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Speaker 1: And it's Drink Chas motherfucking podcast. He's a legendary Queen's rapper.

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Speaker 1: He's agreed, is your boy in o R. He's a

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Speaker 1: Miami hippop pioneer. Up his DJ E f N. Together

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Speaker 1: they drinking up with some of the biggest players in

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Speaker 1: the most professional, unprofessional podcast and yet number one source

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Speaker 1: for drunk fast drink Chas motherfucking every day is New

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Speaker 1: Year's Eve. That it's time for drink Champs. Trick up,

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Speaker 1: motherfuck motherfucking would it could be hoping it's what it

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Speaker 1: should beat. This is your boy in right? What up

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Speaker 1: is d J E f N? And this is drink Chance.

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Speaker 1: Motherfucker Yappia makes un And as we always say before

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Speaker 1: we start a show, we say that this is a

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Speaker 1: legend that we're about to introduce. But I want to

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Speaker 1: take uh with Mr Lee just said off camera, he said,

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Speaker 1: this is a super legend. This is a super legend.

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Speaker 1: I remember waking up just to hear this man on

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Speaker 1: the radio trying to get you know what I mean,

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Speaker 1: not even thinking at this time, I wouldn't even think

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Speaker 1: about being a rapper. I just wanted to hear this.

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Speaker 1: These people play on the radio and when I hit everybody,

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Speaker 1: what you do all the time before I do an interview,

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Speaker 1: I hit, I hit people, and I'll say, what does this?

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Speaker 1: You know you got a question for this guy? And

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Speaker 1: everyone just responded and wanted to show their love for

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Speaker 1: this super super super a legend. I mean, we just

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Speaker 1: heard he's celebrating the forty seven um year being a DJ.

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Speaker 1: Is that crue? I'm forty four years old, So I

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Speaker 1: let you know how much of a legend this is.

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Speaker 1: I mean when I say I am honored, I am

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Speaker 1: proud to have him on our show. Motherfucking cool DJ. Respect, man, respect,

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Speaker 1: not super respect to you man. Um, let's let's let's

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Speaker 1: let's let's let's. I won't pounce all over the place,

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Speaker 1: but one place I want to start with you is Violator. Yes,

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Speaker 1: the first time I ever you know, I eventually became Violator,

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Speaker 1: but first time I ever heard of Violator was with

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Speaker 1: you before I even heard uh. Later on became Baby Chris,

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Speaker 1: before I even heard of him. I heard that that

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Speaker 1: was your crew, Violators. Can you break that down for me? Violators?

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Speaker 1: That's right, it's five members and it started out in

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Speaker 1: Union Square. Wow, and that's downtowntown. You spread lower part

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Speaker 1: in midpart of midtown Manhattan. And I remember the first

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Speaker 1: day I started and five guys came to came in.

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Speaker 1: They said, yo, Bam, send us down here, like bam

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Speaker 1: send your bottom. Yeah, may send you all down here.

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Speaker 1: But I see what because y'all feel that, you know,

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Speaker 1: I would give a come into my own what I

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Speaker 1: was about to do. So they come on in. But

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Speaker 1: they had this thing about taking over people girls. That's

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Speaker 1: why they called violators. That's why I call them. Okay, okay, okay,

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Speaker 1: he was going there. You know, we all from uptown

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Speaker 1: and no Manhattan. The Bronx ain't know you're Spaklyn, right,

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Speaker 1: so you know, they feel like you know, but of

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Speaker 1: course had this rep but no, I saw some guys

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Speaker 1: coming with some girls, so they called themselves running up

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Speaker 1: on the girls and their arms around and walking over

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Speaker 1: and you know, God, and that's why I was gonna say, yo, man,

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Speaker 1: y'all can't be doing that's wrong with you'all. You're violating, man.

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Speaker 1: One thing leads to another. First, it was just it

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Speaker 1: was four guys, four or five guys, and two of

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Speaker 1: them mainly was Chris Lady and double one was called down.

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Speaker 1: We called him sneaky deep okay, the other day like

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Speaker 1: sped off from then here come two more the same thing.

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Speaker 1: Damn some mus done. All these guys from Branch River,

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Speaker 1: I say, yeah, yeah, come on in. So that's Chris

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Speaker 1: Ali and Big Rod and the last person you go

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Speaker 1: about the name of Hands, but we gave him a

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Speaker 1: nickname called Black Jesus. I'm gonna tell you why. As

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Speaker 1: dark skin as he is. But the Jemmy Colls look

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Speaker 1: like you're about to do a prayer. So that's why

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Speaker 1: I'm calling Black Jesus. So I need to ask right

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Speaker 1: now when Chris like now, now, this is Chris father.

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Speaker 1: This is Chris lady who came around when you said

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Speaker 1: when you say baby christ you talk about Chris ldy's father,

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Speaker 1: were talking about Chris like Chris like, okay, now was

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Speaker 1: he always supposed to Was he always had this plan

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Speaker 1: to be in management or what was his role? So

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Speaker 1: you don't understand during the time when Chris was coming

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Speaker 1: down with the Fellers, you know that people did not

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Speaker 1: know that Chris was going to school and working as

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Speaker 1: an electrician for Metro North, you know, and then on

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Speaker 1: his off time he come and hang out with the

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Speaker 1: Fellers and be so you know, he was a person

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Speaker 1: that was legant and cocky, didn't kill yes, but I

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Speaker 1: always saw that he had a you know, good head

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Speaker 1: on his shoulders. This way, anybody that's around eighteen years

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Speaker 1: old that had a job working as electrician and Metro

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Speaker 1: North while going to school, you know, you can utilize that.

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Speaker 1: So when the younger brothers stopped coming to form that's

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Speaker 1: my nephew right g North of Africa band and baby

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Speaker 1: Bam and um Sammy b I needed somebody to read

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Speaker 1: the road manager, so I pointed Chris to become the

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Speaker 1: row manager. What did you see in Chris? What did

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Speaker 1: you like? Ambition? The ambition, Like I said, he was cocky, arrogant,

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Speaker 1: but you also sort the other sideway, you know, he

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Speaker 1: had something that to standford or you know what it

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Speaker 1: is down the road. So that's why I appointed him

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Speaker 1: as roll manager. And this is road manager for this

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Speaker 1: is yes, Hunt and Jung Bubbish came about, you know,

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Speaker 1: and before you know, after a while he became at

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Speaker 1: the fourth member. Yeah, Jesus, there's so much history here man. Yes,

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Speaker 1: So okay, how does this develop into you? Because hip

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Speaker 1: hop this time especially I'm outside of looking at it him,

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Speaker 1: I'm like I said, I'm forty four years old. How

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Speaker 1: do you go from like the hip hop like hip

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Speaker 1: hop being underground and then you get this chance to

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Speaker 1: be on the radio station. Well, first and foremost, I

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Speaker 1: got to give a live of respectors um may he

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Speaker 1: rest in peace, super rocking Mr Magic Wow. You know

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Speaker 1: he's the one that I always said that he's the

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Speaker 1: one that really opened the doors for us to be

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Speaker 1: doing the airwaves. So it's Mr Magic first. Mr Magic First.

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Speaker 1: He used to be on the independent station w HBI

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Speaker 1: point nine and late night from like two to four

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Speaker 1: in the morning. But you know he had grabbed so

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Speaker 1: much attention from the youth and the streets that he

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Speaker 1: is WBLS major radio station picked him up. So they

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Speaker 1: picked him up. No, that's ran nine eight point seven.

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Speaker 1: Kiss firm had interest because they want to do similar

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Speaker 1: to what BLS is doing. First person they ran after

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Speaker 1: was a member of the zoo nation called Africa Islam,

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Speaker 1: but he missed a couple of appointments. I think he

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Speaker 1: was overseas at the time. So the next person they

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Speaker 1: went after was my cousin, the original DJ J, and

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Speaker 1: he did it for a couple of months even though

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Speaker 1: there wasn't paying, but he gained so much exposure for

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Speaker 1: getting gigs and studio work, and then he let it

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Speaker 1: go cause he was on the go with the SOCNIC

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Speaker 1: for us to performing. So they came to him. They

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Speaker 1: came and said, who's the next person having lined? So

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Speaker 1: it came to me, and that was in October nineteen three.

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Speaker 1: I never looked back some boys for that. Goddamn how

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Speaker 1: old were you when you got that gig? How old?

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Speaker 1: Damn more or less? Huh more or less? Like? How

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Speaker 1: old you think got? Being my um, you asked that question.

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Speaker 1: So I I'm bouncing around a little bit ahead. How

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Speaker 1: do you after flex? Connect? Well? I gotta give it

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Speaker 1: a lot of credit for the person work from master

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Speaker 1: Flexing was Chuck Chillout. Okay, yes that's right. Chuck chill

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Speaker 1: Out and Flex grew up together, you know, and flex

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Speaker 1: used to always be up and even look like each

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Speaker 1: other a little bit. I went to all and so

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Speaker 1: here it is that when Chuck he went over to

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Speaker 1: BLS and flexes with him. But then some situation happened

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Speaker 1: and things despaired from over their BLS. I don't actually

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Speaker 1: know what happened, but despair that no longer Chuck is there.

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Speaker 1: You know, Flect was there right after Chuck, But Chuck,

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Speaker 1: I mean Flex, that kind of um sped off. I

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Speaker 1: had a backup DJ every time was on the road,

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Speaker 1: and Flex your backup DJ. No, no, no. The first

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Speaker 1: backup DJ for me was seeing me being the Jungle

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Speaker 1: Brothers because back at a D eight there was a

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Speaker 1: Dope Champ tour that I was on with on Boogie

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Speaker 1: Down production and I needed somebody to know feeling for

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Speaker 1: me for the whole summer. So that was Sammy B.

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Speaker 1: But after I finished that, now Sammy is taken off

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Speaker 1: of the Jungle What was they doing their thing? So

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Speaker 1: now I still have to have time off and going

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Speaker 1: away to doing gigs or doing conventions or whatever it is.

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Speaker 1: So I need another backup DJ. So that's when I

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Speaker 1: had interests in Flex, and I asked him to come in.

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Speaker 1: He said, problem, So let me let me like I said,

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Speaker 1: let me be bouncing around a little bit. Right at

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Speaker 1: what point? Because at one point in hip hop, it

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Speaker 1: felt like the DJ was the star and like the

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Speaker 1: rapper or the MC was really the hype man. But

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Speaker 1: it was always like the DJ. At what point of

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Speaker 1: hip Hop did it? Did that change when the recording

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Speaker 1: field came in? Why? Because you remember in the beginning,

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Speaker 1: when you heard certain groups like Flash and the Furious Facts.

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Speaker 1: You know, um you heard of Rocket first, yeah, you know,

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Speaker 1: and there were certain times you heard the DJ name

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Speaker 1: first because he was the forefront. But the DJ is

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Speaker 1: not being on the record, so who they're paying attention

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Speaker 1: to the person who's on the record. So that's where

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Speaker 1: the navitive had changed that people start paying more attention

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Speaker 1: on the MC that we call at that time become

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Speaker 1: known as rappers, and that's where everybody started looking more

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Speaker 1: at the rappers. But the DJ was always in the

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Speaker 1: forefront because the MC master ceremonies was the hype man

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Speaker 1: or you know, the crowd participator. And know, in the

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Speaker 1: very beginning, hip hoply was just like simple little rhymes,

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Speaker 1: you know. But then here it is, it got to

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Speaker 1: the next step. And I give credit to people like Melly,

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Speaker 1: Mellow Cast, you know, couple others. You know, they're the

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Speaker 1: ones that started making more lyrical and that's why it

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Speaker 1: transcend to people start making records and everybody come out again.

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Speaker 1: You know the songs. Now that's this famous party right,

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Speaker 1: this one they say, this is the first hip hop

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Speaker 1: party that happened uptown. Were you there? No? Okay, cool?

