1 00:00:00,120 --> 00:00:12,039 Speaker 1: Who's that man talking in my ear? He's Ron Bundy. 2 00:00:14,560 --> 00:00:17,520 Speaker 1: Hello everybody. I hope everybody is listening to this one, 3 00:00:18,280 --> 00:00:20,800 Speaker 1: the Ron Burgundy Podcast. I have a feeling this is 4 00:00:20,840 --> 00:00:24,600 Speaker 1: going to be a good one. Got a pretty good 5 00:00:24,640 --> 00:00:29,280 Speaker 1: feeling all the way down in my tippy toes. All 6 00:00:29,360 --> 00:00:34,160 Speaker 1: signs are pointing to the fact that this episode being entertaining, 7 00:00:34,640 --> 00:00:37,400 Speaker 1: fun to listen to, and something you'll you'll probably listen 8 00:00:37,440 --> 00:00:42,400 Speaker 1: to over and over again. Decoding the secret messages I've 9 00:00:42,560 --> 00:00:47,560 Speaker 1: buried deep in it. Actually, if you play this episode backwards, 10 00:00:48,040 --> 00:00:51,960 Speaker 1: you'll go clear. As my friends at the Scientology Center 11 00:00:52,040 --> 00:00:54,920 Speaker 1: like to say, Carolina, have you ever had a child 12 00:00:54,960 --> 00:00:58,960 Speaker 1: latte at your local Scientology Center? Now you should try it. 13 00:00:59,520 --> 00:01:03,000 Speaker 1: You're a pressive person if I've ever seen one. Anyway, 14 00:01:03,320 --> 00:01:06,280 Speaker 1: let me pull up our topic for this episode today. 15 00:01:06,360 --> 00:01:11,480 Speaker 1: From my business case is that that's a children's backpack. 16 00:01:12,040 --> 00:01:15,920 Speaker 1: Well I carry it like a briefcase. So and it 17 00:01:15,920 --> 00:01:20,680 Speaker 1: has a nice small section for my pencils your initials 18 00:01:20,680 --> 00:01:24,880 Speaker 1: on it. So let's see you boy, I'm I am 19 00:01:24,920 --> 00:01:28,080 Speaker 1: excited for this topic today. It's going to be a 20 00:01:28,120 --> 00:01:32,759 Speaker 1: good one and it's going to be risky. Carolina, tell 21 00:01:32,800 --> 00:01:35,560 Speaker 1: your mom at to pluggery. I don't think do you 22 00:01:35,560 --> 00:01:38,480 Speaker 1: remember what we discussed about today's topic, because it's actually 23 00:01:38,480 --> 00:01:42,680 Speaker 1: going to be the wait what then? Yeah, the note 24 00:01:42,720 --> 00:01:47,560 Speaker 1: you're handing me, it says today's topic is poetry. No no, no, 25 00:01:47,560 --> 00:01:52,160 Speaker 1: no no no no no no, no, no, no, nope, nope, nope, nope, nope, nope, nope, 26 00:01:52,200 --> 00:01:55,040 Speaker 1: nope No. That's what I thought. This was the show 27 00:01:55,120 --> 00:01:59,720 Speaker 1: where I was going to show everyone my sound machine. 28 00:02:01,120 --> 00:02:08,040 Speaker 1: It's pretty cool, right right? You know the sound machine 29 00:02:08,120 --> 00:02:13,840 Speaker 1: is cool? I think that there. Yes, it is. So 30 00:02:15,760 --> 00:02:18,720 Speaker 1: let's listen to all the sounds on my sound machine 31 00:02:18,760 --> 00:02:24,320 Speaker 1: today and we can do the poetry episode in. Let's 32 00:02:24,919 --> 00:02:27,680 Speaker 1: maybe we should pencil it in for a million billion 33 00:02:27,800 --> 00:02:31,600 Speaker 1: years from now. Okay, well, we discussed this, we booked 34 00:02:31,600 --> 00:02:33,720 Speaker 1: a guest. We're doing this because you said you wanted 35 00:02:33,760 --> 00:02:35,799 Speaker 1: to add more culture to the show. So that's why 36 00:02:35,840 --> 00:02:39,760 Speaker 1: I didn't mean words. No, when I said culture, I 37 00:02:39,800 --> 00:02:45,320 Speaker 1: meant more exotic dancing with drums and scarves. Caroline, Please, 38 00:02:45,360 --> 00:02:48,720 Speaker 1: as a producer, you need to anticipate more. Don't make 39 00:02:48,800 --> 00:02:51,440 Speaker 1: me expell it out for you every day. When I 40 00:02:51,480 --> 00:02:55,480 Speaker 1: say cultural, I mean scarves and dancers. You know what 41 00:02:55,520 --> 00:02:58,560 Speaker 1: I always say no, I mean something. You just keep 42 00:02:58,600 --> 00:03:01,440 Speaker 1: on talking about scarves. I don't There isn't enough dancing 43 00:03:01,480 --> 00:03:05,840 Speaker 1: on this show, not enough dancing with scarves. And I've 44 00:03:05,880 --> 00:03:09,000 Speaker 1: said this from day one. Well, I don't know what 45 00:03:09,080 --> 00:03:11,280 Speaker 1: to tell you, because we're doing a poetry episode today 46 00:03:11,280 --> 00:03:15,160 Speaker 1: because that's what we discussed with the producers. Jesus, I 47 00:03:15,160 --> 00:03:19,240 Speaker 1: guess we're really doing this. Huh, This podcast right was fun, Carolina. 48 00:03:19,240 --> 00:03:21,600 Speaker 1: It's hard to say goodbye. It's not going to destroy 49 00:03:21,720 --> 00:03:26,240 Speaker 1: our show. To our listeners, you've really made my heart 50 00:03:26,440 --> 00:03:29,880 Speaker 1: so warm and big, and to the kids out there, 51 00:03:30,000 --> 00:03:33,400 Speaker 1: yes I'm your hero, but no, I'm not perfect, and 52 00:03:33,480 --> 00:03:36,200 Speaker 1: neither is Carolina obviously. Okay, well, we're not going to 53 00:03:36,280 --> 00:03:38,800 Speaker 1: lose our show. You don't just say goodbye. Um. You 54 00:03:38,800 --> 00:03:42,400 Speaker 1: know a lot of people actually find poetry interesting. Can 55 00:03:42,440 --> 00:03:44,720 Speaker 1: we put the sound machine away for the rest of that, Carol? 56 00:03:44,840 --> 00:03:48,880 Speaker 1: And nobody thinks poetry is interesting? Okay. There's a whole 57 00:03:48,960 --> 00:03:52,560 Speaker 1: world outside of Sarah Lawrence, and that whole world thinks 58 00:03:52,680 --> 00:03:56,920 Speaker 1: you are a capital G geek. Alright, this episode is 59 00:03:57,040 --> 00:04:00,120 Speaker 1: social suicide. If you're asking me, can I actually we 60 00:04:00,160 --> 00:04:02,000 Speaker 1: just talk about one of my favorite poets and then 61 00:04:07,760 --> 00:04:09,640 Speaker 1: we can just unplug that and then we'll plug it 62 00:04:09,960 --> 00:04:12,000 Speaker 1: back in when we do a SA Machine episode, which 63 00:04:12,000 --> 00:04:15,720 Speaker 1: we can talk about the producers later. Okay, Hi everyone, 64 00:04:15,720 --> 00:04:19,120 Speaker 1: this is Carolina um. Today we're doing a poetry episode. 