WEBVTT - #482 - 310Babii

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<v Speaker 1>It as good at STUDENTO baby Man. Check me on

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<v Speaker 1>the Boutleg keV podcast, like what like.

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<v Speaker 2>Bob Yo Man Boutlet keV Show special guest. He's here.

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<v Speaker 2>His new album is officially out right now do then.

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<v Speaker 1>No baby doing, No Baby Man? What's good keV?

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<v Speaker 2>First of all, welcome to adulthood. The last time we

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<v Speaker 2>did an interview, you were definitively going to school Monday

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<v Speaker 2>to Friday. Uh, doing stuff when you were not in school,

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<v Speaker 2>Like you were kind of like navigating your music career

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<v Speaker 2>around being a high school student.

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<v Speaker 1>Yes, sir, if you're going to Since.

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<v Speaker 2>Then you've graduated, so congrats, thank you man. And now

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<v Speaker 2>you're you know, you're of age.

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<v Speaker 1>Eighteen eighteen. How's it feel man to be eighteen?

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<v Speaker 2>Yeah? Is it like anything change? I mean you've been

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<v Speaker 2>kind of like living like an adult before, having fucking

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<v Speaker 2>gold records and platinum records and such as a as

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<v Speaker 2>a high school senior.

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<v Speaker 1>Man, then be eighteen today and do what I've done.

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<v Speaker 1>It's it's amazing. I'm extremely great and it's just so

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<v Speaker 1>much more to be done. Shit, it doesn't feel like

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<v Speaker 1>it's adulhood though. I feel like because before I was

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<v Speaker 1>eighteen or the club.

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<v Speaker 2>Shit, you're already going to the club, You're already doing

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<v Speaker 2>all that stuff anyway.

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<v Speaker 1>Getting booked, and now I'm used to that shit. Now

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<v Speaker 1>that shit not nothing, Yeah nothing specials really have.

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<v Speaker 2>It's not like you're buying vapes or cigarettes because that

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<v Speaker 2>would be stupid. Yeah yeah, but I mean, hey, at

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<v Speaker 2>least now you're like, you know, you could like register

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<v Speaker 2>to be in the army.

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<v Speaker 1>If you wanted to vote, vote, you could vote. Yeah,

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<v Speaker 1>you should vote.

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<v Speaker 2>Everyone should vote, no matter what side of the you know,

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<v Speaker 2>spectrum you're on.

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<v Speaker 1>Vote.

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<v Speaker 2>It's a you know a lot of people have died

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<v Speaker 2>for that, right, I think I think I don't know anyway, Man,

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<v Speaker 2>congratso on everything.

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<v Speaker 1>It's been dope to see.

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<v Speaker 2>You know what's crazy is I think you and your

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<v Speaker 2>team are so good at Like I feel like you're

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<v Speaker 2>an amazing marketer and everything that you do seems to

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<v Speaker 2>be very like on purpose and with a tent.

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<v Speaker 1>Does that make sense what I'm saying?

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<v Speaker 2>Like, like, do you feel like you've started to kind

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<v Speaker 2>of figure out because once you fall into a record

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<v Speaker 2>like Soak City, like you're just like learning on the go,

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<v Speaker 2>Like do you feel like you're finally kind of getting

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<v Speaker 2>like a real understanding of this music shit and just

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<v Speaker 2>the industry and.

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<v Speaker 1>Bro Like, I'm learning at this ship is not as

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<v Speaker 1>hard as like it's hard as shit like to succeed

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<v Speaker 1>at the highest level, right, But I'm learning that a

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<v Speaker 1>lot of this shit is just like it'd be really

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<v Speaker 1>just one plus two equals three. But like niggas at

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<v Speaker 1>like it took them a long ass time to get

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<v Speaker 1>to the top. They're not gonna tell you it's just

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<v Speaker 1>one plus two or three. Niggas, they're gonna make it

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<v Speaker 1>overly complicated. But this shit now, it's not that like

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<v Speaker 1>it's not to me. It's like it's not that much.

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<v Speaker 1>It's not too much of a secret sauce. It's just like, Okay,

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<v Speaker 1>is this hard? Just's gonna be on top of this shit?

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<v Speaker 1>M h. Is he gonna have a nice routine or

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<v Speaker 1>where he can stay focused? You know, because there's so

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<v Speaker 1>much success and so much coming at you. Are you

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<v Speaker 1>going to stay Are you going to continue to develop

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<v Speaker 1>and go up creatively? Yeah? Are you gonna get burnt out?

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<v Speaker 1>You know what I mean? It's all that type of shit,

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<v Speaker 1>that's really what it is. It's really just your focus.

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<v Speaker 2>Yeah, would you say because because you know, I think

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<v Speaker 2>what you just said is great, because most artists would

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<v Speaker 2>it would feel like, if you're an up and coming artist,

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<v Speaker 2>first of all, music has to resonate, be good. That's

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<v Speaker 2>the number one thing, right, So without that, like it

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<v Speaker 2>doesn't matter, right, but if you do have a good product,

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<v Speaker 2>I do feel like there are artists who overcomplicate the process.

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<v Speaker 1>Of the music industry, and that's what I think it.

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<v Speaker 2>And then they also kind of like, well, cyite themselves

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<v Speaker 2>out from dropping music, or cite themselves out from dropping

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<v Speaker 2>a piece of content, or maybe they drop a piece

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<v Speaker 2>of content and it doesn't perform well, and so then

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<v Speaker 2>they give up as opposed to just doing more of that.

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<v Speaker 2>Like what would you say? Is kind of been the

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<v Speaker 2>one plus one equals to strategy that you guys have

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<v Speaker 2>been able to implement because you know you, I mean,

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<v Speaker 2>for whatever reason, anytime you guys decide like, hey, this

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<v Speaker 2>is a song we're going to focus on, it does

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<v Speaker 2>really well.

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<v Speaker 1>So I mean I think I'm just in my bag

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<v Speaker 1>right now, like I'm in my pocket, like I know

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<v Speaker 1>what's gonna work, and not necessarily like, oh, I know

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<v Speaker 1>it's gonna be a hit. That's not what I'm saying.

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<v Speaker 1>I'm saying, like I know what I should drop. Like

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<v Speaker 1>I know, like, okay, rock hibs had to come out

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<v Speaker 1>at that time, right, did we know do exactly what

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<v Speaker 1>it did? Know? But like my friends were telling me,

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<v Speaker 1>it's hard, So let's drop that shit, right, they told

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<v Speaker 1>me it was hard. I dropped that shit. They told

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<v Speaker 1>me everything else was hard. I dropped it. They gonna

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<v Speaker 1>tell me what was right. They're not gonna leave me wrong.

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<v Speaker 2>But like, once you put the music, Okay, so let's

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<v Speaker 2>say you're like, okay, rock your hips. Obviously you did

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<v Speaker 2>the remix with Sweetie, the Originals, got Blue Bucks and

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<v Speaker 2>Ogz on a right, yeah, But like what are the

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<v Speaker 2>things that I mean because obviously you're with the Empire,

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<v Speaker 2>so they have like a great digital team. But like

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<v Speaker 2>for you as an artist, like, what are the things

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<v Speaker 2>that you're like, Okay, it's album time, we're gonna put

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<v Speaker 2>out this song. I I know that I'm not the

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<v Speaker 2>only like you're not the only variable involved when you

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<v Speaker 2>put out music. But for the things that you're responsible for,

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<v Speaker 2>for the things that you can control when it comes

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<v Speaker 2>to pushing pushing music, what are those things like that

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<v Speaker 2>you feel like you're like you've figured it out.

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<v Speaker 1>I will say, like, and when it comes to like

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<v Speaker 1>when like when it comes to making these albums, it's

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<v Speaker 1>like it's a lot easier to just put some shit

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<v Speaker 1>together based off what you already have rather than trying

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<v Speaker 1>to cook. Okay, like this album is called three undred

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<v Speaker 1>degrees let's make three hundred ten degrees music. Mm hm no, Like,

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<v Speaker 1>let's let's grab the songs what we got right and

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<v Speaker 1>like been working on right, that's what we do, like

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<v Speaker 1>I mean, and shit, that's what what's crazy is that

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<v Speaker 1>that's what I did for Lottery Pick, like before I

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<v Speaker 1>had the team and all that shit. But like I'm

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<v Speaker 1>not thinking, you know what I mean, Like shit, and

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<v Speaker 1>that's the same thing now, Like it's just so it's

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<v Speaker 1>easy for me and I'm not notice like that's all

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<v Speaker 1>we're doing, Like I noticed that. Shit, it's some other

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<v Speaker 1>niggas are just going to like overthink it and wait

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<v Speaker 1>a year and you know what I mean, Like, no,

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<v Speaker 1>we already have the album is already sitting in front

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<v Speaker 1>of you for sure.

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<v Speaker 2>You know what's funny is like anytime we talk, I

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<v Speaker 2>feel like recently I've had a few conversations with like

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<v Speaker 2>folks in regarding like the Kendrick moment that happened, and

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<v Speaker 2>like kind of like LA in general in terms of

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<v Speaker 2>quote unquote hit records has had like a serious drought.

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<v Speaker 2>But the one exception to that drought, whether it's been

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<v Speaker 2>a year or two, however long the quote unquote drought

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<v Speaker 2>has been, has been Soak City, Right, So, like Soak

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<v Speaker 2>City is like the the record that got to number

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<v Speaker 2>one out of LA at radio in multiple formats. And

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<v Speaker 2>you know, I remember you getting booked in Florida and shit,

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<v Speaker 2>like fuck nine ten months ago, Like do you feel

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<v Speaker 2>like you're like any weight of like the LA representation

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<v Speaker 2>nationwide on your shoulders now?

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<v Speaker 1>Because I feel like LA don't make me feel like

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<v Speaker 1>I'm just that nigga. Like LA doesn't make me feel like, oh,

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<v Speaker 1>you're doing it for us, bro right. I feel like

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<v Speaker 1>when it comes to stats in these songs like y'all

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<v Speaker 1>singing my shit because ain't nobody else shit to sing, right,

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<v Speaker 1>But it's like I don't feel like, oh yeah, like

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<v Speaker 1>LA hasn't embraced you. I feel like certain people have,

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<v Speaker 1>but I feel like as a culture, like LA, like

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<v Speaker 1>it's not that it's not like how it was for Kendrick,

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<v Speaker 1>which I'm not saying it should be that because it

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<v Speaker 1>also wasn't like that for Kendrick. Initially it took him

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<v Speaker 1>a while to get I didn't know you know, well,

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<v Speaker 1>you were fucking like seven years old young.

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<v Speaker 2>Yeah, Like when Kendrick first came out, like he was like,

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<v Speaker 2>I mean, look, he is a conscious rapper technically, right,

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<v Speaker 2>So it's like it took a lot. It really took

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<v Speaker 2>Like Dre he did that watch out for Detox freestyle,

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<v Speaker 2>and but initially it was very, very like Kendrick almost

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<v Speaker 2>existed outside of the ecosystem of like quote unquote LA rap.

