1 00:00:05,320 --> 00:00:10,120 Speaker 1: Hey, you new kid, come over here. Whoa the girl 2 00:00:10,160 --> 00:00:13,440 Speaker 1: from Audio Lab is calling me out at lunch. This 3 00:00:13,560 --> 00:00:16,279 Speaker 1: is the first It's only my second weekend book of 4 00:00:16,320 --> 00:00:18,680 Speaker 1: Team now, and although I've been keeping my distance since 5 00:00:18,720 --> 00:00:20,599 Speaker 1: I'm the new kid on the block, I'll admit that 6 00:00:20,640 --> 00:00:23,079 Speaker 1: it's been a lot better here than I thought. Still 7 00:00:23,120 --> 00:00:26,400 Speaker 1: feeling out the other students. They seem cool. A lot 8 00:00:26,440 --> 00:00:28,120 Speaker 1: of them are a bit nerdy and tech kids, but 9 00:00:28,680 --> 00:00:32,440 Speaker 1: this is a STEM school, so that's expected. Meanwhile, the 10 00:00:32,520 --> 00:00:36,040 Speaker 1: podcast is still going viral and more interview requests are 11 00:00:36,080 --> 00:00:40,520 Speaker 1: coming in from artists. Hey, Janelle right from Audio Lab. 12 00:00:41,080 --> 00:00:44,199 Speaker 1: What's good? I have a seat. Okay, don't worry, I 13 00:00:44,240 --> 00:00:48,640 Speaker 1: don't bite. That's more like it. You know, I'm trying 14 00:00:48,680 --> 00:00:51,640 Speaker 1: to saying you eat by yourself. It's pathetic. You're sitting 15 00:00:51,640 --> 00:00:54,680 Speaker 1: by yourself, by joy So I can finish reading Bell 16 00:00:54,760 --> 00:00:58,680 Speaker 1: Hooks All about Love? So it's Ruben. Yeah, what's my 17 00:00:58,720 --> 00:01:03,320 Speaker 1: friends call me? Ben? That's your deal? I shrug? What 18 00:01:03,440 --> 00:01:06,319 Speaker 1: can I say? I'm still playing the podcast close to 19 00:01:06,319 --> 00:01:09,040 Speaker 1: the vest. It's like a reflex carried over from home, 20 00:01:10,920 --> 00:01:14,880 Speaker 1: like Uncle Ben's what's so funny? I mean, you know, 21 00:01:15,160 --> 00:01:19,160 Speaker 1: like Uncle Ben the rice rest in power, Uncle Ben, 22 00:01:19,720 --> 00:01:22,000 Speaker 1: I'm just trying to break the ice a bit. Nice 23 00:01:22,040 --> 00:01:25,759 Speaker 1: to meet you, Nice to meet you. Nice to finally 24 00:01:25,800 --> 00:01:28,720 Speaker 1: see someone here reaching out. Yeah, the vibe here is 25 00:01:28,760 --> 00:01:30,880 Speaker 1: pretty cool, but you have to be driven to keep up. 26 00:01:31,360 --> 00:01:35,320 Speaker 1: It can be isolating for newbies. Consider me the welcome committee. 27 00:01:35,640 --> 00:01:38,120 Speaker 1: So you're this friendly with every new kid, wouldn't you 28 00:01:38,200 --> 00:01:42,080 Speaker 1: like to know? So, Ben, what do you win too? Oh? Well, 29 00:01:42,920 --> 00:01:47,080 Speaker 1: I love music and I've got this. Uh I've only 30 00:01:47,120 --> 00:01:50,200 Speaker 1: known it from the five minutes, but I get the feeling. 31 00:01:50,240 --> 00:01:53,320 Speaker 1: I can trust you know. We've been exchanging glances in 32 00:01:53,400 --> 00:01:56,560 Speaker 1: audio lab for a week. She smells like rose water, 33 00:01:57,160 --> 00:01:59,840 Speaker 1: her StepN piercing, and long locks maker look like a guy. 34 00:02:00,120 --> 00:02:03,160 Speaker 1: Is I shouldn't be keeping the pot to myself here 35 00:02:03,160 --> 00:02:06,440 Speaker 1: at school. That's ridiculous. It isn't like my parents are 36 00:02:06,440 --> 00:02:08,160 Speaker 1: going to find out about it from some other kid 37 00:02:08,200 --> 00:02:11,000 Speaker 1: at book or t Marco and I even talked about 38 00:02:11,080 --> 00:02:13,880 Speaker 1: using our school to spread the word, but I haven't 39 00:02:13,919 --> 00:02:15,760 Speaker 1: been acting on that since the Pots doing so well 40 00:02:15,760 --> 00:02:18,760 Speaker 1: on the song. But I gotta put myself out there. 41 00:02:19,720 --> 00:02:25,239 Speaker 1: I host this little podcast interview breaking artists. Are you serious? 42 00:02:25,280 --> 00:02:28,120 Speaker 1: That's so dope? I mean you're leaving social currency on 43 00:02:28,200 --> 00:02:31,120 Speaker 1: the table. How humble of you. So do you want 44 00:02:31,120 --> 00:02:33,919 Speaker 1: to be my new friend? Miss? You know? I accept 45 00:02:34,000 --> 00:02:37,239 Speaker 1: your invitation. I am intrigued to learn more about your 46 00:02:37,520 --> 00:02:41,080 Speaker 1: little podcast. Who have your interviewed so far? Nevea, Jolie, 47 00:02:41,200 --> 00:02:44,280 Speaker 1: Maisio guns? Have you heard of any of them? WHOA? 48 00:02:44,639 --> 00:02:47,080 Speaker 1: That's legit. You aren't messing around. I heard of Novega 49 00:02:47,160 --> 00:02:51,160 Speaker 1: Jolie sidebar. You have to be aware of giving your 50 00:02:51,160 --> 00:02:54,600 Speaker 1: insecurities power. Watch the way you talk about yourself. You 51 00:02:54,720 --> 00:02:57,359 Speaker 1: just described your podcasts as a little but having your 52 00:02:57,400 --> 00:02:59,880 Speaker 1: post on fresh talent and creating a platform for new artists. 53 00:03:00,040 --> 00:03:03,280 Speaker 1: It's a little my dude, that's huge. Taking it back 54 00:03:03,320 --> 00:03:07,440 Speaker 1: and how the wreck she is? It's intimidating, but in 55 00:03:07,480 --> 00:03:11,920 Speaker 1: a good way. Damn I didn't even realize I did that. Thanks? 