WEBVTT - Bryce Wilson

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<v Speaker 1>Hey, y'all.

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<v Speaker 2>Is Lauren Rosa with the latest with Laurna Rosa on

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<v Speaker 2>Black Effects and I cannot wait to see you guys

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<v Speaker 2>at the fourth Annual Black Effect Podcast Festival. Okay, we're

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<v Speaker 2>coming back to Atlanta, Georgia on Saturday, April twenty fifth

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<v Speaker 2>at Palman Yard and it's hosted by me alongside DJ

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<v Speaker 2>MV and charlottagnea God. We got Drink Chance of Noriega

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<v Speaker 2>and DJAFM. We got to Keep a Positive Sweetie with

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<v Speaker 2>My Girl Christopher A.

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<v Speaker 1>Haslin.

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<v Speaker 2>We got Reality with the King with My Guide, then

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<v Speaker 2>my brother Carlos King, and y'all know he does reality

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<v Speaker 2>commentary like nobody can now.

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<v Speaker 1>We also have Don't.

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<v Speaker 2>Call Me White Girl, the podcast I Love Mona and

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<v Speaker 2>Club five to twenty podcasts, along with the Grits and

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<v Speaker 2>Eggs podcast.

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<v Speaker 1>So this lineup sack Baby, turn up.

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<v Speaker 2>You're also gonna want to check out the panels that

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<v Speaker 2>we have lined up too, Feature and Cab on stage,

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<v Speaker 2>Tika Sumpter, and John Hope Bryant just to name a few.

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<v Speaker 2>Of course, it's way bigger than podcast. We're bringing the

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<v Speaker 2>Black Effect marketplace with black owned businesses, Bus the food

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<v Speaker 1>Okay, listen, you.

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<v Speaker 2>Don't want to miss this. Tap in and grab your

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<v Speaker 2>ticket down at blackaffect dot com.

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<v Speaker 1>Slash podcast yesterday, R.

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<v Speaker 3>And B Money, Thanks take me all the time. We are.

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<v Speaker 1>On R and D Ladies and gentlemen.

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<v Speaker 3>I'm Jay Valentine and this is the R and B

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<v Speaker 3>Money Podcast.

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<v Speaker 1>And today.

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<v Speaker 3>I got one of my good brothers, Ah, somebody that

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<v Speaker 3>really gave me a lot of game, and I just

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<v Speaker 3>want to put it out there. He's the reason I'm

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<v Speaker 3>a video ho the man trying to himself. He's been

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<v Speaker 3>making y'all high for a long time, and hopefully he

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<v Speaker 3>tells me some really cool shit today.

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<v Speaker 1>My brother Bryce Wilson, my guy, Hey man, thanks for

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<v Speaker 1>having me. I've been waiting for you to pull up

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<v Speaker 1>on me, dog man. I've been waiting to come on

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<v Speaker 1>here man, you know.

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<v Speaker 3>Because I know you don't talk to everybody. I do

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<v Speaker 3>not I know, man, And that's when I first hit you.

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<v Speaker 3>I was like, I could feel it's hesitant. I'm his brother,

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<v Speaker 3>so he gonna know that I was. I ain't on

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<v Speaker 3>no bullshit. Absolutely, hey man, we're gonna kick this off.

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<v Speaker 3>We starts off before we tell the story your story.

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<v Speaker 3>So Bryce Wilson I meet and we just had We

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<v Speaker 3>were kindred spirits from the beginning, right. It was like,

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<v Speaker 3>all right, the quote unquote pretty boy niggas who from

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<v Speaker 3>a dark place exactly.

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<v Speaker 1>That's the best way I could put it, exactly. And

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<v Speaker 1>I'm like, yeah, me.

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<v Speaker 3>And it's funny, bro, because when we first met, I

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<v Speaker 3>would just pull up on your sessions.

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<v Speaker 1>I would just come pull up on you, man, come

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<v Speaker 1>hang out, just hang out. People that know me know

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<v Speaker 1>that I don't do that.

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<v Speaker 3>Yeah, yeah, I gotta really fuck with you if I'm

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<v Speaker 3>just pulling up and it ain't about nothing else.

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<v Speaker 1>Absolutely, And one night I'm like, big, bro, wow.

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<v Speaker 3>This request came my way, man, and I think you

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<v Speaker 3>would understand this. I'm like, man, my homegirl, new artist.

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<v Speaker 3>I don't know if you heard about her, Kisha Cold.

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<v Speaker 3>She asked me to be her video ho yep. And

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<v Speaker 3>I said, I'm asking you because you've been one exactly.

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<v Speaker 3>It's an elite club.

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<v Speaker 1>What you said to me too.

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<v Speaker 3>And I'm like, bro, I'm about to say no. I

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<v Speaker 3>don't think I want to be in no videos.

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<v Speaker 4>Man.

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<v Speaker 1>Yeah. I was like, nah, you got to gotta do it.

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<v Speaker 3>Gotta do it, and I trusted your opinion of it

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<v Speaker 3>so much, and I'm like, okay, that's what I needed.

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<v Speaker 3>I needed my dog to tell me like, nah, bro,

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<v Speaker 3>you should do it, because you could have told me too,

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<v Speaker 3>Like listen that video, bro, and it just it fucks

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<v Speaker 3>some shit up.

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<v Speaker 1>Or yeah, it wasn't right for me and does surprisingly

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<v Speaker 1>well for you. It did.

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<v Speaker 3>It won't go away. It won't, bro, especially not the Internet.

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<v Speaker 3>Exactly the Internet I am. I am a meme, yep,

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<v Speaker 3>I am. You know somebody will be like I've seen

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<v Speaker 3>something that since one one somebody posted and it was

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<v Speaker 3>like this if if he looked like this, this is

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<v Speaker 3>he gonna cheat on you. I'm like, what, Like I

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<v Speaker 3>was just in the video rag on every nigga to

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<v Speaker 3>do rag gee exactly exact you know what I mean.

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<v Speaker 3>But but yeah, Bro, you're the You're the reason why

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<v Speaker 3>I ultimately said, yeah they're doing that video. Yeah, those

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<v Speaker 3>are you know, it's like that's not that's not really

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<v Speaker 3>our personality type, right, but you know, when it's done,

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<v Speaker 3>it represents a moment in history. Yes, you know what

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<v Speaker 3>I'm saying, forever stamped. Yeah in that video, and I mean, shit,

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<v Speaker 3>Kanye produced the record John legends in the video like

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<v Speaker 3>it's random things that are happening. Yeah in that video, man,

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<v Speaker 3>And you know obviously Keisha went on to become a

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<v Speaker 3>legend and yeah, I'm forever etched.

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<v Speaker 1>In yeah in that story. Yeah yeah man.

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<v Speaker 3>But but yeah, bro, I just I had to He's

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<v Speaker 3>still available for more.

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<v Speaker 1>No, you're young and check them. No, I don't want

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<v Speaker 1>I don't want to be in nobody else's video. I

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<v Speaker 1>haven't been asked. Yeah, and I've said no.

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<v Speaker 3>Yeah, I didn't get I don't think I got paid

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<v Speaker 3>for that video either.

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<v Speaker 1>So I'm still still waiting on Manny Hailey. Yeah, man,

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<v Speaker 1>ma me get that paid. Come on Many that gig too.

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<v Speaker 3>Yeah. They hung out with Keisha and she was like, Yo,

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<v Speaker 3>you should manage me and I don't. Something was going

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<v Speaker 3>on with with with the management company means and we

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<v Speaker 3>have we just had a lot going on. And she

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<v Speaker 3>was like this guy man, I was like Many from

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<v Speaker 3>Brooklyn all right, So I took out to eat called

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<v Speaker 3>Manny put him together.

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<v Speaker 1>It was like he's gonna be a manager. Wow. Yeah

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<v Speaker 1>yeah I didn't know that. Yeah, yep, look how it

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<v Speaker 1>all so?

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<v Speaker 3>Okay? You were playing it there to tell me to

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<v Speaker 3>do the video. See it's making Noah, oh this whole No.

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<v Speaker 3>I just got your mihndset. I knew your mindset because

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<v Speaker 3>you know I've been there and that you know I

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<v Speaker 3>do videos I ain't want to do. And then it

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<v Speaker 3>ends up having that cultural currency where it's like, Okay,

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<v Speaker 3>this this ain't you know, this ain't so bad. Yeah,

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<v Speaker 3>you know it works out all right, So okay, let's

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<v Speaker 3>let's get to it now. Man, Young Brice, New York City.

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<v Speaker 3>Give me, give me a little bit of how this

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<v Speaker 3>whole thing kicked off. Bro, the whole thing for me

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<v Speaker 3>kicked off. I grew up between three boroughs, right. I

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<v Speaker 3>grew up between Brooklyn, Jamaica Queens and Washington Heights, which

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<v Speaker 3>is the top of Manhattan, Okay, And man I heard

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<v Speaker 3>it was like I'm dating myself. But it was like

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<v Speaker 3>when hip hop was just starting to, you know, like

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<v Speaker 3>become a thing. Right the rest of the country didn't

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<v Speaker 3>know what was going on. It was it was a

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<v Speaker 3>New York there, super New York thing. And it was

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<v Speaker 3>right before the crack era came. And man, I heard

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<v Speaker 3>a record from run DMC and it was just over

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<v Speaker 3>and I just I just kept evolving like into what

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<v Speaker 3>I wanted to do. I wanted to be Rozelle from

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<v Speaker 3>the roots. He was I think Roselle. He's from Harlem

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<v Speaker 3>or the Bronx. But he moved to the corner of

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<v Speaker 3>my block. I had literally the best beat box on

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<v Speaker 3>the planet living up the street, right, So he's beatboxing.

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<v Speaker 3>He's older than me, and I'm just like, you know,

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<v Speaker 3>it's like we got a celebrity on the block. And

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<v Speaker 3>I ended up going to the school I wanted to.

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<v Speaker 3>The high school I wanted to go to. They had

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<v Speaker 3>an aviation program and they didn't take me. So there

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<v Speaker 3>was you want to be a pilot? Yeah, just just

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<v Speaker 3>all of just like last minute. I didn't know what

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<v Speaker 3>I wanted to do, but I was like, let me

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<v Speaker 3>do that. They didn't accept me. And it was a

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<v Speaker 3>high school near my aunt's house in Jamaica, Queens that

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<v Speaker 3>it looked it just looked beautiful, and from a child

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<v Speaker 3>being in the backseat to that car with them in Brooklyn, Queens,

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<v Speaker 3>Manhattan wherever, that was just one of those iconic pictures,

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<v Speaker 3>this beautiful school. So my mother last me, it was like,

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<v Speaker 3>you want to go there? I was like, all right,

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<v Speaker 3>let me do that. So how are you at this point? Fourteen? Okay,

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<v Speaker 3>so use my aunt's address. I go, and this shit

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<v Speaker 3>ended up being gladiated school. Like literally out of all

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<v Speaker 3>five boroughs, we were number four in crime rate. So

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<v Speaker 3>my school was the testing ground for every measure of security.

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<v Speaker 3>Picture id's task force were like six five sixty nine.

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<v Speaker 3>Security were basically bounces right hopping out of vans on

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<v Speaker 3>you first school in New York City.

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<v Speaker 1>They have metal detectives like this. This shit was crazy.

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<v Speaker 3>Yeah, so this is the this is the school from Juice.

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<v Speaker 3>Yeah yeah, pretty much. Yeah, Like I look at lean

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<v Speaker 3>on me, it's a joke, Like this school was really

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<v Speaker 3>like this school was it was. It was gladiated school.

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<v Speaker 3>So I go there not knowing what it was, and

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<v Speaker 3>it's like you got to figure it out, like you

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<v Speaker 3>go be victim or you go to be on.

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<v Speaker 1>The other side. And I went there and I was.

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<v Speaker 3>I was a victim for the first month, and then

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<v Speaker 3>by the second, going to the third month, I started

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<v Speaker 3>turning up.

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<v Speaker 1>I started. It wasn't in my neighborhood. I was kind

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<v Speaker 1>of foreign.

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<v Speaker 3>And I met a good friend of mine, Jeff Shier,

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<v Speaker 3>and he was from the hood. So he took me

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<v Speaker 3>out there, introduced me everybody, and then I just turned

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<v Speaker 3>into a whole other person, like a complete lost soul.

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<v Speaker 1>And by month six they were doing a lot of

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<v Speaker 1>things to try to try to fix it.

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<v Speaker 3>They've changed the name of the school fifteen times. It's

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<v Speaker 3>just never worked. But the principal basically they put together

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<v Speaker 3>task force. They put together list, and I made that list,

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<v Speaker 3>and when you're on that list, they did a sweep

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<v Speaker 3>and you out.

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<v Speaker 1>Yeah.

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<v Speaker 3>But and this is within six months. Yeah, yeah, so

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<v Speaker 3>I was out by January. I was out right. The

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<v Speaker 3>problem is, so my mother takes me shopping, right, and

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<v Speaker 3>this is January. We go shopping in September for the

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<v Speaker 3>school and that's it. January she take me shopping. I'm like, okay,

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<v Speaker 3>this is cool. So I'm looking like this is like

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<v Speaker 3>all my friends from the hood where because they always fly.

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<v Speaker 3>Good niggas always fly, of course, right, they do nothing

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<v Speaker 3>in school, but their parents make sure they fly.

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<v Speaker 1>So I'm like, ah, she gets it now, she gets it.

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<v Speaker 3>Yeah, like she gets it. Cool, So you know, I'm

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<v Speaker 3>feeling good. Next morning she comes to me and she's like, see,

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<v Speaker 3>you know you're good. You okay, you like your clothes

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<v Speaker 3>I'm like, yeah, yeah, I love it. She said, cool,

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<v Speaker 3>because you gotta go. I can't do this, you gotta go.

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<v Speaker 1>I was like what.

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<v Speaker 3>So at the same time she does this, the next week,

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<v Speaker 3>I get swept right, So now I'm kicked out the school.

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<v Speaker 1>I don't know what the fuck to do.

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<v Speaker 3>And then I find out that once you get kicked

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<v Speaker 3>out of Andrew Jackson, no school in New York City

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<v Speaker 3>takes you because it's the worst of the worst. So

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<v Speaker 3>they're just like, she got kicked out of there. Yeah,

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<v Speaker 3>we're not taking it. You can't get any school Bronx,

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<v Speaker 3>Brooklyn and Manhattan nowhere, stating out you're deadlocked out of

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<v Speaker 3>the school system and you got kicked out of the house.

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<v Speaker 1>And kicked out of the house. Yeah.

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<v Speaker 3>So yeah, so and this is the weird thing I met.

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<v Speaker 1>I was in eighth grade. Ll Cool j was in

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<v Speaker 1>eleventh grade.

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<v Speaker 3>We went to the same school, right, So while I'm

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<v Speaker 3>in the school, I'm me and him rolling into every school.

0:11:27.280 --> 0:11:30.720
<v Speaker 3>We cutting school every day. He's wrapping on beat boxing

0:11:31.440 --> 0:11:33.040
<v Speaker 3>and I'm like, I'm about I'm.

0:11:32.840 --> 0:11:36.040
<v Speaker 1>Making your ll cool Jack. I'm his beat box. I'm

0:11:36.080 --> 0:11:37.320
<v Speaker 1>his bet box man.

0:11:39.520 --> 0:11:44.040
<v Speaker 3>Like literally all this du beat box right, So it

0:11:44.120 --> 0:11:47.679
<v Speaker 3>was just this really exciting time because you're watching this

0:11:47.920 --> 0:11:52.280
<v Speaker 3>culture explode, this subculture explode. In the middle of it,

0:11:52.720 --> 0:11:54.920
<v Speaker 3>I was just like I was just stuck. I had

0:11:54.920 --> 0:11:56.360
<v Speaker 3>to get out the house all of that.

0:11:56.920 --> 0:11:58.960
<v Speaker 1>So at the same time my grandparents.

0:11:59.320 --> 0:12:01.599
<v Speaker 3>I thought my grand parents were from Saint Thomas, the

0:12:01.679 --> 0:12:04.160
<v Speaker 3>Virgin Islands, because I was going there since I was

0:12:04.200 --> 0:12:06.240
<v Speaker 3>two months old, right, and then once I hit like

0:12:06.280 --> 0:12:07.960
<v Speaker 3>six seven, me and my sisters would.

0:12:07.720 --> 0:12:09.760
<v Speaker 1>Go there for the summer, so I thought they were

0:12:09.760 --> 0:12:10.080
<v Speaker 1>from there.

0:12:10.120 --> 0:12:12.520
<v Speaker 3>I didn't know that my grandparents retired and then moved

0:12:12.520 --> 0:12:13.480
<v Speaker 3>out there, right.

0:12:14.400 --> 0:12:18.000
<v Speaker 1>So during this year, this September.

0:12:17.520 --> 0:12:19.680
<v Speaker 3>Before the January got kicked out, they moved back to

0:12:19.720 --> 0:12:23.080
<v Speaker 3>the States and moved to Atlanta. So that was the

0:12:23.120 --> 0:12:25.760
<v Speaker 3>only place I can go. So you go to Atlanta,

0:12:25.960 --> 0:12:28.360
<v Speaker 3>and I'll go to Atlanta at what you at fourteen,

0:12:28.440 --> 0:12:32.040
<v Speaker 3>fifteen and fourteen years old, and it was like to

0:12:32.160 --> 0:12:36.240
<v Speaker 3>my culture, shock, Yeah, like this this is at that time,

0:12:36.240 --> 0:12:38.880
<v Speaker 3>it's the fastest city in the world. And I'm in

0:12:39.120 --> 0:12:41.920
<v Speaker 3>you know, my motion is like I'm in it. And

0:12:41.960 --> 0:12:45.520
<v Speaker 3>then now I'm in Atlanta. My two grandparents, who were

0:12:45.600 --> 0:12:49.679
<v Speaker 3>the most solid humans I've ever met, like they went

0:12:49.720 --> 0:12:52.760
<v Speaker 3>to college in their sixties. They were just sharp, you know,

0:12:52.880 --> 0:12:56.080
<v Speaker 3>sharp athletes, like really on it. And their mission was like,

0:12:56.080 --> 0:12:58.520
<v Speaker 3>we're gonna we're gonna fix him. We're going to tighten

0:12:58.559 --> 0:13:01.959
<v Speaker 3>him up and get him straight. So I went to Atlanta,

0:13:02.080 --> 0:13:04.120
<v Speaker 3>and I'm in Atlanta. This hip hop thing didn't happen.

0:13:04.160 --> 0:13:07.880
<v Speaker 3>It's like little remnants of it, and I had to

0:13:07.920 --> 0:13:10.240
<v Speaker 3>thug it out for about two and a half years.

0:13:10.600 --> 0:13:13.000
<v Speaker 3>But it was good because I changed my life. I

0:13:13.080 --> 0:13:15.839
<v Speaker 3>went from in New York, if you get a fifty

0:13:15.880 --> 0:13:18.079
<v Speaker 3>five E fail, if you cut school, you get a forty.

0:13:18.120 --> 0:13:21.199
<v Speaker 3>I got five sevens and twelve's, Like they had a

0:13:21.280 --> 0:13:22.800
<v Speaker 3>been dead out of me. Like I had the worst

0:13:22.800 --> 0:13:25.680
<v Speaker 3>grades anybodys and I didn't pass any classes. So I

0:13:25.720 --> 0:13:29.200
<v Speaker 3>went from failing every class too now passing every class

0:13:29.240 --> 0:13:32.560
<v Speaker 3>because of my grandparents. So it's like every movie I

0:13:32.600 --> 0:13:34.160
<v Speaker 3>see where you just got to go through that fire

0:13:34.200 --> 0:13:37.560
<v Speaker 3>and you hate this person that's actually saving you until

0:13:37.600 --> 0:13:39.880
<v Speaker 3>you get through the fire and then you love that person.

0:13:39.880 --> 0:13:41.480
<v Speaker 1>You know when you you know when you understand.

0:13:42.000 --> 0:13:45.679
<v Speaker 3>So I did that, and slowly but surely Atlanta was

0:13:45.720 --> 0:13:47.120
<v Speaker 3>starting to get a little bit.

0:13:47.040 --> 0:13:49.360
<v Speaker 1>Of the whole hip hop movement. The fresh fest has started.

0:13:49.880 --> 0:13:52.400
<v Speaker 3>I mean I went to Jermaine Dupri's fourteenth birthday party

0:13:53.040 --> 0:13:58.040
<v Speaker 3>and this dude had the turntables. The literal opposite of

0:13:58.080 --> 0:14:00.520
<v Speaker 3>my life, where my life was like my family is like,

0:14:00.520 --> 0:14:02.280
<v Speaker 3>you're throwing your life away. His family's like no, no, no, no,

0:14:03.160 --> 0:14:05.520
<v Speaker 3>he's taking twelve hundred. Yeah, this is your life, right,

0:14:06.360 --> 0:14:08.360
<v Speaker 3>So they were little remnants of that, you know. I

0:14:08.400 --> 0:14:10.840
<v Speaker 3>went to a popular school where you know, Ludacris a

0:14:10.840 --> 0:14:12.440
<v Speaker 3>lot of you know, there were like three high schools.

0:14:12.440 --> 0:14:13.720
<v Speaker 3>I went to one of high schools where a lot

0:14:13.760 --> 0:14:20.400
<v Speaker 3>of music from Atlanta came from. And my grandparents they said, hey,

0:14:20.560 --> 0:14:23.640
<v Speaker 3>we built the house about fifty minutes out.

0:14:23.960 --> 0:14:26.640
<v Speaker 1>Fifty yeah, fifty that's not Yeah, this ship.

0:14:26.760 --> 0:14:28.080
<v Speaker 3>Is in Atlanta.

0:14:28.240 --> 0:14:31.440
<v Speaker 1>Yeah, like this is outside of Atlanta. So I go there.

0:14:32.040 --> 0:14:34.120
<v Speaker 3>What my grandparents say, they said, well, when you graduate,

0:14:34.520 --> 0:14:35.400
<v Speaker 3>I mean the eleventh grade.

0:14:35.400 --> 0:14:37.200
<v Speaker 1>Now, they said, when you graduate, we'll move out to

0:14:37.240 --> 0:14:40.960
<v Speaker 1>the house at in the country club. All right, cool,

0:14:41.040 --> 0:14:43.720
<v Speaker 1>And I'm just sitting in his new house. I see

0:14:43.760 --> 0:14:46.440
<v Speaker 1>cows on the way to school. What the.

0:14:47.880 --> 0:14:51.320
<v Speaker 3>I literally see cows on the way to school. My

0:14:51.360 --> 0:14:54.880
<v Speaker 3>teacher tried to paddle me. Yeah, in high school. Yeah,

0:14:55.360 --> 0:14:58.040
<v Speaker 3>teacher pulled, pulled out, pulled the dry and pulled the

0:14:58.040 --> 0:15:01.200
<v Speaker 3>paddle out. Okay, Yeah, the worst cursing he ever got

0:15:01.240 --> 0:15:04.800
<v Speaker 3>in his life. And I just sat there and I

0:15:04.880 --> 0:15:06.560
<v Speaker 3>just kept thinking about you know, because I go home

0:15:06.600 --> 0:15:08.960
<v Speaker 3>for the summer, you know, so I'm just thinking about

0:15:09.040 --> 0:15:10.280
<v Speaker 3>everything I'm missing.

0:15:10.160 --> 0:15:10.680
<v Speaker 1>In New York.

0:15:10.760 --> 0:15:10.960
<v Speaker 4>Yeah.

0:15:10.960 --> 0:15:12.800
<v Speaker 1>I'm like, yo, you ain't never gonna make a record.

0:15:14.480 --> 0:15:16.400
<v Speaker 1>And I thought about it, and I called my mother

0:15:16.440 --> 0:15:20.040
<v Speaker 1>and I said, y'o, just listen to me. She's like,

0:15:20.080 --> 0:15:22.880
<v Speaker 1>don't start like, just listen to me. I'm gonna kill myself.

0:15:23.520 --> 0:15:25.920
<v Speaker 1>And if you think I'm playing, you're gonna get a

0:15:25.920 --> 0:15:28.680
<v Speaker 1>call from people. I'm telling you. I got to come home.

0:15:29.120 --> 0:15:32.120
<v Speaker 1>And my mother was like, you know what, fucking come home.

0:15:32.360 --> 0:15:34.640
<v Speaker 3>And I came home and it's your eleventh twelfth grade year,

0:15:34.680 --> 0:15:38.440
<v Speaker 3>around eleventh the middle of my of my eleventh year, Yeah,

0:15:39.120 --> 0:15:40.640
<v Speaker 3>middle of my She was like, all right, you can

0:15:40.680 --> 0:15:41.040
<v Speaker 3>come back.

0:15:41.120 --> 0:15:43.440
<v Speaker 1>Yeah, so do they let you back in school now? Though?

0:15:43.760 --> 0:15:45.880
<v Speaker 3>Now you didn't fix your grade, you got all everybody

0:15:45.920 --> 0:15:46.440
<v Speaker 3>everything to other.

0:15:46.680 --> 0:15:49.320
<v Speaker 1>Yep, you're a new guy. I'm a new guy. I'm

0:15:49.360 --> 0:15:51.840
<v Speaker 1>a new guy. And all this is to get to

0:15:51.920 --> 0:15:53.920
<v Speaker 1>the music, all of us. To get to the music,

0:15:54.640 --> 0:15:55.080
<v Speaker 1>all of it.

0:15:55.440 --> 0:15:57.760
<v Speaker 3>When you get back to New York, what's your what's like,

0:15:57.960 --> 0:16:01.200
<v Speaker 3>what's your plan of attack? So I met in uh

0:16:01.760 --> 0:16:05.240
<v Speaker 3>in Atlanta, I met Andre Herrel, a guy named Casual

0:16:05.320 --> 0:16:09.840
<v Speaker 3>Cal who became the ring master for Soul Circus later on.

0:16:10.840 --> 0:16:12.960
<v Speaker 3>He had like the video show down there and I

0:16:13.040 --> 0:16:15.760
<v Speaker 3>met them, and I met a guy from Sleeping Bag Records,

0:16:16.240 --> 0:16:18.600
<v Speaker 3>and I got the guy from Sleeping Bag Records number.

0:16:19.520 --> 0:16:21.160
<v Speaker 1>So when I came up to New York, that was

0:16:21.200 --> 0:16:23.040
<v Speaker 1>the first call I made. I go up there.

0:16:23.680 --> 0:16:25.360
<v Speaker 3>He gives me, he worked in promotion, gave me a

0:16:25.400 --> 0:16:28.600
<v Speaker 3>bunch of records. I'm excited, like it's going to happen,

0:16:29.560 --> 0:16:31.320
<v Speaker 3>and it just didn't happen.

0:16:31.760 --> 0:16:34.040
<v Speaker 1>It never happened. It didn't used to happen like that.

0:16:34.120 --> 0:16:36.080
<v Speaker 1>Now it is a little different, but yeaheah.

0:16:36.520 --> 0:16:38.200
<v Speaker 3>So I went up to the label one time and

0:16:38.240 --> 0:16:40.680
<v Speaker 3>I wrapped for the owners and there was a head

0:16:40.720 --> 0:16:44.880
<v Speaker 3>producer there, men Tronic, and he heard me and he

0:16:45.040 --> 0:16:46.480
<v Speaker 3>was like, yeah, I want him, and I was like

0:16:46.520 --> 0:16:48.720
<v Speaker 3>for real. He was like, yeah, he wants to replace

0:16:48.880 --> 0:16:52.200
<v Speaker 3>the rapper he's got with you, and I was like cool.

