WEBVTT - Some Time With... Gail Edwards! (Part 1)

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<v Speaker 1>Hey there, fan Rito's.

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<v Speaker 2>Welcome back to an all new episode of How Rude

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<v Speaker 2>Tanner Rito's. Today, we have a guest who's been widely

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<v Speaker 2>requested from all of our listeners.

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<v Speaker 1>We have heard you, Fanarritos.

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<v Speaker 2>This guest was almost Danny Tanner's second wife, and we

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<v Speaker 2>know a lot of you are still upset that they

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<v Speaker 2>didn't end up together. You know her as Vicky Larson,

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<v Speaker 2>and we're going to get her opinion on whether or

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<v Speaker 2>not Danny and VICKI.

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<v Speaker 1>Should have ended up together.

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<v Speaker 2>Please put your hands together for Gail Edwards.

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<v Speaker 1>Hi, how are you.

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<v Speaker 3>I've got all kinds of good stories for you.

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<v Speaker 1>We are so excited to hear from you.

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<v Speaker 4>The fans are so excited to hear from you.

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<v Speaker 1>You're one of the most requested guests. Yes, for sure.

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<v Speaker 4>Everyone is like, we need to hear from Vicky and

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<v Speaker 4>we do. Uh, but let's do we want to start it.

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<v Speaker 4>Let's start at the beginning.

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<v Speaker 1>We want to know about Gail the actress.

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<v Speaker 4>When did you first know that you wanted to be

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<v Speaker 4>an actress?

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<v Speaker 3>Like?

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<v Speaker 1>Were you a kid? Were you in college?

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<v Speaker 3>I came out of the woomb cap dancing.

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<v Speaker 1>Oh yes, I relate.

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<v Speaker 3>I'm one of those. Yes, I loved musical theater. I

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<v Speaker 3>had rose colored glasses on for many years. I would

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<v Speaker 3>hear Rock and Roll through the walls of my bedroom

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<v Speaker 3>where my sister and brother were playing led Zeppelin and

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<v Speaker 3>Who and the Beatles, and I was like, you know,

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<v Speaker 3>and I would just have on my fair Lady and

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<v Speaker 3>all you know danity. So and I did, you know,

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<v Speaker 3>So I went off into theater and went to New York.

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<v Speaker 3>I went to the University of Miami, became like the

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<v Speaker 3>star of that for a while, and then went to

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<v Speaker 3>New York. Got really good managers. It managed people like

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<v Speaker 3>Travolta and Mickey Rourke and oh awesome all that kind

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<v Speaker 3>of They were like the West, while your face is

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<v Speaker 3>still young. So and that was twenty two.

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<v Speaker 1>Wow, yeah yeah.

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<v Speaker 3>So so yeah. I've always uh, I've always been bit

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<v Speaker 3>by the uh the stage more than That's what I

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<v Speaker 3>liked about a full house. And it's a living that

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<v Speaker 3>I did like one hundred and thirty episodes of you

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<v Speaker 3>Know It's Live, right.

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<v Speaker 4>It's a nice mix of live theater and also oops,

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<v Speaker 4>if we miss something, we can go back and do

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<v Speaker 4>it again, you know. But you get the energy of

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<v Speaker 4>of a live theater show of a stage show, which

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<v Speaker 4>is incredible.

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<v Speaker 3>Which is incredible, and it makes all the difference, you know, yeah,

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<v Speaker 3>absolutely unexpected live stuff.

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<v Speaker 4>So yeah, oh yeah for comedy you guys, oh yeah,

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<v Speaker 4>Floorhouse we had, we had live audience, and it was

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<v Speaker 4>just that, you know, we got to have our fun

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<v Speaker 4>little performance. You know, every Friday night you get to

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<v Speaker 4>do your live show. And every Friday night I'd be like,

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<v Speaker 4>I have no idea what I'm doing.

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<v Speaker 1>I can't do this right before.

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<v Speaker 4>Like I'd walk out, do my intro, come back in

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<v Speaker 4>and go, oh no, I've forgotten everything, and then it

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<v Speaker 4>turns out I didn't.

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<v Speaker 2>So yeah, Well, Jeff Franklin would always say that he

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<v Speaker 2>gets a better performance out of a cast on show nights,

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<v Speaker 2>and that's true. Like your energy level is up, you're

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<v Speaker 2>just bringing your a game.

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<v Speaker 4>Yeah.

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<v Speaker 2>It's a lot different than the Thursday pre tape days

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<v Speaker 2>where it just goes on and on, right and on

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<v Speaker 2>and right.

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<v Speaker 3>Oh yeah yeah, yeah, you can fall into a lull, right.

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<v Speaker 3>Remember it had been a while when I when Jeff

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<v Speaker 3>asked me to come back and do the Fuller House,

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<v Speaker 3>and I was fine until I was at the makeup

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<v Speaker 3>table and I heard this roar of applause that like

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<v Speaker 3>shot through me and I went, I think I can

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<v Speaker 3>do that. I can do this right. Yeah, you know,

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<v Speaker 3>when you do it week after week, it's it's one thing.

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<v Speaker 3>But when you've been away for a while, it was like,

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<v Speaker 3>but it was great being back with you guys.

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<v Speaker 1>So oh, we were so happy to have you back.

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<v Speaker 4>But yeah, I get it, we Andrew and I, I mean,

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<v Speaker 4>we hadn't done when we came back to Fuller, you

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<v Speaker 4>and I work had kind of lived some normal lives and.

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<v Speaker 1>Stuff, believe all of that. So yeah, I remember that.

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<v Speaker 4>First night if that was it was exciting and terrifying,

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<v Speaker 4>you know, when you were like, wait, do I remember how.

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<v Speaker 1>To ride this bicycle?

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<v Speaker 3>You know? And of course yes I do. And then

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<v Speaker 3>you just walk out there and the shoes were too big,

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<v Speaker 3>you know, gave you the two ripe but they were

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<v Speaker 3>too big, and I was like, oh, what the hey,

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<v Speaker 3>I mean, we're not doing brain surgery. Let's have fun.

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<v Speaker 1>Yeah, exactly right, exactly exactly.

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<v Speaker 4>Now, what was your very first role when you like,

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<v Speaker 4>what was your first TV role?

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<v Speaker 3>Oh? Boy? Because I think I did like commercials in

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<v Speaker 3>New York, like Ultra Bright and Bold Detergent, like may

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<v Speaker 3>start on commercials. I went on to do a Doctor

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<v Speaker 3>Pepper that won a Cleo and I was the Hunchback

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<v Speaker 3>of Notre Dame one where I was Esmerelda, you know,

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<v Speaker 3>And so I did. But then in Hollywood, I think

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<v Speaker 3>the first show I did was either Taxi or lou Grant.

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<v Speaker 1>Okay, yeah, well that what was that like?

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<v Speaker 4>I mean those are two pretty well established shows. I mean,

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<v Speaker 4>what was it like popping in as a guest on this?

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<v Speaker 3>Yeah, directing Taxi and it was the first year and

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<v Speaker 3>I played a real New York pill popping, you know,

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<v Speaker 3>and I remember I was like popping the pills in

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<v Speaker 3>the audition, which they seemed to like, really like, and

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<v Speaker 3>it was Tony Danza couldn't get rid of me. And

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<v Speaker 3>it was so much fun. But I mean, you know,

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<v Speaker 3>the red light went on to enter and I thought

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<v Speaker 3>I would throw up, you know, and it was film

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<v Speaker 3>that was the three cameras were right. But it was

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<v Speaker 3>great and Lou Grant was with d Williams.

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<v Speaker 4>It was the mother of e t Yes, yes, several

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<v Speaker 4>times on this show.

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<v Speaker 3>Yeah.

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<v Speaker 2>I did a movie with her from one hundred years ago.

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<v Speaker 2>So yes, she's one of the phenomenes.

