1
00:00:00,120 --> 00:00:02,480
Speaker 1: There are five and a half billion jobs open in America,

2
00:00:02,560 --> 00:00:05,120
Speaker 1: and it's time to get to work. At Express prose

3
00:00:05,200 --> 00:00:07,400
Speaker 1: dot com, you can apply for a new job today.

4
00:00:07,800 --> 00:00:10,960
Speaker 1: Apply now at express prose dot com for skilled labor

5
00:00:11,039 --> 00:00:16,040
Speaker 1: jobs like drivers, forklift operators, welders, and programmers, as well

6
00:00:16,040 --> 00:00:20,680
Speaker 1: as administrative jobs, customer service and accounting positions. Express also

7
00:00:20,800 --> 00:00:24,880
Speaker 1: hires for positions in the medical industry such as billing, coding,

8
00:00:25,120 --> 00:00:28,760
Speaker 1: data entry, and record keeping. Each Express office is locally

9
00:00:28,760 --> 00:00:31,840
Speaker 1: owned and operated and is invested in the success of

10
00:00:31,920 --> 00:00:34,720
Speaker 1: their community, and seventy five percent of the people who

11
00:00:34,800 --> 00:00:36,960
Speaker 1: have a job are open to a new job or

12
00:00:37,040 --> 00:00:40,120
Speaker 1: actively looking for a new job. With more than seven

13
00:00:40,159 --> 00:00:43,400
Speaker 1: hundred and seventy Express locations, you'll find the nearest one

14
00:00:43,440 --> 00:00:47,000
Speaker 1: at Express pros dot com. Third o fees for job seekers,

15
00:00:47,000 --> 00:00:49,920
Speaker 1: and with one application you apply for a variety of

16
00:00:49,960 --> 00:00:53,400
Speaker 1: top jobs in your community. Express takes pride in connecting

17
00:00:53,440 --> 00:00:56,640
Speaker 1: the right people with the right company. Go to Express

18
00:00:56,680 --> 00:01:01,040
Speaker 1: pros dot com. That's Express pros dot com. Now here's

19
00:01:01,040 --> 00:01:04,800
Speaker 1: a highlight from Coast to Coast AM on iHeart Radio

20
00:01:05,040 --> 00:01:07,280
Speaker 1: and welcome back to Coast to Coast Patty Greer back

21
00:01:07,319 --> 00:01:10,280
Speaker 1: with us Patty one of the hardest working UFO filmmakers

22
00:01:10,280 --> 00:01:13,640
Speaker 1: in the world. She completed eight full feature UFO movies

23
00:01:13,680 --> 00:01:17,000
Speaker 1: in the past ten years has received eight prestigious awards.

24
00:01:17,480 --> 00:01:21,080
Speaker 1: Her movies offer explosive video and evidence about the crop

25
00:01:21,160 --> 00:01:25,800
Speaker 1: circle phenomenon. Very bold, intuitive and telepathic person which is

26
00:01:25,840 --> 00:01:29,440
Speaker 1: how she co produced and filmed eight movies with other

27
00:01:29,760 --> 00:01:34,039
Speaker 1: dimensional beings without any training, research or teamwork. Patty spent

28
00:01:34,160 --> 00:01:37,000
Speaker 1: nine years of the summer between nine weeks of the

29
00:01:37,000 --> 00:01:40,080
Speaker 1: summer between two thousand seven and eight laying in the

30
00:01:40,200 --> 00:01:43,399
Speaker 1: United Kingdom crop circles and has visited more than a

31
00:01:43,520 --> 00:01:47,480
Speaker 1: hundred UK crop circles personally over the years. As well.

32
00:01:47,600 --> 00:01:50,360
Speaker 1: My pleasure to bring back to Coast to Coast Patty

33
00:01:50,400 --> 00:01:54,120
Speaker 1: Greer and her new film, Crop Circle Diaries. Patty, welcome back.