0:16:53.040 --> 0:16:56.640
<v Speaker 3>So the guy sleeping bag was kind of hating on it. Okay, bro,

0:16:56.680 --> 0:16:58.480
<v Speaker 3>you can marriage me whatever. He was trying to sign

0:16:58.480 --> 0:17:00.400
<v Speaker 3>you directly, Yeah, but I don't know what he was.

0:17:00.400 --> 0:17:02.040
<v Speaker 3>He was just on some weird shit and I was

0:17:02.080 --> 0:17:06.240
<v Speaker 3>just like, bro, what are you doing? So I ended

0:17:06.280 --> 0:17:08.800
<v Speaker 3>up just giving up on it. Was like fucking now

0:17:08.880 --> 0:17:12.600
<v Speaker 3>in my senior year and I'm back into being an idiot.

0:17:12.840 --> 0:17:17.240
<v Speaker 3>But I'm on course to graduate. You're still handling your business,

0:17:17.240 --> 0:17:18.560
<v Speaker 3>but you're into some shit.

0:17:18.680 --> 0:17:18.920
<v Speaker 1>Yeah.

0:17:19.480 --> 0:17:23.840
<v Speaker 3>And I get a call and it's like Bryce Doyn like, hey,

0:17:23.880 --> 0:17:25.399
<v Speaker 3>it's like this Steven Shapiro, you know how.

0:17:25.520 --> 0:17:28.639
<v Speaker 1>I'm like nah. He's like, I'm a lawyer for Curtis

0:17:28.720 --> 0:17:29.160
<v Speaker 1>man Tronic.

0:17:29.240 --> 0:17:31.840
<v Speaker 3>I'm like, okay, how's he doing. He's like, well, I

0:17:31.920 --> 0:17:34.919
<v Speaker 3>just signed him two million dollar deal in Capital. I

0:17:34.960 --> 0:17:38.160
<v Speaker 3>was like okay, he said, so you want a deal.

0:17:38.320 --> 0:17:41.400
<v Speaker 3>And everything changed from there. Got my first record deal

0:17:41.400 --> 0:17:44.600
<v Speaker 3>in the twelfth grade before I even graduated. Shit, yeah,

0:17:44.680 --> 0:17:48.520
<v Speaker 3>before I graduated. Yeah, their phone call changed everything. Do

0:17:48.600 --> 0:17:49.560
<v Speaker 3>you remember what you signed for?

0:17:50.520 --> 0:17:51.639
<v Speaker 1>Like the advance? Yeah?

0:17:52.359 --> 0:17:55.879
<v Speaker 3>The advance was fifty grand okay, and I think it

0:17:55.920 --> 0:17:57.280
<v Speaker 3>was seventeen year old.

0:17:57.440 --> 0:17:59.400
<v Speaker 1>Yeah, and I.

0:17:59.359 --> 0:18:03.320
<v Speaker 3>Only got ten of it. I got a limo from

0:18:03.320 --> 0:18:04.639
<v Speaker 3>my graduation from high school.

0:18:05.080 --> 0:18:07.720
<v Speaker 1>Wait wait, oh you're talking about this is what you

0:18:07.760 --> 0:18:08.439
<v Speaker 1>spent your ten on?

0:18:08.920 --> 0:18:12.120
<v Speaker 3>No this they got your forty on. Oh I didn't

0:18:12.160 --> 0:18:14.560
<v Speaker 3>understand none of this. Ship Okay, so you did actually

0:18:14.560 --> 0:18:16.160
<v Speaker 3>get to fifty. No, I got the ten.

0:18:16.680 --> 0:18:17.000
<v Speaker 1>Okay.

0:18:17.080 --> 0:18:19.600
<v Speaker 3>My first check was ten all right, and it was

0:18:19.640 --> 0:18:21.080
<v Speaker 3>just like there was Yeah, you want a limo for

0:18:21.119 --> 0:18:25.920
<v Speaker 3>your graduation? Yeah, give me billing you yeah yeah, yeah, yeah,

0:18:25.920 --> 0:18:28.600
<v Speaker 3>so it's your limo. Yeah we did. We did a

0:18:28.640 --> 0:18:32.479
<v Speaker 3>trip to Europe. Wait wait wait what Yeah, we did

0:18:32.480 --> 0:18:34.560
<v Speaker 3>a trip to Europe. Right, it's time out bro business

0:18:34.640 --> 0:18:37.440
<v Speaker 3>though on Mentronic's business right like promo? Shit.

0:18:38.040 --> 0:18:40.080
<v Speaker 1>We stopping in in a suit store.

0:18:40.680 --> 0:18:45.240
<v Speaker 3>I get a suit for twelve thousand dollars. But I'm

0:18:45.280 --> 0:18:47.879
<v Speaker 3>thinking because Curtis is rich, so I'm thinking this is

0:18:47.920 --> 0:18:51.200
<v Speaker 3>on him, or it's on it's on somebody, right, twelve

0:18:51.480 --> 0:18:54.720
<v Speaker 3>thousand dollars suit seventeen.

0:18:54.920 --> 0:18:56.880
<v Speaker 1>Yeah, I have no idea that this is coming out

0:18:56.880 --> 0:18:57.439
<v Speaker 1>of my pocket.

0:18:57.600 --> 0:19:01.000
<v Speaker 3>Before it even reaches my pocket, you had a blank check.

0:19:01.080 --> 0:19:03.000
<v Speaker 1>Yeah, I thought I was. I thought I thought this

0:19:03.040 --> 0:19:04.080
<v Speaker 1>is what that life's about.

0:19:04.119 --> 0:19:08.760
<v Speaker 3>Like, oh yeah, I'll take two of those Yeah exactly. Yeah,

0:19:09.160 --> 0:19:10.840
<v Speaker 3>so yeah, I had I had to deal before I

0:19:10.880 --> 0:19:13.480
<v Speaker 3>finished high school. By the time I graduated, I was

0:19:13.520 --> 0:19:15.919
<v Speaker 3>in probably hit Europe like three times.

0:19:16.400 --> 0:19:18.080
<v Speaker 1>At seventeen. Wow.

0:19:18.400 --> 0:19:21.280
<v Speaker 3>Yeah, so did your And obviously at that point your

0:19:21.280 --> 0:19:23.080
<v Speaker 3>mom probably had to sign the deal for you.

0:19:23.200 --> 0:19:25.000
<v Speaker 1>She did. Yeah, I had to go through the courts

0:19:25.000 --> 0:19:28.080
<v Speaker 1>and all that. Yep, Sarah, get court, do all of

0:19:28.080 --> 0:19:31.800
<v Speaker 1>that stuff. Yep. That's crazy. Yeah.

0:19:31.880 --> 0:19:36.879
<v Speaker 3>So seventeen and as this is happening, you also you're homie.

0:19:36.880 --> 0:19:40.200
<v Speaker 1>You see him become the biggest star in the world. Cool. Yeah,

0:19:40.400 --> 0:19:41.800
<v Speaker 1>Like people.

0:19:41.600 --> 0:19:46.760
<v Speaker 3>Don't understand how massive, how massive that dude was. It's

0:19:46.760 --> 0:19:48.760
<v Speaker 3>the best way to put its massive.

0:19:48.680 --> 0:19:50.720
<v Speaker 1>Massive, Like he was an event.

0:19:51.040 --> 0:19:55.680
<v Speaker 3>Everybody wanted to cano. Yeah, niggas start doing push ups. Yeah,

0:19:55.880 --> 0:19:59.359
<v Speaker 3>it's like yo, eal bro, Yeah he was. He was

0:19:59.480 --> 0:20:01.159
<v Speaker 3>next level walking around with the radio.

0:20:01.600 --> 0:20:05.399
<v Speaker 1>Yeah, yeah, dude, he was next level. And he just

0:20:05.480 --> 0:20:08.160
<v Speaker 1>had the whole, like he had the whole, the hustler gear,

0:20:08.320 --> 0:20:09.600
<v Speaker 1>you know what I'm saying, Like he had you know,

0:20:10.480 --> 0:20:12.920
<v Speaker 1>so at that time, though, you go back to Atlanta,

0:20:13.040 --> 0:20:13.639
<v Speaker 1>he blowing up.

0:20:13.680 --> 0:20:16.239
<v Speaker 3>Do you stay, are you still in contact with him

0:20:16.320 --> 0:20:19.400
<v Speaker 3>or it's like you just see him now I'm watching him.

0:20:19.560 --> 0:20:22.240
<v Speaker 3>So what I did was in the school I had,

0:20:22.240 --> 0:20:25.399
<v Speaker 3>they had a payphone in the hallway. I spent every

0:20:25.640 --> 0:20:29.840
<v Speaker 3>dime I had calling this dude's house. I spoke to

0:20:29.880 --> 0:20:36.080
<v Speaker 3>his mother probably three or four times a week. But

0:20:36.119 --> 0:20:37.080
<v Speaker 3>he's out on the road. Room.

0:20:37.160 --> 0:20:38.880
<v Speaker 1>Yeah, he on the road. He on the road.

0:20:39.720 --> 0:20:41.399
<v Speaker 3>And then I spoke to him one day he was

0:20:41.440 --> 0:20:43.480
<v Speaker 3>at home, like literally after like eight months, when I

0:20:43.520 --> 0:20:46.960
<v Speaker 3>when and this is you know, back then, I'm putting

0:20:46.960 --> 0:20:49.720
<v Speaker 3>in two dollars worth of quarters. I'm saying, like every day,

0:20:50.080 --> 0:20:53.080
<v Speaker 3>so his mom's pick up, it's over. It's over them

0:20:53.119 --> 0:20:54.600
<v Speaker 3>two dollars. Yeah, you know what I'm saying, it's over

0:20:54.640 --> 0:20:57.399
<v Speaker 3>them two dollars. Yeah, it was. It was. It was

0:20:57.400 --> 0:21:00.040
<v Speaker 3>a financial struggle getting in touch with that dude. And

0:21:00.040 --> 0:21:01.520
<v Speaker 3>then I got in touch with him, and he just

0:21:01.840 --> 0:21:03.760
<v Speaker 3>kind of broke my heart, like, nah, you can't come

0:21:03.760 --> 0:21:03.960
<v Speaker 3>on the.

0:21:04.000 --> 0:21:05.920
<v Speaker 1>Roll with me. Oh you asked to come out.

0:21:06.000 --> 0:21:10.520
<v Speaker 3>Yeah. I was like, nigga, rescue me, Like, bro, I'm

0:21:10.560 --> 0:21:13.040
<v Speaker 3>in the country, Like you gotta get me at it, yo.

0:21:13.080 --> 0:21:18.800
<v Speaker 3>They was calling me crush groove, all kind of wash.

0:21:18.880 --> 0:21:21.120
<v Speaker 1>You know, you come from New York, You mad arrogant too.

0:21:21.280 --> 0:21:23.600
<v Speaker 3>So h it was. It was a culture, and I'm

0:21:23.640 --> 0:21:26.159
<v Speaker 3>sure they didn't believe that that was your homeboy. No,

0:21:26.520 --> 0:21:29.600
<v Speaker 3>They're like, you don't fucking know. They didn't believe that.

0:21:29.640 --> 0:21:31.840
<v Speaker 3>They didn't like my attitude. I didn't like what was

0:21:31.880 --> 0:21:32.720
<v Speaker 3>going on down there.

0:21:32.760 --> 0:21:33.040
<v Speaker 1>It was.

0:21:33.119 --> 0:21:36.480
<v Speaker 3>It took me. Took me two years to like be

0:21:36.600 --> 0:21:40.160
<v Speaker 3>comfortable around the Atlanta scene and be in be cool people,

0:21:41.080 --> 0:21:42.280
<v Speaker 3>you know, I had to do. I had like a

0:21:42.320 --> 0:21:44.920
<v Speaker 3>team of like thirty forty New York dudes that I

0:21:45.040 --> 0:21:48.320
<v Speaker 3>rocked with, and we would just you know, we you know,

0:21:48.400 --> 0:21:50.119
<v Speaker 3>we get into it with the dudes in Atlanta and

0:21:50.200 --> 0:21:52.720
<v Speaker 3>all that I learned quick. It's like prison in a sense,

0:21:52.760 --> 0:21:55.840
<v Speaker 3>like you're from here, Okay, you gotta you sit at

0:21:55.840 --> 0:21:58.399
<v Speaker 3>that table. Yeah it was, Yeah, it was. It was

0:21:58.440 --> 0:22:02.000
<v Speaker 3>a lot. Atlanta was. Atlanta was rough until I until

0:22:02.000 --> 0:22:04.800
<v Speaker 3>I had to give into it. Right. But when you

0:22:04.880 --> 0:22:06.960
<v Speaker 3>straight from New York, you're not getting in nothing at first.

0:22:07.040 --> 0:22:09.160
<v Speaker 3>It's gonna take yeah, it's gon take them. No, I mean, listen,

0:22:09.240 --> 0:22:12.160
<v Speaker 3>I I we have a shared experience in that I didn't.

0:22:12.200 --> 0:22:13.800
<v Speaker 3>I didn't go to Atlanta, but I went to five

0:22:13.880 --> 0:22:17.000
<v Speaker 3>or six other cities because obviously my father was hustling. Yeah,

0:22:17.040 --> 0:22:19.320
<v Speaker 3>and it would be a new school. Yeah, you gotta

0:22:19.359 --> 0:22:22.280
<v Speaker 3>have that first fight. Yep, all right, you know how

0:22:22.280 --> 0:22:23.760
<v Speaker 3>to use his hands. We're gonna leave me alone. Yeah,

0:22:23.760 --> 0:22:25.159
<v Speaker 3>you know what I mean, you have to. It's just

0:22:25.240 --> 0:22:27.240
<v Speaker 3>certain ship that happens when you go to these new

0:22:27.280 --> 0:22:31.040
<v Speaker 3>schools and these new places where you don't know anybody.

0:22:31.119 --> 0:22:31.399
<v Speaker 1>Yeah.

0:22:31.480 --> 0:22:33.880
<v Speaker 3>Yeah, and if you're dressing a little different, you talk

0:22:33.960 --> 0:22:34.600
<v Speaker 3>a little different.

0:22:34.720 --> 0:22:37.320
<v Speaker 1>Yeah, it ain't easy. It ain't easy at all, you know.

0:22:37.760 --> 0:22:39.960
<v Speaker 1>I learned them dudes in the South may talk slower,

0:22:40.000 --> 0:22:42.400
<v Speaker 1>but they think fast. Hell yeah.

0:22:42.440 --> 0:22:45.639
<v Speaker 3>And it's fast, and it's a hood everywhere everywhere, and

0:22:45.680 --> 0:22:49.000
<v Speaker 3>it's street niggas everywhere, yep, exactly, fight everywhere. So you

0:22:49.080 --> 0:22:52.720
<v Speaker 3>gonna thinking you walking into these places thinking you gonna

0:22:52.760 --> 0:22:54.879
<v Speaker 3>do something. It's like I gotta figure out how to

0:22:54.920 --> 0:22:58.240
<v Speaker 3>survive where I'm at, exactly, and I gotta have respect

0:22:58.440 --> 0:23:02.480
<v Speaker 3>yeah for where I'm at. You have to yeah, yeah, yeah,

0:23:02.720 --> 0:23:06.159
<v Speaker 3>I remember I came down there. I was just on

0:23:06.200 --> 0:23:09.760
<v Speaker 3>this old yo Jamaica, Queens, Brooklyn and all that, And

0:23:09.840 --> 0:23:12.600
<v Speaker 3>I remember the two terrors in Atlanta was named Chip

0:23:12.600 --> 0:23:13.200
<v Speaker 3>and Dip.

0:23:13.560 --> 0:23:15.680
<v Speaker 1>Chip and Dim Dip. They was homies.

0:23:15.800 --> 0:23:18.320
<v Speaker 3>There was homies. And when I say, these dudes will

0:23:18.320 --> 0:23:21.000
<v Speaker 3>walk up to the school and niggas would go running,

0:23:21.320 --> 0:23:25.400
<v Speaker 3>Chip and Dip is here, and these dude's had eye liner. Yeah,

0:23:25.760 --> 0:23:27.720
<v Speaker 3>you're taking it too far, that eye liner. And it

0:23:28.160 --> 0:23:30.480
<v Speaker 3>was just it was just weird, like I'm looking like,

0:23:30.560 --> 0:23:31.400
<v Speaker 3>why are y'all like what?

0:23:31.440 --> 0:23:34.560
<v Speaker 1>But but they were terrorsts though, these dudes were actual terrors.

0:23:34.720 --> 0:23:38.399
<v Speaker 3>But I just had to was the literal exactly. It

0:23:38.480 --> 0:23:40.960
<v Speaker 3>was just in a different form than you know, from

0:23:41.000 --> 0:23:43.600
<v Speaker 3>what was in New York, you know. Yeah, yeah, I

0:23:43.640 --> 0:23:45.880
<v Speaker 3>had I had to take Atlanta serious. It was it

0:23:45.920 --> 0:23:47.280
<v Speaker 3>wasn't It wasn't a place to play with.

0:23:47.800 --> 0:23:57.560
<v Speaker 1>I found that out. All Right, you're on the road.

0:23:58.000 --> 0:23:59.000
<v Speaker 1>You didn't been to Europe?

0:24:00.119 --> 0:24:03.000
<v Speaker 3>How many times? Three times? You haven't even turned eighteen

0:24:03.080 --> 0:24:05.840
<v Speaker 3>years old? Yep, y'all get your first hit record though,

0:24:06.880 --> 0:24:10.880
<v Speaker 3>how does that feel? It was weird because our first

0:24:10.960 --> 0:24:14.439
<v Speaker 3>hit record was R and B. Yeah, yeah, it was

0:24:14.560 --> 0:24:17.720
<v Speaker 3>R and B. And it was top I think top

0:24:17.760 --> 0:24:20.360
<v Speaker 3>five or top ten in America. It was number one

0:24:20.480 --> 0:24:23.080
<v Speaker 3>in every country on the planet. You look at Billboard,

0:24:23.119 --> 0:24:26.000
<v Speaker 3>it was literally number one in every single except for America.

0:24:26.600 --> 0:24:32.399
<v Speaker 3>So we weren't really hot in America. Yeah, but I

0:24:32.400 --> 0:24:35.080
<v Speaker 3>would go to London after a while. We go to London,

0:24:35.400 --> 0:24:37.399
<v Speaker 3>like every month, go to London.

0:24:37.440 --> 0:24:39.480
<v Speaker 1>There being and that's easier coming from the East Coast,

0:24:39.520 --> 0:24:40.040
<v Speaker 1>Yeah exactly.

0:24:40.080 --> 0:24:42.359
<v Speaker 3>Yeah. Yeah, there'd be a Jaguar Limo and a range

0:24:42.400 --> 0:24:45.119
<v Speaker 3>Rover out twenty four hours at a disposal with drivers

0:24:45.119 --> 0:24:50.520
<v Speaker 3>sitting in it twenty four hours. So this is like,

0:24:50.520 --> 0:24:53.160
<v Speaker 3>like this dude, Curtis is living it up. Yeah, he's

0:24:53.240 --> 0:24:56.600
<v Speaker 3>Elvis over there. Yeah, now he's a literal he's Elvis

0:24:56.640 --> 0:24:58.800
<v Speaker 3>over there. And y'all got a song called got to

0:24:58.880 --> 0:25:03.320
<v Speaker 3>Have Your Love imagine. Yeah, the good Times. Yeah, he

0:25:03.440 --> 0:25:04.919
<v Speaker 3>was like and it was he was.

0:25:05.040 --> 0:25:05.399
<v Speaker 1>He was.

0:25:06.040 --> 0:25:08.320
<v Speaker 3>He was a giant and I was just this young

0:25:09.000 --> 0:25:12.040
<v Speaker 3>stupid kid. So was he He was the producer, He

0:25:12.160 --> 0:25:15.160
<v Speaker 3>was the producer. Yeah, so conceptually this is his thing.

0:25:15.640 --> 0:25:18.360
<v Speaker 3>He was a you know, he was a big producer

0:25:18.359 --> 0:25:20.280
<v Speaker 3>that was able to do rap and R and B.

0:25:20.400 --> 0:25:22.760
<v Speaker 3>And he was one of the first guys that conversed

0:25:22.840 --> 0:25:26.720
<v Speaker 3>both yeah, you know both who sang that record. A

0:25:26.760 --> 0:25:31.120
<v Speaker 3>lady named Wandra's okay, yeah, but she wasn't in the group. No, no,

0:25:31.240 --> 0:25:33.640
<v Speaker 3>it was just me and him. But then we feature singers.

0:25:34.080 --> 0:25:35.879
<v Speaker 3>So this way it was a rap group, but this

0:25:35.920 --> 0:25:37.760
<v Speaker 3>way he can really and y'all.

0:25:37.560 --> 0:25:39.440
<v Speaker 1>Would have different singers come on the road and sing

0:25:39.480 --> 0:25:40.040
<v Speaker 1>that part.

0:25:40.160 --> 0:25:42.239
<v Speaker 3>Yeah, like for that she she sung out first our

0:25:42.280 --> 0:25:43.840
<v Speaker 3>first two hits, so for that she would go on

0:25:43.840 --> 0:25:46.000
<v Speaker 3>the road. And then the second album that I did

0:25:46.000 --> 0:25:48.280
<v Speaker 3>with him, we had another girl named Jay Trinny, and

0:25:48.280 --> 0:25:50.359
<v Speaker 3>then she came on the road. Bro, this is this

0:25:50.440 --> 0:25:54.320
<v Speaker 3>is wild that you're still a kid literally while all

0:25:54.320 --> 0:25:55.120
<v Speaker 3>this is happening.

0:25:55.200 --> 0:25:58.200
<v Speaker 1>Yeah, how are you embracing it? Were you?

0:25:58.240 --> 0:26:00.359
<v Speaker 3>Did you get caught up in it? Being that young

0:26:00.400 --> 0:26:02.480
<v Speaker 3>with a hit record and being out around the world.

0:26:02.560 --> 0:26:03.320
<v Speaker 1>I thought it.

0:26:03.760 --> 0:26:07.000
<v Speaker 3>I had I had a really I had a really

0:26:07.040 --> 0:26:10.280
<v Speaker 3>interesting journey that I'm really proud of. My girlfriend at

0:26:10.280 --> 0:26:13.800
<v Speaker 3>the time. Her family, you know New York, we're all Caribbean.

0:26:14.000 --> 0:26:17.720
<v Speaker 3>Her family was Jamaican. And there was a book in

0:26:17.760 --> 0:26:20.560
<v Speaker 3>a windowsill and I picked it up and I looked

0:26:20.560 --> 0:26:21.919
<v Speaker 3>at us. I say, is this good? She said, you

0:26:21.920 --> 0:26:23.879
<v Speaker 3>never read that? I said no, So she gave it

0:26:23.880 --> 0:26:26.480
<v Speaker 3>to me. It was Malcolm X's autobiography of Malcolm X.

0:26:26.600 --> 0:26:30.280
<v Speaker 1>Right. So my journey was I would go to Europe

0:26:31.280 --> 0:26:34.600
<v Speaker 1>and I was really resentful and hateful because I'm reading

0:26:34.600 --> 0:26:35.000
<v Speaker 1>this book.

0:26:35.680 --> 0:26:38.359
<v Speaker 3>It's making you military. Yeah, it's super super militant. I'm

0:26:38.359 --> 0:26:41.640
<v Speaker 3>looking at I'm looking like structures like stolen ship. Much

0:26:41.840 --> 0:26:44.679
<v Speaker 3>like that was like that was the mission, right. But

0:26:44.760 --> 0:26:47.919
<v Speaker 3>it was interesting how the book just takes you on

0:26:47.960 --> 0:26:51.399
<v Speaker 3>this roller coaster and then he becomes this humanist and

0:26:51.400 --> 0:26:54.439
<v Speaker 3>then all of a sudden, Europe and everything different races

0:26:54.440 --> 0:26:57.960
<v Speaker 3>and colors just became something different. Yeah. So so for

0:26:58.119 --> 0:27:01.040
<v Speaker 3>me coming from where I come from, I had such

0:27:01.040 --> 0:27:06.480
<v Speaker 3>a different perspective on life because now I'm not the

0:27:07.119 --> 0:27:09.040
<v Speaker 3>racist at the beginning of the book, you know what

0:27:09.080 --> 0:27:13.000
<v Speaker 3>I mean now, and now I'm meeting like white people,

0:27:13.040 --> 0:27:15.400
<v Speaker 3>Spanish people, Swedish people, people from all over the world

0:27:15.440 --> 0:27:17.360
<v Speaker 3>that are actually really good people, you know what I mean,

0:27:17.359 --> 0:27:18.960
<v Speaker 3>and that I'm still in touch with to this day,

0:27:19.000 --> 0:27:22.359
<v Speaker 3>you know, like really quality people. So it was a

0:27:22.440 --> 0:27:26.000
<v Speaker 3>really interesting journey that I had going on the road

0:27:26.080 --> 0:27:28.840
<v Speaker 3>and reading that book, you know, and it just ended

0:27:28.840 --> 0:27:32.960
<v Speaker 3>well because I just started to really understand, like, wow,

0:27:33.040 --> 0:27:36.000
<v Speaker 3>this is what the world is like instead of this bubble.

0:27:36.000 --> 0:27:38.960
<v Speaker 1>That I come from, you know, right, that changed my life.

0:27:39.440 --> 0:27:43.000
<v Speaker 3>Now, that's incredible that you even had a chance to

0:27:43.040 --> 0:27:45.880
<v Speaker 3>have that type of experience. Yeah, and to make some money. Yeah,

0:27:46.000 --> 0:27:48.520
<v Speaker 3>you know what I mean, Yeah, some cool shit to happen.

0:27:48.720 --> 0:27:48.960
<v Speaker 1>Yep.

0:27:49.400 --> 0:27:53.600
<v Speaker 3>At this point, you're really just focused on being a rapper. Yeah,

0:27:53.680 --> 0:27:56.399
<v Speaker 3>when did you start playing keys? So when I was

0:27:56.400 --> 0:27:59.560
<v Speaker 3>in Mantronics, I was I was kind of upset the

0:27:59.560 --> 0:28:02.400
<v Speaker 3>whole time because you know, this is big Daddy Kane

0:28:02.440 --> 0:28:04.239
<v Speaker 3>there or this l KUJ. I wanted to be that

0:28:04.480 --> 0:28:06.919
<v Speaker 3>rock him. I wanted to be that, you know, I

0:28:06.960 --> 0:28:10.160
<v Speaker 3>wanted to be the hood thing. And I resented this

0:28:10.280 --> 0:28:16.679
<v Speaker 3>international rap R and B. I resented that. And then

0:28:16.680 --> 0:28:18.960
<v Speaker 3>after a while, when I started like opening up to

0:28:19.000 --> 0:28:21.480
<v Speaker 3>the world, I was like, Okay, this, this isn't this

0:28:21.520 --> 0:28:25.560
<v Speaker 3>isn't that bad. So I would go to Curtis's house

0:28:25.960 --> 0:28:27.960
<v Speaker 3>all the time, you know, we're making music. He had

0:28:28.040 --> 0:28:31.280
<v Speaker 3>a duplex in the village and upstairs in the bedroom.