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<v Speaker 2>And I feel like, do you I do think that

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<v Speaker 2>there is something to be said about like you're just

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<v Speaker 2>a kid having fun. And I think a lot of

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<v Speaker 2>times in LA, like we get wrapped up in like

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<v Speaker 2>artists who might be affiliated or might be quote unquote

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<v Speaker 2>gangster rappers, and so I feel like you're kind of

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<v Speaker 2>just doing your own thing, your own way, just making music,

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<v Speaker 2>and I feel like it's just you're just you're just

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<v Speaker 2>on positive vibes, bro, like you're doing you.

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<v Speaker 1>So I think LA's fun. I mean, you saw it

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<v Speaker 1>out the Novo, Bro.

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<v Speaker 2>That's a big deal pretty big and that was like

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<v Speaker 2>your graduation party, right.

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<v Speaker 1>Yeah, I think, like, I don't know, I think it's

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<v Speaker 1>it's important for me, I mean even talking about this now,

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<v Speaker 1>which is important for me to be grateful and appreciate

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<v Speaker 1>what's here right and now what's not for sure? If

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<v Speaker 1>I if I think like that, that's the average human.

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<v Speaker 2>And then you're gonna be You're gonna psych yourself out

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<v Speaker 2>and you're gonna I mean, that's kind of the two

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<v Speaker 2>plus two. They're the one plus one equals two thing.

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<v Speaker 2>When people start thinking about what they don't get instead

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<v Speaker 2>of worried like you know what I mean, that's where

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<v Speaker 2>they start getting fucking they overthink it.

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<v Speaker 1>Yeah, I think, yeah, I don't know. I think two

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<v Speaker 1>is like I already don't be in LA like that.

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<v Speaker 1>So I think it's like if I did a big

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<v Speaker 1>ass show and I've seen people pop out, I'd be like,

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<v Speaker 1>oh yeah they do that.

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<v Speaker 2>Yeah yeah, I mean you had a big show. I

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<v Speaker 2>mean look and then obviously getting off tour with OJZ

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<v Speaker 2>had to be done. Oh yeah, bro, that shit was

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<v Speaker 2>crazy because Ojiz is like another one of those guys

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<v Speaker 2>who's like, you know, Shoreline and OGZ for you know

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<v Speaker 2>one of the I mean, their wave has been so

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<v Speaker 2>influential on LA culture and just like LA artists, like

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<v Speaker 2>I think a Draco and Shoreline is kind of like

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<v Speaker 2>a lot of the influence in terms of like a

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<v Speaker 2>whole generation of quote unquote LA rap.

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<v Speaker 1>So shout out to OGZ. Good guy, not for sure

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<v Speaker 1>one of the most genuine niggas I met, bro and like,

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<v Speaker 1>I have so many conversations with him while on that

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<v Speaker 1>tour that I have nothing to do with music and

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<v Speaker 1>nothing to do with bullshit, right, And I like learned

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<v Speaker 1>so much from him, you know what I mean, Because

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<v Speaker 1>it's like outside of his workshit because this is our

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<v Speaker 1>job at the end of the yare right, But outside

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<v Speaker 1>of this workship, O Jiz is on a different level.

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<v Speaker 1>Whether or not he shows the world that which I mean,

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<v Speaker 1>you know, everybody kind of keeps it themselves, like you know,

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<v Speaker 1>you don't give the world one hundred percent of who

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<v Speaker 1>you are, right right, But like, oh, jeseus a cool

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<v Speaker 1>nigga man.

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<v Speaker 2>And he's just sharp man, you know, whether it's putting out.

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<v Speaker 1>I think he's got his.

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<v Speaker 2>Makeup line or no, his eyelashes, he's got the Marisco spot.

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<v Speaker 2>He's just an entrepreneur. He's a hustler, you know what

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<v Speaker 2>I mean for sure, and he's under I feel just

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<v Speaker 2>like somehow he's still underrated somehow.

0:10:10.400 --> 0:10:13.000
<v Speaker 1>Yeah, oh Gez, I feel like, oh niggas aint gonnappreciate

0:10:13.000 --> 0:10:15.760
<v Speaker 1>O GZ to you not here no more wow, because

0:10:15.760 --> 0:10:17.880
<v Speaker 1>it's like you gotta think, Bro, like my nigga's doing

0:10:17.920 --> 0:10:22.480
<v Speaker 1>shows in Boise for sure, like like so downid Boise.

0:10:22.600 --> 0:10:24.480
<v Speaker 1>We're doing Salt Lake City. We're not just doing like

0:10:25.720 --> 0:10:31.240
<v Speaker 1>right like Bakersfield, Minnesota. Bro, we did Minnesota, Chicago, fucking

0:10:31.720 --> 0:10:35.280
<v Speaker 1>crazy places. Yeah, It's like, bro, who else I'm gonna

0:10:35.280 --> 0:10:35.840
<v Speaker 1>going to it with?

0:10:36.120 --> 0:10:36.280
<v Speaker 2>Right?

0:10:36.760 --> 0:10:37.880
<v Speaker 1>Was it pretty? Uh?

0:10:38.360 --> 0:10:40.640
<v Speaker 2>The Sweety remix was Whose idea was that? Was that

0:10:40.720 --> 0:10:42.640
<v Speaker 2>your idea of reaching out? Or did she reach out

0:10:42.720 --> 0:10:43.000
<v Speaker 2>or no?

0:10:43.080 --> 0:10:44.559
<v Speaker 1>Yeah? That me and the team got that right? I

0:10:44.600 --> 0:10:47.120
<v Speaker 1>mean strategic, Bro, we need some females. I think I

0:10:47.160 --> 0:10:49.920
<v Speaker 1>put a lot of niggas on songs. So great video.

0:10:50.360 --> 0:10:52.000
<v Speaker 1>Yeah that she was crazy?

0:10:52.200 --> 0:10:56.240
<v Speaker 2>Yeah yeah, sweet is She's also somebody who's fucking just cool.

0:10:56.880 --> 0:11:00.120
<v Speaker 1>Sweety's coolest. Fuck. I remember at the music video when

0:11:00.160 --> 0:11:04.439
<v Speaker 1>we were talking, bro, like she not to talk about

0:11:04.520 --> 0:11:06.800
<v Speaker 1>exactly what we're talking about, but she's like aware, she's

0:11:06.800 --> 0:11:07.800
<v Speaker 1>super awake, she's.

0:11:07.720 --> 0:11:11.080
<v Speaker 2>Super sharp, super hip, and she's very like you know,

0:11:11.160 --> 0:11:13.640
<v Speaker 2>you would think like she's like, you know, she's had

0:11:13.679 --> 0:11:15.760
<v Speaker 2>her on McDonald's meal, bro, So she's like, fuck, I.

0:11:15.720 --> 0:11:17.920
<v Speaker 1>Forgot she had that shit. Damn. She's really a joint,

0:11:18.160 --> 0:11:18.839
<v Speaker 1>That's what I'm saying.

0:11:18.880 --> 0:11:21.240
<v Speaker 2>Like, but talk to her, you wouldn't even get that, like,

0:11:21.559 --> 0:11:23.200
<v Speaker 2>you know, like she's not unapproachable.

0:11:23.240 --> 0:11:25.880
<v Speaker 1>She's also like yeah she doesn't. She's cool as fuck. Yeah,

0:11:25.880 --> 0:11:28.000
<v Speaker 1>she didn't give like oh you know what I mean,

0:11:28.040 --> 0:11:30.920
<v Speaker 1>Like she was just super cool like us. He graduate too,

0:11:30.920 --> 0:11:33.920
<v Speaker 1>shout out to Sweden. Forgot she had the meal. Damn, Bro.

0:11:35.120 --> 0:11:39.800
<v Speaker 2>Now that you're out of high school and you're very successful,

0:11:41.040 --> 0:11:44.720
<v Speaker 2>would you ever consider getting like a degree just to

0:11:44.720 --> 0:11:45.439
<v Speaker 2>get a degree.

0:11:46.000 --> 0:11:47.320
<v Speaker 1>Yeah, for sure. I think.

0:11:48.600 --> 0:11:51.440
<v Speaker 2>College is gonna be there forever. It'll never not be there,

0:11:51.480 --> 0:11:53.360
<v Speaker 2>that's for sure. Someone will always take your money to

0:11:53.400 --> 0:11:53.920
<v Speaker 2>go to school.

0:11:54.120 --> 0:11:56.719
<v Speaker 1>Right. But I think like if I went back, I

0:11:56.760 --> 0:11:59.520
<v Speaker 1>would make it. It would be intentional. How you said,

0:11:59.559 --> 0:12:01.680
<v Speaker 1>everything's seems like I do it on purpose. I would

0:12:01.679 --> 0:12:03.800
<v Speaker 1>go back, maybe make the album around where I go,

0:12:03.960 --> 0:12:06.280
<v Speaker 1>you know what I mean? Some shit like that'd be hard.

0:12:06.880 --> 0:12:08.199
<v Speaker 1>What would you go to school for? Do you have

0:12:08.280 --> 0:12:10.360
<v Speaker 1>any idea this business? Because that's what I was, That's

0:12:10.360 --> 0:12:11.360
<v Speaker 1>all I was on before this shit.

0:12:11.600 --> 0:12:15.360
<v Speaker 2>Yeah, talk to me, man. You know there was one

0:12:15.360 --> 0:12:19.840
<v Speaker 2>of the to me, the most flagrant outside of the

0:12:19.840 --> 0:12:23.760
<v Speaker 2>freshman cover having the not like Us tagline, but the

0:12:23.760 --> 0:12:25.280
<v Speaker 2>fact there is no one from LA and to me,

0:12:25.360 --> 0:12:28.920
<v Speaker 2>the biggest emission of that cover would have been yourself.

0:12:30.559 --> 0:12:32.360
<v Speaker 2>Was that something that bothered you not making that cover?

0:12:32.880 --> 0:12:36.920
<v Speaker 1>Of course in them like in that moment, But then

0:12:36.960 --> 0:12:39.120
<v Speaker 1>I like kind of got out of it because it's

0:12:39.120 --> 0:12:40.920
<v Speaker 1>a lot of niggas I didn't got snubbed. It's a

0:12:40.960 --> 0:12:43.480
<v Speaker 1>lot of niggas. I was great NBA players and got

0:12:43.520 --> 0:12:45.520
<v Speaker 1>snubbed from the All Star Game, great NFL players that

0:12:45.559 --> 0:12:48.160
<v Speaker 1>didn't make the pro bo. I don't mean I'm not

0:12:48.240 --> 0:12:50.840
<v Speaker 1>great or I can't be great or whatever, you know,

0:12:51.360 --> 0:12:53.719
<v Speaker 1>whatever bar that is that they have set for, like, oh,

0:12:53.760 --> 0:12:56.520
<v Speaker 1>this is what qualifies you to be at XL cool, right,

0:12:56.600 --> 0:12:58.520
<v Speaker 1>And I'm not here to say if I qualify or not.

