WEBVTT - The Pretty Prime Minister (with Jennifer Wright)

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Manky. Listener discretion advised.

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<v Speaker 2>Hello, this is Danish Schwartz and this is a very

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<v Speaker 2>special episode of Noble Blood because I am joined by

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<v Speaker 2>my very good friend, the incredibly talented, truly brilliant writer

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<v Speaker 2>Jennifer Wright. Dana, I am so happy to be here. Jennifer,

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<v Speaker 2>you are just an incredible history writer. You've written a

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<v Speaker 2>few of my favorite books, get Well Soon, which is

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<v Speaker 2>a book about.

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<v Speaker 3>History's worst plagues and the heroes that fought.

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<v Speaker 2>Really, I was going to say a very topical pre

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<v Speaker 2>pandemic subject.

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<v Speaker 3>Yeah, in retrospect, I should not have leaked the Wuhan virus. Yeah,

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<v Speaker 3>it was too much viral marketing. Yeah, in my part, I.

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<v Speaker 2>Was going to say, but it did probably boost book sales.

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<v Speaker 3>Yeah.

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<v Speaker 2>Also, just to be clear that that was a joke.

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<v Speaker 3>That's not how anyhing actually happened.

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<v Speaker 2>Jennifer is a little human being who is not involved

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<v Speaker 2>in anything COVID related. You wrote the book It ended Badly,

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<v Speaker 2>thirteen of the worst historical breakups. Yes, one of my

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<v Speaker 2>favorite books because it covers one of my favorite historical couples.

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<v Speaker 2>Caroline Lamb and Lord Byron.

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<v Speaker 3>I was going to say, I remember years ago talking

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<v Speaker 3>about Carolyn Lamb chopping off for pubic hair and sending

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<v Speaker 3>it to Lord Byron to try to win him back.

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<v Speaker 2>It's that move. What I relate to so profoundly is

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<v Speaker 2>when you're so in love with someone who clearly is

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<v Speaker 2>not interested, but you're like, you keep having to up

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<v Speaker 2>the stakes to get their attention.

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<v Speaker 3>You've got to go for broke. You've got to chop

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<v Speaker 3>off all your pubic hair and send it to them

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<v Speaker 3>in the mail.

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<v Speaker 2>It's the equivalent. If I could show you some of

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<v Speaker 2>the emails I wrote to like a boy when I

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<v Speaker 2>was like twenty two, stopped responding to my text Like,

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<v Speaker 2>some of the emails that I wrote are just like

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<v Speaker 2>I never want to see them again. I hope that

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<v Speaker 2>they are the equivalent of pubic hair. Oh.

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<v Speaker 3>I wrote like multi thousand word emails to people i'd

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<v Speaker 3>just broken up with, just trying to like break down

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<v Speaker 3>every part of our relationship but also get back together.

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<v Speaker 3>Why did I think that would work?

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<v Speaker 2>Yeah? That's always the secret is they want a well

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<v Speaker 2>written email.

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<v Speaker 3>That's what they want, A really long email.

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<v Speaker 2>That is the equivalent. But I'm so excited. Your most

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<v Speaker 2>recent book is Madame Marstelle, and it's a story that,

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<v Speaker 2>to be totally honest, I had no idea what it

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<v Speaker 2>was who she was until I started talking.

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<v Speaker 3>Well, that is because I think she has been very

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<v Speaker 3>deliberately written out of history. She was a very successful

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<v Speaker 3>female abortionist operating in mid nineteenth century America, and when

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<v Speaker 3>she started performing abortions in the eighteen thirties, it was

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<v Speaker 3>still classified as a misdemeanor if you performed the abortion

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<v Speaker 3>before the fourth or fifth month, and by the end

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<v Speaker 3>of Madame Marstelle's life in the eighteen seventies, the Comstock

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<v Speaker 3>Acted passed and the Comstock Act forbade sending anything obscene

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<v Speaker 3>through the mail, which included say, written descriptions of birth

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<v Speaker 3>control abortion, to say nothing of actually sending birth control

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<v Speaker 3>medication through the mail. And sadly, that is something we

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<v Speaker 3>are seeing revive now today.

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<v Speaker 2>Another sadly topical book. You're like the history, Cassandra at

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<v Speaker 2>this point.

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<v Speaker 3>Yeah, I swear the next one is just going to

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<v Speaker 3>be about parties or something like. It's gonna be about

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<v Speaker 3>how everybody is nice and gets along.

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<v Speaker 2>It would be so nice, can you I know, we're

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<v Speaker 2>going to move on to the subject of the main

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<v Speaker 2>subject of the podcast, which is a fascinating figure of

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<v Speaker 2>the French Versailles culture. But can you tell us a

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<v Speaker 2>little bit about Madame Morstelle, even though she's not a noble.

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<v Speaker 3>You can tell everything about Madam Moistelle. There is indeed

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<v Speaker 3>a whole book about it. But you know, Madamistelle began

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<v Speaker 3>her life in written She was born antrou in eighteen

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<v Speaker 3>twelve in Painswick, England, and she came from a very large,

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<v Speaker 3>very poor family. She was a mate of all work

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<v Speaker 3>for a butcher, which meant that she would have been

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<v Speaker 3>doing pretty back breaking work, doing things like fetching any

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<v Speaker 3>water from the well and dumping out the chamber pots,

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<v Speaker 3>and beating all the rugs to make sure they were clean,

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<v Speaker 3>and cleaning out the fireplaces. And that was also a

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<v Speaker 3>time where if you were a maid, you were open

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<v Speaker 3>to a horrifying number of sexual advances from any man

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<v Speaker 3>in the house. Jonathan Swift Actuley wrote advice to maids,

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<v Speaker 3>saying that you have to beware of the eldest son,

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<v Speaker 3>because you're going to get nothing from him but a

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<v Speaker 3>big belly in the clap at least you can get

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<v Speaker 3>money from the master.

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<v Speaker 2>Of the house.

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<v Speaker 3>So I think that may have been one of the

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<v Speaker 3>reasons that Madame Ristelle always worked on a sliding scale

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<v Speaker 3>when she charged people later, and why she tended to

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<v Speaker 3>charge servants less. And in when she was sixteen, she

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<v Speaker 3>married a taylor. The tailor was unfortunately an alcoholic.

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<v Speaker 2>Is this where she got the name Restelle?

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<v Speaker 3>Oh? No, the tailor was unfortunately an alcoholic, and she

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<v Speaker 3>took over his work very quickly. And this is a

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<v Speaker 3>running trend in made Moistelle's life. She kind of meets

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<v Speaker 3>a man, sees how he does his job, and then

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<v Speaker 3>figures out how to do it better. Ye, but she

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<v Speaker 3>convinced him to move with their newborn daughter to America

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<v Speaker 3>so they could become rich. Then she gets to the

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<v Speaker 3>Lower East Side, her alcoholic husband dies almost immediately and

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<v Speaker 3>she is now a single mother on the Lower East

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<v Speaker 3>Side of New York. If you've seen Gangs of New York,

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<v Speaker 3>that's not accurate, but keep that picture in your mind.

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<v Speaker 3>That's where Madame Ristelle is.

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<v Speaker 2>And I remember a detail in your book that seamstresses

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<v Speaker 2>was like they were literally a down diamond.

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<v Speaker 3>Yes, yes, it made me understand I've read so many

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<v Speaker 3>novels from this period where the main character will be like,

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<v Speaker 3>I have thousands of dollars of debts to my dressmaker,

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<v Speaker 3>and I've always thought them, Why is your dressmaker still

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<v Speaker 3>making you dresses? She should have cut you off ages ago.

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<v Speaker 3>It's because there are so many of them that you

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<v Speaker 3>have to operate on even the hope of payment. Yeah.

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<v Speaker 2>So, yeah, it's a time.

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<v Speaker 3>A prostitution is everywhere because working in a factory means

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<v Speaker 3>working sixteen hour days, and if you have a child,

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<v Speaker 3>then you don't have enough money for childcare. The factory

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<v Speaker 3>doesn't pay enough. Women would drug their children with laud

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<v Speaker 3>of them so they would sleep while they were at work.

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<v Speaker 3>In one especially horrifying Dickensian note that I found, there

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<v Speaker 3>was a woman who was a single mother worked in

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<v Speaker 3>a factory, had a four year old and a newborn,

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<v Speaker 3>and she told the four year old to take care

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<v Speaker 3>of the newborn while she was at work. And when

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<v Speaker 3>she came back, the four year old and if you

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<v Speaker 3>have a toddler, you can imagine how proudly the four

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<v Speaker 3>year old would say this, said that the baby had

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<v Speaker 3>been crying but they had stopped him, and the mother

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<v Speaker 3>praised him, and then she went to see the baby

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<v Speaker 3>and he had stopped him by beating him over the

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<v Speaker 3>head with a hammer until he died. Oh so, so

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<v Speaker 3>this was a terrible dime to be a single mother

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<v Speaker 3>or have an unplanned pregnancy of any kind. And Madame

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<v Speaker 3>Restelle really might have fallen into this situation very easily.

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<v Speaker 3>But she lived down the street from a pill compounder

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<v Speaker 3>named doctor Evans, and doctor Evans provided all manner of pills.

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<v Speaker 3>There was no oversight. You could smash any herbs together

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<v Speaker 3>and say this will cure your headaches, or this it

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<v Speaker 3>might give it a shop. What have you got to lose?

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<v Speaker 3>And he probably also provided birth control pills. But Madame

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<v Speaker 3>Rostelle started making what must have been incredibly effective birth

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<v Speaker 3>control pills. She was using ingredients like tansy oil and

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<v Speaker 3>turpentine and mixing them together. And those are unbelievably dangerous ingredients.

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<v Speaker 3>You should never ever use. Some although paint center in

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<v Speaker 3>your like paint centner. Yes, unfortunately, they still do get used.

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<v Speaker 3>In the nineteen seventies, doctor said turpentine is a harrowing

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<v Speaker 3>motif into it yourself abortions.

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<v Speaker 2>So these are things that will work.

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<v Speaker 3>They will just also kill their female patient. And Madame

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<v Speaker 3>Roselle is pretty remarkable in that she mixed them together

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<v Speaker 3>without killing people's. People in the neighborhood started saying that

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<v Speaker 3>they had had five abortions this way and they were

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<v Speaker 3>coming back for more. She could also perform surgical abortions

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<v Speaker 3>with a sharpened piece of whalebone. Now if her hand slipped,

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<v Speaker 3>she could punch her a woman's bladder and kill her.

