1 00:00:00,640 --> 00:00:07,280 Speaker 1: Hi, guys, Welcome to episode to sixty two, where we 2 00:00:07,320 --> 00:00:11,040 Speaker 1: will talk to Luke Layard who has written over twenty 3 00:00:11,119 --> 00:00:13,000 Speaker 1: number one but he put out his first music album 4 00:00:13,039 --> 00:00:14,760 Speaker 1: and so I was able to talk with him for 5 00:00:14,760 --> 00:00:16,880 Speaker 1: a little bit, which is pretty cool. We do play 6 00:00:16,920 --> 00:00:19,960 Speaker 1: our trivia game music Trivia against the music Man. Oh 7 00:00:20,040 --> 00:00:25,160 Speaker 1: I like that, maybe for next time with Adam Hambrick, 8 00:00:25,200 --> 00:00:28,160 Speaker 1: who is the music man, the artist playing against the listener. 9 00:00:28,240 --> 00:00:30,920 Speaker 1: So that happens. We'll talk reactions from the A c 10 00:00:31,160 --> 00:00:35,360 Speaker 1: M s which a bit of controversy there. So yeah, 11 00:00:35,920 --> 00:00:37,199 Speaker 1: hang out, we got a pretty good one. I did 12 00:00:37,280 --> 00:00:39,559 Speaker 1: see you this morning because we do cut this this 13 00:00:39,680 --> 00:00:41,400 Speaker 1: part of the show on Friday, like we try to 14 00:00:41,400 --> 00:00:43,600 Speaker 1: cut this as close as possible because we like to 15 00:00:43,600 --> 00:00:48,199 Speaker 1: have excuse me, all of them the new music songs 16 00:00:48,840 --> 00:00:51,720 Speaker 1: ready to go. Um. So that being said, they just 17 00:00:51,720 --> 00:00:53,559 Speaker 1: put on the news that TikTok was being taken off 18 00:00:53,560 --> 00:00:55,360 Speaker 1: the app store. I just saw it. I didn't get 19 00:00:55,360 --> 00:00:58,680 Speaker 1: a chance to read it. Yea from Apple, Google any 20 00:00:58,720 --> 00:01:01,600 Speaker 1: app store. You can know longer. I believe as of 21 00:01:01,720 --> 00:01:06,440 Speaker 1: next week day. I'll look at the news again, but 22 00:01:07,480 --> 00:01:10,000 Speaker 1: it is happening where they're taking it down and and 23 00:01:10,040 --> 00:01:12,240 Speaker 1: everybody who has it can still be on it. But 24 00:01:12,600 --> 00:01:15,880 Speaker 1: to limit growth is basically killing it. It's gonna be 25 00:01:15,920 --> 00:01:21,399 Speaker 1: like where they start selling phones on eBay with tiok it. Yeah, 26 00:01:21,920 --> 00:01:26,920 Speaker 1: I think eventually it will work itself out because Oracle 27 00:01:27,240 --> 00:01:31,120 Speaker 1: is buying TikTok, at least the American version of it. 28 00:01:33,040 --> 00:01:34,640 Speaker 1: So when you pull up that story, let me know. 29 00:01:35,080 --> 00:01:36,920 Speaker 1: It was all over my feet this morning. I clicked 30 00:01:36,920 --> 00:01:40,800 Speaker 1: into it. Removed from all app stores on Sunday. On Sunday, Huh, 31 00:01:41,360 --> 00:01:44,200 Speaker 1: it'll be back. I do feel it's just too big 32 00:01:44,560 --> 00:01:47,120 Speaker 1: to disappear. But I'm telling you all those TikTok kids 33 00:01:47,880 --> 00:01:50,120 Speaker 1: they're butts of puckered hard today that the kids that 34 00:01:50,160 --> 00:01:55,000 Speaker 1: are making money off of it, because that's their livelihood, 35 00:01:55,000 --> 00:01:56,800 Speaker 1: that's their career. It would be like if they just said, okay, 36 00:01:56,840 --> 00:02:00,040 Speaker 1: well we're banning all microphones, probably like what now I 37 00:02:00,080 --> 00:02:02,080 Speaker 1: supposed to do? As trivial as it is, what am 38 00:02:02,120 --> 00:02:05,760 Speaker 1: I supposed to do? Now? So if you seen anything 39 00:02:05,760 --> 00:02:08,400 Speaker 1: else it's interesting, let me know. Let's go with the 40 00:02:08,400 --> 00:02:11,600 Speaker 1: new music top five this week. So every week I 41 00:02:11,639 --> 00:02:15,480 Speaker 1: find five songs that I'm super interested in. Sometimes I've 42 00:02:15,480 --> 00:02:19,040 Speaker 1: heard him, sometimes I haven't but there's always a little 43 00:02:19,080 --> 00:02:22,320 Speaker 1: bit of interest. At number five. Bon Jovi has a 44 00:02:22,360 --> 00:02:25,320 Speaker 1: new song out with Jennifer Nettles, and he had this 45 00:02:25,440 --> 00:02:28,440 Speaker 1: version of the song out with just him already, but 46 00:02:28,520 --> 00:02:31,760 Speaker 1: added Jennifer Nettles. It's called do what you Can Do, 47 00:02:31,919 --> 00:02:45,520 Speaker 1: you Can Do Missing just just you know what. Their 48 00:02:45,560 --> 00:02:48,959 Speaker 1: last song was called who Says He Can't Go Home? 49 00:02:49,240 --> 00:02:51,919 Speaker 1: Who Says You Can't Get And and he had that song. 50 00:02:52,000 --> 00:02:55,000 Speaker 1: Bon Jovi had that song by themselves before they added 51 00:02:55,040 --> 00:02:57,119 Speaker 1: Jennifer Nettles last time too, and then ended up being 52 00:02:57,160 --> 00:03:00,840 Speaker 1: a country number one. So yeah, we'll see if that 53 00:03:00,880 --> 00:03:04,080 Speaker 1: song grows on me. It's not my favorite immediately, but 54 00:03:04,160 --> 00:03:06,240 Speaker 1: I'm I'm interested in it. I'm interest see what happens. 55 00:03:06,240 --> 00:03:08,440 Speaker 1: We had bon Jovi on the radio show today. It's 56 00:03:08,440 --> 00:03:13,960 Speaker 1: super nice, super rich, super famous, super nice. Let's see. 57 00:03:14,120 --> 00:03:17,440 Speaker 1: Tyler Childers dropped a surprise album called Long Violent History. 58 00:03:17,560 --> 00:03:21,040 Speaker 1: The first eight songs are just fiddle instrumentals, and the 59 00:03:21,080 --> 00:03:23,720 Speaker 1: final track is an original new song written by Tyler 60 00:03:23,840 --> 00:03:27,720 Speaker 1: that speaks two you know, moments that we find ourselves in. 61 00:03:27,760 --> 00:03:33,480 Speaker 1: Here's a clip of Long Violent History. Six that buzzle 62 00:03:34,600 --> 00:03:41,840 Speaker 1: how many would it be? Four? Five? Would that be 63 00:03:42,720 --> 00:03:49,280 Speaker 1: start along by History, keen our tails as we tried 64 00:03:49,480 --> 00:03:57,360 Speaker 1: to what would that be? Start at number three? The 65 00:03:57,520 --> 00:04:00,000 Speaker 1: Speed of Now Part one. It's an entire album by 66 00:04:00,120 --> 00:04:03,080 Speaker 1: Keith Urban. This is his tenth album. It includes his 67 00:04:03,200 --> 00:04:04,920 Speaker 1: duet with Pink, which they played on the a c 68 00:04:05,080 --> 00:04:18,479 Speaker 1: m S called One too Many Drinking. You know what 69 00:04:18,560 --> 00:04:20,160 Speaker 1: was interesting about that performance at the a c m 70 00:04:20,200 --> 00:04:22,080 Speaker 1: S is that I would have believed they were together 71 00:04:22,080 --> 00:04:25,000 Speaker 1: because they were a shot on two locations because of Corona, 72 00:04:25,000 --> 00:04:27,039 Speaker 1: and she wasn't leaving l A and he wasn't leaving Nashville. 73 00:04:28,200 --> 00:04:30,039 Speaker 1: But they did such a good job at building a 74 00:04:30,080 --> 00:04:32,520 Speaker 1: fake stage. Did you see it? I did see it. 75 00:04:32,640 --> 00:04:35,279 Speaker 1: I wondered how they did that because it sounded great, 76 00:04:35,760 --> 00:04:40,279 Speaker 1: all digital. It was super cool. So and that was 77 00:04:40,279 --> 00:04:41,960 Speaker 1: one of the only performances that I saw live because 78 00:04:41,960 --> 00:04:44,360 Speaker 1: I was at the show, which was when you're walking backstage. 79 00:04:44,400 --> 00:04:47,039 Speaker 1: I may have mentioned this later with Lauren. It was 80 00:04:47,040 --> 00:04:49,960 Speaker 1: like a space movie because everybody wasn't just in masks. 81 00:04:50,040 --> 00:04:52,760 Speaker 1: They were like in masks with face shields and covers, 82 00:04:52,880 --> 00:04:55,040 Speaker 1: and it was like, I'm digging your room, you know. 83 00:04:55,360 --> 00:05:01,159 Speaker 1: Taken here number two, I'm putting luke La because He 84 00:05:01,200 --> 00:05:03,640 Speaker 1: has an album called Music Row. We will hear from 85 00:05:03,680 --> 00:05:07,480 Speaker 1: him later. He's written songs for Eric Church, Casey Musgraves, 86 00:05:07,600 --> 00:05:10,360 Speaker 1: Carrie Underwood, a Little Big Town, Brad Paisley Big songs too. 87 00:05:10,760 --> 00:05:12,520 Speaker 1: But here's a new song that we'll talk about later 88 00:05:12,640 --> 00:05:14,880 Speaker 1: from Luke Layard called That's Why I Don't Drink Anymore. 89 00:05:15,560 --> 00:05:24,119 Speaker 1: That let's think it about myself, That's why I don't 90 00:05:24,279 --> 00:05:30,640 Speaker 1: drink anymore. It kind of feels like if the Postal Service. 91 00:05:32,080 --> 00:05:34,880 Speaker 1: I think that's why I like it. It's slightly more 92 00:05:34,960 --> 00:05:39,119 Speaker 1: country that would feel what I was trying to place 93 00:05:39,200 --> 00:05:42,800 Speaker 1: this and not the Postal Service that they're trying to 94 00:05:42,839 --> 00:05:45,560 Speaker 1: knock out of business right now. But ten years ago 95 00:05:46,080 --> 00:05:48,920 Speaker 1: there's a band called the Postal Service and they played 96 00:05:49,560 --> 00:05:56,440 Speaker 1: real light melodic people would say get Stone to songs. 97 00:05:56,640 --> 00:06:00,040 Speaker 1: I never got Stone, so and then number one and 98 00:06:00,120 --> 00:06:02,159 Speaker 1: Luke Combs has a new song I called Without You 99 00:06:02,279 --> 00:06:10,000 Speaker 1: featuring Amanda Shires when up missing spots on my face 100 00:06:10,360 --> 00:06:21,680 Speaker 1: but says masting miss me, strum miss gets miss me. 101 00:06:23,839 --> 00:06:27,200 Speaker 1: Those are the five releases that I'm most intrigued by. 102 00:06:28,240 --> 00:06:30,840 Speaker 1: More new songs, there's one Justin Bieber has a new 103 00:06:30,880 --> 00:06:35,200 Speaker 1: song I called Holy not Holy Holy, because that song 104 00:06:35,240 --> 00:06:37,880 Speaker 1: was originally written for Justin Bieber that Jail did. But 105 00:06:38,040 --> 00:06:40,919 Speaker 1: this is a song called Holy featuring Chance the Wrapper. 106 00:06:41,200 --> 00:06:45,800 Speaker 1: Here's the clip. Feels so holy, holy, Holy, Holy, Holy, 107 00:06:47,920 --> 00:06:52,040 Speaker 1: Oh God, run into the other like a textile. Can 108 00:06:52,120 --> 00:06:55,320 Speaker 1: we end up the second? Ho me o me o 109 00:06:55,520 --> 00:06:57,800 Speaker 1: me ho me That's pretty cool, just like it. I 110 00:06:57,920 --> 00:07:00,240 Speaker 1: like hip hop or R and B stuff with just 111 00:07:00,279 --> 00:07:01,880 Speaker 1: piano and I like a little tambourine over there on 112 00:07:01,920 --> 00:07:03,800 Speaker 1: the side, Like I like that. I'd like to feel 113 00:07:03,800 --> 00:07:07,880 Speaker 1: all those kind of songs. Sasha Sloan has a new 114 00:07:07,920 --> 00:07:10,920 Speaker 1: song out, and I wouldn't know much about Sasha Sloan 115 00:07:11,600 --> 00:07:13,440 Speaker 1: except for Kaitlin's a big fan. It has been for 116 00:07:13,480 --> 00:07:16,520 Speaker 1: a long time. I like to do so. She has 117 00:07:16,520 --> 00:07:18,640 Speaker 1: a new song I called is It Just Me, which 118 00:07:18,680 --> 00:07:20,840 Speaker 1: was co written by Nicole Galleon. All Right here you 119 00:07:20,840 --> 00:07:44,160 Speaker 1: go an stop he just Me Ship, just Me alright. 