0:12:58.600 --> 0:13:00.400
<v Speaker 1>That's up to them. That's theayless. At the end of

0:13:00.440 --> 0:13:02.200
<v Speaker 1>the day, it's one hundred fucking lists out here as

0:13:02.240 --> 0:13:04.400
<v Speaker 1>complex it's this is that if you just had to

0:13:04.400 --> 0:13:06.640
<v Speaker 1>make your own fucking top ten list, it don't matter.

0:13:07.120 --> 0:13:09.480
<v Speaker 1>But like, shit, do I think I should have been

0:13:09.520 --> 0:13:13.160
<v Speaker 1>on there? Yes? But am I onn some like FX Excel, No,

0:13:13.240 --> 0:13:14.840
<v Speaker 1>because they could put it. Sure, they can put whoever

0:13:14.840 --> 0:13:16.040
<v Speaker 1>they want to. It's their list. Yeah.

0:13:16.400 --> 0:13:19.199
<v Speaker 2>Yeah, I just look at it, like, you know, there's

0:13:19.240 --> 0:13:23.440
<v Speaker 2>been some all time great guys who never was on

0:13:23.480 --> 0:13:24.280
<v Speaker 2>the Freshman list.

0:13:25.160 --> 0:13:27.800
<v Speaker 1>You know, they never put Drake on. You I think

0:13:27.800 --> 0:13:30.680
<v Speaker 1>about that, you know, was that controversial? I wasn't because

0:13:30.679 --> 0:13:31.160
<v Speaker 1>I wasn't tapped.

0:13:31.240 --> 0:13:34.520
<v Speaker 2>Well, I think that what ended up happening was by

0:13:34.559 --> 0:13:36.080
<v Speaker 2>the time, like it would have made sense to put

0:13:36.160 --> 0:13:37.520
<v Speaker 2>him on, they just gave him his own cover.

0:13:38.160 --> 0:13:42.240
<v Speaker 1>Oh, which shit, it is what it is.

0:13:42.520 --> 0:13:44.480
<v Speaker 2>And then the other thing too, was like I feel

0:13:44.480 --> 0:13:46.160
<v Speaker 2>like this I was just talking a big extra plug

0:13:46.160 --> 0:13:49.080
<v Speaker 2>and he was just saying how like he was just

0:13:49.120 --> 0:13:53.000
<v Speaker 2>a little disappointed because this year's like class was not

0:13:53.120 --> 0:13:56.480
<v Speaker 2>a like not everybody wanted to rap and shit, And

0:13:56.480 --> 0:13:59.320
<v Speaker 2>he's like, yo, like this is the freshman cover, Like

0:13:59.440 --> 0:14:01.200
<v Speaker 2>you gotta fuck rap on this shit.

0:14:01.480 --> 0:14:05.280
<v Speaker 1>Yeah. I mean I think music is changing on top

0:14:05.360 --> 0:14:08.520
<v Speaker 1>of I mean, that's really what it is. Think about

0:14:08.600 --> 0:14:11.040
<v Speaker 1>niggas ain't rapping no more, Like even me, I'm not

0:14:11.080 --> 0:14:13.160
<v Speaker 1>the most lyrical nigga.

0:14:12.920 --> 0:14:14.520
<v Speaker 2>Right, but I feel like if I mean, you could

0:14:14.520 --> 0:14:16.480
<v Speaker 2>tell me if I'm wrong, but if you were to

0:14:16.520 --> 0:14:17.920
<v Speaker 2>be on that cover, you would have had something.

0:14:18.080 --> 0:14:20.000
<v Speaker 1>Hell yeah, I'm not saying that, that's what I'm saying.

0:14:20.000 --> 0:14:22.840
<v Speaker 1>I'm not saying I wouldn't. I'm just trying to give like, okay,

0:14:22.840 --> 0:14:25.320
<v Speaker 1>like you know, you know what I mean, Like you

0:14:25.360 --> 0:14:27.720
<v Speaker 1>would have rapped though, Hell yeah, I feel like two,

0:14:27.880 --> 0:14:31.000
<v Speaker 1>I think a lot of niggas don't appreciate, not even appreciate,

0:14:31.080 --> 0:14:33.960
<v Speaker 1>but they don't like see the XXL shit the same

0:14:33.960 --> 0:14:36.520
<v Speaker 1>way Big X may Big X may see that and remember,

0:14:36.840 --> 0:14:38.920
<v Speaker 1>oh yeah, this is XS. So I grew up watching

0:14:38.920 --> 0:14:42.440
<v Speaker 1>this shit my generations, like we only remember twenty sixteen.

0:14:42.480 --> 0:14:43.760
<v Speaker 1>After that we blinked.

0:14:44.160 --> 0:14:46.160
<v Speaker 2>Right, and some of those were just like there was

0:14:46.240 --> 0:14:50.840
<v Speaker 2>some interesting cipher moments like the XXS ten Tasion moment

0:14:50.920 --> 0:14:51.560
<v Speaker 2>was pretty crazy.

0:14:51.560 --> 0:14:52.960
<v Speaker 1>So that's what I'm saying. You see how it was

0:14:52.960 --> 0:14:55.320
<v Speaker 1>like started to like it was not in my opinion,

0:14:55.320 --> 0:14:57.000
<v Speaker 1>but I'm saying on some like big hip hop shit,

0:14:57.040 --> 0:14:57.760
<v Speaker 1>it started to go down.

0:14:57.800 --> 0:15:00.880
<v Speaker 2>Yeah, it was more like once the cloud SoundCloud error

0:15:00.920 --> 0:15:03.880
<v Speaker 2>kind of kicked in. I feel like the freshman ciphers

0:15:04.320 --> 0:15:06.280
<v Speaker 2>just got a lot more water down and it was

0:15:06.320 --> 0:15:08.240
<v Speaker 2>like some of them would go viral because of like

0:15:08.560 --> 0:15:11.840
<v Speaker 2>how interesting they were, how bad they were.

0:15:11.880 --> 0:15:13.720
<v Speaker 1>And then I mean even think now in the age

0:15:13.720 --> 0:15:16.280
<v Speaker 1>of content bro, like it's faciently continue to be that.

0:15:16.920 --> 0:15:20.360
<v Speaker 2>Do you feel like because we are a content addicted

0:15:20.440 --> 0:15:24.360
<v Speaker 2>society and that can work for us and against us.

0:15:25.120 --> 0:15:28.520
<v Speaker 2>I feel like consumers are just they're so desensitized to

0:15:28.560 --> 0:15:32.800
<v Speaker 2>everything because it's just content, content content, whether you're watching

0:15:32.920 --> 0:15:37.160
<v Speaker 2>YouTube documentaries, whether you're watching reels TikTok. As an artist

0:15:37.200 --> 0:15:41.640
<v Speaker 2>being in the content era of music is, would you

0:15:41.680 --> 0:15:46.520
<v Speaker 2>say that the content side is as important as the

0:15:46.600 --> 0:15:47.120
<v Speaker 2>music now.

0:15:48.320 --> 0:15:50.120
<v Speaker 1>I think it's funny, like you asked me that because

0:15:50.160 --> 0:15:51.800
<v Speaker 1>you look at somebody like me, like only have two

0:15:51.880 --> 0:15:54.440
<v Speaker 1>hundred thousand followers as of today, right right, but I

0:15:54.520 --> 0:15:57.000
<v Speaker 1>have a lot more records and niggas that have one

0:15:57.040 --> 0:16:00.480
<v Speaker 1>million followers. And I think it's two side this shit.

0:16:00.920 --> 0:16:03.840
<v Speaker 1>It's a side of like people that are entertained on

0:16:03.880 --> 0:16:06.080
<v Speaker 1>Instagram and tik talk and shit, and like they have

0:16:06.200 --> 0:16:08.680
<v Speaker 1>entertaining content. But then it's the side of like who's

0:16:08.720 --> 0:16:09.440
<v Speaker 1>actually streaming?

0:16:10.360 --> 0:16:13.880
<v Speaker 2>Well, I think too, Like what I mean, I think

0:16:13.920 --> 0:16:17.280
<v Speaker 2>a lot of the genesis of like people discovering Silk

0:16:17.320 --> 0:16:19.720
<v Speaker 2>City was through social media, right, So it was like

0:16:20.880 --> 0:16:23.880
<v Speaker 2>I want to say, like, who are the early people

0:16:23.880 --> 0:16:24.560
<v Speaker 2>who danced to it?

0:16:24.720 --> 0:16:27.560
<v Speaker 1>But see, Okay, so it's like c J. Stroudstorm the

0:16:27.560 --> 0:16:29.800
<v Speaker 1>bar like et cetera. Right, But what the point I'm

0:16:29.880 --> 0:16:33.680
<v Speaker 1>about to make here is people heard the song because

0:16:33.680 --> 0:16:39.400
<v Speaker 1>of people dancing, not my face, not content that I did. Nowadays, bro,

0:16:39.560 --> 0:16:42.960
<v Speaker 1>people won't have a fucking anywhere near a hit, right,

0:16:43.200 --> 0:16:45.200
<v Speaker 1>but they'll go do like one of the mic videos

0:16:45.440 --> 0:16:47.480
<v Speaker 1>and they will see their face. Oh yo, you're the dude,

0:16:47.520 --> 0:16:49.640
<v Speaker 1>You're right, and then you get eight hundred thousand fucking followers,

0:16:49.640 --> 0:16:51.040
<v Speaker 1>not eight hundred thousand streams like that.

0:16:51.040 --> 0:16:54.200
<v Speaker 2>Fat dude that looks like Peter Griffin they got. Do

0:16:54.200 --> 0:16:56.040
<v Speaker 2>you remember that fat dude that like the nerdy fat

0:16:56.080 --> 0:16:57.920
<v Speaker 2>dude who dressed like Peter Griffin on the white dude

0:16:57.920 --> 0:16:59.600
<v Speaker 2>who dressed like Peter Griffin on purpose and he did

0:16:59.640 --> 0:17:01.960
<v Speaker 2>the micro performance. It's like I know that guy, I

0:17:01.960 --> 0:17:04.720
<v Speaker 2>don't know what his fucking name is. But like you said,

0:17:06.640 --> 0:17:10.679
<v Speaker 2>is the consumption of the product matching up to whatever

0:17:10.800 --> 0:17:15.560
<v Speaker 2>virality you might have, or because motherfuckers can be like yo,

0:17:15.800 --> 0:17:19.639
<v Speaker 2>I have you know on the radar freestyle that went crazy,

0:17:19.680 --> 0:17:22.680
<v Speaker 2>which is great, but it's like, is that is the

0:17:24.160 --> 0:17:28.399
<v Speaker 2>are you converting to people going to consuming you a

0:17:28.440 --> 0:17:31.000
<v Speaker 2>shit or buying tickets to a show?

