WEBVTT - Invention Playlist 4: Sun Glasses

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<v Speaker 1>Hey, welcome to Invention. My name is Robert Lamb and

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<v Speaker 1>I'm Joe McCormick. Robert, what kind of sunglasses do you wear? Well? Currently,

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<v Speaker 1>my son is six years old, so I've been going

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<v Speaker 1>through a spell here where I can really only wear

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<v Speaker 1>whatever kind of semi garbage swag sunglasses come my way,

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<v Speaker 1>you know, with various brand names plastered to the side

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<v Speaker 1>of them, because inevitably, especially when he was younger, my

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<v Speaker 1>son would have to get his hands on whatever kind

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<v Speaker 1>of sunglasses I had in the car. So the sunglasses

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<v Speaker 1>get smudged, sunglasses get scratched up, sunglasses get broken or

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<v Speaker 1>just lost. And I was pretty good at losing sunglasses

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<v Speaker 1>even before he came into my life. Uh So I'm

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<v Speaker 1>hoping that I'm working up to very soon reaching that

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<v Speaker 1>point where I can actually buy a decent pair of

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<v Speaker 1>sunglasses that will protect my eyes. Did you ever actually

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<v Speaker 1>where those company sunglasses we got, I have like like

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<v Speaker 1>fold in half at the nose. Yeah, I got those immediately.

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<v Speaker 1>But mainly I I thought to myself, this is a

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<v Speaker 1>great decoy brand because my son is gonna love like

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<v Speaker 1>the Transformer s qualities of these sunglasses here. Break that one. Yeah,

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<v Speaker 1>but I've ended up wearing them around anyway, So that's

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<v Speaker 1>my story. Hopefully, by the time I'm ready to actually

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<v Speaker 1>get some decent sunglasses, we'll have some like back to

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<v Speaker 1>the future to sunglasses, you know, like the ones that

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<v Speaker 1>you've got as a prize, uh Pizza Hut back in

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<v Speaker 1>the day when that film first came out. Except now

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<v Speaker 1>these will be legit future sunglasses. You know. I was

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<v Speaker 1>trying to think before we decided to do this episode,

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<v Speaker 1>our sunglasses an invention or not? Did they count? Yeah?

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<v Speaker 1>They count? I guess everything is an invention. Were we

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<v Speaker 1>born with sunglasses? Well we'll get into that, but yeah,

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<v Speaker 1>it is difficult for us to imagine a time before sunglasses.

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<v Speaker 1>How did Corey Hart keep track of the visions in

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<v Speaker 1>his eyes? I don't know. How did rowdy Roddy Piper

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<v Speaker 1>see through the alien conspiracy? I guess I don't know.

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<v Speaker 1>He didn't how to terminate or cover up his eye damage.

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<v Speaker 1>That's a good point, bro, Really, how did anyone ever

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<v Speaker 1>in the history of Earth managed to look cool at

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<v Speaker 1>any given moment, much less shade their eyes from the

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<v Speaker 1>vicious light of day. It's already telling that all the

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<v Speaker 1>examples you point to our cultural ones you're pointing, You're

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<v Speaker 1>pointing to movies and stuff rather than talking about how

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<v Speaker 1>would I get through my life without sunglasses? Well, that

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<v Speaker 1>this is going to be an important part there, just

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<v Speaker 1>the iconography of the sunglasses, and that will be more

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<v Speaker 1>important later on in our discussion, but in their their

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<v Speaker 1>psychological effects example that. But initially here you know, we're

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<v Speaker 1>we're we're complicating the purpose of the sunglasses. Bye bye. Basically,

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<v Speaker 1>the whole deal is the sun is bright. I disagree.

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<v Speaker 1>And while our eyelids do give us the ability to

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<v Speaker 1>manipulate the amount of sunlight hitting our eyeballs, it also

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<v Speaker 1>pays to have other options. And certainly we have the

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<v Speaker 1>ability to look away from the sun, to hide from

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<v Speaker 1>the sun, or to raise a hand or forearm to

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<v Speaker 1>block it. But that's dependent largely on say, your environment.

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<v Speaker 1>Like some environments are much brighter than others. What if

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<v Speaker 1>you live in a place where, say it's springtime and

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<v Speaker 1>you're in a place with snow cover. The sun can

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<v Speaker 1>be so bright in those cases because it's not only

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<v Speaker 1>coming from above but reflecting off of the snow, that

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<v Speaker 1>you essentially cannot use your eyes in the environment, right

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<v Speaker 1>because otherwise you can't just shade where a hat you

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<v Speaker 1>need to wear like a hat with two bills right,

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<v Speaker 1>one on top, one at the bottom. Um, it's coming

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<v Speaker 1>from all directions, and you need to use your hands

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<v Speaker 1>for other things. You're an individual, will need to to

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<v Speaker 1>hunt or fish or craft, etcetera. You can't just go

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<v Speaker 1>around with your hands up all the time. Um. When

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<v Speaker 1>I when I think about the challenges of dealing with sunlight,

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<v Speaker 1>I'm always forced to just think about how amazing our

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<v Speaker 1>eyelids are though for manipulating light well, and our iris is.

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<v Speaker 1>Of course, our pupils contract when there's too much light,

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<v Speaker 1>but there's a point at which they can't contract anymore,

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<v Speaker 1>and you have to depend on the eyelids. One of

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<v Speaker 1>one example I always go to is there's a character

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<v Speaker 1>in Larry McMurtry's novel Comanche Moon and he he winds

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<v Speaker 1>up tortured by bandit flares and they slice his eyelids off.

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<v Speaker 1>They leave him for for dead in the sun, and he's,

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<v Speaker 1>you know, half driven mad by the whole whole ordeal.

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<v Speaker 1>But eyelids. Oh yeah. It is a It is a sick,

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<v Speaker 1>weird book. Um, I love it. It's my favorite McMurtry book.

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<v Speaker 1>But afterwards this character ends up constructing a pair of

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<v Speaker 1>special sunglasses for himself with these varying um varying levels

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<v Speaker 1>of darkness, so that he can just click through them

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<v Speaker 1>as he needs them, depending on where he is, if

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<v Speaker 1>he's a you know, indoors, outdoors, bright day, uh, you know,

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<v Speaker 1>cloudy day, etcetera. But I always come back to that

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<v Speaker 1>because it's like, Yeah, have you had to recreate the

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<v Speaker 1>functionality of your eyelids? What kind of invention would you

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<v Speaker 1>have to have to build? You've got so many parts

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<v Speaker 1>of your body that you really don't appreciate but would

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<v Speaker 1>if they were gone. But enough about Larry merturs cyborg westerns. Uh,

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<v Speaker 1>let's let's just get down to sunglasses. Was what is

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<v Speaker 1>essential to a modern pair of sunglasses? What do you

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<v Speaker 1>What do you need is we're sort of deconstructing the

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<v Speaker 1>the invention. Well, you need a frame to hold them

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<v Speaker 1>over the eyes, and you need lenses that will, in

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<v Speaker 1>one way or another filter the incoming light. They obviously

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<v Speaker 1>can't be completely opaque. You need to be able to

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<v Speaker 1>see through them, but they also need to stop some

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<v Speaker 1>amount of bad stuff from getting in right, So, like

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<v Speaker 1>from from a material level, it seems pretty straightforward. Um.

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<v Speaker 1>You know, glass itself is a rather old invention. We

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<v Speaker 1>could and we can revisit glass at some point in

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<v Speaker 1>a future episode. But you find examples of this an

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<v Speaker 1>ancient Mesopotamia. Uh. Certainly crystals and other substances were known

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<v Speaker 1>to ancient people. So just the materials of say, building

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<v Speaker 1>something out of six, we can all imagine this of

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<v Speaker 1>flint stones style UH, spectacles or sunglasses that one could

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<v Speaker 1>conceivably have. But invention is always about that moment where

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<v Speaker 1>someone actually puts materials together and and create something that

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<v Speaker 1>has not existed before. So we're forced to just to

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<v Speaker 1>ask that question, well, where do we really see the

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<v Speaker 1>earliest indications of UH to all to a certain extent, spectacles,

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<v Speaker 1>We can't talk about sunglasses without talking about spectacles a

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<v Speaker 1>little bit. But we're mostly concerned with sunglasses in this

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<v Speaker 1>episode because they look cooler right focusing lenses. That that's

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<v Speaker 1>the story for another time, where I think we're dealing

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<v Speaker 1>with a somewhat simpler story right now. Yes, even though

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<v Speaker 1>sunglasses might not have become extremely popular around the world

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<v Speaker 1>until after spectacles were widely used. But it's really too

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<v Speaker 1>bad because they're they're they're sunglasses esfecially are modern usage

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<v Speaker 1>of them. They're they're they're really important, they really protect us. Well,

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<v Speaker 1>think about the sunglasses you wear as a kind of

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<v Speaker 1>radiation suit for your eyes. I think on that one

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<v Speaker 1>for a second. Try try to act, actually cognize the

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<v Speaker 1>fact that good old fashioned sunlight is literally radiation from

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<v Speaker 1>a star. That's a phrase that always echoes in my

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<v Speaker 1>mind when it's really beaten down on my head um.

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<v Speaker 1>And a good pair of sunglasses should do multiple things, right.

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<v Speaker 1>They should decrease the intensity of the light reaching your eyes.

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<v Speaker 1>So if it's a bright, shining day, or there's glare

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<v Speaker 1>off of water or off of a reflective surface or something,

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<v Speaker 1>you need light to reach your eyes in order to see,

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<v Speaker 1>but you don't need so much of it. And when

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<v Speaker 1>the number of lumens in your surroundings exceed what your

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<v Speaker 1>eyes need in order to see, your iris muscles contract.

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<v Speaker 1>They shrink your pupil, the shutter of your eye, and

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<v Speaker 1>that admits less in But eventually your pupils can't contract anymore,

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<v Speaker 1>and then you have to try to limit more light

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<v Speaker 1>by squinting your eyelids. But eventually you run into problems there. Right,

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<v Speaker 1>sometimes it's so bright that squinting becomes difficult, or you know,

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<v Speaker 1>you you you're squinting so much you want to completely

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<v Speaker 1>close your eyes. Now, the other thing that's important for

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<v Speaker 1>sunglasses to do is decrease or eliminate ultra violet radiation

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<v Speaker 1>when when that's coming at your eyes. Now, there's really

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<v Speaker 1>no benefit to getting ultra violet radiation in your eyes.