120 00:07:44,160 --> 00:07:46,840 Speaker 1: Other songs out today. Sam Smith has a new song 121 00:07:46,880 --> 00:07:49,600 Speaker 1: out called Diamonds. Rita Wilson has a new song out 122 00:07:49,640 --> 00:07:52,360 Speaker 1: called What I Would Say What she reached down. I 123 00:07:52,480 --> 00:07:54,600 Speaker 1: was like, I'd like to talk a little bit. Okay, 124 00:07:54,920 --> 00:07:56,920 Speaker 1: we can talk to Rita Wilson. Huh, that sounds good. 125 00:07:56,960 --> 00:07:58,560 Speaker 1: So I've had her a couple of times, always been 126 00:07:58,560 --> 00:08:00,680 Speaker 1: extremely nice. At time I met her, I was like, 127 00:08:00,680 --> 00:08:02,080 Speaker 1: oh cool, read Wilson. Second time I matter, I was like, 128 00:08:02,080 --> 00:08:06,880 Speaker 1: where Tom Hans? Because I never met Tom Hanks. That's 129 00:08:06,880 --> 00:08:09,840 Speaker 1: fair for me to think, right live here. No. I 130 00:08:09,840 --> 00:08:12,480 Speaker 1: think they're back and forth a lot because she likes 131 00:08:12,520 --> 00:08:15,080 Speaker 1: to sing a new country music. She doesn't need to. 132 00:08:15,200 --> 00:08:18,120 Speaker 1: They're fine. I was looking at their bank statement. They're 133 00:08:18,120 --> 00:08:23,320 Speaker 1: doing okay. Prince's Estate released a previously unheard up song 134 00:08:23,360 --> 00:08:26,000 Speaker 1: called I Need a Man back in the day. He 135 00:08:26,040 --> 00:08:28,680 Speaker 1: offered it to Bonnie Rate, so you can check that 136 00:08:28,720 --> 00:08:32,120 Speaker 1: out if you want albums out today. Alicia Keys has Alicia. 137 00:08:32,400 --> 00:08:35,840 Speaker 1: It's her seventh album. A live album by John Oates 138 00:08:35,840 --> 00:08:39,480 Speaker 1: from Hall and Oates called Live in Nashville. Atlantis has 139 00:08:39,520 --> 00:08:43,160 Speaker 1: such pretty forks in the road and Semisnic who you 140 00:08:43,200 --> 00:08:47,840 Speaker 1: may know from closing time. Time to close the closes 141 00:08:47,880 --> 00:08:50,320 Speaker 1: and let's close it up. They have a have a 142 00:08:50,320 --> 00:08:53,560 Speaker 1: EP called You're Not Alone. Mike Shinoda from Lincoln Park 143 00:08:54,200 --> 00:08:58,040 Speaker 1: put Out dropped Frames Volume three No Young Avan Max 144 00:08:58,080 --> 00:09:03,319 Speaker 1: with the record as Freely from Uh Kiss. Joana Osborne 145 00:09:03,760 --> 00:09:06,600 Speaker 1: and then finally Ziggy Marley. So those are all the 146 00:09:06,640 --> 00:09:09,520 Speaker 1: releases this week. Go find you some new music. I 147 00:09:09,559 --> 00:09:14,480 Speaker 1: struggle with finding music though that I'm just attached too 148 00:09:15,200 --> 00:09:18,240 Speaker 1: and so, and I also have less patience for just 149 00:09:18,280 --> 00:09:19,679 Speaker 1: going through and listening to a bunch of stuff I 150 00:09:19,679 --> 00:09:22,760 Speaker 1: don't like. So I've just started going back to nineties 151 00:09:22,800 --> 00:09:28,440 Speaker 1: country and nineties pop, not pop, nineties acoustic stuff. Is 152 00:09:28,440 --> 00:09:30,480 Speaker 1: there any album that's like stuck out to you this year? 153 00:09:30,800 --> 00:09:32,800 Speaker 1: You like, I don't even know what's happening this year? Really, 154 00:09:32,920 --> 00:09:34,720 Speaker 1: I mean, what is what has come out? Like the 155 00:09:34,760 --> 00:09:39,920 Speaker 1: Taylor album No No, I guess not? Then? Is that 156 00:09:39,960 --> 00:09:41,400 Speaker 1: the only album you know that come out this year? 157 00:09:41,480 --> 00:09:43,160 Speaker 1: That's the one that I've probably like gone back to 158 00:09:43,320 --> 00:09:46,840 Speaker 1: listen to. Yeah, I know, I haven't not that it's 159 00:09:46,840 --> 00:09:48,240 Speaker 1: I don't think it's not good. I just haven't spent 160 00:09:48,360 --> 00:09:53,160 Speaker 1: enough time with it. Okay. In music news, let's start 161 00:09:53,200 --> 00:09:56,840 Speaker 1: with does every song from the weekend use the same 162 00:09:56,880 --> 00:09:59,960 Speaker 1: four notes? Someone on Twitter tried to prove that every 163 00:10:00,040 --> 00:10:01,679 Speaker 1: song by the Weekend has the same four notes by 164 00:10:01,720 --> 00:10:04,680 Speaker 1: playing portions of the songs on electric piano. Twitter users 165 00:10:04,679 --> 00:10:06,920 Speaker 1: as still debating it. The songs he played are Tell 166 00:10:06,960 --> 00:10:11,600 Speaker 1: your friends often reminder, Starboy and Heartless. Here's a clip 167 00:10:14,000 --> 00:10:36,719 Speaker 1: just Journey. I'm just trying to sing. If cut it 168 00:10:36,720 --> 00:10:38,439 Speaker 1: off because this is all the same thing. If it 169 00:10:38,480 --> 00:10:40,840 Speaker 1: sounds like they're just playing one song, that's all the songs. Yeah, 170 00:10:41,520 --> 00:10:45,000 Speaker 1: And to be fair, I only know like nine chords 171 00:10:45,000 --> 00:10:49,839 Speaker 1: on guitar, so you know, when we're right and stuff. 172 00:10:49,880 --> 00:10:51,520 Speaker 1: I kind of stay with him, my little zone two. 173 00:10:52,200 --> 00:10:54,640 Speaker 1: Kanye West says he won't release music until he's freed 174 00:10:54,679 --> 00:10:59,240 Speaker 1: from contracts, claims his masters are worth more than Taylor Swift's. 175 00:10:59,400 --> 00:11:02,360 Speaker 1: You may have seen Kanye on Twitter peeing into a 176 00:11:02,440 --> 00:11:06,840 Speaker 1: toilet on his Grammy. He's been going off this week. 177 00:11:07,960 --> 00:11:11,280 Speaker 1: He goes off those so regularly that it becomes less 178 00:11:11,280 --> 00:11:13,640 Speaker 1: and less news, though, but this one's been like constantly 179 00:11:13,679 --> 00:11:16,360 Speaker 1: all weeks. He says that they won't tell him how 180 00:11:16,440 --> 00:11:19,839 Speaker 1: much his master's cost because he knows he can afford them. Well, 181 00:11:20,040 --> 00:11:24,240 Speaker 1: the thing is, if he were to pay what they 182 00:11:24,240 --> 00:11:26,400 Speaker 1: were worth, they would be okay with that. Anybody will 183 00:11:26,440 --> 00:11:30,079 Speaker 1: sell anything for for what they feel like the fair prices. 184 00:11:30,960 --> 00:11:33,640 Speaker 1: So listen, what do we know about this? I don't 185 00:11:33,679 --> 00:11:37,240 Speaker 1: know anything about it. I don't know anything except for 186 00:11:37,280 --> 00:11:40,240 Speaker 1: the surface. What do you know about it? I mean, 187 00:11:40,280 --> 00:11:42,600 Speaker 1: I've just been thinking what he's been tweeting. I got 188 00:11:42,640 --> 00:11:44,800 Speaker 1: fascinated when he like tweeted all his contracts. I was 189 00:11:44,880 --> 00:11:46,400 Speaker 1: kind of going through those. Is he like how much 190 00:11:46,440 --> 00:11:48,800 Speaker 1: they pay him? That's pretty crazy to see. What did 191 00:11:48,800 --> 00:11:51,199 Speaker 1: you say? There was like one contract that he signed 192 00:11:51,200 --> 00:11:53,120 Speaker 1: in like two thousand five, and it just kind of 193 00:11:53,120 --> 00:11:55,600 Speaker 1: breaks down like where money goes, like how much he 194 00:11:55,640 --> 00:11:57,959 Speaker 1: gets paid and how much they are paying and all 195 00:11:58,000 --> 00:11:59,840 Speaker 1: these like hidden costs that he's saying they charge him 196 00:11:59,880 --> 00:12:02,840 Speaker 1: for or like distribution fees. I thought that was interesting. 197 00:12:03,840 --> 00:12:07,200 Speaker 1: The former Oakland home of Green Days Billy Joe Armstrong 198 00:12:07,280 --> 00:12:09,960 Speaker 1: gets a price cut to six point five million dollars. 199 00:12:10,360 --> 00:12:13,280 Speaker 1: An Oakland mansion previously owned by Billy Joe is now 200 00:12:13,280 --> 00:12:16,199 Speaker 1: selling for six point eight It was listed for seven 201 00:12:16,240 --> 00:12:19,400 Speaker 1: point to five. Significant drop. Do you think if it 202 00:12:19,440 --> 00:12:22,680 Speaker 1: was a seven to you take it to seven or 203 00:12:22,760 --> 00:12:25,600 Speaker 1: six seven? When all the way down to six four. 204 00:12:25,720 --> 00:12:30,240 Speaker 1: It's seven thousand square feet, five bedrooms, six bathrooms. It 205 00:12:30,320 --> 00:12:33,200 Speaker 1: was built on the side of the nineteen eleven Julia 206 00:12:33,240 --> 00:12:37,720 Speaker 1: Morgan designed Redgate mansion, which burned in the Oakland fire, 207 00:12:39,160 --> 00:12:41,800 Speaker 1: and then it goes through all that's in the house, 208 00:12:41,840 --> 00:12:43,400 Speaker 1: and I don't want to get jealous. So he has 209 00:12:43,440 --> 00:12:47,280 Speaker 1: a net worth of fifty five million dollars. Carry Underwood 210 00:12:47,280 --> 00:12:50,199 Speaker 1: apologizes for forgetting to thank family for a c M win. 211 00:12:52,120 --> 00:12:53,959 Speaker 1: She was so overcome with excitement she forgot to thank 212 00:12:54,000 --> 00:12:56,880 Speaker 1: some very important people in her life, her family. She said, first, 213 00:12:56,920 --> 00:12:58,520 Speaker 1: I want to say that I'm a dummy for not 214 00:12:58,559 --> 00:13:01,800 Speaker 1: mentioning my husband and my children. I acceptance speech. She 215 00:13:01,800 --> 00:13:03,520 Speaker 1: said that in the a c M virtual press room, 216 00:13:03,679 --> 00:13:05,640 Speaker 1: you would think that after this many years of seeing 217 00:13:05,679 --> 00:13:08,959 Speaker 1: other people do speeches, and you know, she goes on, 218 00:13:09,040 --> 00:13:10,839 Speaker 1: but here's the thing that's interesting to me. Then she 219 00:13:10,920 --> 00:13:13,600 Speaker 1: knew she was winning the award. Oh oh yeah, you're right. 