WEBVTT - Episode 297 w/ DJ Red Alert

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<v Speaker 1>And it's Drink Chas motherfucking podcast. He's a legendary Queen's rapper.

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<v Speaker 1>He's agreed, is your boy in o R. He's a

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<v Speaker 1>Miami hippop pioneer. Up his DJ E f N. Together

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<v Speaker 1>they drinking up with some of the biggest players in

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<v Speaker 1>the most professional, unprofessional podcast and yet number one source

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<v Speaker 1>for drunk fast drink Chas motherfucking every day is New

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<v Speaker 1>Year's Eve. That it's time for drink Champs. Trick up,

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<v Speaker 1>motherfuck motherfucking would it could be hoping it's what it

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<v Speaker 1>should beat. This is your boy in right? What up

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<v Speaker 1>is d J E f N? And this is drink Chance.

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<v Speaker 1>Motherfucker Yappia makes un And as we always say before

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<v Speaker 1>we start a show, we say that this is a

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<v Speaker 1>legend that we're about to introduce. But I want to

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<v Speaker 1>take uh with Mr Lee just said off camera, he said,

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<v Speaker 1>this is a super legend. This is a super legend.

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<v Speaker 1>I remember waking up just to hear this man on

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<v Speaker 1>the radio trying to get you know what I mean,

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<v Speaker 1>not even thinking at this time, I wouldn't even think

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<v Speaker 1>about being a rapper. I just wanted to hear this.

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<v Speaker 1>These people play on the radio and when I hit everybody,

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<v Speaker 1>what you do all the time before I do an interview,

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<v Speaker 1>I hit, I hit people, and I'll say, what does this?

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<v Speaker 1>You know you got a question for this guy? And

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<v Speaker 1>everyone just responded and wanted to show their love for

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<v Speaker 1>this super super super a legend. I mean, we just

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<v Speaker 1>heard he's celebrating the forty seven um year being a DJ.

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<v Speaker 1>Is that crue? I'm forty four years old, So I

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<v Speaker 1>let you know how much of a legend this is.

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<v Speaker 1>I mean when I say I am honored, I am

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<v Speaker 1>proud to have him on our show. Motherfucking cool DJ. Respect, man, respect,

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<v Speaker 1>not super respect to you man. Um, let's let's let's

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<v Speaker 1>let's let's let's. I won't pounce all over the place,

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<v Speaker 1>but one place I want to start with you is Violator. Yes,

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<v Speaker 1>the first time I ever you know, I eventually became Violator,

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<v Speaker 1>but first time I ever heard of Violator was with

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<v Speaker 1>you before I even heard uh. Later on became Baby Chris,

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<v Speaker 1>before I even heard of him. I heard that that

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<v Speaker 1>was your crew, Violators. Can you break that down for me? Violators?

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<v Speaker 1>That's right, it's five members and it started out in

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<v Speaker 1>Union Square. Wow, and that's downtowntown. You spread lower part

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<v Speaker 1>in midpart of midtown Manhattan. And I remember the first

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<v Speaker 1>day I started and five guys came to came in.

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<v Speaker 1>They said, yo, Bam, send us down here, like bam

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<v Speaker 1>send your bottom. Yeah, may send you all down here.

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<v Speaker 1>But I see what because y'all feel that, you know,

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<v Speaker 1>I would give a come into my own what I

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<v Speaker 1>was about to do. So they come on in. But

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<v Speaker 1>they had this thing about taking over people girls. That's

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<v Speaker 1>why they called violators. That's why I call them. Okay, okay, okay,

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<v Speaker 1>he was going there. You know, we all from uptown

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<v Speaker 1>and no Manhattan. The Bronx ain't know you're Spaklyn, right,

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<v Speaker 1>so you know, they feel like you know, but of

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<v Speaker 1>course had this rep but no, I saw some guys

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<v Speaker 1>coming with some girls, so they called themselves running up

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<v Speaker 1>on the girls and their arms around and walking over

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<v Speaker 1>and you know, God, and that's why I was gonna say, yo, man,

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<v Speaker 1>y'all can't be doing that's wrong with you'all. You're violating, man.

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<v Speaker 1>One thing leads to another. First, it was just it

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<v Speaker 1>was four guys, four or five guys, and two of

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<v Speaker 1>them mainly was Chris Lady and double one was called down.

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<v Speaker 1>We called him sneaky deep okay, the other day like

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<v Speaker 1>sped off from then here come two more the same thing.

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<v Speaker 1>Damn some mus done. All these guys from Branch River,

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<v Speaker 1>I say, yeah, yeah, come on in. So that's Chris

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<v Speaker 1>Ali and Big Rod and the last person you go

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<v Speaker 1>about the name of Hands, but we gave him a

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<v Speaker 1>nickname called Black Jesus. I'm gonna tell you why. As

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<v Speaker 1>dark skin as he is. But the Jemmy Colls look

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<v Speaker 1>like you're about to do a prayer. So that's why

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<v Speaker 1>I'm calling Black Jesus. So I need to ask right

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<v Speaker 1>now when Chris like now, now, this is Chris father.

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<v Speaker 1>This is Chris lady who came around when you said

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<v Speaker 1>when you say baby christ you talk about Chris ldy's father,

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<v Speaker 1>were talking about Chris like Chris like, okay, now was

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<v Speaker 1>he always supposed to Was he always had this plan

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<v Speaker 1>to be in management or what was his role? So

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<v Speaker 1>you don't understand during the time when Chris was coming

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<v Speaker 1>down with the Fellers, you know that people did not

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<v Speaker 1>know that Chris was going to school and working as

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<v Speaker 1>an electrician for Metro North, you know, and then on

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<v Speaker 1>his off time he come and hang out with the

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<v Speaker 1>Fellers and be so you know, he was a person

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<v Speaker 1>that was legant and cocky, didn't kill yes, but I

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<v Speaker 1>always saw that he had a you know, good head

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<v Speaker 1>on his shoulders. This way, anybody that's around eighteen years

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<v Speaker 1>old that had a job working as electrician and Metro

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<v Speaker 1>North while going to school, you know, you can utilize that.

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<v Speaker 1>So when the younger brothers stopped coming to form that's

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<v Speaker 1>my nephew right g North of Africa band and baby

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<v Speaker 1>Bam and um Sammy b I needed somebody to read

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<v Speaker 1>the road manager, so I pointed Chris to become the

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<v Speaker 1>row manager. What did you see in Chris? What did

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<v Speaker 1>you like? Ambition? The ambition, Like I said, he was cocky, arrogant,

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<v Speaker 1>but you also sort the other sideway, you know, he

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<v Speaker 1>had something that to standford or you know what it

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<v Speaker 1>is down the road. So that's why I appointed him

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<v Speaker 1>as roll manager. And this is road manager for this

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<v Speaker 1>is yes, Hunt and Jung Bubbish came about, you know,

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<v Speaker 1>and before you know, after a while he became at

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<v Speaker 1>the fourth member. Yeah, Jesus, there's so much history here man. Yes,

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<v Speaker 1>So okay, how does this develop into you? Because hip

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<v Speaker 1>hop this time especially I'm outside of looking at it him,

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<v Speaker 1>I'm like I said, I'm forty four years old. How

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<v Speaker 1>do you go from like the hip hop like hip

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<v Speaker 1>hop being underground and then you get this chance to

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<v Speaker 1>be on the radio station. Well, first and foremost, I

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<v Speaker 1>got to give a live of respectors um may he

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<v Speaker 1>rest in peace, super rocking Mr Magic Wow. You know

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<v Speaker 1>he's the one that I always said that he's the

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<v Speaker 1>one that really opened the doors for us to be

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<v Speaker 1>doing the airwaves. So it's Mr Magic first. Mr Magic First.

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<v Speaker 1>He used to be on the independent station w HBI

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<v Speaker 1>point nine and late night from like two to four

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<v Speaker 1>in the morning. But you know he had grabbed so

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<v Speaker 1>much attention from the youth and the streets that he

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<v Speaker 1>is WBLS major radio station picked him up. So they

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<v Speaker 1>picked him up. No, that's ran nine eight point seven.

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<v Speaker 1>Kiss firm had interest because they want to do similar

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<v Speaker 1>to what BLS is doing. First person they ran after

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<v Speaker 1>was a member of the zoo nation called Africa Islam,

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<v Speaker 1>but he missed a couple of appointments. I think he

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<v Speaker 1>was overseas at the time. So the next person they

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<v Speaker 1>went after was my cousin, the original DJ J, and

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<v Speaker 1>he did it for a couple of months even though

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<v Speaker 1>there wasn't paying, but he gained so much exposure for

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<v Speaker 1>getting gigs and studio work, and then he let it

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<v Speaker 1>go cause he was on the go with the SOCNIC

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<v Speaker 1>for us to performing. So they came to him. They

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<v Speaker 1>came and said, who's the next person having lined? So

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<v Speaker 1>it came to me, and that was in October nineteen three.

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<v Speaker 1>I never looked back some boys for that. Goddamn how

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<v Speaker 1>old were you when you got that gig? How old?

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<v Speaker 1>Damn more or less? Huh more or less? Like? How

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<v Speaker 1>old you think got? Being my um, you asked that question.

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<v Speaker 1>So I I'm bouncing around a little bit ahead. How

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<v Speaker 1>do you after flex? Connect? Well? I gotta give it

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<v Speaker 1>a lot of credit for the person work from master

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<v Speaker 1>Flexing was Chuck Chillout. Okay, yes that's right. Chuck chill

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<v Speaker 1>Out and Flex grew up together, you know, and flex

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<v Speaker 1>used to always be up and even look like each

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<v Speaker 1>other a little bit. I went to all and so

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<v Speaker 1>here it is that when Chuck he went over to

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<v Speaker 1>BLS and flexes with him. But then some situation happened

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<v Speaker 1>and things despaired from over their BLS. I don't actually

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<v Speaker 1>know what happened, but despair that no longer Chuck is there.

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<v Speaker 1>You know, Flect was there right after Chuck, But Chuck,

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<v Speaker 1>I mean Flex, that kind of um sped off. I

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<v Speaker 1>had a backup DJ every time was on the road,

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<v Speaker 1>and Flex your backup DJ. No, no, no. The first

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<v Speaker 1>backup DJ for me was seeing me being the Jungle

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<v Speaker 1>Brothers because back at a D eight there was a

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<v Speaker 1>Dope Champ tour that I was on with on Boogie

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<v Speaker 1>Down production and I needed somebody to know feeling for

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<v Speaker 1>me for the whole summer. So that was Sammy B.

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<v Speaker 1>But after I finished that, now Sammy is taken off

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<v Speaker 1>of the Jungle What was they doing their thing? So

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<v Speaker 1>now I still have to have time off and going

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<v Speaker 1>away to doing gigs or doing conventions or whatever it is.

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<v Speaker 1>So I need another backup DJ. So that's when I

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<v Speaker 1>had interests in Flex, and I asked him to come in.

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<v Speaker 1>He said, problem, So let me let me like I said,

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<v Speaker 1>let me be bouncing around a little bit. Right at

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<v Speaker 1>what point? Because at one point in hip hop, it

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<v Speaker 1>felt like the DJ was the star and like the

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<v Speaker 1>rapper or the MC was really the hype man. But

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<v Speaker 1>it was always like the DJ. At what point of

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<v Speaker 1>hip Hop did it? Did that change when the recording

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<v Speaker 1>field came in? Why? Because you remember in the beginning,

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<v Speaker 1>when you heard certain groups like Flash and the Furious Facts.

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<v Speaker 1>You know, um you heard of Rocket first, yeah, you know,

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<v Speaker 1>and there were certain times you heard the DJ name

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<v Speaker 1>first because he was the forefront. But the DJ is

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<v Speaker 1>not being on the record, so who they're paying attention

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<v Speaker 1>to the person who's on the record. So that's where

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<v Speaker 1>the navitive had changed that people start paying more attention

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<v Speaker 1>on the MC that we call at that time become

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<v Speaker 1>known as rappers, and that's where everybody started looking more

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<v Speaker 1>at the rappers. But the DJ was always in the

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<v Speaker 1>forefront because the MC master ceremonies was the hype man

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<v Speaker 1>or you know, the crowd participator. And know, in the

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<v Speaker 1>very beginning, hip hoply was just like simple little rhymes,

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<v Speaker 1>you know. But then here it is, it got to

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<v Speaker 1>the next step. And I give credit to people like Melly,

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<v Speaker 1>Mellow Cast, you know, couple others. You know, they're the

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<v Speaker 1>ones that started making more lyrical and that's why it

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<v Speaker 1>transcend to people start making records and everybody come out again.

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<v Speaker 1>You know the songs. Now that's this famous party right,

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<v Speaker 1>this one they say, this is the first hip hop

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<v Speaker 1>party that happened uptown. Were you there? No? Okay, cool?

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<v Speaker 1>I'm glad you ket kept it real because I don't

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<v Speaker 1>be knowing who was there, but Grandma's cast out here

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<v Speaker 1>and said he said he was a kid there as

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<v Speaker 1>a kid. He was there. He said he was there

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<v Speaker 1>as a kid. Okay, if if I remember Greig last

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<v Speaker 1>what we said? So because what was it like? Just

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<v Speaker 1>like fifty people there? Did you hear about this party?

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<v Speaker 1>Like the first party? I let on, you know, because

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<v Speaker 1>no understand, I didn't grow up. I went to school

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<v Speaker 1>in the Bronx, but I grew up in Hall them. Okay,

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<v Speaker 1>I went to school in the bron Clinton High School.

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<v Speaker 1>I'm in a tough time up there in Clinton High School.

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<v Speaker 1>And it was all boys quote unquote during the game, right,

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<v Speaker 1>so you know when things start quiet down and then

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<v Speaker 1>you know, they started having these different functions. I used

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<v Speaker 1>to always talk about her her, who was her? So

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<v Speaker 1>the fun us and no alarm me. You know, we

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<v Speaker 1>all went to check out her for the first time

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<v Speaker 1>and I caught the book at the same time, called

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<v Speaker 1>the brother from him. I was sneaking downtown to the

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<v Speaker 1>clubs we used under age, you had to be dress

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<v Speaker 1>a public, actually wear my older brother clothes. And I

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<v Speaker 1>was checking out the DJ's downtown and checking out her uptown.

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<v Speaker 1>So I learned the difference of the disco downtown because

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<v Speaker 1>because this is the downtown, they won't playing hip hop. No, No,

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<v Speaker 1>there was no such thing the dance student type crowd,

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<v Speaker 1>not totally, because you know, I was certain clubs I

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<v Speaker 1>was playing. I was not playing, but I was going

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<v Speaker 1>to was you know, a combination of R and B

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<v Speaker 1>and dance moment some disco. Okay, so you're talking about

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<v Speaker 1>student fifty four, that's a whole different range. Okay, when

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<v Speaker 1>you're talking about these clubs like No Greens, Uh, Superstar Cafeteria,

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<v Speaker 1>Hotel Diplomat, I mean the list is no. You know,

0:13:50.640 --> 0:13:53.760
<v Speaker 1>that was more for the urban crowd, the urban clouds

0:13:54.160 --> 0:13:58.040
<v Speaker 1>downtown that was going downtown uptown. Herd would play a

0:13:58.120 --> 0:14:02.839
<v Speaker 1>twist of it, but add some other different elements. You know,

0:14:03.240 --> 0:14:07.000
<v Speaker 1>a lot of red type of sounds that you know,

0:14:07.120 --> 0:14:10.479
<v Speaker 1>become known as classics to this day, like the Mexican

0:14:10.840 --> 0:14:14.840
<v Speaker 1>like it's just begun like Apache, you know, in feborous otherways,

0:14:14.880 --> 0:14:17.320
<v Speaker 1>you know, and you also had other DJs that was

0:14:17.400 --> 0:14:20.320
<v Speaker 1>right under him, the original DJ Clark Kent, not from

0:14:20.360 --> 0:14:25.400
<v Speaker 1>the book name, really original DJ Clark Kent, the original

0:14:25.680 --> 0:14:33.960
<v Speaker 1>DJ Clark. I didn't know this, do this of course,

0:14:36.760 --> 0:14:39.040
<v Speaker 1>get confused, but the original that was under her. And

0:14:39.080 --> 0:14:41.000
<v Speaker 1>there was another guy he passed away name knew it

0:14:41.040 --> 0:14:43.640
<v Speaker 1>Timmy Wow. So they were the one. And then you

0:14:43.680 --> 0:14:45.840
<v Speaker 1>know there was time that you know, Koklevok who was

0:14:45.880 --> 0:14:49.920
<v Speaker 1>considered the first MC. Yeah he was k was Kirk's MC.

0:14:52.120 --> 0:14:53.920
<v Speaker 1>Here it is. He would get on the turntables a

0:14:53.960 --> 0:14:56.560
<v Speaker 1>couple of times, you know, even a couple of times

0:14:56.840 --> 0:14:59.720
<v Speaker 1>her would get on the microphone, you know. So that's

0:14:59.720 --> 0:15:03.760
<v Speaker 1>really was everybody just showing their style, their own flair.

0:15:04.160 --> 0:15:07.640
<v Speaker 1>So I was learning the difference of downtown and uptown

0:15:08.360 --> 0:15:11.080
<v Speaker 1>and that study booth and then when the when the

0:15:11.200 --> 0:15:14.920
<v Speaker 1>Bam Bought a coming like in me between youth covering

0:15:15.160 --> 0:15:17.800
<v Speaker 1>the downtown is a difference uptown? Is this now? I

0:15:17.880 --> 0:15:21.600
<v Speaker 1>did not know about Ben Bought until a little later on.

0:15:22.200 --> 0:15:27.640
<v Speaker 1>And because right after Coolhood, the next wave DJs came in,

0:15:27.800 --> 0:15:32.960
<v Speaker 1>like Flash Rest in Peace a j Uh the the

0:15:33.120 --> 0:15:36.640
<v Speaker 1>El Brother was featuring grammars at Theodore as the youngest Um.

0:15:36.680 --> 0:15:40.000
<v Speaker 1>The listens Long Guy named smokey Um. There's so many

0:15:40.040 --> 0:15:42.840
<v Speaker 1>of them, and I was handing so much about Bam,

0:15:42.840 --> 0:15:44.680
<v Speaker 1>but Band was on the other side of the Bronx.

0:15:44.960 --> 0:15:47.720
<v Speaker 1>How I got to learn more about Band because my

0:15:47.760 --> 0:15:51.400
<v Speaker 1>cousin Jazz, along with the family, had moved from down

0:15:51.400 --> 0:15:53.720
<v Speaker 1>in the Hallam and moved up in the Bronx for

0:15:54.160 --> 0:15:58.280
<v Speaker 1>the Bronx the Bronx River. The first person that Um

0:15:58.560 --> 0:16:01.360
<v Speaker 1>Jazzy got down with was a number person rest in peace,

0:16:01.440 --> 0:16:05.480
<v Speaker 1>name disco King Mario. And when you got down with Mario,

0:16:06.000 --> 0:16:08.840
<v Speaker 1>Maam started handing about, Well, who was this young guy

0:16:08.880 --> 0:16:11.880
<v Speaker 1>that's over there? Mario? He said, the family is just

0:16:11.960 --> 0:16:14.000
<v Speaker 1>moving the plodect. He said, we're supposed to be doing

0:16:14.040 --> 0:16:16.080
<v Speaker 1>over there. He supposed to be with us. So he

0:16:16.160 --> 0:16:19.600
<v Speaker 1>went and got a hold Jazz. And that's how Jazz

0:16:19.720 --> 0:16:23.680
<v Speaker 1>spoke prior to Nation being formed. Yes, no, I mean

0:16:23.800 --> 0:16:26.200
<v Speaker 1>Jude Nation was already formed. But you know a lot

0:16:26.240 --> 0:16:28.320
<v Speaker 1>of time Jazz got up, you know, he got down

0:16:28.360 --> 0:16:32.720
<v Speaker 1>and then they brought me in. And how how is

0:16:32.720 --> 0:16:36.200
<v Speaker 1>is that? Like? Um, I never got to see the Zulu.

0:16:36.960 --> 0:16:39.400
<v Speaker 1>I never got to see the unity that I mean,

0:16:39.440 --> 0:16:42.480
<v Speaker 1>because you know, people say what's down, you know things

0:16:42.480 --> 0:16:44.320
<v Speaker 1>about the gangs at that time like that, you know,

0:16:44.320 --> 0:16:47.520
<v Speaker 1>the Black Space, but it was it was a formal thought.

0:16:47.560 --> 0:16:49.040
<v Speaker 1>It was a part of the Black spage. He was

0:16:49.120 --> 0:16:51.560
<v Speaker 1>down with I think Black Space or the Baby Space,

0:16:51.600 --> 0:16:55.600
<v Speaker 1>anything under that affiliation. You know, people people, and that

0:16:55.760 --> 0:16:58.760
<v Speaker 1>turned into Zula Nation. Well here it is. When the

0:16:58.840 --> 0:17:03.040
<v Speaker 1>gangs died down, he had from a group called the Organization.

0:17:04.160 --> 0:17:08.960
<v Speaker 1>I still wasn't around yet. Okay, no, hearsay and I

0:17:09.040 --> 0:17:12.040
<v Speaker 1>heard that, asked about maybe six eight months. And then

0:17:12.040 --> 0:17:14.879
<v Speaker 1>he formed the Zoo Nation. And he started with the

0:17:14.920 --> 0:17:18.840
<v Speaker 1>Bronze River, and then he started to gather formulating little

0:17:18.880 --> 0:17:24.960
<v Speaker 1>by little spread than that. Man, I'm getting schooled, brother,

0:17:25.000 --> 0:17:28.120
<v Speaker 1>I'm getting schooled. Brother, I'm getting schooled. So bouncing around,

0:17:28.200 --> 0:17:32.399
<v Speaker 1>bouncing around like how we always do, wouldn't it focus?

0:17:32.480 --> 0:17:34.360
<v Speaker 1>But when I text Fat Joe the first thing he said,

0:17:34.400 --> 0:17:35.960
<v Speaker 1>I say that, I say you got he got a

0:17:36.040 --> 0:17:39.040
<v Speaker 1>question for Betther Alert. He said, yeah, he discovered Fat Joe.

0:17:39.560 --> 0:17:42.239
<v Speaker 1>Is this true? I mean he probably discovered a lot

0:17:42.280 --> 0:17:45.600
<v Speaker 1>of people. Not probably. We know. I'm gonna tell you

0:17:45.640 --> 0:17:49.159
<v Speaker 1>how this came about. Okay, cool. So I got to

0:17:49.200 --> 0:17:52.400
<v Speaker 1>hear Joe for the first time at the Pottle Okay,

0:17:52.520 --> 0:17:55.679
<v Speaker 1>he was right. Yeah, he went at the pom and

0:17:55.720 --> 0:17:57.480
<v Speaker 1>I don't even know how many times you've been there,

0:17:57.480 --> 0:17:59.760
<v Speaker 1>but I showed him that one time. It was amateur night.

0:18:00.720 --> 0:18:04.440
<v Speaker 1>So afterwards I had interests because I'm wanting to get

0:18:04.520 --> 0:18:06.600
<v Speaker 1>like a promo from him, because I was known for

0:18:06.760 --> 0:18:10.520
<v Speaker 1>playing promos, you know, like the plates type promo. When

0:18:10.600 --> 0:18:13.399
<v Speaker 1>promos it's like it's recorded and they passed it to

0:18:13.480 --> 0:18:16.960
<v Speaker 1>me as on tape you know, and get to play.

0:18:17.040 --> 0:18:18.879
<v Speaker 1>You know. I had some of them passed me on

0:18:18.920 --> 0:18:21.480
<v Speaker 1>cassette and I transferred to the you know through real

0:18:21.560 --> 0:18:25.840
<v Speaker 1>and play such as like people's demos. Basically it's not demos.

0:18:25.880 --> 0:18:28.560
<v Speaker 1>We consider promo because not only that it's demo, but

0:18:28.640 --> 0:18:31.400
<v Speaker 1>it's promos for not for my show, for the radio.

0:18:31.720 --> 0:18:36.560
<v Speaker 1>But they're announcing the um magate points that m amounting me,

0:18:37.040 --> 0:18:39.920
<v Speaker 1>and they're doing their little freestyle in it. People such

0:18:39.960 --> 0:18:42.200
<v Speaker 1>as like d Knights or t R eight Oorators coming,

0:18:42.240 --> 0:18:45.080
<v Speaker 1>you know, just as an example. So um I asked

0:18:45.119 --> 0:18:48.399
<v Speaker 1>Joe to similarm to me, so he did it. I

0:18:48.480 --> 0:18:51.399
<v Speaker 1>took my time and hold onto it until I finally

0:18:51.440 --> 0:18:54.680
<v Speaker 1>played it. And one thing I had about promos, there's

0:18:54.680 --> 0:18:56.760
<v Speaker 1>some promos I had that I usually played them regularly

0:18:56.800 --> 0:19:00.440
<v Speaker 1>like they was in rotation, like records and where it

0:19:00.480 --> 0:19:03.520
<v Speaker 1>got around. Well, well give me you the props for alert.

0:19:03.560 --> 0:19:06.480
<v Speaker 1>I've seen you trying to be humble about it. We're

0:19:06.560 --> 0:19:11.600
<v Speaker 1>gonna be trying to listen. Listen, the man said, listen.

0:19:11.920 --> 0:19:17.880
<v Speaker 1>I it's so it's so crazy because what y'all did,

0:19:17.920 --> 0:19:20.600
<v Speaker 1>what you was a part of what is happening now.

0:19:21.160 --> 0:19:24.360
<v Speaker 1>It's it's so important to tell the history. It's so

0:19:24.600 --> 0:19:26.600
<v Speaker 1>like when I'm texting people from everyone, it's like your

0:19:26.640 --> 0:19:29.440
<v Speaker 1>red has so much history. So this is the the reason

0:19:29.480 --> 0:19:32.960
<v Speaker 1>why I'm like bouncing around. But it's so important that

0:19:33.040 --> 0:19:37.640
<v Speaker 1>this history doesn't be for guy, you understand what I'm saying, because, um,

0:19:37.680 --> 0:19:39.639
<v Speaker 1>the one thing I learned about this new generation that

0:19:39.680 --> 0:19:42.720
<v Speaker 1>I pay attention to is what they would say. They

0:19:42.720 --> 0:19:45.080
<v Speaker 1>would be like like they'll they'll they'll quote a line

0:19:45.080 --> 0:19:47.960
<v Speaker 1>and they wraps like yo, like Jordan's dropped eighty six

0:19:48.000 --> 0:19:51.320
<v Speaker 1>and and the Jordan dropped fifty five and eighty six.

0:19:51.400 --> 0:19:54.840
<v Speaker 1>You're like, you mean, y'all went and did the research

0:19:54.880 --> 0:19:57.040
<v Speaker 1>for Michael Jordan's but you get the money through hip

0:19:57.040 --> 0:20:00.399
<v Speaker 1>hop and you don't know what's happening in the pop.

0:20:00.720 --> 0:20:02.560
<v Speaker 1>You know, why them Jordan's that you got on this

0:20:02.640 --> 0:20:05.000
<v Speaker 1>other section. But you don't know when you hear juicy beet,

0:20:05.000 --> 0:20:07.040
<v Speaker 1>where does it come from? You don't know when you

0:20:07.119 --> 0:20:08.719
<v Speaker 1>hear grand Master, like you don't know when you hear

0:20:08.800 --> 0:20:10.800
<v Speaker 1>these certain things. You know. I think that go according

0:20:10.840 --> 0:20:14.840
<v Speaker 1>to the perception. Jordan's example, The perception is you hear

0:20:14.920 --> 0:20:17.040
<v Speaker 1>so much about Jordan, you're gonna look up about Jordan's

0:20:17.280 --> 0:20:19.240
<v Speaker 1>because you're not going to take time to study about

0:20:19.280 --> 0:20:22.480
<v Speaker 1>the um what you're getting into, you know. I'm just like,

0:20:22.680 --> 0:20:25.760
<v Speaker 1>if you can study upon anything in music, you can

0:20:25.800 --> 0:20:28.920
<v Speaker 1>study anything into sports and too industrial, into politics and

0:20:29.000 --> 0:20:31.080
<v Speaker 1>who the people who that was there before you and

0:20:31.160 --> 0:20:32.680
<v Speaker 1>set it up for you to be where you at.

0:20:32.960 --> 0:20:34.480
<v Speaker 1>For a lot of people don't do that. This is

0:20:34.520 --> 0:20:37.040
<v Speaker 1>go by perception. So right, you know, rest in peace

0:20:37.160 --> 0:20:40.480
<v Speaker 1>Kobe right now? Everybody using Kobe name, you know, anybody

0:20:40.760 --> 0:20:45.119
<v Speaker 1>use a famous popular name, whatever whatever they had done

0:20:45.240 --> 0:20:47.480
<v Speaker 1>and put it in their vines, but they're not gonna

0:20:47.480 --> 0:20:49.399
<v Speaker 1>do them. Who can dig deep to see where it

0:20:49.520 --> 0:20:53.520
<v Speaker 1>really ovirginally come from? I mean, why not though? Because

0:20:53.520 --> 0:20:56.360
<v Speaker 1>the interest is not there. At some point we stopped

0:20:56.400 --> 0:20:59.320
<v Speaker 1>passing that knowledge down to keep that interest there. That's

0:20:59.359 --> 0:21:01.159
<v Speaker 1>what I think. Drink you start to help with it.

0:21:01.240 --> 0:21:04.639
<v Speaker 1>At some point, even even if you was a street rifle,

0:21:04.760 --> 0:21:07.000
<v Speaker 1>you wanted to be smart or something. You wanted to

0:21:07.040 --> 0:21:08.919
<v Speaker 1>know something like you know what I mean, Like you

0:21:08.960 --> 0:21:11.160
<v Speaker 1>didn't want to somebody to walk into the room when

0:21:11.200 --> 0:21:13.560
<v Speaker 1>you not know that this person is this person? You

0:21:13.560 --> 0:21:15.760
<v Speaker 1>know what I'm saying. So like when when did rap

0:21:15.840 --> 0:21:19.880
<v Speaker 1>become dumb? Like like I mean, like what and I'm

0:21:19.880 --> 0:21:25.480
<v Speaker 1>not I feel that the online internet, social media will

0:21:25.720 --> 0:21:30.119
<v Speaker 1>control the mind. So today because now you're not thinking

0:21:30.119 --> 0:21:32.800
<v Speaker 1>for yourself. You're thinking according to the perception and what

0:21:32.920 --> 0:21:36.479
<v Speaker 1>you're seeing, what you're here or their online do social

0:21:36.480 --> 0:21:38.479
<v Speaker 1>media and everything, so you're not willing to go and

0:21:38.520 --> 0:21:41.920
<v Speaker 1>dig a little deeper. You know, people from the time

0:21:42.119 --> 0:21:44.640
<v Speaker 1>you was out with me, they used to always talk

0:21:44.720 --> 0:21:49.920
<v Speaker 1>about their favorite rapper from before and go digs it

0:21:50.040 --> 0:21:52.720
<v Speaker 1>today And so like a halt according to what I

0:21:52.800 --> 0:21:56.639
<v Speaker 1>just said. And it's because like like you had I

0:21:56.640 --> 0:22:00.480
<v Speaker 1>think I think we had something called paying dudes that

0:22:00.480 --> 0:22:02.879
<v Speaker 1>that never stopped. I mean right now they'd up the

0:22:02.920 --> 0:22:07.680
<v Speaker 1>hand dudes, and they're not making the record class and

0:22:07.800 --> 0:22:16.080
<v Speaker 1>they couldn't class, Like, how do you like? Yeah, you

0:22:16.160 --> 0:22:20.119
<v Speaker 1>gotta go to school. Sometimes school they go by to school.

0:22:20.119 --> 0:22:23.000
<v Speaker 1>Wow wow, Wow, that that was deep. That was deep. Okay,

0:22:26.200 --> 0:22:35.640
<v Speaker 1>Caress one comes out with this record. Now from my understanding,

0:22:37.200 --> 0:22:42.040
<v Speaker 1>the South of Bronx came first. No, no, no, it

0:22:42.200 --> 0:22:48.159
<v Speaker 1>wasn't Crane, It wasn't the bridge. Bridge first. It was

0:22:48.200 --> 0:22:52.760
<v Speaker 1>the bridge. Okay, I need you to describe because you

0:22:52.800 --> 0:22:54.960
<v Speaker 1>know I'm it hurt me. It hurt me like a

0:22:54.960 --> 0:22:56.439
<v Speaker 1>grown man. But I was a kid. Back to what

0:22:56.960 --> 0:22:59.639
<v Speaker 1>Harris was struck first, Yes, I always do it, come on,

0:23:00.000 --> 0:23:04.600
<v Speaker 1>always thought it at the South Bross. Then you know,

0:23:04.680 --> 0:23:06.800
<v Speaker 1>maybe I got my memory. I smoke out of marijuana.

0:23:06.800 --> 0:23:09.119
<v Speaker 1>Don't know if people have knew that. Okay, I smelled

0:23:10.800 --> 0:23:16.160
<v Speaker 1>so okay, So the bridge comes um mc sharing at

0:23:16.160 --> 0:23:18.840
<v Speaker 1>Molly Mark at the time. Are you are Molly Mark? Friends?

0:23:18.840 --> 0:23:22.879
<v Speaker 1>Are y'all like ours? We was arch rivals on the

0:23:22.920 --> 0:23:25.760
<v Speaker 1>airwaves and I did not really know much about Molly.

0:23:25.920 --> 0:23:28.040
<v Speaker 1>He didn't not know much about We always had hair

0:23:28.160 --> 0:23:31.000
<v Speaker 1>say and people would read that in between that have

0:23:31.119 --> 0:23:34.680
<v Speaker 1>a coslla agitating different things, you know, just run and

0:23:35.040 --> 0:23:38.320
<v Speaker 1>the only person that I've come out very vocal is

0:23:38.359 --> 0:23:41.159
<v Speaker 1>always magic because he used to always talking nonsense about me.

0:23:41.240 --> 0:23:44.679
<v Speaker 1>Under maybe Magic was about mar Yeah, I mean you

0:23:44.720 --> 0:23:49.720
<v Speaker 1>gonta understand bls. Magic was first and then here I

0:23:49.840 --> 0:23:52.760
<v Speaker 1>come on. And then first I was going after my cousin.

0:23:53.240 --> 0:23:55.640
<v Speaker 1>So when they he said, yo, who this guy down

0:23:55.680 --> 0:23:59.879
<v Speaker 1>to down here? And Jazzi? Who Jaggi rack Jazzie jerking there?

0:24:01.080 --> 0:24:12.040
<v Speaker 1>So y'all started this game radio. So when I came on,

0:24:13.080 --> 0:24:16.680
<v Speaker 1>who this guy here? This new guy, this red guy

0:24:18.920 --> 0:24:22.280
<v Speaker 1>red what red dirt? He called me red dirt? He said,

0:24:22.280 --> 0:24:29.160
<v Speaker 1>just Woody with Peca, you know, and I've never given um.

0:24:29.320 --> 0:24:31.920
<v Speaker 1>I came to the program at the time and I said,

0:24:32.119 --> 0:24:35.240
<v Speaker 1>you know, man, Magic is dissing me. He started laughing

0:24:35.240 --> 0:24:37.680
<v Speaker 1>at me. I'm getting mad now because you know I'm not.

0:24:38.320 --> 0:24:40.160
<v Speaker 1>And you're on the same program. You're on the same station.