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<v Speaker 3>Another amazing thing is that, despite a lot of people

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<v Speaker 3>trying very hard to prove that Madame Ristelle was killing people,

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<v Speaker 3>there are no records that indicate that she ever killed

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<v Speaker 3>a patient. Oh, so Restelle must have had a very

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<v Speaker 3>steady hand and a real genius for mixing ingredients. Around

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<v Speaker 3>this time she met her second husband, Charles Lowman, who

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<v Speaker 3>was a printer, and he was really familiar with the

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<v Speaker 3>bombastic personalities that advertised in newspapers, and together they came

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<v Speaker 3>up with this persona of Madame Rostelle, and they talked

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<v Speaker 3>about how she was and her grandmother was a famous

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<v Speaker 3>mid wife, and she had been training in Paris and

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<v Speaker 3>bringing her skills to America. And this was a time

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<v Speaker 3>when medical innovation was happening in Paris. In a way

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<v Speaker 3>it wasn't in America. So this was a great persona

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<v Speaker 3>to craft. It's glamorous, man, it's glamorous.

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<v Speaker 2>If anyone came and said that her grandma was a

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<v Speaker 2>famous parish and his.

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<v Speaker 3>Wife, exactly, it sounds sexy too. People thought that French

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<v Speaker 3>people were more sexually sophisticated in addition to having better

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<v Speaker 3>medical skills. So that's how this persona of Madame Riistelle

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<v Speaker 3>was born.

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<v Speaker 2>And someone not rich people, doctor Muter. This is my

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<v Speaker 2>my anatomy research shelf down there. Doctor Mutter, who was

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<v Speaker 2>has If you've been to Philadelphia, there's a Muter music.

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<v Speaker 2>I'm dying to go. I mean too, we should go

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<v Speaker 2>together to go girls. He trained for in French surgeries.

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<v Speaker 2>That's where all the surgery was was.

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<v Speaker 3>Exactly, Yes, go to France. One of the reasons that

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<v Speaker 3>they drove female midwives out of business in America is

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<v Speaker 3>because they started trying to open up schools for doctors

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<v Speaker 3>in America. But they were terrible. You couldn't walk the

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<v Speaker 3>hospitals the way you could in France. So they would

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<v Speaker 3>rent out a lecture hall, charge young men like fifty

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<v Speaker 3>dollars and in six months if you showed up to

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<v Speaker 3>most of the classes where you would never see an

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<v Speaker 3>actual patient. Usually there was just like a skeleton or

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<v Speaker 3>a box of bones. At the end, you got your diploma.

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<v Speaker 2>Sure.

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<v Speaker 3>And as a result, it's estimated that in the mid

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<v Speaker 3>eighteen hundreds there were suddenly four times as many doctors

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<v Speaker 3>as pounds needed, and they had to find a new

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<v Speaker 3>source of income, and that is one of the reasons

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<v Speaker 3>that they started pushing in on midwives trade.

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<v Speaker 2>Wow, And I do love I think like the interest

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<v Speaker 2>of like when midwiffery became obcentrics and like more male

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<v Speaker 2>dominated doctors is fascinating to me because I love the

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<v Speaker 2>story of how Princess Charlotte of Wales in the early

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<v Speaker 2>eighteen hundreds, who's a character in Immortality, but she in

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<v Speaker 2>real life was pregnant and it was very fashionable to

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<v Speaker 2>have a male doctor. At this time.

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<v Speaker 3>They were worse, you know, they were there right there, died.

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<v Speaker 3>There was an average of one us in two hundred

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<v Speaker 3>was a female midwife in this period, and it was

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<v Speaker 3>ten to twenty times higher if you had a male doctor.

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<v Speaker 3>They were so much worse.

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<v Speaker 2>They were so much worse, and she died and it

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<v Speaker 2>was just considered fashionable to have a male doctor because

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<v Speaker 2>she was a princess. She had to do it. Yep.

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<v Speaker 2>And she died and it was bad yep.

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<v Speaker 3>And the American Medical Society made such a big deal

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<v Speaker 3>out of how midwives are barbaric relics, and of course

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<v Speaker 3>midwives hands were actually clean, whereas doctors were digging them

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<v Speaker 3>into a corpse and then pulling them out and then

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<v Speaker 3>sticking them into a woman's birth canal.

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<v Speaker 2>Yeah, they would treat an infected abscess and then be

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<v Speaker 2>like perfect, but inside of it, oh my gosh, the

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<v Speaker 2>one that killed me the most. I'm sorry.

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<v Speaker 3>I know we have to talk about nobility because this

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<v Speaker 3>is noble blood.

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<v Speaker 2>Please.

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<v Speaker 3>But after Ignat Similfies, oh God bless him, God may

0:12:03.880 --> 0:12:08.640
<v Speaker 3>he rest in peace. But after Ignacemolies suggested that maybe

0:12:08.640 --> 0:12:11.440
<v Speaker 3>the reason so many women are dying are because doctors

0:12:11.440 --> 0:12:14.080
<v Speaker 3>need to wash their hands. And by the way he

0:12:14.160 --> 0:12:16.520
<v Speaker 3>tested this, he found out that it worked. He could

0:12:16.520 --> 0:12:19.640
<v Speaker 3>bring the death rate for female patients down on par

0:12:19.760 --> 0:12:20.120
<v Speaker 3>with mid.

0:12:21.640 --> 0:12:25.160
<v Speaker 2>Talk and Charles Miggs replied.

0:12:26.320 --> 0:12:30.120
<v Speaker 3>That this was absurd because quote unquote, doctors are gentlemen,

0:12:30.280 --> 0:12:32.320
<v Speaker 3>and gentlemen have clean hands.

0:12:34.440 --> 0:12:37.000
<v Speaker 2>It's the ego on them. I'm so furious about it.

0:12:37.080 --> 0:12:40.479
<v Speaker 3>I'm furious two hundred years later about.

0:12:40.200 --> 0:12:42.480
<v Speaker 2>How many women had unnecessary death.

0:12:42.640 --> 0:12:47.520
<v Speaker 3>Yes, yeah, well, speaking of one day for bird control

0:12:47.559 --> 0:12:48.840
<v Speaker 3>in America, you got.

0:12:48.960 --> 0:12:53.040
<v Speaker 2>Luckily that it's not something we need to deal with anymore. Yeah.

0:12:53.080 --> 0:12:55.960
<v Speaker 2>But if we're talking about women in positions of power

0:12:56.040 --> 0:12:59.040
<v Speaker 2>that I think sometimes people think are anachronistic, like women

0:12:59.080 --> 0:13:02.199
<v Speaker 2>didn't have any power or influence in the seventeen hundreds.

0:13:02.840 --> 0:13:05.160
<v Speaker 2>One of my favorite figures, and I think a figure

0:13:05.200 --> 0:13:07.000
<v Speaker 2>that you love is Madame de Pompadour.

0:13:07.720 --> 0:13:10.760
<v Speaker 3>I am so happy to talk about her. No one

0:13:10.920 --> 0:13:14.079
<v Speaker 3>as the pretty prime Minister at the Court of Versailles.

0:13:14.280 --> 0:13:17.199
<v Speaker 2>So for someone who has no idea who she is

0:13:17.320 --> 0:13:20.320
<v Speaker 2>outside perhaps of a single Doctor Who episode, there.

0:13:20.280 --> 0:13:22.080
<v Speaker 3>Is a Doctor Who episode, really good one. It's the

0:13:22.120 --> 0:13:22.760
<v Speaker 3>only one I've seen.

0:13:22.920 --> 0:13:25.240
<v Speaker 2>It's a good one. Yeah, it's nice. Yeah, it's sweet.

0:13:25.360 --> 0:13:26.520
<v Speaker 3>I don't like the robots.

0:13:26.559 --> 0:13:30.480
<v Speaker 2>I like where it's just about Madame Pompadour. That is

0:13:30.520 --> 0:13:33.240
<v Speaker 2>also kind of my I I've watched a little bit

0:13:33.240 --> 0:13:35.600
<v Speaker 2>more Doctor Who. I've fallen off a little bit. I

0:13:35.720 --> 0:13:39.600
<v Speaker 2>like when it's like historical characters and fine, I like.

0:13:39.559 --> 0:13:41.959
<v Speaker 3>When they meet Vincent Bengo. Yeah, I like it if

0:13:41.960 --> 0:13:45.200
<v Speaker 3>it was just some people meeting Vincent, I love.

0:13:45.840 --> 0:13:48.400
<v Speaker 2>I love when they just meet historical figures too. I

0:13:48.400 --> 0:13:50.360
<v Speaker 2>don't need a distant planet. No, I don't.

0:13:50.760 --> 0:13:54.960
<v Speaker 3>I sorry. I know people love it. It's a good show.

0:13:55.080 --> 0:13:57.200
<v Speaker 3>I get it. I know it's very special to people.

0:13:57.520 --> 0:14:00.679
<v Speaker 2>Yeah, but there's a wonderful Madame de Pompadoor episode. But

0:14:00.720 --> 0:14:03.640
<v Speaker 2>for people who maybe have only seen that episode or nothing,

0:14:04.280 --> 0:14:05.680
<v Speaker 2>who was the pretty frid Minister?

0:14:06.400 --> 0:14:10.520
<v Speaker 3>The pretty friend minister was Louis the fifteenth Mistress, and

0:14:11.160 --> 0:14:13.880
<v Speaker 3>she was one of the most famous mistresses of this

0:14:14.080 --> 0:14:17.559
<v Speaker 3>era because she was the mistress at Versailles for about

0:14:17.600 --> 0:14:18.280
<v Speaker 3>twenty years.

0:14:18.559 --> 0:14:21.480
<v Speaker 2>When you say mistress you mean the official position, I.

0:14:21.480 --> 0:14:23.320
<v Speaker 3>Mean the official mistress.

0:14:23.440 --> 0:14:27.920
<v Speaker 2>Yes, for context, in case you're less familiar. Mistress in

0:14:27.960 --> 0:14:31.560
<v Speaker 2>this case doesn't just mean, you know, was having a

0:14:31.560 --> 0:14:35.680
<v Speaker 2>sexual relationship with a king. Mistress was a court position.

