WEBVTT - INTERVIEW: Kelly Clarkson

0:00:00.320 --> 0:00:03.680
<v Speaker 1>There. It is a little California Love. It is Tupac

0:00:03.760 --> 0:00:06.080
<v Speaker 1>and Doctor Dre one or two point seven, kiss up them.

0:00:06.160 --> 0:00:11.160
<v Speaker 1>Let's bring in Kelly Clarkson. Casey, how are you? I love?

0:00:11.280 --> 0:00:14.240
<v Speaker 1>Following Tupac and Doctor Dre. Have you ever done a

0:00:14.240 --> 0:00:18.320
<v Speaker 1>cover of California Love? Oh my god, we've actually talked

0:00:18.360 --> 0:00:21.680
<v Speaker 1>about it, doing a like flipping that song, because I'd

0:00:21.720 --> 0:00:26.000
<v Speaker 1>have to in order to actually credibly do it, but yes,

0:00:26.760 --> 0:00:30.480
<v Speaker 1>we've talked about it. Well, Kelly, let us talk about

0:00:30.560 --> 0:00:32.879
<v Speaker 1>some exciting news here. This is Kelly Clarkson On with

0:00:33.040 --> 0:00:35.920
<v Speaker 1>this and she has announced she may have seen this.

0:00:36.000 --> 0:00:39.560
<v Speaker 1>She announced that her new album Chemistry is coming soon.

0:00:39.840 --> 0:00:42.479
<v Speaker 1>And I was reading a little bit about you know

0:00:42.880 --> 0:00:45.479
<v Speaker 1>why you called it chemistry? Because chemistry can mean a

0:00:45.520 --> 0:00:49.160
<v Speaker 1>lot of different things. Was it a challenge to pinpoint

0:00:49.200 --> 0:00:53.920
<v Speaker 1>the one word? No? And I because I actually mess

0:00:54.000 --> 0:00:56.600
<v Speaker 1>that up to in the announcement because there's a song

0:00:57.400 --> 0:01:01.080
<v Speaker 1>called that on the album when I accidentally said and

0:01:01.120 --> 0:01:05.119
<v Speaker 1>one of my things. Um, anyway, so no, I wrote

0:01:05.200 --> 0:01:09.319
<v Speaker 1>this song um because it's I mean, I'm sure we've

0:01:09.360 --> 0:01:11.920
<v Speaker 1>all been there, right, You're in like a relationship where

0:01:12.040 --> 0:01:16.080
<v Speaker 1>it's um, it's intoxicating, and it's amazing, and it's sexy,

0:01:16.120 --> 0:01:18.400
<v Speaker 1>it's fun, it's all these things, but it can also

0:01:18.440 --> 0:01:21.680
<v Speaker 1>be like so detrimental for you, Like you know, it's

0:01:21.720 --> 0:01:24.959
<v Speaker 1>it's it's it's also just not good for you. And

0:01:24.959 --> 0:01:28.040
<v Speaker 1>and I wrote this whole song one night, like almost

0:01:28.040 --> 0:01:32.000
<v Speaker 1>three years ago about um that so and it kind

0:01:32.000 --> 0:01:34.160
<v Speaker 1>of it's hard, you know, when you I've never made

0:01:34.160 --> 0:01:35.800
<v Speaker 1>an album like this. For the whole album, it's like

0:01:35.920 --> 0:01:39.280
<v Speaker 1>about a full relationship, right, So it's all the good

0:01:39.400 --> 0:01:43.520
<v Speaker 1>and the tough times too. So um So it was

0:01:43.640 --> 0:01:45.600
<v Speaker 1>it was hard to like think, what do I name

0:01:45.640 --> 0:01:47.920
<v Speaker 1>the album to kind of encompass everything, like all the

0:01:48.000 --> 0:01:52.280
<v Speaker 1>different kind of stages of grief, honestly, So, um I

0:01:52.640 --> 0:01:54.800
<v Speaker 1>went with Chemistry because I felt like it represented the

0:01:55.280 --> 0:01:58.160
<v Speaker 1>great side and the fun side, and then also the

0:01:58.680 --> 0:02:01.880
<v Speaker 1>kind of sad, more intense rough patches, you know. So

