WEBVTT - Poetry with Peter Dinklage

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<v Speaker 1>Who's that man talking in my ear? He's Ron Bundy.

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<v Speaker 1>Hello everybody. I hope everybody is listening to this one,

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<v Speaker 1>the Ron Burgundy Podcast. I have a feeling this is

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<v Speaker 1>going to be a good one. Got a pretty good

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<v Speaker 1>feeling all the way down in my tippy toes. All

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<v Speaker 1>signs are pointing to the fact that this episode being entertaining,

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<v Speaker 1>fun to listen to, and something you'll you'll probably listen

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<v Speaker 1>to over and over again. Decoding the secret messages I've

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<v Speaker 1>buried deep in it. Actually, if you play this episode backwards,

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<v Speaker 1>you'll go clear. As my friends at the Scientology Center

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<v Speaker 1>like to say, Carolina, have you ever had a child

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<v Speaker 1>latte at your local Scientology Center? Now you should try it.

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<v Speaker 1>You're a pressive person if I've ever seen one. Anyway,

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<v Speaker 1>let me pull up our topic for this episode today.

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<v Speaker 1>From my business case is that that's a children's backpack.

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<v Speaker 1>Well I carry it like a briefcase. So and it

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<v Speaker 1>has a nice small section for my pencils your initials

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<v Speaker 1>on it. So let's see you boy, I'm I am

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<v Speaker 1>excited for this topic today. It's going to be a

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<v Speaker 1>good one and it's going to be risky. Carolina, tell

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<v Speaker 1>your mom at to pluggery. I don't think do you

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<v Speaker 1>remember what we discussed about today's topic, because it's actually

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<v Speaker 1>going to be the wait what then? Yeah, the note

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<v Speaker 1>you're handing me, it says today's topic is poetry. No no, no,

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<v Speaker 1>no no no no no no, no, no, no, nope, nope, nope, nope, nope, nope, nope,

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<v Speaker 1>nope No. That's what I thought. This was the show

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<v Speaker 1>where I was going to show everyone my sound machine.

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<v Speaker 1>It's pretty cool, right right? You know the sound machine

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<v Speaker 1>is cool? I think that there. Yes, it is. So

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<v Speaker 1>let's listen to all the sounds on my sound machine

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<v Speaker 1>today and we can do the poetry episode in. Let's

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<v Speaker 1>maybe we should pencil it in for a million billion

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<v Speaker 1>years from now. Okay, well, we discussed this, we booked

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<v Speaker 1>a guest. We're doing this because you said you wanted

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<v Speaker 1>to add more culture to the show. So that's why

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<v Speaker 1>I didn't mean words. No, when I said culture, I

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<v Speaker 1>meant more exotic dancing with drums and scarves. Caroline, Please,

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<v Speaker 1>as a producer, you need to anticipate more. Don't make

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<v Speaker 1>me expell it out for you every day. When I

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<v Speaker 1>say cultural, I mean scarves and dancers. You know what

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<v Speaker 1>I always say no, I mean something. You just keep

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<v Speaker 1>on talking about scarves. I don't There isn't enough dancing

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<v Speaker 1>on this show, not enough dancing with scarves. And I've

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<v Speaker 1>said this from day one. Well, I don't know what

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<v Speaker 1>to tell you, because we're doing a poetry episode today

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<v Speaker 1>because that's what we discussed with the producers. Jesus, I

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<v Speaker 1>guess we're really doing this. Huh, This podcast right was fun, Carolina.

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<v Speaker 1>It's hard to say goodbye. It's not going to destroy

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<v Speaker 1>our show. To our listeners, you've really made my heart

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<v Speaker 1>so warm and big, and to the kids out there,

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<v Speaker 1>yes I'm your hero, but no, I'm not perfect, and

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<v Speaker 1>neither is Carolina obviously. Okay, well, we're not going to

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<v Speaker 1>lose our show. You don't just say goodbye. Um. You

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<v Speaker 1>know a lot of people actually find poetry interesting. Can

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<v Speaker 1>we put the sound machine away for the rest of that, Carol?

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<v Speaker 1>And nobody thinks poetry is interesting? Okay. There's a whole

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<v Speaker 1>world outside of Sarah Lawrence, and that whole world thinks

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<v Speaker 1>you are a capital G geek. Alright, this episode is

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<v Speaker 1>social suicide. If you're asking me, can I actually we

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<v Speaker 1>just talk about one of my favorite poets and then

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<v Speaker 1>we can just unplug that and then we'll plug it

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<v Speaker 1>back in when we do a SA Machine episode, which

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<v Speaker 1>we can talk about the producers later. Okay, Hi everyone,

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<v Speaker 1>this is Carolina um. Today we're doing a poetry episode.

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<v Speaker 1>I'm minored in nineteenth century poetry at Sarah Lawrence UM.

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<v Speaker 1>So today I wanted to tell our listeners about Emily Dickinson.

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<v Speaker 1>She was born in eighteen sixty. Her writing is heavily

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<v Speaker 1>influenced by the metaphysical poets of the seventeenth century England. Wait, wait, wait, Emily,

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<v Speaker 1>Emily Dickinson. Yes, have you you've read her work? Are

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<v Speaker 1>you kidding me? She was one of my favorite go

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<v Speaker 1>go girls at Studio fifty four. No, we're talking about

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<v Speaker 1>different people. And did we loved the party? You know,

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<v Speaker 1>Emily Dickinson and I drank champagne from each other's belly buttons.

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<v Speaker 1>You know she was. Emily Dickinson was actually a recluse poet.