65 00:04:19,960 --> 00:04:23,320 Speaker 1: I'm minored in nineteenth century poetry at Sarah Lawrence UM. 66 00:04:23,360 --> 00:04:26,320 Speaker 1: So today I wanted to tell our listeners about Emily Dickinson. 67 00:04:26,880 --> 00:04:29,400 Speaker 1: She was born in eighteen sixty. Her writing is heavily 68 00:04:29,440 --> 00:04:33,640 Speaker 1: influenced by the metaphysical poets of the seventeenth century England. Wait, wait, wait, Emily, 69 00:04:34,440 --> 00:04:38,560 Speaker 1: Emily Dickinson. Yes, have you you've read her work? Are 70 00:04:38,600 --> 00:04:40,600 Speaker 1: you kidding me? She was one of my favorite go 71 00:04:40,600 --> 00:04:43,000 Speaker 1: go girls at Studio fifty four. No, we're talking about 72 00:04:43,000 --> 00:04:46,000 Speaker 1: different people. And did we loved the party? You know, 73 00:04:46,040 --> 00:04:49,680 Speaker 1: Emily Dickinson and I drank champagne from each other's belly buttons. 74 00:04:49,760 --> 00:04:52,160 Speaker 1: You know she was. Emily Dickinson was actually a recluse poet. 75 00:04:52,240 --> 00:04:55,400 Speaker 1: She rarely left the house, right. Oh, Emily left the house, 76 00:04:55,440 --> 00:04:58,960 Speaker 1: all right, But you know what, her pants didn't I'm 77 00:04:59,000 --> 00:05:01,520 Speaker 1: not following the pants didn't leave the house with her 78 00:05:01,880 --> 00:05:05,919 Speaker 1: because she didn't wear pants. She wore short shorts. You 79 00:05:05,920 --> 00:05:09,320 Speaker 1: could see her her butt outlined in them bang bang bang. 80 00:05:10,080 --> 00:05:12,880 Speaker 1: It's the sound of her button and the shorts got her. 81 00:05:12,920 --> 00:05:15,599 Speaker 1: But was so cute. I want to move on. It's unbelievable. 82 00:05:16,000 --> 00:05:17,880 Speaker 1: She pooped out of it. Okay, well, you know what 83 00:05:17,960 --> 00:05:20,800 Speaker 1: our best it's weird to think about that. But had 84 00:05:20,480 --> 00:05:24,640 Speaker 1: to excrete feces because it was a gorgeous. But okay, 85 00:05:24,720 --> 00:05:27,040 Speaker 1: you know what our guest is about to call? Got it? 86 00:05:27,120 --> 00:05:30,400 Speaker 1: But can I tell you more Emily Dickinson's stories later? No, 87 00:05:30,520 --> 00:05:35,320 Speaker 1: thank you? Okay, Oh, this is actually exciting. You got 88 00:05:35,880 --> 00:05:41,359 Speaker 1: Mr Peter Dinklage. Yes, he was very excited to be 89 00:05:41,440 --> 00:05:43,640 Speaker 1: on the show. But he's he's just concerned. He wants 90 00:05:43,640 --> 00:05:46,320 Speaker 1: to make sure that it's we're in tiptop shape. Yes, 91 00:05:46,680 --> 00:05:53,320 Speaker 1: he's showing some personal poetry actedly so okay, poetry, well regardless, 92 00:05:53,320 --> 00:06:00,719 Speaker 1: Peter Dinkridge has undo doubled lye dowd eatly A doubt Carolina, 93 00:06:00,720 --> 00:06:05,159 Speaker 1: help me out, undoubted Okay, without any doubted at lees. 94 00:06:06,080 --> 00:06:09,000 Speaker 1: Peter Dinkledge has one of the most beautiful voices in Hollywood. 95 00:06:09,080 --> 00:06:13,240 Speaker 1: Exact defined, distinguished, Yes, exactly. That's why we asked him 96 00:06:13,279 --> 00:06:15,000 Speaker 1: to read some of his favorite poems for us today 97 00:06:15,720 --> 00:06:18,320 Speaker 1: and with that we will be back with Peter Dinklage 98 00:06:18,640 --> 00:06:34,400 Speaker 1: right after this. Welcome back Peter Dinkledge. There's no question 99 00:06:34,440 --> 00:06:38,120 Speaker 1: as one of the most beautiful, distinguished voices in all 100 00:06:38,160 --> 00:06:42,680 Speaker 1: of Hollywood, and we are so happy to have him 101 00:06:42,680 --> 00:06:47,000 Speaker 1: here on the podcast. Calling in Peter. Are you there, Yes, Ron, 102 00:06:47,040 --> 00:06:48,960 Speaker 1: I'm here. Thank you for having me on your show. 103 00:06:49,080 --> 00:06:51,200 Speaker 1: We can't thank you enough, and we can't thank you 104 00:06:51,320 --> 00:06:55,400 Speaker 1: enough for being part of our poetry episode. Um. Of course, 105 00:06:55,480 --> 00:06:59,839 Speaker 1: you have done so many excellent roles throughout your career. Uh. 106 00:07:00,240 --> 00:07:03,719 Speaker 1: And you you've created what I would say is a 107 00:07:03,760 --> 00:07:09,920 Speaker 1: piece of iconic television history in the series Throne of Games. Um. Yeah, 108 00:07:10,120 --> 00:07:13,880 Speaker 1: I don't think that's right. What Carolyn, should I interrupt her? 109 00:07:14,000 --> 00:07:17,400 Speaker 1: Or please? It's called Game of Thrones, Ron, Like I 110 00:07:17,480 --> 00:07:19,720 Speaker 1: lost you there for a second. Yes, it's called Game 111 00:07:19,760 --> 00:07:23,880 Speaker 1: of Throne. You know what I had it written down wrong? Um? Okay, 112 00:07:24,040 --> 00:07:26,480 Speaker 1: tell us any any surprise this is the I believe 113 00:07:26,520 --> 00:07:28,880 Speaker 1: this is the final season coming up? Is that true? 114 00:07:29,560 --> 00:07:32,720 Speaker 1: That is true? Yes? And any surprises we can expect 115 00:07:32,800 --> 00:07:42,440 Speaker 1: from Thailand all manister again, that's a Triannister Tarrian. But 116 00:07:42,800 --> 00:07:45,920 Speaker 1: the whole series is sponsored by Thaylan All is that correct? 