1 00:00:00,280 --> 00:00:02,840 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,160 --> 00:00:09,880 Speaker 1: It's ready. Are you welcome to stuff Mom Never told you? 3 00:00:10,080 --> 00:00:17,400 Speaker 1: From house stuff Works dot Com. Hello, and welcome to 4 00:00:17,400 --> 00:00:21,040 Speaker 1: the podcast. I'm Kristen and I'm Caroline. And today, by 5 00:00:21,239 --> 00:00:26,280 Speaker 1: listener requests, we are kicking off a two part Summer 6 00:00:26,360 --> 00:00:31,200 Speaker 1: book Club two thousand twelve series, and we're talking about 7 00:00:31,680 --> 00:00:38,360 Speaker 1: saucy books, books, books. We've discussed romance novels before, the 8 00:00:38,960 --> 00:00:44,680 Speaker 1: genre unfortunately termed chick lit before um and I would 9 00:00:44,760 --> 00:00:51,280 Speaker 1: say that for women's literature, popular fiction this summer, the 10 00:00:51,800 --> 00:00:56,639 Speaker 1: title that ever everybody's talking about is we gotta say it, Caroline, 11 00:00:57,040 --> 00:00:59,520 Speaker 1: it's fifty Shades of Gray. Yeah. And as I was 12 00:00:59,560 --> 00:01:01,040 Speaker 1: just telling us, and I didn't even really know what 13 00:01:01,120 --> 00:01:03,160 Speaker 1: this book was until about a month ago. Yeah, And 14 00:01:03,200 --> 00:01:07,000 Speaker 1: there was a specific request also for our summer book 15 00:01:07,200 --> 00:01:10,399 Speaker 1: Club series, do not be about fifty shades of Gray. 16 00:01:10,440 --> 00:01:13,560 Speaker 1: So don't worry, we're not about to talk about you 17 00:01:13,600 --> 00:01:18,480 Speaker 1: know what some might not really appreciate in terms of 18 00:01:18,680 --> 00:01:22,440 Speaker 1: erotic fiction, that is fifty shades of gray. But all 19 00:01:22,480 --> 00:01:25,600 Speaker 1: this fifty Shades of Gray buzz got us thinking about 20 00:01:26,240 --> 00:01:29,319 Speaker 1: books that are hard to get your hands on and 21 00:01:29,480 --> 00:01:33,240 Speaker 1: specifically book banning in the US, because I think today 22 00:01:33,280 --> 00:01:37,320 Speaker 1: in the information age, with the Internet, you know, we 23 00:01:37,360 --> 00:01:40,360 Speaker 1: can it seems like we can read whatever we want. 24 00:01:41,040 --> 00:01:45,280 Speaker 1: But that was certainly not the case for a long 25 00:01:45,360 --> 00:01:48,960 Speaker 1: time here in the US, and going back in history too, 26 00:01:49,520 --> 00:01:52,440 Speaker 1: as far back as oh, I don't know for fifty 27 00:01:52,520 --> 00:01:58,040 Speaker 1: b C. What happened in four fifty BC? Well, Caroline, Uh, 28 00:01:58,160 --> 00:02:04,120 Speaker 1: a guy named an axe like Corris, an axa Corris, 29 00:02:04,200 --> 00:02:07,279 Speaker 1: thank you. We'll just run with that guy with it 30 00:02:07,680 --> 00:02:11,760 Speaker 1: not easily to roll off the tongue name an Axagoras. 31 00:02:12,840 --> 00:02:16,240 Speaker 1: He wrote some stuff and people did not like it. Yeah, 32 00:02:16,240 --> 00:02:18,959 Speaker 1: he was a Greek philosopher who ended up getting forced 33 00:02:18,960 --> 00:02:21,800 Speaker 1: out of Athens and had his writings burned after claiming 34 00:02:21,840 --> 00:02:25,040 Speaker 1: that this crazy notion that the sun was actually a 35 00:02:25,040 --> 00:02:28,960 Speaker 1: white hot stone and the moon reflected the Sun's rays. 36 00:02:29,120 --> 00:02:32,560 Speaker 1: So everybody's like, get out out of town. We hate you, 37 00:02:32,560 --> 00:02:38,680 Speaker 1: you're stupid um. And then in three Socrates was required 38 00:02:38,720 --> 00:02:42,560 Speaker 1: to drink poison for supposedly corrupting youth, leading them to 39 00:02:42,600 --> 00:02:46,080 Speaker 1: criticize Athens again, what's going on with you Greeks? But 40 00:02:46,120 --> 00:02:47,880 Speaker 1: I mean, seriously, like, as long as there have been 41 00:02:47,880 --> 00:02:52,720 Speaker 1: ideas or thoughts happening, there's been some form of censorship. Yeah, 42 00:02:52,760 --> 00:02:59,040 Speaker 1: and people, humans, human animals seemed to really enjoy just 43 00:02:59,280 --> 00:03:02,280 Speaker 1: having things on paper, other people's ideas on paper that 44 00:03:02,320 --> 00:03:05,959 Speaker 1: they can then rip up or ban um all In 45 00:03:06,040 --> 00:03:10,320 Speaker 1: Axagoras Scott got so much guff because he they thought 46 00:03:10,360 --> 00:03:13,200 Speaker 1: that he was being derogatory to the gods. And that 47 00:03:13,280 --> 00:03:18,320 Speaker 1: kind of theme of offending people's religious sensibilities is certainly 48 00:03:18,400 --> 00:03:22,519 Speaker 1: something that we still see with book banning today, and 49 00:03:22,600 --> 00:03:25,400 Speaker 1: it was something when we go look at the history 50 00:03:25,440 --> 00:03:30,720 Speaker 1: of book banning in the US, Christianity does play a 51 00:03:30,880 --> 00:03:34,320 Speaker 1: pretty big role, starting in eighteen seventy three with US 52 00:03:34,360 --> 