0:28:31.560 --> 0:28:33.080
<v Speaker 3>I would just sit on the floor against the wall,

0:28:33.080 --> 0:28:37.040
<v Speaker 3>and he'd sit by this sixteen thousand dollars emulator keyboard

0:28:37.040 --> 0:28:40.440
<v Speaker 3>that he had, and I would listen to him and

0:28:40.480 --> 0:28:42.040
<v Speaker 3>I would I didn't know exactly what was going on,

0:28:42.080 --> 0:28:44.440
<v Speaker 3>but I'd watched the slide and I would hear him

0:28:44.480 --> 0:28:47.920
<v Speaker 3>hitting his sample, and you know that was like truncating,

0:28:47.960 --> 0:28:49.560
<v Speaker 3>but I didn't know the word or or how to

0:28:49.600 --> 0:28:51.520
<v Speaker 3>do it at the time, you know. But I would

0:28:51.520 --> 0:28:53.719
<v Speaker 3>watch how he would fit samples into beats and stuff

0:28:53.760 --> 0:28:56.000
<v Speaker 3>like that. And then I woke up one day and

0:28:56.120 --> 0:28:57.840
<v Speaker 3>was like, I don't want to do this raption no more.

0:28:58.080 --> 0:29:00.720
<v Speaker 3>I want to be him and this is why you're

0:29:00.720 --> 0:29:01.400
<v Speaker 3>in the group though.

0:29:01.520 --> 0:29:04.440
<v Speaker 1>Yeah, So I quit the group and I called him

0:29:04.480 --> 0:29:07.720
<v Speaker 1>and I said, yo, what should I buy? He's like,

0:29:07.720 --> 0:29:08.200
<v Speaker 1>what do you want to do?

0:29:08.200 --> 0:29:09.680
<v Speaker 3>I was like, I want to make beats and he

0:29:09.800 --> 0:29:13.120
<v Speaker 3>was like, okay, go buy this computer, this, this, this, this,

0:29:13.120 --> 0:29:15.760
<v Speaker 3>this is ten thousand dollars. It's probably like one hundred

0:29:15.760 --> 0:29:18.640
<v Speaker 3>and twenty thousand dollars now, and I bought this stuff

0:29:18.720 --> 0:29:21.440
<v Speaker 3>and the learning curve was just crazy, but I didn't care.

0:29:22.480 --> 0:29:26.080
<v Speaker 1>So this is like the era of nujack swing now, right.

0:29:26.840 --> 0:29:30.200
<v Speaker 3>I come from this man Tronics group that's left of center,

0:29:31.000 --> 0:29:34.880
<v Speaker 3>but you know, mainstream radios all nujack swing. So I

0:29:34.960 --> 0:29:40.280
<v Speaker 3>sat and I got a townhouse. Now I'm eighteen, nineteen

0:29:40.360 --> 0:29:42.200
<v Speaker 3>years old. I got a townhouse for like two thousand

0:29:42.200 --> 0:29:45.000
<v Speaker 3>dollars a month's fort store is just crazy, and I'm

0:29:45.040 --> 0:29:47.520
<v Speaker 3>sitting in my bedroom with this keyboard on in this

0:29:47.600 --> 0:29:50.880
<v Speaker 3>computer and I sat there for a year until I

0:29:51.040 --> 0:29:53.800
<v Speaker 3>figured out how to produce how to produce every every

0:29:54.080 --> 0:29:57.440
<v Speaker 3>record Teddy Riley did, I did that best to imitate it? Yeah,

0:29:58.000 --> 0:30:01.920
<v Speaker 3>which was hell yeah, yeah, there's a kick or snaw

0:30:01.920 --> 0:30:04.400
<v Speaker 3>I want it's a fucking base note on top of it.

0:30:04.600 --> 0:30:06.320
<v Speaker 3>I'm like, oka't I hated it.

0:30:06.360 --> 0:30:07.080
<v Speaker 1>But I did it.

0:30:07.640 --> 0:30:11.000
<v Speaker 3>And then when I learned how to, when I figured

0:30:11.000 --> 0:30:14.240
<v Speaker 3>out nu Jack Swing, I was like, I want to

0:30:14.240 --> 0:30:17.080
<v Speaker 3>do a complete departure from this because the other thing

0:30:17.120 --> 0:30:20.680
<v Speaker 3>that was how it was trildcot Quest, right, So got

0:30:20.720 --> 0:30:24.600
<v Speaker 3>nu Jack Swing, which Teddy's the evil genius of all music,

0:30:24.600 --> 0:30:29.080
<v Speaker 3>he's amazing. You got trialdcord Quest, which is left, and

0:30:29.120 --> 0:30:31.360
<v Speaker 3>then you got mantronics in the middle, which is my teacher.

0:30:31.840 --> 0:30:33.680
<v Speaker 3>So I was like, I'm gonna do this over. And

0:30:33.680 --> 0:30:35.480
<v Speaker 3>then I just came up with groove theory. I just

0:30:35.520 --> 0:30:38.360
<v Speaker 3>basically did it over. But before you get to groove.

0:30:38.200 --> 0:30:41.640
<v Speaker 1>Theory and you're learning, are you trying to go the

0:30:41.760 --> 0:30:46.840
<v Speaker 1>space of placing records or no, that's not even your thing. No,

0:30:47.760 --> 0:30:49.160
<v Speaker 1>And you didn't even understand that.

0:30:49.200 --> 0:30:51.120
<v Speaker 3>But at this point and you're just living off the

0:30:51.160 --> 0:30:52.840
<v Speaker 3>money that you made in the malntronics.

0:30:52.960 --> 0:30:56.680
<v Speaker 1>Yeah, yeah, you're not actually working. No.

0:30:56.880 --> 0:31:00.880
<v Speaker 3>I had a publishing deal for I met a lady

0:31:00.920 --> 0:31:03.760
<v Speaker 3>in Karen Durant and publishing deals with twenty thousand dollars.

0:31:04.320 --> 0:31:05.800
<v Speaker 3>I sat down with her and she kept wanting to

0:31:05.880 --> 0:31:07.680
<v Speaker 3>do this deal with me, and I was like, this

0:31:07.720 --> 0:31:10.880
<v Speaker 3>is odd. So I threw out a number ninety thousand.

0:31:11.440 --> 0:31:14.000
<v Speaker 3>She said okay, and she got it. So had twenty

0:31:14.000 --> 0:31:16.440
<v Speaker 3>two thousand, five hundred coming every four months. And then

0:31:16.480 --> 0:31:19.920
<v Speaker 3>I had sixty thousand dollars from New York cas. Okay,

0:31:20.560 --> 0:31:24.080
<v Speaker 3>so I had money to live. Yeah, I just didn't.

0:31:24.280 --> 0:31:27.160
<v Speaker 3>I just didn't spend much. Sixty thousand. I wasn't touching, okay,

0:31:27.240 --> 0:31:29.760
<v Speaker 3>but I lived off of that publishing deal. And I

0:31:29.840 --> 0:31:33.720
<v Speaker 3>just sat in this room. And then Karen's assistant was

0:31:33.720 --> 0:31:38.920
<v Speaker 3>a Mel. Yeah, so it was plugging play. Karen's assistant

0:31:38.960 --> 0:31:42.440
<v Speaker 3>was a Mel. Me and Mel were cool and I

0:31:42.440 --> 0:31:44.560
<v Speaker 3>would give them tracks and it was starting to get

0:31:44.600 --> 0:31:46.360
<v Speaker 3>ugly and it was like, we don't know what this

0:31:46.480 --> 0:31:49.960
<v Speaker 3>is and we're about to drop your ass. And Karen

0:31:50.040 --> 0:31:52.959
<v Speaker 3>was like, yo, you know Mel could sing. I was

0:31:53.000 --> 0:31:57.480
<v Speaker 3>like really, so yeah, all right, brought a Mel to

0:31:57.520 --> 0:32:00.760
<v Speaker 3>my house I had a really dope track. She went

0:32:00.800 --> 0:32:03.760
<v Speaker 3>in the bathroom with a mic, sung it and that

0:32:03.880 --> 0:32:06.680
<v Speaker 3>was it. Everything she did made what I was doing

0:32:06.680 --> 0:32:10.360
<v Speaker 3>makes sense. Yeah. Yeah, so I saved my publishing deal everything,

0:32:10.560 --> 0:32:13.040
<v Speaker 3>no shit, yeah yeah. And I never got to the

0:32:13.560 --> 0:32:16.040
<v Speaker 3>placing tracks. I never I never ever wanted that. Yeah,

0:32:16.080 --> 0:32:19.160
<v Speaker 3>I never understood it. And obviously, okay, so when you do,

0:32:20.160 --> 0:32:22.200
<v Speaker 3>when you and a mail get together and y'all make

0:32:22.240 --> 0:32:25.960
<v Speaker 3>the demo, how long does it take for you to

0:32:26.000 --> 0:32:28.960
<v Speaker 3>get an actual deal? A little over a little over year,

0:32:29.800 --> 0:32:33.920
<v Speaker 3>A little over year. It took because at the same

0:32:33.960 --> 0:32:37.360
<v Speaker 3>time I met Jimmy. Jimmy and Peter Thomas had a

0:32:37.360 --> 0:32:41.000
<v Speaker 3>company together from Real Housewives. They had a company together

0:32:41.520 --> 0:32:45.160
<v Speaker 3>and they had an English band called Rhythm and Bass.

0:32:45.760 --> 0:32:48.400
<v Speaker 3>We gave them tell Me where you gave it away?

0:32:48.520 --> 0:32:50.520
<v Speaker 1>First? Yeah? Yeah, gave it away.

0:32:50.800 --> 0:32:53.160
<v Speaker 3>So when you said this in the beginning too, I'm

0:32:53.160 --> 0:32:54.960
<v Speaker 3>gonna go back a little bit. When she went to

0:32:55.040 --> 0:32:58.120
<v Speaker 3>the bathroom to record it was tell me, No, it

0:32:58.160 --> 0:32:58.560
<v Speaker 3>was another thing.

0:32:58.600 --> 0:33:00.240
<v Speaker 1>Oh was it enough about shit? Yeah?

0:33:00.280 --> 0:33:02.120
<v Speaker 3>No, it was another oay, but tell Me was like

0:33:02.400 --> 0:33:05.560
<v Speaker 3>the second or third real early did yeah, really really early? Yeah,

0:33:05.960 --> 0:33:09.320
<v Speaker 3>And we gave it to Jimmy's group. And then at

0:33:09.360 --> 0:33:11.320
<v Speaker 3>this time, me and Jimmy are getting to know each other.

0:33:11.920 --> 0:33:14.560
<v Speaker 3>And when my money started getting short that Jimmy started

0:33:14.560 --> 0:33:17.680
<v Speaker 3>coming in refusing cash. Okay, so I was funding the

0:33:17.680 --> 0:33:22.360
<v Speaker 3>whole operation. Now Jimmy's helping. And I met a guy

0:33:22.400 --> 0:33:28.040
<v Speaker 3>named Paris Davis who lived My house in Brooklyn was

0:33:28.120 --> 0:33:30.760
<v Speaker 3>on Saint Mark's. He lived two blocks away on Sterling.

0:33:31.560 --> 0:33:34.480
<v Speaker 3>His father knew my father. We didn't know, right, but

0:33:34.560 --> 0:33:37.000
<v Speaker 3>his father knew my father work, right, Yeah, from when

0:33:37.000 --> 0:33:40.560
<v Speaker 3>they were younger in Brooklyn. And he was like, yeah,

0:33:40.560 --> 0:33:42.000
<v Speaker 3>I'm getting his job at EPIC. And I was like,

0:33:42.040 --> 0:33:44.640
<v Speaker 3>for real, yeah, I'm getting his job at EPIC. I

0:33:44.680 --> 0:33:46.880
<v Speaker 3>got this time. I said, oh, take the top floor.

0:33:47.640 --> 0:33:50.400
<v Speaker 3>He took the top floor. I'm literally in my bedroom

0:33:50.440 --> 0:33:51.600
<v Speaker 3>every day working on music.

0:33:51.640 --> 0:33:54.880
<v Speaker 1>And I met the entire industry coming up my steps

0:33:55.360 --> 0:33:57.200
<v Speaker 1>going up to the top because they're going to see him. Yea,

0:33:57.640 --> 0:34:00.240
<v Speaker 1>literally every day he's bringing somebody out. Ya. I would

0:34:00.240 --> 0:34:01.360
<v Speaker 1>tell how you okay? Cool?

0:34:01.760 --> 0:34:03.800
<v Speaker 3>I go back to my thing and he goes upstairs.

0:34:04.120 --> 0:34:06.800
<v Speaker 3>They go upstairs, they drink, smoke, do whatever. Yeah, and

0:34:07.400 --> 0:34:11.840
<v Speaker 3>are you using the right from the mantronics? Are you

0:34:11.920 --> 0:34:14.200
<v Speaker 3>using that at all. It's not even a conversation. It's

0:34:14.200 --> 0:34:17.080
<v Speaker 3>not it ain't even important. It ain't even important because

0:34:17.120 --> 0:34:18.520
<v Speaker 3>you know how this business is, and you know how

0:34:18.840 --> 0:34:20.840
<v Speaker 3>you know, whatever the pitch is when somebody introduced you.

0:34:20.840 --> 0:34:22.759
<v Speaker 1>So you literally like na, nah, it's just a hummie Rice.

0:34:23.000 --> 0:34:26.000
<v Speaker 3>Yeah, for the people that knew about mantronics. But I

0:34:26.040 --> 0:34:28.680
<v Speaker 3>don't remember that song stuff like that. But it wasn't

0:34:28.880 --> 0:34:31.120
<v Speaker 3>We didn't make that much of an impact. And you

0:34:31.120 --> 0:34:35.480
<v Speaker 3>guys were bigger way around the world, around the world. Yeah. Yeah,

0:34:35.520 --> 0:34:37.200
<v Speaker 3>So I was just as homeboy. I was just as

0:34:37.200 --> 0:34:39.279
<v Speaker 3>little bro. And I just meet people and they go

0:34:39.360 --> 0:34:42.200
<v Speaker 3>upstairs hang out and I just close my door and

0:34:42.200 --> 0:34:43.520
<v Speaker 3>I just work on music every day.

0:34:44.440 --> 0:34:45.120
<v Speaker 1>Yeah.

0:34:45.160 --> 0:34:47.719
<v Speaker 3>And then he brought a friend named Jeff Burrows by

0:34:49.239 --> 0:34:53.000
<v Speaker 3>and yeah, and Jeff was at Howard. I think he's

0:34:53.000 --> 0:34:54.880
<v Speaker 3>still how Good at the time, Yeah, Howard of Syracuse

0:34:54.920 --> 0:34:56.719
<v Speaker 3>because they I think they met at Syracuse at the time.

0:34:57.800 --> 0:35:02.280
<v Speaker 3>And uh, Jeff heard it. He liked it, and Paris

0:35:02.400 --> 0:35:05.200
<v Speaker 3>is now epic, but epic is moving slow. So Jeff

0:35:05.200 --> 0:35:07.759
<v Speaker 3>flies us out to Warner Brothers. Bennye Madina heard it,

0:35:08.239 --> 0:35:10.840
<v Speaker 3>m hm. So I'm like, okay, we sit down with Benny.

0:35:11.080 --> 0:35:14.920
<v Speaker 3>He's singing every word to every lyric like he knew

0:35:15.000 --> 0:35:19.560
<v Speaker 3>he's studying. He studied it right. So I was impressed

0:35:19.560 --> 0:35:21.360
<v Speaker 3>because this was like fresh Prince just come you.

0:35:21.320 --> 0:35:23.319
<v Speaker 1>Know Benny, Yeah, you know, yeah, he's a guy.

0:35:23.840 --> 0:35:26.720
<v Speaker 3>So he did that, and then Paris had to step

0:35:26.719 --> 0:35:28.640
<v Speaker 3>it up. So me and Jimmy was like, bro, you

0:35:28.640 --> 0:35:32.040
<v Speaker 3>gotta do something. If not, we overhear Warner Brothers and

0:35:32.600 --> 0:35:34.839
<v Speaker 3>got back to New York, set up a meeting with Timertola,

0:35:35.760 --> 0:35:37.439
<v Speaker 3>and Timer was like, what do you want?

0:35:37.640 --> 0:35:40.680
<v Speaker 1>I was like, publishing deal for her? What else?

0:35:41.640 --> 0:35:45.719
<v Speaker 3>I don't know, like six d five hundred thousand. Yeah,

0:35:45.760 --> 0:35:48.040
<v Speaker 3>it's a girl coming to y'all, Melerue, you get her

0:35:48.080 --> 0:35:49.720
<v Speaker 3>published deal? Anything else?

0:35:50.960 --> 0:35:54.239
<v Speaker 1>Now we goold for the twelve thousand dollars.

0:35:57.239 --> 0:35:58.880
<v Speaker 3>It was different by it, right, right?

0:35:58.920 --> 0:36:01.280
<v Speaker 1>Right? So did you come up with that number?

0:36:01.640 --> 0:36:04.799
<v Speaker 3>The numbers were usually two fifty three hundred, okay, So

0:36:05.560 --> 0:36:07.120
<v Speaker 3>I didn't want to ask. I didn't want to ask

0:36:07.160 --> 0:36:10.400
<v Speaker 3>for something that was a deal breaker, but I wanted to.

0:36:10.480 --> 0:36:12.399
<v Speaker 3>I wanted something that was reading sub stanch but yeah,

0:36:12.440 --> 0:36:15.880
<v Speaker 3>but substantial, you know, substantial where they knew we do

0:36:15.960 --> 0:36:17.640
<v Speaker 3>this for five six hund thousand dollars we got to

0:36:17.680 --> 0:36:19.759
<v Speaker 3>work this group. Yeah, you know, that was really the

0:36:20.120 --> 0:36:23.080
<v Speaker 3>magic number that that me and Jimmy and Paris talked about.

0:36:23.200 --> 0:36:23.640
<v Speaker 1>Yeah.

0:36:23.680 --> 0:36:25.799
<v Speaker 3>And there was also a publishing deal being done for

0:36:25.840 --> 0:36:27.600
<v Speaker 3>her too though. Yeah, and then she got a publish and.

0:36:27.600 --> 0:36:28.839
<v Speaker 1>Were you still in your deal?

0:36:29.040 --> 0:36:31.000
<v Speaker 3>Yeah, so you were, so you couldn't do a new

0:36:31.040 --> 0:36:33.600
<v Speaker 3>deal for that deal, yeah, but for the group yeah.

0:36:33.960 --> 0:36:36.360
<v Speaker 1>Yeah, So it's something I paid attention to.

0:36:36.400 --> 0:36:39.120
<v Speaker 3>You said when you left man Trona, you said I

0:36:39.160 --> 0:36:42.160
<v Speaker 3>want to be him m hm. And now when I

0:36:42.200 --> 0:36:44.640
<v Speaker 3>look at Groove Theory, that's.

0:36:44.440 --> 0:36:46.120
<v Speaker 1>What you became came. Yeah.

0:36:46.480 --> 0:36:50.280
<v Speaker 3>Yeah, because I may be wrong, but do you wrap

0:36:50.320 --> 0:36:51.520
<v Speaker 3>on the Groove Theory album at all?

0:36:52.160 --> 0:36:54.520
<v Speaker 1>I was about to say, I don't remember hearing you wrap.

0:36:54.320 --> 0:36:54.719
<v Speaker 3>On that album.

0:36:54.719 --> 0:36:56.400
<v Speaker 1>I never touched that rap shit ever again.

0:36:57.000 --> 0:36:59.040
<v Speaker 3>And then on tell Me a lot of people thought

0:36:59.120 --> 0:37:01.320
<v Speaker 3>that that was saying and it was Trey Laurance.

0:37:01.400 --> 0:37:04.719
<v Speaker 1>Yeah, we gave it to him too trade demo tell

0:37:04.760 --> 0:37:06.440
<v Speaker 1>Me as well. So you just kept his vocal from

0:37:06.480 --> 0:37:09.719
<v Speaker 1>the demo. Yeah, oh this is great. Yeah, so this is.

0:37:09.680 --> 0:37:11.719
<v Speaker 3>Not like, oh yeah we got this song it's knocked out, Hey,

0:37:11.960 --> 0:37:13.600
<v Speaker 3>tyl Loarence, I need you just seen this part? No,

0:37:13.719 --> 0:37:17.480
<v Speaker 3>we gave it to Tray after Rhythm and Bass right

0:37:17.520 --> 0:37:20.120
<v Speaker 3>because they they just had a deal on Epic London,

0:37:20.800 --> 0:37:22.320
<v Speaker 3>so we gave it to him. He was on Epic

0:37:22.320 --> 0:37:25.279
<v Speaker 3>as well. He was on fire. He and then into

0:37:25.360 --> 0:37:27.919
<v Speaker 3>label Ever was like the same pop enough, like you're

0:37:27.960 --> 0:37:30.200
<v Speaker 3>going pop. So it was like cool, So we finished

0:37:30.200 --> 0:37:32.719
<v Speaker 3>the whole Grew three album. We're sitting in there with

0:37:32.760 --> 0:37:37.240
<v Speaker 3>the engineered Lapiva and Lamel and my god, dal Brown,

0:37:38.239 --> 0:37:40.279
<v Speaker 3>who was a great musician, played on a bunch of

0:37:40.320 --> 0:37:43.320
<v Speaker 3>stuff I did, and we're sitting there and then we

0:37:43.680 --> 0:37:47.000
<v Speaker 3>learned about that close composition clause at that time, and

0:37:47.040 --> 0:37:50.560
<v Speaker 3>then like you need another song. I was like, let's

0:37:50.600 --> 0:37:54.480
<v Speaker 3>just redo fucking tell me. You know, the anthem in

0:37:54.480 --> 0:37:57.279
<v Speaker 3>New York was rising to the top. Yeah, so I

0:37:57.400 --> 0:38:00.279
<v Speaker 3>was like I got a whole new vibe or do

0:38:00.320 --> 0:38:03.839
<v Speaker 3>it on and we sat down did that. She did

0:38:03.880 --> 0:38:05.640
<v Speaker 3>it as literally the last record.

0:38:06.000 --> 0:38:08.720
<v Speaker 1>Now the hell Mary now's a hell married.

0:38:08.719 --> 0:38:10.520
<v Speaker 3>No, none of that just just like we gotta fell

0:38:10.520 --> 0:38:12.719
<v Speaker 3>a quota like just let's fuck it, let's just tell me,

0:38:13.520 --> 0:38:14.120
<v Speaker 3>and we did that.

0:38:14.160 --> 0:38:16.879
<v Speaker 1>It wasn't going to be on the project, not at all.

0:38:17.480 --> 0:38:18.640
<v Speaker 1>That was a last record.

0:38:19.719 --> 0:38:22.040
<v Speaker 3>That's the last record, and ultimately was someone else's record

0:38:22.040 --> 0:38:24.320
<v Speaker 3>at first, like it wasn't even like yeah yeah, so

0:38:24.360 --> 0:38:27.680
<v Speaker 3>when she got to that part, we just punched him in.

0:38:29.040 --> 0:38:30.040
<v Speaker 1>You won't my love?

0:38:30.200 --> 0:38:34.680
<v Speaker 3>Yeah, we punched tray in and that was it, And

0:38:34.760 --> 0:38:38.560
<v Speaker 3>then the world thought it was me. Yeah, absolutely, because

0:38:38.560 --> 0:38:40.000
<v Speaker 3>obviously I didn't know you at that time, and.

0:38:39.920 --> 0:38:43.319
<v Speaker 1>I'm like, oh, well that's the Yeah, yeah it's him. Yeah,

0:38:43.400 --> 0:38:48.080
<v Speaker 1>they both again. Yeah yeah, yeah, that was tright. That's

0:38:48.480 --> 0:38:51.280
<v Speaker 1>crazy bro yeap was it ever?

0:38:52.400 --> 0:38:55.360
<v Speaker 3>Obviously it's he's always been in the credits, but it

0:38:55.440 --> 0:38:59.000
<v Speaker 3>was never like featuring trailer rent, so you kind of

0:38:59.040 --> 0:38:59.399
<v Speaker 3>like if.

0:38:59.320 --> 0:39:02.520
<v Speaker 1>You knew, you knew, Yeah, does he perform that record?

0:39:03.120 --> 0:39:05.879
<v Speaker 3>No, I don't think something. No, nig I'm getting that off.

0:39:05.960 --> 0:39:10.319
<v Speaker 3>I'm trailerform. Yeah, I guess And for my next trip,

0:39:11.160 --> 0:39:13.480
<v Speaker 3>I'm going to sing tell me I guess you didn't

0:39:13.480 --> 0:39:16.120
<v Speaker 3>know I was on that record. He's an interview with somebody.

0:39:16.160 --> 0:39:17.880
<v Speaker 3>He was like, sue as a guy.

0:39:17.719 --> 0:39:25.360
<v Speaker 1>Brought me said, wait, de Brice say he sung that? Okay, okay, okay, yeah,

0:39:25.360 --> 0:39:28.560
<v Speaker 1>but yeah that's his voice on there. Now, you guys,

0:39:29.320 --> 0:39:33.279
<v Speaker 1>are you specifically you got another hit? Record. You're in

0:39:33.360 --> 0:39:35.640
<v Speaker 1>it again, but now you're in it in a different way,

0:39:35.760 --> 0:39:38.640
<v Speaker 1>different way. What's the focus for you now?

0:39:39.200 --> 0:39:42.760
<v Speaker 3>Because that's the other thing I feel like with Kendrick

0:39:42.800 --> 0:39:47.040
<v Speaker 3>Spearits and is the pivot, right. I've done them different

0:39:47.040 --> 0:39:49.200
<v Speaker 3>things in this business. You've done different things in this business.

0:39:49.239 --> 0:39:52.120
<v Speaker 3>What is what are you locked in on now for

0:39:52.280 --> 0:39:54.520
<v Speaker 3>when you when you're in it and y'all and tell

0:39:54.600 --> 0:39:59.640
<v Speaker 3>me takes off Smash record, when it took off the fight,

0:40:00.040 --> 0:40:01.160
<v Speaker 3>The fight was for me to be seen.

0:40:02.120 --> 0:40:03.399
<v Speaker 1>That was the That was the first fight.

0:40:03.520 --> 0:40:05.400
<v Speaker 3>What do you mean? Like, if you look on the

0:40:05.400 --> 0:40:08.239
<v Speaker 3>album cover, I'm I'm blotted out. Yeah, yeah, because I was.

0:40:08.600 --> 0:40:10.960
<v Speaker 3>I didn't I never thought about that part. Okay, So

0:40:11.000 --> 0:40:12.800
<v Speaker 3>it's done and it's time to do the visuals and

0:40:12.840 --> 0:40:13.520
<v Speaker 3>the video and all that.

0:40:13.600 --> 0:40:14.920
<v Speaker 1>I'm like, yeah, let it go do a thing. And

0:40:14.920 --> 0:40:16.960
<v Speaker 1>they're like you gotta do it too. I'm like, nah,

0:40:16.960 --> 0:40:18.279
<v Speaker 1>do like you have to.