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<v Speaker 1>You will ever see.

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<v Speaker 4>By the way, skater Boy Too highly recommend it. It's

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<v Speaker 4>it's newly underrated on IMDb. It's no, it's like, it's

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<v Speaker 4>the cheesiest movie. It's called Skateboard Kid Too. And it

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<v Speaker 4>is literally the weirdest movie.

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<v Speaker 1>It's it's we watched it and did a review. It's

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<v Speaker 1>the strangest movie. It is the strangest favorite dream. Yeah, yeah,

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<v Speaker 1>it really is. It really is.

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<v Speaker 4>It's on par with like Xanadu, where you're like, what

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<v Speaker 4>is happening?

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<v Speaker 3>Yeah, I will have to check it out. He played

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<v Speaker 3>hookers together, so we were in short shorts and yeah,

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<v Speaker 3>so I mean I was just a you know, I

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<v Speaker 3>had a nice you know co. She was like, yeah,

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<v Speaker 3>it was like the true, true whatever of it. But so, yeah,

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<v Speaker 3>I started working you know, Happy Days, Lou Grand Fiery Jones,

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<v Speaker 3>all those.

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<v Speaker 1>Alldation and you did you did. It's a Living for

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<v Speaker 1>six seasons, which.

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<v Speaker 3>Yes, one and thirty, one hundred and thirty episodes, which

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<v Speaker 3>is kind of where I came from, uh, right before.

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<v Speaker 3>And I don't think you guys know that I was

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<v Speaker 3>shooting another show when I was shooting Full House.

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<v Speaker 4>No I didn't, because you you know, you were because

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<v Speaker 4>you weren't there every week. You kind of bopped in

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<v Speaker 4>and out, so in between it was you know, right

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<v Speaker 4>to you that wasn't regularly asking the adults. You know, so,

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<v Speaker 4>what what are the projects a you're working on at

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<v Speaker 4>like you know, ten or eleven?

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<v Speaker 2>So yeah, well I think I can't guess.

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<v Speaker 1>Maybe I think I know what show it is?

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<v Speaker 3>Was it Blossom?

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<v Speaker 1>Okay?

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<v Speaker 3>Yeah? Oh I did a fast talking mother of six

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<v Speaker 3>on Blossom and they accommodated my schedule since I wasn't right.

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<v Speaker 4>It was so so, yes, that's great casting this is

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<v Speaker 4>ca Yeah, yeah.

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<v Speaker 1>With that's so much.

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<v Speaker 3>Yeah yeah, don Rio. He gave me that part and

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<v Speaker 3>we looked so much alike mysh. Yeah.

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<v Speaker 4>Now I'm looking I'm like, oh yeah, you and Jenna

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<v Speaker 4>could totally be mother and daughter.

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<v Speaker 1>Yeah that's great.

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<v Speaker 3>It was fun. So so let me tell you, so

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<v Speaker 3>I come to audition? Is this okay? If I go

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<v Speaker 3>into we wanted to.

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<v Speaker 4>That was the next question was like, so tell us

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<v Speaker 4>about auditioning.

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<v Speaker 1>For a full House.

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<v Speaker 3>Okay, So I auditioned for full House and I'm on

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<v Speaker 3>my way, I'm in the Sony lot and I'm on

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<v Speaker 3>my way down the elevator when one of my favorite

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<v Speaker 3>directors from It to Living says to me, well, and

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<v Speaker 3>one he probably one of your favorite directors, Joel's Wick.

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<v Speaker 3>I was going because I was like, right, So Joel's

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<v Speaker 3>Wick goes, hey, what are you doing here? And I went,

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<v Speaker 3>I'm auditioning for this stuff and he went, oh, I'm

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<v Speaker 3>directing that stuff. And I went and he said, now

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<v Speaker 3>it's okay. He said, yeah, it's a really good part.

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<v Speaker 3>It's going to be four or five episodes. And I said, oh, okay.

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<v Speaker 3>And then Bob Sagat told me that he marched himself

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<v Speaker 3>down to the audition room, opened the door and said,

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<v Speaker 3>you are hiring Gail Edwards, aren't you? And Bob said.

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<v Speaker 3>Everybody in the room kind of went, I guess so.

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<v Speaker 3>And so I thank Joel. Yeah, I think Joel for

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<v Speaker 3>forgetting me that part.

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<v Speaker 1>Oh that's amazing. Yeah, so did you read? Would you

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<v Speaker 1>even read for the part? Or Bob I read for it.

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<v Speaker 3>I was surround by these amazon beautiful big bucks and blondes,

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<v Speaker 3>and I thought, they're never going to pick me. I

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<v Speaker 3>got the dark curly hair. It looked like their sister,

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<v Speaker 3>you know what I mean. It's like, oh, well, you

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<v Speaker 3>know whatever, And so I do think that Joel was like,

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<v Speaker 3>you know, kind of gave him a wedgie to can

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<v Speaker 3>forget all the rest of this scales. And Bob and

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<v Speaker 3>I did have good chemistry, so.

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<v Speaker 1>Yeah, totally. Well.

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<v Speaker 2>I had just recently learned from a fan actually that

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<v Speaker 2>Bob guest appeared on one episode of It's a Living

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<v Speaker 2>And yes, you were in the same scene, but you

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<v Speaker 2>didn't have any interaction with each other.

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<v Speaker 1>But is that was that the first time you met Bob?

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<v Speaker 1>Do you remember that?

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<v Speaker 3>Actually he was. He was so generous and sweet. I mean,

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<v Speaker 3>he was always running off because he was working on

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<v Speaker 3>America's Funny as Tony.

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<v Speaker 1>He was always busy. Bob was always very busy, busy.

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<v Speaker 3>He'd be like hi, bye, you know, like thener you'd

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<v Speaker 3>be like okay. And but he did say to me,

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<v Speaker 3>he said, I guess start on your show. Do you remember?

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<v Speaker 3>And I didn't, and I said I'm sorry. He said

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<v Speaker 3>I was. Danny Thomas was the big name, and he

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<v Speaker 3>played like an orderly or something in the hospital. And

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<v Speaker 3>I do remember the tall figure of him. But you

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<v Speaker 3>know how it is when people come and go.

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<v Speaker 4>Right, You're like, oh, yeah, I mean I ish, I

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<v Speaker 4>remember Ish, you know, episodes together, one hundred and thirty episodes,

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<v Speaker 4>they just start to blend together, so.

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<v Speaker 3>They definitely start to learn to get it. My first

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<v Speaker 3>day on the set, John Steymos came up to me.

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<v Speaker 3>I was at the craft table, and for everyone out there,

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<v Speaker 3>John Stamos is absolutely as beautiful as he appear, says he.

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<v Speaker 3>If he were drooling, you were right to jewel. He

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<v Speaker 3>came up to me and he went, what are you

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<v Speaker 3>doing here? I was like, that's very sweet, and it's

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<v Speaker 3>tough out there. It's a tough out there. Happy to

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<v Speaker 3>be here, and uh yeah, so but oh my god,

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<v Speaker 3>he was so absolutely gorgeous. It was hard to talk

0:11:33.559 --> 0:11:45.440
<v Speaker 3>to it. Did you guys as little girls like look

0:11:45.480 --> 0:11:46.199
<v Speaker 3>at him like.

0:11:46.600 --> 0:11:50.079
<v Speaker 4>Oh god, no, well no, because we lived through the air.

0:11:50.400 --> 0:11:52.400
<v Speaker 1>We saw him on.

