WEBVTT - Daredevil: Born Again Season 1 Finale

0:00:00.240 --> 0:00:06.040
<v Speaker 1>Worrying. Today's episode contains spoilers for the season finally of Daredevil,

0:00:06.200 --> 0:00:26.319
<v Speaker 1>Born Again Dward. Hello my name, it's Jason Gepsion, and

0:00:26.400 --> 0:00:28.120
<v Speaker 1>welcome back to x Ray Vision of the podcast where

0:00:28.120 --> 0:00:31.720
<v Speaker 1>we dive deep into your favorite shows, movies, comics of

0:00:31.760 --> 0:00:34.320
<v Speaker 1>pop culture, Company from My Heart podcast, where we're bringing

0:00:34.320 --> 0:00:37.360
<v Speaker 1>you three massive episodes of week listeners.

0:00:37.400 --> 0:00:40.680
<v Speaker 2>In today's episode, Well we've made it here, guys.

0:00:41.320 --> 0:00:46.760
<v Speaker 3>It's been years of drama reshoots, recasting, killing people, bringing

0:00:46.800 --> 0:00:47.200
<v Speaker 3>them back.

0:00:47.320 --> 0:00:48.000
<v Speaker 2>What's going on?

0:00:48.080 --> 0:00:52.319
<v Speaker 3>Well, it's the Daredevil finale, and my, oh.

0:00:52.360 --> 0:00:54.840
<v Speaker 2>My, it's gonna be an interesting conversation because.

0:00:54.640 --> 0:00:56.760
<v Speaker 3>This is a divisive one, not just in the discord,

0:00:56.800 --> 0:01:02.120
<v Speaker 3>but also in the production team.

0:01:02.360 --> 0:01:06.759
<v Speaker 1>Let's get into it. First, we open one year ago flashback.

0:01:06.840 --> 0:01:11.119
<v Speaker 1>Vanessa goes to visit Dex in the mental War. Des

0:01:11.200 --> 0:01:12.920
<v Speaker 1>is heavily drugged.

0:01:13.280 --> 0:01:14.919
<v Speaker 2>Guys, can we give this matter break?

0:01:15.360 --> 0:01:18.280
<v Speaker 1>I never thought I never thought I'd feel bad for Dex.

0:01:18.400 --> 0:01:20.640
<v Speaker 1>But this is definitely a scene where you're like, God,

0:01:20.680 --> 0:01:24.920
<v Speaker 1>this guy's, this horrific serial killer is getting exploited by

0:01:25.000 --> 0:01:26.720
<v Speaker 1>this by Vanessa Viz.

0:01:26.920 --> 0:01:30.080
<v Speaker 3>He's like, He's like, please, I don't want to fucking

0:01:30.160 --> 0:01:30.720
<v Speaker 3>kill anyone.

0:01:30.720 --> 0:01:32.640
<v Speaker 2>I just want to stay in jail, like, I don't

0:01:32.640 --> 0:01:35.440
<v Speaker 2>want to do it. I don't want to Yeah, I

0:01:35.440 --> 0:01:36.600
<v Speaker 2>don't want to do it anymore.

0:01:36.600 --> 0:01:39.160
<v Speaker 1>And she's like, well, sorry, I've got your release. So

0:01:39.200 --> 0:01:43.320
<v Speaker 1>she's like, listen, I'm getting your released and in return,

0:01:43.520 --> 0:01:47.240
<v Speaker 1>I need you to kill two people, Ben Kofaro and

0:01:47.280 --> 0:01:52.080
<v Speaker 1>his lawyer Foggy Nelson. They have information about my organization

0:01:52.240 --> 0:01:54.440
<v Speaker 1>that cannot become public, and I need you to kill him.

0:01:54.440 --> 0:01:58.960
<v Speaker 1>And Dex is like, ah, I'm not killing in here.

0:01:59.120 --> 0:02:02.160
<v Speaker 1>I'm getting my medication. I don't want to do it,

0:02:02.240 --> 0:02:04.320
<v Speaker 1>and she's like, no, you gotta fucking do it. You're

0:02:04.320 --> 0:02:04.640
<v Speaker 1>doing it.

0:02:04.720 --> 0:02:06.600
<v Speaker 3>Yeah. I also I like the way that she tries

0:02:06.640 --> 0:02:09.000
<v Speaker 3>to sell it to him, like she's like, I need

0:02:09.040 --> 0:02:10.200
<v Speaker 3>you to kill a thief.

0:02:10.720 --> 0:02:17.400
<v Speaker 2>They're a bad person. You're doing something right. He just

0:02:17.520 --> 0:02:19.560
<v Speaker 2>kills the whole family like chill out.

0:02:19.960 --> 0:02:23.480
<v Speaker 1>He can barely sign his name to the release forms,

0:02:23.560 --> 0:02:27.640
<v Speaker 1>that's how like medicated he is. We flash forward to

0:02:27.680 --> 0:02:30.360
<v Speaker 1>the present. Matt's waking up in the hospital after being shot,

0:02:30.880 --> 0:02:35.680
<v Speaker 1>you know, by Ben Poindexter. The bullet crazy to save

0:02:35.960 --> 0:02:40.440
<v Speaker 1>Willson Fisk's life. For some reason, Heather and Kirsten are there.

0:02:40.520 --> 0:02:43.600
<v Speaker 1>They tell him that Fisk is fine, and Matt is

0:02:43.639 --> 0:02:48.240
<v Speaker 1>immediately like the foggy case, what's going on? Like that?

0:02:48.240 --> 0:02:51.760
<v Speaker 1>That's why, that's what's going on. I need to find

0:02:51.800 --> 0:02:54.040
<v Speaker 1>what are the documenting? Are there any documents looked over

0:02:54.040 --> 0:02:55.600
<v Speaker 1>from that case? Like what do we know about that case?

0:02:56.120 --> 0:03:00.920
<v Speaker 1>Fisk and Vinessa at home, still in their bloodstained getting

0:03:01.400 --> 0:03:07.880
<v Speaker 1>real horny and like they are these two are freaks.

0:03:08.240 --> 0:03:11.280
<v Speaker 1>I will say that, like they're horrendous people. But it's

0:03:12.160 --> 0:03:15.840
<v Speaker 1>it's it is. There's something like touching about two people

0:03:15.880 --> 0:03:19.119
<v Speaker 1>who find their person and certainly they are for each other.

0:03:19.480 --> 0:03:22.359
<v Speaker 3>Oh, it's very it's very match my is somebody gonna

0:03:22.360 --> 0:03:25.040
<v Speaker 3>match my freak? These twos freaks match, They love each other.

0:03:25.600 --> 0:03:28.600
<v Speaker 3>They love a little horny like are you gonna assassinate me?

0:03:28.680 --> 0:03:30.919
<v Speaker 2>Type situation? You know, but what can we say?

0:03:31.880 --> 0:03:34.800
<v Speaker 1>Yeah, you're gonna how are you gonna try and kill me? Today?

0:03:35.560 --> 0:03:39.080
<v Speaker 1>And so then Fisk basically says, in not so many

0:03:39.080 --> 0:03:42.160
<v Speaker 1>words that he knows that Vanessa I pulls I to

0:03:42.200 --> 0:03:45.320
<v Speaker 1>try and kill him, and honestly you can tell like

0:03:45.440 --> 0:03:48.000
<v Speaker 1>he it turns him on a little bit. And then

0:03:48.040 --> 0:03:51.640
<v Speaker 1>he tells Vanessa, you know here's here's what's up this

0:03:51.800 --> 0:03:55.400
<v Speaker 1>port deal. It's gonna be we were stealing millions before.

0:03:55.680 --> 0:03:59.800
<v Speaker 1>Now we're gonna be stealing billions through the billion billions billions.

0:04:00.120 --> 0:04:01.200
<v Speaker 1>We made the big time.

0:04:01.280 --> 0:04:01.640
<v Speaker 2>Baby.

0:04:02.320 --> 0:04:05.800
<v Speaker 1>Matt, then in the hospital, explains his Foggy theory to

0:04:05.920 --> 0:04:09.320
<v Speaker 1>Kirsten with the you know m you know mc alviani's

0:04:09.920 --> 0:04:12.320
<v Speaker 1>and the whiskey, and he was drinking it to celebrate

0:04:12.320 --> 0:04:14.720
<v Speaker 1>the whole thing. She said, well, Foggy was going to

0:04:14.760 --> 0:04:17.000
<v Speaker 1>file emotion to dismiss. And he's like, where's the motion,

0:04:17.080 --> 0:04:21.599
<v Speaker 1>where's the documents? Where are they? And Heather and Kirsten

0:04:21.640 --> 0:04:25.920
<v Speaker 1>are like, Matt, you've just been you've just been shot.

0:04:26.200 --> 0:04:29.240
<v Speaker 1>Could you go to bed? Fleas.

0:04:29.279 --> 0:04:32.360
<v Speaker 3>My favorite part is like Heather is like so stressed

0:04:32.400 --> 0:04:35.400
<v Speaker 3>at this point, she's in bed and the room massive bed,

0:04:35.440 --> 0:04:38.320
<v Speaker 3>and she's like He's like, you know, fis She's like,

0:04:38.360 --> 0:04:39.440
<v Speaker 3>why did you Guys Like.

0:04:40.920 --> 0:04:42.560
<v Speaker 1>Yeah, you get you're.

0:04:42.440 --> 0:04:44.560
<v Speaker 3>Telling me he saved him so he could be the

0:04:44.560 --> 0:04:47.720
<v Speaker 3>one to catch him. He's such a little batman.

0:04:48.400 --> 0:04:52.520
<v Speaker 1>Same night, later the same night, everybody feel in their

0:04:52.640 --> 0:04:56.000
<v Speaker 1>ballroom attire, and Fist calls a meeting of his whole

0:04:56.040 --> 0:05:01.560
<v Speaker 1>political team. He is feeling in it. He is like

0:05:01.880 --> 0:05:06.359
<v Speaker 1>in a flow stealing. He is like dirty cops, no

0:05:06.480 --> 0:05:09.400
<v Speaker 1>more warrants, no more body cams, kill anybody you want

0:05:09.400 --> 0:05:11.799
<v Speaker 1>on the snoot, We're doing no due process.

0:05:11.839 --> 0:05:13.240
<v Speaker 2>We're rich seizing.

0:05:15.640 --> 0:05:22.599
<v Speaker 1>It's something. It is really something when a comic book

0:05:22.720 --> 0:05:26.360
<v Speaker 1>villain is written in such a way to seem insanely

0:05:26.839 --> 0:05:29.000
<v Speaker 1>power mad, and then all of a sudden the real

0:05:29.040 --> 0:05:32.039
<v Speaker 1>world rises to meet that standard.

0:05:32.800 --> 0:05:34.640
<v Speaker 3>I think, you know, we were talking about this in

0:05:34.680 --> 0:05:37.520
<v Speaker 3>regards to the Pit and how it's even that show

0:05:37.600 --> 0:05:40.119
<v Speaker 3>is really a response to COVID, but it still feels

0:05:40.160 --> 0:05:42.400
<v Speaker 3>relevant because a lot of people still have COVID and

0:05:42.440 --> 0:05:46.760
<v Speaker 3>there's still bad, you know, bad business in the medical industry.

0:05:46.920 --> 0:05:48.880
<v Speaker 3>And Noah Wyley's mom was a nurse, so she was

0:05:48.920 --> 0:05:50.719
<v Speaker 3>calling him every time he watched she watched dr and

0:05:50.760 --> 0:05:52.440
<v Speaker 3>being like this is wrong, so make it right. In

0:05:52.440 --> 0:05:55.160
<v Speaker 3>the Pit and in this show, this show that has

0:05:55.200 --> 0:05:58.800
<v Speaker 3>been in production for like four years, they did something

0:05:58.800 --> 0:06:01.120
<v Speaker 3>where they told what I'm sure they.

0:06:01.000 --> 0:06:02.560
<v Speaker 2>Felt it was so crazy.

0:06:03.520 --> 0:06:06.599
<v Speaker 3>Yeah, crazy, But now you're watching it and you're like, Jesus,

0:06:06.640 --> 0:06:08.960
<v Speaker 3>I know. Eric Adams just could wish that he was

0:06:09.000 --> 0:06:12.080
<v Speaker 3>acting like Maphisk, like in public, like you know what's happening.

0:06:11.880 --> 0:06:15.599
<v Speaker 1>So nobody cams no due process. Fisk is like, I

0:06:15.680 --> 0:06:22.600
<v Speaker 1>want the city sealed, cut the bridges, uh, martial law everywhere. Afterwards,

0:06:22.680 --> 0:06:28.160
<v Speaker 1>Buck is like, hey, some bad news, Boss Murroc is

0:06:28.200 --> 0:06:30.160
<v Speaker 1>gonna live, and Fisk is like, well, wouldn't it be

0:06:30.240 --> 0:06:33.120
<v Speaker 1>great if he didn't? What a better story that would

0:06:33.160 --> 0:06:38.960
<v Speaker 1>have been killed Matt Murdoch, like a rabble rousing lawyer

0:06:39.160 --> 0:06:43.760
<v Speaker 1>for the dispossessed and the powerless killed by a masked vigilante.

0:06:43.839 --> 0:06:44.679
<v Speaker 1>Let's make it happen.

0:06:44.680 --> 0:06:48.080
<v Speaker 3>Buck, He's like, He's also like come on, man, like

0:06:48.520 --> 0:06:51.240
<v Speaker 3>just think about it. Isn't a dead hero better than

0:06:51.240 --> 0:06:52.600
<v Speaker 3>alive vigilante?

0:06:52.600 --> 0:06:54.800
<v Speaker 2>And I was like, man, that's a fucking good line.

0:06:54.920 --> 0:06:55.480
<v Speaker 2>Like wow.

0:06:55.680 --> 0:06:58.400
<v Speaker 1>Fisk then orders Sheila to snitch on the rest of

0:06:58.440 --> 0:07:01.400
<v Speaker 1>the staff, and Sheila, I have to say, is has

0:07:01.480 --> 0:07:05.160
<v Speaker 1>acted this entire series as if everything she's asked to

0:07:05.160 --> 0:07:07.760
<v Speaker 1>do is like the worst thing, and she's just struggling

0:07:07.839 --> 0:07:10.280
<v Speaker 1>with it so hard, and yet every time she folds.

0:07:10.000 --> 0:07:12.400
<v Speaker 3>And does it yeah, which I find is a very

0:07:12.480 --> 0:07:16.240
<v Speaker 3>interesting position because she's basically like, I'm beat than this.

0:07:16.360 --> 0:07:18.559
<v Speaker 2>I would never do that, and then immediately goes and doesn't.

0:07:18.680 --> 0:07:21.640
<v Speaker 3>Yeah, so I think she is a realistic representation kind

0:07:21.640 --> 0:07:24.520
<v Speaker 3>of that white Lotus conversation we were having, like absolute

0:07:24.520 --> 0:07:27.920
<v Speaker 3>power corrupts absolutely, Like Sheila is gonna sell these people

0:07:27.920 --> 0:07:29.239
<v Speaker 3>out to save her own skin.