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Speaker 1: I'm glad you ket kept it real because I don't

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Speaker 1: be knowing who was there, but Grandma's cast out here

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Speaker 1: and said he said he was a kid there as

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Speaker 1: a kid. He was there. He said he was there

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Speaker 1: as a kid. Okay, if if I remember Greig last

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Speaker 1: what we said? So because what was it like? Just

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Speaker 1: like fifty people there? Did you hear about this party?

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Speaker 1: Like the first party? I let on, you know, because

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Speaker 1: no understand, I didn't grow up. I went to school

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Speaker 1: in the Bronx, but I grew up in Hall them. Okay,

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Speaker 1: I went to school in the bron Clinton High School.

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Speaker 1: I'm in a tough time up there in Clinton High School.

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Speaker 1: And it was all boys quote unquote during the game, right,

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Speaker 1: so you know when things start quiet down and then

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Speaker 1: you know, they started having these different functions. I used

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Speaker 1: to always talk about her her, who was her? So

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Speaker 1: the fun us and no alarm me. You know, we

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Speaker 1: all went to check out her for the first time

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Speaker 1: and I caught the book at the same time, called

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Speaker 1: the brother from him. I was sneaking downtown to the

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Speaker 1: clubs we used under age, you had to be dress

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Speaker 1: a public, actually wear my older brother clothes. And I

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Speaker 1: was checking out the DJ's downtown and checking out her uptown.

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Speaker 1: So I learned the difference of the disco downtown because

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Speaker 1: because this is the downtown, they won't playing hip hop. No, No,

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Speaker 1: there was no such thing the dance student type crowd,

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Speaker 1: not totally, because you know, I was certain clubs I

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Speaker 1: was playing. I was not playing, but I was going

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Speaker 1: to was you know, a combination of R and B

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Speaker 1: and dance moment some disco. Okay, so you're talking about

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Speaker 1: student fifty four, that's a whole different range. Okay, when

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Speaker 1: you're talking about these clubs like No Greens, Uh, Superstar Cafeteria,

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Speaker 1: Hotel Diplomat, I mean the list is no. You know,

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Speaker 1: that was more for the urban crowd, the urban clouds

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Speaker 1: downtown that was going downtown uptown. Herd would play a

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Speaker 1: twist of it, but add some other different elements. You know,

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Speaker 1: a lot of red type of sounds that you know,

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Speaker 1: become known as classics to this day, like the Mexican

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Speaker 1: like it's just begun like Apache, you know, in feborous otherways,

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Speaker 1: you know, and you also had other DJs that was

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Speaker 1: right under him, the original DJ Clark Kent, not from

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Speaker 1: the book name, really original DJ Clark Kent, the original

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Speaker 1: DJ Clark. I didn't know this, do this of course,

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Speaker 1: get confused, but the original that was under her. And

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Speaker 1: there was another guy he passed away name knew it

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Speaker 1: Timmy Wow. So they were the one. And then you

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Speaker 1: know there was time that you know, Koklevok who was

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Speaker 1: considered the first MC. Yeah he was k was Kirk's MC.

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Speaker 1: Here it is. He would get on the turntables a

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Speaker 1: couple of times, you know, even a couple of times

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Speaker 1: her would get on the microphone, you know. So that's

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Speaker 1: really was everybody just showing their style, their own flair.

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Speaker 1: So I was learning the difference of downtown and uptown

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Speaker 1: and that study booth and then when the when the

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Speaker 1: Bam Bought a coming like in me between youth covering

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Speaker 1: the downtown is a difference uptown? Is this now? I

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Speaker 1: did not know about Ben Bought until a little later on.

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Speaker 1: And because right after Coolhood, the next wave DJs came in,

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Speaker 1: like Flash Rest in Peace a j Uh the the

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Speaker 1: El Brother was featuring grammars at Theodore as the youngest Um.

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Speaker 1: The listens Long Guy named smokey Um. There's so many

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Speaker 1: of them, and I was handing so much about Bam,

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Speaker 1: but Band was on the other side of the Bronx.

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Speaker 1: How I got to learn more about Band because my

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Speaker 1: cousin Jazz, along with the family, had moved from down

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Speaker 1: in the Hallam and moved up in the Bronx for

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Speaker 1: the Bronx the Bronx River. The first person that Um

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Speaker 1: Jazzy got down with was a number person rest in peace,

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Speaker 1: name disco King Mario. And when you got down with Mario,

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Speaker 1: Maam started handing about, Well, who was this young guy

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Speaker 1: that's over there? Mario? He said, the family is just

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Speaker 1: moving the plodect. He said, we're supposed to be doing

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Speaker 1: over there. He supposed to be with us. So he

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Speaker 1: went and got a hold Jazz. And that's how Jazz

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Speaker 1: spoke prior to Nation being formed. Yes, no, I mean

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Speaker 1: Jude Nation was already formed. But you know a lot

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Speaker 1: of time Jazz got up, you know, he got down

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Speaker 1: and then they brought me in. And how how is

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Speaker 1: is that? Like? Um, I never got to see the Zulu.

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Speaker 1: I never got to see the unity that I mean,

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Speaker 1: because you know, people say what's down, you know things

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Speaker 1: about the gangs at that time like that, you know,

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Speaker 1: the Black Space, but it was it was a formal thought.

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Speaker 1: It was a part of the Black spage. He was

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Speaker 1: down with I think Black Space or the Baby Space,

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Speaker 1: anything under that affiliation. You know, people people, and that

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Speaker 1: turned into Zula Nation. Well here it is. When the

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Speaker 1: gangs died down, he had from a group called the Organization.

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Speaker 1: I still wasn't around yet. Okay, no, hearsay and I

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Speaker 1: heard that, asked about maybe six eight months. And then

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Speaker 1: he formed the Zoo Nation. And he started with the

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Speaker 1: Bronze River, and then he started to gather formulating little

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Speaker 1: by little spread than that. Man, I'm getting schooled, brother,

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Speaker 1: I'm getting schooled. Brother, I'm getting schooled. So bouncing around,

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Speaker 1: bouncing around like how we always do, wouldn't it focus?

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Speaker 1: But when I text Fat Joe the first thing he said,

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Speaker 1: I say that, I say you got he got a

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Speaker 1: question for Betther Alert. He said, yeah, he discovered Fat Joe.

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Speaker 1: Is this true? I mean he probably discovered a lot

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Speaker 1: of people. Not probably. We know. I'm gonna tell you

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Speaker 1: how this came about. Okay, cool. So I got to

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Speaker 1: hear Joe for the first time at the Pottle Okay,

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Speaker 1: he was right. Yeah, he went at the pom and

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Speaker 1: I don't even know how many times you've been there,

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Speaker 1: but I showed him that one time. It was amateur night.

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Speaker 1: So afterwards I had interests because I'm wanting to get

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Speaker 1: like a promo from him, because I was known for

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Speaker 1: playing promos, you know, like the plates type promo. When

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Speaker 1: promos it's like it's recorded and they passed it to

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Speaker 1: me as on tape you know, and get to play.

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Speaker 1: You know. I had some of them passed me on

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Speaker 1: cassette and I transferred to the you know through real

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Speaker 1: and play such as like people's demos. Basically it's not demos.

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Speaker 1: We consider promo because not only that it's demo, but

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Speaker 1: it's promos for not for my show, for the radio.

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Speaker 1: But they're announcing the um magate points that m amounting me,

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Speaker 1: and they're doing their little freestyle in it. People such

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Speaker 1: as like d Knights or t R eight Oorators coming,

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Speaker 1: you know, just as an example. So um I asked

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Speaker 1: Joe to similarm to me, so he did it. I

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Speaker 1: took my time and hold onto it until I finally

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Speaker 1: played it. And one thing I had about promos, there's

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Speaker 1: some promos I had that I usually played them regularly

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Speaker 1: like they was in rotation, like records and where it

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Speaker 1: got around. Well, well give me you the props for alert.

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Speaker 1: I've seen you trying to be humble about it. We're

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Speaker 1: gonna be trying to listen. Listen, the man said, listen.

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Speaker 1: I it's so it's so crazy because what y'all did,

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Speaker 1: what you was a part of what is happening now.

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Speaker 1: It's it's so important to tell the history. It's so

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Speaker 1: like when I'm texting people from everyone, it's like your

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Speaker 1: red has so much history. So this is the the reason

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Speaker 1: why I'm like bouncing around. But it's so important that

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Speaker 1: this history doesn't be for guy, you understand what I'm saying, because, um,

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Speaker 1: the one thing I learned about this new generation that

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Speaker 1: I pay attention to is what they would say. They

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Speaker 1: would be like like they'll they'll they'll quote a line

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Speaker 1: and they wraps like yo, like Jordan's dropped eighty six

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Speaker 1: and and the Jordan dropped fifty five and eighty six.

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Speaker 1: You're like, you mean, y'all went and did the research

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Speaker 1: for Michael Jordan's but you get the money through hip

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Speaker 1: hop and you don't know what's happening in the pop.

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Speaker 1: You know, why them Jordan's that you got on this

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Speaker 1: other section. But you don't know when you hear juicy beet,

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Speaker 1: where does it come from? You don't know when you

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00:20:07,119 --> 00:20:08,719
Speaker 1: hear grand Master, like you don't know when you hear

336
00:20:08,800 --> 00:20:10,800
Speaker 1: these certain things. You know. I think that go according

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Speaker 1: to the perception. Jordan's example, The perception is you hear

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00:20:14,920 --> 00:20:17,040
Speaker 1: so much about Jordan, you're gonna look up about Jordan's

339
00:20:17,280 --> 00:20:19,240
Speaker 1: because you're not going to take time to study about

340
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Speaker 1: the um what you're getting into, you know. I'm just like,

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00:20:22,680 --> 00:20:25,760
Speaker 1: if you can study upon anything in music, you can

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00:20:25,800 --> 00:20:28,920
Speaker 1: study anything into sports and too industrial, into politics and

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Speaker 1: who the people who that was there before you and

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Speaker 1: set it up for you to be where you at.

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Speaker 1: For a lot of people don't do that. This is

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Speaker 1: go by perception. So right, you know, rest in peace

347
00:20:37,160 --> 00:20:40,480
Speaker 1: Kobe right now? Everybody using Kobe name, you know, anybody

348
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Speaker 1: use a famous popular name, whatever whatever they had done

349
00:20:45,240 --> 00:20:47,480
Speaker 1: and put it in their vines, but they're not gonna

350
00:20:47,480 --> 00:20:49,399
Speaker 1: do them. Who can dig deep to see where it

351
00:20:49,520 --> 00:20:53,520
Speaker 1: really ovirginally come from? I mean, why not though? Because

352
00:20:53,520 --> 00:20:56,360
Speaker 1: the interest is not there. At some point we stopped

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Speaker 1: passing that knowledge down to keep that interest there. That's

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Speaker 1: what I think. Drink you start to help with it.

355
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Speaker 1: At some point, even even if you was a street rifle,

356
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Speaker 1: you wanted to be smart or something. You wanted to

357
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Speaker 1: know something like you know what I mean, Like you

358
00:21:08,960 --> 00:21:11,160
Speaker 1: didn't want to somebody to walk into the room when

359
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Speaker 1: you not know that this person is this person? You

360
00:21:13,560 --> 00:21:15,760
Speaker 1: know what I'm saying. So like when when did rap

361
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Speaker 1: become dumb? Like like I mean, like what and I'm

362
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Speaker 1: not I feel that the online internet, social media will

363
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Speaker 1: control the mind. So today because now you're not thinking

364
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Speaker 1: for yourself. You're thinking according to the perception and what

365
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Speaker 1: you're seeing, what you're here or their online do social

366
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Speaker 1: media and everything, so you're not willing to go and

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Speaker 1: dig a little deeper. You know, people from the time

368
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Speaker 1: you was out with me, they used to always talk

369
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Speaker 1: about their favorite rapper from before and go digs it

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Speaker 1: today And so like a halt according to what I

371
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Speaker 1: just said. And it's because like like you had I

372
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Speaker 1: think I think we had something called paying dudes that

373
00:22:00,480 --> 00:22:02,879
Speaker 1: that never stopped. I mean right now they'd up the

374
00:22:02,920 --> 00:22:07,680
Speaker 1: hand dudes, and they're not making the record class and

375
00:22:07,800 --> 00:22:16,080
Speaker 1: they couldn't class, Like, how do you like? Yeah, you

376
00:22:16,160 --> 00:22:20,119
Speaker 1: gotta go to school. Sometimes school they go by to school.