220 00:13:15,120 --> 00:13:17,360 Speaker 1: So it's not like when you're sitting in the crowd 221 00:13:17,440 --> 00:13:19,520 Speaker 1: and you're like, oh my god, I want They told 222 00:13:19,520 --> 00:13:21,920 Speaker 1: her probably two days beforehand. But did she know it 223 00:13:22,000 --> 00:13:24,960 Speaker 1: was going to be split? But I don't think that 224 00:13:25,000 --> 00:13:28,560 Speaker 1: matters in the speech. You still know. You don't think 225 00:13:28,559 --> 00:13:31,160 Speaker 1: it's a shock of it. You forget. I think you 226 00:13:31,200 --> 00:13:33,480 Speaker 1: still if you prepare to you haven't written down. I 227 00:13:33,520 --> 00:13:36,320 Speaker 1: don't know there's anything written down. But yeah, that's pretty funny, 228 00:13:36,360 --> 00:13:39,200 Speaker 1: but if you're gonna forget someone, your family is probably 229 00:13:39,240 --> 00:13:41,880 Speaker 1: the best because they will forgive you the quickest. Because 230 00:13:41,880 --> 00:13:46,640 Speaker 1: it's understood. Taylor Swift stalker is sentenced to thirty months 231 00:13:47,640 --> 00:13:49,680 Speaker 1: a judge sentence. One of her stalker's the thirty months 232 00:13:49,720 --> 00:13:54,280 Speaker 1: in federal prison. Eric Swarbrick pleaded guilty to interstate stalking 233 00:13:54,360 --> 00:13:58,040 Speaker 1: and sending interstate communications with the intent to threaten. His 234 00:13:58,120 --> 00:14:00,560 Speaker 1: obsession heightened over the years, his note right became more 235 00:14:00,559 --> 00:14:04,320 Speaker 1: frequent and frightening. Among the forty letters Eric mailed, he 236 00:14:04,400 --> 00:14:07,240 Speaker 1: threatened a rape and murder Taylor. The FBI kept a 237 00:14:07,240 --> 00:14:09,960 Speaker 1: close eye on swore book after Taylor got a restraining order. 238 00:14:10,280 --> 00:14:12,880 Speaker 1: Three times he drove nine miles from Austin, Texas to 239 00:14:12,960 --> 00:14:17,240 Speaker 1: Nashville and delivered letters to Big Machine Records CEO. Eric 240 00:14:17,280 --> 00:14:20,960 Speaker 1: threatened suicide if not introduced to Taylor. That sucks for him, 241 00:14:20,960 --> 00:14:24,280 Speaker 1: sucks for her because obviously he's got something not right happening. 242 00:14:24,640 --> 00:14:26,600 Speaker 1: Do you see that Jerry from Cheer was busted this morning? 243 00:14:26,600 --> 00:14:29,640 Speaker 1: They arrested him. Yea, yesterday? Was it yesterday? I said, 244 00:14:29,640 --> 00:14:31,760 Speaker 1: I guess I saw it this morning when I woke up. 245 00:14:32,800 --> 00:14:37,840 Speaker 1: But he was fort child pornography is what they had listed, 246 00:14:38,480 --> 00:14:43,600 Speaker 1: but he was on snapchat with allegedly with one of 247 00:14:43,640 --> 00:14:47,280 Speaker 1: the stories was like a thirteen year old jeez man. 248 00:14:48,800 --> 00:14:52,080 Speaker 1: I saw Monica's Instagram post where she was like, hey, 249 00:14:52,600 --> 00:14:55,560 Speaker 1: just give me a little space on this and here 250 00:14:55,640 --> 00:14:58,520 Speaker 1: she is doing a big career thing, getting on dancing 251 00:14:58,520 --> 00:15:03,920 Speaker 1: with stars, probably loving life, and then, oh, godly, do 252 00:15:03,920 --> 00:15:14,760 Speaker 1: you think they pulled that show? I don't know. My 253 00:15:14,840 --> 00:15:21,640 Speaker 1: gut was to say, no, I don't know, because they're 254 00:15:21,680 --> 00:15:23,960 Speaker 1: in the middle of this debate with Cutie's too, where 255 00:15:24,000 --> 00:15:27,600 Speaker 1: folks are arguing over whether or not that is acceptable 256 00:15:27,640 --> 00:15:31,320 Speaker 1: to put on. Have you heard anything about that? No. 257 00:15:31,480 --> 00:15:33,760 Speaker 1: I just started thinking about that when I saw yesterday. 258 00:15:34,440 --> 00:15:39,360 Speaker 1: Maybe if he's guilty, yeah, or maybe they just want 259 00:15:39,360 --> 00:15:43,280 Speaker 1: to pull it, but maybe if quietly take it down, 260 00:15:43,800 --> 00:15:46,200 Speaker 1: and that won't be quietly taken down. It's such a 261 00:15:46,240 --> 00:15:49,480 Speaker 1: good series, it is. I mean, that's been the highlighted 262 00:15:49,560 --> 00:15:52,440 Speaker 1: like the start of the year. Eddie Money's former guitarist 263 00:15:52,520 --> 00:15:54,240 Speaker 1: is doing is a state from one point five million 264 00:15:54,280 --> 00:16:01,720 Speaker 1: and unpaid royalties? Is Ednie Money still alive? Okay? All right? Uh? 265 00:16:01,840 --> 00:16:06,320 Speaker 1: Firefest settled with Blank want Eddy two major laser and more. Wow, 266 00:16:06,480 --> 00:16:09,440 Speaker 1: Fireface is still doing stuff. You're still getting money back, 267 00:16:10,200 --> 00:16:12,400 Speaker 1: but Firefight is having to pay this guy's money, right. 268 00:16:12,440 --> 00:16:14,280 Speaker 1: I think they're having to pay it back because they 269 00:16:14,320 --> 00:16:17,000 Speaker 1: got paid up front. Oh, so they went there trying 270 00:16:17,040 --> 00:16:18,680 Speaker 1: to get the money back from the hanging back in 271 00:16:18,720 --> 00:16:24,000 Speaker 1: like installments. Okay, well, there's your music news, there's your releases. 272 00:16:24,280 --> 00:16:26,120 Speaker 1: I hope you guys have a good week of new 273 00:16:26,200 --> 00:16:29,200 Speaker 1: music and enjoy the rest of the show. Anything else 274 00:16:29,200 --> 00:16:31,600 Speaker 1: we should say before we go? Let's rocket all right 275 00:16:34,680 --> 00:16:38,200 Speaker 1: on now. Lauren Joe Black from Country Now dot Com. Lauren, 276 00:16:38,200 --> 00:16:40,640 Speaker 1: how are you? I'm great, Bobby, how are you pretty good? 277 00:16:40,720 --> 00:16:42,440 Speaker 1: You know, we are still talking about the a c 278 00:16:42,600 --> 00:16:45,560 Speaker 1: M Awards this There's Friday, so it would be a 279 00:16:45,560 --> 00:16:48,680 Speaker 1: couple of days after. Um. But the fact that we're 280 00:16:48,720 --> 00:16:51,320 Speaker 1: still talking about it means something because usually these things 281 00:16:51,480 --> 00:16:53,440 Speaker 1: come and go and people like their rewards. But this 282 00:16:53,520 --> 00:16:55,480 Speaker 1: year there's a little more to talk about. And I'm 283 00:16:55,520 --> 00:16:57,600 Speaker 1: curious to know how you felt about the Entertainer of 284 00:16:57,600 --> 00:17:00,640 Speaker 1: the Year Award. Well, I think that it was definitely 285 00:17:00,680 --> 00:17:03,080 Speaker 1: a shock. Um. You know, at first, I was like, 286 00:17:03,120 --> 00:17:06,120 Speaker 1: has this ever happened before? And of course started googling 287 00:17:06,160 --> 00:17:09,439 Speaker 1: and realized, no, it's never happened before. So that was 288 00:17:09,840 --> 00:17:12,880 Speaker 1: a big plot twist, I think, And I was really 289 00:17:12,920 --> 00:17:15,800 Speaker 1: hoping for Carrie to pull it off. Um. You know, 290 00:17:15,840 --> 00:17:18,200 Speaker 1: of course the cycle of the whole A Word show 291 00:17:18,280 --> 00:17:21,840 Speaker 1: was thrown off since it was postponed, um from April, 292 00:17:21,920 --> 00:17:24,240 Speaker 1: so I think like the timing of everything was a 293 00:17:24,240 --> 00:17:27,960 Speaker 1: little strange. But um, yeah, I mean I I was 294 00:17:28,000 --> 00:17:30,280 Speaker 1: really rooting and expecting for her to win, and it 295 00:17:30,359 --> 00:17:32,480 Speaker 1: was a shock that there was a tie, and that 296 00:17:32,560 --> 00:17:34,960 Speaker 1: the tie was Thomas. And you know, I think that 297 00:17:35,040 --> 00:17:39,360 Speaker 1: all of the nominees in that category were deserving um, 298 00:17:39,440 --> 00:17:41,480 Speaker 1: and but just to be honest with you, I really 299 00:17:41,520 --> 00:17:43,840 Speaker 1: was surprised that Thomas was the one she tied with 300 00:17:43,880 --> 00:17:46,240 Speaker 1: because I thought for sure it was gonna be Luke Combs, 301 00:17:46,240 --> 00:17:48,719 Speaker 1: just after the year that he had had. And I 302 00:17:48,720 --> 00:17:51,439 Speaker 1: even remember you and I speaking in like January, and 303 00:17:51,480 --> 00:17:54,199 Speaker 1: we were making predictions for the year, and that was 304 00:17:54,240 --> 00:17:56,200 Speaker 1: one of the things I talked about, like Luke Combs 305 00:17:56,200 --> 00:17:58,480 Speaker 1: and entertainer of the Years. So I'm kind of surprised 306 00:17:58,520 --> 00:18:01,520 Speaker 1: that it wasn't him. Yeah, the big tie was Thomas 307 00:18:01,560 --> 00:18:03,399 Speaker 1: Rhet and Carrie Underwood. At the end of the show, 308 00:18:03,480 --> 00:18:07,520 Speaker 1: and again all five of them you can you can 309 00:18:07,560 --> 00:18:09,960 Speaker 1: have a fight for it. I would have thought if 310 00:18:10,000 --> 00:18:13,480 Speaker 1: I were if you said, hey, put money on a couple, 311 00:18:14,200 --> 00:18:18,040 Speaker 1: it was Carrie or Luke Combs. As much as it's weird, 312 00:18:18,080 --> 00:18:20,800 Speaker 1: did not say Eric Church because again, they're all deserving 313 00:18:21,440 --> 00:18:24,240 Speaker 1: based on what I know about the voters, the history 314 00:18:24,280 --> 00:18:26,600 Speaker 1: of the voting patterns, and at what time of the 315 00:18:26,680 --> 00:18:29,360 Speaker 1: year it was, because again it's supposed to Aaron April, 316 00:18:30,000 --> 00:18:34,800 Speaker 1: but if I'm correct, voting closed in early March, so 317 00:18:35,080 --> 00:18:38,800 Speaker 1: they're voting on the past nine months to a year 318 00:18:39,520 --> 00:18:42,280 Speaker 1: before that. So it's almost like a whole different cycle 319 00:18:42,320 --> 00:18:46,520 Speaker 1: from what we know now. Right. Well, good for Thomas Rhett, 320 00:18:46,640 --> 00:18:49,280 Speaker 1: love him. He's a great artist. I kind of feel 321 00:18:49,280 --> 00:18:51,439 Speaker 1: bad that he's suffering some of the brunt of this today. 322 00:18:51,880 --> 00:18:53,600 Speaker 1: You know, last year when Garth won the c m A, 323 00:18:53,680 --> 00:18:55,520 Speaker 1: which is a different show because there are two shows, 324 00:18:55,840 --> 00:18:57,880 Speaker 1: Garth took it on the chin, which is why he's 325 00:18:57,880 --> 00:18:59,359 Speaker 1: not in it this year, because he's like, hey, I 326 00:18:59,440 --> 00:19:01,720 Speaker 1: want and I'm good, but it's gotta be weird to 327 00:19:01,800 --> 00:19:04,320 Speaker 1: win and then have people upset it. Well, I say that, 328 00:19:04,359 --> 00:19:06,159 Speaker 1: but when I wanted Dancing with the Stars. People were 329 00:19:06,200 --> 00:19:09,080 Speaker 1: pissed at me. So you didn't ask too, I mean, 330 00:19:09,280 --> 00:19:11,720 Speaker 1: you know, they gave it to you, you didn't ask. 331 00:19:11,720 --> 00:19:14,199 Speaker 1: And just like Thomas, like, I see people saying like, 332 00:19:14,600 --> 00:19:17,840 Speaker 1: why does Carrie You know, of course from the feminism, 333 00:19:18,040 --> 00:19:20,520 Speaker 1: you know, side of things like she shouldn't have to 334 00:19:20,560 --> 00:19:24,560 Speaker 1: share her award with someone and you know, she should 335 00:19:24,600 --> 00:19:26,600 Speaker 1: have it on her own and things like that. But 336 00:19:26,640 --> 00:19:29,359 Speaker 1: I mean, it's no fault of Thomas's, like, this is 337 00:19:29,400 --> 00:19:31,320 Speaker 1: the way that it panned out. It's not his fault, 338 00:19:31,480 --> 00:19:35,000 Speaker 1: and it's no fault of any person making a decision. 