0:14:35.960 --> 0:14:37.760
<v Speaker 3>Mistress was a court position, and it was a very

0:14:37.800 --> 0:14:43.320
<v Speaker 3>important court position. The queen was really just there to

0:14:43.680 --> 0:14:48.400
<v Speaker 3>provide children. Louis the fifteenth had a very lovely wife,

0:14:48.480 --> 0:14:52.720
<v Speaker 3>Queen Marie Lesinka. She produced children, but she was also

0:14:52.880 --> 0:14:56.520
<v Speaker 3>very religious. She was very retiring. She did gamble, but

0:14:56.600 --> 0:15:00.360
<v Speaker 3>she played a game but nobody liked so she had

0:15:00.400 --> 0:15:03.200
<v Speaker 3>a hard time getting people to play her very old

0:15:03.240 --> 0:15:04.400
<v Speaker 3>fashioned gambling game.

0:15:04.880 --> 0:15:06.800
<v Speaker 2>Ian doesn't like to play scrabble with me because I

0:15:06.800 --> 0:15:07.480
<v Speaker 2>always beat him.

0:15:07.560 --> 0:15:10.400
<v Speaker 3>Oh hurtful. I know Daniel and I to play scrabble

0:15:10.440 --> 0:15:12.840
<v Speaker 3>every night. That sounds so nice. Do we watch a movie,

0:15:12.880 --> 0:15:13.720
<v Speaker 3>we play scrabble?

0:15:14.160 --> 0:15:16.080
<v Speaker 2>I love I would love that.

0:15:16.080 --> 0:15:17.560
<v Speaker 3>It's a lovely way to end the desk.

0:15:17.640 --> 0:15:20.080
<v Speaker 2>Ian has taken to refusing to play scrabble with me

0:15:20.080 --> 0:15:21.840
<v Speaker 2>because I'll be like a hundred points up and have

0:15:22.400 --> 0:15:22.880
<v Speaker 2>done with this.

0:15:23.400 --> 0:15:25.000
<v Speaker 3>Well, I mean, you've got to know all the two

0:15:25.080 --> 0:15:28.840
<v Speaker 3>letters got in za key gi like those the winners.

0:15:28.920 --> 0:15:31.280
<v Speaker 2>Guys, Well that's it. I play for strategy. He plays

0:15:31.280 --> 0:15:34.040
<v Speaker 2>for showman QT. Yeah yeah, work that in.

0:15:36.200 --> 0:15:40.560
<v Speaker 3>But anyhow, Queen Marie out there trying to get people

0:15:40.560 --> 0:15:44.040
<v Speaker 3>to play Lettlers of Katan with her every night. And uh,

0:15:44.560 --> 0:15:46.880
<v Speaker 3>Louis the fifteen that had a bit of a more

0:15:46.880 --> 0:15:50.960
<v Speaker 3>bomb vivent personality. He was prone to boredom, but he

0:15:51.080 --> 0:15:54.520
<v Speaker 3>was also somebody who really enjoyed consistency. I think something

0:15:54.760 --> 0:15:58.640
<v Speaker 3>that you see with Louis the Fifteenth is that Madame

0:15:58.680 --> 0:16:01.280
<v Speaker 3>Pompadour essentially became his wife.

0:16:00.920 --> 0:16:03.120
<v Speaker 2>I mean, the mistress for twenty years and then like

0:16:03.280 --> 0:16:05.840
<v Speaker 2>friend the king that years after.

0:16:05.720 --> 0:16:08.280
<v Speaker 3>Fascinating to me, So can we begin with the beginning

0:16:08.320 --> 0:16:12.760
<v Speaker 3>of her life? Of course, Madame Pompadour, and it's something

0:16:12.800 --> 0:16:16.760
<v Speaker 3>that differed her a lot from other royal mistresses was

0:16:16.800 --> 0:16:18.200
<v Speaker 3>born to the bourgeois.

0:16:17.760 --> 0:16:20.520
<v Speaker 2>Class, so she was wealthy but not noble.

0:16:20.600 --> 0:16:23.160
<v Speaker 3>She was wealthy but not noble. Her father was a

0:16:23.160 --> 0:16:28.680
<v Speaker 3>financier who had been exiled for fraud. Her mother had

0:16:28.720 --> 0:16:32.960
<v Speaker 3>a sparkling personality, which, reading between the lines on Saint

0:16:33.080 --> 0:16:36.600
<v Speaker 3>Nancy Medford's biography of Madame Pompadour, meant that her mother

0:16:36.640 --> 0:16:39.800
<v Speaker 3>was sleeping around a lot. A lot of people felt

0:16:39.840 --> 0:16:45.280
<v Speaker 3>that they could not receive Madame Pompadour's mother, but everybody

0:16:45.360 --> 0:16:49.840
<v Speaker 3>loved Madame Pompadour pretty much from birth. Her mother's special

0:16:49.920 --> 0:16:55.360
<v Speaker 3>friend helped finance her education. She spent two years with nuns,

0:16:55.400 --> 0:16:58.560
<v Speaker 3>who said that she charmed everyone at the abbey. She

0:16:58.600 --> 0:17:02.640
<v Speaker 3>was just such a delight. And then she returned home

0:17:02.760 --> 0:17:05.320
<v Speaker 3>and she was educated in all the arts of the day,

0:17:05.560 --> 0:17:10.119
<v Speaker 3>in art, in dancing, in playing music. She was a

0:17:10.240 --> 0:17:16.280
<v Speaker 3>successful harpist, so she was this delightful person and everybody

0:17:16.359 --> 0:17:19.320
<v Speaker 3>was also really nice to her, which is one of

0:17:19.320 --> 0:17:23.240
<v Speaker 3>the reasons that I really enjoyed reading her story, because

0:17:23.320 --> 0:17:26.800
<v Speaker 3>usually you read stories about these people and it will

0:17:26.840 --> 0:17:28.920
<v Speaker 3>be a story about like she was first raped by

0:17:28.920 --> 0:17:31.959
<v Speaker 3>her stepfather at the age of seven. After that, her

0:17:32.000 --> 0:17:36.120
<v Speaker 3>mother died of smallpox, and Mina Popadour is just hanging

0:17:36.200 --> 0:17:41.399
<v Speaker 3>out with her somewhat licentious, extended family, plenty of money,

0:17:41.400 --> 0:17:44.600
<v Speaker 3>playing the harp. Everybody loves her, Everybody says she's great.

0:17:44.920 --> 0:17:47.920
<v Speaker 3>Her mother's special friend like doats on her and talks

0:17:47.960 --> 0:17:52.440
<v Speaker 3>about how wonderful she is. And when she was about ten,

0:17:52.760 --> 0:17:55.320
<v Speaker 3>her mother took her to visit a fortune teller and

0:17:55.359 --> 0:17:57.440
<v Speaker 3>the fortune teller told her that she was not going

0:17:57.480 --> 0:17:59.919
<v Speaker 3>to be queen, but almost queen.

0:18:01.160 --> 0:18:02.760
<v Speaker 2>She freaking nailed it. She nailed it.

0:18:02.800 --> 0:18:06.320
<v Speaker 3>Medame Pompadour sent her money much later life for nailing

0:18:06.359 --> 0:18:09.879
<v Speaker 3>it so well, and everyone in her family started calling

0:18:09.880 --> 0:18:16.399
<v Speaker 3>her Raynette, which means little Queen, and Madame Pompadour fully

0:18:16.480 --> 0:18:17.240
<v Speaker 3>fully believed this.

0:18:17.760 --> 0:18:19.400
<v Speaker 2>Reynette is a great name for a cat.

0:18:19.520 --> 0:18:22.800
<v Speaker 3>It is, yeah, she fully believed that, all right, I

0:18:22.800 --> 0:18:24.439
<v Speaker 3>am going to be the royal mistress, we are going

0:18:24.480 --> 0:18:26.240
<v Speaker 3>to do it, and her family was kind of on

0:18:26.320 --> 0:18:28.240
<v Speaker 3>board with that. It kind of seemed like, yeah, sure,

0:18:28.280 --> 0:18:30.320
<v Speaker 3>you're going to be an astronaut, do it. Why not

0:18:30.680 --> 0:18:35.119
<v Speaker 3>do it now. At the time, bourgeois women weren't royal mistresses.

0:18:35.680 --> 0:18:40.040
<v Speaker 3>The king would select somebody from court, and court had

0:18:40.119 --> 0:18:45.680
<v Speaker 3>become unbelievably important under the reign of Louis fourteen Louis

0:18:45.760 --> 0:18:50.440
<v Speaker 3>the fourteenth, because nobles had been feuding so much and

0:18:50.520 --> 0:18:55.320
<v Speaker 3>for so long that Louis fourteenth Louis the fourteenth really

0:18:55.320 --> 0:18:57.800
<v Speaker 3>figured out, all right, you keep them all at court,

0:18:58.000 --> 0:19:00.399
<v Speaker 3>you give them an less round of plays, sure, and

0:19:00.480 --> 0:19:03.560
<v Speaker 3>you gamify every aspect of their lives. There was a

0:19:03.600 --> 0:19:06.439
<v Speaker 3>special ballot court for women who had a good cook.

0:19:08.560 --> 0:19:12.159
<v Speaker 3>So I guarantee you if there were like that many

0:19:12.480 --> 0:19:15.960
<v Speaker 3>little things I could win on as somebody who thinks

0:19:16.000 --> 0:19:19.879
<v Speaker 3>of themselves as only mildly competitive, I would need to

0:19:19.880 --> 0:19:22.480
<v Speaker 3>have the best cook. It would become like a dominating

0:19:22.560 --> 0:19:26.000
<v Speaker 3>thought that I had on a day to day basis.

0:19:26.119 --> 0:19:30.320
<v Speaker 3>So everybody was gathered at court and it was an

0:19:30.359 --> 0:19:35.679
<v Speaker 3>incredibly ritualized society. It was a society where you know,

0:19:36.560 --> 0:19:40.840
<v Speaker 3>every tiny move could be interpreted the wrong way. And

0:19:40.880 --> 0:19:42.840
<v Speaker 3>it was really thought that if you just grew up

0:19:42.880 --> 0:19:47.280
<v Speaker 3>in wealthy Parussian society, you could never understand the rules

0:19:47.359 --> 0:19:48.119
<v Speaker 3>of this world.

0:19:48.880 --> 0:19:50.320
<v Speaker 2>But of Madame.

0:19:50.080 --> 0:19:55.080
<v Speaker 3>Pompadour, you know, married a very nice, wealthy man, her

0:19:55.200 --> 0:19:58.000
<v Speaker 3>mother's I don't want to say stepfather, I keep calling

0:19:58.080 --> 0:19:58.880
<v Speaker 3>him a special friend.