56 00:03:12,360 --> 00:03:14,240 Speaker 1: Where would it? Girl? Go? To listen to a podcast 57 00:03:14,280 --> 00:03:16,680 Speaker 1: as illustrious as yours? You can find it in all 58 00:03:16,680 --> 00:03:20,760 Speaker 1: the usual places, Apple podcast, I heart, Spotify, state your 59 00:03:20,840 --> 00:03:24,120 Speaker 1: Google podcast If you're on that Android tip It sounds 60 00:03:24,120 --> 00:03:26,720 Speaker 1: like you're on that Miles Morales tip. What you mean 61 00:03:27,480 --> 00:03:32,119 Speaker 1: you know? Ultimates into the spider verse. Miles Morale's transfers 62 00:03:32,120 --> 00:03:34,040 Speaker 1: to your new school right as he becomes Spider Man. 63 00:03:35,280 --> 00:03:37,480 Speaker 1: Come on, Okay, if you're gonna be a cultural icon, 64 00:03:37,480 --> 00:03:39,560 Speaker 1: you've got to know these references. Yeah, I guess I 65 00:03:39,600 --> 00:03:42,560 Speaker 1: am one that Miles Morales tip. I even got a 66 00:03:42,600 --> 00:03:47,120 Speaker 1: secret identity. Secret identity. Yeah. On the podcast, we disguise 67 00:03:47,240 --> 00:03:49,800 Speaker 1: my voice and I go by a stage name mask 68 00:03:49,920 --> 00:03:53,200 Speaker 1: on damn right, you've got a secret identity. Why aren't 69 00:03:53,200 --> 00:03:55,920 Speaker 1: you starting the stuff from the rooftops? You're the most 70 00:03:55,960 --> 00:03:58,520 Speaker 1: interesting new kid we've had any years. I don't know. 71 00:03:59,400 --> 00:04:01,240 Speaker 1: That's not me. I guess I like to keep things 72 00:04:01,320 --> 00:04:05,800 Speaker 1: low key, but you gotta own your greatness. What do 73 00:04:05,840 --> 00:04:08,680 Speaker 1: you call your new hit pod? By the way, I 74 00:04:08,720 --> 00:04:11,720 Speaker 1: hold my breath for a second. This is the first 75 00:04:11,760 --> 00:04:14,080 Speaker 1: time I get to experience and outside its reaction to 76 00:04:14,120 --> 00:04:16,800 Speaker 1: my work. I've been so private about the podcast for 77 00:04:16,839 --> 00:04:19,760 Speaker 1: my own reasons, and despite our solid numbers, I haven't 78 00:04:19,760 --> 00:04:23,120 Speaker 1: come face to face with a new fan in real life. Somehow, 79 00:04:23,160 --> 00:04:26,480 Speaker 1: telling Janelle makes everything feel more real. It's like I'm 80 00:04:26,520 --> 00:04:29,719 Speaker 1: relaunching the show to the world all over again. It's 81 00:04:29,760 --> 00:04:49,480 Speaker 1: called Here comes the Break. It's been a few more days, 82 00:04:49,480 --> 00:04:52,280 Speaker 1: and our third interview is set to drop today. It's 83 00:04:52,320 --> 00:04:55,320 Speaker 1: amazing how fast the podcast is blowing up. We're hitting 84 00:04:55,320 --> 00:04:58,960 Speaker 1: bigger numbers daily. Honestly, it's turning out to be a 85 00:04:58,960 --> 00:05:02,240 Speaker 1: lot to handle. I mean, between the demands of booking 86 00:05:02,240 --> 00:05:05,719 Speaker 1: guests and editing the show, not to mention school work, 87 00:05:06,360 --> 00:05:10,080 Speaker 1: it's a little much for just two guys. Marco has 88 00:05:10,080 --> 00:05:13,600 Speaker 1: been managing our social media pages, creating content calendars, and 89 00:05:13,720 --> 00:05:16,760 Speaker 1: corresponding with our listeners, but that dude lives on his 90 00:05:16,839 --> 00:05:19,960 Speaker 1: phone anyways. But we could use some help with production 91 00:05:20,000 --> 00:05:23,360 Speaker 1: and booking at school. I've had lunch with Janelle all week. 92 00:05:24,040 --> 00:05:26,760 Speaker 1: I even mess some of her friends. She's a senior, 93 00:05:27,320 --> 00:05:30,360 Speaker 1: knows the lay of the land. She's been a real lifeline. 94 00:05:30,960 --> 00:05:32,920 Speaker 1: I've noticed that my social feeds are starting to fill 95 00:05:33,000 --> 00:05:36,080 Speaker 1: up with kids to book a t mostly from requests 96 00:05:36,720 --> 00:05:40,880 Speaker 1: with Janelle as our one mutual follows. Thankfully, with all 97 00:05:40,880 --> 00:05:43,200 Speaker 1: the rest of this stuff going on, Mom and Dad 98 00:05:43,200 --> 00:05:45,400 Speaker 1: had mostly kept their distance since they're still under the 99 00:05:45,400 --> 00:05:48,640 Speaker 1: impression that the school transition is tough for me. It 100 00:05:48,680 --> 00:05:53,040 Speaker 1: isn't actually that bad, thanks to Janelle especially, But I'm 101 00:05:53,080 --> 00:05:54,920 Speaker 1: more than happy to let my parents feel that way 102 00:05:54,960 --> 00:05:56,680 Speaker 1: if it gives me the space. I need to work 103 00:05:56,720 --> 00:05:59,800 Speaker 1: more on the podcast. My mind keeps going back to 104 00:05:59,800 --> 00:06:02,200 Speaker 1: what Mazio Gun said in our interview about keeping your 105 00:06:02,200 --> 00:06:05,000 Speaker 1: close circle of trust when you blow up the strain 106 00:06:05,080 --> 00:06:08,280 Speaker 1: on Marco's bandwidth, handling all this producer's side stuff himself, 107 00:06:09,000 --> 00:06:12,640 Speaker 1: Janelle's strong personality and interest in the pod, it all 108 00:06:12,680 --> 00:06:15,680 Speaker 1: makes sense together. I'm still just getting to nowhere, but 109 00:06:16,520 --> 00:06:18,560 Speaker 1: I know she's got the calm and positive energy to 110 00:06:18,600 --> 00:06:20,800 Speaker 1: pick up the slack with Marco or I feel overwhelmed. 