1 00:00:00,080 --> 00:00:03,920 Speaker 1: Hello the Internet, and welcome to this episode of Let's 2 00:00:03,960 --> 00:00:08,360 Speaker 1: trend the zight to gather. That is courtesy a face 3 00:00:08,480 --> 00:00:13,520 Speaker 1: forward at Face Forward one Twitter. I'm Jack. That's Miles. 4 00:00:14,800 --> 00:00:19,200 Speaker 1: That is a rolling Stone song reference. I don't know 5 00:00:19,360 --> 00:00:24,280 Speaker 1: that my great grandmother love. Yeah, the Beatles one did 6 00:00:24,320 --> 00:00:29,560 Speaker 1: not come through yesterday, so I should not be for 7 00:00:29,600 --> 00:00:32,360 Speaker 1: the trend to fit of Mr z Ice. There will 8 00:00:32,400 --> 00:00:38,839 Speaker 1: be a show tonight on Trampoline Baby. Um, yeah, I 9 00:00:38,880 --> 00:00:42,120 Speaker 1: should not be so presumptuous to be like. And that 10 00:00:42,360 --> 00:00:49,360 Speaker 1: iconic performance, of course, evokes the vocals of one Paul McCartney. 11 00:00:49,479 --> 00:00:53,240 Speaker 1: Uh yeah, pretty soon I'll be referencing funk Master Reflex 12 00:00:53,320 --> 00:00:57,640 Speaker 1: mixtapes with these titles to him. Yeah, let's tell the 13 00:00:57,640 --> 00:01:03,480 Speaker 1: people what's trending. Run that check is trending because the 14 00:01:03,640 --> 00:01:08,160 Speaker 1: stimmy is coming. Uh should be by the end of March. 15 00:01:09,200 --> 00:01:13,880 Speaker 1: The physical checks should be hitting like around March twenty nine. 16 00:01:14,520 --> 00:01:19,960 Speaker 1: The bank accounts, the direct deposits should be hitting bank 17 00:01:20,000 --> 00:01:25,440 Speaker 1: accounts around like March twenty second. Um, Joe Biden went 18 00:01:26,040 --> 00:01:29,600 Speaker 1: a day early, so you know, yeah, I mean maybe 19 00:01:29,600 --> 00:01:32,560 Speaker 1: even March twenty one, Who the hell knows, but maybe 20 00:01:32,560 --> 00:01:34,360 Speaker 1: I'll put an extra buck in there. No, you know, 21 00:01:34,440 --> 00:01:37,280 Speaker 1: but you know there's you can always wish. I know 22 00:01:37,319 --> 00:01:38,880 Speaker 1: that a lot of other story around this is like 23 00:01:38,880 --> 00:01:42,280 Speaker 1: folks like he won't wait to have put his name 24 00:01:42,360 --> 00:01:46,240 Speaker 1: on a check like Trump did, but also on paper, 25 00:01:46,720 --> 00:01:49,320 Speaker 1: is it less people getting benefits? Maye people? Let's ignore 26 00:01:49,400 --> 00:01:52,240 Speaker 1: that because he's not putting his name on the check 27 00:01:52,360 --> 00:01:56,040 Speaker 1: and that is just And also like what about all 28 00:01:56,080 --> 00:02:00,840 Speaker 1: the handwringing and changing of the bill to only he's 29 00:02:00,880 --> 00:02:05,920 Speaker 1: on party lines? Wow, appeal to Republicans only to get 30 00:02:06,080 --> 00:02:12,600 Speaker 1: how many Republican posts did they get? Zero? Zero? Um? Yeah, 31 00:02:12,880 --> 00:02:17,240 Speaker 1: that's the saw. Somebody on Twitter call it a please 32 00:02:17,280 --> 00:02:20,919 Speaker 1: don't start bread riots check, um, and I think that's 33 00:02:21,480 --> 00:02:26,799 Speaker 1: probably I mean, that's truly the Democrats are to the deal, okay, 34 00:02:27,800 --> 00:02:31,800 Speaker 1: right up to the edge, like Populo brought the price 35 00:02:31,880 --> 00:02:35,320 Speaker 1: down and they didn't even buy like nah and actually 36 00:02:35,440 --> 00:02:38,040 Speaker 1: below voice cost. And now I got