0:11:52.480 --> 0:11:55.840
<v Speaker 4>Thursday, pre tape day when you were like, you are

0:11:55.920 --> 0:11:58.680
<v Speaker 4>wearing the same sweatpants since you came in on Tuesday,

0:11:58.840 --> 0:12:01.920
<v Speaker 4>and you probably you haven't showered, like you know what

0:12:01.960 --> 0:12:05.040
<v Speaker 4>I mean, like that kind of like a scruff and

0:12:05.240 --> 0:12:08.160
<v Speaker 4>just you know, and also when you know somebody, I'm like,

0:12:08.240 --> 0:12:10.800
<v Speaker 4>I love John. He's a total dork, Like you know

0:12:10.840 --> 0:12:13.240
<v Speaker 4>what I mean? I love him and and it's just

0:12:13.280 --> 0:12:17.240
<v Speaker 4>when you know him, you're like, I love you, and

0:12:17.640 --> 0:12:20.040
<v Speaker 4>also being it was like I love him like an uncle.

0:12:21.520 --> 0:12:24.520
<v Speaker 3>Yeah, so you know young that that I was.

0:12:24.600 --> 0:12:26.240
<v Speaker 1>I always sort of viewed him as family.

0:12:26.360 --> 0:12:28.800
<v Speaker 4>So it was like never really the thing I can

0:12:28.880 --> 0:12:31.640
<v Speaker 4>I can appreciate his beauty.

0:12:32.880 --> 0:12:37.360
<v Speaker 3>Yeah. Yeah, he just came sauntering up and it was like,

0:12:37.679 --> 0:12:41.880
<v Speaker 3>oh lord Lardy, lordy. Yeah, newman came sauntering up to you.

0:12:41.880 --> 0:12:43.640
<v Speaker 1>You'd be like, oh right, right right.

0:12:44.440 --> 0:12:47.880
<v Speaker 3>So so you want to hear my Bob Saggat story.

0:12:48.080 --> 0:12:51.520
<v Speaker 1>I absolutely do. I can't wait. I'm excited.

0:12:51.600 --> 0:12:54.560
<v Speaker 3>So it's the first week and Bob knows I'm not

0:12:55.000 --> 0:12:59.640
<v Speaker 3>unfamiliar with how the whole filming of the sitcom goes down,

0:12:59.840 --> 0:13:03.600
<v Speaker 3>and just I guess your audience knows at this point that, uh,

0:13:03.960 --> 0:13:07.400
<v Speaker 3>you guys would film the day before the audience would

0:13:07.400 --> 0:13:09.920
<v Speaker 3>come in to make sure that you would get the

0:13:10.000 --> 0:13:11.319
<v Speaker 3>twins right.

0:13:11.840 --> 0:13:13.960
<v Speaker 4>Actually Mary Kate's stuff, Yeah, any of the thing that

0:13:14.120 --> 0:13:16.800
<v Speaker 4>was the kids, the little ones or.

0:13:17.240 --> 0:13:20.000
<v Speaker 2>The boys too, because Gail, that's when you came on

0:13:20.040 --> 0:13:20.960
<v Speaker 2>Full House, that's true.

0:13:21.000 --> 0:13:24.440
<v Speaker 1>Yeah, went on maternity leave, so she was the co host.

0:13:24.520 --> 0:13:28.000
<v Speaker 4>Yeah, the little twins, yeah, right, the little little twins.

0:13:28.120 --> 0:13:31.280
<v Speaker 3>Yes, but you know they Mary Kate and them were

0:13:31.320 --> 0:13:34.000
<v Speaker 3>still young. I mean they were still.

0:13:33.840 --> 0:13:37.280
<v Speaker 1>They were probably like seven. Yeah, because you came in

0:13:37.320 --> 0:13:39.199
<v Speaker 1>and see what season seven wasn't.

0:13:39.000 --> 0:13:39.720
<v Speaker 2>It season five?

0:13:40.200 --> 0:13:43.520
<v Speaker 1>Season five? We're gonna because yeah, yeah, yeah, right after

0:13:43.559 --> 0:13:45.280
<v Speaker 1>the twins are born. She cuts right.

0:13:46.040 --> 0:13:48.480
<v Speaker 3>So so just for your audience, we're all dressed up.

0:13:48.520 --> 0:13:51.560
<v Speaker 3>We're in fuller galley and make a pair costume and

0:13:51.600 --> 0:13:55.040
<v Speaker 3>we're pretty much window dressing for the twins to get

0:13:55.040 --> 0:13:58.760
<v Speaker 3>them to, like, say, if their line is, which is

0:13:58.800 --> 0:14:00.840
<v Speaker 3>always funny something like it, well that's how you cut

0:14:00.840 --> 0:14:07.240
<v Speaker 3>the old zucchini. And so we're standing there and Bob

0:14:07.320 --> 0:14:11.680
<v Speaker 3>Saget comes up behind me and he goes, welcome to

0:14:11.840 --> 0:14:17.760
<v Speaker 3>the hell. I was like, you know, I looked up

0:14:17.760 --> 0:14:19.680
<v Speaker 3>at him and he was so tall, and I was

0:14:19.720 --> 0:14:23.400
<v Speaker 3>like really. And then of course it proceeded into they

0:14:23.440 --> 0:14:25.840
<v Speaker 3>were like then now that they're back on the twins

0:14:25.840 --> 0:14:28.520
<v Speaker 3>and like, put down the fork, look over here, and

0:14:28.640 --> 0:14:30.360
<v Speaker 3>put down the fork. Look over here. So that's how

0:14:30.400 --> 0:14:32.920
<v Speaker 3>you slid that. No, look over here, put down the fork.

0:14:32.960 --> 0:14:34.960
<v Speaker 3>That's how you slice deal to put down the fork,

0:14:35.000 --> 0:14:38.720
<v Speaker 3>look over here. And I was like, oh my god.

0:14:37.520 --> 0:14:41.440
<v Speaker 1>You were right yeah, yeah, yeah. Dogs, dogs and kids,

0:14:41.480 --> 0:14:42.040
<v Speaker 1>the two.

0:14:41.840 --> 0:14:43.880
<v Speaker 4>Things you're never supposed to work with, and we just

0:14:44.000 --> 0:14:45.880
<v Speaker 4>leaned right into both of those.

0:14:46.240 --> 0:14:46.920
<v Speaker 1>Oh, it was great.

0:14:47.280 --> 0:14:49.520
<v Speaker 3>It was great. We had a four day work week

0:14:50.280 --> 0:14:54.680
<v Speaker 3>and it you know, it was fabulous. And Miller Boyette

0:14:54.760 --> 0:15:00.200
<v Speaker 3>has always been very supportive of me. The executive producers.

0:15:00.280 --> 0:15:03.480
<v Speaker 3>Pilot I did with them was Undercover Cops that didn't

0:15:03.480 --> 0:15:07.240
<v Speaker 3>go anywhere, but through the years, I think I did

0:15:07.320 --> 0:15:10.640
<v Speaker 3>Family Man with Gregory Harrison. I mean, they've been, you know,

0:15:10.840 --> 0:15:14.640
<v Speaker 3>very supportive. So the fact that I got to stay on, Yeah,

0:15:15.080 --> 0:15:16.800
<v Speaker 3>you guys, was was a lot of fun.

0:15:17.400 --> 0:15:18.080
<v Speaker 1>Absolutely.

0:15:20.200 --> 0:15:22.840
<v Speaker 2>So did you know you were being brought on as

0:15:22.960 --> 0:15:25.360
<v Speaker 2>Danny's love interest or were you just the fill in

0:15:25.480 --> 0:15:27.000
<v Speaker 2>co host at first?

0:15:27.920 --> 0:15:31.880
<v Speaker 3>No, I did know it was the love interest that

0:15:32.000 --> 0:15:36.200
<v Speaker 3>I was not to like him, Okay, well that's yeah,

0:15:36.480 --> 0:15:40.080
<v Speaker 3>that's no problem. I mean, you know, okay, I'm there. Yeah,

0:15:40.240 --> 0:15:42.920
<v Speaker 3>it was like you probably they kept saying it might

0:15:43.000 --> 0:15:47.000
<v Speaker 3>turn into something four or five episodes, you might date,

0:15:47.120 --> 0:15:49.440
<v Speaker 3>you don't particularly like him, and then of course you

0:15:49.520 --> 0:15:51.680
<v Speaker 3>do right right right, well, the meat.