00:03:39,160 Speaker 1: Post Service inspector and politician Anthony Comstock, who was a 53 00:03:39,160 --> 00:03:42,760 Speaker 1: devout Christian and founder of the New York Society for 54 00:03:42,840 --> 00:03:46,960 Speaker 1: the Suppression of Vice right, And this whole society's goal 55 00:03:47,200 --> 00:03:51,920 Speaker 1: was to prevent obscene materials from polluting the minds of 56 00:03:51,960 --> 00:03:56,200 Speaker 1: the American people. And he really targeted erotica and crime stories, 57 00:03:56,240 --> 00:03:58,120 Speaker 1: which I think is funny, so it's not just sexy 58 00:03:58,160 --> 00:04:00,640 Speaker 1: times that he doesn't want people to read about its 59 00:04:00,720 --> 00:04:04,400 Speaker 1: crime too, And he considered dime novels to be pornography 60 00:04:04,440 --> 00:04:10,880 Speaker 1: for children. Yeah, and this kind of puritanical intrusion on 61 00:04:11,320 --> 00:04:14,640 Speaker 1: literature and printing was It seemed like it was pretty 62 00:04:14,640 --> 00:04:18,520 Speaker 1: widely accepted at the time, because Congress did pass the 63 00:04:18,520 --> 00:04:22,279 Speaker 1: Comstock Acts, which were an anti obscenity bill that Comstock 64 00:04:22,360 --> 00:04:25,920 Speaker 1: had drafted, which included a ban on contraceptives and also 65 00:04:26,000 --> 00:04:29,839 Speaker 1: barred obscene literature from interstate commerce. And this kind of 66 00:04:30,080 --> 00:04:35,760 Speaker 1: puritanical intrusion on literature and what people were and weren't 67 00:04:35,800 --> 00:04:40,400 Speaker 1: allowed to read legally was I mean, I guess fairly 68 00:04:40,440 --> 00:04:43,200 Speaker 1: widespread at the time because the US Congress did pass 69 00:04:43,279 --> 00:04:47,120 Speaker 1: the Comstock Act, which was an anti obscenity bill that 70 00:04:47,160 --> 00:04:51,000 Speaker 1: Anthony Comstock had drafted, which included a ban on contraceptives 71 00:04:51,279 --> 00:04:55,240 Speaker 1: and also barred obscene literature from interstate commerce. And by 72 00:04:55,279 --> 00:05:00,440 Speaker 1: obscene literature, we are also talking about things like Margaret 73 00:05:00,480 --> 00:05:06,720 Speaker 1: Singer's early pamphlets on contraception. Oh my, I mean, even 74 00:05:06,800 --> 00:05:11,560 Speaker 1: even that like kind of biological reproductive information was considered, 75 00:05:12,160 --> 00:05:15,800 Speaker 1: you know, banned. Yeah, so funny. Everybody got their panties 76 00:05:15,800 --> 00:05:18,680 Speaker 1: on a twist about just learning about women's bodies, just 77 00:05:18,760 --> 00:05:23,080 Speaker 1: learning about contraception, family planning, anything like any any sexy 78 00:05:23,120 --> 00:05:26,400 Speaker 1: anything was just too much, and all because it had 79 00:05:26,440 --> 00:05:28,240 Speaker 1: to do with women's bodies. They were like, Nope, nope, 80 00:05:28,279 --> 00:05:30,480 Speaker 1: can't read it. It's going to pollute everybody's minds. We're 81 00:05:30,480 --> 00:05:32,960 Speaker 1: all going to be filthy afterward. And something that I 82 00:05:33,040 --> 00:05:40,120 Speaker 1: didn't know was that Boston was really the hotbed of 83 00:05:40,720 --> 00:05:45,960 Speaker 1: literary suppression. Bostonians out there, you guys, I mean, claim 84 00:05:46,080 --> 00:05:50,360 Speaker 1: to fame. One. Books were so often banned in Boston 85 00:05:50,560 --> 00:05:55,880 Speaker 1: that in the nineteen fifties, stolecious titles would be labeled 86 00:05:56,080 --> 00:06:00,240 Speaker 1: banned in Boston to help move them off the shelves. Oh, 87 00:06:00,279 --> 00:06:03,920 Speaker 1: it must be bad if it was banned in Boston. Yeah, 88 00:06:03,960 --> 00:06:05,320 Speaker 1: I don't. I don't get it. I mean, you guys 89 00:06:05,360 --> 00:06:08,040 Speaker 1: had the tea party, you know, you threw tea bags 90 00:06:08,040 --> 00:06:09,560 Speaker 1: in the water and stuff, and now here you are 91 00:06:09,600 --> 00:06:11,760 Speaker 1: banning books. I don't get it. But the efforts in 92 00:06:11,800 --> 00:06:14,800 Speaker 1: Boston were really led by the Watch and Words Society, 93 00:06:14,839 --> 00:06:17,800 Speaker 1: who kind of like Calm Stocks New York Society for 94 00:06:17,800 --> 00:06:21,120 Speaker 1: the suppression advice. Yeah, um, this was coming from the 95 00:06:21,120 --> 00:06:24,360 Speaker 1: Boston Globe. Just to give you a sense of how 96 00:06:24,440 --> 00:06:28,240 Speaker 1: much the Watching Words Society cracked down and also how 97 00:06:28,320 --> 00:06:31,440 Speaker 1: much people like I mean they jumped when the Watching 98 00:06:31,480 --> 00:06:35,520 Speaker 1: Words Society cracked its whip. For instance, in its heyday, 99 00:06:35,560 --> 00:06:39,239 Speaker 1: the Boston Public Library kept books which the Watching Words 100 00:06:39,279 --> 00:06:43,200 Speaker 1: Society found objectionable in a locked room. The Museum of 101 00:06:43,240 --> 00:06:46,200 Speaker 1: Fine Arts kept parts of its Asian collection behind doors. 