I'm out here 37 00:02:38,080 --> 00:02:40,440 Speaker 1: with this ad car and I just I'm on, I'm 38 00:02:40,520 --> 00:02:45,600 Speaker 1: upside down on this stimulus package now. Mm hmm um 39 00:02:45,639 --> 00:02:50,320 Speaker 1: an EU covid Spike, I just got such a sinking 40 00:02:50,400 --> 00:02:54,320 Speaker 1: feeling seeing this ship. Um, it's like we're fucking back 41 00:02:54,440 --> 00:03:01,240 Speaker 1: in March of last year last year. Yeah, um, yeah, 42 00:03:01,360 --> 00:03:06,120 Speaker 1: it's according to the Sun, the most trustworthy news source 43 00:03:06,800 --> 00:03:13,480 Speaker 1: on Earth, I believe, Yeah, Morgan's the Sun. But they 44 00:03:13,800 --> 00:03:16,400 Speaker 1: had an infographic, which is the only way I can 45 00:03:16,480 --> 00:03:22,600 Speaker 1: learn information. Uh, Italy up fifty percent. Uh, but Germany 46 00:03:22,680 --> 00:03:27,320 Speaker 1: up nine, Estonia, Poland up fifty eight, sixty three, Hungry 47 00:03:27,400 --> 00:03:31,480 Speaker 1: up a d and eight percent in Grease up forty percent. Um, 48 00:03:31,639 --> 00:03:36,120 Speaker 1: Spain is down, Portugal is down. So that's good, but 49 00:03:36,400 --> 00:03:40,040 Speaker 1: it seems like I don't want to see more like negative, 50 00:03:40,200 --> 00:03:45,360 Speaker 1: like Spain is negative percent, Portugals negative. But yeah, I 51 00:03:45,360 --> 00:03:47,800 Speaker 1: mean it's I mean the US has been negative right 52 00:03:47,960 --> 00:03:54,760 Speaker 1: for relative to Yeah, the Overton window of how we 53 00:03:54,880 --> 00:03:57,160 Speaker 1: sort of realize what's good or bad is doesn't really 54 00:03:57,160 --> 00:04:01,120 Speaker 1: apply in the US at the moment. M hm um. 55 00:04:01,160 --> 00:04:05,040 Speaker 1: And they they've been down from the highs, but still like, 56 00:04:05,200 --> 00:04:09,440 Speaker 1: wasn't it when Texas passed there? Get out there and 57 00:04:09,480 --> 00:04:12,680 Speaker 1: take your masks off laws, It was like still on 58 00:04:12,720 --> 00:04:16,000 Speaker 1: an upswing. Yeah, yeah, exactly, that was trending upwards. But 59 00:04:16,040 --> 00:04:18,080 Speaker 1: they're like, but it was lower than where it was 60 00:04:18,120 --> 00:04:22,560 Speaker 1: a while ago, but it wasn't the auto time. Consider 61 00:04:22,640 --> 00:04:25,360 Speaker 1: the as of all as like volume knob is still 62 00:04:25,520 --> 00:04:30,000 Speaker 1: being cranked up. That's well whatever. They don't like stereos 63 00:04:31,279 --> 00:04:39,560 Speaker 1: of course, El Nenny, yes, Jack. You know our Egyptian 64 00:04:39,720 --> 00:04:45,120 Speaker 1: god Arsenal fucking scoring a goal against Olympiakos in the 65 00:04:45,160 --> 00:04:47,239 Speaker 1: Europa League. I get it, we just been the Champions League, 66 00:04:47,240 --> 00:04:49,640 Speaker 1: but it was a oh my god, we were that. 67 00:04:49,800 --> 00:04:51,720 Speaker 1: We were up one nil, then they tied it up, 68 00:04:51,760 --> 00:04:53,520 Speaker 1: and then we scored a second, and then we scored 69 00:04:53,560 --> 00:04:55,240 Speaker 1: a third to seal it up, and then he doesn't 70 00:04:55,240 --> 00:04:57,040 Speaker 1: normally score a lot, but when he does, it's from 71 00:04:57,080 --> 00:05:00,120 Speaker 1: outside the box in Europe, and we needed it. I 72 00:05:00,160 --> 00:05:02,719 Speaker 1: just wanted to put that in there because I needed 73 00:05:02,720 --> 00:05:06,880 Speaker 1: that personally to see Arsenal do things that are like 74 00:05:06,960 --> 00:05:11,840 Speaker 1: resemble winning matches totally. I like thinking outside of the 75 00:05:11,920 --> 00:05:16,760 Speaker 1: box and scoring from That's why I like this guy, 76 00:05:17,120 --> 00:05:20,320 Speaker 1: exact Steve jobs of what do you kick a ball 77 00:05:20,360 --> 00:05:24,120 Speaker 1: with your left foot? Right? Oh? Oh right, you're right, 78 00:05:24,240 --> 00:05:29,080 Speaker 1: everything except except small writing movements. Yeah, but you shoot 79 00:05:29,200 --> 00:05:32,040 Speaker 1: basket writing? Shoot it? Shoot a basketball with my right 80 00:05:33,040 --> 00:05:36,200 Speaker 1: and do not have any of the uh, you know, 81 00:05:36,400 --> 00:05:42,440 Speaker 1: residual like ambidexterity that like a Ben Simmons, like you know, 82 00:05:42,560 --> 00:05:46,359 Speaker 1: he's Ben Simmons is like lefty one thing, right the 83 00:05:46,400 --> 00:05:50,200 Speaker 1: other and he can like shoot with either hand from 84 00:05:50,240 --> 00:05:57,320 Speaker 1: like ten feet away. Uh. I can uh not do much, dude. 85 00:05:57,320 --> 00:05:59,640 Speaker 1: I can't wait till the aftertimes and we do the 86 00:06:00,000 --> 00:06:03,679 Speaker 1: easy mixtape, like and one mixtape, just the most washed 87 00:06:03,680 --> 00:06:09,520 Speaker 1: basketball moves. Amy, I'm hurting my back trying to do 88 00:06:09,560 --> 00:06:14,840 Speaker 1: a layup. I'm like Jack, push me, like sitting down. Foul. Foul. 89 00:06:15,480 --> 00:06:18,719 Speaker 1: Just checked up the ball man, foul. That was a foul. 90 00:06:19,160 --> 00:06:21,840 Speaker 1: She checked it so hard to the fucking rim, and 91 00:06:21,880 --> 00:06:26,920 Speaker 1: I just throw up when those nasties like one through 92 00:06:26,960 --> 00:06:29,920 Speaker 1: it and hit the underside of the rim. Alright, alright, 93 00:06:30,279 --> 00:06:33,919 Speaker 1: what you got, motherfucker's clear path foul, clear path foul. 94 00:06:34,160 --> 00:06:39,880 Speaker 1: But the sham god. Did you imagine of us attempting 95 00:06:39,920 --> 00:06:44,240 Speaker 1: sham gods a crossover? I want to see that. Yeah, 96 00:06:44,640 --> 00:06:46,400 Speaker 1: that would be funny. I saw, man. I saw a 97 00:06:46,400 --> 00:06:49,320 Speaker 1: clip of this, uh like eleven year old girl hitting 98 00:06:49,360 --> 00:06:51,640 Speaker 1: somebody with a sham god and was so nasty. I 99 00:06:51,720 --> 00:06:55,560 Speaker 1: was like, oh God, this country, we do one thing right. 100 00:06:55,600 --> 00:07:02,440 Speaker 1: It's basketball's slowly soccer. Yeah, do love just regularly TikTok 101 00:07:02,520 --> 00:07:05,960 Speaker 1: of like backyard basketball moves this Yeah, that in any 102 00:07:05,960 --> 00:07:08,960 Speaker 1: clip where it's an adult crossing up a baby, that's 103 00:07:09,520 --> 00:07:12,520 Speaker 1: those are instant classics. Or did you see that one 104 00:07:12,600 --> 00:07:15,000 Speaker 1: video that was the clip that looks like the same 105 00:07:15,120 --> 00:07:17,280 Speaker 1: sort of format of those TikTok videos where it's like 106 00:07:17,280 --> 00:07:20,040 Speaker 1: a little boy shooting hoops like in his driveway, and said, 107 00:07:20,280 --> 00:07:22,560 Speaker 1: a new family moved in across the street, and I 108 00:07:22,640 --> 00:07:25,000 Speaker 1: noticed this young kid. He was out there shooting hoops 109 00:07:25,040 --> 