0:07:30.680 --> 0:07:34.400
<v Speaker 1>So you know she's she's been told like, Okay, tell

0:07:34.400 --> 0:07:36.440
<v Speaker 1>me who's not loyal in my organization and give me

0:07:36.480 --> 0:07:38.800
<v Speaker 1>the names. Shila doesn't love it. Clearly you can tell

0:07:38.800 --> 0:07:41.320
<v Speaker 1>by her face she doesn't love it. She leaves the office.

0:07:41.760 --> 0:07:43.920
<v Speaker 1>Chief Gallo comes to her and is like, this is

0:07:43.960 --> 0:07:46.560
<v Speaker 1>fucked up. This is crazy. We need to do something.

0:07:46.600 --> 0:07:49.080
<v Speaker 1>You and I need to do something. I'm going to

0:07:49.160 --> 0:07:52.920
<v Speaker 1>Albany and I'm gonna I can't call Albany. I have

0:07:53.000 --> 0:07:57.160
<v Speaker 1>to go there personally and tell the governor and the

0:07:57.160 --> 0:08:00.600
<v Speaker 1>state government in person that is planning to do on this.

0:08:00.720 --> 0:08:03.200
<v Speaker 1>There's no way I could like call anybody else or

0:08:03.240 --> 0:08:06.280
<v Speaker 1>send an email or text or call the New York

0:08:06.320 --> 0:08:08.680
<v Speaker 1>Times or anything. I have to I have to go

0:08:08.760 --> 0:08:09.920
<v Speaker 1>tomorrow in person.

0:08:10.480 --> 0:08:13.160
<v Speaker 2>So is like, don't go.

0:08:13.520 --> 0:08:16.760
<v Speaker 1>Not great. It's yeah, the Capitol district, that's not great,

0:08:16.760 --> 0:08:20.160
<v Speaker 1>but listen, not great. No shots to Albany. Uh.

0:08:22.440 --> 0:08:22.680
<v Speaker 2>I have.

0:08:24.360 --> 0:08:26.680
<v Speaker 3>I at some delicious pet's are in Albany. But I

0:08:26.720 --> 0:08:29.280
<v Speaker 3>do feel like it's weird all the way to Albany.

0:08:29.800 --> 0:08:31.880
<v Speaker 1>He could have picked up a phone, but anyway, and

0:08:31.920 --> 0:08:34.600
<v Speaker 1>She'll was like, I got your back. I'm gonna back

0:08:34.679 --> 0:08:40.600
<v Speaker 1>you up. Uh Matt is you know it's been four

0:08:40.640 --> 0:08:43.680
<v Speaker 1>hours since he was shot and he's lying in his

0:08:43.720 --> 0:08:48.280
<v Speaker 1>hospital bed and power goes off across the whole city.

0:08:48.960 --> 0:08:53.120
<v Speaker 1>And while that's happening, Matt hears through all the tumult

0:08:53.160 --> 0:08:56.839
<v Speaker 1>and the craziness. He hears Buck Cashman entered the hospital like.

0:08:58.679 --> 0:09:01.560
<v Speaker 3>Was it because they were playing killing me softly slowly

0:09:01.640 --> 0:09:04.240
<v Speaker 3>over his and friends with Joel was not a fan.

0:09:04.160 --> 0:09:05.160
<v Speaker 2>Of and we'll talk about like that.

0:09:05.360 --> 0:09:08.000
<v Speaker 1>We'll talk about that. And so Matt is like, uh, oh,

0:09:08.080 --> 0:09:10.320
<v Speaker 1>Buck Cashman's here kill me. I could hear him. I

0:09:10.320 --> 0:09:11.960
<v Speaker 1>can smell him. I know he's in the building. He

0:09:12.000 --> 0:09:14.960
<v Speaker 1>sneaks away, he sneaks home to his apartment and guess

0:09:15.000 --> 0:09:20.199
<v Speaker 1>who's at his apartment. Frank Castle is broken. He was

0:09:20.320 --> 0:09:24.800
<v Speaker 1>coming back and they argue, and they bicker back and forth,

0:09:24.800 --> 0:09:28.040
<v Speaker 1>as they often do. Is like, well, you know, what's

0:09:28.080 --> 0:09:33.440
<v Speaker 1>what's going on? Matt? And he says, listen, I'm here

0:09:33.480 --> 0:09:35.120
<v Speaker 1>to help you. I don't want to help you. I

0:09:35.120 --> 0:09:37.240
<v Speaker 1>don't like the way you do business. But you know what,

0:09:37.400 --> 0:09:41.319
<v Speaker 1>Matt Murdoch, someone, some secret someone gave me a call

0:09:41.360 --> 0:09:43.839
<v Speaker 1>and made me promise to help him. Reed to do it.

0:09:44.320 --> 0:09:46.960
<v Speaker 1>Who is this person? Will find out soon. Frank then

0:09:47.000 --> 0:09:52.760
<v Speaker 1>tell yeah, I wonder. Frank then tells Matt, listen, when

0:09:52.800 --> 0:09:56.640
<v Speaker 1>the bad guys the Task Force get here and Buck

0:09:56.720 --> 0:09:59.600
<v Speaker 1>Cashman maybe and whoever the Fiscus sending to kill you,

0:09:59.760 --> 0:10:02.800
<v Speaker 1>I going to kill them, okay, And I don't want

0:10:02.880 --> 0:10:05.000
<v Speaker 1>you to have it, just so, just so you know,

0:10:05.120 --> 0:10:08.280
<v Speaker 1>don't have a problem with it. Okay, By the way,

0:10:08.400 --> 0:10:10.360
<v Speaker 1>why did you take a bullet for Fisk? And Man

0:10:10.480 --> 0:10:11.440
<v Speaker 1>is like, I don't even know.

0:10:12.240 --> 0:10:13.880
<v Speaker 2>He's like at this point, I don't find know.

0:10:14.080 --> 0:10:17.800
<v Speaker 3>Like I think did I think he did it because

0:10:17.800 --> 0:10:20.960
<v Speaker 3>he's just completely out of it, like obviously.

0:10:20.960 --> 0:10:24.560
<v Speaker 2>But also like he he killed Fisk.

0:10:24.640 --> 0:10:26.880
<v Speaker 3>And I do think this is a very interesting part

0:10:26.960 --> 0:10:29.960
<v Speaker 3>of how they explore Matt here. I think somewhere inside

0:10:30.040 --> 0:10:32.440
<v Speaker 3>him he just killed him because it's like, that's that's

0:10:32.440 --> 0:10:32.840
<v Speaker 3>my job.

0:10:32.880 --> 0:10:33.440
<v Speaker 2>I'm dead devil.

0:10:33.520 --> 0:10:35.800
<v Speaker 3>I take a bullet if somebody's getting shot, like and

0:10:35.840 --> 0:10:37.960
<v Speaker 3>I think it was almost like a muscle memory, but

0:10:38.040 --> 0:10:41.760
<v Speaker 3>also because he can't exist without Wilson Fisk. Dead devil

0:10:41.800 --> 0:10:44.800
<v Speaker 3>didn't exist when Fisk went straight, Yeah, devolhood was off

0:10:44.800 --> 0:10:47.560
<v Speaker 3>the streets, you know. So he needs him alive to

0:10:47.960 --> 0:10:49.920
<v Speaker 3>justify what he is doing.

0:10:50.000 --> 0:10:53.720
<v Speaker 1>I think he wants more than anything to expose Wilson

0:10:53.800 --> 0:10:57.040
<v Speaker 1>Fisk in the eyes of the public, in the court

0:10:57.080 --> 0:11:01.199
<v Speaker 1>of law, shine daylight on his operations, everybody look look

0:11:01.240 --> 0:11:04.440
<v Speaker 1>at this guy, and not have him be killed and

0:11:04.480 --> 0:11:07.080
<v Speaker 1>become like a martyr figure that other people were going

0:11:07.120 --> 0:11:09.960
<v Speaker 1>to follow. I think that's what Mad is going for.

0:11:11.080 --> 0:11:15.160
<v Speaker 1>So the task force arrives and it's a it's a

0:11:15.240 --> 0:11:20.160
<v Speaker 1>it's a huge fight with Frank murder maybe cops left

0:11:20.160 --> 0:11:21.440
<v Speaker 1>and right and left and right.

0:11:21.880 --> 0:11:24.680
<v Speaker 2>If I got punishing logo on the chest, he's gotten him.

0:11:24.600 --> 0:11:27.240
<v Speaker 1>With a guttnam. He's shooting him in the head. He's

0:11:27.320 --> 0:11:29.280
<v Speaker 1>blowing them away with his shotgun.

0:11:29.960 --> 0:11:30.280
<v Speaker 2>Frank.

0:11:30.760 --> 0:11:34.559
<v Speaker 1>Matt is like, Frank, stop it, stop it, and Frank

0:11:34.679 --> 0:11:35.320
<v Speaker 1>is just like no.

0:11:38.720 --> 0:11:39.560
<v Speaker 2>Matt says that.

0:11:39.600 --> 0:11:41.480
<v Speaker 3>But then he's also like hitting people in the head

0:11:41.480 --> 0:11:45.280
<v Speaker 3>with Billy cops, like definitely causing some traumatic brain injuries.

0:11:46.720 --> 0:11:49.600
<v Speaker 1>More on that in a bit, because Okay, so the

0:11:49.600 --> 0:11:54.200
<v Speaker 1>fight is over. They've they've killed like a dozen Task

0:11:54.280 --> 0:11:59.800
<v Speaker 1>Force guys and you know, incapacitated, maybe half a dozen

0:12:00.120 --> 0:12:05.600
<v Speaker 1>eight more. Matt uses one of the Punisher inscribed bullet

0:12:05.600 --> 0:12:08.360
<v Speaker 1>casings to id the copy killed Hector, and Mac gets

0:12:08.360 --> 0:12:13.640
<v Speaker 1>really mad and he hits him full force in the

0:12:13.800 --> 0:12:18.079
<v Speaker 1>hand with the Bully Club Billy Club like full American

0:12:18.160 --> 0:12:22.520
<v Speaker 1>history xx curb stump. Yeah, level of molosity. This guy

0:12:22.679 --> 0:12:23.880
<v Speaker 1>is fucking dead.

0:12:24.640 --> 0:12:26.800
<v Speaker 2>Yeah, he's definitely dead or in a coma.

0:12:26.960 --> 0:12:30.079
<v Speaker 3>And also as well, like I think that something that

0:12:30.240 --> 0:12:38.160
<v Speaker 3>was very enticing to me is that this is the

0:12:38.200 --> 0:12:43.160
<v Speaker 3>hardest we have ever seen any Punisher story kind of

0:12:43.280 --> 0:12:45.199
<v Speaker 3>deal with the real.

0:12:45.080 --> 0:12:48.360
<v Speaker 1>Life comics anywhere, not even in the comics.

0:12:49.840 --> 0:12:52.360
<v Speaker 3>No, in the comics, it's like the change the logo,

0:12:52.520 --> 0:12:53.880
<v Speaker 3>like we want to re we don't want it to

0:12:53.880 --> 0:12:57.640
<v Speaker 3>be appropriated, blah bah blah. Here Matt, Matt and Frank

0:12:57.760 --> 0:13:00.280
<v Speaker 3>do exactly what Frank would really do if he was

0:13:00.320 --> 0:13:02.480
<v Speaker 3>a real past and which is kill a ton of

0:13:02.480 --> 0:13:05.440
<v Speaker 3>fucking cops because they have taken this thing that means

0:13:05.480 --> 0:13:08.080
<v Speaker 3>something to him. And we get a great little kind

0:13:08.080 --> 0:13:10.160
<v Speaker 3>of teaser of how Frank feels about it in la

0:13:10.200 --> 0:13:10.640
<v Speaker 3>a scene.

0:13:11.000 --> 0:13:15.200
<v Speaker 1>So Frank is like, you know, Matt really wax this

0:13:15.240 --> 0:13:17.600
<v Speaker 1>guy in the head. And there's that like aluminum baseball

0:13:17.600 --> 0:13:24.160
<v Speaker 1>bat sound. The cops slumps. Frank is like, yeah, yeah, Red,

0:13:24.240 --> 0:13:28.920
<v Speaker 1>get him, Red, don't stop now get him and then

0:13:29.520 --> 0:13:33.160
<v Speaker 1>and then Matt's clearly not gonna keep going from I'll

0:13:33.200 --> 0:13:37.880
<v Speaker 1>do it. And then Matt, this is three Stooges level funny.

0:13:38.040 --> 0:13:41.120
<v Speaker 1>I laughed out loud. Matt is like, Frank, don't do

0:13:41.120 --> 0:13:44.360
<v Speaker 1>don't kill We'll just stop killing cops. And Frank is like, oh,

0:13:44.360 --> 0:13:47.080
<v Speaker 1>he'd be like this, Red, he just shoots a different guy.

0:13:47.600 --> 0:13:49.560
<v Speaker 2>Yeah, yeah, yeah, I love it. He goes like this,

0:13:49.640 --> 0:13:53.400
<v Speaker 2>He's like you He's like, he's like, oh, you don't

0:13:53.400 --> 0:13:55.040
<v Speaker 2>you don't want me to shoot this cop? How about that?

0:13:55.400 --> 0:13:59.839
<v Speaker 3>Don't just kill him? And then they are bickering out.

0:14:01.679 --> 0:14:04.240
<v Speaker 3>Now that chemistry is so good.

0:14:06.720 --> 0:14:09.520
<v Speaker 1>Absolutely, it's like get a room, you two. So they're

0:14:09.600 --> 0:14:12.680
<v Speaker 1>just now they're just bickering back and forth, arguing, and

0:14:12.720 --> 0:14:16.120
<v Speaker 1>then Matt's like, wait, hold on, Frank, shut up. There's

0:14:16.160 --> 0:14:18.920
<v Speaker 1>a grenade that's just been thrown in this part of

0:14:18.960 --> 0:14:23.440
<v Speaker 1>somewhere head like you're So they dive out the window

0:14:23.600 --> 0:14:26.560
<v Speaker 1>with incredible Matt clearly, you know, using his Billy club

0:14:26.600 --> 0:14:29.840
<v Speaker 1>winch to to allow them to break their fall, and

0:14:30.000 --> 0:14:36.320
<v Speaker 1>they survive. A car pulls up as as Matt's apartment explodes.

0:14:36.840 --> 0:14:40.360
<v Speaker 1>It's Karen. Karen is the one who called Frank. They

0:14:40.400 --> 0:14:45.280
<v Speaker 1>go back to Frank's apartment or subterranean like dungeon whatever,

0:14:45.320 --> 0:14:48.440
<v Speaker 1>These bumper under an apartment building, and I gotta say

0:14:49.000 --> 0:14:53.680
<v Speaker 1>immediately there's chemistry between Frank and Karen hold On.