377
00:22:20,119 --> 00:22:23,000
Speaker 1: Wow wow, Wow, that that was deep. That was deep. Okay,

378
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Speaker 1: Caress one comes out with this record. Now from my understanding,

379
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Speaker 1: the South of Bronx came first. No, no, no, it

380
00:22:42,200 --> 00:22:48,159
Speaker 1: wasn't Crane, It wasn't the bridge. Bridge first. It was

381
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Speaker 1: the bridge. Okay, I need you to describe because you

382
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Speaker 1: know I'm it hurt me. It hurt me like a

383
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Speaker 1: grown man. But I was a kid. Back to what

384
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Speaker 1: Harris was struck first, Yes, I always do it, come on,

385
00:23:00,000 --> 00:23:04,600
Speaker 1: always thought it at the South Bross. Then you know,

386
00:23:04,680 --> 00:23:06,800
Speaker 1: maybe I got my memory. I smoke out of marijuana.

387
00:23:06,800 --> 00:23:09,119
Speaker 1: Don't know if people have knew that. Okay, I smelled

388
00:23:10,800 --> 00:23:16,160
Speaker 1: so okay, So the bridge comes um mc sharing at

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Speaker 1: Molly Mark at the time. Are you are Molly Mark? Friends?

390
00:23:18,840 --> 00:23:22,879
Speaker 1: Are y'all like ours? We was arch rivals on the

391
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Speaker 1: airwaves and I did not really know much about Molly.

392
00:23:25,920 --> 00:23:28,040
Speaker 1: He didn't not know much about We always had hair

393
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Speaker 1: say and people would read that in between that have

394
00:23:31,119 --> 00:23:34,680
Speaker 1: a coslla agitating different things, you know, just run and

395
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Speaker 1: the only person that I've come out very vocal is

396
00:23:38,359 --> 00:23:41,159
Speaker 1: always magic because he used to always talking nonsense about me.

397
00:23:41,240 --> 00:23:44,679
Speaker 1: Under maybe Magic was about mar Yeah, I mean you

398
00:23:44,720 --> 00:23:49,720
Speaker 1: gonta understand bls. Magic was first and then here I

399
00:23:49,840 --> 00:23:52,760
Speaker 1: come on. And then first I was going after my cousin.

400
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Speaker 1: So when they he said, yo, who this guy down

401
00:23:55,680 --> 00:23:59,879
Speaker 1: to down here? And Jazzi? Who Jaggi rack Jazzie jerking there?

402
00:24:01,080 --> 00:24:12,040
Speaker 1: So y'all started this game radio. So when I came on,

403
00:24:13,080 --> 00:24:16,680
Speaker 1: who this guy here? This new guy, this red guy

404
00:24:18,920 --> 00:24:22,280
Speaker 1: red what red dirt? He called me red dirt? He said,

405
00:24:22,280 --> 00:24:29,160
Speaker 1: just Woody with Peca, you know, and I've never given um.

406
00:24:29,320 --> 00:24:31,920
Speaker 1: I came to the program at the time and I said,

407
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Speaker 1: you know, man, Magic is dissing me. He started laughing

408
00:24:35,240 --> 00:24:37,680
Speaker 1: at me. I'm getting mad now because you know I'm not.

409
00:24:38,320 --> 00:24:40,160
Speaker 1: And you're on the same program. You're on the same station.

410
00:24:40,320 --> 00:24:43,320
Speaker 1: This is a different state, different okay, So I go

411
00:24:43,400 --> 00:24:46,480
Speaker 1: back at him. Wouldn't let you dis some back? No? No, see,

412
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Speaker 1: I wasn't vocal yet because him adance. When I used

413
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Speaker 1: to do, I used to be prerecorded. I should be

414
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Speaker 1: on from eleven to two in the morning, so it's

415
00:24:55,480 --> 00:24:59,640
Speaker 1: just prerecorded, okay. So I wasn't vocal yet it wasn't live.

416
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Speaker 1: But I was getting mad because he'd been thising me.

417
00:25:02,160 --> 00:25:04,639
Speaker 1: So here with this, I'm telling my program back to

418
00:25:04,720 --> 00:25:06,600
Speaker 1: you're like laughing. I'm like, why do you laughing? You say,

419
00:25:06,800 --> 00:25:09,199
Speaker 1: let me tell you something. You guys got right to

420
00:25:09,200 --> 00:25:13,679
Speaker 1: be mad. But same time he doesn't you. He's advertising you.

421
00:25:14,600 --> 00:25:17,280
Speaker 1: So now here with everybody gonna wonder who is this

422
00:25:17,320 --> 00:25:20,360
Speaker 1: person he keeps talking about, and they're going to turn

423
00:25:20,440 --> 00:25:24,760
Speaker 1: the down. So I learned to swallow every time somebody

424
00:25:24,800 --> 00:25:26,679
Speaker 1: coming to me in the street, Yo man, magic this,

425
00:25:26,800 --> 00:25:30,560
Speaker 1: and yo man, he said, I'm heeding inside. But I

426
00:25:30,560 --> 00:25:34,359
Speaker 1: got ahold man. And then you know that changing. And

427
00:25:34,400 --> 00:25:37,040
Speaker 1: then here I had a partner coming seven months after me.

428
00:25:37,119 --> 00:25:40,000
Speaker 1: After I'm on kicks up here come Chuck, chill out.

429
00:25:40,760 --> 00:25:42,879
Speaker 1: So now I brought me and Chuck back and forth.

430
00:25:43,000 --> 00:25:47,680
Speaker 1: You know, after magic me, I still know very little

431
00:25:47,720 --> 00:25:51,160
Speaker 1: about Molly, not much about Molly at Molly's Magic. Many

432
00:25:51,280 --> 00:25:55,000
Speaker 1: friends at least on the same station too, right, okay,

433
00:25:55,440 --> 00:26:01,959
Speaker 1: bls now, before the Bridge War, it was the roxand Roxan.

434
00:26:02,280 --> 00:26:04,720
Speaker 1: I'm sorry, just called it the Bridge Wolf. Yeah, let's

435
00:26:04,720 --> 00:26:10,919
Speaker 1: make some moisture that I like that. Okay, let's go

436
00:26:11,320 --> 00:26:15,240
Speaker 1: um here. It is um during the Rock and roxan.

437
00:26:16,480 --> 00:26:20,600
Speaker 1: I know that I'm credit breaking u TFO Rock and

438
00:26:20,720 --> 00:26:24,320
Speaker 1: roxand even though they tried to credit it so name

439
00:26:24,400 --> 00:26:28,320
Speaker 1: right after and got a female to go after you TF.

440
00:26:30,600 --> 00:26:35,400
Speaker 1: I'm hanging out Russell Simmons office like the floors rush

441
00:26:35,840 --> 00:26:38,600
Speaker 1: producheon and at the time, who comes stepping through with

442
00:26:38,760 --> 00:26:43,400
Speaker 1: Spider D. You heard the Spider D. Spider D. Yeah,

443
00:26:43,640 --> 00:26:45,479
Speaker 1: you gotta do your homework. Do my homework too, got

444
00:26:45,520 --> 00:26:47,760
Speaker 1: them out. Spider D came in. He was one of

445
00:26:47,800 --> 00:26:50,360
Speaker 1: the artists for Russell. Okay. He came with a young

446
00:26:50,440 --> 00:26:53,560
Speaker 1: lady and he said, you need to hear this, so

447
00:26:53,920 --> 00:26:56,399
Speaker 1: he popped the tape in and listened to It is

448
00:26:56,440 --> 00:27:02,000
Speaker 1: the lady going after Sean Tay. Wait all right, okay, continue,

449
00:27:02,480 --> 00:27:07,800
Speaker 1: continue after the ladies going out to Shante. I laid

450
00:27:07,800 --> 00:27:11,400
Speaker 1: everybody the name of Sparky D. Okay, okay, Sparky D.

451
00:27:11,359 --> 00:27:15,040
Speaker 1: It's called Sparky's train. So we we gotta get this going.

452
00:27:15,200 --> 00:27:17,760
Speaker 1: We gotta make this happening, and going looking for labors,

453
00:27:17,800 --> 00:27:20,960
Speaker 1: everything but over the label was set up. Sparky turn

454
00:27:21,040 --> 00:27:23,240
Speaker 1: the mind said, but I don't have a DJ. She

455
00:27:23,320 --> 00:27:25,200
Speaker 1: turned around and looking at me she said, you're gonna

456
00:27:25,240 --> 00:27:28,159
Speaker 1: be my DJ. I said, okay, I was at the

457
00:27:28,200 --> 00:27:31,400
Speaker 1: white pictures of simple like that, simple like so now

458
00:27:31,440 --> 00:27:34,560
Speaker 1: here it is. I'm on the road with her. And

459
00:27:36,359 --> 00:27:38,720
Speaker 1: who was on the road with Shante was and she

460
00:27:38,840 --> 00:27:42,440
Speaker 1: sharing he used the DJ for Shawn heard that. So

461
00:27:42,920 --> 00:27:48,440
Speaker 1: we was always rivals, but we always stuck together no

462
00:27:48,480 --> 00:27:51,159
Speaker 1: matter what, because I look at it this way. We

463
00:27:51,320 --> 00:27:54,640
Speaker 1: may be rivals on the radio, but were out of time.

464
00:27:54,680 --> 00:27:57,480
Speaker 1: We're from New York and anything go down, forget all

465
00:27:57,560 --> 00:28:02,000
Speaker 1: that nuns together? Yes, yes, got it's what and now

466
00:28:02,040 --> 00:28:04,200
Speaker 1: only that I remember one time, a couple of times

467
00:28:04,240 --> 00:28:08,320
Speaker 1: flying time who was their manager? Where's my moment? So

468
00:28:08,359 --> 00:28:11,200
Speaker 1: that's how close we was. So after the Rocks and

469
00:28:11,359 --> 00:28:15,400
Speaker 1: Roxan died down, here come the bridge. Now she had

470
00:28:15,440 --> 00:28:19,760
Speaker 1: made the bridge during this time from when I learned

471
00:28:19,840 --> 00:28:25,000
Speaker 1: that um Scottland rock West in Priest and Chris was

472
00:28:25,080 --> 00:28:32,959
Speaker 1: coming upproaching Magic about something and he just like So

473
00:28:33,080 --> 00:28:35,639
Speaker 1: they got mad because they had it. There was on

474
00:28:35,800 --> 00:28:39,200
Speaker 1: the labels sneaping bad records, but the label dropped them,

475
00:28:39,240 --> 00:28:42,280
Speaker 1: so they run their head and got with another label,

476
00:28:42,520 --> 00:28:46,560
Speaker 1: Rock Candy Records informed themselves as Boogie Down Production and

477
00:28:46,800 --> 00:28:49,960
Speaker 1: made this song, which I think was less than a

478
00:28:50,000 --> 00:28:54,840
Speaker 1: hundred dollars called South Bronx. South Bronx was the answer

479
00:28:54,880 --> 00:29:01,320
Speaker 1: to the bridge. So now here it is, I'm in

480
00:29:01,400 --> 00:29:04,720
Speaker 1: Latin Quarters. I'm hanging out in that quarters on Celebrity Tuesdays.