00:07:28,080 Speaker 1: every day by himself, so I thought I would go 110 00:07:28,120 --> 00:07:31,120 Speaker 1: introduce myself. And then this dude just starts sucking swatting 111 00:07:31,120 --> 00:07:32,840 Speaker 1: the ship out of him and he's talking on him. 112 00:07:32,880 --> 00:07:39,400 Speaker 1: Just it's just so violent, and the kids like, oh yeah, 113 00:07:39,400 --> 00:07:42,240 Speaker 1: there's my favorite of those, and I can't find it 114 00:07:42,360 --> 00:07:45,520 Speaker 1: right now, But there's a time when someone crosses up 115 00:07:45,520 --> 00:07:48,680 Speaker 1: a baby and like the baby doesn't fall immediately, but 116 00:07:48,720 --> 00:07:51,920 Speaker 1: like it's almost like they've spell on the baby's legs 117 00:07:51,920 --> 00:07:54,920 Speaker 1: and the baby just like can't move, uh, and then 118 00:07:54,960 --> 00:07:58,520 Speaker 1: falls over like three seconds. There's that other one in 119 00:07:58,520 --> 00:08:00,640 Speaker 1: the before times we were passing aroun on the office. 120 00:08:00,680 --> 00:08:03,960 Speaker 1: I think it's like an office mini hoop one where 121 00:08:03,960 --> 00:08:07,040 Speaker 1: someone just yacht on a like a coworker and it 122 00:08:07,120 --> 00:08:09,760 Speaker 1: was just uncalled for, like the person did not was 123 00:08:09,840 --> 00:08:11,680 Speaker 1: not trying to meet you at the rim like that, 124 00:08:12,200 --> 00:08:14,640 Speaker 1: But there was there was one recently maybe maybe that's 125 00:08:14,720 --> 00:08:17,239 Speaker 1: when you're talking about, and I just only saw it recently, 126 00:08:17,280 --> 00:08:19,440 Speaker 1: but where the dude like goes up and on the 127 00:08:19,480 --> 00:08:22,280 Speaker 1: way down he like does a sick windmill and dunks 128 00:08:22,320 --> 00:08:27,040 Speaker 1: on the person and everybody's like the whole it's like 129 00:08:27,080 --> 00:08:32,200 Speaker 1: a classroom and everyone's like it's the most violent and 130 00:08:32,240 --> 00:08:37,760 Speaker 1: the celebration is just everybody immediately is like that was brilliant. 131 00:08:38,240 --> 00:08:43,920 Speaker 1: All right, It is, uh the anniversary of the three 132 00:08:43,920 --> 00:08:50,199 Speaker 1: eleven tsunami from Yeah, it's ten years. Yeah, ten years 133 00:08:50,400 --> 00:08:53,839 Speaker 1: hard listening tomorrow's episodes, you see how we're struggling to 134 00:08:53,840 --> 00:08:56,800 Speaker 1: figure out how time works. But yeah, it's been ten years. 135 00:08:56,840 --> 00:09:00,000 Speaker 1: I was I left Japan right at the end of February. 136 00:09:00,080 --> 00:09:02,199 Speaker 1: I was like, I was there. I was thinking about, 137 00:09:02,240 --> 00:09:05,360 Speaker 1: like I just quit working in politics, and so I 138 00:09:05,400 --> 00:09:07,040 Speaker 1: was just trying to find my ship. I was out 139 00:09:07,080 --> 00:09:08,880 Speaker 1: there with my friend Tie and we were just like 140 00:09:09,440 --> 00:09:12,559 Speaker 1: doing a little odd jobs making videos for like companies 141 00:09:12,640 --> 00:09:14,800 Speaker 1: or whatever, just kind of figuring out how to stay 142 00:09:14,800 --> 00:09:17,680 Speaker 1: out there. And at a certain point I was like, yeah, 143 00:09:17,679 --> 00:09:20,080 Speaker 1: I guess I'm ready to like go back and start 144 00:09:20,120 --> 00:09:23,040 Speaker 1: the whole comedy thing. And the day before I left, 145 00:09:23,559 --> 