1 00:00:00,720 --> 00:00:04,040 Speaker 1: I am all in again. 2 00:00:06,559 --> 00:00:20,120 Speaker 2: Oh, let's guess you Gilmore Girls Gazette with Amy Sugarman 3 00:00:20,239 --> 00:00:23,720 Speaker 2: and Danielle Romo. Then iHeartRadio Podcast. 4 00:00:24,040 --> 00:00:26,920 Speaker 1: We take you back to the spring of twenty eleven. 5 00:00:27,920 --> 00:00:30,360 Speaker 1: The flowers are blooming, the birds are singing, and we're 6 00:00:30,360 --> 00:00:33,839 Speaker 1: all watching Taking the Leap Season two, episode nineteen of 7 00:00:33,960 --> 00:00:36,839 Speaker 1: Parenthood and teaser. I have a surprise for you at 8 00:00:36,840 --> 00:00:37,680 Speaker 1: the end of this episode. 9 00:00:38,159 --> 00:00:41,120 Speaker 2: Not till the end, not till the end. Wow. 10 00:00:41,159 --> 00:00:42,920 Speaker 1: Do I think it'll be a fun way to end the episode? 11 00:00:43,920 --> 00:00:47,200 Speaker 2: Great, I'm excited for that. Let's begin the episode before 12 00:00:47,200 --> 00:00:50,319 Speaker 2: the synopsis by once again saying Joel, Joel and. 13 00:00:50,280 --> 00:00:52,960 Speaker 1: Joel Joel, Joel, big time Joel. 14 00:00:54,200 --> 00:00:58,320 Speaker 2: He is the most not I don't want to say 15 00:00:58,520 --> 00:01:01,000 Speaker 2: like underrated, he's just forgotten. 16 00:01:01,520 --> 00:01:02,360 Speaker 1: Yeah, that's true. 17 00:01:02,640 --> 00:01:03,480 Speaker 2: He's so awesome. 18 00:01:04,040 --> 00:01:05,600 Speaker 1: You know that's funny you say that, because when I 19 00:01:05,600 --> 00:01:08,440 Speaker 1: started watching these shows again, I was like, oh, yeah, 20 00:01:08,440 --> 00:01:10,479 Speaker 1: that guy, like I had kind of forgotten about Joel. 21 00:01:10,520 --> 00:01:13,520 Speaker 2: Oh, he's so not that guy because he is handmaids Tale, 22 00:01:13,560 --> 00:01:16,319 Speaker 2: Like I love that guy. Yeah, that guy is not 23 00:01:16,440 --> 00:01:18,959 Speaker 2: that guy, but he kind of was that guy, and 24 00:01:18,959 --> 00:01:22,039 Speaker 2: he was sort of the least famous, maybe and he 25 00:01:22,200 --> 00:01:27,119 Speaker 2: is the best, best best. I love them, I love 26 00:01:27,160 --> 00:01:28,600 Speaker 2: them as a couple. I love the whole thing. 27 00:01:28,800 --> 00:01:30,640 Speaker 1: Well, that's where we can start in just a moment here, 28 00:01:30,680 --> 00:01:33,200 Speaker 1: But first the synopsis. Adam and Christina have an unexpected 29 00:01:33,240 --> 00:01:35,880 Speaker 1: meeting with the principle of Maxist School, and Jasmine and 30 00:01:35,880 --> 00:01:40,640 Speaker 1: Crosby's new situation makes them feel nostalgic about their past together. Meanwhile, 31 00:01:40,920 --> 00:01:43,560 Speaker 1: Julia and Joel face them upsetting news, whereas one of 32 00:01:43,640 --> 00:01:46,319 Speaker 1: Zeke's friends is interested in Sarah's play. 33 00:01:46,120 --> 00:01:49,520 Speaker 2: Oh my God. One of Zeke's friends Richard Dreyfus. 34 00:01:49,000 --> 00:01:51,280 Speaker 1: Richard Dreyfus, who will talk about as well later on. 35 00:01:51,400 --> 00:01:54,360 Speaker 1: By the way, Yeah, he's still not that old, like 36 00:01:54,400 --> 00:01:55,800 Speaker 1: that guy was old before his time. 37 00:01:56,640 --> 00:01:58,320 Speaker 2: Richard. This is the thing that I can say about 38 00:01:58,360 --> 00:02:01,280 Speaker 2: Jack Nicholson, Richard Dreyfus, of these, Wilfrid Brimley, A few 39 00:02:01,280 --> 00:02:04,040 Speaker 2: of these people, they were old when they were young, 40 00:02:04,280 --> 00:02:06,600 Speaker 2: so when they got old, they were never old. 41 00:02:06,840 --> 00:02:09,080 Speaker 1: That's true. Richard Dreyfus. I was watching it. I had 42 00:02:09,120 --> 00:02:11,880 Speaker 1: to look him up. He's seventy eight now. He looks 43 00:02:11,880 --> 00:02:12,920 Speaker 1: seventy eight on this show. 44 00:02:13,280 --> 00:02:16,480 Speaker 2: Wilfrid Brimley, when he was in our house and Cocoon 45 00:02:16,840 --> 00:02:19,240 Speaker 2: was like forty years old and he lived to be 46 00:02:19,360 --> 00:02:24,760 Speaker 2: like eighty or something, eight ninety something. Yeah, never changed 47 00:02:24,960 --> 00:02:29,600 Speaker 2: right after Jack Nicholson. He looked old when he was 48 00:02:29,639 --> 00:02:32,360 Speaker 2: in everything. Something's got to give. 49 00:02:32,720 --> 00:02:36,280 Speaker 1: I won with us wrestful to go gray in your twenties, 50 00:02:36,760 --> 00:02:38,040 Speaker 1: but you're never going to age. 51 00:02:38,080 --> 00:02:41,000 Speaker 3: Then that's the other way. Like Steve Martin looks basically 52 00:02:41,040 --> 00:02:44,400 Speaker 3: the same. I'm like a Steve starts. Steve Martin is 53 00:02:44,680 --> 00:02:47,240 Speaker 3: Benjamin Button. He's reverse aging, like he looks younger. Now, 54 00:02:47,280 --> 00:02:49,400 Speaker 3: I'm like, what is going on? No, I know, it's so, 55 00:02:49,639 --> 00:02:50,600 Speaker 3: it's so true. 56 00:02:50,639 --> 00:02:54,720 Speaker 2: I think balding and going gray young. Yeah, maybe not 57 00:02:54,840 --> 00:02:57,320 Speaker 2: your favorite thing when you're forty, but great when you're eighty. 