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<v Speaker 1>She rarely left the house, right. Oh, Emily left the house,

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<v Speaker 1>all right, But you know what, her pants didn't I'm

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<v Speaker 1>not following the pants didn't leave the house with her

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<v Speaker 1>because she didn't wear pants. She wore short shorts. You

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<v Speaker 1>could see her her butt outlined in them bang bang bang.

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<v Speaker 1>It's the sound of her button and the shorts got her.

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<v Speaker 1>But was so cute. I want to move on. It's unbelievable.

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<v Speaker 1>She pooped out of it. Okay, well, you know what

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<v Speaker 1>our best it's weird to think about that. But had

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<v Speaker 1>to excrete feces because it was a gorgeous. But okay,

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<v Speaker 1>you know what our guest is about to call? Got it?

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<v Speaker 1>But can I tell you more Emily Dickinson's stories later? No,

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<v Speaker 1>thank you? Okay, Oh, this is actually exciting. You got

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<v Speaker 1>Mr Peter Dinklage. Yes, he was very excited to be

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<v Speaker 1>on the show. But he's he's just concerned. He wants

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<v Speaker 1>to make sure that it's we're in tiptop shape. Yes,

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<v Speaker 1>he's showing some personal poetry actedly so okay, poetry, well regardless,

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<v Speaker 1>Peter Dinkridge has undo doubled lye dowd eatly A doubt Carolina,

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<v Speaker 1>help me out, undoubted Okay, without any doubted at lees.

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<v Speaker 1>Peter Dinkledge has one of the most beautiful voices in Hollywood.

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<v Speaker 1>Exact defined, distinguished, Yes, exactly. That's why we asked him

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<v Speaker 1>to read some of his favorite poems for us today

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<v Speaker 1>and with that we will be back with Peter Dinklage

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<v Speaker 1>right after this. Welcome back Peter Dinkledge. There's no question

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<v Speaker 1>as one of the most beautiful, distinguished voices in all

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<v Speaker 1>of Hollywood, and we are so happy to have him

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<v Speaker 1>here on the podcast. Calling in Peter. Are you there, Yes, Ron,

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<v Speaker 1>I'm here. Thank you for having me on your show.

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<v Speaker 1>We can't thank you enough, and we can't thank you

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<v Speaker 1>enough for being part of our poetry episode. Um. Of course,

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<v Speaker 1>you have done so many excellent roles throughout your career. Uh.

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<v Speaker 1>And you you've created what I would say is a

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<v Speaker 1>piece of iconic television history in the series Throne of Games. Um. Yeah,

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<v Speaker 1>I don't think that's right. What Carolyn, should I interrupt her?

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<v Speaker 1>Or please? It's called Game of Thrones, Ron, Like I

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<v Speaker 1>lost you there for a second. Yes, it's called Game

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<v Speaker 1>of Throne. You know what I had it written down wrong? Um? Okay,

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<v Speaker 1>tell us any any surprise this is the I believe

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<v Speaker 1>this is the final season coming up? Is that true?

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<v Speaker 1>That is true? Yes? And any surprises we can expect

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<v Speaker 1>from Thailand all manister again, that's a Triannister Tarrian. But

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<v Speaker 1>the whole series is sponsored by Thaylan All is that correct?

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<v Speaker 1>I know. No, it's on HBO, so there are no advertisers. Well,

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<v Speaker 1>I've got HBO. I did some bad network. I'm sorry, Peter, Yeah, yeah,

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<v Speaker 1>that's okay. Um, I can't give you any secrets or spoilers. Wrong,

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<v Speaker 1>I'm sorry. Fair enough. We'll just have to wait and

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<v Speaker 1>see what the gang at Hogwarts pulls off. I've seen

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<v Speaker 1>the coloring books, right, the game of thrown coloring books.

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<v Speaker 1>One real question and we'll get into the poetry. The

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<v Speaker 1>dragons aren't real though, right, No, okay, that's all the facts,

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<v Speaker 1>because they look real, that's for sure, in the in

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<v Speaker 1>the coloring books, they look real. On the show, they

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<v Speaker 1>look real. That's the only I've only seen excerpts of

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<v Speaker 1>the dragons on YouTube. That's all I've ever seen of

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<v Speaker 1>the show. And they are horrifying. They are horrifying. They are. Yes,

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<v Speaker 1>we have a great visual effects team. I love visual effects,

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<v Speaker 1>do you. Whenever I watch a movie, I always go

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<v Speaker 1>to the back of the credit role and I see

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<v Speaker 1>who's in charge of visual effects, and if it's a

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<v Speaker 1>good one, then I'll watch the rest of the movie.

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<v Speaker 1>If not, I just say nope. Not for me. So

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<v Speaker 1>you know that names of different visual effects are Oh yes,

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<v Speaker 1>I know them as well as I mean those I

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<v Speaker 1>only watched the technical awards on all the awards shows,

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<v Speaker 1>only watched the technical parts. It's like scroll through you

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<v Speaker 1>know all the actors. Who cares give me the technical

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<v Speaker 1>technical people? Peter, are you? Are you a fan of poetry?

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<v Speaker 1>I am. I think it's sort of a lost art form.

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<v Speaker 1>I think, uh, I mean poetry has become I think

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<v Speaker 1>rat is a new form of poetry. It is right

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<v Speaker 1>country Western music. I think there's always been poetry. Sure, Well,

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<v Speaker 1>songs are a form of poetry. Of course they are.

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<v Speaker 1>That's what I meant. What what style of songwriting it is? Yes,

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<v Speaker 1>and of course Johnny Cash was a poet. He was

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<v Speaker 1>a poet. Yeah, and I understand you'll be reading two

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<v Speaker 1>poems to us today. And so you're a fan of poetry. Well,

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<v Speaker 1>I mean, I guess what I'm wondering is what made

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<v Speaker 1>you decide on poet? You know, I'll be honest with you.