0:15:51.640 --> 0:15:54.560
<v Speaker 4>Cute and then the yeah something happens and then you

0:15:54.600 --> 0:15:56.960
<v Speaker 4>wind up together right right right, right right.

0:15:57.440 --> 0:16:00.920
<v Speaker 3>Yeah, poor Bob. I wish I wish he was here.

0:16:00.960 --> 0:16:02.640
<v Speaker 3>I would I would love to tell him because he

0:16:02.640 --> 0:16:05.200
<v Speaker 3>always used to direct me, and of course I wanted

0:16:05.240 --> 0:16:06.280
<v Speaker 3>to sometimes like you.

0:16:06.240 --> 0:16:09.520
<v Speaker 4>Know yeah, yeah, yeah, well yeah, Bob's not wanted to

0:16:09.560 --> 0:16:12.720
<v Speaker 4>know how to uh not say things that are in

0:16:12.760 --> 0:16:13.360
<v Speaker 4>a well.

0:16:13.320 --> 0:16:15.000
<v Speaker 1>Yeah yeah he did, he did.

0:16:15.120 --> 0:16:16.960
<v Speaker 2>He never really filtered himself.

0:16:17.000 --> 0:16:20.640
<v Speaker 1>Did what what? What did he say that made you

0:16:20.640 --> 0:16:21.720
<v Speaker 1>want to strangle him? At times?

0:16:22.200 --> 0:16:22.360
<v Speaker 2>Well?

0:16:22.800 --> 0:16:24.680
<v Speaker 3>He was as he was right, That's what I wish

0:16:24.760 --> 0:16:28.400
<v Speaker 3>I could tell him, right, Yeah, he's right, because a

0:16:28.400 --> 0:16:30.800
<v Speaker 3>lot of times I would have a tendency the longer

0:16:30.840 --> 0:16:33.240
<v Speaker 3>I was with him, I liked him so much, and

0:16:33.280 --> 0:16:36.960
<v Speaker 3>so Gail would slip into VICKI and I would be

0:16:37.120 --> 0:16:39.040
<v Speaker 3>liking him and he would be like, no, no, no,

0:16:39.320 --> 0:16:42.280
<v Speaker 3>we're like moonlighting, he said, right, I would play it

0:16:42.320 --> 0:16:44.280
<v Speaker 3>like moonlighting, and I'd be like, all right, that's good,

0:16:44.320 --> 0:16:44.960
<v Speaker 3>I'm sorry, that's right.

0:16:45.080 --> 0:16:45.720
<v Speaker 1>Forget right.

0:16:46.160 --> 0:16:48.240
<v Speaker 3>Of course, I never told him. I never saw moonlighting,

0:16:48.440 --> 0:16:52.560
<v Speaker 3>but I but I did know. I did know what

0:16:52.600 --> 0:16:53.600
<v Speaker 3>the what the dynamic?

0:16:54.320 --> 0:16:54.880
<v Speaker 1>Yeah exactly.

0:16:56.000 --> 0:16:58.840
<v Speaker 4>I get that sometimes you're in a movie with somebody

0:16:58.960 --> 0:17:02.080
<v Speaker 4>or a scene with somebody, and you're like, oh, I

0:17:02.080 --> 0:17:04.520
<v Speaker 4>have to like, oh that we were just like hanging

0:17:04.520 --> 0:17:06.240
<v Speaker 4>out and chatting a few minutes ago. Now I have

0:17:06.280 --> 0:17:07.680
<v Speaker 4>to be like, I hate you, and you know what

0:17:07.720 --> 0:17:10.800
<v Speaker 4>I mean. It's very like it can be, especially on sitcom.

0:17:10.840 --> 0:17:12.159
<v Speaker 4>It's not like you have a lot of time in

0:17:12.240 --> 0:17:15.600
<v Speaker 4>between things to you know, you're all thrown together and

0:17:15.600 --> 0:17:17.520
<v Speaker 4>then all of a sudden it's you're recording it, and

0:17:17.600 --> 0:17:19.399
<v Speaker 4>it's like, oh, yeah, that's right. I need to I

0:17:19.440 --> 0:17:21.119
<v Speaker 4>need to not like you. And it's very hard. And

0:17:21.280 --> 0:17:23.240
<v Speaker 4>that is very hard not to not to like. He

0:17:23.400 --> 0:17:25.919
<v Speaker 4>is just so he's he was dements.

0:17:26.640 --> 0:17:29.000
<v Speaker 3>Yeah, he really was a menchi really you know. I

0:17:29.040 --> 0:17:31.240
<v Speaker 3>would run into him at the Santa Monica mall and

0:17:31.320 --> 0:17:35.880
<v Speaker 3>he just was so normal and nice and hey, my husband,

0:17:35.960 --> 0:17:40.160
<v Speaker 3>and how you doing and you know, so what anyway, anyways,

0:17:40.160 --> 0:17:41.680
<v Speaker 3>we love you, Bob, Yes.

0:17:41.680 --> 0:17:42.200
<v Speaker 1>We love you.

0:17:42.280 --> 0:17:44.600
<v Speaker 2>We talked about it a lot on the podcast here

0:17:44.680 --> 0:17:46.960
<v Speaker 2>so you show.

0:17:47.119 --> 0:17:51.040
<v Speaker 3>I've been listening to your show. Thank you. I love it.

0:17:51.119 --> 0:17:55.959
<v Speaker 3>I laugh along with you girls. I love the laughter

0:17:56.119 --> 0:17:59.159
<v Speaker 3>is very infectious. And I need to know, Andrea, did

0:17:59.200 --> 0:18:01.480
<v Speaker 3>you get your slip on tennis shoes for your birthday?

0:18:01.840 --> 0:18:02.240
<v Speaker 1>I did.

0:18:02.400 --> 0:18:05.360
<v Speaker 2>Yeah, that is a very popular question today I am

0:18:05.440 --> 0:18:08.280
<v Speaker 2>so glad you asked, yeah, Gale, and yes I did.

0:18:08.320 --> 0:18:11.439
<v Speaker 2>I got my slip on sneakers and my binoculars. The

0:18:11.480 --> 0:18:14.560
<v Speaker 2>slip on sneakers are life changing. Okay, Jody's gonna get

0:18:14.560 --> 0:18:16.080
<v Speaker 2>so sick of me talking about this.

0:18:16.480 --> 0:18:19.080
<v Speaker 1>No. I was just like, hey, what up? Can we

0:18:19.160 --> 0:18:21.320
<v Speaker 1>get it? Like some ad space? You know what I mean?

0:18:22.520 --> 0:18:23.800
<v Speaker 1>What brand is it?

0:18:23.800 --> 0:18:28.000
<v Speaker 2>It's kids kiss its kids, it's kids.

0:18:27.600 --> 0:18:30.760
<v Speaker 1>It's kids shoes their kids. But it's not kids shoes.

0:18:30.840 --> 0:18:33.000
<v Speaker 2>It's I mean, they probably make kids shoes, but it's

0:18:33.040 --> 0:18:36.240
<v Speaker 2>like kids. It's and all their shoes are slip ons,

0:18:36.800 --> 0:18:39.359
<v Speaker 2>but they they're all you know, there's like low heel,

0:18:39.480 --> 0:18:39.920
<v Speaker 2>there's like.

0:18:39.920 --> 0:18:45.720
<v Speaker 4>Big chunky kizzits. We're saying hi because it's what I think.

0:18:47.000 --> 0:18:50.440
<v Speaker 4>Think Yeah, I think at this point, Andrea is basically.

