00:30:54,320
Speaker 1: not have me in the act? Would you just not

640
00:30:54,520 --> 00:30:56,800
Speaker 1: like I'm getting a lawyer? And she should have just

641
00:30:56,920 --> 00:30:59,400
Speaker 1: said that, And I bet you the lad So we

642
00:30:59,440 --> 00:31:01,600
Speaker 1: don't deal with things that way because we are bitches,

643
00:31:01,960 --> 00:31:03,600
Speaker 1: right and we need to go to the mattresses and

644
00:31:03,640 --> 00:31:06,080
Speaker 1: as women, just say it to say it nicely, and of.

645
00:31:06,080 --> 00:31:09,120
Speaker 2: Course, of course, and I think that's that's also something

646
00:31:09,240 --> 00:31:12,160
Speaker 2: that would be much more reasonable in real life, but

647
00:31:12,280 --> 00:31:15,160
Speaker 2: on television, you want it to be contentious, you want fair.

648
00:31:16,320 --> 00:31:18,239
Speaker 2: You know, I think you're right. I think fair right,

649
00:31:18,360 --> 00:31:21,560
Speaker 2: that I had Drenda said that, it just probably wouldn't

650
00:31:21,560 --> 00:31:25,160
Speaker 2: have even made it fair right, fair, Yes, I think

651
00:31:25,240 --> 00:31:27,680
Speaker 2: it's a little bit too sweet. You got to diffuse

652
00:31:27,760 --> 00:31:29,480
Speaker 2: some things in life. And like I bring up that

653
00:31:29,600 --> 00:31:31,320
Speaker 2: tipsy girl scene if you saw it or didn't, but

654
00:31:31,400 --> 00:31:34,080
Speaker 2: it was when Sonya does something with a cheeter brand

655
00:31:34,120 --> 00:31:37,280
Speaker 2: and I go hard, and she's not the person to

656
00:31:37,400 --> 00:31:39,360
Speaker 2: go hard on, Like I almost brought her to tears,

657
00:31:39,440 --> 00:31:41,960
Speaker 2: and like I was in my own head and so angry,

658
00:31:42,440 --> 00:31:44,480
Speaker 2: but I wasn't playing chess. I was playing checkers, And

659
00:31:44,520 --> 00:31:47,440
Speaker 2: I think, like you gotta play the long game and

660
00:31:47,600 --> 00:31:50,200
Speaker 2: only pick the battles you need to pick right, right,

661
00:31:50,560 --> 00:31:54,720
Speaker 2: right exactly exactly, Like Carol went so hard about the

662
00:31:54,800 --> 00:31:57,080
Speaker 2: book Ghostwriter that made her seem like she didn't write

663
00:31:57,080 --> 00:31:59,520
Speaker 2: her own book or just quiet down, shut up and

664
00:31:59,560 --> 00:32:05,560
Speaker 2: don't don't don't take the bait right right exactly exactly, And.

665
00:32:07,920 --> 00:32:12,720
Speaker 1: Luan. Sonya has been Luyan's bitch for years, so it's

666
00:32:12,840 --> 00:32:15,400
Speaker 1: not the one to go talking behind her back about

667
00:32:18,000 --> 00:32:20,920
Speaker 1: later about anything. And what I do love about Sonya

668
00:32:22,320 --> 00:32:25,840
Speaker 1: is she will pop off and it will be in

669
00:32:25,960 --> 00:32:28,920
Speaker 1: a way that seems chaotic, but you'll be rooting for

670
00:32:29,080 --> 00:32:32,800
Speaker 1: her because she has hit her boiling point, so like

671
00:32:33,760 --> 00:32:36,120
Speaker 1: you know, it's it's something where someone else it's like, wow,

672
00:32:36,200 --> 00:32:38,720
Speaker 1: you're crazy, and she did was off the rails. But

673
00:32:40,320 --> 00:32:45,160
Speaker 1: with Sonya in particular, she'll be speaking in tongues. But

674
00:32:45,240 --> 00:32:47,760
Speaker 1: if you really listen and you read the tea leaves,

675
00:32:47,800 --> 00:32:50,280
Speaker 1: you can find what she's saying makes some sense.

676
00:32:50,760 --> 00:32:53,200
Speaker 2: Yes, well, even in her even in when we get

677
00:32:53,240 --> 00:32:55,680
Speaker 2: to that if you know that that dinner rant when

678
00:32:55,800 --> 00:32:59,280
Speaker 2: she is just sort of slurring through, I mean really

679
00:32:59,400 --> 00:33:01,880
Speaker 2: at the core her when she starts going at Luanne

680
00:33:02,120 --> 00:33:05,480
Speaker 2: and Ramona about her guys about her like why do

681
00:33:05,520 --> 00:33:07,840
Speaker 2: you have to double dip into my men? And as

682
00:33:08,200 --> 00:33:14,440
Speaker 2: you say, like it's disgusting. Yeah, the greatest line I

683
00:33:15,800 --> 00:33:18,280
Speaker 2: peed my There are two moments that I literally like

684
00:33:18,440 --> 00:33:20,880
Speaker 2: did a spit, but like peed my pants laughing, And

685
00:33:21,000 --> 00:33:23,920
Speaker 2: the other is like you getting bleeped out saying I

686
00:33:24,200 --> 00:33:26,640
Speaker 2: nothing lun when you guys are shopping. Nothing Leu Aanne

687
00:33:26,640 --> 00:33:29,560
Speaker 2: could do would surprise me. You say something and then

688
00:33:29,560 --> 00:33:30,920
Speaker 2: you're like, she could take a shit on me, and

689
00:33:30,960 --> 00:33:33,640
Speaker 2: it wouldn't surprise like and I literally and if they

690
00:33:33,720 --> 00:33:36,600
Speaker 2: bleep out shit, I don't know. I love that you

691
00:33:36,680 --> 00:33:39,800
Speaker 2: could say shit is out what you can't say shit

692
00:33:39,920 --> 00:33:43,920
Speaker 2: on my head or whatever ship on me, but you

693
00:33:43,960 --> 00:33:46,560
Speaker 2: can say curator of cock. But both of those lines

694
00:33:46,680 --> 00:33:50,480
Speaker 2: are like, I treasure them. I will never let them go.

695
00:33:51,480 --> 00:33:54,200
Speaker 2: They will always be in like thought bubbles coming out

696
00:33:54,240 --> 00:33:55,400
Speaker 2: of your beautiful face.

697
00:33:55,560 --> 00:33:58,520
Speaker 1: And I love you for it, thank you it I

698
00:33:58,760 --> 00:34:02,840
Speaker 1: I a good, good line I have to say. And

699
00:34:02,960 --> 00:34:05,000
Speaker 1: I never remember any of them. I forgot I said that.

700
00:34:05,080 --> 00:34:06,920
Speaker 1: I never remember any of them. I say, I'm gonna

701
00:34:06,920 --> 00:34:08,920
Speaker 1: see and I see him mention it all everyone thought

702
00:34:09,000 --> 00:34:11,080
Speaker 1: was the biggest line in history. I never remember saying it.

703
00:34:11,360 --> 00:34:12,799
Speaker 1: I don't know what's coming out of my mouth. That's

704
00:34:12,840 --> 00:34:17,120
Speaker 1: what's funny about that. But yeah, she's totally valid. And

705
00:34:17,280 --> 00:34:20,040
Speaker 1: Luanne never misses the opportunity to do the wrong thing.

706
00:34:20,280 --> 00:34:22,719
Speaker 1: She never misses the opportunity these That's why she's been

707
00:34:22,760 --> 00:34:24,640
Speaker 1: on the show for so long, because she if you

708
00:34:24,800 --> 00:34:27,400
Speaker 1: look at what she's doing like she's never like the

709
00:34:27,480 --> 00:34:30,239
Speaker 1: funniest and she's not the most entertaining, but she'll just

710
00:34:30,400 --> 00:34:34,239
Speaker 1: do like the wrong thing or be the biggest narcissist,

711
00:34:34,719 --> 00:34:37,640
Speaker 1: which is why I say in the next scene, the

712
00:34:37,680 --> 00:34:40,439
Speaker 1: bathing suit shopping scene, that the stuff, that stuff was ugly,

713
00:34:40,520 --> 00:34:41,680
Speaker 1: Like I don't know what I was, why I was.

714
00:34:41,719 --> 00:34:44,080
Speaker 1: I mean, Messa Odabash seems like a great designer, but

715
00:34:44,080 --> 00:34:45,759
Speaker 1: the stuff I was trying on, like, I don't. I

716
00:34:45,880 --> 00:34:46,560
Speaker 1: did not buy that.

717
00:34:46,719 --> 00:34:50,600
Speaker 2: Thank god, this looks like my most this is the most,

718
00:34:50,640 --> 00:34:51,520
Speaker 2: the most me the most.