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<v Speaker 1>Carolina forced us to do this episode today. I just

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<v Speaker 1>thought it would be nice to have some cultural texture

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<v Speaker 1>to our show, make a little more highbrow exactly. That's

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<v Speaker 1>what we're looking. We've been told by the powers would

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<v Speaker 1>be that we don't have enough highbrow episode, so this

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<v Speaker 1>is our attempt to kind of get a little more

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<v Speaker 1>PBS like PBS next on PBS. Well that's yeah, gently

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<v Speaker 1>than that usually I think you're thinking of PBS. McLear

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<v Speaker 1>news our on PBS. I haven't watched it. I watch,

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<v Speaker 1>I watched. I watched the NBA Finals on PBS all

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<v Speaker 1>the time. I don't know if that's Caroline. Um. You know,

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<v Speaker 1>we do a fact check at the end of the

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<v Speaker 1>episode so we can get to a lot of this.

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<v Speaker 1>It was that your doorbell. Do is there a pizza

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<v Speaker 1>being delivered? I think there's uh, well, I'm in the

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<v Speaker 1>woods right now, so I'm a little scared. There's somebody

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<v Speaker 1>at the door. Um, can you barricade yourself in? Do

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<v Speaker 1>you need us to send law enforcement? They left the package? Okay,

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<v Speaker 1>did you send me something wrong? I did? I sent

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<v Speaker 1>you copied my book just as a thank you. Yes,

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<v Speaker 1>and I sent you some Omaha steaks. But I forgot

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<v Speaker 1>to tell them and put them in dry eyes, so

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<v Speaker 1>they may they may be past I should I should

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<v Speaker 1>get out there before the critic yep, exactly because that's

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<v Speaker 1>fresh meat. Yeah. Well, Peter, why don't we begin with

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<v Speaker 1>your first poem? And can you can you tell us

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<v Speaker 1>who this the poet is and and the name of

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<v Speaker 1>the poet. It's a very short poem. Okay, I'll have

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<v Speaker 1>you guess if you're if you Caroline would know, you

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<v Speaker 1>know what. I'm up in the woods right now. We

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<v Speaker 1>got a little, a little place up here, and because

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<v Speaker 1>of so much nature around, I thought, like them of

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<v Speaker 1>nature would be nice. What what part of the woods

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<v Speaker 1>are you in the Berkshires? I'd kind of want to

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<v Speaker 1>keep that a little private. Somewhere in man Main Canada,

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<v Speaker 1>Cottage country. Cottage Country, Canada. So cottage Country. Can you

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<v Speaker 1>see Niagara Falls from your house? No? I cannot. Okay,

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<v Speaker 1>So you're somewhere north of Manhattan, not Canada, not that

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<v Speaker 1>far north. No, that would require a passport. Every time.

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<v Speaker 1>I will eventually find you, my friend, I will eventually

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<v Speaker 1>show up at your daughter. Yep, the stakes did so,

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<v Speaker 1>I do know where you're like, but I'm going to

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<v Speaker 1>keep that. I'm gonna it's professional courtesy. I will not

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<v Speaker 1>reveal where you live in the woods. Okay, alright, So

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<v Speaker 1>we'll begin with our first time to the post. I

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<v Speaker 1>guess okay, this is my seven year old daughter. Just

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<v Speaker 1>wrote this this morning because I said I was going

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<v Speaker 1>to be on your show, and she said, I'll write

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<v Speaker 1>you a poem that wonderful. I love that sentiment. That's amazing.

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<v Speaker 1>It's untitled. It's untitled. Okay, and your daughter's name is

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<v Speaker 1>that's not important. Sassy, Sassy Molassie, Sassy Molassie. So this

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<v Speaker 1>is a poem written untitled by Sassy Milassie Dinklage and

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<v Speaker 1>read by her father, Peter Dicklich from the Throne of Games.

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<v Speaker 1>Whenever You're ready, A gentle flower blows in the moonlight drown.

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<v Speaker 1>I think I lost you. Keep going, Carolyn, Yeah, we're here.

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<v Speaker 1>We just we just had something on the there's something

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<v Speaker 1>happened on the line. Star. I'll just start over. Sorry,

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<v Speaker 1>I think I think we're picking up a studio audience

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<v Speaker 1>somewhere where you are wrong. Oh you know what, that's

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<v Speaker 1>a ron sound machine. Ron. Let's just leave. Let's hear

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<v Speaker 1>the rest of the poem and let's just leave the

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<v Speaker 1>sound machine. A sorry about that. You can continue whenever

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<v Speaker 1>you're ready, sound machine. Okay, A gentle flower glows in

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<v Speaker 1>the moonlight. It sings and dances. Ron, what go ahead,

0:14:18.360 --> 0:14:27.080
<v Speaker 1>Peter door, No, that's it, that's the whole poem. Oh oh,

0:14:27.120 --> 0:14:30.280
<v Speaker 1>I see what you're doing. That's a that's a toilet

0:14:30.280 --> 0:14:33.000
<v Speaker 1>flushing sound. That is you got it? I know, isn't

0:14:33.000 --> 0:14:36.480
<v Speaker 1>it cool? Yeah? I know, but my daughter really put

0:14:36.520 --> 0:14:38.840
<v Speaker 1>a lot of thought into that poem. I'm so sorry,

0:14:39.520 --> 0:14:43.200
<v Speaker 1>m Ron, Let's leave it alone, Okay, Caroline, are you

0:14:43.240 --> 0:14:48.600
<v Speaker 1>with Ron? M Yeah, yeah, we're just going about this.

0:14:48.840 --> 0:14:52.320
<v Speaker 1>I'm so sorry. It's pretty The sound machine is great,

0:14:52.360 --> 0:14:55.560
<v Speaker 1>isn't it, Peter, This is really unprofessional. I'm really sorry.