111 00:06:21,600 --> 00:06:24,120 Speaker 1: I want to recruit Jennell to work with us. I 112 00:06:24,160 --> 00:06:26,040 Speaker 1: have a call coming up with Marco any minute, and 113 00:06:26,040 --> 00:06:28,719 Speaker 1: I'm going to run the idea by him. My homework 114 00:06:28,760 --> 00:06:31,640 Speaker 1: should probably be further up in my mind, but I'm 115 00:06:31,720 --> 00:06:33,719 Speaker 1: running through critiques of how to make the pot better 116 00:06:34,200 --> 00:06:37,640 Speaker 1: bit by bit, episode by episode. It takes up all 117 00:06:37,760 --> 00:06:46,880 Speaker 1: my attention. Later, Hey, Marcoyo Ben, great news, he got 118 00:06:46,920 --> 00:06:49,720 Speaker 1: another interview lined up in a couple more requests coming in, 119 00:06:50,360 --> 00:06:52,840 Speaker 1: artists from all over st Body from l A, Stephen 120 00:06:52,880 --> 00:06:56,320 Speaker 1: Moses from Pennsylvania. We could start banking episodes if we 121 00:06:56,279 --> 00:06:58,919 Speaker 1: record these quickly. So key that we scored that interview 122 00:06:58,960 --> 00:07:01,640 Speaker 1: with oh No for episode three. I stopped short in 123 00:07:01,680 --> 00:07:06,280 Speaker 1: my tracks. Okay, booking, it's going pretty well, but I'm 124 00:07:06,279 --> 00:07:09,200 Speaker 1: excited and nervous at the same time. I feel that 125 00:07:09,320 --> 00:07:12,160 Speaker 1: familiar stab of panic, and I know I still need 126 00:07:12,200 --> 00:07:15,440 Speaker 1: to suggest bringing Janelle on board. I need more support, 127 00:07:15,960 --> 00:07:17,680 Speaker 1: and the thought of having someone at school I can 128 00:07:17,680 --> 00:07:20,360 Speaker 1: talk to about the pod stuff will be a huge relief. 129 00:07:20,880 --> 00:07:23,280 Speaker 1: That's great, Let's schedule the other requests as soon as 130 00:07:23,320 --> 00:07:25,240 Speaker 1: we can. Took the words right out of my mouth. 131 00:07:25,880 --> 00:07:29,560 Speaker 1: How's everything? I booked a team? Good? Good? Finally making 132 00:07:29,600 --> 00:07:34,040 Speaker 1: some new friends. There's this one girl. You got a 133 00:07:34,080 --> 00:07:38,320 Speaker 1: girl already named Jenelle? I see you not. She's not 134 00:07:38,800 --> 00:07:43,040 Speaker 1: my girlfriend. She's my friend who happens to be a girl. 135 00:07:43,240 --> 00:07:47,480 Speaker 1: We we lunched together. What is that even supposed to mean? 136 00:07:47,920 --> 00:07:50,440 Speaker 1: Don't play innocent with me? Did you tell her about 137 00:07:50,440 --> 00:07:54,040 Speaker 1: the podcast? Yeah? She knows about the pot. She's spreading 138 00:07:54,040 --> 00:07:58,200 Speaker 1: the word about it about me around school. Every little 139 00:07:58,200 --> 00:08:01,240 Speaker 1: bit helps. Try this weekend for interview with bo. Yeah. 140 00:08:01,240 --> 00:08:04,720 Speaker 1: I can swing that. We're dropping episode three tonight, right. 141 00:08:04,800 --> 00:08:06,720 Speaker 1: I did a fresh edit last night, mixed it this 142 00:08:06,720 --> 00:08:09,000 Speaker 1: morning before school. If you want to review, I'm bringing 143 00:08:09,000 --> 00:08:12,600 Speaker 1: it up on my laptop now. Smooth. We'll go through 144 00:08:12,640 --> 00:08:15,720 Speaker 1: it for a final past together. So while it loads up, 145 00:08:15,760 --> 00:08:19,520 Speaker 1: get real with me. You're feeling this Janelle girl, This 146 00:08:19,640 --> 00:08:23,000 Speaker 1: question makes me uncomfortable. I've got enough on my plate 147 00:08:23,040 --> 00:08:25,360 Speaker 1: as it is, and Janelle has been a good friend 148 00:08:25,360 --> 00:08:27,440 Speaker 1: in me so far. I don't want to ruin it 149 00:08:27,520 --> 00:08:30,920 Speaker 1: by making a move. The bottom line is, yes, of 150 00:08:30,960 --> 00:08:34,280 Speaker 1: course I'm attracted to Janelle. What idiot wouldn't be, But 151 00:08:34,720 --> 00:08:37,440 Speaker 1: now it's not the right time to make a move. Nah, man, 152 00:08:38,679 --> 00:08:40,640 Speaker 1: at least not right now. I got too much on 153 00:08:40,640 --> 00:08:44,520 Speaker 1: my plate. I got eyes for this podcast. Strong answerment, 154 00:08:44,840 --> 00:08:46,680 Speaker 1: there's never a good time, all bad time. He just 155 00:08:46,720 --> 00:08:49,560 Speaker 1: gotta go for it. Oh yeah, right. This is from 156 00:08:49,600 --> 00:08:51,640 Speaker 1: the guy who asked out every girl in a break. 157 00:08:51,880 --> 00:08:53,720 Speaker 1: You don't get a batting average till you give yourself 158 00:08:53,760 --> 00:08:59,640 Speaker 1: about that. I did have an idea, though, we should 159 00:08:59,640 --> 00:09:01,200 Speaker 1: bring it with us to the next show we go 160 00:09:01,280 --> 00:09:03,920 Speaker 1: to make You're a part of the podcast and team, 161 00:09:04,040 --> 00:09:08,000 Speaker 1: all right, and like your woman, I'm telling you this 162 00:09:08,080 --> 00:09:11,520 Speaker 1: is strictly professional. You and I are both losing sleep 163 00:09:11,520 --> 00:09:13,840 Speaker 1: trying to keep up with everything. An extra pair of 164 00:09:13,880 --> 00:09:17,760 Speaker 1: hands with help, and she's super competent. Get you drinking 165 00:09:17,760 --> 00:09:22,559 Speaker 1: the Book of tea cool laid already super competent Marco 166 00:09:22,679 --> 00:09:25,320 Speaker 1: to see right through me. But I'm serious about keeping 167 00:09:25,360 --> 00:09:28,400 Speaker 1: the firewall up between Janelle and I. This podcast is 168 00:09:28,480 --> 00:09:31,480 Speaker 1: too important. I'm more afraid that he's gonna make a 169 00:09:31,480 --> 00:09:33,679 Speaker 1: move on or while I'm playing a professionally. So if 170 00:09:33,679 --> 00:09:38,320 Speaker 1: you're not interested, if you haven't even met her yet, alright, 171 00:09:38,360 --> 00:09:40,959 Speaker 1: invited to the next show you've got on this weekend. 