WEBVTT - Listening Party

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<v Speaker 1>As a dad, actor, producer for an activist, my schedule

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<v Speaker 1>fills up fast and as we all know, a life

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<v Speaker 1>can be unpredictable. That's why good help is always welcome.

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<v Speaker 1>Isn't it time to stop believing old tales? When it

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<v Speaker 1>comes to debunking myths? Funday is thinking of every mile Honday,

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<v Speaker 1>It's your journey. This is so exciting. I've never flown

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<v Speaker 1>in a private jet, I've never been to LA and

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<v Speaker 1>I've never gone to a listening party Avelita. I can't

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<v Speaker 1>wait to hear your in single. Thanks. I hope everyone

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<v Speaker 1>likes it. All right, Natalia, let's hunkered down and finished

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<v Speaker 1>the sample quiz. I'm sure once we land in the

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<v Speaker 1>LA you're not gonna want to study. Okay, I think

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<v Speaker 1>this is where we left on. Where did the loyalties

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<v Speaker 1>of the Tories lie during the American Revolution? How long

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<v Speaker 1>has Rodrigo been doing that with Natalia? Since she moves

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<v Speaker 1>here from Chihuahua, we scheduled breaks during the studio sessions

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<v Speaker 1>for homework. At first, she would go off on her

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<v Speaker 1>own to study, but then Rodrigo realized that some of

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<v Speaker 1>her classes in here were different than her classes back

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<v Speaker 1>in Mexico, like American history, so he started helping her.

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<v Speaker 1>I remember, I had to learn all these new things

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<v Speaker 1>too when we moved here. He didn't mention he does

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<v Speaker 1>this with her. No, m I'm telling you me how.

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<v Speaker 1>Rodrigo is more than ready to be a father. I'm

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<v Speaker 1>surprised you haven't made him one already. When would I

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<v Speaker 1>have had time to do that? Mom? Well, weren't you

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<v Speaker 1>too supposed to take a long vacation after the Grammys?

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<v Speaker 1>We sure work? What are you too laughing about? Rodrigo's

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<v Speaker 1>not letting me look at the answers, but I keep

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<v Speaker 1>telling him that this is not the actual test. Natalia

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<v Speaker 1>cheating is cheating? Come on, you know the answers just

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<v Speaker 1>think you guys. Come on, I do want kids. I'm

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<v Speaker 1>just not ready yet. Besides, are you really ready to

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<v Speaker 1>be called away? Absolutely not? Now? What are you two

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<v Speaker 1>laughing about? Going off your business? By the way, jorg

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<v Speaker 1>At the PR firm. We'll be working with Natalia. Oh yeah,

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<v Speaker 1>he'll be good for her. He'll be at the party today.

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<v Speaker 1>Marco's wanted Natalia to come so that she could meet

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<v Speaker 1>some of the team in La Adelita. Where's the party?

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<v Speaker 1>It's at the Soho warehouse in downtown La Marco said.

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<v Speaker 1>It used to be a recording studio. Cool. There was

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<v Speaker 1>a ton of people at the listening party, but I

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<v Speaker 1>didn't know most of them. Even though the party was

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<v Speaker 1>for me and my new single. It made me feel

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<v Speaker 1>out of place. Then Rodrigo kept avoiding me, and my

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<v Speaker 1>mom was making the rounds with Natalia. So I was

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<v Speaker 1>relieved when Marcos arrived and he came and stood next

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<v Speaker 1>to me. Hi, Marcos, what, sorry, I'm late. I got

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<v Speaker 1>stuck in traffic. This is going to be a hit,

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<v Speaker 1>and I invite a lot of people tonight who can

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<v Speaker 1>make it happen. I don't recognize anybody here except some

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<v Speaker 1>i AG artists. Right, of course, this is a homely

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<v Speaker 1>team we got on this. I'll make sure you meet everyone. Okay,

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<v Speaker 1>but over there those are all i AG execs, theme marketing, publicity,

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<v Speaker 1>A and R folks across from them, as some of

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<v Speaker 1>the biggest music influencers okay, and sitting on the couches

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<v Speaker 1>or a few music journalists and oh oh look look

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<v Speaker 1>look who made it. Wisdom. Wisdom. He's supposed to be

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<v Speaker 1>in Africa. He told me not to say anything in

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<v Speaker 1>case he couldn't fly out. Let me go say hello,

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<v Speaker 1>you're right back? Okay, okay, Oh god, I better go Findrigo. Rodrigo,

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<v Speaker 1>what the hell is Wisdom doing here? I don't know.