0:14:55.560 --> 0:14:57.360
<v Speaker 1>We're just going to you know, if we want to

0:14:57.400 --> 0:15:01.640
<v Speaker 1>move on to the next poem. Run. No, that was

0:15:01.680 --> 0:15:09.400
<v Speaker 1>just transition music to the next poem. Um, let's alright,

0:15:09.440 --> 0:15:12.320
<v Speaker 1>Peter's whenever you're ready. I'm done. I've got it totally

0:15:12.360 --> 0:15:20.080
<v Speaker 1>out of my system. Yeah, I thought, uh with the hello,

0:15:20.440 --> 0:15:23.640
<v Speaker 1>Sorry sorry, sorry, sorry? You know what we're just I

0:15:23.760 --> 0:15:25.440
<v Speaker 1>just imagine what the poetry of it all. It was

0:15:25.480 --> 0:15:30.000
<v Speaker 1>more NPR than yeah, no exactly, you know anything. That

0:15:30.080 --> 0:15:31.680
<v Speaker 1>was the vibe that we're going to go for today.

0:15:31.760 --> 0:15:34.360
<v Speaker 1>So I think we're just gonna unplug the machine for

0:15:34.400 --> 0:15:37.480
<v Speaker 1>a second. It's totally unplugged. I've taken it off, put

0:15:37.520 --> 0:15:41.080
<v Speaker 1>it away. Okay, great, Ron unplugged it. So we're good. Um,

0:15:41.680 --> 0:15:44.400
<v Speaker 1>start your second poem whenever you're ready, Peter, please, sorry

0:15:44.440 --> 0:15:54.520
<v Speaker 1>about that again. Okay, This next poem is by Oscar Wilde.

0:15:55.960 --> 0:16:00.120
<v Speaker 1>You know his work wrong, He's amazing Oscar Wilde. I

0:16:00.160 --> 0:16:05.080
<v Speaker 1>believe Oscar wild irishman. Correct. Yes, from Dublin. One of

0:16:05.200 --> 0:16:08.880
<v Speaker 1>one of his famous quotes was either this wallpaper has

0:16:08.960 --> 0:16:12.160
<v Speaker 1>to go, or or I have to go. Something like that.

0:16:12.520 --> 0:16:15.760
<v Speaker 1>He didn't like the wallpaper in the room he was staying. Well,

0:16:16.040 --> 0:16:18.560
<v Speaker 1>he had very good taste. Perhaps he didn't. I don't know.

0:16:18.720 --> 0:16:23.920
<v Speaker 1>I don't know that one, Oscar wild from Dublin. Yes again.

0:16:24.000 --> 0:16:27.400
<v Speaker 1>Another poem sort of dealing with with nature in the

0:16:27.400 --> 0:16:35.880
<v Speaker 1>woods beautiful. Yeah, this one's called her Voice. The wild

0:16:36.000 --> 0:16:39.680
<v Speaker 1>be reels from bow to bow with his furry coat

0:16:39.800 --> 0:16:42.920
<v Speaker 1>and his gauzy wing, now in a lily cup and

0:16:43.040 --> 0:16:49.560
<v Speaker 1>now setting it just since I'm sorry, my elbow slipped.

0:16:49.600 --> 0:16:53.240
<v Speaker 1>My elbow slipped, Peter, I'm so sorry. You want to

0:16:53.240 --> 0:16:55.720
<v Speaker 1>take it from the beginning, are you? No? I just

0:16:55.800 --> 0:17:00.560
<v Speaker 1>think I don't know, Caroline, Yeah, you know, sure? This

0:17:00.640 --> 0:17:03.680
<v Speaker 1>is should I call back another time, do you think

0:17:04.080 --> 0:17:08.040
<v Speaker 1>or that would be provocative if you did call back.

0:17:08.280 --> 0:17:10.480
<v Speaker 1>You're getting you're having fun. I understand you're having fun

0:17:11.240 --> 0:17:13.440
<v Speaker 1>than having a great I don't want to interrupt your

0:17:13.440 --> 0:17:17.320
<v Speaker 1>Fun's just basically it was a misunderstanding. I think because

0:17:17.400 --> 0:17:20.720
<v Speaker 1>I thought one one one way and then I wasn't.

0:17:21.840 --> 0:17:26.520
<v Speaker 1>That's another toilet clushing. Um. Everything that machine is like

0:17:26.640 --> 0:17:32.119
<v Speaker 1>a comment on what I'm I think I'll say, you

0:17:32.200 --> 0:17:34.480
<v Speaker 1>don't have a lot of you know, we were throwing

0:17:34.560 --> 0:17:36.400
<v Speaker 1>fans pretty upset by this, That's all I gotta say.

0:17:37.960 --> 0:17:40.560
<v Speaker 1>It was so hard to get you booked because I'm

0:17:40.560 --> 0:17:45.480
<v Speaker 1>really appradual is packed and um, we feel really honored

0:17:45.480 --> 0:17:47.760
<v Speaker 1>to have as a guest. I did. I did a

0:17:47.800 --> 0:17:50.240
<v Speaker 1>lot of research on this, these tones. I think fans

0:17:50.240 --> 0:17:53.400
<v Speaker 1>of us for wild would really appreciate this rendition though.

0:17:53.720 --> 0:17:56.520
<v Speaker 1>Yeah no, and we really didn't want this to be

0:17:56.800 --> 0:18:03.439
<v Speaker 1>um anything that would upset you want to run, we

0:18:03.520 --> 0:18:07.040
<v Speaker 1>have to. I mean, I know this is over the phone,

0:18:07.040 --> 0:18:10.080
<v Speaker 1>but I even dressed up for this. I have and

0:18:11.080 --> 0:18:13.399
<v Speaker 1>well that's on that's on you. You don't have to

0:18:13.480 --> 0:18:16.400
<v Speaker 1>dress up. I'm in my box are briefs right now?