117 00:07:46,880 --> 00:07:52,480 Speaker 1: I know. No, it's on HBO, so there are no advertisers. Well, 118 00:07:52,520 --> 00:07:58,000 Speaker 1: I've got HBO. I did some bad network. I'm sorry, Peter, Yeah, yeah, 119 00:07:58,320 --> 00:08:02,440 Speaker 1: that's okay. Um, I can't give you any secrets or spoilers. Wrong, 120 00:08:02,480 --> 00:08:05,920 Speaker 1: I'm sorry. Fair enough. We'll just have to wait and 121 00:08:05,960 --> 00:08:10,240 Speaker 1: see what the gang at Hogwarts pulls off. I've seen 122 00:08:10,520 --> 00:08:15,000 Speaker 1: the coloring books, right, the game of thrown coloring books. 123 00:08:15,240 --> 00:08:17,640 Speaker 1: One real question and we'll get into the poetry. The 124 00:08:17,760 --> 00:08:23,520 Speaker 1: dragons aren't real though, right, No, okay, that's all the facts, 125 00:08:23,560 --> 00:08:27,320 Speaker 1: because they look real, that's for sure, in the in 126 00:08:27,400 --> 00:08:30,640 Speaker 1: the coloring books, they look real. On the show, they 127 00:08:30,640 --> 00:08:34,520 Speaker 1: look real. That's the only I've only seen excerpts of 128 00:08:34,559 --> 00:08:37,680 Speaker 1: the dragons on YouTube. That's all I've ever seen of 129 00:08:37,720 --> 00:08:42,520 Speaker 1: the show. And they are horrifying. They are horrifying. They are. Yes, 130 00:08:43,320 --> 00:08:47,120 Speaker 1: we have a great visual effects team. I love visual effects, 131 00:08:47,920 --> 00:08:51,439 Speaker 1: do you. Whenever I watch a movie, I always go 132 00:08:51,559 --> 00:08:54,040 Speaker 1: to the back of the credit role and I see 133 00:08:54,080 --> 00:08:56,880 Speaker 1: who's in charge of visual effects, and if it's a 134 00:08:56,880 --> 00:08:58,679 Speaker 1: good one, then I'll watch the rest of the movie. 135 00:08:58,760 --> 00:09:02,080 Speaker 1: If not, I just say nope. Not for me. So 136 00:09:02,200 --> 00:09:05,920 Speaker 1: you know that names of different visual effects are Oh yes, 137 00:09:06,480 --> 00:09:08,400 Speaker 1: I know them as well as I mean those I 138 00:09:08,400 --> 00:09:10,880 Speaker 1: only watched the technical awards on all the awards shows, 139 00:09:11,280 --> 00:09:15,240 Speaker 1: only watched the technical parts. It's like scroll through you 140 00:09:15,240 --> 00:09:18,560 Speaker 1: know all the actors. Who cares give me the technical 141 00:09:19,080 --> 00:09:25,439 Speaker 1: technical people? Peter, are you? Are you a fan of poetry? 142 00:09:25,720 --> 00:09:29,160 Speaker 1: I am. I think it's sort of a lost art form. 143 00:09:29,200 --> 00:09:33,160 Speaker 1: I think, uh, I mean poetry has become I think 144 00:09:34,080 --> 00:09:37,640 Speaker 1: rat is a new form of poetry. It is right 145 00:09:38,080 --> 00:09:42,360 Speaker 1: country Western music. I think there's always been poetry. Sure, Well, 146 00:09:42,440 --> 00:09:44,360 Speaker 1: songs are a form of poetry. Of course they are. 147 00:09:45,120 --> 00:09:48,400 Speaker 1: That's what I meant. What what style of songwriting it is? Yes, 148 00:09:48,920 --> 00:09:51,120 Speaker 1: and of course Johnny Cash was a poet. He was 149 00:09:51,160 --> 00:09:54,640 Speaker 1: a poet. Yeah, and I understand you'll be reading two 150 00:09:54,679 --> 00:09:59,319 Speaker 1: poems to us today. And so you're a fan of poetry. Well, 151 00:09:59,640 --> 00:10:03,760 Speaker 1: I mean, I guess what I'm wondering is what made 152 00:10:03,800 --> 00:10:07,120 Speaker 1: you decide on poet? You know, I'll be honest with you. 153 00:10:07,200 --> 00:10:10,439 Speaker 1: Carolina forced us to do this episode today. I just 154 00:10:10,480 --> 00:10:13,800 Speaker 1: thought it would be nice to have some cultural texture 155 00:10:13,960 --> 00:10:18,439 Speaker 1: to our show, make a little more highbrow exactly. That's 156 00:10:18,440 --> 00:10:20,240 Speaker 1: what we're looking. We've been told by the powers would 157 00:10:20,280 --> 00:10:24,199 Speaker 1: be that we don't have enough highbrow episode, so this 158 00:10:24,240 --> 00:10:26,520 Speaker 1: is our attempt to kind of get a little more 159 00:10:27,320 --> 00:10:35,880 Speaker 1: PBS like PBS next on PBS. Well that's yeah, gently 160 00:10:36,000 --> 00:10:39,240 Speaker 1: than that usually I think you're thinking of PBS. McLear 161 00:10:39,360 --> 00:10:44,280 Speaker 1: news our on PBS. I haven't watched it. I watch, 162 00:10:44,320 --> 00:10:46,959 Speaker 1: I watched. I watched the NBA Finals on PBS all 163 00:10:46,960 --> 00:10:52,600 Speaker 1: the time. I don't know if that's Caroline. Um. You know, 164 00:10:52,679 --> 00:10:54,240 Speaker 1: we do a fact check at the end of the 165 00:10:54,240 --> 00:10:55,960 Speaker 1: episode so we can get to a lot of this. 166 00:10:56,559 --> 00:10:58,080 Speaker 1: It was that your doorbell. Do is there a pizza 167 00:10:58,160 --> 00:11:01,480 Speaker 1: being delivered? I think there's uh, well, I'm in the 168 00:11:01,480 --> 00:11:03,520 Speaker 1: woods right now, so I'm a little scared. There's somebody 169 00:11:03,559 --> 00:11:09,320 Speaker 1: at the door. Um, can you barricade yourself in? Do 170 00:11:09,360 --> 00:11:13,559 Speaker 1: you need us to send law enforcement? They left the package? Okay, 171 00:11:13,600 --> 00:11:16,920 Speaker 1: did you send me something wrong? I did? I sent 172 00:11:17,000 --> 00:11:21,000 Speaker 1: you copied my book just as a thank you. Yes, 173 00:11:22,320 --> 00:11:25,760 Speaker 1: and I sent you some Omaha steaks. But I forgot 174 00:11:25,760 --> 00:11:27,320 Speaker 1: to tell them and put them in dry eyes, so 175 00:11:27,400 --> 00:11:30,840 Speaker 1: they may they may be past I should I should 176 00:11:30,880 --> 00:11:33,719 Speaker 1: get out there before the critic yep, exactly because that's 177 00:11:33,760 --> 00:11:38,520 Speaker 1: fresh meat. Yeah. Well, Peter, why don't we begin with 178 00:11:38,920 --> 00:11:40,560 