0:18:51.720 --> 0:18:55.840
<v Speaker 1>Up your run into so yeah, but it's great. Like

0:18:55.920 --> 0:18:57.480
<v Speaker 1>I had my hands full yesterday.

0:18:57.520 --> 0:18:59.960
<v Speaker 2>I have to walk down a long staircase to get

0:19:00.080 --> 0:19:02.200
<v Speaker 2>to my garage, and I was like, this is grant.

0:19:02.280 --> 0:19:03.159
<v Speaker 1>I just slipped my shoes on.

0:19:03.200 --> 0:19:05.159
<v Speaker 2>I don't have to put down all my stuff and

0:19:05.200 --> 0:19:07.280
<v Speaker 2>then sit down and put the shoes on them on

0:19:07.359 --> 0:19:11.080
<v Speaker 2>them out. It is convenient and quick and efficient.

0:19:11.119 --> 0:19:12.960
<v Speaker 3>So I know, I like, I liked what Jodi said.

0:19:12.960 --> 0:19:15.520
<v Speaker 3>She said, why not just put your shoes on first

0:19:15.600 --> 0:19:18.120
<v Speaker 3>and then gather up all your stuff? But I'm exactly

0:19:18.119 --> 0:19:21.160
<v Speaker 3>that same way. No, I want it. It's like, oh darn,

0:19:21.200 --> 0:19:24.679
<v Speaker 3>I needed see.

0:19:24.720 --> 0:19:26.919
<v Speaker 1>I just wander out barefoot and then step on something.

0:19:28.200 --> 0:19:33.479
<v Speaker 1>You know, Oh that's so funny. I slide on some

0:19:33.520 --> 0:19:37.120
<v Speaker 1>shoes and then fall there's something.

0:19:37.200 --> 0:19:43.400
<v Speaker 4>Yeah, oh dear, do you remember your first day on set?

0:19:43.560 --> 0:19:45.640
<v Speaker 4>I mean, other than John coming up to you and

0:19:46.600 --> 0:19:47.600
<v Speaker 4>asking what you're doing here?

0:19:47.640 --> 0:19:50.560
<v Speaker 3>That that was the that John at the craft table

0:19:50.720 --> 0:19:55.679
<v Speaker 3>was like blazed into my brain. But then I'm trying

0:19:55.720 --> 0:19:57.879
<v Speaker 3>to think. Then it was pretty like kind of like

0:19:57.960 --> 0:20:00.159
<v Speaker 3>full House. I think we we've been up into the

0:20:00.240 --> 0:20:04.560
<v Speaker 3>room to read, which was a lot of fun. And

0:20:04.560 --> 0:20:06.800
<v Speaker 3>and then the fact that it was Joel that I

0:20:08.960 --> 0:20:12.000
<v Speaker 3>just felt at home and and you know, you're off

0:20:12.440 --> 0:20:17.080
<v Speaker 3>doing costuming and and meeting different people. And I loved

0:20:17.160 --> 0:20:20.480
<v Speaker 3>my little you know, what do you call it my

0:20:20.600 --> 0:20:23.360
<v Speaker 3>room where I got to hang outdressing room?

0:20:23.760 --> 0:20:25.440
<v Speaker 1>Yeah?

0:20:24.680 --> 0:20:29.600
<v Speaker 3>Yeah, I think my favorite show was Disneyland.

0:20:31.080 --> 0:20:32.760
<v Speaker 4>Yes, when we all got to go to Disney World,

0:20:32.880 --> 0:20:34.639
<v Speaker 4>I was gonna I was gonna ask you.

0:20:34.720 --> 0:20:38.000
<v Speaker 2>We have to talk about World episodes and a very

0:20:38.040 --> 0:20:40.720
<v Speaker 2>popular question that you want to know all about the

0:20:40.760 --> 0:20:41.800
<v Speaker 2>Disney World episode.

0:20:43.800 --> 0:20:47.920
<v Speaker 3>The Disney World was magical as it should have been.

0:20:48.280 --> 0:20:50.240
<v Speaker 3>I mean when I was sitting there and then the

0:20:50.280 --> 0:20:54.160
<v Speaker 3>bird they had a trainer and they the bird flew

0:20:54.320 --> 0:20:56.520
<v Speaker 3>on a don't mean to break the illusion, but it

0:20:56.560 --> 0:20:59.920
<v Speaker 3>was on a string. I would feed it. I fed

0:21:00.280 --> 0:21:03.680
<v Speaker 3>like about five times, you know, going crazy with the

0:21:03.720 --> 0:21:04.199
<v Speaker 3>cameras of.

0:21:04.240 --> 0:21:06.760
<v Speaker 1>Course, right right, yeah, yeah, and I was.

0:21:06.840 --> 0:21:09.120
<v Speaker 3>And then so finally when we got ready to shoot it,

0:21:09.520 --> 0:21:11.840
<v Speaker 3>it took the string off. And when it was my

0:21:11.960 --> 0:21:13.800
<v Speaker 3>time to go like this of the bird, the bird

0:21:13.880 --> 0:21:16.639
<v Speaker 3>came right up and landed like it was supposed to,

0:21:16.760 --> 0:21:17.680
<v Speaker 3>which was so cool.

0:21:17.720 --> 0:21:22.240
<v Speaker 4>Like right, you're like, this is every young girl's dream.

0:21:22.080 --> 0:21:22.520
<v Speaker 1>You used to.

0:21:22.600 --> 0:21:24.240
<v Speaker 4>I mean I would stand out in my front yard

0:21:24.280 --> 0:21:26.400
<v Speaker 4>with my finger out just waiting for something to land

0:21:26.440 --> 0:21:26.639
<v Speaker 4>on it.

0:21:28.840 --> 0:21:30.399
<v Speaker 3>Well, you can get a trainer and they can do it,

0:21:30.440 --> 0:21:31.040
<v Speaker 3>yeah exactly.

0:21:31.119 --> 0:21:32.320
<v Speaker 1>Yeah.

0:21:32.600 --> 0:21:36.359
<v Speaker 3>But and then the when he asked me, you know,

0:21:36.480 --> 0:21:40.040
<v Speaker 3>to marry him, My husband was standing right behind. You

0:21:40.080 --> 0:21:43.359
<v Speaker 3>ever see a tall blonde they Joel thought it was

0:21:43.400 --> 0:21:47.000
<v Speaker 3>funny to stick Robert like literally right here Bob, will

0:21:47.040 --> 0:21:47.520
<v Speaker 3>you marry me?

0:21:47.520 --> 0:21:49.639
<v Speaker 4>And he likes to do that with his own kids too.

0:21:49.840 --> 0:21:52.240
<v Speaker 4>Just put him right in the Yeah, yeah, it was hilarious.

0:21:52.680 --> 0:21:56.640
<v Speaker 4>That's so your husband was standing there watching you get

0:21:56.720 --> 0:21:57.320
<v Speaker 4>proposed to?

0:21:57.920 --> 0:21:59.000
<v Speaker 3>Yes? Yes?

0:21:59.240 --> 0:22:01.720
<v Speaker 2>Was that awkward you or were you just tickled by

0:22:01.760 --> 0:22:03.680
<v Speaker 2>the whole thing? Was it weird to have your husband

0:22:03.760 --> 0:22:05.720
<v Speaker 2>watching you be proposed to know?

0:22:05.880 --> 0:22:07.280
<v Speaker 1>He didn't he's.

0:22:07.320 --> 0:22:10.680
<v Speaker 3>He's had to watch me, you know. I I had

0:22:10.680 --> 0:22:15.240
<v Speaker 3>a I did night Court with John Learricket.

0:22:17.720 --> 0:22:20.360
<v Speaker 1>I loved it. Yeah, weird and and I.