0:17:31.200 --> 0:17:34.320
<v Speaker 1>Yeah, these niggas, No, nobody's selling tickets. But I think

0:17:34.320 --> 0:17:36.080
<v Speaker 1>that shit'sn't a drop down because I think it was

0:17:36.119 --> 0:17:38.359
<v Speaker 1>starting to happen as a I mean, and everybody knows this,

0:17:38.640 --> 0:17:40.680
<v Speaker 1>Like these niggas are like labels are signing these people

0:17:40.720 --> 0:17:44.360
<v Speaker 1>and it's not doing anything correct. So like when shit

0:17:44.440 --> 0:17:47.920
<v Speaker 1>like that happens, of change always occurs. Now how long

0:17:48.000 --> 0:17:52.000
<v Speaker 1>that takes? But you know, I don't think it'd be

0:17:52.040 --> 0:17:54.800
<v Speaker 1>like that first because it doesn't make sense and it's

0:17:54.840 --> 0:17:56.200
<v Speaker 1>a waste of investment.

0:17:56.880 --> 0:18:01.560
<v Speaker 2>Yeah, And like, honestly, if you're a label, I mean, unfortunately,

0:18:01.640 --> 0:18:08.000
<v Speaker 2>it's like you're kind of like helping like one out

0:18:08.000 --> 0:18:11.760
<v Speaker 2>of ten artists. If you're a major label hits. You know,

0:18:11.840 --> 0:18:13.920
<v Speaker 2>if you could get like one, Let's say you're Atlantic

0:18:13.920 --> 0:18:15.400
<v Speaker 2>and you signed ten artists and one.

0:18:15.280 --> 0:18:17.520
<v Speaker 1>Of them is Cardi B. You're like, okay, well, Cardi B.

0:18:17.680 --> 0:18:18.879
<v Speaker 1>Is gonna make up for all the money we might

0:18:18.880 --> 0:18:20.880
<v Speaker 1>have lost off like that keep the lights on. Yeah,

0:18:20.920 --> 0:18:25.240
<v Speaker 1>exactly so, And that's why I think I've had a

0:18:25.240 --> 0:18:27.359
<v Speaker 1>conversation with my team about this before. It's like, Bro,

0:18:27.440 --> 0:18:30.199
<v Speaker 1>imagine we would have had the traditional artists today that

0:18:30.320 --> 0:18:32.440
<v Speaker 1>like every week, another nigga blows up on TikTok, cuts

0:18:32.440 --> 0:18:35.080
<v Speaker 1>in a video or content whatever and then like has

0:18:35.119 --> 0:18:36.879
<v Speaker 1>five hundred K in the first three months or eight

0:18:36.960 --> 0:18:39.199
<v Speaker 1>hundred K whatever. Right, But it's like I could have

0:18:39.240 --> 0:18:41.960
<v Speaker 1>been that, but we wouldn't have had shit or any records.

0:18:42.000 --> 0:18:44.399
<v Speaker 1>And it's like what's online motion without any records? Like

0:18:44.440 --> 0:18:49.320
<v Speaker 1>that's what pays the bills, bro. But nowadays, with artists

0:18:49.320 --> 0:18:52.920
<v Speaker 1>becoming content creators, Bro, they're fucking eating off just that

0:18:53.880 --> 0:18:55.840
<v Speaker 1>this is true. So it's like, I don't know, It's

0:18:55.880 --> 0:18:58.040
<v Speaker 1>like it's both sides, but I feel like with me,

0:18:58.760 --> 0:19:01.800
<v Speaker 1>I'm one of the like I'm a unique case because

0:19:01.840 --> 0:19:03.800
<v Speaker 1>I'm proving again and again that like, Bro, at the

0:19:03.840 --> 0:19:06.320
<v Speaker 1>end of the day, music is what matters, and until

0:19:06.400 --> 0:19:08.760
<v Speaker 1>that changes, until it's like nah, bro, if you're not

0:19:08.840 --> 0:19:12.840
<v Speaker 1>doing this good ass content, you're not streaming. But until then, shit,

0:19:12.880 --> 0:19:15.200
<v Speaker 1>I'm just gonna make good music, like because take away

0:19:15.200 --> 0:19:16.879
<v Speaker 1>social media. My shit's on the radio.

0:19:17.440 --> 0:19:19.119
<v Speaker 2>Well, I just saw you too. You did a speaking

0:19:19.119 --> 0:19:19.960
<v Speaker 2>engagement in Phoenix.

0:19:20.040 --> 0:19:21.879
<v Speaker 1>What was that about? Man?

0:19:24.880 --> 0:19:27.320
<v Speaker 2>That was like, are you like, are you gonna start

0:19:27.359 --> 0:19:28.400
<v Speaker 2>doing more of that type of shit?

0:19:28.560 --> 0:19:30.479
<v Speaker 1>Yeah? I think it's this time I get into like

0:19:31.560 --> 0:19:34.720
<v Speaker 1>who I really am and letting people know it's different

0:19:34.720 --> 0:19:36.679
<v Speaker 1>sides than me. It's not just the music shit, right,

0:19:36.760 --> 0:19:39.040
<v Speaker 1>because everybody sees it so sicky shit and then like okay,

0:19:39.320 --> 0:19:41.240
<v Speaker 1>it has an opinion or talk shit or whatever they're

0:19:41.240 --> 0:19:43.200
<v Speaker 1>gonna do. But it's like, no, I'm over here too,

0:19:43.560 --> 0:19:45.040
<v Speaker 1>you know what I mean, Like cause the other guys

0:19:45.040 --> 0:19:47.480
<v Speaker 1>are like over there with all the bullshit, but like

0:19:47.480 --> 0:19:50.199
<v Speaker 1>I'm over here making sure we're straight on like the

0:19:50.200 --> 0:19:53.119
<v Speaker 1>corporate side. So then if all this shit collapse, I

0:19:53.160 --> 0:19:55.040
<v Speaker 1>still could be that face that could represent you know

0:19:55.040 --> 0:19:56.680
<v Speaker 1>what I mean, because it's like who else can to

0:19:56.720 --> 0:19:59.960
<v Speaker 1>represent black youth on that level? That's some crazy shit

0:20:00.160 --> 0:20:00.600
<v Speaker 1>that's real.

0:20:01.200 --> 0:20:02.960
<v Speaker 2>So it's like, yo, if the music goes away, like

0:20:03.040 --> 0:20:05.040
<v Speaker 2>at least I like like you're like, that's the thing

0:20:05.160 --> 0:20:08.200
<v Speaker 2>is like the name of your guys's company is high IQ, right,

0:20:08.760 --> 0:20:11.600
<v Speaker 2>So it's like you know, just that brand in general

0:20:11.720 --> 0:20:14.160
<v Speaker 2>is like you should have something of merit to say

0:20:14.720 --> 0:20:17.480
<v Speaker 2>people that that people can at least gravitate towards.

0:20:18.200 --> 0:20:21.040
<v Speaker 1>And I used to be like, damn, you know artists,

0:20:21.040 --> 0:20:23.640
<v Speaker 1>big artists have like the label behind, like the label

0:20:24.119 --> 0:20:26.600
<v Speaker 1>with the group or like whoever they hang out with,

0:20:26.680 --> 0:20:28.719
<v Speaker 1>and anesthetic and all this ship like that's the new thing.

0:20:28.760 --> 0:20:31.320
<v Speaker 1>Like everybody has like a look or a feel, right,

0:20:32.040 --> 0:20:34.200
<v Speaker 1>But then like me, I used to be like damn,

0:20:34.240 --> 0:20:36.760
<v Speaker 1>so like my aesthetic gotta give. But now I think

0:20:36.760 --> 0:20:38.520
<v Speaker 1>about it, it's like, bro, hi, i Q is that

0:20:38.600 --> 0:20:41.200
<v Speaker 1>and it's bigger. It's bigger than what I wear. It's

0:20:41.240 --> 0:20:42.840
<v Speaker 1>bigger than who I hang out with, because a lot

0:20:42.880 --> 0:20:45.640
<v Speaker 1>of niggas aesthetics stop at their fashion or who they

0:20:45.680 --> 0:20:46.040
<v Speaker 1>hang out.

0:20:46.080 --> 0:20:49.520
<v Speaker 2>Buddies are right, right, But me now is to hey, yo,

0:20:49.560 --> 0:20:51.560
<v Speaker 2>that fucking Kendrick line where he was talking about Yadia,

0:20:51.560 --> 0:20:52.040
<v Speaker 2>I don't give.

0:20:51.960 --> 0:20:53.760
<v Speaker 1>A funk who you hang with. I was like that,

0:20:53.760 --> 0:20:58.080
<v Speaker 1>that's funny. It's everything. It's everything, bro, It's fucking everything.

0:20:58.119 --> 0:21:01.280
<v Speaker 1>It's like the high Q be anything. It's it's not

0:21:01.400 --> 0:21:04.639
<v Speaker 1>just one thing, and it's so much more to me

0:21:04.680 --> 0:21:07.280
<v Speaker 1>than just music. Yeah, I think. I think that's that's

0:21:07.320 --> 0:21:07.720
<v Speaker 1>true too.

0:21:07.840 --> 0:21:10.040
<v Speaker 2>Is like a lot of fans, unfortunately, are very shallow

0:21:10.480 --> 0:21:17.800
<v Speaker 2>and so like they might they're like weirdly enough associating

0:21:17.840 --> 0:21:21.120
<v Speaker 2>like your validation or how much they want to fuck

0:21:21.200 --> 0:21:24.120
<v Speaker 2>with you based on who you're hanging out with, which

0:21:24.160 --> 0:21:27.200
<v Speaker 2>is weird. But that's a thing. I mean, but you've

0:21:27.280 --> 0:21:30.359
<v Speaker 2>kind of skated through that because you're just making undeniable

0:21:30.400 --> 0:21:32.199
<v Speaker 2>hit records, so you don't have to worry about like

0:21:32.800 --> 0:21:35.480
<v Speaker 2>being in these weird ass fucking studio sessions or being

0:21:35.520 --> 0:21:38.439
<v Speaker 2>like the awkward dude y'all, let's get a flick for

0:21:38.480 --> 0:21:38.720
<v Speaker 2>I G.

0:21:38.880 --> 0:21:42.560
<v Speaker 1>You know what I mean, Bro, I don't even brouh. Yeah,

0:21:42.880 --> 0:21:45.080
<v Speaker 1>we're not even in the mix for think about that

0:21:44.920 --> 0:21:47.360
<v Speaker 1>and that and that's not necessarily a good thing. Think

0:21:47.400 --> 0:21:49.639
<v Speaker 1>about it if I was, though, like, think about how

0:21:49.680 --> 0:21:51.679
<v Speaker 1>all these other guys I'm not no name, you know what,

0:21:51.800 --> 0:21:53.760
<v Speaker 1>You'll know what I'm talking about. How other guys are

0:21:53.800 --> 0:21:56.640
<v Speaker 1>moved around so like, oh, oh, hang out with these

0:21:56.680 --> 0:21:59.760
<v Speaker 1>guys for a minute, hang out over here, super weird dude,

0:22:00.280 --> 0:22:02.280
<v Speaker 1>weird and see it all the time. I'll be like,

0:22:02.280 --> 0:22:05.040
<v Speaker 1>oh yeah, And it gets to the point where like

0:22:05.359 --> 0:22:08.119
<v Speaker 1>you get to a certain level, and now everybody's friends,

0:22:08.600 --> 0:22:09.160
<v Speaker 1>but it's.