0:40:19.040 --> 0:40:21.800
<v Speaker 3>So everything was forcing me to be in the video,

0:40:22.920 --> 0:40:24.120
<v Speaker 3>you know, it put me in the video. I'm like,

0:40:24.120 --> 0:40:25.719
<v Speaker 3>what am I supposed to do? I'm like, okay, let

0:40:25.719 --> 0:40:27.680
<v Speaker 3>me stand by this board. Look stupid, okay, let me.

0:40:28.840 --> 0:40:30.359
<v Speaker 3>I don't even know what I played on this, but

0:40:30.680 --> 0:40:32.440
<v Speaker 3>turn the volume down, let me, you know, do that,

0:40:32.840 --> 0:40:34.719
<v Speaker 3>let me do a little two step, and that was it.

0:40:34.880 --> 0:40:37.719
<v Speaker 3>That was so that was the next struggle for me

0:40:37.920 --> 0:40:39.880
<v Speaker 3>was like, you're fighting with the label.

0:40:40.200 --> 0:40:41.200
<v Speaker 1>Yeah, with the label.

0:40:41.360 --> 0:40:43.239
<v Speaker 3>As all these artists are trying to figure out how

0:40:43.280 --> 0:40:46.719
<v Speaker 3>to be in the You're like, nah, yeah, yeah, so

0:40:46.920 --> 0:40:49.520
<v Speaker 3>album cover. I was like, I'll do the shoot, but

0:40:49.719 --> 0:40:51.480
<v Speaker 3>I gotta be in the back and I gotta be

0:40:51.480 --> 0:41:02.960
<v Speaker 3>blurred out. Why didn't you, I mean, other than I

0:41:03.040 --> 0:41:05.360
<v Speaker 3>get the you know, the group you had come from,

0:41:05.600 --> 0:41:09.160
<v Speaker 3>but why didn't you just sign her as a solo

0:41:09.239 --> 0:41:11.759
<v Speaker 3>artist if it was going to be her project? As

0:41:11.760 --> 0:41:14.440
<v Speaker 3>far as as the artist, I didn't. I didn't have

0:41:14.520 --> 0:41:16.800
<v Speaker 3>those thoughts or every thought I had as a producer

0:41:16.880 --> 0:41:19.560
<v Speaker 3>was what I learned from Curtis everything. So I really

0:41:20.080 --> 0:41:23.560
<v Speaker 3>I didn't. I had no departure from the you know

0:41:23.640 --> 0:41:26.960
<v Speaker 3>that concept group, whether Solo, Soul Scenes, Music Factory, or Mantronics.

0:41:26.960 --> 0:41:29.840
<v Speaker 3>That's that's that was all I had in my in

0:41:29.880 --> 0:41:30.839
<v Speaker 3>my purview, that was it.

0:41:31.200 --> 0:41:34.279
<v Speaker 1>Yeah, So that's that's all I knew. That's that's what

0:41:34.320 --> 0:41:34.719
<v Speaker 1>I went for.

0:41:34.960 --> 0:41:38.320
<v Speaker 3>Okay, now the business of it, how does that break

0:41:38.360 --> 0:41:44.560
<v Speaker 3>down when ultimately and I can't speak for her, but

0:41:45.400 --> 0:41:48.960
<v Speaker 3>if she's looking at it like, well, I'm singing. So

0:41:49.000 --> 0:41:51.640
<v Speaker 3>now we got to go perform these things live? How

0:41:51.680 --> 0:41:54.920
<v Speaker 3>does that work? When it's like okay, well, okay, whatever

0:41:54.960 --> 0:41:56.960
<v Speaker 3>the fee is, y'all getting paid the show, y'all getting

0:41:57.000 --> 0:41:58.200
<v Speaker 3>twenty thousand, ten thousand.

0:41:58.840 --> 0:41:59.440
<v Speaker 1>Are y'all like?

0:41:59.440 --> 0:41:59.680
<v Speaker 3>Okay?

0:41:59.760 --> 0:42:02.680
<v Speaker 1>So if you want groove theory, we split this?

0:42:03.440 --> 0:42:05.520
<v Speaker 3>Yeah, we were, we were. We were fifty to fifty.

0:42:05.560 --> 0:42:09.399
<v Speaker 3>So at first Amel was going to sign to me. Okay, right,

0:42:09.680 --> 0:42:12.480
<v Speaker 3>and me and Jimmy got her a new place and

0:42:12.520 --> 0:42:14.480
<v Speaker 3>I dropped her office, she said, and my lawyer wants

0:42:14.480 --> 0:42:14.920
<v Speaker 3>to talk to you.

0:42:15.200 --> 0:42:17.640
<v Speaker 1>I was like about what I don't know? Okay.

0:42:18.760 --> 0:42:20.320
<v Speaker 3>Next day I get a call, go to the lawyer's

0:42:20.320 --> 0:42:23.400
<v Speaker 3>office and the lawyer is like, yeah, we're not doing this,

0:42:23.960 --> 0:42:26.560
<v Speaker 3>not doing what, We're not doing this? This her signing

0:42:26.640 --> 0:42:28.239
<v Speaker 3>you Like, what do you mean?

0:42:28.640 --> 0:42:30.080
<v Speaker 1>This is wild? Groove theory is out?

0:42:30.160 --> 0:42:32.480
<v Speaker 3>Or no, this before this, before y'all get the deal.

0:42:32.960 --> 0:42:34.880
<v Speaker 3>This is when the deal is sent to the lawyers.

0:42:35.040 --> 0:42:37.920
<v Speaker 3>Oh shit, okay, yeah, so she's supposed to sign to

0:42:38.000 --> 0:42:39.919
<v Speaker 3>me and then you know, I go through the deal.

0:42:40.520 --> 0:42:42.600
<v Speaker 3>So you've got to be the furnishing company. Yeah, so

0:42:42.719 --> 0:42:44.680
<v Speaker 3>last minute he's like, now we're not doing it, y'all

0:42:44.719 --> 0:42:46.680
<v Speaker 3>will be fifty to fifty. And I'm thinking to myself,

0:42:46.719 --> 0:42:48.880
<v Speaker 3>like I paid for everything and I put her in this,

0:42:49.040 --> 0:42:51.160
<v Speaker 3>Like what are you talking about? So me and him

0:42:51.200 --> 0:42:54.799
<v Speaker 3>had it out, and you know, he's like, groups don't

0:42:54.800 --> 0:42:57.520
<v Speaker 3>do this. I said, what about seeing music factory about

0:42:57.520 --> 0:42:59.719
<v Speaker 3>soul and soul? Well yeah they did what by man

0:42:59.800 --> 0:43:01.960
<v Speaker 3>trying to Yeah, but well I come from it. What

0:43:02.040 --> 0:43:05.359
<v Speaker 3>fuck are you talking to? I just blacked down, Yeah,

0:43:05.480 --> 0:43:08.360
<v Speaker 3>blacked out on him. So my lawyers on the phone

0:43:08.400 --> 0:43:10.960
<v Speaker 3>or speaker phone, and he's like, let's take a recess.

0:43:11.080 --> 0:43:12.200
<v Speaker 1>Just getting too hot.

0:43:12.520 --> 0:43:14.719
<v Speaker 3>So I go in the conference room and he's like,

0:43:14.920 --> 0:43:20.759
<v Speaker 3>so I find out what's happening. Benny Medina called her lawyer, so,

0:43:20.760 --> 0:43:24.440
<v Speaker 3>oh shit, Hey hey kids, this is a music business.

0:43:24.520 --> 0:43:27.440
<v Speaker 3>If you if you're if you're tuned in, you're watching

0:43:27.440 --> 0:43:31.360
<v Speaker 3>this right now. This is how the music business really works.

0:43:31.560 --> 0:43:32.840
<v Speaker 1>This is how you learn to play chess.

0:43:33.040 --> 0:43:37.160
<v Speaker 3>Yeah you know. So you know, I love Bennie's a

0:43:37.200 --> 0:43:39.279
<v Speaker 3>really good friend of mine. I love Bennie's death. But

0:43:39.680 --> 0:43:42.440
<v Speaker 3>he had to do Yeah. I told him no. So

0:43:42.480 --> 0:43:44.120
<v Speaker 3>he was like all right, I'm gonna get a piece. Yeah,

0:43:44.560 --> 0:43:48.759
<v Speaker 3>I'll get hunting. So when that happened, it was I

0:43:48.800 --> 0:43:51.560
<v Speaker 3>was just stuck. There's nothing I could do. So I

0:43:51.640 --> 0:43:53.520
<v Speaker 3>go in there and I'm like, all right, we'll do

0:43:53.560 --> 0:43:55.960
<v Speaker 3>fifty to fifty. We do the fifty to fifty deal.

0:43:56.080 --> 0:43:57.960
<v Speaker 3>I don't have any producer points, none of that. It's

0:43:58.000 --> 0:44:00.239
<v Speaker 3>just produced by me. But everything's fifty fifty. So I'm

0:44:00.239 --> 0:44:02.880
<v Speaker 3>basically an artist an artist, but you're not getting no

0:44:03.360 --> 0:44:06.359
<v Speaker 3>extra producer points on top, nothing. Nope, just fifty to fifty, right,

0:44:06.560 --> 0:44:08.600
<v Speaker 3>And that worked out. It was fine, you know, it

0:44:08.680 --> 0:44:10.759
<v Speaker 3>was fine. And then later on down the line, it

0:44:10.880 --> 0:44:14.719
<v Speaker 3>kind of came back to bite me because I was

0:44:14.760 --> 0:44:17.839
<v Speaker 3>in the background so much. So we had a show.

0:44:17.880 --> 0:44:20.319
<v Speaker 3>They say, okay, we got a clothing budget. I give

0:44:20.320 --> 0:44:22.279
<v Speaker 3>it to a mail. I'll go to Barney spend twelve

0:44:22.320 --> 0:44:24.040
<v Speaker 3>hundred on the show that I already had money. It

0:44:24.080 --> 0:44:27.239
<v Speaker 3>wasn't nothing, so I would just yo, just give that

0:44:27.239 --> 0:44:30.760
<v Speaker 3>to a mail. And then it just started to seep

0:44:31.040 --> 0:44:36.280
<v Speaker 3>into everything where it became like a weird, a weird

0:44:36.320 --> 0:44:40.799
<v Speaker 3>power struggle, and I was losing it because now you're

0:44:40.840 --> 0:44:42.799
<v Speaker 3>hearing little murmurs from the label like, well, she's the

0:44:42.840 --> 0:44:46.000
<v Speaker 3>town town, she's a base, so we go go ahead

0:44:46.280 --> 0:44:46.879
<v Speaker 3>and take her.

0:44:47.120 --> 0:44:49.880
<v Speaker 1>So I was like, wow, okay, that's interesting.

0:44:50.840 --> 0:44:53.400
<v Speaker 3>So then I did the smart move. My biggest crush

0:44:53.600 --> 0:44:55.040
<v Speaker 3>at the time was Tony Braxton.

0:44:56.160 --> 0:45:00.359
<v Speaker 1>Right. I know Billy Woods since I was a teenager. Right.

0:45:00.440 --> 0:45:03.239
<v Speaker 3>I met him in New York at like an hour

0:45:03.280 --> 0:45:05.680
<v Speaker 3>release part some ship whout like me and a bunch

0:45:05.760 --> 0:45:08.719
<v Speaker 3>of dudes my hood. We just at this party and

0:45:10.040 --> 0:45:13.319
<v Speaker 3>Billy got me an autographed picture of Tony saying to

0:45:13.440 --> 0:45:17.359
<v Speaker 3>my future husband, see you at the Grammy's right out

0:45:17.440 --> 0:45:20.640
<v Speaker 3>this picture. Every day anybody come to my house. I'm like, yo,

0:45:21.040 --> 0:45:24.960
<v Speaker 3>read this, read this all right? So you never met

0:45:24.960 --> 0:45:25.960
<v Speaker 3>her at this point, never met her?

0:45:26.480 --> 0:45:29.799
<v Speaker 1>Now grouth days out, I get all these phone calls, Yo,

0:45:29.960 --> 0:45:32.879
<v Speaker 1>guess what, Tony wants to meet you.

0:45:34.400 --> 0:45:38.680
<v Speaker 3>Okay, I go meet her. And the same time I

0:45:38.719 --> 0:45:41.920
<v Speaker 3>meet her, I meet Ellie Reid and and Kenny Babyface

0:45:42.360 --> 0:45:43.280
<v Speaker 3>LA's in the studio.

0:45:44.160 --> 0:45:46.319
<v Speaker 1>He's like, you brought some he brought them here.

0:45:46.360 --> 0:45:48.520
<v Speaker 3>I'm like, yeah, he's just sitting in there just like

0:45:49.600 --> 0:45:53.560
<v Speaker 3>loving every every fucking track. Then me and Tony start

0:45:53.600 --> 0:45:57.279
<v Speaker 3>hanging out, and then that leads to the record with her.

0:45:58.200 --> 0:46:03.520
<v Speaker 3>So now the power dynamic because you yeah, co producing

0:46:03.560 --> 0:46:05.239
<v Speaker 3>co world exactly. You're making me hot.

0:46:05.320 --> 0:46:08.400
<v Speaker 1>Yeah. So now I'm with you know.

0:46:08.480 --> 0:46:11.080
<v Speaker 3>Now I got this number one pop an R and

0:46:11.120 --> 0:46:13.400
<v Speaker 3>B single, and I'm on the roll with Growth Theory

0:46:13.680 --> 0:46:14.440
<v Speaker 3>and the video.

0:46:14.600 --> 0:46:14.839
<v Speaker 1>Yeah.

0:46:14.880 --> 0:46:18.960
<v Speaker 3>And then I did the video which was yeah that

0:46:19.400 --> 0:46:21.839
<v Speaker 3>you know, turnex to a sexymple brother.

0:46:22.239 --> 0:46:25.000
<v Speaker 1>Yeah it did, Yeah, yeah, yeah it did. They was

0:46:25.040 --> 0:46:28.719
<v Speaker 1>love in the streets Bill Bill Bellamy said to me.

0:46:28.800 --> 0:46:32.239
<v Speaker 3>Then he was at MTV. He said, brother, bet is good.

0:46:32.400 --> 0:46:35.360
<v Speaker 3>The MTV will change your life. And Growth Theory was

0:46:35.400 --> 0:46:39.800
<v Speaker 3>definitely be tea. It was absolutely MTV. Yeah, MTV megastar.

0:46:40.000 --> 0:46:40.840
<v Speaker 1>Yeah.

0:46:40.880 --> 0:46:43.200
<v Speaker 3>So that happened, and then I was I was in

0:46:43.239 --> 0:46:44.280
<v Speaker 3>the in the Atlanta family.

0:46:44.400 --> 0:46:47.040
<v Speaker 1>No, it's me KP Dallas l A.

0:46:47.320 --> 0:46:49.600
<v Speaker 3>Like you know, I was like forgetting because in New

0:46:49.640 --> 0:46:52.080
<v Speaker 3>York you had to either come through Andre Herrel, Ross

0:46:52.120 --> 0:46:56.000
<v Speaker 3>simmsopof yeah, and I circumvented all of them by just

0:46:56.040 --> 0:46:59.120
<v Speaker 3>going to Atlanta and messing with the big boys.

0:46:59.440 --> 0:47:04.040
<v Speaker 1>And when that happened, then everything changed. Everything changed.

0:47:04.080 --> 0:47:06.719
<v Speaker 3>And I was young. I was an asshole, you know,

0:47:07.080 --> 0:47:09.600
<v Speaker 3>because yah, y'all y'all been playing me this whole time.

0:47:10.120 --> 0:47:12.759
<v Speaker 3>So yeah, now I'm on fire. But y'all on the road,

0:47:12.840 --> 0:47:14.640
<v Speaker 3>you said we're in the road. I got off the road.

0:47:14.800 --> 0:47:18.480
<v Speaker 3>I said, mel can take half my money and go

0:47:18.520 --> 0:47:20.840
<v Speaker 3>through the shows. It just wasn't worth it anymore. I

0:47:20.960 --> 0:47:23.440
<v Speaker 3>making forty thousand and six songs, so yeah, I just

0:47:23.440 --> 0:47:25.040
<v Speaker 3>stay at home and do two songs of a week.

0:47:25.280 --> 0:47:26.799
<v Speaker 3>I'm one hundred and twenty in I don't you know.

0:47:27.520 --> 0:47:30.719
<v Speaker 3>I was like, I could plane crash. I'm not doing that.

0:47:31.040 --> 0:47:33.840
<v Speaker 3>I'll just stay home. So that that changed the trajectory

0:47:34.000 --> 0:47:37.920
<v Speaker 3>of everything. And then you know, Epic has called me

0:47:37.960 --> 0:47:39.920
<v Speaker 3>in to pick the first singles. Everybody, everybody's off in

0:47:39.960 --> 0:47:43.719
<v Speaker 3>the joint venture, but I was I was more. That

0:47:43.880 --> 0:47:46.560
<v Speaker 3>was my ego trip. Yeah, yeah, my ego trip was

0:47:46.840 --> 0:47:50.160
<v Speaker 3>I was a nobody, y'all, y'all was picking her. And

0:47:50.239 --> 0:47:53.600
<v Speaker 3>now I'm saying two hundred seventy thousand units a week literally,

0:47:53.800 --> 0:47:56.279
<v Speaker 3>you know, now that record is twenty one million, so

0:47:57.520 --> 0:47:59.400
<v Speaker 3>lot more fucking fire.

0:48:00.080 --> 0:48:03.680
<v Speaker 1>Say something like it was just such a difference the group.

0:48:03.480 --> 0:48:06.440
<v Speaker 3>Theory world to the you know, the pop world, you know,

0:48:07.600 --> 0:48:10.000
<v Speaker 3>and that changed, and that's when it became the placemanking

0:48:10.760 --> 0:48:14.600
<v Speaker 3>you know of everybody wants, you know, and our guy

0:48:14.640 --> 0:48:17.279
<v Speaker 3>walks in the room and I look at my engineer, like,

0:48:17.800 --> 0:48:20.880
<v Speaker 3>when I say hit it, hit it right, play something,

0:48:21.960 --> 0:48:27.760
<v Speaker 3>Who's who's that for? Is Michael Jackson's Yeah, Mike wantsta Mike?

0:48:29.000 --> 0:48:31.280
<v Speaker 1>Was you cab it?

0:48:31.600 --> 0:48:32.160
<v Speaker 3>You were it?

0:48:32.280 --> 0:48:32.640
<v Speaker 1>Yeah?

0:48:32.760 --> 0:48:34.920
<v Speaker 3>I made up a different artists every single time they

0:48:35.000 --> 0:48:37.399
<v Speaker 3>came in that room. I made up a gigantic artist like, yeah,

0:48:37.400 --> 0:48:39.759
<v Speaker 3>that's for them. When you used to do that, she said,

0:48:39.800 --> 0:48:42.239
<v Speaker 3>you just here, mister, you for real?

0:48:42.280 --> 0:48:42.560
<v Speaker 1>For real?

0:48:42.640 --> 0:48:44.680
<v Speaker 3>Like yeah, like I mean unless you you get to

0:48:44.760 --> 0:48:46.480
<v Speaker 3>check tomorrow. I see what I could do.

0:48:46.560 --> 0:48:49.200
<v Speaker 1>But you know, turn that up some turn it up.

0:48:49.360 --> 0:48:52.600
<v Speaker 3>Get them hooked playing on the big yeah, exactly, get

0:48:52.640 --> 0:48:54.920
<v Speaker 3>them hooked. It was just it was just all funny

0:48:54.920 --> 0:48:58.240
<v Speaker 3>games after that. Yeah, you know you already know you.

0:48:57.719 --> 0:49:01.319
<v Speaker 1>You groove theory at this point, like officially.

0:49:01.160 --> 0:49:03.680
<v Speaker 3>No, I didn't leave, but we got it. So we

0:49:03.719 --> 0:49:06.400
<v Speaker 3>got our deal for the next album, and then things

0:49:06.960 --> 0:49:10.840
<v Speaker 3>things just went left because now things are changing.

0:49:10.880 --> 0:49:12.400
<v Speaker 1>The mail it's like I.

0:49:12.480 --> 0:49:17.839
<v Speaker 3>Want sixty percent of every record. I'm like, how good

0:49:17.920 --> 0:49:21.359
<v Speaker 3>you need to take forty and you takes sixty. I'm

0:49:21.360 --> 0:49:24.040
<v Speaker 3>not doing that. Then the labels like we're gonna we're

0:49:24.040 --> 0:49:26.840
<v Speaker 3>gonna front you'll check for one hundred grand to get started. No,

0:49:26.880 --> 0:49:29.920
<v Speaker 3>you're not. There's two million dollars for the next album.

0:49:30.080 --> 0:49:32.359
<v Speaker 3>You're not giving us a hundred thousand dollars. One hundred

0:49:32.400 --> 0:49:34.759
<v Speaker 3>thousand dollars comes because everybody like, come on, you know

0:49:35.440 --> 0:49:37.279
<v Speaker 3>you gotta take this money. Then it's like, well, Bryce

0:49:37.320 --> 0:49:39.560
<v Speaker 3>is making so much money by it, give me sixty

0:49:39.560 --> 0:49:39.799
<v Speaker 3>to that.

0:49:40.680 --> 0:49:44.440
<v Speaker 1>And I do it. But by that time it's just broken.

0:49:45.040 --> 0:49:47.080
<v Speaker 3>Yeah, you know, part of the labels like a mail

0:49:47.160 --> 0:49:50.279
<v Speaker 3>come over here and I'm tired and I and I

0:49:50.360 --> 0:49:53.000
<v Speaker 3>always wanted group Theory to be a different featured singer

0:49:53.239 --> 0:49:56.600
<v Speaker 3>on these projects. Yeah, So I was so mentally, I

0:49:56.800 --> 0:50:00.359
<v Speaker 3>was onto another sound that in my head was way way,

0:50:00.400 --> 0:50:03.040
<v Speaker 3>way more dynamic than what growth there was. Growth there

0:50:03.120 --> 0:50:06.239
<v Speaker 3>was cool, it was mellows, jazzy was hypnop, but I

0:50:06.280 --> 0:50:09.640
<v Speaker 3>want some fire shit just jumping out the speakers. So

0:50:09.760 --> 0:50:11.719
<v Speaker 3>my mind was there, and the mal's mind was on,

0:50:11.920 --> 0:50:13.879
<v Speaker 3>like I just need to go do my own thing.

0:50:14.719 --> 0:50:17.680
<v Speaker 3>And then the power struggle between me and a label,

0:50:18.080 --> 0:50:20.839
<v Speaker 3>I was just like, it was vengeance time for them.

0:50:21.320 --> 0:50:22.640
<v Speaker 1>I ain't gonna lie. It was vengeance time.

0:50:22.680 --> 0:50:24.799
<v Speaker 3>It was like they were not gonna let you be

0:50:24.880 --> 0:50:28.080
<v Speaker 3>more successful there with them. Well they wanted to, but

0:50:28.160 --> 0:50:32.560
<v Speaker 3>I was like no, Like Paris Davis, they fired him

0:50:32.680 --> 0:50:34.040
<v Speaker 3>and I sat down with the president epic.

0:50:34.560 --> 0:50:37.280
<v Speaker 1>He said, I know you got Paris a new job at Atlantic. Yeah,

0:50:37.400 --> 0:50:41.160
<v Speaker 1>what'd you do? Did the Change your Faces videos? It's

0:50:41.320 --> 0:50:43.360
<v Speaker 1>like what da videos?

0:50:43.880 --> 0:50:47.600
<v Speaker 3>Exactly like that much power where you do a video

0:50:47.719 --> 0:50:50.800
<v Speaker 3>for somebody and you can get another human being a job,

0:50:50.840 --> 0:50:54.040
<v Speaker 3>an executive job. Yeah. So after that, it was just

0:50:54.080 --> 0:50:56.600
<v Speaker 3>like it was just my playground and growth. There was

0:50:56.680 --> 0:51:00.000
<v Speaker 3>just at that point it was I don't want to

0:51:00.080 --> 0:51:01.880
<v Speaker 3>say it was too small, but it was. It just

0:51:01.960 --> 0:51:04.600
<v Speaker 3>wasn't worth a headache. Yeah, you know, it wasn't worth

0:51:04.600 --> 0:51:08.920
<v Speaker 3>a headache. Y'all played me and it's like, you know,

0:51:09.040 --> 0:51:10.960
<v Speaker 3>now there's no one in front of me. There's no

0:51:11.000 --> 0:51:14.400
<v Speaker 3>one that can say no and stop my motion, you know,

0:51:14.480 --> 0:51:15.680
<v Speaker 3>because I'm the motion.

0:51:16.000 --> 0:51:16.160
<v Speaker 1>You know.

0:51:16.239 --> 0:51:18.880
<v Speaker 3>People want me to do their music, you know, all

0:51:18.920 --> 0:51:21.640
<v Speaker 3>their video or whatever, but that they don't leave that out.

0:51:21.719 --> 0:51:27.000
<v Speaker 1>Yeah yeah. Yeah. So that so that was that that

0:51:27.160 --> 0:51:28.040
<v Speaker 1>just that was the pivot.

0:51:28.120 --> 0:51:29.920
<v Speaker 3>That was the new life and the main focus was

0:51:30.080 --> 0:51:33.120
<v Speaker 3>now you are a mercenary in a sense you are

0:51:33.320 --> 0:51:36.240
<v Speaker 3>got a higher gun to go get these records exactly.

0:51:36.960 --> 0:51:40.319
<v Speaker 3>And at that stage of the music business, it was

0:51:40.480 --> 0:51:42.400
<v Speaker 3>a lot of money to be made.

0:51:42.880 --> 0:51:45.680
<v Speaker 1>And it was a super producer era, yes, like five

0:51:45.680 --> 0:51:46.800
<v Speaker 1>of us. Yeah.

0:51:46.840 --> 0:51:49.560
<v Speaker 3>So once you get that super producer under your name,

0:51:49.640 --> 0:51:51.439
<v Speaker 3>it's like now niggas was getting paid.

0:51:51.600 --> 0:51:53.200
<v Speaker 1>Yeah yeah yeah.

0:51:54.160 --> 0:51:56.239
<v Speaker 3>Did you did you have in your mind though, that

0:51:56.640 --> 0:51:58.520
<v Speaker 3>you were going to do another group or do another

0:51:59.160 --> 0:52:00.000
<v Speaker 3>artist project.

0:52:00.480 --> 0:52:02.919
<v Speaker 1>Was that a part of your focus then too? Yep,

0:52:03.320 --> 0:52:05.359
<v Speaker 1>that was part of my focus. I actually ended up

0:52:05.400 --> 0:52:05.799
<v Speaker 1>doing one.

0:52:06.000 --> 0:52:09.880
<v Speaker 3>I did another album with a girl named Makata Davis

0:52:09.920 --> 0:52:14.240
<v Speaker 3>that was from Davante's camp, right, because remember Missy Timberling.