0:19:59.240 --> 0:19:59.480
<v Speaker 2>Friend.

0:20:00.000 --> 0:20:04.480
<v Speaker 3>Her mother's special friend helped arrange the marriage, and it

0:20:04.760 --> 0:20:08.800
<v Speaker 3>was a young man who had not wanted to marry.

0:20:08.840 --> 0:20:12.280
<v Speaker 3>He definitely didn't like the idea of marrying this woman

0:20:12.400 --> 0:20:15.960
<v Speaker 3>who had kind of a vaguely scandalous family, and supposedly

0:20:16.480 --> 0:20:18.679
<v Speaker 3>the first day he met her, he fell completely in

0:20:18.720 --> 0:20:21.639
<v Speaker 3>love with her. And this was actually really hard for

0:20:21.720 --> 0:20:25.040
<v Speaker 3>Madame Pompadour, because she made it clear to him that

0:20:25.080 --> 0:20:26.879
<v Speaker 3>she was going to leave him when she got an

0:20:26.920 --> 0:20:30.800
<v Speaker 3>opportunity to sleep with the king. And she wrote about

0:20:31.000 --> 0:20:35.159
<v Speaker 3>how actually it's very hard to be the beloved in

0:20:35.240 --> 0:20:38.960
<v Speaker 3>a relationship with somebody that you are not in love with.

0:20:39.680 --> 0:20:42.880
<v Speaker 3>Because and I think that's interesting. We don't we hear

0:20:42.920 --> 0:20:46.000
<v Speaker 3>a lot about the pain of unrequited love, but we

0:20:46.119 --> 0:20:48.920
<v Speaker 3>don't hear about the kind of day to day discomfort

0:20:49.119 --> 0:20:53.760
<v Speaker 3>of being the object of unrequited love, especially when you

0:20:53.800 --> 0:20:55.800
<v Speaker 3>are in a marriage with that person.

0:20:56.200 --> 0:20:59.320
<v Speaker 2>Very sweet that she let him know up friends.

0:21:00.000 --> 0:21:03.000
<v Speaker 3>I think he thought she was joking. I think he

0:21:03.040 --> 0:21:05.880
<v Speaker 3>did not think that this was ever actually.

0:21:05.440 --> 0:21:07.560
<v Speaker 2>Going to happen. He's like, okay, sweetheart.

0:21:07.240 --> 0:21:10.000
<v Speaker 3>Yeah, of course, yes, when you meet an astronaut. Yes,

0:21:10.240 --> 0:21:13.840
<v Speaker 3>it was like I am okay house with George Clooney.

0:21:13.960 --> 0:21:15.359
<v Speaker 2>Yeah, she had a hall pass liston.

0:21:15.400 --> 0:21:21.280
<v Speaker 3>It was like Brad Pitt the King King, Yah perfectly. Yeah.

0:21:21.359 --> 0:21:22.439
<v Speaker 2>Yeah.

0:21:22.480 --> 0:21:26.040
<v Speaker 3>So her poor husband desperately in love with her but

0:21:26.520 --> 0:21:29.080
<v Speaker 3>providing a very nice life for her, at which point

0:21:29.160 --> 0:21:31.240
<v Speaker 3>she gets to start a salon. She becomes friends with

0:21:31.320 --> 0:21:35.399
<v Speaker 3>Voltaire and Diderot and other thinkers of the day, and

0:21:35.440 --> 0:21:37.560
<v Speaker 3>she is going to help them a lot once she's

0:21:37.600 --> 0:21:42.160
<v Speaker 3>at court. And one of the big advantages of her

0:21:42.160 --> 0:21:44.840
<v Speaker 3>marriage is her husband has a hunting lunch that is

0:21:44.960 --> 0:21:48.040
<v Speaker 3>near where the king likes to hunt. So while the

0:21:48.119 --> 0:21:51.560
<v Speaker 3>King is hunting, Meda and Pompadour does this cool thing

0:21:52.040 --> 0:21:54.679
<v Speaker 3>where she drives by in a beautiful pink dress in

0:21:54.680 --> 0:21:58.680
<v Speaker 3>a blue carriage or a blue dress in a pink carriage,

0:21:58.880 --> 0:22:02.080
<v Speaker 3>and the king to send her some venison, of course,

0:22:02.560 --> 0:22:05.359
<v Speaker 3>and also an invitation to a masked ball at the

0:22:05.359 --> 0:22:06.360
<v Speaker 3>court of their side.

0:22:07.119 --> 0:22:09.720
<v Speaker 2>So you know your dress and carriage made an impression.

0:22:09.720 --> 0:22:12.640
<v Speaker 2>When you get venison and a party invite, you do. Yeah.

0:22:13.560 --> 0:22:19.040
<v Speaker 3>So Madame Pompadour goes to this ball and it's a

0:22:19.040 --> 0:22:22.199
<v Speaker 3>ball where Louis the fifteenth has dressed up as a

0:22:22.320 --> 0:22:25.800
<v Speaker 3>U Tree along with eight of his male friends because

0:22:25.800 --> 0:22:29.120
<v Speaker 3>he doesn't want people to immediately know who he is,

0:22:29.280 --> 0:22:33.200
<v Speaker 3>and everybody is very invested in figuring out who the

0:22:33.320 --> 0:22:35.639
<v Speaker 3>king is at a mass ball that is part of

0:22:35.640 --> 0:22:40.359
<v Speaker 3>the fund. But he's one of eight U Trees. Meanwhile,

0:22:40.680 --> 0:22:45.359
<v Speaker 3>Madame Pompadour dressed as Diana the Huntress, yeah, as a

0:22:45.359 --> 0:22:51.800
<v Speaker 3>little reminder of her hunting excursions. And they sleep together

0:22:51.840 --> 0:22:56.040
<v Speaker 3>for the first time on that night, and Madame Pompadour

0:22:56.200 --> 0:22:57.480
<v Speaker 3>essentially never leaves.

0:22:57.560 --> 0:23:00.159
<v Speaker 2>She figured out which U Tree he was, Oh, he revealed.

0:22:59.920 --> 0:23:00.240
<v Speaker 3>It to it.

0:23:00.560 --> 0:23:01.159
<v Speaker 2>Yeah, he was.

0:23:01.240 --> 0:23:01.719
<v Speaker 3>He was in.

0:23:03.280 --> 0:23:04.679
<v Speaker 2>One of the things that I do think.

0:23:04.600 --> 0:23:09.120
<v Speaker 3>Is sad is her husband uncharacteristically wrote her this letter

0:23:09.200 --> 0:23:11.760
<v Speaker 3>just begging her to come back, saying that all was forgiven,

0:23:11.880 --> 0:23:13.879
<v Speaker 3>like he didn't even care if she was sleeping with

0:23:13.960 --> 0:23:14.640
<v Speaker 3>other people.

0:23:15.400 --> 0:23:16.080
<v Speaker 2>Just come back.

0:23:16.600 --> 0:23:20.359
<v Speaker 3>And she showed up to Louis the fifteenth like ha, ha,

0:23:20.520 --> 0:23:24.639
<v Speaker 3>isn't this funny? And Louis the fifteenths got really serious

0:23:24.680 --> 0:23:26.960
<v Speaker 3>and said, your husband seems like he's a very decent man.

0:23:27.160 --> 0:23:29.560
<v Speaker 2>Yeah. Yeah, he was a very decent man.

0:23:30.240 --> 0:23:33.280
<v Speaker 3>Now, Louis the fifteenth says, also, I'm sure you've talked

0:23:33.280 --> 0:23:36.760
<v Speaker 3>about him on Noble Blood, but he ends up being

0:23:37.440 --> 0:23:40.480
<v Speaker 3>a king that I have a lot of tenderness for.

0:23:41.000 --> 0:23:43.120
<v Speaker 2>He is in case. I mean, we haven't covered him

0:23:43.119 --> 0:23:46.959
<v Speaker 2>specifically on Noah Bleass. We've covered tangents, but he is

0:23:47.400 --> 0:23:51.639
<v Speaker 2>Louis the sixteenth aka Marie Antoinette's husband's grandfather.

0:23:51.359 --> 0:23:54.359
<v Speaker 3>And he was the great grandson of Louis the fourteenth,

0:23:54.800 --> 0:23:58.480
<v Speaker 3>so he was never expected to be king except when

0:23:58.480 --> 0:24:02.280
<v Speaker 3>he was five, he's entire family died of measles, and

0:24:02.840 --> 0:24:07.600
<v Speaker 3>he was saved by his governess, who sequestered him away.

0:24:08.280 --> 0:24:11.040
<v Speaker 3>And one of the reasons that was important was not

0:24:11.160 --> 0:24:14.199
<v Speaker 3>just because measles can kill you, thank God for vaccines,

0:24:14.960 --> 0:24:19.000
<v Speaker 3>but because the doctors were letting blood out of all

0:24:19.080 --> 0:24:21.479
<v Speaker 3>his brothers, and they let out so much blood that

0:24:21.720 --> 0:24:25.640
<v Speaker 3>it worn't their health and killed them. So his governess

0:24:25.680 --> 0:24:29.000
<v Speaker 3>probably saved his life by hiding him away. But when

0:24:29.040 --> 0:24:32.480
<v Speaker 3>he emerged, his entire family was dead and he was

0:24:32.520 --> 0:24:35.639
<v Speaker 3>going to be the new king of France. And one

0:24:35.720 --> 0:24:37.920
<v Speaker 3>of the things I like about Louis fifteenth is that

0:24:38.000 --> 0:24:43.560
<v Speaker 3>it's so clear that he worked so hard Louis the fourteenth.

0:24:44.000 --> 0:24:45.920
<v Speaker 3>I think it's hard to argue that Louis the fourteenth

0:24:46.200 --> 0:24:49.560
<v Speaker 3>was at least a short term genius.

0:24:50.160 --> 0:24:52.320
<v Speaker 2>Yes, strategy, strategy genius.