58 00:02:57,520 --> 00:02:59,240 Speaker 1: Yeah. I had a friend go bald in high school 59 00:02:59,240 --> 00:03:01,720 Speaker 1: and that was not good. But he's going to be 60 00:03:01,760 --> 00:03:04,079 Speaker 1: happy sixty. He's gonna look forty. He's gonna look for 61 00:03:04,120 --> 00:03:06,640 Speaker 1: something going on that's young. You're very young. Yeah, but 62 00:03:06,680 --> 00:03:09,360 Speaker 1: he got a piece. No, that's yeah. 63 00:03:09,760 --> 00:03:10,640 Speaker 2: No, I didn't know. 64 00:03:10,680 --> 00:03:12,880 Speaker 1: For years when I knew him, I guess I wasn't looking, 65 00:03:13,040 --> 00:03:16,360 Speaker 1: but you know, he's a high end piece. Expensive Anyway, 66 00:03:16,440 --> 00:03:18,000 Speaker 1: we digress. 67 00:03:18,040 --> 00:03:20,560 Speaker 2: Topic number Immediately, all I think of is Bradley Cooper. 68 00:03:21,280 --> 00:03:24,839 Speaker 1: Bless him, bless him. Hotline number one. Julie and Joel 69 00:03:24,919 --> 00:03:31,080 Speaker 1: struggling to get pregnant. Joel defensive about his fish and 70 00:03:31,120 --> 00:03:32,119 Speaker 1: how well they saw. 71 00:03:31,960 --> 00:03:40,200 Speaker 2: Him when she when he's in the room and he 72 00:03:40,320 --> 00:03:42,560 Speaker 2: calls her and she's like, I'll help you, and then 73 00:03:42,600 --> 00:03:49,680 Speaker 2: she up, you can't do it. I love them or 74 00:03:49,720 --> 00:03:54,960 Speaker 2: Amber didn't get into cal didn't get into her safety down. Sorry, sorry, 75 00:03:55,040 --> 00:03:57,000 Speaker 2: sorry already. 76 00:03:56,760 --> 00:03:58,720 Speaker 1: We're still Joel and his fish and they have a 77 00:03:58,800 --> 00:04:01,200 Speaker 1: nice running gag of Sydney continuing to think they're getting 78 00:04:01,200 --> 00:04:01,720 Speaker 1: a fish. 79 00:04:03,080 --> 00:04:08,040 Speaker 2: And the end because the issue is Julia in uterine 80 00:04:08,080 --> 00:04:13,400 Speaker 2: scarring and they just the way he reacted, the way 81 00:04:13,440 --> 00:04:16,320 Speaker 2: she was, they are a great couple. Like just you 82 00:04:16,360 --> 00:04:18,719 Speaker 2: cannot tell me they're not a great, great couple. 83 00:04:18,880 --> 00:04:22,160 Speaker 1: And I got weepy when she apologized to him. That 84 00:04:22,240 --> 00:04:23,640 Speaker 1: was so heartbreak same. 85 00:04:23,839 --> 00:04:25,640 Speaker 2: I was totally crying this episode. 86 00:04:26,000 --> 00:04:28,599 Speaker 1: Yeah, that love very good. 87 00:04:29,320 --> 00:04:30,880 Speaker 2: All right, what do you want to do next? I mean, 88 00:04:30,960 --> 00:04:34,440 Speaker 2: Richard Dreyfus is sussy a little bit. He is srussy. 89 00:04:34,560 --> 00:04:36,800 Speaker 1: Adam Christina going to the principal's office. 90 00:04:37,480 --> 00:04:39,719 Speaker 2: Max felt like the principle looked familiar to me. 91 00:04:39,760 --> 00:04:41,479 Speaker 1: We let's back up a little bit. Max has to 92 00:04:41,480 --> 00:04:43,200 Speaker 1: pee on the walk, and so they run to the 93 00:04:43,279 --> 00:04:46,479 Speaker 1: Lessing's house and there's gathering that feels a little contrived 94 00:04:46,600 --> 00:04:46,839 Speaker 1: to me. 95 00:04:48,000 --> 00:04:50,040 Speaker 2: So they need to get Minca. They need to get 96 00:04:50,080 --> 00:04:51,320 Speaker 2: Minca back in America. 97 00:04:51,760 --> 00:04:53,680 Speaker 1: Just picture the writers and like, how are they going 98 00:04:53,720 --> 00:04:55,200 Speaker 1: to get them to burst in? 99 00:04:56,680 --> 00:04:59,560 Speaker 2: It's like, you don't have a handyman that you don't 100 00:04:59,640 --> 00:05:01,080 Speaker 2: want to that you kind of gatekeep. 101 00:05:02,600 --> 00:05:04,600 Speaker 1: We are. We are happy to share our handyman. 102 00:05:04,640 --> 00:05:07,720 Speaker 2: We think he's great, and I love my handyman. That's 103 00:05:07,720 --> 00:05:10,360 Speaker 2: why I just made me realize. I needed to text 104 00:05:10,440 --> 00:05:15,559 Speaker 2: my I'm giving my handyman to one friend. But I said, 105 00:05:15,839 --> 00:05:17,440 Speaker 2: don't give them to your friends. 106 00:05:17,760 --> 00:05:20,120 Speaker 1: Fair. But I just mean the whole Like, okay, so 107 00:05:20,279 --> 00:05:23,799 Speaker 1: let's have them go for a walk just Max and Christina, 108 00:05:23,880 --> 00:05:26,400 Speaker 1: which they never do. And then suddenly s to p 109 00:05:26,920 --> 00:05:28,800 Speaker 1: and they happened to me to the Lessing's house and 110 00:05:28,800 --> 00:05:30,440 Speaker 1: they run up and bang on the door. It just 111 00:05:30,480 --> 00:05:33,680 Speaker 1: seemed contrived, didn't seem like away for them to find 112 00:05:33,680 --> 00:05:36,320 Speaker 1: out that Gabby was working there. I get that their gatekeeping. 113 00:05:36,760 --> 00:05:37,560 Speaker 2: Would they figure it out? 114 00:05:37,760 --> 00:05:39,320 Speaker 1: I know, but I felt like the writers had to 115 00:05:39,360 --> 00:05:42,640 Speaker 1: reach a little bit to figure it out. 116 00:05:43,920 --> 00:05:45,920 Speaker 2: I'm mean to you, don't go, I get what you're saying, 117 00:05:46,520 --> 00:05:48,159 Speaker 2: but like I could see them on a walk. We 118 00:05:48,240 --> 00:05:52,120 Speaker 2: know their neighbors now if they're Because Christina referred to 119 00:05:52,120 --> 00:05:55,599 Speaker 2: her as her best friend, which I was like, are 120 00:05:55,640 --> 00:05:59,080 Speaker 2: they number one? Number two? It kind of mean it. 121 00:05:59,320 --> 00:06:02,880 Speaker 2: Look you what she should have done girl from Felicity. 