0:52:14.280 --> 0:52:17.240
<v Speaker 3>Genuine all of them were from Davante. Hankers to Basement,

0:52:17.400 --> 0:52:19.880
<v Speaker 3>yeah exactly. Barry came and took all him, put him

0:52:19.880 --> 0:52:24.360
<v Speaker 3>over in Blackground, and I found this young girl that

0:52:24.480 --> 0:52:28.480
<v Speaker 3>was from that camp that was just insanely talented, and

0:52:28.680 --> 0:52:33.320
<v Speaker 3>I did a project with her that was just an

0:52:33.360 --> 0:52:41.080
<v Speaker 3>extremely undeniable, crazy album. And I did this album and

0:52:41.120 --> 0:52:43.880
<v Speaker 3>we got into politics with it. She wrote Best to

0:52:43.960 --> 0:52:48.120
<v Speaker 3>Me the remix Mayan Jake, she wrote that, and we

0:52:48.120 --> 0:52:51.560
<v Speaker 3>were having problems with Epic and I text Puff and

0:52:51.600 --> 0:52:54.080
<v Speaker 3>Steve Stout and I said, Makaya is free, free agent.

0:52:54.200 --> 0:52:57.040
<v Speaker 3>Good luck, niggas. I got call in two minutes from

0:52:57.080 --> 0:52:59.320
<v Speaker 3>Tone from Track Matters. He was like, Steve wants it

0:52:59.400 --> 0:53:02.440
<v Speaker 3>in the scope. All right, did the album over there.

0:53:03.440 --> 0:53:06.360
<v Speaker 3>Then Steve left, but this is not a group though, No,

0:53:06.520 --> 0:53:08.080
<v Speaker 3>this is this is a group there album. Oh, this

0:53:08.080 --> 0:53:10.520
<v Speaker 3>is group there. Okay, okay, yeah. I had the second

0:53:10.560 --> 0:53:13.720
<v Speaker 3>album at Epic. Epic was acting weird about black music.

0:53:14.840 --> 0:53:18.000
<v Speaker 3>Got off of there and then got to deal with Steve.

0:53:18.000 --> 0:53:22.440
<v Speaker 3>Started in the scope, did that album. Steve left and

0:53:22.560 --> 0:53:26.239
<v Speaker 3>started going to the into the marketing world. I'm deal

0:53:26.280 --> 0:53:29.319
<v Speaker 3>with this album that I take that album off. I

0:53:29.360 --> 0:53:31.440
<v Speaker 3>got both labels and took my masters, who was not

0:53:31.560 --> 0:53:33.360
<v Speaker 3>of my deal. I just took it because nobody stopped me.

0:53:34.000 --> 0:53:37.360
<v Speaker 3>So I took all the masters. And then you know

0:53:37.440 --> 0:53:43.399
<v Speaker 3>Chill from Chicago. Yes, Chill, Wow, loupays guy. Yes, yes,

0:53:43.840 --> 0:53:47.520
<v Speaker 3>Chill was best friends with Jay at the time. And

0:53:47.560 --> 0:53:49.120
<v Speaker 3>he calls me off. He's like, yo, you trust me.

0:53:49.200 --> 0:53:52.200
<v Speaker 3>I'm like yeah, this is five years later, Like yeah,

0:53:52.200 --> 0:53:54.719
<v Speaker 3>what's up. He's like, come to New York. Come to

0:53:54.719 --> 0:53:58.440
<v Speaker 3>New York. Jay's there, Beyonce is there? We played the

0:53:58.520 --> 0:54:00.839
<v Speaker 3>album and they just sit and they're like, Yo, what

0:54:00.880 --> 0:54:01.600
<v Speaker 3>the fuck is this?

0:54:03.200 --> 0:54:05.800
<v Speaker 1>I don't know. Jay's like, bro, you wasting yourself. You stopped,

0:54:05.960 --> 0:54:07.439
<v Speaker 1>like I stopped making music.

0:54:08.200 --> 0:54:10.880
<v Speaker 3>I just got turned off from all of the personal

0:54:10.920 --> 0:54:12.480
<v Speaker 3>demands of giving everybody money all that.

0:54:13.680 --> 0:54:14.360
<v Speaker 1>And uh.

0:54:14.800 --> 0:54:17.879
<v Speaker 3>He said, yeah, we'll be back and he took the CD.

0:54:18.320 --> 0:54:20.959
<v Speaker 3>They called back two hours later sayah, we want six records.

0:54:21.680 --> 0:54:25.200
<v Speaker 3>I was like, real and this this stuff is five

0:54:25.280 --> 0:54:27.120
<v Speaker 3>years old at this point, you said five years old?

0:54:27.480 --> 0:54:31.960
<v Speaker 3>Five years old? It took six records, Jay Coles. The

0:54:32.000 --> 0:54:34.520
<v Speaker 3>next week he says, Yo, we had the Rose Bowl.

0:54:34.520 --> 0:54:37.239
<v Speaker 3>I played this record for Janet. Johnny wants this sorry record.

0:54:38.000 --> 0:54:39.040
<v Speaker 3>Good that sorry record?

0:54:39.120 --> 0:54:42.480
<v Speaker 1>Huh? Fourth for Benes, Yeah, let's do it.

0:54:43.360 --> 0:54:46.200
<v Speaker 3>And Janney got a record all like all of these

0:54:46.200 --> 0:54:49.560
<v Speaker 3>records were just and then all five years old from

0:54:49.600 --> 0:54:50.480
<v Speaker 3>the Machatur project.

0:54:50.560 --> 0:54:51.120
<v Speaker 1>Yeah.

0:54:51.200 --> 0:54:53.879
<v Speaker 3>Yeah, So track masters loved it. We did the first

0:54:53.880 --> 0:54:56.680
<v Speaker 3>single that we had. They did a remix because they

0:54:56.680 --> 0:54:58.960
<v Speaker 3>had that r Kelly moment. Yes, the best of both

0:54:58.960 --> 0:55:00.480
<v Speaker 3>worlds and all that, So they did it remix with

0:55:00.520 --> 0:55:02.080
<v Speaker 3>Maya and Jacket Edge on it.

0:55:02.280 --> 0:55:03.760
<v Speaker 1>Like everybody wanted a piece of this record.

0:55:04.239 --> 0:55:07.520
<v Speaker 3>So I basically just sold the raceal just sold the

0:55:07.560 --> 0:55:09.279
<v Speaker 3>record out, just pieced them out.

0:55:09.560 --> 0:55:11.200
<v Speaker 1>Yeah, Amyy, Beyonce, a bunch of people.

0:55:11.200 --> 0:55:14.279
<v Speaker 3>Beyonce ended up only taking two because her father had

0:55:14.320 --> 0:55:15.480
<v Speaker 3>already paid Scott Storch.

0:55:15.640 --> 0:55:18.960
<v Speaker 1>But yeah, between Chill, Me and Jay, we just gave

0:55:19.040 --> 0:55:21.000
<v Speaker 1>him records. Everybody. Wow.

0:55:21.160 --> 0:55:24.040
<v Speaker 3>Yeah, yeah it was. It was a crazy, crazy album.

0:55:24.080 --> 0:55:28.640
<v Speaker 3>No crazy album like that. Yeah, Mickata was exactly what

0:55:28.680 --> 0:55:31.839
<v Speaker 3>I was looking for. It was way more dynamic. It

0:55:31.960 --> 0:55:33.799
<v Speaker 3>was like, you know, we did a showcase and she's

0:55:33.840 --> 0:55:36.759
<v Speaker 3>singing a natural born killer Jermy and ice Cube.

0:55:36.800 --> 0:55:38.479
<v Speaker 1>Yeah, like she was a rock star.

0:55:38.600 --> 0:55:42.160
<v Speaker 3>She was different, super hood, super rock stars and everything.

0:55:42.239 --> 0:55:46.480
<v Speaker 1>Yeah. Then you turn into an actor. Yeah, then I

0:55:46.520 --> 0:55:47.319
<v Speaker 1>wanted to be that guy.

0:55:47.680 --> 0:55:50.960
<v Speaker 3>Yeah, what made you say that to yourself? Like, all right,

0:55:51.000 --> 0:55:53.120
<v Speaker 3>you know what, I'm sure his acting thing.

0:55:53.320 --> 0:55:54.040
<v Speaker 1>I got tired.

0:55:54.200 --> 0:55:57.000
<v Speaker 3>Was it because of the videos? No, it was because

0:55:57.040 --> 0:56:00.919
<v Speaker 3>of the group theory situation. I didn't like being held

0:56:00.960 --> 0:56:01.920
<v Speaker 3>hostage by an artist.

0:56:02.760 --> 0:56:03.759
<v Speaker 1>I didn't like that. M hm.

0:56:04.400 --> 0:56:07.319
<v Speaker 3>So I said to myself, if I can get used

0:56:07.320 --> 0:56:10.520
<v Speaker 3>to the camera, I could probably do this acting shit.

0:56:11.160 --> 0:56:13.359
<v Speaker 3>In the midst of this, Tracy Edmonds had called me

0:56:13.440 --> 0:56:16.319
<v Speaker 3>to do Soul food when they were doing the series. Yeah,

0:56:16.400 --> 0:56:18.279
<v Speaker 3>and she's like, why, you just gotta trust me.

0:56:18.320 --> 0:56:18.920
<v Speaker 1>I fly out here.

0:56:19.960 --> 0:56:24.759
<v Speaker 3>The dumbest audition you could ever see it done by me.

0:56:25.040 --> 0:56:28.600
<v Speaker 3>I'm literally like this like and he said he's going

0:56:29.160 --> 0:56:36.600
<v Speaker 3>to the store. I'll be right back. It was so bad,

0:56:37.200 --> 0:56:37.799
<v Speaker 3>like it was.

0:56:38.280 --> 0:56:40.800
<v Speaker 1>It was unbelievably terrible.

0:56:41.360 --> 0:56:43.920
<v Speaker 3>It was just really bad. So I did that and

0:56:43.960 --> 0:56:46.040
<v Speaker 3>then that that killed I was like, I don't want

0:56:46.040 --> 0:56:48.000
<v Speaker 3>to do this acting ship. And then it was a

0:56:49.239 --> 0:56:52.200
<v Speaker 3>there was an opportunity for Vibe magazine was doing the

0:56:52.280 --> 0:56:55.880
<v Speaker 3>TV show Caught Weekend Vibe and I got on a

0:56:55.920 --> 0:56:58.480
<v Speaker 3>plane in LA and my lawyer at the time said, yeah,

0:56:58.480 --> 0:57:01.160
<v Speaker 3>they're doing this thing. And I was like, if I

0:57:01.239 --> 0:57:04.480
<v Speaker 3>host this show, then I could get used to the

0:57:04.560 --> 0:57:08.040
<v Speaker 3>camera and then I can act. So I land in

0:57:08.200 --> 0:57:11.319
<v Speaker 3>LA and they're like, auditions are tomorrow in New York.

0:57:11.400 --> 0:57:13.879
<v Speaker 1>Of course, I'm like, all right, well, I'm in La.

0:57:14.080 --> 0:57:18.439
<v Speaker 1>I'm cool, and I sit myself and I'm like, don't

0:57:18.480 --> 0:57:21.000
<v Speaker 1>feel a little bit. It's done.

0:57:22.280 --> 0:57:26.160
<v Speaker 3>I literally turn around fly back to New York and

0:57:26.160 --> 0:57:29.800
<v Speaker 3>I'm like, you just go be who you are, ghetto.

0:57:29.840 --> 0:57:31.400
<v Speaker 1>If it's whatever it is, that's what you gonna do.

0:57:32.080 --> 0:57:33.520
<v Speaker 1>I saw a bunch of people in the audition and

0:57:33.560 --> 0:57:34.280
<v Speaker 1>they're like, oh way.

0:57:34.480 --> 0:57:37.160
<v Speaker 3>I was like, I'm cool, let them. And I'm hearing

0:57:37.160 --> 0:57:41.400
<v Speaker 3>these people go and they just sounded just so scratstick

0:57:41.440 --> 0:57:44.120
<v Speaker 3>and yeah, script in and corny. I just go in

0:57:44.160 --> 0:57:46.760
<v Speaker 3>there and I'm like I read it, and.

0:57:46.720 --> 0:57:50.040
<v Speaker 1>They're sitting there and they're like, well, introduce this.

0:57:50.360 --> 0:57:53.040
<v Speaker 3>It was like some artists. Yeah, so I just freestyleed.

0:57:53.120 --> 0:57:55.000
<v Speaker 3>This artists comes from something. I'm in the music business.

0:57:55.000 --> 0:57:56.440
<v Speaker 3>This artists comes from so and so to today. It

0:57:56.560 --> 0:57:57.600
<v Speaker 3>was discovered by songs of.

0:57:57.640 --> 0:58:00.400
<v Speaker 1>Do la and they're like, you got the job. So

0:58:00.440 --> 0:58:01.760
<v Speaker 1>I did that job on the spot.

0:58:01.880 --> 0:58:04.200
<v Speaker 3>Yeah, I did that, and then I went on into

0:58:04.200 --> 0:58:08.080
<v Speaker 3>acting from that. Yeah, I couldn't just jump into acting

0:58:08.240 --> 0:58:10.840
<v Speaker 3>right right, right right. That first attempt was yeah, but

0:58:11.720 --> 0:58:16.000
<v Speaker 3>you were preparing yourself. Yeah, I was preparing myself for sure.

0:58:24.600 --> 0:58:27.720
<v Speaker 3>You got a legendary scene. That legendary scene. You know,

0:58:27.800 --> 0:58:29.520
<v Speaker 3>me and you ain't talked about this, but bring it

0:58:29.600 --> 0:58:31.000
<v Speaker 3>up in Beauty Shop.

0:58:32.120 --> 0:58:37.800
<v Speaker 1>The legendary scene where I want to say, you might

0:58:37.840 --> 0:58:41.000
<v Speaker 1>be the first brother to introduce.

0:58:40.600 --> 0:58:49.080
<v Speaker 3>The man bag that is now very popular in our community. Absolutely, No, like, yeah,

0:58:49.280 --> 0:58:50.640
<v Speaker 3>you know, I keep a hundred thousand and there. I

0:58:50.720 --> 0:58:52.240
<v Speaker 3>might got a million dollars in this bag. I might

0:58:52.320 --> 0:58:54.960
<v Speaker 3>have a pistol in here. Yeah, but you ye in

0:58:55.040 --> 0:58:57.320
<v Speaker 3>the shop with a man bag.

0:58:57.520 --> 0:58:58.120
<v Speaker 1>Yeah.

0:58:58.480 --> 0:59:00.000
<v Speaker 3>It wasn't very acceptable at that time.

0:59:00.200 --> 0:59:02.560
<v Speaker 1>It was not I felt crazy.

0:59:03.240 --> 0:59:05.880
<v Speaker 3>Yeah, can you take me back to that scene please,

0:59:06.040 --> 0:59:07.400
<v Speaker 3>and how that was introduced to you?

0:59:07.440 --> 0:59:10.840
<v Speaker 1>Like, okay, so this scene you're gonna walk in? Yeah,

0:59:10.840 --> 0:59:13.040
<v Speaker 1>it was just weird. They were like, yo, your character's

0:59:13.080 --> 0:59:14.240
<v Speaker 1>not gay, but they don't know.

0:59:14.320 --> 0:59:17.600
<v Speaker 3>I was like, they don't know, but am I no, no,

0:59:17.720 --> 0:59:21.240
<v Speaker 3>no you're not, but they don't know, okay, And they

0:59:21.320 --> 0:59:23.240
<v Speaker 3>just started to popping shit out a little set and

0:59:23.280 --> 0:59:24.920
<v Speaker 3>I'm like, what do you mean?

0:59:24.960 --> 0:59:27.040
<v Speaker 1>Like I'm in wardrobe, Like all right, cool, I'm ready

0:59:27.080 --> 0:59:27.800
<v Speaker 1>to go. I got on.

0:59:27.960 --> 0:59:31.960
<v Speaker 3>Bagging, I got on tims, yeah, rolls, and like oh

0:59:32.000 --> 0:59:35.160
<v Speaker 3>yeah one other thing they put it around me.

0:59:35.240 --> 0:59:38.000
<v Speaker 1>I'm like, you can't be serious, like it's the role,

0:59:38.120 --> 0:59:39.120
<v Speaker 1>like this what you got?

0:59:39.800 --> 0:59:42.320
<v Speaker 3>So yeah, so this wasn't in the script that you

0:59:42.360 --> 0:59:44.280
<v Speaker 3>had read though that okay, this is what you know.

0:59:44.360 --> 0:59:46.840
<v Speaker 3>This is you introducing No, because I didn't read. There

0:59:46.880 --> 0:59:48.200
<v Speaker 3>was a part where they talked about it and I

0:59:48.400 --> 0:59:52.240
<v Speaker 3>need that part yet. Yeah, yeah, I didn't read that part.

0:59:52.320 --> 0:59:54.880
<v Speaker 3>I didn't read that part yet until yeah, until like

0:59:54.880 --> 0:59:56.600
<v Speaker 3>the day before, and I didn't even notice it. I

0:59:56.640 --> 0:59:59.120
<v Speaker 3>didn't notice anything until they put it on me. And

0:59:59.160 --> 1:00:02.000
<v Speaker 3>I just felt crazy with tims On and a first.

1:00:03.120 --> 1:00:03.760
<v Speaker 1>Yeah, it was.

1:00:03.840 --> 1:00:06.360
<v Speaker 3>It was crazy because going back to obviously, like going

1:00:06.400 --> 1:00:09.720
<v Speaker 3>back to your men tronic days, you had been around

1:00:09.720 --> 1:00:14.000
<v Speaker 3>the world, had you seen that already, because obviously that's

1:00:14.040 --> 1:00:16.240
<v Speaker 3>something that came from overseas. That's that's not like an

1:00:16.240 --> 1:00:17.520
<v Speaker 3>American thing. I saw.

1:00:17.600 --> 1:00:19.800
<v Speaker 1>Haitian Jack was the first person.

1:00:19.840 --> 1:00:23.000
<v Speaker 3>He used to carry a little this little thing in

1:00:23.040 --> 1:00:25.720
<v Speaker 3>the in a little bag. It wasn't a strap bag,

1:00:26.280 --> 1:00:29.040
<v Speaker 3>but he used to always carry that, and I used

1:00:29.080 --> 1:00:29.720
<v Speaker 3>to always look.

1:00:29.560 --> 1:00:32.160
<v Speaker 1>At that like that's interesting. I always had a man back. Yeah,

1:00:32.160 --> 1:00:32.640
<v Speaker 1>but it's Jack.

1:00:32.640 --> 1:00:34.280
<v Speaker 3>You ain't gonna question it, right right right, you know,

1:00:34.360 --> 1:00:38.080
<v Speaker 3>it's definitely not question Yeah, it's gangster. Yeah, and you

1:00:38.120 --> 1:00:40.400
<v Speaker 3>know he ain't holding the wallet in there. So that

1:00:40.520 --> 1:00:43.560
<v Speaker 3>was the first time that I saw it. But yeah,

1:00:43.560 --> 1:00:45.600
<v Speaker 3>I never I never saw that ship with a strap on.

1:00:45.840 --> 1:00:47.760
<v Speaker 3>The strap on it. That was just yeah, that was

1:00:47.760 --> 1:00:52.040
<v Speaker 3>a crossbody yeah, crossbodies. Yeah, no, bro, you yeah, you're

1:00:52.040 --> 1:00:57.960
<v Speaker 3>the first. Yeah, yeah, yeah, you're You're in Earth in

1:00:58.000 --> 1:01:01.600
<v Speaker 3>the history, Bro, Like you're the first. What that's scene? Yeah,

1:01:01.600 --> 1:01:05.080
<v Speaker 3>it's very legendary. Brow. How was that movie for you?

1:01:06.040 --> 1:01:08.200
<v Speaker 3>It was good. Did you know a lot of the

1:01:08.240 --> 1:01:13.840
<v Speaker 3>cast already or Nope? I only knew and Billy Me

1:01:13.880 --> 1:01:15.480
<v Speaker 3>and Billy got a history. The same thing with the

1:01:15.520 --> 1:01:17.200
<v Speaker 3>Tony video. I ain't want to do it, and he

1:01:17.360 --> 1:01:19.840
<v Speaker 3>was like, well, you gotta do it, and I was like, no,

1:01:19.960 --> 1:01:22.720
<v Speaker 3>I don't. J and DMX was getting hot. I was like, Yo,

1:01:22.840 --> 1:01:25.920
<v Speaker 3>this is due Jay my man Brooklyn and so do Dmax.

1:01:26.080 --> 1:01:29.760
<v Speaker 3>Tony was like, I don't care about that. So Billy

1:01:29.880 --> 1:01:32.440
<v Speaker 3>was like, you gotta do it. I did it, and

1:01:32.480 --> 1:01:35.520
<v Speaker 3>then it worked out, so Beauty Shop happened. I had

1:01:35.560 --> 1:01:38.440
<v Speaker 3>did another movie called hair Show with Monique and he

1:01:38.480 --> 1:01:39.800
<v Speaker 3>called me and I was like, bro, I did this

1:01:39.840 --> 1:01:42.000
<v Speaker 3>other thing. And he's like, bro, And I was like,

1:01:42.520 --> 1:01:44.160
<v Speaker 3>you want me to just shut the fuck up and

1:01:44.160 --> 1:01:46.240
<v Speaker 3>trust you Again, he'said, can you just do that? Can

1:01:46.240 --> 1:01:48.480
<v Speaker 3>you just shut up and just show up? I just

1:01:48.480 --> 1:01:49.600
<v Speaker 3>went to audition and got it.

1:01:50.400 --> 1:01:50.640
<v Speaker 4>Wow.

1:01:50.960 --> 1:01:52.400
<v Speaker 3>Yeah, And he was the director of it. So he

1:01:52.480 --> 1:01:55.280
<v Speaker 3>was the director. Yeah, do good enough and I'll tag

1:01:55.360 --> 1:01:55.840
<v Speaker 3>it out for you.

1:01:55.920 --> 1:01:56.120
<v Speaker 1>Yep.

1:01:56.680 --> 1:02:01.880
<v Speaker 3>Yeah, wow bro, Yeah yeah, and then you became a

1:02:01.920 --> 1:02:06.280
<v Speaker 3>real actor, real actor after that. Yeah, and then I

1:02:06.360 --> 1:02:11.080
<v Speaker 3>quit that. I didn't have a next guy to be

1:02:11.120 --> 1:02:12.920
<v Speaker 3>like I want to be him. I just I just

1:02:13.040 --> 1:02:15.600
<v Speaker 3>was like I don't have I was like thirty two.

1:02:15.880 --> 1:02:18.520
<v Speaker 3>I was like, I don't have the stomach to get

1:02:18.560 --> 1:02:20.680
<v Speaker 3>ten years of no before they tell me yes.

1:02:21.280 --> 1:02:23.280
<v Speaker 1>You know, I did that. I did the one hundred auditions,

1:02:23.280 --> 1:02:24.920
<v Speaker 1>well only booked three out of one hundred.

1:02:24.960 --> 1:02:25.560
<v Speaker 3>Yeah, I did all that.

1:02:25.600 --> 1:02:26.400
<v Speaker 1>I did that whole round.

1:02:26.440 --> 1:02:28.080
<v Speaker 3>I did that. I went to film school, I did

1:02:28.120 --> 1:02:31.400
<v Speaker 3>all of that. But that's when the music mind came in,

1:02:31.480 --> 1:02:32.840
<v Speaker 3>you know, because the music, it could be me and

1:02:32.920 --> 1:02:35.439
<v Speaker 3>you an engineer, and it could change our life.

1:02:35.800 --> 1:02:37.720
<v Speaker 1>Right, film you need thirty.

1:02:37.440 --> 1:02:40.680
<v Speaker 3>People crew, sixty people crew, you know it's yeah, it's no,

1:02:40.800 --> 1:02:44.000
<v Speaker 3>it's no making a movie without all of those exactly,

1:02:44.120 --> 1:02:47.000
<v Speaker 3>without all the all them moving parts. Yeah, so you're

1:02:47.040 --> 1:02:49.040
<v Speaker 3>like A right, I was like, I have I had

1:02:49.040 --> 1:02:50.400
<v Speaker 3>the heart for this in music. I don't have the

1:02:50.400 --> 1:02:52.600
<v Speaker 3>heart for this for acting, you know, I just didn't.

1:02:52.840 --> 1:02:54.640
<v Speaker 3>In my thirties, I was like, I don't.

1:02:54.480 --> 1:02:56.600
<v Speaker 1>Have the heart for this. You walk away from acting.

1:02:57.480 --> 1:02:59.600
<v Speaker 3>You don't want to deal with, you know, the back

1:02:59.600 --> 1:03:03.040
<v Speaker 3>and forth of the rejection, and you know, people don't

1:03:03.080 --> 1:03:06.040
<v Speaker 3>realize that you you auditioned all those times to maybe

1:03:06.040 --> 1:03:06.840
<v Speaker 3>get one role.

1:03:07.160 --> 1:03:09.919
<v Speaker 1>Yeah, you go out, what's something okay before?

1:03:10.040 --> 1:03:13.600
<v Speaker 3>Before you do that, though, what's a role that you

1:03:13.720 --> 1:03:17.480
<v Speaker 3>auditioned for that maybe became something like really dope?

1:03:18.000 --> 1:03:21.400
<v Speaker 1>And you're like, fuck, I could have been. I don't know,

1:03:21.480 --> 1:03:23.240
<v Speaker 1>is there any like big movies or anything that you

1:03:23.280 --> 1:03:23.840
<v Speaker 1>auditioned for.

1:03:24.360 --> 1:03:29.200
<v Speaker 3>Gangster auditioned for which which I definitely wanted a role

1:03:29.240 --> 1:03:34.040
<v Speaker 3>in that he was gonna be Denzel No No, Frank Lucas,

1:03:34.560 --> 1:03:36.160
<v Speaker 3>but I think I was supposed to be like his

1:03:36.320 --> 1:03:39.360
<v Speaker 3>nephew or one of her brothers or something. And it

1:03:39.400 --> 1:03:42.200
<v Speaker 3>was it was the hype around it before they shot,

1:03:42.280 --> 1:03:45.240
<v Speaker 3>or the hype around American guest it was very hot. Yeah,

1:03:45.280 --> 1:03:47.400
<v Speaker 3>the buzz around Hollywood for that was really high. So

1:03:47.440 --> 1:03:48.920
<v Speaker 3>that was that was a role that I that I

1:03:48.960 --> 1:03:51.400
<v Speaker 3>really wanted. It's just a lot of ups and down.

1:03:51.640 --> 1:03:53.440
<v Speaker 3>I remember I got so cocky. I went to this,

1:03:53.600 --> 1:03:57.600
<v Speaker 3>to this this audition. I was I'm gonna go kill it,

1:03:58.160 --> 1:04:01.040
<v Speaker 3>and I flopped so bad. The cast nature was like

1:04:01.880 --> 1:04:04.439
<v Speaker 3>and where did you come from? Again? Because she heard

1:04:04.480 --> 1:04:06.800
<v Speaker 3>so much hype about me. I was like, yeah, I know,

1:04:06.960 --> 1:04:09.920
<v Speaker 3>I know. She was like, yeah, okay, get at it.

1:04:10.200 --> 1:04:12.959
<v Speaker 1>And she went to where did you come from again? Yeah?

1:04:13.080 --> 1:04:15.400
<v Speaker 3>Because he heard a whole bunch of hype and right,

1:04:15.560 --> 1:04:16.880
<v Speaker 3>he just got this roll this road.

1:04:17.360 --> 1:04:17.520
<v Speaker 1>Yeah.