102 00:06:46,680 --> 00:06:49,039 Speaker 1: And again the you know the label band in Boston 103 00:06:49,080 --> 00:06:54,280 Speaker 1: became a selling point for smutty literature. Yeah, well, they 104 00:06:54,279 --> 00:06:58,520 Speaker 1: weren't the only ones. The nineteen fifties were definitely, definitely 105 00:06:58,520 --> 00:07:01,839 Speaker 1: a stretch of time that is big on book banning. Yeah, 106 00:07:02,000 --> 00:07:06,760 Speaker 1: for sure. In in three, for instance, Senator Joseph McCarthy, 107 00:07:06,839 --> 00:07:09,880 Speaker 1: whose name should be very familiar, had his aids search 108 00:07:10,080 --> 00:07:14,320 Speaker 1: US Information Service libraries in Europe and Asia for subversive books, 109 00:07:14,560 --> 00:07:18,720 Speaker 1: and libraries were accused of circulating communist materials. Yeah. All 110 00:07:18,760 --> 00:07:21,600 Speaker 1: the McCarthy is um that was sweeping the nation at 111 00:07:21,600 --> 00:07:25,200 Speaker 1: the time seemed to kind of replace banning books on 112 00:07:25,240 --> 00:07:28,720 Speaker 1: the basis of immorality to banning books on the basis 113 00:07:28,840 --> 00:07:34,239 Speaker 1: of you know, subversive communist undertones, right, just making everybody scared, yeah, 114 00:07:34,320 --> 00:07:38,760 Speaker 1: and burning books and such. But then, thank goodness, in 115 00:07:40,000 --> 00:07:42,840 Speaker 1: the Supreme Court stepped in with the case Board of 116 00:07:42,920 --> 00:07:48,240 Speaker 1: Education Island Tree School, district versus Pico with a little 117 00:07:48,240 --> 00:07:52,400 Speaker 1: bit of a little bit of sensibility about this whole 118 00:07:52,600 --> 00:07:55,840 Speaker 1: book banning issue. Yeah, they ruled that public school boards 119 00:07:55,840 --> 00:07:58,320 Speaker 1: could not remove a book from the library quote simply 120 00:07:58,400 --> 00:08:02,320 Speaker 1: because they disliked the idea contained in those books. Basically 121 00:08:02,360 --> 00:08:05,520 Speaker 1: saying that there needs to be a balance between school's 122 00:08:05,640 --> 00:08:08,600 Speaker 1: role as an educator and student's right of access to 123 00:08:08,640 --> 00:08:12,320 Speaker 1: the material. So a book has to be pervasively vulgar 124 00:08:12,560 --> 00:08:16,920 Speaker 1: to be banned. Yeah, and um, this case spring out 125 00:08:16,960 --> 00:08:21,320 Speaker 1: of U nineteen seventies six issue where a bunch of 126 00:08:21,400 --> 00:08:25,320 Speaker 1: parents and school staff ordered that certain books be removed 127 00:08:25,640 --> 00:08:29,120 Speaker 1: from a junior high and high school library. And to 128 00:08:29,160 --> 00:08:31,600 Speaker 1: give you an idea of some of the books that 129 00:08:31,680 --> 00:08:35,119 Speaker 1: they wanted to ban, slaughter House five by Kurt Vonnegut, 130 00:08:35,320 --> 00:08:37,720 Speaker 1: a go ask Alice, which is a commonly banned book, 131 00:08:38,320 --> 00:08:42,319 Speaker 1: UM A Reader for Writers edited by Jero Walter Archer, 132 00:08:42,800 --> 00:08:46,360 Speaker 1: of The Naked Ape, The Best Short Stories by Negro 133 00:08:46,559 --> 00:08:50,240 Speaker 1: Writers edited by Langston Hughes, a lot of other um 134 00:08:50,440 --> 00:08:53,720 Speaker 1: race related titles as well. And they claimed that the 135 00:08:53,720 --> 00:08:57,160 Speaker 1: books were anti American, anti Christian, anti Semitic, and just 136 00:08:57,520 --> 00:09:01,080 Speaker 1: playing filthy and think thankfully, the Supreme Court stepped in 137 00:09:01,120 --> 00:09:04,319 Speaker 1: and said yeah, yeah. And there was another case in 138 00:09:04,400 --> 00:09:08,920 Speaker 1: nine Texas v. Johnson, where a Supreme Court Justice William J. 139 00:09:09,000 --> 00:09:12,160 Speaker 1: Brennan Jr. Said that if there is a bedrock principle 140 00:09:12,240 --> 00:09:14,679 Speaker 1: underlying the First Amendment, it is that the government may 141 00:09:14,679 --> 00:09:18,000 Speaker 1: not prohibit the expression of an idea simply because society 142 00:09:18,040 --> 00:09:21,760 Speaker 1: finds the idea itself offensive or disagreeable. So we have 143 00:09:21,800 --> 00:09:24,559 Speaker 1: people like this saying things like this, which are wonderful 144 00:09:24,640 --> 00:09:29,400 Speaker 1: and supportive of knowledge and access to knowledge. But book 145 00:09:29,400 --> 00:09:33,440 Speaker 1: banning efforts to banned books are not going away, basically no. 146 00:09:33,679 --> 00:09:36,080 Speaker 1: And the thing is, even though we have Supreme Court 147 00:09:36,120 --> 00:09:39,400 Speaker 1: justices like William J. Brenner who have in the past 148 00:09:40,000 --> 00:09:43,760 Speaker 1: supported UH First Amendment rights and the freedom of expression, 149 00:09:44,160 --> 00:09:50,959 Speaker 1: that is not to say that obscene literature is legally 150 00:09:51,000 --> 00:09:54,679 