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<v Speaker 1>Whereas you need the visible light that comes in from

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<v Speaker 1>the sun in order to see your surroundings, you don't

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<v Speaker 1>really need UV light at all. And so if sunglasses

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<v Speaker 1>can reduce or even completely eliminate UV exposure to your eyes,

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<v Speaker 1>that's a good thing, because your eyes can be injured

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<v Speaker 1>by U V exposure. But as we were saying earlier,

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<v Speaker 1>also let's not ignore the fact that sunglasses are a

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<v Speaker 1>very profound style choice and play a psychological and cultural

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<v Speaker 1>role as well. I think people often wear sunglasses as

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<v Speaker 1>much for style and psychological reasons as they do for uh,

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<v Speaker 1>for reducing glare and reducing UV exposure. In any event,

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<v Speaker 1>you're gonna want a good pair of sunglasses before you

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<v Speaker 1>go out to say a sporting event, right for a

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<v Speaker 1>number of reasons, because it's your your outdoors, and it

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<v Speaker 1>may be very bright. Uh. And then it's also a

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<v Speaker 1>social engagement. You know, you wanna look cool uh to

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<v Speaker 1>the other fans or they're friends and family that have

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<v Speaker 1>traveled there with you. In the case of the dude,

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<v Speaker 1>you can't go bowling without sunglasses exactly. Uh. So for

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<v Speaker 1>our first historical journey, in our attempt to understand sunglasses

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<v Speaker 1>of old, let's go back to the ancient Romans. Let's

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<v Speaker 1>go to the Colosseum. Now, this, I think is actually

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<v Speaker 1>going to be a false example, but it's something that's

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<v Speaker 1>interesting that sometimes gets cited in this context. So we're

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<v Speaker 1>gonna go to our old friend Plenty of the Elder

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<v Speaker 1>first century CE Roman writer in his Natural History translated

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<v Speaker 1>by John Bostock, Plenty is discussing in in book thirty

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<v Speaker 1>seven of his Natural History quote the natural history of

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<v Speaker 1>precious Stones, and he comes to a section on what

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<v Speaker 1>he calls smaragdes I could have sworn that was one

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<v Speaker 1>of the one of the raith kings in the Lord

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<v Speaker 1>of the Rings uh saga. But I don't think so.

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<v Speaker 1>Which anniversary gift is smar agnes I can never remember?

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<v Speaker 1>It's like it's like wood, but ivory smaragdes right. So

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<v Speaker 1>samur agnes appears to be a term used for green

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<v Speaker 1>precious stones, for barrel stones like emerald, or for jasper stones.

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<v Speaker 1>Uh and he so he seems to be talking about emeralds.

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<v Speaker 1>I think that's the way it's most often translated. And

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<v Speaker 1>plenty dwells for a while on how beautiful the emerald

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<v Speaker 1>is and how RESTful to the eye, how soothing to

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<v Speaker 1>look upon. Quote, even when the vision has been fatigued

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<v Speaker 1>with intently viewing other objects, it is refreshed by being

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<v Speaker 1>turned upon this stone. And lapidaries know of nothing that

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<v Speaker 1>is more gratefully soothing to the eyes. It's soft green

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<v Speaker 1>tints being wonderfully adapted for assuaging lassitude when felt in

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<v Speaker 1>those organs, by those organs, I think he means eyes.

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<v Speaker 1>But anyway, getting to to the part that's often cited

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<v Speaker 1>as as emerald sunglasses, but actually it appears to not be,

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<v Speaker 1>he writes. Quote. When the surface of the samur agnes

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<v Speaker 1>is flat, it reflects the image of objects in the

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<v Speaker 1>same manner as a mirror. The Emperor Nero used to

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<v Speaker 1>you the combats of the gladiators upon a Smaragdus upon

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<v Speaker 1>a Smaragdus being key here perhaps right. So this would

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<v Speaker 1>have been the first century CE, and it's been cited

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<v Speaker 1>as an early use of tinted transparencies in the sun.

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<v Speaker 1>The idea that Nero was maybe watching the net fighters

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<v Speaker 1>and the pursuers the secutors through Gym's like lenses. So

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<v Speaker 1>just I guess try to imagine he's holding emeralds over

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<v Speaker 1>his eyes and looking through them like lenses to filter

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<v Speaker 1>out some of the glare. I think I also saw

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<v Speaker 1>an artistic interpretation of this where you see the you know,

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<v Speaker 1>the the portly emperor. They're all in his finery and

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<v Speaker 1>he's holding up something that looks like it's almost like

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<v Speaker 1>opera uh, binoculars, you know, except it's just one emerald

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<v Speaker 1>that he's holding up to his eye. I'm thinking with

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<v Speaker 1>the green and that image you're describing, this has got

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<v Speaker 1>to be the inspiration for David Lynch's depiction of Baron

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<v Speaker 1>Harconan in his adaptation of Dune. Oh does he have

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<v Speaker 1>an emerald? Well, everything's green around. It's like his his

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<v Speaker 1>rooms are green. He's got this green environment. He's kind

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<v Speaker 1>of a Nero like figure. But anyway, the reason I

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<v Speaker 1>said this was a false choices because it sounds to

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<v Speaker 1>me like in the context, Plenty meant that Nero, if

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<v Speaker 1>this story is even true, watched the fights as reflected

0:12:16.080 --> 0:12:18.840
<v Speaker 1>in the surface of the sami Agnodus like a mirror,

0:12:19.280 --> 0:12:21.320
<v Speaker 1>because he was just talking about how it reflects like

0:12:21.320 --> 0:12:24.280
<v Speaker 1>a mirror, and this would still have probably some some

0:12:24.480 --> 0:12:27.200
<v Speaker 1>like sun dampening effect, right. I just try to imagine

0:12:27.200 --> 0:12:30.160
<v Speaker 1>something reflected an emerald. It's not going to be reflected

0:12:30.160 --> 0:12:33.120
<v Speaker 1>in a blinding way, but so he's looking at that

0:12:33.160 --> 0:12:36.720
<v Speaker 1>since the emerald reflects less light than the source provides.

0:12:37.120 --> 0:12:39.600
<v Speaker 1>I was looking at a text titled The Origin and

0:12:39.640 --> 0:12:42.520
<v Speaker 1>Development of Spectacles by C. J. S. Thompson, and this

0:12:42.559 --> 0:12:45.200
<v Speaker 1>is an older Texas Is from n seven, but he

0:12:45.240 --> 0:12:48.600
<v Speaker 1>also mentions the Nero story, and he definitely argued too

0:12:48.640 --> 0:12:50.800
<v Speaker 1>that it was probably a case where Nero just liked

0:12:50.880 --> 0:12:55.320
<v Speaker 1>to watch the festivities colored green um which you know

0:12:55.440 --> 0:12:58.320
<v Speaker 1>via the emerald, and that he gained no sun shading

0:12:58.440 --> 0:13:01.480
<v Speaker 1>from it. And yeah, I think my suspicion here is

0:13:01.520 --> 0:13:04.480
<v Speaker 1>that based on some recent research we did for stuff

0:13:04.520 --> 0:13:07.600
<v Speaker 1>to build your mind about gladiatorial combat was for our

0:13:07.679 --> 0:13:10.840
<v Speaker 1>episode on the trident Um, you know there there was.

0:13:11.080 --> 0:13:14.160
<v Speaker 1>If you're a fan of both the sort of the

0:13:14.760 --> 0:13:19.840
<v Speaker 1>sporting combat of of the gladiatorial spectacle as well as

0:13:19.880 --> 0:13:23.240
<v Speaker 1>like the drama and all these other ridiculous aspects of it,

0:13:23.640 --> 0:13:26.480
<v Speaker 1>you're gonna be you might you might gain something from

0:13:26.679 --> 0:13:29.680
<v Speaker 1>looking out at this combat between men dressed as fish

0:13:30.080 --> 0:13:33.920
<v Speaker 1>men using nautical weapons, and then adding a green overlay

0:13:34.040 --> 0:13:37.600
<v Speaker 1>on that. Um, I could see where where the green

0:13:37.679 --> 0:13:41.800
<v Speaker 1>tint could perhaps be be helpful in that that particular

0:13:41.920 --> 0:13:44.440
<v Speaker 1>mode of entertainment. What you're saying is taking on a

0:13:44.520 --> 0:13:48.200
<v Speaker 1>decidedly Lynchian vibe. I I think, I think the connection

0:13:48.280 --> 0:13:51.800
<v Speaker 1>is there now. Thompson also points out that while the

0:13:51.920 --> 0:13:55.280
<v Speaker 1>Romans certainly suffered from eye problems and had their own

0:13:55.320 --> 0:13:58.520
<v Speaker 1>treatments for those ailments, there's no mention in the work

0:13:58.559 --> 0:14:03.240
<v Speaker 1>of say Celsus, of artificial site aids. He mentions that

0:14:03.280 --> 0:14:06.959
<v Speaker 1>in writings prior to the thirteenth century, one finds only

0:14:07.000 --> 0:14:10.400
<v Speaker 1>occasional mentions of magnifying classes. So the use of some

0:14:10.480 --> 0:14:13.320
<v Speaker 1>sort of a lens to uh look at find our

0:14:13.400 --> 0:14:16.560
<v Speaker 1>details or perhaps you know, holding it up to a text,

0:14:16.880 --> 0:14:20.800
<v Speaker 1>but uh, you don't see mention of spectacles. By the way,

0:14:20.800 --> 0:14:23.160
<v Speaker 1>he also wrote that there was no evidence that lenses

0:14:23.200 --> 0:14:26.400
<v Speaker 1>were known to the ancient Egyptians or the Hebrews. However,

0:14:26.760 --> 0:14:30.880
<v Speaker 1>we do have a very early magnifying glass, or depending

0:14:30.880 --> 0:14:33.600
<v Speaker 1>on who you ask, perhaps a fire starting glass, something