172 00:09:41,000 --> 00:09:43,440 Speaker 1: I'm dying to me. Whatever, man, Okay, it's it's a 173 00:09:43,480 --> 00:09:58,680 Speaker 1: plan now, Episode three, final mix. Let's dive in sy 174 00:09:58,720 --> 00:10:01,000 Speaker 1: I'm gonna start off to Siri. It's but in learning 175 00:10:01,000 --> 00:10:03,320 Speaker 1: your back story, I learned that when you were young, 176 00:10:03,480 --> 00:10:06,079 Speaker 1: your mom was in prison and you and your siblings 177 00:10:06,080 --> 00:10:08,680 Speaker 1: were like to survive on your own until thankfully relative 178 00:10:08,679 --> 00:10:12,000 Speaker 1: steped in to support you. How old you know, I'm 179 00:10:12,000 --> 00:10:16,080 Speaker 1: twenty four. And then happened when you were a teenager? Yeah, yeah, 180 00:10:16,120 --> 00:10:19,439 Speaker 1: I was about I want to say, maybe about thirteen 181 00:10:19,520 --> 00:10:22,600 Speaker 1: or twelve or fourteen. Maybe I don't really make assumptions, 182 00:10:23,200 --> 00:10:25,079 Speaker 1: But now that you're an adult and you're pursuing your 183 00:10:25,080 --> 00:10:27,439 Speaker 1: own dreams as a music artist, what would you say 184 00:10:27,440 --> 00:10:29,880 Speaker 1: it contributed from that experience to what type of person 185 00:10:29,960 --> 00:10:32,080 Speaker 1: you are now because of it. I mean, honestly, I 186 00:10:32,080 --> 00:10:33,720 Speaker 1: feel like I feel like the main thing that made 187 00:10:33,760 --> 00:10:35,760 Speaker 1: me is just like it made me really strong, because 188 00:10:36,040 --> 00:10:38,240 Speaker 1: I feel like I tell my story to people and 189 00:10:38,640 --> 00:10:42,520 Speaker 1: they're like not amazed, but they're just like really like wow, 190 00:10:42,640 --> 00:10:44,600 Speaker 1: like you went through that. But to me, it's kind 191 00:10:44,600 --> 00:10:47,079 Speaker 1: of normal. I feel like it's like, yeah, like that's 192 00:10:47,200 --> 00:10:50,080 Speaker 1: is that bad? And I just feel like it made 193 00:10:50,160 --> 00:10:52,199 Speaker 1: me strong because if I look at that like, oh 194 00:10:52,240 --> 00:10:54,560 Speaker 1: that's yeah, it's it's nothing. Yeah. I just feel like 195 00:10:54,559 --> 00:10:56,360 Speaker 1: it made me like a really strong person, like the 196 00:10:56,360 --> 00:10:59,000 Speaker 1: way I look at things, the way I handle certain situations, 197 00:10:59,200 --> 00:11:02,040 Speaker 1: the way I react. I just feel like it definitely 198 00:11:02,120 --> 00:11:04,079 Speaker 1: toughened me up. And also it was an artist with 199 00:11:04,080 --> 00:11:07,080 Speaker 1: a Latino background, even a hip hop We had our 200 00:11:07,160 --> 00:11:09,959 Speaker 1: Big Clunes and our Fat Joe's. Who would you say 201 00:11:10,000 --> 00:11:12,360 Speaker 1: to young Latin American artists out there, someone from a 202 00:11:12,400 --> 00:11:15,680 Speaker 1: first generation family? I mean all I would really say. 203 00:11:15,720 --> 00:11:18,040 Speaker 1: I mean, it's gonna sound real cliche, but I would 204 00:11:18,080 --> 00:11:19,880 Speaker 1: just say to just keep going out whatever you're doing. 205 00:11:20,559 --> 00:11:22,480 Speaker 1: I mean, it was hard for me at one point 206 00:11:22,600 --> 00:11:26,400 Speaker 1: just being a Latino artist because there wasn't much out 207 00:11:26,440 --> 00:11:29,040 Speaker 1: like you said, Yeah, there was the legend ones, but 208 00:11:29,320 --> 00:11:31,520 Speaker 1: there wasn't ever something like that. There was a lot 209 00:11:31,559 --> 00:11:33,480 Speaker 1: of them. Now they're starting to be a little more. 210 00:11:33,920 --> 00:11:36,960 Speaker 1: So I feel like just working hard, Like it was hard, 211 00:11:37,000 --> 00:11:39,520 Speaker 1: like people kind of slept on me or just pushed 212 00:11:39,520 --> 00:11:41,880 Speaker 1: me to the side at the beginning, even with going 213 00:11:41,920 --> 00:11:44,480 Speaker 1: to a little like, um, just any little stuff that 214 00:11:44,480 --> 00:11:46,360 Speaker 1: I would do, I was kind of pushing aside because 215 00:11:46,360 --> 00:11:48,160 Speaker 1: I was a Latin artists. I feel like I wasn't 216 00:11:48,200 --> 00:11:51,800 Speaker 1: tooking serious. But I just really went hard, and I 217 00:11:51,880 --> 00:11:53,880 Speaker 1: knew there's people out there that would like me and 218 00:11:54,000 --> 00:11:56,280 Speaker 1: just my stuff. So the world is huge, there's so 219 00:11:56,320 --> 00:11:58,480 Speaker 1: many people, so I knew there's a fan base for 220 00:11:58,520 --> 00:12:00,319 Speaker 1: what I do and for the type of music I make. 221 00:12:00,400 --> 00:12:03,400 Speaker 1: So I really just like stay focused, stay dedicated, and 222 00:12:03,800 --> 00:12:07,320 Speaker 1: I made something happen and I'm happy with it. Yeah, 223 00:12:07,360 --> 00:12:10,319 Speaker 1: you also make music in Spanish. Would you say audiences, 224 00:12:10,640 --> 00:12:14,280 Speaker 1: I mean, I definitely have a very strong audience out 225 00:12:14,320 --> 