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<v Speaker 1>What do you mean you don't know? Isn't this your

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<v Speaker 1>guest list? I had nothing to do with most of

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<v Speaker 1>the people who are here, and I didn't invite Wisdom,

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<v Speaker 1>I promise, And here he comes. Great. Hey, guys, look

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<v Speaker 1>I don't want to make a scene. Marcos just asked

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<v Speaker 1>me to come over here and say hi. So let's

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<v Speaker 1>just be cool. I why are you even here, honestly

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<v Speaker 1>because I didn't think you would be. Oh oh, there's

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<v Speaker 1>something change between you two while I was gone, wist.

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<v Speaker 1>No one knows about our separation, not even my mother.

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<v Speaker 1>Remember that's why he's here. Yeah, well, have fun pretending

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<v Speaker 1>I'm about Ah, that was fun. I'm getting a drink.

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<v Speaker 1>Look you've got to hit folks. Thank you, Oh, thank

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<v Speaker 1>you so much, Thank you, thank you so much. I'm

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<v Speaker 1>so glad you liked it. Oh yeah, yeah, I'm really

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<v Speaker 1>happy with it. Thank you. So this is what you

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<v Speaker 1>meant by a new sound. Okay, I get it. I think, Oh,

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<v Speaker 1>thank you. I'm gonna go get some food. Do you

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<v Speaker 1>want me to bring anything? I'm good, thanks, m Letty

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<v Speaker 1>see that is me. Hey, mom, I was wondering where

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<v Speaker 1>he went. Do you like it? You can be honest,

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<v Speaker 1>I not hear. There's too many people around. Come, let's

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<v Speaker 1>go sit over there. Michael's broked off an area for us. Great.

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<v Speaker 1>So I guess you hate it because you usually have

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<v Speaker 1>a lot to say. Hey, this is too strong of

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<v Speaker 1>a word. I think the song is overly produced and generic,

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<v Speaker 1>the kind of song that you could insert any other

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<v Speaker 1>voice and it would not make a difference. I see,

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<v Speaker 1>but what do I know about pop music? Prodrico kipa

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<v Speaker 1>Delta Company. I need to go and check on Nataia.

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<v Speaker 1>I'm sorry about earlier. Truly. He's gone now. So what

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<v Speaker 1>do we do about tonight? Michael's booked us a room here.

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<v Speaker 1>I think we'll survive in the same room for one night.

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<v Speaker 1>Hi and Woman drama as a dad, actor, producer, and activist.

0:08:13.960 --> 0:08:16.560
<v Speaker 1>My schedule fills up fast, and as we all know,

0:08:16.680 --> 0:08:20.040
<v Speaker 1>life can be unpredictable. That's why good help is always welcome,

0:08:20.120 --> 0:08:22.800
<v Speaker 1>like when your friend offers you those important words of

0:08:22.840 --> 0:08:26.080
<v Speaker 1>advice or when your mom makes your favorite food, just

0:08:26.200 --> 0:08:29.520
<v Speaker 1>because it's holding act of kindness and support. That's why

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<v Speaker 1>State Farm is their twenty four seven with great support

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<v Speaker 1>and your insurance needs. Stay Farm is also a big

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<v Speaker 1>our Latino creators and storytellers come on when Visino is

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<v Speaker 1>Stay Farms and as a punto State Farm, punto com

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<v Speaker 1>Wherever you listen to your podcasts, you've heard the phrase

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<v Speaker 1>well behaved women rarely make history, especially in the sports world.

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<v Speaker 1>Michelob Ultra and Michael Dura are proud to spotlight female

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<v Speaker 1>making history her way. Did you know Alexa Grosso has

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<v Speaker 1>I think that's so incredible, Imagena Ruyo, to see a

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<v Speaker 1>As someone who also works in a male dominated industry,

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<v Speaker 1>I know how hard it can be to break through,

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<v Speaker 1>and I'm so proud to see a fellow Latina get

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<v Speaker 1>her flowers. This isn't just a win for Alexa. This

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<v Speaker 1>women everywhere. So here's a toast to the fierce women

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<v Speaker 1>doing what they love, becoming living legends in the sports

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<v Speaker 1>world in the process, and making her story. Because it's

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<v Speaker 1>only worth it if you enjoy it. Michaelob Ultra, please

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<v Speaker 1>enjoy responsibly. We've all heard eating an apple a day,

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<v Speaker 1>we'll help you keep the doctor away. Oh no, how

0:10:06.440 --> 0:10:10.040
<v Speaker 1>many times have we heard these so called truths Ola

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<v Speaker 1>so Rosa in Sanchez from the He said a podcast,

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<v Speaker 1>And just like Hondai, I'm here to speak the truth.