Speaker 1: your first poem? And can you can you tell us 179 00:11:40,559 --> 00:11:43,000 Speaker 1: who this the poet is and and the name of 180 00:11:43,000 --> 00:11:45,760 Speaker 1: the poet. It's a very short poem. Okay, I'll have 181 00:11:45,800 --> 00:11:49,240 Speaker 1: you guess if you're if you Caroline would know, you 182 00:11:49,280 --> 00:11:51,800 Speaker 1: know what. I'm up in the woods right now. We 183 00:11:51,880 --> 00:11:54,760 Speaker 1: got a little, a little place up here, and because 184 00:11:54,800 --> 00:11:57,880 Speaker 1: of so much nature around, I thought, like them of 185 00:11:57,960 --> 00:12:00,439 Speaker 1: nature would be nice. What what part of the woods 186 00:12:00,440 --> 00:12:03,959 Speaker 1: are you in the Berkshires? I'd kind of want to 187 00:12:04,040 --> 00:12:09,559 Speaker 1: keep that a little private. Somewhere in man Main Canada, 188 00:12:10,640 --> 00:12:18,000 Speaker 1: Cottage country. Cottage Country, Canada. So cottage Country. Can you 189 00:12:18,200 --> 00:12:23,680 Speaker 1: see Niagara Falls from your house? No? I cannot. Okay, 190 00:12:24,559 --> 00:12:30,080 Speaker 1: So you're somewhere north of Manhattan, not Canada, not that 191 00:12:30,200 --> 00:12:33,840 Speaker 1: far north. No, that would require a passport. Every time. 192 00:12:33,920 --> 00:12:36,679 Speaker 1: I will eventually find you, my friend, I will eventually 193 00:12:36,679 --> 00:12:39,600 Speaker 1: show up at your daughter. Yep, the stakes did so, 194 00:12:40,320 --> 00:12:42,360 Speaker 1: I do know where you're like, but I'm going to 195 00:12:42,480 --> 00:12:45,760 Speaker 1: keep that. I'm gonna it's professional courtesy. I will not 196 00:12:45,840 --> 00:12:50,360 Speaker 1: reveal where you live in the woods. Okay, alright, So 197 00:12:50,400 --> 00:12:52,200 Speaker 1: we'll begin with our first time to the post. I 198 00:12:52,240 --> 00:12:55,160 Speaker 1: guess okay, this is my seven year old daughter. Just 199 00:12:55,200 --> 00:12:57,160 Speaker 1: wrote this this morning because I said I was going 200 00:12:57,240 --> 00:12:58,760 Speaker 1: to be on your show, and she said, I'll write 201 00:12:58,760 --> 00:13:02,640 Speaker 1: you a poem that wonderful. I love that sentiment. That's amazing. 202 00:13:02,960 --> 00:13:06,720 Speaker 1: It's untitled. It's untitled. Okay, and your daughter's name is 203 00:13:08,280 --> 00:13:15,160 Speaker 1: that's not important. Sassy, Sassy Molassie, Sassy Molassie. So this 204 00:13:15,240 --> 00:13:18,880 Speaker 1: is a poem written untitled by Sassy Milassie Dinklage and 205 00:13:18,960 --> 00:13:22,880 Speaker 1: read by her father, Peter Dicklich from the Throne of Games. 206 00:13:23,520 --> 00:13:33,040 Speaker 1: Whenever You're ready, A gentle flower blows in the moonlight drown. 207 00:13:33,120 --> 00:13:38,120 Speaker 1: I think I lost you. Keep going, Carolyn, Yeah, we're here. 208 00:13:39,040 --> 00:13:41,600 Speaker 1: We just we just had something on the there's something 209 00:13:41,640 --> 00:13:45,440 Speaker 1: happened on the line. Star. I'll just start over. Sorry, 210 00:13:45,480 --> 00:13:48,040 Speaker 1: I think I think we're picking up a studio audience 211 00:13:48,080 --> 00:13:49,920 Speaker 1: somewhere where you are wrong. Oh you know what, that's 212 00:13:49,920 --> 00:13:52,320 Speaker 1: a ron sound machine. Ron. Let's just leave. Let's hear 213 00:13:52,360 --> 00:13:53,839 Speaker 1: the rest of the poem and let's just leave the 214 00:13:53,880 --> 00:13:57,080 Speaker 1: sound machine. A sorry about that. You can continue whenever 215 00:13:57,080 --> 00:14:04,640 Speaker 1: you're ready, sound machine. Okay, A gentle flower glows in 216 00:14:04,679 --> 00:14:18,320 Speaker 1: the moonlight. It sings and dances. Ron, what go ahead, 217 00:14:18,360 --> 00:14:27,080 Speaker 1: Peter door, No, that's it, that's the whole poem. Oh oh, 218 00:14:27,120 --> 00:14:30,280 Speaker 1: I see what you're doing. That's a that's a toilet 219 00:14:30,280 --> 00:14:33,000 Speaker 1: flushing sound. That is you got it? I know, isn't 220 00:14:33,000 --> 00:14:36,480 Speaker 1: it cool? Yeah? I know, but my daughter really put 221 00:14:36,520 --> 00:14:38,840 Speaker 1: a lot of thought into that poem. I'm so sorry, 222 00:14:39,520 --> 00:14:43,200 Speaker 1: m Ron, Let's leave it alone, Okay, Caroline, are you 223 00:14:43,240 --> 00:14:48,600 Speaker 1: with Ron? M Yeah, yeah, we're just going about this. 224 00:14:48,840 --> 00:14:52,320 Speaker 1: I'm so sorry. It's pretty The sound machine is great, 225 00:14:52,360 --> 00:14:55,560 Speaker 1: isn't it, Peter, This is really unprofessional. I'm really sorry. 226 00:14:55,560 --> 00:14:57,360 Speaker 1: We're just going to you know, if we want to 227 00:14:57,400 --> 00:15:01,640 Speaker 1: move on to the next poem. Run. No, that was 228 00:15:01,680 --> 00:15:09,400 Speaker 1: just transition music to the next poem. Um, let's alright, 229 00:15:09,440 --> 00:15:12,320 Speaker 1: Peter's whenever you're ready. I'm done. I've got it totally 230 00:15:12,360 --> 00:15:20,080 Speaker 1: out of my system. Yeah, I thought, uh with the hello, 231 00:15:20,440 --> 00:15:23,640 Speaker 1: Sorry sorry, sorry, sorry? You know what we're just I 232 00:15:23,760 --> 00:15:25,440 Speaker 1: just imagine what the poetry of it all. It was 233 00:15:25,480 --> 00:15:30,000 Speaker 1: more NPR than yeah, no exactly, you know anything. That 234 00:15:30,080 --> 00:15:31,680 Speaker 1: was the vibe that we're going to go for today. 