719
00:34:51,880 --> 00:34:53,719
Speaker 1: No, I said, this is my personality, which she doesn't

720
00:34:53,719 --> 00:34:55,759
Speaker 1: say a lot about my personality, so you know.

721
00:34:56,040 --> 00:34:59,640
Speaker 2: I was like, you can't put on it, like anything

722
00:34:59,680 --> 00:35:02,200
Speaker 2: looks good on you, like, let's be real, let's and

723
00:35:02,280 --> 00:35:06,000
Speaker 2: that's not a no, it's just yeah wow, except for

724
00:35:06,080 --> 00:35:08,400
Speaker 2: that one thing, but yes, like a little yeah. It

725
00:35:08,560 --> 00:35:10,160
Speaker 2: just looked like you were kind of killing time. I

726
00:35:10,200 --> 00:35:11,720
Speaker 2: didn't think you were really gonna buy anything.

727
00:35:11,760 --> 00:35:12,200
Speaker 1: I didn't.

728
00:35:12,280 --> 00:35:14,760
Speaker 2: You probably were covered on the trip. You were probably

729
00:35:14,800 --> 00:35:15,440
Speaker 2: already covered.

730
00:35:15,800 --> 00:35:19,080
Speaker 1: Yeah we didn't take that dress, but yeah, because probably

731
00:35:19,080 --> 00:35:20,719
Speaker 1: they weren't giving it us for free. And I was like,

732
00:35:20,840 --> 00:35:22,880
Speaker 1: we just put your place on the map because we

733
00:35:23,080 --> 00:35:26,600
Speaker 1: thrashed the land, so we need a free calftan. So

734
00:35:27,000 --> 00:35:32,359
Speaker 1: so so, but I remembered I forgot this whole thing.

735
00:35:32,880 --> 00:35:37,000
Speaker 1: Luanne was always like she's always like it's always the

736
00:35:37,160 --> 00:35:39,879
Speaker 1: dig covered in frosting, and she's just you just walk

737
00:35:39,920 --> 00:35:41,680
Speaker 1: in and she'll say something just like give a dig

738
00:35:41,760 --> 00:35:44,239
Speaker 1: and be like what what would were you? Are you

739
00:35:44,840 --> 00:35:46,600
Speaker 1: leave early or you're not doing like there was just something,

740
00:35:46,840 --> 00:35:49,279
Speaker 1: just jams in something and then like walks away. And

741
00:35:49,400 --> 00:35:51,480
Speaker 1: for me the season, it was being like she was

742
00:35:51,560 --> 00:35:54,680
Speaker 1: the curator of clock every time she'd know when I

743
00:35:54,719 --> 00:35:56,200
Speaker 1: got somewhere, when I didn't go somewhere.

744
00:35:59,160 --> 00:36:02,719
Speaker 2: You know, she so up in your business on what

745
00:36:02,920 --> 00:36:05,800
Speaker 2: time you arrived. And you know as a as a

746
00:36:05,920 --> 00:36:08,320
Speaker 2: you were when you see those episodes where it's showing

747
00:36:08,440 --> 00:36:11,839
Speaker 2: them like you get there the stamp time stamps eight

748
00:36:11,920 --> 00:36:15,520
Speaker 2: twenty five and she's still getting ready and getting her face,

749
00:36:15,600 --> 00:36:18,600
Speaker 2: you know for the Halloween thing or whatever that she

750
00:36:18,680 --> 00:36:22,080
Speaker 2: was singing for, and you left like a let You

751
00:36:22,160 --> 00:36:24,319
Speaker 2: were there three hours of my.

752
00:36:24,480 --> 00:36:26,560
Speaker 1: Life with a pair of child at home. I don't

753
00:36:26,640 --> 00:36:28,600
Speaker 1: leave my kid. I'm just like, I don't leave the house.

754
00:36:28,920 --> 00:36:31,040
Speaker 2: And now that I know that you don't like going out,

755
00:36:31,160 --> 00:36:35,040
Speaker 2: that's what is hell in a place like that too, where.

756
00:36:34,960 --> 00:36:37,800
Speaker 1: Yeah, and I rocked my costume rusted.

757
00:36:38,360 --> 00:36:41,800
Speaker 2: Yes, you did, you got, you had good time. You

758
00:36:41,920 --> 00:36:45,440
Speaker 2: socialize with the other girls like you put the time in,

759
00:36:45,560 --> 00:36:48,839
Speaker 2: you punched out the clock. She was forty minutes late

760
00:36:48,920 --> 00:36:51,920
Speaker 2: for the thing, like whatever it was, it was, but

761
00:36:52,080 --> 00:36:54,880
Speaker 2: so for her to track that when everybody's around her

762
00:36:55,040 --> 00:36:58,160
Speaker 2: and having their moment and she's clocking where why you

763
00:36:58,280 --> 00:36:58,759
Speaker 2: weren't there?

764
00:36:59,560 --> 00:37:02,680
Speaker 1: It's yeah, well I'm gonna give you more inside Baseball.

765
00:37:03,480 --> 00:37:05,279
Speaker 1: I'm not gonna tell you who the housewife is, but

766
00:37:05,360 --> 00:37:07,920
Speaker 1: Derinda told me that, and so did the producers verify

767
00:37:08,000 --> 00:37:12,439
Speaker 1: it that there's one housewife? This is insane. That would

768
00:37:12,600 --> 00:37:18,359
Speaker 1: count how many like interview bites I got, which were

769
00:37:18,440 --> 00:37:21,360
Speaker 1: clearly a lot, and how many like scenes I was in.

770
00:37:22,000 --> 00:37:25,040
Speaker 1: So Luyn, you know, and there's another housewife, Ramona. This

771
00:37:25,120 --> 00:37:26,960
Speaker 1: is the other house of Romona. Be always aware of

772
00:37:27,040 --> 00:37:29,400
Speaker 1: the cameras, like go get the camera guys and get

773
00:37:29,440 --> 00:37:30,799
Speaker 1: them to come over to what she was doing. I've

774
00:37:31,239 --> 00:37:35,040
Speaker 1: never done like, never done that, like never done that.

775
00:37:35,200 --> 00:37:38,680
Speaker 1: So but Luyne, you know, wants me to be there

776
00:37:38,719 --> 00:37:41,359
Speaker 1: because I was the shiny star on this particular season

777
00:37:41,400 --> 00:37:43,520
Speaker 1: and then the be is back, so like, you know,

778
00:37:43,680 --> 00:37:45,520
Speaker 1: maybe if I'm not there it didn't happen, so she

779
00:37:45,600 --> 00:37:48,200
Speaker 1: wants for her big moment that like I'm gonna be there,

780
00:37:48,960 --> 00:37:52,920
Speaker 1: so it's gonna make it and whatever. And she's a narcissist,

781
00:37:52,960 --> 00:37:54,560
Speaker 1: which is why it doesn't matter what time she shows up.

782
00:37:54,600 --> 00:37:56,160
Speaker 1: She wants us to go to you know, she wants

783
00:37:56,239 --> 00:37:59,040
Speaker 1: us to like what I think they'd stuff like fat

784
00:37:59,160 --> 00:38:02,200
Speaker 1: into geese, make like floig gras or like gat goose

785
00:38:02,239 --> 00:38:04,120
Speaker 1: fat and pigeons or I don't know what this is

786
00:38:04,280 --> 00:38:06,560
Speaker 1: kind of these birds, you know that they like forest

787
00:38:06,600 --> 00:38:10,120
Speaker 1: feet or horrible whatever. Like she's flogging us with this

788
00:38:10,239 --> 00:38:12,680
Speaker 1: fucking cabaret. None of us have ever gone to cabaret

789
00:38:12,680 --> 00:38:16,560
Speaker 1: our whole life. Now it's like I've never eaten alligator

790
00:38:16,880 --> 00:38:18,719
Speaker 1: and you're making me eat it five times in a week.

791
00:38:18,840 --> 00:38:21,719
Speaker 1: Like I'm good. We don't want to go the first time.

792
00:38:22,120 --> 00:38:23,920
Speaker 1: We don't want to eat alligator five times. Let me

793
00:38:24,040 --> 00:38:25,239
Speaker 1: the fuck alone. Right.

794
00:38:25,400 --> 00:38:30,840
Speaker 2: It's a very niche performance, you know, category it is

795
00:38:30,920 --> 00:38:33,719
Speaker 2: a there's a you know, it's like people who love

796
00:38:33,920 --> 00:38:36,719
Speaker 2: going to see unknown comics and things like you know

797
00:38:36,760 --> 00:38:39,240
Speaker 2: what I mean. There's the cat, there's the cabaret crowd,

798
00:38:39,360 --> 00:38:41,000
Speaker 2: and I feel like it's very You're.

799
00:38:40,840 --> 00:38:44,000
Speaker 1: A great oil for me because you're a great I'm

800
00:38:44,000 --> 00:38:46,080
Speaker 1: gonna tell you why you'd be my like my Robin,

801
00:38:46,280 --> 00:38:49,239
Speaker 1: I'll take it. It's like you're saying the same thing.