34
00:01:54,720 --> 00:01:59,520
Speaker 1: Thank you so much. You are indeed the hardest working

35
00:01:59,560 --> 00:02:03,600
Speaker 1: filmmaker are out there. I don't know what I was thinking,

36
00:02:03,800 --> 00:02:07,320
Speaker 1: but I got on a roll. I couldn't stop now

37
00:02:07,440 --> 00:02:10,240
Speaker 1: on your birthday when I saw you contact in the

38
00:02:10,280 --> 00:02:15,520
Speaker 1: desert last year last year, Yes, Stack of Presence. But

39
00:02:15,720 --> 00:02:19,080
Speaker 1: did you watch Prosterble Diaries? Yes? I did, and I

40
00:02:19,160 --> 00:02:21,800
Speaker 1: have to tell you you put in some of the

41
00:02:21,840 --> 00:02:25,840
Speaker 1: most incredible videos. And I'm talking from a year now,

42
00:02:26,520 --> 00:02:30,200
Speaker 1: but one I wanted to ask you. I'm glad you're

43
00:02:30,240 --> 00:02:32,120
Speaker 1: here with me now. I know you were on with

44
00:02:32,160 --> 00:02:37,200
Speaker 1: our buddy Richard Saratt a year ago. Did you how

45
00:02:37,200 --> 00:02:40,800
Speaker 1: did you get permission to video most of the things

46
00:02:40,840 --> 00:02:46,600
Speaker 1: you videoed in that documentary? Well, um, you know, I

47
00:02:46,639 --> 00:02:48,880
Speaker 1: think I've been in the front line for ten years,

48
00:02:48,919 --> 00:02:52,639
Speaker 1: so it's pretty easy to work my way around plus time,

49
00:02:52,919 --> 00:02:56,239
Speaker 1: Patty Greer, I don't take no for an answer, um,

50
00:02:56,480 --> 00:02:59,280
Speaker 1: but I think that pretty much the times when I

51
00:02:59,320 --> 00:03:03,160
Speaker 1: was in England, I was on such fast forward and

52
00:03:03,360 --> 00:03:06,639
Speaker 1: also really working in a telepathic state that it wasn't

53
00:03:06,680 --> 00:03:10,480
Speaker 1: really a matter of anybody's stopping any of the flow.

54
00:03:10,560 --> 00:03:16,119
Speaker 1: It was really autopilot and things just happened like so organically.

55
00:03:16,600 --> 00:03:19,720
Speaker 1: That's how the movies happen. And I think that the

56
00:03:19,760 --> 00:03:23,280
Speaker 1: thing about telepathy that works with me is that a

57
00:03:23,320 --> 00:03:26,440
Speaker 1: lot of people do receive information. But the difference in

58
00:03:27,120 --> 00:03:29,520
Speaker 1: a lot of people that receive a lot of telepathic

59
00:03:29,560 --> 00:03:32,320
Speaker 1: work that they're so busy and they're texting, is they

60
00:03:32,320 --> 00:03:37,119
Speaker 1: don't take the time to listen and follow through. For me,

61
00:03:37,440 --> 00:03:39,880
Speaker 1: I've been living in the woods for years, having a

62
00:03:39,960 --> 00:03:44,560
Speaker 1: very quiet life, so telepathy is pretty much my daily

63
00:03:45,200 --> 00:03:49,400
Speaker 1: exercise is listening and then filming. So for all those

64
00:03:49,480 --> 00:03:52,800
Speaker 1: years it was very telepathic work. I would wake up

65
00:03:52,800 --> 00:03:56,120
Speaker 1: exhausted in the morning because my dreams were filled with data,

66
00:03:56,720 --> 00:04:00,480
Speaker 1: and I'd have lines of papers next to the bed,

67
00:04:00,520 --> 00:04:03,400
Speaker 1: and I remembered whining at three, oh, please let me sleep,

68
00:04:03,440 --> 00:04:06,160
Speaker 1: And then I'd wake up with just piles of data.

69
00:04:06,360 --> 00:04:12,440
Speaker 1: So I was busy. And the movies definitely, um, they

70
00:04:12,440 --> 00:04:15,560
Speaker 1: did not have any research, so it's all really firsthand

71
00:04:16,279 --> 00:04:19,200
Speaker 1: what I believe the Circle makers want the world to

72
00:04:19,320 --> 00:04:23,240
Speaker 1: know now, rather than old research rehash that is not

73
00:04:23,520 --> 00:04:26,000
Speaker 1: full of shall we say truth? Have you come to

74
00:04:26,040 --> 00:04:30,600
Speaker 1: your own theories conclusions on what you think this phenomenon is?