122 00:06:03,279 --> 00:06:06,760 Speaker 2: She should have said, yeah, hey, Christina, I gotta tell 123 00:06:06,760 --> 00:06:11,599 Speaker 2: you this. I'm so sorry, but I know Gabby quit 124 00:06:11,839 --> 00:06:16,440 Speaker 2: and I need her. I'm so sorry. I'm always for 125 00:06:16,560 --> 00:06:17,200 Speaker 2: truth telling. 126 00:06:17,600 --> 00:06:18,320 Speaker 1: I agree. 127 00:06:18,880 --> 00:06:21,120 Speaker 2: I did like Gabby coming over, though I. 128 00:06:21,200 --> 00:06:23,200 Speaker 1: Like Christina's lying. I hope my brother in law was 129 00:06:23,240 --> 00:06:25,400 Speaker 1: worth it because he's not the only way you screwed here. 130 00:06:25,440 --> 00:06:29,839 Speaker 2: That was rough, Yeah, harsh, mic drop, But I like 131 00:06:29,880 --> 00:06:34,000 Speaker 2: that Gabby came over. Yes, I really like Mina Kelly 132 00:06:34,000 --> 00:06:36,880 Speaker 2: plays because that is that feels Minka Kelly. She's very 133 00:06:36,920 --> 00:06:41,560 Speaker 2: soft spoken Minka Kelly. She's very gentle like that. So 134 00:06:41,720 --> 00:06:44,400 Speaker 2: this was kind of made for her, and I thought, 135 00:06:44,680 --> 00:06:47,120 Speaker 2: you know, I thought Gabby would come over and would 136 00:06:47,240 --> 00:06:49,320 Speaker 2: kind of do that hey. 137 00:06:50,440 --> 00:06:52,120 Speaker 1: Grade at school. As it turns out, I felt like 138 00:06:52,120 --> 00:06:53,800 Speaker 1: it was kind of cruel the way they set it 139 00:06:53,920 --> 00:06:57,479 Speaker 1: up for Christina and Adam. We need to talk to 140 00:06:57,520 --> 00:06:58,960 Speaker 1: you about Matty. 141 00:06:59,000 --> 00:06:59,720 Speaker 2: He's doing great. 142 00:07:00,080 --> 00:07:04,640 Speaker 3: Look, do you think they should mainstream him? 143 00:07:05,040 --> 00:07:09,680 Speaker 1: Yes, after hearing Gabby's opinion, yes, okay, great good. She's 144 00:07:09,720 --> 00:07:12,560 Speaker 1: not a neutral observer, but she's neutral aler than Adam 145 00:07:12,560 --> 00:07:13,560 Speaker 1: and Christina. 146 00:07:13,120 --> 00:07:15,280 Speaker 2: Are sure about it. I'm not gonna lie nervous. 147 00:07:15,360 --> 00:07:18,520 Speaker 1: I think there's but there's there's risks in both directions. 148 00:07:19,600 --> 00:07:21,960 Speaker 2: Yeah, I think he's going to thrive at school. But 149 00:07:22,000 --> 00:07:24,320 Speaker 2: the social is I think here's what it comes down to. 150 00:07:25,240 --> 00:07:29,320 Speaker 2: And people can judge me social or academics. I kind 151 00:07:29,360 --> 00:07:32,560 Speaker 2: of go with the social, Like the social is so important. 152 00:07:33,000 --> 00:07:35,360 Speaker 2: And so it's like, I don't know, I feel like 153 00:07:36,080 --> 00:07:38,000 Speaker 2: you say, I think I agree with you. Yeah, So 154 00:07:38,040 --> 00:07:40,200 Speaker 2: I'm like, keep him at the school where he's totally happy, 155 00:07:40,240 --> 00:07:42,960 Speaker 2: and then have him take extra classes like with a 156 00:07:42,960 --> 00:07:43,680 Speaker 2: tutor or something. 157 00:07:43,920 --> 00:07:44,160 Speaker 1: Fine. 158 00:07:44,320 --> 00:07:47,800 Speaker 2: Yeah, right, I'm not sure we're setting them up for success. 159 00:07:47,920 --> 00:07:48,640 Speaker 2: But I don't know. 160 00:07:48,920 --> 00:07:51,120 Speaker 1: But they were sweet and they hugged, and but I 161 00:07:51,160 --> 00:07:53,160 Speaker 1: love the tension between Adam and Christina. It's really good 162 00:07:53,200 --> 00:07:55,000 Speaker 1: because does Adam want this just because he wants a 163 00:07:55,000 --> 00:07:58,239 Speaker 1: normal son. Is that why he wants the Matrice? Yes? 164 00:07:58,520 --> 00:08:01,000 Speaker 2: Yeah, really about Adam always all the time? 165 00:08:01,080 --> 00:08:01,800 Speaker 1: Yeah, exactly. 166 00:08:01,840 --> 00:08:03,440 Speaker 2: And we had a hate with the amazement part. 167 00:08:03,440 --> 00:08:04,800 Speaker 1: They got Hattie out of moth Ball. 168 00:08:04,880 --> 00:08:05,880 Speaker 2: Like a wave from her. 169 00:08:05,960 --> 00:08:08,160 Speaker 1: It's like, so just out of the couch for a 170 00:08:08,280 --> 00:08:10,120 Speaker 1: scene and collected a patient. 171 00:08:10,200 --> 00:08:13,640 Speaker 2: Wait, I know, I wonder if she I mean, I'm 172 00:08:13,640 --> 00:08:18,000 Speaker 2: bringing this stup now, I'm not spoiler alerting whatever. So 173 00:08:18,640 --> 00:08:21,440 Speaker 2: Sarah Ramos Hattie leaves the show to go to college. 