802
00:38:49,840 --> 00:38:52,080
Speaker 1: You will not dare speak in the language that I

803
00:38:52,120 --> 00:38:53,960
Speaker 1: would ever use or in the way, and you won't

804
00:38:53,960 --> 00:38:56,839
Speaker 1: get in any trouble. But you are perfect. You're the way.

805
00:38:56,960 --> 00:38:57,320
Speaker 4: I love it.

806
00:38:57,920 --> 00:38:59,760
Speaker 1: She's like producers are dying.

807
00:38:59,800 --> 00:39:00,160
Speaker 4: I know.

808
00:39:00,280 --> 00:39:04,120
Speaker 1: She's like, yeah, it's an acquired it's not something everybody

809
00:39:04,239 --> 00:39:07,320
Speaker 1: goes to every day. It's a specific thing. I'm like,

810
00:39:07,400 --> 00:39:11,840
Speaker 1: nobody fucking watches Gabaret. You're like a great foil for me.

811
00:39:11,920 --> 00:39:13,200
Speaker 1: You're like Paul, my fiance.

812
00:39:14,280 --> 00:39:17,000
Speaker 2: I told you you are fearless. I need more of

813
00:39:17,200 --> 00:39:19,200
Speaker 2: you in this DNA.

814
00:39:19,560 --> 00:39:21,080
Speaker 1: I need that. I need that.

815
00:39:21,360 --> 00:39:21,840
Speaker 4: I you know.

816
00:39:22,120 --> 00:39:24,520
Speaker 2: I talk about my twenty one year old daughter, who

817
00:39:25,360 --> 00:39:29,520
Speaker 2: is I like, I long to be as straightforward and

818
00:39:30,080 --> 00:39:31,319
Speaker 2: cool as she is at.

819
00:39:31,360 --> 00:39:34,279
Speaker 1: Something oh interesting, and I want to be My daughter

820
00:39:34,520 --> 00:39:38,760
Speaker 1: is an angel. She is sweet, she is like earthy,

821
00:39:38,880 --> 00:39:42,360
Speaker 1: and everyone loves her. She's like that person I have

822
00:39:42,400 --> 00:39:44,640
Speaker 1: an assistant like that that everyone loves. But she's also

823
00:39:44,719 --> 00:39:46,759
Speaker 1: like cute and popular and you get away with like

824
00:39:46,840 --> 00:39:48,880
Speaker 1: also being funny, but like you never get any trouble.

825
00:39:49,320 --> 00:39:52,360
Speaker 1: My daughter is that she's so sweet, she is the best.

826
00:39:52,600 --> 00:39:55,359
Speaker 1: But I'm not. So you have your opposite to your daughter.

827
00:39:56,000 --> 00:39:57,799
Speaker 1: My daughter is more like you. My daughter would never

828
00:39:58,680 --> 00:40:02,440
Speaker 1: in her whole lifetime speak this right right, Yeah, got

829
00:40:02,480 --> 00:40:04,360
Speaker 1: a little digs and she'll get them in Christine.

830
00:40:04,480 --> 00:40:07,400
Speaker 2: Yes, we know how to we know how to slide

831
00:40:07,440 --> 00:40:07,839
Speaker 2: those in there.

832
00:40:07,960 --> 00:40:11,520
Speaker 1: Yeah. Well not everybody can be a curator, a person

833
00:40:11,560 --> 00:40:14,560
Speaker 1: who would say curative cock. Okay, So and I am

834
00:40:14,600 --> 00:40:18,600
Speaker 1: obviously foreshadowing that I will pop off if Luanne acts

835
00:40:18,760 --> 00:40:20,839
Speaker 1: like a queen Bee in Miami. Well, there's a good

836
00:40:20,920 --> 00:40:23,560
Speaker 1: foreshadowing in a in an English story.

837
00:40:24,040 --> 00:40:29,000
Speaker 2: I mean that is that is the understatement. Yet you

838
00:40:29,160 --> 00:40:30,520
Speaker 2: hit the nail on the head when you said it

839
00:40:30,560 --> 00:40:37,719
Speaker 2: earlier about Sonia, Like in those moments, you could if

840
00:40:37,800 --> 00:40:40,680
Speaker 2: you read between the lines everything that goes on in

841
00:40:40,760 --> 00:40:42,800
Speaker 2: that you know, and I know that that's really not

842
00:40:42,880 --> 00:40:44,719
Speaker 2: the episode, but that's the part two of you know

843
00:40:44,800 --> 00:40:47,800
Speaker 2: when you had dinner that that sort of you know,

844
00:40:48,480 --> 00:40:52,480
Speaker 2: panic attack, breakdown is not it is so you see

845
00:40:52,560 --> 00:40:55,720
Speaker 2: it coming from a million miles away, and it's everything.

846
00:40:57,040 --> 00:40:59,160
Speaker 1: And I experienced a death and it's ticking up. It's

847
00:40:59,160 --> 00:41:01,040
Speaker 1: the it's the role of poster. When you just know

848
00:41:01,239 --> 00:41:04,520
Speaker 1: that thing is gonna fly. You're like tick tick click,

849
00:41:04,640 --> 00:41:05,040
Speaker 1: click click.

850
00:41:05,840 --> 00:41:08,440
Speaker 2: You know it's like that. Yeah, yeah, And it's that.

851
00:41:08,600 --> 00:41:12,040
Speaker 2: I think that's why nobody, you know, it wasn't like

852
00:41:12,160 --> 00:41:15,640
Speaker 2: this sort of oh god, what's going on? I mean,

853
00:41:15,680 --> 00:41:18,200
Speaker 2: it was so clear that it was going to come out.

854
00:41:18,320 --> 00:41:20,759
Speaker 2: And that was the I think you say it. She

855
00:41:20,920 --> 00:41:24,080
Speaker 2: was the catalyst. It was there was it. Yeah, there

856
00:41:24,160 --> 00:41:25,320
Speaker 2: was stuff that had to do with her, but it

857
00:41:25,440 --> 00:41:27,239
Speaker 2: was everything else, everything else.

858
00:41:28,040 --> 00:41:30,239
Speaker 1: Now back to New York being message, this is not

859
00:41:30,719 --> 00:41:33,120
Speaker 1: my brand ever of humor. And it's funny. I'm in

860
00:41:33,160 --> 00:41:36,160
Speaker 1: a relationship, it's not it's not my fiance's brand. Like

861
00:41:36,320 --> 00:41:40,360
Speaker 1: we're not. We don't do like fart humor. Like no,

862
00:41:40,600 --> 00:41:42,680
Speaker 1: this is the cast that like doesn't mind shitting in

863
00:41:42,800 --> 00:41:45,600
Speaker 1: their pants in a foreign country and collect wind I.

864
00:41:45,680 --> 00:41:49,320
Speaker 2: Put my pants down and peeking in public, and I

865
00:41:49,440 --> 00:41:50,640
Speaker 2: know it's the line.

866
00:41:51,480 --> 00:41:54,800
Speaker 1: It's the it's the you know, peeing and like I

867
00:41:55,320 --> 00:41:58,200
Speaker 1: once had to go so badly on the way to Atlanta, Saday,

868
00:41:58,280 --> 00:41:59,600
Speaker 1: I actually had to go on the side of the

869
00:41:59,600 --> 00:42:01,000
Speaker 1: word I would peede in the car. So those are

870
00:42:01,040 --> 00:42:03,800
Speaker 1: my choices. But like talking about peeing in a bathtub

871
00:42:03,920 --> 00:42:07,600
Speaker 1: and and like I'm not in the car, it's not

872
00:42:08,120 --> 00:42:11,360
Speaker 1: it's it's not for me at all, Like I don't

873
00:42:11,680 --> 00:42:13,600
Speaker 1: like it, I don't do it, I don't get it.

874
00:42:14,400 --> 00:42:16,719
Speaker 1: I'm sure I know there's an audience for it, Like

875
00:42:16,800 --> 00:42:20,640
Speaker 1: I wasn't a big fart man fan, like no, no, no, no, no,

876
00:42:21,280 --> 00:42:24,400
Speaker 1: I don't know. It's not I don't like anything with

877
00:42:24,520 --> 00:42:28,879
Speaker 1: regards to the ass and this this cast has has

878
00:42:29,040 --> 00:42:31,719
Speaker 1: really done some important work. You know, some people cover

879
00:42:31,960 --> 00:42:35,640
Speaker 1: like SMaL yah, like you know, war in Afghanistan. We've

880
00:42:35,719 --> 00:42:41,600
Speaker 1: covered diarrhea in Cartiana on the floor. We've covered farting

881
00:42:41,719 --> 00:42:46,200
Speaker 1: in many different places, peeing in a bathtub and anal

882
00:42:46,640 --> 00:42:49,520
Speaker 1: and shitting in a bed. So like I'm good, it's

883
00:42:49,640 --> 00:42:53,600
Speaker 1: that's not lovely, Yeah, yes, really class it's classy. I'm

884
00:42:53,640 --> 00:42:57,600
Speaker 1: proud to been part of this category, you know, nominated

885
00:42:57,680 --> 00:42:59,920
Speaker 1: in this category. So yeah, it's it's it's a lot.