0:14:54.680 --> 0:14:58.520
<v Speaker 3>Yeah, so if you remember the Punisher series from Netflix,

0:14:58.640 --> 0:15:00.840
<v Speaker 3>they were definitely trying to establ bish some kind of

0:15:00.800 --> 0:15:04.040
<v Speaker 3>they romantic connection. But I don't know that the chemistry

0:15:04.160 --> 0:15:07.480
<v Speaker 3>was as palpable as just in this tiny scene, like

0:15:07.680 --> 0:15:11.200
<v Speaker 3>really taped up. Karen is the one who called Frank.

0:15:11.400 --> 0:15:14.120
<v Speaker 3>They clearly talk to each other a lot. They know

0:15:14.400 --> 0:15:17.600
<v Speaker 3>how they like each other's coffee. Like this is obviously

0:15:17.640 --> 0:15:20.400
<v Speaker 3>a thing that not just us but Matt consents to.

0:15:20.480 --> 0:15:24.080
<v Speaker 3>And honestly, he's love triangle, you know, mate is how.

0:15:24.080 --> 0:15:27.800
<v Speaker 1>You know Matt is smelling it. He's like hearing the elevator.

0:15:28.960 --> 0:15:31.920
<v Speaker 2>He's such a little creeper, Like, don't do that, Matthew.

0:15:32.000 --> 0:15:32.920
<v Speaker 2>It's weird.

0:15:33.440 --> 0:15:39.280
<v Speaker 1>So yeah, Karen is definitely, like I can save Frank Castle,

0:15:39.400 --> 0:15:41.840
<v Speaker 1>like I can reach him his inner child, Like I

0:15:41.840 --> 0:15:46.080
<v Speaker 1>can save that little boy. Matt then tells Karen, hey,

0:15:46.320 --> 0:15:48.440
<v Speaker 1>Vanessa is the one who killed Foggy. It was about

0:15:48.440 --> 0:15:50.440
<v Speaker 1>the case. What's going on with that case? Where can

0:15:50.480 --> 0:15:53.240
<v Speaker 1>we find the documents? And Karen is like, oh, I

0:15:53.320 --> 0:15:57.200
<v Speaker 1>know where we put all the documents from all you know,

0:15:57.360 --> 0:16:02.800
<v Speaker 1>our former you know, Murdoch and Sing and Matthew should

0:16:02.800 --> 0:16:04.880
<v Speaker 1>have made she like, I know where all of that

0:16:05.040 --> 0:16:07.160
<v Speaker 1>that stuff is archived. Let's go get it.

0:16:07.480 --> 0:16:09.320
<v Speaker 3>And it's because she was just that, she was basically

0:16:09.360 --> 0:16:11.760
<v Speaker 3>just a secretary. So she's like, I know where all

0:16:11.800 --> 0:16:12.720
<v Speaker 3>the important don't keep us off.

0:16:12.840 --> 0:16:15.160
<v Speaker 2>That's the most important job in the lawyer's office. She

0:16:15.240 --> 0:16:16.240
<v Speaker 2>can find that for you.

0:16:16.480 --> 0:16:19.840
<v Speaker 1>And she still can apparently, so she and as she's

0:16:19.920 --> 0:16:22.280
<v Speaker 1>leaving the shares a little moment with Frank where she's like,

0:16:22.320 --> 0:16:24.760
<v Speaker 1>I know, Frank, I know you want to do the

0:16:24.800 --> 0:16:26.640
<v Speaker 1>right thing. Don't at like you don't want to do

0:16:26.680 --> 0:16:28.000
<v Speaker 1>the right thing. You want to be a good guy.

0:16:28.120 --> 0:16:31.160
<v Speaker 1>Don't pretend like this mister tough guy. And Frank's making

0:16:31.240 --> 0:16:35.920
<v Speaker 1>his like fucking instant coffee black with no no cream,

0:16:35.960 --> 0:16:38.760
<v Speaker 1>and he's like just says nothing as she leaves, and

0:16:38.800 --> 0:16:41.440
<v Speaker 1>then he's like to himself, be careful good, which is

0:16:41.520 --> 0:16:45.160
<v Speaker 1>like okay, and that's basically like marry me Karen, like

0:16:45.960 --> 0:16:51.640
<v Speaker 1>for Frank. Basically, then, uh, there's this really this series

0:16:51.800 --> 0:16:55.120
<v Speaker 1>we've talked about it before is so silly in ways

0:16:55.160 --> 0:16:59.800
<v Speaker 1>that I find really entertaining. I thinks like a come

0:17:00.160 --> 0:17:03.960
<v Speaker 1>feels exactly like a collar book. Everything we've just described

0:17:04.200 --> 0:17:07.240
<v Speaker 1>is like silly in that way. And it continues. We

0:17:07.280 --> 0:17:10.760
<v Speaker 1>get a great scene where Daniel and Buck go and

0:17:10.800 --> 0:17:14.640
<v Speaker 1>shake down the city council with you know, young Gandalfini

0:17:14.720 --> 0:17:17.520
<v Speaker 1>basically playing like our version of his dad was like, hey, yeah,

0:17:18.560 --> 0:17:23.160
<v Speaker 1>he just do Yeah, yeah, hey, you're I'm talking about

0:17:23.200 --> 0:17:26.959
<v Speaker 1>the real estate investments in Kip Bay. kIPS Bay fifteen

0:17:27.040 --> 0:17:30.320
<v Speaker 1>million dollars is pretty good, you know, pretty I think

0:17:30.320 --> 0:17:33.000
<v Speaker 1>you might want to cut the you might want to

0:17:33.040 --> 0:17:35.000
<v Speaker 1>cut the mayor in on that. You know what I'm saying,

0:17:35.080 --> 0:17:37.240
<v Speaker 1>Let's get a you know, I'll have my people be

0:17:37.280 --> 0:17:39.760
<v Speaker 1>in touch. Well, cut us in on that. You know

0:17:39.800 --> 0:17:40.800
<v Speaker 1>what I'm saying, Okay, get.

0:17:40.640 --> 0:17:41.120
<v Speaker 2>Out of here.

0:17:41.760 --> 0:17:47.400
<v Speaker 1>Outside again, it's the powers out. So it's things are

0:17:47.400 --> 0:17:52.360
<v Speaker 1>devolving into some looting and tops meanwhile, or just shooting

0:17:52.400 --> 0:17:56.120
<v Speaker 1>the looters and then and then taking like their turtlenecks

0:17:56.119 --> 0:17:59.879
<v Speaker 1>and like pulling the turtleneck like over the face, the nose,

0:18:00.119 --> 0:18:04.359
<v Speaker 1>mouth and being like, hey, a mask vigile anthea. Yeah,

0:18:04.960 --> 0:18:09.400
<v Speaker 1>Matt and Karen go to the storage facility and they're

0:18:09.440 --> 0:18:12.840
<v Speaker 1>going down memory lane digging in these dusty crates. Karen

0:18:12.920 --> 0:18:17.679
<v Speaker 1>finds the thing that foggy and fat and this is

0:18:18.280 --> 0:18:23.439
<v Speaker 1>this is like national treasure level. This is so funny

0:18:23.440 --> 0:18:27.080
<v Speaker 1>and silly to be. It's the original like eighteen forties

0:18:27.280 --> 0:18:31.359
<v Speaker 1>deed to the fun to the Port of red Hook,

0:18:31.440 --> 0:18:35.840
<v Speaker 1>apparently the only copy in existence that no one knows about.

0:18:35.920 --> 0:18:39.840
<v Speaker 1>It's impossible by any other means to find out the

0:18:39.920 --> 0:18:42.000
<v Speaker 1>legal status of the Port of Red Hook, and.

0:18:42.160 --> 0:18:44.639
<v Speaker 2>Which is hilarious because you could definitely just google that

0:18:45.040 --> 0:18:46.040
<v Speaker 2>without I have done it.

0:18:46.440 --> 0:18:50.639
<v Speaker 1>Without this piece of parchment, is impossible to unlock the

0:18:50.640 --> 0:18:56.440
<v Speaker 1>mystery subably on. Yeah. So what this document says is

0:18:56.840 --> 0:18:59.639
<v Speaker 1>the port is actually not under New York State or

0:19:00.040 --> 0:19:03.480
<v Speaker 1>in you York City's jurisdiction. It's like free land. It's

0:19:03.480 --> 0:19:07.080
<v Speaker 1>a free territory, and so whoever controls it like can

0:19:07.119 --> 0:19:12.240
<v Speaker 1>make the laws. It's like true, it's sovereign territory. It's

0:19:12.240 --> 0:19:16.160
<v Speaker 1>basically like what we discovered is Fisk plans to basically

0:19:16.200 --> 0:19:18.040
<v Speaker 1>set up Madpor.

0:19:17.840 --> 0:19:20.200
<v Speaker 2>In New York City, exactly.

0:19:19.720 --> 0:19:22.480
<v Speaker 1>In Red Hook. That's gonna be like personal kingdom. And

0:19:22.520 --> 0:19:24.600
<v Speaker 1>like the US Governor just be like, I don't know, get.

0:19:24.680 --> 0:19:26.560
<v Speaker 2>Legally, we can't do this.

0:19:27.040 --> 0:19:32.080
<v Speaker 3>This parchment, this parchment says and I'm sorry, guys, so hilarious.

0:19:32.160 --> 0:19:35.639
<v Speaker 2>I love this. I also love there's like something I

0:19:35.640 --> 0:19:36.000
<v Speaker 2>don't know.

0:19:36.640 --> 0:19:41.560
<v Speaker 3>I mean, I love it because it is also a book.

0:19:42.119 --> 0:19:43.040
<v Speaker 2>But there's also.

0:19:42.840 --> 0:19:46.040
<v Speaker 3>Something about this notion of the ports and these ideas

0:19:46.040 --> 0:19:47.920
<v Speaker 3>of like what comes in and out of them. Yeah,

0:19:48.200 --> 0:19:50.400
<v Speaker 3>like living I live by the ports of la there's

0:19:50.440 --> 0:19:51.280
<v Speaker 3>always some kind of.

0:19:51.200 --> 0:19:52.440
<v Speaker 1>Corruption and scandal.

0:19:52.800 --> 0:19:55.959
<v Speaker 3>And I just love that this like very what seems

0:19:56.000 --> 0:20:00.400
<v Speaker 3>like a very niche plot is actually like really real

0:20:00.480 --> 0:20:03.400
<v Speaker 3>if you live by a port. But obviously the parchment

0:20:03.480 --> 0:20:06.280
<v Speaker 3>saying that you could just start madropor that not real. Guys,

0:20:06.280 --> 0:20:08.680
<v Speaker 3>sorry to tell you that. But I love fisks plan.

0:20:08.760 --> 0:20:12.560
<v Speaker 3>He's deranged. I love how he's bought Vanessa into it

0:20:12.600 --> 0:20:13.640
<v Speaker 3>by basically being.

0:20:13.480 --> 0:20:16.320
<v Speaker 2>Like, hey, you already did the great work. Now let's

0:20:16.359 --> 0:20:17.160
<v Speaker 2>just build on it.

0:20:17.240 --> 0:20:20.000
<v Speaker 3>Like behind every man is a strong, powerful, corrupt woman

0:20:20.080 --> 0:20:23.399
<v Speaker 3>named Vanessa. So I love this and I love that

0:20:23.560 --> 0:20:26.000
<v Speaker 3>little mini Madriport plan, Like why not if you can

0:20:26.160 --> 0:20:26.600
<v Speaker 3>just plan?

0:20:27.119 --> 0:20:28.879
<v Speaker 2>Yeah, sure, love that for you guys.

0:20:30.000 --> 0:20:49.119
<v Speaker 1>Yeah, Frank is in his layer and he hears on

0:20:49.160 --> 0:20:51.280
<v Speaker 1>the police scanner that the task force is heading to

0:20:51.400 --> 0:20:55.360
<v Speaker 1>Red Hook like in force. So he's like, oh, time

0:20:55.400 --> 0:20:57.960
<v Speaker 1>to kill some dirty cops. He gets geared up and

0:20:58.000 --> 0:21:01.560
<v Speaker 1>he gets over there and he does his thing. He's

0:21:01.560 --> 0:21:03.960
<v Speaker 1>like cutting guys throats, he's shooting guys. But in the

0:21:04.040 --> 0:21:07.280
<v Speaker 1>end there's there's simply too many of them. The task

0:21:07.320 --> 0:21:09.280
<v Speaker 1>forse is a lot bigger in just a couple of

0:21:09.359 --> 0:21:12.640
<v Speaker 1>days than we ever than we expected. And they dog

0:21:12.760 --> 0:21:14.879
<v Speaker 1>pile him and then they don't kill him. They just

0:21:14.920 --> 0:21:15.640
<v Speaker 1>take him prisoner.

0:21:16.320 --> 0:21:19.800
<v Speaker 3>Stupid plan, by the way, I get it. It's kill it,

0:21:21.600 --> 0:21:23.639
<v Speaker 3>you can't kill him. And also as well, it's like

0:21:24.000 --> 0:21:26.439
<v Speaker 3>casting body armor, because this is still some of the

0:21:26.440 --> 0:21:29.560
<v Speaker 3>best casting in the whole of the MCU Ben Thalla

0:21:29.760 --> 0:21:32.359
<v Speaker 3>as Punisher, So yeah, I thought that was really funny.

0:21:32.600 --> 0:21:34.760
<v Speaker 3>I think, and this is something I'm sure Joe will

0:21:34.800 --> 0:21:36.879
<v Speaker 3>touch on when when she joins us. But like I

0:21:36.920 --> 0:21:40.040
<v Speaker 3>do think, like there's something there where. When this happened,

0:21:40.080 --> 0:21:41.640
<v Speaker 3>I was like, well, maybe the reason they don't kill

0:21:41.680 --> 0:21:44.280
<v Speaker 3>him is because, like they fucking love the punisher like

0:21:44.320 --> 0:21:47.800
<v Speaker 3>they want to they do I love and they have

0:21:48.040 --> 0:21:50.280
<v Speaker 3>the body armor and everything. But I don't know whether

0:21:50.320 --> 0:21:53.000
<v Speaker 3>that gets extrapolated enough for me to say that's definitely

0:21:53.040 --> 0:21:53.959
<v Speaker 3>why they don't kill him.

0:21:53.960 --> 0:21:55.520
<v Speaker 2>But that was my thought in the moment as we

0:21:55.600 --> 0:21:56.000
<v Speaker 2>watched it.

0:21:56.320 --> 0:22:00.600
<v Speaker 1>Uh Fisk listens to rat Sheila's recording of Gallow that

0:22:00.640 --> 0:22:04.639
<v Speaker 1>she made a rat. What a little piece of vermin.

0:22:04.840 --> 0:22:09.359
<v Speaker 1>She is, hor jodling, sniveling, boot licking rat.

0:22:09.760 --> 0:22:11.640
<v Speaker 2>She definitely not.