481
00:29:05,640 --> 00:29:07,520
Speaker 1: Not the original Latin Quarters. I the one the ninety

482
00:29:07,520 --> 00:29:10,560
Speaker 1: street right, No, the original that's down on forty seven. Yeah,

483
00:29:11,200 --> 00:29:14,680
Speaker 1: you saw a part of it arms sub destruction with

484
00:29:14,800 --> 00:29:18,160
Speaker 1: film in front of that. Um great flaws. Love it.

485
00:29:18,440 --> 00:29:21,720
Speaker 1: Here it is Celebrity Tuesdays orsome too, and they had

486
00:29:21,760 --> 00:29:24,640
Speaker 1: a guy named Dja. He played so here comes Scott

487
00:29:24,760 --> 00:29:27,520
Speaker 1: and Chris. They coming in and they have you know

488
00:29:27,600 --> 00:29:31,480
Speaker 1: what the ASCID tape is, right, that's like a hard

489
00:29:31,600 --> 00:29:36,040
Speaker 1: plate before become vinyl. Yeah, like the stamper before the stamper,

490
00:29:36,120 --> 00:29:38,840
Speaker 1: after the stamper. Isn't that the metal part? It's really

491
00:29:38,920 --> 00:29:41,400
Speaker 1: hard and you only get a couple of plays until

492
00:29:41,480 --> 00:29:43,680
Speaker 1: where is out? That's what dump plates are made on

493
00:29:43,920 --> 00:29:51,440
Speaker 1: the right. I don't know none of that, but yeah, yeah,

494
00:29:52,280 --> 00:29:56,840
Speaker 1: Chinese to be right now, should they pass the ASCID

495
00:29:56,920 --> 00:30:01,640
Speaker 1: tape over to the we put it on. People responded

496
00:30:01,720 --> 00:30:03,760
Speaker 1: so crazy before they went to the end, he said, yo,

497
00:30:03,920 --> 00:30:05,720
Speaker 1: go to pay this from the beginning again it was

498
00:30:05,840 --> 00:30:09,040
Speaker 1: the South South Bronzy, body going crazy over it. So

499
00:30:09,200 --> 00:30:12,360
Speaker 1: after that, here it is. That's when they gave it

500
00:30:12,440 --> 00:30:15,440
Speaker 1: to me. This is for you to play on the radio.

501
00:30:16,440 --> 00:30:19,880
Speaker 1: So now here it is, mind you, I'm still battling

502
00:30:19,960 --> 00:30:23,360
Speaker 1: back and forth with them, right. Another thing is I'm

503
00:30:23,440 --> 00:30:28,000
Speaker 1: playing a lot of records that Shan is on and

504
00:30:28,360 --> 00:30:32,080
Speaker 1: whatever other songs that money was producing. Because I always

505
00:30:32,160 --> 00:30:34,880
Speaker 1: learned one thing. You may be my rival, but you

506
00:30:34,960 --> 00:30:37,960
Speaker 1: give me ammunition for me to play against you. So

507
00:30:38,040 --> 00:30:41,280
Speaker 1: I'm playing them hits. So when I set it up

508
00:30:41,320 --> 00:30:44,840
Speaker 1: for that first time, I'm playing to the Bridge right

509
00:30:45,320 --> 00:30:47,200
Speaker 1: when they playing the Bridge first, and then the South Bronx.

510
00:30:47,640 --> 00:30:49,600
Speaker 1: So when it came to the courts front saying to

511
00:30:49,680 --> 00:30:53,480
Speaker 1: the Bridge, I know South bron South South Bronce that

512
00:30:53,600 --> 00:30:58,120
Speaker 1: woke up in that woke up makes a noise for

513
00:30:58,200 --> 00:31:08,400
Speaker 1: you starting to beat. So then after that hip hop man.

514
00:31:08,480 --> 00:31:10,800
Speaker 1: So that after that, that's when sham in her head

515
00:31:11,120 --> 00:31:16,360
Speaker 1: and he made this record going to and that's when

516
00:31:16,800 --> 00:31:21,719
Speaker 1: the next one came out by the bridges over let

517
00:31:21,760 --> 00:31:28,280
Speaker 1: me wat should I say? What do you know? We

518
00:31:28,320 --> 00:31:30,000
Speaker 1: can need need sharing on this show to be fair

519
00:31:31,720 --> 00:31:35,120
Speaker 1: on this show. So I swear to god I was

520
00:31:35,240 --> 00:31:38,640
Speaker 1: too young to notice was kill that noise considered a hit.

521
00:31:39,880 --> 00:31:42,640
Speaker 1: I'm I'm being honest, and I'm being honest too, because

522
00:31:42,680 --> 00:31:44,880
Speaker 1: I'm not saying being bied because of who I'm down.

523
00:31:45,720 --> 00:31:48,840
Speaker 1: But it wasn't hitting like that. It wasn't It wasn't bridge.

524
00:31:49,360 --> 00:31:53,120
Speaker 1: The bridge was hidden. Okay, the bridge was hidden. Then

525
00:31:53,200 --> 00:31:57,200
Speaker 1: South France hitting killed That noise didn't hit the bridges

526
00:31:57,280 --> 00:32:04,720
Speaker 1: over it was hitting the bridge was overkilled to bring that. Yeah, yeah, yeah,

527
00:32:04,760 --> 00:32:07,600
Speaker 1: I would say that. So I understand how you feeling

528
00:32:07,680 --> 00:32:10,200
Speaker 1: because where were you from? From Queen's Yes, from Queens.

529
00:32:11,200 --> 00:32:12,360
Speaker 1: But that's what I need to know. I need to

530
00:32:12,400 --> 00:32:17,320
Speaker 1: know what I need a little. I mean, yeah, I

531
00:32:17,440 --> 00:32:22,240
Speaker 1: probably Queens. Yeah, I'm not moving on because I really,

532
00:32:22,320 --> 00:32:26,440
Speaker 1: I really like as a child, I remember it, but

533
00:32:26,520 --> 00:32:29,240
Speaker 1: I don't remember it to the to the extent. What

534
00:32:29,400 --> 00:32:32,800
Speaker 1: what what? What? Years? These records came out eight seven,

535
00:32:33,040 --> 00:32:36,240
Speaker 1: This is my eighties seven, eighties six, and I'm born

536
00:32:36,280 --> 00:32:39,160
Speaker 1: in seventy seven, so I'm literally ten years old. I

537
00:32:39,280 --> 00:32:42,040
Speaker 1: know I'm following, but I'm not knowing. I'm following. What

538
00:32:42,160 --> 00:32:46,880
Speaker 1: I did remember was it made those that record made

539
00:32:47,000 --> 00:32:51,360
Speaker 1: the tough people from Queens be tough because yeah, because

540
00:32:51,680 --> 00:32:53,640
Speaker 1: if you ran around he was like, I didn't hear

541
00:32:53,720 --> 00:32:56,480
Speaker 1: pete from a place called Queens. That's fighting words, Like

542
00:32:56,840 --> 00:32:59,080
Speaker 1: you're not trying to be cool with me by saying that,

543
00:32:59,360 --> 00:33:01,040
Speaker 1: Like you know what I mean. So they made a

544
00:33:01,120 --> 00:33:03,840
Speaker 1: lot of people tough from that ship. So there was

545
00:33:03,920 --> 00:33:05,920
Speaker 1: a lot of artists from Queen's and I was banging

546
00:33:06,000 --> 00:33:07,480
Speaker 1: their song. But let me ask you, let me ask

547
00:33:07,520 --> 00:33:10,440
Speaker 1: you something. And this is this is also real talk,

548
00:33:10,640 --> 00:33:13,040
Speaker 1: right because we had care rest one on here, right,

549
00:33:13,400 --> 00:33:15,680
Speaker 1: he was going on the ship. We haven't been able

550
00:33:15,720 --> 00:33:18,760
Speaker 1: to get SCE. We love you Shan. Please stop thinking

551
00:33:18,760 --> 00:33:20,760
Speaker 1: it's crazy about us, but we haven't had it had

552
00:33:20,840 --> 00:33:23,800
Speaker 1: Shan on here. But every time I see Shan, all

553
00:33:23,920 --> 00:33:26,320
Speaker 1: care of us actually speak about it. Although it's not

554
00:33:26,520 --> 00:33:29,200
Speaker 1: fighting words. It's like I don't think they could ever

555
00:33:29,320 --> 00:33:33,320
Speaker 1: be friends. I feel that they've shared the stage since

556
00:33:33,400 --> 00:33:37,680
Speaker 1: the man you can share the stage versus they trying

557
00:33:37,680 --> 00:33:39,360
Speaker 1: to kill each other. I think that in versus this,

558
00:33:39,760 --> 00:33:42,000
Speaker 1: she was not a celebration no more actually feeling it's

559
00:33:42,040 --> 00:33:44,040
Speaker 1: a love hate relationship between the booth. For that, That's

560
00:33:44,160 --> 00:33:46,080
Speaker 1: what I'm trying to say like that, because now ain't

561
00:33:46,120 --> 00:33:51,400
Speaker 1: that think about it years later? Commercials and ship. Yeah,

562
00:33:51,920 --> 00:33:54,840
Speaker 1: so here it is, you get together and make commercial

563
00:33:54,920 --> 00:33:58,120
Speaker 1: to make a couple of a couple of dollars. That's business.

564
00:33:58,200 --> 00:34:00,360
Speaker 1: One thing ain't got nothing to do with together. But

565
00:34:00,480 --> 00:34:03,640
Speaker 1: you know why I say that's a little different with

566
00:34:03,720 --> 00:34:09,720
Speaker 1: them because neither one of them think either one lost.

567
00:34:10,040 --> 00:34:15,160
Speaker 1: They both they won to eat your own Yeah, I

568
00:34:15,320 --> 00:34:20,000
Speaker 1: even had their own opinion. Yeah, you know, they have

569
00:34:20,120 --> 00:34:22,800
Speaker 1: their opinion and the audience have their picks. That's I

570
00:34:22,840 --> 00:34:27,239
Speaker 1: guess that's what matters. Are you a fan of versus versus? Yeah?

571
00:34:27,280 --> 00:34:31,320
Speaker 1: I like versus? Which one he was a fair of versus?

572
00:34:31,680 --> 00:34:33,920
Speaker 1: It's hard to say because I did not fully look

573
00:34:33,960 --> 00:34:36,399
Speaker 1: at each of every one of them the whole full thing.

574
00:34:37,280 --> 00:34:43,239
Speaker 1: But so you know, I'm always school school hard. I

575
00:34:43,360 --> 00:34:48,960
Speaker 1: love that versus when I saw it aslet fire very

576
00:34:49,280 --> 00:34:54,080
Speaker 1: very now, I did not see the whole full thing

577
00:34:54,360 --> 00:34:58,680
Speaker 1: of job and fat Joe and got your back. Huh

578
00:34:59,040 --> 00:35:11,680
Speaker 1: we got your back? Yeah, we got me? Where were

579
00:35:11,719 --> 00:35:17,320
Speaker 1: you from? You know? That's both both of my brothers also,

580
00:35:18,320 --> 00:35:24,320
Speaker 1: and that I felt bad about that. Look joh and

581
00:35:24,480 --> 00:35:27,040
Speaker 1: Joe was really they're really brothers, like you know, I'm

582
00:35:27,080 --> 00:35:30,040
Speaker 1: just playing like you know, although mass majority of saying

583
00:35:30,320 --> 00:35:34,480
Speaker 1: you know, John run that, but dip set and and

584
00:35:34,640 --> 00:35:38,719
Speaker 1: the lots. It almost felt like although I've never been

585
00:35:38,719 --> 00:35:41,200
Speaker 1: to the original Latin Quarters, which how y'all described the

586
00:35:41,280 --> 00:35:44,480
Speaker 1: Latin Quarters, how I've been to the ton of it

587
00:35:44,600 --> 00:35:46,560
Speaker 1: felt it felt. It didn't felt like we was in

588
00:35:46,640 --> 00:35:49,520
Speaker 1: two thousand and twenty one at all. It felt nineties ish,

589
00:35:50,040 --> 00:35:52,600
Speaker 1: like they had all the dudes on stage and everyone

590
00:35:52,719 --> 00:35:55,080
Speaker 1: knew to respect each other, like stay on each other side,

591
00:35:55,120 --> 00:35:57,560
Speaker 1: even though they went a little too far certain instances.