886
00:43:02,239 --> 00:43:05,160
Speaker 1: Tinsley tells Sonya that Ramona and Harry do, but Harry

887
00:43:05,480 --> 00:43:08,960
Speaker 1: Dubin is really it's just he's the gift that keeps

888
00:43:09,000 --> 00:43:09,560
Speaker 1: on giving, Like.

889
00:43:09,719 --> 00:43:11,719
Speaker 2: I mean even just saying the name the way it

890
00:43:11,880 --> 00:43:14,640
Speaker 2: rolls off, like as if this is some sort of royalty.

891
00:43:14,960 --> 00:43:18,759
Speaker 2: You know, it kills me when you when you're you're

892
00:43:18,880 --> 00:43:20,799
Speaker 2: hearing the name and hearing the name, and then there's

893
00:43:20,840 --> 00:43:24,239
Speaker 2: a quick flashback and you see Harry Dubin.

894
00:43:24,239 --> 00:43:26,719
Speaker 1: Like you, Well, Harry Dubin and Tom have had sex

895
00:43:26,840 --> 00:43:29,359
Speaker 1: with every woman in New York City. That's a six.

896
00:43:31,680 --> 00:43:35,239
Speaker 1: They're good at like the middle range women. Like they

897
00:43:35,520 --> 00:43:41,440
Speaker 1: they're doing a volume business, like a volume desperado ridden,

898
00:43:41,560 --> 00:43:46,279
Speaker 1: hard and put away, wet, beaten down, divorcee housewive, upper

899
00:43:46,320 --> 00:43:51,040
Speaker 1: east side bar, like smash and grab salty group like

900
00:43:51,239 --> 00:43:54,720
Speaker 1: they they they two o'clock in the morning, grab whatever

901
00:43:54,840 --> 00:43:57,160
Speaker 1: is in sight, stick it in the net, take it,

902
00:43:57,520 --> 00:43:59,239
Speaker 1: cook it and dump it out the next day. Like

903
00:43:59,360 --> 00:44:03,040
Speaker 1: that's their model. So there's there's Harry and Tom. We

904
00:44:03,120 --> 00:44:04,799
Speaker 1: need a dick, which we have a lot of dick.

905
00:44:04,880 --> 00:44:07,760
Speaker 1: But they're really good on the mediocre model.

906
00:44:08,280 --> 00:44:13,560
Speaker 2: And why why is that appealing to Ramona and why

907
00:44:13,760 --> 00:44:16,080
Speaker 2: like what is the tell me, I'll tell me what

908
00:44:16,200 --> 00:44:16,960
Speaker 2: the appeal.

909
00:44:16,760 --> 00:44:26,120
Speaker 1: Is because they're well. To be honest, Sonya's done a

910
00:44:26,160 --> 00:44:28,759
Speaker 1: good mid range but I mean Sonya and Laane have

911
00:44:28,840 --> 00:44:31,400
Speaker 1: done a good mid range business too, not at the

912
00:44:31,480 --> 00:44:33,800
Speaker 1: same clip and volume. And I love sonya, so please

913
00:44:33,920 --> 00:44:36,440
Speaker 1: understand that. But like, you know, they've done a lot

914
00:44:36,520 --> 00:44:40,600
Speaker 1: of the good mid range, like not a hard grab

915
00:44:41,080 --> 00:44:45,759
Speaker 1: model too. But he's the kicker. There are men that

916
00:44:46,000 --> 00:44:50,040
Speaker 1: like are marketed as having some money, like Harry's family,

917
00:44:50,160 --> 00:44:53,399
Speaker 1: Like the parents had some money. I've been to their house,

918
00:44:53,480 --> 00:44:55,840
Speaker 1: but like it's not trickling down to the kids. And

919
00:44:55,960 --> 00:44:58,080
Speaker 1: like he's also not the kid that would get it.

920
00:44:58,160 --> 00:45:01,120
Speaker 1: He's got an older brother that like this is the

921
00:45:01,600 --> 00:45:03,920
Speaker 1: smart and more successful one of that family. So Harry

922
00:45:04,000 --> 00:45:06,160
Speaker 1: is like the guy about town with the like sort

923
00:45:06,200 --> 00:45:09,680
Speaker 1: of half a rich Jewish Upper East Side Hampton's name

924
00:45:09,800 --> 00:45:11,960
Speaker 1: and goes to the parents' house a lot, and his

925
00:45:12,080 --> 00:45:13,879
Speaker 1: kids go to the good schools. Probably the parents paid

926
00:45:13,920 --> 00:45:15,759
Speaker 1: for it. I don't know that. But he makes like

927
00:45:15,800 --> 00:45:18,200
Speaker 1: a living, but he's not like a baller, you know.

928
00:45:18,360 --> 00:45:20,160
Speaker 1: So they are big with the thirty year olds who

929
00:45:20,239 --> 00:45:21,839
Speaker 1: like want you to buy them drinks, and then they're

930
00:45:22,239 --> 00:45:25,279
Speaker 1: ending up partying with those thirty something year old thirty

931
00:45:25,320 --> 00:45:27,919
Speaker 1: five year olds, and they range for the thirty something

932
00:45:28,040 --> 00:45:30,880
Speaker 1: year olds that are impressed by the paycheck and the

933
00:45:31,000 --> 00:45:34,200
Speaker 1: fifty five to sixty five year old Expire group of ladies.

934
00:45:34,280 --> 00:45:37,960
Speaker 1: So they got to range. So Tom his last name

935
00:45:38,040 --> 00:45:40,600
Speaker 1: is Dagasino. It's kind of the same model. Yeah, I

936
00:45:40,680 --> 00:45:43,279
Speaker 1: think the family has some money. He's not rich rich,

937
00:45:43,480 --> 00:45:47,239
Speaker 1: like you know rich rich, fuck you riches billionaire. Really

938
00:45:47,360 --> 00:45:51,080
Speaker 1: rich is several hundred millionaire normal rich rich is like

939
00:45:51,600 --> 00:45:54,160
Speaker 1: fifty million dollars. Then there's like rich, it's like twenty five.

940
00:45:54,560 --> 00:45:57,400
Speaker 1: He and Tom probably have a couple of million dollars,

941
00:45:57,520 --> 00:46:00,680
Speaker 1: like right, maybe, which is rich. But it's like, yeah,

942
00:46:00,760 --> 00:46:03,319
Speaker 1: it's their ball is soup. It's their fucking hot pot

943
00:46:03,440 --> 00:46:06,440
Speaker 1: of bullshit soup that we're really going for. And Tom's

944
00:46:06,440 --> 00:46:08,399
Speaker 1: got the same model, so whatever I just said, it's

945
00:46:08,440 --> 00:46:11,880
Speaker 1: like the same model like losing the bone house And

946
00:46:11,960 --> 00:46:14,400
Speaker 1: it's like the top floor of a shitty building in

947
00:46:14,440 --> 00:46:16,920
Speaker 1: New York City that like has too bads where it's

948
00:46:16,960 --> 00:46:20,000
Speaker 1: like someone took like a pH from another building and

949
00:46:20,080 --> 00:46:21,880
Speaker 1: like stuck it on the thirteenth floor. So it's not

950
00:46:21,920 --> 00:46:24,319
Speaker 1: a bad luck floor. It's the top floor. We're calling

951
00:46:24,360 --> 00:46:25,520
Speaker 1: it a penthouse. Why not.

952
00:46:26,520 --> 00:46:29,719
Speaker 2: Yes, you can paint it anyway you want to know.

953
00:46:30,360 --> 00:46:32,320
Speaker 1: We're doing We're going to Palm Beach, but it's not

954
00:46:32,560 --> 00:46:34,560
Speaker 1: real pomp Beach, tins which is why Tinsley is like

955
00:46:34,640 --> 00:46:35,799
Speaker 1: is it on island? And it's not.

956
00:46:37,800 --> 00:46:41,040
Speaker 2: Even the Kingston House, even the Kingston House, which the

957
00:46:41,080 --> 00:46:46,000
Speaker 2: way she described it, like, I mean, I was stop Bosta.

958
00:46:46,520 --> 00:46:47,839
Speaker 1: I can't let you go any further.

959
00:46:47,960 --> 00:46:51,960
Speaker 2: You are not allowed where you said about the kitchen

960
00:46:52,040 --> 00:46:53,759
Speaker 2: and the guest house where you can be taking I

961
00:46:53,840 --> 00:46:55,839
Speaker 2: think you said it. You can take ship. You can

962
00:46:55,920 --> 00:46:58,719
Speaker 2: take a ship in the clay. At the same time,

963
00:46:59,600 --> 00:46:59,880
Speaker 2: I'm not.