00:12:17,760 Speaker 1: in like South America, but I feel like mainly it's 226 00:12:17,840 --> 00:12:20,480 Speaker 1: just people like my age. I feel like it's the 227 00:12:20,480 --> 00:12:23,280 Speaker 1: the younger people, um, the I mean, it's I also 228 00:12:23,320 --> 00:12:25,440 Speaker 1: have a lot of people like thirty and over, but 229 00:12:25,720 --> 00:12:28,920 Speaker 1: mainly it's eighteen to like twenty five and stuff like that. 230 00:12:28,960 --> 00:12:30,920 Speaker 1: So I feel like it's people mainly like my age, 231 00:12:30,960 --> 00:12:33,319 Speaker 1: but maybe just because of the things I talked about 232 00:12:33,480 --> 00:12:36,240 Speaker 1: is more current. I guess what you say are the 233 00:12:36,240 --> 00:12:38,160 Speaker 1: themes of the music. Okay, so there's a lot of 234 00:12:38,160 --> 00:12:40,719 Speaker 1: people who do stuff and you know, don't really I 235 00:12:40,800 --> 00:12:43,480 Speaker 1: haven't gone through it or don't really do that certain things. 236 00:12:43,600 --> 00:12:45,560 Speaker 1: I definitely feel like I don't do that, and I'm 237 00:12:45,600 --> 00:12:48,240 Speaker 1: really happy about that. So, I mean, everything I've really 238 00:12:48,280 --> 00:12:51,120 Speaker 1: talked about is just you know, things that I've gone through, 239 00:12:51,280 --> 00:12:54,680 Speaker 1: things I do on the daily basis, whether it's hanging 240 00:12:54,720 --> 00:12:57,679 Speaker 1: out friends or just working hard. I've actually noticed I 241 00:12:57,720 --> 00:13:00,240 Speaker 1: talked a lot about working hard and stuff like like 242 00:13:00,280 --> 00:13:03,400 Speaker 1: some hustle stuff like Nipsey hustle type motivation type stuff. 243 00:13:03,400 --> 00:13:04,760 Speaker 1: How do you deal with the pressure of building this 244 00:13:04,840 --> 00:13:08,160 Speaker 1: audience but still staying true to yourself? Yeah, honestly, I have. 245 00:13:08,400 --> 00:13:11,920 Speaker 1: I have huge anxiety. It's like really bad, But lately 246 00:13:12,000 --> 00:13:13,600 Speaker 1: I've been finding a lot of ways to cope with 247 00:13:13,640 --> 00:13:15,720 Speaker 1: it and just kind of like get through it because 248 00:13:15,720 --> 00:13:17,080 Speaker 1: I feel like a lot of it is fear of 249 00:13:17,120 --> 00:13:19,560 Speaker 1: certain things. So I just try to like go with 250 00:13:19,600 --> 00:13:22,200 Speaker 1: it and just try to like hope it's not going 251 00:13:22,240 --> 00:13:25,240 Speaker 1: to turn out bad. But I feel like, like I said, 252 00:13:25,280 --> 00:13:27,960 Speaker 1: although everything I've gone through has made me stronger, I 253 00:13:28,000 --> 00:13:30,280 Speaker 1: do feel like that maybe the cause of some of 254 00:13:30,280 --> 00:13:33,120 Speaker 1: my anxiety, just because people have told me that, But 255 00:13:33,240 --> 00:13:34,840 Speaker 1: I don't like to believe that because I just don't 256 00:13:34,840 --> 00:13:37,520 Speaker 1: feel like that's a reason to feel that way. Yeah, 257 00:13:37,559 --> 00:13:40,560 Speaker 1: I definitely feel like it's just fear. But it's been 258 00:13:40,600 --> 00:13:43,280 Speaker 1: something that I've been working on, and um, I feel 259 00:13:43,280 --> 00:13:46,880 Speaker 1: like I've been doing good. Right on. You sound like 260 00:13:46,880 --> 00:13:49,640 Speaker 1: it too. Tell our listeners what you got coming that phone? Yeah, 261 00:13:49,640 --> 00:13:52,160 Speaker 1: So I'm gonna be doing definitely a lot of singles. 262 00:13:52,640 --> 00:13:55,480 Speaker 1: I'm for sure you're gonna start being super consistent with everything, 263 00:13:55,760 --> 00:13:59,960 Speaker 1: even blogs. What else I'm gonna be doing, like some clothing. Yeah, 264 00:14:00,000 --> 00:14:03,880 Speaker 1: had some super super crazy videos. I've been coming up 265 00:14:03,920 --> 00:14:06,840 Speaker 1: with the craziest treatments. So I'm really excited to just 266 00:14:06,880 --> 00:14:09,120 Speaker 1: get them done and put them out there for everybody 267 00:14:09,440 --> 00:14:12,840 Speaker 1: nice to look forward to. Oh no, thanks for taking 268 00:14:12,840 --> 00:14:15,120 Speaker 1: the time. It's been a pleasure. Thank you, Thank you 269 00:14:15,160 --> 00:14:28,480 Speaker 1: so much. We'll be right back and now back to 270 00:14:28,520 --> 00:14:43,200 Speaker 1: the show. This is surreal to nice. Tonight, Marco, Janelle 271 00:14:43,240 --> 00:14:45,800 Speaker 1: and I are covering a show together, like where Angela yet, 272 00:14:46,120 --> 00:14:49,240 Speaker 1: dj Envy and Charlotte Magne the guy I can since 273 00:14:49,280 --> 00:14:52,520 Speaker 1: this is gonna work out so far, Marco, like Janelle 274 00:14:52,520 --> 00:14:55,840 Speaker 1: and Janelle hasn't read Marcot of filth yet for his flirting, 275 00:14:55,920 --> 00:14:59,400 Speaker 1: so we're off to a great start. We're tag team 276 00:14:59,400 --> 00:15:01,320 Speaker 1: in the l a the Ghot show in the city. 277 00:15:01,560 --> 00:15:04,440 Speaker 1: He's a Tampa rapper in town for one night only engagement. 