0:24:40.320 --> 0:24:43.320
<v Speaker 1>This is a different state, different okay, So I go

0:24:43.400 --> 0:24:46.480
<v Speaker 1>back at him. Wouldn't let you dis some back? No? No, see,

0:24:47.440 --> 0:24:50.440
<v Speaker 1>I wasn't vocal yet because him adance. When I used

0:24:50.440 --> 0:24:53.199
<v Speaker 1>to do, I used to be prerecorded. I should be

0:24:53.240 --> 0:24:55.440
<v Speaker 1>on from eleven to two in the morning, so it's

0:24:55.480 --> 0:24:59.640
<v Speaker 1>just prerecorded, okay. So I wasn't vocal yet it wasn't live.

0:24:59.760 --> 0:25:02.000
<v Speaker 1>But I was getting mad because he'd been thising me.

0:25:02.160 --> 0:25:04.639
<v Speaker 1>So here with this, I'm telling my program back to

0:25:04.720 --> 0:25:06.600
<v Speaker 1>you're like laughing. I'm like, why do you laughing? You say,

0:25:06.800 --> 0:25:09.199
<v Speaker 1>let me tell you something. You guys got right to

0:25:09.200 --> 0:25:13.679
<v Speaker 1>be mad. But same time he doesn't you. He's advertising you.

0:25:14.600 --> 0:25:17.280
<v Speaker 1>So now here with everybody gonna wonder who is this

0:25:17.320 --> 0:25:20.360
<v Speaker 1>person he keeps talking about, and they're going to turn

0:25:20.440 --> 0:25:24.760
<v Speaker 1>the down. So I learned to swallow every time somebody

0:25:24.800 --> 0:25:26.679
<v Speaker 1>coming to me in the street, Yo man, magic this,

0:25:26.800 --> 0:25:30.560
<v Speaker 1>and yo man, he said, I'm heeding inside. But I

0:25:30.560 --> 0:25:34.359
<v Speaker 1>got ahold man. And then you know that changing. And

0:25:34.400 --> 0:25:37.040
<v Speaker 1>then here I had a partner coming seven months after me.

0:25:37.119 --> 0:25:40.000
<v Speaker 1>After I'm on kicks up here come Chuck, chill out.

0:25:40.760 --> 0:25:42.879
<v Speaker 1>So now I brought me and Chuck back and forth.

0:25:43.000 --> 0:25:47.680
<v Speaker 1>You know, after magic me, I still know very little

0:25:47.720 --> 0:25:51.160
<v Speaker 1>about Molly, not much about Molly at Molly's Magic. Many

0:25:51.280 --> 0:25:55.000
<v Speaker 1>friends at least on the same station too, right, okay,

0:25:55.440 --> 0:26:01.959
<v Speaker 1>bls now, before the Bridge War, it was the roxand Roxan.

0:26:02.280 --> 0:26:04.720
<v Speaker 1>I'm sorry, just called it the Bridge Wolf. Yeah, let's

0:26:04.720 --> 0:26:10.919
<v Speaker 1>make some moisture that I like that. Okay, let's go

0:26:11.320 --> 0:26:15.240
<v Speaker 1>um here. It is um during the Rock and roxan.

0:26:16.480 --> 0:26:20.600
<v Speaker 1>I know that I'm credit breaking u TFO Rock and

0:26:20.720 --> 0:26:24.320
<v Speaker 1>roxand even though they tried to credit it so name

0:26:24.400 --> 0:26:28.320
<v Speaker 1>right after and got a female to go after you TF.

0:26:30.600 --> 0:26:35.400
<v Speaker 1>I'm hanging out Russell Simmons office like the floors rush

0:26:35.840 --> 0:26:38.600
<v Speaker 1>producheon and at the time, who comes stepping through with

0:26:38.760 --> 0:26:43.400
<v Speaker 1>Spider D. You heard the Spider D. Spider D. Yeah,

0:26:43.640 --> 0:26:45.479
<v Speaker 1>you gotta do your homework. Do my homework too, got

0:26:45.520 --> 0:26:47.760
<v Speaker 1>them out. Spider D came in. He was one of

0:26:47.800 --> 0:26:50.360
<v Speaker 1>the artists for Russell. Okay. He came with a young

0:26:50.440 --> 0:26:53.560
<v Speaker 1>lady and he said, you need to hear this, so

0:26:53.920 --> 0:26:56.399
<v Speaker 1>he popped the tape in and listened to It is

0:26:56.440 --> 0:27:02.000
<v Speaker 1>the lady going after Sean Tay. Wait all right, okay, continue,

0:27:02.480 --> 0:27:07.800
<v Speaker 1>continue after the ladies going out to Shante. I laid

0:27:07.800 --> 0:27:11.400
<v Speaker 1>everybody the name of Sparky D. Okay, okay, Sparky D.

0:27:11.359 --> 0:27:15.040
<v Speaker 1>It's called Sparky's train. So we we gotta get this going.

0:27:15.200 --> 0:27:17.760
<v Speaker 1>We gotta make this happening, and going looking for labors,

0:27:17.800 --> 0:27:20.960
<v Speaker 1>everything but over the label was set up. Sparky turn

0:27:21.040 --> 0:27:23.240
<v Speaker 1>the mind said, but I don't have a DJ. She

0:27:23.320 --> 0:27:25.200
<v Speaker 1>turned around and looking at me she said, you're gonna

0:27:25.240 --> 0:27:28.159
<v Speaker 1>be my DJ. I said, okay, I was at the

0:27:28.200 --> 0:27:31.400
<v Speaker 1>white pictures of simple like that, simple like so now

0:27:31.440 --> 0:27:34.560
<v Speaker 1>here it is. I'm on the road with her. And

0:27:36.359 --> 0:27:38.720
<v Speaker 1>who was on the road with Shante was and she

0:27:38.840 --> 0:27:42.440
<v Speaker 1>sharing he used the DJ for Shawn heard that. So

0:27:42.920 --> 0:27:48.440
<v Speaker 1>we was always rivals, but we always stuck together no

0:27:48.480 --> 0:27:51.159
<v Speaker 1>matter what, because I look at it this way. We

0:27:51.320 --> 0:27:54.640
<v Speaker 1>may be rivals on the radio, but were out of time.

0:27:54.680 --> 0:27:57.480
<v Speaker 1>We're from New York and anything go down, forget all

0:27:57.560 --> 0:28:02.000
<v Speaker 1>that nuns together? Yes, yes, got it's what and now

0:28:02.040 --> 0:28:04.200
<v Speaker 1>only that I remember one time, a couple of times

0:28:04.240 --> 0:28:08.320
<v Speaker 1>flying time who was their manager? Where's my moment? So

0:28:08.359 --> 0:28:11.200
<v Speaker 1>that's how close we was. So after the Rocks and

0:28:11.359 --> 0:28:15.400
<v Speaker 1>Roxan died down, here come the bridge. Now she had

0:28:15.440 --> 0:28:19.760
<v Speaker 1>made the bridge during this time from when I learned

0:28:19.840 --> 0:28:25.000
<v Speaker 1>that um Scottland rock West in Priest and Chris was

0:28:25.080 --> 0:28:32.959
<v Speaker 1>coming upproaching Magic about something and he just like So

0:28:33.080 --> 0:28:35.639
<v Speaker 1>they got mad because they had it. There was on

0:28:35.800 --> 0:28:39.200
<v Speaker 1>the labels sneaping bad records, but the label dropped them,

0:28:39.240 --> 0:28:42.280
<v Speaker 1>so they run their head and got with another label,

0:28:42.520 --> 0:28:46.560
<v Speaker 1>Rock Candy Records informed themselves as Boogie Down Production and

0:28:46.800 --> 0:28:49.960
<v Speaker 1>made this song, which I think was less than a

0:28:50.000 --> 0:28:54.840
<v Speaker 1>hundred dollars called South Bronx. South Bronx was the answer

0:28:54.880 --> 0:29:01.320
<v Speaker 1>to the bridge. So now here it is, I'm in

0:29:01.400 --> 0:29:04.720
<v Speaker 1>Latin Quarters. I'm hanging out in that quarters on Celebrity Tuesdays.

0:29:05.640 --> 0:29:07.520
<v Speaker 1>Not the original Latin Quarters. I the one the ninety

0:29:07.520 --> 0:29:10.560
<v Speaker 1>street right, No, the original that's down on forty seven. Yeah,

0:29:11.200 --> 0:29:14.680
<v Speaker 1>you saw a part of it arms sub destruction with

0:29:14.800 --> 0:29:18.160
<v Speaker 1>film in front of that. Um great flaws. Love it.

0:29:18.440 --> 0:29:21.720
<v Speaker 1>Here it is Celebrity Tuesdays orsome too, and they had

0:29:21.760 --> 0:29:24.640
<v Speaker 1>a guy named Dja. He played so here comes Scott

0:29:24.760 --> 0:29:27.520
<v Speaker 1>and Chris. They coming in and they have you know

0:29:27.600 --> 0:29:31.480
<v Speaker 1>what the ASCID tape is, right, that's like a hard

0:29:31.600 --> 0:29:36.040
<v Speaker 1>plate before become vinyl. Yeah, like the stamper before the stamper,

0:29:36.120 --> 0:29:38.840
<v Speaker 1>after the stamper. Isn't that the metal part? It's really

0:29:38.920 --> 0:29:41.400
<v Speaker 1>hard and you only get a couple of plays until

0:29:41.480 --> 0:29:43.680
<v Speaker 1>where is out? That's what dump plates are made on

0:29:43.920 --> 0:29:51.440
<v Speaker 1>the right. I don't know none of that, but yeah, yeah,

0:29:52.280 --> 0:29:56.840
<v Speaker 1>Chinese to be right now, should they pass the ASCID

0:29:56.920 --> 0:30:01.640
<v Speaker 1>tape over to the we put it on. People responded

0:30:01.720 --> 0:30:03.760
<v Speaker 1>so crazy before they went to the end, he said, yo,

0:30:03.920 --> 0:30:05.720
<v Speaker 1>go to pay this from the beginning again it was

0:30:05.840 --> 0:30:09.040
<v Speaker 1>the South South Bronzy, body going crazy over it. So

0:30:09.200 --> 0:30:12.360
<v Speaker 1>after that, here it is. That's when they gave it

0:30:12.440 --> 0:30:15.440
<v Speaker 1>to me. This is for you to play on the radio.

0:30:16.440 --> 0:30:19.880
<v Speaker 1>So now here it is, mind you, I'm still battling

0:30:19.960 --> 0:30:23.360
<v Speaker 1>back and forth with them, right. Another thing is I'm

0:30:23.440 --> 0:30:28.000
<v Speaker 1>playing a lot of records that Shan is on and

0:30:28.360 --> 0:30:32.080
<v Speaker 1>whatever other songs that money was producing. Because I always

0:30:32.160 --> 0:30:34.880
<v Speaker 1>learned one thing. You may be my rival, but you

0:30:34.960 --> 0:30:37.960
<v Speaker 1>give me ammunition for me to play against you. So

0:30:38.040 --> 0:30:41.280
<v Speaker 1>I'm playing them hits. So when I set it up

0:30:41.320 --> 0:30:44.840
<v Speaker 1>for that first time, I'm playing to the Bridge right

0:30:45.320 --> 0:30:47.200
<v Speaker 1>when they playing the Bridge first, and then the South Bronx.

0:30:47.640 --> 0:30:49.600
<v Speaker 1>So when it came to the courts front saying to

0:30:49.680 --> 0:30:53.480
<v Speaker 1>the Bridge, I know South bron South South Bronce that

0:30:53.600 --> 0:30:58.120
<v Speaker 1>woke up in that woke up makes a noise for

0:30:58.200 --> 0:31:08.400
<v Speaker 1>you starting to beat. So then after that hip hop man.

0:31:08.480 --> 0:31:10.800
<v Speaker 1>So that after that, that's when sham in her head

0:31:11.120 --> 0:31:16.360
<v Speaker 1>and he made this record going to and that's when

0:31:16.800 --> 0:31:21.719
<v Speaker 1>the next one came out by the bridges over let

0:31:21.760 --> 0:31:28.280
<v Speaker 1>me wat should I say? What do you know? We

0:31:28.320 --> 0:31:30.000
<v Speaker 1>can need need sharing on this show to be fair

0:31:31.720 --> 0:31:35.120
<v Speaker 1>on this show. So I swear to god I was

0:31:35.240 --> 0:31:38.640
<v Speaker 1>too young to notice was kill that noise considered a hit.

0:31:39.880 --> 0:31:42.640
<v Speaker 1>I'm I'm being honest, and I'm being honest too, because

0:31:42.680 --> 0:31:44.880
<v Speaker 1>I'm not saying being bied because of who I'm down.

0:31:45.720 --> 0:31:48.840
<v Speaker 1>But it wasn't hitting like that. It wasn't It wasn't bridge.

0:31:49.360 --> 0:31:53.120
<v Speaker 1>The bridge was hidden. Okay, the bridge was hidden. Then

0:31:53.200 --> 0:31:57.200
<v Speaker 1>South France hitting killed That noise didn't hit the bridges

0:31:57.280 --> 0:32:04.720
<v Speaker 1>over it was hitting the bridge was overkilled to bring that. Yeah, yeah, yeah,

0:32:04.760 --> 0:32:07.600
<v Speaker 1>I would say that. So I understand how you feeling

0:32:07.680 --> 0:32:10.200
<v Speaker 1>because where were you from? From Queen's Yes, from Queens.

0:32:11.200 --> 0:32:12.360
<v Speaker 1>But that's what I need to know. I need to

0:32:12.400 --> 0:32:17.320
<v Speaker 1>know what I need a little. I mean, yeah, I

0:32:17.440 --> 0:32:22.240
<v Speaker 1>probably Queens. Yeah, I'm not moving on because I really,

0:32:22.320 --> 0:32:26.440
<v Speaker 1>I really like as a child, I remember it, but

0:32:26.520 --> 0:32:29.240
<v Speaker 1>I don't remember it to the to the extent. What

0:32:29.400 --> 0:32:32.800
<v Speaker 1>what what? What? Years? These records came out eight seven,

0:32:33.040 --> 0:32:36.240
<v Speaker 1>This is my eighties seven, eighties six, and I'm born

0:32:36.280 --> 0:32:39.160
<v Speaker 1>in seventy seven, so I'm literally ten years old. I

0:32:39.280 --> 0:32:42.040
<v Speaker 1>know I'm following, but I'm not knowing. I'm following. What

0:32:42.160 --> 0:32:46.880
<v Speaker 1>I did remember was it made those that record made

0:32:47.000 --> 0:32:51.360
<v Speaker 1>the tough people from Queens be tough because yeah, because

0:32:51.680 --> 0:32:53.640
<v Speaker 1>if you ran around he was like, I didn't hear

0:32:53.720 --> 0:32:56.480
<v Speaker 1>pete from a place called Queens. That's fighting words, Like

0:32:56.840 --> 0:32:59.080
<v Speaker 1>you're not trying to be cool with me by saying that,

0:32:59.360 --> 0:33:01.040
<v Speaker 1>Like you know what I mean. So they made a

0:33:01.120 --> 0:33:03.840
<v Speaker 1>lot of people tough from that ship. So there was

0:33:03.920 --> 0:33:05.920
<v Speaker 1>a lot of artists from Queen's and I was banging

0:33:06.000 --> 0:33:07.480
<v Speaker 1>their song. But let me ask you, let me ask

0:33:07.520 --> 0:33:10.440
<v Speaker 1>you something. And this is this is also real talk,

0:33:10.640 --> 0:33:13.040
<v Speaker 1>right because we had care rest one on here, right,

0:33:13.400 --> 0:33:15.680
<v Speaker 1>he was going on the ship. We haven't been able

0:33:15.720 --> 0:33:18.760
<v Speaker 1>to get SCE. We love you Shan. Please stop thinking

0:33:18.760 --> 0:33:20.760
<v Speaker 1>it's crazy about us, but we haven't had it had

0:33:20.840 --> 0:33:23.800
<v Speaker 1>Shan on here. But every time I see Shan, all

0:33:23.920 --> 0:33:26.320
<v Speaker 1>care of us actually speak about it. Although it's not

0:33:26.520 --> 0:33:29.200
<v Speaker 1>fighting words. It's like I don't think they could ever

0:33:29.320 --> 0:33:33.320
<v Speaker 1>be friends. I feel that they've shared the stage since

0:33:33.400 --> 0:33:37.680
<v Speaker 1>the man you can share the stage versus they trying

0:33:37.680 --> 0:33:39.360
<v Speaker 1>to kill each other. I think that in versus this,

0:33:39.760 --> 0:33:42.000
<v Speaker 1>she was not a celebration no more actually feeling it's

0:33:42.040 --> 0:33:44.040
<v Speaker 1>a love hate relationship between the booth. For that, That's

0:33:44.160 --> 0:33:46.080
<v Speaker 1>what I'm trying to say like that, because now ain't

0:33:46.120 --> 0:33:51.400
<v Speaker 1>that think about it years later? Commercials and ship. Yeah,

0:33:51.920 --> 0:33:54.840
<v Speaker 1>so here it is, you get together and make commercial

0:33:54.920 --> 0:33:58.120
<v Speaker 1>to make a couple of a couple of dollars. That's business.

0:33:58.200 --> 0:34:00.360
<v Speaker 1>One thing ain't got nothing to do with together. But

0:34:00.480 --> 0:34:03.640
<v Speaker 1>you know why I say that's a little different with

0:34:03.720 --> 0:34:09.720
<v Speaker 1>them because neither one of them think either one lost.

0:34:10.040 --> 0:34:15.160
<v Speaker 1>They both they won to eat your own Yeah, I

0:34:15.320 --> 0:34:20.000
<v Speaker 1>even had their own opinion. Yeah, you know, they have

0:34:20.120 --> 0:34:22.800
<v Speaker 1>their opinion and the audience have their picks. That's I

0:34:22.840 --> 0:34:27.239
<v Speaker 1>guess that's what matters. Are you a fan of versus versus? Yeah?

0:34:27.280 --> 0:34:31.320
<v Speaker 1>I like versus? Which one he was a fair of versus?

0:34:31.680 --> 0:34:33.920
<v Speaker 1>It's hard to say because I did not fully look

0:34:33.960 --> 0:34:36.399
<v Speaker 1>at each of every one of them the whole full thing.

0:34:37.280 --> 0:34:43.239
<v Speaker 1>But so you know, I'm always school school hard. I

0:34:43.360 --> 0:34:48.960
<v Speaker 1>love that versus when I saw it aslet fire very

0:34:49.280 --> 0:34:54.080
<v Speaker 1>very now, I did not see the whole full thing

0:34:54.360 --> 0:34:58.680
<v Speaker 1>of job and fat Joe and got your back. Huh

0:34:59.040 --> 0:35:11.680
<v Speaker 1>we got your back? Yeah, we got me? Where were

0:35:11.719 --> 0:35:17.320
<v Speaker 1>you from? You know? That's both both of my brothers also,

0:35:18.320 --> 0:35:24.320
<v Speaker 1>and that I felt bad about that. Look joh and

0:35:24.480 --> 0:35:27.040
<v Speaker 1>Joe was really they're really brothers, like you know, I'm

0:35:27.080 --> 0:35:30.040
<v Speaker 1>just playing like you know, although mass majority of saying

0:35:30.320 --> 0:35:34.480
<v Speaker 1>you know, John run that, but dip set and and

0:35:34.640 --> 0:35:38.719
<v Speaker 1>the lots. It almost felt like although I've never been

0:35:38.719 --> 0:35:41.200
<v Speaker 1>to the original Latin Quarters, which how y'all described the

0:35:41.280 --> 0:35:44.480
<v Speaker 1>Latin Quarters, how I've been to the ton of it

0:35:44.600 --> 0:35:46.560
<v Speaker 1>felt it felt. It didn't felt like we was in

0:35:46.640 --> 0:35:49.520
<v Speaker 1>two thousand and twenty one at all. It felt nineties ish,

0:35:50.040 --> 0:35:52.600
<v Speaker 1>like they had all the dudes on stage and everyone

0:35:52.719 --> 0:35:55.080
<v Speaker 1>knew to respect each other, like stay on each other side,

0:35:55.120 --> 0:35:57.560
<v Speaker 1>even though they went a little too far certain instances.

0:35:57.760 --> 0:36:00.239
<v Speaker 1>But everyone was thinking about the bag and it really

0:36:00.400 --> 0:36:03.000
<v Speaker 1>really felt like hip hop, Like it felt like when

0:36:03.040 --> 0:36:06.640
<v Speaker 1>I've seen who was who was it Melly Melon and

0:36:06.760 --> 0:36:09.719
<v Speaker 1>them against each other on stage and it wasn't Grandmaster

0:36:09.960 --> 0:36:18.000
<v Speaker 1>Cast his crew against uh comin Yeah. Yeah. It reminded

0:36:18.040 --> 0:36:21.040
<v Speaker 1>me of that. I'm looking and I'm like, and I

0:36:21.160 --> 0:36:25.040
<v Speaker 1>remember Grandmaster Cast saying yo. He's still saying yo. He

0:36:25.160 --> 0:36:27.240
<v Speaker 1>thought he won. But the crowd, he said, the crowd

0:36:27.320 --> 0:36:29.680
<v Speaker 1>was with them more because you know, they were they

0:36:29.719 --> 0:36:33.120
<v Speaker 1>were pretty are they help? Yeah more, I don't take

0:36:33.200 --> 0:36:35.160
<v Speaker 1>the clothes or some ship and for me to see

0:36:35.239 --> 0:36:38.600
<v Speaker 1>that and then the dip Set, the Locks. It reminded

0:36:38.640 --> 0:36:41.400
<v Speaker 1>me of real pure hip hop, even down to the

0:36:42.320 --> 0:36:45.240
<v Speaker 1>point of praying out the fact that they was rhyming

0:36:45.280 --> 0:36:48.400
<v Speaker 1>over certain records, rhyming over the vocals and just pointing

0:36:48.440 --> 0:36:51.680
<v Speaker 1>that out, like yo, bro, that's cheering, Like you ain't

0:36:51.680 --> 0:36:53.719
<v Speaker 1>supposed to be rhyming on that. Even like point that

0:36:53.960 --> 0:36:57.759
<v Speaker 1>that reminded me of real I remember, I could not

0:36:58.120 --> 0:37:00.600
<v Speaker 1>perform with my vocals on like I would have did

0:37:00.640 --> 0:37:02.759
<v Speaker 1>that the crowd would have told me immediately, know what

0:37:02.920 --> 0:37:07.239
<v Speaker 1>was that? Like, you know, reached back to the dip set.

0:37:07.880 --> 0:37:11.200
<v Speaker 1>They from my town hall. I love each of every

0:37:11.239 --> 0:37:17.600
<v Speaker 1>one of them. And you gotta understand that the Locks,

0:37:18.560 --> 0:37:21.759
<v Speaker 1>them guys are battling them seas, yea, every one of them.

0:37:22.360 --> 0:37:26.720
<v Speaker 1>You know here it is dip set. They got no stout, swag,

0:37:27.440 --> 0:37:33.800
<v Speaker 1>everything built around, but the tactics is different. That's the

0:37:33.840 --> 0:37:37.840
<v Speaker 1>best way I could put it right. And um, I

0:37:37.960 --> 0:37:41.040
<v Speaker 1>think I think I think the Brotherhood played a part

0:37:41.120 --> 0:37:44.319
<v Speaker 1>of it too, Like I think from what I heard,

0:37:44.760 --> 0:37:47.920
<v Speaker 1>uh Tips that had three different DJs yeah and the

0:37:48.600 --> 0:37:51.279
<v Speaker 1>one Yeah. The individual seas had their own DJ yeah

0:37:51.560 --> 0:37:53.960
<v Speaker 1>like that and they had one. So it just I

0:37:54.120 --> 0:37:56.320
<v Speaker 1>know I always say this word wrong, but it just

0:37:56.360 --> 0:37:58.400
<v Speaker 1>reminded me of having that good comment. What was it

0:37:58.480 --> 0:38:01.040
<v Speaker 1>called camaraderie colmorad. Yeah, like you know what I'm saying,

0:38:01.080 --> 0:38:03.480
<v Speaker 1>like when you're all on the same level like um.

0:38:03.920 --> 0:38:05.600
<v Speaker 1>But like I said, I just love the fact that

0:38:05.680 --> 0:38:08.440
<v Speaker 1>they kept it hip hop, you know, um yeah, definitely

0:38:08.800 --> 0:38:12.600
<v Speaker 1>it was good for New York. Right, So let let

0:38:12.640 --> 0:38:15.520
<v Speaker 1>me bounce around. So how do you and Molly like

0:38:16.040 --> 0:38:19.000
<v Speaker 1>squads to be after later on their life? Well, you

0:38:19.080 --> 0:38:21.480
<v Speaker 1>know the funny Parker called Marty and I started working

0:38:21.520 --> 0:38:27.040
<v Speaker 1>together at seven okay cool? And here it is from

0:38:27.080 --> 0:38:29.920
<v Speaker 1>Hot nineties seven for for men. I was over at

0:38:29.920 --> 0:38:31.920
<v Speaker 1>power room or five. I know, I've been at all

0:38:32.000 --> 0:38:37.560
<v Speaker 1>four stations urban stations that you know, nay n N

0:38:38.000 --> 0:38:47.359
<v Speaker 1>seven kiss, Hot ninety seven, power chore like goddamn check.

0:38:48.040 --> 0:38:50.719
<v Speaker 1>That's a hustler's hustler right there. As Marty and I

0:38:50.920 --> 0:38:53.920
<v Speaker 1>got closer over at power Room five, Momy used to

0:38:53.960 --> 0:38:56.640
<v Speaker 1>already say, you remind me of this guy. You remind

0:38:56.680 --> 0:38:59.120
<v Speaker 1>me this guy every time you were saying, because I've

0:38:59.200 --> 0:39:03.279
<v Speaker 1>come out with during the abbreviations the acorns, you know,

0:39:03.480 --> 0:39:06.560
<v Speaker 1>like you know your job motherfucker or pay your making,

0:39:06.719 --> 0:39:10.680
<v Speaker 1>manage what the funk out of here? So I got

0:39:10.760 --> 0:39:14.719
<v Speaker 1>that from somebody my family. So he said, you know,

0:39:14.920 --> 0:39:18.279
<v Speaker 1>entertained you to the abbreviation money or something. And then

0:39:18.360 --> 0:39:20.680
<v Speaker 1>when he mentioned about that he was in a six

0:39:20.760 --> 0:39:27.480
<v Speaker 1>huntry school, I say, brother, cut you? He said your brother.

0:39:27.760 --> 0:39:30.120
<v Speaker 1>I told him my brother's name. He said, that's your brother.

0:39:30.239 --> 0:39:35.440
<v Speaker 1>I said yeah, because if he never mentioned six hundred school,

0:39:35.640 --> 0:39:38.640
<v Speaker 1>I would never know where you get that phone. So

0:39:38.680 --> 0:39:40.919
<v Speaker 1>we make a noise for six hundred schools right now? Huh?

0:39:40.960 --> 0:39:42.840
<v Speaker 1>Are we gonna make some noise for the six hundred schools?

0:39:44.719 --> 0:39:47.960
<v Speaker 1>All right there? I don't know, I don't know New York.

0:39:48.040 --> 0:39:50.680
<v Speaker 1>This is the school to prepare you for jail because

0:39:50.719 --> 0:39:52.360
<v Speaker 1>they don't have no girls in there. You you go

0:39:52.480 --> 0:39:57.560
<v Speaker 1>with there's no girls, This baby jails. JA like, as

0:39:57.600 --> 0:40:00.359
<v Speaker 1>we're speaking on that real quickly, what's the the trade

0:40:00.480 --> 0:40:04.360
<v Speaker 1>six terms of school? And the school may have the

0:40:04.400 --> 0:40:09.600
<v Speaker 1>people that's in the show up us. Oh damn. I've

0:40:09.640 --> 0:40:12.320
<v Speaker 1>been in both, so I could probably because you know

0:40:13.400 --> 0:40:17.480
<v Speaker 1>this bad then this is was in the resource room

0:40:17.760 --> 0:40:21.520
<v Speaker 1>and special a. You know what that is? Resource? You

0:40:21.560 --> 0:40:25.319
<v Speaker 1>know resource room? Resources? When UNIQ spec without they got

0:40:25.440 --> 0:40:28.200
<v Speaker 1>a holler at the Hall of y'alla, you know, but

0:40:28.320 --> 0:40:31.560
<v Speaker 1>most of us say, we aren't here for behavior. Nobody said, yo, man,

0:40:31.560 --> 0:40:33.360
<v Speaker 1>I'm sucking out, you know. I mean, but I was

0:40:33.440 --> 0:40:36.480
<v Speaker 1>on both wall right now in the school system. Let's

0:40:36.520 --> 0:40:40.520
<v Speaker 1>make some noise for the school system. So you're molly,

0:40:40.560 --> 0:40:42.640
<v Speaker 1>I talked about six hunt in school, and that's why

0:40:42.680 --> 0:40:45.000
<v Speaker 1>I got to see the connection where he saw I

0:40:45.120 --> 0:40:48.360
<v Speaker 1>was getting them says from from my clause, my blubber.

0:40:48.400 --> 0:40:51.000
<v Speaker 1>You surprised do that teaching and he was in the

0:40:51.239 --> 0:40:57.880
<v Speaker 1>um um No, he was just in the um is

0:40:57.920 --> 0:41:02.359
<v Speaker 1>if you're a gym teacher, you know help um physical. Yeah,

0:41:02.480 --> 0:41:04.920
<v Speaker 1>so you know that's what you got through. So did

0:41:05.040 --> 0:41:07.239
<v Speaker 1>you all? Because because you know, you know, I imagine

0:41:07.280 --> 0:41:11.480
<v Speaker 1>like like once in the Blue Jay ands to be

0:41:11.520 --> 0:41:13.800
<v Speaker 1>like you remember remember when we went through Like I

0:41:13.800 --> 0:41:16.600
<v Speaker 1>imagine like just you know, like did you and BALI

0:41:16.680 --> 0:41:19.680
<v Speaker 1>ever just like you see the ship that we've been through,

0:41:19.800 --> 0:41:23.920
<v Speaker 1>like ever talked about it. I never really really And

0:41:24.080 --> 0:41:27.080
<v Speaker 1>we've been racking together for a wild because married fact,

0:41:27.320 --> 0:41:30.000
<v Speaker 1>you know, before this pandemic, we was doing this thing

0:41:30.160 --> 0:41:34.960
<v Speaker 1>for about good. Maybe we asked the brother right here,

0:41:36.200 --> 0:41:38.840
<v Speaker 1>how many how many years were doing the old school

0:41:38.880 --> 0:41:46.719
<v Speaker 1>reunions years? I many, Molly and Lance about nine of

0:41:46.800 --> 0:41:50.319
<v Speaker 1>the twelve years. It was me rest in Peace, DJ

0:41:50.520 --> 0:41:55.000
<v Speaker 1>Lance and Molly muh And when me and Marty was

0:41:55.040 --> 0:41:57.600
<v Speaker 1>wrecking together during that time as well being on the radio,

0:41:57.800 --> 0:42:00.640
<v Speaker 1>we didn't think about all that nonsense. We're working. Really.

0:42:01.160 --> 0:42:03.120
<v Speaker 1>I imagine like one time, like you would have had

0:42:03.120 --> 0:42:11.200
<v Speaker 1>a bill, but you should drink juice. Drink it's a name,

0:42:12.040 --> 0:42:16.000
<v Speaker 1>it's a nickname that was given. First I used to

0:42:16.080 --> 0:42:24.560
<v Speaker 1>drink Viccardi and coke. Yeah, yeah, that's back then. They're

0:42:24.600 --> 0:42:28.560
<v Speaker 1>invest in piece of my mother. She said, you're drinking

0:42:28.600 --> 0:42:30.560
<v Speaker 1>that cheap stuff. I say, what you're talking to my mom?

0:42:30.920 --> 0:42:34.160
<v Speaker 1>You're gonna drink drink the best top shelf. Go and

0:42:34.239 --> 0:42:38.680
<v Speaker 1>get Maya's room. So I started to Maya's room. First

0:42:38.719 --> 0:42:42.040
<v Speaker 1>I tried but coke, like yeah. Then I tried with

0:42:42.160 --> 0:42:46.840
<v Speaker 1>cranberry juice. I like, take all right. Then when the

0:42:46.920 --> 0:42:51.000
<v Speaker 1>violators sneaky d say you're a tried it pineapple. So

0:42:51.200 --> 0:42:56.319
<v Speaker 1>then trying pineapple juice. Here it is first that came over,

0:42:56.440 --> 0:43:01.080
<v Speaker 1>the nickname Poopoo was big voted the volators. Okay, it's poopoo,

0:43:01.160 --> 0:43:04.320
<v Speaker 1>not poom poom. Guy said poom poom man, which is

0:43:04.400 --> 0:43:09.160
<v Speaker 1>totally different. Poompum is totally different. Man just described it.

0:43:09.200 --> 0:43:13.640
<v Speaker 1>I we used to say the poopoo juice. Okay, so

0:43:13.760 --> 0:43:15.920
<v Speaker 1>that's where we had. Of course, I stopped drinking for

0:43:16.000 --> 0:43:19.839
<v Speaker 1>about a year and a half. Now, okay, let's I'm

0:43:20.080 --> 0:43:23.239
<v Speaker 1>drink four. You don't don't worry about it. J Yeah,

0:43:23.800 --> 0:43:26.520
<v Speaker 1>Like you call it the nasty? What I used to drink? No,

0:43:26.719 --> 0:43:29.759
<v Speaker 1>you you know that wasn't Wait a minute, I used

0:43:29.800 --> 0:43:33.239
<v Speaker 1>to drink its nasty anything, but club was the nasty. No,

0:43:33.640 --> 0:43:36.440
<v Speaker 1>what club soda is with the nasty? You got the

0:43:36.440 --> 0:43:40.280
<v Speaker 1>club soda from? No, your ship was a club soda

0:43:44.400 --> 0:43:48.600
<v Speaker 1>memory that I got to look even funny, I know

0:43:48.680 --> 0:43:51.080
<v Speaker 1>how I got the nasty from It was me, you

0:43:51.239 --> 0:43:52.880
<v Speaker 1>used to say. When I didn't get that from you,

0:43:52.960 --> 0:43:56.040
<v Speaker 1>I got come up with you came up Oh yeah, yeah, yeah,

0:43:56.040 --> 0:43:57.680
<v Speaker 1>I know exactly what I came up with that at

0:43:57.840 --> 0:44:00.600
<v Speaker 1>that's what I was drinking it because he said that

0:44:00.640 --> 0:44:03.160
<v Speaker 1>he lost weight, and I was like for real, and

0:44:03.680 --> 0:44:06.120
<v Speaker 1>he's like, yeah, just drinking, but sell a water And

0:44:06.160 --> 0:44:08.520
<v Speaker 1>I was like, well, I think you should put pineapple

0:44:08.560 --> 0:44:10.719
<v Speaker 1>back in that motherfucker, because that's this is horrible and

0:44:10.760 --> 0:44:12.840
<v Speaker 1>that's what I called it, the nasty all right, Wember, Well,

0:44:12.840 --> 0:44:15.840
<v Speaker 1>maybe be talking about drinking, all right, cool, but we

0:44:16.600 --> 0:44:18.440
<v Speaker 1>one of your son is gonna come in to take

0:44:18.440 --> 0:44:23.680
<v Speaker 1>a shot. One of yall drink or y'all to drink. Okay, alright,

0:44:24.320 --> 0:44:26.879
<v Speaker 1>I don't have both of them coming with a little cool.