1:04:17.560 --> 1:04:20.160
<v Speaker 3>And I went in there and I Lily was on

1:04:20.200 --> 1:04:22.760
<v Speaker 3>the plane reading leading these lines like I'm gonna.

1:04:22.520 --> 1:04:25.080
<v Speaker 1>Go murder this? Who else going for this? I'm killing

1:04:25.120 --> 1:04:26.880
<v Speaker 1>all of them? So what happened? You just forgot this

1:04:26.920 --> 1:04:27.840
<v Speaker 1>ship once you got in there.

1:04:27.880 --> 1:04:30.000
<v Speaker 3>I just flopped. I don't know what happened, but I

1:04:30.120 --> 1:04:33.600
<v Speaker 3>flopped bad. I was just like, door a cool.

1:04:34.560 --> 1:04:36.280
<v Speaker 1>You know when you fucked up? Yeah? Oh yeah, yeah,

1:04:36.280 --> 1:04:38.080
<v Speaker 1>you know you're fucked up? Yeah? All right?

1:04:38.200 --> 1:04:41.520
<v Speaker 3>Actings now in the rearview? Yeah, do you go back

1:04:41.560 --> 1:04:42.320
<v Speaker 3>to producing?

1:04:42.480 --> 1:04:44.280
<v Speaker 1>Do you like? What's the no?

1:04:44.600 --> 1:04:47.760
<v Speaker 3>I just chilled out. I bought a seven bedroom in

1:04:47.760 --> 1:04:49.320
<v Speaker 3>Hollywood Hills. I was just chilling.

1:04:49.560 --> 1:04:51.880
<v Speaker 1>Why did you buy a seven bedroom?

1:04:52.080 --> 1:04:53.640
<v Speaker 3>Right? Why did you need seven bedrooms?

1:04:53.680 --> 1:04:58.280
<v Speaker 1>Bruce? The house was a good deal. Seriously, seriously, you

1:04:58.360 --> 1:05:01.600
<v Speaker 1>can tell us, we all tell it was a good deal.

1:05:01.920 --> 1:05:05.800
<v Speaker 3>Something. Wowd Yeah, I bought this one car, and I

1:05:05.840 --> 1:05:08.280
<v Speaker 3>remember it had it had this this button on the

1:05:08.320 --> 1:05:11.120
<v Speaker 3>side that made all my doors open. I was like, wait,

1:05:11.160 --> 1:05:13.959
<v Speaker 3>so it's how much more? So it's thirty thousand more

1:05:14.040 --> 1:05:16.920
<v Speaker 3>for the for the doors, for the touch door. Yeah,

1:05:17.440 --> 1:05:22.440
<v Speaker 3>stupid as hell man. Yeah the house. Yeah, bought that house.

1:05:23.000 --> 1:05:26.000
<v Speaker 3>I was chilling in La Then I bought a condo

1:05:26.120 --> 1:05:28.600
<v Speaker 3>in Miami, and I had another place in New York

1:05:29.160 --> 1:05:31.000
<v Speaker 3>and I just went every two weeks from each place

1:05:31.000 --> 1:05:34.640
<v Speaker 3>to each place. And I was in real estate at

1:05:34.640 --> 1:05:40.080
<v Speaker 3>the time, okay, because I'm invested in two hotel restaurant groups.

1:05:40.480 --> 1:05:42.920
<v Speaker 3>So my plan after after all of this, I was like,

1:05:42.960 --> 1:05:45.040
<v Speaker 3>I'll just like do clubs and hotel stuff like that.

1:05:46.200 --> 1:05:51.200
<v Speaker 3>And I had all this property everywhere, and the market

1:05:51.200 --> 1:05:54.800
<v Speaker 3>started shifting and then it was education.

1:05:54.520 --> 1:05:57.800
<v Speaker 1>Time that crash that happened, Yeah, that happened.

1:05:57.960 --> 1:06:01.840
<v Speaker 3>Yeah, So everything else, like every dime I had was

1:06:01.880 --> 1:06:05.880
<v Speaker 3>in real estate. So I went from having four cribs

1:06:06.040 --> 1:06:09.880
<v Speaker 3>to in La Miami, New York to ending up in

1:06:09.920 --> 1:06:14.000
<v Speaker 3>Atlanta back wondering if I could pay the rent ship.

1:06:14.160 --> 1:06:15.520
<v Speaker 1>Yeah, like I felt.

1:06:15.560 --> 1:06:18.440
<v Speaker 3>I felt so hard. The thing it wasn't really the

1:06:18.440 --> 1:06:21.480
<v Speaker 3>fall was was obviously bad, but it wasn't really the fall.

1:06:21.800 --> 1:06:23.520
<v Speaker 1>It was the fact that I had no options, you

1:06:23.560 --> 1:06:24.120
<v Speaker 1>know what I'm saying.

1:06:24.640 --> 1:06:28.400
<v Speaker 3>I had really good friends in this business, La Sylvia,

1:06:28.560 --> 1:06:31.680
<v Speaker 3>Craig Cowman, but the people under them, I was an

1:06:31.720 --> 1:06:33.720
<v Speaker 3>asshole to them because they were assholes.

1:06:34.200 --> 1:06:35.280
<v Speaker 1>I didn't like record people.

1:06:35.480 --> 1:06:38.320
<v Speaker 3>Okay, I didn't like that whole he's he's hot now,

1:06:38.400 --> 1:06:40.280
<v Speaker 3>so give me a record that sounds like that.

1:06:40.320 --> 1:06:41.840
<v Speaker 1>I just didn't respect any of that, you know.

1:06:42.680 --> 1:06:44.960
<v Speaker 3>So when I so, when I went broke, there was

1:06:45.000 --> 1:06:47.520
<v Speaker 3>no coming back to my old job. You know, there

1:06:47.560 --> 1:06:50.480
<v Speaker 3>was no because at this point now the executives, they

1:06:50.480 --> 1:06:51.640
<v Speaker 3>didn't have those relationships.

1:06:51.720 --> 1:06:53.760
<v Speaker 1>Yeah, and they're the star now, you know what I mean.

1:06:53.800 --> 1:06:55.000
<v Speaker 1>They want to be the star.

1:06:55.120 --> 1:06:57.560
<v Speaker 3>You know. Everybody now wanted to be like puff, you know.

1:06:57.680 --> 1:07:01.840
<v Speaker 3>So there were It wasn't out the music anymore.

1:07:02.120 --> 1:07:02.480
<v Speaker 1>After that.

1:07:02.560 --> 1:07:04.680
<v Speaker 3>It was about give me something that sounds like, what's

1:07:04.800 --> 1:07:05.880
<v Speaker 3>number one in the chart now?

1:07:06.160 --> 1:07:10.280
<v Speaker 1>You know. So I just sat in Atlanta like, damn,

1:07:10.440 --> 1:07:13.040
<v Speaker 1>I'm really broke, Like should I get a job? Like

1:07:13.520 --> 1:07:14.240
<v Speaker 1>where does this go?

1:07:14.800 --> 1:07:17.480
<v Speaker 3>You know? I just I just really didn't know, and

1:07:17.520 --> 1:07:20.600
<v Speaker 3>my royalties never came for any of my songs. Why

1:07:21.480 --> 1:07:24.440
<v Speaker 3>just never came? Fifty million records. To me, I made

1:07:24.440 --> 1:07:26.320
<v Speaker 3>about five hundred and forty million dollars for the labels.

1:07:26.320 --> 1:07:28.360
<v Speaker 3>Never got my cut, Like when you got money, you

1:07:28.480 --> 1:07:31.480
<v Speaker 3>just be sitting like it'll, I guess it's coming, right,

1:07:32.080 --> 1:07:38.040
<v Speaker 3>never came. So I sat there in Atlanta and this

1:07:38.200 --> 1:07:41.440
<v Speaker 3>whole culture was shifting, and this new culture was emerging

1:07:42.280 --> 1:07:48.800
<v Speaker 3>with indie bands and EDM DJs. So that was my pivot.

1:07:49.120 --> 1:07:53.280
<v Speaker 3>After that I started. I met a guy named Junior Sanchez,

1:07:53.320 --> 1:07:56.760
<v Speaker 3>one of my really good friends, and Junior's house DJ,

1:07:57.160 --> 1:07:59.760
<v Speaker 3>one of the best producers I've ever met, and just

1:07:59.800 --> 1:08:05.120
<v Speaker 3>had great relationships everywhere and the huge, huge audience like people,

1:08:05.200 --> 1:08:08.760
<v Speaker 3>He's a legend in that world. And I used to

1:08:08.760 --> 1:08:11.240
<v Speaker 3>make these pitch decks and I would call Sylvia in

1:08:11.440 --> 1:08:14.360
<v Speaker 3>LA and I say, hey, you know this em thing

1:08:14.480 --> 1:08:16.120
<v Speaker 3>is like we need to get you know, this ship

1:08:16.200 --> 1:08:18.840
<v Speaker 3>because this ain't this ain't our culture. This is they

1:08:18.880 --> 1:08:21.800
<v Speaker 3>took our house music and made it into something else,

1:08:22.800 --> 1:08:27.840
<v Speaker 3>and I wasn't really getting anywhere with it, and it

1:08:27.920 --> 1:08:30.160
<v Speaker 3>was weird. I would put Swedish house Mafia in my

1:08:30.280 --> 1:08:33.960
<v Speaker 3>pitch decks right because they were they were the case

1:08:33.960 --> 1:08:37.040
<v Speaker 3>study or in the genre, right, And I called La,

1:08:37.520 --> 1:08:39.880
<v Speaker 3>and La was like, I don't know nothing about this stuff,

1:08:39.920 --> 1:08:40.759
<v Speaker 3>but I know it's huge.

1:08:40.920 --> 1:08:42.080
<v Speaker 1>I want I want to do the meeting.

1:08:42.120 --> 1:08:44.680
<v Speaker 3>So I was hooking up a meeting between La Read

1:08:44.720 --> 1:08:47.679
<v Speaker 3>and Steve Angelo, who Junior introduced me to who Steve

1:08:47.680 --> 1:08:50.160
<v Speaker 3>Angelo is one of the members of Swedish House Mafia

1:08:50.960 --> 1:08:53.439
<v Speaker 3>and La was doing that TV show at the time,

1:08:53.560 --> 1:08:56.679
<v Speaker 3>American idol Or one of them, and they kept pushing

1:08:56.680 --> 1:08:59.559
<v Speaker 3>it back. So by the fourth time they pushed it back,

1:08:59.600 --> 1:09:01.880
<v Speaker 3>I said, tell La, we're not gonna do the meeting,

1:09:01.880 --> 1:09:04.519
<v Speaker 3>but just let him know. Well, he brought my man

1:09:04.600 --> 1:09:07.000
<v Speaker 3>Jay in that building. J sold out the garden in

1:09:07.160 --> 1:09:10.920
<v Speaker 3>twenty five hours. These guys sold out of four minutes. Shit,

1:09:11.400 --> 1:09:13.920
<v Speaker 3>they were like real, was like, yeah, SEUs House Marfy

1:09:14.000 --> 1:09:16.400
<v Speaker 3>sold I shot out four minutes. So I left it

1:09:16.439 --> 1:09:19.920
<v Speaker 3>alone and it was an interesting thing. So Sweets and

1:09:19.960 --> 1:09:22.479
<v Speaker 3>House Mafi became the biggest band in the world at

1:09:22.520 --> 1:09:25.280
<v Speaker 3>one time, right, and then they just woke up one

1:09:25.320 --> 1:09:28.559
<v Speaker 3>day and was like, what are we doing? Let's just

1:09:28.560 --> 1:09:31.080
<v Speaker 3>stop this ship and then he announced one last tour.

1:09:31.479 --> 1:09:35.080
<v Speaker 3>Sreetz House Marfi's over doing one last tour. So in

1:09:35.160 --> 1:09:37.679
<v Speaker 3>one last tour I went to the last show in Miami,

1:09:38.479 --> 1:09:42.080
<v Speaker 3>me Junior Maxwell was there. I met Steve Angelo, and

1:09:42.120 --> 1:09:44.960
<v Speaker 3>then I moved on with Steve worked for his company,

1:09:45.080 --> 1:09:47.479
<v Speaker 3>ran a management company, and then I became his co manager.

1:09:48.400 --> 1:09:51.040
<v Speaker 3>So now I'm in the EDM world. And yeah, the

1:09:51.040 --> 1:09:53.400
<v Speaker 3>private jets and the area they live a.

1:09:53.520 --> 1:09:56.479
<v Speaker 1>Whole different live game.

1:09:56.680 --> 1:09:59.599
<v Speaker 3>Yeah, and it's and it's a game that you have

1:09:59.640 --> 1:10:03.559
<v Speaker 3>to respet because they never needed radio for it. You know,

1:10:03.760 --> 1:10:06.479
<v Speaker 3>these guys forty million, seventy million dollars a year and

1:10:06.520 --> 1:10:09.120
<v Speaker 3>he never needed radio. So all the things we rely

1:10:09.200 --> 1:10:11.400
<v Speaker 3>on they didn't rely on. They just needed the Internet

1:10:11.640 --> 1:10:14.519
<v Speaker 3>and that was it. You know, million dollars to show

1:10:14.560 --> 1:10:16.960
<v Speaker 3>two million dollars. These guys are playing for two hours

1:10:17.600 --> 1:10:20.839
<v Speaker 3>making two hundred thousand a million, like it's nothing.

1:10:21.080 --> 1:10:24.120
<v Speaker 1>Yeah, yeah, it was. It was so that that was

1:10:24.240 --> 1:10:25.439
<v Speaker 1>that was where I pivoted to.

1:10:25.479 --> 1:10:28.720
<v Speaker 3>I pivoted to the end of that world because it

1:10:28.760 --> 1:10:31.040
<v Speaker 3>was I just couldn't get no hate from there.

1:10:31.560 --> 1:10:33.960
<v Speaker 1>You know, nobody could you in the dark. Yeah, you know,

1:10:34.120 --> 1:10:35.599
<v Speaker 1>and you're a new guy in that space.

1:10:36.000 --> 1:10:37.920
<v Speaker 3>I'm a new guy in there, nobody knew, but who's

1:10:37.960 --> 1:10:41.000
<v Speaker 3>also tenured, right exactly, You're new to the space. But

1:10:41.240 --> 1:10:43.439
<v Speaker 3>when they run your resume, they're like, oh and he

1:10:43.520 --> 1:10:45.479
<v Speaker 3>did and he did any oh, yes, he's supposed to

1:10:45.479 --> 1:10:47.080
<v Speaker 3>be here. H And I had, like I had friends

1:10:47.120 --> 1:10:49.920
<v Speaker 3>in Sweden that these guys grew up under that were

1:10:49.960 --> 1:10:51.160
<v Speaker 3>my friends from men tronic.

1:10:50.920 --> 1:10:51.880
<v Speaker 1>Man trying, you know what I mean.

1:10:51.960 --> 1:10:55.000
<v Speaker 3>So it was it was all like a full circle moment,

1:10:55.320 --> 1:10:58.080
<v Speaker 3>you know. I was the black tea guy every day.

1:10:58.120 --> 1:11:00.559
<v Speaker 3>That was my uniform, black tea for these guys. You know,

1:11:00.600 --> 1:11:03.320
<v Speaker 3>if you if you came to a show, if you

1:11:03.360 --> 1:11:05.120
<v Speaker 3>were a barbera, a banker, whatever you were, you go

1:11:05.240 --> 1:11:07.160
<v Speaker 3>wear a black teeth to that show. Like you had

1:11:07.160 --> 1:11:08.920
<v Speaker 3>to dress like the Swedes. And I was a very

1:11:08.960 --> 1:11:10.800
<v Speaker 3>dressing like the sweet So this was perfect, you know,

1:11:11.600 --> 1:11:14.360
<v Speaker 3>and and it taught me. I did it because I

1:11:14.400 --> 1:11:18.640
<v Speaker 3>wanted to really understand how the business of that world works,

1:11:19.000 --> 1:11:22.200
<v Speaker 3>you know, how you can become such a big success

1:11:22.880 --> 1:11:25.519
<v Speaker 3>without the machines that we rely on, you know. And

1:11:25.560 --> 1:11:29.160
<v Speaker 3>they and they what the label were they on? They

1:11:29.200 --> 1:11:32.400
<v Speaker 3>were on EMI. Okay, they were on EMI and now

1:11:32.439 --> 1:11:36.799
<v Speaker 3>they're on on Deaf Jam. But Steve, when they disbanded, Steve,

1:11:38.240 --> 1:11:40.240
<v Speaker 3>Steve was on no label. He was on his own label.

1:11:40.320 --> 1:11:43.640
<v Speaker 3>But but it was. It was interesting. Steve had I

1:11:43.720 --> 1:11:47.080
<v Speaker 3>ran the management company. We had a creative agency, like

1:11:47.120 --> 1:11:50.519
<v Speaker 3>a full on creative agency, and we would we literally

1:11:50.560 --> 1:11:53.400
<v Speaker 3>were a full three sixty within this building. Like he

1:11:53.600 --> 1:11:56.080
<v Speaker 3>just got this gigantic office and we were full three sixty.

1:11:56.160 --> 1:11:58.760
<v Speaker 3>So when he had an album coming, an album release

1:11:58.880 --> 1:12:03.880
<v Speaker 3>or a single release, the amount of creativity and intelligence

1:12:03.880 --> 1:12:07.799
<v Speaker 3>that went into it was just like mind blowing, mind blowing.

1:12:07.920 --> 1:12:11.240
<v Speaker 3>And was this technically your first job in a sense

1:12:11.960 --> 1:12:15.800
<v Speaker 3>as an adult? Yeah, as an adult, yeah, yep, my

1:12:15.880 --> 1:12:16.400
<v Speaker 3>first job.

1:12:16.640 --> 1:12:19.000
<v Speaker 1>It was It was six grand a month. Number one.

1:12:19.560 --> 1:12:21.760
<v Speaker 3>At that time, I was like I'll take this, yeah,

1:12:21.800 --> 1:12:23.800
<v Speaker 3>And number two, I was just getting a front row

1:12:23.840 --> 1:12:26.599
<v Speaker 3>seat to something that was just exploding all over the world.

1:12:26.920 --> 1:12:30.040
<v Speaker 3>You know, that was completely different than the world we

1:12:30.080 --> 1:12:33.640
<v Speaker 3>came from. But bigger in a sense, yeah, you know,

1:12:33.920 --> 1:12:35.559
<v Speaker 3>much much bigger in a sense.

1:12:36.400 --> 1:12:38.160
<v Speaker 1>Yeah, it was. It was. It was a great education.

1:12:38.320 --> 1:12:40.519
<v Speaker 3>Did you stay in that world as far as like

1:12:41.400 --> 1:12:44.200
<v Speaker 3>taking on other artists in that space, No.

1:12:44.600 --> 1:12:46.759
<v Speaker 1>I stayed. I stayed in that world for a while.

1:12:47.200 --> 1:12:50.719
<v Speaker 3>And what happened was Steve's best friend and business partner,

1:12:51.400 --> 1:12:53.439
<v Speaker 3>they had a bit of a falling out and then

1:12:53.479 --> 1:12:56.000
<v Speaker 3>me and him got cool, and then we started being

1:12:56.000 --> 1:12:58.719
<v Speaker 3>business partners and then we just went into all different

1:12:58.760 --> 1:13:02.200
<v Speaker 3>kinds of businesses after that. Yeah, yeah, yeah, but that

1:13:02.360 --> 1:13:04.840
<v Speaker 3>was yeah, that was that was a moment, That whole

1:13:04.960 --> 1:13:06.760
<v Speaker 3>Edim thing was definitely.

1:13:07.560 --> 1:13:09.840
<v Speaker 1>That was to me, that's being an artist.

1:13:09.920 --> 1:13:11.599
<v Speaker 3>I think it's cool. Being a producer cool. I think

1:13:11.640 --> 1:13:12.960
<v Speaker 3>that's the coolest job on the planet.

1:13:13.479 --> 1:13:13.839
<v Speaker 1>Yeah.

1:13:13.920 --> 1:13:16.759
<v Speaker 3>Yeah, I mean you make your music and these people

1:13:16.760 --> 1:13:18.280
<v Speaker 3>pay for you to come and play.

1:13:18.160 --> 1:13:20.200
<v Speaker 1>And play your music. Yeah, it's that simple.

1:13:20.439 --> 1:13:22.599
<v Speaker 3>You get in a private jet, you do a couple

1:13:22.640 --> 1:13:24.599
<v Speaker 3>of edits on the laptop, and you walk in literally

1:13:24.600 --> 1:13:27.600
<v Speaker 3>with a USB and plug that into the damn CDJs

1:13:27.760 --> 1:13:28.080
<v Speaker 3>and it.

1:13:28.120 --> 1:13:29.120
<v Speaker 1>Runs for two hours.

1:13:29.320 --> 1:13:31.800
<v Speaker 3>Yeah, and they got some little with some little things

1:13:31.800 --> 1:13:34.400
<v Speaker 3>to be going off the Yeah, the power Tier text

1:13:34.479 --> 1:13:37.920
<v Speaker 3>all that. Yeah, yeah, it's huge. It's it's it's a

1:13:38.040 --> 1:13:41.280
<v Speaker 3>it's a it's a different world. It's definitely a different world.

1:13:42.000 --> 1:13:44.800
<v Speaker 3>And as producers. One thing I did get out of

1:13:44.840 --> 1:13:46.920
<v Speaker 3>it on the music side, on the creative side was

1:13:47.520 --> 1:13:50.240
<v Speaker 3>I we taught myself how to produce, so I produced

1:13:50.360 --> 1:13:55.360
<v Speaker 3>like them because technically we cannot touch. DJ's are the

1:13:55.520 --> 1:13:59.040
<v Speaker 3>best producers on the planet. Absolutely by far. Yeah, by

1:13:59.080 --> 1:14:03.040
<v Speaker 3>far cheeko, yeah, by far, because they're doing all of

1:14:03.040 --> 1:14:07.400
<v Speaker 3>this in a box, right, you know, vocals, engineering, they're

1:14:07.439 --> 1:14:09.439
<v Speaker 3>mixing as they're making the music. It's just it's just

1:14:09.479 --> 1:14:11.960
<v Speaker 3>such a completely different skill set.

1:14:12.120 --> 1:14:12.320
<v Speaker 1>You know.

1:14:12.360 --> 1:14:15.320
<v Speaker 3>I've sat with producers and played them record and said,

1:14:15.320 --> 1:14:17.880
<v Speaker 3>how would you recreate it? And they and they and

1:14:17.920 --> 1:14:20.599
<v Speaker 3>they think they can until they actually try, and they

1:14:20.640 --> 1:14:24.280
<v Speaker 3>just don't understand. Yeah, how intricate it is. Yeah, it's

1:14:24.320 --> 1:14:27.559
<v Speaker 3>it's a it's a serious game as far as production. Yeah,

1:14:27.600 --> 1:14:30.040
<v Speaker 3>so that was that was that gave me a new

1:14:30.160 --> 1:14:34.280
<v Speaker 3>spark as far as a producer, where whenever I do

1:14:34.439 --> 1:14:38.799
<v Speaker 3>decide to go in the studio, my my my angle

1:14:38.840 --> 1:14:41.599
<v Speaker 3>and my my my entrance into it is completely different

1:14:41.640 --> 1:14:42.519
<v Speaker 3>than than the old me.

1:14:43.400 --> 1:14:49.000
<v Speaker 1>Yeah, way way way different. So what's next? Content? Okay? Content?

1:14:49.520 --> 1:14:52.720
<v Speaker 3>The one thing I did when I when my when

1:14:52.720 --> 1:14:56.040
<v Speaker 3>my money was messed up, was I just sat in

1:14:56.040 --> 1:14:58.240
<v Speaker 3>the house doing nothing for so long that I said

1:14:58.240 --> 1:15:00.400
<v Speaker 3>I need, like I need some kind of ructually in

1:15:00.479 --> 1:15:03.720
<v Speaker 3>order to get back into the world. And when I

1:15:03.800 --> 1:15:07.800
<v Speaker 3>was younger, I had boxed twice in my life. I

1:15:07.840 --> 1:15:10.200
<v Speaker 3>did karate when I was really young.

1:15:10.640 --> 1:15:12.520
<v Speaker 1>My karate teacher.

1:15:12.240 --> 1:15:15.960
<v Speaker 3>Then actually lived on my block as well, and he

1:15:16.120 --> 1:15:18.479
<v Speaker 3>was one of the other people, Petro Molino, he's one

1:15:18.479 --> 1:15:20.240
<v Speaker 3>of the other people that I have a couple of

1:15:20.320 --> 1:15:21.559
<v Speaker 3>people that saved my life.

1:15:21.640 --> 1:15:23.360
<v Speaker 1>Right, he was one of them.

1:15:23.720 --> 1:15:26.880
<v Speaker 3>So I was always into fighting, and there was this,

1:15:27.479 --> 1:15:29.680
<v Speaker 3>you know, from a teenager. I was watching UFC from

1:15:29.760 --> 1:15:33.800
<v Speaker 3>UFC one, and this whole Brazilian jiu jitsu movement came

1:15:34.640 --> 1:15:36.800
<v Speaker 3>and it got to the point where I was like,

1:15:36.880 --> 1:15:39.559
<v Speaker 3>number one, I want structure in my life. I need

1:15:39.560 --> 1:15:42.639
<v Speaker 3>to start something structures. I'm just feeling worthless. And number two,

1:15:43.000 --> 1:15:45.519
<v Speaker 3>I'm okay with my hands. But if I ever come

1:15:45.560 --> 1:15:48.960
<v Speaker 3>across somebody knows this, I don't want to. I don't

1:15:48.960 --> 1:15:51.320
<v Speaker 3>want to be in that kindie water. It's different getting

1:15:51.360 --> 1:15:57.000
<v Speaker 3>knocked out than someone slowly breaking your arm or your

1:15:57.080 --> 1:15:57.960
<v Speaker 3>knee or choking on.

1:15:58.240 --> 1:16:01.639
<v Speaker 1>That's a complete different. That doesn't different.

1:16:01.720 --> 1:16:04.080
<v Speaker 3>Yeah, that's you're looking death in the eye, you know

1:16:04.120 --> 1:16:07.000
<v Speaker 3>what I mean? Yes, So, so I really that was

1:16:07.040 --> 1:16:08.800
<v Speaker 3>my that was my motivation. I was like, let me

1:16:08.880 --> 1:16:11.639
<v Speaker 3>just do this. I started. I started like forty four,

1:16:11.720 --> 1:16:15.120
<v Speaker 3>forty five years old, which was crazy. I got being

1:16:15.200 --> 1:16:18.800
<v Speaker 3>there and they be like we talked on the mask like, yeah,

1:16:19.600 --> 1:16:20.400
<v Speaker 3>forty five.

1:16:20.800 --> 1:16:26.439
<v Speaker 1>Bro, it's bros. She's forty you know, Bro, he's fucking old.

1:16:26.479 --> 1:16:30.519
<v Speaker 1>Bro is forty five years old?