235 00:15:31,760 --> 00:15:34,360 Speaker 1: So I think we're just gonna unplug the machine for 236 00:15:34,400 --> 00:15:37,480 Speaker 1: a second. It's totally unplugged. I've taken it off, put 237 00:15:37,520 --> 00:15:41,080 Speaker 1: it away. Okay, great, Ron unplugged it. So we're good. Um, 238 00:15:41,680 --> 00:15:44,400 Speaker 1: start your second poem whenever you're ready, Peter, please, sorry 239 00:15:44,440 --> 00:15:54,520 Speaker 1: about that again. Okay, This next poem is by Oscar Wilde. 240 00:15:55,960 --> 00:16:00,120 Speaker 1: You know his work wrong, He's amazing Oscar Wilde. I 241 00:16:00,160 --> 00:16:05,080 Speaker 1: believe Oscar wild irishman. Correct. Yes, from Dublin. One of 242 00:16:05,200 --> 00:16:08,880 Speaker 1: one of his famous quotes was either this wallpaper has 243 00:16:08,960 --> 00:16:12,160 Speaker 1: to go, or or I have to go. Something like that. 244 00:16:12,520 --> 00:16:15,760 Speaker 1: He didn't like the wallpaper in the room he was staying. Well, 245 00:16:16,040 --> 00:16:18,560 Speaker 1: he had very good taste. Perhaps he didn't. I don't know. 246 00:16:18,720 --> 00:16:23,920 Speaker 1: I don't know that one, Oscar wild from Dublin. Yes again. 247 00:16:24,000 --> 00:16:27,400 Speaker 1: Another poem sort of dealing with with nature in the 248 00:16:27,400 --> 00:16:35,880 Speaker 1: woods beautiful. Yeah, this one's called her Voice. The wild 249 00:16:36,000 --> 00:16:39,680 Speaker 1: be reels from bow to bow with his furry coat 250 00:16:39,800 --> 00:16:42,920 Speaker 1: and his gauzy wing, now in a lily cup and 251 00:16:43,040 --> 00:16:49,560 Speaker 1: now setting it just since I'm sorry, my elbow slipped. 252 00:16:49,600 --> 00:16:53,240 Speaker 1: My elbow slipped, Peter, I'm so sorry. You want to 253 00:16:53,240 --> 00:16:55,720 Speaker 1: take it from the beginning, are you? No? I just 254 00:16:55,800 --> 00:17:00,560 Speaker 1: think I don't know, Caroline, Yeah, you know, sure? This 255 00:17:00,640 --> 00:17:03,680 Speaker 1: is should I call back another time, do you think 256 00:17:04,080 --> 00:17:08,040 Speaker 1: or that would be provocative if you did call back. 257 00:17:08,280 --> 00:17:10,480 Speaker 1: You're getting you're having fun. I understand you're having fun 258 00:17:11,240 --> 00:17:13,440 Speaker 1: than having a great I don't want to interrupt your 259 00:17:13,440 --> 00:17:17,320 Speaker 1: Fun's just basically it was a misunderstanding. I think because 260 00:17:17,400 --> 00:17:20,720 Speaker 1: I thought one one one way and then I wasn't. 261 00:17:21,840 --> 00:17:26,520 Speaker 1: That's another toilet clushing. Um. Everything that machine is like 262 00:17:26,640 --> 00:17:32,119 Speaker 1: a comment on what I'm I think I'll say, you 263 00:17:32,200 --> 00:17:34,480 Speaker 1: don't have a lot of you know, we were throwing 264 00:17:34,560 --> 00:17:36,400 Speaker 1: fans pretty upset by this, That's all I gotta say. 265 00:17:37,960 --> 00:17:40,560 Speaker 1: It was so hard to get you booked because I'm 266 00:17:40,560 --> 00:17:45,480 Speaker 1: really appradual is packed and um, we feel really honored 267 00:17:45,480 --> 00:17:47,760 Speaker 1: to have as a guest. I did. I did a 268 00:17:47,800 --> 00:17:50,240 Speaker 1: lot of research on this, these tones. I think fans 269 00:17:50,240 --> 00:17:53,400 Speaker 1: of us for wild would really appreciate this rendition though. 270 00:17:53,720 --> 00:17:56,520 Speaker 1: Yeah no, and we really didn't want this to be 271 00:17:56,800 --> 00:18:03,439 Speaker 1: um anything that would upset you want to run, we 272 00:18:03,520 --> 00:18:07,040 Speaker 1: have to. I mean, I know this is over the phone, 273 00:18:07,040 --> 00:18:10,080 Speaker 1: but I even dressed up for this. I have and 274 00:18:11,080 --> 00:18:13,399 Speaker 1: well that's on that's on you. You don't have to 275 00:18:13,480 --> 00:18:16,400 Speaker 1: dress up. I'm in my box are briefs right now? 276 00:18:18,480 --> 00:18:23,679 Speaker 1: That's a visual I did not need. I had a 277 00:18:23,720 --> 00:18:26,200 Speaker 1: backup sound machine. This is not Carolin's fault. She did 278 00:18:26,240 --> 00:18:31,639 Speaker 1: unplug the first one. Yeah, it's Roun's podcast room, his rules, 279 00:18:31,720 --> 00:18:34,440 Speaker 1: he says. So sometimes he just shows up like this, Peter, 280 00:18:35,160 --> 00:18:38,120 Speaker 1: please go ahead and finish the poem. You have my word. 281 00:18:38,160 --> 00:18:41,000 Speaker 1: I will not hit another button. Let me just hit 282 00:18:41,160 --> 00:18:42,560 Speaker 1: let me just do a rapid fire and get it 283 00:18:42,560 --> 00:18:53,080 Speaker 1: out of my system. Yeah, get out of your system. Okay, Okay, 284 00:18:53,520 --> 00:19:03,679 Speaker 1: run Ron, I mean, because you're done, totally done, totally done. Okay. 285 00:19:03,920 --> 00:19:05,879 Speaker 1: You know, after a while, it probably would appreciate this. 286 00:19:05,960 --> 00:19:07,520 Speaker 1: He had a great He had a great sense of humor. 287 00:19:07,560 --> 00:19:11,440 Speaker 1: From what I remember, Doubliners is a laugh riot. That 288 00:19:11,560 --> 00:19:13,640 Speaker 1: being said, we should really get back if we want 289 00:19:13,640 --> 00:19:16,040 Speaker 1: the powers that be to be happy with this. That's right. 