0:44:27.160 --> 0:44:29.520
<v Speaker 1>We're gonna do quick time with slime. Come on, yeah,

0:44:29.719 --> 0:44:32.520
<v Speaker 1>do we have greip time and slim? Okay? Cool? Alright, cool?

0:44:33.760 --> 0:44:36.040
<v Speaker 1>And we got a drink too in this game. Yeah,

0:44:36.280 --> 0:44:40.480
<v Speaker 1>we drink too. The fact that us making a drinking

0:44:40.480 --> 0:44:44.440
<v Speaker 1>and not I don't have the glass, but I got them. Okay,

0:44:45.080 --> 0:44:48.920
<v Speaker 1>this is for y'all. Okay, Oh yeah, yeah, what's that

0:44:49.000 --> 0:44:51.200
<v Speaker 1>red alert? What is that? Oh my god? Go ahead

0:44:51.360 --> 0:44:53.680
<v Speaker 1>for you. Okay, let me open it up for you.

0:44:54.160 --> 0:45:01.320
<v Speaker 1>Thank you very much. Okay, that's big. All. Good to

0:45:01.360 --> 0:45:06.239
<v Speaker 1>meet you. I got definitely we got the shorts food

0:45:06.280 --> 0:45:11.279
<v Speaker 1>that I have on Okay, got master retroll? Ye, yes,

0:45:11.960 --> 0:45:14.239
<v Speaker 1>doing that day, Thank you very much. Should I want

0:45:14.239 --> 0:45:15.839
<v Speaker 1>you to told me before I put it over? We're

0:45:15.880 --> 0:45:19.120
<v Speaker 1>giving gifts? Oh yeah, we're giving gifts. We give a gift,

0:45:19.800 --> 0:45:26.840
<v Speaker 1>come on, Yes, that boblem Oh my man, thank you.

0:45:27.600 --> 0:45:30.440
<v Speaker 1>Oh hell yeah. So that guy said this is the

0:45:30.520 --> 0:45:34.040
<v Speaker 1>oldest rob. Who's the one day you said here on

0:45:34.120 --> 0:45:45.239
<v Speaker 1>the radio? Okay before we start the game, Yes and everyone, Yeah,

0:45:45.680 --> 0:45:50.160
<v Speaker 1>that's he's artist. Oh that's what's up both for y'all,

0:45:50.200 --> 0:45:58.799
<v Speaker 1>sottell So alight, yeah, let's do this. Yep, the third

0:45:58.840 --> 0:46:07.840
<v Speaker 1>guest to get roses from it up. Yeah, you're literally

0:46:07.920 --> 0:46:11.319
<v Speaker 1>giving people their roses when they get here. So these

0:46:11.440 --> 0:46:16.839
<v Speaker 1>roses last a few years. Strange, good, open it up.

0:46:28.239 --> 0:46:39.360
<v Speaker 1>You literally had to give your roses. Yeah, that's the

0:46:39.960 --> 0:46:42.040
<v Speaker 1>you know, Yeah, I got you, I got some ship.

0:46:42.120 --> 0:46:44.680
<v Speaker 1>I don't want to break my ship because I'm gonna type. Right,

0:46:44.920 --> 0:46:47.120
<v Speaker 1>So we got the shots out. What you want to do?

0:46:47.160 --> 0:46:51.600
<v Speaker 1>You want to drink? You're into? All right? Cool, it's

0:46:51.640 --> 0:46:54.279
<v Speaker 1>gonna be a couple, right, Cool. This is this is

0:46:54.800 --> 0:46:57.000
<v Speaker 1>it's called quick Time with Slim is a game. So

0:46:57.080 --> 0:46:59.040
<v Speaker 1>you gotta take the shots for your pots. So it's cool.

0:46:59.200 --> 0:47:02.000
<v Speaker 1>So um, all right, so just how it goes. We're

0:47:02.040 --> 0:47:04.600
<v Speaker 1>gonna give you our two choices. You can pick one

0:47:04.680 --> 0:47:07.640
<v Speaker 1>or the other or whatever he picked, whatever he picked.

0:47:07.640 --> 0:47:12.520
<v Speaker 1>So if he picked, if he picked both, you both

0:47:12.560 --> 0:47:15.600
<v Speaker 1>gotta take a shot. If he picked one, then't either

0:47:15.640 --> 0:47:17.440
<v Speaker 1>one of you gotta take a shot. All right. We're

0:47:17.480 --> 0:47:19.200
<v Speaker 1>drinking with him and we're drinking with him, so we

0:47:19.400 --> 0:47:22.080
<v Speaker 1>try yeah. Cool. Yeah, so if you're politically correct, you

0:47:22.160 --> 0:47:26.520
<v Speaker 1>pick both. We're drinking about cool. Yeah, we got you,

0:47:26.600 --> 0:47:28.799
<v Speaker 1>we got you, we got you. Drink. Yeah, you ain't

0:47:28.800 --> 0:47:31.840
<v Speaker 1>gotta drink all right, So but this is for you.

0:47:31.920 --> 0:47:34.080
<v Speaker 1>We're gonna ask you the question. I mean, however you

0:47:34.160 --> 0:47:42.960
<v Speaker 1>ask it. Then Dictator drinking habits right, yeah, yeah, Okay,

0:47:44.040 --> 0:47:45.960
<v Speaker 1>you're gonna stop being you never get the first one?

0:47:46.600 --> 0:47:52.600
<v Speaker 1>Jay z or nas you can pick both now, right,

0:47:52.640 --> 0:48:06.440
<v Speaker 1>don't worry about it. Okay, shot monster you can't come

0:48:06.480 --> 0:48:09.359
<v Speaker 1>on back? Yeah you don't. Don't leave the witness, don't

0:48:09.400 --> 0:48:15.040
<v Speaker 1>lead do it? That got cash sign stomach? Yeah all right,

0:48:15.760 --> 0:48:21.120
<v Speaker 1>that's what I don't know. Neither Biggie or Big Punt Biggie. Okay,

0:48:23.640 --> 0:48:31.000
<v Speaker 1>Mr Magic or Molly Marr Magic. Okay, Funk Flex or

0:48:31.080 --> 0:48:35.080
<v Speaker 1>Kick Apri kick Capri. I'm gonna tell you right, I

0:48:35.160 --> 0:48:39.239
<v Speaker 1>need to know. While from Flex is my man, I

0:48:39.360 --> 0:48:44.239
<v Speaker 1>love him to death, but Kick Capri is so chasmatic

0:48:44.400 --> 0:48:48.080
<v Speaker 1>and so you know, skillful day he brings it to

0:48:48.160 --> 0:48:59.680
<v Speaker 1>the table b DP or the juice crip b DP. Okay, Dad,

0:49:01.960 --> 0:49:22.359
<v Speaker 1>alright DMX or tupap drink up? Who DMX the dog

0:49:22.680 --> 0:49:44.200
<v Speaker 1>your Dogs Dog Hot ninety seven or Power one oh

0:49:44.280 --> 0:49:48.120
<v Speaker 1>five Hot seven. I love how you that's very confident.

0:49:48.160 --> 0:49:49.840
<v Speaker 1>He didn't even think about that. He's gorun straight with

0:49:49.880 --> 0:49:51.160
<v Speaker 1>I'm gonna take a shot for that. I don't even

0:49:51.160 --> 0:49:54.200
<v Speaker 1>know why. No, I know I was at Power for

0:49:54.360 --> 0:49:57.239
<v Speaker 1>five years, and I know that Power woke up Hot

0:49:57.400 --> 0:50:01.080
<v Speaker 1>ninety seven because at one point they said they was

0:50:01.160 --> 0:50:03.360
<v Speaker 1>only game in town. Yeah he's too last. They had

0:50:03.400 --> 0:50:06.759
<v Speaker 1>no competition. But then here it is came over. You know,

0:50:08.040 --> 0:50:13.640
<v Speaker 1>hm as you see where it is at now, MTV

0:50:13.840 --> 0:50:18.520
<v Speaker 1>raps or rap City. Oh, I gotta say MTV Raps

0:50:18.600 --> 0:50:23.440
<v Speaker 1>because it was the door opener and it's set the

0:50:23.480 --> 0:50:30.200
<v Speaker 1>pace for many other people. You know, no disrespect. I

0:50:30.239 --> 0:50:32.200
<v Speaker 1>wish you would have put video music back instead of

0:50:32.320 --> 0:50:39.080
<v Speaker 1>rapp City. We converould say video music box. And at

0:50:39.080 --> 0:50:42.279
<v Speaker 1>the guys who write the questions like yeah, that's right,

0:50:43.000 --> 0:50:47.480
<v Speaker 1>got a documentary commend Yeah, hell you pig you up.

0:50:47.560 --> 0:50:50.640
<v Speaker 1>Ralph mcdanie something you need him on? Drink Champion juice

0:50:50.680 --> 0:50:54.839
<v Speaker 1>so Boys in the Hood. Damn. I mean he's in one.

0:50:54.920 --> 0:50:59.040
<v Speaker 1>So that's the way you in Juice. You got no choice.

0:50:59.080 --> 0:51:06.560
<v Speaker 1>But I don't know about God. He's the party bar

0:51:06.960 --> 0:51:10.560
<v Speaker 1>the party by Boys in the Hood. I'm taking the shot.

0:51:11.320 --> 0:51:18.319
<v Speaker 1>You pick the wrong one. You're going Boys in the Hood.

0:51:19.920 --> 0:51:21.600
<v Speaker 1>I'm gonna tell you why. Okay, I need to know

0:51:21.680 --> 0:51:26.080
<v Speaker 1>why Boys in the Hood. You think about something that

0:51:26.400 --> 0:51:30.240
<v Speaker 1>show the side the other side of the United States

0:51:30.440 --> 0:51:33.080
<v Speaker 1>that a lot of people don't know what relate to

0:51:33.280 --> 0:51:35.680
<v Speaker 1>day by day. Now, we saw a piece of it

0:51:35.840 --> 0:51:40.280
<v Speaker 1>from Colors, but they took it to another standard after Juice.

0:51:40.520 --> 0:51:44.360
<v Speaker 1>It's what we already know. So that's why I'm picking

0:51:44.440 --> 0:51:46.680
<v Speaker 1>Boys in the Hood because it puts something different to

0:51:46.760 --> 0:51:50.440
<v Speaker 1>the table. He's John saying, that's the piece John Sick

0:51:53.920 --> 0:52:04.680
<v Speaker 1>or digital days, Oh my god, he's a hard podcasts

0:52:04.760 --> 0:52:13.160
<v Speaker 1>or radio radio Carovessel. Are you serious? This is my engine?

0:52:14.000 --> 0:52:16.640
<v Speaker 1>And produce the questions? Man, they get corner I got

0:52:17.200 --> 0:52:20.160
<v Speaker 1>and not because I've worked with him, but we already

0:52:20.239 --> 0:52:25.320
<v Speaker 1>know look at the catalog. Okay, one, okay, okay, and

0:52:25.480 --> 0:52:28.480
<v Speaker 1>fat just me another question too. By the way, um

0:52:30.239 --> 0:52:34.800
<v Speaker 1>Queen Teeth for MC light, who you know I was like,

0:52:34.960 --> 0:52:40.920
<v Speaker 1>you brought that up because people forget that. How skill

0:52:41.040 --> 0:52:45.680
<v Speaker 1>food crean tell one of the illests. You know, I

0:52:45.840 --> 0:52:48.880
<v Speaker 1>understand she took it too many heights and I respect

0:52:48.960 --> 0:52:52.920
<v Speaker 1>her now she trail Blaze, but that my game was

0:52:53.040 --> 0:52:57.080
<v Speaker 1>so mean and I still don't know the answer that.

0:52:57.239 --> 0:52:59.040
<v Speaker 1>I feel like we could drink to that. Yeah, we

0:52:59.120 --> 0:53:00.880
<v Speaker 1>drink to that. Don't worry. You gotta bust your brain.

0:53:02.880 --> 0:53:05.960
<v Speaker 1>And nine is a beast because I know there's guys

0:53:05.960 --> 0:53:09.799
<v Speaker 1>who don't even want to go against like, wow, wow,

0:53:10.480 --> 0:53:12.960
<v Speaker 1>you got drinks. Yeah, I'm ready for that. I'm ready

0:53:13.000 --> 0:53:19.160
<v Speaker 1>to solo solo solo. Listen and our show we celebrate

0:53:19.239 --> 0:53:21.680
<v Speaker 1>our legends, and you're one. We want to sell a

0:53:22.040 --> 0:53:27.799
<v Speaker 1>break too, solo. Motherfucker spect man, spect. We ain't done

0:53:27.880 --> 0:53:31.520
<v Speaker 1>yet right now, this one. I definitely don't know what

0:53:31.640 --> 0:53:36.120
<v Speaker 1>you're gonna say. Yeah, I kind of do know. I'm

0:53:36.120 --> 0:53:38.919
<v Speaker 1>not sure though it's been you've been even fooling me lately.

0:53:39.719 --> 0:53:44.359
<v Speaker 1>Eighties or nineties hip hop eighties. Okay, I'm gonna tell

0:53:44.360 --> 0:53:47.040
<v Speaker 1>you why. I need to know why, because you got

0:53:47.080 --> 0:53:52.200
<v Speaker 1>me to be where i'm at. Got that not even

0:53:53.560 --> 0:53:59.040
<v Speaker 1>it's a blessing, Okay, l L or Komo d L

0:53:59.280 --> 0:54:05.480
<v Speaker 1>L the longest lasting hip hop recording artists and modis

0:54:05.560 --> 0:54:08.520
<v Speaker 1>my man, you are from harm and I respect MODI,

0:54:09.440 --> 0:54:12.120
<v Speaker 1>but L L showed his diversity. What did you call that?

0:54:14.200 --> 0:54:18.759
<v Speaker 1>The longest lasting hip hop recording artists? You know, think

0:54:18.800 --> 0:54:23.800
<v Speaker 1>about it. Grandmother and granddaughter can go to an L council.

0:54:24.800 --> 0:54:28.399
<v Speaker 1>Grandmother can sing I need love, granddaughter singing hespron Look

0:54:28.440 --> 0:54:34.160
<v Speaker 1>at this fan of how many years? That's the analogy,

0:54:35.760 --> 0:54:38.120
<v Speaker 1>that's true. I didn't know what came out with eighty

0:54:38.200 --> 0:54:47.520
<v Speaker 1>five hespernd came out two thousand five. Yet year Now

0:54:48.719 --> 0:54:53.640
<v Speaker 1>if him, it is if the mother's daughter had a

0:54:53.800 --> 0:54:58.279
<v Speaker 1>child and that was about maybe become like you know,

0:54:58.840 --> 0:55:04.040
<v Speaker 1>going on ten years become twenty years old. The grandmother

0:55:04.480 --> 0:55:07.840
<v Speaker 1>at the time from them thirty years, she was the

0:55:07.920 --> 0:55:11.799
<v Speaker 1>one that was rocking. They both can go to an

0:55:11.920 --> 0:55:17.200
<v Speaker 1>L L consent. That's yeah, that's the ill point, Max Pose.

0:55:19.120 --> 0:55:23.080
<v Speaker 1>I love the balls, alright, this one, this one, I

0:55:23.160 --> 0:55:25.279
<v Speaker 1>don't know. No, I think, I think, I don't know

0:55:25.320 --> 0:55:28.839
<v Speaker 1>you're gonna go with this one heavy dal Or your

0:55:28.960 --> 0:55:33.440
<v Speaker 1>rock man, Damn why are you doing? And I love

0:55:33.520 --> 0:55:39.879
<v Speaker 1>both and they both are so creative. Damn you ain't

0:55:39.880 --> 0:55:42.279
<v Speaker 1>got the forces you know we are. We don't mind

0:55:42.360 --> 0:55:53.080
<v Speaker 1>taking a shot. He damn right. I love when people

0:55:53.080 --> 0:55:59.880
<v Speaker 1>can stay. You can pass the bottle. Rest of you

0:56:00.040 --> 0:56:07.560
<v Speaker 1>start start problems. Question we stop to both of them. Yeah, respect,

0:56:10.000 --> 0:56:12.680
<v Speaker 1>you know they both went that. I respect about both

0:56:12.719 --> 0:56:17.319
<v Speaker 1>of them. Lyrically, they know how to go high or low.

0:56:18.760 --> 0:56:23.880
<v Speaker 1>They can take it a hide hide up tempo and

0:56:24.000 --> 0:56:27.600
<v Speaker 1>a dance matter, and they can bring low as a flow.

0:56:28.200 --> 0:56:30.520
<v Speaker 1>Not too many mcs can do that. Too many can

0:56:30.600 --> 0:56:33.600
<v Speaker 1>do that, and them too, They make it happen. Solute,

0:56:34.280 --> 0:56:47.520
<v Speaker 1>motherfucker Reid. Respect all loyalty. Huh, Respect all loyalty. No,

0:56:47.840 --> 0:56:50.400
<v Speaker 1>you just got me thinking about what my son already

0:56:50.400 --> 0:56:53.719
<v Speaker 1>say now and then I gotta say respect, respect all

0:56:53.719 --> 0:56:57.000
<v Speaker 1>a long way. No, you may get caught out there.

0:56:59.400 --> 0:57:03.719
<v Speaker 1>That was deep. We'll see it. Get you're killing, kill

0:57:03.840 --> 0:57:09.440
<v Speaker 1>what you're getting moment it's five as well. It's fire scarface,

0:57:09.600 --> 0:57:15.080
<v Speaker 1>ice cube the quem okay public enemy or n W

0:57:15.280 --> 0:57:22.080
<v Speaker 1>a public enemy dog open this Kanye Wessel for for

0:57:22.280 --> 0:57:35.640
<v Speaker 1>well primo or large pro primo large pro goddamn. And

0:57:35.760 --> 0:57:41.480
<v Speaker 1>they both beasts. They're both in beast. No, and they

0:57:41.560 --> 0:57:44.680
<v Speaker 1>don't get there just they don't get their just we

0:57:44.800 --> 0:57:48.120
<v Speaker 1>have Primo on here, but we need large prof We

0:57:48.160 --> 0:57:51.320
<v Speaker 1>need Primo back. Yeah no, they both bad. Motherfucking show y'all.

0:57:51.320 --> 0:58:01.040
<v Speaker 1>Sip alright, cool, cool stunt. I tell you we got

0:58:01.080 --> 0:58:12.000
<v Speaker 1>one more. Yeah, got me sweat, Yeah, man, this is

0:58:12.040 --> 0:58:17.960
<v Speaker 1>what we're going. So I just we'll take a shot

0:58:18.000 --> 0:58:20.760
<v Speaker 1>first and then my actual last one. Again, this is

0:58:20.880 --> 0:58:24.600
<v Speaker 1>the motherfucking red alert man for you. All the contributions

0:58:24.640 --> 0:58:26.640
<v Speaker 1>you gave to hip hop, We love you. We want

0:58:26.640 --> 0:58:28.480
<v Speaker 1>to give your flowers in your face and tell you

0:58:28.600 --> 0:58:31.520
<v Speaker 1>how important and how great you are to this society,

0:58:31.800 --> 0:58:35.160
<v Speaker 1>to this government of our own, to our community. This

0:58:35.320 --> 0:58:37.360
<v Speaker 1>is what you mean to us. We love you. Motherfucking

0:58:37.480 --> 0:58:45.120
<v Speaker 1>drink champs over here, solo. Okay, the last one, Dr

0:58:45.240 --> 0:58:50.360
<v Speaker 1>Dre or paul uh Dr Dre puff. I gotta say

0:58:50.480 --> 0:58:55.720
<v Speaker 1>Dre hmm. I wasn't prepared for that one. Why why

0:58:55.920 --> 0:59:00.120
<v Speaker 1>the history that Dre have from man, he was with

0:59:00.440 --> 0:59:05.040
<v Speaker 1>world class crew, Yeah, and had transd to so many

0:59:05.200 --> 0:59:10.919
<v Speaker 1>of the different entities, and none had to evolve from

0:59:11.800 --> 0:59:16.080
<v Speaker 1>row to aftermath, from ruthless to death, Row to afternoon.

0:59:16.760 --> 0:59:23.560
<v Speaker 1>I forgot ruthless. Supreme, he's the brain, He's the brain

0:59:23.760 --> 0:59:26.760
<v Speaker 1>because he makes pump is a person that can take

0:59:26.800 --> 0:59:28.480
<v Speaker 1>the teep a bottle of cash from make it look

0:59:28.520 --> 0:59:32.120
<v Speaker 1>like it's the biggest seller. That's how clever he is.

0:59:32.520 --> 0:59:36.200
<v Speaker 1>He's a marketing gene, you know, and he makes it happen.

0:59:38.120 --> 0:59:43.800
<v Speaker 1>But Dre and for being behind the board, he's the

0:59:43.840 --> 0:59:47.560
<v Speaker 1>one that really makes that happen. You want extra question

0:59:48.040 --> 0:59:51.120
<v Speaker 1>right because you just answered that too too easy? There's

0:59:51.160 --> 0:59:53.000
<v Speaker 1>one extra question. You don't have to. We don't have

0:59:53.080 --> 0:59:54.920
<v Speaker 1>to take a shot unless you'll want. You don't have to.

0:59:55.520 --> 1:00:00.320
<v Speaker 1>But pop Daddy is saying ja Jermaine Dupris and even

1:00:00.360 --> 1:00:05.320
<v Speaker 1>in his class, I heard about that, about that what

1:00:05.720 --> 1:00:07.360
<v Speaker 1>do you think? You know? I'm gonna tell you something

1:00:09.280 --> 1:00:12.200
<v Speaker 1>because during that time or three of them were just

1:00:12.280 --> 1:00:18.600
<v Speaker 1>speaking about they was the power set of that ever hard?

1:00:19.600 --> 1:00:23.800
<v Speaker 1>You know, Jermaine, a lot of people don't know have

1:00:24.000 --> 1:00:29.120
<v Speaker 1>been producing a long time too. And right the Criss

1:00:29.160 --> 1:00:32.200
<v Speaker 1>Course album. Yeah, I mean you know, I remember the

1:00:32.240 --> 1:00:34.680
<v Speaker 1>fact that he made me jump. That he made me jump.

1:00:35.000 --> 1:00:36.960
<v Speaker 1>Now he got there was a group that he had

1:00:37.360 --> 1:00:40.000
<v Speaker 1>produced that that never came out. Course, Silk Time Level

1:00:41.400 --> 1:00:45.480
<v Speaker 1>that came out. Should that show you that the limp

1:00:45.560 --> 1:00:50.160
<v Speaker 1>of Town how long he's been putting in. I know

1:00:50.320 --> 1:00:55.160
<v Speaker 1>that he's very clever bringing the youth to make them stars.

1:00:56.480 --> 1:01:04.479
<v Speaker 1>Cris course she was rat you know, yeah that's dope.

1:01:04.920 --> 1:01:09.000
<v Speaker 1>But who are you picking, Jermaine Depre puff daddy, Damn

1:01:10.280 --> 1:01:18.320
<v Speaker 1>you m t am taking that one. I'm gonna take

1:01:18.360 --> 1:01:19.920
<v Speaker 1>a shot for no matter what you were, matter what

1:01:20.040 --> 1:01:22.760
<v Speaker 1>answer you give pastor I'm gonna take a shot no

1:01:22.840 --> 1:01:25.440
<v Speaker 1>matter what as do you give your main or like,

1:01:25.600 --> 1:01:28.840
<v Speaker 1>I actually want to see it now because I just

1:01:29.000 --> 1:01:32.520
<v Speaker 1>love the puff confidence. As he was saying, he was like, man,

1:01:32.680 --> 1:01:34.680
<v Speaker 1>you're not even on my lovel Get doctor Dre on

1:01:34.760 --> 1:01:37.880
<v Speaker 1>the phone, Doctor Drey on the phone. That probably go

1:01:38.000 --> 1:01:42.000
<v Speaker 1>from zero to sixteen. Yes, so make it happen. Like

1:01:42.080 --> 1:01:44.320
<v Speaker 1>I said, he's a great salesman. And by the way,

1:01:44.360 --> 1:01:49.200
<v Speaker 1>we're also drinking summer strits. It's fired and you can

1:01:49.280 --> 1:01:58.840
<v Speaker 1>watch as well. Yes, yes, so um not God got honest.

1:01:58.960 --> 1:02:01.960
<v Speaker 1>You're sitting there, you want to watch the battle? Who

1:02:02.280 --> 1:02:04.840
<v Speaker 1>you think will when if they was the battle j

1:02:05.080 --> 1:02:11.240
<v Speaker 1>d j U. Yes, that would be very tough. It's

1:02:11.240 --> 1:02:12.680
<v Speaker 1>a different kind of battle because they're not in the

1:02:12.800 --> 1:02:15.760
<v Speaker 1>seas necessarily spitting and they both was on the records

1:02:16.720 --> 1:02:18.200
<v Speaker 1>or three of them was on the record, But it's

1:02:18.240 --> 1:02:20.520
<v Speaker 1>more about the records that they were part of the

1:02:20.600 --> 1:02:25.760
<v Speaker 1>whole catalog, which that's the whole idea about them. Ask artists. Yeah,

1:02:25.840 --> 1:02:27.880
<v Speaker 1>as artists here they can play records as they wrote

1:02:28.000 --> 1:02:29.840
<v Speaker 1>and produced and had things to go with. So now

1:02:29.960 --> 1:02:32.360
<v Speaker 1>if you know that actually a better question. You want

1:02:32.360 --> 1:02:33.880
<v Speaker 1>me to ask you a better credit or easier question.

1:02:33.920 --> 1:02:37.360
<v Speaker 1>How about that? Which out of the three, which would

1:02:37.400 --> 1:02:43.240
<v Speaker 1>you want to see Puff against Dr Dre or or

1:02:44.040 --> 1:02:47.320
<v Speaker 1>they gotta be prof Dre against one of them? Just

1:02:47.400 --> 1:02:50.480
<v Speaker 1>pick any match about the three. Yeah, let's go back

1:02:50.480 --> 1:02:52.640
<v Speaker 1>to the old school restamant when you put all the minium,

1:02:52.680 --> 1:03:03.880
<v Speaker 1>that's what that. Yeah, I see who comes out number one? Yeah,

1:03:04.160 --> 1:03:06.240
<v Speaker 1>you know, I have it be Puff and Jermaine dupri

1:03:06.480 --> 1:03:09.320
<v Speaker 1>and then Dre just comes in in the middle. Yeah,

1:03:09.360 --> 1:03:15.000
<v Speaker 1>this is definitely vers So all right, who would you

1:03:15.120 --> 1:03:19.800
<v Speaker 1>rather see Puff first j D or Puff verse J Dre.

1:03:28.400 --> 1:03:31.960
<v Speaker 1>I'm taking a shot for God Puff and Dre, okay,

1:03:32.280 --> 1:03:35.120
<v Speaker 1>because okay, I'll respect that answer. I'm taking a shot

1:03:35.160 --> 1:03:39.000
<v Speaker 1>for that answer anyway. Slotle Sootle that damn salute. Yeah,

1:03:39.080 --> 1:03:44.000
<v Speaker 1>I make it Dad, and they all three they all

1:03:44.120 --> 1:03:46.360
<v Speaker 1>three gave me some great ammunition to be out there,

1:03:47.080 --> 1:03:50.400
<v Speaker 1>you know, great songs and playing those records. Oh yeah,

1:03:50.960 --> 1:03:52.600
<v Speaker 1>you give me the right animal, I mean out getting

1:03:52.600 --> 1:03:58.400
<v Speaker 1>to feel real good. And that's three regions that they represented. Yeah, three, yeah, Okay,

1:03:58.480 --> 1:04:04.120
<v Speaker 1>this is what Fat Joe said, Who invented DJ? Invented

1:04:04.160 --> 1:04:07.120
<v Speaker 1>it invented? Yeah. I think that's a good question, But

1:04:07.320 --> 1:04:09.760
<v Speaker 1>that come from he said, he said, you need names,

1:04:10.040 --> 1:04:12.280
<v Speaker 1>like he's asking me to say that I need names.

1:04:12.400 --> 1:04:16.680
<v Speaker 1>It's hard to say because before the culture that hip

1:04:16.720 --> 1:04:20.400
<v Speaker 1>hop took place, it was DJ's. Before that, what they

1:04:20.440 --> 1:04:25.600
<v Speaker 1>called DJ's but two turntables. I think I forgot what

1:04:25.880 --> 1:04:29.080
<v Speaker 1>name they have been called, because they're the one that

1:04:29.200 --> 1:04:32.000
<v Speaker 1>took the title from what a radio person was known

1:04:32.080 --> 1:04:35.280
<v Speaker 1>in the beginning. He was knowing, he, she or they

1:04:35.440 --> 1:04:38.880
<v Speaker 1>was known as DJ's in the beginning, and then the

1:04:39.640 --> 1:04:42.800
<v Speaker 1>DJ came to them spending in the street in the clubs.

1:04:42.840 --> 1:04:47.000
<v Speaker 1>That then they changed it from DJ to personalities, right right,

1:04:47.480 --> 1:04:49.880
<v Speaker 1>like Martin, this is a person now that that person now,

1:04:50.240 --> 1:04:51.840
<v Speaker 1>But he would have been back like he's saying, would

1:04:51.880 --> 1:04:54.200
<v Speaker 1>have been back in the days called the DJ would

1:04:54.240 --> 1:04:58.680
<v Speaker 1>have been called a DJ. They was and is deep

1:04:58.720 --> 1:05:01.520
<v Speaker 1>to me, this is deep, ye, But no I don't.

1:05:02.440 --> 1:05:04.800
<v Speaker 1>I don't know who really started it. And I know

1:05:05.000 --> 1:05:09.800
<v Speaker 1>that it evolved from like dance music disco when it

1:05:09.920 --> 1:05:13.880
<v Speaker 1>really took forth more and more. You know who knows.

1:05:14.080 --> 1:05:17.040
<v Speaker 1>Probably could have been the DJ's own radio in his

1:05:17.160 --> 1:05:18.880
<v Speaker 1>past time. I could have been the borns that was

1:05:19.200 --> 1:05:23.080
<v Speaker 1>playing one record, one banking after the novel and in

1:05:23.400 --> 1:05:27.800
<v Speaker 1>a big club or a big no hall, whatever it is.

1:05:28.320 --> 1:05:30.320
<v Speaker 1>They were the ones that was in place of a band,

1:05:31.560 --> 1:05:34.200
<v Speaker 1>because you know, everybody was having bands when they saw

1:05:34.240 --> 1:05:36.400
<v Speaker 1>the DJ at one time, they used to laugh at that.

1:05:37.600 --> 1:05:41.360
<v Speaker 1>I get out of here. But then the band start

1:05:41.440 --> 1:05:44.120
<v Speaker 1>fading the way in the DJ started coming stronger and stronger,

1:05:44.360 --> 1:05:47.280
<v Speaker 1>and the craigs started coming to right, Oh did they here?

1:05:49.040 --> 1:05:52.800
<v Speaker 1>But now I was gonna say, who if you know

1:05:52.920 --> 1:05:57.840
<v Speaker 1>who perfected the looping of break beats? Those fly um

1:05:59.280 --> 1:06:03.040
<v Speaker 1>you're talking about out to you keep it continuous. Flash

1:06:03.400 --> 1:06:07.560
<v Speaker 1>to credit that I just wanted to flashes credit as

1:06:07.680 --> 1:06:10.640
<v Speaker 1>the person that learned how to make a turntable into

1:06:11.040 --> 1:06:14.560
<v Speaker 1>an instrument instrument. You know he was pushing that none

1:06:14.640 --> 1:06:18.840
<v Speaker 1>he was he very He's like a geek in its

1:06:18.880 --> 1:06:24.920
<v Speaker 1>own way. And make sure that it's tight doing like that. Sure, yeah, okay,

1:06:24.960 --> 1:06:27.160
<v Speaker 1>So I got some more questions. This is from other people.

1:06:29.240 --> 1:06:30.800
<v Speaker 1>Ya don't have to standard you don't want it, you can't.

1:06:30.960 --> 1:06:36.080
<v Speaker 1>Yeah you want yeah? Please quick? Yeah you can grab

1:06:36.160 --> 1:06:47.120
<v Speaker 1>a seat. Okay, okay, this is from DJ now, he

1:06:47.280 --> 1:06:50.920
<v Speaker 1>asked why he Yeah, just makes just make sure not

1:06:51.000 --> 1:06:53.760
<v Speaker 1>in front of any of those two cameras. Yeah, yeah,

1:06:53.760 --> 1:07:00.640
<v Speaker 1>stay the next one your family, yah, him why he

1:07:00.720 --> 1:07:05.240
<v Speaker 1>picked me DJ enough obviously to be his apprentice after

1:07:05.640 --> 1:07:10.840
<v Speaker 1>master Flex at Hot ninety seven. Because I'm curious shut

1:07:10.840 --> 1:07:13.720
<v Speaker 1>out again? Please, I'm yea because I got a twist

1:07:13.760 --> 1:07:20.600
<v Speaker 1>to this question, he said, asked him why he picked

1:07:21.040 --> 1:07:24.000
<v Speaker 1>me obviously? This is DJ enough to be his apprentice

1:07:24.160 --> 1:07:30.680
<v Speaker 1>after funk Flex started at Hot ninety seven after from

1:07:30.720 --> 1:07:33.560
<v Speaker 1>Flexman deal. I'm needing another backup DJ every time we'll

1:07:33.600 --> 1:07:37.080
<v Speaker 1>go away. You said that earlier, right, So I forgot

1:07:37.160 --> 1:07:39.320
<v Speaker 1>to name the club. I think it's called the Aftergon.

1:07:39.440 --> 1:07:42.880
<v Speaker 1>Remember Octagon Street on the West Side and this is

1:07:43.120 --> 1:07:46.840
<v Speaker 1>ninety's Yeah that was like early nineties. Okay, Yeah, I

1:07:46.880 --> 1:07:50.560
<v Speaker 1>wasn't around early night was put Street from the Javis

1:07:50.640 --> 1:07:54.600
<v Speaker 1>Center Okay, okay, right on the street. Jacob javits. Okay,

1:07:55.120 --> 1:07:58.120
<v Speaker 1>so um, here it is that I was playing for

1:07:58.240 --> 1:08:01.400
<v Speaker 1>the M series that's in the organization Rest in Peace,

1:08:01.480 --> 1:08:04.680
<v Speaker 1>my man Miguel, and they hired me for that night,

1:08:05.000 --> 1:08:08.720
<v Speaker 1>and they hired Enough, so I got to hear Enough

1:08:08.760 --> 1:08:11.600
<v Speaker 1>for the very first time. And I was bevery and

1:08:11.640 --> 1:08:15.560
<v Speaker 1>pressed and was was he DJ and for big at

1:08:15.600 --> 1:08:17.280
<v Speaker 1>this time? Or no? No, no, no, no no. He

1:08:17.439 --> 1:08:19.400
<v Speaker 1>was in DJ for nobody. You was just a DJ

1:08:19.960 --> 1:08:23.160
<v Speaker 1>doing the clubs. And when I heard him, my life

1:08:23.560 --> 1:08:27.719
<v Speaker 1>m I was in press. So after being no press

1:08:27.800 --> 1:08:30.040
<v Speaker 1>and everything, that's when I stepped to the program that

1:08:30.320 --> 1:08:32.800
<v Speaker 1>say I have another person that I have to take

1:08:32.880 --> 1:08:35.880
<v Speaker 1>the next fot and that was enough to take Flex

1:08:36.000 --> 1:08:39.439
<v Speaker 1>five Flex moved on the hot night seven. Okay, so

1:08:39.680 --> 1:08:47.360
<v Speaker 1>here it is next person is enough? Okay, twist to

1:08:47.439 --> 1:08:55.280
<v Speaker 1>this question, I had enough, I asked him. But his answers.