0:14:33.600 --> 0:14:35.840
<v Speaker 1>that you used to refract the rays of the sun,

0:14:35.920 --> 0:14:38.440
<v Speaker 1>you know, to start a small fire, you know, the

0:14:38.480 --> 0:14:42.160
<v Speaker 1>kind of thing that children may sometimes do when trying

0:14:42.160 --> 0:14:45.280
<v Speaker 1>to burn ants, hopefully not to ants, hopefully not. I mean,

0:14:45.960 --> 0:14:49.400
<v Speaker 1>and you know one has to be careful. But at

0:14:49.440 --> 0:14:53.000
<v Speaker 1>any rate, this particular lens, the Nimrud lens, is a

0:14:53.080 --> 0:14:56.200
<v Speaker 1>three thousand year old crystal unearthed in eighteen fifty by

0:14:56.240 --> 0:15:01.440
<v Speaker 1>Austin Henry layered in the Syrian palace of Nimrod. However,

0:15:02.200 --> 0:15:04.000
<v Speaker 1>we were also not sure. It might have simply been

0:15:04.000 --> 0:15:07.640
<v Speaker 1>a decorative element. It might not have been used. Uh

0:15:07.640 --> 0:15:10.040
<v Speaker 1>and in any rate, it's not tinted. Okay, so we're

0:15:10.040 --> 0:15:12.240
<v Speaker 1>not talking about sunglasses, right, but we are talking about

0:15:12.280 --> 0:15:14.960
<v Speaker 1>like a crystal that may have been that people may

0:15:14.960 --> 0:15:18.400
<v Speaker 1>have looked through. Now you have to ask you the question, like,

0:15:18.440 --> 0:15:20.480
<v Speaker 1>to what extent did they just look through it because

0:15:20.520 --> 0:15:24.000
<v Speaker 1>it was cool? Like what's more mystical than holding up

0:15:24.040 --> 0:15:27.560
<v Speaker 1>some sort of you know, gleaming crystal even if it's clear,

0:15:27.960 --> 0:15:32.280
<v Speaker 1>and watching how the world is distorted ever so slightly. Now,

0:15:32.320 --> 0:15:34.960
<v Speaker 1>another thing that's worth noting is that we've been talking

0:15:35.000 --> 0:15:38.680
<v Speaker 1>about lenses and tinted lenses, but obviously people came up

0:15:38.720 --> 0:15:42.000
<v Speaker 1>with ways of protecting their eyes from the sun, uh

0:15:42.240 --> 0:15:45.520
<v Speaker 1>having accessories beyond just their hands and their eyelids and

0:15:45.560 --> 0:15:48.960
<v Speaker 1>stuff to protect their eyes from the sun long before

0:15:49.400 --> 0:15:52.840
<v Speaker 1>there were there were tinted glass or plastic lenses or anything,

0:15:52.880 --> 0:15:57.960
<v Speaker 1>for example, hats and umbrellas. That's obvious, yeah, But a

0:15:58.120 --> 0:16:01.040
<v Speaker 1>much more ingenious and much more interesting one is what

0:16:01.120 --> 0:16:03.840
<v Speaker 1>I want to mention the Inuit, and you pick people's

0:16:03.920 --> 0:16:08.040
<v Speaker 1>of the northern circumpolar regions today Canada, Alaska, Greenland and

0:16:08.120 --> 0:16:12.280
<v Speaker 1>Russia have for centuries made these ingenious devices known as

0:16:12.320 --> 0:16:15.520
<v Speaker 1>snow goggles. Yes, and and I want to come back

0:16:15.560 --> 0:16:17.760
<v Speaker 1>to what we said earlier about lumens before we get

0:16:17.800 --> 0:16:20.360
<v Speaker 1>into this, because I think this really drives home the

0:16:20.440 --> 0:16:24.480
<v Speaker 1>necessity that led to the invention. Uh So, in an

0:16:24.480 --> 0:16:27.880
<v Speaker 1>indoor environment, a human is typically typically going to encounter

0:16:27.880 --> 0:16:31.120
<v Speaker 1>four hundred six hundred lumens. That's the intensity of the

0:16:31.200 --> 0:16:35.000
<v Speaker 1>light um and our comfortable level four loomens. It's it's

0:16:35.000 --> 0:16:38.440
<v Speaker 1>gonna go up to round thirty five hundred. If you're

0:16:38.480 --> 0:16:41.280
<v Speaker 1>in the shade on a sunny day, you're probably encountering

0:16:41.320 --> 0:16:44.200
<v Speaker 1>around a thousand lumens sunny day out on say a

0:16:44.280 --> 0:16:46.880
<v Speaker 1>highway or other reflective surface. You know, we all know

0:16:46.920 --> 0:16:48.680
<v Speaker 1>what it's like to drive on like a really sunny day.

0:16:48.720 --> 0:16:51.400
<v Speaker 1>You almost have to have shades. Uh, you're probably gonna

0:16:51.440 --> 0:16:54.600
<v Speaker 1>do with something like six thousand or more lumens. Uh.

0:16:54.760 --> 0:16:57.400
<v Speaker 1>Ten thousand lumens is the danger zone where you really

0:16:57.440 --> 0:16:59.520
<v Speaker 1>have to start worrying about the health of your eyes.

0:17:00.240 --> 0:17:03.000
<v Speaker 1>But a snow field on a sunny day, you're talking

0:17:03.760 --> 0:17:07.080
<v Speaker 1>twelve thousand plus lumens. And this is where you enter

0:17:07.080 --> 0:17:10.359
<v Speaker 1>the domain of potential snow blindness. Right. And this is

0:17:10.400 --> 0:17:13.560
<v Speaker 1>of course because of the reflective power of white snow. Right,

0:17:14.080 --> 0:17:16.479
<v Speaker 1>it can create almost a kind of double sun effect,

0:17:16.600 --> 0:17:20.280
<v Speaker 1>sun above and sun below being reflected back up. Whereas

0:17:20.320 --> 0:17:23.120
<v Speaker 1>you know, a normal patch of ground that's got say

0:17:23.160 --> 0:17:27.159
<v Speaker 1>grass or just open soil, might reflect about ten of

0:17:27.200 --> 0:17:29.640
<v Speaker 1>the UV ray is coming from the sun. Snow can

0:17:29.680 --> 0:17:32.439
<v Speaker 1>reflect not quite a hundred percent, but something like close

0:17:32.480 --> 0:17:36.399
<v Speaker 1>to ad of it. Nearly doubling your UV exposure. And

0:17:36.480 --> 0:17:39.240
<v Speaker 1>so if you are, say living in in northern regions

0:17:39.280 --> 0:17:41.760
<v Speaker 1>where there's a lot of snow cover, one thing that

0:17:41.840 --> 0:17:43.920
<v Speaker 1>works in your favor is that for much of the year,

0:17:44.040 --> 0:17:46.880
<v Speaker 1>the sun doesn't get super bright, right, it doesn't get

0:17:46.920 --> 0:17:49.520
<v Speaker 1>super high in the sky, doesn't get super direct, but

0:17:49.760 --> 0:17:51.760
<v Speaker 1>it will in certain parts of the year where there

0:17:51.840 --> 0:17:53.760
<v Speaker 1>is still a lot of snow cover on the ground.

0:17:53.760 --> 0:17:57.000
<v Speaker 1>So when you've got those things working together, say bright sun,

0:17:57.600 --> 0:18:00.480
<v Speaker 1>heavy snow cover, maybe in the springtime when the sun

0:18:00.560 --> 0:18:03.119
<v Speaker 1>is out high in the sky, proper eye protection is

0:18:03.160 --> 0:18:06.480
<v Speaker 1>incredibly important. And not just because it's difficult to hunt

0:18:06.600 --> 0:18:09.360
<v Speaker 1>or see where you're going when the sun's reflecting off

0:18:09.359 --> 0:18:11.679
<v Speaker 1>the white snow and there's blinding glare and everything, but

0:18:11.720 --> 0:18:14.679
<v Speaker 1>it's what you mentioned. There's this risk of snow blindness,

0:18:14.880 --> 0:18:18.359
<v Speaker 1>which is also known as a photocarrotitis. So, as we

0:18:18.400 --> 0:18:21.800
<v Speaker 1>mentioned earlier, part of natural sunlight is ultra violet radiation,

0:18:21.880 --> 0:18:25.160
<v Speaker 1>and ultra violet radiation can damage the cornea. It can

0:18:25.240 --> 0:18:28.119
<v Speaker 1>damage the conjunctiva, the outer surfaces of the eye, just

0:18:28.160 --> 0:18:30.720
<v Speaker 1>like it can damage the skin. And this is why

0:18:30.720 --> 0:18:34.080
<v Speaker 1>photocarrotitis is often described as something like quote sunburn of

0:18:34.160 --> 0:18:37.760
<v Speaker 1>the eye. Symptoms include pain and feeling of having like

0:18:37.840 --> 0:18:41.840
<v Speaker 1>irritants or foreign bodies lodged in the eye, tearing up,

0:18:41.920 --> 0:18:46.600
<v Speaker 1>swelling and redness, light sensitivity, and sometimes even truly temporary

0:18:46.720 --> 0:18:50.000
<v Speaker 1>loss of vision. That's where the blindness comes from. And

0:18:50.040 --> 0:18:52.320
<v Speaker 1>so if you need to be doing stuff out in

0:18:52.400 --> 0:18:54.720
<v Speaker 1>the snow where the sun is bright, this this is

0:18:54.720 --> 0:18:56.879
<v Speaker 1>going to be a problem. And snow goggles fight this

0:18:56.960 --> 0:19:01.199
<v Speaker 1>problem with a very smart design. They're typically a carved frame,

0:19:01.520 --> 0:19:06.120
<v Speaker 1>usually made from animal bone or walrus tusks, sometimes from driftwood,

0:19:06.520 --> 0:19:10.000
<v Speaker 1>or sometimes even from like strange materials like I saw

0:19:10.040 --> 0:19:12.320
<v Speaker 1>one that I think was from baleen from a whale,

0:19:13.080 --> 0:19:16.320
<v Speaker 1>and uh. This frame fits tight over the eyes so