339 00:19:35,119 --> 00:19:40,280 Speaker 1: This is a legit vote that affirm tabulates, holds, and 340 00:19:40,320 --> 00:19:43,560 Speaker 1: then releases back to the CMA. So those people thinking, well, 341 00:19:43,560 --> 00:19:47,080 Speaker 1: why couldn't they let nobody let anyone? It's it's people voting, 342 00:19:47,280 --> 00:19:50,560 Speaker 1: So all right, good to know your opinion there, Female 343 00:19:50,640 --> 00:19:54,320 Speaker 1: Artist of the your Marin Morris thoughts. I honestly was shocked, 344 00:19:54,840 --> 00:19:57,960 Speaker 1: and then I was like thinking about, okay, let's think 345 00:19:58,000 --> 00:20:01,040 Speaker 1: about girl and just to success that she's had on 346 00:20:01,080 --> 00:20:04,119 Speaker 1: the charts. And then it made more sense as I 347 00:20:04,160 --> 00:20:07,600 Speaker 1: thought about it. I guess we're just so programmed, you know, 348 00:20:07,680 --> 00:20:10,919 Speaker 1: to think like that. That's a Carry Miranda award only, 349 00:20:11,440 --> 00:20:14,120 Speaker 1: and so it is pretty cool to see the tides 350 00:20:14,240 --> 00:20:18,919 Speaker 1: kind of changing and you know, new people winning because 351 00:20:19,080 --> 00:20:22,000 Speaker 1: pretty much since like two thousand and six, when Carrie 352 00:20:22,040 --> 00:20:25,080 Speaker 1: came off of Idol, it was either Carrie or Miranda. 353 00:20:25,280 --> 00:20:27,240 Speaker 1: So I think it is pretty cool. But I will 354 00:20:27,280 --> 00:20:30,920 Speaker 1: say I was shocked at the initial announcement. I was surprised. 355 00:20:30,960 --> 00:20:34,040 Speaker 1: I thought it would be Miranda winning Female and Carry 356 00:20:34,040 --> 00:20:38,320 Speaker 1: winning Entertainer and then and they both have one and um, 357 00:20:38,359 --> 00:20:40,320 Speaker 1: but yeah, good from Aaron. I mean, listen in the Bones. 358 00:20:40,400 --> 00:20:41,840 Speaker 1: I'm not even sure when that song came out and 359 00:20:41,840 --> 00:20:44,680 Speaker 1: if it played a factor in the voting of this, 360 00:20:44,880 --> 00:20:48,320 Speaker 1: but I's been as big as girl, you know, so 361 00:20:48,440 --> 00:20:52,720 Speaker 1: she deserves it. I was surprised though that the voters gay. 362 00:20:52,920 --> 00:20:54,600 Speaker 1: But the A c M s of the two award 363 00:20:54,640 --> 00:20:56,880 Speaker 1: shows are a bit more progressive, and they do move 364 00:20:56,920 --> 00:21:01,040 Speaker 1: a little quicker on anointing people award winners. Then do 365 00:21:01,160 --> 00:21:03,919 Speaker 1: the cmas. Would you agree with that? Yeah? I think so. 366 00:21:04,119 --> 00:21:06,400 Speaker 1: I mean I was talking to someone earlier and I 367 00:21:06,440 --> 00:21:08,000 Speaker 1: was saying, yeah, like the A c M s are 368 00:21:08,040 --> 00:21:10,439 Speaker 1: out of l A and you know, kind of a 369 00:21:10,440 --> 00:21:13,439 Speaker 1: little bit removed from the whole Nashville circle. So I 370 00:21:13,520 --> 00:21:16,399 Speaker 1: definitely agree with that. Alright, Male Artist of the Year 371 00:21:16,520 --> 00:21:18,879 Speaker 1: Luke Combs. Now, I'm gonna assume that you feel like 372 00:21:19,000 --> 00:21:21,119 Speaker 1: that's justified because you thought he should have be an 373 00:21:21,200 --> 00:21:22,760 Speaker 1: Entertainer of the Year. And I was in that camp 374 00:21:22,800 --> 00:21:25,000 Speaker 1: a little bit too. But male Artist of the Year 375 00:21:25,000 --> 00:21:28,240 Speaker 1: talking about Luke Combs, I mean Luke Combs, let's think, 376 00:21:28,320 --> 00:21:31,040 Speaker 1: like what six years ago, I mean, no one knew 377 00:21:31,080 --> 00:21:35,600 Speaker 1: his name. I mean he just won New Artist recently, 378 00:21:35,800 --> 00:21:39,679 Speaker 1: like within recent years he is, yeah, and here he 379 00:21:39,800 --> 00:21:43,960 Speaker 1: is winning male artists and I mean the charts records 380 00:21:43,960 --> 00:21:48,720 Speaker 1: that he's breaking constantly, like nine consecutive number one, It's 381 00:21:48,760 --> 00:21:52,120 Speaker 1: just it's incredible and I really don't think it's been 382 00:21:52,160 --> 00:21:55,399 Speaker 1: done before, you know, just in this way, in this fast. 383 00:21:56,119 --> 00:21:59,119 Speaker 1: So I think it was deserved. I was not surprised 384 00:21:59,160 --> 00:22:02,720 Speaker 1: at all. And um, you know, that was just kind 385 00:22:02,720 --> 00:22:04,240 Speaker 1: of a given to me that that's what it was 386 00:22:04,240 --> 00:22:07,280 Speaker 1: going to be. He also one Album of the Year. Um, 387 00:22:07,400 --> 00:22:10,360 Speaker 1: did you feel like that was a given? I was shocked, honestly, 388 00:22:10,400 --> 00:22:12,720 Speaker 1: because I have to look back. I didn't look in 389 00:22:12,800 --> 00:22:15,720 Speaker 1: the database for this, but I was going to to see, 390 00:22:15,800 --> 00:22:20,720 Speaker 1: like I think, if not all, almost all of Miranda's 391 00:22:20,760 --> 00:22:23,720 Speaker 1: albums have been Album of the Year at the a 392 00:22:23,840 --> 00:22:26,280 Speaker 1: c M, and so I was thinking it would go 393 00:22:26,520 --> 00:22:29,160 Speaker 1: they would go with wild Card. Honestly, I just feel 394 00:22:29,160 --> 00:22:30,919 Speaker 1: like she has that track record there. So I was 395 00:22:30,960 --> 00:22:34,840 Speaker 1: a little surprised with that one, I think too. And 396 00:22:34,840 --> 00:22:37,199 Speaker 1: as much as everyone loves Miranda, people don't want to 397 00:22:37,200 --> 00:22:39,040 Speaker 1: see people win all the time. I think that's why 398 00:22:39,160 --> 00:22:42,040 Speaker 1: Luke Bryan isn't even nominated for Entertainer of the Year 399 00:22:42,040 --> 00:22:44,359 Speaker 1: at the other awards show, the CMA, is because he 400 00:22:44,440 --> 00:22:47,040 Speaker 1: was just dominating it for so long and people go, 401 00:22:47,119 --> 00:22:52,640 Speaker 1: all right, we've he's had his little run, um, But yeah, 402 00:22:52,680 --> 00:22:55,600 Speaker 1: I listened. Look comes he deserves everything he gets. He's 403 00:22:55,800 --> 00:22:57,600 Speaker 1: done things that I haven't seen. And I've been in 404 00:22:57,640 --> 00:22:59,920 Speaker 1: town eight years. You've been in town longer than that. 405 00:23:00,240 --> 00:23:03,160 Speaker 1: So God's Country from Blake Shelton went Single of the Year. 406 00:23:03,480 --> 00:23:05,439 Speaker 1: You've been pretty much shocked with every other category. How 407 00:23:05,440 --> 00:23:08,280 Speaker 1: about this one? Um, No, I I thought that was 408 00:23:08,320 --> 00:23:10,680 Speaker 1: either going to win Single or Song. I wasn't sure 409 00:23:10,680 --> 00:23:13,040 Speaker 1: which one it would take home. And I think that 410 00:23:13,119 --> 00:23:15,120 Speaker 1: song was so important for him, just in the sense 411 00:23:15,160 --> 00:23:18,720 Speaker 1: that he literally said that he was thinking his career 412 00:23:18,840 --> 00:23:21,600 Speaker 1: was essentially over until he found that song. So I 413 00:23:21,640 --> 00:23:23,359 Speaker 1: think it was kind of cool that he won because 414 00:23:23,400 --> 00:23:26,960 Speaker 1: it was such like a turning point for him. Um, 415 00:23:27,000 --> 00:23:29,080 Speaker 1: so that that wasn't that much of a surprise for me. 416 00:23:29,560 --> 00:23:31,280 Speaker 1: Duo of the Year. I saw you tweet out before 417 00:23:31,280 --> 00:23:33,400 Speaker 1: you were predicting Dan and Shay would win. They did win. 418 00:23:33,920 --> 00:23:36,119 Speaker 1: Is that a given to you? Oh? Yeah, that was? 419 00:23:36,280 --> 00:23:38,840 Speaker 1: I mean I think so. I think, I mean Florida 420 00:23:38,880 --> 00:23:41,320 Speaker 1: Georgia line, like they had their little you know, their run, 421 00:23:41,600 --> 00:23:43,679 Speaker 1: and like you said, like people want to see different 422 00:23:43,680 --> 00:23:48,359 Speaker 1: people win award than I think. They're such good dudes 423 00:23:48,520 --> 00:23:52,600 Speaker 1: and not that you know, but it's just it's all 424 00:23:53,560 --> 00:23:55,720 Speaker 1: it's just all like plays into it, and so like 425 00:23:55,760 --> 00:23:58,680 Speaker 1: I feel like that wasn't a surprise at all either. 426 00:24:00,040 --> 00:24:03,080 Speaker 1: Well you know, uh, kind of a disadvantage I had 427 00:24:03,080 --> 00:24:05,800 Speaker 1: about making predictions closer to the show was that I 428 00:24:05,920 --> 00:24:07,640 Speaker 1: knew some of the winners because they had to tell 429 00:24:07,720 --> 00:24:10,600 Speaker 1: them beforehand so they would get up to the opry 430 00:24:10,680 --> 00:24:12,840 Speaker 1: and so they could be ready backstage. Did you know 431 00:24:12,920 --> 00:24:18,000 Speaker 1: that part? Well? I figured, but I wasn't because I 432 00:24:18,000 --> 00:24:20,280 Speaker 1: was like, oh, they just happened to be there. You know, 433 00:24:20,600 --> 00:24:23,600 Speaker 1: like two days before they were calling them and telling them. 434 00:24:24,359 --> 00:24:27,040 Speaker 1: They would tell the manager like, hey, this is the deal. 435 00:24:28,000 --> 00:24:32,080 Speaker 1: Circumstances probably won't happen again. But um, listen, I'm just 436 00:24:32,080 --> 00:24:34,200 Speaker 1: glad the show went off. I was there. I saw 437 00:24:34,320 --> 00:24:37,399 Speaker 1: how the precautions they were taking. I was happy it happened. Okay, 438 00:24:37,440 --> 00:24:40,560 Speaker 1: I'm curious, like, did you feel like it was refreshing 439 00:24:40,760 --> 00:24:43,800 Speaker 1: just to get a sense of these performances that didn't 440 00:24:43,880 --> 00:24:46,760 Speaker 1: happen on a couch like, because that's what for me. 441 00:24:47,160 --> 00:24:49,400 Speaker 1: It made it feel a little bit more normal where 442 00:24:49,400 --> 00:24:52,240 Speaker 1: there is performances with like a band and production. And 443 00:24:52,760 --> 00:24:57,359 Speaker 1: I think that was like a nice highlight of since 444 00:24:57,400 --> 00:24:59,760 Speaker 1: we haven't really gotten a chance to watch that as 445 00:24:59,840 --> 00:25:02,960 Speaker 1: much this year. Yeah, that was good. Again, it wasn't 446 00:25:03,040 --> 00:25:05,520 Speaker 1: all the way good because almost every performance was recorded 447 00:25:05,520 --> 00:25:08,320 Speaker 1: and it wasn't live because they just couldn't move that 448 00:25:08,359 --> 00:25:10,280 Speaker 1: many people in and out because of COVID precautions. So 449 00:25:10,280 --> 00:25:12,600 Speaker 1: I think I was a little jaded by that. Um, 450 00:25:12,640 --> 00:25:15,640 Speaker 1: but yes, it's cool to see big music, big performances. 