1:08:55.320 --> 1:08:58.280
<v Speaker 1>But when I whenever I do an interview, I always

1:08:58.320 --> 1:09:01.200
<v Speaker 1>go to Twitter, always go to it, And I asked,

1:09:01.280 --> 1:09:04.160
<v Speaker 1>you know you got questions, you got whatever? One of

1:09:04.280 --> 1:09:08.599
<v Speaker 1>the questions that fans repeatedly asked, how did Red fail

1:09:09.680 --> 1:09:12.240
<v Speaker 1>when I think Enough I was supposed to be. I

1:09:12.280 --> 1:09:17.320
<v Speaker 1>think he replaced you at seven and the fact is

1:09:18.320 --> 1:09:22.120
<v Speaker 1>that he was your apprentice. So is this something that

1:09:22.680 --> 1:09:25.560
<v Speaker 1>you're sitting back and saying, man, this was this was

1:09:25.680 --> 1:09:29.360
<v Speaker 1>something bad? Or was this something you gave your blessing too?

1:09:30.800 --> 1:09:32.599
<v Speaker 1>I was hurt. I'm gonna tell you what I was hurting.

1:09:32.920 --> 1:09:37.240
<v Speaker 1>Not enough, but I was hurt in a certain part

1:09:37.760 --> 1:09:41.439
<v Speaker 1>about enough, because he did not realize he was being

1:09:41.640 --> 1:09:44.920
<v Speaker 1>used as the pawn to move me out the way

1:09:47.120 --> 1:09:51.640
<v Speaker 1>as a person you bought in. We just okay and

1:09:51.960 --> 1:09:54.920
<v Speaker 1>him it is by him not noticing that because he

1:09:55.400 --> 1:09:58.200
<v Speaker 1>enough French were supposed to do the morning show for

1:09:58.280 --> 1:10:01.080
<v Speaker 1>a strong book about to ask that. Okay, I don't

1:10:01.120 --> 1:10:03.600
<v Speaker 1>know what took place of that, but then here it

1:10:03.800 --> 1:10:07.720
<v Speaker 1>is he didn't I want to do it. So I

1:10:07.840 --> 1:10:12.320
<v Speaker 1>know he spending time hanging around and programming. I know

1:10:12.520 --> 1:10:17.240
<v Speaker 1>that there was number one. And I'm not gonna mention

1:10:17.320 --> 1:10:21.000
<v Speaker 1>no names, but there's a person in programming that I

1:10:21.080 --> 1:10:24.559
<v Speaker 1>never saw at AM. And I get long with everybody,

1:10:25.240 --> 1:10:28.599
<v Speaker 1>I get long with racing everybody, and I mentioned no names.

1:10:29.479 --> 1:10:33.360
<v Speaker 1>I went to far I not mentioned her name because

1:10:34.280 --> 1:10:37.840
<v Speaker 1>for this right here, the name is not even worth

1:10:37.920 --> 1:10:43.960
<v Speaker 1>coming out my mouth. Here it is knowing that it

1:10:44.160 --> 1:10:48.200
<v Speaker 1>was shaking between me and that person and knowing that

1:10:48.360 --> 1:10:52.280
<v Speaker 1>they want him because he was the fresh blood. You know,

1:10:52.439 --> 1:10:54.800
<v Speaker 1>I'm a veteran that I don't know how many years.

1:10:55.760 --> 1:11:00.320
<v Speaker 1>So they're looking at the moon too. So they took

1:11:00.439 --> 1:11:02.400
<v Speaker 1>him and put him in place and me to move me.

1:11:03.439 --> 1:11:07.120
<v Speaker 1>And that's what I became hurt, because you did the

1:11:07.240 --> 1:11:11.120
<v Speaker 1>fire thing to utilize this guy, and this guy not realized,

1:11:11.160 --> 1:11:14.920
<v Speaker 1>and he's being utilized for me to be removed, okay,

1:11:15.439 --> 1:11:17.800
<v Speaker 1>And that's what I was hurtful a while. That's why

1:11:17.880 --> 1:11:19.920
<v Speaker 1>he was at That's why I was hurt for a while.

1:11:21.000 --> 1:11:23.680
<v Speaker 1>And now I have to ask because I gotta be

1:11:23.800 --> 1:11:26.280
<v Speaker 1>you know, so where is because Flex is also a

1:11:26.320 --> 1:11:28.760
<v Speaker 1>person you brought in this game. West Flex, West, Chuck

1:11:28.880 --> 1:11:31.920
<v Speaker 1>chill out during all this happening, all the air telling

1:11:32.000 --> 1:11:36.560
<v Speaker 1>you Flaster was still at the station, you know, Flexson

1:11:36.600 --> 1:11:39.200
<v Speaker 1>doing the Chuck is over there at Kiss at the time.

1:11:40.000 --> 1:11:44.599
<v Speaker 1>You know, Um, I know they told me that after

1:11:44.720 --> 1:11:47.720
<v Speaker 1>they moved me out, did they say, now even you

1:11:47.840 --> 1:11:50.120
<v Speaker 1>can go ahead and just through the twelve o'clock. Remember

1:11:50.120 --> 1:11:52.840
<v Speaker 1>I had two ships and the old school noon and

1:11:52.920 --> 1:11:55.080
<v Speaker 1>the five o'clocks you ride, they say you even can

1:11:55.200 --> 1:11:57.400
<v Speaker 1>continue on the old school noon or you can go

1:11:57.479 --> 1:12:00.439
<v Speaker 1>over there to kiss. So what I did. I took

1:12:00.479 --> 1:12:03.760
<v Speaker 1>a break for about three months to clear my head

1:12:04.360 --> 1:12:07.519
<v Speaker 1>and then I reconsidered coming back to kiss. And that's

1:12:07.560 --> 1:12:09.720
<v Speaker 1>what that means. I'm like, you both want to say

1:12:09.720 --> 1:12:21.439
<v Speaker 1>something good. I want to make sure you clear shift

1:12:22.360 --> 1:12:24.840
<v Speaker 1>to shift to something else. Okay, you get you right,

1:12:24.840 --> 1:12:27.600
<v Speaker 1>because I mean I just want to clear it up

1:12:27.640 --> 1:12:29.800
<v Speaker 1>because that's where I god like, I'm sorry, so sorry,

1:12:29.880 --> 1:12:34.519
<v Speaker 1>Like you know, Twitter is the most I don't want

1:12:34.560 --> 1:12:37.040
<v Speaker 1>to say negative, but it's the most like straight to

1:12:37.120 --> 1:12:40.559
<v Speaker 1>the point. Like so when I when I interview anybody,

1:12:40.640 --> 1:12:43.560
<v Speaker 1>I don't go to the ground. I go I go

1:12:43.680 --> 1:12:46.560
<v Speaker 1>to Twitter because Twitter gonna tell me everything. And what

1:12:46.640 --> 1:12:51.600
<v Speaker 1>Twitter was like, yo, everyone always felt it was a

1:12:51.680 --> 1:12:56.600
<v Speaker 1>certain move, one enough part that wasn't wasn't right, like

1:12:56.880 --> 1:13:00.720
<v Speaker 1>like certainly it just wasn't right. And we have never

1:13:00.760 --> 1:13:05.600
<v Speaker 1>really heard rad address that. You know what? Yeah, you

1:13:05.640 --> 1:13:09.040
<v Speaker 1>know what's interesting about that people even acknowledge that that.

1:13:09.280 --> 1:13:11.559
<v Speaker 1>I was like, that's the first question that was asked,

1:13:12.600 --> 1:13:18.439
<v Speaker 1>even acknowledging caught that only years ago, right, they still earlier.

1:13:20.120 --> 1:13:22.200
<v Speaker 1>One that surprised me a little bit that she said

1:13:22.960 --> 1:13:24.599
<v Speaker 1>I thought she was capping a little bit. You said,

1:13:24.600 --> 1:13:27.360
<v Speaker 1>Twitter said that, but no, no, no, no, I do that.

1:13:27.479 --> 1:13:30.960
<v Speaker 1>I do that. I do that for every Yeah. Yeah,

1:13:31.040 --> 1:13:34.559
<v Speaker 1>because Twitter just hits me right in them. And once

1:13:34.600 --> 1:13:38.120
<v Speaker 1>again the perception of how people look at social media,

1:13:38.200 --> 1:13:44.960
<v Speaker 1>like you say on on Twitter, people want to see

1:13:45.080 --> 1:13:49.240
<v Speaker 1>the drama side and I'm not showing that, but I

1:13:49.400 --> 1:13:54.520
<v Speaker 1>feel that it's not needed for what to fulfill your satisfaction.

1:13:55.880 --> 1:14:04.240
<v Speaker 1>I n D. I'm not that, but that you're gonna

1:14:04.280 --> 1:14:07.960
<v Speaker 1>stay stay on this and then because because I need

1:14:08.000 --> 1:14:10.080
<v Speaker 1>to notice, right because Pat Joe used to say something

1:14:10.120 --> 1:14:12.960
<v Speaker 1>to me like we still um like like you know,

1:14:13.280 --> 1:14:15.439
<v Speaker 1>Fat Joe's person who put me like you know, after

1:14:15.520 --> 1:14:18.920
<v Speaker 1>I'm settled in Miami, He's like, you go see everyone

1:14:19.040 --> 1:14:22.360
<v Speaker 1>that comes to Miami like this is an advantage. And

1:14:22.520 --> 1:14:24.479
<v Speaker 1>what he would do. I would see radio people and

1:14:24.560 --> 1:14:26.760
<v Speaker 1>he would always be like, you're working in radio was

1:14:26.840 --> 1:14:29.760
<v Speaker 1>so crazy because you can It's like working for the

1:14:29.960 --> 1:14:32.320
<v Speaker 1>baseball Like you could work up tomorrow. They could be

1:14:32.320 --> 1:14:36.360
<v Speaker 1>like you in Minnesota, you and utaw them all and

1:14:36.680 --> 1:14:39.160
<v Speaker 1>like your job is that you either quit or you

1:14:39.240 --> 1:14:42.720
<v Speaker 1>could keep going on your job over there. So a

1:14:42.800 --> 1:14:45.800
<v Speaker 1>lot of people don't understand that that works like that

1:14:46.000 --> 1:14:49.720
<v Speaker 1>everywhere else but New Yak. Like in New York, they

1:14:49.840 --> 1:14:54.360
<v Speaker 1>want their people to talk to them. I remember, I

1:14:54.400 --> 1:14:56.760
<v Speaker 1>remember when even Ebro came. It was like a whole

1:14:56.840 --> 1:14:59.280
<v Speaker 1>campaign to get evil off the radio, like for real,

1:14:59.360 --> 1:15:01.000
<v Speaker 1>it was like, we want to hear our own people

1:15:01.360 --> 1:15:03.600
<v Speaker 1>and us excu excuse me. It wasn't even but it

1:15:03.680 --> 1:15:07.080
<v Speaker 1>was Big Boy. You don't remember when Big Boys the

1:15:07.200 --> 1:15:10.000
<v Speaker 1>morning show. Big Boy was doing New York radio for

1:15:10.400 --> 1:15:12.720
<v Speaker 1>l A. He was giving l A traffic. So when

1:15:12.760 --> 1:15:16.760
<v Speaker 1>you heard the actual morning show was being syndicated out there,

1:15:17.160 --> 1:15:19.200
<v Speaker 1>they didn't. They wasn't catching on that that we're looking

1:15:19.240 --> 1:15:22.520
<v Speaker 1>at there like, uh, you know, so across last scare's

1:15:23.560 --> 1:15:28.920
<v Speaker 1>wait a minute, we don't know what last year nigger is, like,

1:15:29.960 --> 1:15:32.479
<v Speaker 1>we don't these Bulevard And then we started to notice

1:15:32.479 --> 1:15:35.360
<v Speaker 1>they're not even giving us a show. They're giving us

1:15:35.439 --> 1:15:39.280
<v Speaker 1>a show that's recorded in l A. And it was

1:15:39.400 --> 1:15:42.160
<v Speaker 1>just she was just crazy at one point. So what

1:15:42.240 --> 1:15:44.000
<v Speaker 1>I'm saying is I a lot of us don't know

1:15:44.320 --> 1:15:48.840
<v Speaker 1>that part of it, right, So this is business, but

1:15:48.960 --> 1:15:52.040
<v Speaker 1>it's still it's still personal, Like I don't care like

1:15:52.040 --> 1:15:54.200
<v Speaker 1>a lot of people say, it's it's not business is personal.

1:15:54.479 --> 1:15:56.800
<v Speaker 1>Like when you if you say a person's your apprentice

1:15:56.840 --> 1:15:59.800
<v Speaker 1>and you you know, have flex, did you feel like

1:16:00.040 --> 1:16:04.960
<v Speaker 1>like support for you at that time? Um, that's a

1:16:05.040 --> 1:16:08.760
<v Speaker 1>good question. Whish I never thought of. Wish I never

1:16:08.840 --> 1:16:11.519
<v Speaker 1>thought of. And I don't look for people with a

1:16:11.600 --> 1:16:13.840
<v Speaker 1>back for me and they were back for me. That's

1:16:13.880 --> 1:16:17.160
<v Speaker 1>on them. And I appreciate, appreciate you the fullest, but

1:16:17.280 --> 1:16:21.880
<v Speaker 1>I'm not gonna be like, look at hook me up now.

1:16:22.040 --> 1:16:24.400
<v Speaker 1>I have learned over the period of time I've been

1:16:24.439 --> 1:16:28.040
<v Speaker 1>on radio to earn my own If I wouldn't have

1:16:28.040 --> 1:16:30.080
<v Speaker 1>had done that, I wouldn't be here as long as

1:16:30.120 --> 1:16:34.760
<v Speaker 1>I've been that. So I have built relationship with many people.

1:16:35.600 --> 1:16:37.639
<v Speaker 1>You know, I know I gave a lot of people

1:16:38.320 --> 1:16:41.599
<v Speaker 1>gripe upon my decisions what I do, such as flame music,

1:16:42.320 --> 1:16:45.880
<v Speaker 1>you know what moves ever made. But I'm looking at

1:16:46.120 --> 1:16:49.040
<v Speaker 1>I had my vision. So for what is it that

1:16:49.160 --> 1:16:51.920
<v Speaker 1>you're looking for me? So I says what you just say?

1:16:52.400 --> 1:16:55.040
<v Speaker 1>Why I bred never give an opinion. I have no

1:16:55.200 --> 1:17:00.320
<v Speaker 1>reason to give her opinion. That's differend myself to say

1:17:00.720 --> 1:17:03.320
<v Speaker 1>that's real ship, that's real because from the outside looking in,

1:17:05.160 --> 1:17:06.800
<v Speaker 1>it looked like Flex had your back. I don't know.

1:17:07.040 --> 1:17:10.160
<v Speaker 1>I don't know this. It looked like Flex had your back.

1:17:10.600 --> 1:17:14.120
<v Speaker 1>It looks like what you said. They look at that too,

1:17:14.160 --> 1:17:16.720
<v Speaker 1>the same Flex have my back? Because no, Flex I

1:17:16.800 --> 1:17:22.320
<v Speaker 1>have and I have a very unique relationship, major respect

1:17:22.479 --> 1:17:26.479
<v Speaker 1>from each other, you know, but that I don't know

1:17:27.439 --> 1:17:32.599
<v Speaker 1>what say Flex have on that right? Nothing, because that's

1:17:32.640 --> 1:17:34.040
<v Speaker 1>a lot of That's how a lot of people look

1:17:34.080 --> 1:17:37.559
<v Speaker 1>at it. Like, Um, when people think of the background

1:17:37.600 --> 1:17:40.439
<v Speaker 1>and seven, they don't think of Tracy. They don't think

1:17:40.479 --> 1:17:43.360
<v Speaker 1>of the bros. They don't think of the what's my

1:17:43.479 --> 1:17:48.000
<v Speaker 1>man name now, Poppy? Forget the guy no no, no, no,

1:17:48.080 --> 1:17:51.040
<v Speaker 1>he's he's he's not he's not management. Um. They don't

1:17:51.080 --> 1:17:53.720
<v Speaker 1>think uh, like you know, the higher ups. They think

1:17:53.760 --> 1:17:58.200
<v Speaker 1>of Flex. They think Flex is actually and really I'm

1:17:58.200 --> 1:18:02.200
<v Speaker 1>not all do do respect to Flex. I don't think

1:18:02.280 --> 1:18:05.519
<v Speaker 1>that he makes those decisions on the background. I don't think.

1:18:05.560 --> 1:18:07.599
<v Speaker 1>I don't think so. I could be wrong. When you're

1:18:07.600 --> 1:18:09.720
<v Speaker 1>in the public, guy, all kind of stuff is coming

1:18:09.760 --> 1:18:12.560
<v Speaker 1>that you you know, they don't know the people that

1:18:12.720 --> 1:18:15.880
<v Speaker 1>behind the desk and making the moves. You guys still

1:18:15.880 --> 1:18:18.600
<v Speaker 1>answer to somebody. You know, we got less of what

1:18:19.000 --> 1:18:21.000
<v Speaker 1>so I can't understand what they think of because for

1:18:21.080 --> 1:18:24.200
<v Speaker 1>the left of time FLEX been there. But he don't shake.

1:18:24.560 --> 1:18:28.280
<v Speaker 1>He make his moves. Then he feels that's best for him.

1:18:28.680 --> 1:18:31.439
<v Speaker 1>They keep growing. He still got an answer to the

1:18:31.560 --> 1:18:34.360
<v Speaker 1>higher up. Now you are enough. You'll ever talked about

1:18:34.400 --> 1:18:36.840
<v Speaker 1>the situation or we never talked about what I did

1:18:37.080 --> 1:18:39.719
<v Speaker 1>that when I came back to kids for the final

1:18:39.800 --> 1:18:42.320
<v Speaker 1>time before a close down, leave him from power, I

1:18:42.400 --> 1:18:45.240
<v Speaker 1>took it upon myself and step into the studio while

1:18:45.320 --> 1:18:48.920
<v Speaker 1>he was on, and I apologize to him. Why would

1:18:48.960 --> 1:18:51.800
<v Speaker 1>you apologize? I felt that, you know, I deserve to

1:18:52.160 --> 1:18:54.599
<v Speaker 1>give him an apology because I was silent to him

1:18:54.640 --> 1:18:58.040
<v Speaker 1>for a long period of time. I wasn't saying nothing

1:18:58.160 --> 1:19:01.840
<v Speaker 1>to him. I wasn't, you know, because I felt I

1:19:01.960 --> 1:19:04.040
<v Speaker 1>felt hurt. But at the same talk at the time,

1:19:04.800 --> 1:19:07.920
<v Speaker 1>I'm not gonna take it to the over ankle. I

1:19:08.080 --> 1:19:11.880
<v Speaker 1>just stayed away until I just get you. My health

1:19:11.960 --> 1:19:14.559
<v Speaker 1>can't coming back over there. Let me go ahead and polish.

1:19:15.160 --> 1:19:24.880
<v Speaker 1>And that's what I did. Yeah, that's good ship man,

1:19:24.920 --> 1:19:27.800
<v Speaker 1>this is doing your radio talk. I'm sorry. I'm sorry, girl,

1:19:28.160 --> 1:19:30.800
<v Speaker 1>I'm sorry. She got deep man, your radio try deep Man.

1:19:30.840 --> 1:19:32.320
<v Speaker 1>I was pulled in I was pulled. It was like

1:19:32.479 --> 1:19:34.320
<v Speaker 1>a wall. I was like, oh, ship, that's just jumped there.

1:19:34.479 --> 1:19:38.000
<v Speaker 1>So you know there's there's a lineage and an influence.

1:19:38.040 --> 1:19:40.479
<v Speaker 1>I don't think people understand that comes from native tongue

1:19:41.160 --> 1:19:43.719
<v Speaker 1>and that you're so instrumental in that. Can you speak

1:19:43.760 --> 1:19:48.519
<v Speaker 1>about the birth of it. I have to give a

1:19:48.600 --> 1:19:54.599
<v Speaker 1>lot of credit to the Jungle Brobbers Um the Jungle

1:19:54.640 --> 1:19:57.240
<v Speaker 1>Brobbers from what I learned, the Jungle Brobbers and Daylight

1:19:57.320 --> 1:19:59.160
<v Speaker 1>saw it got to Meatchop for the first time during

1:19:59.200 --> 1:20:01.920
<v Speaker 1>the show. I think up Boston when they got to

1:20:01.960 --> 1:20:05.920
<v Speaker 1>meet each other, they felt a similar vibe how they

1:20:06.040 --> 1:20:11.800
<v Speaker 1>come across and what they do Africa and Mike g

1:20:12.080 --> 1:20:15.439
<v Speaker 1>who is my nephew, my sister's son. They broke into

1:20:15.560 --> 1:20:20.400
<v Speaker 1>Mary Bertram High School No part of Manhattan. Who was

1:20:20.439 --> 1:20:23.000
<v Speaker 1>also in that school at the same time. You had

1:20:23.120 --> 1:20:28.040
<v Speaker 1>q Tip, Yeah, Alice Shahi, they had you Robie, You

1:20:28.200 --> 1:20:33.439
<v Speaker 1>had my man Uh from x Clam from ex Clam,

1:20:34.600 --> 1:20:37.559
<v Speaker 1>j blobbo j and Wresting Piece of DJ for their

1:20:37.600 --> 1:20:43.519
<v Speaker 1>sugar shop. That was always with school Mary Bercham Is

1:20:43.600 --> 1:20:46.880
<v Speaker 1>this just still open? I don't know what school, just

1:20:46.960 --> 1:20:50.800
<v Speaker 1>like the one the bust of us talking man. That

1:20:50.960 --> 1:20:56.000
<v Speaker 1>was the school that you next to police. One police

1:20:56.040 --> 1:21:03.880
<v Speaker 1>classis I don't want to bridge. So they all went

1:21:03.920 --> 1:21:08.480
<v Speaker 1>to school there and you know, they was always interacting

1:21:08.520 --> 1:21:12.200
<v Speaker 1>eaself against something going on. So I remember my nephews

1:21:12.240 --> 1:21:15.320
<v Speaker 1>always say, yo, man, we want to make a record.

1:21:15.360 --> 1:21:17.559
<v Speaker 1>We wanna make a record. So I thought it was jobbing.

1:21:17.600 --> 1:21:20.000
<v Speaker 1>I didn't think they took him serious. But the first

1:21:20.040 --> 1:21:24.120
<v Speaker 1>person who took them in Africa and Mike was my

1:21:24.240 --> 1:21:27.679
<v Speaker 1>cousin Jos to his studio, you know that was up infront.

1:21:27.760 --> 1:21:30.479
<v Speaker 1>She had a studio. He also had Strong City Records,

1:21:31.479 --> 1:21:34.960
<v Speaker 1>so they did something. Then my man Tony d he

1:21:35.080 --> 1:21:37.000
<v Speaker 1>had a group that came out a long time ago

1:21:37.240 --> 1:21:40.600
<v Speaker 1>called Bad Boys before the label, and they made this

1:21:40.680 --> 1:21:45.439
<v Speaker 1>record called Inspect the Gadget. Can you remember that? And

1:21:46.280 --> 1:21:49.439
<v Speaker 1>that was under called bad Boys. Yeah, group called Bad Boys.

1:21:50.320 --> 1:21:55.240
<v Speaker 1>Ricke Love who was considered the female beatbox. Um. So

1:21:56.680 --> 1:22:00.320
<v Speaker 1>my man Tony was the DJ Slice producer. He said, hey,

1:22:00.360 --> 1:22:03.320
<v Speaker 1>wait man, I just built the studio in my basement,

1:22:03.479 --> 1:22:06.240
<v Speaker 1>you know, so anybody you wanted to bring a So

1:22:06.400 --> 1:22:08.559
<v Speaker 1>that's when I threw on my nephew and they went

1:22:08.640 --> 1:22:11.920
<v Speaker 1>ahead and start getting this stuff going on. Of course,

1:22:11.960 --> 1:22:13.960
<v Speaker 1>you know, the first record they came out with everybody

1:22:14.040 --> 1:22:19.679
<v Speaker 1>knew was Jim Browski Jim Brownsky. Yeah, and then after

1:22:19.800 --> 1:22:21.880
<v Speaker 1>that because I gotta like that, you know, and then

1:22:21.920 --> 1:22:24.640
<v Speaker 1>they just Camet Building Building, and then they formed the

1:22:24.760 --> 1:22:29.040
<v Speaker 1>first album, Straight out the Jungle. On the on there

1:22:29.760 --> 1:22:34.400
<v Speaker 1>was a record Call on the Run that was named

1:22:34.400 --> 1:22:36.280
<v Speaker 1>a record Call on the Run. There was an album cut.

1:22:36.760 --> 1:22:40.160
<v Speaker 1>Who featured on the album cut was q Tip, but

1:22:40.280 --> 1:22:42.840
<v Speaker 1>his name was Cute Tip at that time. Um, I think,

1:22:42.880 --> 1:22:47.120
<v Speaker 1>so okay. And then remember I just said to you

1:22:47.200 --> 1:22:50.360
<v Speaker 1>about how Fat Joe and the Unite used to do

1:22:50.479 --> 1:22:53.559
<v Speaker 1>programs for me, So you had q Tip doing program

1:22:54.479 --> 1:23:02.400
<v Speaker 1>Hold on, you gotta relax. The younger Bubbers did a

1:23:02.520 --> 1:23:06.760
<v Speaker 1>song called the Promo that was for the radioship, and

1:23:06.960 --> 1:23:09.760
<v Speaker 1>then who was on the promo? What's q tip on

1:23:09.960 --> 1:23:14.600
<v Speaker 1>their on their freestyle for the promo, and then it

1:23:14.760 --> 1:23:17.439
<v Speaker 1>went to another set of a promo. Call in time

1:23:19.720 --> 1:23:22.720
<v Speaker 1>grabbed everybody attention, the labelers, they said, you know, who

1:23:22.840 --> 1:23:25.000
<v Speaker 1>just got a que chip? Who doesn't? And then really

1:23:25.240 --> 1:23:28.479
<v Speaker 1>caught their attention because n q tip was on day

1:23:28.520 --> 1:23:31.599
<v Speaker 1>l are so so on me myself and I called

1:23:31.680 --> 1:23:35.120
<v Speaker 1>black is Black, called everybody attention, Yo, maybe we won't

1:23:35.160 --> 1:23:37.640
<v Speaker 1>get the next guy. We got Daylight going on, we

1:23:37.720 --> 1:23:39.680
<v Speaker 1>got young Brobber going on. We want to get the

1:23:39.760 --> 1:23:43.040
<v Speaker 1>next guy. So they're went after Q Tip and that's

1:23:43.080 --> 1:23:46.479
<v Speaker 1>when Q Tip being shocked around and wind up being

1:23:46.479 --> 1:23:50.360
<v Speaker 1>on Jove Records, but his um, but his own partners

1:23:50.880 --> 1:23:56.400
<v Speaker 1>and then for him trifical Quest. So now during that time,

1:23:57.000 --> 1:23:59.840
<v Speaker 1>I'm getting real close to Mark, the forty five King.

1:24:00.800 --> 1:24:06.760
<v Speaker 1>Respect the Mark, of course, absolutely he had the Flavor Unit. Yeah,

1:24:07.080 --> 1:24:11.320
<v Speaker 1>the consists that's in New Jersey Nation, New Jersey. And

1:24:11.400 --> 1:24:15.280
<v Speaker 1>the group she had there was like t Shabaz, not

1:24:15.439 --> 1:24:22.200
<v Speaker 1>Kim sabas um chill rob um, let's she peace my man,

1:24:22.280 --> 1:24:26.559
<v Speaker 1>the patch huh Nordy by nature. There wasn't. It wasn't

1:24:26.600 --> 1:24:32.120
<v Speaker 1>around yet, it wasn't. I'm not there yet. God Almighty

1:24:32.280 --> 1:24:35.360
<v Speaker 1>Arts was a part of the really. No, they were

1:24:35.400 --> 1:24:37.400
<v Speaker 1>managed though by them. They was managed by them, but

1:24:37.640 --> 1:24:43.280
<v Speaker 1>that was laid only because they were in Boston. And

1:24:43.439 --> 1:24:48.280
<v Speaker 1>then here come creen Chief you and I why I know,

1:24:49.880 --> 1:24:54.720
<v Speaker 1>I'm just saying, just keep wrong time, wrong time like

1:24:54.920 --> 1:24:57.479
<v Speaker 1>wrong time. Like. The first song she came out was

1:24:57.560 --> 1:25:02.120
<v Speaker 1>called the Wrath for my madness. M hm. And here

1:25:02.200 --> 1:25:06.200
<v Speaker 1>it is she a labelmate rid They're like so Tommy boy.

1:25:07.200 --> 1:25:09.240
<v Speaker 1>So now here it is I have a relation with

1:25:09.320 --> 1:25:16.040
<v Speaker 1>Mark relation. So she now drawing into what's going on

1:25:16.360 --> 1:25:20.760
<v Speaker 1>amongst the groups and she getting in frond. Here it

1:25:21.000 --> 1:25:24.320
<v Speaker 1>is jungle bobs run oversea for the first time, and

1:25:24.880 --> 1:25:27.280
<v Speaker 1>Africa got involved with a young lady who was the top.

1:25:27.400 --> 1:25:30.439
<v Speaker 1>And see you over there at the time, Mooney love

1:25:32.000 --> 1:25:38.439
<v Speaker 1>should just be connection now shot coming now, meanwhile saying

1:25:38.479 --> 1:25:44.599
<v Speaker 1>African bat bottom discovered. No, no, not African ban bottom, Africa. Okay,

1:25:45.360 --> 1:25:50.240
<v Speaker 1>this band bottom and then you got Africa baby band.

1:25:51.000 --> 1:25:57.920
<v Speaker 1>They both Africa. But no after baby, let's take another shot.

1:25:59.080 --> 1:26:02.240
<v Speaker 1>I might make it worse. He got me man, he

1:26:02.320 --> 1:26:06.720
<v Speaker 1>got me man. So like I said, so baby Beam

1:26:06.840 --> 1:26:09.600
<v Speaker 1>connected with money Love in the UK because you know

1:26:09.760 --> 1:26:11.800
<v Speaker 1>they got involved with each other. I don't know this

1:26:11.880 --> 1:26:16.880
<v Speaker 1>part about money love. Yeah, really no money she was

1:26:17.040 --> 1:26:20.160
<v Speaker 1>the top MC. I did too, and no one'll kill you.

1:26:22.680 --> 1:26:24.519
<v Speaker 1>I just did marriage bootcamp with us. She killed she

1:26:24.600 --> 1:26:32.320
<v Speaker 1>killed everybody different were playing around an start coming back

1:26:32.400 --> 1:26:37.760
<v Speaker 1>over here. Meanwhile, before before that, when I was DJ

1:26:38.000 --> 1:26:40.360
<v Speaker 1>for Sparky D, he was always hitting or throughout the

1:26:40.479 --> 1:26:42.880
<v Speaker 1>north who was just in Rock, South Carolina, or that

1:26:43.560 --> 1:26:46.839
<v Speaker 1>I came across this DJ who was like the battist

1:26:46.920 --> 1:26:49.720
<v Speaker 1>in his part of town and they used to call

1:26:49.760 --> 1:26:54.080
<v Speaker 1>him short. He do want so he wind up moving

1:26:54.200 --> 1:26:56.200
<v Speaker 1>up to New York and he kept on telling me

1:26:56.240 --> 1:27:01.240
<v Speaker 1>about this MC half he had they do sure do

1:27:01.360 --> 1:27:04.559
<v Speaker 1>I have artists? Have an artist up in from Crim's

1:27:05.960 --> 1:27:08.720
<v Speaker 1>and they got together, Sure you do want to change

1:27:08.760 --> 1:27:12.880
<v Speaker 1>his name to Mr Long black Sheet and Long with

1:27:13.000 --> 1:27:16.439
<v Speaker 1>dress black Sheet. And the reason they caught it up

1:27:16.439 --> 1:27:19.160
<v Speaker 1>black Sheet before they was the outcast of the native tongue.

1:27:20.800 --> 1:27:23.000
<v Speaker 1>I don't know that. I didn't know that you went

1:27:23.040 --> 1:27:25.599
<v Speaker 1>to fast hold On, So why would they the outcast

1:27:25.640 --> 1:27:28.920
<v Speaker 1>a native tongue? And so natives already native tongue. There's

1:27:28.920 --> 1:27:32.840
<v Speaker 1>already native tongue. But you know you're from an attachment

1:27:33.120 --> 1:27:36.920
<v Speaker 1>that comes a little different from them. If you're listening

1:27:37.000 --> 1:27:40.000
<v Speaker 1>to how this out, it was at that time black Sheet.

1:27:41.520 --> 1:27:45.320
<v Speaker 1>The next the next one that come ray after, who

1:27:45.479 --> 1:27:50.760
<v Speaker 1>was considered the youngster of the whole tribe, and that

1:27:51.000 --> 1:27:56.160
<v Speaker 1>came through Chris Liffek Baby Chris. You know why we're

1:27:56.160 --> 1:28:03.080
<v Speaker 1>calling Baby Chris because it's because he wanted to know

1:28:05.120 --> 1:28:09.479
<v Speaker 1>like you don't edit, so if so, I just thought

1:28:09.479 --> 1:28:11.760
<v Speaker 1>about that. I was like, people feel that they call

1:28:11.840 --> 1:28:15.760
<v Speaker 1>on baby Crypta because the faby face. He had the

1:28:15.840 --> 1:28:19.200
<v Speaker 1>young face. But actually because remember I said there was

1:28:19.200 --> 1:28:22.840
<v Speaker 1>another Chris in the valley and Chris Alee. So Chris

1:28:22.920 --> 1:28:26.760
<v Speaker 1>Alee and Chris like Chris that he was younger than

1:28:26.840 --> 1:28:31.639
<v Speaker 1>Chris hality, so we call him baby Chris. So he's

1:28:31.640 --> 1:28:34.799
<v Speaker 1>the one that brought en that he became the factor

1:28:36.760 --> 1:28:41.120
<v Speaker 1>and it was just formulated from its own. But I

1:28:41.280 --> 1:28:44.760
<v Speaker 1>always give credit to his younger public Cordy initiate the

1:28:44.800 --> 1:28:49.640
<v Speaker 1>whole thing from start. So was let me this is

1:28:49.800 --> 1:28:53.120
<v Speaker 1>actually I know you asked the question now, but what

1:28:53.240 --> 1:28:55.000
<v Speaker 1>I want to know is because it felt like it

1:28:55.120 --> 1:28:58.800
<v Speaker 1>was a lous affiliation, but you were the figurehead that's

1:28:58.840 --> 1:29:01.760
<v Speaker 1>on radio, that's kind of organizing it. Because what I

1:29:01.840 --> 1:29:04.160
<v Speaker 1>always thought when they were all signed to you, that's

1:29:04.400 --> 1:29:06.160
<v Speaker 1>that's not I don't know that, that's what I didn't

1:29:06.160 --> 1:29:10.760
<v Speaker 1>feel like that no Trunkle Brothers and Trapical Questions signed

1:29:10.800 --> 1:29:14.760
<v Speaker 1>to me and and black Sheet. Because I was an

1:29:14.760 --> 1:29:17.679
<v Speaker 1>executive person, you had a native to just go round

1:29:17.760 --> 1:29:33.760
<v Speaker 1>it off, round it off, Come on, come on, let

1:29:33.840 --> 1:29:44.000
<v Speaker 1>me with that ve we gotta start humble, humbled. You

1:29:44.080 --> 1:29:50.479
<v Speaker 1>know what that would do When I said in the

1:29:50.560 --> 1:29:53.880
<v Speaker 1>beginning that there's a lineage and and there's there's a

1:29:53.960 --> 1:29:57.200
<v Speaker 1>legacy and influence. I'm talking about Kanye, I'm talking about

1:29:58.720 --> 1:30:00.840
<v Speaker 1>and there's probably I feel like Kendrick. I feel like

1:30:00.880 --> 1:30:04.880
<v Speaker 1>there's so many people today that are influenced directly and

1:30:04.960 --> 1:30:09.640
<v Speaker 1>indirectly by what Native Tongues was doing. That that's that's that,

1:30:11.439 --> 1:30:14.000
<v Speaker 1>and it's a positive impact on hip hop because it

1:30:14.120 --> 1:30:17.000
<v Speaker 1>was like it was like the guys that you know

1:30:17.160 --> 1:30:20.000
<v Speaker 1>that's not a suckers, but they wasn't promoting violence, and

1:30:20.040 --> 1:30:22.240
<v Speaker 1>everyone else was kind of like what they wasn't suck as.