174 00:08:21,720 --> 00:08:23,360 Speaker 2: I can't remember if it's next season, but I think 175 00:08:23,400 --> 00:08:27,040 Speaker 2: it might be. Might be the season after, No, it's 176 00:08:27,080 --> 00:08:29,240 Speaker 2: a season after. And I wonder if she just was 177 00:08:29,400 --> 00:08:31,520 Speaker 2: very into school and couldn't work as much, and they 178 00:08:31,600 --> 00:08:34,880 Speaker 2: like kind of accommodated her. Yeah, perhaps because otherwise why 179 00:08:34,920 --> 00:08:36,120 Speaker 2: she just waving And where's Michael B. 180 00:08:36,240 --> 00:08:38,679 Speaker 1: Jordan? She's barely there. But also there's an element of 181 00:08:39,320 --> 00:08:41,319 Speaker 1: they're doing it on grays now. And I think this 182 00:08:41,480 --> 00:08:44,000 Speaker 1: was part of Parenthood, maybe more later in Parenthood when 183 00:08:44,040 --> 00:08:46,240 Speaker 1: you have such a big cast too many, Yeah, they 184 00:08:46,360 --> 00:08:48,160 Speaker 1: just take a couple out for you know, instead of 185 00:08:48,160 --> 00:08:50,800 Speaker 1: twenty two episodes, each character gets fifteen episodes. You have 186 00:08:50,880 --> 00:08:53,800 Speaker 1: to pay the actors less. Grays is doing it very sloppily. 187 00:08:53,920 --> 00:08:55,480 Speaker 1: I think parent who did it really smoothly. 188 00:08:56,400 --> 00:08:58,480 Speaker 2: I agree with you. So on Grays you're sort of like, 189 00:08:58,640 --> 00:09:02,200 Speaker 2: it's so noticeable the person is missing suddenly. Owen Hunt's 190 00:09:02,240 --> 00:09:03,920 Speaker 2: not in an episode. That's odd, is right. 191 00:09:04,679 --> 00:09:06,880 Speaker 1: They'll even say something like, well, he's on assignment right now. 192 00:09:07,280 --> 00:09:07,400 Speaker 1: I know. 193 00:09:07,440 --> 00:09:10,880 Speaker 2: I love when they like give a random reason. They 194 00:09:10,920 --> 00:09:12,480 Speaker 2: did that on nine on two one oh this week 195 00:09:12,520 --> 00:09:14,960 Speaker 2: and they're like, Yelly's not on a hike because blah 196 00:09:15,000 --> 00:09:17,600 Speaker 2: blah blah. And you're just like, it's too much, too much. 197 00:09:17,960 --> 00:09:19,880 Speaker 2: We didn't we didn't even notice she wasn't there. It's okay, 198 00:09:29,679 --> 00:09:30,360 Speaker 2: what next? 199 00:09:30,559 --> 00:09:33,040 Speaker 1: Jaz Amber is trying to find the right clothes for 200 00:09:33,160 --> 00:09:33,600 Speaker 1: a load. 201 00:09:33,840 --> 00:09:36,520 Speaker 2: First of all, how about guy from the Guy from 202 00:09:37,000 --> 00:09:39,360 Speaker 2: a lot of shows? But I think he's from Greek. 203 00:09:39,800 --> 00:09:42,079 Speaker 2: I don't know, it's not Michael Foster. Don't did you 204 00:09:42,160 --> 00:09:42,839 Speaker 2: ever watch Greek? 205 00:09:43,240 --> 00:09:46,120 Speaker 1: No, you never watched Greek, Never watched Greek. 206 00:09:46,160 --> 00:09:47,439 Speaker 2: He was in a bunch of other stuff too. I 207 00:09:47,440 --> 00:09:49,920 Speaker 2: think he was in the So there was a show 208 00:09:50,120 --> 00:09:54,079 Speaker 2: called a movie called Limitless, Yeah, and it was a 209 00:09:54,240 --> 00:09:57,599 Speaker 2: Bradley Cooper Weirdly that We mentioned him early, and I 210 00:09:57,640 --> 00:09:59,240 Speaker 2: think it became a TV show and I feel like 211 00:09:59,360 --> 00:10:02,560 Speaker 2: he was the stuff it. Scott Michael Oh, nope, I'm 212 00:10:02,559 --> 00:10:05,280 Speaker 2: messed up. It was the other guy from Greek. Ah, 213 00:10:06,720 --> 00:10:12,760 Speaker 2: So Scott Michael Foster was in Parenthood crazy ex girlfriend. 214 00:10:13,040 --> 00:10:14,959 Speaker 2: Let me make sure he was in Greek before I 215 00:10:15,080 --> 00:10:15,679 Speaker 2: messed this up. 216 00:10:15,760 --> 00:10:15,960 Speaker 1: Yeah. 217 00:10:16,080 --> 00:10:16,280 Speaker 3: Maybe. 218 00:10:16,520 --> 00:10:18,240 Speaker 1: By the way, I looked up Amanda Foreman as well. 219 00:10:18,320 --> 00:10:19,760 Speaker 1: She has not worked since twenty sixteen. 220 00:10:19,760 --> 00:10:22,640 Speaker 2: I imagine she retired or something. Yeah, looks like it. 221 00:10:22,840 --> 00:10:23,120 Speaker 4: Greek. 222 00:10:23,400 --> 00:10:25,440 Speaker 2: Scott Michael Foster was in Greek, So I did get 223 00:10:25,480 --> 00:10:27,360 Speaker 2: that part right. But the other guy in Greek, I 224 00:10:27,400 --> 00:10:30,920 Speaker 2: guess was the Limitless guy. He's the late of blirties. 225 00:10:31,320 --> 00:10:33,520 Speaker 1: So Amber shows up at the law firm, which I 226 00:10:33,600 --> 00:10:37,000 Speaker 1: really liked. I liked her whole thing with Julia, But like, 227 00:10:37,120 --> 00:10:39,600 Speaker 1: you are a successful woman, why does everyone talk about 228 00:10:39,679 --> 00:10:40,280 Speaker 1: uncle Adam? 229 00:10:40,640 --> 00:10:42,959 Speaker 2: Totally? That was so that was a great call out 230 00:10:42,960 --> 00:10:44,320 Speaker 2: because it's so accurate. 231 00:10:44,559 --> 00:10:47,079 Speaker 1: Yes, that was really good. And then Gary and Amber 232 00:10:47,160 --> 00:10:50,480 Speaker 1: do some weird flirting and then she finds out she 233 00:10:50,559 --> 00:10:53,040 Speaker 1: didn't get her safety school and she only applied to two, 234 00:10:53,040 --> 00:10:55,959 Speaker 1: which she's interesting to me. A daughter her in college 235 00:10:56,480 --> 00:10:59,360 Speaker 1: we applied to like eight to ten schools, and mid 236 00:10:59,640 --> 00:11:02,120 Speaker 1: nineteen or something, we were told that is way low. 237 00:11:02,240 --> 00:11:04,520 Speaker 1: We made a huge mistake. You applied to so many 238 00:11:04,600 --> 00:11:06,080 Speaker 1: more than that. So the fact that she only applied 239 00:11:06,160 --> 00:11:06,880 Speaker 1: the times they changed. 