Speaker 1: protected in the US. So a case that Christ and 151 00:09:54,720 --> 00:09:59,240 Speaker 1: I actually learned about in our journalism days at college 152 00:09:59,440 --> 00:10:02,480 Speaker 1: and our and our legal ethics course exactly we had 153 00:10:02,480 --> 00:10:05,599 Speaker 1: a very dynamic professor. I really like that class um. 154 00:10:06,040 --> 00:10:08,760 Speaker 1: This case is called Miller v. California, and it basically 155 00:10:08,840 --> 00:10:12,560 Speaker 1: established a three point test for obscenity UH. And those 156 00:10:12,600 --> 00:10:16,600 Speaker 1: points are one the text must appeal to prurient interests 157 00:10:16,640 --> 00:10:20,679 Speaker 1: when taken as a whole, it must involve patently offensive 158 00:10:20,800 --> 00:10:24,800 Speaker 1: sexual conduct. And it must contain no literary, artistic, political, 159 00:10:24,880 --> 00:10:26,960 Speaker 1: or scientific value. And these are points that have come 160 00:10:27,040 --> 00:10:30,440 Speaker 1: up again and again in various cases, because there is 161 00:10:30,440 --> 00:10:33,640 Speaker 1: a desire to protect literature that is actually out there 162 00:10:33,679 --> 00:10:37,840 Speaker 1: to inform and to educate it. This will prevent people 163 00:10:37,880 --> 00:10:40,120 Speaker 1: from this willy nilly being like, well, that's against my 164 00:10:40,160 --> 00:10:42,400 Speaker 1: religious beliefs or my moral beliefs, and I don't want 165 00:10:42,400 --> 00:10:44,560 Speaker 1: anybody else to read it. Yeah. And in the in 166 00:10:44,600 --> 00:10:49,560 Speaker 1: the past, the way that the law approached obscenity was 167 00:10:49,720 --> 00:10:52,520 Speaker 1: more narrowly focused on whether or not there was a 168 00:10:52,559 --> 00:10:58,800 Speaker 1: particular obscene scene in the book. Um. For instance, in Ulysses, 169 00:10:58,800 --> 00:11:01,720 Speaker 1: which will get to it also bring out of one 170 00:11:02,120 --> 00:11:07,439 Speaker 1: episode where the protagonists masturbates, rather than the entire work, 171 00:11:07,640 --> 00:11:11,560 Speaker 1: and the law used to focus just on how it 172 00:11:11,640 --> 00:11:16,880 Speaker 1: might affect vulnerable populations, particularly to minors. So in nineteen 173 00:11:16,920 --> 00:11:20,880 Speaker 1: thirty three, in the wonderfully named case United States versus 174 00:11:20,920 --> 00:11:25,280 Speaker 1: one book called Ulysses as opposed to what I don't know, um, 175 00:11:25,320 --> 00:11:28,200 Speaker 1: the judge ruled that Ulysses was not obscene and he 176 00:11:28,320 --> 00:11:31,520 Speaker 1: didn't use the Hicklin test as it had been recognized prior, 177 00:11:31,559 --> 00:11:33,920 Speaker 1: which was just focusing on the vulnerable population and how 178 00:11:33,960 --> 00:11:37,040 Speaker 1: obscenity affected them. The judge ended up saying that it 179 00:11:37,080 --> 00:11:41,559 Speaker 1: should be judged by its effects on the average person. Right, 180 00:11:41,600 --> 00:11:43,760 Speaker 1: because all of this that was in nineteen thirty three, 181 00:11:43,800 --> 00:11:46,920 Speaker 1: as you mentioned, and up until that time, the sale 182 00:11:46,920 --> 00:11:50,880 Speaker 1: of Ulysses in the US, or mailing it through the mail. 183 00:11:51,240 --> 00:11:54,160 Speaker 1: That's that's really descriptive, right, that's email it through the mail, 184 00:11:54,760 --> 00:11:58,800 Speaker 1: UM had been banned since nineteen two because of the 185 00:11:58,840 --> 00:12:02,719 Speaker 1: masturbation scene that a younger girl had read. Freaked out, 186 00:12:02,760 --> 00:12:04,760 Speaker 1: her parents freaked out. And then you know, we have 187 00:12:04,960 --> 00:12:07,240 Speaker 1: a legal case spring up from that, and the N 188 00:12:07,920 --> 00:12:12,400 Speaker 1: three case US v. One book called Ulysses was a 189 00:12:12,480 --> 00:12:16,040 Speaker 1: test case brought on by Random House actually that wanted 190 00:12:16,360 --> 00:12:18,920 Speaker 1: to publish Ulysses. So they were testing the waters with that, 191 00:12:19,360 --> 00:12:23,000 Speaker 1: and like you said, the judge ruled that it's not obscene. 192 00:12:23,120 --> 00:12:28,199 Speaker 1: Let's move on from there. But some other controversial publishers 193 00:12:28,440 --> 00:12:33,920 Speaker 1: and writers who have rankled conservatives throughout the twentieth century. UM, 194 00:12:33,960 --> 00:12:37,040 Speaker 1: going back a little bit before that Ulysses case, we 195 00:12:37,080 --> 00:12:40,480 Speaker 1: have hl Mancon a k a. The Sage of Baltimore, 196 00:12:40,520 --> 00:12:46,760 Speaker 1: who seemed to love just making conservatives really mad with 197 00:12:46,840 --> 00:12:49,840 Speaker 1: his writing. Right. He was actually arrested in ninety six 198 00:12:49,960 --> 00:12:53,320 Speaker 1: in Boston for distributing copies of American Mercury, which was 199 00:12:53,520 --> 00:12:56,600 Speaker 1: a publication that he put out Um. The publication had 200 00:12:56,640 --> 00:13:00,640 Speaker 1: been banned by, as we mentioned earlier, the Watching Words Society, 201 00:13:00,679 --> 00:13:05,080 Speaker 1: who contended that the periodical was obscene, and the judge 202 00:13:05,120 --> 00:13:07,880 Speaker 1: disagreed with them. Lincoln turned around and ended up suing 203 00:13:07,920 --> 00:13:11,480 Speaker 1: the society. He was basically kind of lawsuit happy because 204 00:13:11,520 --> 00:13:13,480 Speaker 1: he thought, here I am, I'm going to prove that 205 00:13:13,520 --> 00:13:16,480 Speaker 1: this stuff is not bad for the public, that society 206 00:13:16,520 --> 00:13:18,560 Speaker 1: is not being affected for the worst, and I just 207 00:13:18,600 --> 00:13:21,559 Speaker 1: want my voice heard. Yeah. And he used a satirical 208 00:13:21,760 --> 00:13:25,640 Speaker 1: style that allowed him to poke fun at the thoughts, 209 00:13:25,640 --> 00:13:29,520 Speaker 1: words actions of the US and it's more conservative citizens, 210 00:13:29,520 --> 00:13:33,680 Speaker 1: and he often spoke out directly against religious fundamentalists and 211 00:13:33,800 --> 00:13:38,080 Speaker 1: fun fact, hl mancon first to use the term Bible belt. Right. 212 00:13:38,080 --> 00:13:41,280 Speaker 1: He also coined the term monkey trial at the Scopes trial. 213 00:13:42,760 --> 00:13:47,200 Speaker 1: So moving on from Mancon one guy Um, who we 214 00:13:47,280 --> 00:13:51,400 Speaker 1: can thank for some of our smuttiest books in our 215 00:13:51,520 --> 00:13:56,480 Speaker 1: Home libraries. Barney ross It who founded the publishing company 216 00:13:56,920 --> 00:14:01,240 Speaker 1: Grove Press, and essentially the aim of Growth Press was 217 00:14:01,320 --> 00:14:05,959 Speaker 1: to breach the damn of American Puritanism, as he called it. 218 00:14:06,320 --> 00:14:09,880 Speaker 1: He brought a bunch of writers to Americans attention, including 219 00:14:09,920 --> 00:14:13,079 Speaker 1: Samuel Beckett. He published che guevara Um, and in the 220 00:14:13,160 --> 00:14:17,240 Speaker 1: nineteen sixties he published D. H. Lawrence's Lady Chatterley's Lover, 221 00:14:17,600 --> 00:14:21,480 Speaker 1: which originally appeared in Italy and nine and Henry Miller's 222 00:14:21,480 --> 00:14:25,800 Speaker 1: Tropic of Cancer, which was a very controversial sexually explicit 223 00:14:26,320 --> 00:14:30,320 Speaker 1: autobiographical novel that had been published in Paris in ninety 224 00:14:30,360 --> 00:14:32,760 Speaker 1: four and banned since then in the US. Yeah. And 225 00:14:32,800 --> 00:14:35,000 Speaker 1: I gotta say that Traffic of Cancer is in fact 226 00:14:35,240 --> 00:14:40,240 Speaker 1: so sexually explicit it is almost I find difficult to read. Really. Yes, 227 00:14:40,520 --> 00:14:45,960 Speaker 1: there's just so much penis interesting. Um. Yeah, But Lady 228 00:14:46,040 --> 00:14:50,800 Speaker 1: Chatterley's Lover was a really important book because the case 229 00:14:50,840 --> 00:14:53,840 Speaker 1: started out the abscenity case started out in England in 230 00:14:53,920 --> 00:14:57,440 Speaker 1: nineteen sixty with the case of Crown v. Penguin Books 231 00:14:57,640 --> 00:15:02,240 Speaker 1: and essentially Penguin one, and they were allowed to sell 232 00:15:02,280 --> 00:15:04,800 Speaker 1: the books, but in the US you still couldn't get 233 00:15:04,840 --> 00:15:08,560 Speaker 1: your hands on the copy until Barney ross It fought 234 00:15:08,600 --> 00:15:11,760 Speaker 1: the legal battle in the United States and Lady Chatterley's 235 00:15:11,800 --> 00:15:14,240 Speaker 1: Lover got into our hands here. And there's a great 236 00:15:14,280 --> 00:15:17,520 Speaker 1: scene in I believe it's the first season of Madmen 237 00:15:18,080 --> 00:15:20,960 Speaker 1: when they pay to the secretaries break room or something 238 00:15:20,960 --> 00:15:23,800 Speaker 1: and they're all passing around a copy of the unabridged 239 00:15:23,920 --> 00:15:28,880 Speaker 1: version of Lady Chatterley's Lover, which because initially the publishers said, hey, 240 00:15:28,920 --> 00:15:32,360 Speaker 1: if you cut out all of the dirty stuff, then 241 00:15:32,720 --> 00:15:38,560 Speaker 1: we can publish it, and uh d H. Lawrence was like, no, no, 242 00:15:38,840 --> 00:15:41,760 Speaker 1: my woodsman's sex scenes will remain, and he did a 243 00:15:41,760 --> 00:15:45,320 Speaker 1: little d snap in formation with his fingers. But actually 244 00:15:45,600 --> 00:15:49,600 Speaker 1: uh Rossa had to fight several battles over Lady Chatterley's 245 00:15:49,640 --> 00:15:52,520 Speaker 1: Lover um because, like the earlier book we mentioned, the 246 00:15:52,520 --> 00:15:56,920 Speaker 1: main distribution method was through the mail. The Postmaster General 247 00:15:56,960 --> 00:16:00,720 Speaker 1: actually barred the book from the mail, but a federal 248 00:16:00,800 --> 00:16:03,160 Speaker 1: judge ended up overturning the band, ruling that the book 249 00:16:03,200 --> 00:16:05,840 Speaker 1: had redeeming merit, and that is the key. Does the 250 00:16:05,880 --> 00:16:09,720 Speaker 1: piece of literature have redeeming merit? And tropic of cancer, 251 00:16:09,840 --> 00:16:13,640 Speaker 1: as anyone who has read it can imagine, uh was 252 00:16:13,800 --> 00:16:16,040 Speaker 1: a whole lot of trouble for Barney ross It um. 253 00:16:16,120 --> 00:16:18,680 Speaker 1: He faced more than sixty legal cases seeking to ban 254 00:16:18,800 --> 00:16:22,680 Speaker 1: it in twenty one states and even lead to Rosset's arrest, 255 00:16:22,960 --> 00:16:26,040 Speaker 1: although the grand jury decided against an indictment. But it 256 00:16:26,160 --> 00:16:29,600 Speaker 1: was it's interesting to hear UM or read interviews with 257 00:16:29,720 --> 00:16:37,200 Speaker 1: Rossett because he was so just persistent and really didn't 258 00:16:37,240 --> 00:16:43,200 Speaker 1: care whether what it took to bring um racier titles 259 00:16:43,240 --> 00:16:48,080 Speaker 1: to the US exactly. Well, some of these people who 260 00:16:48,200 --> 00:16:51,880 Speaker 1: are out to ban books for whatever reason. You can't 261 00:16:51,920 --> 00:16:54,680 Speaker 1: just get a book band willy nilly out of the 262 00:16:54,720 --> 00:16:58,040 Speaker 1: gate right away. You have to actually raise a challenge, 263 00:16:58,240 --> 00:17:01,320 Speaker 1: and so that's an attempt to remove restrict materials based 264 00:17:01,320 --> 00:17:04,600 Speaker 1: on the objections of a person or group. Most challenges 265 00:17:04,640 --> 00:17:07,639 Speaker 1: are unsuccessful, and libraries and schools are typically able to 266 00:17:07,640 --> 00:17:12,800 Speaker 1: retain the challenge materials UM. But between two thousand, according 267 00:17:12,840 --> 00:17:15,640 Speaker 1: to the American Library Association, there were six thousand, three 268 00:17:15,840 --> 00:17:19,760 Speaker 1: d and sixty four challenges raised against books. And that 269 00:17:19,880 --> 00:17:24,040 Speaker 1: number for ten years. I feel like that's pretty high. 270 00:17:24,160 --> 00:17:26,080 Speaker 1: I feel like that's a lot of challenged books. Well, 271 00:17:26,160 --> 00:17:29,879 Speaker 1: especially when you consider it in the contemporary context of 272 00:17:30,320 --> 00:17:35,160 Speaker 1: all of the more sexually explicit or racy stuff, racy 273 00:17:35,240 --> 00:17:38,439 Speaker 1: stuff that we see on television, on the internet. You know, 274 00:17:38,720 --> 00:17:41,119 Speaker 1: the fact that we're still so concerned about books I 275 00:17:41,200 --> 00:17:43,240 Speaker 1: find I mean, do kids even go to libraries anymore? 276 00:17:43,359 --> 00:17:46,240 Speaker 1: I hope I won't up too, But I'm just saying, like, 277 00:17:46,760 --> 00:17:49,080 Speaker 1: is really these books are the thing that you're worried 278 00:17:49,080 --> 00:17:51,000 Speaker 1: about the most, Like, shouldn't you maybe take the internet 279 00:17:51,040 --> 00:17:56,680 Speaker 1: away first? But the two top challenged topics basically are 280 00:17:56,760 --> 00:18:01,720 Speaker 1: sexually explicit material and offensive length, which followed by things 281 00:18:01,760 --> 00:18:05,680 Speaker 1: with occult themes, violence, anything that seems to be perceived 282 00:18:05,720 --> 00:18:09,399 Speaker 1: to promote homosexuality, as well as religious viewpoints. Yeah, and 283 00:18:09,440 --> 00:18:14,240 Speaker 1: speaking of occult themes. Between two thousand and two thousand nine, 284 00:18:14,560 --> 00:18:19,520 Speaker 1: the Harry Potter series the number one most banned books 285 00:18:20,200 --> 00:18:24,080 Speaker 1: in the United States because of the wizardry. It's teaching 286 00:18:24,119 --> 00:18:27,280 Speaker 1: out children to be wizards. It makes people very upset. 287 00:18:27,400 --> 00:18:30,359 Speaker 1: My my French professor in college went on a rant 288 00:18:30,400 --> 00:18:32,840 Speaker 1: about how you know you see these people wearing black 289 00:18:32,880 --> 00:18:36,639 Speaker 1: around campus. They're not they're not God, their witches and 290 00:18:36,680 --> 00:18:40,040 Speaker 1: they're doing voodoo when they're evil because of Harry Potter. Yeah, 291 00:18:40,040 --> 00:18:42,040 Speaker 1: because one of my classmates had given a presentation in 292 00:18:42,080 --> 00:18:44,679 Speaker 1: French on Airy Potter so well with the offensive language 293 00:18:44,680 --> 00:18:48,880 Speaker 1: stuff as well. They're still issues over Huckleberry Finn because 294 00:18:48,920 --> 00:18:53,120 Speaker 1: he refers to Jim as the in word. It's like, well, 295 00:18:53,119 --> 00:18:55,000 Speaker 1: what do we do? What do we do with that? 296 00:18:55,119 --> 00:18:58,000 Speaker 1: Because that was you know, writing in the time. How 297 00:18:58,000 --> 00:19:00,679 Speaker 1: does it apply now? And again, if