1:30:22.520 --> 1:30:27.519
<v Speaker 1>You can tell they wasn't. That's what made him even braver.

1:30:27.680 --> 1:30:30.640
<v Speaker 1>They was gonna be this way promote positivity, but they

1:30:30.720 --> 1:30:33.519
<v Speaker 1>wasn't suck as either. You know what it is really

1:30:33.760 --> 1:30:39.839
<v Speaker 1>understand that the culture of hip hop resonate from the streets.

1:30:40.960 --> 1:30:43.639
<v Speaker 1>We know that, so you're gonna have that element inside.

1:30:44.560 --> 1:30:46.360
<v Speaker 1>Asked how the way you bring it to your table?

1:30:46.880 --> 1:30:48.720
<v Speaker 1>But then there's some people to learn. How do we

1:30:48.880 --> 1:30:52.800
<v Speaker 1>find it. It's like saying there's some people that's in

1:30:52.920 --> 1:30:55.479
<v Speaker 1>the mob. Now you know the mob is all about,

1:30:56.120 --> 1:30:59.680
<v Speaker 1>but they come about the suits that come to the

1:30:59.760 --> 1:31:05.800
<v Speaker 1>table just about until forever. Notice, So that's what I'm

1:31:05.880 --> 1:31:08.120
<v Speaker 1>saying about. You know, some of the people in hip

1:31:08.160 --> 1:31:12.840
<v Speaker 1>hop culture you ain't got always in the beginning. You know,

1:31:12.960 --> 1:31:17.680
<v Speaker 1>if you know what you're about, what you represent, then

1:31:17.800 --> 1:31:22.920
<v Speaker 1>you just let it be. Damn. I forgot the other question.

1:31:22.960 --> 1:31:25.320
<v Speaker 1>I had a good one, but I remember it. But

1:31:25.400 --> 1:31:29.080
<v Speaker 1>let me ask you this one in the words of

1:31:29.160 --> 1:31:33.120
<v Speaker 1>my man Biggie, did you ever think hip hop we'll

1:31:33.200 --> 1:31:40.240
<v Speaker 1>take it this far? Yes? Or no? No? More more? Yes? More? Yes.

1:31:40.800 --> 1:31:43.320
<v Speaker 1>The reason why I said the norm because there have

1:31:43.439 --> 1:31:46.920
<v Speaker 1>been so much turbulence that happened along the way. Get

1:31:47.040 --> 1:31:49.920
<v Speaker 1>into this journey, getting into this journey, and you always

1:31:49.920 --> 1:31:52.040
<v Speaker 1>say to yourself quietly, you don't say that I allowed

1:31:52.160 --> 1:31:55.559
<v Speaker 1>you say that. God, damny, we built all this up

1:31:55.600 --> 1:31:58.600
<v Speaker 1>for this and we're going four apart, you know. But

1:31:58.840 --> 1:32:04.360
<v Speaker 1>it's always see I'm find a way to submerge to

1:32:04.520 --> 1:32:09.360
<v Speaker 1>the next factor. What it is. Um it took a

1:32:09.520 --> 1:32:15.720
<v Speaker 1>vole for quote unquote them. How can I say the

1:32:15.800 --> 1:32:21.559
<v Speaker 1>commercial world to accept embrace the culture? And I'm saying

1:32:21.600 --> 1:32:23.439
<v Speaker 1>the coach is not just the music, but a little

1:32:23.439 --> 1:32:25.800
<v Speaker 1>bit of everything. But it had to start with the music.

1:32:26.000 --> 1:32:28.280
<v Speaker 1>It's not we won the fucking world. Hey, where you go?

1:32:28.560 --> 1:32:31.880
<v Speaker 1>Hip hop is everywhere? Yeah, but I imagine it wasn't

1:32:31.920 --> 1:32:34.040
<v Speaker 1>like that back there. No no, no, no, no no,

1:32:34.520 --> 1:32:37.680
<v Speaker 1>because mine remember but I was coming on. I was

1:32:37.760 --> 1:32:39.920
<v Speaker 1>coming on in eleven to two in the morning. But

1:32:40.000 --> 1:32:42.880
<v Speaker 1>when they saw having ratings was that's when they moved

1:32:42.960 --> 1:32:45.479
<v Speaker 1>Chucking Eye down to a more prime time nine to twelve,

1:32:45.680 --> 1:32:50.479
<v Speaker 1>up against Magic at the same time. And then here

1:32:50.520 --> 1:32:54.880
<v Speaker 1>it is, you're form a hip hop station Hot nineties seven.

1:32:55.720 --> 1:32:59.719
<v Speaker 1>That's all day hip hop. So that's not coming across

1:33:00.000 --> 1:33:02.880
<v Speaker 1>to the majority. Remember it used to be late night

1:33:02.960 --> 1:33:05.599
<v Speaker 1>shows for hip hop. Wasn't supposed to be like care

1:33:05.680 --> 1:33:09.080
<v Speaker 1>for that's what brand the station. I don't know nothing

1:33:09.120 --> 1:33:11.479
<v Speaker 1>about that in the beginning. Yeah, he was like the

1:33:11.600 --> 1:33:15.400
<v Speaker 1>voice of the station and like seven when you first fall,

1:33:16.160 --> 1:33:19.160
<v Speaker 1>I can't understand where you're coming from. Because the same

1:33:19.240 --> 1:33:21.400
<v Speaker 1>thing they probably did with Dare CalCon and the same

1:33:21.439 --> 1:33:26.200
<v Speaker 1>thing they did it kiss that firm Kisum Classic Odies,

1:33:27.160 --> 1:33:29.479
<v Speaker 1>who was the voice for Kisser from at that time.

1:33:29.600 --> 1:33:35.000
<v Speaker 1>Recipiece Barry White as a has after him Simpson. So

1:33:35.240 --> 1:33:39.000
<v Speaker 1>you know you had that voice that show that where

1:33:39.040 --> 1:33:42.760
<v Speaker 1>it represents. So that's why they why he probably used Chris.

1:33:43.320 --> 1:33:48.320
<v Speaker 1>He represented hip hop fresh like you know, it washed away,

1:33:48.320 --> 1:33:50.920
<v Speaker 1>it didn't happen. That's that's the way it looked like

1:33:50.960 --> 1:33:54.080
<v Speaker 1>to me. Jedi mind Trick, I was a fan, so

1:33:54.160 --> 1:33:56.920
<v Speaker 1>se Besalge that said, my favorite DJ Premier promo that

1:33:57.120 --> 1:33:59.960
<v Speaker 1>he made for the read Lercature. Damn they made a

1:34:00.040 --> 1:34:05.439
<v Speaker 1>whole song just for a promo. Premiere. Yeah, huh yea,

1:34:05.880 --> 1:34:12.519
<v Speaker 1>let's talk about that, um premiere. You know when I

1:34:12.640 --> 1:34:14.599
<v Speaker 1>had my office at the time, but the Lord production

1:34:14.640 --> 1:34:18.000
<v Speaker 1>on twenty nine Street. Here it is a guy named

1:34:18.040 --> 1:34:21.280
<v Speaker 1>Stuve find used to have Wild Pitch Records and Wild

1:34:21.320 --> 1:34:24.080
<v Speaker 1>Pitch Records had the group called Game Store right long

1:34:24.160 --> 1:34:27.400
<v Speaker 1>with your rob Ge and Main saw us a couple others.

1:34:28.000 --> 1:34:32.680
<v Speaker 1>So um here it is that Premiere just took it

1:34:32.800 --> 1:34:35.320
<v Speaker 1>upon himself because you know that everybody always making so

1:34:35.439 --> 1:34:53.519
<v Speaker 1>many different promol songs for my show told about we

1:34:53.760 --> 1:34:58.640
<v Speaker 1>we we We're gonna give the lecture his clarity. I

1:34:58.720 --> 1:35:01.200
<v Speaker 1>got the idea of using him when he was a child.

1:35:01.760 --> 1:35:04.479
<v Speaker 1>I got that from the legend that we can spider

1:35:04.560 --> 1:35:07.160
<v Speaker 1>Web that was on Video New York when he was

1:35:07.240 --> 1:35:11.040
<v Speaker 1>on BLS. Here's to have his twin sons and his

1:35:11.200 --> 1:35:14.720
<v Speaker 1>daughter do promo swam. So by the time when I

1:35:14.840 --> 1:35:17.479
<v Speaker 1>got on the radio, I wanted to do something that

1:35:17.640 --> 1:35:24.280
<v Speaker 1>appeal to the young audience. Wow. Yeah, yeah, it's a

1:35:24.360 --> 1:35:30.720
<v Speaker 1>family affairs. You know. Blue Ivy is like she just

1:35:30.800 --> 1:35:33.160
<v Speaker 1>wanted to grab me like so like you like the

1:35:33.200 --> 1:35:54.400
<v Speaker 1>first Blue, I like, yeah, that's super dope. But you

1:35:54.439 --> 1:35:58.920
<v Speaker 1>know I already had these ideas ways to portray and

1:35:59.120 --> 1:36:02.680
<v Speaker 1>be different and stand out. So that's what's part of

1:36:02.720 --> 1:36:05.400
<v Speaker 1>the whole point back to what you're talking about. Premiere

1:36:05.760 --> 1:36:08.680
<v Speaker 1>from Premiere and Gangster. You know Gangster I signed, So

1:36:08.800 --> 1:36:11.200
<v Speaker 1>Pamier took it apart himself to make that promo for me.

1:36:11.560 --> 1:36:14.360
<v Speaker 1>He said it was on Wild Pitch Records. Wild Picture.

1:36:15.360 --> 1:36:17.840
<v Speaker 1>Uh huh was on Wild Picture that time. No, but

1:36:18.000 --> 1:36:24.800
<v Speaker 1>live at the Barbecues Barbecue okay, okay, so that's where

1:36:24.800 --> 1:36:29.080
<v Speaker 1>you first heard not right, uh huh. And you know,

1:36:29.120 --> 1:36:33.200
<v Speaker 1>I'm gonna tell you something about Google Rest in Peace recipes.

1:36:34.080 --> 1:36:36.200
<v Speaker 1>I remember the first couple of times Google used to

1:36:36.280 --> 1:36:38.120
<v Speaker 1>come up to me at the station and bring me

1:36:38.200 --> 1:36:43.720
<v Speaker 1>something to listen to. I'd be like, nah, you wasn't

1:36:43.720 --> 1:36:45.840
<v Speaker 1>feeling it, but I didn't feel it. Yeah I was.

1:36:46.000 --> 1:36:50.040
<v Speaker 1>You know, that's my quote to tell you, fine, bring

1:36:50.160 --> 1:36:54.120
<v Speaker 1>up to me when I heard I need I needed

1:36:54.120 --> 1:36:56.120
<v Speaker 1>to let me take a guess at with records. No,

1:36:56.160 --> 1:36:57.760
<v Speaker 1>I'm not gonna take a guess. I forgot. I don't

1:36:57.760 --> 1:37:00.680
<v Speaker 1>have it all right, cool and themony let me hear it.

1:37:02.479 --> 1:37:06.320
<v Speaker 1>That's the one. The word I'm manifest. Damn, I would

1:37:06.320 --> 1:37:10.439
<v Speaker 1>have been wrong. I'm glad I didn't guess that. You

1:37:10.479 --> 1:37:15.080
<v Speaker 1>wouldn't have heard the record. You wouldn't have heard the record. Man,

1:37:15.840 --> 1:37:20.600
<v Speaker 1>That's why questions you know what I think right know,

1:37:20.760 --> 1:37:23.280
<v Speaker 1>over the years, that was mad at me because I

1:37:23.400 --> 1:37:27.120
<v Speaker 1>know they put their rented and making music and such

1:37:27.160 --> 1:37:29.479
<v Speaker 1>a search and bring you to me. But I've ever

1:37:29.600 --> 1:37:32.760
<v Speaker 1>be honest. Yeah, you're helping. I've ever be honest and

1:37:32.840 --> 1:37:35.840
<v Speaker 1>let you know if it's good or not. And some

1:37:36.000 --> 1:37:37.960
<v Speaker 1>people think I was taking favorites. No, no, no, no,

1:37:38.080 --> 1:37:40.320
<v Speaker 1>I'm not judging the person. I'm judging. But the song

1:37:40.479 --> 1:37:44.599
<v Speaker 1>sound like. But let me ask you something because Funk

1:37:44.640 --> 1:37:48.639
<v Speaker 1>Flex I I've seen funk Flex stand on this seeing

1:37:48.680 --> 1:37:54.280
<v Speaker 1>people come up to Flex offer him money and flex, Nope,

1:37:54.840 --> 1:37:56.880
<v Speaker 1>I play a record if it's dope and that's it.

1:37:57.680 --> 1:37:59.960
<v Speaker 1>Have you ever been offered money so many a times?

1:38:00.120 --> 1:38:06.120
<v Speaker 1>Come the time? Know, I told him I piped myself.

1:38:08.160 --> 1:38:11.160
<v Speaker 1>I think you gotta make some noise for that. I love.

1:38:11.439 --> 1:38:17.439
<v Speaker 1>Put Mike down, Mike down right, Yeah, go ahead myself.

1:38:19.400 --> 1:38:22.960
<v Speaker 1>This is what I learned. Once you receive, you are

1:38:23.080 --> 1:38:27.160
<v Speaker 1>being hunt yep. So I'm not gonna let nobody go

1:38:27.280 --> 1:38:28.880
<v Speaker 1>and do that for me. I don't care how much

1:38:28.920 --> 1:38:31.040
<v Speaker 1>you put it in. And they can call me stilly, stupid,

1:38:31.680 --> 1:38:34.200
<v Speaker 1>what's wrong with you? But let me ask you. This

1:38:34.320 --> 1:38:38.519
<v Speaker 1>is real talk. This is I see the guard. What

1:38:38.720 --> 1:38:40.200
<v Speaker 1>is it like when a person come up to y'all

1:38:40.280 --> 1:38:42.400
<v Speaker 1>to say, can you play this like I got, you know,

1:38:42.760 --> 1:38:46.280
<v Speaker 1>two hundred or whatever? What is it? Your integrity feels

1:38:46.280 --> 1:38:49.439
<v Speaker 1>like it's being taken away because I feel like I

1:38:49.479 --> 1:38:52.840
<v Speaker 1>feel that as a insult. I feel that in suck

1:38:52.920 --> 1:38:56.760
<v Speaker 1>because you feel like this is beautiful debate. But I'm

1:38:56.800 --> 1:38:59.360
<v Speaker 1>taking I'm taking the bait. Okay, why I gotta take

1:38:59.400 --> 1:39:03.160
<v Speaker 1>the bait mine and take what I believe in his crap,

1:39:04.400 --> 1:39:08.880
<v Speaker 1>you know, disrespecting your credibility, you know, your credibility and

1:39:09.000 --> 1:39:12.240
<v Speaker 1>shot oh, you ain't gonna play with d get paid

1:39:12.320 --> 1:39:15.160
<v Speaker 1>for but not no, no, because I remember there was

1:39:15.200 --> 1:39:22.040
<v Speaker 1>this DJ list that came out names his name, and

1:39:23.320 --> 1:39:25.680
<v Speaker 1>I remember Flex being so proud not to be on

1:39:25.760 --> 1:39:30.160
<v Speaker 1>this DJ list and and he kept expressing like, you

1:39:30.240 --> 1:39:35.120
<v Speaker 1>know why people taking like and I don't remember what

1:39:35.320 --> 1:39:37.679
<v Speaker 1>it was, but your name was not on the list

1:39:38.120 --> 1:39:39.680
<v Speaker 1>and flex name was not on this. This is a

1:39:39.800 --> 1:39:44.280
<v Speaker 1>list of DJs who took spread. This was at the time.

1:39:44.600 --> 1:39:47.679
<v Speaker 1>I didn't care about the list from everywhere else. I'm

1:39:48.280 --> 1:39:50.840
<v Speaker 1>New York, so I'm just looking at the list and

1:39:50.880 --> 1:39:53.559
<v Speaker 1>flexwer the lists up. I don't know if you'll remember.

1:39:53.640 --> 1:39:57.080
<v Speaker 1>Flets got on him, was like what are you doing

1:39:58.680 --> 1:40:01.639
<v Speaker 1>about the Listen about the list? It was I guess

1:40:01.680 --> 1:40:04.040
<v Speaker 1>it was a label somebody got fired or whatever. And

1:40:04.160 --> 1:40:05.800
<v Speaker 1>just was like, Yo, look we got we got proof

1:40:05.840 --> 1:40:14.840
<v Speaker 1>of us paying every certain people. And I want to

1:40:14.880 --> 1:40:20.560
<v Speaker 1>ask that question, like why why, why is your integrity?

1:40:21.760 --> 1:40:25.400
<v Speaker 1>And I'm almost positive Flex told me he got it

1:40:25.479 --> 1:40:28.120
<v Speaker 1>from you, or he said that on the radio, like Brad,

1:40:28.160 --> 1:40:30.840
<v Speaker 1>they never take no money. I ain't never taken no money.

1:40:31.880 --> 1:40:34.439
<v Speaker 1>I'm almost positive I heard Flex say that and give

1:40:34.479 --> 1:40:37.360
<v Speaker 1>you your problem for that. But more moost positive. I

1:40:37.479 --> 1:40:42.000
<v Speaker 1>can't tell you I take you ninety percent. I remember

1:40:42.120 --> 1:40:43.920
<v Speaker 1>him saying that I'm from my older radio two. This

1:40:44.080 --> 1:40:45.960
<v Speaker 1>is not like so we can google this and we'll

1:40:46.040 --> 1:40:49.559
<v Speaker 1>we'll make that. But why was it that you never

1:40:49.720 --> 1:40:54.400
<v Speaker 1>broke your morals? You never broke your integrity because you're

1:40:54.439 --> 1:40:59.600
<v Speaker 1>disrespecting yourself. Number one, you should change yourself for some

1:41:00.160 --> 1:41:04.320
<v Speaker 1>that's like saying, who this you as an artist, I'm

1:41:04.400 --> 1:41:07.960
<v Speaker 1>just making this as a compass. To do it, you

1:41:07.960 --> 1:41:12.680
<v Speaker 1>wouldn't get paid just a certain amount of money, but

1:41:12.920 --> 1:41:15.160
<v Speaker 1>you're not getting it because nobody want to give it

1:41:15.200 --> 1:41:17.640
<v Speaker 1>to you until you get that one shot, and you

1:41:17.720 --> 1:41:20.280
<v Speaker 1>get that one big Now you're looking for another number

1:41:20.680 --> 1:41:25.519
<v Speaker 1>ain't gonna come here it is. I want my respect.

1:41:26.280 --> 1:41:29.200
<v Speaker 1>I'm gonna keep my respect, So why should I take

1:41:29.280 --> 1:41:31.600
<v Speaker 1>that one shot taken? And then before you know you

1:41:31.680 --> 1:41:34.679
<v Speaker 1>got a reputation out of here, you put a cap

1:41:34.800 --> 1:41:38.120
<v Speaker 1>on yourself. People know they can good boy you for

1:41:38.200 --> 1:41:44.280
<v Speaker 1>three because the boy get around. One thing I learned

1:41:44.280 --> 1:41:47.240
<v Speaker 1>about in the industry, Well you know I just took

1:41:47.280 --> 1:41:49.400
<v Speaker 1>care of red for this. I said, I saw them

1:41:49.439 --> 1:41:51.760
<v Speaker 1>do that too many others. I'm not gonna be in

1:41:51.840 --> 1:41:54.680
<v Speaker 1>there you know. And not only that, There's have been

1:41:54.760 --> 1:41:58.880
<v Speaker 1>times even records I did play, or they may say

1:41:58.960 --> 1:42:04.519
<v Speaker 1>chromequol I broke you know. Um, they wanted to congratulate me.

1:42:04.560 --> 1:42:08.040
<v Speaker 1>I say, no, I don't want nothing. You want to

1:42:08.120 --> 1:42:11.080
<v Speaker 1>pay me, how may you do? I've been released part.

1:42:12.240 --> 1:42:15.640
<v Speaker 1>I'd rather get paid like that for my services, not

1:42:15.880 --> 1:42:19.240
<v Speaker 1>because of what I just played. Because as a DJ,

1:42:19.600 --> 1:42:23.800
<v Speaker 1>you stop me if I'm wrong as a DJ, because

1:42:23.800 --> 1:42:26.040
<v Speaker 1>you said this earlier. You said even it was my competition,

1:42:26.360 --> 1:42:28.040
<v Speaker 1>if they had the hot ship. As a DJ, it

1:42:28.120 --> 1:42:31.639
<v Speaker 1>was your job to supply to your audience, right, That's

1:42:31.680 --> 1:42:33.439
<v Speaker 1>the whole point. One game got nothing to do with

1:42:33.479 --> 1:42:35.160
<v Speaker 1>the other. Because I'm gonna tell you. I'm gonna tell

1:42:35.160 --> 1:42:37.400
<v Speaker 1>you what it was. And now that my memory keeps

1:42:37.439 --> 1:42:42.400
<v Speaker 1>coming back, it was Young and May's second record, and

1:42:42.520 --> 1:42:45.400
<v Speaker 1>Young and May second record, New York felt like Young

1:42:45.479 --> 1:42:48.200
<v Speaker 1>and May, who should have been behind her first record work,

1:42:48.680 --> 1:42:51.600
<v Speaker 1>what about second record is just sucking be behind it?

1:42:52.360 --> 1:42:57.560
<v Speaker 1>And there was a track actually track of DJ's that

1:42:57.680 --> 1:43:02.200
<v Speaker 1>wouldn't play it because they didn't get no paper. Remember

1:43:02.280 --> 1:43:05.160
<v Speaker 1>that's what I'm trying to tell you. That my memory

1:43:05.240 --> 1:43:08.080
<v Speaker 1>brought it up. Yeah, that's my memory the summertime, Joiner,

1:43:08.479 --> 1:43:10.640
<v Speaker 1>remember when the flex was going, I remember it was

1:43:11.439 --> 1:43:15.479
<v Speaker 1>you were It was another recording that record, and I

1:43:15.600 --> 1:43:17.400
<v Speaker 1>felt I felt like it was a stance that the

1:43:17.479 --> 1:43:20.080
<v Speaker 1>DJs was taking. This isn't quiet. Yeah, you know what

1:43:20.120 --> 1:43:22.120
<v Speaker 1>I'm saying. Damn, I'm so glad. Please y'all to be

1:43:22.200 --> 1:43:25.599
<v Speaker 1>mad at me, But I ain't dropping the record anyway.

1:43:26.360 --> 1:43:29.360
<v Speaker 1>Let me bring your up. This happened during the time

1:43:29.720 --> 1:43:32.200
<v Speaker 1>and happened now, he said it. It could be a

1:43:32.280 --> 1:43:36.360
<v Speaker 1>collector of us all again the record the same time. Now,

1:43:36.439 --> 1:43:39.400
<v Speaker 1>I don't really know individually who it was. And I

1:43:39.479 --> 1:43:43.559
<v Speaker 1>got to word that. But you know what, niggas want

1:43:43.600 --> 1:43:45.639
<v Speaker 1>to funk with this record, but they said they didn't

1:43:45.640 --> 1:43:48.960
<v Speaker 1>want They got their hands out for it. Y I

1:43:49.080 --> 1:43:50.880
<v Speaker 1>end up put my hands out for it. So now

1:43:51.120 --> 1:43:53.200
<v Speaker 1>if I go ahead and I like this record and

1:43:53.280 --> 1:43:56.960
<v Speaker 1>I played whoever was having their hand out, they're mad

1:43:57.000 --> 1:43:58.639
<v Speaker 1>at me. You know why they feel that I an't

1:43:58.680 --> 1:44:01.600
<v Speaker 1>blocking them because I ain't got anything to do with that.

1:44:02.640 --> 1:44:05.240
<v Speaker 1>You believe in something, you go, I ain't there because

1:44:05.320 --> 1:44:08.639
<v Speaker 1>you you're going ahead and have more ammunition where you're

1:44:08.680 --> 1:44:11.040
<v Speaker 1>out in the clubs, out in the radio, whatever it is.

1:44:11.560 --> 1:44:13.680
<v Speaker 1>As you're working, I funk with that. Let me just

1:44:13.720 --> 1:44:17.120
<v Speaker 1>make some let me just place the floor. But let

1:44:17.160 --> 1:44:19.439
<v Speaker 1>me ask your questions. Do you feel there's a clear

1:44:19.520 --> 1:44:24.240
<v Speaker 1>difference between industry and culture? Oh big time, because when

1:44:24.280 --> 1:44:26.880
<v Speaker 1>we're talking about is industry ship, that's industrhip. When you

1:44:26.920 --> 1:44:30.120
<v Speaker 1>come out Payola were talking about he said the record

1:44:30.200 --> 1:44:35.320
<v Speaker 1>is high personal and all that and what he believes

1:44:35.520 --> 1:44:38.200
<v Speaker 1>to stand for the culture, for the culture. And then

1:44:38.280 --> 1:44:40.120
<v Speaker 1>here it is. I'm gonna tell you it's a tap

1:44:40.240 --> 1:44:43.519
<v Speaker 1>or the industry too. I'm gonna tell you why number one,

1:44:44.680 --> 1:44:49.880
<v Speaker 1>I'm getting many record send weekly. I got to pick

1:44:49.920 --> 1:44:53.200
<v Speaker 1>and choose sound right. If I don't pick and choose

1:44:53.240 --> 1:44:56.800
<v Speaker 1>sound right now, I'll just play whatever my ratings go down.

1:44:57.600 --> 1:45:00.519
<v Speaker 1>If my ratings go down, I get replaced. But so

1:45:00.600 --> 1:45:03.080
<v Speaker 1>what did I do? I got now down to see

1:45:03.120 --> 1:45:07.160
<v Speaker 1>what is the right, what is good? And I always

1:45:07.160 --> 1:45:12.120
<v Speaker 1>set people do this three records. A person who is

1:45:12.160 --> 1:45:17.200
<v Speaker 1>already established your homeboy or something that you really believe in.

1:45:17.840 --> 1:45:21.240
<v Speaker 1>Which one you gonna pick? They look at me, say

1:45:21.280 --> 1:45:22.600
<v Speaker 1>which one you go pick? I say the one I

1:45:22.640 --> 1:45:25.840
<v Speaker 1>believe in it? They say't why they established first and

1:45:25.880 --> 1:45:28.840
<v Speaker 1>already got his the homeboy should respect what you're doing,

1:45:29.439 --> 1:45:32.160
<v Speaker 1>the one you believe in a credibility, but what you

1:45:32.240 --> 1:45:44.720
<v Speaker 1>break absolutely he killed that and it makes sense, it

1:45:44.840 --> 1:45:49.200
<v Speaker 1>makes it makes sense. Then if I find your makes sense,

1:45:49.960 --> 1:45:52.479
<v Speaker 1>I wait for you to come back. As many of

1:45:52.560 --> 1:45:55.160
<v Speaker 1>y'all know, Drink Chance wants to give flowers while people

1:45:55.200 --> 1:45:58.120
<v Speaker 1>are here to receive them. Giving flowers and celebrating our

1:45:58.240 --> 1:46:01.160
<v Speaker 1>legends while they can still smell them. We have partnered

1:46:01.200 --> 1:46:04.040
<v Speaker 1>with What the Flower to create this movement where everyone

1:46:04.120 --> 1:46:06.960
<v Speaker 1>can give flowers to the legends in their lives. You

1:46:07.040 --> 1:46:09.719
<v Speaker 1>can now order a custom flower box for to someone

1:46:09.840 --> 1:46:13.639
<v Speaker 1>you want to show appreciation to by visiting www dot

1:46:14.120 --> 1:46:18.879
<v Speaker 1>wt flower dot com and place your orders now. Fire.

1:46:18.960 --> 1:47:28.840
<v Speaker 1>I love this, h oh Man, Holy movie Rock the movie.

1:47:29.120 --> 1:47:32.920
<v Speaker 1>So what's your favorite area hip hop? I know actually

1:47:32.960 --> 1:47:38.160
<v Speaker 1>earlier eighties. I know you said eighties. Um, I said

1:47:38.240 --> 1:47:44.280
<v Speaker 1>late eighties, late eighties, because late eighties before self destruct

1:47:45.360 --> 1:47:51.320
<v Speaker 1>it was I say more eight Okay, Daddy can got

1:47:51.360 --> 1:47:55.160
<v Speaker 1>the flat top out. It came with popping something pepper

1:47:55.240 --> 1:48:00.160
<v Speaker 1>was popping. Base came out hard. Uh end up, they

1:48:00.280 --> 1:48:05.760
<v Speaker 1>came out hard, too short came out hard. Um um

1:48:06.360 --> 1:48:10.719
<v Speaker 1>who else I could damn boogie Downald Course Modi second album,

1:48:11.320 --> 1:48:15.439
<v Speaker 1>Everything in the Rockim second album. Um of course Boogie

1:48:15.479 --> 1:48:17.680
<v Speaker 1>Down had that second album at the same time. A

1:48:17.960 --> 1:48:20.360
<v Speaker 1>eight was a Pinnacle time and now only that that

1:48:20.560 --> 1:48:24.920
<v Speaker 1>was the year that Yo MTV Rap came out. It

1:48:25.040 --> 1:48:33.439
<v Speaker 1>came out Slick iced Tea. Yeah, y. So when you

1:48:33.560 --> 1:48:37.320
<v Speaker 1>got when you got your MTV rap, you got two

1:48:37.400 --> 1:48:41.000
<v Speaker 1>major tours. There was two major hip hop tours. What

1:48:41.360 --> 1:48:43.320
<v Speaker 1>what was those? The one I was only called the

1:48:43.400 --> 1:48:46.960
<v Speaker 1>Dope Jam Tour. That was Everybody Jam, Dope Jam Tour,

1:48:47.960 --> 1:48:55.640
<v Speaker 1>Dope Jam Mistakes, Dope Jams. I was like, really that

1:48:55.920 --> 1:49:00.800
<v Speaker 1>that was rock Kim, Douggie Fresh, Boogie Down, Putting Koo Moo,

1:49:01.000 --> 1:49:07.960
<v Speaker 1>d Ice Tea, and Western Peace Business Market. You know

1:49:08.080 --> 1:49:11.200
<v Speaker 1>why because within that summer we did fifty three cities.

1:49:12.880 --> 1:49:16.320
<v Speaker 1>They don't have tours like that number. The our tour

1:49:17.040 --> 1:49:19.000
<v Speaker 1>was the tour that was I think it was run

1:49:19.080 --> 1:49:22.479
<v Speaker 1>DMC in it. No, it was it was Jazzys your

1:49:22.600 --> 1:49:29.000
<v Speaker 1>First Friends E p M D BEASTI Boys, e p

1:49:29.200 --> 1:49:32.040
<v Speaker 1>M D Beast Boys. I'm trying to remember what. But

1:49:32.320 --> 1:49:35.759
<v Speaker 1>they was major two. You know, different type of energy

1:49:35.840 --> 1:49:39.080
<v Speaker 1>from both tours, but we was capturing the whole summer

1:49:39.600 --> 1:49:43.280
<v Speaker 1>and your MTV rap came out. That was that was

1:49:43.360 --> 1:49:50.040
<v Speaker 1>a breakthrough. That was the breakthrough for everybody, come behind U.

1:49:51.280 --> 1:49:54.679
<v Speaker 1>That was that's that's crazy. That's now the game changer.

1:49:54.840 --> 1:50:01.280
<v Speaker 1>I saw twice after success, uh the generation I come

1:50:01.360 --> 1:50:05.800
<v Speaker 1>from with Flashing them and Punky four plus one and

1:50:06.200 --> 1:50:10.160
<v Speaker 1>a um Curtis blow and no so sorry for it.

1:50:10.640 --> 1:50:18.439
<v Speaker 1>The next wave was run DMC Fat Boys, Whodini, Then

1:50:18.520 --> 1:50:23.639
<v Speaker 1>DMC Fat Boys, deny um l came a little after

1:50:24.520 --> 1:50:28.960
<v Speaker 1>right behind him, and then eight six here comes another change.

1:50:30.240 --> 1:50:37.000
<v Speaker 1>V kim m um, kim um. What I was just saying,

1:50:37.040 --> 1:50:41.479
<v Speaker 1>boogie down production Salt and Pepper a year right year

1:50:41.520 --> 1:50:46.479
<v Speaker 1>before A six heavy d come and play doug you

1:50:46.560 --> 1:50:49.160
<v Speaker 1>first tried coming out because the show by Dougie first

1:50:49.200 --> 1:50:52.080
<v Speaker 1>came out of eight five, you know, brought three more

1:50:52.160 --> 1:50:54.280
<v Speaker 1>years and how many years that the show? But not

1:50:55.000 --> 1:51:01.280
<v Speaker 1>then your forty um now here is after that hour

1:51:02.200 --> 1:51:05.000
<v Speaker 1>coming into the late eighties. After that eighty eight, here

1:51:05.080 --> 1:51:10.760
<v Speaker 1>comes the native tongue. Ever after that native tone Ever,

1:51:11.320 --> 1:51:15.160
<v Speaker 1>then you're going into early nineties. Was the grimmy Ever

1:51:16.560 --> 1:51:20.160
<v Speaker 1>does affect the Lords of the Underground, you know, and

1:51:20.360 --> 1:51:23.519
<v Speaker 1>several other casts that are similar to that you also

1:51:23.680 --> 1:51:25.960
<v Speaker 1>have from people that had the skills and the styles,

1:51:26.080 --> 1:51:33.200
<v Speaker 1>not fool nickings. We don't prove they're coming to they're

1:51:33.200 --> 1:51:37.080
<v Speaker 1>coming soon too. Oh yeah, that's only nineties. They're not

1:51:37.200 --> 1:51:41.760
<v Speaker 1>here to coming to ninety three, ninety four, ninety five. Yeah. Come.