451 00:25:15,680 --> 00:25:17,880 Speaker 1: I love Carrey's performance. There were a lot of great 452 00:25:17,880 --> 00:25:19,760 Speaker 1: ones here, So UM, don't want to spend too much 453 00:25:19,760 --> 00:25:21,639 Speaker 1: time talking about just wanted to recap with you and 454 00:25:21,680 --> 00:25:24,200 Speaker 1: tell everybody to check out country Now dot com and 455 00:25:24,760 --> 00:25:26,760 Speaker 1: anything else you'd like to add, Lauren before we go, 456 00:25:26,800 --> 00:25:31,200 Speaker 1: any any lasting impression you'd like to share. UM, as 457 00:25:31,240 --> 00:25:33,280 Speaker 1: far as a c MS, I guess I'll just say 458 00:25:33,320 --> 00:25:38,480 Speaker 1: that if if the website clicks, are you know, telling 459 00:25:38,560 --> 00:25:42,440 Speaker 1: of anything? Eric Church's performance was definitely the number one 460 00:25:42,480 --> 00:25:44,480 Speaker 1: moment of the nights. That's what I picked two. Yeah, 461 00:25:44,520 --> 00:25:46,879 Speaker 1: I said the same thing on the show. That story 462 00:25:47,119 --> 00:25:50,920 Speaker 1: is popping off. Everyone's clicking it looking for that performance 463 00:25:50,920 --> 00:25:53,440 Speaker 1: to rewatch. So you know, it's kind of interesting when 464 00:25:53,440 --> 00:25:55,439 Speaker 1: the numbers speak for themselves and you can see that. 465 00:25:55,960 --> 00:25:57,600 Speaker 1: All right, Lauren, Thanks, good to talk to you. Everybody 466 00:25:57,640 --> 00:26:00,679 Speaker 1: go check out Lauren country now dot com. Man you 467 00:26:00,720 --> 00:26:03,359 Speaker 1: can follow her on Instagram or Twitter. Um, and are 468 00:26:03,400 --> 00:26:06,120 Speaker 1: they both the same name at Lauren Joe Black? That's 469 00:26:06,400 --> 00:26:07,840 Speaker 1: all right, all right, Low, I'm going to talk to you. 470 00:26:08,280 --> 00:26:17,520 Speaker 1: Thank you, by bye. Welcome to Do you have an 471 00:26:17,560 --> 00:26:20,760 Speaker 1: official name for this? I think it's just still trivia 472 00:26:20,880 --> 00:26:26,040 Speaker 1: gets the musician music Trivia against a musician. Adam Hambrooke 473 00:26:26,119 --> 00:26:29,920 Speaker 1: is here. He lost his last match. I'm back for redemption. 474 00:26:30,200 --> 00:26:33,840 Speaker 1: I'll for grab fifty dollars in cold heart electronic cash. 475 00:26:34,240 --> 00:26:37,720 Speaker 1: Now that's not VC for video games, it's just I 476 00:26:37,760 --> 00:26:42,800 Speaker 1: send it to them on Venmo. Yeah, it's not electronic cash, 477 00:26:42,880 --> 00:26:46,520 Speaker 1: it's real money comes to electronically. Yeah yeah, Yeah, Today's 478 00:26:46,600 --> 00:26:48,879 Speaker 1: Challengers on the phone right now, Kara and kissing me 479 00:26:48,920 --> 00:26:54,560 Speaker 1: for it? Hey, Kara? Is it? Karakara? Alright? And she's 480 00:26:54,600 --> 00:26:56,000 Speaker 1: on Twitter if you want to see what she looks 481 00:26:56,000 --> 00:27:00,560 Speaker 1: like as you play a K underscore w A s 482 00:27:00,600 --> 00:27:05,840 Speaker 1: I E k was se messed it all up? K 483 00:27:06,200 --> 00:27:09,600 Speaker 1: was uh? Kara? Say hello to Adam. Adam, say hello 484 00:27:09,600 --> 00:27:12,160 Speaker 1: to Kara. Hi, Kira um. I need to know something. 485 00:27:12,720 --> 00:27:14,960 Speaker 1: Are you a ringer? Because last time they brought a 486 00:27:15,040 --> 00:27:18,400 Speaker 1: ringer in and I got dragged. I don't, I don't know. 487 00:27:19,119 --> 00:27:22,920 Speaker 1: Okay that means probably, okay, okay. So what's gonna happen 488 00:27:23,040 --> 00:27:26,640 Speaker 1: is is I'm going to ask you five questions. Kara. 489 00:27:27,119 --> 00:27:28,960 Speaker 1: You'll see how well you do. I'll ask Adam a 490 00:27:29,000 --> 00:27:32,000 Speaker 1: different five questions, just randomly generated by our music trivia 491 00:27:32,040 --> 00:27:35,080 Speaker 1: computer software known as my D. But he doesn't know 492 00:27:35,119 --> 00:27:37,960 Speaker 1: which five I'm gonna pick for who. That's what he 493 00:27:38,000 --> 00:27:41,439 Speaker 1: doesn't know. So, Kara, you get five music questions Are 494 00:27:41,440 --> 00:27:46,160 Speaker 1: you Ready Yes? Released as a single in nineteen eight two. 495 00:27:47,000 --> 00:27:50,199 Speaker 1: A Country Boy Can't Survive is a song written and 496 00:27:50,320 --> 00:27:56,040 Speaker 1: recorded by which American country music artist. A country Boy 497 00:27:56,119 --> 00:28:08,920 Speaker 1: Can't Survive? I should know this, um Um George Jones, 498 00:28:09,160 --> 00:28:12,280 Speaker 1: George Jones quality guest two. I think if you're on 499 00:28:12,400 --> 00:28:16,920 Speaker 1: that that little span, he's definitely one of the biggest. 500 00:28:17,040 --> 00:28:20,760 Speaker 1: But it is not. A country boy can't Survive is 501 00:28:20,800 --> 00:28:25,600 Speaker 1: Hank Williams Jr. And A country Boy can't Survive. A 502 00:28:25,720 --> 00:28:30,840 Speaker 1: country Boy Can't Survive? Hit that note. What year did 503 00:28:30,880 --> 00:28:34,919 Speaker 1: Carrie Underwood win American IDOL? Oh goodness. All you have 504 00:28:34,960 --> 00:28:36,480 Speaker 1: to do is get it within one if you get 505 00:28:36,520 --> 00:28:41,920 Speaker 1: one year off of it. Used to win. Um, let's see, 506 00:28:41,960 --> 00:28:48,000 Speaker 1: she was like season four. I would have probably been 507 00:28:48,040 --> 00:29:01,160 Speaker 1: in I remember watching her win let's say two thousand seven, incorrect, 508 00:29:01,560 --> 00:29:06,960 Speaker 1: two thousand five. She may have been season three. It 509 00:29:07,000 --> 00:29:14,040 Speaker 1: was really Kelly went to one. Ruben wins two over Clay. 510 00:29:14,400 --> 00:29:17,840 Speaker 1: Maybe Carrie at three. I think I think she was three, 511 00:29:18,120 --> 00:29:20,680 Speaker 1: and then after her it was Daughtry after her. Daughtry 512 00:29:20,720 --> 00:29:23,440 Speaker 1: never one, Dry was whatever the whatever the season he 513 00:29:23,560 --> 00:29:25,880 Speaker 1: was she was season four, she was four who was 514 00:29:25,920 --> 00:29:31,600 Speaker 1: three Fantasia Day? Who are we forgetting? I don't know? 515 00:29:31,680 --> 00:29:37,680 Speaker 1: Hold oh, I thought you'd googled all the winners? All right, 516 00:29:38,200 --> 00:29:39,760 Speaker 1: Mike's look can get up right now as the music 517 00:29:39,760 --> 00:29:43,959 Speaker 1: plays on three? Was Fantasia? Okay? So it went Kelly 518 00:29:44,360 --> 00:29:50,880 Speaker 1: Ruben Fantasia? Carrie? Hmmm? Who would have been next? Though? 519 00:29:51,120 --> 00:29:54,040 Speaker 1: I got nothing? I kind of I kind of blanked 520 00:29:54,040 --> 00:29:57,120 Speaker 1: out there until until Chris Allen won IDOL and said 521 00:29:57,200 --> 00:30:02,000 Speaker 1: Arkansas Empire? Which who won? Mike bloc me to a 522 00:30:02,040 --> 00:30:06,960 Speaker 1: couple of them? Taylor Hicks, Oh yeah, was he the 523 00:30:06,960 --> 00:30:10,280 Speaker 1: next one? Yep? I think so go ahead? And then 524 00:30:10,320 --> 00:30:15,720 Speaker 1: you got Jordan's Sparks, David Cook, Chris Allen lead to 525 00:30:15,760 --> 00:30:18,760 Speaker 1: Wise Okay, still remember him so far, but I'm fading. 526 00:30:18,920 --> 00:30:22,959 Speaker 1: Scotty McCreary, got it still in it, Philip Phillips, I'm 527 00:30:23,000 --> 00:30:26,160 Speaker 1: starting to fade though. I'm starting to fade. Candice Glover, 528 00:30:26,360 --> 00:30:30,360 Speaker 1: No idea who that is? And then Caleb Johnson, No, 529 00:30:30,520 --> 00:30:34,320 Speaker 1: I'd never heard of him. Go ahead, Nick Froudyanni, do 530 00:30:34,360 --> 00:30:38,080 Speaker 1: you know who that is? Is? See the but who's 531 00:30:38,080 --> 00:30:41,120 Speaker 1: the guy from the Little Sweet Dr Pepper commercials? He was? No, 532 00:30:41,240 --> 00:30:45,800 Speaker 1: that's justin Wuarini from season one, and then Trent Harmony 533 00:30:46,280 --> 00:30:49,840 Speaker 1: Trent because he came to town still maybe in town. 534 00:30:50,160 --> 00:30:52,280 Speaker 1: Ye know he's here, Yeah, here, he's doing he's doing 535 00:30:52,280 --> 00:30:54,240 Speaker 1: the thing. But I didn't know him from American Idol. 536 00:30:56,560 --> 00:30:58,320 Speaker 1: Then I started working for the show, and I know 537 00:30:58,480 --> 00:31:03,320 Speaker 1: Maddie Lane, Hardy, Ye, Jes Sam and Just Sam, which 538 00:31:03,480 --> 00:31:07,360 Speaker 1: Just Sam won the Quarantine version of it, which I 539 00:31:07,440 --> 00:31:10,560 Speaker 1: wonder how that's going to translate. You know, I haven't 540 00:31:10,560 --> 00:31:13,920 Speaker 1: heard much. Okay, let's go to the next question. Question 541 00:31:14,040 --> 00:31:18,720 Speaker 1: number three, which hip hop act famously recorded a cover 542 00:31:18,800 --> 00:31:24,080 Speaker 1: of Aerosmith's Walked This Way? That is correct? One point boom. 543 00:31:25,280 --> 00:31:31,120 Speaker 1: Question number four, what children's song about aquatic animals which 544 00:31:31,120 --> 00:31:36,880 Speaker 1: streams so much in that had hit the Billboard Hot one? 545 00:31:37,560 --> 00:31:43,840 Speaker 1: Do do do? Correct? One more to go? Which city 546 00:31:43,920 --> 00:31:48,280 Speaker 1: on the West Coast is the home to sub pop 547 00:31:48,400 --> 00:31:54,600 Speaker 1: records and the birthplace of grunge music. Which city on 548 00:31:54,640 --> 00:31:57,320 Speaker 1: the West Coast is the home of sub pop records 549 00:31:57,360 --> 00:32:02,120 Speaker 1: and the birthplace of grunge? Oh? Okay, I missed the 550 00:32:02,200 --> 00:32:06,840 Speaker 1: last part the first time Seattle Seattle is correct. Carried 551 00:32:06,920 --> 00:32:11,640 Speaker 1: it up at three points strong strong semi strong, four 552 00:32:11,760 --> 00:32:14,880 Speaker 1: scares him five he knows he's gonna lose three. He 553 00:32:14,920 --> 00:32:16,760 Speaker 1: feels like he's in it. He feels like he's got 554 00:32:16,800 --> 00:32:20,280 Speaker 1: a good shot to at least hie it. Adam Handbrake, 555 00:32:20,360 --> 00:32:23,320 Speaker 1: Here we go. If you win, you get massive self promotion. 