00:09:26,200 Speaker 1: there was a huge earthquake and I was in the 146 00:09:26,280 --> 00:09:29,560 Speaker 1: Mori Tower, which is in this part of the city 147 00:09:29,559 --> 00:09:32,480 Speaker 1: called Real Bungy, and it's one of the tallest buildings 148 00:09:32,480 --> 00:09:35,120 Speaker 1: in the city and we were like on the upper 149 00:09:35,200 --> 00:09:37,480 Speaker 1: level and it was just like swang. And that's when 150 00:09:37,480 --> 00:09:38,760 Speaker 1: I was like, damn, I'm glad, I'm about to be 151 00:09:38,800 --> 00:09:41,480 Speaker 1: out of here. But then the tsunami and the earthquake 152 00:09:41,559 --> 00:09:45,120 Speaker 1: hit like a week and a half later. There was 153 00:09:45,280 --> 00:09:47,360 Speaker 1: a big one leading up to it. Yeah, I mean, 154 00:09:47,360 --> 00:09:51,079 Speaker 1: but I mean there's it's just so active there, sizemologically. 155 00:09:51,760 --> 00:09:55,360 Speaker 1: Uh so it's like nothing new, but I mean, looking back, 156 00:09:55,400 --> 00:10:00,320 Speaker 1: it was just such a harrowing moment um. And yeah, 157 00:10:00,400 --> 00:10:02,319 Speaker 1: just one that that the country is still sort of 158 00:10:02,840 --> 00:10:06,960 Speaker 1: you know, recovering from. And uh just I mean just 159 00:10:07,000 --> 00:10:11,679 Speaker 1: seeing any of the footage again, you realize how mismatched 160 00:10:11,679 --> 00:10:15,200 Speaker 1: we are when it comes to battles of humans versus 161 00:10:15,240 --> 00:10:19,120 Speaker 1: the earth, and when you just extrapolate that to all 162 00:10:19,120 --> 00:10:22,040 Speaker 1: the other things, like you you realize like how precious 163 00:10:22,559 --> 00:10:24,920 Speaker 1: our time is here. But also like you know that 164 00:10:25,040 --> 00:10:27,240 Speaker 1: we actually have to consider what it means to live 165 00:10:27,280 --> 00:10:30,240 Speaker 1: here and as disasters not that this is tied to 166 00:10:30,280 --> 00:10:34,240 Speaker 1: climate change, but as natural disasters increase, like our preparedness 167 00:10:34,280 --> 00:10:36,640 Speaker 1: has to be in line with it because we could 168 00:10:36,720 --> 00:10:39,520 Speaker 1: I mean, we've seen what happens just with it being 169 00:10:39,600 --> 00:10:43,400 Speaker 1: too cold. So yeah, and I just you know, just 170 00:10:43,640 --> 00:10:45,440 Speaker 1: you know, rest in peace to everybody who lost their 171 00:10:45,480 --> 00:10:48,640 Speaker 1: lives and absolutely just a subsequent fallout as well. So 172 00:10:49,200 --> 00:10:51,679 Speaker 1: the um did you did you read that article about 173 00:10:51,679 --> 00:10:56,120 Speaker 1: the Cascadia subduction zone and like the Pacific Northwest, And 174 00:10:56,320 --> 00:10:58,760 Speaker 1: I think when you brought it up I did a 175 00:10:58,800 --> 00:11:03,760 Speaker 1: while back. It's just so infuriating because it's, um you know, 176 00:11:03,840 --> 00:11:06,240 Speaker 1: it's the thing that we've been running up against in 177 00:11:06,280 --> 00:11:10,240 Speaker 1: the past year over and over again. But you know, people, 178 00:11:10,520 --> 00:11:16,480 Speaker 1: people know this massive earthquake is coming to the Pacific Northwest. 