0:02:02.480 --> 0:02:05.680
<v Speaker 1>and Kelly, there were days or maybe weeks or even

0:02:05.680 --> 0:02:08.120
<v Speaker 1>longer were you weren't quite sure if you were going

0:02:08.160 --> 0:02:10.120
<v Speaker 1>to release it at all or when you were going

0:02:10.160 --> 0:02:14.160
<v Speaker 1>to release it. No, I was maybe not going to

0:02:14.200 --> 0:02:17.480
<v Speaker 1>release it at all. I mean, I just I've went

0:02:18.000 --> 0:02:20.839
<v Speaker 1>through so much and I wrote so much that I've

0:02:21.360 --> 0:02:23.880
<v Speaker 1>i was like, oh, what what are we doing here?

0:02:23.919 --> 0:02:26.160
<v Speaker 1>Like I just am I doing this for like therapy

0:02:26.200 --> 0:02:28.480
<v Speaker 1>purposes because I do that a lot of times, a

0:02:28.520 --> 0:02:31.600
<v Speaker 1>lot of songs that I've never released. But no, it

0:02:31.680 --> 0:02:35.359
<v Speaker 1>was I just didn't know if it was. I think

0:02:35.360 --> 0:02:37.320
<v Speaker 1>at the time, when you're going through something right, you

0:02:37.919 --> 0:02:40.320
<v Speaker 1>you can't even see the end, although people tell you

0:02:40.400 --> 0:02:43.639
<v Speaker 1>it's there, like and so I just couldn't even realize.

0:02:44.639 --> 0:02:46.920
<v Speaker 1>I couldn't actualize me sitting here in an interview right

0:02:46.960 --> 0:02:49.280
<v Speaker 1>now with you talking about it. I just didn't know

0:02:49.320 --> 0:02:52.040
<v Speaker 1>that day I would be able to come. It sounds

0:02:52.160 --> 0:02:54.320
<v Speaker 1>very dramatic now that I say it out loud at

0:02:54.320 --> 0:02:57.560
<v Speaker 1>the un but it's you know, it's just so painful

0:02:57.600 --> 0:02:59.400
<v Speaker 1>that you don't know if you want to vocalize it

0:02:59.480 --> 0:03:02.320
<v Speaker 1>or even near it. So um. But it's been a

0:03:02.320 --> 0:03:06.040
<v Speaker 1>few years almost now, so um. And it turns out

0:03:06.080 --> 0:03:09.520
<v Speaker 1>they were right, Ryan, So there is the other side. Um.

0:03:09.560 --> 0:03:12.560
<v Speaker 1>And so I think I think once you get there,

0:03:12.680 --> 0:03:15.080
<v Speaker 1>you're you're more comfortable with the fact that like, Okay,

0:03:15.120 --> 0:03:19.000
<v Speaker 1>we go through things to connect with people to um

0:03:19.040 --> 0:03:22.280
<v Speaker 1>to learn from it and whatnot and and um. And

0:03:22.560 --> 0:03:24.359
<v Speaker 1>you know, I'm an artist, so obviously that's how I

0:03:25.040 --> 0:03:28.960
<v Speaker 1>get things out. So do you Okay? So, because this

0:03:29.080 --> 0:03:31.639
<v Speaker 1>is personal and the cut of all the things you

0:03:31.720 --> 0:03:35.080
<v Speaker 1>just said, what will it be like when it's the

0:03:35.120 --> 0:03:37.320
<v Speaker 1>first few hours that the world can listen to these

0:03:37.440 --> 0:03:40.080
<v Speaker 1>raw emotions and these lyrics and these experiences for you,

0:03:40.120 --> 0:03:43.560
<v Speaker 1>What will that be like? You think? You know, it's interesting.