964
00:47:01,160 --> 00:47:04,319
Speaker 1: Yes, like, which is why you need to be half

965
00:47:04,360 --> 00:47:08,440
Speaker 1: a housewife absolutely, because you need to be making ship soup.

966
00:47:10,280 --> 00:47:13,800
Speaker 2: We need to make shit soup, my way Ella told me.

967
00:47:13,880 --> 00:47:15,719
Speaker 2: And she ends up selling that house like, you know,

968
00:47:16,200 --> 00:47:17,640
Speaker 2: three months later or something like that.

969
00:47:18,000 --> 00:47:20,560
Speaker 1: So that's the Tom and Harry of it. We just

970
00:47:20,640 --> 00:47:22,279
Speaker 1: need a dick, you know. But they're the dicks. So

971
00:47:23,560 --> 00:47:26,440
Speaker 1: and Harry is a very perfectly nice, you know, nice person,

972
00:47:26,520 --> 00:47:28,920
Speaker 1: and Tom seems like a perfectly nice person. But that's

973
00:47:29,000 --> 00:47:31,320
Speaker 1: their brand. And there's a lot of women. It's a

974
00:47:31,440 --> 00:47:34,200
Speaker 1: volume business. Yeah, it's a lot easier to do that.

975
00:47:34,360 --> 00:47:36,840
Speaker 1: You know, you could bag fifty of those women in

976
00:47:36,920 --> 00:47:39,319
Speaker 1: the time of taking a bag one model. So let's

977
00:47:39,360 --> 00:47:42,319
Speaker 1: go for the volume. Sure, sure, let's eat a lot

978
00:47:42,360 --> 00:47:47,000
Speaker 1: of shit. That's food, that's their highway highway restaurants. It's

979
00:47:47,080 --> 00:47:48,600
Speaker 1: it's a lot easier to do that than like go

980
00:47:48,719 --> 00:47:49,400
Speaker 1: to the cirque.

981
00:47:50,080 --> 00:47:51,800
Speaker 2: Absolutely, you nailed it.

982
00:47:51,920 --> 00:47:52,320
Speaker 1: I got it.

983
00:47:52,640 --> 00:47:56,080
Speaker 2: It's like that. Nothing more needs to be said about it, right, But.

984
00:47:57,880 --> 00:48:03,000
Speaker 1: Yes, in fairness to Sonya, she got them when they

985
00:48:03,200 --> 00:48:05,160
Speaker 1: were a little more in their prime and a little

986
00:48:05,239 --> 00:48:07,880
Speaker 1: more impressive. Like they probably they didn't have all the

987
00:48:08,000 --> 00:48:09,840
Speaker 1: kids and all the bills and all this stuff, so

988
00:48:09,960 --> 00:48:12,320
Speaker 1: like the parents' bank account was more impressive with the

989
00:48:12,760 --> 00:48:16,000
Speaker 1: young you know, finance job or whatever. Yeah, they're ridden

990
00:48:16,040 --> 00:48:18,359
Speaker 1: hard and put away wet now too. So that's when

991
00:48:18,480 --> 00:48:20,800
Speaker 1: like Lunk and Ramona came in with their shovel. So

992
00:48:20,880 --> 00:48:23,640
Speaker 1: Sonya had them, you know, before this group had you know,

993
00:48:24,080 --> 00:48:27,040
Speaker 1: they were roadkilled, you know. Yeah. To find a guy

994
00:48:27,080 --> 00:48:29,680
Speaker 1: who's had sex with you know, three to five housewives,

995
00:48:29,760 --> 00:48:32,120
Speaker 1: that's a that's a that's an accomplishment, you know, I

996
00:48:32,200 --> 00:48:36,360
Speaker 1: mean it's happened. That's the thing. A Viva Sonya Ramona

997
00:48:36,520 --> 00:48:38,080
Speaker 1: Luin four housewives.

998
00:48:38,239 --> 00:48:43,319
Speaker 2: Yeah, yeah, it's a lot of cross pollination. I think

999
00:48:43,440 --> 00:48:45,600
Speaker 2: it's not great. I think it's not great, and I

1000
00:48:45,680 --> 00:48:46,839
Speaker 2: think it's been a three.

1001
00:48:47,840 --> 00:48:48,879
Speaker 1: You can't right this ship.

1002
00:48:49,080 --> 00:48:52,080
Speaker 2: No, you really can't. You really can't. I mean that

1003
00:48:52,239 --> 00:48:55,520
Speaker 2: sort of incestuous, like a friend fool. I remember in

1004
00:48:55,600 --> 00:48:57,960
Speaker 2: my twenties we had a group of friends and everybody

1005
00:48:58,040 --> 00:49:00,319
Speaker 2: seemed to when one would break up, the the one

1006
00:49:00,360 --> 00:49:02,440
Speaker 2: would swoop in with a couple of the guys and

1007
00:49:02,520 --> 00:49:05,080
Speaker 2: I was like, that's just kind of disgusting.

1008
00:49:04,960 --> 00:49:18,239
Speaker 1: Right, this is where the producers always want to blow

1009
00:49:18,280 --> 00:49:23,480
Speaker 1: their water early and they're wrong because they wanted me

1010
00:49:23,600 --> 00:49:27,600
Speaker 1: to pop off about Tom cheating like right when I

1011
00:49:27,640 --> 00:49:30,480
Speaker 1: got there, and they're also up my ass all the

1012
00:49:30,560 --> 00:49:33,080
Speaker 1: time to be there when everyone else gets there. This

1013
00:49:33,360 --> 00:49:37,560
Speaker 1: was perfection. It was perfection for this pot to be

1014
00:49:37,800 --> 00:49:41,000
Speaker 1: simmering on a stove before I walked in. And it's

1015
00:49:41,000 --> 00:49:43,919
Speaker 1: always like, guys, relax, I'm gonna get there. It's all

1016
00:49:44,080 --> 00:49:44,720
Speaker 1: gonna happen.

1017
00:49:45,040 --> 00:49:45,759
Speaker 2: It's like your kids.

1018
00:49:46,520 --> 00:49:48,319
Speaker 1: And this is mean if the two producers that were

1019
00:49:48,360 --> 00:49:51,279
Speaker 1: producing this is me that the person that brought not

1020
00:49:51,360 --> 00:49:54,760
Speaker 1: a bravo at the production company, like you were getting

1021
00:49:54,760 --> 00:49:56,640
Speaker 1: all your presents. Just relax, We're gonna open up one

1022
00:49:56,680 --> 00:49:59,080
Speaker 1: box at a time. So now we get there and

1023
00:49:59,239 --> 00:50:02,200
Speaker 1: this is bubbling so nicely.

1024
00:50:02,719 --> 00:50:05,800
Speaker 2: Oh my god. I mean the timing of it, the

1025
00:50:05,960 --> 00:50:10,000
Speaker 2: timing of it is impeccable. And the way you uh,

1026
00:50:10,320 --> 00:50:15,040
Speaker 2: you sort of come in and and and you hear sounds.

1027
00:50:15,120 --> 00:50:17,520
Speaker 2: I mean it's almost as if And the shot of

1028
00:50:17,600 --> 00:50:20,319
Speaker 2: you walking in too, is almost as if you're entering

1029
00:50:20,360 --> 00:50:22,720
Speaker 2: a room where there is a wild animal, like literally

1030
00:50:22,800 --> 00:50:23,080
Speaker 2: you are.

1031
00:50:24,239 --> 00:50:25,000
Speaker 1: You are so.

1032
00:50:26,960 --> 00:50:30,360
Speaker 2: Tentative about what the hell is happening, and it it

1033
00:50:30,640 --> 00:50:34,600
Speaker 2: is all, you know, essentially a version of a wild animal.

1034
00:50:34,760 --> 00:50:37,759
Speaker 2: She's hitting the bathtub with the pants about to come down.

1035
00:50:37,840 --> 00:50:39,680
Speaker 2: She's about to pee in front of everyone.

1036
00:50:40,120 --> 00:50:43,480
Speaker 1: Yea and his crew. It's shot.

1037
00:50:43,680 --> 00:50:44,879
Speaker 2: Well, oh it's a shot.

1038
00:50:45,000 --> 00:50:51,080
Speaker 1: It's very to twelve. And I think I said so,

1039
00:50:51,160 --> 00:50:52,640
Speaker 1: I said, I'm much sure if I want to be

1040
00:50:52,760 --> 00:50:55,040
Speaker 1: like interacting with this group, like I wasn't. I wasn't

1041
00:50:55,080 --> 00:50:56,680
Speaker 1: ready for the group, but you have to be ready,

1042
00:50:56,840 --> 00:50:58,719
Speaker 1: like there's a there's a Donda thing like it may not,

1043
00:50:59,320 --> 00:51:02,080
Speaker 1: it cannot always like I had to get into it.