75
00:04:31,440 --> 00:04:33,919
Speaker 1: You know, it took eight movies to get here, George.

76
00:04:34,000 --> 00:04:38,679
Speaker 1: But the most incredible thing happened to me in which

77
00:04:38,800 --> 00:04:42,280
Speaker 1: is the story that begins crop Circle Diaries. Um, I

78
00:04:42,400 --> 00:04:46,799
Speaker 1: met Penny Kelly and it was in the very strangest way.

79
00:04:46,839 --> 00:04:49,560
Speaker 1: But the purpose of meeting Penny Kelly, who the world

80
00:04:49,600 --> 00:04:52,919
Speaker 1: has really not heard about until this movie. She was

81
00:04:53,000 --> 00:04:55,719
Speaker 1: actually the secret partner of William Levin good for the

82
00:04:55,800 --> 00:05:00,560
Speaker 1: last sixteen years of his life. The scientist, the scientist, Yeah,

83
00:05:00,560 --> 00:05:03,159
Speaker 1: William Levin Good. We called him Lefty or she called

84
00:05:03,240 --> 00:05:07,600
Speaker 1: him lefty, and his close friends did. But for since

85
00:05:07,640 --> 00:05:10,839
Speaker 1: the nineteen fifties, the man was a great scientist working

86
00:05:10,880 --> 00:05:15,320
Speaker 1: on soil and plants and agriculture. And it wasn't until

87
00:05:15,360 --> 00:05:19,920
Speaker 1: the eighties when people started bringing him samples of crop circles.

88
00:05:19,960 --> 00:05:22,360
Speaker 1: And when he looked at his first sample, he was cold.

89
00:05:22,600 --> 00:05:25,880
Speaker 1: He was just blown away. And his entire decades of

90
00:05:25,920 --> 00:05:31,520
Speaker 1: research became fully focused on the crop circle phenomenon UFOs.

91
00:05:31,720 --> 00:05:34,479
Speaker 1: And then when he met Penny Kelly, the two of

92
00:05:34,520 --> 00:05:39,160
Speaker 1: them just exploded in the lab and um, they absolutely,

93
00:05:39,279 --> 00:05:42,400
Speaker 1: in my opinion, proved beyond a shadow of a doubt

94
00:05:42,480 --> 00:05:46,280
Speaker 1: the crop circles are a real phenomenon. And yes, there

95
00:05:46,320 --> 00:05:48,960
Speaker 1: are people going out with boards and ropes to you know,

96
00:05:49,120 --> 00:05:52,279
Speaker 1: to that TV shows, but the real ones, and there's

97
00:05:52,400 --> 00:05:55,920
Speaker 1: mostly real ones in lefties opinion. And also I got

98
00:05:55,920 --> 00:05:58,120
Speaker 1: to stay out of the hundred I've been in, there

99
00:05:58,120 --> 00:06:01,240
Speaker 1: were only two where the hair did not stand up

100
00:06:01,240 --> 00:06:05,000
Speaker 1: on my arms and I didn't get chilled. Well, you know, Patty,

101
00:06:05,320 --> 00:06:08,719
Speaker 1: of the hundred you were in, even if nine of

102
00:06:08,720 --> 00:06:12,000
Speaker 1: them were made by human beings. How do you explain

103
00:06:12,080 --> 00:06:15,320
Speaker 1: that one? And even though the percentages, as you say,

104
00:06:15,320 --> 00:06:19,039
Speaker 1: are way higher than that, if there's just one that

105
00:06:19,200 --> 00:06:23,360
Speaker 1: you can't explain to me, that just opens up this

106
00:06:23,600 --> 00:06:27,320
Speaker 1: entire phenomenon. Wonderful because it's easy to find one, and

107
00:06:27,480 --> 00:06:31,400
Speaker 1: most people would agree, even the most picky, difficult people

108
00:06:31,480 --> 00:06:33,599
Speaker 1: over there would say, well, yeah, that one, but not

109
00:06:33,760 --> 00:06:37,600
Speaker 1: the others. It's like good, that's all George needs. That

110
00:06:37,680 --> 00:06:41,479
Speaker 1: will work for the world, because it's true. UM. But

111
00:06:41,600 --> 00:06:46,400
Speaker 1: the interesting thing was they did so much research that UM.