0:03:43.720 --> 0:03:49.440
<v Speaker 1>I've never actually been nervous to release anything, um, And

0:03:50.000 --> 0:03:53.440
<v Speaker 1>I I think it's I'm more nervous, like on a

0:03:53.800 --> 0:03:57.440
<v Speaker 1>on a personal level, like you know, with with everyone

0:03:57.480 --> 0:04:00.080
<v Speaker 1>in my world, Like personally, I'm more nervous about that,

0:04:00.560 --> 0:04:03.560
<v Speaker 1>um than anything else. I know. My fans are like

0:04:03.640 --> 0:04:07.320
<v Speaker 1>super supportive and I've I've I've always written with a

0:04:07.400 --> 0:04:10.320
<v Speaker 1>vulnerable heart, so I'm very open. So I'm I'm not

0:04:10.400 --> 0:04:13.520
<v Speaker 1>nervous about that. I'm I think I'm just more nervous

0:04:13.560 --> 0:04:17.359
<v Speaker 1>on a personal on a personal note and um, And

0:04:17.800 --> 0:04:20.719
<v Speaker 1>you know, because it's it's one of those things where

0:04:20.760 --> 0:04:23.280
<v Speaker 1>you I'm gonna have to keep talking about it and

0:04:23.279 --> 0:04:24.760
<v Speaker 1>then keep you know what I'm saying, and keep on

0:04:24.920 --> 0:04:29.200
<v Speaker 1>performing it. Yeah. Yeah, so I did it, I will say,

0:04:29.240 --> 0:04:31.920
<v Speaker 1>though I had to do I've already had to do

0:04:31.960 --> 0:04:35.880
<v Speaker 1>it once so far, just to perform something from it,

0:04:35.920 --> 0:04:38.400
<v Speaker 1>and I was like, Oh, I was like, well, that

0:04:38.480 --> 0:04:41.000
<v Speaker 1>wasn't I think because that maybe I'm not removed from it.

0:04:41.040 --> 0:04:43.640
<v Speaker 1>I'm not like compartmentalizing by any means. I just mean, like,

0:04:43.680 --> 0:04:46.600
<v Speaker 1>I think I've gotten through it, so I think it.

0:04:47.600 --> 0:04:49.520
<v Speaker 1>I don't know. It was much easier than I thought.

0:04:49.960 --> 0:04:52.560
<v Speaker 1>So everyone was excited to hear the news. I know

0:04:52.600 --> 0:04:55.320
<v Speaker 1>that for sure, your fans and everybody around the world.

0:04:55.400 --> 0:04:59.520
<v Speaker 1>Chemistry is the name of it. Now, this is an

0:04:59.560 --> 0:05:02.040
<v Speaker 1>intimate at night. So we're talking about a show at

0:05:02.040 --> 0:05:05.400
<v Speaker 1>Planet Hollywood Resorting Casino. Tickets go on sale Friday morning

0:05:05.440 --> 0:05:08.479
<v Speaker 1>at tenney. I'm ticketmaster dot com slash Kelly Vegas. What

0:05:08.600 --> 0:05:13.120
<v Speaker 1>will the chemistry an Intimated Night with Kelly Clarkson be? Like, Well,

0:05:13.160 --> 0:05:16.920
<v Speaker 1>I wanted to do something different than I've ever done,

0:05:17.000 --> 0:05:19.200
<v Speaker 1>so um, I mean I think I've I've done something

0:05:19.240 --> 0:05:22.720
<v Speaker 1>actually once here to Troubadour in Los Angeles, and it

0:05:22.760 --> 0:05:25.720
<v Speaker 1>was my favorite show. I did a show and I

0:05:25.880 --> 0:05:27.960
<v Speaker 1>was so personal and you know, I was right there

0:05:27.960 --> 0:05:29.360
<v Speaker 1>at the fans, right at the end of the stage

0:05:29.400 --> 0:05:31.240
<v Speaker 1>and I was talking and it was more of like

0:05:31.279 --> 0:05:35.120
<v Speaker 1>a storyteller vibe, like with the songs and it just

0:05:35.160 --> 0:05:39.440
<v Speaker 1>felt really intimate and very much me and I wanted

0:05:39.480 --> 0:05:41.320
<v Speaker 1>to be able to reach as many people though, because

0:05:41.320 --> 0:05:43.400
<v Speaker 1>I did think I was going to go really small

0:05:43.440 --> 0:05:47.120
<v Speaker 1>with these settings. But I also knew Mama's got a

0:05:47.120 --> 0:05:50.719
<v Speaker 1>lot of jobs, so I was like, we gotta, we gotta.