0:22:11.840 --> 0:22:14.119
<v Speaker 3>Think that she was going to go to the like

0:22:14.280 --> 0:22:17.560
<v Speaker 3>wearing a wire aka recording on her phone. I thought

0:22:17.600 --> 0:22:20.120
<v Speaker 3>she was just gonna actually go around and be like, hey,

0:22:20.320 --> 0:22:23.159
<v Speaker 3>if you're not in the Fisk deal, go away. You

0:22:23.240 --> 0:22:25.720
<v Speaker 3>might go somewhere. You might want to also go somewhere

0:22:25.720 --> 0:22:28.000
<v Speaker 3>that's not in New York State. It'll probably be harder

0:22:28.040 --> 0:22:30.040
<v Speaker 3>for them to find you. But no, she was just like,

0:22:30.280 --> 0:22:33.640
<v Speaker 3>guess I better just just record this guy her.

0:22:35.119 --> 0:22:39.000
<v Speaker 1>Shockingly snitchy So Gallo is delivered to Red Hook by

0:22:39.080 --> 0:22:43.479
<v Speaker 1>members of the Task Force, where apparently no laws are

0:22:43.600 --> 0:22:46.760
<v Speaker 1>enforced and and Fisk can commit murder after murder here

0:22:46.800 --> 0:22:50.520
<v Speaker 1>and nobody could do anything because it's like freaking Sois

0:22:50.760 --> 0:22:54.320
<v Speaker 1>then crushes Gallow's head like a rotten pumpkin as the

0:22:54.359 --> 0:22:57.159
<v Speaker 1>task Force looks on, and you could tell the task.

0:22:56.880 --> 0:23:00.879
<v Speaker 2>Force is on. It was cral practical, a like I was.

0:23:00.960 --> 0:23:03.640
<v Speaker 3>They took the level of violence once Frank came back

0:23:03.680 --> 0:23:06.240
<v Speaker 3>in this episode. They're like, you're gonna get Gord out,

0:23:06.440 --> 0:23:10.200
<v Speaker 3>but I did not expect a full prosthetic head, which

0:23:10.240 --> 0:23:13.520
<v Speaker 3>he squashes like a pumpkin and then tears off his jaw,

0:23:14.000 --> 0:23:17.480
<v Speaker 3>like it's probably the most violent and grotesque thing we

0:23:17.560 --> 0:23:19.680
<v Speaker 3>have seen or will ever see in an MCU show.

0:23:19.800 --> 0:23:23.240
<v Speaker 3>It's I don't think they had anything like that on that.

0:23:23.520 --> 0:23:27.800
<v Speaker 1>And the task Force is like, wow, we're fucking sick, motherfuckers,

0:23:27.800 --> 0:23:31.680
<v Speaker 1>but that was crazy. That was disgusting, Dirty cop Powell.

0:23:31.880 --> 0:23:35.760
<v Speaker 1>Then elsewhere on Red Hook are like, is they've got

0:23:36.240 --> 0:23:38.560
<v Speaker 1>Frank tied to a chair and he goes down on

0:23:38.560 --> 0:23:42.359
<v Speaker 1>one knees, like, Frank, we fucking idolize you. You're the best.

0:23:42.440 --> 0:23:45.040
<v Speaker 1>We love the way you kill people without due process

0:23:45.119 --> 0:23:47.120
<v Speaker 1>and like we just want.

0:23:46.960 --> 0:23:48.480
<v Speaker 2>To be thank you man.

0:23:49.080 --> 0:23:51.960
<v Speaker 1>Will you join the task Force and be like part

0:23:52.000 --> 0:23:55.360
<v Speaker 1>of this. It would be like our utter dream if

0:23:55.400 --> 0:23:57.199
<v Speaker 1>that was the case. In Frank's like, you guys are

0:23:57.240 --> 0:23:59.600
<v Speaker 1>fucking clowns. You guys are losers. Yeah, and then the

0:23:59.680 --> 0:24:02.639
<v Speaker 1>test or beats the shit out of him. Daredevil and

0:24:02.720 --> 0:24:07.520
<v Speaker 1>Karen arrive. It has been maybe six or seven hours

0:24:07.560 --> 0:24:11.320
<v Speaker 1>since Matt was shot in the shoulders. Had He's been

0:24:11.359 --> 0:24:14.919
<v Speaker 1>in a in a huge Donnybrook fight in which like

0:24:14.960 --> 0:24:17.879
<v Speaker 1>a dozen cops were killed, and now he's here on

0:24:17.920 --> 0:24:19.720
<v Speaker 1>the verge of Red Hook. He's looking they you know,

0:24:19.760 --> 0:24:23.159
<v Speaker 1>they look at the scene and there's like, maybe I

0:24:23.160 --> 0:24:27.000
<v Speaker 1>don't know, fifty sixty Task Force guys there, like it's

0:24:27.160 --> 0:24:31.200
<v Speaker 1>crawling with task FORRSE guys. And Karen is like, you can't, Matt,

0:24:31.240 --> 0:24:34.600
<v Speaker 1>look at you. You're a mess. You you need water,

0:24:35.119 --> 0:24:37.000
<v Speaker 1>you need probably to eat something.

0:24:37.520 --> 0:24:38.439
<v Speaker 2>You need to sleep.

0:24:38.520 --> 0:24:40.680
<v Speaker 1>You need to sleep. You were shot six hours ago.

0:24:41.400 --> 0:24:43.439
<v Speaker 1>Don't go in there. You can't take them on.

0:24:43.560 --> 0:24:45.160
<v Speaker 2>And Matt is like, don't do it, Matt.

0:24:45.280 --> 0:24:48.080
<v Speaker 1>Yeah. Matt is like, you know what, You're right, You're right.

0:24:48.600 --> 0:24:52.679
<v Speaker 1>Heather goes to see Fisk brush shocking, and.

0:24:52.640 --> 0:24:55.320
<v Speaker 3>I'm so sick of Heather at this point, like to

0:24:55.400 --> 0:24:56.119
<v Speaker 3>be mayfair.

0:24:57.040 --> 0:25:00.680
<v Speaker 2>Look either just dump Matt and gone, I'm Wilson Fisk.

0:25:00.760 --> 0:25:03.160
<v Speaker 3>But don't do this like in the middle, like Matt

0:25:03.240 --> 0:25:06.440
<v Speaker 3>is telling you, look, you eat the Sure Matt's acting crazy, but.

0:25:06.520 --> 0:25:10.520
<v Speaker 2>Is he your boyfriend? Are you a right or no?

0:25:10.600 --> 0:25:14.080
<v Speaker 1>So Fiscus, Well there's other issues too, Listen, I get it.

0:25:14.160 --> 0:25:16.920
<v Speaker 1>This is a huge career move from Heather, who doesn't

0:25:17.400 --> 0:25:20.720
<v Speaker 1>you could argue doesn't necessarily know what fisc is up to,

0:25:20.920 --> 0:25:27.200
<v Speaker 1>and true gravity Matt has never leveled with her at all.

0:25:27.480 --> 0:25:31.720
<v Speaker 1>That But that said, like I feel like, ethically, you

0:25:31.760 --> 0:25:33.920
<v Speaker 1>can't go to work for your patient.

0:25:33.720 --> 0:25:38.520
<v Speaker 2>Right exactly what I mean? I don't. I don't think

0:25:38.560 --> 0:25:43.280
<v Speaker 2>she is a serious person. No ship she pretends. She

0:25:43.440 --> 0:25:46.159
<v Speaker 2>pretends to be like, oh, I'm such a big therapist.

0:25:46.160 --> 0:25:49.000
<v Speaker 3>Oh I just I have to be therapizing everybody, Matt,

0:25:49.040 --> 0:25:49.879
<v Speaker 3>why are you doing this?

0:25:50.000 --> 0:25:52.280
<v Speaker 2>Go to therapy. But then she's just like, yeah, I'll

0:25:52.320 --> 0:25:54.560
<v Speaker 2>go to the ball of my marriage.

0:25:54.920 --> 0:25:57.160
<v Speaker 3>And by the way, I just saw my marriage counsel

0:25:57.480 --> 0:26:00.560
<v Speaker 3>couple get shot and now I'm gonna be old of

0:26:00.720 --> 0:26:01.720
<v Speaker 3>mental health.

0:26:01.480 --> 0:26:05.280
<v Speaker 1>Right mental health commission. So she signs on. Then again

0:26:05.320 --> 0:26:08.919
<v Speaker 1>it's the same twenty four hour period. This is now

0:26:09.000 --> 0:26:12.560
<v Speaker 1>the morning after the Black and White Ball, Fisk makes

0:26:12.560 --> 0:26:18.320
<v Speaker 1>a speech on television where he says Commissioner Gallo has resigned.

0:26:18.840 --> 0:26:22.240
<v Speaker 1>He fled, he fled from his duty. He couldn't handle it.

0:26:23.119 --> 0:26:27.240
<v Speaker 1>Don't ask where he is, don't hopefully nobody ever looks

0:26:27.240 --> 0:26:30.720
<v Speaker 1>for him. And then he announces his new anti crime

0:26:30.880 --> 0:26:33.439
<v Speaker 1>edict where he says vigilantes are outlawed and the city's

0:26:33.480 --> 0:26:36.520
<v Speaker 1>under martial law. That's it, eight pm, don't be out

0:26:36.600 --> 0:26:38.920
<v Speaker 1>after the city that never sleeps. Well, guess what.

0:26:41.600 --> 0:26:46.320
<v Speaker 2>I'm like, I'm like eight pm. Nobody in New York

0:26:46.320 --> 0:26:47.440
<v Speaker 2>because he even left the house at.

0:26:47.400 --> 0:26:49.119
<v Speaker 3>Eight pm, Like you gonna be going, You'll go to

0:26:49.200 --> 0:26:51.479
<v Speaker 3>dinner at like ten, Matt being in Europe.

0:26:51.640 --> 0:26:54.520
<v Speaker 1>Matt. Then you know, back to Matt and Karen. Matt

0:26:54.560 --> 0:26:58.800
<v Speaker 1>makes again. Here's here's a piece of dialogue that made

0:26:58.800 --> 0:27:04.080
<v Speaker 1>me laugh out loud. Matt serious like opening himself up,

0:27:04.280 --> 0:27:07.520
<v Speaker 1>very vulnerable, like showing showing.

0:27:07.440 --> 0:27:08.720
<v Speaker 2>An impression, doing impression.

0:27:08.840 --> 0:27:09.199
<v Speaker 1>Karen.

0:27:10.520 --> 0:27:11.159
<v Speaker 2>I can't do it.

0:27:11.200 --> 0:27:14.160
<v Speaker 1>I can't do it. But he basically it was too fisky.

0:27:14.280 --> 0:27:17.320
<v Speaker 1>But he basically admits to Karen, He's like, listen, you

0:27:17.359 --> 0:27:20.479
<v Speaker 1>know what I remember when on the night that Foggy

0:27:20.600 --> 0:27:24.399
<v Speaker 1>was killed. When I dropped Benjamin Poindexter on his head

0:27:24.680 --> 0:27:28.280
<v Speaker 1>off a building, off a six story building, I have

0:27:28.320 --> 0:27:31.120
<v Speaker 1>a big admission to make. I was trying to kill him,

0:27:31.119 --> 0:27:32.320
<v Speaker 1>no ship, you dropped him off.

0:27:35.560 --> 0:27:38.200
<v Speaker 3>And by the way, like not just that you didn't

0:27:38.280 --> 0:27:42.639
<v Speaker 3>use your little spiderweb Winch likes to stop him fing

0:27:43.440 --> 0:27:44.439
<v Speaker 3>trying to kill him off.

0:27:45.880 --> 0:27:46.840
<v Speaker 1>I didn't realize.

0:27:46.920 --> 0:27:49.920
<v Speaker 3>And even Batman, if he throws someone off a roof,

0:27:49.960 --> 0:27:51.960
<v Speaker 3>will usually like book him with a little less sue

0:27:52.000 --> 0:27:54.880
<v Speaker 3>and lumps like you just let that man have full

0:27:55.000 --> 0:27:58.440
<v Speaker 3>head first into the ground. He's a miracle. He's still alive.

0:27:58.800 --> 0:28:01.080
<v Speaker 3>Dex has been going through. It's a miracle he didn't

0:28:01.080 --> 0:28:05.720
<v Speaker 3>fucking shoot you. Yeah, and I don't think that Karen

0:28:05.800 --> 0:28:07.240
<v Speaker 3>is probably surprised to hear this.

0:28:07.680 --> 0:28:12.080
<v Speaker 1>Karen, then, I think makes actually a good what I

0:28:12.119 --> 0:28:14.800
<v Speaker 1>thought was like a really good speech in this series.

0:28:15.400 --> 0:28:18.000
<v Speaker 2>Yeah. I like this interaction between the two.

0:28:17.880 --> 0:28:21.320
<v Speaker 1>About how listen, you're still the good guy basically and

0:28:21.480 --> 0:28:26.800
<v Speaker 1>the city needs you. And yes, you you cross the

0:28:26.880 --> 0:28:30.520
<v Speaker 1>line when you tried to kill Benjamin Poindexter, but like

0:28:30.600 --> 0:28:32.639
<v Speaker 1>you but the fact that you know the line is

0:28:32.720 --> 0:28:35.679
<v Speaker 1>there and you try to respect. It is why the

0:28:35.720 --> 0:28:38.600
<v Speaker 1>city needs you. And then we get a Radiohead music

0:28:38.680 --> 0:28:43.120
<v Speaker 1>drop and we we kind of end with Fisk triumphant.

0:28:43.640 --> 0:28:46.920
<v Speaker 1>We watch him like strolling through his castle and Red

0:28:46.920 --> 0:28:51.080
<v Speaker 1>Hook where he's got like all these people imprisoned in cages,

0:28:51.120 --> 0:28:54.040
<v Speaker 1>including Jack's Swordsman Duquine and front Castle.

0:28:55.680 --> 0:28:55.960
<v Speaker 3>Jack.

0:28:56.800 --> 0:29:02.880
<v Speaker 2>He was such a good step He's the only vigilante

0:29:02.880 --> 0:29:03.880
<v Speaker 2>that Wilsons still.

0:29:04.880 --> 0:29:06.640
<v Speaker 3>So he was like, and you know what else, I

0:29:06.680 --> 0:29:09.160
<v Speaker 3>think this confirms something that we had kind of been.

0:29:09.520 --> 0:29:11.560
<v Speaker 3>I think the show had specifically wanted us to be

0:29:11.560 --> 0:29:14.760
<v Speaker 3>a little blurry on, which is like the basement that

0:29:14.880 --> 0:29:18.520
<v Speaker 3>he was holding Vanessa's lover in, was this basement in

0:29:18.920 --> 0:29:21.360
<v Speaker 3>Red Hook, like he's that's always It wasn't like under

0:29:21.360 --> 0:29:24.160
<v Speaker 3>his office or whatever. This is his little prison basement

0:29:24.200 --> 0:29:27.440
<v Speaker 3>that he's been building. And I'm getting we are also

0:29:27.480 --> 0:29:31.560
<v Speaker 3>probably to assume that there are more there's more vigilantes

0:29:31.600 --> 0:29:32.360
<v Speaker 3>in there than we know.