0:18:18.480 --> 0:18:23.679
<v Speaker 1>That's a visual I did not need. I had a

0:18:23.720 --> 0:18:26.200
<v Speaker 1>backup sound machine. This is not Carolin's fault. She did

0:18:26.240 --> 0:18:31.639
<v Speaker 1>unplug the first one. Yeah, it's Roun's podcast room, his rules,

0:18:31.720 --> 0:18:34.440
<v Speaker 1>he says. So sometimes he just shows up like this, Peter,

0:18:35.160 --> 0:18:38.120
<v Speaker 1>please go ahead and finish the poem. You have my word.

0:18:38.160 --> 0:18:41.000
<v Speaker 1>I will not hit another button. Let me just hit

0:18:41.160 --> 0:18:42.560
<v Speaker 1>let me just do a rapid fire and get it

0:18:42.560 --> 0:18:53.080
<v Speaker 1>out of my system. Yeah, get out of your system. Okay, Okay,

0:18:53.520 --> 0:19:03.679
<v Speaker 1>run Ron, I mean, because you're done, totally done, totally done. Okay.

0:19:03.920 --> 0:19:05.879
<v Speaker 1>You know, after a while, it probably would appreciate this.

0:19:05.960 --> 0:19:07.520
<v Speaker 1>He had a great He had a great sense of humor.

0:19:07.560 --> 0:19:11.440
<v Speaker 1>From what I remember, Doubliners is a laugh riot. That

0:19:11.560 --> 0:19:13.640
<v Speaker 1>being said, we should really get back if we want

0:19:13.640 --> 0:19:16.040
<v Speaker 1>the powers that be to be happy with this. That's right.

0:19:16.040 --> 0:19:18.399
<v Speaker 1>This is supposed to be high class. Okay, okay, just

0:19:18.480 --> 0:19:21.520
<v Speaker 1>keep going. Well, perhaps perhaps we'll come back to Perhaps

0:19:21.560 --> 0:19:25.520
<v Speaker 1>let me go through my manuscript here and perhaps we'll

0:19:25.560 --> 0:19:31.640
<v Speaker 1>come back. Um, it's a fine, finally bound gold leaf

0:19:31.920 --> 0:19:35.000
<v Speaker 1>manuscript that I had been working on. Yeah, I worked

0:19:35.000 --> 0:19:36.760
<v Speaker 1>on it all week. It's really beautiful. I wish you

0:19:36.800 --> 0:19:40.880
<v Speaker 1>could see it. All right, let's let's um a pub

0:19:41.000 --> 0:19:46.240
<v Speaker 1>by William Blake Bill Blake. Yeah, you know, well, William,

0:19:47.119 --> 0:19:51.399
<v Speaker 1>if anybody called them Bill, Nope, William Blake, you know

0:19:52.520 --> 0:19:56.880
<v Speaker 1>you should definitely respect him and his work by calling

0:19:56.920 --> 0:20:01.320
<v Speaker 1>him his proper name. Have the utmost. Most people like

0:20:01.359 --> 0:20:02.879
<v Speaker 1>it when you call you Ronald. Oh, I don't have

0:20:02.920 --> 0:20:05.240
<v Speaker 1>a problem with it. You can call me face for

0:20:05.320 --> 0:20:10.640
<v Speaker 1>all I care, as long as the check gashes, you know. Yeah, Okay,

0:20:11.240 --> 0:20:14.960
<v Speaker 1>all right, it's called laughing song. Oh beautiful, Oh God.

0:20:14.960 --> 0:20:17.240
<v Speaker 1>I have a button that says laugh on here. Okay,

0:20:17.280 --> 0:20:22.760
<v Speaker 1>I'm not gonna push it. Okay. Laughing song, uh, Laughing

0:20:22.800 --> 0:20:26.359
<v Speaker 1>song by William Blake. When the greenwoods laugh with the

0:20:26.480 --> 0:20:30.520
<v Speaker 1>voice of joy, and the dimpling stream runs laughing by,

0:20:30.640 --> 0:20:34.000
<v Speaker 1>when the air does laugh with our merry wit, and

0:20:34.040 --> 0:20:37.240
<v Speaker 1>the green hill laughs with the noise of it, When

0:20:37.240 --> 0:20:41.840
<v Speaker 1>the meadows laugh with a lively green and the grasshopper

0:20:41.960 --> 0:20:45.760
<v Speaker 1>laughs in the merry scene, when Mary and Susan and

0:20:45.800 --> 0:20:56.520
<v Speaker 1>Emily with their sweet round matus sing ha ha, Okay,

0:20:57.040 --> 0:21:01.520
<v Speaker 1>I am really sorry this. I don't have any I

0:21:01.520 --> 0:21:06.399
<v Speaker 1>don't have an excuse for it. I don't that's it.

0:21:06.520 --> 0:21:09.480
<v Speaker 1>I think I think you know what I'm fine, but

0:21:09.520 --> 0:21:13.439
<v Speaker 1>I think it's disrespect to these writers. I Peter, if

0:21:13.440 --> 0:21:15.240
<v Speaker 1>you're mad at me, my friend, I don't blame you.

0:21:15.320 --> 0:21:19.359
<v Speaker 1>I didn't know if it sounded bodily, is all I'm saying.

0:21:19.840 --> 0:21:22.800
<v Speaker 1>If we could just get five more minutes, we really

0:21:22.800 --> 0:21:24.440
<v Speaker 1>need to fill this time quote. If we get five

0:21:24.440 --> 0:21:26.880
<v Speaker 1>more minutes with you, we will not do any more sounds.