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<v Speaker 1>Quentos comosque quentos, like electric cars been kind of boring,

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<v Speaker 1>take a long time to charge their own reliable no

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<v Speaker 1>no no. With the one of a kind design, the

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<v Speaker 1>all tales? When it comes to the bunking myths, hand

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<v Speaker 1>is thinking of every mile, Handa, it's your journey. Proud

0:10:48.520 --> 0:10:58.000
<v Speaker 1>partner of Michael Tura Podcast Network. Oh good, couch as

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<v Speaker 1>you wish. Oh sorry, sorry, I'll get out of your way.

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<v Speaker 1>Oh did you want to use the bathroom? No? I

0:11:09.520 --> 0:11:11.199
<v Speaker 1>was going to take a shower, so if you need

0:11:11.200 --> 0:11:14.280
<v Speaker 1>to use it. No, No, I can wait. You act

0:11:14.440 --> 0:11:18.120
<v Speaker 1>as if I've never paid while you were taking a shower, Adelita.

0:11:18.320 --> 0:11:21.640
<v Speaker 1>I'm just trying to set some boundary. So, like I said,

0:11:22.520 --> 0:11:34.559
<v Speaker 1>you first, and like I said, I can wait. Fine, Hey,

0:11:35.520 --> 0:11:38.280
<v Speaker 1>I don't know what's wrong with me. You were being

0:11:38.320 --> 0:11:40.640
<v Speaker 1>a gentleman and I was being a brat. I don't

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<v Speaker 1>worry about it. I hope I didn't take too long,

0:11:43.679 --> 0:11:48.320
<v Speaker 1>long enough that I forgot I had to pee. All right? Well,

0:11:49.280 --> 0:11:54.240
<v Speaker 1>good night? Wait? Are you really not going to say

0:11:54.280 --> 0:11:57.199
<v Speaker 1>anything about the new single? I mean, I know things

0:11:57.200 --> 0:11:59.160
<v Speaker 1>that the party were awkward, but it's just me and

0:11:59.200 --> 0:12:04.679
<v Speaker 1>you now, and I still respect your opinion. I'm sorry

0:12:04.840 --> 0:12:07.120
<v Speaker 1>it should do well, especially with a kick Guests video.

0:12:07.280 --> 0:12:10.800
<v Speaker 1>I'm assuming i AG is putting out a video, right, Yeah,

0:12:10.960 --> 0:12:13.679
<v Speaker 1>I'm actually staying in La all week to shoot it. Well.

0:12:13.720 --> 0:12:17.200
<v Speaker 1>Then the video will help, not the glowing review I

0:12:17.240 --> 0:12:19.240
<v Speaker 1>hoped for. I mean, I can tell you what you

0:12:19.240 --> 0:12:22.520
<v Speaker 1>want to hear. No, I don't want that. It's it's

0:12:22.559 --> 0:12:24.960
<v Speaker 1>just that we never depended on music videos to make

0:12:24.960 --> 0:12:29.600
<v Speaker 1>my songs better because we didn't have to. Look, I

0:12:29.640 --> 0:12:31.880
<v Speaker 1>think the song is okay, but I don't think it's

0:12:31.880 --> 0:12:33.920
<v Speaker 1>a true reflection of who you are as an artist

0:12:34.280 --> 0:12:36.439
<v Speaker 1>or what you sought out to do with this crossover

0:12:37.120 --> 0:12:41.680
<v Speaker 1>or is it? I don't know, Rodrigo. Everything's been happening

0:12:41.720 --> 0:12:45.120
<v Speaker 1>so fast and I'm just I'm trying to keep up. Okay, Look,

0:12:45.840 --> 0:12:48.160
<v Speaker 1>this is your first pop single, so the audience will

0:12:48.160 --> 0:12:49.880
<v Speaker 1>forgive a lot if they can dance to it, which

0:12:49.880 --> 0:12:54.040
<v Speaker 1>they will. But if you really want my advice, stop rushing.