0:22:20.280 --> 0:22:23.760
<v Speaker 3>Mean John another big guy, and with the audition, they

0:22:23.760 --> 0:22:26.320
<v Speaker 3>wanted to know that I wasn't afraid to give him

0:22:26.359 --> 0:22:28.879
<v Speaker 3>a good kiss. So I had practiced this whole thing

0:22:28.920 --> 0:22:31.240
<v Speaker 3>on one leg or I could then wrap my other

0:22:31.320 --> 0:22:34.040
<v Speaker 3>leg around the leg when I threw the script down

0:22:34.119 --> 0:22:37.680
<v Speaker 3>and did this fake kissing with my on my one leg,

0:22:38.040 --> 0:22:39.440
<v Speaker 3>and I mean I got you know, I got the

0:22:40.200 --> 0:22:45.359
<v Speaker 3>eventually I did. Like mount John Learricket, he's he's seen

0:22:45.400 --> 0:22:47.240
<v Speaker 3>it and he knows it's like technical.

0:22:47.080 --> 0:22:49.439
<v Speaker 1>Exactly, it's exactly. He was just he was he was

0:22:49.480 --> 0:22:50.520
<v Speaker 1>he was just happy to be there.

0:22:51.200 --> 0:22:51.720
<v Speaker 3>What did you say?

0:22:51.800 --> 0:22:53.280
<v Speaker 1>I said, he was just happy to be there.

0:22:53.720 --> 0:22:55.600
<v Speaker 3>He was just happy to be there. We both were

0:22:55.640 --> 0:22:58.880
<v Speaker 3>happy to be there and then to see Stamos perform on.

0:22:58.880 --> 0:23:01.120
<v Speaker 1>The stage, and yeah, that was pretty cool.

0:23:01.480 --> 0:23:04.560
<v Speaker 3>In Disneyland when nobody disney World when nobody else.

0:23:04.800 --> 0:23:07.960
<v Speaker 4>Well that so for our listeners that when we shot

0:23:08.000 --> 0:23:12.919
<v Speaker 4>that scene where Danny proposes to Vicky, we were shooting

0:23:12.920 --> 0:23:15.679
<v Speaker 4>at Disney World at night, but it was after the

0:23:15.680 --> 0:23:18.439
<v Speaker 4>park closed. It was a night shoot where you start

0:23:18.520 --> 0:23:21.399
<v Speaker 4>at like ten pm and you go until, like, you know,

0:23:21.560 --> 0:23:24.800
<v Speaker 4>all night. I think as kids we could only work

0:23:24.880 --> 0:23:28.439
<v Speaker 4>until like midnight or two or something. I think we

0:23:28.520 --> 0:23:31.640
<v Speaker 4>had a much earlier You can't work kids all night.

0:23:31.880 --> 0:23:35.160
<v Speaker 4>But everybody else probably was there until like just before sunrise,

0:23:35.520 --> 0:23:38.000
<v Speaker 4>although maybe it was late.

0:23:38.960 --> 0:23:39.640
<v Speaker 3>Maybe it was.

0:23:39.640 --> 0:23:42.680
<v Speaker 2>Standing there for ever, Like I just my legs were

0:23:42.680 --> 0:23:46.119
<v Speaker 2>so tired from standing right, you're head up watching the

0:23:46.119 --> 0:23:47.399
<v Speaker 2>fireworks and you're.

0:23:47.720 --> 0:23:50.040
<v Speaker 1>So just like I can't wait for the sun to

0:23:50.080 --> 0:23:50.439
<v Speaker 1>come up.

0:23:50.920 --> 0:23:52.840
<v Speaker 4>Yeah it was.

0:23:52.880 --> 0:23:56.760
<v Speaker 3>It was late and it was long. Yes, even for me.

0:23:56.960 --> 0:23:58.200
<v Speaker 3>I was like, where's a chair?

0:23:58.560 --> 0:24:01.159
<v Speaker 1>Yeah, yeah, it was, it was, and it was sold.

0:24:01.640 --> 0:24:04.960
<v Speaker 3>I remember what happened it Well, it was December or

0:24:05.040 --> 0:24:08.480
<v Speaker 3>something in Florida late, you know, northern Florida, so it would.

0:24:09.280 --> 0:24:13.080
<v Speaker 4>Yeah, it wasn't exactly like hot hot I do remember

0:24:13.440 --> 0:24:15.320
<v Speaker 4>like putting on shorts some time in the morning and

0:24:15.359 --> 0:24:17.600
<v Speaker 4>being like, oh, it's still a little damp out here.

0:24:17.720 --> 0:24:20.240
<v Speaker 3>Yeah, was that fun for you guys to be Oh

0:24:20.280 --> 0:24:20.640
<v Speaker 3>my god.

0:24:20.720 --> 0:24:24.480
<v Speaker 4>It was one of my favorite, uh, I mean, my

0:24:24.520 --> 0:24:28.240
<v Speaker 4>favorite trips ever as a kid, but also just one

0:24:28.240 --> 0:24:32.640
<v Speaker 4>of my favorite moments with my full house family.

0:24:32.840 --> 0:24:34.840
<v Speaker 1>Was like getting to do all of that.

0:24:34.960 --> 0:24:38.240
<v Speaker 4>I was like a giant family vacation, you know, besides

0:24:38.280 --> 0:24:47.040
<v Speaker 4>having to do school work in the concierge lounge.

0:24:50.359 --> 0:24:52.479
<v Speaker 3>In the concierge lounge, I don't know about you, but

0:24:52.560 --> 0:24:58.600
<v Speaker 3>I didn't know that hotels had of the numbers, you know. Yeah,

0:24:58.640 --> 0:24:59.640
<v Speaker 3>that was very cool.

0:25:00.200 --> 0:25:03.359
<v Speaker 4>The cookies, you guys remember in the afternoon cookies, chocolate

0:25:03.400 --> 0:25:04.600
<v Speaker 4>chip cookies every afternoon.

0:25:05.160 --> 0:25:07.120
<v Speaker 3>Delicious, delicious.

0:25:07.359 --> 0:25:10.640
<v Speaker 1>Oh no, but that was that was really fun.

0:25:10.680 --> 0:25:14.239
<v Speaker 4>Do you remember any of like the crazy things that

0:25:14.359 --> 0:25:17.760
<v Speaker 4>happened when we were shooting in Disney World.

0:25:20.800 --> 0:25:21.639
<v Speaker 3>Like the tea party.

0:25:21.680 --> 0:25:24.840
<v Speaker 2>Were you in the tea party scene, the Michelle has

0:25:24.840 --> 0:25:25.560
<v Speaker 2>a Tea Party?

0:25:26.240 --> 0:25:27.080
<v Speaker 1>I think I was.

0:25:27.320 --> 0:25:31.159
<v Speaker 3>I do remember sitting next to I think Alice in

0:25:31.200 --> 0:25:33.240
<v Speaker 3>Wonderland and I get trying to get her to break

0:25:33.320 --> 0:25:34.600
<v Speaker 3>character and.

0:25:34.600 --> 0:25:36.639
<v Speaker 1>Show absolutely not. They won't.

0:25:36.840 --> 0:25:39.600
<v Speaker 3>Oh, they were absolutely committed.

0:25:39.640 --> 0:25:41.760
<v Speaker 1>They were like, you can't they get fired.

0:25:41.840 --> 0:25:45.439
<v Speaker 4>You cannot once you are outside of when you're in

0:25:45.480 --> 0:25:46.720
<v Speaker 4>the public area.

0:25:46.520 --> 0:25:51.080
<v Speaker 1>You are Alice in Wonderland. Yeah, which is what happened

0:25:51.119 --> 0:25:55.800
<v Speaker 1>is the rabbit passed out. It was so hot.

0:25:55.840 --> 0:25:58.360
<v Speaker 4>It was there in the in the costume, in the costume,

0:25:58.480 --> 0:26:00.840
<v Speaker 4>and he wasn't like taking you know, it was just

0:26:00.880 --> 0:26:03.720
<v Speaker 4>sitting there and it was the lights and everything, and

0:26:04.000 --> 0:26:05.280
<v Speaker 4>he was sitting and.