592
00:35:57,760 --> 00:36:00,239
Speaker 1: But everyone was thinking about the bag and it really

593
00:36:00,400 --> 00:36:03,000
Speaker 1: really felt like hip hop, Like it felt like when

594
00:36:03,040 --> 00:36:06,640
Speaker 1: I've seen who was who was it Melly Melon and

595
00:36:06,760 --> 00:36:09,719
Speaker 1: them against each other on stage and it wasn't Grandmaster

596
00:36:09,960 --> 00:36:18,000
Speaker 1: Cast his crew against uh comin Yeah. Yeah. It reminded

597
00:36:18,040 --> 00:36:21,040
Speaker 1: me of that. I'm looking and I'm like, and I

598
00:36:21,160 --> 00:36:25,040
Speaker 1: remember Grandmaster Cast saying yo. He's still saying yo. He

599
00:36:25,160 --> 00:36:27,240
Speaker 1: thought he won. But the crowd, he said, the crowd

600
00:36:27,320 --> 00:36:29,680
Speaker 1: was with them more because you know, they were they

601
00:36:29,719 --> 00:36:33,120
Speaker 1: were pretty are they help? Yeah more, I don't take

602
00:36:33,200 --> 00:36:35,160
Speaker 1: the clothes or some ship and for me to see

603
00:36:35,239 --> 00:36:38,600
Speaker 1: that and then the dip Set, the Locks. It reminded

604
00:36:38,640 --> 00:36:41,400
Speaker 1: me of real pure hip hop, even down to the

605
00:36:42,320 --> 00:36:45,240
Speaker 1: point of praying out the fact that they was rhyming

606
00:36:45,280 --> 00:36:48,400
Speaker 1: over certain records, rhyming over the vocals and just pointing

607
00:36:48,440 --> 00:36:51,680
Speaker 1: that out, like yo, bro, that's cheering, Like you ain't

608
00:36:51,680 --> 00:36:53,719
Speaker 1: supposed to be rhyming on that. Even like point that

609
00:36:53,960 --> 00:36:57,759
Speaker 1: that reminded me of real I remember, I could not

610
00:36:58,120 --> 00:37:00,600
Speaker 1: perform with my vocals on like I would have did

611
00:37:00,640 --> 00:37:02,759
Speaker 1: that the crowd would have told me immediately, know what

612
00:37:02,920 --> 00:37:07,239
Speaker 1: was that? Like, you know, reached back to the dip set.

613
00:37:07,880 --> 00:37:11,200
Speaker 1: They from my town hall. I love each of every

614
00:37:11,239 --> 00:37:17,600
Speaker 1: one of them. And you gotta understand that the Locks,

615
00:37:18,560 --> 00:37:21,759
Speaker 1: them guys are battling them seas, yea, every one of them.

616
00:37:22,360 --> 00:37:26,720
Speaker 1: You know here it is dip set. They got no stout, swag,

617
00:37:27,440 --> 00:37:33,800
Speaker 1: everything built around, but the tactics is different. That's the

618
00:37:33,840 --> 00:37:37,840
Speaker 1: best way I could put it right. And um, I

619
00:37:37,960 --> 00:37:41,040
Speaker 1: think I think I think the Brotherhood played a part

620
00:37:41,120 --> 00:37:44,319
Speaker 1: of it too, Like I think from what I heard,

621
00:37:44,760 --> 00:37:47,920
Speaker 1: uh Tips that had three different DJs yeah and the

622
00:37:48,600 --> 00:37:51,279
Speaker 1: one Yeah. The individual seas had their own DJ yeah

623
00:37:51,560 --> 00:37:53,960
Speaker 1: like that and they had one. So it just I

624
00:37:54,120 --> 00:37:56,320
Speaker 1: know I always say this word wrong, but it just

625
00:37:56,360 --> 00:37:58,400
Speaker 1: reminded me of having that good comment. What was it

626
00:37:58,480 --> 00:38:01,040
Speaker 1: called camaraderie colmorad. Yeah, like you know what I'm saying,

627
00:38:01,080 --> 00:38:03,480
Speaker 1: like when you're all on the same level like um.

628
00:38:03,920 --> 00:38:05,600
Speaker 1: But like I said, I just love the fact that

629
00:38:05,680 --> 00:38:08,440
Speaker 1: they kept it hip hop, you know, um yeah, definitely

630
00:38:08,800 --> 00:38:12,600
Speaker 1: it was good for New York. Right, So let let

631
00:38:12,640 --> 00:38:15,520
Speaker 1: me bounce around. So how do you and Molly like

632
00:38:16,040 --> 00:38:19,000
Speaker 1: squads to be after later on their life? Well, you

633
00:38:19,080 --> 00:38:21,480
Speaker 1: know the funny Parker called Marty and I started working

634
00:38:21,520 --> 00:38:27,040
Speaker 1: together at seven okay cool? And here it is from

635
00:38:27,080 --> 00:38:29,920
Speaker 1: Hot nineties seven for for men. I was over at

636
00:38:29,920 --> 00:38:31,920
Speaker 1: power room or five. I know, I've been at all

637
00:38:32,000 --> 00:38:37,560
Speaker 1: four stations urban stations that you know, nay n N

638
00:38:38,000 --> 00:38:47,359
Speaker 1: seven kiss, Hot ninety seven, power chore like goddamn check.

639
00:38:48,040 --> 00:38:50,719
Speaker 1: That's a hustler's hustler right there. As Marty and I

640
00:38:50,920 --> 00:38:53,920
Speaker 1: got closer over at power Room five, Momy used to

641
00:38:53,960 --> 00:38:56,640
Speaker 1: already say, you remind me of this guy. You remind

642
00:38:56,680 --> 00:38:59,120
Speaker 1: me this guy every time you were saying, because I've

643
00:38:59,200 --> 00:39:03,279
Speaker 1: come out with during the abbreviations the acorns, you know,

644
00:39:03,480 --> 00:39:06,560
Speaker 1: like you know your job motherfucker or pay your making,

645
00:39:06,719 --> 00:39:10,680
Speaker 1: manage what the funk out of here? So I got

646
00:39:10,760 --> 00:39:14,719
Speaker 1: that from somebody my family. So he said, you know,

647
00:39:14,920 --> 00:39:18,279
Speaker 1: entertained you to the abbreviation money or something. And then

648
00:39:18,360 --> 00:39:20,680
Speaker 1: when he mentioned about that he was in a six

649
00:39:20,760 --> 00:39:27,480
Speaker 1: huntry school, I say, brother, cut you? He said your brother.

650
00:39:27,760 --> 00:39:30,120
Speaker 1: I told him my brother's name. He said, that's your brother.

651
00:39:30,239 --> 00:39:35,440
Speaker 1: I said yeah, because if he never mentioned six hundred school,

652
00:39:35,640 --> 00:39:38,640
Speaker 1: I would never know where you get that phone. So

653
00:39:38,680 --> 00:39:40,919
Speaker 1: we make a noise for six hundred schools right now? Huh?

654
00:39:40,960 --> 00:39:42,840
Speaker 1: Are we gonna make some noise for the six hundred schools?

655
00:39:44,719 --> 00:39:47,960
Speaker 1: All right there? I don't know, I don't know New York.

656
00:39:48,040 --> 00:39:50,680
Speaker 1: This is the school to prepare you for jail because

657
00:39:50,719 --> 00:39:52,360
Speaker 1: they don't have no girls in there. You you go

658
00:39:52,480 --> 00:39:57,560
Speaker 1: with there's no girls, This baby jails. JA like, as

659
00:39:57,600 --> 00:40:00,359
Speaker 1: we're speaking on that real quickly, what's the the trade

660
00:40:00,480 --> 00:40:04,360
Speaker 1: six terms of school? And the school may have the

661
00:40:04,400 --> 00:40:09,600
Speaker 1: people that's in the show up us. Oh damn. I've

662
00:40:09,640 --> 00:40:12,320
Speaker 1: been in both, so I could probably because you know

663
00:40:13,400 --> 00:40:17,480
Speaker 1: this bad then this is was in the resource room

664
00:40:17,760 --> 00:40:21,520
Speaker 1: and special a. You know what that is? Resource? You

665
00:40:21,560 --> 00:40:25,319
Speaker 1: know resource room? Resources? When UNIQ spec without they got

666
00:40:25,440 --> 00:40:28,200
Speaker 1: a holler at the Hall of y'alla, you know, but

667
00:40:28,320 --> 00:40:31,560
Speaker 1: most of us say, we aren't here for behavior. Nobody said, yo, man,

668
00:40:31,560 --> 00:40:33,360
Speaker 1: I'm sucking out, you know. I mean, but I was

669
00:40:33,440 --> 00:40:36,480
Speaker 1: on both wall right now in the school system. Let's

670
00:40:36,520 --> 00:40:40,520
Speaker 1: make some noise for the school system. So you're molly,

671
00:40:40,560 --> 00:40:42,640
Speaker 1: I talked about six hunt in school, and that's why

672
00:40:42,680 --> 00:40:45,000
Speaker 1: I got to see the connection where he saw I

673
00:40:45,120 --> 00:40:48,360
Speaker 1: was getting them says from from my clause, my blubber.

674
00:40:48,400 --> 00:40:51,000
Speaker 1: You surprised do that teaching and he was in the

675
00:40:51,239 --> 00:40:57,880
Speaker 1: um um No, he was just in the um is

676
00:40:57,920 --> 00:41:02,359
Speaker 1: if you're a gym teacher, you know help um physical. Yeah,

677
00:41:02,480 --> 00:41:04,920
Speaker 1: so you know that's what you got through. So did

678
00:41:05,040 --> 00:41:07,239
Speaker 1: you all? Because because you know, you know, I imagine

679
00:41:07,280 --> 00:41:11,480
Speaker 1: like like once in the Blue Jay ands to be

680
00:41:11,520 --> 00:41:13,800
Speaker 1: like you remember remember when we went through Like I

681
00:41:13,800 --> 00:41:16,600
Speaker 1: imagine like just you know, like did you and BALI

682
00:41:16,680 --> 00:41:19,680
Speaker 1: ever just like you see the ship that we've been through,

683
00:41:19,800 --> 00:41:23,920
Speaker 1: like ever talked about it. I never really really And

684
00:41:24,080 --> 00:41:27,080
Speaker 1: we've been racking together for a wild because married fact,

685
00:41:27,320 --> 00:41:30,000
Speaker 1: you know, before this pandemic, we was doing this thing

686
00:41:30,160 --> 00:41:34,960
Speaker 1: for about good. Maybe we asked the brother right here,

687
00:41:36,200 --> 00:41:38,840
Speaker 1: how many how many years were doing the old school

688
00:41:38,880 --> 00:41:46,719
Speaker 1: reunions years? I many, Molly and Lance about nine of

689
00:41:46,800 --> 00:41:50,319
Speaker 1: the twelve years. It was me rest in Peace, DJ

690
00:41:50,520 --> 00:41:55,000
Speaker 1: Lance and Molly muh And when me and Marty was

691
00:41:55,040 --> 00:41:57,600
Speaker 1: wrecking together during that time as well being on the radio,

692
00:41:57,800 --> 00:42:00,640
Speaker 1: we didn't think about all that nonsense. We're working. Really.