0:29:32.680 --> 0:29:35.200
<v Speaker 1>Right, So he's got all these people in cages, which

0:29:35.240 --> 0:29:41.400
<v Speaker 1>again like eerie parallels where and physical go down like

0:29:41.760 --> 0:29:46.400
<v Speaker 1>under the to like blow where the cages are now,

0:29:46.680 --> 0:29:49.680
<v Speaker 1>I think down to where like Adam's cage was. That's

0:29:49.720 --> 0:29:53.160
<v Speaker 1>what I'm thinking yeah, and they have a sumptuous meal

0:29:53.280 --> 0:29:57.520
<v Speaker 1>with champagne. They're back, baby.

0:29:58.080 --> 0:29:59.680
<v Speaker 2>They're gonna be fucking at Adam's change.

0:29:59.720 --> 0:30:03.160
<v Speaker 1>Before then, though, we're gonna be fucking in Adam's cage.

0:30:03.600 --> 0:30:06.680
<v Speaker 1>And then we get a little stinger where listen. If

0:30:06.680 --> 0:30:09.160
<v Speaker 1>there's one thing we know about Frank Castle in the

0:30:09.200 --> 0:30:15.640
<v Speaker 1>comic books is this man escapes from prisons every day.

0:30:15.800 --> 0:30:17.760
<v Speaker 2>He's like the joker, like you, there's no point in

0:30:17.840 --> 0:30:19.960
<v Speaker 2>putting him an Alkhama asylum. He's gonna get out.

0:30:19.960 --> 0:30:26.760
<v Speaker 1>Noble shit like. There's gotta be eight to ten instances

0:30:26.760 --> 0:30:31.040
<v Speaker 1>in the comics notable instances of him, including the you

0:30:31.080 --> 0:30:35.600
<v Speaker 1>Know when he was originally put in prison because I forget,

0:30:35.600 --> 0:30:37.680
<v Speaker 1>the creative team of Spider Man just didn't thought he

0:30:37.720 --> 0:30:38.800
<v Speaker 1>was a villain, didn't like him.

0:30:38.680 --> 0:30:41.200
<v Speaker 2>So it didn't make sense to have him in the.

0:30:41.560 --> 0:30:46.960
<v Speaker 1>His launch to the you Know comics continuity proper was

0:30:48.000 --> 0:30:49.760
<v Speaker 1>started by him basically escaping.

0:30:49.520 --> 0:30:52.080
<v Speaker 3>From you yeah so and being in prison with you

0:30:52.120 --> 0:30:54.160
<v Speaker 3>know and being in a Spider Man comic, which is

0:30:54.200 --> 0:30:56.480
<v Speaker 3>something we will talk about very soon because where the

0:30:56.480 --> 0:30:57.320
<v Speaker 3>fuck is Spider Man?

0:30:57.440 --> 0:31:02.360
<v Speaker 1>So Frank is like, hey, what what you officer? And

0:31:02.360 --> 0:31:04.800
<v Speaker 1>I forget the name of the officer, and the guy's Patrucci.

0:31:05.240 --> 0:31:07.200
<v Speaker 2>Pucci. My name is where you from?

0:31:07.680 --> 0:31:11.120
<v Speaker 1>Way from? Officer Patrucci? Yeah, where we are you from?

0:31:11.920 --> 0:31:14.880
<v Speaker 1>I'm from New Jersey? Oh yeah, yeah, I love you.

0:31:20.400 --> 0:31:23.240
<v Speaker 1>I used to go down to the shore. I love Jersey.

0:31:23.440 --> 0:31:28.040
<v Speaker 1>Hey here, let me ask you something, Patrucia. And then

0:31:28.080 --> 0:31:30.440
<v Speaker 1>he like grabs his arm and fucking snaps it and

0:31:30.480 --> 0:31:33.080
<v Speaker 1>clear He's like, let me thank you.

0:31:33.000 --> 0:31:35.520
<v Speaker 2>For your service. And I'm like, come on, bro, like

0:31:35.600 --> 0:31:36.520
<v Speaker 2>I'm so dumb.

0:31:37.480 --> 0:31:41.440
<v Speaker 3>Let me reach in the snaps that man's arm right off,

0:31:41.760 --> 0:31:42.480
<v Speaker 3>and then.

0:31:42.640 --> 0:31:43.560
<v Speaker 2>Frank is out.

0:31:43.600 --> 0:31:46.000
<v Speaker 3>Baby, you ain't keep it Frank in there. No, he's

0:31:46.040 --> 0:31:47.680
<v Speaker 3>not gonna help anyone else cow either.

0:31:47.760 --> 0:31:51.000
<v Speaker 1>By the way, I think Frank is gonna be like, hey, Red,

0:31:51.440 --> 0:31:53.640
<v Speaker 1>let me get distrained. I show up at your apartment

0:31:53.720 --> 0:31:56.480
<v Speaker 1>to save you from the task Force, and you can't

0:31:56.520 --> 0:31:59.520
<v Speaker 1>even come and break me out of Red Hook fucking

0:32:00.120 --> 0:32:03.560
<v Speaker 1>hours after you got shot and fight cops.

0:32:04.160 --> 0:32:07.440
<v Speaker 3>Frank exactly is that Frank has a good point, because Babe,

0:32:07.600 --> 0:32:10.360
<v Speaker 3>we know that Matt is not resting, like Matt is

0:32:10.400 --> 0:32:12.760
<v Speaker 3>doing things to save your friend.

0:32:12.800 --> 0:32:14.680
<v Speaker 1>That's gonna be an issue next season. That is gonna

0:32:14.680 --> 0:32:17.040
<v Speaker 1>be an argue. Let's take a quick break, we'll be

0:32:17.120 --> 0:32:18.560
<v Speaker 1>back and talk more about this.

0:32:18.520 --> 0:32:36.560
<v Speaker 4>Episode, and we are back.

0:32:39.080 --> 0:32:43.000
<v Speaker 1>I I thought it was a very satisfying finale. Obviously

0:32:43.040 --> 0:32:46.320
<v Speaker 1>an up and down season with a lot of disjointedness

0:32:46.360 --> 0:32:51.280
<v Speaker 1>because of one would imagine the various disruptions to the

0:32:52.360 --> 0:32:54.719
<v Speaker 1>production and the fact that they had to, like Frankenstein,

0:32:54.800 --> 0:32:58.000
<v Speaker 1>a bunch of this stuff together. But listen, something about

0:32:58.760 --> 0:33:04.680
<v Speaker 1>Matt and frank tearing through like corruption in a visceral way.

0:33:04.760 --> 0:33:07.840
<v Speaker 1>I found very cathartic in today's the Life and Times,

0:33:07.880 --> 0:33:10.640
<v Speaker 1>despite the fact that I I and I will hardly

0:33:10.680 --> 0:33:14.720
<v Speaker 1>admit that there were plot problems, emotional art problems, characters

0:33:14.720 --> 0:33:20.160
<v Speaker 1>who were barely drawn as characters. I loved the little

0:33:20.240 --> 0:33:23.959
<v Speaker 1>cameo of Detective cam aka the only detective in New

0:33:24.040 --> 0:33:27.000
<v Speaker 1>York City at the at Josie's Bar, with the rest

0:33:27.040 --> 0:33:29.720
<v Speaker 1>of the constituents looking at Matt like will you save us?

0:33:30.960 --> 0:33:34.000
<v Speaker 1>But that said, like I found it, I found it satisfying.

0:33:34.000 --> 0:33:36.640
<v Speaker 1>But I know that our super producer Joelle feels different.

0:33:37.280 --> 0:33:39.240
<v Speaker 3>Tell us Joel, because I too found it to be

0:33:39.320 --> 0:33:41.960
<v Speaker 3>like a satisfying ending, but that this there's something very

0:33:41.960 --> 0:33:45.880
<v Speaker 3>punchy and like comic bookie about the season that for

0:33:46.000 --> 0:33:50.560
<v Speaker 3>me really watched. Will tell us your feelings on the finale.

0:33:50.640 --> 0:33:52.720
<v Speaker 5>Okay, I want to start by seeing I've been rocking

0:33:52.720 --> 0:33:55.240
<v Speaker 5>with this show the whole time. I have been enjoying it.

0:33:55.320 --> 0:33:57.480
<v Speaker 5>I am not just hey, you you've been.

0:33:57.920 --> 0:33:59.640
<v Speaker 2>No, no, no, you've been, you've been.

0:34:01.080 --> 0:34:04.600
<v Speaker 5>I thought I was having fun. Okay, it was like, man,

0:34:05.080 --> 0:34:07.880
<v Speaker 5>to Jason's point, it's really comic, bookie, this is fun.

0:34:07.960 --> 0:34:11.040
<v Speaker 5>To Rosy's point, love seeing the cops take it like

0:34:11.440 --> 0:34:15.520
<v Speaker 5>straight in the face. It's great. I struggle with this

0:34:15.640 --> 0:34:19.160
<v Speaker 5>ending because and maybe this is too much insider baseball,

0:34:19.200 --> 0:34:22.040
<v Speaker 5>but we understood like okay, they were patching things together

0:34:22.040 --> 0:34:23.840
<v Speaker 5>in the middle, but like this final episode was like

0:34:24.120 --> 0:34:26.000
<v Speaker 5>this is all new because all stuff we had can

0:34:26.000 --> 0:34:27.479
<v Speaker 5>throw it. So I thought we were going to create

0:34:27.480 --> 0:34:30.920
<v Speaker 5>into a great finale and there were so many great setups.

0:34:30.920 --> 0:34:33.799
<v Speaker 5>I really have been enjoying the Wilson and Vanessa like

0:34:34.160 --> 0:34:37.560
<v Speaker 5>back and forth, but the dinner didn't feel earned this episode.

0:34:37.600 --> 0:34:39.680
<v Speaker 5>It's like, yes, you guys got away with some stuff.

0:34:39.719 --> 0:34:40.840
<v Speaker 5>You had tried a lot.

0:34:40.719 --> 0:34:41.560
<v Speaker 1>Of things.

0:34:42.880 --> 0:34:46.360
<v Speaker 5>Throughout, but now you're you're feasting, but like, did you

0:34:46.400 --> 0:34:48.880
<v Speaker 5>really win? Like things around your heels. It didn't real

0:34:48.880 --> 0:34:50.960
<v Speaker 5>seem like you. I don't know, it felt quite unearned

0:34:50.960 --> 0:34:54.080
<v Speaker 5>to me. And then I also just had, like I

0:34:54.120 --> 0:34:57.920
<v Speaker 5>thought the fight scene, particularly the one in Daredevil's apartment

0:34:58.160 --> 0:35:03.799
<v Speaker 5>with h punishuring him versus the cops on my television,

0:35:03.880 --> 0:35:06.360
<v Speaker 5>and it's been calibrated by an a FI cinematographer, and

0:35:06.400 --> 0:35:08.960
<v Speaker 5>I haven't had trouble seeing anything since the finale of

0:35:09.000 --> 0:35:11.520
<v Speaker 5>Game of Thrones. It is dark, man. It is like

0:35:11.600 --> 0:35:14.720
<v Speaker 5>really hard to see in Super Muddy, which I didn't understand.

0:35:14.760 --> 0:35:17.400
<v Speaker 5>I thought, not as well choreographed as we're used to

0:35:17.440 --> 0:35:20.640
<v Speaker 5>seeing a like great Daredevil fight, even just a Marvel fight.

0:35:20.880 --> 0:35:24.759
<v Speaker 5>Marvel has consistently delivered on really great fights, even when

0:35:25.200 --> 0:35:30.440
<v Speaker 5>narrative suffers. So to have it here be so messy

0:35:30.440 --> 0:35:33.960
<v Speaker 5>in a finale that you had already been like, we're reshooting,

0:35:33.960 --> 0:35:36.640
<v Speaker 5>We're to spend all this money. I was confused as

0:35:36.680 --> 0:35:39.640
<v Speaker 5>to the choices. I'll also say, and then I'll let

0:35:39.680 --> 0:35:43.000
<v Speaker 5>Aarin jump in with some positives. Is like every black

0:35:43.040 --> 0:35:46.680
<v Speaker 5>woman in this show written terribly. Let's let's really fix that.

0:35:46.800 --> 0:35:50.920
<v Speaker 1>In part two, saynary characters in general very well. I

0:35:51.080 --> 0:35:52.880
<v Speaker 1>really did disappear.

0:35:54.000 --> 0:35:54.839
<v Speaker 2>I didn't know what like.

0:35:55.000 --> 0:35:57.920
<v Speaker 5>So first of all, you have BB in the Mayor's

0:35:57.960 --> 0:36:00.399
<v Speaker 5>office as we see her for two seconds. He's there

0:36:00.440 --> 0:36:02.200
<v Speaker 5>where all this action has happened, and we don't get

0:36:02.200 --> 0:36:05.399
<v Speaker 5>to see her like sleuthing and detectiving, Like why why

0:36:05.600 --> 0:36:06.319
<v Speaker 5>why is she here?

0:36:06.400 --> 0:36:08.959
<v Speaker 2>What's going on with us? She should be like she's

0:36:09.000 --> 0:36:11.399
<v Speaker 2>like on Nancy Drew, Like please let her be that

0:36:11.480 --> 0:36:12.239
<v Speaker 2>in season two?

0:36:12.320 --> 0:36:15.799
<v Speaker 5>And who's the like bodyguard guy I like to call

0:36:15.880 --> 0:36:19.879
<v Speaker 5>him Bowser Browser Buck is out here and I wish

0:36:19.920 --> 0:36:23.280
<v Speaker 5>I understood, like what his agenda was. I was understood

0:36:23.280 --> 0:36:25.839
<v Speaker 5>what Buck got out of any of this? Like is he.

0:36:27.680 --> 0:36:27.960
<v Speaker 2>I think?

0:36:28.560 --> 0:36:32.240
<v Speaker 3>I think lots of money. I think just gives everyone

0:36:32.360 --> 0:36:33.120
<v Speaker 3>lots of money.

0:36:33.200 --> 0:36:36.200
<v Speaker 1>That's not what he does. He loves he loves being

0:36:36.200 --> 0:36:37.160
<v Speaker 1>adjacent to power.

0:36:37.200 --> 0:36:39.920
<v Speaker 2>I don't think it needs but that's what I.

0:36:40.320 --> 0:36:42.759
<v Speaker 1>But I agree with you, we don't know much about him.

0:36:43.120 --> 0:36:44.719
<v Speaker 5>I think a lot of the setups in this show

0:36:44.800 --> 0:36:50.800
<v Speaker 5>are so powerful. To your guys' point, when they put

0:36:51.040 --> 0:36:53.719
<v Speaker 5>Punisher in a chair in front of a bunch of

0:36:53.719 --> 0:36:58.000
<v Speaker 5>cops with his logo on their chest, I was filming

0:36:58.040 --> 0:37:00.200
<v Speaker 5>about I'll here we go. He's about to get it

0:37:00.239 --> 0:37:02.480
<v Speaker 5>to them he got laid in, and to be fair,

0:37:02.520 --> 0:37:04.120
<v Speaker 5>he does that when pisani if you were in fire,

0:37:04.120 --> 0:37:07.200
<v Speaker 5>which seems like a grade school comeback. I just think

0:37:07.239 --> 0:37:10.040
<v Speaker 5>we've seen him deliver. How we know the power of

0:37:10.080 --> 0:37:13.400
<v Speaker 5>John Berenthal. We know the power of this character, and

0:37:13.480 --> 0:37:16.120
<v Speaker 5>the camera is on him, So in my opinion, we

0:37:16.120 --> 0:37:18.520
<v Speaker 5>should be learning more about him, or he should be

0:37:18.560 --> 0:37:20.960
<v Speaker 5>having a discovery of like, oh my god, I'm implicit

0:37:21.480 --> 0:37:24.600
<v Speaker 5>somewhat to how these cops are behaving. Oh my god,

0:37:24.680 --> 0:37:28.160
<v Speaker 5>am I any better than these cops? I do what

0:37:28.280 --> 0:37:30.680
<v Speaker 5>they're doing. It discuss me why are my actions to

0:37:30.680 --> 0:37:32.479
<v Speaker 5>be different? But he doesn't get a chage a character.