556 00:32:24,600 --> 00:32:28,520 Speaker 1: Who is the one hit wonder behind the song don't 557 00:32:28,560 --> 00:32:32,600 Speaker 1: worry be happy? Oh? Bobby McPherron. That is correct. Can 558 00:32:32,640 --> 00:32:35,080 Speaker 1: I tell you a funny story about Bobby mcfahirn to 559 00:32:35,120 --> 00:32:36,840 Speaker 1: hear one? I was just asking Mike, I wish we 560 00:32:36,840 --> 00:32:40,280 Speaker 1: had more funny stories about Bobby McFerrin. Dude. So my 561 00:32:40,320 --> 00:32:43,360 Speaker 1: wife has this audio book from when she was a kid. 562 00:32:43,440 --> 00:32:46,600 Speaker 1: Her dad got her and it was like these Rudyard Kipling, 563 00:32:46,600 --> 00:32:48,040 Speaker 1: the dude who wrote the Jungle Book, you know, he 564 00:32:48,040 --> 00:32:51,880 Speaker 1: had all these short stories and it's and it's narrated 565 00:32:51,920 --> 00:32:55,800 Speaker 1: by Jack Nicholson, and the and the music behind the 566 00:32:55,800 --> 00:32:59,400 Speaker 1: short stories that Jack Nicholson's reading is done by Bobby McFerrin, 567 00:32:59,560 --> 00:33:02,640 Speaker 1: and it says all these like African jungle like short stories, 568 00:33:02,960 --> 00:33:07,000 Speaker 1: and it's got Bobby mcfair in the backround, going yeah, 569 00:33:07,040 --> 00:33:09,760 Speaker 1: it's awesome. He also did the theme of the Cosby Show. 570 00:33:10,280 --> 00:33:13,000 Speaker 1: I see, I didn't know that that's awesome. Yeah, he's 571 00:33:13,000 --> 00:33:16,320 Speaker 1: a genius, Adam One. I did watch a like a 572 00:33:16,360 --> 00:33:18,680 Speaker 1: mini documentary on artists who don't want to play their 573 00:33:18,720 --> 00:33:20,480 Speaker 1: hits anymore, and he's one of them. He's like, I 574 00:33:20,600 --> 00:33:22,280 Speaker 1: want to play I don't want to be happy because 575 00:33:22,320 --> 00:33:25,960 Speaker 1: it was kind of a novelty song and he's a 576 00:33:26,080 --> 00:33:30,520 Speaker 1: really serious, extremely talented artist. But man, what a jam 577 00:33:30,560 --> 00:33:32,320 Speaker 1: and this thing. Not only do I know all the 578 00:33:32,360 --> 00:33:35,320 Speaker 1: words to it, it was a little before me, but 579 00:33:36,240 --> 00:33:39,920 Speaker 1: t shirts, merch, just people saying, hey, don't want to 580 00:33:39,920 --> 00:33:45,000 Speaker 1: be happy like that. That was a culture moment. Oh yeah, 581 00:33:45,240 --> 00:33:48,800 Speaker 1: Billy the Bass, Yeah, I still catching Billy the best checks. 582 00:33:49,960 --> 00:33:53,800 Speaker 1: All right, Adam, you have one point question number two 583 00:33:53,800 --> 00:33:58,440 Speaker 1: for you. What country artist holds the record for most 584 00:33:58,600 --> 00:34:05,000 Speaker 1: number one songs George straight with sixty number ones. The 585 00:34:05,040 --> 00:34:10,040 Speaker 1: answer is George straight Man, the King, the King. He's 586 00:34:10,040 --> 00:34:16,600 Speaker 1: got to question number three. Which music legend was actually 587 00:34:16,640 --> 00:34:27,799 Speaker 1: born with the name Robert Zimmerman? Oh Man, Rob Zombie? Incorrect? 588 00:34:28,600 --> 00:34:35,600 Speaker 1: Damn man? Who? Bob Dylan? I'm an idiot and you 589 00:34:35,640 --> 00:34:43,040 Speaker 1: are an Indian? Question number four? Get nervous. You need 590 00:34:43,120 --> 00:34:50,240 Speaker 1: both of these Adam twins one to tie John Joey 591 00:34:50,400 --> 00:34:58,120 Speaker 1: and Jordan's were members of what boy band? John Joey 592 00:34:58,680 --> 00:35:03,439 Speaker 1: and Jordan's we're members of what boy band? New Kids 593 00:35:03,440 --> 00:35:06,880 Speaker 1: on the Block? Final answer correct. We now have a 594 00:35:06,920 --> 00:35:11,840 Speaker 1: tie tie Kara, with one question to go. How do 595 00:35:11,880 --> 00:35:16,920 Speaker 1: you feel right now? Kara? I'm a little servest questions. 596 00:35:17,000 --> 00:35:21,560 Speaker 1: I feel like that's always the case. That is true. 597 00:35:22,520 --> 00:35:24,560 Speaker 1: Are you ready, Adam? That brought me up over here? 598 00:35:24,600 --> 00:35:26,840 Speaker 1: Is what it is. It's it's not fair. This is 599 00:35:26,880 --> 00:35:30,279 Speaker 1: a music history question. We're going back in time and 600 00:35:30,440 --> 00:35:35,840 Speaker 1: Don McClane's American Pie The Day the Music Died refers 601 00:35:35,880 --> 00:35:40,440 Speaker 1: to the plane crash that killed ritchie Valence the Big Bopper, 602 00:35:41,080 --> 00:35:45,960 Speaker 1: and what other pioneer of rock and roll? And bye, 603 00:35:46,800 --> 00:35:50,480 Speaker 1: Mrs American Pie. That'd be Mr Buddy Holly. Buddy Holly 604 00:35:50,600 --> 00:35:53,400 Speaker 1: is his answer. Buddy Holly is the correct answer. And 605 00:35:53,480 --> 00:35:56,680 Speaker 1: he's back. He's back again. It feels it feels good 606 00:35:56,719 --> 00:35:59,000 Speaker 1: to be back in the winter circle. Kia. Thank you 607 00:35:59,040 --> 00:36:02,839 Speaker 1: for playing. Thanks thanks for taking it easy on me today. 608 00:36:02,400 --> 00:36:06,200 Speaker 1: I really needed this. There anything you'd like to say 609 00:36:06,280 --> 00:36:11,200 Speaker 1: as we say so long? Oh this was a lot 610 00:36:11,200 --> 00:36:12,960 Speaker 1: of fun. I'm really happy I got to do it. 611 00:36:13,560 --> 00:36:15,440 Speaker 1: Are you going to get off this phone call and 612 00:36:15,480 --> 00:36:18,560 Speaker 1: be like crap, like what did she miss? Oh? She missed? 613 00:36:18,560 --> 00:36:23,200 Speaker 1: Count your boy about that one, because I felt like 614 00:36:23,239 --> 00:36:25,640 Speaker 1: you kind of knew, like you had a direction on 615 00:36:25,680 --> 00:36:30,200 Speaker 1: that one. You just couldn't quite get there. Right. We 616 00:36:30,320 --> 00:36:32,800 Speaker 1: don't beat yourself up, but you did not win fifty dollars, 617 00:36:32,960 --> 00:36:35,480 Speaker 1: but thanks for playing there. She has care of everybody, 618 00:36:35,520 --> 00:36:39,759 Speaker 1: all right, all right, And as your prize, you do 619 00:36:39,840 --> 00:36:42,680 Speaker 1: not win fifty dollars, but you now get to do 620 00:36:42,800 --> 00:36:45,520 Speaker 1: massive self promotion. And I don't think you've been on 621 00:36:45,560 --> 00:36:48,200 Speaker 1: since new music has been out. Yeah, yeah, yeah, do 622 00:36:48,239 --> 00:36:52,160 Speaker 1: you have his songs massive self promotion? And cue it, 623 00:36:52,239 --> 00:36:59,279 Speaker 1: Mike d Yeah, so this is what So this is, uh, 624 00:36:59,400 --> 00:37:00,920 Speaker 1: this is some new music that we just put out. 625 00:37:00,960 --> 00:37:03,120 Speaker 1: We just kind of started doing a series of two 626 00:37:03,120 --> 00:37:06,200 Speaker 1: song drops, UM calling them flip sides. And the first 627 00:37:06,239 --> 00:37:08,640 Speaker 1: flip side came out last month, the last month, two 628 00:37:08,640 --> 00:37:12,399 Speaker 1: weeks ago, and uh, featuring two songs called Sunshine, State 629 00:37:12,440 --> 00:37:15,960 Speaker 1: of Mind and do the Math, and uh this is 630 00:37:16,000 --> 00:37:18,239 Speaker 1: my favorite right here. Yeah, we're playing this on the 631 00:37:18,360 --> 00:37:21,480 Speaker 1: countdowns of this weekend, next weekend, next weekend. Dude, Well, 632 00:37:21,520 --> 00:37:24,719 Speaker 1: first off, thank you, that's amazing. Um, but yeah, it's 633 00:37:24,840 --> 00:37:28,959 Speaker 1: you also win that you're winning National countdown. Yeah, let's 634 00:37:29,000 --> 00:37:32,080 Speaker 1: go and uh and so so we put that music 635 00:37:32,080 --> 00:37:34,080 Speaker 1: out a couple of weeks ago and uh, so far 636 00:37:34,120 --> 00:37:36,799 Speaker 1: it's been it's been streamed really well. People people digging it, 637 00:37:36,880 --> 00:37:38,400 Speaker 1: and uh and I'm just really fired up to have 638 00:37:38,440 --> 00:37:41,319 Speaker 1: it out that. The project is called Top Down Southbound, 639 00:37:41,360 --> 00:37:44,840 Speaker 1: a nice little end of summer uh, feel good, uh 640 00:37:44,880 --> 00:37:46,719 Speaker 1: fun jam. So y'all go check that out. We have 641 00:37:46,800 --> 00:37:49,919 Speaker 1: a second one coming out next month, so so you'll 642 00:37:49,920 --> 00:37:52,000 Speaker 1: follow along on Instagram and Twitter and all that stuff 643 00:37:52,280 --> 00:37:55,319 Speaker 1: at Adam Hambrick and uh and and check out the 644 00:37:55,320 --> 00:37:56,920 Speaker 1: next one when it comes out to why do you 645 00:37:56,920 --> 00:37:58,680 Speaker 1: turn into a rapper when you're talking about your own 646 00:37:58,719 --> 00:38:03,520 Speaker 1: songs and self promotion? Yo? Yo, y'all check it. I'm 647 00:38:03,560 --> 00:38:09,239 Speaker 1: on Instagram, Yo, I'm like, yeah, that's that's Uh. I 648 00:38:09,280 --> 00:38:11,480 Speaker 1: have no idea and that the way you're supposed to 649 00:38:11,480 --> 00:38:14,360 Speaker 1: do it. I don't. I'm always like, I know nobody cares, 650 00:38:14,440 --> 00:38:16,960 Speaker 1: but if you happen to stumble across it or your board, 651 00:38:17,400 --> 00:38:20,640 Speaker 1: have at it. Yeah. Uh, you wrote both those songs. Yeah, 652 00:38:20,640 --> 00:38:22,719 Speaker 1: I wrote both those songs. Is do the math? Was 653 00:38:22,719 --> 00:38:24,640 Speaker 1: it written a long time ago it was written about 654 00:38:25,480 --> 00:38:27,279 Speaker 1: I guess, I guess probably four years ago, three or 655 00:38:27,280 --> 00:38:29,440 Speaker 1: four years ago now. Um, I just wrote it with 656 00:38:29,480 --> 00:38:32,840 Speaker 1: some some good buddies, uh, David Fanning and Nick Donley 657 00:38:32,960 --> 00:38:34,880 Speaker 1: and uh, and that that one kind of sat around 658 00:38:34,880 --> 00:38:37,880 Speaker 1: it kind of like people people liked it, go on 659 00:38:37,960 --> 00:38:39,680 Speaker 1: hold every once in a while, and then and then 660 00:38:39,719 --> 00:38:41,640 Speaker 1: we kind of like started by talking about like making 661 00:38:41,640 --> 00:38:43,839 Speaker 1: a record for me and doing the record deal thing, 662 00:38:43,840 --> 00:38:45,759 Speaker 1: and so we kind of held it. And then now 663 00:38:45,760 --> 00:38:47,239 Speaker 1: it's finally seen the light of day it which I'm 664 00:38:47,239 --> 00:38:49,080 Speaker 1: pumped about. I was playing it on my phone. We 665 00:38:49,080 --> 00:38:52,120 Speaker 1: were headed to maybe Seattle to shoot an episode of 666 00:38:52,120 --> 00:38:53,960 Speaker 1: my net Geo show, and I was it was playing 667 00:38:53,960 --> 00:38:58,680 Speaker 1: out loud and Tom Lord, who is my manager um 668 00:38:58,760 --> 00:39:02,719 Speaker 1: and also runs Red Light, also has an incredible you 669 00:39:02,719 --> 00:39:06,080 Speaker 1: know jump shot. Yeah, he was like, hey, who is that? 670 00:39:06,120 --> 00:39:08,520 Speaker 1: I like, it's Adam Hamburg. He goes, huh, I've heard 671 00:39:08,600 --> 00:39:11,160 Speaker 1: that song before. I think you know what that a 672 00:39:11,200 --> 00:39:13,480 Speaker 1: long time ago. And I was like, oh, I don't know. 673 00:39:13,480 --> 00:39:15,480 Speaker 1: I like it now, but play some more. Do the 674 00:39:15,520 --> 00:39:28,200 Speaker 1: math Mike long train. There's enough that's a missing do 675 00:39:28,360 --> 00:39:42,640 Speaker 1: you want I'm bouncing bag? You can man, that's a 676 00:39:42,680 --> 00:39:44,320 Speaker 1: good one. That's a good one I like as I 677 00:39:44,400 --> 00:39:45,680 Speaker 1: like the other one to it. That's my favorite one. 678 00:39:45,680 --> 00:39:47,960 Speaker 1: That's when I was I was drawn to. That's the one. 679 00:39:48,280 --> 00:39:51,000 Speaker 1: Uh when when we did like the we did the 680 00:39:51,000 --> 00:39:53,880 Speaker 1: YouTube series a couple years ago, Blank Slate