693
00:42:01,160 --> 00:42:03,120
Speaker 1: I imagine like one time, like you would have had

694
00:42:03,120 --> 00:42:11,200
Speaker 1: a bill, but you should drink juice. Drink it's a name,

695
00:42:12,040 --> 00:42:16,000
Speaker 1: it's a nickname that was given. First I used to

696
00:42:16,080 --> 00:42:24,560
Speaker 1: drink Viccardi and coke. Yeah, yeah, that's back then. They're

697
00:42:24,600 --> 00:42:28,560
Speaker 1: invest in piece of my mother. She said, you're drinking

698
00:42:28,600 --> 00:42:30,560
Speaker 1: that cheap stuff. I say, what you're talking to my mom?

699
00:42:30,920 --> 00:42:34,160
Speaker 1: You're gonna drink drink the best top shelf. Go and

700
00:42:34,239 --> 00:42:38,680
Speaker 1: get Maya's room. So I started to Maya's room. First

701
00:42:38,719 --> 00:42:42,040
Speaker 1: I tried but coke, like yeah. Then I tried with

702
00:42:42,160 --> 00:42:46,840
Speaker 1: cranberry juice. I like, take all right. Then when the

703
00:42:46,920 --> 00:42:51,000
Speaker 1: violators sneaky d say you're a tried it pineapple. So

704
00:42:51,200 --> 00:42:56,319
Speaker 1: then trying pineapple juice. Here it is first that came over,

705
00:42:56,440 --> 00:43:01,080
Speaker 1: the nickname Poopoo was big voted the volators. Okay, it's poopoo,

706
00:43:01,160 --> 00:43:04,320
Speaker 1: not poom poom. Guy said poom poom man, which is

707
00:43:04,400 --> 00:43:09,160
Speaker 1: totally different. Poompum is totally different. Man just described it.

708
00:43:09,200 --> 00:43:13,640
Speaker 1: I we used to say the poopoo juice. Okay, so

709
00:43:13,760 --> 00:43:15,920
Speaker 1: that's where we had. Of course, I stopped drinking for

710
00:43:16,000 --> 00:43:19,839
Speaker 1: about a year and a half. Now, okay, let's I'm

711
00:43:20,080 --> 00:43:23,239
Speaker 1: drink four. You don't don't worry about it. J Yeah,

712
00:43:23,800 --> 00:43:26,520
Speaker 1: Like you call it the nasty? What I used to drink? No,

713
00:43:26,719 --> 00:43:29,759
Speaker 1: you you know that wasn't Wait a minute, I used

714
00:43:29,800 --> 00:43:33,239
Speaker 1: to drink its nasty anything, but club was the nasty. No,

715
00:43:33,640 --> 00:43:36,440
Speaker 1: what club soda is with the nasty? You got the

716
00:43:36,440 --> 00:43:40,280
Speaker 1: club soda from? No, your ship was a club soda

717
00:43:44,400 --> 00:43:48,600
Speaker 1: memory that I got to look even funny, I know

718
00:43:48,680 --> 00:43:51,080
Speaker 1: how I got the nasty from It was me, you

719
00:43:51,239 --> 00:43:52,880
Speaker 1: used to say. When I didn't get that from you,

720
00:43:52,960 --> 00:43:56,040
Speaker 1: I got come up with you came up Oh yeah, yeah, yeah,

721
00:43:56,040 --> 00:43:57,680
Speaker 1: I know exactly what I came up with that at

722
00:43:57,840 --> 00:44:00,600
Speaker 1: that's what I was drinking it because he said that

723
00:44:00,640 --> 00:44:03,160
Speaker 1: he lost weight, and I was like for real, and

724
00:44:03,680 --> 00:44:06,120
Speaker 1: he's like, yeah, just drinking, but sell a water And

725
00:44:06,160 --> 00:44:08,520
Speaker 1: I was like, well, I think you should put pineapple

726
00:44:08,560 --> 00:44:10,719
Speaker 1: back in that motherfucker, because that's this is horrible and

727
00:44:10,760 --> 00:44:12,840
Speaker 1: that's what I called it, the nasty all right, Wember, Well,

728
00:44:12,840 --> 00:44:15,840
Speaker 1: maybe be talking about drinking, all right, cool, but we

729
00:44:16,600 --> 00:44:18,440
Speaker 1: one of your son is gonna come in to take

730
00:44:18,440 --> 00:44:23,680
Speaker 1: a shot. One of yall drink or y'all to drink. Okay, alright,

731
00:44:24,320 --> 00:44:26,879
Speaker 1: I don't have both of them coming with a little cool.

732
00:44:27,160 --> 00:44:29,520
Speaker 1: We're gonna do quick time with slime. Come on, yeah,

733
00:44:29,719 --> 00:44:32,520
Speaker 1: do we have greip time and slim? Okay? Cool? Alright, cool?

734
00:44:33,760 --> 00:44:36,040
Speaker 1: And we got a drink too in this game. Yeah,

735
00:44:36,280 --> 00:44:40,480
Speaker 1: we drink too. The fact that us making a drinking

736
00:44:40,480 --> 00:44:44,440
Speaker 1: and not I don't have the glass, but I got them. Okay,

737
00:44:45,080 --> 00:44:48,920
Speaker 1: this is for y'all. Okay, Oh yeah, yeah, what's that

738
00:44:49,000 --> 00:44:51,200
Speaker 1: red alert? What is that? Oh my god? Go ahead

739
00:44:51,360 --> 00:44:53,680
Speaker 1: for you. Okay, let me open it up for you.

740
00:44:54,160 --> 00:45:01,320
Speaker 1: Thank you very much. Okay, that's big. All. Good to

741
00:45:01,360 --> 00:45:06,239
Speaker 1: meet you. I got definitely we got the shorts food

742
00:45:06,280 --> 00:45:11,279
Speaker 1: that I have on Okay, got master retroll? Ye, yes,

743
00:45:11,960 --> 00:45:14,239
Speaker 1: doing that day, Thank you very much. Should I want

744
00:45:14,239 --> 00:45:15,839
Speaker 1: you to told me before I put it over? We're

745
00:45:15,880 --> 00:45:19,120
Speaker 1: giving gifts? Oh yeah, we're giving gifts. We give a gift,

746
00:45:19,800 --> 00:45:26,840
Speaker 1: come on, Yes, that boblem Oh my man, thank you.

747
00:45:27,600 --> 00:45:30,440
Speaker 1: Oh hell yeah. So that guy said this is the

748
00:45:30,520 --> 00:45:34,040
Speaker 1: oldest rob. Who's the one day you said here on

749
00:45:34,120 --> 00:45:45,239
Speaker 1: the radio? Okay before we start the game, Yes and everyone, Yeah,

750
00:45:45,680 --> 00:45:50,160
Speaker 1: that's he's artist. Oh that's what's up both for y'all,

751
00:45:50,200 --> 00:45:58,799
Speaker 1: sottell So alight, yeah, let's do this. Yep, the third

752
00:45:58,840 --> 00:46:07,840
Speaker 1: guest to get roses from it up. Yeah, you're literally

753
00:46:07,920 --> 00:46:11,319
Speaker 1: giving people their roses when they get here. So these

754
00:46:11,440 --> 00:46:16,839
Speaker 1: roses last a few years. Strange, good, open it up.

755
00:46:28,239 --> 00:46:39,360
Speaker 1: You literally had to give your roses. Yeah, that's the

756
00:46:39,960 --> 00:46:42,040
Speaker 1: you know, Yeah, I got you, I got some ship.

757
00:46:42,120 --> 00:46:44,680
Speaker 1: I don't want to break my ship because I'm gonna type. Right,

758
00:46:44,920 --> 00:46:47,120
Speaker 1: So we got the shots out. What you want to do?

759
00:46:47,160 --> 00:46:51,600
Speaker 1: You want to drink? You're into? All right? Cool, it's

760
00:46:51,640 --> 00:46:54,279
Speaker 1: gonna be a couple, right, Cool. This is this is

761
00:46:54,800 --> 00:46:57,000
Speaker 1: it's called quick Time with Slim is a game. So

762
00:46:57,080 --> 00:46:59,040
Speaker 1: you gotta take the shots for your pots. So it's cool.

763
00:46:59,200 --> 00:47:02,000
Speaker 1: So um, all right, so just how it goes. We're

764
00:47:02,040 --> 00:47:04,600
Speaker 1: gonna give you our two choices. You can pick one

765
00:47:04,680 --> 00:47:07,640
Speaker 1: or the other or whatever he picked, whatever he picked.

766
00:47:07,640 --> 00:47:12,520
Speaker 1: So if he picked, if he picked both, you both

767
00:47:12,560 --> 00:47:15,600
Speaker 1: gotta take a shot. If he picked one, then't either

768
00:47:15,640 --> 00:47:17,440
Speaker 1: one of you gotta take a shot. All right. We're

769
00:47:17,480 --> 00:47:19,200
Speaker 1: drinking with him and we're drinking with him, so we

770
00:47:19,400 --> 00:47:22,080
Speaker 1: try yeah. Cool. Yeah, so if you're politically correct, you

771
00:47:22,160 --> 00:47:26,520
Speaker 1: pick both. We're drinking about cool. Yeah, we got you,

772
00:47:26,600 --> 00:47:28,799
Speaker 1: we got you, we got you. Drink. Yeah, you ain't

773
00:47:28,800 --> 00:47:31,840
Speaker 1: gotta drink all right, So but this is for you.

774
00:47:31,920 --> 00:47:34,080
Speaker 1: We're gonna ask you the question. I mean, however you

775
00:47:34,160 --> 00:47:42,960
Speaker 1: ask it. Then Dictator drinking habits right, yeah, yeah, Okay,

776
00:47:44,040 --> 00:47:45,960
Speaker 1: you're gonna stop being you never get the first one?

777
00:47:46,600 --> 00:47:52,600
Speaker 1: Jay z or nas you can pick both now, right,

778
00:47:52,640 --> 00:48:06,440
Speaker 1: don't worry about it. Okay, shot monster you can't come

779
00:48:06,480 --> 00:48:09,359
Speaker 1: on back? Yeah you don't. Don't leave the witness, don't

780
00:48:09,400 --> 00:48:15,040
Speaker 1: lead do it? That got cash sign stomach? Yeah all right,

781
00:48:15,760 --> 00:48:21,120
Speaker 1: that's what I don't know. Neither Biggie or Big Punt Biggie. Okay,

782
00:48:23,640 --> 00:48:31,000
Speaker 1: Mr Magic or Molly Marr Magic. Okay, Funk Flex or

783
00:48:31,080 --> 00:48:35,080
Speaker 1: Kick Apri kick Capri. I'm gonna tell you right, I

784
00:48:35,160 --> 00:48:39,239
Speaker 1: need to know. While from Flex is my man, I

785
00:48:39,360 --> 00:48:44,239
Speaker 1: love him to death, but Kick Capri is so chasmatic

786
00:48:44,400 --> 00:48:48,080
Speaker 1: and so you know, skillful day he brings it to

787
00:48:48,160 --> 00:48:59,680
Speaker 1: the table b DP or the juice crip b DP. Okay, Dad,

788
00:49:01,960 --> 00:49:22,359
Speaker 1: alright DMX or tupap drink up? Who DMX the dog

789
00:49:22,680 --> 00:49:44,200
Speaker 1: your Dogs Dog Hot ninety seven or Power one oh

790
00:49:44,280 --> 00:49:48,120
Speaker 1: five Hot seven. I love how you that's very confident.