0:37:32.560 --> 0:37:33.960
<v Speaker 5>He says things we've heard him say a bunch of

0:37:34.000 --> 0:37:36.480
<v Speaker 5>times before, and because we can't see the cops faces,

0:37:36.719 --> 0:37:39.399
<v Speaker 5>we're not sure what this hero worship has done being

0:37:39.440 --> 0:37:41.920
<v Speaker 5>denied has done to them, you know what I mean?

0:37:41.960 --> 0:37:46.480
<v Speaker 5>And so therefore there's nothing happens and then care he

0:37:46.480 --> 0:37:47.640
<v Speaker 5>should be dextaposed against.

0:37:47.640 --> 0:37:51.680
<v Speaker 2>I think that you. I understand your point.

0:37:52.000 --> 0:37:54.200
<v Speaker 3>We talked about this, like yeah, if Mike too, but

0:37:54.320 --> 0:37:59.360
<v Speaker 3>like I personally feel like I think the dismissiveness of

0:37:59.520 --> 0:38:03.800
<v Speaker 3>Frank to them where he's basically like you idolizing me

0:38:04.040 --> 0:38:07.359
<v Speaker 3>is fucking stupid because I'm a fucked up person and

0:38:07.440 --> 0:38:10.640
<v Speaker 3>I'm broken, and also your bunch of fucking clowns. And

0:38:10.680 --> 0:38:15.960
<v Speaker 3>I think that I loved the dismissive nature where he

0:38:16.040 --> 0:38:19.440
<v Speaker 3>is basically just like you could never comprehend what drives

0:38:19.480 --> 0:38:22.120
<v Speaker 3>me so and whatever drives you is bullshit and it

0:38:22.200 --> 0:38:24.719
<v Speaker 3>worked for me. But I do know like that with

0:38:24.800 --> 0:38:27.680
<v Speaker 3>this episode did not have any like banger monologues, and

0:38:27.719 --> 0:38:29.640
<v Speaker 3>this show has had those in the past.

0:38:29.680 --> 0:38:32.040
<v Speaker 1>Yeah, I acknowledge your take, and I don't think it's

0:38:32.040 --> 0:38:38.640
<v Speaker 1>necessarily wrong, but why it But for me, why those

0:38:38.719 --> 0:38:41.880
<v Speaker 1>things worked are won And again I said this before

0:38:41.880 --> 0:38:45.720
<v Speaker 1>we went on, Mike, I do feel like Frank ripping

0:38:45.760 --> 0:38:51.279
<v Speaker 1>out the throats of multiple dirty cops wearing his logo communicates,

0:38:51.320 --> 0:38:54.000
<v Speaker 1>I think pretty strongly like any feelings he might have.

0:38:54.360 --> 0:38:56.399
<v Speaker 1>And I also feel like we get so much of

0:38:56.440 --> 0:38:59.960
<v Speaker 1>the how do you feel about them? Using your logo

0:39:00.000 --> 0:39:04.919
<v Speaker 1>so conversations between him and Matt, and that's really where Yeah,

0:39:05.080 --> 0:39:10.439
<v Speaker 1>I'm I feel like Frank would entertain even touching upon

0:39:10.680 --> 0:39:13.600
<v Speaker 1>a topic like that, having that kind of self reflection.

0:39:13.719 --> 0:39:16.440
<v Speaker 1>He's not a self reflective guy and not one to

0:39:16.560 --> 0:39:19.560
<v Speaker 1>ever explain his rage, but he kind of goes there

0:39:19.560 --> 0:39:23.360
<v Speaker 1>with Matt and it it felt natural to me that

0:39:23.440 --> 0:39:25.359
<v Speaker 1>he wouldn't go there with a bunch of cops who

0:39:25.360 --> 0:39:28.280
<v Speaker 1>he clearly despises, seeing as how he just like killed

0:39:28.560 --> 0:39:29.319
<v Speaker 1>a dozen of them.

0:39:29.440 --> 0:39:29.759
<v Speaker 2>I do.

0:39:30.080 --> 0:39:32.719
<v Speaker 3>I also do think that the time jump of it all,

0:39:33.640 --> 0:39:37.520
<v Speaker 3>it puts us into a situation. And I've been thinking

0:39:37.560 --> 0:39:39.960
<v Speaker 3>about this because of our Last of Us episode one,

0:39:40.400 --> 0:39:43.640
<v Speaker 3>season two chat, which you guys will be able to

0:39:43.680 --> 0:39:46.200
<v Speaker 3>hear when the show comes out. But I was thinking

0:39:46.239 --> 0:39:50.920
<v Speaker 3>about like the nature of what we don't see, And

0:39:50.960 --> 0:39:54.520
<v Speaker 3>I do think that when it is first introduced that

0:39:54.600 --> 0:39:56.839
<v Speaker 3>the cops have taken on this punish a gang in

0:39:56.880 --> 0:40:00.319
<v Speaker 3>the episode and Matt goes to see Frank and he

0:40:00.400 --> 0:40:01.000
<v Speaker 3>shows him.

0:40:00.840 --> 0:40:03.040
<v Speaker 2>The bullet, it's clear that this.

0:40:02.920 --> 0:40:06.040
<v Speaker 3>Has been happening to Frank for a while, Like he's like, oh,

0:40:06.160 --> 0:40:09.120
<v Speaker 3>fucking lose a fanboys, Like there's something we didn't see

0:40:09.120 --> 0:40:10.960
<v Speaker 3>there where I think he has reckoned with this, and

0:40:11.000 --> 0:40:13.439
<v Speaker 3>his reckoning is fuck them.

0:40:13.440 --> 0:40:15.319
<v Speaker 2>I'm gonna that's my point.

0:40:15.560 --> 0:40:17.480
<v Speaker 5>You have to guess though You're like, oh, well, if

0:40:17.480 --> 0:40:19.120
<v Speaker 5>I put you into this, and I'm like, you, we

0:40:19.120 --> 0:40:21.600
<v Speaker 5>should see that that should be inherent within the show.

0:40:21.680 --> 0:40:25.040
<v Speaker 5>This is important to the character, defines them, it defines Yeah,

0:40:25.080 --> 0:40:27.200
<v Speaker 5>this moment, and I think that was really my big point.

0:40:27.239 --> 0:40:29.080
<v Speaker 5>Like I love the setups of loving, I love the

0:40:29.680 --> 0:40:32.080
<v Speaker 5>end choices. I love when the villain wins is the end.

0:40:32.239 --> 0:40:34.680
<v Speaker 5>I love that Karen came back. I just think how

0:40:35.080 --> 0:40:37.120
<v Speaker 5>like how much time we spent on things like Heather,

0:40:37.400 --> 0:40:41.480
<v Speaker 5>Oh my god, Heather, I do I'm not gonna lie easy.

0:40:41.960 --> 0:40:44.640
<v Speaker 5>I love this woman, and yet I don't understand her

0:40:44.640 --> 0:40:47.080
<v Speaker 5>relationship to fis, like where does this loyalty come from?

0:40:47.239 --> 0:40:50.520
<v Speaker 1>When did that lock in? And why she's just looking

0:40:50.560 --> 0:40:54.839
<v Speaker 1>at it. She's ambitious, She's like what sees I don't

0:40:54.840 --> 0:40:59.880
<v Speaker 1>see multiple books. That's not I've never known an author.

0:41:00.080 --> 0:41:03.640
<v Speaker 1>It's particularly a self help style author who didn't want

0:41:04.040 --> 0:41:05.279
<v Speaker 1>to go doctor Oz.

0:41:06.040 --> 0:41:07.160
<v Speaker 2>Sadly that.

0:41:08.960 --> 0:41:13.160
<v Speaker 5>Tiny side moments of like after a session, like oh oh,

0:41:13.280 --> 0:41:15.200
<v Speaker 5>we read your book and we loved it. We're gonna

0:41:15.200 --> 0:41:16.040
<v Speaker 5>recommend it to a friend.

0:41:16.080 --> 0:41:16.640
<v Speaker 1>Bam. Okay.

0:41:16.680 --> 0:41:18.960
<v Speaker 5>I understand from the reaction on her face she's super

0:41:19.000 --> 0:41:21.600
<v Speaker 5>excited about this information. There's a lack of information being

0:41:21.640 --> 0:41:23.520
<v Speaker 5>delivered to the audience so that you have to guess

0:41:23.520 --> 0:41:25.520
<v Speaker 5>and assume and that's not as fun for me. I

0:41:25.520 --> 0:41:26.040
<v Speaker 5>don't love it.

0:41:26.560 --> 0:41:29.759
<v Speaker 3>Okay, yeah, yeah, yeah, I totally feel that Again, I do,

0:41:29.840 --> 0:41:33.960
<v Speaker 3>I feel like specifically for my I mean, this is

0:41:34.000 --> 0:41:36.040
<v Speaker 3>something else we talked about before we've started recording the

0:41:36.080 --> 0:41:38.520
<v Speaker 3>episode that I would love to dig into more at

0:41:38.520 --> 0:41:40.799
<v Speaker 3>some point, which is kind of like what does it

0:41:40.840 --> 0:41:43.319
<v Speaker 3>mean to be a Prestige TV show now? And like

0:41:43.760 --> 0:41:46.879
<v Speaker 3>this is so different to what Prestige used to be

0:41:47.000 --> 0:41:49.839
<v Speaker 3>And I don't necessarily think this is Prestige TV. But

0:41:49.920 --> 0:41:55.120
<v Speaker 3>for me, there's something about the pacing, the way that

0:41:55.160 --> 0:41:57.440
<v Speaker 3>it kind of I will say trusts the audience with

0:41:57.560 --> 0:41:59.479
<v Speaker 3>in the comments, because I do think you're right, Joel.

0:41:59.560 --> 0:42:01.759
<v Speaker 3>I think some of it is, like you, they just

0:42:01.800 --> 0:42:04.600
<v Speaker 3>didn't have time and so you're left to put pieces together.

0:42:04.800 --> 0:42:07.960
<v Speaker 3>But there's something about the pacing and the urgency and

0:42:08.000 --> 0:42:12.080
<v Speaker 3>the kind of simplicity that does really remind me of

0:42:12.120 --> 0:42:15.000
<v Speaker 3>the feeling of reading a comic book, the same way

0:42:15.040 --> 0:42:17.399
<v Speaker 3>that very fairly in the discord, when I called out

0:42:17.560 --> 0:42:20.960
<v Speaker 3>my feelings about Karen in the first kind of Netflix era,

0:42:21.200 --> 0:42:22.960
<v Speaker 3>a lot of people were like, Hey, she doesn't really

0:42:23.000 --> 0:42:25.240
<v Speaker 3>get that much more in the comics, like they're actually

0:42:25.239 --> 0:42:27.239
<v Speaker 3>giving her a lot more to do here. So I

0:42:27.239 --> 0:42:31.040
<v Speaker 3>think it's one of those interesting dichotomies. But for me, overall,

0:42:31.360 --> 0:42:32.440
<v Speaker 3>it did work.

0:42:32.520 --> 0:42:33.560
<v Speaker 2>Aaron, how about you.

0:42:33.680 --> 0:42:36.000
<v Speaker 6>I mean, I thought that the last two episodes were

0:42:36.080 --> 0:42:38.439
<v Speaker 6>really fun, and I thought this one Joey. I said

0:42:38.440 --> 0:42:41.400
<v Speaker 6>this to Joelle earlier too. I feel like Joelle was

0:42:41.440 --> 0:42:44.640
<v Speaker 6>disappointed in the things that she wanted and didn't get,

0:42:44.880 --> 0:42:47.439
<v Speaker 6>whereas I was very excited and happy about the things

0:42:47.480 --> 0:42:49.480
<v Speaker 6>I didn't expect and then did get.

0:42:49.760 --> 0:42:51.759
<v Speaker 3>And so, for instance, okay, what were the things you

0:42:51.760 --> 0:42:53.680
<v Speaker 3>didn't I mean you and that you did get.

0:42:53.760 --> 0:42:55.920
<v Speaker 6>I didn't expect Matt to come home and have punish

0:42:55.920 --> 0:42:57.879
<v Speaker 6>her in there and have them do like an old

0:42:57.920 --> 0:43:00.600
<v Speaker 6>married couple bantering back and forth earth where he's like,

0:43:00.640 --> 0:43:02.480
<v Speaker 6>you're gonna do the fight with your ass out and

0:43:02.480 --> 0:43:05.279
<v Speaker 6>then he flicks them off. I mean, like just amazing

0:43:05.400 --> 0:43:07.600
<v Speaker 6>back and forth between the two of them. And then

0:43:07.840 --> 0:43:10.040
<v Speaker 6>I got shotgun, you know, like I loved all of

0:43:10.080 --> 0:43:11.359
<v Speaker 6>that stuff between.

0:43:11.040 --> 0:43:16.240
<v Speaker 3>Them, and I think that that that chemistry is so vital.

0:43:16.400 --> 0:43:18.960
<v Speaker 2>Really, I will say, you do wish there was.

0:43:18.920 --> 0:43:20.719
<v Speaker 3>More of it again, which could have given them more

0:43:20.760 --> 0:43:23.200
<v Speaker 3>time to have those conversations like Joel kind.

0:43:23.080 --> 0:43:25.880
<v Speaker 6>Of yeah, but I also, I mean in response to Joelle,

0:43:25.960 --> 0:43:27.680
<v Speaker 6>no offense, but you're wrong, friend.

0:43:27.880 --> 0:43:29.360
<v Speaker 2>I didn't need.

0:43:30.880 --> 0:43:30.920
<v Speaker 5>It.

0:43:31.800 --> 0:43:36.360
<v Speaker 6>I don't need like after Frank was withholding with Karen,

0:43:36.560 --> 0:43:40.120
<v Speaker 6>someone who he ostensibly loves, and we are really into

0:43:40.120 --> 0:43:40.920
<v Speaker 6>that relationship.

0:43:40.960 --> 0:43:41.160
<v Speaker 2>There.

0:43:41.440 --> 0:43:45.279
<v Speaker 6>What makes me think that if he's like pinned up

0:43:45.280 --> 0:43:48.880
<v Speaker 6>against the wall by fourteen different scummy cops who are

0:43:48.880 --> 0:43:51.560
<v Speaker 6>wearing his logo, that he's gonna be like, you know what, guys,

0:43:51.680 --> 0:43:54.080
<v Speaker 6>I gotta give you a piece of my mind because.