112
00:06:46,440 --> 00:06:48,680
Speaker 1: What they were working with was the bent nodes, the

113
00:06:48,720 --> 00:06:53,120
Speaker 1: blown nodes, which are the physical biophysical evidence that shows

114
00:06:53,160 --> 00:06:56,960
Speaker 1: you this is not a boards and ropes crop circle. Now,

115
00:06:57,000 --> 00:06:59,280
Speaker 1: when you go into a formation, or when I do,

116
00:06:59,600 --> 00:07:01,880
Speaker 1: you know, calling my camera gear and looking for where

117
00:07:01,880 --> 00:07:03,960
Speaker 1: I'm going to set up, But the guys that I

118
00:07:04,040 --> 00:07:07,520
Speaker 1: go in UM with are always straight down on their

119
00:07:07,600 --> 00:07:11,400
Speaker 1: knees digging through the wheat to see if those nodes

120
00:07:11,520 --> 00:07:16,040
Speaker 1: where it's bent at a degree angles are actually broken

121
00:07:16,400 --> 00:07:20,200
Speaker 1: across the line three ft um. Every three feet where

122
00:07:20,200 --> 00:07:22,400
Speaker 1: the board and ropes go down again, the board will

123
00:07:22,480 --> 00:07:26,200
Speaker 1: break a line of wheat. For a solid line where

124
00:07:26,240 --> 00:07:28,760
Speaker 1: you can just recognize it easily, and then three ft

125
00:07:28,840 --> 00:07:32,440
Speaker 1: later there's another line of broken wheat, So that's obviously

126
00:07:32,520 --> 00:07:35,440
Speaker 1: human made, which literally, by time we get to the

127
00:07:35,520 --> 00:07:37,880
Speaker 1: end of the show, doesn't mean it's not a real

128
00:07:37,920 --> 00:07:41,320
Speaker 1: crops pitt. Why does it seem patty that most of

129
00:07:41,360 --> 00:07:45,520
Speaker 1: these crop formations are in the United Kingdom. Yes, they

130
00:07:45,560 --> 00:07:48,960
Speaker 1: happen all over the planet, but it's the United Kingdom

131
00:07:49,040 --> 00:07:51,560
Speaker 1: they seem to be more prevalent. How come well, it

132
00:07:51,720 --> 00:07:56,000
Speaker 1: is the epicenter. And when we look at the UH

133
00:07:56,280 --> 00:07:59,880
Speaker 1: staffs on what percentage of crop circles are this or that?

134
00:08:00,080 --> 00:08:03,440
Speaker 1: Are the other singers too? The facets that have been

135
00:08:03,480 --> 00:08:07,640
Speaker 1: always in the high ninetentiles. Number one, they're almost always

136
00:08:07,880 --> 00:08:11,240
Speaker 1: sitting over an aquifer of water, which is an underground pool.

137
00:08:11,720 --> 00:08:15,200
Speaker 1: The water has definitely a lot to do with crop

138
00:08:15,280 --> 00:08:20,280
Speaker 1: circles in the chemistry of the formation. The other constant

139
00:08:20,520 --> 00:08:23,360
Speaker 1: is that they're always sitting over a lay line, which

140
00:08:23,400 --> 00:08:27,280
Speaker 1: is a direct line between two sacred sites. And this

141
00:08:27,440 --> 00:08:31,200
Speaker 1: area of southern England, which is called Wiltshire or Somerset

142
00:08:31,800 --> 00:08:36,080
Speaker 1: um includes we've got Stonehenge. Everybody knows that very few

143
00:08:36,120 --> 00:08:39,480
Speaker 1: people know an even older and larger stone circle called

144
00:08:39,480 --> 00:08:43,320
Speaker 1: the Avery Stone Circle, and the Avery Stone Circle is

145
00:08:43,360 --> 00:08:47,040
Speaker 1: the absolute epicenter of crop circle deliveries and it does