240 00:11:06,880 --> 00:11:10,040 Speaker 2: I only applied to four, applied one. 241 00:11:09,960 --> 00:11:10,959 Speaker 1: And I got in and that was it. 242 00:11:11,400 --> 00:11:12,559 Speaker 2: You applied to one college. 243 00:11:12,640 --> 00:11:14,480 Speaker 1: I went to the University of Wisconsin. I never had 244 00:11:14,520 --> 00:11:15,679 Speaker 1: any thoughts of going anywhere else. 245 00:11:15,920 --> 00:11:17,720 Speaker 2: Oh my god, I went to Berkeley, but I applied. 246 00:11:17,760 --> 00:11:20,600 Speaker 2: I only did one application, checked four boxes, cal UCLA, 247 00:11:21,200 --> 00:11:25,520 Speaker 2: Santa Barbara Davis boom boom boom boom boom did he boom, But. 248 00:11:25,559 --> 00:11:26,480 Speaker 1: It's one application. 249 00:11:27,320 --> 00:11:30,760 Speaker 2: Yeah, they don't even read the side back. They do now. 250 00:11:30,800 --> 00:11:32,200 Speaker 2: I think that back back then, I could have literally 251 00:11:32,240 --> 00:11:35,400 Speaker 2: been like, I'm writing this essay, dotty dotty do. I 252 00:11:35,440 --> 00:11:37,000 Speaker 2: don't know why she only applied to two. And a 253 00:11:37,080 --> 00:11:39,400 Speaker 2: safety is only a safety if you know you're getting in. 254 00:11:39,720 --> 00:11:41,400 Speaker 2: So it wasn't a safety, it was a reach. 255 00:11:41,600 --> 00:11:43,960 Speaker 1: And then Carl Berrol calls she didn't get into Berkeley either, 256 00:11:44,040 --> 00:11:48,199 Speaker 1: and she's devastated, goes to find him and gets stone. 257 00:11:47,880 --> 00:11:50,400 Speaker 2: And she just goes gets high in the boss's car 258 00:11:50,840 --> 00:11:52,719 Speaker 2: I mean, it was so kind of dumb. That was 259 00:11:52,800 --> 00:11:53,320 Speaker 2: kind of dumb. 260 00:11:54,240 --> 00:11:56,000 Speaker 1: It was. But then Julia SOFTLM. She was like, I 261 00:11:56,040 --> 00:12:01,880 Speaker 1: didn't get into college like anywhere, no sun, but she'll 262 00:12:01,920 --> 00:12:05,320 Speaker 1: be fine. I dropped out. Did you graduate college? 263 00:12:06,280 --> 00:12:07,760 Speaker 2: Obviously you dropped out. 264 00:12:07,920 --> 00:12:09,200 Speaker 1: I dropped out after two and a half. 265 00:12:10,080 --> 00:12:12,640 Speaker 2: No, I still have the dream that I go to 266 00:12:12,920 --> 00:12:14,640 Speaker 2: class and I don't know anything, and so I had 267 00:12:14,679 --> 00:12:16,280 Speaker 2: to get my diploma and I hung it on the wall. 268 00:12:16,280 --> 00:12:17,679 Speaker 2: I tried everything to get rid of that dream. But 269 00:12:17,800 --> 00:12:21,400 Speaker 2: that dream's not going away. That dream is going to 270 00:12:21,520 --> 00:12:25,240 Speaker 2: stay herever. I still have that. I can't remember Locker 271 00:12:25,280 --> 00:12:28,280 Speaker 2: College graduated. What I mean, I'm not mad at you 272 00:12:28,360 --> 00:12:30,560 Speaker 2: not graduating, but like I graduated. 273 00:12:30,360 --> 00:12:32,480 Speaker 1: I did not, So you know, I tell my kids, 274 00:12:32,720 --> 00:12:34,240 Speaker 1: figure out your passion and do whatever. 275 00:12:34,120 --> 00:12:36,679 Speaker 2: You Yeah, many successful people don't graduate, but I think 276 00:12:36,720 --> 00:12:38,319 Speaker 2: you would like your kids to graduate. 277 00:12:38,640 --> 00:12:39,720 Speaker 1: I would. Yes, that's true. 278 00:12:39,760 --> 00:12:40,559 Speaker 2: That's nice to have that. 279 00:12:42,000 --> 00:12:42,720 Speaker 1: Zeke is reading. 280 00:12:42,800 --> 00:12:44,840 Speaker 2: So when we talk about Amber for one more second, 281 00:12:45,080 --> 00:12:47,640 Speaker 2: kind of annoying, I'm a little I'm a little annoyed 282 00:12:47,679 --> 00:12:50,800 Speaker 2: by him by which part getting in the car and 283 00:12:51,080 --> 00:12:53,680 Speaker 2: getting high and the whole Sure, Yeah, like, well, Amber 284 00:12:54,000 --> 00:12:57,679 Speaker 2: it's trophy. We my favorite word, trope, and we've done this. 285 00:12:58,240 --> 00:13:00,520 Speaker 2: It's a trophy for her. We've done this, We've done 286 00:13:00,600 --> 00:13:06,520 Speaker 2: this whole thing. So there's that now, Crosby and. 287 00:13:08,559 --> 00:13:11,320 Speaker 1: Reading Sarah's play on the Toilet, which was funny, hilarious, 288 00:13:12,080 --> 00:13:15,520 Speaker 1: love it, And then he bring Richard Drysill gilliam t 289 00:13:15,920 --> 00:13:17,040 Speaker 1: blown his name. 290 00:13:17,480 --> 00:13:19,120 Speaker 2: I just love the whole thing and like, what a 291 00:13:19,240 --> 00:13:22,720 Speaker 2: get Richard Dreyfus like they get Jaws? What's your favorite, 292 00:13:22,760 --> 00:13:24,320 Speaker 2: mister Holland opus, what was your favorite Richard? 293 00:13:24,760 --> 00:13:26,080 Speaker 1: My favorite Richard d movie? 294 00:13:26,160 --> 00:13:27,120 Speaker 2: It is my surprise. 295 00:13:27,840 --> 00:13:29,040 Speaker 1: Nope, what is it? 296 00:13:29,280 --> 00:13:29,360 Speaker 2: Uh? 297 00:13:29,920 --> 00:13:34,800 Speaker 1: What's it called? Nope? He plays a guy who flies planes? 