0:19:16.359 --> 0:19:18.600
<v Speaker 1>that light doesn't get in on the sides or the top,

0:19:18.920 --> 0:19:22.600
<v Speaker 1>and then light is allowed to enter through two very wide,

0:19:22.800 --> 0:19:26.560
<v Speaker 1>very narrow slots carved in the middle of the goggles,

0:19:26.680 --> 0:19:29.760
<v Speaker 1>which are sometimes darkened on the inside with a material

0:19:29.840 --> 0:19:33.679
<v Speaker 1>like soot. And these narrow slits allow the person wearing

0:19:33.720 --> 0:19:36.280
<v Speaker 1>them to see without exposing their eyes to too much

0:19:36.280 --> 0:19:39.919
<v Speaker 1>glare or UV radiation. And some alternate versions also have

0:19:40.320 --> 0:19:44.240
<v Speaker 1>have multiple slits more like like shutter shades or Venetian

0:19:44.240 --> 0:19:47.720
<v Speaker 1>blinds or something. They're not unlike the sort of novelty

0:19:47.920 --> 0:19:51.560
<v Speaker 1>plastic nineteen eighties sunglasses. You know where they were where

0:19:51.600 --> 0:19:54.200
<v Speaker 1>you just had you had no glass, no linbs, shutters

0:19:54.240 --> 0:19:57.960
<v Speaker 1>these slits, yes, so shutter shapes which. Yeah, you look

0:19:58.000 --> 0:20:00.199
<v Speaker 1>at the especially the nineteen eighties versions of the is

0:20:00.200 --> 0:20:02.640
<v Speaker 1>and it's easy to just think this is ridiculous. This

0:20:02.760 --> 0:20:06.560
<v Speaker 1>is the this is the sunglasses. This is I wear

0:20:06.880 --> 0:20:09.560
<v Speaker 1>is a purely decorative element, and to a certain extent

0:20:09.640 --> 0:20:12.240
<v Speaker 1>is true. But they do have a certain functionality as well. Yeah,

0:20:12.280 --> 0:20:15.600
<v Speaker 1>and in many ways highly effective functionality. I mean this,

0:20:15.960 --> 0:20:18.479
<v Speaker 1>if you don't have tinted glass to work with, this

0:20:18.560 --> 0:20:22.240
<v Speaker 1>is a genius design. Yeah, and and the necessity that

0:20:22.320 --> 0:20:24.520
<v Speaker 1>led to it, like like this would this would be

0:20:24.800 --> 0:20:29.280
<v Speaker 1>the kind of environment that would necessitate sunglasses UM in

0:20:29.320 --> 0:20:31.480
<v Speaker 1>a way that other parts of the world did not.

0:20:32.160 --> 0:20:34.080
<v Speaker 1>All Right, Well, on that note, let's take a quick break,

0:20:34.280 --> 0:20:37.600
<v Speaker 1>and when we come back, we'll discuss some more curios

0:20:37.600 --> 0:20:42.200
<v Speaker 1>from the UH the history of invention UH in regards

0:20:42.200 --> 0:20:51.480
<v Speaker 1>to the sunglasses. Alright, we're back now. Another frequently sided

0:20:51.800 --> 0:20:55.840
<v Speaker 1>example of of sunglasses or early sunglasses used UH and

0:20:56.000 --> 0:20:58.359
<v Speaker 1>involved them not being used to protect against the sun

0:20:58.960 --> 0:21:02.200
<v Speaker 1>or perhaps any any way affect vision, but that they

0:21:02.200 --> 0:21:06.600
<v Speaker 1>were allegedly used just to hide your eyes from others.

0:21:06.880 --> 0:21:10.000
<v Speaker 1>This is this is a crucially important part of sunglasses.

0:21:10.280 --> 0:21:12.480
<v Speaker 1>You could not ignore it. I mean, think of all

0:21:12.480 --> 0:21:15.040
<v Speaker 1>the times you've worn sunglasses, and there are times where

0:21:15.040 --> 0:21:17.680
<v Speaker 1>you wear them to protect your eyes. There are times

0:21:17.680 --> 0:21:21.000
<v Speaker 1>when you wear them to to see better than high

0:21:21.200 --> 0:21:24.399
<v Speaker 1>a light intensive environment. There are times when you do

0:21:24.440 --> 0:21:27.160
<v Speaker 1>it to look cool. But there are times when say

0:21:27.440 --> 0:21:31.320
<v Speaker 1>I've I've warned them, for instance on the train before uh,

0:21:31.480 --> 0:21:34.760
<v Speaker 1>even when the train is underground, because it kind of

0:21:34.800 --> 0:21:37.880
<v Speaker 1>makes me a little invisible. If I have my sunglasses on,

0:21:38.160 --> 0:21:43.840
<v Speaker 1>my my earbuds in, then I am like less visibly present. Well, you,

0:21:44.119 --> 0:21:47.840
<v Speaker 1>it means you can look around the world around you

0:21:47.880 --> 0:21:53.520
<v Speaker 1>without ever unequivocally being caught looking at someone or something. Yeah,

0:21:53.680 --> 0:21:55.960
<v Speaker 1>it's a natural human tendency to want to look around

0:21:56.040 --> 0:21:58.639
<v Speaker 1>and see who's around you. Like, if you get caught

0:21:58.720 --> 0:22:01.760
<v Speaker 1>looking at somebody, that's always awkward, especially if you've got

0:22:01.800 --> 0:22:04.280
<v Speaker 1>some kind of social anxiety. You don't you don't want

0:22:04.280 --> 0:22:06.320
<v Speaker 1>to like make that eye contact and be like, oh,

0:22:06.359 --> 0:22:09.000
<v Speaker 1>we just both looked at each other at the same time, right,

0:22:09.040 --> 0:22:11.080
<v Speaker 1>And if you're on the train, sometimes you need to

0:22:11.080 --> 0:22:13.359
<v Speaker 1>look at the weird person on the train. And if

0:22:13.400 --> 0:22:15.880
<v Speaker 1>you're not wearing sunglasses and you're doing this, that weird

0:22:15.920 --> 0:22:19.240
<v Speaker 1>person might be you. It's it's just a great solution

0:22:19.240 --> 0:22:24.200
<v Speaker 1>for everybody involved. So multiple sources report that Chinese judges

0:22:24.680 --> 0:22:29.440
<v Speaker 1>wore smokey courts glasses to hide their eye expressions from

0:22:29.440 --> 0:22:33.159
<v Speaker 1>the court during the thirteenth century, so this would have

0:22:33.160 --> 0:22:38.000
<v Speaker 1>been during the Song Dynasty through twelve seventy nine. So

0:22:38.040 --> 0:22:41.200
<v Speaker 1>it's looking around a little bit about this, and Harvard's

0:22:41.480 --> 0:22:45.160
<v Speaker 1>came in to wrote the following in nineteen thirty six

0:22:45.240 --> 0:22:49.520
<v Speaker 1>in the Introduction of Spectacles into China, which which deals

0:22:50.280 --> 0:22:52.560
<v Speaker 1>you know, in large part was just spectacles in general.

0:22:52.800 --> 0:22:56.119
<v Speaker 1>And if we come back and discuss spectacles on the

0:22:56.160 --> 0:22:59.960
<v Speaker 1>show specifically, will probably return to this. And another source

0:23:00.119 --> 0:23:04.560
<v Speaker 1>is but he cites Chinese writings that indicated that quote.

0:23:04.720 --> 0:23:08.239
<v Speaker 1>Under the Song Dynasty, judges in deciding cases in the

0:23:08.240 --> 0:23:12.399
<v Speaker 1>court used rock crystal or courts to read illegible legal

0:23:12.480 --> 0:23:15.680
<v Speaker 1>documents in the sun. So here the idea seems to

0:23:15.680 --> 0:23:19.119
<v Speaker 1>be that they were using them for magnification instead or

0:23:19.119 --> 0:23:24.760
<v Speaker 1>perhaps in addition to um shielding their eyes from other

0:23:24.760 --> 0:23:27.520
<v Speaker 1>people at the court. Well it it specifies in the sun,

0:23:27.840 --> 0:23:30.639
<v Speaker 1>so that would seem to make it sound like they

0:23:30.640 --> 0:23:33.520
<v Speaker 1>were trying to shield their eyes from from glare perhaps,

0:23:33.560 --> 0:23:36.439
<v Speaker 1>So yeah, this one. This leaves me confused though as

0:23:36.440 --> 0:23:39.359
<v Speaker 1>to like what was actually going on or was it

0:23:39.400 --> 0:23:43.760
<v Speaker 1>a case where, for instance, these spectacles were arranged for

0:23:43.960 --> 0:23:47.040
<v Speaker 1>reading in the sun or for some sort of magnification purpose,

0:23:47.119 --> 0:23:49.480
<v Speaker 1>But then they realized, oh wait, these also shield our

0:23:49.520 --> 0:23:54.760
<v Speaker 1>eyes and it makes a judging a little easier. Right, Well,

0:23:54.800 --> 0:23:58.239
<v Speaker 1>you can absolutely see how sunglasses would and we'll get

0:23:58.280 --> 0:24:00.440
<v Speaker 1>more into the psychological effects lay or on, but you

0:24:00.440 --> 0:24:03.199
<v Speaker 1>can see how sunglasses would be helpful if you were

0:24:03.240 --> 0:24:06.239
<v Speaker 1>trying to give the appearance of impartiality. You know, right,

0:24:06.280 --> 0:24:09.880
<v Speaker 1>if you're a judge, you want to hide any sign

0:24:10.000 --> 0:24:13.639
<v Speaker 1>of your face showing emotion and reaction to arguments or

0:24:13.680 --> 0:24:16.240
<v Speaker 1>something like that. I'm not sure that's the reasoning here,

0:24:16.240 --> 0:24:17.919
<v Speaker 1>but you can see how it could be right and

0:24:18.160 --> 0:24:20.880
<v Speaker 1>you still remain you still retain a portion of your

0:24:21.160 --> 0:24:23.640
<v Speaker 1>humanity in a way that you wouldn't if you were

0:24:23.680 --> 0:24:26.240
<v Speaker 1>wearing say a hood or an iron mask or some

0:24:26.320 --> 0:24:31.119
<v Speaker 1>other u covering for your face. Now. I looked at

0:24:31.160 --> 0:24:35.639
<v Speaker 1>another text, Old Chinese Spectacles by Auto Durham Rasmussen, and

0:24:35.720 --> 0:24:38.840
<v Speaker 1>there's a discussion of methods used to grind quote, crystal

0:24:39.160 --> 0:24:42.920
<v Speaker 1>smoky courts in a variety of rose quarts into lenses.