1:51:42.040 --> 1:51:44.600
<v Speaker 1>And also respect to the West coast, cause they was

1:51:44.640 --> 1:51:49.400
<v Speaker 1>holding down only nineties. Yeah yeah, yeah, yeah, they was

1:51:49.439 --> 1:51:52.519
<v Speaker 1>holding down a head. It was holding down heavy. And

1:51:53.439 --> 1:51:56.760
<v Speaker 1>because Snoop came out hard and early nineties, that deep

1:51:56.800 --> 1:52:01.760
<v Speaker 1>cover changed again, you know, soldier, so it's a midship yeah,

1:52:03.240 --> 1:52:10.240
<v Speaker 1>now coming into it within ninety the bad boy ever ever,

1:52:11.479 --> 1:52:18.559
<v Speaker 1>you got people from down outcast, outcast, you got change.

1:52:18.800 --> 1:52:21.720
<v Speaker 1>So we kept seeing how everything kept with revolving, and

1:52:22.400 --> 1:52:25.639
<v Speaker 1>that was my job to make sure that I'm listening,

1:52:25.680 --> 1:52:27.960
<v Speaker 1>paying attention. What is it right for me to go

1:52:28.120 --> 1:52:32.120
<v Speaker 1>in for sound real quick? I'm sorry? Yeah, because also

1:52:32.840 --> 1:52:38.120
<v Speaker 1>that ninety five Nies six hours two people came out

1:52:39.200 --> 1:52:41.560
<v Speaker 1>and your man had a different type of sound and

1:52:41.680 --> 1:52:44.240
<v Speaker 1>were on his show. So we gotta give him something

1:52:44.320 --> 1:52:46.880
<v Speaker 1>spect because there ain't nobody here, no ship like that.

1:52:46.960 --> 1:52:49.840
<v Speaker 1>When they put on that chill him. Oh yeah, that's

1:52:49.920 --> 1:52:53.679
<v Speaker 1>ninety seven, that's seven yeah, yeah, yeah, yeah, yeah, yeah,

1:52:54.640 --> 1:53:00.519
<v Speaker 1>school and we was outside. Yeah yeah, what I'm saying,

1:53:01.400 --> 1:53:12.880
<v Speaker 1>please get no flowers because following was a game changing

1:53:12.960 --> 1:53:16.280
<v Speaker 1>that Permi Premier I said. I heard he has a

1:53:16.400 --> 1:53:18.920
<v Speaker 1>video of mad shows from back in the days and

1:53:19.000 --> 1:53:25.280
<v Speaker 1>he won't give anyone any copies. Premier wants them. Is

1:53:25.360 --> 1:53:28.280
<v Speaker 1>that true? Are you're sitting around with the golden arches

1:53:28.320 --> 1:53:33.559
<v Speaker 1>of documentaries right now? He's making a documentary more news

1:53:33.640 --> 1:53:37.560
<v Speaker 1>that he's loving. So that is a yes, you do have.

1:53:38.080 --> 1:53:42.320
<v Speaker 1>I have a great selection. I got a great selection

1:53:42.520 --> 1:53:45.880
<v Speaker 1>of that, and even from the beginning stages. That's what

1:53:45.960 --> 1:53:48.880
<v Speaker 1>I'm saying of all for thees, not not putting with

1:53:48.960 --> 1:53:54.880
<v Speaker 1>my friend, not visual audio audio audio. So then that's

1:53:54.920 --> 1:53:56.760
<v Speaker 1>how we take it to Netflix. Were just making a cat.

1:53:56.840 --> 1:54:00.679
<v Speaker 1>We're making cartoons. Yeah, animazet this money right the photos

1:54:00.720 --> 1:54:03.479
<v Speaker 1>for it? You make that animated cause you got the

1:54:03.479 --> 1:54:09.160
<v Speaker 1>audio already. Yeah yeah, I don't have no vision. I

1:54:09.240 --> 1:54:13.639
<v Speaker 1>was recording all the parties on the jams in the beginning.

1:54:15.000 --> 1:54:17.840
<v Speaker 1>That's priceless. Talking about we've been talking about you know,

1:54:17.960 --> 1:54:21.639
<v Speaker 1>getting int Oh you gotta do that. I've been trying

1:54:21.640 --> 1:54:24.160
<v Speaker 1>to expose him that I have been We've been talking about,

1:54:24.320 --> 1:54:27.680
<v Speaker 1>you know, creating some content and putting some consent out.

1:54:28.120 --> 1:54:29.640
<v Speaker 1>But we've got some people to connect you all with

1:54:29.720 --> 1:54:37.080
<v Speaker 1>it if you need people. Yeah. Yeah, this is a

1:54:37.200 --> 1:54:39.520
<v Speaker 1>legends legend, just like cas when we had cats here,

1:54:39.760 --> 1:54:46.120
<v Speaker 1>allegend legends, cash cash, We're supposed to have Mellie, Mellie me,

1:54:46.520 --> 1:54:49.320
<v Speaker 1>he's gonna come back to He's gonna come to the show. Yeah. Yeah,

1:54:49.480 --> 1:54:52.360
<v Speaker 1>but I just I just I just love this, these

1:54:52.440 --> 1:54:57.040
<v Speaker 1>history lessons that you we need it. Yeah, appreciate that

1:54:57.160 --> 1:54:59.520
<v Speaker 1>you have on this platform for people to come in here. Yeah,

1:54:59.600 --> 1:55:02.080
<v Speaker 1>because know what's the crazy thing is it was like,

1:55:04.000 --> 1:55:05.720
<v Speaker 1>you know, we love how do they seven? We love

1:55:05.760 --> 1:55:08.920
<v Speaker 1>how one of five? We love? But what it is

1:55:09.080 --> 1:55:13.920
<v Speaker 1>is it's for the newest, hottest people. But what's about

1:55:13.960 --> 1:55:16.400
<v Speaker 1>the people who've been here? And we don't we deserve off?

1:55:17.080 --> 1:55:19.240
<v Speaker 1>You know what I'm saying, Like like like and that's

1:55:19.280 --> 1:55:21.840
<v Speaker 1>when we made our platform and you know, help me

1:55:22.040 --> 1:55:24.440
<v Speaker 1>I'll talk to I was like, man, basically you know,

1:55:24.920 --> 1:55:27.320
<v Speaker 1>he based Rock the Bells off of what Drink Chance

1:55:27.480 --> 1:55:29.760
<v Speaker 1>was starting and respectful where that's my man, Like you

1:55:29.800 --> 1:55:33.200
<v Speaker 1>know what I mean? But we felt obligated, like you

1:55:33.240 --> 1:55:35.240
<v Speaker 1>know what I'm saying, like, and it's easier to talk

1:55:35.280 --> 1:55:37.600
<v Speaker 1>to It's easier to talk to legend, not to this

1:55:38.040 --> 1:55:40.480
<v Speaker 1>the new generation. But you know, when you're coming up,

1:55:40.520 --> 1:55:42.720
<v Speaker 1>you're like, yo, man, so how was your day? They'd

1:55:42.720 --> 1:55:45.800
<v Speaker 1>be like good, Like homeboy, I don't want to talk

1:55:45.800 --> 1:55:47.240
<v Speaker 1>to you. Let's get the funk out of here, like

1:55:47.360 --> 1:55:50.720
<v Speaker 1>like just just shot like like this is real grown

1:55:50.800 --> 1:55:54.040
<v Speaker 1>up conversations. And the thing about it is, in every

1:55:54.120 --> 1:55:58.200
<v Speaker 1>other genre, I've never heard the word washed up or

1:55:58.680 --> 1:56:02.160
<v Speaker 1>over the hill. They don't say that in no genre, bro,

1:56:02.600 --> 1:56:04.960
<v Speaker 1>only than us, And I gotta change that narrative. We

1:56:05.120 --> 1:56:08.800
<v Speaker 1>gotta change that narrative us, all of us collectively, because

1:56:09.520 --> 1:56:12.160
<v Speaker 1>anywhere else, even when you take your food home and

1:56:12.240 --> 1:56:14.600
<v Speaker 1>you eat it the next day, it's called season. It

1:56:14.680 --> 1:56:17.680
<v Speaker 1>ain't call washed up. You understand what I'm saying. So

1:56:18.160 --> 1:56:20.320
<v Speaker 1>we wanted to change that trajectory. And I think we

1:56:20.480 --> 1:56:22.280
<v Speaker 1>all you know what I'm saying. This is one of

1:56:22.320 --> 1:56:25.120
<v Speaker 1>those times, man, we were really, really, really really proud

1:56:25.200 --> 1:56:27.520
<v Speaker 1>to have a legend like you right alert in front

1:56:27.600 --> 1:56:30.360
<v Speaker 1>of us and giving us the story. You ain't bullshitting us.

1:56:30.440 --> 1:56:34.920
<v Speaker 1>It's not one time. Yeah, and we're gonna make so long,

1:56:34.920 --> 1:56:36.400
<v Speaker 1>I got a couple more questions. We're gonna make some

1:56:36.440 --> 1:56:40.960
<v Speaker 1>looking for you. I'm just gonna take an actual shot

1:56:41.080 --> 1:56:42.760
<v Speaker 1>because I'm trying to get your sons drunk. I can't

1:56:42.800 --> 1:56:45.200
<v Speaker 1>get you drunk, so I gotta, I gotta, I gotta

1:56:45.280 --> 1:56:48.520
<v Speaker 1>technically poltically get you drunk. You know what I mean? Yeah, yeah, yeah,

1:56:49.240 --> 1:56:52.880
<v Speaker 1>I can see I can see you ain't playing. Yeah,

1:56:52.960 --> 1:56:57.880
<v Speaker 1>absolutely absolutely. Before before we talked about the j enough

1:56:58.200 --> 1:57:03.360
<v Speaker 1>in radio, right, what I wanted to act like if

1:57:03.440 --> 1:57:05.920
<v Speaker 1>I was in high school? Right, I was in high

1:57:05.960 --> 1:57:12.800
<v Speaker 1>school in two thousand one, Right, and in that time, Pop,

1:57:12.880 --> 1:57:18.120
<v Speaker 1>you was on uh two times in the dead Old

1:57:18.160 --> 1:57:21.480
<v Speaker 1>School Letting noon and five o'clock Free Rod. So when

1:57:21.560 --> 1:57:23.880
<v Speaker 1>you was first talking about when this is something that

1:57:23.920 --> 1:57:25.760
<v Speaker 1>I don't understood, that I didn't know you might have

1:57:25.880 --> 1:57:29.920
<v Speaker 1>to be you might you might have to be careful. Look,

1:57:30.720 --> 1:57:35.680
<v Speaker 1>it's gonna when when you was going when you was

1:57:35.760 --> 1:57:38.240
<v Speaker 1>going back and forth with Molly Mall and them, right,

1:57:38.320 --> 1:57:41.520
<v Speaker 1>you said you was on eleven and two at first

1:57:41.640 --> 1:57:44.000
<v Speaker 1>year A. Right, So how was the transition from being

1:57:44.080 --> 1:57:47.200
<v Speaker 1>eleven to two at w BLS to being to go

1:57:47.400 --> 1:57:52.640
<v Speaker 1>into two slots on hot ninety seven per day, Old

1:57:52.680 --> 1:57:56.800
<v Speaker 1>School at noon and five o'clock free rode because to me,

1:57:57.000 --> 1:57:58.920
<v Speaker 1>I don't know, I don't I've never heard of it

1:57:59.720 --> 1:58:02.040
<v Speaker 1>a day where DJ goes on twice a day on

1:58:02.160 --> 1:58:08.600
<v Speaker 1>a daily kind of basis on like hip hop radio. Okay, Now,

1:58:09.160 --> 1:58:11.280
<v Speaker 1>what I had a chance to do during the time

1:58:11.480 --> 1:58:15.480
<v Speaker 1>that Kiss from first the first amount of time and

1:58:15.560 --> 1:58:18.200
<v Speaker 1>Kiss FM was eleven jaiar straight and that was weekends.

1:58:18.720 --> 1:58:21.560
<v Speaker 1>First it was just Saturday. Then I started having Friday

1:58:21.640 --> 1:58:24.880
<v Speaker 1>and Saturday. When you were on late night from M

1:58:25.080 --> 1:58:28.080
<v Speaker 1>nine to troll as they considered late night, I was

1:58:28.120 --> 1:58:31.040
<v Speaker 1>being more edgy because I'm playing for a jungle audience.

1:58:31.280 --> 1:58:33.360
<v Speaker 1>But at the same time, I had a chance to

1:58:33.440 --> 1:58:38.520
<v Speaker 1>build up my name. Your name means a lot when

1:58:38.600 --> 1:58:42.640
<v Speaker 1>it come across the airwaves. So now they're looking upon

1:58:43.000 --> 1:58:46.880
<v Speaker 1>the audience that you had. Can you bring them to

1:58:47.120 --> 1:58:51.680
<v Speaker 1>another station more prime time? Prime time is five o'clock

1:58:52.040 --> 1:58:54.120
<v Speaker 1>is the second highest cuma of the day. The first

1:58:54.200 --> 1:58:57.520
<v Speaker 1>highest cuman is the morning, the second highest is the

1:58:57.560 --> 1:59:01.440
<v Speaker 1>afternoon drive. So that's why they created because they didn't

1:59:01.480 --> 1:59:05.640
<v Speaker 1>have it before. They created the five o'clock freeback and

1:59:05.840 --> 1:59:13.840
<v Speaker 1>you started that. Yes, you don't have a different times

1:59:15.000 --> 1:59:23.920
<v Speaker 1>School doing the time. There was somebody else during the

1:59:23.960 --> 1:59:27.760
<v Speaker 1>Old School at New yor Hot ninety seven um God

1:59:27.840 --> 1:59:30.920
<v Speaker 1>named Glenn Fisher, but he was no more asked for

1:59:31.080 --> 1:59:36.040
<v Speaker 1>like dance house music, so they weren't changed that because

1:59:36.160 --> 1:59:38.400
<v Speaker 1>it was one day they had me do something. I

1:59:38.560 --> 1:59:41.320
<v Speaker 1>forgot what day it was, and they heard the rovie

1:59:41.480 --> 1:59:46.040
<v Speaker 1>to old School. I thank And that's when they had

1:59:46.080 --> 1:59:50.240
<v Speaker 1>me in mind. Not before that. Remember, in the beginning

1:59:50.360 --> 1:59:52.880
<v Speaker 1>of nineteen six in New York there was a big

1:59:53.760 --> 1:59:57.320
<v Speaker 1>bad bliss. Okay, I just came home with ninety six.

1:59:57.480 --> 2:00:09.680
<v Speaker 1>I was probably jugging off too much information. I'm sorry now.

2:00:09.880 --> 2:00:13.000
<v Speaker 1>It was as the Blue say bad that when the

2:00:13.080 --> 2:00:16.480
<v Speaker 1>women's couldn't come to the station because she comes from Jersey.

2:00:17.720 --> 2:00:20.320
<v Speaker 1>So they asked me, can you come down and do

2:00:20.480 --> 2:00:26.320
<v Speaker 1>that shift? So I did a whole shift, just mixing

2:00:27.280 --> 2:00:35.680
<v Speaker 1>old school, William. I was combined during old school and

2:00:35.920 --> 2:00:41.080
<v Speaker 1>new stuff. I was combined for that four hours. Here

2:00:41.160 --> 2:00:43.640
<v Speaker 1>it is. They took care of me for that shift,

2:00:44.200 --> 2:00:45.840
<v Speaker 1>and they say we want to appoint you to do

2:00:45.920 --> 2:00:48.120
<v Speaker 1>the old School because we heard what you can do

2:00:48.800 --> 2:00:50.880
<v Speaker 1>and we want to bring something to the table. So

2:00:51.040 --> 2:00:53.880
<v Speaker 1>now here it is, I'm getting the audience that grew

2:00:53.920 --> 2:00:57.280
<v Speaker 1>up with me from the Kiss at M and I'm

2:00:57.320 --> 2:00:59.480
<v Speaker 1>appealing to the audience that are listening to me right

2:00:59.520 --> 2:01:03.120
<v Speaker 1>now on the hot nineties seven, So I'm having both audience.

2:01:03.840 --> 2:01:05.960
<v Speaker 1>There were some young people dash spent time listening to

2:01:06.080 --> 2:01:08.440
<v Speaker 1>the Old School. Now you know why, because that's really

2:01:08.440 --> 2:01:13.440
<v Speaker 1>they got a lot of their samples as he studied

2:01:13.440 --> 2:01:21.480
<v Speaker 1>a lot whatever. I gotta bring some perspective to what

2:01:21.520 --> 2:01:23.280
<v Speaker 1>he's saying, because I don't think we're really getting it

2:01:23.920 --> 2:01:27.760
<v Speaker 1>what he's saying. He was playing vinyl man. Man, He

2:01:27.960 --> 2:01:30.160
<v Speaker 1>wasn't just going on the computer and looking at what's

2:01:30.160 --> 2:01:32.400
<v Speaker 1>the newest ship and it's the Old School and this

2:01:32.480 --> 2:01:35.600
<v Speaker 1>is my playlist. He had to know his ship and

2:01:35.760 --> 2:01:38.680
<v Speaker 1>physically take the records out and pick those records. So

2:01:38.800 --> 2:01:42.480
<v Speaker 1>he was on top of his game. Please you know

2:01:42.560 --> 2:01:46.360
<v Speaker 1>what it was like back then in the nineties. Fucking creates.

2:01:47.840 --> 2:01:49.800
<v Speaker 1>Look at the way my back. Let me ask you,

2:01:50.040 --> 2:01:53.000
<v Speaker 1>do you create the young homie used to carry my

2:01:53.040 --> 2:01:55.760
<v Speaker 1>homie right there my records to the club. Do you

2:01:55.920 --> 2:02:01.040
<v Speaker 1>like that? Creates is not not yeah, you like that crate? Vinyl?

2:02:02.480 --> 2:02:06.400
<v Speaker 1>You still nobody likes Nobody likes the weight of vinyl.

2:02:06.560 --> 2:02:11.880
<v Speaker 1>But but there was a different culture to vinyl. Vinyl. Now,

2:02:12.200 --> 2:02:14.600
<v Speaker 1>I used to be doing a live stream show, like

2:02:14.800 --> 2:02:16.720
<v Speaker 1>maybe ten eleven years ago, when they used to have

2:02:16.840 --> 2:02:19.400
<v Speaker 1>you stream last stream. I had a show and I

2:02:19.520 --> 2:02:23.920
<v Speaker 1>was doing it from home in my basement. Now the

2:02:24.840 --> 2:02:27.600
<v Speaker 1>records out of playing, I know the value of them.

2:02:27.960 --> 2:02:33.360
<v Speaker 1>They're not leaving my house. They're gonna get scratch, crack

2:02:33.840 --> 2:02:37.640
<v Speaker 1>or missing. They stay right there. So it's a messing.

2:02:37.720 --> 2:02:41.160
<v Speaker 1>I got the computer, right, I can keep on my

2:02:41.320 --> 2:02:43.280
<v Speaker 1>value at home. Yeah, it was a blessing that he

2:02:43.360 --> 2:02:53.680
<v Speaker 1>got the computer. For everybody's back this time. I was

2:02:53.800 --> 2:03:02.360
<v Speaker 1>you you like and hit it that um person my

2:03:02.480 --> 2:03:05.120
<v Speaker 1>coach to get into start using the computer with my

2:03:05.200 --> 2:03:10.720
<v Speaker 1>cousin Jason because he used to be the spokesman for STOJ.

2:03:11.800 --> 2:03:17.280
<v Speaker 1>Huh no, no, j cousin. So he got me inviold

2:03:17.360 --> 2:03:20.240
<v Speaker 1>it and that's man. At the time, a lot of

2:03:20.280 --> 2:03:23.360
<v Speaker 1>my peers are you're going down and know they were stilling.

2:03:23.560 --> 2:03:25.920
<v Speaker 1>I said, listen here, you gotta adapt. Yeah, I don't

2:03:25.920 --> 2:03:28.120
<v Speaker 1>think he still got a survival. No, I got tractive.

2:03:28.160 --> 2:03:30.440
<v Speaker 1>I just don't use it like that. Listen. He wanted

2:03:30.560 --> 2:03:35.720
<v Speaker 1>he still want Vinyl. He want wanted listen, listen. He

2:03:35.920 --> 2:03:40.080
<v Speaker 1>old school. He wanted the crates to come back. No, no, no, no, listen.

2:03:40.160 --> 2:03:42.800
<v Speaker 1>I told you I don't want to carry crates. We've

2:03:42.840 --> 2:03:45.880
<v Speaker 1>been trying to ask you to DJ for twelve years.

2:03:46.720 --> 2:03:51.200
<v Speaker 1>One it's not the same. So I came out. That

2:03:51.400 --> 2:03:55.800
<v Speaker 1>was an art for him to going through vinyl. It was.

2:03:55.960 --> 2:03:59.200
<v Speaker 1>It was almost its own right. It's good you knew.

2:03:59.400 --> 2:04:05.600
<v Speaker 1>What do you mean days out? Your name is DJ.

2:04:06.400 --> 2:04:11.480
<v Speaker 1>We haven't seen DJE twenty years. I don't need it.

2:04:11.560 --> 2:04:20.280
<v Speaker 1>I don't we miss you, we miss you. I'll say,

2:04:20.920 --> 2:04:23.880
<v Speaker 1>listen to him. You got a cell phone? Yeah, I

2:04:23.920 --> 2:04:28.000
<v Speaker 1>got a cellphone. Why you have to pay booth? You

2:04:28.120 --> 2:04:33.560
<v Speaker 1>adapt to the cell phone, adapt to the computer. M

2:04:34.760 --> 2:04:38.800
<v Speaker 1>come like he was talking to you. I adapted some culture.

2:04:38.880 --> 2:04:44.280
<v Speaker 1>We're here right now doing podcasting and this is my contributing,

2:04:45.680 --> 2:04:49.440
<v Speaker 1>and I'm spending that. You asked it to the us own.

2:04:49.840 --> 2:04:52.240
<v Speaker 1>It's just I'm just giving a person a lot of

2:04:52.640 --> 2:04:55.120
<v Speaker 1>range of wide of you that you can always have

2:04:55.360 --> 2:04:58.080
<v Speaker 1>that but not have the jungle of us different things.

2:04:58.160 --> 2:05:01.400
<v Speaker 1>That's absolutely it's just shape to say. Yeah, you y'all

2:05:01.440 --> 2:05:03.440
<v Speaker 1>both gonna agree with this. It's just safe to say

2:05:03.720 --> 2:05:08.160
<v Speaker 1>because y'all. DJ. Right, it's just safe to say that

2:05:08.240 --> 2:05:11.080
<v Speaker 1>the digital game got a lot of trash out there.

2:05:11.160 --> 2:05:16.360
<v Speaker 1>Let's be clear, right, because you don't want nobody coming

2:05:16.400 --> 2:05:19.800
<v Speaker 1>out to him and saying number it's a numbers games,

2:05:19.840 --> 2:05:22.600
<v Speaker 1>the numbers game, because everybody has access, everybody could put

2:05:22.640 --> 2:05:25.200
<v Speaker 1>out right. So because that numbers game, now you're sitting

2:05:25.200 --> 2:05:28.200
<v Speaker 1>me with somebody who makes like two million dollars and

2:05:28.280 --> 2:05:30.320
<v Speaker 1>he played three songs and there's a bunch of No,

2:05:30.400 --> 2:05:32.560
<v Speaker 1>I'm not even worried about it. It's like the whole Yeah,

2:05:33.080 --> 2:05:35.280
<v Speaker 1>so it's no shape that because they're gonna get their money.

2:05:35.320 --> 2:05:39.840
<v Speaker 1>But the only thing that that hurt like confusion d

2:05:40.000 --> 2:05:44.880
<v Speaker 1>J game with the computers. You don't see the skill

2:05:45.040 --> 2:05:47.480
<v Speaker 1>level no more. The skill level was at the door.

2:05:48.760 --> 2:05:52.200
<v Speaker 1>Now everybody's gotta cutting scratch for none. How to play

2:05:52.320 --> 2:05:55.720
<v Speaker 1>a song accommodating one to another, you know, even you're mixing,

2:05:55.800 --> 2:05:58.880
<v Speaker 1>blending or timing, no, whatever it is. Instead it just

2:05:59.480 --> 2:06:01.760
<v Speaker 1>but a great DJ will be even better with the

2:06:01.800 --> 2:06:04.440
<v Speaker 1>technolog Like my boy DJ Craze, who's from Home Team

2:06:04.520 --> 2:06:07.680
<v Speaker 1>right here, killer Like he takes the technology to the

2:06:07.760 --> 2:06:11.880
<v Speaker 1>next level right on vinyl. He's even sometimes I'll be

2:06:11.960 --> 2:06:14.960
<v Speaker 1>having an ox cord. I'll be like, I think, but

2:06:15.160 --> 2:06:17.320
<v Speaker 1>you're not a you're not a good DJ. Nor I'll

2:06:17.360 --> 2:06:22.360
<v Speaker 1>be like like like I'm saying, but I'm not gett

2:06:22.360 --> 2:06:28.200
<v Speaker 1>paying myself to y'all same s they do. I could

2:06:28.240 --> 2:06:30.760
<v Speaker 1>do like the new DULs you do, like I can

2:06:30.840 --> 2:06:34.800
<v Speaker 1>do that. That's what they do. Respect and I respect

2:06:34.840 --> 2:06:37.600
<v Speaker 1>a lot of DJs out there, but I respect a

2:06:37.760 --> 2:06:40.920
<v Speaker 1>DJ that none to work their computer and that the

2:06:41.160 --> 2:06:44.600
<v Speaker 1>computer work you. Okay, let's let's let's run down a

2:06:44.760 --> 2:06:49.320
<v Speaker 1>list of DJs that you you enjoy watching. Oh Man,

2:06:50.280 --> 2:06:54.760
<v Speaker 1>my number one favorite, Jazz Jeff, one of the best,

2:06:54.840 --> 2:06:59.400
<v Speaker 1>fresh friend Jazz. Yeah, one of the best. Yeah, real

2:06:59.600 --> 2:07:01.520
<v Speaker 1>DJ to say that, A lot of people we look

2:07:01.560 --> 2:07:03.640
<v Speaker 1>at him like fluff. A lot of people like, oh yeah,

2:07:03.680 --> 2:07:06.200
<v Speaker 1>he's been on the fresh prints, so they don't realize

2:07:06.280 --> 2:07:10.000
<v Speaker 1>he gets busy. He's the DJ, I know. But you

2:07:10.040 --> 2:07:11.160
<v Speaker 1>know what I'm trying to say. You know, that was

2:07:11.240 --> 2:07:17.840
<v Speaker 1>like a commercial show all the time. So smithy guy, guy, listen, curse,

2:07:18.440 --> 2:07:20.560
<v Speaker 1>does you know what I mean? So people a lot

2:07:20.600 --> 2:07:23.440
<v Speaker 1>of people don't know when you see DJ like red alert,

2:07:23.720 --> 2:07:25.920
<v Speaker 1>Like I just asked him and that was his first

2:07:26.120 --> 2:07:30.520
<v Speaker 1>DJ that he fired off. That's great, let's do that.

2:07:33.280 --> 2:07:35.240
<v Speaker 1>I'm so how he robbed because the first time I

2:07:35.280 --> 2:07:37.880
<v Speaker 1>got to see Jazz Jeff and DJ and Union Square

2:07:38.360 --> 2:07:40.880
<v Speaker 1>and Fresh Princes and Jazz Jeff performed there for the

2:07:40.920 --> 2:07:42.920
<v Speaker 1>first time, and that's what he came in and he

2:07:43.040 --> 2:07:45.000
<v Speaker 1>was the skilled level he was doing, Like what that

2:07:45.720 --> 2:07:49.280
<v Speaker 1>he's bad boy man? Was it Fresh Friends and Jazz Jeffer?

2:07:49.400 --> 2:07:51.360
<v Speaker 1>Was it? Since we're talking about the d J, that's

2:07:51.600 --> 2:07:55.640
<v Speaker 1>DJ j Jeff in the Fresh Prince DJ j J. Yeah, yeah, yeah, yeah. First,

2:07:58.120 --> 2:08:00.160
<v Speaker 1>just the way I confused the names. Did Jazz see

2:08:00.200 --> 2:08:04.160
<v Speaker 1>Jeff get his name from jazz j Jesus how? I

2:08:04.200 --> 2:08:06.720
<v Speaker 1>didn't think so. I don't think so. Honestly, I don't

2:08:06.760 --> 2:08:10.760
<v Speaker 1>think so, because you gotta remember something smokes the country.

2:08:11.160 --> 2:08:16.440
<v Speaker 1>There was a lot of jazzys at that time. We

2:08:16.560 --> 2:08:21.000
<v Speaker 1>don't know every single town that had a jazz And remember,

2:08:21.040 --> 2:08:24.720
<v Speaker 1>let's not forget Jazz Joyce as he joins a legend

2:08:24.760 --> 2:08:35.040
<v Speaker 1>as well. Just he was a little a little fan

2:08:35.120 --> 2:08:39.080
<v Speaker 1>of you. We've been little for a long time. Jazz

2:08:39.240 --> 2:08:42.000
<v Speaker 1>Joyce get busy on that. Oh yeah, she's like, no,

2:08:42.200 --> 2:08:48.040
<v Speaker 1>Jazz Joyce is the Elders also Coco Chanel, she died. Yeah,

2:08:48.240 --> 2:08:57.760
<v Speaker 1>she's the name Joyce Anchs. So because you know we

2:08:57.920 --> 2:09:00.880
<v Speaker 1>Latino over here too. You know what I'm saying, who's

2:09:01.240 --> 2:09:10.880
<v Speaker 1>the first Latino you've seen doing hip hop? Invest in Peace?

2:09:11.560 --> 2:09:16.880
<v Speaker 1>He DJ at the disco favorite named June Buck. He

2:09:17.040 --> 2:09:25.000
<v Speaker 1>was the first laptein of the DJ. But let's people

2:09:25.040 --> 2:09:27.400
<v Speaker 1>get mad at me. They think I hate the Minica's

2:09:27.440 --> 2:09:32.480
<v Speaker 1>just me they have before, but yeah, no, no, no,

2:09:32.600 --> 2:09:36.240
<v Speaker 1>it's just that's what I said last. I'm Cuban. We

2:09:36.800 --> 2:09:40.040
<v Speaker 1>have a rivalry. We let's separate each other with media.

2:09:42.600 --> 2:09:48.200
<v Speaker 1>He was same time Caribbean too, Yeah, Caribbean. But you know,

2:09:48.320 --> 2:09:50.080
<v Speaker 1>Cuba is the biggest Cribian. I'm just want to put

2:09:50.080 --> 2:09:56.879
<v Speaker 1>that out there. Everybody biggest Jamaican. Jamaican. I'm from Antigua, Antiga, Okay, figure'all.

2:09:58.680 --> 2:10:00.560
<v Speaker 1>You know how the same every I got rice and

2:10:00.600 --> 2:10:04.160
<v Speaker 1>beans and beans and rice. Yeah, planting and plantings. That's

2:10:04.160 --> 2:10:08.120
<v Speaker 1>why you really know we're like everyone. The people like

2:10:08.600 --> 2:10:11.000
<v Speaker 1>you go somewhere like, yeah, what's your national dish? Like

2:10:11.080 --> 2:10:15.280
<v Speaker 1>for riga, Dot's not lose focus. Let's go back to

2:10:15.320 --> 2:10:21.400
<v Speaker 1>the Latinos. Let's go so I know, I respect Charlie

2:10:21.520 --> 2:10:25.680
<v Speaker 1>Chase ruby D. You know he was one of the

2:10:25.760 --> 2:10:28.520
<v Speaker 1>members of ub D. You said Ruby ruby D one

2:10:28.560 --> 2:10:31.080
<v Speaker 1>of the members of the Fantastic Five remembers you say,

2:10:31.160 --> 2:10:34.800
<v Speaker 1>co question against past he was warning Fantastic Five. Um,

2:10:36.920 --> 2:10:39.640
<v Speaker 1>I did not know him. I always heard about him

2:10:39.680 --> 2:10:42.280
<v Speaker 1>and then I met him later on. Who was Rick

2:10:42.400 --> 2:10:47.000
<v Speaker 1>cast and Disco Rich yea, yeah, I never't know him

2:10:47.080 --> 2:10:52.120
<v Speaker 1>the very beginning. Um, I'm thinking everybody, because I was

2:10:52.240 --> 2:10:54.680
<v Speaker 1>up in the Bronx all the time. I was always

2:10:54.760 --> 2:10:57.120
<v Speaker 1>up in the box. I know. Down Harlem we had

2:10:57.200 --> 2:11:02.960
<v Speaker 1>Tito and from Feeling Sport and O C who was

2:11:03.040 --> 2:11:07.960
<v Speaker 1>the DJ for him Feelings sport Um. Not to be

2:11:08.040 --> 2:11:10.840
<v Speaker 1>confused C from Digging in the Crates picking him up

2:11:10.840 --> 2:11:14.440
<v Speaker 1>to Big o Se. It was a d J O C,

2:11:14.920 --> 2:11:18.040
<v Speaker 1>not the one from Digging Crazy. You know. I'm trying

2:11:18.080 --> 2:11:21.160
<v Speaker 1>to remember who else I can't recall, but now, but

2:11:21.320 --> 2:11:23.040
<v Speaker 1>he used for us, I know, of course, you know

2:11:23.200 --> 2:11:26.480
<v Speaker 1>Notating always been around and even the B Boys, there

2:11:26.560 --> 2:11:31.160
<v Speaker 1>was a lot of people, huh crazy like before Rock Stay,

2:11:31.680 --> 2:11:36.320
<v Speaker 1>the origin New B Boys do the names of Yeah

2:11:37.840 --> 2:11:40.520
<v Speaker 1>there our timeline suck when he came here, you know,

2:11:40.680 --> 2:11:52.160
<v Speaker 1>like fuck you your Timeline, Fuck you suck your hercle Field,

2:11:52.240 --> 2:11:54.360
<v Speaker 1>That's what I was saying to him. A guy named

2:11:54.400 --> 2:11:59.640
<v Speaker 1>rest in Peace, Mike my Man, Charlie, rock my Man, Trixie.

2:12:00.120 --> 2:12:02.160
<v Speaker 1>And there was a guy who was who is the

2:12:02.200 --> 2:12:08.000
<v Speaker 1>Latino named Sassa. Sounds like people was winning the battiest,

2:12:09.320 --> 2:12:13.680
<v Speaker 1>winning the bad countless graffiti artists as well a graffiti

2:12:13.760 --> 2:12:17.560
<v Speaker 1>artists as well. Oh yeah, that's a graffiti artists. Is

2:12:17.600 --> 2:12:22.040
<v Speaker 1>that the I think that really start before hip hop coaching? Absolutely?

2:12:22.080 --> 2:12:25.320
<v Speaker 1>Yea yeah. And after we talked about with a little bit,

2:12:25.440 --> 2:12:28.280
<v Speaker 1>I'm about to ask you that is the five elements

2:12:28.400 --> 2:12:32.640
<v Speaker 1>of hip hop? Does it doesn't really matter anymore? Hey man,

2:12:32.760 --> 2:12:34.640
<v Speaker 1>I don't like the way that question was at. I

2:12:34.680 --> 2:12:40.040
<v Speaker 1>don't know you don't, but let him answer to me

2:12:40.160 --> 2:12:42.440
<v Speaker 1>and my Piers and the audience that came along with us.