179 00:11:16,520 --> 00:11:19,920 Speaker 1: It happens like once every two years. It will happen 180 00:11:19,960 --> 00:11:22,920 Speaker 1: at some point in the next hundred years probably and 181 00:11:23,320 --> 00:11:27,439 Speaker 1: it will result in you know, a massive massive tsunami 182 00:11:27,440 --> 00:11:30,959 Speaker 1: that will uh and the world is just like not 183 00:11:31,160 --> 00:11:34,600 Speaker 1: built for it, and nobody is doing anything about it. 184 00:11:34,640 --> 00:11:39,040 Speaker 1: Nobody's like changing anything about because it's just like, well, 185 00:11:39,040 --> 00:11:41,640 Speaker 1: that's not how capitalism was designed, that's not how our 186 00:11:41,920 --> 00:11:46,000 Speaker 1: society was designed. Yeah. Yeah. And then I mean because 187 00:11:46,000 --> 00:11:48,200 Speaker 1: you think about even now, even ten years later, there's 188 00:11:48,200 --> 00:11:51,840 Speaker 1: still forty thousand displaced people in Japan from from the tsunami. 189 00:11:51,840 --> 00:11:54,760 Speaker 1: And but that's just because too there's the contamination from 190 00:11:54,760 --> 00:11:58,680 Speaker 1: the radioactive fallout. Um. Yeah, I mean it's just a 191 00:11:58,720 --> 00:12:01,600 Speaker 1: really like pain a moment I think for most people, 192 00:12:01,600 --> 00:12:04,920 Speaker 1: but yeah, Japanese people especially just because it's eight people 193 00:12:04,920 --> 00:12:12,480 Speaker 1: died and yeah, very very uh just tragic disaster yea. 194 00:12:13,280 --> 00:12:16,280 Speaker 1: And as we talked about on this morning's episode, this 195 00:12:16,440 --> 00:12:20,560 Speaker 1: was the day last year that uh that we kind 196 00:12:20,600 --> 00:12:25,320 Speaker 1: of everybody realized that the NBA was shutting down. Tom 197 00:12:25,360 --> 00:12:31,479 Speaker 1: Hanks had the coronavirush that it was about to get weird. Um, 198 00:12:31,679 --> 00:12:37,079 Speaker 1: Mounds is trending? Uh Why because because Ari Melberg had 199 00:12:37,080 --> 00:12:41,080 Speaker 1: a take on Mounds. I guess like he tweeted, he tweeted, 200 00:12:41,160 --> 00:12:44,199 Speaker 1: who buys the Mound's bar when an almond joy is available? 201 00:12:44,360 --> 00:12:48,000 Speaker 1: Considering it is a mound's bar yet also features the 202 00:12:48,040 --> 00:12:54,160 Speaker 1: bonus of some carefully placed almonds. I mean, okay, but 203 00:12:54,280 --> 00:12:59,040 Speaker 1: like it's a lot of people are yes, Almond Joy 204 00:12:59,200 --> 00:13:03,079 Speaker 1: is dark chocolate, right, Mounds is dark chocolate. Mounds is 205 00:13:03,200 --> 00:13:09,440 Speaker 1: dark chocolate. Yeah, is it that different? No, I mean 206 00:13:09,679 --> 00:13:13,440 Speaker 1: because the coconut is so front and yeah, yeah that 207 00:13:13,480 --> 00:13:15,880 Speaker 1: I'm not sure if I quite pick up the nuance 208 00:13:15,880 --> 00:13:17,959 Speaker 1: between the milk and the dark. Plus you get again 209 00:13:18,040 --> 00:13:21,320 Speaker 1: as he says, as this, you know mc scholar himself. 210 00:13:21,320 --> 00:13:26,960 Speaker 1: Are Melbourne says carefully placed almonds? Yeah, they are carefully 211 00:13:26,960 --> 00:13:31,360 Speaker 1: placed and that is what's most important about them. Um, yeah, exactly, 212 00:13:31,360 --> 00:13:34,440 Speaker 1: because you've you've seen the other bars are They're carelessly placed. 213 00:13:34,520 --> 00:13:39,679 Speaker 1: Sometimes they're on the underside. It's an embarrassment. William Nillium, 214 00:13:40,120 --> 00:13:48,400 Speaker 1: William William isn't that a tweet? Um? Are you team coconut? 