298 00:13:34,920 --> 00:13:38,720 Speaker 1: And what about about firefighter? Fire season? 299 00:13:38,800 --> 00:13:41,319 Speaker 2: Was what's out? Forest? Fires on a plane? 300 00:13:41,520 --> 00:13:45,760 Speaker 1: Yes? And Holly Hunter is in it and she's excellent 301 00:13:45,880 --> 00:13:49,800 Speaker 1: in it, and it's he dies and then she talked 302 00:13:50,160 --> 00:13:52,440 Speaker 1: and he's kind of there still even though he dies. 303 00:13:52,800 --> 00:13:53,920 Speaker 1: John Goodman is in it. 304 00:13:54,360 --> 00:13:59,439 Speaker 2: What, Oh my god, I know this movie. Now, there's 305 00:13:59,440 --> 00:14:01,920 Speaker 2: sort of a switch in this movie or something right 306 00:14:02,160 --> 00:14:02,920 Speaker 2: or something always. 307 00:14:02,960 --> 00:14:04,000 Speaker 1: It's called Always. 308 00:14:04,120 --> 00:14:06,679 Speaker 2: I've seen this, I've seen love that movie. There is 309 00:14:06,800 --> 00:14:08,480 Speaker 2: some sort of a body switch. It's kind of one 310 00:14:08,520 --> 00:14:11,320 Speaker 2: of those type of movies. There is something, there's something 311 00:14:11,360 --> 00:14:14,200 Speaker 2: supernaturally about it or something right a. 312 00:14:14,400 --> 00:14:16,599 Speaker 1: Young guy does he take over the young guy's. 313 00:14:16,360 --> 00:14:18,000 Speaker 2: Body, like there's a body switch. 314 00:14:18,120 --> 00:14:20,240 Speaker 1: Yeah, there might be a body switch. I don't know. 315 00:14:20,440 --> 00:14:22,400 Speaker 2: He's in Close Encounters of the Third Kind. 316 00:14:23,720 --> 00:14:24,280 Speaker 1: He's in a lot. 317 00:14:25,560 --> 00:14:29,640 Speaker 2: I kind of figured out Jaws. Jaws came before Close 318 00:14:29,720 --> 00:14:32,880 Speaker 2: Encounters of the Third Kind. The Goodbye Girl, that one 319 00:14:32,960 --> 00:14:35,760 Speaker 2: makes me sad. I can't watch that. Wow Down and 320 00:14:35,800 --> 00:14:38,200 Speaker 2: out in Beverly Hills stand by me. Oh yeah, he's 321 00:14:38,640 --> 00:14:40,440 Speaker 2: he's the I think he's at the end, the writer 322 00:14:40,560 --> 00:14:43,480 Speaker 2: at the end. He's the older version of Will Wheaton 323 00:14:43,600 --> 00:14:46,400 Speaker 2: or something might be messing that up. I thought Rob 324 00:14:46,440 --> 00:14:49,400 Speaker 2: Reiner was the older version the American President. 325 00:14:49,520 --> 00:14:50,800 Speaker 1: Oh my god, that's one. 326 00:14:51,480 --> 00:14:53,560 Speaker 2: He's sort of the bad he's the bad guy in it. 327 00:14:54,160 --> 00:14:57,840 Speaker 2: It's like the foil whoa wow wow Wow. 328 00:14:58,400 --> 00:15:01,840 Speaker 1: So I had an observation, well one observation, which. 329 00:15:01,760 --> 00:15:05,040 Speaker 2: Is odd enjoying Jasmine and Crosby are no listen. 330 00:15:05,400 --> 00:15:06,920 Speaker 1: This is an odd thing to say on a Gilmore 331 00:15:06,920 --> 00:15:10,520 Speaker 1: Girls Feed podcast. But Lauren Graham is just a wonderful, winning, 332 00:15:10,720 --> 00:15:11,680 Speaker 1: likable actress. 333 00:15:12,360 --> 00:15:14,280 Speaker 2: I mean, first of all, I love that we brought 334 00:15:14,320 --> 00:15:17,280 Speaker 2: the jeans and the belt back in this episode. There's something. 335 00:15:17,920 --> 00:15:21,800 Speaker 2: First of all, I love that look. Lauren Graham is 336 00:15:21,880 --> 00:15:22,400 Speaker 2: so cute. 337 00:15:23,000 --> 00:15:23,560 Speaker 1: She cute. 338 00:15:23,920 --> 00:15:25,800 Speaker 2: Can we talk about the fact that she had larynitis 339 00:15:25,840 --> 00:15:27,240 Speaker 2: in this episode? That's what I was going to point 340 00:15:27,240 --> 00:15:29,800 Speaker 2: out too. She lost her voice. She totally lost her 341 00:15:29,840 --> 00:15:31,360 Speaker 2: voice and was like, I'm still just going to come 342 00:15:31,360 --> 00:15:31,600 Speaker 2: to her. 343 00:15:32,280 --> 00:15:32,880 Speaker 1: I think she was like. 344 00:15:34,440 --> 00:15:37,560 Speaker 2: She was just so raspy, and I was like, Okay, 345 00:15:37,840 --> 00:15:39,880 Speaker 2: you definitely had a cold two weeks ago and this 346 00:15:40,000 --> 00:15:41,800 Speaker 2: is the linger, but you're back at work. I'm proud 347 00:15:41,840 --> 00:15:45,920 Speaker 2: of you. She's so cool, so cool. I liked the 348 00:15:45,960 --> 00:15:48,320 Speaker 2: whole thing. I liked her thing with Richard Dreyfus, and 349 00:15:48,360 --> 00:15:50,800 Speaker 2: I'm glad she wasn't like mad at. 350 00:15:52,320 --> 00:15:53,320 Speaker 1: Her dad his notes. 351 00:15:53,480 --> 00:15:56,320 Speaker 2: Yeah, I didn't need her being mad at her like 352 00:15:56,440 --> 00:15:57,880 Speaker 2: the whole thing. So yeah. 353 00:15:57,920 --> 00:15:59,960 Speaker 1: And then Zeke so funny the eye is that should 354 00:16:00,080 --> 00:16:02,160 Speaker 1: have a toast and like, well, Dad, we're talking about this. 355 00:16:02,320 --> 00:16:06,000 Speaker 1: He's a toast, right. 356 00:16:06,080 --> 00:16:07,080 Speaker 2: He's just happy about it? 357 00:16:16,360 --> 00:16:17,600 Speaker 1: All right, Crosby, here we go. 358 00:16:17,960 --> 00:16:21,000 Speaker 2: First of all, it was sweet. I actually, here's my thing. 