290 00:19:16,040 --> 00:19:18,399 Speaker 1: This is supposed to be high class. Okay, okay, just 291 00:19:18,480 --> 00:19:21,520 Speaker 1: keep going. Well, perhaps perhaps we'll come back to Perhaps 292 00:19:21,560 --> 00:19:25,520 Speaker 1: let me go through my manuscript here and perhaps we'll 293 00:19:25,560 --> 00:19:31,640 Speaker 1: come back. Um, it's a fine, finally bound gold leaf 294 00:19:31,920 --> 00:19:35,000 Speaker 1: manuscript that I had been working on. Yeah, I worked 295 00:19:35,000 --> 00:19:36,760 Speaker 1: on it all week. It's really beautiful. I wish you 296 00:19:36,800 --> 00:19:40,880 Speaker 1: could see it. All right, let's let's um a pub 297 00:19:41,000 --> 00:19:46,240 Speaker 1: by William Blake Bill Blake. Yeah, you know, well, William, 298 00:19:47,119 --> 00:19:51,399 Speaker 1: if anybody called them Bill, Nope, William Blake, you know 299 00:19:52,520 --> 00:19:56,880 Speaker 1: you should definitely respect him and his work by calling 300 00:19:56,920 --> 00:20:01,320 Speaker 1: him his proper name. Have the utmost. Most people like 301 00:20:01,359 --> 00:20:02,879 Speaker 1: it when you call you Ronald. Oh, I don't have 302 00:20:02,920 --> 00:20:05,240 Speaker 1: a problem with it. You can call me face for 303 00:20:05,320 --> 00:20:10,640 Speaker 1: all I care, as long as the check gashes, you know. Yeah, Okay, 304 00:20:11,240 --> 00:20:14,960 Speaker 1: all right, it's called laughing song. Oh beautiful, Oh God. 305 00:20:14,960 --> 00:20:17,240 Speaker 1: I have a button that says laugh on here. Okay, 306 00:20:17,280 --> 00:20:22,760 Speaker 1: I'm not gonna push it. Okay. Laughing song, uh, Laughing 307 00:20:22,800 --> 00:20:26,359 Speaker 1: song by William Blake. When the greenwoods laugh with the 308 00:20:26,480 --> 00:20:30,520 Speaker 1: voice of joy, and the dimpling stream runs laughing by, 309 00:20:30,640 --> 00:20:34,000 Speaker 1: when the air does laugh with our merry wit, and 310 00:20:34,040 --> 00:20:37,240 Speaker 1: the green hill laughs with the noise of it, When 311 00:20:37,240 --> 00:20:41,840 Speaker 1: the meadows laugh with a lively green and the grasshopper 312 00:20:41,960 --> 00:20:45,760 Speaker 1: laughs in the merry scene, when Mary and Susan and 313 00:20:45,800 --> 00:20:56,520 Speaker 1: Emily with their sweet round matus sing ha ha, Okay, 314 00:20:57,040 --> 00:21:01,520 Speaker 1: I am really sorry this. I don't have any I 315 00:21:01,520 --> 00:21:06,399 Speaker 1: don't have an excuse for it. I don't that's it. 316 00:21:06,520 --> 00:21:09,480 Speaker 1: I think I think you know what I'm fine, but 317 00:21:09,520 --> 00:21:13,439 Speaker 1: I think it's disrespect to these writers. I Peter, if 318 00:21:13,440 --> 00:21:15,240 Speaker 1: you're mad at me, my friend, I don't blame you. 319 00:21:15,320 --> 00:21:19,359 Speaker 1: I didn't know if it sounded bodily, is all I'm saying. 320 00:21:19,840 --> 00:21:22,800 Speaker 1: If we could just get five more minutes, we really 321 00:21:22,800 --> 00:21:24,440 Speaker 1: need to fill this time quote. If we get five 322 00:21:24,440 --> 00:21:26,880 Speaker 1: more minutes with you, we will not do any more sounds. 323 00:21:26,960 --> 00:21:34,680 Speaker 1: I promise this is no more sounds. Hullo, Peter, Hello, 324 00:21:37,640 --> 00:21:47,400 Speaker 1: Shoot now I'm still here. Just really no, he's back, 325 00:21:47,600 --> 00:21:58,760 Speaker 1: Peter Danklich Sorry, one final poem? Do you have it 326 00:21:58,840 --> 00:22:09,920 Speaker 1: in you? Peter um? I mean, if you're done, I 327 00:22:11,000 --> 00:22:16,720 Speaker 1: totally understand. It's just it's just no, it's hard flies 328 00:22:16,760 --> 00:22:20,040 Speaker 1: in the face of greatness. It's just I just draw 329 00:22:20,119 --> 00:22:23,920 Speaker 1: the literary minds out there. Please, I recommend not tuning in. 330 00:22:24,040 --> 00:22:25,840 Speaker 1: It's probably too late. What am I talking about. You've 331 00:22:25,840 --> 00:22:28,960 Speaker 1: already been listening. They've already been listening. Yeah, they can't. 332 00:22:29,440 --> 00:22:31,399 Speaker 1: I was just trying to spice things up a little bit. 333 00:22:31,440 --> 00:22:33,600 Speaker 1: But it's my name, Ron, it's my name that you know. 334 00:22:33,760 --> 00:22:37,080 Speaker 1: It's true. It's true. You're right, it wasn't. When you 335 00:22:37,160 --> 00:22:42,560 Speaker 1: say my name, it equals Peter, it equals dinkleage. I 336 00:22:42,600 --> 00:22:45,640 Speaker 1: mean disparages poetry. That's what people are gonna be thinking. 337 00:22:45,720 --> 00:22:48,480 Speaker 1: You're right, we just don't want to be the headline. 338 00:22:48,520 --> 00:22:53,520 Speaker 1: Of course, you know what it will be because I'm involved. 339 00:22:54,000 --> 00:22:58,080 Speaker 1: It will be a headline because just me in my involvement. Now, 340 00:22:59,160 --> 00:23:03,879 Speaker 1: I try to I do everything I can to avoid 341 00:23:03,920 --> 00:23:18,000 Speaker 1: situations like this. I should have just researched here, Peter. 342 00:23:18,119 --> 00:23:22,440 Speaker 1: We really appreciate you taking the time out to read 343 00:23:22,520 --> 00:23:27,160 Speaker 1: us some poetry from your your mountain hideaway fortress somewhere 344 00:23:27,160 --> 00:23:29,480 Speaker 1: in the northeastern part of the United States. I know 345 00:23:29,480 --> 00:23:32,640 Speaker 1: where it is, but I won't reveal that. Um, you're 346 00:23:32,680 --> 00:23:37,360 Speaker 1: a class act, my friend. And don't forget to pull 347 00:23:37,400 --> 00:23:45,199 Speaker 1: those stakes off the front front stoop there we lost him. 348 00:23:45,200 --> 00:23:49,960 Speaker 1: Well that was Peter Dinklinch everyone. I really appreciate that. Okay, 349 00:23:50,480 --> 00:23:54,960 Speaker 1: thanks thanks for the stakes, Peter. Thanks again, Pal. Really, 350 00:23:55,040 --> 00:23:59,720 Speaker 1: the poems were great. They were really great. I honestly 351 00:23:59,800 --> 00:24:01,480 Speaker 1: don't think people are gonna have an issue with it. 352 00:24:01,480 --> 00:24:03,359 Speaker 1: I think it's just a new way to interpret and 353 00:24:03,480 --> 00:24:06,960 Speaker 1: enjoy poetry. You know what, I'm still on the line. 354 00:24:07,240 --> 00:24:10,120 Speaker 1: I'll tell you the hard truth of it all. Yes, 355 00:24:10,440 --> 00:24:14,479 Speaker 1: Game of Thrones is over things like this is all 356 00:24:14,520 --> 00:24:16,840 Speaker 1: I have