278 00:15:05,040 --> 00:15:07,120 Speaker 1: Janelle is on her phone and Marco was posting to 279 00:15:07,160 --> 00:15:09,320 Speaker 1: our social media pages to let our followers know that 280 00:15:09,320 --> 00:15:10,960 Speaker 1: they here comes to break. Team will be in the 281 00:15:10,960 --> 00:15:15,080 Speaker 1: building tonight covering the show. This feels great. I didn't 282 00:15:15,080 --> 00:15:16,440 Speaker 1: even have to hide that I was going to the 283 00:15:16,480 --> 00:15:18,920 Speaker 1: city for my parents. They were just happy to hear 284 00:15:18,960 --> 00:15:20,400 Speaker 1: I have a friend in my new school, and then 285 00:15:20,440 --> 00:15:22,360 Speaker 1: she and Marco and now we're all gonna hang out together. 286 00:15:23,640 --> 00:15:25,880 Speaker 1: What I didn't tell them is we're going to an 287 00:15:25,880 --> 00:15:30,120 Speaker 1: a team plus show. In some ways, tonight reminds me 288 00:15:30,160 --> 00:15:32,080 Speaker 1: of that roller coaster ride on the first night with 289 00:15:32,200 --> 00:15:35,440 Speaker 1: Marco and I scored our first interview, only this time 290 00:15:36,040 --> 00:15:37,840 Speaker 1: we're not being shepherded to the green room like with 291 00:15:38,000 --> 00:15:40,480 Speaker 1: V I p S. Thanks to Marco's influence and invite. 292 00:15:41,200 --> 00:15:45,360 Speaker 1: This time we're general audience, so we gotta go hard 293 00:15:45,400 --> 00:15:48,720 Speaker 1: to get access. We have one shot to nail this, 294 00:15:49,360 --> 00:15:52,600 Speaker 1: and Janelle, a hot girl in our crew, is our 295 00:15:52,640 --> 00:15:56,080 Speaker 1: ace and the whole. We get to the door and 296 00:15:56,080 --> 00:15:58,760 Speaker 1: this is the first test of our plan. Pass or 297 00:15:58,800 --> 00:16:01,680 Speaker 1: fail to went out on the press list. We have 298 00:16:01,800 --> 00:16:04,240 Speaker 1: to stand in line, and because the show was a 299 00:16:04,320 --> 00:16:07,840 Speaker 1: team plus, we need fake I d s to get in. Well, 300 00:16:08,160 --> 00:16:11,640 Speaker 1: not Janelle, she's actually a team. But Marco came through 301 00:16:11,680 --> 00:16:13,760 Speaker 1: in the clutch and hooked us up with a pretty 302 00:16:13,800 --> 00:16:17,200 Speaker 1: good set of fakes. It's my first one. It feels 303 00:16:17,200 --> 00:16:21,120 Speaker 1: like Christmas. I can't lie. I am feeling super anxious 304 00:16:21,200 --> 00:16:24,360 Speaker 1: right now. What if we get caught, If the bouncer 305 00:16:24,400 --> 00:16:26,880 Speaker 1: doesn't give us a pass, the night's gonna be over quick. 306 00:16:27,720 --> 00:16:30,960 Speaker 1: But somehow, when I'm out with these two together, it 307 00:16:31,080 --> 00:16:33,880 Speaker 1: isn't the panic attack kind of anxious. It's part of 308 00:16:33,880 --> 00:16:38,240 Speaker 1: the thrill. Okay, Ruben, gotta focus and act like you belong. 309 00:16:38,640 --> 00:16:42,000 Speaker 1: I can't look too suspect. The doorman takes JR. Nail's 310 00:16:42,040 --> 00:16:44,800 Speaker 1: I d and only gives us a quick glance. But 311 00:16:44,840 --> 00:16:49,760 Speaker 1: when it's Marco's turn, he stops start squinning. He runs 312 00:16:49,760 --> 00:16:56,400 Speaker 1: his hand over. Oh shit, this isn't gonna work. After 313 00:16:56,440 --> 00:16:59,200 Speaker 1: all my talking myself up and building up this headed steam, 314 00:16:59,720 --> 00:17:02,240 Speaker 1: I can fill it, evaporating into an anxiety attacked by 315 00:17:02,240 --> 00:17:05,080 Speaker 1: the second Janelle is already through the door, and Marcus 316 00:17:05,080 --> 00:17:07,800 Speaker 1: trying to keep us cool. I'm starting to get fidgety, 317 00:17:07,840 --> 00:17:11,440 Speaker 1: and I fingered the velvet rope half consciously, and then 318 00:17:11,440 --> 00:17:15,800 Speaker 1: the doorman sees my nerves and gets Marco a furrowed brow. Ship. Ship, Ship. 319 00:17:15,840 --> 00:17:18,720 Speaker 1: This is falling apart fast. My feet are itching to 320 00:17:18,720 --> 00:17:21,840 Speaker 1: move underneath me. I see Marco shoot me a worried glance, 321 00:17:22,440 --> 00:17:25,879 Speaker 1: least trying to calm me down. That's it, thought. The 322 00:17:25,920 --> 00:17:29,120 Speaker 1: dorman sees the word together. There's no way we're getting through. 323 00:17:29,680 --> 00:17:33,360 Speaker 1: I have to bail, so I bill I stuck out 324 00:17:33,400 --> 00:17:35,840 Speaker 1: from under the rope, start fast walking back away from 325 00:17:35,840 --> 00:17:39,040 Speaker 1: the line, not even knowing where I'm going. I hear 326 00:17:39,080 --> 00:17:41,680 Speaker 1: the doorman shouting at me, but I don't look back. 327 00:17:42,240 --> 00:17:45,359 Speaker 1: I'm in panic mode. I go a block without pausing 328 00:17:45,400 --> 00:17:47,640 Speaker 1: for a breath, and then finally stop at the next 329 00:17:47,680 --> 00:17:50,040 Speaker 1: intersection and take out my phone. There's a piece of 330 00:17:50,040 --> 00:17:53,359 Speaker 1: place on the corner and I stepped inside as I 331 00:17:53,400 --> 00:17:55,359 Speaker 1: placed an order for a slice of cheese and slice 332 00:17:55,400 --> 00:17:59,200 Speaker 1: of rony. I text Marco and Janelle sorry about the 333 00:17:59,200 --> 00:18:01,920 Speaker 1: trouble at the door. I met the famous raise of 334 00:18:01,960 --> 00:18:05,399 Speaker 1: black heast. When I sit down with my slices, the 335 00:18:05,480 --> 00:18:09,280 Speaker 1: replies come in, what's trouble out the door? I d 336 00:18:09,440 --> 00:18:13,280 Speaker 1: S didn't get us through. Stay at the pizza, placed 337 00:18:13,280 --> 00:18:15,359 Speaker 1: the inside