0:24:52.840 --> 0:24:57.760
<v Speaker 3>I think ultimately the notion of keeping every single noble

0:24:57.840 --> 0:25:00.199
<v Speaker 3>at court destroyed the French countryside, and I think that

0:25:00.280 --> 0:25:03.480
<v Speaker 3>was already happening by Louis the fifteenth reign. People thought

0:25:03.520 --> 0:25:06.360
<v Speaker 3>that being exiled from Versailles was a fate as bad

0:25:06.359 --> 0:25:12.000
<v Speaker 3>as death. Yeah, there was one noble woman whose husband

0:25:12.400 --> 0:25:14.800
<v Speaker 3>came to her to reveal that they were being exiled

0:25:14.840 --> 0:25:18.359
<v Speaker 3>back to their massive, beautiful estate in the country, and

0:25:18.840 --> 0:25:21.600
<v Speaker 3>she started crying as soon as she saw him, and

0:25:21.920 --> 0:25:23.800
<v Speaker 3>she explained that that was because from the look on

0:25:23.840 --> 0:25:27.320
<v Speaker 3>his face, she assumed that their son had died. So

0:25:29.000 --> 0:25:32.920
<v Speaker 3>it was very, very bad to have to leave Versailles.

0:25:33.320 --> 0:25:37.360
<v Speaker 3>But that did mean that the farmlands were not being

0:25:37.400 --> 0:25:39.920
<v Speaker 3>taken care of in France. People were starting to starve

0:25:39.960 --> 0:25:41.639
<v Speaker 3>to death because nothing was being farmed.

0:25:41.680 --> 0:25:43.399
<v Speaker 2>You need a leader there, You need.

0:25:43.359 --> 0:25:47.320
<v Speaker 3>Somebody there just kind of reminding people that they do

0:25:47.480 --> 0:25:50.920
<v Speaker 3>have to farm. Yeah, yeah, I mean, obviously you don't

0:25:50.920 --> 0:25:53.400
<v Speaker 3>actually need that. In modern society, democracy is the way

0:25:53.440 --> 0:25:55.760
<v Speaker 3>to go. Please don't let's return.

0:25:55.520 --> 0:25:56.120
<v Speaker 2>Any of this.

0:25:56.920 --> 0:25:59.280
<v Speaker 3>But at the time it did not make for a

0:25:59.280 --> 0:26:04.280
<v Speaker 3>fundational country side. So Louis the fifteenth did not really

0:26:04.320 --> 0:26:08.359
<v Speaker 3>have any of his grandfather's short term genius. So but

0:26:08.800 --> 0:26:11.320
<v Speaker 3>he started sitting in meetings from the time he was five.

0:26:11.440 --> 0:26:14.159
<v Speaker 3>He would take his pet cat along with him, and

0:26:14.200 --> 0:26:16.639
<v Speaker 3>he explained to everybody that his pet cat was his

0:26:16.680 --> 0:26:20.840
<v Speaker 3>special advisor, and he would like whisper little notes to

0:26:20.920 --> 0:26:25.520
<v Speaker 3>his cat while she was listening, and just tried really

0:26:25.520 --> 0:26:27.560
<v Speaker 3>hard to keep up with it. They talk about how

0:26:27.760 --> 0:26:30.480
<v Speaker 3>one of the times he started crying in one of

0:26:30.520 --> 0:26:32.879
<v Speaker 3>the meetings was when they revealed to him who he

0:26:32.920 --> 0:26:34.959
<v Speaker 3>was going to be married to, and he realized that

0:26:35.000 --> 0:26:37.040
<v Speaker 3>he was never going to get to marry for love,

0:26:39.040 --> 0:26:44.280
<v Speaker 3>and overall just like a guy who was trying pretty hard,

0:26:44.800 --> 0:26:47.399
<v Speaker 3>guy trying his best, guy trying his best. One of

0:26:47.440 --> 0:26:49.720
<v Speaker 3>the other facts that I've always liked about him is

0:26:49.800 --> 0:26:53.320
<v Speaker 3>that there was an appointed time when the king would

0:26:53.440 --> 0:26:56.240
<v Speaker 3>rise at their sih and other nobles would have the

0:26:56.320 --> 0:26:59.919
<v Speaker 3>privilege of helping the king wake up in order of rain,

0:27:00.400 --> 0:27:03.040
<v Speaker 3>in order of rank. Yes, yes, so it would be

0:27:03.280 --> 0:27:07.160
<v Speaker 3>a very special thing to get to and the king

0:27:07.320 --> 0:27:10.320
<v Speaker 3>like a towel on his face in the morning. And

0:27:10.720 --> 0:27:13.440
<v Speaker 3>what Louis the fifteenth would do was he would wake

0:27:13.520 --> 0:27:16.480
<v Speaker 3>up two hours before that, light his own fire, get

0:27:16.480 --> 0:27:19.119
<v Speaker 3>his own room ready, try to take care of paperwork

0:27:19.200 --> 0:27:21.080
<v Speaker 3>so he could get a jump on the day, then

0:27:21.160 --> 0:27:23.120
<v Speaker 3>extinguish everything and pretend to go.

0:27:23.160 --> 0:27:23.840
<v Speaker 2>Back to bed.

0:27:24.560 --> 0:27:26.840
<v Speaker 3>And he would do the same thing late at night,

0:27:27.200 --> 0:27:30.720
<v Speaker 3>where nobles would put him to bed, and then he

0:27:30.760 --> 0:27:33.760
<v Speaker 3>would have to get up again. It's like, I'm so sleepy,

0:27:34.280 --> 0:27:40.000
<v Speaker 3>was so great everybody night night. So I've always found

0:27:40.080 --> 0:27:43.640
<v Speaker 3>that a very I guess I find hard work kind

0:27:43.640 --> 0:27:44.600
<v Speaker 3>of likable pace.

0:27:44.720 --> 0:27:44.960
<v Speaker 2>Yeah.

0:27:45.240 --> 0:27:47.520
<v Speaker 3>The other thing he was doing at night was slipping

0:27:47.520 --> 0:27:50.800
<v Speaker 3>off to see his mistress the bud for the first

0:27:50.880 --> 0:27:55.640
<v Speaker 3>seven at least seven years of his marriage. I think

0:27:55.640 --> 0:27:57.240
<v Speaker 3>it was longer than seven years.

0:27:58.600 --> 0:27:59.320
<v Speaker 2>I think you might have.

0:28:00.320 --> 0:28:00.919
<v Speaker 3>Yeah, you would have.

0:28:01.160 --> 0:28:03.000
<v Speaker 2>Okay, hold on, I'm going to check on Louis.

0:28:02.760 --> 0:28:07.160
<v Speaker 4>The fourteenth married. Yeah, because Louis the fifteenth, Louis the fifteenth. Sorry,

0:28:07.200 --> 0:28:12.480
<v Speaker 4>it's so interesting the way that that ritualized court structure

0:28:12.880 --> 0:28:16.240
<v Speaker 4>forces even the people that benefits the most, which is

0:28:16.280 --> 0:28:19.560
<v Speaker 4>the kings, into the most restrictive roles. It's like you

0:28:19.600 --> 0:28:21.240
<v Speaker 4>have all the power, but you're still on a very

0:28:21.280 --> 0:28:23.679
<v Speaker 4>limited track for what your daily existence is.

0:28:25.280 --> 0:28:27.760
<v Speaker 3>So there's some debates on the number, but people estimate

0:28:27.800 --> 0:28:31.120
<v Speaker 3>that for around ten years at least he was totally

0:28:31.119 --> 0:28:34.360
<v Speaker 3>loyal to his wife. He married Queen.

0:28:34.440 --> 0:28:36.560
<v Speaker 2>Marie, Marie with her last name and.

0:28:36.640 --> 0:28:41.440
<v Speaker 3>Sisa, I'm so sorry, I said, no, it's Polish. But

0:28:42.280 --> 0:28:45.400
<v Speaker 3>he married Queen Marie, tried very hard to be loyal

0:28:45.440 --> 0:28:45.720
<v Speaker 3>to her.

0:28:45.880 --> 0:28:47.680
<v Speaker 2>She was again.

0:28:47.800 --> 0:28:49.800
<v Speaker 3>She was very religious and always trying to get people

0:28:49.840 --> 0:28:52.880
<v Speaker 3>to play the eighteenth century equivalent of settlers of Katan.

0:28:54.640 --> 0:28:56.400
<v Speaker 2>So it sounds like fun Marie.

0:28:56.480 --> 0:28:59.320
<v Speaker 3>No, for sure, Yeah, how bad could it be? But

0:29:00.560 --> 0:29:04.200
<v Speaker 3>eventually Louis the fifteenth did want somebody with a more

0:29:04.280 --> 0:29:09.880
<v Speaker 3>dynamic personality, and he had a few mistresses before Madame Pompadour.

0:29:10.320 --> 0:29:13.920
<v Speaker 3>But Madame Pompadour really starts bringing things to court life

0:29:13.920 --> 0:29:17.400
<v Speaker 3>that nobody was bringing. She started a theater. She's friends

0:29:17.520 --> 0:29:22.360
<v Speaker 3>with Voltaire and Didero and other great writers of the time.

0:29:22.600 --> 0:29:27.280
<v Speaker 3>She started having special dinners for Louis the fifteenth and

0:29:27.480 --> 0:29:30.880
<v Speaker 3>all of her artist friends. And it's interesting to me

0:29:31.000 --> 0:29:33.960
<v Speaker 3>that Louis the fifteenth loved being seated by artists at

0:29:33.960 --> 0:29:36.400
<v Speaker 3>dinner and talking to them about art, but he did

0:29:36.400 --> 0:29:39.240
<v Speaker 3>not love being seated by writers. She knew they might

0:29:39.320 --> 0:29:42.040
<v Speaker 3>write about him, and he did not want to drink

0:29:42.040 --> 0:29:45.360
<v Speaker 3>with these people and say something that they were immediately

0:29:45.600 --> 0:29:46.720
<v Speaker 3>going to write in published.

0:29:46.720 --> 0:29:51.160
<v Speaker 2>It's so funny. It's also how rich people love surrounding

0:29:51.200 --> 0:29:56.040
<v Speaker 2>themselves with creatives his traditionally and historically, yes, absolutely, because

0:29:56.040 --> 0:29:57.360
<v Speaker 2>it's the one thing money can't buy.

0:29:57.440 --> 0:30:01.320
<v Speaker 3>It is and Madame Pompadour opened up a theater at Versailles.

0:30:01.920 --> 0:30:06.880
<v Speaker 3>I think it was Le Teatra dept Cabinet, and she

0:30:07.160 --> 0:30:10.120
<v Speaker 3>preferred formed all of the main female roles, of course,

0:30:10.400 --> 0:30:14.200
<v Speaker 3>and she but it was incredibly competent to get to

0:30:14.280 --> 0:30:18.800
<v Speaker 3>act in the theater because they would have professional actors

0:30:18.880 --> 0:30:21.800
<v Speaker 3>come and help the nobles. It would be like being

0:30:21.800 --> 0:30:25.000
<v Speaker 3>in your high school play. But nobles would bend over

0:30:25.280 --> 0:30:28.560
<v Speaker 3>backwards to get like a tiny, tiny speaking role.