Sessions, um 681 00:39:53,920 --> 00:39:55,680 Speaker 1: and it was like right after we met, that was 682 00:39:55,719 --> 00:39:57,239 Speaker 1: a song and you're like, hey, man, like that song. 683 00:39:57,640 --> 00:40:00,439 Speaker 1: I said that. Yeah, Oh I said that then too. Yeah. 684 00:40:00,600 --> 00:40:03,239 Speaker 1: I'm consistent. One thing about me, I may not know 685 00:40:03,280 --> 00:40:05,680 Speaker 1: what I'm consistent. I know what I like even when 686 00:40:05,680 --> 00:40:10,239 Speaker 1: I don't know. That's what I'm like before. Wow. For 687 00:40:10,280 --> 00:40:13,520 Speaker 1: the record, when Adam and I have played one on 688 00:40:13,520 --> 00:40:17,120 Speaker 1: one shooting games, he hasn't lost. When we've played group 689 00:40:17,120 --> 00:40:21,120 Speaker 1: with multiple people without him, I haven't lost. So just 690 00:40:21,200 --> 00:40:22,560 Speaker 1: letting you know, you know what I think that is. 691 00:40:22,600 --> 00:40:24,960 Speaker 1: I think it's a focus thing because like we we 692 00:40:24,960 --> 00:40:27,719 Speaker 1: played Knockout, you gotta like you've got two balls going 693 00:40:27,760 --> 00:40:30,320 Speaker 1: at the basket all the time, and then you got 694 00:40:30,360 --> 00:40:32,279 Speaker 1: just like all these people out there, and then I 695 00:40:32,320 --> 00:40:33,919 Speaker 1: just get a d D and then I forget what's 696 00:40:33,920 --> 00:40:34,960 Speaker 1: going on. I don't want to hit me in the 697 00:40:34,960 --> 00:40:37,759 Speaker 1: face with the ball. The nose busting my nose. I 698 00:40:37,800 --> 00:40:40,439 Speaker 1: felt really bad about this. My mom texts me immediately after. 699 00:40:40,480 --> 00:40:43,319 Speaker 1: She's like, Bobby's blood on his Instagram? Was that because 700 00:40:43,320 --> 00:40:45,360 Speaker 1: of you? I was like, yeah, Mom, I'm sorry. Fully 701 00:40:45,360 --> 00:40:47,319 Speaker 1: held up though, we're gonna we're playing against Sunday. Mike. 702 00:40:47,320 --> 00:40:49,479 Speaker 1: You play basketball, you can play with us. I could try, 703 00:40:50,800 --> 00:40:55,759 Speaker 1: you'd listen. Ray is okay. He's athlete. He's got his 704 00:40:55,840 --> 00:41:00,640 Speaker 1: moment where he does occasionally do something athlete it. But 705 00:41:00,680 --> 00:41:04,560 Speaker 1: he's wild, he just said, and just chunks it up 706 00:41:04,640 --> 00:41:07,040 Speaker 1: like he's under the goal. It's pretty wild. All right. 707 00:41:07,040 --> 00:41:09,319 Speaker 1: Adam Hamburg thank you very much. Hey, thanks for having me. 708 00:41:09,920 --> 00:41:12,359 Speaker 1: He saved me fifty bucks and we'll do this again 709 00:41:12,360 --> 00:41:15,759 Speaker 1: in a few weeks. All right on right now. Luke 710 00:41:15,840 --> 00:41:19,040 Speaker 1: Laird one of my favorite songwriters in Nashville. Now I's 711 00:41:19,080 --> 00:41:21,040 Speaker 1: put out a record of his own music with his 712 00:41:21,080 --> 00:41:24,080 Speaker 1: own boys, his own his own singing, which I think 713 00:41:24,120 --> 00:41:26,800 Speaker 1: is pretty cool. Hey, Luke, how are you? Bud good 714 00:41:26,800 --> 00:41:29,440 Speaker 1: Man on the A P M Oh, thanks man. I 715 00:41:29,440 --> 00:41:34,080 Speaker 1: appreciate that. Um. Also in the room is songwriter Adam Hambrooke, 716 00:41:34,200 --> 00:41:36,480 Speaker 1: So he's just hanging out to He said, I told 717 00:41:36,560 --> 00:41:37,719 Speaker 1: him we're about talking to us like, well, I want 718 00:41:37,760 --> 00:41:39,520 Speaker 1: to stick around and listen. I talked to that guy forever. 719 00:41:41,960 --> 00:41:44,520 Speaker 1: All right, So let's start with this. Why in the 720 00:41:44,520 --> 00:41:47,120 Speaker 1: world would you put out on music an album of 721 00:41:47,200 --> 00:41:52,960 Speaker 1: your own music? What what inspired that thought? Um? I 722 00:41:53,040 --> 00:41:58,840 Speaker 1: mean the people were just begging for it. Not true, 723 00:41:59,000 --> 00:42:03,000 Speaker 1: not true, not true. Um, you know, honestly, it sounds cliche, 724 00:42:03,160 --> 00:42:04,880 Speaker 1: but I think it just started with the songs. I 725 00:42:04,920 --> 00:42:07,960 Speaker 1: had a few of these songs that were super personal 726 00:42:08,360 --> 00:42:12,080 Speaker 1: and just you know, as a writer, kind of hard 727 00:42:12,080 --> 00:42:15,640 Speaker 1: to catch to other people. It was almost just too specific. 728 00:42:15,920 --> 00:42:21,040 Speaker 1: And actually my wife's best, UM, she encouraged me. She's like, 729 00:42:21,080 --> 00:42:23,720 Speaker 1: I think you should make an album, and we started 730 00:42:23,760 --> 00:42:29,960 Speaker 1: that before the whole pandemic and actually being quarantined kind 731 00:42:30,000 --> 00:42:32,640 Speaker 1: of gave me the time to go ahead and finish it. So, 732 00:42:33,040 --> 00:42:34,839 Speaker 1: I don't know, it just felt like like the right 733 00:42:34,880 --> 00:42:37,880 Speaker 1: time you talk about super personal songs. And played some 734 00:42:37,920 --> 00:42:40,160 Speaker 1: of this on the morning show too. But this is 735 00:42:40,200 --> 00:42:43,479 Speaker 1: track one. It's Music Row, which is in Nashville Music 736 00:42:43,560 --> 00:42:45,440 Speaker 1: Rows where you all the word business gets done. I'm 737 00:42:45,480 --> 00:42:55,080 Speaker 1: gonna play some of this real quick. If you do, 738 00:43:00,040 --> 00:43:07,480 Speaker 1: then not a very personal song there, it gets more 739 00:43:07,520 --> 00:43:09,399 Speaker 1: personal as you go. But how long did you writ 740 00:43:09,480 --> 00:43:13,160 Speaker 1: music grow? Um? I wrote that, like at the beginning 741 00:43:13,200 --> 00:43:16,240 Speaker 1: of this year, I feel like I saw a picture 742 00:43:16,280 --> 00:43:19,040 Speaker 1: of you on Instagram where you were going. Hey, when 743 00:43:19,080 --> 00:43:22,719 Speaker 1: I was young, I came randomly to Nashville and like 744 00:43:22,800 --> 00:43:25,080 Speaker 1: went to a bolly. What what was your Nashville story 745 00:43:25,120 --> 00:43:28,160 Speaker 1: the first time you came? Yeah, so we came. I 746 00:43:28,200 --> 00:43:30,719 Speaker 1: came with my family on a family vacation, like the 747 00:43:30,760 --> 00:43:33,760 Speaker 1: summer between my sophomore and junior year of high school. 748 00:43:34,680 --> 00:43:37,319 Speaker 1: And I mean, I was already a huge country music fan, 749 00:43:37,440 --> 00:43:39,600 Speaker 1: but when I came here and I saw a show 750 00:43:39,640 --> 00:43:42,320 Speaker 1: at the Bluebird, and it was just the whole trip 751 00:43:42,400 --> 00:43:44,440 Speaker 1: was like a dream. It just kind of blew my mind. 752 00:43:44,520 --> 00:43:47,680 Speaker 1: And pretty much from that trip, I knew that I 753 00:43:47,719 --> 00:43:50,759 Speaker 1: wanted to move here as soon as I couldn't. Your 754 00:43:50,760 --> 00:43:52,960 Speaker 1: wife and I are friends on Facebook, and so I 755 00:43:53,000 --> 00:43:56,640 Speaker 1: see you got to freaking cute as kids and there 756 00:43:56,680 --> 00:43:58,239 Speaker 1: I haven't seen him ever in human life with their 757 00:43:58,280 --> 00:44:02,000 Speaker 1: growing line weeds on Facebook, so it's wild to see that, Um. 758 00:44:02,040 --> 00:44:04,680 Speaker 1: But then I saw she had posted that she was 759 00:44:04,719 --> 00:44:07,239 Speaker 1: proud of the song. That's why I don't drink anymore. Now, 760 00:44:07,600 --> 00:44:10,680 Speaker 1: tell me about this song? What what led up to 761 00:44:10,719 --> 00:44:14,479 Speaker 1: it and why she would be so proud of it? Sure, well, 762 00:44:14,719 --> 00:44:18,040 Speaker 1: so I got sober in two thousand five, and that 763 00:44:18,080 --> 00:44:20,920 Speaker 1: was actually the year that the best and I started dating. 764 00:44:21,920 --> 00:44:25,759 Speaker 1: And you know when you when you stopped drinking, people, 765 00:44:26,239 --> 00:44:27,759 Speaker 1: you know, you go out and stuff me like why 766 00:44:27,760 --> 00:44:29,560 Speaker 1: don't you drink? And I don't want to go through 767 00:44:29,600 --> 00:44:32,759 Speaker 1: like the whole story, well because I can't stop um 768 00:44:33,840 --> 00:44:38,400 Speaker 1: and so that that song, Like basically after my second 769 00:44:38,480 --> 00:44:42,360 Speaker 1: d U, I spent a little jail time. I felt 770 00:44:42,400 --> 00:44:45,239 Speaker 1: like my life isn't going the way I wanted to. 771 00:44:45,480 --> 00:44:47,960 Speaker 1: I had a publishing deal, but I wasn't really taken 772 00:44:48,000 --> 00:44:50,120 Speaker 1: off as a songwriter, and I just knew I had 773 00:44:50,160 --> 00:44:52,920 Speaker 1: a lot of changes to make. So I always knew 774 00:44:52,960 --> 00:44:54,720 Speaker 1: I wanted to write this song. I had the title 775 00:44:54,800 --> 00:44:58,400 Speaker 1: for probably four or five years, just sitting in my phone, 776 00:44:58,520 --> 00:45:00,960 Speaker 1: and I never could find the right way to write it. 777 00:45:00,960 --> 00:45:04,600 Speaker 1: And one morning I sat down and the first verse 778 00:45:04,719 --> 00:45:08,000 Speaker 1: just came out, and I felt like it was the 779 00:45:08,080 --> 00:45:10,280 Speaker 1: right way to write it, just just be as honest 780 00:45:10,320 --> 00:45:13,879 Speaker 1: as possible. And I've actually played that song one night 781 00:45:13,920 --> 00:45:16,920 Speaker 1: at the Bluebird, and this girl came up to me afterwards, 782 00:45:17,880 --> 00:45:20,200 Speaker 1: and she had tears in her eyes and was just 783 00:45:20,320 --> 00:45:23,120 Speaker 1: like that song. Um, I just love that song. That 784 00:45:23,200 --> 00:45:26,160 Speaker 1: means so much to me. My dad just recently got sober. 