791
00:49:48,160 --> 00:49:49,840
Speaker 1: He didn't even think about that. He's gorun straight with

792
00:49:49,880 --> 00:49:51,160
Speaker 1: I'm gonna take a shot for that. I don't even

793
00:49:51,160 --> 00:49:54,200
Speaker 1: know why. No, I know I was at Power for

794
00:49:54,360 --> 00:49:57,239
Speaker 1: five years, and I know that Power woke up Hot

795
00:49:57,400 --> 00:50:01,080
Speaker 1: ninety seven because at one point they said they was

796
00:50:01,160 --> 00:50:03,360
Speaker 1: only game in town. Yeah he's too last. They had

797
00:50:03,400 --> 00:50:06,759
Speaker 1: no competition. But then here it is came over. You know,

798
00:50:08,040 --> 00:50:13,640
Speaker 1: hm as you see where it is at now, MTV

799
00:50:13,840 --> 00:50:18,520
Speaker 1: raps or rap City. Oh, I gotta say MTV Raps

800
00:50:18,600 --> 00:50:23,440
Speaker 1: because it was the door opener and it's set the

801
00:50:23,480 --> 00:50:30,200
Speaker 1: pace for many other people. You know, no disrespect. I

802
00:50:30,239 --> 00:50:32,200
Speaker 1: wish you would have put video music back instead of

803
00:50:32,320 --> 00:50:39,080
Speaker 1: rapp City. We converould say video music box. And at

804
00:50:39,080 --> 00:50:42,279
Speaker 1: the guys who write the questions like yeah, that's right,

805
00:50:43,000 --> 00:50:47,480
Speaker 1: got a documentary commend Yeah, hell you pig you up.

806
00:50:47,560 --> 00:50:50,640
Speaker 1: Ralph mcdanie something you need him on? Drink Champion juice

807
00:50:50,680 --> 00:50:54,839
Speaker 1: so Boys in the Hood. Damn. I mean he's in one.

808
00:50:54,920 --> 00:50:59,040
Speaker 1: So that's the way you in Juice. You got no choice.

809
00:50:59,080 --> 00:51:06,560
Speaker 1: But I don't know about God. He's the party bar

810
00:51:06,960 --> 00:51:10,560
Speaker 1: the party by Boys in the Hood. I'm taking the shot.

811
00:51:11,320 --> 00:51:18,319
Speaker 1: You pick the wrong one. You're going Boys in the Hood.

812
00:51:19,920 --> 00:51:21,600
Speaker 1: I'm gonna tell you why. Okay, I need to know

813
00:51:21,680 --> 00:51:26,080
Speaker 1: why Boys in the Hood. You think about something that

814
00:51:26,400 --> 00:51:30,240
Speaker 1: show the side the other side of the United States

815
00:51:30,440 --> 00:51:33,080
Speaker 1: that a lot of people don't know what relate to

816
00:51:33,280 --> 00:51:35,680
Speaker 1: day by day. Now, we saw a piece of it

817
00:51:35,840 --> 00:51:40,280
Speaker 1: from Colors, but they took it to another standard after Juice.

818
00:51:40,520 --> 00:51:44,360
Speaker 1: It's what we already know. So that's why I'm picking

819
00:51:44,440 --> 00:51:46,680
Speaker 1: Boys in the Hood because it puts something different to

820
00:51:46,760 --> 00:51:50,440
Speaker 1: the table. He's John saying, that's the piece John Sick

821
00:51:53,920 --> 00:52:04,680
Speaker 1: or digital days, Oh my god, he's a hard podcasts

822
00:52:04,760 --> 00:52:13,160
Speaker 1: or radio radio Carovessel. Are you serious? This is my engine?

823
00:52:14,000 --> 00:52:16,640
Speaker 1: And produce the questions? Man, they get corner I got

824
00:52:17,200 --> 00:52:20,160
Speaker 1: and not because I've worked with him, but we already

825
00:52:20,239 --> 00:52:25,320
Speaker 1: know look at the catalog. Okay, one, okay, okay, and

826
00:52:25,480 --> 00:52:28,480
Speaker 1: fat just me another question too. By the way, um

827
00:52:30,239 --> 00:52:34,800
Speaker 1: Queen Teeth for MC light, who you know I was like,

828
00:52:34,960 --> 00:52:40,920
Speaker 1: you brought that up because people forget that. How skill

829
00:52:41,040 --> 00:52:45,680
Speaker 1: food crean tell one of the illests. You know, I

830
00:52:45,840 --> 00:52:48,880
Speaker 1: understand she took it too many heights and I respect

831
00:52:48,960 --> 00:52:52,920
Speaker 1: her now she trail Blaze, but that my game was

832
00:52:53,040 --> 00:52:57,080
Speaker 1: so mean and I still don't know the answer that.

833
00:52:57,239 --> 00:52:59,040
Speaker 1: I feel like we could drink to that. Yeah, we

834
00:52:59,120 --> 00:53:00,880
Speaker 1: drink to that. Don't worry. You gotta bust your brain.

835
00:53:02,880 --> 00:53:05,960
Speaker 1: And nine is a beast because I know there's guys

836
00:53:05,960 --> 00:53:09,799
Speaker 1: who don't even want to go against like, wow, wow,

837
00:53:10,480 --> 00:53:12,960
Speaker 1: you got drinks. Yeah, I'm ready for that. I'm ready

838
00:53:13,000 --> 00:53:19,160
Speaker 1: to solo solo solo. Listen and our show we celebrate

839
00:53:19,239 --> 00:53:21,680
Speaker 1: our legends, and you're one. We want to sell a

840
00:53:22,040 --> 00:53:27,799
Speaker 1: break too, solo. Motherfucker spect man, spect. We ain't done

841
00:53:27,880 --> 00:53:31,520
Speaker 1: yet right now, this one. I definitely don't know what

842
00:53:31,640 --> 00:53:36,120
Speaker 1: you're gonna say. Yeah, I kind of do know. I'm

843
00:53:36,120 --> 00:53:38,919
Speaker 1: not sure though it's been you've been even fooling me lately.

844
00:53:39,719 --> 00:53:44,359
Speaker 1: Eighties or nineties hip hop eighties. Okay, I'm gonna tell

845
00:53:44,360 --> 00:53:47,040
Speaker 1: you why. I need to know why, because you got

846
00:53:47,080 --> 00:53:52,200
Speaker 1: me to be where i'm at. Got that not even

847
00:53:53,560 --> 00:53:59,040
Speaker 1: it's a blessing, Okay, l L or Komo d L

848
00:53:59,280 --> 00:54:05,480
Speaker 1: L the longest lasting hip hop recording artists and modis

849
00:54:05,560 --> 00:54:08,520
Speaker 1: my man, you are from harm and I respect MODI,

850
00:54:09,440 --> 00:54:12,120
Speaker 1: but L L showed his diversity. What did you call that?

851
00:54:14,200 --> 00:54:18,759
Speaker 1: The longest lasting hip hop recording artists? You know, think

852
00:54:18,800 --> 00:54:23,800
Speaker 1: about it. Grandmother and granddaughter can go to an L council.

853
00:54:24,800 --> 00:54:28,399
Speaker 1: Grandmother can sing I need love, granddaughter singing hespron Look

854
00:54:28,440 --> 00:54:34,160
Speaker 1: at this fan of how many years? That's the analogy,

855
00:54:35,760 --> 00:54:38,120
Speaker 1: that's true. I didn't know what came out with eighty

856
00:54:38,200 --> 00:54:47,520
Speaker 1: five hespernd came out two thousand five. Yet year Now

857
00:54:48,719 --> 00:54:53,640
Speaker 1: if him, it is if the mother's daughter had a

858
00:54:53,800 --> 00:54:58,279
Speaker 1: child and that was about maybe become like you know,

859
00:54:58,840 --> 00:55:04,040
Speaker 1: going on ten years become twenty years old. The grandmother

860
00:55:04,480 --> 00:55:07,840
Speaker 1: at the time from them thirty years, she was the

861
00:55:07,920 --> 00:55:11,799
Speaker 1: one that was rocking. They both can go to an

862
00:55:11,920 --> 00:55:17,200
Speaker 1: L L consent. That's yeah, that's the ill point, Max Pose.

863
00:55:19,120 --> 00:55:23,080
Speaker 1: I love the balls, alright, this one, this one, I

864
00:55:23,160 --> 00:55:25,279
Speaker 1: don't know. No, I think, I think, I don't know

865
00:55:25,320 --> 00:55:28,839
Speaker 1: you're gonna go with this one heavy dal Or your

866
00:55:28,960 --> 00:55:33,440
Speaker 1: rock man, Damn why are you doing? And I love

867
00:55:33,520 --> 00:55:39,879
Speaker 1: both and they both are so creative. Damn you ain't

868
00:55:39,880 --> 00:55:42,279
Speaker 1: got the forces you know we are. We don't mind

869
00:55:42,360 --> 00:55:53,080
Speaker 1: taking a shot. He damn right. I love when people

870
00:55:53,080 --> 00:55:59,880
Speaker 1: can stay. You can pass the bottle. Rest of you

871
00:56:00,040 --> 00:56:07,560
Speaker 1: start start problems. Question we stop to both of them. Yeah, respect,

872
00:56:10,000 --> 00:56:12,680
Speaker 1: you know they both went that. I respect about both

873
00:56:12,719 --> 00:56:17,319
Speaker 1: of them. Lyrically, they know how to go high or low.

874
00:56:18,760 --> 00:56:23,880
Speaker 1: They can take it a hide hide up tempo and

875
00:56:24,000 --> 00:56:27,600
Speaker 1: a dance matter, and they can bring low as a flow.

876
00:56:28,200 --> 00:56:30,520
Speaker 1: Not too many mcs can do that. Too many can

877
00:56:30,600 --> 00:56:33,600
Speaker 1: do that, and them too, They make it happen. Solute,

878
00:56:34,280 --> 00:56:47,520
Speaker 1: motherfucker Reid. Respect all loyalty. Huh, Respect all loyalty. No,

879
00:56:47,840 --> 00:56:50,400
Speaker 1: you just got me thinking about what my son already

880
00:56:50,400 --> 00:56:53,719
Speaker 1: say now and then I gotta say respect, respect all

881
00:56:53,719 --> 00:56:57,000
Speaker 1: a long way. No, you may get caught out there.

882
00:56:59,400 --> 00:57:03,719
Speaker 1: That was deep. We'll see it. Get you're killing, kill

883
00:57:03,840 --> 00:57:09,440
Speaker 1: what you're getting moment it's five as well. It's fire scarface,

884
00:57:09,600 --> 00:57:15,080
Speaker 1: ice cube the quem okay public enemy or n W

885
00:57:15,280 --> 00:57:22,080
Speaker 1: a public enemy dog open this Kanye Wessel for for

886
00:57:22,280 --> 00:57:35,640
Speaker 1: well primo or large pro primo large pro goddamn. And

887
00:57:35,760 --> 00:57:41,480
Speaker 1: they both beasts. They're both in beast. No, and they

888
00:57:41,560 --> 00:57:44,680
Speaker 1: don't get there just they don't get their just we

889
00:57:44,800 --> 00:57:48,120
Speaker 1: have Primo on here, but we need large prof We

890
00:57:48,160 --> 00:57:51,320
Speaker 1: need Primo back. Yeah no, they both bad. Motherfucking show y'all.

891
00:57:51,320 --> 00:58:01,040
Speaker 1: Sip alright, cool, cool stunt. I tell you we got

892
00:58:01,080 --> 00:58:12,000
Speaker 1: one more. Yeah, got me sweat, Yeah, man, this is

893
00:58:12,040 --> 00:58:17,960
Speaker 1: what we're going. So I just we'll take a shot

894
00:58:18,000 --> 00:58:20,760
Speaker 1: first and then my actual last one. Again, this is

895
00:58:20,880 --> 00:58:24,600
Speaker 1: the motherfucking red alert man for you. All the contributions

896
00:58:24,640 --> 00:58:26,640
Speaker 1: you gave to hip hop, We love you. We want

897
00:58:26,640 --> 00:58:28,480
Speaker 1: to give your flowers in your face and tell you

898
00:58:28,600 --> 00:58:31,520
Speaker 1: how important and how great you are to this society,

899
00:58:31,800 --> 00:58:35,160
Speaker 1: to this government of our own, to our community. This

900
00:58:35,320 --> 00:58:37,360
Speaker 1: is what you mean to us. We love you. Motherfucking

901
00:58:37,480 --> 00:58:45,120
Speaker 1: drink champs over here, solo. Okay, the last one, Dr

902
00:58:45,240 --> 00:58:50,360
Speaker 1: Dre or paul uh Dr Dre puff. I gotta say

903
00:58:50,480 --> 00:58:55,720
Speaker 1: Dre hmm. I wasn't prepared for that one. Why why

904
00:58:55,920 --> 00:59:00,120
Speaker 1: the history that Dre have from man, he was with

905
00:59:00,440 --> 00:59:05,040
Speaker 1: world class crew, Yeah, and had transd to so many

906
00:59:05,200 --> 00:59:10,919
Speaker 1: of the different entities, and none had to evolve from

907
00:59:11,800 --> 00:59:16,080
Speaker 1: row to aftermath, from ruthless to death, Row to afternoon.