0:30:28.600 --> 0:30:29.800
<v Speaker 2>I mean, it sounds really fun.

0:30:29.920 --> 0:30:33.880
<v Speaker 3>It does sound really fun. Or they would ribe Madame

0:30:33.920 --> 0:30:37.000
<v Speaker 3>Pompadour's maid to get them an invitation so they could

0:30:37.000 --> 0:30:39.320
<v Speaker 3>go and see one of these performances.

0:30:39.640 --> 0:30:41.920
<v Speaker 2>Truly, if we were all like living at versa summer

0:30:42.000 --> 0:30:44.520
<v Speaker 2>camp and there was like a play going on and

0:30:44.600 --> 0:30:46.920
<v Speaker 2>like professional actors were coming in to help you and

0:30:46.920 --> 0:30:49.160
<v Speaker 2>do it, like that sounds so fun. Yes.

0:30:50.280 --> 0:30:53.160
<v Speaker 3>Madame Pompadoor also had this huge list of rules for

0:30:53.400 --> 0:30:55.600
<v Speaker 3>rules for being in the play, and there are things

0:30:55.600 --> 0:30:57.680
<v Speaker 3>like you have to make every single rehearsal, like you

0:30:57.720 --> 0:30:59.640
<v Speaker 3>cannot turn down any role even if you think that

0:30:59.720 --> 0:31:04.840
<v Speaker 3>role is I'm flattering, and they're taking it really seriously.

0:31:05.120 --> 0:31:06.120
<v Speaker 2>Yeah, now, this.

0:31:06.200 --> 0:31:08.520
<v Speaker 3>Was one of the things that started in raging the

0:31:08.600 --> 0:31:12.600
<v Speaker 3>commoners of why are we paying for them to do

0:31:13.520 --> 0:31:19.280
<v Speaker 3>theater summer camp at Versailles. That seems unnecessary to everyone

0:31:19.360 --> 0:31:24.360
<v Speaker 3>who is increasingly facing food shortage. Yes, so that was

0:31:24.400 --> 0:31:27.760
<v Speaker 3>one of the things that people immediately started getting angry

0:31:27.960 --> 0:31:31.440
<v Speaker 3>about the idea of this royal mysteries is bankrupting us.

0:31:32.320 --> 0:31:36.200
<v Speaker 3>But at the same time, Madame Pompadour was a huge

0:31:36.240 --> 0:31:41.320
<v Speaker 3>patron of the arts, so she was patronizing the idea

0:31:41.560 --> 0:31:45.560
<v Speaker 3>of china being made at Sevre's instead of getting your

0:31:45.640 --> 0:31:50.800
<v Speaker 3>china from places like Germany. At the time, she was

0:31:50.920 --> 0:31:55.320
<v Speaker 3>also commissioning every famous artist from this period. She's really

0:31:55.480 --> 0:31:59.960
<v Speaker 3>responsible for the movement from the Baroque to the rope

0:32:00.040 --> 0:32:04.560
<v Speaker 3>Coco period, And so you're going from kind of if

0:32:04.560 --> 0:32:07.080
<v Speaker 3>you sort of know the difference between those periods. I'm

0:32:07.120 --> 0:32:13.200
<v Speaker 3>going to oversimplify it, but this sort of dark, heavy, heavy,

0:32:13.840 --> 0:32:23.520
<v Speaker 3>biblical biblical imagery to girl girl, It's it's sexy, it's fun,

0:32:23.640 --> 0:32:30.120
<v Speaker 3>it contains elements of frivolity, it's more feminine. And she

0:32:30.240 --> 0:32:34.600
<v Speaker 3>also made pink popular feminine color that people wanted to wear.

0:32:34.680 --> 0:32:37.840
<v Speaker 2>And I'm going to embarrass myself in case this is

0:32:37.880 --> 0:32:41.680
<v Speaker 2>a one of those historical misconceptions. Did the Pompadour come

0:32:41.720 --> 0:32:43.160
<v Speaker 2>from her? Yes?

0:32:43.520 --> 0:32:47.000
<v Speaker 3>Yes, So there are so many things that she was doing.

0:32:47.200 --> 0:32:50.360
<v Speaker 3>She learned how to cut gemstones when she was at Versa.

0:32:50.400 --> 0:32:52.320
<v Speaker 2>I I would love to be a rich person with

0:32:52.400 --> 0:32:53.120
<v Speaker 2>just infinite time.

0:32:53.320 --> 0:32:58.160
<v Speaker 3>She started engraving. Now, the only problem here is that

0:32:58.240 --> 0:33:01.120
<v Speaker 3>Madame Pompadour was also in fairly frag file health. She

0:33:01.160 --> 0:33:06.240
<v Speaker 3>had pretty much chronic bronchitis, and Louis the fifteenth was

0:33:06.280 --> 0:33:09.160
<v Speaker 3>coming to her for sex up to nine times a day.

0:33:09.320 --> 0:33:11.880
<v Speaker 2>Can we also say, just to point out that this

0:33:12.040 --> 0:33:14.960
<v Speaker 2>like girl with a million cool hobbies. He's an artistic

0:33:15.080 --> 0:33:18.600
<v Speaker 2>bohemian in ill health. Is really manic pixie drinks. Oh,

0:33:18.640 --> 0:33:21.560
<v Speaker 2>she's very manic pixie gers. She might have originated it.

0:33:21.920 --> 0:33:25.160
<v Speaker 2>She has bronchitis, she's coughing. She's coughing all the top.

0:33:26.560 --> 0:33:28.120
<v Speaker 2>She is not in great health.

0:33:28.520 --> 0:33:32.560
<v Speaker 3>And Louis the fifteenth has a massive sexual appet.

0:33:32.480 --> 0:33:34.760
<v Speaker 2>Nine times a day. Yeah.

0:33:34.880 --> 0:33:38.280
<v Speaker 3>Now, at one point she started trying to subsist on

0:33:38.400 --> 0:33:41.479
<v Speaker 3>a diary of vanilla truffles and celery because she had

0:33:41.520 --> 0:33:44.120
<v Speaker 3>heard that those were all things that would increase her libido.

0:33:44.920 --> 0:33:47.840
<v Speaker 3>But a friend of hers fortunately told her that this

0:33:48.000 --> 0:33:50.560
<v Speaker 3>is going to kill you, and it will not make

0:33:50.680 --> 0:33:52.080
<v Speaker 3>you more able to have sex.

0:33:53.360 --> 0:33:55.440
<v Speaker 2>Eating only those things I don't think would make me

0:33:55.520 --> 0:33:56.200
<v Speaker 2>feel sexy.

0:33:56.600 --> 0:33:58.440
<v Speaker 3>I mean, I like truffles, Yeah, I don't know that

0:33:58.440 --> 0:34:04.200
<v Speaker 3>would be cool, eddie truffles. But she started exercising, which

0:34:04.240 --> 0:34:07.160
<v Speaker 3>seemed to help a little bit. But I think somewhat

0:34:07.360 --> 0:34:09.960
<v Speaker 3>fortunately for Pompadour, who could not keep.

0:34:09.880 --> 0:34:10.279
<v Speaker 2>Up with this.

0:34:10.920 --> 0:34:15.480
<v Speaker 3>After five years, the sexual relationship ended, but she was

0:34:15.560 --> 0:34:17.879
<v Speaker 3>kept on at Versailles as a friend to the king.

0:34:18.400 --> 0:34:20.839
<v Speaker 3>And I think it's very funny that when they made

0:34:20.880 --> 0:34:26.480
<v Speaker 3>her this sort of new official title. She changed all

0:34:26.480 --> 0:34:29.360
<v Speaker 3>of the imagery in her room from being like cupids

0:34:29.360 --> 0:34:32.880
<v Speaker 3>and depictions of love to depictions of beautiful friendship. And

0:34:32.920 --> 0:34:36.279
<v Speaker 3>she gave a statue to the king. But if it

0:34:36.360 --> 0:34:39.080
<v Speaker 3>is a statue I'm thinking of it's a statue that

0:34:39.120 --> 0:34:41.480
<v Speaker 3>represents the spirit of friendship. But the spirit of friendship

0:34:41.560 --> 0:34:44.920
<v Speaker 3>has both of its breasts exposed, and she's coppying them

0:34:44.960 --> 0:34:47.640
<v Speaker 3>as friends, as friends like you do with your buddies.

0:34:48.040 --> 0:34:50.400
<v Speaker 2>Yeah, sometimes you show your friends pictures of your boobs

0:34:50.400 --> 0:34:51.440
<v Speaker 2>to be like, how do my boobs like that?

0:34:51.440 --> 0:34:55.439
<v Speaker 3>They look great? Right, See how I'm copying them for you. Yeah.

0:34:55.480 --> 0:34:59.040
<v Speaker 3>Around this time, Louis the fifteenth didn't ever really take

0:34:59.120 --> 0:35:02.520
<v Speaker 3>on on the full time mistress. He had a hunting

0:35:02.560 --> 0:35:06.600
<v Speaker 3>lodge where he would keep young women who he was

0:35:06.640 --> 0:35:09.279
<v Speaker 3>having sex with, and I think it was called the

0:35:09.320 --> 0:35:10.120
<v Speaker 3>Parko Serf.

0:35:10.360 --> 0:35:11.879
<v Speaker 2>So it's like, he's not going to fall in love

0:35:11.920 --> 0:35:12.640
<v Speaker 2>with these girls.

0:35:12.920 --> 0:35:15.799
<v Speaker 3>And that was Madame Pompadour's comment at the time that

0:35:15.960 --> 0:35:20.000
<v Speaker 3>she wasn't afraid that some young girl with no education

0:35:20.160 --> 0:35:22.600
<v Speaker 3>was going to take him away, but she was afraid

0:35:22.600 --> 0:35:24.800
<v Speaker 3>that he would fall in love with another noble lady.

0:35:24.920 --> 0:35:27.680
<v Speaker 2>At the court, so better he'd be getting his physical

0:35:27.680 --> 0:35:30.759
<v Speaker 2>needs met just by exact Yes.

0:35:31.880 --> 0:35:34.200
<v Speaker 3>One of the things that's so interesting is that this

0:35:34.320 --> 0:35:36.920
<v Speaker 3>is also very similar to what happened to the Queen.