2:12:42.480 --> 2:12:47.920
<v Speaker 1>It matters to us a great deal, a great great

2:12:48.520 --> 2:12:51.600
<v Speaker 1>that's fun, you know, or even made a shirt about it.

2:12:51.680 --> 2:12:53.200
<v Speaker 1>You look at your shirt that that we gave you

2:12:54.280 --> 2:12:58.840
<v Speaker 1>the five elements. Give me the bottle opening up someone

2:12:58.880 --> 2:13:06.040
<v Speaker 1>with the circle. It ain't going d J B Boys MC. Yeah,

2:13:06.440 --> 2:13:08.840
<v Speaker 1>so you think it's supposed to say it's full? And

2:13:08.920 --> 2:13:17.160
<v Speaker 1>then also be Box. Some people say no, father was yeah,

2:13:17.440 --> 2:13:20.360
<v Speaker 1>and some people just say former Russian but that's a

2:13:20.560 --> 2:13:24.680
<v Speaker 1>b Rocks. What do you think about fashion? Fashion big

2:13:24.760 --> 2:13:28.320
<v Speaker 1>part in hip hop, big part of hip hop because

2:13:28.560 --> 2:13:31.600
<v Speaker 1>you see used to the spikes. No, that was that

2:13:31.720 --> 2:13:35.400
<v Speaker 1>new way punk rocks. You ain't fo this white. You

2:13:35.440 --> 2:13:39.240
<v Speaker 1>ain't had the reason I'm asking because you're gonna pull

2:13:39.280 --> 2:13:46.480
<v Speaker 1>up a picture you don't, We're gonna go. We're gonna

2:13:46.480 --> 2:13:52.840
<v Speaker 1>go look for it. We got something you want. No, no, no, no,

2:13:53.040 --> 2:13:55.400
<v Speaker 1>no no. I had a rob a couple of years ago.

2:13:55.440 --> 2:13:58.760
<v Speaker 1>I said, Lubaton with the spikes just for weirdos. I'm

2:13:58.800 --> 2:14:06.160
<v Speaker 1>a hood widows and started wearing them. No, really, when

2:14:06.160 --> 2:14:08.680
<v Speaker 1>you want to go with this man, I want Lott

2:14:08.720 --> 2:14:10.560
<v Speaker 1>with tars. I didn't read the ones with the spikes,

2:14:11.080 --> 2:14:13.360
<v Speaker 1>and there was so many people hit me like you

2:14:13.480 --> 2:14:16.760
<v Speaker 1>can't dis spikes, and I was like, why at the

2:14:16.800 --> 2:14:20.880
<v Speaker 1>bottom of the shoes, Yeah, I don't poke with those spikes.

2:14:21.000 --> 2:14:22.880
<v Speaker 1>So but but when I said that, I didn't on

2:14:22.960 --> 2:14:25.160
<v Speaker 1>the record with Lars pro Bro my first record I

2:14:25.240 --> 2:14:28.240
<v Speaker 1>ever recorded with Lars Bro, and so many fans was like,

2:14:28.320 --> 2:14:30.800
<v Speaker 1>but you can't di spikes like you just a little

2:14:30.920 --> 2:14:33.839
<v Speaker 1>Tar Spikes, but you can't say Spikes is for widows.

2:14:33.880 --> 2:14:35.640
<v Speaker 1>And I was like, why they sent me so much

2:14:37.720 --> 2:14:44.760
<v Speaker 1>original when I was just like had mentioned the the

2:14:44.880 --> 2:14:48.120
<v Speaker 1>parallels with punk and hip hop in the early beginnings

2:14:48.920 --> 2:14:51.440
<v Speaker 1>and why there was like they looked the same at

2:14:51.480 --> 2:14:53.760
<v Speaker 1>the time and there was in the same venues. It

2:14:53.960 --> 2:14:58.760
<v Speaker 1>was a level situation at the time because culture counterculture.

2:14:58.800 --> 2:15:02.120
<v Speaker 1>Yeah it is hip hop coming from up in the

2:15:02.200 --> 2:15:07.040
<v Speaker 1>Bronx coming downtown, Punk rock and new waves, you know,

2:15:07.760 --> 2:15:10.840
<v Speaker 1>was all emerging at the time, and we always got

2:15:10.880 --> 2:15:13.400
<v Speaker 1>together at certain clubs. First was in the Grills, then

2:15:13.520 --> 2:15:16.600
<v Speaker 1>Dance Interia, and it was like you got to learn

2:15:16.800 --> 2:15:18.200
<v Speaker 1>some of their coaches, you got to learn some of

2:15:18.280 --> 2:15:22.560
<v Speaker 1>our culture. The grill placed for the Grills that was

2:15:22.600 --> 2:15:25.960
<v Speaker 1>on the second avenue was Jamaican. Uh. I think more

2:15:26.080 --> 2:15:34.680
<v Speaker 1>like yeah, yeah, continue from them to Danceteria. Actually, while

2:15:34.720 --> 2:15:37.600
<v Speaker 1>we was cutting up records like once in a Lifetime

2:15:37.680 --> 2:15:42.400
<v Speaker 1>by Talking Heads and Liquid Liquid and you know, we're

2:15:42.400 --> 2:15:46.720
<v Speaker 1>playing stuff like um something about UM coming down the

2:15:46.800 --> 2:15:49.400
<v Speaker 1>house and all that stuff, and they got the line

2:15:49.440 --> 2:15:52.720
<v Speaker 1>our stuff. So we was none how to support each other.

2:15:53.920 --> 2:15:56.560
<v Speaker 1>We all have to look at them where we like

2:15:56.680 --> 2:15:59.680
<v Speaker 1>their music and they're like our music. That's what it was.

2:16:00.000 --> 2:16:01.680
<v Speaker 1>Because if you would have wore spikes and I would

2:16:01.680 --> 2:16:09.440
<v Speaker 1>have found out you got the picture. Go you talk

2:16:09.480 --> 2:16:11.840
<v Speaker 1>about that because I know how you know the error

2:16:12.320 --> 2:16:14.760
<v Speaker 1>I grew up in the Oh you got de fitted

2:16:14.840 --> 2:16:22.760
<v Speaker 1>jeans going back. Yeah, it's like they got me like that.

2:16:26.520 --> 2:16:32.720
<v Speaker 1>Just the rivalry with the now now I know during

2:16:32.760 --> 2:16:36.080
<v Speaker 1>the time, like the felish fire, the cold crushed the

2:16:36.160 --> 2:16:40.320
<v Speaker 1>feather day was looking up to the people's like changing

2:16:40.360 --> 2:16:44.080
<v Speaker 1>them at this right and like you know anything that

2:16:44.920 --> 2:16:50.080
<v Speaker 1>George Clinton, they following that. You know they was doing

2:16:50.160 --> 2:16:54.280
<v Speaker 1>that every day. No, it was coking everywhere, not before

2:16:54.400 --> 2:17:00.160
<v Speaker 1>that or Angel does Angel does everywhere? I mean don't

2:17:00.160 --> 2:17:05.320
<v Speaker 1>know about everywhere a man now before that. Here it

2:17:05.520 --> 2:17:08.200
<v Speaker 1>is the groups I just mentioned. They used to come dressing,

2:17:08.240 --> 2:17:11.200
<v Speaker 1>looking at the temptations and doing steps and everything. So

2:17:11.400 --> 2:17:13.840
<v Speaker 1>there was far too different way. They was both looks.

2:17:15.120 --> 2:17:17.120
<v Speaker 1>All three of them who I just mentioned used to

2:17:17.200 --> 2:17:20.760
<v Speaker 1>come with the suits on. You should come doing steps,

2:17:21.080 --> 2:17:24.160
<v Speaker 1>dancing and all that. Now here it is for us

2:17:24.320 --> 2:17:26.520
<v Speaker 1>that re class of looking flyer the trump. At the

2:17:26.560 --> 2:17:28.480
<v Speaker 1>time I was going to all the hip hop friends.

2:17:29.000 --> 2:17:33.600
<v Speaker 1>We was ran in what they called Gabardine material pants

2:17:34.080 --> 2:17:37.240
<v Speaker 1>with the over flaps. We had the turn next to

2:17:37.280 --> 2:17:40.359
<v Speaker 1>the market. Next we had the um, the level fronts,

2:17:40.840 --> 2:17:44.000
<v Speaker 1>we had the Italian Knicks. The shoes we wore was

2:17:44.040 --> 2:17:48.560
<v Speaker 1>even playboys or British walkers, you know, if it was

2:17:48.640 --> 2:17:51.840
<v Speaker 1>real flyer you are up pair of gams. You know. Um.

2:17:53.720 --> 2:17:59.640
<v Speaker 1>The coat we had was quarter Fields. That's what we

2:17:59.800 --> 2:18:04.280
<v Speaker 1>were rocking at that time. I gotta make some noise

2:18:04.320 --> 2:18:15.080
<v Speaker 1>of that. What's that for? So when does Dapper Dan

2:18:15.200 --> 2:18:18.960
<v Speaker 1>come into play? Ye, Dapper Dan came in I think

2:18:19.000 --> 2:18:22.880
<v Speaker 1>about early eighties, but start to emerge more into the

2:18:23.000 --> 2:18:25.960
<v Speaker 1>late eighties and you've got shirt Kings, you got shirt Kings,

2:18:26.040 --> 2:18:32.560
<v Speaker 1>Short Kings goes out there and Ja Jamaica Yeah yeah,

2:18:32.760 --> 2:18:38.680
<v Speaker 1>and then was doing their thing in the same Let

2:18:38.720 --> 2:18:41.240
<v Speaker 1>me ask you, right, I love the everything you just said,

2:18:41.920 --> 2:18:44.440
<v Speaker 1>but I want to ask you when we look at

2:18:44.480 --> 2:18:50.080
<v Speaker 1>the old drug Dealer movies paid the falls, we look

2:18:50.160 --> 2:18:53.880
<v Speaker 1>how much it seemed like if the DJ shot at

2:18:53.959 --> 2:19:05.520
<v Speaker 1>you out in the club, you was different. Yeah yeah,

2:19:05.600 --> 2:19:10.160
<v Speaker 1>little payola for that too. Let's stand up, guys, not

2:19:10.360 --> 2:19:15.160
<v Speaker 1>really not really need to understand. Shot my name. I

2:19:15.280 --> 2:19:18.520
<v Speaker 1>shot my name out and they know you're taking that's

2:19:18.560 --> 2:19:22.760
<v Speaker 1>why you're shotting the name out. So now how much

2:19:22.760 --> 2:19:29.040
<v Speaker 1>would that take? And you can get big money for that?

2:19:30.480 --> 2:19:32.640
<v Speaker 1>We got a segue here. How important what he's saying

2:19:32.720 --> 2:19:36.640
<v Speaker 1>right now? So you are the beginnings at least one

2:19:36.680 --> 2:19:39.240
<v Speaker 1>of the partiers of mixed tapes. No, I'm not willing

2:19:39.280 --> 2:19:42.160
<v Speaker 1>to be not in the beginning. Who I'll give respect

2:19:42.240 --> 2:19:47.360
<v Speaker 1>to Brucy be absolutely Now how they that to me

2:19:47.480 --> 2:19:52.240
<v Speaker 1>about mixtape? Because once I got on the radio, everybody

2:19:52.320 --> 2:19:54.320
<v Speaker 1>you said, yo, let me get that mix from last night.

2:19:54.720 --> 2:19:57.480
<v Speaker 1>I was already sententation from water jam. Remember you always

2:19:57.520 --> 2:20:03.279
<v Speaker 1>asking about from every saying how is known for being recorded?

2:20:03.320 --> 2:20:07.320
<v Speaker 1>All the parties mass up in the brunch. I'm down harm,

2:20:08.360 --> 2:20:11.240
<v Speaker 1>I'm selling tapes. I'm making copies and selling tapes. You

2:20:11.280 --> 2:20:16.120
<v Speaker 1>went platinum. Let's just talk about it. This is audio only, right, Yeah,

2:20:16.240 --> 2:20:21.200
<v Speaker 1>this is original mixtapes audio. You basically created the podcast.

2:20:22.240 --> 2:20:26.280
<v Speaker 1>Well it's audio. You're fast forwarding right now, just like

2:20:26.640 --> 2:20:39.680
<v Speaker 1>me to your what I made great money offer that

2:20:39.760 --> 2:20:42.880
<v Speaker 1>coumo deep busy, be busy, be more. Now this is

2:20:42.920 --> 2:20:45.760
<v Speaker 1>the legendary that is legend. I was there that day. Wait,

2:20:45.840 --> 2:20:48.040
<v Speaker 1>so you're the one that put that out there. No,

2:20:48.360 --> 2:20:50.879
<v Speaker 1>it was me and the DJ Vandy Rest in peace

2:20:51.320 --> 2:20:53.600
<v Speaker 1>because what happened. I was just leaving from up in

2:20:53.640 --> 2:20:55.680
<v Speaker 1>the Bronx, and I mean I got off on the

2:20:56.120 --> 2:20:58.680
<v Speaker 1>right around my way HR Sixting Street, come out harmon Worlds.

2:20:58.800 --> 2:21:01.520
<v Speaker 1>Right there, I saw there was a big crowd and

2:21:01.600 --> 2:21:05.280
<v Speaker 1>there was an MC convention, as it was an MC convention.

2:21:05.440 --> 2:21:08.280
<v Speaker 1>I always know for carrying my tap and MC convention,

2:21:08.400 --> 2:21:11.279
<v Speaker 1>what does that mean? Exactly? At that point MC convention

2:21:11.800 --> 2:21:17.320
<v Speaker 1>where it was also a contest, the battle basically battle

2:21:17.720 --> 2:21:19.960
<v Speaker 1>and there was so many people that was battling. So

2:21:20.120 --> 2:21:22.080
<v Speaker 1>now here it is, I'm walking with my tape deck.

2:21:22.680 --> 2:21:24.920
<v Speaker 1>As I'm walking with my tape deck, I went to

2:21:25.160 --> 2:21:28.560
<v Speaker 1>the to the section where the equipment and my man,

2:21:29.000 --> 2:21:31.600
<v Speaker 1>I forgot his name. I said, yo, man, can I

2:21:31.680 --> 2:21:33.480
<v Speaker 1>hook it up? He let me hook it up. So

2:21:34.600 --> 2:21:38.200
<v Speaker 1>the house school mod have on the big glasses. Yeah no, no, no,

2:21:38.320 --> 2:21:40.600
<v Speaker 1>he ain't a big glasses't have a big glasses. Can

2:21:40.680 --> 2:21:46.840
<v Speaker 1>sell you the story into it. So let me look

2:21:46.879 --> 2:21:48.440
<v Speaker 1>at my tape deck. Along with the tape deck that

2:21:48.560 --> 2:21:52.400
<v Speaker 1>was and I recorded that. I recorded that, but I

2:21:52.560 --> 2:21:57.400
<v Speaker 1>was always duplicated that And then you really sat, but

2:21:57.720 --> 2:22:00.920
<v Speaker 1>we're gonna talking about the what happens this battle it's

2:22:01.000 --> 2:22:07.279
<v Speaker 1>Busy Be. So it really was MC Battle Contest convention,

2:22:07.920 --> 2:22:10.560
<v Speaker 1>it was, but it was all about again. So Modi

2:22:10.840 --> 2:22:14.280
<v Speaker 1>was the host for that, but he decided to come

2:22:14.440 --> 2:22:17.360
<v Speaker 1>in at the last minute, signed up to go after Busy.

2:22:17.440 --> 2:22:20.960
<v Speaker 1>We called Busy Be was known for winning or the

2:22:21.120 --> 2:22:23.879
<v Speaker 1>contest and Busy Be from the Bronx, mold from halland

2:22:23.959 --> 2:22:27.320
<v Speaker 1>Wild Wild West. He made the record. It's documented, right

2:22:28.600 --> 2:22:31.680
<v Speaker 1>they go at it. This is a moment that shifted

2:22:31.760 --> 2:22:35.119
<v Speaker 1>hip hop. Oh yeah, yeah, yeah, yeah, yeah, definitely talk.

2:22:35.400 --> 2:22:37.400
<v Speaker 1>You said you're there. What did you see when you

2:22:37.520 --> 2:22:40.879
<v Speaker 1>was there? Man? When I saw that, Modi got up

2:22:40.920 --> 2:22:43.160
<v Speaker 1>there and he started seeing them lyrics and all I

2:22:43.200 --> 2:22:44.960
<v Speaker 1>can do is having my mouth for mind, like, oh

2:22:45.120 --> 2:22:48.960
<v Speaker 1>ship because its number one. You didn't expect for him

2:22:49.000 --> 2:22:51.040
<v Speaker 1>to be in the contest number two. You ship. He's saying,

2:22:51.080 --> 2:22:54.440
<v Speaker 1>you never heard before you'd be like, what the So

2:22:54.520 --> 2:22:58.920
<v Speaker 1>we're saying, mold one that Yeah, clearly you didn't listen

2:22:58.959 --> 2:23:04.480
<v Speaker 1>to the change just because I'll be Let's go to

2:23:04.560 --> 2:23:08.280
<v Speaker 1>the video chap, Let's go to the audio jape. Think

2:23:08.320 --> 2:23:11.039
<v Speaker 1>about it. We'll play Let's go back to the table.

2:23:11.480 --> 2:23:15.720
<v Speaker 1>We're going back to the tape and Monkey and Busy

2:23:15.840 --> 2:23:19.120
<v Speaker 1>is good. They're good friends, good friends. You know. Business

2:23:19.120 --> 2:23:22.840
<v Speaker 1>a legend. Yeah, business, that's my that's what my doing.

2:23:22.959 --> 2:23:27.199
<v Speaker 1>But they helped me history because you think more about

2:23:28.360 --> 2:23:32.080
<v Speaker 1>them too. Beside the whole entire battle. You know who's

2:23:32.120 --> 2:23:35.240
<v Speaker 1>Rustle was in that that contest. A lot of people

2:23:35.240 --> 2:23:38.560
<v Speaker 1>don't know he from down in Atlanta. He's known for

2:23:38.640 --> 2:23:45.160
<v Speaker 1>being on radio in Atlanta. Remember Frank Ski V one

2:23:45.200 --> 2:23:50.040
<v Speaker 1>on three. Frank Ski, he was the morning guy for

2:23:50.280 --> 2:23:53.600
<v Speaker 1>V one on three. He was he was up there

2:23:53.720 --> 2:23:57.400
<v Speaker 1>because you have family in Harlem. And he go ahead

2:23:57.680 --> 2:23:59.640
<v Speaker 1>and got him there and wrapped. He was wrapping up

2:23:59.640 --> 2:24:10.359
<v Speaker 1>the inst mental Mama used to say, Jesus, So imagine

2:24:10.400 --> 2:24:15.840
<v Speaker 1>me go ahead making my hustle selling tapes. So by

2:24:15.920 --> 2:24:19.360
<v Speaker 1>the time now when I get to doing radio, they

2:24:19.400 --> 2:24:21.720
<v Speaker 1>don't want the party tapes. They say, yo, man, that

2:24:21.879 --> 2:24:23.680
<v Speaker 1>joint what you did last night, You know, man, I

2:24:23.720 --> 2:24:26.080
<v Speaker 1>want to copy of that. So what I used to

2:24:26.200 --> 2:24:30.199
<v Speaker 1>do every time, because I was pre recording, I would

2:24:30.200 --> 2:24:35.640
<v Speaker 1>always keep my master and make copies. So anybody heard

2:24:35.760 --> 2:24:39.320
<v Speaker 1>something that night, the next day you got that tape.

2:24:40.280 --> 2:24:46.440
<v Speaker 1>Mm hmm. Business. But then you started recording, I mean

2:24:46.480 --> 2:24:50.200
<v Speaker 1>putting out your mixes from the radio as mix tapes. Yes,

2:24:51.120 --> 2:24:55.680
<v Speaker 1>UM tell you the mixtape not not well, I'm just

2:24:55.720 --> 2:24:57.920
<v Speaker 1>saying this, Okay, let me just in the street in

2:24:58.040 --> 2:25:03.240
<v Speaker 1>street level, I would say a brucy b start see

2:25:03.240 --> 2:25:06.200
<v Speaker 1>you guys, huh in New York. I'm talking from a

2:25:06.240 --> 2:25:09.920
<v Speaker 1>guy from Miami that tapes are trickling down to us.

2:25:10.160 --> 2:25:12.480
<v Speaker 1>That's why they were looking at us, looking at me.

2:25:12.920 --> 2:25:15.800
<v Speaker 1>I don't know with Molly and Chuck, because people will

2:25:15.840 --> 2:25:18.920
<v Speaker 1>recording us after radio just to stop you one second,

2:25:18.959 --> 2:25:22.480
<v Speaker 1>just to give you your homage. And I'm appreciate getting

2:25:22.520 --> 2:25:26.120
<v Speaker 1>to us is red alert tapes and kicking pre tapes

2:25:26.760 --> 2:25:30.400
<v Speaker 1>in Miami, and then I become a mixtape DJ based

2:25:30.440 --> 2:25:40.880
<v Speaker 1>on that that you're trying to me. I'm just honestly

2:25:41.080 --> 2:25:44.280
<v Speaker 1>giving you what the blueprint. And then we learned about

2:25:44.320 --> 2:25:48.240
<v Speaker 1>Brucey B and everybody through you guys, and we have

2:25:48.400 --> 2:25:50.120
<v Speaker 1>to do our do and we have to dig in

2:25:50.160 --> 2:25:53.400
<v Speaker 1>the crates and figure out what's the history. Yeah, you

2:25:53.440 --> 2:25:55.800
<v Speaker 1>guys are the first people coming to us. Yeah, because

2:25:55.879 --> 2:25:58.320
<v Speaker 1>you don't mention these guys, they're getting missing absolutely, you know.

2:25:58.720 --> 2:26:02.360
<v Speaker 1>And there was other people side brucy and and start

2:26:02.440 --> 2:26:06.879
<v Speaker 1>out you have my man, DJ Hollywood, you have scheme.

2:26:07.320 --> 2:26:11.080
<v Speaker 1>I mean, listens moments on so many of them, so

2:26:11.200 --> 2:26:13.360
<v Speaker 1>many of them. That's still one of my favorite songs

2:26:13.400 --> 2:26:16.039
<v Speaker 1>to this day. Who Dang, Who Dan? I don't want

2:26:16.080 --> 2:26:19.360
<v Speaker 1>to go during the night with my honey. Gave me

2:26:19.480 --> 2:26:24.440
<v Speaker 1>something that young boy go to bed. I a lot that.

2:26:25.320 --> 2:26:27.039
<v Speaker 1>When I heard that, I was like, what the fun

2:26:27.240 --> 2:26:30.960
<v Speaker 1>is going on? I really know what it was. And

2:26:31.240 --> 2:26:33.400
<v Speaker 1>I see like a pictured like the person who they

2:26:33.400 --> 2:26:35.520
<v Speaker 1>said sunk it and he had the suit on, and

2:26:35.600 --> 2:26:37.640
<v Speaker 1>I was like, I ain't never seen that. Like, I

2:26:37.760 --> 2:26:41.560
<v Speaker 1>was like, what we dressed up? I was so hood

2:26:41.600 --> 2:26:43.960
<v Speaker 1>at that time, fresh man he was at It was

2:26:44.080 --> 2:26:48.320
<v Speaker 1>more for like the growning sexy in that element over there.

2:26:48.720 --> 2:26:50.760
<v Speaker 1>So that's we much more on the street, That's what

2:26:50.959 --> 2:26:54.360
<v Speaker 1>that's that's what Cass said over Well, that's something again

2:26:55.200 --> 2:26:58.360
<v Speaker 1>if you if you google that record when it came out,

2:26:58.400 --> 2:27:01.200
<v Speaker 1>I had to be like eight or nine. Well I

2:27:01.320 --> 2:27:05.400
<v Speaker 1>didn't know. People said that they considered that commercial and

2:27:05.480 --> 2:27:09.240
<v Speaker 1>I was like, well, like what was commercial about that?

2:27:09.360 --> 2:27:11.520
<v Speaker 1>And compared to what they were doing, compared to what

2:27:11.680 --> 2:27:16.240
<v Speaker 1>they were doing, so um, I didn't know, so what

2:27:17.320 --> 2:27:20.520
<v Speaker 1>I think that you could probably rather soon as did this.

2:27:20.840 --> 2:27:23.880
<v Speaker 1>But what was the difference? What did you want to

2:27:24.160 --> 2:27:26.320
<v Speaker 1>did you care about being on the commercial side like

2:27:26.760 --> 2:27:30.400
<v Speaker 1>or did you say you know it didn't matter. You

2:27:30.480 --> 2:27:32.720
<v Speaker 1>just wanted to push hip hop forward? Like what what

2:27:32.840 --> 2:27:36.360
<v Speaker 1>side do you you think? I'm gone to take advantage

2:27:36.400 --> 2:27:38.640
<v Speaker 1>of the commercial side with the elements of where I

2:27:38.760 --> 2:27:41.000
<v Speaker 1>come from on the hip hop. I wanted to go

2:27:41.160 --> 2:27:44.760
<v Speaker 1>ahead and bring that over here. Let people know that

2:27:45.240 --> 2:27:47.520
<v Speaker 1>this is what we've been doing over here, and let

2:27:47.560 --> 2:27:50.320
<v Speaker 1>me present it to you and I can go ahead

2:27:50.360 --> 2:27:52.560
<v Speaker 1>and program right along with everything else that you are

2:27:52.680 --> 2:27:55.360
<v Speaker 1>like not understand with you. You know, I'm gonna give

2:27:55.400 --> 2:27:58.040
<v Speaker 1>you your R and B. I'm gonna give you a dance.

2:27:58.640 --> 2:28:02.000
<v Speaker 1>I'm gonna give you some what we've been doing. Mix

2:28:02.080 --> 2:28:05.640
<v Speaker 1>it all to Jael and everybody get that variety. That's

2:28:05.680 --> 2:28:15.000
<v Speaker 1>what that did got them and you've been credited with

2:28:15.160 --> 2:28:17.760
<v Speaker 1>bringing reggae and dance all to the radio waves as

2:28:17.840 --> 2:28:22.240
<v Speaker 1>well in the States. Respect on that um. But it

2:28:22.280 --> 2:28:24.440
<v Speaker 1>influenced me once again, the dope jam to I just

2:28:24.560 --> 2:28:28.480
<v Speaker 1>told you about when we was coming out. No, no,

2:28:28.720 --> 2:28:32.800
<v Speaker 1>I'm the hype man to KOs one book production. Everybody

2:28:32.840 --> 2:28:34.440
<v Speaker 1>knew I was the DJ, but that was the Nice.

2:28:35.120 --> 2:28:37.480
<v Speaker 1>So every time we came out, we came to hold On.

2:28:37.560 --> 2:28:42.640
<v Speaker 1>You just said that way too fast. Again again, I said,

2:28:42.959 --> 2:28:45.400
<v Speaker 1>everybody thought I would have been the DJ in place

2:28:45.440 --> 2:28:47.400
<v Speaker 1>of Scott the Rock. I'm gonna add that, mate, dear,

2:28:48.240 --> 2:28:50.520
<v Speaker 1>But it was d Nice that was the DJ while

2:28:50.560 --> 2:28:55.080
<v Speaker 1>I was the hype man for KOs one one stage History,

2:28:55.240 --> 2:29:14.040
<v Speaker 1>So you was splip star, that's fine, that's wine. While

2:29:14.160 --> 2:29:16.000
<v Speaker 1>he was coming out. He was coming out to the

2:29:16.120 --> 2:29:21.560
<v Speaker 1>instrument version of Telephone Love by J. C. Longe. So

2:29:21.840 --> 2:29:24.320
<v Speaker 1>when I saw the response every time we came out

2:29:24.360 --> 2:29:27.480
<v Speaker 1>to that, and we always ended out with the album

2:29:27.680 --> 2:29:30.199
<v Speaker 1>version of Stop the Valance that was on the album

2:29:30.840 --> 2:29:35.080
<v Speaker 1>and that also got Caribbean influence, it gave me an

2:29:35.120 --> 2:29:37.760
<v Speaker 1>idea when I got back to the station to started

2:29:37.800 --> 2:29:43.240
<v Speaker 1>playing some dance Harvekings. So the first ten fifteen minutes

2:29:43.280 --> 2:29:45.640
<v Speaker 1>I played some dance hall because there were some people

2:29:45.680 --> 2:29:49.720
<v Speaker 1>that have made dance havankas like Um special Ed on

2:29:49.920 --> 2:29:54.080
<v Speaker 1>his choice album, UM drove yourself on the other's album No.

2:29:54.680 --> 2:29:58.080
<v Speaker 1>So then extended and stand down. I started ring supercat

2:29:58.160 --> 2:30:03.040
<v Speaker 1>type ship that's start getting the Beanie Man and Shabu Shot.

2:30:04.560 --> 2:30:07.520
<v Speaker 1>You know, I mean this is no and you know

2:30:07.800 --> 2:30:11.640
<v Speaker 1>I made it one hour out of my show. And

2:30:11.760 --> 2:30:13.680
<v Speaker 1>before you know that, you let me have an album

2:30:13.760 --> 2:30:19.279
<v Speaker 1>out called prop Master Dance on Little Virus, Little Vicius

2:30:19.360 --> 2:30:24.880
<v Speaker 1>is on. That was dope record. Man. That was like,

2:30:25.120 --> 2:30:28.920
<v Speaker 1>that's a class, that's my guy. Yeah, can I as

2:30:29.280 --> 2:30:34.560
<v Speaker 1>absolutely all right? So we didn't mention this, but I

2:30:34.640 --> 2:30:37.520
<v Speaker 1>happened to know that you are in your forty fifth

2:30:37.680 --> 2:30:43.599
<v Speaker 1>year of DJAN. Right, is that on radio or just djero?

2:30:44.320 --> 2:30:48.520
<v Speaker 1>That's all together. I started on radio eight three, but

2:30:48.600 --> 2:30:51.680
<v Speaker 1>I started DJAN in seventy six, So so how long

2:30:51.720 --> 2:30:54.879
<v Speaker 1>have you been on radio? Next month could be thirty

2:30:54.920 --> 2:30:58.600
<v Speaker 1>eight years? Incredible, man. I don't do as many people

2:31:04.920 --> 2:31:07.279
<v Speaker 1>of the forty five because I know some people get confused.

2:31:07.560 --> 2:31:10.280
<v Speaker 1>All right, So I have I wanted to do this

2:31:10.400 --> 2:31:12.680
<v Speaker 1>on this day I have it. Is it a true question? Right?

2:31:12.879 --> 2:31:15.240
<v Speaker 1>I gotta go to the barroom. That's a part of

2:31:15.280 --> 2:31:21.320
<v Speaker 1>the show. Is it Is it true that you're on

2:31:21.560 --> 2:31:24.720
<v Speaker 1>the Rock and Roll Hall of Fame? What it is?

2:31:24.800 --> 2:31:28.279
<v Speaker 1>They have a display on me in the radio section

2:31:28.600 --> 2:31:31.480
<v Speaker 1>of the Rock and Roll Hall of Fame, including on

2:31:31.680 --> 2:31:36.160
<v Speaker 1>Hags and it's an honor because I'm right along with

2:31:36.280 --> 2:31:39.120
<v Speaker 1>some of the great DJ's from radio in the past,

2:31:39.240 --> 2:31:45.760
<v Speaker 1>like Gyne, Alan Freed, Wolfman, check Um, Frankie Crocker. I

2:31:45.840 --> 2:31:50.360
<v Speaker 1>mean so many people. So you know you in that category, dumb.

2:31:50.440 --> 2:31:53.400
<v Speaker 1>It's an honor battle so you know, solidified in the

2:31:53.520 --> 2:31:56.880
<v Speaker 1>history of our country as well. Right, that's what that is.

2:31:56.959 --> 2:31:59.680
<v Speaker 1>So I've got another institute, one more, one more, all right,

2:31:59.720 --> 2:32:01.240
<v Speaker 1>So when I do my homework on you, when I

2:32:01.320 --> 2:32:05.080
<v Speaker 1>do my homework, it's a time where you mentioned like

2:32:05.240 --> 2:32:11.240
<v Speaker 1>Rob Base, we talked about the movie Juice, you know,

2:32:11.480 --> 2:32:13.400
<v Speaker 1>from my like my age group. You know, we know

2:32:13.560 --> 2:32:15.520
<v Speaker 1>Kalid and we know a bunch of DJs now that

2:32:15.640 --> 2:32:18.600
<v Speaker 1>we see on the face value on TV and stuff.

2:32:19.000 --> 2:32:20.840
<v Speaker 1>But when I look at those errors, even up to

2:32:21.000 --> 2:32:26.560
<v Speaker 1>like even ludicrous throw them bowls. You were like highly

2:32:26.680 --> 2:32:29.879
<v Speaker 1>featured in a lot of hip hop videos, and at

2:32:29.920 --> 2:32:33.560
<v Speaker 1>that time, I didn't really know if that was like common,

2:32:33.720 --> 2:32:35.200
<v Speaker 1>you know what I mean. It's there was a point

2:32:35.240 --> 2:32:36.959
<v Speaker 1>where I think I saw that. I heard I think

2:32:37.000 --> 2:32:43.039
<v Speaker 1>he's the most the most featured cameo in a video video. Yeah, yeah,

2:32:43.120 --> 2:32:46.240
<v Speaker 1>I saw that. I read that. I read and I

2:32:46.320 --> 2:32:48.640
<v Speaker 1>thought about it. I was like, well, if I look

2:32:48.680 --> 2:32:52.160
<v Speaker 1>at the videos that I've seen, then he showed that

2:32:52.400 --> 2:32:56.760
<v Speaker 1>he was showing finish your question? Sorry is this? Was

2:32:56.800 --> 2:32:58.960
<v Speaker 1>there anybody else doing this? Was this a tactic? Like?

2:32:59.080 --> 2:33:01.560
<v Speaker 1>What did you realize he was doing that? I did

2:33:01.640 --> 2:33:06.480
<v Speaker 1>it for a reason. A long time ago, before the

2:33:06.640 --> 2:33:11.480
<v Speaker 1>visual took off, there was a lot of people impostus

2:33:13.080 --> 2:33:16.800
<v Speaker 1>try to impersonate who they are to make their money.

2:33:17.000 --> 2:33:18.920
<v Speaker 1>You know, you get the fake this faith that. So

2:33:19.200 --> 2:33:21.920
<v Speaker 1>when Spaking and I once again we dine in Kentucky

2:33:22.920 --> 2:33:25.680
<v Speaker 1>and um just back like mid eighties r in Kentucky

2:33:26.560 --> 2:33:29.600
<v Speaker 1>and this guy he's gonna brag you know that his

2:33:29.760 --> 2:33:32.080
<v Speaker 1>name dropping. Well, you know I met this person. I

2:33:32.160 --> 2:33:35.120
<v Speaker 1>met that person. He mentioned my name. So he mentioned

2:33:35.160 --> 2:33:39.160
<v Speaker 1>my name me sparking and look at each other, I

2:33:39.240 --> 2:33:41.640
<v Speaker 1>mean saying nothing. The cup quiet. Right before we get

2:33:41.959 --> 2:33:46.440
<v Speaker 1>go on the stage, Sparky tap him and say, oh,

2:33:46.520 --> 2:33:49.360
<v Speaker 1>by the way, that's better. Look he looked at me.