0:43:53.840 --> 0:43:55.960
<v Speaker 1>I wouldn't kill people, and he doesn't.

0:43:56.480 --> 0:43:58.319
<v Speaker 6>That's why he just fucking killed him, and he just

0:44:00.120 --> 0:44:02.200
<v Speaker 6>when he's tied to it, yeah, then he's like, I'm

0:44:02.200 --> 0:44:04.399
<v Speaker 6>not even giving you the time of day for that.

0:44:07.160 --> 0:44:10.440
<v Speaker 2>I love this so much because this is this is why.

0:44:10.200 --> 0:44:12.920
<v Speaker 3>We do this podcast, is because we love this stuff

0:44:13.000 --> 0:44:16.000
<v Speaker 3>so deeply that it becomes this really fun thing while

0:44:16.040 --> 0:44:19.040
<v Speaker 3>you get to critique, well didn't work, like talk about

0:44:19.040 --> 0:44:21.560
<v Speaker 3>what works. And I think that's like why we love it.

0:44:21.600 --> 0:44:24.160
<v Speaker 1>I mean, there's a lot I will admit, like we're great,

0:44:24.239 --> 0:44:26.600
<v Speaker 1>you know, I think I'm certainly like personally grading and

0:44:26.640 --> 0:44:29.120
<v Speaker 1>on a curve for a variety of reasons that I've

0:44:29.160 --> 0:44:31.360
<v Speaker 1>talked about all throughout, But I think one of the

0:44:31.400 --> 0:44:34.680
<v Speaker 1>other things that I really like about that, and I

0:44:34.719 --> 0:44:39.160
<v Speaker 1>find very promising about the execution of dared Evil Born Again,

0:44:39.640 --> 0:44:45.960
<v Speaker 1>is that it suggests that, you know, Disney TV, Marvel,

0:44:46.760 --> 0:44:51.520
<v Speaker 1>Level TV, the street level heroes are going to like

0:44:52.239 --> 0:44:54.759
<v Speaker 1>go there in a way that the movies are not.

0:44:54.840 --> 0:44:57.440
<v Speaker 1>They're going to be more violent, they're going to take on,

0:44:58.480 --> 0:45:01.920
<v Speaker 1>you know, different kinds of subject matter. They're going to

0:45:02.000 --> 0:45:06.759
<v Speaker 1>take on more hard hitting kind of story topics, and

0:45:06.920 --> 0:45:10.200
<v Speaker 1>they're gonna do it in a way where, you know,

0:45:10.239 --> 0:45:12.759
<v Speaker 1>maybe it's because they're kind of under the radar and

0:45:12.800 --> 0:45:15.040
<v Speaker 1>don't get the kind of attention that the movies get

0:45:15.080 --> 0:45:18.680
<v Speaker 1>with all the conversation about like di and Woke and

0:45:18.719 --> 0:45:21.239
<v Speaker 1>who should be cast in what and what does this carry?

0:45:21.280 --> 0:45:24.640
<v Speaker 1>You know, I think the fact that they're kind of

0:45:24.719 --> 0:45:30.200
<v Speaker 1>below that conversation, if that's what allows them to have

0:45:30.320 --> 0:45:35.120
<v Speaker 1>the freedom to just to you know, depict Wilson Fisk

0:45:35.200 --> 0:45:42.080
<v Speaker 1>as basically like red Hook, Dictator Trump, Like okay, Like

0:45:42.719 --> 0:45:45.279
<v Speaker 1>I'm for it, Like I hope that the rest of

0:45:45.320 --> 0:45:48.080
<v Speaker 1>their street level stuff hits as hard as this, as

0:45:48.120 --> 0:45:50.799
<v Speaker 1>imperfect as it clearly was.

0:45:51.080 --> 0:45:53.759
<v Speaker 3>Yeah, I agree, and I do think as well, we

0:45:53.840 --> 0:45:57.399
<v Speaker 3>are living in an age where a lot of the

0:45:57.800 --> 0:46:02.000
<v Speaker 3>radical nature and analogous name of superheroes has been lost,

0:46:02.040 --> 0:46:04.279
<v Speaker 3>and I think that's why for me, even if it's

0:46:04.280 --> 0:46:07.200
<v Speaker 3>something that's not necessarily intentional, like the way that The

0:46:07.400 --> 0:46:13.680
<v Speaker 3>Suicide Squad felt like a film about prison labor, prisoner exploitation,

0:46:13.880 --> 0:46:16.799
<v Speaker 3>and like a story about the harms and horrors of

0:46:16.880 --> 0:46:19.520
<v Speaker 3>war and America's colonialism, and that might not have been

0:46:19.560 --> 0:46:22.759
<v Speaker 3>and I spoke to him about it the intention of

0:46:22.760 --> 0:46:24.799
<v Speaker 3>what James Gum made, but to me, it spoke to me.

0:46:25.080 --> 0:46:27.919
<v Speaker 2>And I do think that on that level, the fact

0:46:28.000 --> 0:46:28.520
<v Speaker 2>that this.

0:46:28.480 --> 0:46:31.319
<v Speaker 3>Show can make I mean, look, you know me, I'm

0:46:31.320 --> 0:46:35.360
<v Speaker 3>a the Batman number one superstate, right, but this movie, I.

0:46:35.280 --> 0:46:38.480
<v Speaker 2>Think actually because I was correct ish.

0:46:38.560 --> 0:46:40.520
<v Speaker 3>You know, if we talk about predictions, I definitely was

0:46:40.520 --> 0:46:42.000
<v Speaker 3>feeling like there was going to be some kind of

0:46:42.000 --> 0:46:43.480
<v Speaker 3>good cop team, but.

0:46:43.480 --> 0:46:45.480
<v Speaker 2>Even then it was much more vague.

0:46:45.760 --> 0:46:48.400
<v Speaker 3>It was much more of like, well, Matt's gonna be

0:46:48.440 --> 0:46:50.760
<v Speaker 3>honest about who he is to these people that he trusts,

0:46:50.760 --> 0:46:53.520
<v Speaker 3>and let's see how that can impact the city going forward.

0:46:54.040 --> 0:46:56.000
<v Speaker 3>And that to me, like at the end of Batman,

0:46:56.320 --> 0:46:58.480
<v Speaker 3>which is such a great movie about corrupt cops and

0:46:58.520 --> 0:47:01.120
<v Speaker 3>the danger of corruption in a city and how it

0:47:01.160 --> 0:47:04.200
<v Speaker 3>can impact people. They have to literally have someone be like,

0:47:04.680 --> 0:47:07.040
<v Speaker 3>not all cops are bad cops, and then they show

0:47:07.080 --> 0:47:09.439
<v Speaker 3>all these cops in like a heroic light. I think

0:47:09.480 --> 0:47:11.959
<v Speaker 3>they were able to do something here that is much

0:47:12.040 --> 0:47:16.120
<v Speaker 3>more morally ambiguous because Matt is also morally ambiguous, and

0:47:16.120 --> 0:47:18.640
<v Speaker 3>that to me, I do think is going to be

0:47:18.719 --> 0:47:22.839
<v Speaker 3>the resounding feeling of wow, Like they predicted this, it

0:47:22.880 --> 0:47:25.200
<v Speaker 3>came out at the right time, and it feels like

0:47:25.239 --> 0:47:27.240
<v Speaker 3>they're dealing with it in a way I haven't seen before.

0:47:27.920 --> 0:47:31.040
<v Speaker 1>Yeah, and it also made me think in an age

0:47:31.200 --> 0:47:34.840
<v Speaker 1>when you know, if you disagree with a lot of

0:47:34.840 --> 0:47:37.560
<v Speaker 1>the things that are going on currently, like in the world,

0:47:39.200 --> 0:47:42.279
<v Speaker 1>you know, the media is corporate, It's completely lost to you.

0:47:42.400 --> 0:47:46.560
<v Speaker 1>It's not a place where you can feel comfortable anymore,

0:47:46.719 --> 0:47:51.880
<v Speaker 1>like communicating those ideas a lot of the times academias

0:47:52.040 --> 0:47:56.480
<v Speaker 1>under threat. It proves this is gonna sound like hokey,

0:47:56.560 --> 0:48:01.120
<v Speaker 1>but to me it shows the importance of of culture

0:48:01.200 --> 0:48:04.120
<v Speaker 1>and like pop culture, and how it can be a

0:48:04.200 --> 0:48:08.440
<v Speaker 1>container for ideas that are super simple but actually like

0:48:08.480 --> 0:48:14.960
<v Speaker 1>really important, like hey, corruption and untrammeled power is bad.

0:48:15.960 --> 0:48:19.440
<v Speaker 2>Yeah, you know this.

0:48:21.200 --> 0:48:24.360
<v Speaker 1>Conversation, and so I think that I think that, like

0:48:24.640 --> 0:48:29.400
<v Speaker 1>it's crazy to be like this very very silly television

0:48:29.760 --> 0:48:32.000
<v Speaker 1>feels important in that way, in the same kind of

0:48:32.000 --> 0:48:34.160
<v Speaker 1>way that I think we'll be talking about and or.

0:48:34.920 --> 0:48:35.919
<v Speaker 2>But it does.

0:48:36.000 --> 0:48:37.719
<v Speaker 1>Even though it was like very silly with a lot

0:48:37.760 --> 0:48:40.600
<v Speaker 1>of flaws, it feels like, Oh, here's like a thing

0:48:40.680 --> 0:48:42.960
<v Speaker 1>that says, Hey, all the stuff that's going on that's bad,

0:48:43.040 --> 0:48:44.480
<v Speaker 1>it is actually bad. That's bad.

0:48:44.520 --> 0:48:45.359
<v Speaker 2>Yeah, it's fucking bad.

0:48:45.400 --> 0:48:47.960
<v Speaker 3>And guess what you can fight against it if you

0:48:48.000 --> 0:48:49.840
<v Speaker 3>want to, which I think is a good message. Okay,

0:48:49.960 --> 0:48:52.759
<v Speaker 3>many your wrong friend reunion. Joel, tell us how much

0:48:52.760 --> 0:48:55.160
<v Speaker 3>you hated killing us softly? Killing me softly?

0:48:55.280 --> 0:48:57.360
<v Speaker 1>Karen, tell me how much you loved radio had Killing

0:48:57.360 --> 0:49:01.920
<v Speaker 1>Me such a beautiful song about love and the pain

0:49:02.040 --> 0:49:02.680
<v Speaker 1>and the struggle.

0:49:02.840 --> 0:49:05.000
<v Speaker 5>It belongs in I don't know, maybe the last of

0:49:05.080 --> 0:49:08.920
<v Speaker 5>us check that show out. Uh here for two seconds

0:49:09.160 --> 0:49:12.279
<v Speaker 5>win an assassin that Matt has had hardly any time with.

0:49:12.920 --> 0:49:14.760
<v Speaker 2>Why is this solt? For what reason?

0:49:16.080 --> 0:49:19.080
<v Speaker 5>Killing is not softly? It's very deadly and in your

0:49:19.120 --> 0:49:21.279
<v Speaker 5>face and not subtle. He's in a hallway ripping out

0:49:21.320 --> 0:49:23.359
<v Speaker 5>a syringe, which actually from a comic book angle.

0:49:23.360 --> 0:49:23.879
<v Speaker 1>I really love.

0:49:23.920 --> 0:49:25.920
<v Speaker 5>It's so menacing and weird that I'm sure any nurse

0:49:25.960 --> 0:49:27.279
<v Speaker 5>walking by be like, what are you doing?

0:49:27.719 --> 0:49:29.439
<v Speaker 3>But he didn't even need to bring that. He could

0:49:29.440 --> 0:49:31.240
<v Speaker 3>have just he didn't need to bring the whole bulks.

0:49:31.239 --> 0:49:33.000
<v Speaker 3>He could have just stolen a needle.

0:49:32.760 --> 0:49:35.719
<v Speaker 2>From the options. Very different.

0:49:36.960 --> 0:49:39.600
<v Speaker 1>And then he well, let me just wait. I just

0:49:39.640 --> 0:49:41.640
<v Speaker 1>want to say one thing Jason just wants to say

0:49:41.960 --> 0:49:46.440
<v Speaker 1>because as a person who does anybody remember the nineteen

0:49:46.520 --> 0:49:50.799
<v Speaker 1>ninety eight Michael Keaton Kelly Preston classic Jack Frost, in

0:49:50.880 --> 0:49:55.440
<v Speaker 1>which Michael Keaton the most. He plays the most successful

0:49:55.480 --> 0:49:59.520
<v Speaker 1>blues musician in Colorado. He dies in a car accident

0:49:59.560 --> 0:50:02.560
<v Speaker 1>and then his spirit inhabits a snowman.

0:50:02.920 --> 0:50:05.960
<v Speaker 2>Well, the horror movie, terrible.

0:50:05.680 --> 0:50:08.719
<v Speaker 1>Fucking piece of shit movie that is really funny to

0:50:08.760 --> 0:50:13.319
<v Speaker 1>watch in retrospect. As one of the craziest. They use

0:50:14.120 --> 0:50:16.560
<v Speaker 1>Landslide by Fleetwood Mac, which I think is one of

0:50:16.600 --> 0:50:19.960
<v Speaker 1>the most beautiful and affecting and heartbreaking songs ever written,

0:50:20.520 --> 0:50:25.160
<v Speaker 1>drops in the middle of Jack Frost, a movie about

0:50:25.200 --> 0:50:29.360
<v Speaker 1>a haunted snowman, and I just think, like it happens.

0:50:29.160 --> 0:50:36.680
<v Speaker 2>What you was just saying what everyone knows. Why are

0:50:36.680 --> 0:50:41.800
<v Speaker 2>you jamming it in here? Okay, Aaron? Aaron song worked

0:50:41.960 --> 0:50:43.160
<v Speaker 2>for you? And why was it right?

0:50:43.200 --> 0:50:46.200
<v Speaker 6>They could have had that scene in the hospital set

0:50:46.239 --> 0:50:48.480
<v Speaker 6>to dah Rude Sandstorm, and I would have forgiven the

0:50:48.560 --> 0:50:52.120
<v Speaker 6>music supervisor for that Radiohead drop, which when it hits

0:50:52.680 --> 0:50:56.160
<v Speaker 6>is so effective and incredible close to a season. The

0:50:56.280 --> 0:51:00.000
<v Speaker 6>song that is about unease, and this song, I mean,

0:51:00.160 --> 0:51:03.120
<v Speaker 6>like the lyric that's repeated is yesterday I woke up

0:51:03.160 --> 0:51:06.360
<v Speaker 6>sucking a lemon yesterday. I woke up sucking elemon yesterday.

0:51:06.440 --> 0:51:10.359
<v Speaker 6>Like this song is about feeling stuck and blocked, and

0:51:11.360 --> 0:51:15.799
<v Speaker 6>we get like Matt's growth where he chooses to I'm

0:51:15.800 --> 0:51:17.759
<v Speaker 6>not going to just charge in to read. I'm not

0:51:18.400 --> 0:51:21.600
<v Speaker 6>I'm going to try to regroup, collect some people, and

0:51:21.640 --> 0:51:23.360
<v Speaker 6>I'm not going to do this alone.