0:35:37.040 --> 0:35:39.920
<v Speaker 3>And the Queen said was Madame Pompadour, if there has

0:35:39.960 --> 0:35:42.040
<v Speaker 3>to be a raw mistress, better her than any other.

0:35:42.480 --> 0:35:44.560
<v Speaker 2>And I think I remember even reading that Madame de

0:35:44.600 --> 0:35:47.839
<v Speaker 2>Pompadour was very nice and kind to the Queen.

0:35:47.960 --> 0:35:53.000
<v Speaker 3>Oh, Madame Pompadour was thirsty for Queen's approval. She was

0:35:53.280 --> 0:35:55.880
<v Speaker 3>desperate for the Queen to like her. It's so interesting

0:35:56.360 --> 0:35:59.360
<v Speaker 3>because you see her handle Louis the fifteenth with the

0:36:00.160 --> 0:36:04.080
<v Speaker 3>just kind of a plum like it's going well. She

0:36:04.320 --> 0:36:06.560
<v Speaker 3>you know, she wants him to love her very very much.

0:36:07.080 --> 0:36:11.000
<v Speaker 3>Some of her detractors said that her sickness was because

0:36:11.840 --> 0:36:14.799
<v Speaker 3>keeping up an attitude of being madly in love every

0:36:14.800 --> 0:36:18.640
<v Speaker 3>single day is exhausting on the human body. But she

0:36:18.680 --> 0:36:22.520
<v Speaker 3>did love the king. But when it comes to the Queen,

0:36:22.800 --> 0:36:24.719
<v Speaker 3>you see her just bending over her backwards to like

0:36:24.760 --> 0:36:27.920
<v Speaker 3>invite the Queen to every single performance that she's having

0:36:28.000 --> 0:36:31.759
<v Speaker 3>at the theater, and the Queen like kind of shows up. Sometimes.

0:36:32.400 --> 0:36:35.120
<v Speaker 2>Yeah, I was like, look, I know what's going on here.

0:36:35.120 --> 0:36:35.960
<v Speaker 2>I'll be a good spool.

0:36:36.040 --> 0:36:36.880
<v Speaker 3>Yeah, it's fine.

0:36:37.120 --> 0:36:37.440
<v Speaker 2>Yeah.

0:36:37.840 --> 0:36:40.440
<v Speaker 5>She was always like picking out special gifts for the queen,

0:36:40.680 --> 0:36:44.759
<v Speaker 5>And the reason that she was so nice to her

0:36:45.440 --> 0:36:49.400
<v Speaker 5>was because the queen was supposed.

0:36:48.920 --> 0:36:52.280
<v Speaker 3>To acknowledge the royal mistress at some point, and usually

0:36:52.360 --> 0:36:54.239
<v Speaker 3>queens were incredibly bitchy about this.

0:36:54.560 --> 0:36:55.279
<v Speaker 2>I understand them.

0:36:55.719 --> 0:37:00.040
<v Speaker 3>With when Marie Antoinette met Madame du Berry, uh, she

0:37:00.080 --> 0:37:02.359
<v Speaker 3>had to say something to her and she just kind

0:37:02.360 --> 0:37:04.160
<v Speaker 3>of snidely said, well, there are a lot of people

0:37:04.160 --> 0:37:04.920
<v Speaker 3>at court today.

0:37:05.239 --> 0:37:09.600
<v Speaker 2>Yeah, and at this time, Just for context, Louis the sixteenth,

0:37:09.719 --> 0:37:13.200
<v Speaker 2>Marie Antoinett's husband never actually took a mistress, which is

0:37:13.239 --> 0:37:17.279
<v Speaker 2>why it's sometimes. I had one professor in college actually.

0:37:17.000 --> 0:37:17.640
<v Speaker 3>Couldn't get it up.

0:37:17.719 --> 0:37:20.719
<v Speaker 2>Dan Well, it took it for his real sexual job.

0:37:21.239 --> 0:37:23.520
<v Speaker 2>But I had a professor in college point out that

0:37:24.040 --> 0:37:27.759
<v Speaker 2>arguably it damaged Marie Antoinette because there was no other

0:37:27.840 --> 0:37:30.400
<v Speaker 2>woman to serve as a lightning rod for gossip and attention.

0:37:30.600 --> 0:37:33.759
<v Speaker 3>And Madame Pompadour was that lightning rod for this is

0:37:33.800 --> 0:37:35.280
<v Speaker 3>the woman who was bankrupting friends.

0:37:35.360 --> 0:37:40.120
<v Speaker 2>Yes, and Madame de Berry was Louis the Fifteenth's next mistresses,

0:37:40.600 --> 0:37:42.759
<v Speaker 2>but Marie Antoinette was just the princess. But since she

0:37:42.840 --> 0:37:46.880
<v Speaker 2>outranked her, Madame de Berry couldn't even say hi unless

0:37:46.920 --> 0:37:48.720
<v Speaker 2>Marienoinnette said something first. Exactly.

0:37:48.960 --> 0:37:53.239
<v Speaker 3>Yeah, So when it was Madame Pompadour's time to meet

0:37:53.280 --> 0:37:55.960
<v Speaker 3>Queen Marie, there was very little for them to talk

0:37:56.000 --> 0:37:59.759
<v Speaker 3>about because Madame Pompadour, as everybody kept pointing out, was

0:38:00.360 --> 0:38:02.920
<v Speaker 3>she didn't know anybody at court. What were they possibly

0:38:02.920 --> 0:38:03.879
<v Speaker 3>going to say to each other?

0:38:04.239 --> 0:38:05.839
<v Speaker 2>And the Queen really nicely.

0:38:05.840 --> 0:38:09.800
<v Speaker 3>Had one friend in common with Madame Pompadour and asked

0:38:09.840 --> 0:38:12.200
<v Speaker 3>if Madame Pompadour had seen that friend lately, because she'd

0:38:12.239 --> 0:38:15.279
<v Speaker 3>seen her at court and she was wondering how she

0:38:15.360 --> 0:38:20.880
<v Speaker 3>was doing. And Madame Pompadour, I imagine, responded about how

0:38:20.920 --> 0:38:23.200
<v Speaker 3>a friend was doing, but immediately afterwards fell to her

0:38:23.280 --> 0:38:26.160
<v Speaker 3>knees and said that she was so grateful that she

0:38:26.160 --> 0:38:28.360
<v Speaker 3>had such a kind and gracious queen, that she was

0:38:28.440 --> 0:38:30.360
<v Speaker 3>going to do anything she could in this life to

0:38:30.360 --> 0:38:34.279
<v Speaker 3>make the Queen happy. And she never went back on

0:38:34.320 --> 0:38:37.000
<v Speaker 3>this promise, and I honestly think it got to be

0:38:37.040 --> 0:38:38.480
<v Speaker 3>a little bit much for the queen.

0:38:40.120 --> 0:38:42.680
<v Speaker 2>She was the object of the unrequitted was the object

0:38:42.680 --> 0:38:44.239
<v Speaker 2>of the unrequited affection.

0:38:44.000 --> 0:38:48.160
<v Speaker 3>And it was a little uncomfortable for But that's very sweet.

0:38:48.440 --> 0:38:50.560
<v Speaker 2>I respect that. Madame de Pompadour is like, look, I

0:38:50.600 --> 0:38:53.439
<v Speaker 2>get that, this is the awkward situation. I am your

0:38:54.080 --> 0:38:55.400
<v Speaker 2>just so you know I loved you.

0:38:55.520 --> 0:38:59.560
<v Speaker 3>Yeah, just so you know you're all my performances forever, right, bestie.

0:39:01.560 --> 0:39:03.480
<v Speaker 2>I would write, if I had to be a French mistress,

0:39:03.520 --> 0:39:06.000
<v Speaker 2>I would rather be friends with the queen absolutely, Yeah,

0:39:06.080 --> 0:39:08.719
<v Speaker 2>makes your life so much Well, the Queen was treated.

0:39:08.480 --> 0:39:12.200
<v Speaker 3>Very badly by Louis the fifteenths prior mistresses, and it

0:39:12.360 --> 0:39:17.080
<v Speaker 3>was probably stupid on their part because you know, you

0:39:17.080 --> 0:39:19.200
<v Speaker 3>would think that because you're sleeping with the king and

0:39:19.239 --> 0:39:22.560
<v Speaker 3>he loves you, you have some advantage over this like

0:39:23.280 --> 0:39:27.840
<v Speaker 3>quiet religious woman who's just having children, But you don't.

0:39:29.200 --> 0:39:31.000
<v Speaker 2>She's seen them come and go. She's seen them come

0:39:31.000 --> 0:39:34.480
<v Speaker 2>and go. So what happened towards the end of Madame

0:39:34.520 --> 0:39:35.560
<v Speaker 2>de Pompador's.

0:39:35.120 --> 0:39:39.360
<v Speaker 3>Life, Oh, unfortunately, Madame Pompadour was probably very responsible for

0:39:39.440 --> 0:39:42.239
<v Speaker 3>the Seven Years War, which was a disastrous war.

0:39:42.320 --> 0:39:43.360
<v Speaker 2>Oh no, France.

0:39:44.040 --> 0:39:50.239
<v Speaker 3>And it may be apocryphal, but Madame Pompadour became very

0:39:50.239 --> 0:39:53.920
<v Speaker 3>good friends with Austrian diplomats and sort of forged an

0:39:53.920 --> 0:39:56.880
<v Speaker 3>alliance between France and Austria.

0:39:57.080 --> 0:39:58.680
<v Speaker 2>Where's the Prime Minister things?

0:39:59.040 --> 0:40:05.040
<v Speaker 3>Yeah, which led to them engaging against Britain and Prussia

0:40:05.320 --> 0:40:08.880
<v Speaker 3>in the Seven Years War and just getting smashed. But

0:40:09.800 --> 0:40:12.840
<v Speaker 3>they say that one of the reasons that she personally

0:40:12.920 --> 0:40:16.040
<v Speaker 3>hated Prussians was because Frederick the Great referred to his

0:40:16.080 --> 0:40:20.520
<v Speaker 3>dog as his Pompadour. That's mean, it is mean, it

0:40:20.600 --> 0:40:24.160
<v Speaker 3>is mean. So so yeah, that's not a good enough

0:40:24.200 --> 0:40:26.719
<v Speaker 3>reason to fortunate alize with another country and then go

0:40:26.920 --> 0:40:29.680
<v Speaker 3>to war. No, it doesn't end well for and it

0:40:29.680 --> 0:40:34.319
<v Speaker 3>does not end well for France. And then at forty two,

0:40:35.760 --> 0:40:42.719
<v Speaker 3>Madame Pompadour passed away of pneumonia and Louis the fifteenth

0:40:43.239 --> 0:40:49.279
<v Speaker 3>in that episode of Doctor who sees her carriage going

0:40:49.320 --> 0:40:52.680
<v Speaker 3>away in the rain, but he cannot attend his funeral.