0:21:26.960 --> 0:21:34.680
<v Speaker 1>I promise this is no more sounds. Hullo, Peter, Hello,

0:21:37.640 --> 0:21:47.400
<v Speaker 1>Shoot now I'm still here. Just really no, he's back,

0:21:47.600 --> 0:21:58.760
<v Speaker 1>Peter Danklich Sorry, one final poem? Do you have it

0:21:58.840 --> 0:22:09.920
<v Speaker 1>in you? Peter um? I mean, if you're done, I

0:22:11.000 --> 0:22:16.720
<v Speaker 1>totally understand. It's just it's just no, it's hard flies

0:22:16.760 --> 0:22:20.040
<v Speaker 1>in the face of greatness. It's just I just draw

0:22:20.119 --> 0:22:23.920
<v Speaker 1>the literary minds out there. Please, I recommend not tuning in.

0:22:24.040 --> 0:22:25.840
<v Speaker 1>It's probably too late. What am I talking about. You've

0:22:25.840 --> 0:22:28.960
<v Speaker 1>already been listening. They've already been listening. Yeah, they can't.

0:22:29.440 --> 0:22:31.399
<v Speaker 1>I was just trying to spice things up a little bit.

0:22:31.440 --> 0:22:33.600
<v Speaker 1>But it's my name, Ron, it's my name that you know.

0:22:33.760 --> 0:22:37.080
<v Speaker 1>It's true. It's true. You're right, it wasn't. When you

0:22:37.160 --> 0:22:42.560
<v Speaker 1>say my name, it equals Peter, it equals dinkleage. I

0:22:42.600 --> 0:22:45.640
<v Speaker 1>mean disparages poetry. That's what people are gonna be thinking.

0:22:45.720 --> 0:22:48.480
<v Speaker 1>You're right, we just don't want to be the headline.

0:22:48.520 --> 0:22:53.520
<v Speaker 1>Of course, you know what it will be because I'm involved.

0:22:54.000 --> 0:22:58.080
<v Speaker 1>It will be a headline because just me in my involvement. Now,

0:22:59.160 --> 0:23:03.879
<v Speaker 1>I try to I do everything I can to avoid

0:23:03.920 --> 0:23:18.000
<v Speaker 1>situations like this. I should have just researched here, Peter.

0:23:18.119 --> 0:23:22.440
<v Speaker 1>We really appreciate you taking the time out to read

0:23:22.520 --> 0:23:27.160
<v Speaker 1>us some poetry from your your mountain hideaway fortress somewhere

0:23:27.160 --> 0:23:29.480
<v Speaker 1>in the northeastern part of the United States. I know

0:23:29.480 --> 0:23:32.640
<v Speaker 1>where it is, but I won't reveal that. Um, you're

0:23:32.680 --> 0:23:37.360
<v Speaker 1>a class act, my friend. And don't forget to pull

0:23:37.400 --> 0:23:45.199
<v Speaker 1>those stakes off the front front stoop there we lost him.

0:23:45.200 --> 0:23:49.960
<v Speaker 1>Well that was Peter Dinklinch everyone. I really appreciate that. Okay,

0:23:50.480 --> 0:23:54.960
<v Speaker 1>thanks thanks for the stakes, Peter. Thanks again, Pal. Really,

0:23:55.040 --> 0:23:59.720
<v Speaker 1>the poems were great. They were really great. I honestly

0:23:59.800 --> 0:24:01.480
<v Speaker 1>don't think people are gonna have an issue with it.

0:24:01.480 --> 0:24:03.359
<v Speaker 1>I think it's just a new way to interpret and

0:24:03.480 --> 0:24:06.960
<v Speaker 1>enjoy poetry. You know what, I'm still on the line.

0:24:07.240 --> 0:24:10.120
<v Speaker 1>I'll tell you the hard truth of it all. Yes,

0:24:10.440 --> 0:24:14.479
<v Speaker 1>Game of Thrones is over things like this is all

0:24:14.520 --> 0:24:16.840
<v Speaker 1>I have left. You're looking for the next chapter of

0:24:16.840 --> 0:24:20.600
<v Speaker 1>your career and it's going to be fruitful, trust me,

0:24:20.680 --> 0:24:22.639
<v Speaker 1>now you know what. And I'm looking right I'm listening

0:24:22.680 --> 0:24:26.160
<v Speaker 1>to it right now. This is my life now, Ron.

0:24:26.200 --> 0:24:29.320
<v Speaker 1>Thank you, No, it's thank you. Ron. You made me

0:24:29.359 --> 0:24:31.520
<v Speaker 1>realize that next half of my life is going to

0:24:31.600 --> 0:24:38.760
<v Speaker 1>be this. Peter, you're a class act, my friend. Next

0:24:38.800 --> 0:24:42.320
<v Speaker 1>time you're in southern California, look me up and I'll

0:24:42.320 --> 0:24:48.080
<v Speaker 1>take you to Hanniggans for some cod. Oh god, that

0:24:48.240 --> 0:24:54.119
<v Speaker 1>sounds so terrible. Well, it was an honor to have

0:24:54.160 --> 0:24:56.600
<v Speaker 1>you on the show, really was. Thank you, and I'm

0:24:56.640 --> 0:24:59.920
<v Speaker 1>so sorry you didn't work out as we previously discussed.

0:25:01.200 --> 0:25:07.639
<v Speaker 1>Peter Dinklage everyone, thanks again, my friend. All right, well,

0:25:07.680 --> 0:25:11.280
<v Speaker 1>well we'll go to another commercial here and we'll be

0:25:11.400 --> 0:25:26.440
<v Speaker 1>back with the Ron Burgundy Podcast. Welcome back, Ron Burgundy Podcast.