146
00:08:47,240 --> 00:08:52,160
Speaker 1: range out miles in all directions from this central stone

147
00:08:52,160 --> 00:08:56,160
Speaker 1: circle in Wiltshire. But the reason there is because the

148
00:08:56,160 --> 00:08:59,080
Speaker 1: two major lay lines of Europe are the Michael and

149
00:08:59,160 --> 00:09:02,440
Speaker 1: Mary lines in the literally crossed at the edge of

150
00:09:02,520 --> 00:09:06,640
Speaker 1: the Abery stone circles. Plus in the center of the

151
00:09:06,679 --> 00:09:11,840
Speaker 1: Avery Stone circles, three underground streams meet. So this is

152
00:09:11,880 --> 00:09:16,160
Speaker 1: a huge power point. And it's surrounded by Silbury Hill.

153
00:09:16,600 --> 00:09:20,400
Speaker 1: This ancient monument, and most of these monuments are six

154
00:09:20,559 --> 00:09:25,160
Speaker 1: seven thousand years old documented, but you know they're still

155
00:09:25,200 --> 00:09:28,240
Speaker 1: fighting about Stonehenge how old. So you know, I wasn't there.

156
00:09:28,440 --> 00:09:30,600
Speaker 1: I can't say for sure. This is the date that

157
00:09:30,679 --> 00:09:33,280
Speaker 1: it appears that we're looking at about six seven thousand

158
00:09:33,400 --> 00:09:38,839
Speaker 1: years old. This area of ritual, of sacred ritual and

159
00:09:38,960 --> 00:09:43,000
Speaker 1: all these churches and so beautiful over there that this

160
00:09:43,120 --> 00:09:45,800
Speaker 1: is why the prop circles are being drawn through this

161
00:09:45,960 --> 00:09:49,360
Speaker 1: area more than anywhere else. It is late with sacred

162
00:09:49,400 --> 00:09:53,360
Speaker 1: sites and the sacred sites and druids people that are

163
00:09:53,400 --> 00:09:58,920
Speaker 1: still prolonging the sacred energy on the land. In your opinion,

164
00:09:59,679 --> 00:10:02,560
Speaker 1: what and if these crops forms will get into who

165
00:10:02,679 --> 00:10:04,880
Speaker 1: you think is making them or what is making them?

166
00:10:04,880 --> 00:10:09,320
Speaker 1: But in your opinion, are they messages? Are they just

167
00:10:09,520 --> 00:10:13,120
Speaker 1: artistic designs? What do you think they are? Well, I

168
00:10:13,160 --> 00:10:18,199
Speaker 1: definitely think their messages, because ultimately we're going to find

169
00:10:18,200 --> 00:10:21,240
Speaker 1: out that crop circles are coming out of the earth.

170
00:10:22,200 --> 00:10:25,080
Speaker 1: They're not coming out of the sky. And this is

171
00:10:25,080 --> 00:10:29,679
Speaker 1: the punchline of Lefty and Tenny's research. After we'll talk

172
00:10:29,760 --> 00:10:33,000
Speaker 1: about how they figured it out. But what they realized

173
00:10:33,200 --> 00:10:35,640
Speaker 1: is that crop circles are coming out of the earth

174
00:10:35,720 --> 00:10:40,600
Speaker 1: and counter rotating vortices explain that. Well, it's a pretty

175
00:10:40,600 --> 00:10:46,200
Speaker 1: big process. But what we have are two spinning, counter

176
00:10:46,320 --> 00:10:50,240
Speaker 1: rotating vortices of plasma coming out of the earth. And

177
00:10:50,320 --> 00:10:55,040
Speaker 1: I do believe that the messages have been predetermined before

178
00:10:55,080 --> 00:10:57,240
Speaker 1: they when and when you say coming out, you're talking

179
00:10:57,320 --> 00:10:59,920
Speaker 1: ground up as opposed to up down into the ground.

180
00:11:00,600 --> 00:11:04,960
Speaker 1: Correct coming out of the earth, and usually in pairs.