0:24:43.520 --> 0:24:47.680
<v Speaker 1>And apparently Marco Polo reported Chinese lenses in twelve seventy

0:24:47.920 --> 0:24:51.160
<v Speaker 1>stating that people use lenses of quarts or semi precious

0:24:51.200 --> 0:24:54.800
<v Speaker 1>stones to aid their site. Okay, but here we're still

0:24:54.840 --> 0:24:58.639
<v Speaker 1>talking about not just like casual usage among the people,

0:24:59.000 --> 0:25:03.320
<v Speaker 1>not fast and usage, but like specialized cases and in

0:25:03.359 --> 0:25:06.040
<v Speaker 1>some cases seeming to be some kind of magnifier or

0:25:06.119 --> 0:25:09.840
<v Speaker 1>site aid, right yeah, and definitely like a premium item

0:25:09.880 --> 0:25:12.880
<v Speaker 1>that would be used by a specialist. And in fact

0:25:12.960 --> 0:25:14.760
<v Speaker 1>it does seem that also in like Europe, in the

0:25:14.840 --> 0:25:19.840
<v Speaker 1>United States, tinted glasses did exist some in the past

0:25:19.880 --> 0:25:23.520
<v Speaker 1>few centuries, but they were not widely used and certainly

0:25:23.520 --> 0:25:27.040
<v Speaker 1>not outside some kind of corrective or medical context or

0:25:27.359 --> 0:25:31.800
<v Speaker 1>specialized research context until the twentieth century. Right yeah, I mean,

0:25:31.960 --> 0:25:36.240
<v Speaker 1>some classes have become such a fashion symbol it is

0:25:36.280 --> 0:25:40.080
<v Speaker 1>easy to forget the necessity of them, even if we're

0:25:40.080 --> 0:25:42.719
<v Speaker 1>not dealing with just the basic ideas of oh, it's

0:25:42.720 --> 0:25:44.520
<v Speaker 1>like a super bright day, or you're in the middle

0:25:44.520 --> 0:25:48.000
<v Speaker 1>of a of a snow field. Because tinted lenses can

0:25:48.080 --> 0:25:50.840
<v Speaker 1>assist people with low vision, and they're often prescribed to

0:25:50.880 --> 0:25:55.400
<v Speaker 1>people with ocular diseases such as age related macular degeneration,

0:25:55.960 --> 0:26:03.440
<v Speaker 1>retinitis pigmentosa, cataract, retinopathy, cone dystrophy, and oculo cutaneous albinism. Yeah,

0:26:03.440 --> 0:26:07.720
<v Speaker 1>I've also seen references to tinted lenses being recommended for, say,

0:26:07.760 --> 0:26:10.680
<v Speaker 1>people who were undergoing some of the symptoms of syphilis

0:26:10.760 --> 0:26:14.560
<v Speaker 1>or something like that, which makes me wonder if there's

0:26:14.600 --> 0:26:17.399
<v Speaker 1>a connection with I have to go to a movie

0:26:17.480 --> 0:26:21.760
<v Speaker 1>in in Francis Ford Coppola's Dracula, where Gary Oldman is Dracula.

0:26:21.840 --> 0:26:24.960
<v Speaker 1>Where's those tinted lenses in the I guess that's supposed

0:26:25.000 --> 0:26:27.840
<v Speaker 1>to be the nineteenth century in England. Yeah, I mean,

0:26:28.400 --> 0:26:31.359
<v Speaker 1>as I've I've ever read before. There are theories, and

0:26:31.920 --> 0:26:36.200
<v Speaker 1>this is again just a theory that that brom Stoker

0:26:36.280 --> 0:26:38.800
<v Speaker 1>could have had syphilis and that might have on some

0:26:38.920 --> 0:26:42.440
<v Speaker 1>level informed his writing of Dracula. I don't remember him

0:26:42.520 --> 0:26:46.800
<v Speaker 1>mentioning tinted spectacles in the book, did he? I do

0:26:46.840 --> 0:26:48.919
<v Speaker 1>not recall that being a detail of the book, but

0:26:49.359 --> 0:26:52.359
<v Speaker 1>it's definitely there in that movie. Anyway. It's it's interesting,

0:26:52.400 --> 0:26:55.960
<v Speaker 1>it's an interesting choice. Whyever Coppola did it um. But

0:26:56.080 --> 0:26:58.359
<v Speaker 1>for modern sunglasses, it's hard to say that they were

0:26:58.400 --> 0:27:02.080
<v Speaker 1>actually exactly in nted at any particular time, because we

0:27:02.440 --> 0:27:06.120
<v Speaker 1>as we mentioned, various kinds of shaded or tinted lenses

0:27:06.160 --> 0:27:10.080
<v Speaker 1>had existed for a while for various specialized uses. It

0:27:10.160 --> 0:27:13.400
<v Speaker 1>wasn't until the nineteen twenties I think, really when commercial

0:27:13.440 --> 0:27:18.280
<v Speaker 1>sunglasses and tinted goggles for driving often really became popular,

0:27:18.320 --> 0:27:21.280
<v Speaker 1>and then especially it seems in the nineteen thirties when

0:27:21.359 --> 0:27:25.280
<v Speaker 1>commercially produced sunglasses became popular in the in the United

0:27:25.320 --> 0:27:28.520
<v Speaker 1>States due to there being a fashion item worn by

0:27:28.520 --> 0:27:31.400
<v Speaker 1>the rich and the glamorous. Now, if we want to

0:27:31.480 --> 0:27:34.720
<v Speaker 1>focus briefly on the idea of how sunglasses actually work,

0:27:34.800 --> 0:27:36.400
<v Speaker 1>I feel like you can. You can take a couple

0:27:36.400 --> 0:27:38.840
<v Speaker 1>of approaches here. You can go the very simple route,

0:27:38.960 --> 0:27:42.480
<v Speaker 1>or you can go the incredibly tedious route. Right, And

0:27:42.680 --> 0:27:45.400
<v Speaker 1>how do we how do we avoid those two? Well

0:27:45.440 --> 0:27:47.520
<v Speaker 1>we can. I think what we'll do is we'll try

0:27:47.600 --> 0:27:50.000
<v Speaker 1>to We'll try and hit the high notes here and

0:27:50.000 --> 0:27:51.760
<v Speaker 1>and just remind everybody if you want a more in

0:27:51.880 --> 0:27:54.800
<v Speaker 1>depth discussion of how sunglasses work, there's actually a how

0:27:54.840 --> 0:27:58.320
<v Speaker 1>stuff works article, How sunglasses work. Oddly enough, that's the

0:27:58.320 --> 0:28:00.480
<v Speaker 1>title of the article. That's a pretty good one. Yeah,

0:28:00.480 --> 0:28:01.959
<v Speaker 1>and it's it's a pretty it is a pretty good one.

0:28:01.960 --> 0:28:03.879
<v Speaker 1>It takes you through a lot of the more optical details,

0:28:03.920 --> 0:28:09.240
<v Speaker 1>like essentially to really understand how sunglasses work, you needed

0:28:09.280 --> 0:28:12.160
<v Speaker 1>like a full refresher on how light works. And that's

0:28:12.160 --> 0:28:14.280
<v Speaker 1>what this article provides. And that's what we do not

0:28:14.400 --> 0:28:17.800
<v Speaker 1>have time to provide here today. But we talked about

0:28:17.880 --> 0:28:21.880
<v Speaker 1>lumens already, and we've talked about just basically how sunglasses

0:28:21.960 --> 0:28:25.359
<v Speaker 1>modify incoming light to your eyes. Now, there are different

0:28:25.400 --> 0:28:29.119
<v Speaker 1>ways that different types of sunglasses do that, right. Modern

0:28:29.119 --> 0:28:33.440
<v Speaker 1>sunglasses especially depend on a number of different methods. There's tinting, polarization,

0:28:33.880 --> 0:28:39.480
<v Speaker 1>photochromic lenses, there's mirror mirroring, scratch resistant coding, anti reflective coding,

0:28:39.520 --> 0:28:43.480
<v Speaker 1>and UV coding. Tinting, though, is largely what we're talking

0:28:43.520 --> 0:28:46.000
<v Speaker 1>about here, uh, and it's certainly key to the older

0:28:46.040 --> 0:28:50.640
<v Speaker 1>methods of lens based shades. Gray tint is generally popular

0:28:50.640 --> 0:28:53.600
<v Speaker 1>because gray tint reduces the overall amount of brightness with

0:28:53.720 --> 0:28:56.719
<v Speaker 1>the least amount of color distortion. Because this is this

0:28:56.760 --> 0:28:58.920
<v Speaker 1>is actually a really interesting thing to to read up on,

0:28:58.960 --> 0:29:01.560
<v Speaker 1>because when you think about the color of shades, it's

0:29:01.600 --> 0:29:04.720
<v Speaker 1>easy to just think that it's just purely, you know,

0:29:04.960 --> 0:29:07.080
<v Speaker 1>a fashion choice. Am I gonna have brown? Am I

0:29:07.120 --> 0:29:10.640
<v Speaker 1>gonna maybe a mood choice? Like? Are you nero? And

0:29:10.720 --> 0:29:13.520
<v Speaker 1>you want to see the gladiator fights in green because

0:29:13.560 --> 0:29:17.760
<v Speaker 1>you like green? Yeah? Maybe I like rose rose tinted glasses.

0:29:17.920 --> 0:29:21.080
<v Speaker 1>There's actually and now I'm remembering that I have been

0:29:21.120 --> 0:29:26.840
<v Speaker 1>into various New Age stores where they sell um glasses

0:29:27.200 --> 0:29:30.480
<v Speaker 1>that are tinted with and they come with like documentation

0:29:30.520 --> 0:29:32.880
<v Speaker 1>to tell you about how this particular tinant will affect

0:29:32.880 --> 0:29:35.480
<v Speaker 1>your mood. Oh like in a like a magic stone

0:29:35.520 --> 0:29:38.120
<v Speaker 1>power kind of way, like it has the powers of

0:29:38.160 --> 0:29:41.440
<v Speaker 1>the supposed powers of these crystals embedded in the glass.