0:25:26.760 --> 0:25:30.920
<v Speaker 1>And Carolina, I am not gonna say I told you so,

0:25:31.119 --> 0:25:34.639
<v Speaker 1>but this poetry episode was never gonna work out. I

0:25:34.720 --> 0:25:38.600
<v Speaker 1>think the sound machine was an unfortunate circumstance that we

0:25:38.640 --> 0:25:41.159
<v Speaker 1>had to deal with um and I think, well it

0:25:41.240 --> 0:25:44.760
<v Speaker 1>wasn't going to go away. I'm sorry, right, because we

0:25:44.920 --> 0:25:47.560
<v Speaker 1>were at cross purposes. I mean today burned into my

0:25:47.640 --> 0:25:50.880
<v Speaker 1>brain was the sound effects episode, and then you spring

0:25:50.960 --> 0:25:54.200
<v Speaker 1>this poetry thing on me. Okay, well, I you know,

0:25:54.480 --> 0:25:56.960
<v Speaker 1>I think we should send him an apology letter or

0:25:57.040 --> 0:26:01.320
<v Speaker 1>a bottle of Actually, I'm looking through my my calendar here,

0:26:02.680 --> 0:26:07.440
<v Speaker 1>my hard copy calendar book that I keep. Oh brother,

0:26:08.359 --> 0:26:11.399
<v Speaker 1>what's going on? You were right? I have a circle

0:26:11.520 --> 0:26:18.040
<v Speaker 1>and start poetry episode today, So well to send him

0:26:18.040 --> 0:26:20.879
<v Speaker 1>a thank you gift or yes, well he's got the

0:26:20.920 --> 0:26:24.120
<v Speaker 1>stakes waiting for him. Yes, oh I know, send him

0:26:24.119 --> 0:26:27.440
<v Speaker 1>a sound machine. Yes, he'll love that. It's kind of

0:26:27.520 --> 0:26:30.600
<v Speaker 1>a kind of a slam dunk present, if you ask me.

0:26:30.800 --> 0:26:32.880
<v Speaker 1>I don't think he's going to appreciate that, especially after

0:26:33.040 --> 0:26:39.600
<v Speaker 1>today's episode. I think it'll actually probably upset him exactly. Yeah, okay,

0:26:39.680 --> 0:26:43.960
<v Speaker 1>that was the last one that totally was Yeah. Um,

0:26:44.600 --> 0:26:45.800
<v Speaker 1>this one's gonna be heavy one. Do you want to

0:26:45.800 --> 0:26:49.040
<v Speaker 1>do fact checks? Let's do our fact check. Absolutely. Um,

0:26:49.119 --> 0:26:52.000
<v Speaker 1>I'm just gonna run through a couple of these Game

0:26:52.040 --> 0:26:55.919
<v Speaker 1>of Thrones no throne up games, completely understandable. People mix

0:26:56.000 --> 0:26:59.440
<v Speaker 1>that up all the time. Um. The series is not

0:26:59.560 --> 0:27:03.760
<v Speaker 1>sponsored by Tail and All or any other pharmaceutical company

0:27:05.040 --> 0:27:07.720
<v Speaker 1>and Hogwarts takes no part in in Hogwarts is the

0:27:07.760 --> 0:27:10.040
<v Speaker 1>Harry Potter world. I know you've been catching up on

0:27:10.080 --> 0:27:12.080
<v Speaker 1>the books and you love them. I got him mixed up,

0:27:12.240 --> 0:27:15.080
<v Speaker 1>it's hard. And then the NBING Finals has never been

0:27:15.119 --> 0:27:18.720
<v Speaker 1>aired on PBS before. But um, those I mean are

0:27:18.960 --> 0:27:22.480
<v Speaker 1>sort of fine. I think what was more upsetting to

0:27:22.600 --> 0:27:25.320
<v Speaker 1>me was that he kept on calling me Caroline, and

0:27:26.880 --> 0:27:29.000
<v Speaker 1>I mean I was too nervous to correct him. He's

0:27:29.359 --> 0:27:32.439
<v Speaker 1>a famous actor, but you started calling me Caroline. Did

0:27:32.520 --> 0:27:37.760
<v Speaker 1>you notice that? Who? What is your name? It's Carolina

0:27:38.520 --> 0:27:40.879
<v Speaker 1>and it's always been Carolina since I was born. Yes,

0:27:41.720 --> 0:27:47.200
<v Speaker 1>and you've never, like once messed around with Caroline. No,

0:27:48.800 --> 0:27:53.240
<v Speaker 1>not even close, not even close, not ever. Okay, well,

0:27:53.960 --> 0:28:00.399
<v Speaker 1>we officially now know your name is, without fail, Carolina. Great. Okay,

0:28:01.800 --> 0:28:06.280
<v Speaker 1>that's why it's good to do these fact checks. Yeah, yeah, great,

0:28:06.640 --> 0:28:12.000
<v Speaker 1>thank you, Carolina. Final thoughts here. You'd like to start

0:28:12.080 --> 0:28:15.320
<v Speaker 1>my final thoughts with with a poem I have for you.