181
00:11:05,080 --> 00:11:08,200
Speaker 1: And the two different video clips that you saw in

182
00:11:08,320 --> 00:11:11,800
Speaker 1: Crop Circle Diaries was the famous one in Oliver's Castle,

183
00:11:12,160 --> 00:11:15,120
Speaker 1: which I do believe. I mean, that was pretty impressive

184
00:11:15,559 --> 00:11:18,080
Speaker 1: proving that baby was real didn't you think, well, then

185
00:11:18,120 --> 00:11:22,360
Speaker 1: that was also very complicated too, but you're absolutely right, yeah,

186
00:11:22,400 --> 00:11:25,160
Speaker 1: I mean, in my opinion. Um, and again here's the

187
00:11:25,480 --> 00:11:28,680
Speaker 1: telepathic piece. I'm working with what we thought was the

188
00:11:28,720 --> 00:11:32,640
Speaker 1: original footage that everybody has seen of Oliver's Castle, where

189
00:11:32,640 --> 00:11:35,800
Speaker 1: two balls of light are going over a standing wheat

190
00:11:35,840 --> 00:11:39,720
Speaker 1: field and boom. Within seconds, the field goes down into

191
00:11:39,760 --> 00:11:43,040
Speaker 1: a center circle and satellite circles coming out with these

192
00:11:43,040 --> 00:11:46,680
Speaker 1: straight lines. And it happened in seconds. So we've had

193
00:11:46,920 --> 00:11:49,760
Speaker 1: famous people say it's fake, go back to sleep. But

194
00:11:49,840 --> 00:11:52,200
Speaker 1: then comes the girl that didn't listen to their research.

195
00:11:52,400 --> 00:11:56,040
Speaker 1: And in my first movie, I was working with the

196
00:11:56,080 --> 00:11:59,200
Speaker 1: Oliver's Castle footage. And I'll get to the message piece

197
00:11:59,200 --> 00:12:01,400
Speaker 1: in a minute, but this this part of explaining yes,

198
00:12:01,440 --> 00:12:05,520
Speaker 1: their messages. Um. When I was looking at the Oliver's

199
00:12:05,559 --> 00:12:08,760
Speaker 1: Castle footage, I didn't know anything, but it was amazing

200
00:12:08,800 --> 00:12:11,360
Speaker 1: to see and gorgeous to watch. It dropped the field

201
00:12:11,400 --> 00:12:14,680
Speaker 1: so quickly. But when I finished the first film and

202
00:12:14,720 --> 00:12:16,840
Speaker 1: I knew nothing, all I knew was I hired a

203
00:12:16,880 --> 00:12:19,120
Speaker 1: crew because I was having too much fun and I

204
00:12:19,160 --> 00:12:21,080
Speaker 1: wanted to bring the footage home and share with my

205
00:12:21,160 --> 00:12:23,840
Speaker 1: family and friends. So I get home. I hired this

206
00:12:23,920 --> 00:12:26,920
Speaker 1: kid on Craigslist and we're editing the film and we

207
00:12:27,000 --> 00:12:29,160
Speaker 1: get to the end and I dropped in the Oliver's

208
00:12:29,200 --> 00:12:32,079
Speaker 1: Castle footage to end the movie like look for Happything

209
00:12:32,080 --> 00:12:35,760
Speaker 1: in seconds. I really didn't understand it like I do now.

210
00:12:36,320 --> 00:12:39,640
Speaker 1: So the kid and I, I said, my god, seventies

211
00:12:39,640 --> 00:12:43,080
Speaker 1: seven minutes. That was either movies done. So I said,

212
00:12:43,160 --> 00:12:45,320
Speaker 1: let's take a break, go out and walk, you know,

213
00:12:45,360 --> 00:12:47,040
Speaker 1: in the air, and then come back in and watch

214
00:12:47,160 --> 00:12:49,839
Speaker 1: the film and see if it's done. So I said,

215
00:12:49,840 --> 00:12:52,280
Speaker 1: turn off the gear, cool at down the system, and

216
00:12:52,280 --> 00:12:54,760
Speaker 1: then we'll come back. So we shut everything off. We're

217
00:12:54,760 --> 00:12:56,560
Speaker 1: walking out to the deck and I looked over my

218
00:12:56,559 --> 00:12:58,920
Speaker 1: shoulder and there's this big blue orb on the monitor