1044
00:51:02,840 --> 00:51:07,000
Speaker 1: And before I get there, they're watching Sony with the

1045
00:51:07,080 --> 00:51:07,920
Speaker 1: guy's name.

1046
00:51:08,160 --> 00:51:12,239
Speaker 2: Oh no no, no, oh no, moge pop like and

1047
00:51:12,400 --> 00:51:17,440
Speaker 2: he even says, it's it's Age like Hage right. He

1048
00:51:17,560 --> 00:51:20,080
Speaker 2: says it's Tate and she just keeps calling him rage.

1049
00:51:20,239 --> 00:51:22,319
Speaker 2: She keeps calling him to then she tells and then

1050
00:51:22,640 --> 00:51:25,759
Speaker 2: and then Luamne comes in and says, like, very you.

1051
00:51:25,800 --> 00:51:29,040
Speaker 1: Know, of course she knows t O s A because

1052
00:51:29,040 --> 00:51:31,239
Speaker 1: I'm sure that was Yeah, that's that's her French, because

1053
00:51:31,239 --> 00:51:35,919
Speaker 1: she's from French Polynesia. She was like, yeah, she makes

1054
00:51:36,000 --> 00:51:39,480
Speaker 1: her own word and with such with such conviction.

1055
00:51:39,719 --> 00:51:43,719
Speaker 2: That's much conviction, which is always like I that one

1056
00:51:43,719 --> 00:51:46,600
Speaker 2: of my favorite things is always how she's entering a

1057
00:51:46,680 --> 00:51:51,440
Speaker 2: situation after everyone has basically ship on her and everything

1058
00:51:51,480 --> 00:51:52,520
Speaker 2: about her, and she comes.

1059
00:51:52,400 --> 00:51:56,960
Speaker 3: In so happy with herself in her hat, in herder

1060
00:51:57,320 --> 00:52:00,279
Speaker 3: in jacket, and she is just like hey hey, and

1061
00:52:01,000 --> 00:52:03,840
Speaker 3: it's just it's so brilliantly.

1062
00:52:03,480 --> 00:52:07,520
Speaker 1: Done, Darling. It fits you a torch obviously whatever she said,

1063
00:52:10,920 --> 00:52:13,960
Speaker 1: Oh yeah, no, Darling, I lived. I did a short

1064
00:52:14,120 --> 00:52:17,759
Speaker 1: tenure in India. It's Sage. You know, I was spent.

1065
00:52:17,960 --> 00:52:18,160
Speaker 2: I did.

1066
00:52:18,480 --> 00:52:21,640
Speaker 1: I did an internship and modeling gig on the steps

1067
00:52:21,640 --> 00:52:23,800
Speaker 1: of the taj Mahal. So I know it's Sash.

1068
00:52:25,280 --> 00:52:28,640
Speaker 4: But the way the shots of the poor guy who

1069
00:52:28,840 --> 00:52:33,840
Speaker 4: is just like I mean defeated, mortified and having to

1070
00:52:34,040 --> 00:52:36,320
Speaker 4: endure it and has signed off what it means.

1071
00:52:36,280 --> 00:52:40,000
Speaker 1: Oh yeah, of course prayer but like, uh you didn't

1072
00:52:40,280 --> 00:52:46,560
Speaker 1: the staph the staff demoralizing going on in multiple rooms

1073
00:52:46,880 --> 00:52:50,120
Speaker 1: is what's going. It's amazing too, Sonya. It makes a

1074
00:52:50,160 --> 00:52:53,400
Speaker 1: blow job joke to the bald guy Dorinda's you know,

1075
00:52:54,480 --> 00:52:58,000
Speaker 1: it is like boiling her intestines and a martini shaker

1076
00:52:58,080 --> 00:53:00,319
Speaker 1: and telling him, you know, the art of the tail

1077
00:53:00,960 --> 00:53:06,319
Speaker 1: with her bangs flying like it's a beautiful episode. It's

1078
00:53:06,400 --> 00:53:08,520
Speaker 1: a beautiful episode.

1079
00:53:08,520 --> 00:53:11,800
Speaker 5: It's a beautiful episode.

1080
00:53:11,880 --> 00:53:15,880
Speaker 1: It's a beautiful episode, and I love what I'm proud

1081
00:53:16,480 --> 00:53:19,680
Speaker 1: of my castmates for, like not all the time is

1082
00:53:19,880 --> 00:53:23,760
Speaker 1: everybody firing on all cylinders and everybody's doing their part,

1083
00:53:24,400 --> 00:53:27,439
Speaker 1: you know, yes, And I now realize why Annie called

1084
00:53:27,480 --> 00:53:31,719
Speaker 1: me the Greek chorus because they're all doing beautiful work

1085
00:53:32,280 --> 00:53:35,760
Speaker 1: and it's just my position on the field. Someone needs

1086
00:53:35,840 --> 00:53:40,120
Speaker 1: to come in and collect this all and crystallize it.

1087
00:53:40,360 --> 00:53:42,960
Speaker 1: And that's where I always was like that, like you

1088
00:53:43,080 --> 00:53:45,439
Speaker 1: need everybody to be doing different things, like it's all

1089
00:53:45,760 --> 00:53:50,360
Speaker 1: happening and Sonya's I mean and on Q like you know,

1090
00:53:50,440 --> 00:53:52,960
Speaker 1: of course everybody is an indentured servant that she has

1091
00:53:53,000 --> 00:53:55,320
Speaker 1: to bring in. And you know, everybody that works everywhere

1092
00:53:55,719 --> 00:53:58,719
Speaker 1: is an unpacker, and and going to organize the closets

1093
00:53:58,760 --> 00:53:59,120
Speaker 1: at home.

1094
00:53:59,640 --> 00:54:02,759
Speaker 2: That alone made me laugh of like who really ever

1095
00:54:03,040 --> 00:54:06,440
Speaker 2: utilizes the people that are there to help to.

1096
00:54:06,640 --> 00:54:11,560
Speaker 1: Actually unpack you. The landscaper is also going to organize

1097
00:54:11,560 --> 00:54:13,400
Speaker 1: her shoes. She doesn't care who the fuck they are.

1098
00:54:13,800 --> 00:54:15,520
Speaker 1: Teasure reg it doesn't matter.

1099
00:54:15,480 --> 00:54:18,000
Speaker 2: Telling him about her outfits and how it's they're gonna

1100
00:54:18,040 --> 00:54:21,279
Speaker 2: show off her boobies and yes, you know it's no,

1101
00:54:21,640 --> 00:54:24,560
Speaker 2: it's it is, it's it is a brilliant episode.

1102
00:54:25,320 --> 00:54:29,080
Speaker 1: Yes, and more proof that I never there's a whole

1103
00:54:29,160 --> 00:54:31,080
Speaker 1: thing that goes on on like TikTok right now about

1104
00:54:31,120 --> 00:54:34,759
Speaker 1: like room categories and like there's like a hierarchy, and

1105
00:54:34,880 --> 00:54:39,359
Speaker 1: I say, it's total bullshit, because it's about working when

1106
00:54:39,400 --> 00:54:41,279
Speaker 1: you go on these influenza trips and this here, it

1107
00:54:41,320 --> 00:54:43,360
Speaker 1: doesn't matter where. If I'm sleeping in a toilet, it

1108
00:54:43,400 --> 00:54:44,879
Speaker 1: doesn't matter. I'm never gonna be in there. I'm gonna

1109
00:54:44,880 --> 00:54:48,000
Speaker 1: be out there picking up carcasses. I always take the

1110
00:54:48,040 --> 00:54:48,520
Speaker 1: ship room.

1111
00:54:48,920 --> 00:54:51,839
Speaker 2: I would just say that the room, the room assignments

1112
00:54:51,920 --> 00:54:55,040
Speaker 2: are always a moment unto themselves, like the way everyone

1113
00:54:55,160 --> 00:54:58,400
Speaker 2: has to tour around and it becomes like the so

1114
00:54:59,040 --> 00:55:03,120
Speaker 2: you know, I mean that's the it's it's fascinating.

1115
00:55:02,719 --> 00:55:05,400
Speaker 1: Because Ramona's under the Ramona is the only person that

1116
00:55:05,560 --> 00:55:07,160
Speaker 1: goes on these trips and thinks she's going in a

1117
00:55:07,200 --> 00:55:10,200
Speaker 1: real vacation. For her, this is like bikini season. I'm

1118
00:55:10,239 --> 00:55:12,399
Speaker 1: going shopping for it. I've packed my bag like I'm

1119
00:55:12,440 --> 00:55:15,920
Speaker 1: packing for my honeymoon. I'm excited and this is a vacation.

1120
00:55:16,000 --> 00:55:19,040
Speaker 2: And she chose the house and arranged it all and

1121
00:55:19,160 --> 00:55:21,200
Speaker 2: she believes her own mess replaced Yeah, like.