359 00:16:21,400 --> 00:16:23,800 Speaker 2: I was ready for them to get back together, so 360 00:16:24,680 --> 00:16:27,280 Speaker 2: I'm just like, Okay, Chasman, time for you to move on. 361 00:16:28,080 --> 00:16:31,640 Speaker 1: Okay, Okay, Yeah, I think it is time for you 362 00:16:31,720 --> 00:16:34,080 Speaker 1: to move on. I leanst she's right to take us 363 00:16:34,120 --> 00:16:36,000 Speaker 1: back to the beginning, Jabbar win Star of the Week, 364 00:16:36,040 --> 00:16:37,960 Speaker 1: which brings them together when you have a kid. 365 00:16:38,120 --> 00:16:40,160 Speaker 2: It's like, you know what, I think she should have 366 00:16:40,480 --> 00:16:42,680 Speaker 2: just worked it through. 367 00:16:44,040 --> 00:16:47,040 Speaker 1: I do. She worked it through just fine without Crosby 368 00:16:47,200 --> 00:16:50,040 Speaker 1: for the first chunk of Jabbar's life. She can keep 369 00:16:50,160 --> 00:16:52,240 Speaker 1: doing it. I think she's making the right decision here. 370 00:16:53,040 --> 00:16:55,600 Speaker 2: That's okaying that it was fine for her to not 371 00:16:55,800 --> 00:16:59,560 Speaker 2: tell Crosby about Jabbar, which I still stand strong on 372 00:16:59,760 --> 00:17:00,160 Speaker 2: that it. 373 00:17:00,240 --> 00:17:03,120 Speaker 1: Wantsn't well sure, but I also think that you are 374 00:17:03,200 --> 00:17:06,720 Speaker 1: establishing a very dangerous precedent to let Crosby know that 375 00:17:06,840 --> 00:17:09,480 Speaker 1: you can sleep with another woman and we will continue 376 00:17:09,560 --> 00:17:11,520 Speaker 1: this relationship. I agree. 377 00:17:12,080 --> 00:17:15,200 Speaker 2: All right, Well, uh, this is my thing about it. 378 00:17:17,160 --> 00:17:19,040 Speaker 2: It's very TV showy. 379 00:17:19,640 --> 00:17:20,240 Speaker 1: Are they back? 380 00:17:20,359 --> 00:17:23,920 Speaker 2: Well, they won't their own back for more? And I'm not. 381 00:17:24,119 --> 00:17:24,320 Speaker 1: I'm not. 382 00:17:24,480 --> 00:17:27,119 Speaker 2: I'm not into it. I like like, I kind of 383 00:17:27,240 --> 00:17:29,960 Speaker 2: like that Adam and Christina are like together that Joel. 384 00:17:30,040 --> 00:17:30,399 Speaker 2: I don't know. 385 00:17:30,560 --> 00:17:32,679 Speaker 1: I don't know if I need that together, but if 386 00:17:32,720 --> 00:17:35,200 Speaker 1: Adam cheated on Christina, they wouldn't be together. I'm telling 387 00:17:35,240 --> 00:17:35,600 Speaker 1: you this is. 388 00:17:35,600 --> 00:17:39,240 Speaker 2: A I understand, I understand, but I'm just thinking maybe holistically, 389 00:17:39,320 --> 00:17:42,240 Speaker 2: kind of knowing, like they get back together, then they don't. 390 00:17:42,359 --> 00:17:45,239 Speaker 1: They don't. And I focus in one direction where when 391 00:17:45,280 --> 00:17:47,280 Speaker 1: they were up there doing the presentation of the class, 392 00:17:47,320 --> 00:17:48,399 Speaker 1: it looks like she was soft. 393 00:17:48,560 --> 00:17:50,439 Speaker 2: I know, I know, it's like they tricked us. 394 00:17:50,760 --> 00:17:52,280 Speaker 1: Hearts in her eyes. And then she shows up in 395 00:17:52,320 --> 00:17:54,600 Speaker 1: the boat thinking he's gonna she's gonna forgive him, and 396 00:17:54,680 --> 00:17:56,520 Speaker 1: she gets about to say, I need to move on 397 00:17:56,680 --> 00:17:56,920 Speaker 1: from you. 398 00:17:57,720 --> 00:18:01,119 Speaker 2: Not love it. I didn't love it. 399 00:18:02,000 --> 00:18:03,560 Speaker 1: Okay, well that's fine. 400 00:18:03,640 --> 00:18:05,320 Speaker 2: What should we give our ratings or should I get 401 00:18:05,320 --> 00:18:05,840 Speaker 2: my surprise? 402 00:18:05,920 --> 00:18:09,440 Speaker 1: As do the ratings? They the surprise nine, just the 403 00:18:09,600 --> 00:18:10,480 Speaker 1: dining low. 404 00:18:11,240 --> 00:18:12,520 Speaker 2: I was going to give it higher, but then I 405 00:18:12,560 --> 00:18:14,520 Speaker 2: got irritated about Crosby and Jasmine. 406 00:18:14,640 --> 00:18:17,359 Speaker 1: I hear you, and the nine six is because I 407 00:18:17,440 --> 00:18:18,560 Speaker 1: did cry at one point. 408 00:18:18,640 --> 00:18:20,439 Speaker 2: Yeah, I would give it a high marks for Julia 409 00:18:20,480 --> 00:18:23,480 Speaker 2: and Joel and Lauren Graham, even Richard Dreyfus and his 410 00:18:23,560 --> 00:18:26,560 Speaker 2: weird Zeke. I'm giving a ten. I love Zeke. No, 411 00:18:26,680 --> 00:18:28,280 Speaker 2: Camille we didn't have Camille. 412 00:18:28,000 --> 00:18:30,119 Speaker 1: But not at all. See, there you go. She probably 413 00:18:30,119 --> 00:18:31,800 Speaker 1: had the week off and noticed. 414 00:18:32,320 --> 00:18:33,639 Speaker 2: I don't know if they get paid for that, but 415 00:18:33,680 --> 00:18:34,000 Speaker 2: they might. 416 00:18:34,280 --> 00:18:36,199 Speaker 1: I don't think they do, but maybe you. 417 00:18:36,640 --> 00:18:38,119 Speaker 2: Get when they do an episode. Well, I think they 418 00:18:38,160 --> 00:18:40,080 Speaker 2: get some sort of guarantee the other're in the credits 419 00:18:40,840 --> 00:18:41,400 Speaker 2: get paid. 420 00:18:41,200 --> 00:18:44,280 Speaker 1: Whether or not. Last week we started talking about board games, 421 00:18:44,280 --> 00:18:45,359 Speaker 1: started talking about game shows. 