215 00:13:48,600 --> 00:13:51,280 Speaker 1: You funk with? Yeah? I don't know. That's on Like 216 00:13:51,960 --> 00:13:55,000 Speaker 1: I've never gotten I've never understood the real battle between 217 00:13:55,000 --> 00:13:57,160 Speaker 1: the two. But it seems like a lot of the 218 00:13:57,200 --> 00:14:01,680 Speaker 1: people who are really feeling the debate it's just about 219 00:14:01,800 --> 00:14:04,880 Speaker 1: like we don't funk with almonds, or like the dark 220 00:14:04,960 --> 00:14:10,280 Speaker 1: chocolate is better. So yeah, okay in a box of chocolates, 221 00:14:10,679 --> 00:14:13,840 Speaker 1: which is like life as we know, what what is 222 00:14:13,880 --> 00:14:18,200 Speaker 1: your number one? Like, what's the one that you're looking for, like, oh, 223 00:14:18,360 --> 00:14:22,440 Speaker 1: probably it has to be um like a European chocolate, 224 00:14:22,520 --> 00:14:25,800 Speaker 1: probably because like they use like real milk and ship right, 225 00:14:25,840 --> 00:14:27,960 Speaker 1: but like of the different for you know how like 226 00:14:28,120 --> 00:14:33,080 Speaker 1: you get a box in there, So anything that's a truffle, 227 00:14:33,120 --> 00:14:34,760 Speaker 1: it has to be a truffle. And I don't, like, 228 00:14:34,880 --> 00:14:36,760 Speaker 1: I don't want any fruit in there. It's gotta be 229 00:14:36,880 --> 00:14:40,000 Speaker 1: straight chocolate. I don't even actually like nuts. If I'm 230 00:14:40,040 --> 00:14:43,440 Speaker 1: having a really fancy like you know, I remember when 231 00:14:43,440 --> 00:14:45,240 Speaker 1: I used to work at the mall and I would 232 00:14:45,320 --> 00:14:49,360 Speaker 1: swap discounted wallets at the coach store for Goodiva chocolate, 233 00:14:50,160 --> 00:14:51,560 Speaker 1: I'll be like, you'll just hook it up with a 234 00:14:51,560 --> 00:14:54,720 Speaker 1: truffle thing. That's all I want is a truffle like 235 00:14:54,760 --> 00:14:58,520 Speaker 1: specifically has like a nogget or yeah, truffle was just 236 00:14:58,520 --> 00:15:01,640 Speaker 1: indicating the in nerds are filled with some kind of 237 00:15:01,840 --> 00:15:05,600 Speaker 1: solid chocolate or you know, softer chocolate or other things, 238 00:15:05,600 --> 00:15:09,960 Speaker 1: but truffled chocolates. Yet I'm team I'm team coconut, Like 239 00:15:10,000 --> 00:15:13,840 Speaker 1: that's my number one. Find the coconut one. Okay, Um, 240 00:15:14,520 --> 00:15:18,480 Speaker 1: are you either dudes like biting off the corners and well, 241 00:15:18,560 --> 00:15:23,600 Speaker 1: it's usually like Forrest Gump not to be spoiling, rude, 242 00:15:23,680 --> 00:15:27,240 Speaker 1: but he and not to spoil it, but not maybe 243 00:15:27,240 --> 00:15:31,120 Speaker 1: not that bright because uh, you do sometimes know what 244 00:15:31,160 --> 00:15:34,440 Speaker 1: you're gonna get. When you look at the chocolates, you 245 00:15:34,440 --> 00:15:37,640 Speaker 1: can kind of tell which one has coconut. Hey, asshole, 246 00:15:37,680 --> 00:15:40,240 Speaker 1: some of them sometimes there's a fucking poster inside that 247 00:15:40,280 --> 00:15:43,600 Speaker 1: tells you which ones they are. But um, yeah, look, 248 00:15:43,640 --> 00:15:47,920 Speaker 1: he had a long life man and ft artwork. Uh 249 00:15:48,320 --> 00:15:52,680 Speaker 1: there is a piece of artwork that just sold for 250 00:15:52,760 --> 00:16:01,200 Speaker 1: sixty nine million dollars. Uh. It is purely digital, but say, uh, 251 00:16:01,400 --> 