0:28:16.720 --> 0:28:21.760
<v Speaker 1>Roses are red, Violets are blue. Peter Dinklage lives at

0:28:21.800 --> 0:28:26.399
<v Speaker 1>four four seven Hammerstead Road in the town of New Duncan,

0:28:27.040 --> 0:28:31.840
<v Speaker 1>New York. That's upstate. You take the forty four UH

0:28:32.040 --> 0:28:36.119
<v Speaker 1>for about seventy minutes outside of Manhattan. You then make

0:28:36.160 --> 0:28:40.280
<v Speaker 1>a right at the old Red Barn, Uh Farmer McDougall's

0:28:40.320 --> 0:28:42.640
<v Speaker 1>Red Barn. Do you ask anyone in the neighborhood, they'll

0:28:42.680 --> 0:28:45.120
<v Speaker 1>know where it is. You go down a dirt road

0:28:45.480 --> 0:28:47.880
<v Speaker 1>for about two and a half miles. You stop at

0:28:47.920 --> 0:28:50.360
<v Speaker 1>the old Oak Tree, and then it's a hard left

0:28:51.040 --> 0:28:54.800
<v Speaker 1>and near this beautiful little river is his house. And

0:28:54.920 --> 0:28:58.840
<v Speaker 1>it's unmistakable. It's it's painted a robin's egg blue and

0:28:59.040 --> 0:29:01.720
<v Speaker 1>it says the dank which is on the on the

0:29:01.800 --> 0:29:08.880
<v Speaker 1>front post, uh the end. Pretty good poem. It's not,

0:29:09.120 --> 0:29:11.520
<v Speaker 1>it's more of directions to his house. I think we

0:29:11.560 --> 0:29:13.840
<v Speaker 1>shouldn't maybe take that out. Thank you for joining us

0:29:13.960 --> 0:29:18.440
<v Speaker 1>on the Ron Burgundy Podcast, Carolina. Thank you for clearing

0:29:18.520 --> 0:29:22.240
<v Speaker 1>up the controversy about your name, and we will see

0:29:22.240 --> 0:29:25.920
<v Speaker 1>you next time when you listen on wherever podcasts can

0:29:25.960 --> 0:29:28.120
<v Speaker 1>be listened to. Still confused by the whole concept, Thank you,

0:29:28.360 --> 0:29:34.240
<v Speaker 1>Ron Burgundy. By bye. Stay tuned for scenes from the

0:29:34.400 --> 0:29:42.240
<v Speaker 1>next episode of the Ron Burgundy Podcast. On the next

0:29:42.560 --> 0:29:51.760
<v Speaker 1>Ron Burgundy Podcast, Shakespeare What Buckingham Palace, Tower of London, England?

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<v Speaker 1>Fish and chips, the English language. What do all these

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<v Speaker 1>things have in common? That's right, they came from England.

0:30:04.800 --> 0:30:06.880
<v Speaker 1>Is that what you said, Caroline? Yeah, I just didn't

0:30:06.920 --> 0:30:09.760
<v Speaker 1>know what's happening. Finally, King Arthur and the Knights of

0:30:09.840 --> 0:30:14.600
<v Speaker 1>the round Table said enough is enough. They kicked everyone out,

0:30:15.080 --> 0:30:18.600
<v Speaker 1>gave Henry the Eighth the Turkey leg and the rest,

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<v Speaker 1>as they say, a stray. Wait, we didn't get that.

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<v Speaker 1>What did you say? The rash aka? The rest is history?

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<v Speaker 1>We got it. Why why is English food so bad?

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<v Speaker 1>The food? It's really about it being kind of studgy,

0:30:34.960 --> 0:30:37.680
<v Speaker 1>keeping you warm, keeping you full, rather than like a

0:30:37.800 --> 0:30:43.080
<v Speaker 1>culinary experience studgy. Yes, I like that word because we

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<v Speaker 1>don't have that word over here. I'm just gonna get

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<v Speaker 1>that down, write down that word, Carolina stodgy, and use

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<v Speaker 1>it in my speech tomorrow at the Community Center. Because

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<v Speaker 1>the first thing I do when I visit London is

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<v Speaker 1>I order it unicorn steak and get a big flagon

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<v Speaker 1>of mead. I'm a shine of a shadeer i am,

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<v Speaker 1>and I'm leaving foggy London town. Yeah. I think I'm

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<v Speaker 1>getting better. I think it needs work. But there is

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<v Speaker 1>a part of every British subject who rus the day.

0:31:16.760 --> 0:31:20.720
<v Speaker 1>When four comes around, They're like, oh gosh, we have

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<v Speaker 1>our own firework day on the fifth of November. Well

0:31:23.880 --> 0:31:27.040
<v Speaker 1>it's not a competition, were kind of. You don't have

0:31:27.120 --> 0:31:30.080
<v Speaker 1>to yell at me or those your real teeth. These

0:31:30.120 --> 0:31:32.360
<v Speaker 1>are actually my baby teeth. I don't know if it's

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<v Speaker 1>a British thing, but I've only ever had one set

0:31:34.400 --> 0:31:40.400
<v Speaker 1>of teeth. Ron. That's so crazy. Ron only has his

0:31:40.480 --> 0:31:43.240
<v Speaker 1>baby I only have my baby teeth. Well, maybe you

0:31:43.280 --> 0:31:49.760
<v Speaker 1>are British. The Ron Burgundy Podcast is a production of

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<v Speaker 1>I Heart Radio podcast Network and Funnier Die. I'm Ron Burgundy.

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<v Speaker 1>I'm the host, writer and executive producer. Carolina Barlow is

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<v Speaker 1>my co host, writer and producer. The show was also

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<v Speaker 1>produced by Whitney Hodeck, Jack O'Brien, Miles Gray, and Nick Stump.

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<v Speaker 1>Our executive producer is Mike Farrah. Our consulting producer is

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<v Speaker 1>Andrew Steel. Our associate producer is Anna Hosnier. Our writer

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<v Speaker 1>is Jake Pogos. Our production supervisor is Colin McDougall. This

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<v Speaker 1>episode was engineered, mixed, and edited by Nick Stump. Until

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<v Speaker 1>Next Time, This is Ron Burgundy.