1122
00:55:22,800 --> 00:55:23,279
Speaker 1: Hundred percent.

1123
00:55:23,320 --> 00:55:23,600
Speaker 2: She did that.

1124
00:55:23,680 --> 00:55:25,520
Speaker 1: On the boat, well, I invited you all and I

1125
00:55:25,600 --> 00:55:27,319
Speaker 1: got this boat like a yacht because this is her

1126
00:55:27,400 --> 00:55:30,520
Speaker 1: fantasy to be like in a string bikini and go

1127
00:55:30,680 --> 00:55:32,719
Speaker 1: to Miami because someone else is paying for it, because

1128
00:55:32,800 --> 00:55:36,600
Speaker 1: Ramona's notoriously cheap, so like this is her thing. It's

1129
00:55:36,719 --> 00:55:39,600
Speaker 1: just and I'm going, you know, I could be below

1130
00:55:39,719 --> 00:55:41,840
Speaker 1: deck on one of those boats, like it doesn't matter

1131
00:55:42,239 --> 00:55:45,799
Speaker 1: where we sleep. And they spend hours about agonizing over

1132
00:55:45,800 --> 00:55:46,640
Speaker 1: the world. What are you doing?

1133
00:55:46,840 --> 00:55:46,880
Speaker 4: Is?

1134
00:55:46,920 --> 00:55:48,680
Speaker 1: What are you gonna do? Get married? She's own Yeah.

1135
00:55:48,680 --> 00:55:50,839
Speaker 1: On the balcony. You're not gonna be in there. Oh,

1136
00:55:50,920 --> 00:55:56,840
Speaker 1: it's insane. Barbara tells me that that Sonya is blackout already.

1137
00:55:56,880 --> 00:55:59,840
Speaker 1: That's blackout. That to me, that is blackout drunk, that's blackout.

1138
00:56:00,080 --> 00:56:02,279
Speaker 2: That is as I mean, that's as bad as you

1139
00:56:02,719 --> 00:56:05,360
Speaker 2: see anybody where. And she's talking like a little girl,

1140
00:56:05,480 --> 00:56:08,359
Speaker 2: and she's I mean, she's going into like different it's

1141
00:56:08,360 --> 00:56:11,600
Speaker 2: sort of multiple personalities almost, but she's very lovey. But

1142
00:56:11,719 --> 00:56:14,400
Speaker 2: it's so sloppy and so blackout.

1143
00:56:15,160 --> 00:56:20,160
Speaker 1: It's very off. And that gives me anxiety. So now

1144
00:56:20,400 --> 00:56:22,000
Speaker 1: they have dinner. Oh, they and the and they get

1145
00:56:22,040 --> 00:56:23,839
Speaker 1: lit before I even get there, Like I'm walking into

1146
00:56:23,880 --> 00:56:29,279
Speaker 1: a thing, and I die. I just have to say

1147
00:56:29,280 --> 00:56:35,759
Speaker 1: this ahead as time I die over really I die.

1148
00:56:36,360 --> 00:56:38,279
Speaker 2: How long does she hold that for?

1149
00:56:38,640 --> 00:56:39,280
Speaker 4: And I don't.

1150
00:56:42,800 --> 00:56:47,160
Speaker 1: Like, Yeah, I die. It's so good. And Sonya makes

1151
00:56:48,400 --> 00:56:50,520
Speaker 1: a good point, she's great point.

1152
00:56:50,640 --> 00:56:54,680
Speaker 2: Exact, you're exactly right. It's you read between the loudness

1153
00:56:54,760 --> 00:56:57,640
Speaker 2: and the craziness and the whirling dervish that she is

1154
00:56:57,760 --> 00:57:01,279
Speaker 2: in that moment, and everything she's saying is so dead on.

1155
00:57:01,440 --> 00:57:03,480
Speaker 2: And Derinda says that, I mean, she says she she

1156
00:57:04,000 --> 00:57:05,759
Speaker 2: she stands by her she feels like, why do you

1157
00:57:05,840 --> 00:57:09,359
Speaker 2: have to so anyway that I agree with you? There?

1158
00:57:09,719 --> 00:57:12,719
Speaker 2: It's amazing that she can have.

1159
00:57:12,920 --> 00:57:16,400
Speaker 1: That, you know what I mean? It tracks, and it

1160
00:57:16,560 --> 00:57:19,720
Speaker 1: often does. The gibberish has an undertone that tracks. And

1161
00:57:20,120 --> 00:57:25,600
Speaker 1: Derinda doesn't care about this, this argument that much. But

1162
00:57:25,680 --> 00:57:31,840
Speaker 1: what Dorinda cares deeply about, deeply about is anyonhen anyone

1163
00:57:32,000 --> 00:57:34,720
Speaker 1: thinking they can say to her when she's not gonna

1164
00:57:34,720 --> 00:57:37,200
Speaker 1: talk about something when she's not, or like Dorinda doesn't

1165
00:57:37,360 --> 00:57:41,880
Speaker 1: like to feel caged in any way, she will lash out.

1166
00:57:42,080 --> 00:57:44,040
Speaker 1: It happened in Miami when that guy said something to

1167
00:57:44,080 --> 00:57:46,400
Speaker 1: her and she disagreed with him. Like once she gets

1168
00:57:46,400 --> 00:57:48,480
Speaker 1: put up against a wall in any way, she will

1169
00:57:48,920 --> 00:57:51,880
Speaker 1: unleash like a caged animal irrationally. And here she wasn't

1170
00:57:51,920 --> 00:57:54,080
Speaker 1: that irrational. She was like, you're not gonna fucking tell

1171
00:57:54,160 --> 00:57:55,800
Speaker 1: me what the fuck I'm gonna say, right, And she

1172
00:57:55,880 --> 00:57:58,240
Speaker 1: doesn't like that, like, don't don't tell me what I'm

1173
00:57:58,240 --> 00:58:00,680
Speaker 1: not gonna say, like she she'll get a twelve when

1174
00:58:00,720 --> 00:58:03,240
Speaker 1: she doesn't need to be, because that's her, that's her

1175
00:58:03,280 --> 00:58:07,280
Speaker 1: place of wounding, like ralling her, moving her, controlling as

1176
00:58:07,320 --> 00:58:07,840
Speaker 1: she does, and.

1177
00:58:07,960 --> 00:58:10,480
Speaker 2: Like that right, right, And she didn't. I mean, I

1178
00:58:10,600 --> 00:58:12,680
Speaker 2: know she was drinking, and I know when you clock in,

1179
00:58:12,880 --> 00:58:16,200
Speaker 2: you you recognize, like it, they're not focused as much

1180
00:58:16,320 --> 00:58:18,760
Speaker 2: on her in that moment, so you don't see her

1181
00:58:19,400 --> 00:58:24,000
Speaker 2: seemingly as drunk as you know. Yes, you know, she

1182
00:58:24,120 --> 00:58:29,120
Speaker 2: seemed more of sound mind as well in that scene. Yeah,

1183
00:58:29,240 --> 00:58:31,520
Speaker 2: you know, she was sort of just taking it all in.

1184
00:58:32,080 --> 00:58:35,400
Speaker 1: Yes, I go down to the wand's room. Yes, because

1185
00:58:35,400 --> 00:58:38,280
Speaker 1: I just walked into zero Duck thirty as zeroed in,

1186
00:58:38,400 --> 00:58:40,280
Speaker 1: I'm like, okay, oh I got it, and I really

1187
00:58:40,360 --> 00:58:43,960
Speaker 1: didn't get it, like I literally with the glasses you're

1188
00:58:44,440 --> 00:58:46,520
Speaker 1: at dark thirty. I was like, I see Ramona, I

1189
00:58:46,560 --> 00:58:50,680
Speaker 1: see Sonya's drunk, Ramona's wearing macromea or like a crochet.

1190
00:58:50,760 --> 00:58:52,720
Speaker 1: I got it. Like whatever it is, I saw it.

1191
00:58:52,840 --> 00:58:53,840
Speaker 2: This is familiar to me.

1192
00:58:53,960 --> 00:58:56,320
Speaker 1: This is a familiar, familiar to me. Ramona is being

1193
00:58:56,720 --> 00:58:59,600
Speaker 1: terrible to some staff member is completely familiar. Then she's

1194
00:58:59,640 --> 00:59:04,760
Speaker 1: bullying Barbara, horrendous, worse than the staff. That's disgusting.

1195
00:59:04,920 --> 00:59:07,800
Speaker 2: Oh my gosh, that is its own thing. Yes, it's a.

1196
00:59:07,800 --> 00:59:10,720
Speaker 1: Girl high school disgusting. There's nothing else to say. We

1197
00:59:10,760 --> 00:59:11,200
Speaker 1: both agree.

1198
00:59:11,240 --> 00:59:14,640
Speaker 2: I know you're judge judge mean elitist.

1199
00:59:15,000 --> 00:59:19,840
Speaker 1: Yeah, mean you vicious bitch. Mean, So that was terrible.