you apply that 298 00:19:00,760 --> 00:19:03,400 Speaker 1: Miller test and look at the body, the entire body 299 00:19:03,440 --> 00:19:05,359 Speaker 1: of the work and whether or not it has literary merit, 300 00:19:05,800 --> 00:19:10,359 Speaker 1: usually things shake out in favor of the book. Right. Well, 301 00:19:10,359 --> 00:19:13,160 Speaker 1: there there are people, don't worry, there are people supporting 302 00:19:13,200 --> 00:19:16,880 Speaker 1: books out there. Uh, there's this whole Banned Books Week, 303 00:19:16,920 --> 00:19:20,280 Speaker 1: which I believe this year is in September and of September. Yes, 304 00:19:20,359 --> 00:19:24,639 Speaker 1: it is from September to October six, So that gives 305 00:19:24,640 --> 00:19:27,879 Speaker 1: listeners plenty of time to get a lot of a 306 00:19:27,920 --> 00:19:31,760 Speaker 1: lot of books to read openly. Yeah, and not burn 307 00:19:31,920 --> 00:19:34,840 Speaker 1: and not burn them. Well, yeah, it's definitely. It's not 308 00:19:34,880 --> 00:19:37,360 Speaker 1: only to kind of feature the band books to get 309 00:19:37,400 --> 00:19:39,200 Speaker 1: more people to read them, but it also the whole 310 00:19:39,200 --> 00:19:41,640 Speaker 1: point of it is to celebrate the freedom to read 311 00:19:41,680 --> 00:19:44,760 Speaker 1: and the importance of the First Amendment. Yeah, because we've 312 00:19:44,760 --> 00:19:48,399 Speaker 1: talked a lot about racier literature, but a lot of 313 00:19:48,440 --> 00:19:51,199 Speaker 1: common books that have been banned over the years include 314 00:19:51,240 --> 00:19:53,560 Speaker 1: titles like The Great God Speak, Catcher in the Rye, 315 00:19:53,600 --> 00:19:56,679 Speaker 1: Grapes of Wrath, to Kill a Mockingbird, the Color Purple, 316 00:19:56,960 --> 00:20:00,560 Speaker 1: all of which deal with difficult themes. But I couldn't 317 00:20:00,600 --> 00:20:04,280 Speaker 1: imagine not having them to read, and you know, all 318 00:20:04,320 --> 00:20:08,760 Speaker 1: of the the rich imagery that they bestill upon us, 319 00:20:08,840 --> 00:20:10,840 Speaker 1: well exactly, I mean, except for the Grapes of Wrath. 320 00:20:10,880 --> 00:20:12,240 Speaker 1: I don't know what happened to me. Why I didn't 321 00:20:12,240 --> 00:20:14,080 Speaker 1: read that in high school, but I read I read 322 00:20:14,119 --> 00:20:18,400 Speaker 1: these other ones in I guess in high school. So 323 00:20:18,640 --> 00:20:23,280 Speaker 1: next up in our Summer Book Club two parter, we 324 00:20:23,359 --> 00:20:27,119 Speaker 1: are going to dive deeper into rac or material and 325 00:20:27,160 --> 00:20:32,639 Speaker 1: talk specifically about erotica, warning to those who have younger 326 00:20:32,680 --> 00:20:36,640 Speaker 1: listeners into But in the meantime, we want to hear 327 00:20:36,680 --> 00:20:40,439 Speaker 1: from listeners. UM. Curious to know if your library has 328 00:20:40,480 --> 00:20:44,640 Speaker 1: ever tried to ban books? Um, have you ever challenged 329 00:20:44,680 --> 00:20:46,320 Speaker 1: a book? Have you read banned books? I don't know, 330 00:20:46,320 --> 00:20:47,840 Speaker 1: what do you What do you think about censorship and 331 00:20:47,880 --> 00:20:51,000 Speaker 1: all that? International listeners are what are the state of 332 00:20:51,840 --> 00:20:55,960 Speaker 1: book banning and censorship in your countries? As well. Let 333 00:20:56,040 --> 00:20:58,680 Speaker 1: us know, mom stuff at Discovery dot com is where 334 00:20:58,720 --> 00:21:01,040 Speaker 1: you can send all of your letters that we love 335 00:21:01,119 --> 00:21:05,280 Speaker 1: to read. And speaking of which, we have two letters here, 336 00:21:06,280 --> 00:21:12,800 Speaker 1: both about manic pixie dream guys. So Brandon wrote in 337 00:21:13,000 --> 00:21:17,800 Speaker 1: with a couple of suggestions about manic pixie dream guys, 338 00:21:18,400 --> 00:21:21,280 Speaker 1: and he says, there are two candidates that I can guess. 339 00:21:21,320 --> 00:21:24,360 Speaker 1: The sort of prince charming archetype that pops up sometimes 340 00:21:24,359 --> 00:21:27,399 Speaker 1: in movies to be the object of his affection, and 341 00:21:27,520 --> 00:21:30,600 Speaker 1: it's all glamour and gentleman venus and just so perfect 342 00:21:30,840 --> 00:21:33,520 Speaker 1: who usually sort of convinces the heroine that there's more 343 00:21:33,560 --> 00:21:36,800 Speaker 1: to love than all that. He's almost never given any 344 00:21:36,880 --> 00:21:39,480 Speaker 1: real sort of dimension and is defined only by his 345 00:21:39,640 --> 00:21:43,600 Speaker 1: interactions with the female main character and sometimes by her friends. 