game, hand at our stickers, and see if 338 00:18:15,359 --> 00:18:17,000 Speaker 1: I can get some access to l A the goat. 339 00:18:17,400 --> 00:18:21,560 Speaker 1: This is embarrassing, but Marcos covering from my freak out, 340 00:18:21,560 --> 00:18:24,720 Speaker 1: and we still have Janelle inside. I feel the team 341 00:18:24,760 --> 00:18:28,440 Speaker 1: coming together. After a couple of minutes, Marco comes first 342 00:18:28,480 --> 00:18:30,240 Speaker 1: in through the door. But the hell was that, bro? 343 00:18:30,560 --> 00:18:32,680 Speaker 1: I was gonna get in? He waxed me upside the 344 00:18:32,680 --> 00:18:34,439 Speaker 1: back of the head and then takes a seat across 345 00:18:34,440 --> 00:18:38,000 Speaker 1: from me, his eyes glaring. Didn't look like it. Well, 346 00:18:38,040 --> 00:18:40,359 Speaker 1: you took our chances from non zero to zero real quick. 347 00:18:40,359 --> 00:18:44,240 Speaker 1: Not cool, Bro, I'm sorry I had to bail. I 348 00:18:44,280 --> 00:18:46,400 Speaker 1: can't have my parents finding out about all this by 349 00:18:46,400 --> 00:18:49,200 Speaker 1: my being caught trying to sneak into a show. I've 350 00:18:49,200 --> 00:18:51,400 Speaker 1: got to tell them about it, like it's an accomplishment. Bro, 351 00:18:51,560 --> 00:18:53,800 Speaker 1: it's already an accomplishment, but we gotta keep up the 352 00:18:53,800 --> 00:18:56,000 Speaker 1: pace if we wanted to stay that way. No chicken 353 00:18:56,000 --> 00:18:58,520 Speaker 1: and out at the door. It's gonna be okay. Janelle 354 00:18:58,520 --> 00:19:01,119 Speaker 1: is still inside. This is we needed to grow the team. 355 00:19:01,320 --> 00:19:03,760 Speaker 1: She is pretty much a badass. I see, why are 356 00:19:03,760 --> 00:19:06,680 Speaker 1: you like that? I'm really not trying to get with it. 357 00:19:07,359 --> 00:19:09,200 Speaker 1: And promise me you aren't going to make the vibe 358 00:19:09,240 --> 00:19:11,760 Speaker 1: weird by hitting on her. No, No, you're right. We're 359 00:19:11,760 --> 00:19:14,199 Speaker 1: a team now, especially now that we're relying on her tonight. 360 00:19:14,359 --> 00:19:16,520 Speaker 1: Marco orders himself a slice and we eat the rest 361 00:19:16,560 --> 00:19:18,520 Speaker 1: on our feet. As we walked back over to the venue. 362 00:19:19,720 --> 00:19:21,440 Speaker 1: I finished first, so I'm the first to notice the 363 00:19:21,520 --> 00:19:26,119 Speaker 1: text from Janelle. It's almost over. We redirect from the 364 00:19:26,119 --> 00:19:28,439 Speaker 1: front of the venue to the side alley. It has 365 00:19:28,480 --> 00:19:31,240 Speaker 1: a big mural on the wall opposite the door. Janelle 366 00:19:31,320 --> 00:19:34,119 Speaker 1: is waiting for us there. Okay, here's the deal. His 367 00:19:34,240 --> 00:19:37,159 Speaker 1: repsit he doesn't have time for an interview, but we 368 00:19:37,200 --> 00:19:39,119 Speaker 1: can take a couple of photos with him, maybe up 369 00:19:39,160 --> 00:19:42,040 Speaker 1: against this mural. We'll exchange info and set up an 370 00:19:42,040 --> 00:19:44,959 Speaker 1: interview for later on Yo, Janelle, You're wild, but I 371 00:19:45,000 --> 00:19:47,080 Speaker 1: love it. Let's do it. I got enough juice in 372 00:19:47,119 --> 00:19:48,959 Speaker 1: my phone. Power up your cannon and let's do this. 373 00:19:49,520 --> 00:19:53,280 Speaker 1: These two are insane. After everything that happened at the door, 374 00:19:53,840 --> 00:19:55,720 Speaker 1: I didn't really expect Janelle to be able to get 375 00:19:55,720 --> 00:19:58,119 Speaker 1: in front of l A the Goats people. She was 376 00:19:58,160 --> 00:20:00,520 Speaker 1: on with a handbag full of Here Comes to Break 377 00:20:00,560 --> 00:20:02,800 Speaker 1: stickers with our social media accounts on the design and 378 00:20:02,800 --> 00:20:05,840 Speaker 1: that was it. But here we are about to get 379 00:20:05,880 --> 00:20:07,920 Speaker 1: in the photo shoot somehow, even though I ran from 380 00:20:07,920 --> 00:20:10,639 Speaker 1: the show, l A the Goat and his team come 381 00:20:10,640 --> 00:20:12,800 Speaker 1: out the stage door in the alley and I watched 382 00:20:12,840 --> 00:20:14,879 Speaker 1: Janelle walked straight up to him and extend her arm 383 00:20:14,920 --> 00:20:17,440 Speaker 1: for her handshake, and then l A the Goat leans 384 00:20:17,440 --> 00:20:20,119 Speaker 1: in to give Janella hud. Marco leans back on the 385 00:20:20,160 --> 00:20:23,520 Speaker 1: mural wall and all of what is happening Janelle, l 386 00:20:23,560 --> 00:20:25,800 Speaker 1: A the Goat, and two other random guys walk up 387 00:20:25,800 --> 00:20:28,199 Speaker 1: to Marco and introduced themselves, Hey, this young lady in 388 00:20:28,200 --> 00:20:29,720 Speaker 1: front of us that you guys are the brains behind 389 00:20:29,760 --> 00:20:32,040 Speaker 1: the Here Comes to Break podcast that's on our radar. 390 00:20:32,119 --> 00:20:34,240 Speaker 1: Nice work, my name is rich I'm the booking agent. 391 00:20:34,320 --> 00:20:35,720 Speaker 1: I would love for my guy to be a guest 392 00:20:35,720 --> 00:20:37,920 Speaker 1: on your show. Here's my card, shoot me an email. 393 00:20:38,000 --> 00:20:41,360 Speaker 1: Let's make it happen. Thanks. My name is Ruben, I'm 394 00:20:41,400 --> 00:20:44,000 Speaker 1: the host of the show. I'm Marco, co creator and producer. 