422 00:18:45,880 --> 00:18:47,600 Speaker 2: God, oh my god, oh my god. 423 00:18:47,760 --> 00:18:52,240 Speaker 1: Of the Pyramid Final round. What I've done is I 424 00:18:52,280 --> 00:18:54,960 Speaker 1: went and watched a bunch of YouTube videos. I'm so happy, 425 00:18:55,080 --> 00:18:58,440 Speaker 1: and I wrote down seven different one, two, three, four, five, six, 426 00:18:58,560 --> 00:19:00,720 Speaker 1: seven different final I'm. 427 00:19:00,600 --> 00:19:02,480 Speaker 2: Ready to play. I'm ready to play. We're gonna play today, 428 00:19:02,520 --> 00:19:04,399 Speaker 2: but I also need to prevent me. 429 00:19:04,440 --> 00:19:07,359 Speaker 1: From like planning out all of my clues. I got seven, 430 00:19:07,440 --> 00:19:09,240 Speaker 1: so you can choose a random one through seven. 431 00:19:09,160 --> 00:19:11,000 Speaker 2: Fine, and then we can do another one later. So 432 00:19:11,320 --> 00:19:14,680 Speaker 2: first shout out to the person that found a sealed 433 00:19:14,800 --> 00:19:17,840 Speaker 2: Sale of the Century. Wow, if anybody can help me 434 00:19:17,880 --> 00:19:19,600 Speaker 2: buy it, I'm not great on eBay, but I'll try 435 00:19:19,640 --> 00:19:21,399 Speaker 2: to go do it. But if anybody gets it before me, 436 00:19:21,520 --> 00:19:25,399 Speaker 2: that would be amazing. Sealed sale of the Century. No germs, Okay, 437 00:19:25,640 --> 00:19:30,840 Speaker 2: that's great. Also, my my soulmate, Jason Bateman. You know 438 00:19:30,880 --> 00:19:33,959 Speaker 2: he's very germophobe too. I love Jason Baca me too. 439 00:19:34,080 --> 00:19:36,359 Speaker 2: I could watch him eat a banana on that plane. 440 00:19:36,560 --> 00:19:37,040 Speaker 1: He's great. 441 00:19:37,280 --> 00:19:40,520 Speaker 2: Okay, so I'm ready. We're gonna do one category today. 442 00:19:40,880 --> 00:19:42,399 Speaker 2: You pick it at random, just you pick it. 443 00:19:43,200 --> 00:19:44,560 Speaker 1: That's the thing is. I can't pick it at random. 444 00:19:44,560 --> 00:19:47,520 Speaker 1: That's why I don't. I don't know. I choose your seven. 445 00:19:47,600 --> 00:19:50,160 Speaker 1: Just say one through seven, pike it over three, number three. Okay, 446 00:19:50,160 --> 00:19:53,880 Speaker 1: here we go a you ready, yes, all right, let's 447 00:19:53,880 --> 00:19:56,840 Speaker 1: see sixty seconds on the clock. Please brutal okay, for 448 00:19:57,000 --> 00:20:01,000 Speaker 1: twenty five thousand dollars. Beer is first subject. Just to 449 00:20:01,040 --> 00:20:02,639 Speaker 1: be clear, I'm giving you the clues. So when I 450 00:20:02,680 --> 00:20:04,800 Speaker 1: say oh, I'm talking to myself. But that's what Dick 451 00:20:04,840 --> 00:20:06,520 Speaker 1: Clark said. Here is your first subject. 452 00:20:07,359 --> 00:20:13,600 Speaker 4: Go dove ivory soap type of soap? All right, yes, correct, 453 00:20:14,280 --> 00:20:20,119 Speaker 4: the stars, the stripes, things on the flag yep, people 454 00:20:20,440 --> 00:20:23,680 Speaker 4: jump up and down on me. And then things that 455 00:20:23,760 --> 00:20:26,800 Speaker 4: happen on a tramplin and then land in water. Things 456 00:20:26,840 --> 00:20:27,560 Speaker 4: on a diving board. 457 00:20:27,760 --> 00:20:29,000 Speaker 1: Things a diving board, I'd say. 458 00:20:28,920 --> 00:20:36,160 Speaker 2: Yes, a hat, hair, things that are on your head. 459 00:20:36,400 --> 00:20:45,120 Speaker 1: Yep, see life, things in the ocean, scuba divers, things underwater. 460 00:20:45,440 --> 00:20:51,240 Speaker 2: Yes, a match, things we strike, Yeah, you got. 461 00:20:51,200 --> 00:20:55,879 Speaker 1: Its two thousand dollars with fifteen seconds. Despair. 462 00:20:56,720 --> 00:21:00,680 Speaker 2: I crushed angels. I don't want to brab. I don't 463 00:21:00,720 --> 00:21:05,440 Speaker 2: want to brag. I cannot do so many things in 464 00:21:05,520 --> 00:21:09,040 Speaker 2: this world. I cannot fly. I cannot go in a 465 00:21:09,119 --> 00:21:11,440 Speaker 2: parking garage if it's this claustrophobic. I do not go 466 00:21:11,520 --> 00:21:17,399 Speaker 2: in elevators. I cannot learn a language. Wow, I crush 467 00:21:18,000 --> 00:21:18,960 Speaker 2: that type of game show. 468 00:21:19,040 --> 00:21:19,480 Speaker 1: Yes you do. 469 00:21:19,560 --> 00:21:21,880 Speaker 2: We play again next week. So next week we'll play again. 470 00:21:23,760 --> 00:21:24,639 Speaker 1: That was so. 471 00:21:26,840 --> 00:21:28,879 Speaker 2: I get in the zone. Did you see me? 472 00:21:29,040 --> 00:21:31,160 Speaker 1: Just no question. 473 00:21:32,080 --> 00:21:33,960 Speaker 2: I do not get distracted. I'm like I am in. 474 00:21:34,560 --> 00:21:36,400 Speaker 2: Oh my god, that was amazing. 475 00:21:37,000 --> 00:21:41,040 Speaker 1: Next week, Season two, episode twenty, it's called New Plan. 476 00:21:41,600 --> 00:21:43,920 Speaker 2: Braverm's Out, Braverman's Out. 477 00:22:12,680 --> 00:22:13,800 Speaker 1: Hey everybody, and don't forget. 478 00:22:13,880 --> 00:22:17,879 Speaker 4: Follow us on Instagram at I Am all In podcast 479 00:22:18,040 --> 00:22:22,400 Speaker 4: and email us at Gilmore at iHeartRadio dot com