1:16:31.160 --> 1:16:35.240
<v Speaker 3>As a white belt is is. It's traumatizing, it's exciting,

1:16:36.000 --> 1:16:39.519
<v Speaker 3>but it's it takes a lot of heart, it takes

1:16:39.520 --> 1:16:41.160
<v Speaker 3>a lot of and you and you get you get

1:16:41.200 --> 1:16:44.120
<v Speaker 3>your ass beat every single day. It takes you six

1:16:44.160 --> 1:16:47.960
<v Speaker 3>to eight months for your mind to reconfigure to understand

1:16:47.960 --> 1:16:50.240
<v Speaker 3>what's going on. And for those six to eight months,

1:16:50.280 --> 1:16:53.840
<v Speaker 3>you're getting murdered, Like you're getting right murdered.

1:16:54.000 --> 1:16:56.839
<v Speaker 1>You can't beat up nobody in the gym, yeah, anybody.

1:16:58.240 --> 1:17:00.960
<v Speaker 3>You know, this guy's got knocked me and pigeon to

1:17:01.560 --> 1:17:04.400
<v Speaker 3>like he can't and he's killing you and y'all. It's

1:17:04.439 --> 1:17:06.920
<v Speaker 3>just a discovery, you know. It's just a discovery of

1:17:07.560 --> 1:17:09.160
<v Speaker 3>a different level of information.

1:17:09.680 --> 1:17:09.920
<v Speaker 1>You know.

1:17:10.520 --> 1:17:12.639
<v Speaker 3>So I did that. I did that for five days

1:17:12.680 --> 1:17:16.000
<v Speaker 3>a week for eight years straight, eight years straight. I

1:17:16.040 --> 1:17:18.439
<v Speaker 3>did that five days a week, five days a week.

1:17:18.520 --> 1:17:21.120
<v Speaker 3>I just shut my mouth up. You me and my

1:17:21.160 --> 1:17:23.160
<v Speaker 3>partner had something going on. I'd make it to the

1:17:23.200 --> 1:17:25.720
<v Speaker 3>means and everything. But everybody knew twelve fifteen to two

1:17:25.720 --> 1:17:29.040
<v Speaker 3>o'clock he's gonna be training did that for eight years.

1:17:29.560 --> 1:17:33.519
<v Speaker 3>I'm on my eleventh twelfth year now, and about a

1:17:33.640 --> 1:17:39.320
<v Speaker 3>year ago a light bulb went off because I'm I'm

1:17:39.360 --> 1:17:41.439
<v Speaker 3>like a cultural snob. I think you are too, like

1:17:42.080 --> 1:17:45.040
<v Speaker 3>as like the level of music we did, Like we're

1:17:45.040 --> 1:17:48.160
<v Speaker 3>a laitist, you know what I'm saying. But it's not

1:17:48.240 --> 1:17:50.639
<v Speaker 3>like we're haters. We just want to show the world

1:17:50.680 --> 1:17:54.080
<v Speaker 3>out version, you know what I mean. So about two

1:17:54.160 --> 1:17:57.839
<v Speaker 3>years ago, I had this idea and I was talking

1:17:57.880 --> 1:18:01.160
<v Speaker 3>to us, talking to this girl I was actually my

1:18:01.200 --> 1:18:03.880
<v Speaker 3>partner of the podcast, and she said, well, you want

1:18:03.920 --> 1:18:07.080
<v Speaker 3>to address theatrical and performing the masculinity.

1:18:07.120 --> 1:18:08.880
<v Speaker 1>And I was like, that's what the fuck I want

1:18:08.920 --> 1:18:09.320
<v Speaker 1>to address?

1:18:09.479 --> 1:18:13.080
<v Speaker 3>Yes, that, so I wanted I'm doing a bunch of

1:18:13.120 --> 1:18:18.639
<v Speaker 3>content stuff that are introducing combat culture, combat sports culture

1:18:18.680 --> 1:18:21.559
<v Speaker 3>into our culture, and also just confronting a lot of

1:18:21.600 --> 1:18:23.880
<v Speaker 3>the crap in our culture, a lot of the tough

1:18:23.920 --> 1:18:25.160
<v Speaker 3>guy shit do we do.

1:18:25.040 --> 1:18:25.559
<v Speaker 1>And all of that.

1:18:27.000 --> 1:18:29.040
<v Speaker 3>I really want to address a lot of that full

1:18:29.080 --> 1:18:31.840
<v Speaker 3>on because I just think that it's it's we're so

1:18:32.000 --> 1:18:34.640
<v Speaker 3>lopsided in that sense that it's just dumb, you know,

1:18:34.680 --> 1:18:36.559
<v Speaker 3>like we were here when the culture was not about that,

1:18:37.040 --> 1:18:39.519
<v Speaker 3>you know, so I want to kind of kind of

1:18:39.520 --> 1:18:42.600
<v Speaker 3>add a counter conversation and account of balance to it.

1:18:42.640 --> 1:18:45.320
<v Speaker 3>Besides the fact it's the fastest growing sport in the world, right,

1:18:45.640 --> 1:18:48.160
<v Speaker 3>you know not people are crazy about it. Yeah, they're

1:18:48.200 --> 1:18:48.960
<v Speaker 3>crazy about it.

1:18:49.080 --> 1:18:49.240
<v Speaker 1>You know.

1:18:49.360 --> 1:18:52.800
<v Speaker 3>It's me it's the last gladiator sport honestly. Yeah, I mean,

1:18:52.880 --> 1:18:55.680
<v Speaker 3>it's this goes back into the olden days exactly, you

1:18:55.720 --> 1:18:56.040
<v Speaker 3>know what I mean.

1:18:56.240 --> 1:18:59.200
<v Speaker 1>And it changes lives. Yeah, it really.

1:18:59.680 --> 1:19:01.880
<v Speaker 3>I mean for me at that point when I had

1:19:01.920 --> 1:19:04.920
<v Speaker 3>no money, no hope, no nothing, that was the thing

1:19:05.000 --> 1:19:07.599
<v Speaker 3>that came through for me. That's what my camaraderie went through.

1:19:07.880 --> 1:19:10.040
<v Speaker 3>And I mean, and I've shared the mat with like

1:19:10.040 --> 1:19:14.320
<v Speaker 3>like real gangsters, like Navy seals, like Delta Force, like

1:19:14.439 --> 1:19:17.000
<v Speaker 3>real like people that really get up and do gangster

1:19:17.040 --> 1:19:19.559
<v Speaker 3>shit every day whether they want to or not, because

1:19:19.600 --> 1:19:21.519
<v Speaker 3>the President said, go do this, you know what I mean.

1:19:22.320 --> 1:19:25.360
<v Speaker 3>So that that alone, just that world, I think that

1:19:26.280 --> 1:19:28.760
<v Speaker 3>I think we are behind it. You know, there's a

1:19:28.760 --> 1:19:30.960
<v Speaker 3>couple of things that technology stuff like that that we're

1:19:31.000 --> 1:19:31.400
<v Speaker 3>behind him.

1:19:31.439 --> 1:19:31.639
<v Speaker 1>Yeah.

1:19:31.640 --> 1:19:34.519
<v Speaker 3>Within our culture, yeah, that we need to. We need

1:19:34.560 --> 1:19:36.759
<v Speaker 3>certain beacons to kind of catch us up on that stuff,

1:19:36.920 --> 1:19:39.880
<v Speaker 3>you know. And I think that white people are doing

1:19:40.320 --> 1:19:44.040
<v Speaker 3>amime like black people did basketball, right, Like it's serious

1:19:44.040 --> 1:19:47.200
<v Speaker 3>out there. Yeah, you know, it's really really serious. So

1:19:47.240 --> 1:19:49.360
<v Speaker 3>that's yeah, that's the new mission, just to really do that.

1:19:49.880 --> 1:19:53.320
<v Speaker 3>I got one more belt left. I might stop after that.

1:19:53.400 --> 1:19:55.439
<v Speaker 3>I don't even know, but you know, it's something that

1:19:55.479 --> 1:19:58.320
<v Speaker 3>you could do till you know, till you die. You know.

1:19:58.360 --> 1:20:00.519
<v Speaker 3>I see people that are seventy eight years old doing it,

1:20:01.040 --> 1:20:03.960
<v Speaker 3>you know. So that's that's where my passion is now.

1:20:04.000 --> 1:20:07.559
<v Speaker 3>I'm slowly going back into the studio. I just did

1:20:07.560 --> 1:20:12.000
<v Speaker 3>this song with Storms and Tyler. Yeah, yeah, that was interesting.

1:20:12.040 --> 1:20:15.400
<v Speaker 3>But I just did that. I'm doing Lupe Fiasco doing

1:20:15.439 --> 1:20:18.120
<v Speaker 3>some stuff. Who want to kind of bring him back

1:20:18.160 --> 1:20:21.160
<v Speaker 3>to the radio spot now? So yeah, so it's cool.

1:20:21.200 --> 1:20:24.000
<v Speaker 3>I like now, I like, I like doing music now.

1:20:24.080 --> 1:20:24.720
<v Speaker 3>I don't need it to.

1:20:24.720 --> 1:20:27.479
<v Speaker 1>Survive, you know, it just feels better.

1:20:27.720 --> 1:20:28.080
<v Speaker 3>Yeah.

1:20:28.120 --> 1:20:31.160
<v Speaker 1>You know now that rat race is different. Yeah, it's

1:20:31.200 --> 1:20:31.719
<v Speaker 1>way different.

1:20:31.800 --> 1:20:34.400
<v Speaker 3>Yeah, yeah, it's it's and it's a young man's sport

1:20:34.720 --> 1:20:36.679
<v Speaker 3>to me, it is, you know, it's a young man's

1:20:36.680 --> 1:20:37.200
<v Speaker 3>sport to do.

1:20:38.120 --> 1:20:40.120
<v Speaker 1>You know, the placements and all that stuff. I don't

1:20:40.360 --> 1:20:41.280
<v Speaker 1>got the energy for that.

1:20:50.000 --> 1:20:52.200
<v Speaker 3>Did you ever think of like being on the label

1:20:52.280 --> 1:20:55.800
<v Speaker 3>side or doing anything in that capacity. No, I mean

1:20:55.840 --> 1:20:57.800
<v Speaker 3>I've thought about it at times, but I don't think

1:20:57.840 --> 1:20:59.559
<v Speaker 3>I would ever get that position.

1:20:59.600 --> 1:21:01.680
<v Speaker 1>But I don't know how long I would last in

1:21:01.760 --> 1:21:04.120
<v Speaker 1>that because I don't like for me.

1:21:05.800 --> 1:21:07.920
<v Speaker 3>Like, I only want to be involved with something that

1:21:08.080 --> 1:21:11.000
<v Speaker 3>pushes the culture forward. I can't just sit still and

1:21:11.080 --> 1:21:16.160
<v Speaker 3>just keep repeating, you know what's been done. You're not analytics, Yeah,

1:21:16.320 --> 1:21:18.280
<v Speaker 3>I don't. I don't think that's I don't think that's

1:21:18.640 --> 1:21:21.120
<v Speaker 3>a fun job. You know, Like we when we came

1:21:21.160 --> 1:21:23.559
<v Speaker 3>into this, it was all about everybody having the identity

1:21:23.600 --> 1:21:26.680
<v Speaker 3>and everybody adding something, you know, and that whatever that

1:21:26.720 --> 1:21:30.519
<v Speaker 3>addition was push the ship forward. And now I don't

1:21:30.520 --> 1:21:34.519
<v Speaker 3>really see that desire with you know, within the labels

1:21:34.600 --> 1:21:35.720
<v Speaker 3>or any of that stuffs.

1:21:35.960 --> 1:21:37.360
<v Speaker 1>I just think we're in a weird spot.

1:21:38.439 --> 1:21:41.120
<v Speaker 3>So yeah, I think with the with the combat sports,

1:21:41.600 --> 1:21:44.040
<v Speaker 3>that's something that my heart is in and I think

1:21:44.080 --> 1:21:46.800
<v Speaker 3>that that's something that would falling so far behind, and

1:21:47.520 --> 1:21:49.960
<v Speaker 3>I don't mind trying to help that push that to.

1:21:49.920 --> 1:21:52.120
<v Speaker 1>The No bro's it's dope.

1:21:52.160 --> 1:21:57.080
<v Speaker 3>And you know, I'm always I'm always very supportive and

1:21:57.240 --> 1:22:00.320
<v Speaker 3>happy when when I speak to my peer years and

1:22:00.360 --> 1:22:03.360
<v Speaker 3>my people I consider family and they're like, yo, I

1:22:03.439 --> 1:22:06.400
<v Speaker 3>found something else that I really enjoy. Right, it doesn't

1:22:06.439 --> 1:22:08.240
<v Speaker 3>have to be the norm of what you know is

1:22:08.280 --> 1:22:11.519
<v Speaker 3>everyone is doing or everyone is chasing. You find what

1:22:11.560 --> 1:22:14.080
<v Speaker 3>you like to do, and you know what I mean,

1:22:14.120 --> 1:22:18.880
<v Speaker 3>Like even for me, you know, it's funny like people.

1:22:19.479 --> 1:22:21.960
<v Speaker 1>They're like, I didn't know the podcast Nigga Cold.

1:22:21.800 --> 1:22:23.000
<v Speaker 3>Say.

1:22:25.000 --> 1:22:29.000
<v Speaker 5>Yes, it's interesting, right, I'm like, yeah, actually I kind

1:22:29.040 --> 1:22:31.559
<v Speaker 5>of came from that exactly, and I'm known for this

1:22:31.720 --> 1:22:34.320
<v Speaker 5>now and yeah, but I'm I'm appreciated it because I

1:22:34.360 --> 1:22:35.360
<v Speaker 5>really enjoy this space.

1:22:35.400 --> 1:22:38.000
<v Speaker 3>I really enjoyed the multi media space and the content

1:22:38.040 --> 1:22:42.520
<v Speaker 3>space and giving something different for me personally.

1:22:43.040 --> 1:22:45.000
<v Speaker 1>You've been a star, thank your whole life. So a

1:22:45.080 --> 1:22:45.680
<v Speaker 1>star is a star.

1:22:46.120 --> 1:22:47.400
<v Speaker 3>You know what I'm saying. If you was on Fries,

1:22:47.400 --> 1:22:51.920
<v Speaker 3>you're still a star. You're just like, yeah, exactly, it's

1:22:51.920 --> 1:22:55.519
<v Speaker 3>a star. Yeah, a little on that thing it's out there.

1:22:55.640 --> 1:22:57.720
<v Speaker 3>A star is a star. You've always been a star.

1:22:58.840 --> 1:22:59.080
<v Speaker 1>You know.

1:22:59.160 --> 1:23:01.240
<v Speaker 3>It's funny with you because you've always been a star.

1:23:01.920 --> 1:23:07.800
<v Speaker 3>It's always low key but against no family. Nobody knows

1:23:07.840 --> 1:23:11.760
<v Speaker 3>that though, but they started it's getting out.

1:23:12.160 --> 1:23:12.680
<v Speaker 1>I got it.

1:23:12.800 --> 1:23:14.799
<v Speaker 3>I got to interview you because he got a history

1:23:14.920 --> 1:23:18.880
<v Speaker 3>history history, Like the pretty boy thing is that afterthought,

1:23:18.960 --> 1:23:21.320
<v Speaker 3>that's just you know, that's what God gave him.

1:23:21.320 --> 1:23:22.920
<v Speaker 1>That is what it is. But you know, you've just

1:23:22.960 --> 1:23:25.680
<v Speaker 1>always been a solid dude man, always that.

1:23:25.960 --> 1:23:29.479
<v Speaker 3>I've always been intentional about about that, man about you know,

1:23:29.800 --> 1:23:32.240
<v Speaker 3>I show I always want to show up for my people.

1:23:33.080 --> 1:23:34.800
<v Speaker 1>I want my word to be my word.

1:23:35.120 --> 1:23:39.280
<v Speaker 3>Yeah, and you know, I feel like it's it's sustained

1:23:39.280 --> 1:23:43.200
<v Speaker 3>me through this, through this business that isn't always as

1:23:43.320 --> 1:23:44.880
<v Speaker 3>people would say, isn't always real.

1:23:45.120 --> 1:23:45.320
<v Speaker 1>Yeah.

1:23:45.600 --> 1:23:48.519
<v Speaker 3>Yeah, I found the real spaces in it for me,

1:23:49.320 --> 1:23:52.679
<v Speaker 3>and I found the people who I consider real, and

1:23:52.840 --> 1:23:54.639
<v Speaker 3>I try to stay as locked in with them as

1:23:54.680 --> 1:23:56.760
<v Speaker 3>I can. You know, even if it's you know, we

1:23:56.840 --> 1:23:58.920
<v Speaker 3>may not talk for you know, whatever amount of time,

1:23:59.000 --> 1:24:02.320
<v Speaker 3>but when we do it, it's always the same type

1:24:02.320 --> 1:24:06.479
<v Speaker 3>of love and respect. And I don't care what you know,

1:24:06.600 --> 1:24:08.680
<v Speaker 3>quote unquote business I'm supposed to be in.

1:24:09.040 --> 1:24:13.200
<v Speaker 1>I'm going to operate that way. Yeah, I don't get business.

1:24:13.320 --> 1:24:14.120
<v Speaker 3>Yeah, that's why I.

1:24:14.120 --> 1:24:16.920
<v Speaker 1>Was working for you. You your relationships are from when

1:24:16.920 --> 1:24:20.880
<v Speaker 1>you were young, and yeah, it's it's just paying off now.

1:24:21.479 --> 1:24:22.760
<v Speaker 3>Yeah, you know what I'm saying, but this is this

1:24:22.800 --> 1:24:26.120
<v Speaker 3>is the vibration you set as a very young man,

1:24:26.240 --> 1:24:28.519
<v Speaker 3>and you're just walking into your own vibration that you set.

1:24:29.080 --> 1:24:31.000
<v Speaker 3>That's all it is. Yeah, man, you know what I'm saying.

1:24:31.439 --> 1:24:35.680
<v Speaker 3>And it's great. Now I'm enjoying myself, Bro, Like I am.

1:24:35.800 --> 1:24:37.519
<v Speaker 3>I really am, and I and I you know, I

1:24:37.560 --> 1:24:40.280
<v Speaker 3>want to I want to put this light on people

1:24:40.560 --> 1:24:43.080
<v Speaker 3>that I know, not even that I think that I

1:24:43.160 --> 1:24:47.520
<v Speaker 3>know deserves, you know, to have this light. And it's

1:24:47.600 --> 1:24:50.160
<v Speaker 3>been it's been a hell of a ride for me, man,

1:24:50.280 --> 1:24:54.640
<v Speaker 3>and experience that I'm super thankful for, you know what

1:24:54.680 --> 1:24:54.920
<v Speaker 3>I mean.

1:24:55.200 --> 1:24:56.840
<v Speaker 1>I'm super thankful to the people.

1:24:56.560 --> 1:25:00.880
<v Speaker 3>Who tune in and are interested and who I think

1:25:00.920 --> 1:25:04.360
<v Speaker 3>and we think should sit down and have these conversations,

1:25:04.479 --> 1:25:07.080
<v Speaker 3>you know what I mean, because Bro, so many of

1:25:07.160 --> 1:25:09.559
<v Speaker 3>us that have been a part of this thing that

1:25:09.760 --> 1:25:13.559
<v Speaker 3>sometimes don't always get the opportunity to have that light

1:25:13.600 --> 1:25:16.639
<v Speaker 3>shined on them. And for me, man, you know, that's

1:25:16.680 --> 1:25:19.120
<v Speaker 3>something I want to be a part of. No, absolutely,

1:25:19.360 --> 1:25:22.640
<v Speaker 3>And having a place where people you've known for a

1:25:22.640 --> 1:25:25.920
<v Speaker 3>long time that really really message you, to have them

1:25:25.920 --> 1:25:27.559
<v Speaker 3>tell their stories, it's like that's gold.

1:25:27.800 --> 1:25:29.160
<v Speaker 1>Yeah, that's gold. Yeah.

1:25:29.280 --> 1:25:31.280
<v Speaker 3>Yeah, Now, this is really a lot of these are

1:25:31.320 --> 1:25:33.360
<v Speaker 3>me catching up with my friends. And that's that's really it.

1:25:33.400 --> 1:25:33.519
<v Speaker 4>Man.

1:25:33.560 --> 1:25:36.040
<v Speaker 1>We talked about this before we start filming it.

1:25:36.080 --> 1:25:40.080
<v Speaker 3>You know, ninety probably ninety to ninety five percent of

1:25:40.120 --> 1:25:42.639
<v Speaker 3>the guests on this show are really my personal friends, yep,

1:25:42.760 --> 1:25:46.439
<v Speaker 3>exactly up until this point, you know. And that's and

1:25:46.960 --> 1:25:50.240
<v Speaker 3>some people who've come after we met through this have

1:25:50.360 --> 1:25:52.960
<v Speaker 3>become exactly my friends, you know what I mean, And

1:25:53.040 --> 1:25:56.840
<v Speaker 3>people that I really really enjoy and have great relationships

1:25:56.840 --> 1:25:59.680
<v Speaker 3>with now from this show. So now, bro, this is

1:25:59.760 --> 1:26:03.280
<v Speaker 3>this is a really cool thing man. And I'm man,

1:26:03.320 --> 1:26:05.080
<v Speaker 3>I'm man. I'm happy if you pulled up on me, Bro,

1:26:05.280 --> 1:26:07.479
<v Speaker 3>like I'm happy to be here. This is this is

1:26:07.560 --> 1:26:08.120
<v Speaker 3>super cool.

1:26:08.280 --> 1:26:10.880
<v Speaker 1>Man. But let's let's get into some of this music thing.

1:26:10.920 --> 1:26:11.040
<v Speaker 4>Man.

1:26:11.120 --> 1:26:14.360
<v Speaker 3>Let's let's uh, you know, get into this, get into

1:26:14.360 --> 1:26:15.639
<v Speaker 3>this music that Tank sent over.

1:26:15.720 --> 1:26:18.120
<v Speaker 1>Man. So come on, let play you something real quick.

1:26:18.840 --> 1:26:21.280
<v Speaker 1>We gotta we gotta see your thoughts.

1:26:23.520 --> 1:26:26.360
<v Speaker 3>Yeah, you top fun.

1:26:33.080 --> 1:26:47.000
<v Speaker 4>You already before you go there wrong this.

1:26:47.080 --> 1:27:16.920
<v Speaker 6>Showbody want to know. I'm mad too, Ain't no joke?

1:27:22.040 --> 1:27:26.960
<v Speaker 3>Oh wow, okay, nigga, don't got no sense, man, crazy

1:27:27.000 --> 1:27:31.720
<v Speaker 3>as hell. Man. Before we get into this though. Did

1:27:31.760 --> 1:27:35.360
<v Speaker 3>you produce the record that he was in the video

1:27:35.439 --> 1:27:35.600
<v Speaker 3>for it?

1:27:35.680 --> 1:27:36.320
<v Speaker 1>For Sarissa?

1:27:38.439 --> 1:27:44.320
<v Speaker 3>No, Man, I forgot. I forgot about there because I

1:27:44.360 --> 1:27:47.960
<v Speaker 3>don't y'all had that that. Yeah, why I played the

1:27:48.040 --> 1:27:51.760
<v Speaker 3>dud and he played the stuff. Yes, I forgot all

1:27:51.800 --> 1:27:55.360
<v Speaker 3>about the take a video ho too, Bro, That damn Jimmy,

1:27:55.400 --> 1:27:58.880
<v Speaker 3>I tell you boy, that's another one I stepped into.

1:27:58.880 --> 1:28:00.599
<v Speaker 3>I ain't quite know what the hell was going on

1:28:01.120 --> 1:28:01.960
<v Speaker 3>until I got in there.

1:28:01.960 --> 1:28:03.080
<v Speaker 1>I was like, Oh, I'm the dud.

1:28:03.760 --> 1:28:05.360
<v Speaker 3>I'm the one knocking on the door and she don't

1:28:05.400 --> 1:28:08.200
<v Speaker 3>answer and she in there with Tank with the muscles.

1:28:08.640 --> 1:28:12.240
<v Speaker 1>He said, I forgot about that.

1:28:12.800 --> 1:28:15.080
<v Speaker 3>I just started to bringing up. Yeah, you know, we

1:28:15.400 --> 1:28:17.559
<v Speaker 3>all together, bro, we all yeah, you know we all

1:28:17.600 --> 1:28:17.920
<v Speaker 3>been there.

1:28:18.000 --> 1:28:18.960
<v Speaker 1>Yeah, all been there, man.

1:28:19.400 --> 1:28:22.040
<v Speaker 3>So yeah, let's let's get into the music man. Top

1:28:22.120 --> 1:28:27.000
<v Speaker 3>five R and B singers male and female. Whatever you

1:28:27.160 --> 1:28:32.720
<v Speaker 3>top five for you, R Kelly Chaos, k C Dead,

1:28:32.720 --> 1:28:38.000
<v Speaker 3>her alive, older, young, whatever come to your mind, Brother,

1:28:38.600 --> 1:28:40.880
<v Speaker 3>Donny Hathaway for Sures.

1:28:40.720 --> 1:28:47.519
<v Speaker 1>I gotta cool Little Left. Bob Bob Marley, Absolutely, I

1:28:47.640 --> 1:28:48.479
<v Speaker 1>love Bob Marley.

1:28:48.560 --> 1:28:48.680
<v Speaker 4>Bro.

1:28:49.080 --> 1:28:51.280
<v Speaker 3>The world is still catching up to his message. Yes,

1:28:51.720 --> 1:28:54.080
<v Speaker 3>so gotta be him. I'm trying to go people that

1:28:54.120 --> 1:28:58.679
<v Speaker 3>were like really like like slap me in the face artists.

1:28:58.840 --> 1:29:02.840
<v Speaker 1>I gotta say Casey, but you said Casey. Yeah I did.

1:29:02.960 --> 1:29:04.720
<v Speaker 1>Did you say Casey because you said Kell's first and

1:29:04.720 --> 1:29:05.400
<v Speaker 1>then you said Casey?

1:29:05.680 --> 1:29:13.040
<v Speaker 3>Hey, Kel's Casey. Donny Hathaway, Donny Hathaway. We got Sonanda

1:29:13.320 --> 1:29:17.000
<v Speaker 3>my Trea know that is I don't.

1:29:17.560 --> 1:29:21.960
<v Speaker 1>That's Terrence Trent Darby. Is that his? Yes?

1:29:24.160 --> 1:29:27.000
<v Speaker 3>Boo, that's the name he changed. That's that's his real

1:29:27.280 --> 1:29:29.840
<v Speaker 3>the new name he's got. He's had what twenty years?

1:29:29.840 --> 1:29:30.799
<v Speaker 3>Fifteen twenty years?

1:29:31.080 --> 1:29:37.280
<v Speaker 1>Yeah? Son your name? Oh man, that dude did incredible.

1:29:37.920 --> 1:29:38.920
<v Speaker 1>It's incredible.

1:29:39.240 --> 1:29:42.680
<v Speaker 3>James Brown, he's everybody. Yeah he's Yeah, I would, I

1:29:42.720 --> 1:29:43.920
<v Speaker 3>would say him.

1:29:44.200 --> 1:29:48.720
<v Speaker 1>Yeah, Yeah, he's nice. Okay, Yeah, Top five R and

1:29:48.760 --> 1:29:49.439
<v Speaker 1>B songs.

1:29:49.840 --> 1:29:55.240
<v Speaker 3>Anything off of Diary of a Mad Band? Okay, Okay,

1:29:55.479 --> 1:29:56.719
<v Speaker 3>who's that Tony record?