0:22:09.080 --> 0:22:13.920
<v Speaker 2>Like nobody but nobody's friends. Yeah, everybody's friends, but they're not. Yeah,

0:22:13.960 --> 0:22:15.560
<v Speaker 2>And I feel like everything happens for a reason. And

0:22:15.640 --> 0:22:18.320
<v Speaker 2>I mean that's why I'm not like associated super early.

0:22:18.359 --> 0:22:19.920
<v Speaker 2>I think it's going to get to that point where

0:22:19.920 --> 0:22:22.560
<v Speaker 2>it's like, damn, we didn't fuck with them early. We

0:22:22.600 --> 0:22:24.040
<v Speaker 2>didn't fuck with them early, but now if we want

0:22:24.080 --> 0:22:25.640
<v Speaker 2>to fuck with them, we know we got to pay

0:22:25.640 --> 0:22:28.440
<v Speaker 2>that fee. Not even pay the fee, bro, But it's

0:22:28.520 --> 0:22:30.399
<v Speaker 2>like it's hard, it's a long line.

0:22:30.480 --> 0:22:30.640
<v Speaker 1>Bro.

0:22:31.160 --> 0:22:34.480
<v Speaker 2>Somebody else who wasn't necessarily back to our conversation earlier,

0:22:34.480 --> 0:22:38.160
<v Speaker 2>I would say necessarily embraced by l A early would

0:22:38.160 --> 0:22:38.800
<v Speaker 2>have been Tyler.

0:22:39.920 --> 0:22:42.679
<v Speaker 1>Holy shit, Tyler is a good fucking case he bro.

0:22:42.840 --> 0:22:43.560
<v Speaker 1>He got on.

0:22:43.680 --> 0:22:45.919
<v Speaker 2>And then it's like it's like everyone just forgot like

0:22:46.160 --> 0:22:48.959
<v Speaker 2>duties from LA and you think, what you think that's

0:22:48.960 --> 0:22:51.120
<v Speaker 2>not having to me? Look at look at what Look

0:22:51.119 --> 0:22:53.159
<v Speaker 2>at what I've done, look at what I've done right

0:22:53.320 --> 0:22:56.040
<v Speaker 2>where I'm at, and like where the world is right

0:22:56.040 --> 0:22:58.400
<v Speaker 2>now when it comes to like social media and culture,

0:22:59.119 --> 0:23:01.240
<v Speaker 2>we're not thinking about. And then look at me how

0:23:01.280 --> 0:23:02.800
<v Speaker 2>I look, how I carry myself.

0:23:03.680 --> 0:23:04.960
<v Speaker 1>Yeah, I think that could be it.

0:23:05.600 --> 0:23:08.080
<v Speaker 2>But I do think at the very least, at least sonically,

0:23:08.640 --> 0:23:11.760
<v Speaker 2>when I hear your records, it gives it gives me

0:23:12.119 --> 0:23:15.840
<v Speaker 2>West Coast you know, the BPM, you know, it kind

0:23:15.840 --> 0:23:17.959
<v Speaker 2>of gives me. Okay, this is some this is some

0:23:18.560 --> 0:23:21.520
<v Speaker 2>West Coast or origin the music as to where I

0:23:21.520 --> 0:23:23.320
<v Speaker 2>feel like when Tyler first came out, he was making

0:23:23.359 --> 0:23:26.000
<v Speaker 2>like Yonkers is like fucking seventy six vpms and it's

0:23:26.080 --> 0:23:29.800
<v Speaker 2>like a really dark record, you know. But I'm wondering

0:23:29.920 --> 0:23:31.480
<v Speaker 2>have you guys connected. I know you guys are both

0:23:31.480 --> 0:23:32.600
<v Speaker 2>at to pop out. I don't know if you guys

0:23:32.640 --> 0:23:34.200
<v Speaker 2>have had any words or chopped it up.

0:23:34.119 --> 0:23:36.440
<v Speaker 1>Or cross past. That's one thing I haven't met, bro,

0:23:36.480 --> 0:23:38.560
<v Speaker 1>And I feel like I'm supposed to, but I feel

0:23:38.560 --> 0:23:40.880
<v Speaker 1>like it hasn't happened because it's not me yet, right,

0:23:41.640 --> 0:23:43.480
<v Speaker 1>you know what I mean, It don't happen. Yeah, And

0:23:43.520 --> 0:23:45.160
<v Speaker 1>I feel like I've talked to people that are like, oh, yeah,

0:23:45.240 --> 0:23:46.960
<v Speaker 1>like you and Tyler will be dada like, oh I

0:23:47.000 --> 0:23:49.120
<v Speaker 1>know him, and that's something like No, when it's time,

0:23:49.240 --> 0:23:50.560
<v Speaker 1>you know what I mean, it's time, it will happen.

0:23:50.640 --> 0:23:52.680
<v Speaker 1>And when it's time to hit like when it you

0:23:52.720 --> 0:23:54.720
<v Speaker 1>know what I mean, when it's gonna hit boom, you know,

0:23:54.800 --> 0:23:56.679
<v Speaker 1>because it's for me. And I've said this in super

0:23:56.760 --> 0:24:00.199
<v Speaker 1>like many interviews. It's like it's not super important to

0:24:00.240 --> 0:24:01.840
<v Speaker 1>have just a feature, but I want to work with

0:24:01.880 --> 0:24:05.160
<v Speaker 1>him on production. Bro. He plays all his own instruments. Yeah,

0:24:05.200 --> 0:24:06.280
<v Speaker 1>you know what I mean? Like, I don't know what

0:24:06.359 --> 0:24:08.359
<v Speaker 1>could that do for me? Bro? Like how think about

0:24:08.359 --> 0:24:11.359
<v Speaker 1>how even him like he met Pharrell. I've seen that

0:24:11.440 --> 0:24:13.919
<v Speaker 1>video and like it changed the way he thought about music. Bro,

0:24:14.000 --> 0:24:16.159
<v Speaker 1>I haven't had that moment yet. But I met all

0:24:16.200 --> 0:24:18.479
<v Speaker 1>these like I met all these like street niggas, but

0:24:18.520 --> 0:24:20.840
<v Speaker 1>I haven't met somebody that's like a genius, a musical

0:24:20.840 --> 0:24:23.720
<v Speaker 1>genius that like may change the way I think, you

0:24:23.760 --> 0:24:26.280
<v Speaker 1>know what I mean. Like, that's the thing everybody wants

0:24:26.320 --> 0:24:28.959
<v Speaker 1>to Oh, whose niggas taking pictures with? What chain they

0:24:29.000 --> 0:24:31.920
<v Speaker 1>got was this? Bro? Let me meet for a Let

0:24:31.920 --> 0:24:34.520
<v Speaker 1>me meet Yeah, let me meet Tyler creator. We don't know,

0:24:34.640 --> 0:24:35.119
<v Speaker 1>you know what I mean?

0:24:35.160 --> 0:24:37.679
<v Speaker 2>Because if you don't know what spark that could create, right,

0:24:38.200 --> 0:24:40.040
<v Speaker 2>especially you know it's in you know, it's in you.

0:24:40.800 --> 0:24:43.399
<v Speaker 1>I'm a student of the fucking game. These other niggas

0:24:43.400 --> 0:24:45.120
<v Speaker 1>are just within this shit and they're living it. They're

0:24:45.119 --> 0:24:48.199
<v Speaker 1>living whatever artists name they are. Me, I'm understanding that

0:24:48.240 --> 0:24:50.600
<v Speaker 1>it's my business and I'm gonna make sure this motherfucker

0:24:50.680 --> 0:24:52.600
<v Speaker 1>go up as long as as long as I just

0:24:52.680 --> 0:24:55.520
<v Speaker 1>listen and take shit in and I listen. I love that, man,

0:24:55.960 --> 0:24:56.439
<v Speaker 1>I love that.

0:24:56.520 --> 0:25:00.520
<v Speaker 2>I was thinking too, like for you, you know, you

0:25:00.560 --> 0:25:03.639
<v Speaker 2>have a company now, so but you're also an eighteen

0:25:03.680 --> 0:25:08.399
<v Speaker 2>year old kid. Are you interested in finding other artist

0:25:08.640 --> 0:25:09.679
<v Speaker 2>or is it too early for that?

0:25:10.560 --> 0:25:14.399
<v Speaker 1>Just way too early. I think people may look at

0:25:14.400 --> 0:25:15.879
<v Speaker 1>me on something like people e DM me and you

0:25:15.920 --> 0:25:18.320
<v Speaker 1>way oh damn bro like this that that. But it's like, bro,

0:25:18.440 --> 0:25:20.720
<v Speaker 1>I'm not even in a position to put you on, right,

0:25:21.000 --> 0:25:23.040
<v Speaker 1>I don't think. Yeah. I think that that is like

0:25:23.040 --> 0:25:25.440
<v Speaker 1>a very terrible.

0:25:26.520 --> 0:25:30.560
<v Speaker 2>Attitude or approach rather not attitude to music is like

0:25:32.040 --> 0:25:35.040
<v Speaker 2>thinking that there's like gate keepers, because then if you

0:25:35.119 --> 0:25:37.399
<v Speaker 2>think that that's your path, like oh, someone has the

0:25:37.400 --> 0:25:40.520
<v Speaker 2>power to quote unquote put me on, yeah, then you

0:25:40.600 --> 0:25:42.560
<v Speaker 2>have like a then you have a boogey man to

0:25:42.600 --> 0:25:45.560
<v Speaker 2>point at and be like, well, this fool just didn't

0:25:45.560 --> 0:25:48.480
<v Speaker 2>put me on, or you know, it was just like whatever,

0:25:48.520 --> 0:25:51.800
<v Speaker 2>I just went through this shit with with people saying

0:25:51.880 --> 0:25:53.879
<v Speaker 2>like I need to put more Arizona artists on, and

0:25:53.920 --> 0:25:55.800
<v Speaker 2>I'm like, bro, I can't put nobody on, Like who

0:25:55.800 --> 0:25:56.400
<v Speaker 2>the fuck you think?

0:25:56.640 --> 0:25:58.560
<v Speaker 1>You gotta think? Bro? If you go grab beers on

0:25:58.720 --> 0:26:01.280
<v Speaker 1>artists and you just be like post some page, what

0:26:01.320 --> 0:26:02.520
<v Speaker 1>the fuck is I gonna do?

0:26:02.640 --> 0:26:04.560
<v Speaker 2>I don't think people. And also done that with like

0:26:04.680 --> 0:26:08.000
<v Speaker 2>thirty Erason artists. So it's like you know, but it's

0:26:08.000 --> 0:26:11.000
<v Speaker 2>like like it's really like there's like there's this is

0:26:11.160 --> 0:26:13.840
<v Speaker 2>like you do you have a zero barrier to the

0:26:13.880 --> 0:26:16.720
<v Speaker 2>world as a musician. Yeah, it's straight to it's there's

0:26:16.760 --> 0:26:19.120
<v Speaker 2>a straight to fan based connection. So if what you're

0:26:19.119 --> 0:26:22.520
<v Speaker 2>doing is resonating and you're playing with the algram and

0:26:22.520 --> 0:26:25.040
<v Speaker 2>you're putting the work in like that, that ain't got

0:26:25.040 --> 0:26:26.600
<v Speaker 2>shit to do with me, thog, you know what I'm.