2:33:49.440 --> 2:33:54.240
<v Speaker 1>He was shocky ran out. I say, okay, so even

2:33:54.400 --> 2:33:57.600
<v Speaker 1>that you dragging that you said you met everybody or

2:33:57.640 --> 2:34:01.560
<v Speaker 1>there's somebody go around and say they meet. So when

2:34:01.600 --> 2:34:03.320
<v Speaker 1>I saw that, I had the opportunity to do the

2:34:03.400 --> 2:34:06.760
<v Speaker 1>first video I forgot the first video every did. They

2:34:06.800 --> 2:34:09.440
<v Speaker 1>asked me to be in it. Now, I said, okay, cool,

2:34:09.440 --> 2:34:12.520
<v Speaker 1>I'll be in it. When I saw the response that

2:34:12.680 --> 2:34:14.760
<v Speaker 1>had everybody noticed me, I said, you know what, I'm

2:34:14.760 --> 2:34:17.840
<v Speaker 1>gonna capitalize all for them. Let me brand myself and

2:34:17.959 --> 2:34:20.760
<v Speaker 1>promote myself so people know who I really be side

2:34:20.879 --> 2:34:23.840
<v Speaker 1>somebody else scored fak and say who they are. So

2:34:24.160 --> 2:34:31.120
<v Speaker 1>I took advantage of that. That's did I did. I

2:34:31.200 --> 2:34:36.080
<v Speaker 1>say a suggestion, please y'all make a father in some podcasts.

2:34:38.920 --> 2:34:42.960
<v Speaker 1>So it's really interesting. We have we we originally we

2:34:43.280 --> 2:34:49.240
<v Speaker 1>created uh representation of our dynamic called the Full Connection.

2:34:49.959 --> 2:34:53.400
<v Speaker 1>Um it started. I wouldn't say we really took in,

2:34:53.600 --> 2:34:57.000
<v Speaker 1>we really got down with it? What after lighting past

2:34:57.160 --> 2:35:00.200
<v Speaker 1>we did? We was right around that time the hip pub.

2:35:00.440 --> 2:35:02.600
<v Speaker 1>Sometimes I'll be drunk. I can't remember everything. It was

2:35:02.680 --> 2:35:06.600
<v Speaker 1>like it was like you can't shot drink drink Champs

2:35:06.720 --> 2:35:12.720
<v Speaker 1>not posted started and does you want the poomboo juice

2:35:13.680 --> 2:35:18.920
<v Speaker 1>boo poopoo. I'm sorry, poooo juice, Scott got juice poop

2:35:18.920 --> 2:35:23.240
<v Speaker 1>poo juice. I'm just lexing, give me, give me a break,

2:35:23.760 --> 2:35:30.280
<v Speaker 1>give me your side. It's got great I'm sorry, but

2:35:30.360 --> 2:35:32.880
<v Speaker 1>the pool bo juice. It's like grand games say you

2:35:32.879 --> 2:35:37.640
<v Speaker 1>don't say sorry. Yeah, because normally when people asking what's

2:35:37.680 --> 2:35:39.160
<v Speaker 1>in the poopo juice, he used to say, if I

2:35:39.240 --> 2:35:42.560
<v Speaker 1>tell you that, I gotta get you can kill him

2:35:43.200 --> 2:35:45.960
<v Speaker 1>drink boo, he got me drunk. A nice seem like

2:35:46.000 --> 2:35:50.360
<v Speaker 1>come here nor ship. Yeah, so you guys thought about

2:35:50.360 --> 2:35:52.800
<v Speaker 1>doing the podcast. So that's not necessarily a podcast, but

2:35:52.920 --> 2:35:55.000
<v Speaker 1>we kind of just used it as a representation of

2:35:55.080 --> 2:35:58.480
<v Speaker 1>our dynamic. I think this would be a great podcast

2:35:58.879 --> 2:36:01.680
<v Speaker 1>him it is that my idea of bringing to them

2:36:01.720 --> 2:36:05.640
<v Speaker 1>about the cool connection, because they should get confused here.

2:36:05.720 --> 2:36:08.680
<v Speaker 1>It is. They come to him and say, yeah, I

2:36:08.720 --> 2:36:10.440
<v Speaker 1>don't remember you should be on the wady You say no,

2:36:10.640 --> 2:36:16.960
<v Speaker 1>that's not me. A lot they're come to him and say, yo, man,

2:36:16.959 --> 2:36:19.240
<v Speaker 1>I make your make you say that's not me. So

2:36:19.360 --> 2:36:21.880
<v Speaker 1>I said, that's through the cool connection me as pops

2:36:22.320 --> 2:36:27.320
<v Speaker 1>and everybody shows who they are as an individual. Didn't

2:36:27.360 --> 2:36:29.480
<v Speaker 1>like that. I like that. I'm taking a shot to

2:36:29.560 --> 2:36:33.760
<v Speaker 1>that's taking off. Although there you already poured off what

2:36:33.800 --> 2:36:37.280
<v Speaker 1>the I thought you was hitting my boomp boom juice

2:36:37.320 --> 2:36:41.520
<v Speaker 1>together boom boom. Wait, hold on before we drink the shot. Dude.

2:36:41.520 --> 2:36:43.160
<v Speaker 1>I always wanted to know what the hell was in

2:36:43.240 --> 2:36:51.920
<v Speaker 1>that bottlem episode. Isn't that bottle that? I don't think? No,

2:36:53.120 --> 2:36:56.920
<v Speaker 1>I don't. That's about It's not. I don't get any

2:36:57.280 --> 2:36:59.879
<v Speaker 1>kind of like taking ball Manny get talking to talk.

2:37:00.000 --> 2:37:02.720
<v Speaker 1>A bone that snaps, it's just the Manican tiger bone

2:37:03.200 --> 2:37:06.200
<v Speaker 1>that that is not that. You can do good and

2:37:06.360 --> 2:37:12.160
<v Speaker 1>you can get drunk Dominican. You spin it on, maybe

2:37:12.200 --> 2:37:15.800
<v Speaker 1>come a zone Dominican. Dominican is not donicanger bone. This

2:37:15.959 --> 2:37:20.480
<v Speaker 1>is Dominican bo. You're already drunk. The shap you're gonna pass.

2:37:20.800 --> 2:37:24.800
<v Speaker 1>I thought I thought you check you up. Dominican bone.

2:37:25.160 --> 2:37:28.520
<v Speaker 1>It's not the same thing. Dominican Dominican. It's Dominican tiger bone.

2:37:28.879 --> 2:37:30.480
<v Speaker 1>It's not yeah it is. It's yeah. I don't that

2:37:30.560 --> 2:37:34.040
<v Speaker 1>you get away with this. Yeah, you want real tyger bone. No,

2:37:34.160 --> 2:37:37.720
<v Speaker 1>I don't want that. Exactly what is until it's herbs

2:37:37.760 --> 2:37:40.920
<v Speaker 1>and trees fermented till it. It's gonna take you to

2:37:40.959 --> 2:37:43.920
<v Speaker 1>another planet. Should that's gonna make you work out right after?

2:37:44.000 --> 2:37:46.440
<v Speaker 1>The is the puss to make you get a baby

2:37:49.000 --> 2:37:54.000
<v Speaker 1>that I'm this is the not the This is the

2:37:54.040 --> 2:38:01.800
<v Speaker 1>pom pom Juice, So Red, yes, is there anything you

2:38:01.879 --> 2:38:04.840
<v Speaker 1>felt like you didn't complete in hip hop right now?

2:38:05.480 --> 2:38:10.119
<v Speaker 1>Anything that you regret like or regret or just feel

2:38:10.160 --> 2:38:18.680
<v Speaker 1>like you know anything or fixed. I don't know anything.

2:38:21.320 --> 2:38:25.640
<v Speaker 1>I will admit that had opportunities to take it to

2:38:25.760 --> 2:38:30.520
<v Speaker 1>different levels. In the business structure. I was not that

2:38:31.240 --> 2:38:37.920
<v Speaker 1>much business savvy, which I had my reasons, But if

2:38:37.959 --> 2:38:43.440
<v Speaker 1>I would have took that course, everything would be in

2:38:43.520 --> 2:38:48.320
<v Speaker 1>a different matter. What hold me back? Because once again,

2:38:49.080 --> 2:38:53.640
<v Speaker 1>you guys asked earlier the culture in the business, the

2:38:53.760 --> 2:38:57.760
<v Speaker 1>corporate You know, when I got to find the other side,

2:38:57.840 --> 2:39:01.840
<v Speaker 1>whether to take place in the business a culture, they

2:39:01.959 --> 2:39:05.640
<v Speaker 1>had a sad, sad feeling. I had a bitter taste

2:39:05.680 --> 2:39:07.720
<v Speaker 1>in my mouth because I knew where I come from

2:39:08.720 --> 2:39:13.680
<v Speaker 1>and I have to do this to number one, sell

2:39:13.800 --> 2:39:20.520
<v Speaker 1>my soul. Yeah, give up or whether the case may be,

2:39:21.200 --> 2:39:24.640
<v Speaker 1>or the same note, just to get what I want

2:39:24.680 --> 2:39:28.560
<v Speaker 1>to get. Then you know what that's ma, Who's say

2:39:28.600 --> 2:39:30.760
<v Speaker 1>I'm might as gonna take the money go play a record.

2:39:32.240 --> 2:39:35.920
<v Speaker 1>So that's why I never took that standard because I

2:39:36.040 --> 2:39:40.760
<v Speaker 1>know I have that let production. But when I started

2:39:40.800 --> 2:39:43.320
<v Speaker 1>seeing the other side that I never knew of and

2:39:43.400 --> 2:39:49.560
<v Speaker 1>I'm like, no, that's not me. I mean, you know,

2:39:49.840 --> 2:39:51.880
<v Speaker 1>everybody always wanted to tell you what you should do,

2:39:52.000 --> 2:39:53.640
<v Speaker 1>but they never asked you what is it that you

2:39:53.800 --> 2:39:58.880
<v Speaker 1>want to do. I didn't want to do that, So

2:39:59.080 --> 2:40:02.760
<v Speaker 1>that's why I mean tame like where I'm at, and

2:40:03.879 --> 2:40:06.840
<v Speaker 1>that's where I kept going forth for this life, for

2:40:06.920 --> 2:40:11.959
<v Speaker 1>time consistency. So that's that's the only thing I regret,

2:40:12.400 --> 2:40:15.880
<v Speaker 1>and I don't really regret. But if I had to

2:40:15.920 --> 2:40:20.320
<v Speaker 1>go through that and just be smooth selling, I would

2:40:20.360 --> 2:40:28.720
<v Speaker 1>have been all the way. That's it. It's just shafe

2:40:28.760 --> 2:40:33.760
<v Speaker 1>to say what you know now to compared to what

2:40:33.920 --> 2:40:37.840
<v Speaker 1>you knew back then, would you have done it all again?

2:40:38.640 --> 2:40:42.360
<v Speaker 1>I would have done it differently, So that's what that's

2:40:42.440 --> 2:40:46.520
<v Speaker 1>that's part of the regret, A small regret because I

2:40:46.680 --> 2:40:51.520
<v Speaker 1>could have knowne how to you know, observed a little better? Right?

2:40:51.680 --> 2:40:53.520
<v Speaker 1>You know what you know now? I would have been

2:40:53.520 --> 2:40:56.440
<v Speaker 1>able to do it back then, you know. Can I

2:40:56.480 --> 2:40:58.800
<v Speaker 1>add on to a question on what you're talking about

2:40:59.120 --> 2:41:00.920
<v Speaker 1>that I like this? So I'm telling you this is

2:41:01.000 --> 2:41:04.040
<v Speaker 1>the podcast reading the book I was reading the part

2:41:04.080 --> 2:41:05.880
<v Speaker 1>of it might have been Russell Simmons book. I was

2:41:05.920 --> 2:41:09.200
<v Speaker 1>being a couple of pages by the way clapping. Um.

2:41:09.200 --> 2:41:11.560
<v Speaker 1>I I read Decoded and I read Russell Simmons book,

2:41:11.560 --> 2:41:13.240
<v Speaker 1>and I think you mentioned in like the first five

2:41:13.600 --> 2:41:19.400
<v Speaker 1>tempa so so really quick, I wanted to fiss, I want,

2:41:19.800 --> 2:41:23.120
<v Speaker 1>I want to actually and maybe because you said this,

2:41:23.440 --> 2:41:26.280
<v Speaker 1>I never actually if you realized this at this time? Right,

2:41:26.720 --> 2:41:29.360
<v Speaker 1>it was kind of I read like you and Russell

2:41:29.400 --> 2:41:32.400
<v Speaker 1>Simmons were like the only like hip hop management to

2:41:32.720 --> 2:41:35.880
<v Speaker 1>hip hop management labels at a time, Like you know

2:41:35.920 --> 2:41:37.520
<v Speaker 1>what I mean? So when i'm and when you say

2:41:37.800 --> 2:41:39.959
<v Speaker 1>there's certain things about the things you would have been

2:41:40.080 --> 2:41:44.680
<v Speaker 1>done different, did you realize that's what that was at

2:41:44.720 --> 2:41:49.920
<v Speaker 1>the time that you was like creating that entrepreneurial self,

2:41:50.400 --> 2:41:52.080
<v Speaker 1>you know what I mean? You start your own label,

2:41:52.280 --> 2:41:54.080
<v Speaker 1>like right now, that's the thing, right, we love Nick,

2:41:54.160 --> 2:41:56.280
<v Speaker 1>We love all these people because they do their own thing.

2:41:56.800 --> 2:41:59.040
<v Speaker 1>But we talked about native tones, we talked about artists

2:41:59.080 --> 2:42:06.320
<v Speaker 1>you usher, then we tell about were you actually were

2:42:06.520 --> 2:42:11.840
<v Speaker 1>when Chris actually started it. Only that you um made

2:42:11.920 --> 2:42:14.160
<v Speaker 1>up the word or made up the even the slogan

2:42:14.640 --> 2:42:17.840
<v Speaker 1>where you're a part of the actual management, Like well

2:42:17.879 --> 2:42:20.280
<v Speaker 1>you're a part of that. That's I think that's what

2:42:20.400 --> 2:42:25.879
<v Speaker 1>you're trying. Did you realize that kind of being being

2:42:25.959 --> 2:42:31.200
<v Speaker 1>part of the blueprint. I have realized it afterwards. And

2:42:31.240 --> 2:42:35.039
<v Speaker 1>when I realized it afterwards, that's what I said, Damn,

2:42:35.080 --> 2:42:39.000
<v Speaker 1>I should have been a different vout a better about that.

2:42:39.200 --> 2:42:42.840
<v Speaker 1>That's what it is. And then here's another thing. Chris

2:42:43.080 --> 2:42:46.760
<v Speaker 1>was taken from me on the load. He was taken

2:42:46.959 --> 2:42:50.160
<v Speaker 1>from you because when I had for him in regular

2:42:50.320 --> 2:42:54.200
<v Speaker 1>production and they saw I was up and coming, they

2:42:54.280 --> 2:42:58.800
<v Speaker 1>in his air for him to grow with them with

2:42:59.000 --> 2:43:02.400
<v Speaker 1>Russian management. Huh were Russian management? Yes? I had to

2:43:02.440 --> 2:43:06.560
<v Speaker 1>be rush management because that's what birth violator. And then

2:43:06.720 --> 2:43:09.120
<v Speaker 1>so now I gotta actually straight up like when you

2:43:09.240 --> 2:43:13.360
<v Speaker 1>see Rollater was formed. I was happy to that, and

2:43:13.560 --> 2:43:18.480
<v Speaker 1>I let gonna tell you how that became. Because first

2:43:19.360 --> 2:43:23.880
<v Speaker 1>they came to me about there was a record company Relativity.

2:43:25.040 --> 2:43:31.080
<v Speaker 1>Steve No no, no, no, that's no no no no, yeah, yeah,

2:43:31.120 --> 2:43:37.520
<v Speaker 1>but no Stevens there. Brie was there at Relativity. Um um, damn, mom.

2:43:37.640 --> 2:43:40.960
<v Speaker 1>I was gonna say Alan Gromlock, but I forget, I

2:43:41.040 --> 2:43:44.040
<v Speaker 1>forget who it is. I had to beat with them.

2:43:46.560 --> 2:43:51.840
<v Speaker 1>Chris my representative. So they offered me to try to

2:43:52.000 --> 2:43:55.320
<v Speaker 1>form a label deal. The only problem I couldn't do

2:43:55.360 --> 2:43:58.120
<v Speaker 1>it because it's been a conflict of interest. I couldn't

2:43:58.120 --> 2:44:01.520
<v Speaker 1>have a label deal and be on race Yo. That's

2:44:01.560 --> 2:44:06.879
<v Speaker 1>a confident interest. So passed onto Chris. And that's where

2:44:07.520 --> 2:44:13.800
<v Speaker 1>you see Fat Joe, che L beat Nuts. They came

2:44:13.800 --> 2:44:20.520
<v Speaker 1>out under relativity and talk yeah, but me around all

2:44:20.640 --> 2:44:24.600
<v Speaker 1>around that progama of time. Chris is also real an

2:44:24.640 --> 2:44:30.320
<v Speaker 1>association with Russ so he you know what, he can

2:44:30.640 --> 2:44:36.160
<v Speaker 1>offer that relativity to go ahead to form violators because

2:44:36.240 --> 2:44:41.680
<v Speaker 1>remember his own brolla was Baby Sounds that was under

2:44:41.680 --> 2:44:46.480
<v Speaker 1>the umbrolla was violate the management, violate the records, and

2:44:46.600 --> 2:44:50.360
<v Speaker 1>a couple other different avenues, and that's what he formed.

2:44:50.520 --> 2:44:53.720
<v Speaker 1>But he got his idea by being environd with relativity.

2:44:54.440 --> 2:44:58.000
<v Speaker 1>But here it is they saw a jewel that was

2:44:58.160 --> 2:45:03.640
<v Speaker 1>under me and they matched. Wow when you say they

2:45:05.280 --> 2:45:16.120
<v Speaker 1>who we just mentioned? Yeah, that was one more the

2:45:16.240 --> 2:45:20.480
<v Speaker 1>last one. And I always asked about this because you know,

2:45:20.640 --> 2:45:24.879
<v Speaker 1>I lived in stuff like that. It's a lot of times.

2:45:25.000 --> 2:45:32.360
<v Speaker 1>You tell me that Jungle Brothers cuted. You know, various

2:45:32.360 --> 2:45:37.240
<v Speaker 1>other Native Tongue artists used to record in the career, right,

2:45:37.840 --> 2:45:41.280
<v Speaker 1>tell me about the end House studio that they used

2:45:41.320 --> 2:45:44.040
<v Speaker 1>to like, what was that environment like I was, I

2:45:44.200 --> 2:45:46.080
<v Speaker 1>wasn't around, you know what I mean? So what was

2:45:46.200 --> 2:45:51.280
<v Speaker 1>that like? And in the crib once you get arresting

2:45:51.320 --> 2:45:53.800
<v Speaker 1>peace of my mother because my mother is like I

2:45:53.879 --> 2:45:56.000
<v Speaker 1>always said, my way is the head of the whole

2:45:56.200 --> 2:45:59.040
<v Speaker 1>entire thing, right, you know, I ain't gonna lie. And

2:45:59.440 --> 2:46:01.400
<v Speaker 1>and they both can take more. He can tell you.

2:46:02.240 --> 2:46:06.160
<v Speaker 1>Member was kangster, That little five foot and a half

2:46:06.240 --> 2:46:10.320
<v Speaker 1>woman was something else, but she alive. Everybody to come

2:46:10.400 --> 2:46:14.800
<v Speaker 1>through the crib and members of Jungle, members of Daylight,

2:46:15.200 --> 2:46:22.680
<v Speaker 1>members of the tribe creeen l tie for Ultra, you

2:46:22.720 --> 2:46:26.520
<v Speaker 1>know what I mean. The list is knowing everybody comes

2:46:26.560 --> 2:46:29.320
<v Speaker 1>to the crib, amber's too late, should tell him you

2:46:29.360 --> 2:46:33.400
<v Speaker 1>ain't going the way there on that couch. That's what

2:46:33.520 --> 2:46:37.440
<v Speaker 1>it was like the electric So yeah, it was like

2:46:37.560 --> 2:46:40.840
<v Speaker 1>that and it was always spending time. Then I was

2:46:40.920 --> 2:46:43.760
<v Speaker 1>on the road that that year for the Dope Jam tour.

2:46:44.360 --> 2:46:47.640
<v Speaker 1>They took over mother just like here. It is the

2:46:47.760 --> 2:46:51.320
<v Speaker 1>same thing. Sammy was the DJ filling for me on

2:46:52.000 --> 2:46:55.080
<v Speaker 1>Kiss From But when I learned there was different members

2:46:55.120 --> 2:46:58.600
<v Speaker 1>of the natives, Mber was playing too turned over everybody.

2:46:59.440 --> 2:47:04.760
<v Speaker 1>It was like go That's how they was moving. So

2:47:04.920 --> 2:47:09.680
<v Speaker 1>that's what it was. Stuff. Man, I can't do nothing

2:47:09.720 --> 2:47:15.240
<v Speaker 1>else but clapp all right. I just want you to

2:47:15.360 --> 2:47:20.680
<v Speaker 1>know our show was about doing what we just did.

2:47:20.840 --> 2:47:23.920
<v Speaker 1>Right there, we looked at everybody else and everything else

2:47:24.040 --> 2:47:26.800
<v Speaker 1>going on, and my partner right here to the right

2:47:26.840 --> 2:47:29.359
<v Speaker 1>of me kept telling me, man, let's do a podcast.

2:47:29.440 --> 2:47:33.720
<v Speaker 1>Let's do a podcast, and we wanted to. When we

2:47:33.840 --> 2:47:35.640
<v Speaker 1>came together, we said we want to do it different.

2:47:35.680 --> 2:47:39.600
<v Speaker 1>We want to get people they roses, people that you

2:47:39.680 --> 2:47:42.920
<v Speaker 1>don't deserve it like you know, not not no, no

2:47:43.040 --> 2:47:45.400
<v Speaker 1>disrespect to the new people, because that's not what we're saying.

2:47:45.440 --> 2:47:47.480
<v Speaker 1>We're not saying we don't mess with the new people.

2:47:48.000 --> 2:47:51.560
<v Speaker 1>What we're saying is our legends deserved to be respected.

2:47:51.600 --> 2:47:56.240
<v Speaker 1>Our legends deserve they don't deserve you know, yellow roses,

2:47:56.400 --> 2:48:00.920
<v Speaker 1>they don't deserve white roses, and don't deserve ring ros letters,

2:48:01.280 --> 2:48:06.560
<v Speaker 1>gold rolls, legends. You know what I'm saying, people who

2:48:06.720 --> 2:48:10.360
<v Speaker 1>deserve You know that that that that that twenty years

2:48:10.400 --> 2:48:13.840
<v Speaker 1>that ten years span, that fifteen years span, and um,

2:48:15.360 --> 2:48:16.800
<v Speaker 1>we want to say it to your face. You know

2:48:16.840 --> 2:48:20.520
<v Speaker 1>what I'm saying, Like so many people, something happened to

2:48:20.600 --> 2:48:23.720
<v Speaker 1>somebody and me and my partner realize that, like people

2:48:23.720 --> 2:48:28.040
<v Speaker 1>always give people the roses and they dead like let's

2:48:28.160 --> 2:48:32.840
<v Speaker 1>let's let's let's let's can repeat doing it. And we've

2:48:32.879 --> 2:48:36.600
<v Speaker 1>been luckily. I think we're approaching six years now, we're

2:48:36.640 --> 2:48:39.720
<v Speaker 1>approaching six March. Six years we're doing that, and we

2:48:39.879 --> 2:48:43.080
<v Speaker 1>ain't bite wing fold. We ain't do We were stuck

2:48:43.160 --> 2:48:46.800
<v Speaker 1>to our legends and rather alert. Let me just tell

2:48:46.840 --> 2:48:53.840
<v Speaker 1>you something. You are super duper legends, the allegend of legends,

2:48:55.760 --> 2:48:59.879
<v Speaker 1>the coolest legends. And this is listen man, when because

2:48:59.879 --> 2:49:02.440
<v Speaker 1>we gonna hit you out with the play see y'all

2:49:02.440 --> 2:49:07.440
<v Speaker 1>gonna form a podcast we're doing y'are signed to drink,

2:49:09.200 --> 2:49:12.320
<v Speaker 1>Yeah yeah, but when they come time liten, this is

2:49:12.400 --> 2:49:16.320
<v Speaker 1>your platform, Our show is your show. You've always ever

2:49:16.400 --> 2:49:19.400
<v Speaker 1>since I've seen you, Rad, I've never I can't remember

2:49:19.640 --> 2:49:22.520
<v Speaker 1>any time I ever seen Rad Alert, and I was

2:49:22.959 --> 2:49:26.200
<v Speaker 1>was displeasure. I've always it's always been great. And you

2:49:26.240 --> 2:49:29.200
<v Speaker 1>always got me drunk too. You probably like, yeah, you

2:49:29.280 --> 2:49:40.640
<v Speaker 1>always like he still got you drunk and realized that.

2:49:41.440 --> 2:49:45.280
<v Speaker 1>But you always was a great soul. Every time I've

2:49:45.280 --> 2:49:48.560
<v Speaker 1>seen you, you've been a blessing. You've been a legend,

2:49:49.360 --> 2:49:53.760
<v Speaker 1>you've been a teacher, um, and we were so happy

2:49:53.840 --> 2:49:55.800
<v Speaker 1>to give you your roses. We're so happy to tell

2:49:55.840 --> 2:50:00.680
<v Speaker 1>you how much you mean to us, hip hop, the culture,

2:50:01.320 --> 2:50:05.800
<v Speaker 1>everything man. Like. You know, we've always you know, talking

2:50:05.920 --> 2:50:09.680
<v Speaker 1>this hip hop union ship. And you know that's when

2:50:09.720 --> 2:50:12.280
<v Speaker 1>I think of hip hop union, I think of you know,

2:50:12.440 --> 2:50:14.440
<v Speaker 1>people on the forefront of it. It's just like, yo,

2:50:15.000 --> 2:50:18.880
<v Speaker 1>we should have you at the forefront. I'm just saying

2:50:19.000 --> 2:50:21.760
<v Speaker 1>what the funk should should happen, because you know what

2:50:21.920 --> 2:50:24.120
<v Speaker 1>it is. Even when I tried to get you to

2:50:24.160 --> 2:50:26.879
<v Speaker 1>say something wrong about something, you didn't do it tonight.

2:50:27.440 --> 2:50:33.400
<v Speaker 1>I tried to. I tried to. No, I wasn't gonna

2:50:33.400 --> 2:50:36.800
<v Speaker 1>do that. He told me, not drinking. I can't do that.

2:50:36.879 --> 2:50:39.760
<v Speaker 1>I can't. No, I can't do that unless he was

2:50:40.120 --> 2:50:44.240
<v Speaker 1>he Sometimes you get you, Okay, I want to be mad,

2:50:48.280 --> 2:50:53.080
<v Speaker 1>but you know our honestly, honestly aside, you really deserve

2:50:53.640 --> 2:51:00.320
<v Speaker 1>your flowers. You really a legend. Everything you accomplishment, um, Like,

2:51:00.920 --> 2:51:04.640
<v Speaker 1>I mean, forget me as a rapper, I'm talking about

2:51:04.640 --> 2:51:10.000
<v Speaker 1>me as a fan. I remember just so and just

2:51:10.160 --> 2:51:12.840
<v Speaker 1>running too a radio and just you know, sitting there

2:51:12.840 --> 2:51:15.560
<v Speaker 1>and watching the older brothers. You know, smoke weed when

2:51:15.600 --> 2:51:21.959
<v Speaker 1>I was like, let's just think and they were right, Hey,

2:51:22.040 --> 2:51:24.440
<v Speaker 1>can I give a shout out to this lady that's

2:51:24.680 --> 2:51:27.440
<v Speaker 1>in here with us? She's over there on the side,

2:51:28.800 --> 2:51:35.280
<v Speaker 1>she having short on and shortest Union Square. We were there,

2:51:35.360 --> 2:51:38.280
<v Speaker 1>you know, we was you there? Where are you there?

2:51:41.440 --> 2:51:44.240
<v Speaker 1>That's also part of the prop Master retro should that

2:51:44.400 --> 2:51:47.080
<v Speaker 1>you have if I can go on prop Master metro,

2:51:47.560 --> 2:51:52.280
<v Speaker 1>So that gonna be the documentary? Huh? Is that going

2:51:52.320 --> 2:51:57.520
<v Speaker 1>to be the documentary? Not for nothing? She also should

2:51:57.560 --> 2:52:00.720
<v Speaker 1>be a part of the documentary. That's tell us the

2:52:00.800 --> 2:52:04.960
<v Speaker 1>bottom of it that you do know who that is?

2:52:05.480 --> 2:52:08.160
<v Speaker 1>Tell us this lady right here is the person that

2:52:08.520 --> 2:52:12.040
<v Speaker 1>showed me when I first started Union Square and then

2:52:12.280 --> 2:52:17.640
<v Speaker 1>evolved later on as management of the Shadow nightclub. That's

2:52:17.640 --> 2:52:23.200
<v Speaker 1>where the gods were being shadow up earlier. Shadow. Yes,

2:52:23.680 --> 2:52:34.400
<v Speaker 1>that's as well. Add the Shadow book wide that we

2:52:34.480 --> 2:52:41.360
<v Speaker 1>do every year. Anything about it. When you see good

2:52:41.440 --> 2:52:46.080
<v Speaker 1>people that you have history with, beautiful, Now that lawyer

2:52:46.160 --> 2:52:50.680
<v Speaker 1>t you go with that lawyer because you know there's

2:52:50.680 --> 2:52:53.840
<v Speaker 1>a real out of respect with that lawyer. That's beautiful.

2:52:53.920 --> 2:52:56.640
<v Speaker 1>That's what it is. So is there anything that we

2:52:56.800 --> 2:53:00.480
<v Speaker 1>ain't covered that we should have covered anybody. Do you

2:53:00.560 --> 2:53:05.000
<v Speaker 1>want to couple anything? Um, this pub can probably tell

2:53:05.000 --> 2:53:06.800
<v Speaker 1>you some things that we're haven't store. I don't know

2:53:06.879 --> 2:53:10.040
<v Speaker 1>what you want to say. This is what you're the one.

2:53:10.120 --> 2:53:12.920
<v Speaker 1>I've been doing the old school reunion, like I said,

2:53:12.920 --> 2:53:15.359
<v Speaker 1>I was doing with Molly and and we still continue.

2:53:15.400 --> 2:53:17.440
<v Speaker 1>We just had a nice little celebration for for my

2:53:17.520 --> 2:53:21.000
<v Speaker 1>forty five years last month, you know, and we're still

2:53:21.040 --> 2:53:23.120
<v Speaker 1>doing it. We're gonna go as as far as we can,

2:53:23.160 --> 2:53:25.200
<v Speaker 1>the old school re union. We've been doing it for

2:53:25.320 --> 2:53:29.120
<v Speaker 1>like twelve thirteen years strong Rest of Peace. DJ Lance,

2:53:29.480 --> 2:53:33.480
<v Speaker 1>one of our DJs passed away from covid um, but

2:53:33.640 --> 2:53:37.880
<v Speaker 1>with Molly mall Um rather alert. We had we had

2:53:37.920 --> 2:53:43.280
<v Speaker 1>Claude Camper, we had Uncle Ralph Nobuck star Ski. Yeah

2:53:43.360 --> 2:53:45.680
<v Speaker 1>you know, so we had a list of good DJ's,

2:53:46.000 --> 2:53:57.240
<v Speaker 1>talented DJ's. Yeah, yeah, yeah, world, I ain't know that.

2:53:58.200 --> 2:54:00.560
<v Speaker 1>And you know my reason for celebra of forty five

2:54:00.640 --> 2:54:03.200
<v Speaker 1>years because I look at this, like he just mentioned

2:54:03.240 --> 2:54:05.440
<v Speaker 1>by my man, DJ Lands, he was like the top

2:54:05.640 --> 2:54:08.120
<v Speaker 1>DJ in Brooklyn in the past that he was known

2:54:08.480 --> 2:54:11.039
<v Speaker 1>him as Master d then he changed the name DJ Lands.

2:54:11.760 --> 2:54:17.200
<v Speaker 1>He held Brooklyn down single handed for years. Him and

2:54:17.280 --> 2:54:20.440
<v Speaker 1>I rebuild a great relation and we found out we

2:54:20.560 --> 2:54:23.280
<v Speaker 1>had something in common that we've started the same year.

2:54:23.560 --> 2:54:26.520
<v Speaker 1>He started in May, I started in August. Unfortunately he's

2:54:26.560 --> 2:54:30.439
<v Speaker 1>not here to celebrate that. So my reason was sufferings

2:54:30.480 --> 2:54:34.080
<v Speaker 1>forty five years because I'm dedicating this forty five to

2:54:34.440 --> 2:54:39.680
<v Speaker 1>all the DJs I know throughout the time that we

2:54:39.720 --> 2:54:43.040
<v Speaker 1>no longer have here. I mean not just riffering up

2:54:43.080 --> 2:54:46.480
<v Speaker 1>in New York, and I mean across the country, people

2:54:46.520 --> 2:54:49.320
<v Speaker 1>I know from overseas, everybody that passed away that brought

2:54:49.400 --> 2:54:52.000
<v Speaker 1>them to the table. I've dedicate my forty five to dump.

2:54:56.879 --> 2:54:59.480
<v Speaker 1>But I gotta ask this question because I'm never gonna

2:54:59.600 --> 2:55:12.480
<v Speaker 1>know what was the Boopies like in the eighties, the group.

2:55:12.520 --> 2:55:16.280
<v Speaker 1>He's like, you know the girls? The girls? Yeah, was

2:55:16.320 --> 2:55:26.400
<v Speaker 1>you a finger Papara? He's gonna cut it up before math.

2:55:26.480 --> 2:55:30.720
<v Speaker 1>I'm so sorry. Before many when you was out there loose,

2:55:31.080 --> 2:55:34.160
<v Speaker 1>we all was loose. Come on, I think that's where

2:55:34.200 --> 2:55:39.560
<v Speaker 1>his intro came. I can only put it rung weight.

2:55:40.560 --> 2:55:43.720
<v Speaker 1>You're gonna keep it clean. I'd like to thank everybody

2:55:43.760 --> 2:56:16.480
<v Speaker 1>for the black body I fling. Oh my god, thanks

2:56:16.560 --> 2:56:19.039
<v Speaker 1>for joining us for another episode of Drink Champs hosted

2:56:19.080 --> 2:56:21.320
<v Speaker 1>by Yours Truly, d j e f N and n

2:56:21.400 --> 2:56:23.440
<v Speaker 1>O r E. Please make sure to follow us on

2:56:23.480 --> 2:56:26.640
<v Speaker 1>all our socials. Let's at Drink Champs across all platforms

2:56:27.160 --> 2:56:30.640
<v Speaker 1>at the Real Noriegon, I g at Noriega on Twitter,

2:56:31.080 --> 2:56:34.040
<v Speaker 1>mine is at Who's Crazy on I g at d

2:56:34.200 --> 2:56:36.760
<v Speaker 1>j e f N on Twitter, and most importantly, stay

2:56:36.840 --> 2:56:39.800
<v Speaker 1>up to date with the latest releases, news and merch

2:56:40.000 --> 2:56:48.840
<v Speaker 1>by going to drink champs dot com. For more podcasts

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<v Speaker 1>from my heart Radio, visit the iHeart Radio app, Apple Podcast,

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