1:29:57.840 --> 1:30:00.280
<v Speaker 1>Should have Brought You Home? Yeah? Love that.

1:30:00.280 --> 1:30:05.720
<v Speaker 3>That's a great song. Yeah, anything by Guy. I mean

1:30:05.760 --> 1:30:09.880
<v Speaker 3>you were studying it for thing that that tell you?

1:30:10.000 --> 1:30:15.599
<v Speaker 3>Riley isof Hee had the Goodbye record by Guy? That

1:30:15.640 --> 1:30:17.240
<v Speaker 3>one I Don't want to leave you?

1:30:18.439 --> 1:30:24.599
<v Speaker 1>Yeah? Yeah, that one there for all we know Donny

1:30:24.640 --> 1:30:26.719
<v Speaker 1>Hathaway the most patient record.

1:30:27.000 --> 1:30:32.320
<v Speaker 3>Yes, it's very hard to recreate that R to even

1:30:32.360 --> 1:30:35.479
<v Speaker 3>sing it with him because of the timing. Yeah, in

1:30:35.520 --> 1:30:40.640
<v Speaker 3>the pocket that he has on that song, yeah, is insane. Yeah, yeah,

1:30:41.120 --> 1:30:44.800
<v Speaker 3>definitely for all we know. And Sonando Maitrea, he's got

1:30:44.840 --> 1:30:46.280
<v Speaker 3>a song called if You Go Before Me.

1:30:46.360 --> 1:30:47.880
<v Speaker 1>I like death songs for some reason.

1:30:48.360 --> 1:30:50.679
<v Speaker 3>Mm hmm. Yeah, I mean think about when were younger,

1:30:50.720 --> 1:30:54.600
<v Speaker 3>those were those were the songs I'll die for you. Yeah,

1:30:54.680 --> 1:30:56.479
<v Speaker 3>I like them kind of songs. I like the owl

1:30:56.560 --> 1:30:56.960
<v Speaker 3>die for you.

1:30:57.040 --> 1:31:00.880
<v Speaker 1>That's real emotion. Yeah, yeah, yeah, take it to the

1:31:00.880 --> 1:31:05.160
<v Speaker 1>grave songs. So yeah, if yet, yeah, if you Go

1:31:05.280 --> 1:31:07.040
<v Speaker 1>before Me? To None in my chair, that one.

1:31:07.120 --> 1:31:11.680
<v Speaker 3>Yeah, Yeah, we're gonna throw Prince I would die for

1:31:11.720 --> 1:31:15.120
<v Speaker 3>You and there like one.

1:31:15.280 --> 1:31:16.519
<v Speaker 1>Yeah that's right.

1:31:17.680 --> 1:31:22.400
<v Speaker 3>Yeah yeah, I like them joints. Yeah, okay, all right, okay,

1:31:22.439 --> 1:31:25.760
<v Speaker 3>So now we're going to build the ultimate R and

1:31:25.800 --> 1:31:29.960
<v Speaker 3>B singer. We have a thing called the Voltron and

1:31:30.120 --> 1:31:36.920
<v Speaker 3>it's the vocals stage performance styling the drip whore gonna

1:31:36.880 --> 1:31:39.479
<v Speaker 3>put the flyshit on and the passion of the artists.

1:31:40.600 --> 1:31:43.400
<v Speaker 1>I'm gonna start with the vocals, who vocal you.

1:31:43.360 --> 1:31:48.320
<v Speaker 3>Taking for the for the superhero, ultimate R and B singer.

1:31:48.400 --> 1:31:49.880
<v Speaker 1>Who gonna sing those songs?

1:31:50.400 --> 1:31:53.800
<v Speaker 3>You know what I'm gonna say, Babyface? Hm hmm, I'm

1:31:53.800 --> 1:31:57.080
<v Speaker 3>gonna say baby Face. Okay, yeah, well.

1:31:57.240 --> 1:32:00.200
<v Speaker 1>People watch the show. No, that Babyface is like top

1:32:00.280 --> 1:32:00.840
<v Speaker 1>the top for me.

1:32:00.920 --> 1:32:03.000
<v Speaker 3>So yeah, I'm gonna say, okay, so baby Face the

1:32:03.040 --> 1:32:07.479
<v Speaker 3>singer performance performance style, who's gonna who's gonna.

1:32:07.360 --> 1:32:09.080
<v Speaker 1>Kill the stage? Oh?

1:32:09.200 --> 1:32:16.479
<v Speaker 3>Kelly Man listen o Kelly. Kelly had a mishow live

1:32:16.640 --> 1:32:23.800
<v Speaker 3>shows so crazy, crazy and theatrical, Yes, yes, all of

1:32:23.800 --> 1:32:26.000
<v Speaker 3>it and obviously yeah, you know, just hits after hits

1:32:26.000 --> 1:32:29.280
<v Speaker 3>after hits too, like it's yeah, he's got a presence

1:32:29.880 --> 1:32:31.240
<v Speaker 3>and the way that he used to put his shows

1:32:31.240 --> 1:32:37.280
<v Speaker 3>together with the costume everything, Yeah, he felt like stage place.

1:32:37.479 --> 1:32:40.920
<v Speaker 3>Yeah exactly, yep. Okay, styling, who're gonna put the fly

1:32:41.000 --> 1:32:43.320
<v Speaker 3>shit on? Who's a fly artist to you?

1:32:44.080 --> 1:32:44.479
<v Speaker 1>Damn it?

1:32:45.640 --> 1:32:48.880
<v Speaker 3>I left him out in the old list, Joe, But

1:32:48.920 --> 1:32:50.280
<v Speaker 3>I'm not gonna say him for style?

1:32:50.680 --> 1:32:52.839
<v Speaker 1>Okay, but he's on. He's your vocalist.

1:32:53.120 --> 1:32:56.240
<v Speaker 3>Vocalist hell yeah, top five RMB singers, yes, yes, for sure,

1:32:56.280 --> 1:32:57.839
<v Speaker 3>no argument. Style.

1:32:58.640 --> 1:33:00.680
<v Speaker 1>I'll go with all Kelly, which version.

1:33:00.479 --> 1:33:04.560
<v Speaker 3>Know, like like with the the little mask.

1:33:04.800 --> 1:33:08.040
<v Speaker 1>No no, no, no no hell no no no no.

1:33:08.120 --> 1:33:12.000
<v Speaker 3>Like cool, not the not the baggy suit, like the

1:33:12.160 --> 1:33:15.639
<v Speaker 3>like the black leather blazer. What about the mink though,

1:33:15.680 --> 1:33:17.280
<v Speaker 3>when he when he had the mink on on the cover.

1:33:18.000 --> 1:33:22.240
<v Speaker 3>You didn't fix that. So yeah, yeah that song. Yeah okay,

1:33:22.360 --> 1:33:24.640
<v Speaker 3>so so so Kels get he gonna get the he

1:33:24.720 --> 1:33:27.680
<v Speaker 3>get to performing style and the style and yeah and

1:33:27.680 --> 1:33:31.080
<v Speaker 3>the look okay, but but not the mask absolutely okay, cool,

1:33:31.160 --> 1:33:37.519
<v Speaker 3>not the master, he seats none of them. Who who

1:33:37.640 --> 1:33:40.320
<v Speaker 3>has the passion? Like, who's gonna make you feel it?

1:33:40.680 --> 1:33:43.000
<v Speaker 3>Who you who you think would die for this ship?

1:33:46.320 --> 1:33:48.920
<v Speaker 1>Who would die for it? I'm gonna get home and

1:33:48.960 --> 1:33:53.160
<v Speaker 1>be pissed because the real ass is gonna come. But

1:33:53.400 --> 1:33:54.800
<v Speaker 1>that's how it goes. You. You know, you were you

1:33:54.800 --> 1:33:56.080
<v Speaker 1>were supposed to prepare, you didn't.

1:33:56.080 --> 1:33:56.840
<v Speaker 3>But it's it's okay.

1:33:56.880 --> 1:33:57.360
<v Speaker 1>You're my brother.

1:33:57.439 --> 1:33:59.519
<v Speaker 3>I know. I tried. I did try. I did try.

1:34:00.080 --> 1:34:02.800
<v Speaker 1>That's the that's the one I skipped all this year,

1:34:02.920 --> 1:34:03.439
<v Speaker 1>fucked up on.

1:34:03.600 --> 1:34:04.360
<v Speaker 6>Yeah exactly.

1:34:05.560 --> 1:34:07.360
<v Speaker 1>That was overwhelming the vote trying like that.

1:34:07.479 --> 1:34:11.080
<v Speaker 3>The fuck that's overwhelming passion. You know what, I'm gonna

1:34:11.080 --> 1:34:15.240
<v Speaker 3>go super level passion. I'm gonna go soul left this one.

1:34:15.720 --> 1:34:19.040
<v Speaker 3>I'm gonna go super left. You're gonna look at me crazy, okay,

1:34:19.360 --> 1:34:23.680
<v Speaker 3>Jeral LeVert, No I'm not okay, No, I'm not used

1:34:23.720 --> 1:34:26.680
<v Speaker 3>to roll on the floor. Yeah, come on, bro, this

1:34:26.720 --> 1:34:27.479
<v Speaker 3>is me though.

1:34:27.680 --> 1:34:30.679
<v Speaker 1>He lived it, lived it, lived it, lived it, legend

1:34:30.760 --> 1:34:31.600
<v Speaker 1>of legends.

1:34:31.720 --> 1:34:36.400
<v Speaker 3>Yes, yeah, come from Yes that's Eddie Son, Yes, that's

1:34:36.520 --> 1:34:39.479
<v Speaker 3>Eddie Son. Yeah it lose five pounds on that stage.

1:34:39.560 --> 1:34:42.479
<v Speaker 3>Jerrold was not all right, not playing yeah, and not

1:34:42.600 --> 1:34:44.280
<v Speaker 3>big as he and as big as he got in

1:34:44.320 --> 1:34:46.200
<v Speaker 3>his career, he still had the same passion.

1:34:46.920 --> 1:34:49.240
<v Speaker 1>Yeah. Yeah. If you talk the tank, Tank will tell

1:34:49.240 --> 1:34:49.479
<v Speaker 1>you that.

1:34:49.560 --> 1:34:53.639
<v Speaker 3>It was Jeryl LeVert who told him, yep, no, no, no, no,

1:34:53.760 --> 1:34:56.720
<v Speaker 3>young fella, you got to give you all.

1:34:57.200 --> 1:35:01.439
<v Speaker 1>Yeah, you give it all, your all. Yeah. He checked

1:35:01.439 --> 1:35:03.200
<v Speaker 1>me a couple of times, call me Hollywood. I was like,

1:35:03.760 --> 1:35:06.960
<v Speaker 1>I would call me Hollywood, nigga, Hollywood. But I said,

1:35:07.000 --> 1:35:09.479
<v Speaker 1>it was like, is he right? Yeah, he ain't no joke.

1:35:09.600 --> 1:35:11.280
<v Speaker 1>You got Hollywood on Derald a couple of times.

1:35:11.360 --> 1:35:13.920
<v Speaker 3>No, No, I didn't get Hollywood on him, but he

1:35:13.960 --> 1:35:15.640
<v Speaker 3>but he But I felt it though, you know what

1:35:15.640 --> 1:35:18.479
<v Speaker 3>I'm saying. I felt it. Though Gerald had the presence

1:35:18.520 --> 1:35:20.200
<v Speaker 3>that he was twenty years older than you when he wasn't,

1:35:20.439 --> 1:35:24.920
<v Speaker 3>so he just had that that father president right right, yeah, yeah,

1:35:25.040 --> 1:35:25.479
<v Speaker 3>all right.

1:35:25.760 --> 1:35:29.720
<v Speaker 1>And then for you, who's gonna produce this artist?

1:35:30.120 --> 1:35:33.640
<v Speaker 3>I got that? Are you producing it? No? Absolutely not?

1:35:34.240 --> 1:35:34.800
<v Speaker 3>I got it.

1:35:35.520 --> 1:35:40.439
<v Speaker 1>I got it. And it's not Kels. Who does baby

1:35:40.439 --> 1:35:41.080
<v Speaker 1>Face look up to?

1:35:41.920 --> 1:35:46.960
<v Speaker 3>Jimmy, Jammy j Lewis, no El the bar Oh yeah,

1:35:47.000 --> 1:35:48.439
<v Speaker 3>so you're gonna have l produce it.

1:35:48.560 --> 1:35:49.200
<v Speaker 1>Absolutely.

1:35:49.800 --> 1:35:52.719
<v Speaker 3>Nobody knows what to do with them, but El eld

1:35:52.720 --> 1:35:56.360
<v Speaker 3>the Barge one thousand percent. Wow, that is the genius

1:35:56.439 --> 1:36:02.400
<v Speaker 3>right there, that Dudel the Barge Eldridge. Yeah, creatively, spiritually

1:36:02.840 --> 1:36:07.519
<v Speaker 3>and just gift wise, yeah, gift wise, he's he's yeah. No,

1:36:07.640 --> 1:36:10.840
<v Speaker 3>to this day, to this day, he's so different. Yeah,

1:36:10.880 --> 1:36:16.320
<v Speaker 3>he's different. I watched we had him and Tank did

1:36:16.320 --> 1:36:21.519
<v Speaker 3>a did a show together in Vegas a few years

1:36:21.560 --> 1:36:26.519
<v Speaker 3>back and had some family members there with us, and

1:36:28.640 --> 1:36:34.439
<v Speaker 3>we watched in awe, in awe. I want to say,

1:36:34.439 --> 1:36:36.200
<v Speaker 3>it might have been for might have been for something

1:36:36.200 --> 1:36:38.120
<v Speaker 3>that d Nights had. It might have been it might

1:36:38.120 --> 1:36:40.240
<v Speaker 3>have been one of the club quarantine shows or something,

1:36:40.840 --> 1:36:41.720
<v Speaker 3>and we were just like.

1:36:41.680 --> 1:36:47.200
<v Speaker 1>This, yeah, nah, he ain't na.

1:36:48.680 --> 1:36:53.280
<v Speaker 3>Yeah, he is cold still to this day, effortless cold,

1:36:53.320 --> 1:36:54.400
<v Speaker 3>like he's easy.

1:36:54.520 --> 1:36:56.439
<v Speaker 1>And you know he got on the piano, you know

1:36:56.479 --> 1:36:58.360
<v Speaker 1>he played. Yeah, He's like, come on.

1:36:58.240 --> 1:37:01.719
<v Speaker 3>Bro, you are the cheek you know he he he's

1:37:01.760 --> 1:37:02.880
<v Speaker 3>his bop is this way too.

1:37:03.360 --> 1:37:05.280
<v Speaker 1>Everything is here exactly, everything is here.

1:37:05.320 --> 1:37:09.120
<v Speaker 3>He got the time listen. Yeah's like he got a time. Yeah.

1:37:09.520 --> 1:37:10.839
<v Speaker 1>It feels good to me. Yeah.

1:37:10.960 --> 1:37:13.600
<v Speaker 3>And in conversation he'll drop something spiritual on you that

1:37:13.720 --> 1:37:17.000
<v Speaker 3>are just like fuck your whole life out. Yeah, like

1:37:17.080 --> 1:37:20.240
<v Speaker 3>he was just like he's he's deep and I'm.

1:37:20.080 --> 1:37:22.080
<v Speaker 1>Still I'm still trying to get L to pull up L.

1:37:22.160 --> 1:37:25.200
<v Speaker 3>You told me, yeah he needs to you were gonna

1:37:25.200 --> 1:37:30.720
<v Speaker 3>pull up L randomly will text me or really at

1:37:30.720 --> 1:37:33.280
<v Speaker 3>one in the morning and when we're setting up with

1:37:33.400 --> 1:37:38.720
<v Speaker 3>the interview, really whenever you want to it. I ain't

1:37:38.760 --> 1:37:40.519
<v Speaker 3>got one that text in a minute, but like I'll

1:37:40.560 --> 1:37:42.800
<v Speaker 3>be like, bro, whenever you want to pull up to

1:37:42.840 --> 1:37:44.760
<v Speaker 3>get him on here you have whatever you.

1:37:44.680 --> 1:37:45.320
<v Speaker 1>Want to pull up?

1:37:45.320 --> 1:37:48.840
<v Speaker 5>Oh gee, I got you.

1:37:48.960 --> 1:37:52.639
<v Speaker 1>Yeah, but yeah, L, what episode do you want? Man?

1:37:52.680 --> 1:37:53.240
<v Speaker 1>I don't know.

1:37:56.800 --> 1:38:02.200
<v Speaker 3>Mad episode please? That would love hundred. Yeah, he's that

1:38:02.280 --> 1:38:05.880
<v Speaker 3>dude right there. He's he's he's he's alien. Yeah, yeah,

1:38:05.920 --> 1:38:08.960
<v Speaker 3>he's he's something else. Now it's a covot trying bro. Yeah,

1:38:09.080 --> 1:38:10.840
<v Speaker 3>all right, we got something else for you, man, before

1:38:10.880 --> 1:38:12.000
<v Speaker 3>you know, before you get out of here.

1:38:15.160 --> 1:38:22.479
<v Speaker 4>Ain't saying no nature, saying no names, saying no names.

1:38:24.280 --> 1:38:26.240
<v Speaker 1>What you did, don't say?

1:38:30.360 --> 1:38:39.400
<v Speaker 3>I said, yeah, so we didn't come to a very

1:38:39.400 --> 1:38:41.960
<v Speaker 3>important part of the show. Brother, Okay, will you tell

1:38:42.040 --> 1:38:45.800
<v Speaker 3>us a story funny or fucked up? Or funny and

1:38:45.880 --> 1:38:46.400
<v Speaker 3>fucked up?

1:38:46.800 --> 1:38:47.120
<v Speaker 1>Okay?

1:38:47.240 --> 1:38:50.080
<v Speaker 3>The only route to the game, mister Bryce Wilson. You

1:38:50.160 --> 1:38:50.960
<v Speaker 3>can't say no name.

1:38:51.080 --> 1:38:53.760
<v Speaker 1>I got one, oh quick? Oh okay, I got one?

1:38:53.800 --> 1:38:54.839
<v Speaker 1>All right, Okay.

1:38:55.520 --> 1:39:03.240
<v Speaker 3>So I'm in New York and I dropped yeah at

1:39:03.840 --> 1:39:07.240
<v Speaker 3>forgot the name of it, but name studio back, brother,

1:39:08.680 --> 1:39:12.040
<v Speaker 3>that's I dropped my friends.

1:39:12.040 --> 1:39:14.120
<v Speaker 1>I dropped my two hoes homie studio.

1:39:14.320 --> 1:39:17.400
<v Speaker 3>Okay, yeah, yeah, okay, drop my two homies off at

1:39:17.520 --> 1:39:20.559
<v Speaker 3>the other homie studio. Right. They say, you're coming up

1:39:20.800 --> 1:39:23.280
<v Speaker 3>like no in the car. Have an artist with me,

1:39:24.960 --> 1:39:28.200
<v Speaker 3>and it's kind of like we're an energy. So I'm

1:39:28.200 --> 1:39:28.920
<v Speaker 3>just leaning on my.

1:39:28.920 --> 1:39:32.719
<v Speaker 1>Window outside listening to music music, soul time. I'm listening

1:39:32.720 --> 1:39:35.639
<v Speaker 1>to a Neil soul singer.

1:39:35.760 --> 1:39:39.519
<v Speaker 3>I'm listening to right and I'm like, you know, I

1:39:39.600 --> 1:39:41.720
<v Speaker 3>just bopped my head in my own world, and I'm

1:39:41.720 --> 1:39:42.759
<v Speaker 3>getting tired of the energy.

1:39:44.200 --> 1:39:46.360
<v Speaker 1>So I'm like, yo, let me.

1:39:46.439 --> 1:39:53.360
<v Speaker 3>Take you the hotel. The artist is yeah, that's good, okay.

1:39:54.080 --> 1:39:54.599
<v Speaker 1>I don't know.

1:39:55.360 --> 1:39:58.040
<v Speaker 3>There's an attitude ten. I don't know right, I just

1:39:58.040 --> 1:40:01.519
<v Speaker 3>ain't got time for right now. It's drizzling. New York

1:40:01.560 --> 1:40:07.360
<v Speaker 3>City is dark outside. The strangest thing happens. I get

1:40:07.400 --> 1:40:11.400
<v Speaker 3>to the block. I make a left turn and I had.

1:40:15.439 --> 1:40:23.719
<v Speaker 1>Real light. Now look, my doors cracked and my car's empty.

1:40:25.800 --> 1:40:26.360
<v Speaker 1>I don't know.

1:40:28.520 --> 1:40:32.120
<v Speaker 3>I don't know, but Batman was in my car. I

1:40:32.240 --> 1:40:35.599
<v Speaker 3>can't say no names. But when I turned that corner,

1:40:35.680 --> 1:40:38.920
<v Speaker 3>I heard the wind. This person just hopped out, hopped

1:40:38.960 --> 1:40:42.839
<v Speaker 3>out in the rain, in the drizzle while I was moving.

1:40:43.840 --> 1:40:47.200
<v Speaker 1>You hadn't stopped. I didn't stop, so stop dropping rope.

1:40:47.920 --> 1:40:50.040
<v Speaker 1>I don't know if they tucked and rolled, if there

1:40:50.120 --> 1:40:52.679
<v Speaker 1>was a cable, I have no idea there was a cable.

1:40:53.160 --> 1:40:55.439
<v Speaker 3>I don't know he was driving the bus. But I

1:40:55.479 --> 1:40:59.400
<v Speaker 3>heard the wind. I made the turn. I heard the wind.

1:40:59.479 --> 1:41:02.360
<v Speaker 1>I looked from patch to seat.

1:41:02.479 --> 1:41:05.680
<v Speaker 3>It was empty, and my door was cracked, and I

1:41:05.800 --> 1:41:09.000
<v Speaker 3>leaned out and I closed the door and I went

1:41:09.120 --> 1:41:11.479
<v Speaker 3>around like five blocks about five times.

1:41:11.560 --> 1:41:13.280
<v Speaker 1>Is you trying to find them? Yeah?

1:41:13.360 --> 1:41:15.000
<v Speaker 3>I looked on this side of the street, went around

1:41:15.040 --> 1:41:16.960
<v Speaker 3>and looked on this side Winter Street, and then I

1:41:17.000 --> 1:41:19.720
<v Speaker 3>gave up. But that was a feat. That was a

1:41:19.840 --> 1:41:23.080
<v Speaker 3>feat that to this day, I have no idea how

1:41:23.120 --> 1:41:26.240
<v Speaker 3>that happened. But yeah, just like, did you ever speak

1:41:26.320 --> 1:41:30.280
<v Speaker 3>to said artists again? Yeah, but never never talked. But

1:41:30.320 --> 1:41:33.479
<v Speaker 3>they were okay, Oh they were fine. Yeah, still were fine.

1:41:33.640 --> 1:41:35.719
<v Speaker 3>They were fine. They made it to their hotel and everything.

1:41:35.760 --> 1:41:36.000
<v Speaker 3>It was.

1:41:36.040 --> 1:41:37.720
<v Speaker 1>It was, yeah, it was just weird, felt a little

1:41:37.720 --> 1:41:41.599
<v Speaker 1>first forty eight ish man. Yeah, yeah, it was weird. Huh. Yeah,

1:41:41.680 --> 1:41:44.479
<v Speaker 1>And so you've never talked to this artist about that? Never?

1:41:45.160 --> 1:41:47.800
<v Speaker 3>It was too strange. I don't even know how to like,

1:41:48.840 --> 1:41:51.639
<v Speaker 3>is weird? And you can fly that's the next time

1:41:51.680 --> 1:41:54.120
<v Speaker 3>you see it. So you know that time you flew

1:41:54.120 --> 1:41:56.439
<v Speaker 3>out my car, Yeah it was. It was a batman move.

1:41:56.600 --> 1:41:59.200
<v Speaker 3>I just heard a little bit of wind and by

1:41:59.240 --> 1:41:59.680
<v Speaker 3>the time I.

1:41:59.640 --> 1:42:01.440
<v Speaker 1>Heard him, a little bit of wind.

1:42:01.360 --> 1:42:04.320
<v Speaker 3>Calls empty yep. And my two homeboys that dropped off

1:42:04.360 --> 1:42:06.360
<v Speaker 3>did not believe me. And I'm like I'm telling you,

1:42:08.040 --> 1:42:10.000
<v Speaker 3>I made a turn, that's all I did, and.

1:42:11.320 --> 1:42:12.879
<v Speaker 1>Gone, wow.

1:42:13.439 --> 1:42:19.120
<v Speaker 3>Yeah, huh okay, because we're gonna we're gonna bleep the

1:42:19.200 --> 1:42:25.799
<v Speaker 3>names you said. But this is that's a wild story. Yeah,

1:42:26.280 --> 1:42:27.599
<v Speaker 3>that's a that's a what the fuck?

1:42:28.040 --> 1:42:30.400
<v Speaker 1>Yeah that was? What the fuck was that? Yeah?

1:42:30.520 --> 1:42:35.280
<v Speaker 3>Yeah, yeah, yeah, I have no idea how they exited

1:42:35.280 --> 1:42:35.759
<v Speaker 3>the vehicle.

1:42:37.000 --> 1:42:38.639
<v Speaker 1>I didn't even hear. I didn't even hear the feet

1:42:38.680 --> 1:42:40.599
<v Speaker 1>hit the ground. That's what was crazy. Like, I didn't

1:42:40.600 --> 1:42:42.920
<v Speaker 1>hear the feet hit the I heard nothing. Win. I

1:42:43.000 --> 1:42:45.439
<v Speaker 1>just heard when that was it and they were gone

1:42:45.479 --> 1:42:46.439
<v Speaker 1>by that time. Gone.

1:42:47.720 --> 1:42:49.680
<v Speaker 3>Yeah that's wow, bro. Yeah, that's why I don't know

1:42:49.720 --> 1:42:52.000
<v Speaker 3>what part of the turn the escape was. I have

1:42:52.080 --> 1:42:56.720
<v Speaker 3>no idea they escape. Yeah, I have no idea they was.

1:42:56.760 --> 1:42:59.640
<v Speaker 3>They didn't want to ride with you no more, Broy didn't.

1:43:00.000 --> 1:43:02.360
<v Speaker 3>I was in there, I was, I was dropping them off.

1:43:02.400 --> 1:43:05.320
<v Speaker 3>It's like, you know, it's like, yeah, nah, sick of

1:43:05.360 --> 1:43:08.599
<v Speaker 3>this ship. Yeah. He was like, I'm good, okay, good move,

1:43:08.760 --> 1:43:13.160
<v Speaker 3>wow bro, well pleaded. Yeah, Hey man, thank you again, Bro,

1:43:13.200 --> 1:43:15.280
<v Speaker 3>thanks for having me brother. This is this has been

1:43:15.320 --> 1:43:17.960
<v Speaker 3>incredible for me. Man, me too, my brother for real.

1:43:18.040 --> 1:43:18.240
<v Speaker 4>Man.

1:43:18.640 --> 1:43:23.360
<v Speaker 3>Man definitely I'm Jay Valentine, this Sprice Wilson, and this

1:43:23.680 --> 1:43:25.080
<v Speaker 3>is the Army Money Podcast.

1:43:25.320 --> 1:43:26.320
<v Speaker 1>I see y'all next week.