0:05:50.800 --> 0:05:52.680
<v Speaker 1>I was like, we gotta hit like as many people

0:05:52.800 --> 0:05:55.200
<v Speaker 1>as we can, you know, possibly like it's only ten nights,

0:05:55.200 --> 0:05:57.520
<v Speaker 1>but I still wanted to keep it intimate, so um,

0:05:57.600 --> 0:06:00.200
<v Speaker 1>I felt like the back theater was the best way

0:06:00.200 --> 0:06:03.000
<v Speaker 1>to go for me. So um. So you know, it's

0:06:03.040 --> 0:06:05.320
<v Speaker 1>it's still into it. It's gonna be um, you know,

0:06:05.440 --> 0:06:08.280
<v Speaker 1>very much like a storyteller vibe and like, you know, conversational.

0:06:08.360 --> 0:06:10.840
<v Speaker 1>But at the same time, I'll be planning all the Look,

0:06:10.839 --> 0:06:12.360
<v Speaker 1>I hate going to a show when you love an

0:06:12.400 --> 0:06:14.360
<v Speaker 1>artist and they don't play the songs you want, So right,

0:06:14.600 --> 0:06:17.240
<v Speaker 1>I'm going to totally play the songs that people want obviously,

0:06:17.600 --> 0:06:19.960
<v Speaker 1>UM and I want. I haven't performed them in years. Um,

0:06:20.360 --> 0:06:22.720
<v Speaker 1>so you know I'm excited about that, like all the hits,

0:06:22.720 --> 0:06:26.360
<v Speaker 1>but also um sprinkling the new stuff, you know, throughout

0:06:26.400 --> 0:06:29.240
<v Speaker 1>those ten dates and and really just making it more

0:06:29.320 --> 0:06:31.080
<v Speaker 1>you know, even the songs that you know, like maybe

0:06:31.120 --> 0:06:33.039
<v Speaker 1>you don't know some of the stuff behind the songs,

0:06:33.120 --> 0:06:36.200
<v Speaker 1>you know, So it's just more of like a low key,

0:06:36.440 --> 0:06:38.920
<v Speaker 1>like rock and roll vibe, Like it's not like, um,

0:06:38.960 --> 0:06:41.960
<v Speaker 1>it's definitely not like your normal I guess Vegas right show.

0:06:42.200 --> 0:06:44.919
<v Speaker 1>That's what I'm saying. Well, listen if you want a

0:06:45.000 --> 0:06:47.000
<v Speaker 1>chance to go see Kelly, I do have some tickets

0:06:47.000 --> 0:06:48.560
<v Speaker 1>to call it one or two right now. They're in

0:06:48.640 --> 0:06:50.920
<v Speaker 1>Vegas with the hotel staying Gascard one eight hundred and

0:06:50.920 --> 0:06:54.080
<v Speaker 1>five two one or two seven tickets to Chemistry and

0:06:54.160 --> 0:06:57.320
<v Speaker 1>Into a Night with Kelly Clarkson Plant Hollywood Resort in Casino, Onesil, Friday,

0:06:57.360 --> 0:07:00.880
<v Speaker 1>ten am, ticketmaster dot com, slash Kelly Vegas. Congratulations Kyl,

0:07:00.920 --> 0:07:02.880
<v Speaker 1>good to hear from it. Thanks for coming on. Yeah,

0:07:03.000 --> 0:07:07.760
<v Speaker 1>thanks very bye, y'all bye. Justin Grini and Kelly Clarkson

0:07:07.839 --> 0:07:12.040
<v Speaker 1>standing there, and then I think, is this my favorite

0:07:12.120 --> 0:07:16.920
<v Speaker 1>Kelly song? They're also great? Is this my favorite? Or

0:07:17.000 --> 0:07:21.640
<v Speaker 1>is this my favorite? That one's my favorite? Oh no,

0:07:21.960 --> 0:07:26.360
<v Speaker 1>this is my favorite. Oh yeah, this is this is

0:07:26.400 --> 0:07:31.240
<v Speaker 1>mine too. This is my favorite. She's the nicest and

0:07:31.440 --> 0:07:35.320
<v Speaker 1>just real. Tickets to go see Drake in twenty one,

0:07:35.360 --> 0:07:36.280
<v Speaker 1>Savage next to kiss,