395 00:20:44,240 --> 00:20:46,640 Speaker 1: We could take a few photos in front of this mural. Yeah, yo, 396 00:20:46,840 --> 00:20:49,119 Speaker 1: this team wants to take a few shots here, l 397 00:20:49,160 --> 00:20:51,200 Speaker 1: A the Goat knives and crosses to the mural wall. 398 00:20:52,000 --> 00:20:54,240 Speaker 1: If there was any doubt about bringing Janelle on board, 399 00:20:54,760 --> 00:20:56,800 Speaker 1: her impromptu photo shoot with l A the Goat put 400 00:20:56,800 --> 00:20:59,639 Speaker 1: that to rest for good. We gotta lead on an 401 00:20:59,640 --> 00:21:02,000 Speaker 1: interview and fresh material to post to our feet. Tonight, 402 00:21:02,640 --> 00:21:05,040 Speaker 1: we make our way back to the train, celebrating Janelle's 403 00:21:05,040 --> 00:21:08,920 Speaker 1: boss move. That was a victory. I guess this is 404 00:21:08,960 --> 00:21:11,160 Speaker 1: how White Cleff felt about Lauren Hill during the early 405 00:21:11,200 --> 00:21:15,159 Speaker 1: days of the Fuji's Janelle is a chill on the 406 00:21:15,200 --> 00:21:19,280 Speaker 1: train back. I see Marco giving her impressed glances the 407 00:21:19,440 --> 00:21:22,320 Speaker 1: same old game, even though he said he would keep 408 00:21:22,320 --> 00:21:26,080 Speaker 1: it professional. I'm sure Janelle can more than handle herself. 409 00:21:26,560 --> 00:21:29,240 Speaker 1: Tonight was proof of that. But I'm gonna keep an 410 00:21:29,200 --> 00:21:32,800 Speaker 1: eye on that kid. He could be reckless. I can't 411 00:21:32,800 --> 00:21:34,600 Speaker 1: have him screwing up the vibe when here comes to 412 00:21:34,640 --> 00:21:40,680 Speaker 1: break is scaling up and better than ever. And now 413 00:21:40,720 --> 00:22:04,240 Speaker 1: an exclusive track from Oh No Down You know Lord 414 00:22:05,880 --> 00:22:15,760 Speaker 1: a lord locate a local conte cento actor Ablano that 415 00:22:15,880 --> 00:22:20,720 Speaker 1: we come on somberio, No you respont me for my 416 00:22:20,840 --> 00:22:32,119 Speaker 1: lass about me mexicali simple laia trees set get a. 417 00:22:32,200 --> 00:22:36,160 Speaker 1: Perry wants to see the Woman League store, which I'm getting. 418 00:22:36,240 --> 00:22:45,000 Speaker 1: No me casa Zala has to created store, does Sublanci 419 00:22:45,840 --> 00:23:00,359 Speaker 1: Miraci jospect Despetalmiro put me and deep me for to 420 00:23:01,359 --> 00:23:10,800 Speaker 1: whoso Huh McCom ova and mish michela the mccorm ova 421 00:23:11,160 --> 00:23:14,600 Speaker 1: and I misson by the missio. Let's get the McCom 422 00:23:14,680 --> 00:23:19,800 Speaker 1: ova and I mis gimme come over and I'll be 423 00:23:19,960 --> 00:23:28,960 Speaker 1: shot answer that's los podcast lost fladcasts going to that's 424 00:23:29,000 --> 00:23:32,200 Speaker 1: how we go. He's no cancer come, no cola champani 425 00:23:32,400 --> 00:23:36,240 Speaker 1: pasta castas. I just cannot let normal league And then 426 00:23:36,320 --> 00:23:41,160 Speaker 1: a pras lost the windows as a voor. He doesn't 427 00:23:41,160 --> 00:23:53,479 Speaker 1: see my damas who put it voo toilet, so says boyo, 428 00:23:53,600 --> 00:23:59,920 Speaker 1: No sail a m come over and mishop Michel mccon 429 00:24:00,119 --> 00:24:21,520 Speaker 1: Mova lea Let Here Comes to Break is produced by 430 00:24:21,560 --> 00:24:24,960 Speaker 1: Double Elvis and partnership with I Heart Radio. Executive produced 431 00:24:25,000 --> 00:24:28,600 Speaker 1: by Deaf Jam Recordings. Executive produced by and starring Asanti 432 00:24:28,680 --> 00:24:32,080 Speaker 1: Black Is Ruben, Produced by Danielle Perkins who plays Janelle, 433 00:24:32,320 --> 00:24:36,480 Speaker 1: Bobby cs Is Marco, Christopher V. Edwards as Dad, Raymie 434 00:24:36,560 --> 00:24:40,000 Speaker 1: Cornell is Mom, and Taylor Bettinson. Written by Taylor Bettinson 435 00:24:40,119 --> 00:24:43,280 Speaker 1: and The Kia Hill Artist Interviews conducted by Nikia Hill, 436 00:24:43,880 --> 00:24:47,080 Speaker 1: directed by Christopher V. Edwards, mixed and edited by Matt 437 00:24:47,200 --> 00:24:50,920 Speaker 1: Ta Hainey, Sound recording by Colin Fleming Music Elements and 438 00:24:51,000 --> 00:24:55,000 Speaker 1: production by Ryan's Breaker. Additional production support by Jamie Dimons. 439 00:24:55,480 --> 00:24:58,680 Speaker 1: Executive produced by Jake Brennan and Brady Sadler for Double 440 00:24:58,720 --> 00:25:03,600 Speaker 1: Elvis Special Thing The Rain Rosenbaum, Shelby Shankman, Sarah Kaine 441 00:25:03,960 --> 00:25:07,520 Speaker 1: and Jordian Gerrellic United Talent Agency, Beck Media and Marketing, 442 00:25:07,720 --> 00:25:12,040 Speaker 1: Barack Muffett and Universal Music Group, Rich Isaacson, Lind Gonzalez, 443 00:25:12,320 --> 00:25:17,440 Speaker 1: Charlene Thomas, Merrissa Pizarro, Gabriel To Serrieriro, Jessic Commanderino and 444 00:25:17,520 --> 00:25:21,800 Speaker 1: Narya Fleming at Deaf Jam Recordings and Conald Burn, Carrie Lieberman, 445 00:25:22,000 --> 00:25:25,359 Speaker 1: Bill Pearson, Noel Brown, and the entire I Heeart Media 446 00:25:25,440 --> 00:25:28,040 Speaker 1: team to hear bonus content, meet the cast, and go 447 00:25:28,160 --> 00:25:30,200 Speaker 1: behind the scenes of Here It Comes to Break. Follow 448 00:25:30,280 --> 00:25:33,280 Speaker 1: with double Elvis on Instagram or visit double elvis dot com.