0:26:05.160 --> 0:26:08.040
<v Speaker 1>Passed out and just slumping. They had just yeah, he just.

0:26:07.960 --> 0:26:10.919
<v Speaker 4>Slumped over, and damn it if they didn't have to

0:26:11.040 --> 0:26:16.480
<v Speaker 4>take him backstage with the head on, they wouldn't take

0:26:16.520 --> 0:26:18.639
<v Speaker 4>the head off in front of in front of the

0:26:18.720 --> 0:26:21.600
<v Speaker 4>carriers guy until they took him to.

0:26:21.560 --> 0:26:24.679
<v Speaker 1>A backstage area. Yeah. Yeah, keeping that magic alive.

0:26:25.320 --> 0:26:29.040
<v Speaker 4>And then do you remember, abe, the night of the

0:26:29.160 --> 0:26:33.080
<v Speaker 4>night shoot, we were in Cinderella's Castle in like a

0:26:33.119 --> 0:26:37.639
<v Speaker 4>holding area and it was like one of the wardrobe

0:26:37.720 --> 0:26:41.800
<v Speaker 4>rooms or something, and there was like a big wall.

0:26:41.520 --> 0:26:45.160
<v Speaker 1>With a curtain in front of it. Yeah, and.

0:26:46.760 --> 0:26:49.679
<v Speaker 4>We were given the adults forgiven the instruction do not

0:26:49.880 --> 0:26:53.160
<v Speaker 4>the under no circumstances, do not no, don't know. Another thing,

0:26:53.920 --> 0:27:00.119
<v Speaker 4>uh the character I did and uh yeah, and.

0:27:00.240 --> 0:27:03.240
<v Speaker 1>You see what did you see? A wall of heads?

0:27:03.680 --> 0:27:05.080
<v Speaker 5>Oh man?

0:27:05.600 --> 0:27:08.439
<v Speaker 4>It was like, yeah, character heads because it was like

0:27:08.680 --> 0:27:10.760
<v Speaker 4>right off the castle, so it was like where they

0:27:10.760 --> 0:27:12.360
<v Speaker 4>could come in and like it was like a break

0:27:12.440 --> 0:27:16.160
<v Speaker 4>room sort of and they are dressing room or whatever.

0:27:16.240 --> 0:27:18.280
<v Speaker 4>And they had the big yeah like on pegs on

0:27:18.320 --> 0:27:18.760
<v Speaker 4>the wall.

0:27:18.960 --> 0:27:22.240
<v Speaker 1>You know, that's like a horse right out of a

0:27:22.280 --> 0:27:24.120
<v Speaker 1>horror film. Yeah, that was why they probably didn't want

0:27:24.119 --> 0:27:24.400
<v Speaker 1>to look.

0:27:26.240 --> 0:27:29.400
<v Speaker 4>Yeah, I remember that, and I don't remember who else

0:27:29.480 --> 0:27:30.320
<v Speaker 4>was in the room.

0:27:30.240 --> 0:27:34.200
<v Speaker 1>But yeah, it was like what's over here? Yeah?

0:27:34.400 --> 0:27:37.440
<v Speaker 3>Oh yeah. I had a friend that worked for Disney

0:27:37.440 --> 0:27:39.680
<v Speaker 3>that I had gone to the University of Miami with

0:27:40.119 --> 0:27:46.360
<v Speaker 3>and he took us down below, oh yeah, to the tunnels,

0:27:46.760 --> 0:27:50.199
<v Speaker 3>to the tunnels with the Brinks trucks yep, and the

0:27:50.280 --> 0:27:52.159
<v Speaker 3>garbage and yeah yeah.

0:27:51.920 --> 0:27:56.040
<v Speaker 6>And again you would see the the characters walking by

0:27:56.080 --> 0:27:59.400
<v Speaker 6>with their heads right under their arms, you know, kind

0:27:59.440 --> 0:28:01.800
<v Speaker 6>of a thing. And it was like it was you know,

0:28:03.359 --> 0:28:06.679
<v Speaker 6>and some of the animation towers that was running like

0:28:06.720 --> 0:28:10.000
<v Speaker 6>Pirates of the Caribbean. And I don't know what they're

0:28:10.040 --> 0:28:12.639
<v Speaker 6>doing nowadays, but it to me, I think it was

0:28:12.720 --> 0:28:14.960
<v Speaker 6>analog back then, and I.

0:28:15.080 --> 0:28:17.520
<v Speaker 3>Was like, this is gonna. I don't know, maybe they

0:28:17.600 --> 0:28:19.760
<v Speaker 3>keep putting in fresh tapes or something. I'd be worth

0:28:19.880 --> 0:28:23.800
<v Speaker 3>it would break. But it was yeah that, Yeah, that

0:28:23.920 --> 0:28:24.320
<v Speaker 3>was cool.

0:28:24.480 --> 0:28:27.359
<v Speaker 1>What a cool experience. Yeah, you we needed to get

0:28:27.400 --> 0:28:28.160
<v Speaker 1>to have that. You guys.

0:28:28.200 --> 0:28:30.720
<v Speaker 2>Remember the crowds, like when we would have to shoot

0:28:30.800 --> 0:28:33.359
<v Speaker 2>during the day and they would rope off a section

0:28:33.520 --> 0:28:36.720
<v Speaker 2>of the park so we could film, and like, for me,

0:28:36.840 --> 0:28:39.520
<v Speaker 2>that was the first time I really realized just how

0:28:39.960 --> 0:28:43.200
<v Speaker 2>famous we were popular the show was because there was

0:28:43.240 --> 0:28:46.080
<v Speaker 2>no social media. There were Nielsen ratings, but that didn't

0:28:46.080 --> 0:28:48.719
<v Speaker 2>really mean much to me as a kid, but just

0:28:48.800 --> 0:28:51.680
<v Speaker 2>the crowds that would come and watch us and follow

0:28:51.760 --> 0:28:53.600
<v Speaker 2>us into the bathrooms and.

0:28:53.600 --> 0:28:55.880
<v Speaker 4>Oh yeah, I remember that somebody asked for my autograph

0:28:56.040 --> 0:28:56.920
<v Speaker 4>under the stall.

0:28:56.960 --> 0:29:01.000
<v Speaker 3>Under the stone, right, somebody the thing?

0:29:01.640 --> 0:29:03.320
<v Speaker 4>Yeah yeah, and my mom was in the bathroom with me,

0:29:03.360 --> 0:29:05.080
<v Speaker 4>and let me tell you, she was like, I'm so

0:29:05.560 --> 0:29:06.920
<v Speaker 4>like she freaked out on this person.

0:29:07.200 --> 0:29:09.960
<v Speaker 1>Yeah good as should Yeah yeah, yeah, yeah I do.

0:29:10.040 --> 0:29:12.600
<v Speaker 3>I'm glad you said that, because I must say I do. Remember.

0:29:12.800 --> 0:29:16.400
<v Speaker 3>Do you remember when we were at the oh god,

0:29:16.400 --> 0:29:17.560
<v Speaker 3>Harrison Ford.

0:29:17.680 --> 0:29:21.960
<v Speaker 1>Indiana, Jones and that woman Jones, I felt.

0:29:21.640 --> 0:29:26.920
<v Speaker 3>Like Merrily Monroe. That stadium, you know, the Great Stadium,

0:29:28.360 --> 0:29:31.120
<v Speaker 3>and we were all sitting there and they allowed us

0:29:31.160 --> 0:29:32.920
<v Speaker 3>to shoot. I don't know if you were in there

0:29:32.960 --> 0:29:35.680
<v Speaker 3>that day, but then when we was you were and

0:29:35.680 --> 0:29:38.840
<v Speaker 3>we went, you know, by to lead the flashlight, the

0:29:38.920 --> 0:29:42.520
<v Speaker 3>lights flashing. It was like right out of like the

0:29:42.600 --> 0:29:46.480
<v Speaker 3>fifties with like MERRILYL. Monroe. I was like, oh my goodness.