346 00:21:44,040 --> 00:21:46,159 Speaker 1: He may not have pixie dust, but his smile is 347 00:21:46,240 --> 00:21:49,280 Speaker 1: usually slightly blinding because of how white his teeth are. 348 00:21:49,880 --> 00:21:53,800 Speaker 1: The other option maybe fits less well. He is the 349 00:21:53,840 --> 00:21:58,119 Speaker 1: male character who is in the perfect on paper life 350 00:21:58,440 --> 00:22:01,080 Speaker 1: the female protagonist has at the beginning of a movie, 351 00:22:01,400 --> 00:22:05,160 Speaker 1: but ends up being kind of Sometimes he's an outright jerk, 352 00:22:05,280 --> 00:22:07,880 Speaker 1: other times he's just dull. He pops up in those 353 00:22:07,960 --> 00:22:10,840 Speaker 1: kind of movies, Reese Witherspoon stars in a lot where 354 00:22:10,880 --> 00:22:13,080 Speaker 1: she's dating him or engaged to him or something, and 355 00:22:13,080 --> 00:22:15,520 Speaker 1: then goes off on some kind of adventure and ends 356 00:22:15,560 --> 00:22:19,119 Speaker 1: up leaving him triumphantly at the end of the movie. True, 357 00:22:19,200 --> 00:22:21,160 Speaker 1: it's often for a true love interest of some kind, 358 00:22:21,200 --> 00:22:23,600 Speaker 1: but occasionally we also see this happen when she decides 359 00:22:23,640 --> 00:22:27,840 Speaker 1: she doesn't need to define herself by the man she's with. 360 00:22:28,359 --> 00:22:32,040 Speaker 1: So too excellent candidates, Thank you, Brandon. Okay, this one's 361 00:22:32,080 --> 00:22:34,840 Speaker 1: from Amber. She says that she loved the Manic Pixie 362 00:22:34,880 --> 00:22:38,480 Speaker 1: dream Girl episode and that it raised such paradoxical views 363 00:22:38,520 --> 00:22:41,520 Speaker 1: that we in the US have about women. However, when 364 00:22:41,520 --> 00:22:44,520 Speaker 1: you asked about male equivalence to this female caricature, my 365 00:22:44,600 --> 00:22:48,000 Speaker 1: brain instantly jumped to Matthew McConaughey. If Zoe Deschanel is 366 00:22:48,040 --> 00:22:50,479 Speaker 1: the girl's girl, he is the guy's guy. With the 367 00:22:50,480 --> 00:22:53,200 Speaker 1: exception of a few dramatic roles time to Kill, Cadillac 368 00:22:53,320 --> 00:22:55,879 Speaker 1: lawyer and amis Dad. He has played roles to portray 369 00:22:56,040 --> 00:23:00,680 Speaker 1: very happy male qualities, travel to exotic places, expense of cars, 370 00:23:00,800 --> 00:23:04,600 Speaker 1: great figure, I agree, power of freedom, and he always 371 00:23:04,600 --> 00:23:07,480 Speaker 1: gets the girl. Another celebrity that fits would be Christopher 372 00:23:07,480 --> 00:23:09,639 Speaker 1: Pine for the same reasons. I do wonder why the 373 00:23:09,680 --> 00:23:12,600 Speaker 1: social discourse is not addressed in male counterparts but has 374 00:23:12,640 --> 00:23:15,560 Speaker 1: only focused on the female pixies. Hopefully the uproar over 375 00:23:15,560 --> 00:23:17,560 Speaker 1: this will die down and we can just enjoy people 376 00:23:17,640 --> 00:23:21,360 Speaker 1: for who they are. I guess my response to this 377 00:23:21,400 --> 00:23:23,919 Speaker 1: would be I don't know if there is a total 378 00:23:24,800 --> 00:23:27,280 Speaker 1: male equivalent to a Manic Pixie dream girl. I think 379 00:23:27,320 --> 00:23:29,000 Speaker 1: that a lot of I was thinking about this a 380 00:23:29,040 --> 00:23:32,119 Speaker 1: lot of Jason Siegel's characters, like in I Love You 381 00:23:32,160 --> 00:23:36,760 Speaker 1: Many Manic Pixie dream because he's the catalyst, for instance, 382 00:23:36,760 --> 00:23:41,280 Speaker 1: for Paul Rudd's transformation, and while it may not be romantic, 383 00:23:41,640 --> 00:23:43,640 Speaker 1: and he kind of goes through his own transformation as well, 384 00:23:43,640 --> 00:23:45,840 Speaker 1: I don't know. He tends to kind of play sort 385 00:23:45,880 --> 00:23:50,240 Speaker 1: of hippy drippy dudes and I love him. In case 386 00:23:50,240 --> 00:23:54,119 Speaker 1: you're listening to Jason Siegel, that's true. So if you 387 00:23:54,119 --> 00:23:55,880 Speaker 1: are a Jason Siegel would like to get in touch 388 00:23:55,960 --> 00:23:58,879 Speaker 1: with me, or if you have any and he thoughts 389 00:23:58,920 --> 00:24:02,000 Speaker 1: you'd like to share mom Stuff at Discovery dot Com 390 00:24:02,119 --> 00:24:03,479 Speaker 1: is where you can send your letters, and you can 391 00:24:03,520 --> 00:24:07,280 Speaker 1: also find us on Facebook, follow us on Twitter at 392 00:24:07,320 --> 00:24:10,200 Speaker 1: mom Stuff podcast, and if you would like to learn 393 00:24:10,280 --> 00:24:13,680 Speaker 1: more about the history of banning books and how people 394 00:24:13,720 --> 00:24:16,600 Speaker 1: go about getting those books off of the library shelves, 395 00:24:16,800 --> 00:24:19,840 Speaker 1: you can read the article how Our Books ban by 396 00:24:19,920 --> 00:24:26,280 Speaker 1: Kristen Conger at how stuff works dot com for more 397 00:24:26,280 --> 00:24:28,600 Speaker 1: on this and thousands of other topics. Is it how 398 00:24:28,640 --> 00:24:35,919 Speaker 1: stuff works dot com brought to you by the reinvented 399 00:24:35,960 --> 00:24:38,640 Speaker 1: two thousand twelve camera. It's ready, Are you