0:29:41.600 --> 0:29:44.120
<v Speaker 1>Oh yes, there's definitely a new Age crystal vibe to it.

0:29:44.160 --> 0:29:46.360
<v Speaker 1>But also I think maybe there's a they were incorporating

0:29:46.360 --> 0:29:48.840
<v Speaker 1>a little bit of color theory as well. How do

0:29:48.960 --> 0:29:52.720
<v Speaker 1>I get diamond sunglasses? I just want to look through

0:29:52.840 --> 0:29:55.920
<v Speaker 1>dark diamonds. I want to say that um, the dark

0:29:55.960 --> 0:29:59.560
<v Speaker 1>crystal McDuck has those really maybe, but well, I want

0:29:59.600 --> 0:30:01.880
<v Speaker 1>to say the there is like a like, apart from

0:30:01.880 --> 0:30:04.120
<v Speaker 1>the cartoon that showed when it played all the clips

0:30:04.200 --> 0:30:06.720
<v Speaker 1>at the beginning that he had like diamonds stuck in

0:30:06.760 --> 0:30:09.240
<v Speaker 1>his eyes. That's what I'm thinking of, Okay, but I think, yeah,

0:30:09.280 --> 0:30:13.400
<v Speaker 1>you wouldn't want diamonds stuck in your eyes. That'd be pointy. Um.

0:30:13.680 --> 0:30:16.920
<v Speaker 1>But anyway, the take home here is that, uh, different color,

0:30:17.320 --> 0:30:21.120
<v Speaker 1>different tinted lenses do different things. They interact with light

0:30:21.160 --> 0:30:24.760
<v Speaker 1>in different ways. So again, gray um is not going

0:30:24.800 --> 0:30:28.600
<v Speaker 1>to really distort color all that much. Meanwhile, yellow or

0:30:28.640 --> 0:30:31.360
<v Speaker 1>gold tents reduce the amount of blue light while allowing

0:30:31.400 --> 0:30:34.280
<v Speaker 1>a larger percentage of other frequencies through. But they can

0:30:34.320 --> 0:30:38.000
<v Speaker 1>also create a kind of glare known as blue haze. Uh.

0:30:38.040 --> 0:30:40.640
<v Speaker 1>The yellow tint virtually eliminates the blue part of the

0:30:40.680 --> 0:30:44.960
<v Speaker 1>spectrum and has the effect of making everything bright and sharp.

0:30:45.600 --> 0:30:49.880
<v Speaker 1>Amber and brownish tints reduced glare, and they have molecules

0:30:49.920 --> 0:30:53.760
<v Speaker 1>that absorb higher frequency colors such as blue. In addition

0:30:53.800 --> 0:30:57.800
<v Speaker 1>to UV rays, green tints on lenses filter some blue

0:30:57.880 --> 0:31:00.680
<v Speaker 1>light in reduced glare, and they offer the highest contrast

0:31:00.920 --> 0:31:04.240
<v Speaker 1>and greatest visual acuity. I guess that's the thing we

0:31:04.280 --> 0:31:07.520
<v Speaker 1>hadn't mentioned much already, is that certain types of light

0:31:07.600 --> 0:31:12.320
<v Speaker 1>filtering could actually sharpen images and reduced blur, such as

0:31:12.360 --> 0:31:17.320
<v Speaker 1>at the gladiatorial uh Comba. You know, I don't know

0:31:17.360 --> 0:31:20.280
<v Speaker 1>if that worked. Well, No, that makes me think. You know,

0:31:20.320 --> 0:31:23.040
<v Speaker 1>there are these stories from the past of people going

0:31:23.120 --> 0:31:25.840
<v Speaker 1>to the movie theaters with sunglasses on. Right, you'd go

0:31:25.880 --> 0:31:28.160
<v Speaker 1>sit in the movies and watch through sunglasses. I wonder

0:31:28.200 --> 0:31:31.920
<v Speaker 1>if some people were trying to see a sharper image somehow. Now,

0:31:31.960 --> 0:31:35.240
<v Speaker 1>the oldest method of tending to depends on constant density.

0:31:35.400 --> 0:31:37.440
<v Speaker 1>Now what does that mean? So this is a uniform

0:31:37.520 --> 0:31:40.720
<v Speaker 1>tinting throughout the lens. Nowadays, we'd have to wear those

0:31:40.720 --> 0:31:44.640
<v Speaker 1>shades over the uncomfortable three D glasses that were already wearing. Right,

0:31:44.880 --> 0:31:48.200
<v Speaker 1>Let's say you're heading up a chain gang. That's Scott

0:31:48.320 --> 0:31:50.880
<v Speaker 1>Luke in it. Oh yeah, you're talking about old cool

0:31:50.880 --> 0:31:53.800
<v Speaker 1>hand Luke and the man with no eyes that that

0:31:53.920 --> 0:31:57.840
<v Speaker 1>chain gang guard where he's always wearing those those perfectly

0:31:57.960 --> 0:32:01.960
<v Speaker 1>mirrored shades and just seem to have no soul exactly.

0:32:02.080 --> 0:32:03.840
<v Speaker 1>Or at the other end of the spectrum, let's say

0:32:03.840 --> 0:32:06.560
<v Speaker 1>you're just trying to look super cool. I mean, there

0:32:06.600 --> 0:32:09.760
<v Speaker 1>are so many reasons people wear sunglasses that don't have

0:32:10.000 --> 0:32:13.360
<v Speaker 1>that much to do with blocking out the sunlight. Sunglasses,

0:32:13.400 --> 0:32:16.520
<v Speaker 1>I think have a profound psychological and cultural impact, and

0:32:16.520 --> 0:32:24.360
<v Speaker 1>we should talk about that when we come back. All right,

0:32:24.400 --> 0:32:27.440
<v Speaker 1>we're back, So we're talking about the legacy of sunglasses

0:32:27.520 --> 0:32:30.760
<v Speaker 1>of what are they doing psychologically and culturally. Now, one

0:32:30.800 --> 0:32:33.640
<v Speaker 1>thing is that human behavior and self image pretty clearly

0:32:33.680 --> 0:32:38.560
<v Speaker 1>are influenced by some interplay between our ongoing senses of

0:32:38.720 --> 0:32:42.520
<v Speaker 1>seeing and being seen. Right at any given time, you're

0:32:42.560 --> 0:32:46.480
<v Speaker 1>potentially seeing something and you're potentially being seen, and how

0:32:46.560 --> 0:32:50.160
<v Speaker 1>you feel about those things is going to affect your confidence,

0:32:50.280 --> 0:32:54.040
<v Speaker 1>your relation to other people, maybe your generosity. As just

0:32:54.120 --> 0:32:56.600
<v Speaker 1>one strange example, just just think about all the ways

0:32:56.680 --> 0:33:00.600
<v Speaker 1>that things feel different if you're viewing them comply through

0:33:00.640 --> 0:33:03.800
<v Speaker 1>some kind of barrier or screen, Like the way that

0:33:04.200 --> 0:33:07.920
<v Speaker 1>your relationship to the world changes when you're looking at

0:33:07.960 --> 0:33:11.600
<v Speaker 1>that world through a car windshield, you know what I mean,

0:33:11.720 --> 0:33:14.560
<v Speaker 1>How being being inside a car looking out at the

0:33:14.600 --> 0:33:18.240
<v Speaker 1>world fundamentally changes how you think about that world as

0:33:18.240 --> 0:33:21.120
<v Speaker 1>opposed to being in the exact same place but not

0:33:21.280 --> 0:33:23.959
<v Speaker 1>looking through the glass of a windshield. Yeah, Like, it's

0:33:23.960 --> 0:33:27.280
<v Speaker 1>an entirely different scenario if you're just say, um, you know,

0:33:27.320 --> 0:33:29.600
<v Speaker 1>at a summer camp, just walking through the woods. But

0:33:29.640 --> 0:33:31.920
<v Speaker 1>then if you're wearing a hockey mask while doing so,

0:33:32.040 --> 0:33:34.840
<v Speaker 1>it changes everything. Well, no, it really does, I mean,

0:33:34.920 --> 0:33:37.320
<v Speaker 1>And it's not just the act of say, stalking through

0:33:37.360 --> 0:33:40.160
<v Speaker 1>the woods or the act of driving. It also seems

0:33:40.200 --> 0:33:43.719
<v Speaker 1>to be something about that barrier. And likewise, sunglasses can

0:33:43.760 --> 0:33:46.800
<v Speaker 1>be a kind of shield or barrier or blind that

0:33:46.840 --> 0:33:49.880
<v Speaker 1>has psychological effects on the person wearing them in the

0:33:49.920 --> 0:33:53.440
<v Speaker 1>person they interact with. Think again of the Chinese courtroom example.

0:33:53.640 --> 0:33:56.480
<v Speaker 1>You could see in a maybe in a maybe well

0:33:56.600 --> 0:34:00.560
<v Speaker 1>meaning or benevolent way, that a judge hiding or face

0:34:01.680 --> 0:34:05.240
<v Speaker 1>could be a way to try to show impartiality or neutrality,

0:34:05.280 --> 0:34:09.280
<v Speaker 1>not show emotional reactions to arguments or statements or evidence.