00:16:07,600 Speaker 1: you know stamp by people who has like one million, 252 00:16:07,920 --> 00:16:13,200 Speaker 1: over a million Instagram followers, is just like a graphic artist. Um. 253 00:16:13,480 --> 00:16:18,920 Speaker 1: And the piece is like a thousand it's a collage 254 00:16:19,000 --> 00:16:22,400 Speaker 1: of a thousand different drawings he did over the five 255 00:16:22,440 --> 00:16:25,880 Speaker 1: thousand drawings he did over the course of three years. Um. 256 00:16:26,000 --> 00:16:30,360 Speaker 1: And it has an n f T in it, so 257 00:16:31,400 --> 00:16:38,800 Speaker 1: you know it's got to be worth sixty nine million dollars. Um. Yeah, 258 00:16:38,920 --> 00:16:43,280 Speaker 1: I don't know, like cool, Yeah, I mean yeah, great, 259 00:16:43,320 --> 00:16:50,680 Speaker 1: you have your non fungible token there to stay bless you. Uh. 260 00:16:50,920 --> 00:16:53,120 Speaker 1: Fuck bro, I don't want to own the fucking like 261 00:16:53,280 --> 00:16:57,480 Speaker 1: Guernica or some ship, right, it's funk with art like 262 00:16:57,680 --> 00:17:00,200 Speaker 1: you'd want to have like a real like masterpiece. But 263 00:17:00,280 --> 00:17:03,120 Speaker 1: I get it. This is like the wave who am 264 00:17:03,160 --> 00:17:08,520 Speaker 1: I but pleb that's with a taste for Picasso. I'm 265 00:17:08,560 --> 00:17:11,840 Speaker 1: I'm somewhere between being confused by it and being like, 266 00:17:13,240 --> 00:17:19,520 Speaker 1: um like ethically opposed to it. I don't right, it 267 00:17:19,720 --> 00:17:25,199 Speaker 1: just seems like a place to hide money, uh, for 268 00:17:25,600 --> 00:17:29,400 Speaker 1: rich people essentially. Yeah, and it's just like for all 269 00:17:29,440 --> 00:17:33,960 Speaker 1: the decentralization talk of people that are really into crypto, like, 270 00:17:35,119 --> 00:17:39,560 Speaker 1: just like focusing sixty nine million dollars into an n 271 00:17:39,640 --> 00:17:42,560 Speaker 1: f T uh is an interesting way that we're starting 272 00:17:42,560 --> 00:17:46,359 Speaker 1: to see just like wealth accumulating these weird like forms. Now, 273 00:17:48,080 --> 00:17:50,119 Speaker 1: so you're holding on a sixty nine million in the 274 00:17:50,160 --> 00:17:53,520 Speaker 1: form of this thing. Yeah, don't explain to me how 275 00:17:53,600 --> 00:17:59,000 Speaker 1: this is like a way to just redistribute power to uh, 276 00:17:59,600 --> 00:18:04,120 Speaker 1: people who aren't part of the technocratic class. Uh. I mean, 277 00:18:04,240 --> 00:18:06,960 Speaker 1: and I'm not saying that like, Yeah, I'd like you try. 278 00:18:07,119 --> 00:18:10,440 Speaker 1: I honestly don't know. Please do explain it, Jimmy. I'd 279 00:18:10,440 --> 00:18:13,000 Speaker 1: love to know what the argument is for n f 280 00:18:13,040 --> 00:18:17,080 Speaker 1: T s UM, which I'm told our stands for non 281 00:18:17,119 --> 00:18:21,280 Speaker 1: fungible tokens just now by Miles Gray boom boom um. Alright, guys, 282 00:18:21,359 --> 00:18:24,879 Speaker 1: that is going to do it for this Thursday. We 283 00:18:24,960 --> 00:18:27,960 Speaker 1: are back tomorrow with the whole last episode of our show. 284 00:18:28,600 --> 00:18:32,040 Speaker 1: Until then, be kind to each other, be kind to yourselves, 285 00:18:32,400 --> 00:18:35,720 Speaker 1: wear a mask, don't do nothing about white supremacy, and 286 00:18:35,760 --> 00:18:38,280 Speaker 1: we'll talk to you all that. By