1200
00:59:20,280 --> 00:59:22,960
Speaker 1: And then yeah, I go to Land's room and I

1201
00:59:23,280 --> 00:59:24,959
Speaker 1: rarely say like, I'm here to talk, not to listen,

1202
00:59:25,040 --> 00:59:27,120
Speaker 1: Like I didn't really care what she had to say. Right,

1203
00:59:27,240 --> 00:59:29,800
Speaker 1: you're holy of the now, shut the fuck up, get

1204
00:59:29,840 --> 00:59:33,000
Speaker 1: off the cabaret stage. She's right, you're wrong, you have

1205
00:59:33,080 --> 00:59:35,320
Speaker 1: no argument. That's where I stand, right.

1206
00:59:35,600 --> 00:59:37,560
Speaker 2: And you say it very clearly. It's funny because I

1207
00:59:37,560 --> 00:59:39,160
Speaker 2: think it catches her off guard because I think she's

1208
00:59:39,200 --> 00:59:42,160
Speaker 2: here to thinks you're gonna say I'm here to talk, right,

1209
00:59:42,280 --> 00:59:45,120
Speaker 2: but right, and then but and then you just sort

1210
00:59:45,160 --> 00:59:46,960
Speaker 2: of say like I'm here to talk, now to listen,

1211
00:59:47,080 --> 00:59:50,320
Speaker 2: and then oh, oh okay, so she and then that

1212
00:59:50,560 --> 00:59:53,320
Speaker 2: puts her on the defensive as well. And you know,

1213
00:59:53,560 --> 00:59:56,520
Speaker 2: everything you said is right, Like I feel like this

1214
00:59:56,960 --> 01:00:00,760
Speaker 2: has been bubbling through the season of her the cabaret,

1215
01:00:00,960 --> 01:00:03,280
Speaker 2: the cabaret, you know. I mean, it's so many times

1216
01:00:03,320 --> 01:00:06,160
Speaker 2: throughout the season where it's like life is a cabaret.

1217
01:00:06,640 --> 01:00:09,000
Speaker 2: It's not. It comes up in the next episode, but

1218
01:00:09,200 --> 01:00:13,080
Speaker 2: it is. Really you see that this is the precursor.

1219
01:00:13,160 --> 01:00:15,400
Speaker 2: I mean, even though the episode ends on you know

1220
01:00:15,880 --> 01:00:17,760
Speaker 2: the sonya, you know.

1221
01:00:18,080 --> 01:00:23,200
Speaker 1: Falling your falls, which is I get anxiety, and particularly

1222
01:00:23,200 --> 01:00:24,880
Speaker 1: when if I've had something to drink, which I'm sure

1223
01:00:24,920 --> 01:00:28,440
Speaker 1: I had a little, Like I get anxiety anyway, just

1224
01:00:28,480 --> 01:00:30,479
Speaker 1: like with kids around certain things or you see glass

1225
01:00:30,600 --> 01:00:32,760
Speaker 1: or whatever, that glass table and sonya and just like

1226
01:00:32,840 --> 01:00:35,600
Speaker 1: being drunk and I hit my toe all the time

1227
01:00:35,600 --> 01:00:37,480
Speaker 1: and I get bruises all the time, and I'm just

1228
01:00:37,560 --> 01:00:39,960
Speaker 1: doing it. I knock my head like it just scares me.

1229
01:00:40,080 --> 01:00:42,880
Speaker 1: There's so much alcohol. She's clearly loopy on something and

1230
01:00:43,000 --> 01:00:45,080
Speaker 1: I'm just like just put. The only place I felt

1231
01:00:45,080 --> 01:00:47,280
Speaker 1: that she was safe was go in bed, like I

1232
01:00:47,400 --> 01:00:49,680
Speaker 1: just can't so I'm not going. I can't move until

1233
01:00:49,760 --> 01:00:51,040
Speaker 1: you're secure.

1234
01:00:51,680 --> 01:00:54,400
Speaker 2: Yeah, And that's it again. That is that is you.

1235
01:00:55,560 --> 01:00:57,840
Speaker 2: That is the you know three are you are the

1236
01:00:57,960 --> 01:01:00,640
Speaker 2: lens through which are the audiences why And it's like

1237
01:01:00,720 --> 01:01:03,280
Speaker 2: you're the one raining it in, Like I feel like

1238
01:01:03,440 --> 01:01:06,320
Speaker 2: you are in that when from the time you come

1239
01:01:06,400 --> 01:01:09,680
Speaker 2: in a bit of like the ring Master of like listen,

1240
01:01:09,880 --> 01:01:10,960
Speaker 2: this is what's got to happen.

1241
01:01:11,240 --> 01:01:15,760
Speaker 1: But you're I was like screaming like this was so

1242
01:01:16,600 --> 01:01:19,480
Speaker 1: good when it's great, it's so good, like it was

1243
01:01:20,000 --> 01:01:20,240
Speaker 1: when it.

1244
01:01:21,880 --> 01:01:22,280
Speaker 2: Was great.

1245
01:01:22,480 --> 01:01:25,160
Speaker 1: It was great. I'm so excited. My producers are like,

1246
01:01:25,240 --> 01:01:29,240
Speaker 1: oh my god, that was amazing. So thank you so much.

1247
01:01:29,960 --> 01:01:32,280
Speaker 1: And I can't wait to meet you. You were amazing,

1248
01:01:32,360 --> 01:01:34,480
Speaker 1: Like I don't know a lot about you, and now

1249
01:01:35,400 --> 01:01:37,080
Speaker 1: you just have a great I just love the way

1250
01:01:38,160 --> 01:01:39,240
Speaker 1: you crystallize things.

1251
01:01:39,600 --> 01:01:42,760
Speaker 2: Yeah, I mean please, Like I know I don't want

1252
01:01:42,760 --> 01:01:45,680
Speaker 2: to jump on the Elizabeth Moss train, but please, let's

1253
01:01:45,720 --> 01:01:46,200
Speaker 2: find each other.

1254
01:01:46,360 --> 01:01:47,880
Speaker 1: I would love to find each other. Please.

1255
01:01:48,360 --> 01:01:52,880
Speaker 2: This was the most fun be ever ever. Adore you.

1256
01:01:54,200 --> 01:01:58,160
Speaker 2: What's Ella? Tell her she's got to meet you. She's

1257
01:01:58,160 --> 01:01:58,640
Speaker 2: got to meet you.

1258
01:01:58,800 --> 01:02:01,440
Speaker 1: Oh yeah, well, well no, you know what, I'll have

1259
01:02:01,520 --> 01:02:02,880
Speaker 1: you do another episode together.

1260
01:02:03,880 --> 01:02:06,600
Speaker 2: Oh my god, stop it, let's do that. Ella will

1261
01:02:06,600 --> 01:02:07,680
Speaker 2: take it to the next level.

1262
01:02:07,760 --> 01:02:10,000
Speaker 1: Okay, well you let's do one with you and your daughter.

1263
01:02:10,280 --> 01:02:12,080
Speaker 2: Yes, she is, I think she is.

1264
01:02:12,200 --> 01:02:14,280
Speaker 1: You. I tell her to pick an episode that she

1265
01:02:14,320 --> 01:02:16,920
Speaker 1: thinks is iconic that we haven't done yet, Like, tell

1266
01:02:16,920 --> 01:02:18,520
Speaker 1: her to pick three in case we've done and she

1267
01:02:18,560 --> 01:02:20,840
Speaker 1: could tell you could tell the producers and and tell

1268
01:02:20,880 --> 01:02:22,960
Speaker 1: her one that she like lives form. We'll do that one.

1269
01:02:23,200 --> 01:02:25,880
Speaker 2: I'm so excited. She's gonna die. She's awesome. This is

1270
01:02:26,120 --> 01:02:28,280
Speaker 2: like Christmas, the greatest Christmas gift you gave me and

1271
01:02:28,360 --> 01:02:32,760
Speaker 2: this in May amazing. Wow, thank you, you're the best.

1272
01:02:33,160 --> 01:02:35,479
Speaker 2: All right, talk to you, Okay, bye bye?

1273
01:02:35,960 --> 01:02:39,880
Speaker 1: Oh my god. Like that was ridiculous. That was amazing.

1274
01:02:40,880 --> 01:02:44,400
Speaker 1: That was amazing. I was like, I, she's amazing at

1275
01:02:44,440 --> 01:02:46,400
Speaker 1: a great foil as I said, like great, she's not

1276
01:02:46,480 --> 01:02:49,000
Speaker 1: gonna say what fully, but she says it anyway. She's

1277
01:02:49,080 --> 01:02:53,840
Speaker 1: like and like I was, I was in my element today.

1278
01:02:53,840 --> 01:02:56,960
Speaker 1: I was in full tilt like that was me and

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Speaker 1: my element. Like we you know, New York ones are

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Speaker 1: like a little nugget a jam