0:34:09.600 --> 0:34:11.400
<v Speaker 1>On the other hand, you could say that the judge

0:34:11.480 --> 0:34:14.879
<v Speaker 1>covering their face could be some kind of power move, right,

0:34:15.000 --> 0:34:17.520
<v Speaker 1>you know, the judge says you will not have access

0:34:17.600 --> 0:34:20.239
<v Speaker 1>to my humanity. I will look upon you, but you

0:34:20.280 --> 0:34:22.680
<v Speaker 1>will not look upon me. And even though they're not

0:34:22.719 --> 0:34:25.600
<v Speaker 1>technically the judge that you know, we do see this

0:34:25.640 --> 0:34:28.920
<v Speaker 1>with our our our law enforcement figures right, and those

0:34:29.000 --> 0:34:31.440
<v Speaker 1>chain gang figures like the man with no eyes or

0:34:31.520 --> 0:34:35.160
<v Speaker 1>the clearly the cool ham Luke inspired character in the

0:34:35.160 --> 0:34:38.200
<v Speaker 1>Cohen Brothers. Oh brother where art thou of where you

0:34:38.280 --> 0:34:41.520
<v Speaker 1>often see like fire reflected in his dark shades, but

0:34:41.600 --> 0:34:44.719
<v Speaker 1>never his eyes. And there is actually research on the

0:34:44.760 --> 0:34:47.879
<v Speaker 1>effects of sunglasses on human behavior. Yeah, I was looking

0:34:47.920 --> 0:34:50.520
<v Speaker 1>at a two thousand ten University of Toronto study that

0:34:50.640 --> 0:34:54.520
<v Speaker 1>found that people wearing sunglasses were less generous. Now, this

0:34:54.600 --> 0:34:57.239
<v Speaker 1>was via a very small experiment in which participants were

0:34:57.239 --> 0:34:59.560
<v Speaker 1>given a small amount of money to divvy up between

0:34:59.600 --> 0:35:03.600
<v Speaker 1>themselves in another individual and um and and you know,

0:35:03.640 --> 0:35:05.879
<v Speaker 1>they found that if you were wearing the sunglasses, you

0:35:06.000 --> 0:35:08.560
<v Speaker 1>were a little stingier with the money. In a way,

0:35:08.600 --> 0:35:11.160
<v Speaker 1>It's like they could see less of of you and

0:35:11.200 --> 0:35:15.240
<v Speaker 1>therefore there was less to be lost in uh in

0:35:15.239 --> 0:35:18.200
<v Speaker 1>in in dishing out less money. Well, it's this feeling

0:35:18.239 --> 0:35:22.000
<v Speaker 1>of being inside and being disconnected. I think that has

0:35:22.040 --> 0:35:23.680
<v Speaker 1>something to do with that. I mean, it's the same

0:35:23.680 --> 0:35:26.759
<v Speaker 1>way that you are much I mean, maybe not you,

0:35:26.840 --> 0:35:29.600
<v Speaker 1>but I would suspect you, like most people are just

0:35:29.880 --> 0:35:33.719
<v Speaker 1>less generous when thinking about the people around you. When

0:35:33.719 --> 0:35:36.040
<v Speaker 1>you're in a car. You ever noticed how like if

0:35:36.080 --> 0:35:38.920
<v Speaker 1>you if you were walking past somebody on the sidewalk

0:35:38.960 --> 0:35:41.160
<v Speaker 1>and they got in your way, you wouldn't you wouldn't

0:35:41.200 --> 0:35:43.759
<v Speaker 1>be like, what's wrong with you? You? You know, get

0:35:43.760 --> 0:35:46.480
<v Speaker 1>out of my way. But people in cars say stuff

0:35:46.520 --> 0:35:48.720
<v Speaker 1>like that all the time. I think it has something

0:35:48.760 --> 0:35:51.400
<v Speaker 1>to do with like looking out through that screen on

0:35:51.440 --> 0:35:55.040
<v Speaker 1>the world. It creates this barrier that undercuts your generosity

0:35:55.080 --> 0:35:58.280
<v Speaker 1>and connection with other people outside as humans and turns

0:35:58.320 --> 0:36:03.399
<v Speaker 1>them more into a like obstacle stimuli. Yeah. Now, and

0:36:03.440 --> 0:36:05.359
<v Speaker 1>another thing which you mention is that this study does

0:36:05.400 --> 0:36:10.600
<v Speaker 1>follow in the tradition of Philippa Zimbardo's famous Stanford prison experiment,

0:36:11.320 --> 0:36:13.920
<v Speaker 1>which show it's easy to forget because this is like

0:36:13.960 --> 0:36:18.080
<v Speaker 1>the less powerful detail of that study. But I mean,

0:36:18.120 --> 0:36:19.759
<v Speaker 1>I think I have read that there there are a

0:36:19.800 --> 0:36:22.040
<v Speaker 1>lot of people who look back on that study and think,

0:36:22.239 --> 0:36:24.520
<v Speaker 1>you know, we shouldn't draw too many conclusions from it.

0:36:24.560 --> 0:36:27.439
<v Speaker 1>I think I don't remember exactly what the criticisms are now,

0:36:27.440 --> 0:36:30.759
<v Speaker 1>but I think it it is. It has been critically reappraised, right,

0:36:30.800 --> 0:36:33.160
<v Speaker 1>it is. It is a study that was that it

0:36:33.200 --> 0:36:36.000
<v Speaker 1>certainly has a has a long legacy onto itself. A

0:36:36.000 --> 0:36:39.000
<v Speaker 1>lot of people have revisited it that in cases have

0:36:39.040 --> 0:36:41.520
<v Speaker 1>had issues with it. But it did entail the use

0:36:41.560 --> 0:36:44.239
<v Speaker 1>of mirrored sunglasses. Those assigned to play the roles of

0:36:44.320 --> 0:36:49.000
<v Speaker 1>guards in that experiment were given sticks and sunglasses. What

0:36:49.160 --> 0:36:51.960
<v Speaker 1>And basically the issue is that in that experiment, some

0:36:52.000 --> 0:36:54.160
<v Speaker 1>people were assigned to play the role of prisoners and

0:36:54.200 --> 0:36:56.400
<v Speaker 1>some people who were assigned to play the role of guards,

0:36:56.400 --> 0:36:59.520
<v Speaker 1>and they found that even just being given these fake

0:36:59.680 --> 0:37:03.320
<v Speaker 1>role supposedly the people really took on their roles and

0:37:03.480 --> 0:37:06.319
<v Speaker 1>like the guards, became brutal. Well, you know, no matter

0:37:06.360 --> 0:37:09.000
<v Speaker 1>what we think about the Stanford prison experiment, we do

0:37:09.040 --> 0:37:11.120
<v Speaker 1>have plenty of studies and in clothes cognition in the

0:37:11.160 --> 0:37:15.680
<v Speaker 1>ways that various cultural uniforms change the way we think

0:37:15.719 --> 0:37:20.120
<v Speaker 1>about ourselves. Our own abilities are roles, and typically those

0:37:20.120 --> 0:37:22.560
<v Speaker 1>experiments include things like giving somebody a doctor's coat and

0:37:22.600 --> 0:37:25.799
<v Speaker 1>a clipboard but creases their sense of authority. Yeah, but

0:37:25.840 --> 0:37:27.520
<v Speaker 1>in this but you can look back at Stanford prison

0:37:27.600 --> 0:37:30.880
<v Speaker 1>experiment and say, well, a stick and some sunglasses. This

0:37:30.960 --> 0:37:33.560
<v Speaker 1>is kind of to a certain extent that the uniform

0:37:33.920 --> 0:37:37.600
<v Speaker 1>of the guard, that is, how many how many cases

0:37:38.080 --> 0:37:42.520
<v Speaker 1>are sunglasses a part of a uniform official or unofficial

0:37:42.920 --> 0:37:46.200
<v Speaker 1>that have certain attributes that we perhaps take on when

0:37:46.239 --> 0:37:50.520
<v Speaker 1>we wear them, and we're thinking about that particular archetype.

0:37:50.560 --> 0:37:52.560
<v Speaker 1>For instance, it could be something like just the cool

0:37:52.600 --> 0:37:55.560
<v Speaker 1>cat who's wearing shades. Uh, you know, maybe we're just

0:37:55.560 --> 0:37:58.799
<v Speaker 1>thinking about David Caruso putting those those those deal with

0:37:58.800 --> 0:38:01.040
<v Speaker 1>Its shades on and saying something cool. Well, that's another

0:38:01.120 --> 0:38:05.160
<v Speaker 1>good question. Why are sunglasses so generally perceived as cool?

0:38:05.680 --> 0:38:07.840
<v Speaker 1>I've read about this, and you know, one of the

0:38:07.920 --> 0:38:12.560
<v Speaker 1>ideas out there is that sunglasses are perceived as cool because,

0:38:12.600 --> 0:38:15.880
<v Speaker 1>as we've been talking about, they limit people's access to

0:38:16.000 --> 0:38:19.719
<v Speaker 1>your emotions and to your reactions. Right, they make you

0:38:19.800 --> 0:38:23.600
<v Speaker 1>appear more static when other people can't read your expressions,

0:38:23.640 --> 0:38:28.799
<v Speaker 1>you appear more you know, impassive, more confident, more cool, Yeah,

0:38:28.840 --> 0:38:31.400
<v Speaker 1>more stoic. I mean, you know, the old saying is

0:38:31.400 --> 0:38:33.680
<v Speaker 1>whether the eyes that are mirror into the soul. You know,

0:38:33.960 --> 0:38:36.400
<v Speaker 1>the eyes, Our eyes are an important part of how

0:38:36.440 --> 0:38:39.560
<v Speaker 1>we communicate with people, and they can there can be

0:38:39.560 --> 0:38:43.160
<v Speaker 1>a certain vulnerability. Uh. There there are various ways that

0:38:43.239 --> 0:38:46.080
<v Speaker 1>we can We can just have like dumb, staring eyes

0:38:46.560 --> 0:38:48.760
<v Speaker 1>and if you're wearing shades, nobody can see that confused

0:38:48.800 --> 0:38:51.280
<v Speaker 1>look in your eyes. It's a type of social psychological

0:38:51.480 --> 0:38:54.839
<v Speaker 1>armory in some ways quite literally, right, yeah, I mean

0:38:54.880 --> 0:38:58.080
<v Speaker 1>they're a way to hide. I was also looking at

0:38:58.080 --> 0:39:01.480
<v Speaker 1>a two thousand article published in Psychological Science, a journal

0:39:01.520 --> 0:39:05.280
<v Speaker 1>of the Association for Psychological Science, and in this researchers

0:39:05.280 --> 0:39:08.239
<v Speaker 1>from the Chinese University of Hong Kong found that the

0:39:08.280 --> 0:39:13.720
<v Speaker 1>participants who relived an embarrassing experience tended to prefer large,

0:39:13.920 --> 0:39:17.920
<v Speaker 1>dark tinted sunglasses. And they also found that embarrassed participants

0:39:17.960 --> 0:39:22.719
<v Speaker 1>expressed greater interest in sunglasses as well as restorative face creams.