219
00:12:58,960 --> 00:13:02,480
Speaker 1: and I said, oh, turned off the monitor please. And

220
00:13:02,520 --> 00:13:04,480
Speaker 1: we both looked and I said, wait a minute. Looked

221
00:13:04,520 --> 00:13:07,000
Speaker 1: that blue orb that's not even in the movie. And

222
00:13:07,040 --> 00:13:10,120
Speaker 1: it was this huge, beautiful blue or with all this

223
00:13:10,280 --> 00:13:14,880
Speaker 1: organic stuff, and it's obviously sacred geometry. It wasn't some

224
00:13:15,040 --> 00:13:18,000
Speaker 1: fake thing. But the interesting piece was the kid walked

225
00:13:18,080 --> 00:13:19,560
Speaker 1: up and he looked at me and he said, Patty,

226
00:13:20,360 --> 00:13:26,000
Speaker 1: the monitors unplugged from the wall. It was in your studio. Well,

227
00:13:26,240 --> 00:13:28,800
Speaker 1: the hair went up on my arms goose bumps, said

228
00:13:28,840 --> 00:13:31,480
Speaker 1: to toe and I said, oh my god, they're here.

229
00:13:31,600 --> 00:13:34,520
Speaker 1: And this poor kid, twenty six years old, barely knew me,

230
00:13:34,960 --> 00:13:37,959
Speaker 1: saw me go into what happens to me in crops circles.

231
00:13:38,160 --> 00:13:40,520
Speaker 1: I'm looking at the hair standing up on my arms.

232
00:13:40,679 --> 00:13:45,600
Speaker 1: The field around me was completely and he said, you

233
00:13:45,640 --> 00:13:48,679
Speaker 1: look weird, and I said, great. Hit the gearback on.

234
00:13:49,760 --> 00:13:51,600
Speaker 1: Poor kid, he's like, I thought we were taking a break.

235
00:13:51,720 --> 00:13:54,520
Speaker 1: Hits the gear back on sleeve. So he lights it

236
00:13:54,640 --> 00:13:57,920
Speaker 1: up and telepathically I got all this and I said

237
00:13:57,960 --> 00:14:01,680
Speaker 1: to him, reversed the footage at the into the film? Why?

238
00:14:01,840 --> 00:14:04,360
Speaker 1: I don't know, Do it please? So he reversed the

239
00:14:04,360 --> 00:14:07,280
Speaker 1: footage for watching and I said slow it down. He

240
00:14:07,360 --> 00:14:11,760
Speaker 1: said how slow? I said, I don't know, and we

241
00:14:11,800 --> 00:14:14,160
Speaker 1: looked at each other, like where did that number come from?

242
00:14:14,480 --> 00:14:16,800
Speaker 1: I said, I don't know, but do it please? So

243
00:14:16,920 --> 00:14:20,400
Speaker 1: he did it. He reversed, it floated down and right

244
00:14:20,440 --> 00:14:23,240
Speaker 1: there in front of my eyes, I said, locked the frame.

245
00:14:23,480 --> 00:14:26,200
Speaker 1: Oh my god. And I found a binary code in

246
00:14:26,280 --> 00:14:29,680
Speaker 1: Oliver's council footage that was directly between the two balls

247
00:14:29,720 --> 00:14:35,440
Speaker 1: of light. What happened was those two split spinning vortices

248
00:14:35,520 --> 00:14:38,800
Speaker 1: of plasma. When they got to the exact shall we say,

249
00:14:38,840 --> 00:14:45,280
Speaker 1: message frequency, they communicated with a momentary binary code and

250
00:14:45,360 --> 00:14:47,400
Speaker 1: the left one said I'm going to do this, and

251
00:14:47,440 --> 00:14:50,080
Speaker 1: the right one communicated I'm going to do this in

252
00:14:50,120 --> 00:14:54,120
Speaker 1: the code, and the field went down in spect. Cheez.

253
00:14:54,640 --> 00:14:57,520
Speaker 1: Listen to more Coast to Coast a m every weeknight

254
00:14:57,720 --> 00:15:00,240
Speaker 1: at one a m. Eastern and go to cost to

255
00:15:00,240 --> 00:15:02,000
Speaker 1: Coast am dot com for more