left. You're looking for the next chapter of 357 00:24:16,840 --> 00:24:20,600 Speaker 1: your career and it's going to be fruitful, trust me, 358 00:24:20,680 --> 00:24:22,639 Speaker 1: now you know what. And I'm looking right I'm listening 359 00:24:22,680 --> 00:24:26,160 Speaker 1: to it right now. This is my life now, Ron. 360 00:24:26,200 --> 00:24:29,320 Speaker 1: Thank you, No, it's thank you. Ron. You made me 361 00:24:29,359 --> 00:24:31,520 Speaker 1: realize that next half of my life is going to 362 00:24:31,600 --> 00:24:38,760 Speaker 1: be this. Peter, you're a class act, my friend. Next 363 00:24:38,800 --> 00:24:42,320 Speaker 1: time you're in southern California, look me up and I'll 364 00:24:42,320 --> 00:24:48,080 Speaker 1: take you to Hanniggans for some cod. Oh god, that 365 00:24:48,240 --> 00:24:54,119 Speaker 1: sounds so terrible. Well, it was an honor to have 366 00:24:54,160 --> 00:24:56,600 Speaker 1: you on the show, really was. Thank you, and I'm 367 00:24:56,640 --> 00:24:59,920 Speaker 1: so sorry you didn't work out as we previously discussed. 368 00:25:01,200 --> 00:25:07,639 Speaker 1: Peter Dinklage everyone, thanks again, my friend. All right, well, 369 00:25:07,680 --> 00:25:11,280 Speaker 1: well we'll go to another commercial here and we'll be 370 00:25:11,400 --> 00:25:26,440 Speaker 1: back with the Ron Burgundy Podcast. Welcome back, Ron Burgundy Podcast. 371 00:25:26,760 --> 00:25:30,920 Speaker 1: And Carolina, I am not gonna say I told you so, 372 00:25:31,119 --> 00:25:34,639 Speaker 1: but this poetry episode was never gonna work out. I 373 00:25:34,720 --> 00:25:38,600 Speaker 1: think the sound machine was an unfortunate circumstance that we 374 00:25:38,640 --> 00:25:41,159 Speaker 1: had to deal with um and I think, well it 375 00:25:41,240 --> 00:25:44,760 Speaker 1: wasn't going to go away. I'm sorry, right, because we 376 00:25:44,920 --> 00:25:47,560 Speaker 1: were at cross purposes. I mean today burned into my 377 00:25:47,640 --> 00:25:50,880 Speaker 1: brain was the sound effects episode, and then you spring 378 00:25:50,960 --> 00:25:54,200 Speaker 1: this poetry thing on me. Okay, well, I you know, 379 00:25:54,480 --> 00:25:56,960 Speaker 1: I think we should send him an apology letter or 380 00:25:57,040 --> 00:26:01,320 Speaker 1: a bottle of Actually, I'm looking through my my calendar here, 381 00:26:02,680 --> 00:26:07,440 Speaker 1: my hard copy calendar book that I keep. Oh brother, 382 00:26:08,359 --> 00:26:11,399 Speaker 1: what's going on? You were right? I have a circle 383 00:26:11,520 --> 00:26:18,040 Speaker 1: and start poetry episode today, So well to send him 384 00:26:18,040 --> 00:26:20,879 Speaker 1: a thank you gift or yes, well he's got the 385 00:26:20,920 --> 00:26:24,120 Speaker 1: stakes waiting for him. Yes, oh I know, send him 386 00:26:24,119 --> 00:26:27,440 Speaker 1: a sound machine. Yes, he'll love that. It's kind of 387 00:26:27,520 --> 00:26:30,600 Speaker 1: a kind of a slam dunk present, if you ask me. 388 00:26:30,800 --> 00:26:32,880 Speaker 1: I don't think he's going to appreciate that, especially after 389 00:26:33,040 --> 00:26:39,600 Speaker 1: today's episode. I think it'll actually probably upset him exactly. Yeah, okay, 390 00:26:39,680 --> 00:26:43,960 Speaker 1: that was the last one that totally was Yeah. Um, 391 00:26:44,600 --> 00:26:45,800 Speaker 1: this one's gonna be heavy one. Do you want to 392 00:26:45,800 --> 00:26:49,040 Speaker 1: do fact checks? Let's do our fact check. Absolutely. Um, 393 00:26:49,119 --> 00:26:52,000 Speaker 1: I'm just gonna run through a couple of these Game 394 00:26:52,040 --> 00:26:55,919 Speaker 1: of Thrones no throne up games, completely understandable. People mix 395 00:26:56,000 --> 00:26:59,440 Speaker 1: that up all the time. Um. The series is not 396 00:26:59,560 --> 00:27:03,760 Speaker 1: sponsored by Tail and All or any other pharmaceutical company 397 00:27:05,040 --> 00:27:07,720 Speaker 1: and Hogwarts takes no part in in Hogwarts is the 398 00:27:07,760 --> 00:27:10,040 Speaker 1: Harry Potter world. I know you've been catching up on 399 00:27:10,080 --> 00:27:12,080 Speaker 1: the books and you love them. I got him mixed up, 400 00:27:12,240 --> 00:27:15,080 Speaker 1: it's hard. And then the NBING Finals has never been 401 00:27:15,119 --> 00:27:18,720 Speaker 1: aired on PBS before. But um, those I mean are 402 00:27:18,960 --> 00:27:22,480 Speaker 1: sort of fine. I think what was more upsetting to 403 00:27:22,600 --> 00:27:25,320 Speaker 1: me was that he kept on calling me Caroline, and 404 00:27:26,880 --> 00:27:29,000 Speaker 1: I mean I was too nervous to correct him. He's 405 00:27:29,359 --> 00:27:32,439 Speaker 1: a famous actor, but you started calling me Caroline. Did 406 00:27:32,520 --> 00:27:37,760 Speaker 1: you notice that? Who? What is your name? It's Carolina 407 00:27:38,520 --> 00:27:40,879 Speaker 1: and it's always been Carolina since I was born. Yes, 408 00:27:41,720 --> 00:27:47,200 Speaker 1: and you've never, like once messed around with Caroline. No, 409 00:27:48,800 --> 00:27:53,240 Speaker 1: not even close, not even close, not ever. Okay, well, 410 00:27:53,960 --> 00:28:00,399 Speaker 1: we officially now know your name is, without fail, Carolina. Great. Okay, 411 00:28:01,800 --> 00:28:06,280 Speaker 1: that's why it's good to do these fact checks. Yeah, yeah, great, 412 00:28:06,640 --> 00:28:12,000 Speaker 1: thank you, Carolina. Final thoughts here. You'd like to start 413 00:28:12,080 --> 00:28:15,320 Speaker 1: my final thoughts with with a poem I have for you. 414 00:28:16,720 --> 00:28:21,760 Speaker 1: Roses are red, Violets are blue. Peter Dinklage lives at 415 00:28:21,800 --> 00:28:26,399 Speaker 1: four four seven Hammerstead Road in the town of