0:12:54.679 --> 0:12:57.640
<v Speaker 1>Take the time to find and create the right sound

0:12:57.720 --> 0:13:01.680
<v Speaker 1>for you. You're the most talent anted artist I know ADLA,

0:13:02.360 --> 0:13:07.080
<v Speaker 1>and talent usually wins out. Thanks for the honesty and

0:13:07.240 --> 0:13:11.960
<v Speaker 1>the compliment. I appreciate it. Are you hungry because I'm starving?

0:13:12.120 --> 0:13:14.040
<v Speaker 1>I don't have anything to eat at the party, Yeah,

0:13:14.040 --> 0:13:19.440
<v Speaker 1>I could eat cool. I'll call room service the usual, Yeah, yeah,

0:13:19.520 --> 0:13:40.880
<v Speaker 1>why not, Rodrigo. Rodrigo and I talked over waffles and

0:13:40.920 --> 0:13:43.840
<v Speaker 1>bacon most of the night, our favorite thing to eat

0:13:43.880 --> 0:13:47.080
<v Speaker 1>after a show. But by the time I got up,

0:13:47.120 --> 0:13:49.959
<v Speaker 1>he was gone. All that was left on the couch

0:13:50.040 --> 0:13:54.440
<v Speaker 1>were the sheets and a blanket, nicely folded. I missed

0:13:54.520 --> 0:14:08.000
<v Speaker 1>him already. If you're enjoying Adelita Changing the Key, please subscribe, rate,

0:14:08.160 --> 0:14:11.920
<v Speaker 1>and review our show wherever you're listening. Adelita Changing the

0:14:12.000 --> 0:14:15.520
<v Speaker 1>Key is a production of Sonoro in partnership with Ihearts

0:14:15.559 --> 0:14:19.840
<v Speaker 1>Michael Tura Network. Created and written by li Jia Vijalobos.

0:14:20.360 --> 0:14:25.120
<v Speaker 1>Produced by Luisa Duardo Castillo, Guerrinza Chaires and Bettina Lopez Mendoza,

0:14:25.720 --> 0:14:31.160
<v Speaker 1>directed by Javier Perrazza, Developed by Jasmine Romero, Bettina Lopez

0:14:31.360 --> 0:14:35.640
<v Speaker 1>and Christian Hatar. Executive produced by Gisel Banzes and conal

0:14:35.720 --> 0:14:40.120
<v Speaker 1>Byrne for iHeart and Camilla Victoriano and Josia Weinstein for Sonoro.

0:14:40.680 --> 0:14:45.720
<v Speaker 1>Executive produced by Dayangerero and li Jiavianoos. This episode written

0:14:45.720 --> 0:14:50.000
<v Speaker 1>by li Javijalobos with help from Daniela Sarkis, Bettina Lopez,

0:14:50.240 --> 0:14:55.240
<v Speaker 1>Rodrigo Bravo, Moniza, Hinrich Bariana Martinez Gomez and ed Garriesteva.

0:14:55.800 --> 0:15:01.040
<v Speaker 1>Performances in this episode by Diangerero, Eli Hernandez, Jesi Garcia,

0:15:01.280 --> 0:15:06.600
<v Speaker 1>An Artist, Benignierez and lamar Qui Chasten. Recording and engineering

0:15:06.680 --> 0:15:10.920
<v Speaker 1>by Andres Bayena and Emiliano Quintana, with sound designed by

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<v Speaker 1>Andres Bayena, Armando Uno, Lunirien, Emiliano Quintana and Cassandra Tinajero.

0:15:18.200 --> 0:15:22.600
<v Speaker 1>Additional editing by Daniel Padilla, Fernando Calaviz and Manuel Pare.

0:15:22.960 --> 0:15:27.560
<v Speaker 1>Casting and coordination by Rli Day, Mike Paige, Christina Blevins,

0:15:27.840 --> 0:15:34.040
<v Speaker 1>Andres Chaidis, Alexandra Gonzalez, Querenza Chilis, Christian Catar and Nick Milanez.

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<v Speaker 1>Original songs by Laura Cruz, Ector Fernandez, Sean Metta, Miranda

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<v Speaker 1>Johnson and plays Adam. Music director Kamara Kamban as a

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