785 00:45:26,360 --> 00:45:30,320 Speaker 1: Is there is this song available anywhere? And of course 786 00:45:30,360 --> 00:45:33,440 Speaker 1: at that point it wasn't. And I said, just give 787 00:45:33,440 --> 00:45:34,920 Speaker 1: me your email, and I went home that night and 788 00:45:35,000 --> 00:45:38,600 Speaker 1: just recorded like a little work tape on my phone 789 00:45:38,640 --> 00:45:41,560 Speaker 1: and emailed it to her. And that kind of I think, 790 00:45:41,800 --> 00:45:43,839 Speaker 1: kind of got the wheels turn into as far as 791 00:45:44,280 --> 00:45:46,759 Speaker 1: releasing some of my own music, I'm gonna play some 792 00:45:46,800 --> 00:45:53,040 Speaker 1: of that here is That's why I don't drink anymore then, 793 00:46:02,480 --> 00:46:17,080 Speaker 1: Grace for Grace. I'm so records out today because this 794 00:46:17,120 --> 00:46:19,799 Speaker 1: is gonna air on Friday, And you just added another one. 795 00:46:19,840 --> 00:46:21,680 Speaker 1: I was looking at what we had you listed as 796 00:46:21,800 --> 00:46:23,600 Speaker 1: last time, because Luke came in and we did a 797 00:46:23,640 --> 00:46:25,799 Speaker 1: whole episode again. It's been probably two years or so ago. 798 00:46:26,360 --> 00:46:31,080 Speaker 1: But um, at the time, you had I think or 799 00:46:31,400 --> 00:46:33,839 Speaker 1: three number one. Now you have twenty four. So what 800 00:46:33,880 --> 00:46:37,759 Speaker 1: was the last number one? Um? It was damn hunt 801 00:46:37,800 --> 00:46:41,480 Speaker 1: hard to forget. Oh, come on, I don't even know 802 00:46:41,480 --> 00:46:43,040 Speaker 1: what it was. You wrote that that's a great one. 803 00:46:43,040 --> 00:46:47,319 Speaker 1: I love that. That makes sense too. It makes sense 804 00:46:47,360 --> 00:46:49,560 Speaker 1: you're behind that song too, with the Web here, with 805 00:46:49,600 --> 00:46:53,440 Speaker 1: the sampling on it, which you produce all different types 806 00:46:53,480 --> 00:46:57,200 Speaker 1: of stuff. Wait, so let me for a second get 807 00:46:57,200 --> 00:46:59,680 Speaker 1: off of this project and just ask about that song 808 00:47:00,239 --> 00:47:03,160 Speaker 1: you Sam? Who else is in the room writing that song? 809 00:47:03,680 --> 00:47:07,240 Speaker 1: I mean like a million people? Um? So it started 810 00:47:07,239 --> 00:47:10,040 Speaker 1: off me, Sam and Ashley Gorley. We wrote a song 811 00:47:10,160 --> 00:47:13,239 Speaker 1: to that track I had. And then Sam calls me 812 00:47:13,280 --> 00:47:15,040 Speaker 1: the next day and he's like, man, I wrote this 813 00:47:15,080 --> 00:47:17,600 Speaker 1: other song with Josh Osborne and st mcinally and I 814 00:47:17,640 --> 00:47:20,879 Speaker 1: think the idea is actually fits this track more. Can 815 00:47:20,920 --> 00:47:23,800 Speaker 1: we all get together and kind of reworked the lyrics 816 00:47:23,840 --> 00:47:25,960 Speaker 1: and and so we did. Of course. I was like yeah, man, 817 00:47:26,640 --> 00:47:30,520 Speaker 1: and uh we we got together and and between the 818 00:47:30,560 --> 00:47:34,279 Speaker 1: five of us, we we put it together. So what 819 00:47:34,400 --> 00:47:36,600 Speaker 1: track did you have? What? What did you go into 820 00:47:36,600 --> 00:47:39,680 Speaker 1: the room with that? You're like, that's my track? Yeah? 821 00:47:39,719 --> 00:47:42,680 Speaker 1: So um. I was sitting one morning over there in 822 00:47:42,880 --> 00:47:45,560 Speaker 1: Green Hills at that restaurant First Watch, and I had 823 00:47:45,680 --> 00:47:48,960 Speaker 1: my headphones on and I was listening to this like 824 00:47:49,280 --> 00:47:53,560 Speaker 1: old school hockey talk playlist, and that Web Pierce song 825 00:47:53,640 --> 00:47:56,120 Speaker 1: there Stands the Glass came on, which I've known that song, 826 00:47:56,200 --> 00:47:58,520 Speaker 1: but for some reason I listened to it. I was like, 827 00:47:58,560 --> 00:47:59,960 Speaker 1: that would be kind of fun to make a beat 828 00:48:00,080 --> 00:48:02,680 Speaker 1: to that. And I literally wasn't thinking, oh, I'm gonna 829 00:48:02,760 --> 00:48:04,399 Speaker 1: play it for an artist and we're going to write 830 00:48:04,400 --> 00:48:07,480 Speaker 1: a song to it. But I got with Sam a 831 00:48:07,520 --> 00:48:09,960 Speaker 1: few days later and we worked on that. You know, 832 00:48:10,040 --> 00:48:12,279 Speaker 1: he and Ashley and I had been working on another song, 833 00:48:12,320 --> 00:48:14,440 Speaker 1: and he's like, man, do you have any tracks that 834 00:48:14,480 --> 00:48:16,680 Speaker 1: are like a little different? And I turned around and 835 00:48:16,719 --> 00:48:19,120 Speaker 1: that song just happened to be pulled up on my computer. 836 00:48:19,200 --> 00:48:21,680 Speaker 1: I was like, well, I do have this, and I 837 00:48:21,800 --> 00:48:23,879 Speaker 1: played it for him and he was like, oh, man, 838 00:48:23,920 --> 00:48:26,719 Speaker 1: I love that. Let's let's work to that. So yeah, 839 00:48:26,760 --> 00:48:29,520 Speaker 1: that's how it happened. Man. And here's the thing about 840 00:48:29,520 --> 00:48:31,960 Speaker 1: that song. As it comes, and you know, with anything 841 00:48:32,000 --> 00:48:34,960 Speaker 1: that Sam does, you got people that freaking love it 842 00:48:34,960 --> 00:48:37,279 Speaker 1: and I'm one of them, and you've got haters there 843 00:48:37,280 --> 00:48:40,359 Speaker 1: are being extremely vocal. But then the song hits number one, 844 00:48:40,440 --> 00:48:44,680 Speaker 1: and it is still researching and testing like crazy right now, 845 00:48:44,760 --> 00:48:46,719 Speaker 1: Like I look at the numbers and it's still one 846 00:48:46,719 --> 00:48:49,920 Speaker 1: of the top two or three songs. That's so that's 847 00:48:49,920 --> 00:48:51,919 Speaker 1: crazy to me, man. That is that is a jam. 848 00:48:51,960 --> 00:48:53,640 Speaker 1: So let me ask you this on the songwriting part, 849 00:48:53,719 --> 00:48:56,160 Speaker 1: since you guys combined all of you guys, but then 850 00:48:56,160 --> 00:48:58,480 Speaker 1: do you have to add in the people who wrote 851 00:48:59,640 --> 00:49:05,440 Speaker 1: the peer song? Yeah? Yeah, absolutely, Um, And so we 852 00:49:05,840 --> 00:49:09,520 Speaker 1: got that sample cleared and they got like a small 853 00:49:09,560 --> 00:49:12,160 Speaker 1: percentage of the song. We actually got a better deal 854 00:49:12,200 --> 00:49:16,040 Speaker 1: than I thought. But but yeah, it was it was 855 00:49:16,880 --> 00:49:19,160 Speaker 1: for sure they got they got co writing credit on 856 00:49:19,680 --> 00:49:22,000 Speaker 1: That's pretty cool and good for them. Families making a 857 00:49:22,000 --> 00:49:24,600 Speaker 1: little money off of it. And I bet you people 858 00:49:24,680 --> 00:49:27,080 Speaker 1: stream the originals. I know I did. I had the 859 00:49:27,120 --> 00:49:29,440 Speaker 1: original song. I receaved it and and it had been 860 00:49:29,440 --> 00:49:32,200 Speaker 1: probably fifteen years for I'd even heard it from my 861 00:49:32,239 --> 00:49:34,440 Speaker 1: grandma had just got a big collection of stuff, and 862 00:49:34,440 --> 00:49:36,200 Speaker 1: I'd heard that song through her. It wasn't a favorite, 863 00:49:36,200 --> 00:49:37,680 Speaker 1: but I've heard it through her. But it made me 864 00:49:37,719 --> 00:49:41,680 Speaker 1: go back and actually revisit that song. Yeah, that song 865 00:49:41,760 --> 00:49:46,480 Speaker 1: was recording crazy. Here it is right now, turn that 866 00:49:46,560 --> 00:49:52,520 Speaker 1: up bad wells all my pain. Look how long did 867 00:49:52,520 --> 00:49:56,520 Speaker 1: it take you to make that that sample on that track? Um, 868 00:49:57,120 --> 00:50:01,879 Speaker 1: probably like fifteen minutes. I'd be kid me. I mean, 869 00:50:02,280 --> 00:50:04,640 Speaker 1: it doesn't always have to believe me. That sounds like, oh, 870 00:50:04,680 --> 00:50:07,760 Speaker 1: you know, no big deal. It doesn't. It doesn't usually 871 00:50:07,840 --> 00:50:11,360 Speaker 1: happen like that. Luke Laird is on following on Instagram 872 00:50:11,360 --> 00:50:13,799 Speaker 1: at Luke Robert. The album is called Music Crow. I'm 873 00:50:13,800 --> 00:50:16,399 Speaker 1: gonna ask you about one more song, branch on the Tree. 874 00:50:16,440 --> 00:50:18,040 Speaker 1: Tell me the story about branch on the Tree before 875 00:50:18,040 --> 00:50:23,640 Speaker 1: I play it? Yeah, man, So, um, actually, one morning, UM, 876 00:50:23,760 --> 00:50:26,040 Speaker 1: after I read my Bible, this verse came to me 877 00:50:26,080 --> 00:50:29,040 Speaker 1: about Um. I was reading about the buying and the branches, 878 00:50:29,080 --> 00:50:30,880 Speaker 1: and I was like, this, there could there could be 879 00:50:30,920 --> 00:50:33,200 Speaker 1: a song in there. And so I wrote the chorus 880 00:50:34,440 --> 00:50:36,840 Speaker 1: and I kept trying to write versus for it. It 881 00:50:36,960 --> 00:50:39,799 Speaker 1: just never it was it wasn't working. So I had 882 00:50:39,840 --> 00:50:43,200 Speaker 1: a day booked with Lori McKenna and Barry Dame, two 883 00:50:43,239 --> 00:50:47,839 Speaker 1: incredible songwriters, and they're like, what do you guys want 884 00:50:47,880 --> 00:50:50,600 Speaker 1: to do? And and I was a little reluctant to 885 00:50:50,640 --> 00:50:52,560 Speaker 1: ask him, but I was like, I know, you guys 886 00:50:52,560 --> 00:50:54,680 Speaker 1: probably would rather write a song for Tim McGraw today, 887 00:50:54,680 --> 00:50:56,400 Speaker 1: but I have this one song I'm trying to finish 888 00:50:56,440 --> 00:50:59,440 Speaker 1: for my record, and I can't write the verses. And 889 00:50:59,480 --> 00:51:02,480 Speaker 1: they in a matter of like left in an hour. 890 00:51:02,760 --> 00:51:05,719 Speaker 1: They they knew exactly what to do. With that song, 891 00:51:05,840 --> 00:51:07,920 Speaker 1: and so that's how we wrote it. Right. Here is 892 00:51:08,000 --> 00:51:11,120 Speaker 1: branch on the tree. Here you go, damn thankful, a 893 00:51:13,000 --> 00:51:19,560 Speaker 1: little beast man on the porch him songs thankful, I'm 894 00:51:19,640 --> 00:51:25,160 Speaker 1: bail in this, laf ain't rolling in a then bamily 895 00:51:25,280 --> 00:51:34,360 Speaker 1: shooting that beast kids, it's me, I'm thankful, and grand 896 00:51:34,440 --> 00:51:37,880 Speaker 1: Song Tree where the roots and the Graham found the truth. 897 00:51:39,680 --> 00:51:44,480 Speaker 1: There he is Grammy winning Nashville songwriter, producer, collaborator. Uh 898 00:51:44,560 --> 00:51:48,440 Speaker 1: he crushes songs, he writes and produces, and here he 899 00:51:48,520 --> 00:51:50,080 Speaker 1: is now putting out his own record. And by the way, 900 00:51:50,080 --> 00:51:52,120 Speaker 1: he's got the best show on Apple Radio as well, 901 00:51:52,280 --> 00:51:55,560 Speaker 1: which is Country Replay, which I it's it's the only 902 00:51:55,600 --> 00:51:58,200 Speaker 1: show that I'll I like Licia to Laicia Davis, but 903 00:51:58,239 --> 00:52:00,000 Speaker 1: the only show that I'll really make a point to listen. 904 00:52:00,000 --> 00:52:02,399 Speaker 1: Do you do a great job over there? Oh man, 905 00:52:02,560 --> 00:52:04,759 Speaker 1: that's so kind of you. It's such a learning curve 906 00:52:04,840 --> 00:52:08,520 Speaker 1: for me. All right, Luke, good luck with the record. Congratulations. 907 00:52:08,680 --> 00:52:10,960 Speaker 1: I know it's extremely personal, but I'm just a big 908 00:52:10,960 --> 00:52:13,240 Speaker 1: fan and I wanted to make sure that the people 909 00:52:13,320 --> 00:52:16,120 Speaker 1: listen to me also maybe give this a shot. I 910 00:52:16,200 --> 00:52:18,960 Speaker 1: really appreciate the support Bobby, thank you so much. All Right, Louk, 911 00:52:19,000 --> 00:52:21,160 Speaker 1: talk to you soon. Okay, fine,