New Duncan, 416 00:28:27,040 --> 00:28:31,840 Speaker 1: New York. That's upstate. You take the forty four UH 417 00:28:32,040 --> 00:28:36,119 Speaker 1: for about seventy minutes outside of Manhattan. You then make 418 00:28:36,160 --> 00:28:40,280 Speaker 1: a right at the old Red Barn, Uh Farmer McDougall's 419 00:28:40,320 --> 00:28:42,640 Speaker 1: Red Barn. Do you ask anyone in the neighborhood, they'll 420 00:28:42,680 --> 00:28:45,120 Speaker 1: know where it is. You go down a dirt road 421 00:28:45,480 --> 00:28:47,880 Speaker 1: for about two and a half miles. You stop at 422 00:28:47,920 --> 00:28:50,360 Speaker 1: the old Oak Tree, and then it's a hard left 423 00:28:51,040 --> 00:28:54,800 Speaker 1: and near this beautiful little river is his house. And 424 00:28:54,920 --> 00:28:58,840 Speaker 1: it's unmistakable. It's it's painted a robin's egg blue and 425 00:28:59,040 --> 00:29:01,720 Speaker 1: it says the dank which is on the on the 426 00:29:01,800 --> 00:29:08,880 Speaker 1: front post, uh the end. Pretty good poem. It's not, 427 00:29:09,120 --> 00:29:11,520 Speaker 1: it's more of directions to his house. I think we 428 00:29:11,560 --> 00:29:13,840 Speaker 1: shouldn't maybe take that out. Thank you for joining us 429 00:29:13,960 --> 00:29:18,440 Speaker 1: on the Ron Burgundy Podcast, Carolina. Thank you for clearing 430 00:29:18,520 --> 00:29:22,240 Speaker 1: up the controversy about your name, and we will see 431 00:29:22,240 --> 00:29:25,920 Speaker 1: you next time when you listen on wherever podcasts can 432 00:29:25,960 --> 00:29:28,120 Speaker 1: be listened to. Still confused by the whole concept, Thank you, 433 00:29:28,360 --> 00:29:34,240 Speaker 1: Ron Burgundy. By bye. Stay tuned for scenes from the 434 00:29:34,400 --> 00:29:42,240 Speaker 1: next episode of the Ron Burgundy Podcast. On the next 435 00:29:42,560 --> 00:29:51,760 Speaker 1: Ron Burgundy Podcast, Shakespeare What Buckingham Palace, Tower of London, England? 436 00:29:52,560 --> 00:29:59,520 Speaker 1: Fish and chips, the English language. What do all these 437 00:29:59,600 --> 00:30:04,440 Speaker 1: things have in common? That's right, they came from England. 438 00:30:04,800 --> 00:30:06,880 Speaker 1: Is that what you said, Caroline? Yeah, I just didn't 439 00:30:06,920 --> 00:30:09,760 Speaker 1: know what's happening. Finally, King Arthur and the Knights of 440 00:30:09,840 --> 00:30:14,600 Speaker 1: the round Table said enough is enough. They kicked everyone out, 441 00:30:15,080 --> 00:30:18,600 Speaker 1: gave Henry the Eighth the Turkey leg and the rest, 442 00:30:18,880 --> 00:30:22,480 Speaker 1: as they say, a stray. Wait, we didn't get that. 443 00:30:22,560 --> 00:30:28,360 Speaker 1: What did you say? The rash aka? The rest is history? 444 00:30:28,440 --> 00:30:30,720 Speaker 1: We got it. Why why is English food so bad? 445 00:30:31,600 --> 00:30:34,120 Speaker 1: The food? It's really about it being kind of studgy, 446 00:30:34,960 --> 00:30:37,680 Speaker 1: keeping you warm, keeping you full, rather than like a 447 00:30:37,800 --> 00:30:43,080 Speaker 1: culinary experience studgy. Yes, I like that word because we 448 00:30:43,120 --> 00:30:45,720 Speaker 1: don't have that word over here. I'm just gonna get 449 00:30:45,760 --> 00:30:49,360 Speaker 1: that down, write down that word, Carolina stodgy, and use 450 00:30:49,440 --> 00:30:53,440 Speaker 1: it in my speech tomorrow at the Community Center. Because 451 00:30:53,480 --> 00:30:56,920 Speaker 1: the first thing I do when I visit London is 452 00:30:57,000 --> 00:31:01,560 Speaker 1: I order it unicorn steak and get a big flagon 453 00:31:01,640 --> 00:31:04,640 Speaker 1: of mead. I'm a shine of a shadeer i am, 454 00:31:05,120 --> 00:31:09,160 Speaker 1: and I'm leaving foggy London town. Yeah. I think I'm 455 00:31:09,160 --> 00:31:12,680 Speaker 1: getting better. I think it needs work. But there is 456 00:31:12,720 --> 00:31:16,720 Speaker 1: a part of every British subject who rus the day. 457 00:31:16,760 --> 00:31:20,720 Speaker 1: When four comes around, They're like, oh gosh, we have 458 00:31:20,840 --> 00:31:23,840 Speaker 1: our own firework day on the fifth of November. Well 459 00:31:23,880 --> 00:31:27,040 Speaker 1: it's not a competition, were kind of. You don't have 460 00:31:27,120 --> 00:31:30,080 Speaker 1: to yell at me or those your real teeth. These 461 00:31:30,120 --> 00:31:32,360 Speaker 1: are actually my baby teeth. I don't know if it's 462 00:31:32,360 --> 00:31:34,360 Speaker 1: a British thing, but I've only ever had one set 463 00:31:34,400 --> 00:31:40,400 Speaker 1: of teeth. Ron. That's so crazy. Ron only has his 464 00:31:40,480 --> 00:31:43,240 Speaker 1: baby I only have my baby teeth. Well, maybe you 465 00:31:43,280 --> 00:31:49,760 Speaker 1: are British. The Ron Burgundy Podcast is a production of 466 00:31:49,920 --> 00:31:54,160 Speaker 1: I Heart Radio podcast Network and Funnier Die. I'm Ron Burgundy. 467 00:31:54,200 --> 00:31:57,840 Speaker 1: I'm the host, writer and executive producer. Carolina Barlow is 468 00:31:57,920 --> 00:32:00,760 Speaker 1: my co host, writer and producer. The show was also 469 00:32:00,840 --> 00:32:05,320 Speaker 1: produced by Whitney Hodeck, Jack O'Brien, Miles Gray, and Nick Stump. 470 00:32:05,680 --> 00:32:09,000 Speaker 1: Our executive producer is Mike Farrah. Our consulting producer is 471 00:32:09,080 --> 00:32:13,160 Speaker 1: Andrew Steel. Our associate producer is Anna Hosnier. Our writer 472 00:32:13,440 --> 00:32:17,680 Speaker 1: is Jake Pogos. Our production supervisor is Colin McDougall. This 473 00:32:17,840 --> 00:32:22,080 Speaker 1: episode was engineered, mixed, and edited by Nick Stump. Until 474 00:32:22,360 --> 00:32:24,400 Speaker 1: Next Time, This is Ron Burgundy.