0:26:26.440 --> 0:26:28.160
<v Speaker 1>Saying, Like, I mean shit.

0:26:28.920 --> 0:26:31.639
<v Speaker 2>It's interesting though, because people will have that attitude like yo,

0:26:31.680 --> 0:26:33.880
<v Speaker 2>three one old baby sigmy man put me on. It's like, man,

0:26:33.960 --> 0:26:37.040
<v Speaker 2>like get your motion, get your work ethic together, get

0:26:37.040 --> 0:26:37.960
<v Speaker 2>your regimen together.

0:26:38.080 --> 0:26:40.080
<v Speaker 1>You fuck around and fuck yourself up trying to put

0:26:40.080 --> 0:26:40.800
<v Speaker 1>another nig on.

0:26:41.280 --> 0:26:44.160
<v Speaker 2>For sure, because it's like especially as an artist who

0:26:44.720 --> 0:26:45.920
<v Speaker 2>I don't think niggas understand.

0:26:46.000 --> 0:26:48.480
<v Speaker 1>Bro, if you do a song with somebody bro and

0:26:48.520 --> 0:26:50.600
<v Speaker 1>that shit do not hit. But you're coming off a

0:26:50.600 --> 0:26:53.720
<v Speaker 1>seven song streak, that fucking eighth song, if it don't

0:26:53.800 --> 0:26:56.840
<v Speaker 1>hit your all, like you're done. Especially today, I think

0:26:56.880 --> 0:26:59.200
<v Speaker 1>back in the day, Back in the day, niggas could

0:26:59.280 --> 0:27:01.840
<v Speaker 1>like kind of like trickle down and like pop back

0:27:01.840 --> 0:27:04.000
<v Speaker 1>because there's no social media, like a nigga disappear and

0:27:04.000 --> 0:27:07.000
<v Speaker 1>probably be straight all the time. Man, oh my god,

0:27:07.119 --> 0:27:09.959
<v Speaker 1>especially with Twitter and social media, they'll get bashed. Bro.

0:27:10.520 --> 0:27:12.439
<v Speaker 1>You don't do that, bro. So it's like, even with me,

0:27:12.480 --> 0:27:15.680
<v Speaker 1>it's like super strategic. Bro. How you said this like intentionally? Yeah,

0:27:15.680 --> 0:27:18.680
<v Speaker 1>because we know nigga we planing? What fire nigga?

0:27:18.720 --> 0:27:19.480
<v Speaker 2>You bro?

0:27:20.359 --> 0:27:23.040
<v Speaker 1>Especially with me, Bro, I'm at. I'm not at, you

0:27:23.080 --> 0:27:24.600
<v Speaker 1>know what I mean. I can't call no big guy

0:27:24.640 --> 0:27:26.800
<v Speaker 1>to help me. We make the wrong step.

0:27:26.840 --> 0:27:30.800
<v Speaker 2>That's the l Was there anybody who you were trying

0:27:30.800 --> 0:27:33.400
<v Speaker 2>to get on the Soak City remix or almost got

0:27:33.440 --> 0:27:38.920
<v Speaker 2>on the Soak City Remix that just didn't quite come

0:27:38.960 --> 0:27:43.000
<v Speaker 2>to fruition because I'm assuming everybody was trying to get

0:27:43.040 --> 0:27:43.320
<v Speaker 2>on it.

0:27:44.400 --> 0:27:46.480
<v Speaker 1>No, A couple of niggas was trying to get on that,

0:27:46.760 --> 0:27:47.919
<v Speaker 1>but it got to the point where it was too

0:27:47.920 --> 0:27:50.880
<v Speaker 1>many fucking people cause we started saying like not saying yes,

0:27:50.920 --> 0:27:52.280
<v Speaker 1>but it was more you know me, I'm like.

0:27:52.400 --> 0:27:54.679
<v Speaker 2>Because it ended up being what Blue Bucks, Blue Face

0:27:55.280 --> 0:28:01.200
<v Speaker 2>and Oz Tiger was yg blue Bus Clan Okay, because

0:28:01.240 --> 0:28:03.760
<v Speaker 2>like I heard, because I was thinking, fuck, Chris Brown

0:28:03.760 --> 0:28:05.280
<v Speaker 2>would be crazy on the fucking Solk City.

0:28:05.640 --> 0:28:08.400
<v Speaker 1>Bro. Anybody you got to think, Bro, anybody could did it?

0:28:08.680 --> 0:28:11.159
<v Speaker 1>For sure? Yeah? I mean it was a hell of

0:28:11.160 --> 0:28:13.919
<v Speaker 1>a lineup. Yeah, anybody could did it. I think it was.

0:28:14.040 --> 0:28:15.640
<v Speaker 1>I think I created one of them songs that didn't

0:28:15.680 --> 0:28:17.800
<v Speaker 1>matter like who was on it.

0:28:17.840 --> 0:28:20.080
<v Speaker 2>Also, like the original gets played more than the remix,

0:28:20.160 --> 0:28:22.080
<v Speaker 2>which is also that's that's all.

0:28:21.960 --> 0:28:23.840
<v Speaker 1>The remix did is promo for the original.

0:28:23.840 --> 0:28:30.080
<v Speaker 2>Sure, uh your sound? We know kind of like the

0:28:30.119 --> 0:28:32.160
<v Speaker 2>records we've gotten from me so far, and they're all

0:28:32.240 --> 0:28:33.800
<v Speaker 2>very much in the same kind of vein of like

0:28:33.840 --> 0:28:37.159
<v Speaker 2>party music. Is there any plans to kind of like

0:28:37.960 --> 0:28:40.480
<v Speaker 2>try to step out of your comfort zone? Maybe not

0:28:40.560 --> 0:28:42.840
<v Speaker 2>this album, because you know what your fans want. No, no, no,

0:28:42.920 --> 0:28:46.720
<v Speaker 2>this album has as But this is the thing I

0:28:46.760 --> 0:28:50.120
<v Speaker 2>think now people are gonna see Okay, Like there's party

0:28:50.200 --> 0:28:52.920
<v Speaker 2>songs because people would dance to them. Of course, if

0:28:52.960 --> 0:28:55.080
<v Speaker 2>people would dance in my shit, I can't control that.

0:28:55.440 --> 0:28:59.080
<v Speaker 2>The only song I intentionally made party songs too was

0:28:59.120 --> 0:29:03.080
<v Speaker 2>Soak City Rock your Hips, Pink Whitney, back it up

0:29:04.120 --> 0:29:06.160
<v Speaker 2>in the other song that's like a little bounty maybe

0:29:06.200 --> 0:29:08.840
<v Speaker 2>a little bit, but right, I'm telling you songs I

0:29:08.880 --> 0:29:11.400
<v Speaker 2>intention like, I put that behind. That's the energy I'm

0:29:11.400 --> 0:29:14.320
<v Speaker 2>putting like, you know what I mean. So this album

0:29:14.400 --> 0:29:17.320
<v Speaker 2>three hundred ten degrees, Bro, it doesn't sound like fucking so.

0:29:17.600 --> 0:29:19.400
<v Speaker 2>It doesn't sound like rocky hibs. And I think now

0:29:19.400 --> 0:29:23.120
<v Speaker 2>people are gonna appreciate his beat selection, like talking about me, people,

0:29:23.120 --> 0:29:25.320
<v Speaker 2>we're gonna finally see, okay, this nigga does have b selection.

0:29:25.400 --> 0:29:27.880
<v Speaker 2>But the thing is this, right, people don't understand. You

0:29:27.920 --> 0:29:29.680
<v Speaker 2>got to keep the fucking lights on. Bro.

0:29:29.880 --> 0:29:32.400
<v Speaker 1>You have to Oh this sounds stead of out nigga?

0:29:32.360 --> 0:29:34.880
<v Speaker 1>Are you paying my bills? Right? Because if I fucking

0:29:34.880 --> 0:29:37.880
<v Speaker 1>fall off, then what then you feel off? Bro? Let

0:29:37.920 --> 0:29:39.720
<v Speaker 1>me do what I gotta do. I think people pick

0:29:39.720 --> 0:29:42.040
<v Speaker 1>the lights on. People don't understand the music business, bro,

0:29:42.200 --> 0:29:44.000
<v Speaker 1>people because I think people are so caught up in

0:29:44.120 --> 0:29:46.640
<v Speaker 1>like the all this, like y'all don't know, Bro, you

0:29:46.640 --> 0:29:48.720
<v Speaker 1>don't know what I got. I could probably, Bro, I

0:29:48.720 --> 0:29:51.280
<v Speaker 1>can have some songs right now that I'd be like, yeah, bro,

0:29:51.320 --> 0:29:53.680
<v Speaker 1>like me and my homies, fuck with it. I know

0:29:53.800 --> 0:29:56.320
<v Speaker 1>kids gonna fuck with it. But if they don't, like,

0:29:56.320 --> 0:29:58.400
<v Speaker 1>if they don't feel like, if everybody else don't feel like, no,

0:29:58.560 --> 0:30:00.320
<v Speaker 1>that's it, then it's not gonna you know. I mean,

0:30:01.000 --> 0:30:03.040
<v Speaker 1>so like you know, like for sure, just be patient

0:30:03.080 --> 0:30:05.040
<v Speaker 1>and let me figure this shit out, because I feel

0:30:05.040 --> 0:30:08.200
<v Speaker 1>like not even I feel like, Bro, I feel like

0:30:08.200 --> 0:30:11.160
<v Speaker 1>I'm a musical genius, bro, honestly, and I feel like

0:30:11.240 --> 0:30:13.680
<v Speaker 1>all I can do to prove that to everybody is

0:30:13.720 --> 0:30:16.000
<v Speaker 1>to continue to work no matter what I say, you

0:30:16.080 --> 0:30:18.120
<v Speaker 1>know what I mean, that's all that matters. Action is

0:30:18.160 --> 0:30:20.760
<v Speaker 1>way stronger than words. So you know, I'm saying that

0:30:21.120 --> 0:30:24.080
<v Speaker 1>respectfully and humble, but I just have to keep proving myself.

0:30:24.200 --> 0:30:26.320
<v Speaker 1>And after this album, people will see like, oh shit,

0:30:26.800 --> 0:30:28.840
<v Speaker 1>not necessarily like I'm not saying you're gonna listen to

0:30:28.880 --> 0:30:30.920
<v Speaker 1>this album and think I'm yeah, right, it's not what

0:30:30.920 --> 0:30:32.880
<v Speaker 1>I'm saying. I'm not saying that this is gonna be

0:30:32.920 --> 0:30:34.600
<v Speaker 1>the best album. I ever fucking dropped. But what I'm

0:30:34.640 --> 0:30:36.560
<v Speaker 1>saying is I want you to watch my growth and

0:30:36.600 --> 0:30:39.440
<v Speaker 1>start to look at my trajectory like, Okay, he's getting better.