0:51:23.719 --> 0:51:26.400
<v Speaker 1>Like the Defenders. Maybe maybe the Defenders.

0:51:27.560 --> 0:51:28.160
<v Speaker 2>I will say.

0:51:28.280 --> 0:51:31.000
<v Speaker 6>When Li's commissioner got into the car and was like,

0:51:31.160 --> 0:51:36.680
<v Speaker 6>Luke been a while, I was like, I was like,

0:51:36.760 --> 0:51:40.000
<v Speaker 6>come on, bra But yeah, the radio Head drop, I

0:51:40.040 --> 0:51:43.200
<v Speaker 6>thought was an incredible way to close out the season,

0:51:43.440 --> 0:51:45.919
<v Speaker 6>and I know it's a great way to lead into

0:51:45.960 --> 0:51:48.960
<v Speaker 6>the next one, and I like, I said completely forgave

0:51:49.040 --> 0:51:51.800
<v Speaker 6>them for what other other music choices they had throughout

0:51:51.840 --> 0:51:56.200
<v Speaker 6>the episode, because that Radiohead song is amazing and is

0:51:56.200 --> 0:51:58.080
<v Speaker 6>not the kind of thing you would expect to see

0:51:58.120 --> 0:52:02.799
<v Speaker 6>in like a Marvel television project. So again agree and

0:52:02.840 --> 0:52:05.160
<v Speaker 6>I didn't expect it and therefore I loved it Mountain.

0:52:05.320 --> 0:52:08.360
<v Speaker 3>So okay, let's do so let's I just want to

0:52:08.400 --> 0:52:11.600
<v Speaker 3>say we we were on a we were right roll

0:52:11.640 --> 0:52:14.560
<v Speaker 3>with this episode. Punisher comes back correct, Karen comes back correct,

0:52:14.600 --> 0:52:16.359
<v Speaker 3>Foggy that was more of a could it happen?

0:52:16.440 --> 0:52:20.080
<v Speaker 2>It didn't happen. Sorry, today I gotta say.

0:52:20.880 --> 0:52:28.400
<v Speaker 1>Someone I was like, oh my, that would have been crazy.

0:52:28.600 --> 0:52:30.720
<v Speaker 2>Fisk becoming like maya kingpin.

0:52:30.840 --> 0:52:33.239
<v Speaker 3>We called that right, Matt taking over the gangs and

0:52:33.239 --> 0:52:35.279
<v Speaker 3>crime families wrong, but I do still think we could

0:52:35.280 --> 0:52:37.880
<v Speaker 3>see that in season two and Matt creating kind of

0:52:37.920 --> 0:52:39.919
<v Speaker 3>a good cop team. Is it going to become Dead

0:52:39.920 --> 0:52:40.600
<v Speaker 3>Devil's Army?

0:52:40.680 --> 0:52:43.520
<v Speaker 2>I don't know. We also have this.

0:52:43.400 --> 0:52:46.600
<v Speaker 3>Was a big episode in the Discord, lots of live watching.

0:52:46.960 --> 0:52:49.520
<v Speaker 3>So I'll start off with a friend, my close friend

0:52:49.520 --> 0:52:52.400
<v Speaker 3>and friend of the poor Nikola Shukla spider Man India author.

0:52:52.440 --> 0:52:53.320
<v Speaker 2>We've had on here before.

0:52:54.000 --> 0:52:58.240
<v Speaker 3>How many times in this season? Did mere Fisk say

0:52:58.280 --> 0:52:59.440
<v Speaker 3>this city?

0:52:59.440 --> 0:52:59.840
<v Speaker 1>He says it?

0:53:00.000 --> 0:53:00.640
<v Speaker 2>What are the guesses?

0:53:00.760 --> 0:53:03.080
<v Speaker 1>Times? He probably says it ten times in episodes, So I'm.

0:53:02.960 --> 0:53:07.960
<v Speaker 5>Gonna yeah, I think I'll say thirteen prices, right, rules,

0:53:08.080 --> 0:53:08.920
<v Speaker 5>I just it was.

0:53:08.840 --> 0:53:12.640
<v Speaker 6>A lot, alright, yes, if anyone out there. Nine episodes

0:53:12.680 --> 0:53:15.040
<v Speaker 6>in the season, so I'm gonna say he said eighteen times.

0:53:15.080 --> 0:53:17.839
<v Speaker 3>I think he did average twice to a game. Yeah,

0:53:17.840 --> 0:53:19.960
<v Speaker 3>twice an episode. Okay, I think it was higher, but yes,

0:53:20.000 --> 0:53:20.360
<v Speaker 3>I like that.

0:53:20.440 --> 0:53:23.360
<v Speaker 2>Okay. Abel will Ring, one of our.

0:53:23.360 --> 0:53:27.680
<v Speaker 3>Most loyal and regular Discord users, asked, is Kirsten an

0:53:27.760 --> 0:53:30.680
<v Speaker 3>established comics character who is a good person? The answer

0:53:30.840 --> 0:53:33.480
<v Speaker 3>is yes. In the comics she is a good person.

0:53:33.680 --> 0:53:36.440
<v Speaker 3>She helps Foggy get Matt out of prison. She is

0:53:36.520 --> 0:53:39.680
<v Speaker 3>a true ally. So no, don't be worried that just

0:53:39.680 --> 0:53:41.759
<v Speaker 3>because she knew the motion was going to dismiss she

0:53:42.160 --> 0:53:44.439
<v Speaker 3>was in the comics. If we're going on her personality there,

0:53:44.719 --> 0:53:47.160
<v Speaker 3>she is not someone who's gonna keep that from Matt

0:53:47.200 --> 0:53:49.280
<v Speaker 3>or use it against Matt in some way. She probably

0:53:49.280 --> 0:53:52.680
<v Speaker 3>has not got any connection with Fisk, and hopefully they

0:53:52.680 --> 0:53:54.840
<v Speaker 3>will expand on her in season two, because I do

0:53:54.920 --> 0:53:57.960
<v Speaker 3>think that there is a lot they can do there. Jason,

0:53:58.360 --> 0:54:02.160
<v Speaker 3>can you do Daniel Blake Dead Evil versus Young Oz

0:54:02.200 --> 0:54:02.840
<v Speaker 3>from Penguin?

0:54:02.880 --> 0:54:03.640
<v Speaker 2>I believe in him.

0:54:04.040 --> 0:54:05.680
<v Speaker 1>I don't know if I could do It's been too

0:54:05.680 --> 0:54:08.680
<v Speaker 1>long since I've done Young Eyes. But let me try. Uh,

0:54:09.800 --> 0:54:18.359
<v Speaker 1>let me see young Okay. Uh Hi, I'm Daniel, the

0:54:18.400 --> 0:54:24.239
<v Speaker 1>deputy mayor for Communications. Who are you? I'm as I am.

0:54:24.680 --> 0:54:28.600
<v Speaker 1>I I like the Maya. I think he's great, and

0:54:28.640 --> 0:54:30.919
<v Speaker 1>I think everything he's doing is great. And my mom

0:54:31.000 --> 0:54:32.719
<v Speaker 1>loves him. I love to see him, I love him,

0:54:32.719 --> 0:54:35.080
<v Speaker 1>meet him perfect.

0:54:35.160 --> 0:54:37.480
<v Speaker 2>And that was from Playmaker thirty four. We appreciate that.

0:54:37.880 --> 0:54:42.120
<v Speaker 3>Okay, Mon Mouffman, really good question here. Is there even

0:54:42.160 --> 0:54:44.440
<v Speaker 3>a remote chance that we see Spider next season?

0:54:44.560 --> 0:54:47.680
<v Speaker 2>I think I agree? Zero?

0:54:48.239 --> 0:54:51.200
<v Speaker 3>But yeah, Mon Moffman knew it was kind of more

0:54:51.239 --> 0:54:54.279
<v Speaker 3>of a Sony logistical standpoint, and I don't think that's

0:54:54.320 --> 0:54:54.920
<v Speaker 3>gonna happen.

0:54:55.320 --> 0:54:57.279
<v Speaker 2>Well, Okay, so I like this one too. From Joe's

0:54:57.320 --> 0:54:57.680
<v Speaker 2>McK one.

0:54:57.719 --> 0:55:00.120
<v Speaker 3>This is bleak, but after this season, I wouldn't be

0:55:00.120 --> 0:55:03.160
<v Speaker 3>shocked if we see something similar. Do you think that

0:55:03.239 --> 0:55:05.399
<v Speaker 3>they just kept Frank so they could kind of hang

0:55:05.480 --> 0:55:07.640
<v Speaker 3>him in front of the press and same with Jack.

0:55:08.560 --> 0:55:10.360
<v Speaker 5>Do you think coming out?

0:55:12.600 --> 0:55:18.440
<v Speaker 1>Yeah, yeah, John birth John Bernhal is his ascendant and

0:55:18.480 --> 0:55:20.440
<v Speaker 1>the punisher is too important a character.

0:55:20.280 --> 0:55:24.239
<v Speaker 6>Do you think and has a hand in writing it too,

0:55:24.440 --> 0:55:25.080
<v Speaker 6>so it will be.

0:55:25.160 --> 0:55:26.319
<v Speaker 2>Yea yeah yeah.

0:55:26.440 --> 0:55:28.680
<v Speaker 3>And do you do you think that we will see

0:55:28.719 --> 0:55:32.600
<v Speaker 3>them basically execute or take a stand on someone like Jack?

0:55:32.680 --> 0:55:35.040
<v Speaker 3>Seems like a perfect kind of They could kill him

0:55:35.040 --> 0:55:37.600
<v Speaker 3>in season two and it would feel but we don't know.

0:55:37.719 --> 0:55:42.280
<v Speaker 1>I feel that Jack Jack's literally done, knowing we've never

0:55:42.400 --> 0:55:45.440
<v Speaker 1>seen him in his He's never been in his costume.

0:55:45.840 --> 0:55:46.799
<v Speaker 2>It's like, why is.

0:55:46.719 --> 0:55:49.480
<v Speaker 1>He He just got in a tiff with Fixed and

0:55:49.520 --> 0:55:50.080
<v Speaker 1>now he's in.

0:55:50.040 --> 0:55:57.320
<v Speaker 2>A cage literally. Okay. Final question from le bolu Bu's comment.

0:55:57.400 --> 0:55:58.920
<v Speaker 2>I like this a lot. This is a good one.

0:55:59.640 --> 0:56:01.439
<v Speaker 2>Who are some of the other people you would put?

0:56:01.520 --> 0:56:01.600
<v Speaker 6>Like?

0:56:01.640 --> 0:56:04.759
<v Speaker 3>Who are the other vigilantes in that cage? Is Let's

0:56:04.760 --> 0:56:08.440
<v Speaker 3>say some which outrage character would you like them to reveal?

0:56:08.520 --> 0:56:09.520
<v Speaker 2>Joel go for Rhy.

0:56:14.400 --> 0:56:19.480
<v Speaker 5>He was done dirty and Craven.

0:56:17.680 --> 0:56:18.320
<v Speaker 2>He was done that.

0:56:20.239 --> 0:56:23.000
<v Speaker 3>I'm gonna go for three D Man because I'm obsessed

0:56:23.000 --> 0:56:23.399
<v Speaker 3>with them.

0:56:23.680 --> 0:56:25.360
<v Speaker 2>I think he needs to I think they need to

0:56:25.360 --> 0:56:27.800
<v Speaker 2>bring him in. I also think, look if.

0:56:27.680 --> 0:56:30.759
<v Speaker 3>Jack Dukaine, the swordsman who's literally just once had a

0:56:30.760 --> 0:56:34.840
<v Speaker 3>little fight with a fencing night you know sword. Sorry

0:56:34.840 --> 0:56:36.239
<v Speaker 3>to the people who know what that's called. I think

0:56:36.239 --> 0:56:39.440
<v Speaker 3>it's called a foil. But like I think anyone could

0:56:39.480 --> 0:56:41.040
<v Speaker 3>be in there, like fisk Is, Like I don't like

0:56:41.080 --> 0:56:42.719
<v Speaker 3>this guy who puts on his glasses and he could

0:56:42.719 --> 0:56:44.400
<v Speaker 3>see a scroll, Like that's dumb.

0:56:44.480 --> 0:56:45.440
<v Speaker 2>Put him in the box.

0:56:47.280 --> 0:56:52.400
<v Speaker 1>Yeah, okay, Well, coming up on x Ray Vision, we

0:56:52.480 --> 0:56:55.399
<v Speaker 1>have an absolutely jam packed week coming up. Starting off

0:56:55.440 --> 0:56:57.560
<v Speaker 1>this weekend, we're gonna have our spoiler free reaction to

0:56:57.840 --> 0:57:01.560
<v Speaker 1>Ryan Coogler's Sinners, and on Tuesday, we'll be back with

0:57:01.719 --> 0:57:03.719
<v Speaker 1>more Last of Us season two coverage, and then on

0:57:03.760 --> 0:57:07.000
<v Speaker 1>Wednesday and or season two, the first three episodes, we'll

0:57:07.040 --> 0:57:09.799
<v Speaker 1>be covering it. Plus we're helping you get ready for

0:57:09.840 --> 0:57:13.440
<v Speaker 1>Marvel's next big blockbuster with our Thunderbolt book Club on Thursday.

0:57:13.480 --> 0:57:15.000
<v Speaker 1>That's it for this episode, Thanks for listening.

0:57:15.719 --> 0:57:18.160
<v Speaker 6>I just also I want to thank the entire x

0:57:18.240 --> 0:57:21.200
<v Speaker 6>ray team. This group talked about Detective Kim more than

0:57:21.200 --> 0:57:23.920
<v Speaker 6>the writer's room of Daredevil, So I just I want to.

0:57:23.880 --> 0:57:28.440
<v Speaker 3>Acknowledge yes for that, Yes, Detective Kim Justice, but Detective

0:57:30.320 --> 0:57:35.240
<v Speaker 3>give her a Marvel preview and Madison Detective Kim Buddy not.

0:57:40.920 --> 0:57:43.560
<v Speaker 1>X Ray Vision is hosted by Jason Sepsion and Rosie

0:57:43.640 --> 0:57:45.640
<v Speaker 1>Night and is a production of iHeart Podcast.

0:57:46.000 --> 0:57:49.600
<v Speaker 3>Our executive producers are Joe Alminique and Aaron Coleman.

0:57:49.840 --> 0:57:51.680
<v Speaker 1>Our supervising producer is Abusa.

0:57:51.760 --> 0:57:56.200
<v Speaker 3>Par All produces are Common, Laurent Dean Jonathan and Bay Wack.

0:57:56.360 --> 0:57:59.120
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:57:59.160 --> 0:58:00.440
<v Speaker 1>songs by Ern Copman.

0:58:00.600 --> 0:58:03.960
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:58:04.080 --> 0:58:05.840
<v Speaker 3>Heidi our discord moderator