0:40:53.200 --> 0:40:55.560
<v Speaker 3>And one of the things that they do not incorporate

0:40:55.600 --> 0:40:58.800
<v Speaker 3>into that Doctor who is him turning around and showing

0:40:58.840 --> 0:41:02.200
<v Speaker 3>his courtiers tears streaming down his face and saying, this

0:41:02.400 --> 0:41:04.759
<v Speaker 3>is the only respect I am allowed to pay her.

0:41:05.120 --> 0:41:07.200
<v Speaker 2>Wait, he wasn't allowed to go to her funeral?

0:41:07.960 --> 0:41:11.080
<v Speaker 3>Why rules of hers I.

0:41:11.600 --> 0:41:14.359
<v Speaker 2>But he's the king, you know, but she it would

0:41:14.360 --> 0:41:17.400
<v Speaker 2>have been an embarrassed real yeah.

0:41:17.320 --> 0:41:19.279
<v Speaker 3>Uh yeah, but she you know, she lived out her

0:41:19.320 --> 0:41:21.759
<v Speaker 3>life at Versailles. I think one of the lovely things

0:41:21.840 --> 0:41:25.239
<v Speaker 3>is that she and Louis the fifteenth, even if you

0:41:25.280 --> 0:41:28.839
<v Speaker 3>know he's also sleeping with younger girls, towards the end

0:41:28.840 --> 0:41:31.560
<v Speaker 3>of their relationship, really did have this meeting of minds.

0:41:31.600 --> 0:41:33.200
<v Speaker 2>They were ethically non monogamous.

0:41:33.239 --> 0:41:39.120
<v Speaker 3>They were, I mean, like many ethically non anonymous relationships,

0:41:39.239 --> 0:41:41.479
<v Speaker 3>it seems like the man got to be a lot

0:41:41.520 --> 0:41:44.960
<v Speaker 3>more ethically non monogamous than the woman, who was just

0:41:45.040 --> 0:41:46.560
<v Speaker 3>kind of going along with this.

0:41:47.320 --> 0:41:51.040
<v Speaker 2>But at least she was aware of it. She was,

0:41:51.320 --> 0:41:52.400
<v Speaker 2>she was definitely aware of it.

0:41:52.480 --> 0:41:54.799
<v Speaker 3>There were very cruel rumors at the time that she

0:41:54.880 --> 0:41:56.200
<v Speaker 3>was orchestrating all of this.

0:41:56.280 --> 0:41:58.319
<v Speaker 2>For oh yeah, that she was sort of being at

0:41:58.480 --> 0:42:02.080
<v Speaker 2>madam yeah exactly, that she was procuring these young girls.

0:42:02.600 --> 0:42:05.640
<v Speaker 3>I don't think it was that difficult to procure.

0:42:05.400 --> 0:42:07.719
<v Speaker 2>Young women who wanted to sleep with the king your

0:42:07.840 --> 0:42:10.160
<v Speaker 2>advantage and yes, power exactly.

0:42:10.360 --> 0:42:14.000
<v Speaker 3>Yeah. But they got to have like these nice little

0:42:14.000 --> 0:42:16.319
<v Speaker 3>dinner parties at their home. Louis the fifteenth would make

0:42:16.320 --> 0:42:19.720
<v Speaker 3>the coffee himself, they got to talk to interesting people

0:42:19.960 --> 0:42:23.399
<v Speaker 3>and she got to have this very creative life where

0:42:23.400 --> 0:42:26.560
<v Speaker 3>she brought a lot of art and spirit to Versailles.

0:42:27.080 --> 0:42:29.280
<v Speaker 3>That is what we associate with it now.

0:42:29.520 --> 0:42:31.480
<v Speaker 2>And I also I think I remember reading that she

0:42:31.560 --> 0:42:34.520
<v Speaker 2>was very interested in gardening. She was, which is such

0:42:34.520 --> 0:42:36.560
<v Speaker 2>a Nancy Meyer's hobby.

0:42:37.120 --> 0:42:40.520
<v Speaker 3>Madame Pumpter was interested in everything. I think it's also

0:42:40.640 --> 0:42:43.160
<v Speaker 3>one of the things that I'd like about her where

0:42:43.400 --> 0:42:45.879
<v Speaker 3>I think now we live in this era of kind

0:42:45.880 --> 0:42:49.000
<v Speaker 3>of cool girls who were just like, like, to be

0:42:49.000 --> 0:42:52.200
<v Speaker 3>a sexy girl is like to never smile, and I

0:42:52.239 --> 0:42:54.440
<v Speaker 3>love that Madame Pumpter thing was like today, I'm going

0:42:54.480 --> 0:42:55.600
<v Speaker 3>to learn to be a gem cutter.

0:42:56.280 --> 0:42:58.960
<v Speaker 2>Honestly, if there was some girl on Instagram with a

0:42:58.960 --> 0:43:02.320
<v Speaker 2>cool haircut who was like carving, carving gems, carving joms,

0:43:02.320 --> 0:43:04.560
<v Speaker 2>I'd be like, oh my god, that's so cool. Yeah.

0:43:04.640 --> 0:43:07.360
<v Speaker 2>If you are a gem carver listening to this podcast,

0:43:07.440 --> 0:43:08.200
<v Speaker 2>please do you mean?

0:43:08.280 --> 0:43:10.320
<v Speaker 3>I love that if you're a gem carver who's also

0:43:10.480 --> 0:43:15.240
<v Speaker 3>started like a very highly ranked theater that you're forcing

0:43:15.280 --> 0:43:17.719
<v Speaker 3>people to perform in, and the queen will show up

0:43:17.760 --> 0:43:24.799
<v Speaker 3>for sometimes if she's not busy playing her sad card game. Yeah, yeah,

0:43:24.880 --> 0:43:27.760
<v Speaker 3>I love. The thing that was about feeling about Madame

0:43:27.800 --> 0:43:30.080
<v Speaker 3>Pompadour was that she did seem to have a passion

0:43:30.160 --> 0:43:31.960
<v Speaker 3>and an interest in everything.

0:43:32.280 --> 0:43:34.719
<v Speaker 2>She seems like exactly the type of person you would

0:43:34.760 --> 0:43:37.080
<v Speaker 2>want to invite to your parties. She seems really fun,

0:43:37.200 --> 0:43:39.360
<v Speaker 2>really good at parties. She seems really good at parties.

0:43:39.520 --> 0:43:44.640
<v Speaker 3>She seems like somebody who also, maybe this is unfair,

0:43:44.760 --> 0:43:48.680
<v Speaker 3>but like she's really smart. Yeah, and Louis the fifteenth

0:43:48.440 --> 0:43:52.000
<v Speaker 3>the nice guy. But nobody thinks that Louis the fifteenth

0:43:52.120 --> 0:43:52.760
<v Speaker 3>is a genius.

0:43:52.840 --> 0:43:54.719
<v Speaker 2>No, I've never heard that characterization.

0:43:54.920 --> 0:43:59.719
<v Speaker 3>No, okay, And I love the longest relationship of his

0:43:59.760 --> 0:44:03.400
<v Speaker 3>life was with this woman who was really smart, except

0:44:03.400 --> 0:44:05.280
<v Speaker 3>for the seven years worse. She should not have gotten

0:44:05.280 --> 0:44:06.760
<v Speaker 3>them into that one terrible idea.

0:44:06.880 --> 0:44:09.920
<v Speaker 2>Yeah, she tried her best. So, Jennifer, where can the

0:44:09.960 --> 0:44:11.799
<v Speaker 2>good people find you if they want to hear more

0:44:11.840 --> 0:44:13.800
<v Speaker 2>about you or anything you're writing?

0:44:14.320 --> 0:44:16.879
<v Speaker 3>Well? I used to be on Twitter at jen ashley Wright,

0:44:17.000 --> 0:44:18.400
<v Speaker 3>but not really anymore.

0:44:18.520 --> 0:44:20.120
<v Speaker 2>It doesn't seem like a fun place to be.

0:44:20.880 --> 0:44:25.600
<v Speaker 3>But you can find me on my website at Jenshleywright

0:44:25.640 --> 0:44:28.600
<v Speaker 3>dot com. Or you can buy Madame Miristelle in your

0:44:28.640 --> 0:44:30.240
<v Speaker 3>local bookshop or on Amazon.

0:44:30.400 --> 0:44:33.680
<v Speaker 2>You should absolutely buy Madame Miristelle and Jennifer's other books.

0:44:33.760 --> 0:44:36.879
<v Speaker 2>This is a personal recommendation from me, Jennifer, Thank you

0:44:36.960 --> 0:44:37.399
<v Speaker 2>so much.

0:44:37.480 --> 0:44:39.719
<v Speaker 3>Oh, this was such a pleasure that will you come

0:44:39.719 --> 0:44:40.680
<v Speaker 3>back soon anytime?

0:44:40.719 --> 0:44:41.319
<v Speaker 2>Absolutely.

0:44:52.840 --> 0:44:57.200
<v Speaker 1>Noble Blood is a production of iHeartRadio and Grim and

0:44:57.280 --> 0:45:01.640
<v Speaker 1>Mild from Aaron Manky. Noble Blood is created and hosted

0:45:01.680 --> 0:45:06.359
<v Speaker 1>by me Dana Shwarts, with additional writing and researching by

0:45:06.440 --> 0:45:11.960
<v Speaker 1>Hannah Johnston, Hannah Zuick, Mira Hayward, Courtney Sender, and Lori Goodman.

0:45:12.440 --> 0:45:16.200
<v Speaker 1>The show is edited and produced by Noemi Griffin and

0:45:16.440 --> 0:45:22.160
<v Speaker 1>rima Il Kahali, with supervising producer Josh Thain and executive

0:45:22.200 --> 0:45:26.839
<v Speaker 1>producers Aaron Manke, Alex Williams, and Matt Frederick. For more

0:45:26.920 --> 0:45:32.839
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

0:45:32.880 --> 0:46:08.840
<v Speaker 1>wherever you listen to your favorite shows.