0:30:39.680 --> 0:30:42.880
<v Speaker 1>That's what people don't track. People track clout fucking chains

0:30:42.920 --> 0:30:46.000
<v Speaker 1>and money. Track the progress, track the progress because making

0:30:46.080 --> 0:30:49.640
<v Speaker 1>progress is better and way different than making money. Watch

0:30:49.720 --> 0:30:53.000
<v Speaker 1>just watch it, bro, Yeah you listen.

0:30:53.000 --> 0:30:55.120
<v Speaker 2>I mean the progress has to be documented because if

0:30:55.160 --> 0:30:58.120
<v Speaker 2>you go from your first record being platinum and being

0:30:58.160 --> 0:31:01.920
<v Speaker 2>recorded on an iPhone, it's I mean, that's about as

0:31:02.880 --> 0:31:05.120
<v Speaker 2>ground zero as it can possibly get.

0:31:06.280 --> 0:31:09.480
<v Speaker 1>So yeah, when you hear when you hear the album,

0:31:09.560 --> 0:31:11.840
<v Speaker 1>you'll be like, okay, oh shit, You'll you'll be able

0:31:11.880 --> 0:31:15.560
<v Speaker 1>to now because it's so many songs, you'll be able to,

0:31:16.520 --> 0:31:18.280
<v Speaker 1>you know, kind of say, okay, this is obviously for

0:31:18.400 --> 0:31:20.880
<v Speaker 1>his kids. I mean for the kids, right, Okay, Now

0:31:20.880 --> 0:31:23.160
<v Speaker 1>I funk with this, and I see where he's going, Like,

0:31:23.200 --> 0:31:24.960
<v Speaker 1>it's some records on it that are going to surprise you.

0:31:25.000 --> 0:31:28.480
<v Speaker 1>And I'm not saying yeah, yeah, you know, artists, we

0:31:28.480 --> 0:31:30.880
<v Speaker 1>always try to oversell our ship this of course. Yeah

0:31:30.920 --> 0:31:34.400
<v Speaker 1>you're listening to see for sure, what was it like

0:31:35.160 --> 0:31:35.680
<v Speaker 1>for you?

0:31:36.400 --> 0:31:40.120
<v Speaker 2>Did you understand the gravity and the just the moment

0:31:40.240 --> 0:31:43.880
<v Speaker 2>of coming out for the pop out. You know, I still

0:31:43.880 --> 0:31:47.080
<v Speaker 2>don't crazy night. I mean it's gonna be like like

0:31:47.120 --> 0:31:48.360
<v Speaker 2>a night in hip hop history, you know.

0:31:48.640 --> 0:31:50.440
<v Speaker 1>And that's what I'm saying is I still don't because

0:31:50.560 --> 0:31:53.720
<v Speaker 1>like because you must have brought you out. Yeah, I

0:31:53.840 --> 0:31:56.720
<v Speaker 1>still like I know what it is. But you gotta

0:31:56.760 --> 0:32:01.320
<v Speaker 1>think it's still so current. It's still like when you're

0:32:01.320 --> 0:32:04.000
<v Speaker 1>in it, you're not really Yeah, It's like it's just

0:32:04.080 --> 0:32:07.000
<v Speaker 1>that's right now, right, I think we're still in that era.

0:32:07.160 --> 0:32:10.160
<v Speaker 1>We're still in that Drake Kendrick era. Sure, right, But

0:32:10.200 --> 0:32:12.719
<v Speaker 1>it's like I think you guys lived through a lot

0:32:12.760 --> 0:32:14.560
<v Speaker 1>of shit. You guys lift through a lot of historical

0:32:14.640 --> 0:32:17.600
<v Speaker 1>hip hop moments to where you guys understand early, especially

0:32:17.680 --> 0:32:19.960
<v Speaker 1>with you guys being older, noticing other moments that she

0:32:20.080 --> 0:32:22.400
<v Speaker 1>may not have been a part of, and now that

0:32:22.600 --> 0:32:25.240
<v Speaker 1>some people were able to participate in it, now that like, oh,

0:32:25.320 --> 0:32:27.200
<v Speaker 1>I was a part of a legendary hip hop moment.

0:32:27.520 --> 0:32:31.000
<v Speaker 1>I think as I get older, I'll start to like

0:32:31.120 --> 0:32:33.480
<v Speaker 1>really understand more and more. I think I get it now.

0:32:33.720 --> 0:32:35.600
<v Speaker 1>But you gotta think it's like everybody out there as

0:32:35.640 --> 0:32:38.000
<v Speaker 1>old as fuck, bro older than me like it doesn't

0:32:38.080 --> 0:32:41.120
<v Speaker 1>hit yet, right, it doesn't hit yet, It'll hit later.

0:32:41.160 --> 0:32:44.000
<v Speaker 1>Were you able to meet Kendrick that night? Shook his

0:32:44.080 --> 0:32:46.360
<v Speaker 1>hand like on something like that? Cool? I mean shit,

0:32:46.560 --> 0:32:49.120
<v Speaker 1>you gotta think, bro, A lot of things can't even

0:32:49.120 --> 0:32:51.080
<v Speaker 1>fucking get a hold of Kendrick. So for sure that

0:32:51.200 --> 0:32:55.160
<v Speaker 1>was dope as fuck. I always wondered if Kendrick fucked

0:32:55.200 --> 0:32:59.840
<v Speaker 1>with me. I always wondered, like I think everybody's on,

0:33:00.200 --> 0:33:01.960
<v Speaker 1>like you know, once he popped back yard, like oh, like,

0:33:02.000 --> 0:33:04.520
<v Speaker 1>oh Kendrick doing the song. I'm not not on that ship.

0:33:04.600 --> 0:33:06.320
<v Speaker 1>That's not you know what I mean. That's that's a

0:33:06.360 --> 0:33:09.160
<v Speaker 1>headache alone, right right. But like I always be like, Damn,

0:33:09.160 --> 0:33:11.160
<v Speaker 1>do Kendrick fuck with me? Damn do this nigga fuck

0:33:11.200 --> 0:33:13.200
<v Speaker 1>with me? Because it's like one thing for like LA

0:33:13.280 --> 0:33:14.920
<v Speaker 1>artist to fuck with me, but it's one thing for

0:33:14.960 --> 0:33:18.280
<v Speaker 1>the top LA artist to fuck That's what really matters, right,

0:33:18.760 --> 0:33:21.760
<v Speaker 1>you know what I mean? Like, but I think what's

0:33:21.760 --> 0:33:24.520
<v Speaker 1>gonna happen, bro, And I think it's kind of happened.

0:33:24.600 --> 0:33:26.520
<v Speaker 1>It starts happening a little once. I once I drop

0:33:26.600 --> 0:33:29.360
<v Speaker 1>Rocot hips to happen. But I just need the dominoes

0:33:29.400 --> 0:33:31.720
<v Speaker 1>to start falling. I think, what's really gonna do with

0:33:31.800 --> 0:33:34.200
<v Speaker 1>bt you know what I mean? Like, I mean, shit

0:33:34.280 --> 0:33:37.600
<v Speaker 1>that's passing is not huh but bt BT Awards, that

0:33:37.680 --> 0:33:40.400
<v Speaker 1>for sure helped me a lot because I mean shit,

0:33:40.680 --> 0:33:43.200
<v Speaker 1>I was nominated, they said my name on TV. Hundreds

0:33:43.240 --> 0:33:45.240
<v Speaker 1>of thousands of people saw that ship, you know what

0:33:45.280 --> 0:33:49.400
<v Speaker 1>I mean, and it's like, hey, I'm doing this ship. Bro.

0:33:49.600 --> 0:33:52.920
<v Speaker 1>It's crazy even just talking about it, like it's so much.

0:33:53.720 --> 0:33:55.520
<v Speaker 1>But we're just gonna keep working, keep our head down,

0:33:55.560 --> 0:33:57.920
<v Speaker 1>and we're gonna look up one day and it's gonna

0:33:57.920 --> 0:34:00.280
<v Speaker 1>be beautiful.

0:34:00.560 --> 0:34:03.400
<v Speaker 2>You're an LA kid, but have you adopted the Texans

0:34:03.440 --> 0:34:04.360
<v Speaker 2>as your football team?

0:34:04.720 --> 0:34:07.440
<v Speaker 1>I'm a supporter, says you be outside with the Texans

0:34:08.160 --> 0:34:09.759
<v Speaker 1>the same way I'm a Laker fan, but I'm a

0:34:09.760 --> 0:34:13.200
<v Speaker 1>Clipper supporter, right, So I'm a Rams fan, but I'm

0:34:13.239 --> 0:34:14.120
<v Speaker 1>a Texan supporter.

0:34:14.440 --> 0:34:16.480
<v Speaker 2>Yeah, I mean, Plus, the Texans are the AFC. Rams

0:34:16.520 --> 0:34:18.399
<v Speaker 2>are your NFC. So it's like it's fairy. The only

0:34:18.400 --> 0:34:20.160
<v Speaker 2>time you really got to, you know, choose up is

0:34:20.160 --> 0:34:21.920
<v Speaker 2>if they each play each other in the Super Bowl.

0:34:22.520 --> 0:34:23.920
<v Speaker 1>It don't look like it's gonna be that. I don't think.

0:34:23.920 --> 0:34:25.600
<v Speaker 1>I don't know if that's gonna happen. Yeah, no, no, no,

0:34:25.640 --> 0:34:27.080
<v Speaker 1>the odds of that would be fucking crazy.

0:34:27.120 --> 0:34:30.040
<v Speaker 2>Yeah, the Rams look like they're kind of you know, they're.

0:34:29.840 --> 0:34:33.080
<v Speaker 1>Not brother hold on, hold on, it's probably gonna be rebuilding.

0:34:33.120 --> 0:34:35.680
<v Speaker 1>And the Rams have a pattern. I don't know if

0:34:35.680 --> 0:34:39.640
<v Speaker 1>you've noticed. Give us like three four years, ass, give

0:34:39.719 --> 0:34:40.759
<v Speaker 1>us one strong year.

0:34:41.200 --> 0:34:44.600
<v Speaker 2>Well, they've also been fucked with injuries like Cooper c Pooking,

0:34:44.640 --> 0:34:45.319
<v Speaker 2>the coup is out.

0:34:45.880 --> 0:34:49.480
<v Speaker 1>Yeah, that's gonna be. That's football, though, Yeah, that's football

0:34:49.520 --> 0:34:56.480
<v Speaker 1>for sure. Look twenty we're twenty eighteen, twenty twenty two. Yeah,

0:34:56.560 --> 0:34:58.279
<v Speaker 1>give us like twenty twenty six weeks. But you I

0:34:58.280 --> 0:35:01.040
<v Speaker 1>think it's coming right back to La. The Rents be

0:35:01.160 --> 0:35:04.080
<v Speaker 1>super hopefully. Shit, yeah, we'll see. Are you excited for

0:35:04.120 --> 0:35:07.560
<v Speaker 1>the Lakers and JJ Reddick to be the coach? That's

0:35:07.640 --> 0:35:09.640
<v Speaker 1>just sounds fake as fuck. Even you're saying that.