0:29:46.920 --> 0:29:50.480
<v Speaker 4>See I remember sitting there and we were told they

0:29:50.480 --> 0:29:52.520
<v Speaker 4>were trying to get the audience out, and we.

0:29:52.360 --> 0:29:55.480
<v Speaker 1>Were told not to.

0:29:54.520 --> 0:29:57.000
<v Speaker 4>Sign autographs or take pictures with anyone or whatever. But

0:29:57.000 --> 0:30:00.120
<v Speaker 4>we were sitting, you know a little bit like a

0:30:00.160 --> 0:30:02.920
<v Speaker 4>couple people in the bleachers kind of with our moms

0:30:03.040 --> 0:30:05.920
<v Speaker 4>and you know whatever, just waiting. It was like me

0:30:06.080 --> 0:30:08.320
<v Speaker 4>and my mom and I think maybe when uh Adria

0:30:08.440 --> 0:30:09.240
<v Speaker 4>or one of the teachers.

0:30:09.440 --> 0:30:11.480
<v Speaker 1>Anyway, we're sitting there and this.

0:30:11.480 --> 0:30:13.960
<v Speaker 4>Woman walks up and is like, can I have an autograph?

0:30:13.960 --> 0:30:14.320
<v Speaker 1>Can I?

0:30:14.440 --> 0:30:18.400
<v Speaker 4>And my mom turns and says, we're really sorry, but

0:30:18.800 --> 0:30:20.320
<v Speaker 4>they told us we can't do that right now, just

0:30:20.400 --> 0:30:22.360
<v Speaker 4>because they have to get everybody else so we can shoot.

0:30:23.120 --> 0:30:25.760
<v Speaker 1>This lady goes off on me.

0:30:26.560 --> 0:30:31.200
<v Speaker 4>Oh, says, your mother's a I can't believe you you

0:30:31.240 --> 0:30:36.120
<v Speaker 4>would like that was the first time I ever, like

0:30:36.360 --> 0:30:41.120
<v Speaker 4>had an experience like that. Your first hater, my first hater. Yeah,

0:30:41.520 --> 0:30:42.880
<v Speaker 4>she's still on my Instagram.

0:30:45.360 --> 0:30:45.600
<v Speaker 5>Wow.

0:30:46.440 --> 0:30:51.600
<v Speaker 4>But yeah I remember that because I was like, oh, yeah, yeah,

0:30:51.640 --> 0:30:54.840
<v Speaker 4>people will like immediately turn and take it out on

0:30:54.880 --> 0:30:58.920
<v Speaker 4>you if you don't give them Joe. Yeah, that's my

0:30:59.000 --> 0:31:00.880
<v Speaker 4>memory of the Indiana Joe the Stadium.

0:31:00.920 --> 0:31:03.400
<v Speaker 3>So that's a bad one. I'm sorry about.

0:31:04.040 --> 0:31:06.560
<v Speaker 1>Yeah, that's fine. Now I look at it, I'm like, ah,

0:31:06.720 --> 0:31:12.160
<v Speaker 1>where are you, lady? No, I don't a millionaire. I

0:31:12.160 --> 0:31:14.240
<v Speaker 1>don't know, but yeah, yeah, but I'd like to think

0:31:14.280 --> 0:31:15.360
<v Speaker 1>that she's unhappy somewhere.

0:31:15.440 --> 0:31:18.400
<v Speaker 3>No, they don't understand the kind of pressure you're under

0:31:18.800 --> 0:31:21.480
<v Speaker 3>and you've been instructed. We're not trying to be a

0:31:22.080 --> 0:31:22.360
<v Speaker 3>you know.

0:31:23.560 --> 0:31:24.760
<v Speaker 1>I am a child.

0:31:25.600 --> 0:31:29.880
<v Speaker 4>You are saying my mother is I was like, wow, yeah,

0:31:30.520 --> 0:31:33.960
<v Speaker 4>Now today, today would have been a very different story,

0:31:34.960 --> 0:31:37.320
<v Speaker 4>Tony would today right, today would have.

0:31:37.320 --> 0:31:40.320
<v Speaker 1>Been all over social media. Yeah, but no.

0:31:40.840 --> 0:31:42.280
<v Speaker 3>Looking for it. Yeah.

0:31:42.760 --> 0:31:44.480
<v Speaker 4>You know what, if you're listening to the show, lady,

0:31:44.560 --> 0:31:46.000
<v Speaker 4>you're out there, hit me up.

0:31:46.080 --> 0:31:47.160
<v Speaker 1>Let's let's chat it out.

0:31:48.200 --> 0:31:49.120
<v Speaker 3>I thought I aggression.

0:31:49.080 --> 0:31:50.920
<v Speaker 1>It is me. I'm really sorry. I was having a

0:31:50.920 --> 0:31:52.200
<v Speaker 1>bad day and I was dehydrated.

0:31:54.240 --> 0:31:56.920
<v Speaker 4>And this wraps up part one of our interview with

0:31:57.000 --> 0:32:00.320
<v Speaker 4>Gail Edwards. Now, Vicky Larson's role on Full House and

0:32:00.360 --> 0:32:03.240
<v Speaker 4>her sudden departure is still a sore spot for many

0:32:03.240 --> 0:32:05.880
<v Speaker 4>of you fan Ritos, so we couldn't cut this interview short.

0:32:06.160 --> 0:32:09.120
<v Speaker 4>Tuned in to part two with Gail, airing this Friday,

0:32:09.440 --> 0:32:11.760
<v Speaker 4>and remember to like and subscribe to the podcast wherever

0:32:11.800 --> 0:32:14.120
<v Speaker 4>you're listening to it. Find us on Instagram at how

0:32:14.200 --> 0:32:17.080
<v Speaker 4>Rude Podcast, where you can send us an email like

0:32:17.160 --> 0:32:19.720
<v Speaker 4>many of you did requesting Vicki to be a guest.

0:32:20.320 --> 0:32:20.840
<v Speaker 5>Uh.

0:32:20.880 --> 0:32:24.120
<v Speaker 4>And you can send that to how Rude Tannerritos at.

0:32:23.920 --> 0:32:25.000
<v Speaker 1>Gmail dot com.

0:32:25.480 --> 0:32:27.360
<v Speaker 4>Uh. And also you can visit our merch store, how

0:32:27.440 --> 0:32:29.440
<v Speaker 4>Rude Merch dot com.

0:32:29.800 --> 0:32:32.400
<v Speaker 1>Uh. And uh, yeah, I'm glieve I covered all the

0:32:32.480 --> 0:32:34.640
<v Speaker 1>all the all the factual things you got you you

0:32:34.680 --> 0:32:36.200
<v Speaker 1>did it all? Yep, I did. I did.

0:32:36.280 --> 0:32:36.360
<v Speaker 3>So.

0:32:36.440 --> 0:32:40.680
<v Speaker 4>Remember, fan Ritos, the world is small, but the house

0:32:40.760 --> 0:32:41.440
<v Speaker 4>is full.

0:32:43.320 --> 0:32:47.120
<v Speaker 1>Of character heads. Oh gosh, all of them. It's a pile,

0:32:48.000 --> 0:32:48.880
<v Speaker 1>creepy pile.

0:32:49.080 --> 0:32:56.680
<v Speaker 5>Yeah, great, terrifying, But you know, Stephen King movie right

0:32:56.720 --> 0:33:00.800
<v Speaker 5>but fuzzy yeah.

0:33:01.520 --> 0:33:01.560
<v Speaker 3>On