0:39:23.160 --> 0:39:28.279
<v Speaker 1>So again they're both exercises and covering your face with something. Um. Now,

0:39:28.280 --> 0:39:31.040
<v Speaker 1>the study was conducted with only Chinese participants, so the

0:39:31.120 --> 0:39:33.560
<v Speaker 1>authors pointed out, you know, they're very likely going to

0:39:33.640 --> 0:39:37.080
<v Speaker 1>be certain cultural elements to to these test subjects that

0:39:37.120 --> 0:39:39.719
<v Speaker 1>wouldn't be president and other test subjects. Of course, that's

0:39:39.719 --> 0:39:41.800
<v Speaker 1>always the case. I mean a lot of study studies

0:39:41.840 --> 0:39:44.800
<v Speaker 1>are just done on American college there might be cultural

0:39:44.800 --> 0:39:47.719
<v Speaker 1>issues there as well, exactly. But but I do feel

0:39:47.760 --> 0:39:49.720
<v Speaker 1>like this in general, it does I think it matches

0:39:49.800 --> 0:39:52.600
<v Speaker 1>up with a lot of our experiences. Uh, if if

0:39:52.640 --> 0:39:56.360
<v Speaker 1>you're going on in public and you've been crying, wearing

0:39:56.400 --> 0:39:59.120
<v Speaker 1>sunglasses is the way to go. I mean, we've all

0:39:59.160 --> 0:40:01.680
<v Speaker 1>had situations to where you're just feeling maybe you just

0:40:01.719 --> 0:40:05.520
<v Speaker 1>feeling a little shy or emotionally vulnerable. Putting on sunglasses,

0:40:05.800 --> 0:40:08.440
<v Speaker 1>even if your eyes are not puffy from tears, it's

0:40:08.480 --> 0:40:11.280
<v Speaker 1>a way of like disconnecting and feeling a little safer

0:40:11.320 --> 0:40:14.040
<v Speaker 1>and being just a little less up in the face

0:40:14.080 --> 0:40:16.839
<v Speaker 1>of the world is putting the screen up. Yeah. Now,

0:40:16.880 --> 0:40:18.799
<v Speaker 1>I could be wrong about this, but I also feel

0:40:18.840 --> 0:40:22.600
<v Speaker 1>like that there's perhaps some interesting connection between our preference

0:40:22.640 --> 0:40:26.960
<v Speaker 1>for sunglasses and the way that we experience so much

0:40:26.960 --> 0:40:30.640
<v Speaker 1>of our lives through screen devices. Now you know that

0:40:30.800 --> 0:40:33.759
<v Speaker 1>that the sunglasses introduced this idea of looking at the

0:40:33.800 --> 0:40:36.600
<v Speaker 1>world through a kind of barrier or screen, and we're

0:40:36.600 --> 0:40:41.400
<v Speaker 1>constantly doing now social interactions on phones, on computers, on

0:40:41.480 --> 0:40:44.720
<v Speaker 1>devices where we're also interacting with the world through a screen.

0:40:46.040 --> 0:40:48.439
<v Speaker 1>I don't know if there's anything interesting to tease out there,

0:40:48.440 --> 0:40:51.360
<v Speaker 1>but it feels it feels right to me. Huh. You know,

0:40:51.440 --> 0:40:52.879
<v Speaker 1>I was just thinking of another thing. Have you ever

0:40:52.960 --> 0:40:55.560
<v Speaker 1>encountered somebody internally? We're talking about people we don't know

0:40:55.600 --> 0:40:59.479
<v Speaker 1>that well, or even celebrities, but people who never see

0:40:59.520 --> 0:41:02.600
<v Speaker 1>without their shades, and then when you finally do, it's

0:41:02.640 --> 0:41:04.759
<v Speaker 1>a little unnerving because you're like, oh, is that what

0:41:04.800 --> 0:41:07.800
<v Speaker 1>your eyes look like? It's like seeing kiss without their makeup.

0:41:08.120 --> 0:41:10.879
<v Speaker 1>Yeah exactly. It becomes such a part of their identity,

0:41:10.920 --> 0:41:15.000
<v Speaker 1>you know, um, but it also your Their identity becomes

0:41:15.000 --> 0:41:17.440
<v Speaker 1>this slightly less human thing. You know. There's like the

0:41:17.520 --> 0:41:21.920
<v Speaker 1>stoic eyed, dark eyed country music star. And then if

0:41:21.920 --> 0:41:24.480
<v Speaker 1>you remove them, you're like, who's that guy? Who is

0:41:24.520 --> 0:41:26.960
<v Speaker 1>the one who always wore sunglasses? Was it Roy Orbison?

0:41:27.719 --> 0:41:30.439
<v Speaker 1>Did he always have sunglasses on? Yes? I believe he did.

0:41:30.760 --> 0:41:35.000
<v Speaker 1>Another one is Hank Williams Jr. Sunglasses But I believe

0:41:35.040 --> 0:41:38.080
<v Speaker 1>that was if i'm if i'm if memory serves me correctly,

0:41:38.200 --> 0:41:40.520
<v Speaker 1>part of that was due to an injury he's sustained

0:41:40.560 --> 0:41:43.360
<v Speaker 1>as well. Oh really Yeah, Well, I think another way

0:41:43.440 --> 0:41:47.520
<v Speaker 1>that sunglasses lend a sense of coolness and maybe even

0:41:47.640 --> 0:41:50.080
<v Speaker 1>celebrity or glamor to people is that they increase a

0:41:50.120 --> 0:41:52.640
<v Speaker 1>sense of mystery, Right, that's sort of what you're getting

0:41:52.640 --> 0:41:54.120
<v Speaker 1>at here. Well, yeah, because of the other side, what

0:41:54.160 --> 0:41:56.719
<v Speaker 1>do their eyes look like? What is it like to

0:41:56.800 --> 0:41:59.560
<v Speaker 1>have a personal connection with this person I don't even

0:41:59.320 --> 0:42:02.520
<v Speaker 1>I don't even know who Dare stares into the eyes

0:42:02.560 --> 0:42:07.680
<v Speaker 1>of both Cephis. It's like Medusa. Yeah. Um, Speaking of

0:42:07.680 --> 0:42:11.120
<v Speaker 1>psychology and sunglasses, I also read a two fourteen University

0:42:11.120 --> 0:42:14.480
<v Speaker 1>of Sienna a study Sienna in Italy, and they made

0:42:14.480 --> 0:42:19.040
<v Speaker 1>a connection between panic attacks, specifically panic disorders in fear

0:42:19.080 --> 0:42:23.040
<v Speaker 1>of bright lights. And so people who experience uh, panic

0:42:23.080 --> 0:42:25.919
<v Speaker 1>attacks and and and and have a panic disorder, they said,

0:42:25.960 --> 0:42:29.760
<v Speaker 1>often find comfort in the use of sunglasses. That's interesting.

0:42:29.800 --> 0:42:32.240
<v Speaker 1>I wonder what the I wonder what the causal ordering

0:42:32.320 --> 0:42:36.240
<v Speaker 1>there is. Is it like they find comfort in sunglasses

0:42:36.320 --> 0:42:38.960
<v Speaker 1>because they're afraid of bright lights, or they're afraid of

0:42:38.960 --> 0:42:42.200
<v Speaker 1>bright lights because they find comfort in sunglasses. Yeah, that's

0:42:42.200 --> 0:42:45.480
<v Speaker 1>a good point, because yeah, there's so many, now that

0:42:45.520 --> 0:42:48.680
<v Speaker 1>we've discussed all these various, uh, just psychological elements that

0:42:48.719 --> 0:42:51.319
<v Speaker 1>could be in play, from the unclothed cognition to even

0:42:51.360 --> 0:42:54.480
<v Speaker 1>just personal identity. Like if you wear sunglasses so much

0:42:54.560 --> 0:42:56.160
<v Speaker 1>that they are just a part of who you are,

0:42:56.800 --> 0:43:00.000
<v Speaker 1>then it makes sense that you would feel naked without them.

0:43:00.120 --> 0:43:03.000
<v Speaker 1>Maybe you end up just wearing your sunglasses at night,

0:43:03.080 --> 0:43:08.000
<v Speaker 1>much like Corey Hart did. Are you lonely just like Mercy.

0:43:09.440 --> 0:43:11.680
<v Speaker 1>All right, So there you have it. Uh. That is

0:43:11.719 --> 0:43:15.279
<v Speaker 1>the episode of Invention for this week. We do hope

0:43:15.280 --> 0:43:18.560
<v Speaker 1>that you will check out Invention pod dot com. That

0:43:18.640 --> 0:43:22.719
<v Speaker 1>is where you'll find the existing episodes of the Invention Podcast.

0:43:22.920 --> 0:43:26.440
<v Speaker 1>You'll also find links out to our social media accounts,

0:43:26.920 --> 0:43:29.680
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0:43:29.840 --> 0:43:32.640
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0:43:32.680 --> 0:43:35.560
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0:43:35.920 --> 0:43:38.040
<v Speaker 1>we are known to hang out and discuss episodes of

0:43:38.080 --> 0:43:39.799
<v Speaker 1>Stuff to Blow Your Mind. But we're also happy to

0:43:39.840 --> 0:43:43.719
<v Speaker 1>talk about episodes of Invention. Huge thanks as always to

0:43:44.120 --> 0:43:47.560
<v Speaker 1>Scott Benjamin for research assistance on this show, and to

0:43:47.719 --> 0:43:51.319
<v Speaker 1>our excellent audio producer Tory Harrison. If you would like

0:43:51.320 --> 0:43:53.040
<v Speaker 1>to get in touch with us with feedback on this

0:43:53.120 --> 0:43:55.840
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0:43:56.040 --> 0:43:58.960
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0:43:59.200 --> 0:44:10.279
<v Speaker 1>at in vention pot dot com. You whe