0:35:09.520 --> 0:35:11.799
<v Speaker 2>That's just like him and Lebron doing a podcast after

0:35:11.840 --> 0:35:13.760
<v Speaker 2>every game, and shit, that'd be funny if they didn't.

0:35:13.560 --> 0:35:16.919
<v Speaker 1>Bro these niggas. You know, it's wild, though. I feel

0:35:16.920 --> 0:35:21.759
<v Speaker 1>like the team chemistry will be there. I just don't

0:35:21.760 --> 0:35:23.880
<v Speaker 1>think it's like championship team. No, it's just not a

0:35:23.960 --> 0:35:25.879
<v Speaker 1>championship team. For sure, it's no championship team.

0:35:25.920 --> 0:35:27.560
<v Speaker 2>But then you see the way Lebron and eighty played

0:35:27.560 --> 0:35:28.799
<v Speaker 2>for Team USA, and you're like.

0:35:28.719 --> 0:35:31.400
<v Speaker 1>You're were the can y'all do that ship for the Lakers?

0:35:32.080 --> 0:35:33.680
<v Speaker 1>You know what I think it? You know, bro, like

0:35:34.000 --> 0:35:36.920
<v Speaker 1>niggas be getting fed up? Yeah, I think people forget

0:35:36.960 --> 0:35:39.400
<v Speaker 1>that like these at least we have an attitude personality

0:35:39.480 --> 0:35:41.920
<v Speaker 1>like nigga, I'm making thirty month. There's a lot of

0:35:41.920 --> 0:35:44.359
<v Speaker 1>egos in the locker room, and right, that's what I'm saying.

0:35:44.600 --> 0:35:45.799
<v Speaker 1>I think these brown as men.

0:35:45.840 --> 0:35:47.800
<v Speaker 2>When you're on the Lakers, they talk about you on

0:35:47.840 --> 0:35:50.080
<v Speaker 2>TV all fucking day and there's Hollywood. Yeah, well there's

0:35:50.080 --> 0:35:52.279
<v Speaker 2>just no way you don't even like if you try

0:35:52.320 --> 0:35:55.840
<v Speaker 2>to ignore stephen A. Smith or whoever, skip Bay lists

0:35:55.880 --> 0:35:58.520
<v Speaker 2>like that, shit will creep into your aura, Like you

0:35:58.560 --> 0:36:01.400
<v Speaker 2>know what I mean, start playing like shit, thinking like

0:36:01.440 --> 0:36:03.560
<v Speaker 2>you're on the Thunder, Like no one's talking about you

0:36:03.600 --> 0:36:04.279
<v Speaker 2>on the fucking Thunder.

0:36:04.320 --> 0:36:06.240
<v Speaker 1>Nigga. You can go to the Thunder and start dropping

0:36:06.239 --> 0:36:07.759
<v Speaker 1>thirty at night, nigga, quiet.

0:36:07.560 --> 0:36:10.840
<v Speaker 2>Nobody will say shit, Nick, Bro, That's what they barely

0:36:10.920 --> 0:36:13.239
<v Speaker 2>just started giving love the shade this past year for real,

0:36:13.320 --> 0:36:15.640
<v Speaker 2>like nationally, yeah, I mean like he's been bawling on

0:36:15.640 --> 0:36:16.360
<v Speaker 2>the fucking thunder.

0:36:16.560 --> 0:36:18.000
<v Speaker 1>I think this will be a big season for him.

0:36:18.040 --> 0:36:20.760
<v Speaker 1>But you know what it is, though, is I forgot.

0:36:21.360 --> 0:36:22.560
<v Speaker 1>It's like, I don't think a lot of people do this.

0:36:22.560 --> 0:36:24.480
<v Speaker 1>We started looking at these NBA teams for what they are.

0:36:24.520 --> 0:36:27.120
<v Speaker 1>Their businesses for sure, right and if these businesses is

0:36:27.200 --> 0:36:30.160
<v Speaker 1>not fucking booming, you're not gonna put them on TV. Niggas,

0:36:30.160 --> 0:36:32.399
<v Speaker 1>we don't care about them. Lakers, the Lakers. I think

0:36:32.440 --> 0:36:35.000
<v Speaker 1>the Lakers is more than winning. It's more than one

0:36:35.040 --> 0:36:38.120
<v Speaker 1>big business. It's big business. It's a fucking and Lebron

0:36:38.200 --> 0:36:40.320
<v Speaker 1>is more than winning. He's Lebron. Yeah, you know what

0:36:40.360 --> 0:36:42.360
<v Speaker 1>I mean, Like these are big ass brands. Like sure,

0:36:43.120 --> 0:36:45.440
<v Speaker 1>It's like, how can I the Lakers are equivalent to

0:36:45.480 --> 0:36:47.359
<v Speaker 1>an older artist that's torn off his ship from twenty

0:36:47.440 --> 0:36:50.400
<v Speaker 1>years ago? It makes sense. Have you been to the

0:36:50.440 --> 0:36:54.560
<v Speaker 1>Clippers new stadium now? Yet? It's fire bro, I need

0:36:54.600 --> 0:36:54.839
<v Speaker 1>to go.

0:36:55.080 --> 0:36:56.879
<v Speaker 2>The first night I went there, their app was down

0:36:56.880 --> 0:36:58.640
<v Speaker 2>and the whole place runs through this app. So I

0:36:58.680 --> 0:37:01.160
<v Speaker 2>was like, in like the VIP and they're like the food,

0:37:01.480 --> 0:37:03.399
<v Speaker 2>it'll register that you have it.

0:37:03.440 --> 0:37:05.040
<v Speaker 1>And you walk out with it so it'll charge you.

0:37:05.080 --> 0:37:05.680
<v Speaker 1>But the Apple was.

0:37:05.680 --> 0:37:08.359
<v Speaker 2>Down so I had so much free food. I was like,

0:37:08.520 --> 0:37:10.920
<v Speaker 2>oh shit, they're not charging me. Let me go get

0:37:10.920 --> 0:37:11.279
<v Speaker 2>some more.

0:37:11.520 --> 0:37:12.000
<v Speaker 1>No shit.

0:37:12.120 --> 0:37:14.040
<v Speaker 2>Shout out to Steve Balmer, Man, I cracked at least

0:37:14.040 --> 0:37:14.960
<v Speaker 2>three hundred dollars worth.

0:37:14.800 --> 0:37:15.600
<v Speaker 1>Of food on your ass.

0:37:15.600 --> 0:37:15.759
<v Speaker 2>Man.

0:37:15.840 --> 0:37:19.200
<v Speaker 1>Anyway, Look he's pissing three hundred dollars, he's for sure,

0:37:19.200 --> 0:37:20.279
<v Speaker 1>he's what.

0:37:21.880 --> 0:37:25.200
<v Speaker 2>Uh so your album is officially out three hundred and

0:37:25.200 --> 0:37:27.160
<v Speaker 2>ten degrees degrees man.

0:37:27.840 --> 0:37:28.560
<v Speaker 1>Uh.

0:37:29.160 --> 0:37:32.120
<v Speaker 2>For people who don't know, let's give them a point

0:37:32.120 --> 0:37:35.200
<v Speaker 2>of reference because I'll talk to like radio people who

0:37:35.239 --> 0:37:37.400
<v Speaker 2>are not necessarily the hippiest people in the world.

0:37:39.440 --> 0:37:40.959
<v Speaker 1>It's three one oh baby.

0:37:40.960 --> 0:37:44.480
<v Speaker 2>But no baby, people say three people say three ten baby.

0:37:44.520 --> 0:37:45.920
<v Speaker 1>Yeah. At this point, I'm the fuck man.

0:37:46.000 --> 0:37:47.920
<v Speaker 2>That's I was gonna say, like, just for people to

0:37:47.960 --> 0:37:50.920
<v Speaker 2>know it's three one oh baby, not three ten baby.

0:37:51.640 --> 0:37:53.560
<v Speaker 1>Do you know? I think it like when I when

0:37:53.560 --> 0:37:55.960
<v Speaker 1>I won my first award and I'm on TV and shit,

0:37:56.040 --> 0:37:58.520
<v Speaker 1>I gotta tell you bruss you want it's not throughing

0:37:58.560 --> 0:38:01.799
<v Speaker 1>no baby. Hey guy, y'all know that three ten baby? Like? What? Well?

0:38:01.960 --> 0:38:04.640
<v Speaker 2>Three one o baby? They calling me something nigga. At

0:38:04.719 --> 0:38:06.840
<v Speaker 2>least they're calling you something. Man, Go support the album.

0:38:07.200 --> 0:38:09.880
<v Speaker 2>I'm sure you've got more visuals coming off of it already.

0:38:09.920 --> 0:38:11.640
<v Speaker 1>In the crazy fucking visuals.

0:38:12.080 --> 0:38:14.440
<v Speaker 2>Rock your hips going crazy a radio. Even Pink Whitney's

0:38:14.440 --> 0:38:16.040
<v Speaker 2>still doing that. We're playing it in La Man. So

0:38:16.080 --> 0:38:18.000
<v Speaker 2>shout out to UH to all the success. Brother, I'm

0:38:18.000 --> 0:38:20.360
<v Speaker 2>proud of you, man, Thank you. Three one oh adult

0:38:21.800 --> 0:38:25.480
<v Speaker 2>no longer a baby. He can buy cigarettes and vote.

0:38:26.760 --> 0:38:29.640
<v Speaker 1>That's crazy. Niggas buy cigarettes at eighteen. I thought that

0:38:29.680 --> 0:38:33.240
<v Speaker 1>was twenty one. You can buy a vape. Nicotine is eighteen.

0:38:33.320 --> 0:38:35.400
<v Speaker 1>You buy cigarets eighteen, but not liquor.

0:38:35.239 --> 0:38:41.360
<v Speaker 2>Correct, I mean I think the difference is is liquor.

0:38:42.239 --> 0:38:47.399
<v Speaker 2>Liquor affects your judgment. Cigarettes just affect your lungs. Yeah,

0:38:47.440 --> 0:38:49.160
<v Speaker 2>Like no one's ever like crashed the car off of

0:38:49.160 --> 0:38:51.480
<v Speaker 2>a cigarette. Like, man, I just had so much nicotine

0:38:51.520 --> 0:38:54.640
<v Speaker 2>in me. I fucking I crashed into a restaurant.

0:38:55.960 --> 0:38:59.360
<v Speaker 1>Anyway. Three oh baby. I appreciate you, brother, Thank you,

0:38:59.640 --> 0:39:03.640
<v Speaker 1>my guy. I'll be back man again. Man album three bro, motherfuckers.

0:39:04.080 --> 0:39:04.480
<v Speaker 1>There it is