908
00:59:16,760 --> 00:59:23,560
Speaker 1: I forgot ruthless. Supreme, he's the brain, He's the brain

909
00:59:23,760 --> 00:59:26,760
Speaker 1: because he makes pump is a person that can take

910
00:59:26,800 --> 00:59:28,480
Speaker 1: the teep a bottle of cash from make it look

911
00:59:28,520 --> 00:59:32,120
Speaker 1: like it's the biggest seller. That's how clever he is.

912
00:59:32,520 --> 00:59:36,200
Speaker 1: He's a marketing gene, you know, and he makes it happen.

913
00:59:38,120 --> 00:59:43,800
Speaker 1: But Dre and for being behind the board, he's the

914
00:59:43,840 --> 00:59:47,560
Speaker 1: one that really makes that happen. You want extra question

915
00:59:48,040 --> 00:59:51,120
Speaker 1: right because you just answered that too too easy? There's

916
00:59:51,160 --> 00:59:53,000
Speaker 1: one extra question. You don't have to. We don't have

917
00:59:53,080 --> 00:59:54,920
Speaker 1: to take a shot unless you'll want. You don't have to.

918
00:59:55,520 --> 01:00:00,320
Speaker 1: But pop Daddy is saying ja Jermaine Dupris and even

919
01:00:00,360 --> 01:00:05,320
Speaker 1: in his class, I heard about that, about that what

920
01:00:05,720 --> 01:00:07,360
Speaker 1: do you think? You know? I'm gonna tell you something

921
01:00:09,280 --> 01:00:12,200
Speaker 1: because during that time or three of them were just

922
01:00:12,280 --> 01:00:18,600
Speaker 1: speaking about they was the power set of that ever hard?

923
01:00:19,600 --> 01:00:23,800
Speaker 1: You know, Jermaine, a lot of people don't know have

924
01:00:24,000 --> 01:00:29,120
Speaker 1: been producing a long time too. And right the Criss

925
01:00:29,160 --> 01:00:32,200
Speaker 1: Course album. Yeah, I mean you know, I remember the

926
01:00:32,240 --> 01:00:34,680
Speaker 1: fact that he made me jump. That he made me jump.

927
01:00:35,000 --> 01:00:36,960
Speaker 1: Now he got there was a group that he had

928
01:00:37,360 --> 01:00:40,000
Speaker 1: produced that that never came out. Course, Silk Time Level

929
01:00:41,400 --> 01:00:45,480
Speaker 1: that came out. Should that show you that the limp

930
01:00:45,560 --> 01:00:50,160
Speaker 1: of Town how long he's been putting in. I know

931
01:00:50,320 --> 01:00:55,160
Speaker 1: that he's very clever bringing the youth to make them stars.

932
01:00:56,480 --> 01:01:04,479
Speaker 1: Cris course she was rat you know, yeah that's dope.

933
01:01:04,920 --> 01:01:09,000
Speaker 1: But who are you picking, Jermaine Depre puff daddy, Damn

934
01:01:10,280 --> 01:01:18,320
Speaker 1: you m t am taking that one. I'm gonna take

935
01:01:18,360 --> 01:01:19,920
Speaker 1: a shot for no matter what you were, matter what

936
01:01:20,040 --> 01:01:22,760
Speaker 1: answer you give pastor I'm gonna take a shot no

937
01:01:22,840 --> 01:01:25,440
Speaker 1: matter what as do you give your main or like,

938
01:01:25,600 --> 01:01:28,840
Speaker 1: I actually want to see it now because I just

939
01:01:29,000 --> 01:01:32,520
Speaker 1: love the puff confidence. As he was saying, he was like, man,

940
01:01:32,680 --> 01:01:34,680
Speaker 1: you're not even on my lovel Get doctor Dre on

941
01:01:34,760 --> 01:01:37,880
Speaker 1: the phone, Doctor Drey on the phone. That probably go

942
01:01:38,000 --> 01:01:42,000
Speaker 1: from zero to sixteen. Yes, so make it happen. Like

943
01:01:42,080 --> 01:01:44,320
Speaker 1: I said, he's a great salesman. And by the way,

944
01:01:44,360 --> 01:01:49,200
Speaker 1: we're also drinking summer strits. It's fired and you can

945
01:01:49,280 --> 01:01:58,840
Speaker 1: watch as well. Yes, yes, so um not God got honest.

946
01:01:58,960 --> 01:02:01,960
Speaker 1: You're sitting there, you want to watch the battle? Who

947
01:02:02,280 --> 01:02:04,840
Speaker 1: you think will when if they was the battle j

948
01:02:05,080 --> 01:02:11,240
Speaker 1: d j U. Yes, that would be very tough. It's

949
01:02:11,240 --> 01:02:12,680
Speaker 1: a different kind of battle because they're not in the

950
01:02:12,800 --> 01:02:15,760
Speaker 1: seas necessarily spitting and they both was on the records

951
01:02:16,720 --> 01:02:18,200
Speaker 1: or three of them was on the record, But it's

952
01:02:18,240 --> 01:02:20,520
Speaker 1: more about the records that they were part of the

953
01:02:20,600 --> 01:02:25,760
Speaker 1: whole catalog, which that's the whole idea about them. Ask artists. Yeah,

954
01:02:25,840 --> 01:02:27,880
Speaker 1: as artists here they can play records as they wrote

955
01:02:28,000 --> 01:02:29,840
Speaker 1: and produced and had things to go with. So now

956
01:02:29,960 --> 01:02:32,360
Speaker 1: if you know that actually a better question. You want

957
01:02:32,360 --> 01:02:33,880
Speaker 1: me to ask you a better credit or easier question.

958
01:02:33,920 --> 01:02:37,360
Speaker 1: How about that? Which out of the three, which would

959
01:02:37,400 --> 01:02:43,240
Speaker 1: you want to see Puff against Dr Dre or or

960
01:02:44,040 --> 01:02:47,320
Speaker 1: they gotta be prof Dre against one of them? Just

961
01:02:47,400 --> 01:02:50,480
Speaker 1: pick any match about the three. Yeah, let's go back

962
01:02:50,480 --> 01:02:52,640
Speaker 1: to the old school restamant when you put all the minium,

963
01:02:52,680 --> 01:03:03,880
Speaker 1: that's what that. Yeah, I see who comes out number one? Yeah,

964
01:03:04,160 --> 01:03:06,240
Speaker 1: you know, I have it be Puff and Jermaine dupri

965
01:03:06,480 --> 01:03:09,320
Speaker 1: and then Dre just comes in in the middle. Yeah,

966
01:03:09,360 --> 01:03:15,000
Speaker 1: this is definitely vers So all right, who would you

967
01:03:15,120 --> 01:03:19,800
Speaker 1: rather see Puff first j D or Puff verse J Dre.

968
01:03:28,400 --> 01:03:31,960
Speaker 1: I'm taking a shot for God Puff and Dre, okay,

969
01:03:32,280 --> 01:03:35,120
Speaker 1: because okay, I'll respect that answer. I'm taking a shot

970
01:03:35,160 --> 01:03:39,000
Speaker 1: for that answer anyway. Slotle Sootle that damn salute. Yeah,

971
01:03:39,080 --> 01:03:44,000
Speaker 1: I make it Dad, and they all three they all

972
01:03:44,120 --> 01:03:46,360
Speaker 1: three gave me some great ammunition to be out there,

973
01:03:47,080 --> 01:03:50,400
Speaker 1: you know, great songs and playing those records. Oh yeah,

974
01:03:50,960 --> 01:03:52,600
Speaker 1: you give me the right animal, I mean out getting

975
01:03:52,600 --> 01:03:58,400
Speaker 1: to feel real good. And that's three regions that they represented. Yeah, three, yeah, Okay,

976
01:03:58,480 --> 01:04:04,120
Speaker 1: this is what Fat Joe said, Who invented DJ? Invented

977
01:04:04,160 --> 01:04:07,120
Speaker 1: it invented? Yeah. I think that's a good question, But

978
01:04:07,320 --> 01:04:09,760
Speaker 1: that come from he said, he said, you need names,

979
01:04:10,040 --> 01:04:12,280
Speaker 1: like he's asking me to say that I need names.

980
01:04:12,400 --> 01:04:16,680
Speaker 1: It's hard to say because before the culture that hip

981
01:04:16,720 --> 01:04:20,400
Speaker 1: hop took place, it was DJ's. Before that, what they

982
01:04:20,440 --> 01:04:25,600
Speaker 1: called DJ's but two turntables. I think I forgot what

983
01:04:25,880 --> 01:04:29,080
Speaker 1: name they have been called, because they're the one that

984
01:04:29,200 --> 01:04:32,000
Speaker 1: took the title from what a radio person was known

985
01:04:32,080 --> 01:04:35,280
Speaker 1: in the beginning. He was knowing, he, she or they

986
01:04:35,440 --> 01:04:38,880
Speaker 1: was known as DJ's in the beginning, and then the

987
01:04:39,640 --> 01:04:42,800
Speaker 1: DJ came to them spending in the street in the clubs.

988
01:04:42,840 --> 01:04:47,000
Speaker 1: That then they changed it from DJ to personalities, right right,

989
01:04:47,480 --> 01:04:49,880
Speaker 1: like Martin, this is a person now that that person now,

990
01:04:50,240 --> 01:04:51,840
Speaker 1: But he would have been back like he's saying, would

991
01:04:51,880 --> 01:04:54,200
Speaker 1: have been back in the days called the DJ would

992
01:04:54,240 --> 01:04:58,680
Speaker 1: have been called a DJ. They was and is deep

993
01:04:58,720 --> 01:05:01,520
Speaker 1: to me, this is deep, ye, But no I don't.

994
01:05:02,440 --> 01:05:04,800
Speaker 1: I don't know who really started it. And I know

995
01:05:05,000 --> 01:05:09,800
Speaker 1: that it evolved from like dance music disco when it

996
01:05:09,920 --> 01:05:13,880
Speaker 1: really took forth more and more. You know who knows.

997
01:05:14,080 --> 01:05:17,040
Speaker 1: Probably could have been the DJ's own radio in his

998
01:05:17,160 --> 01:05:18,880
Speaker 1: past time. I could have been the borns that was

999
01:05:19,200 --> 01:05:23,080
Speaker 1: playing one record, one banking after the novel and in

1000
01:05:23,400 --> 01:05:27,800
Speaker 1: a big club or a big no hall, whatever it is.

1001
01:05:28,320 --> 01:05:30,320
Speaker 1: They were the ones that was in place of a band,

1002
01:05:31,560 --> 01:05:34,200
Speaker 1: because you know, everybody was having bands when they saw

1003
01:05:34,240 --> 01:05:36,400
Speaker 1: the DJ at one time, they used to laugh at that.

1004
01:05:37,600 --> 01:05:41,360
Speaker 1: I get out of here. But then the band start

1005
01:05:41,440 --> 01:05:44,120
Speaker 1: fading the way in the DJ started coming stronger and stronger,

1006
01:05:44,360 --> 01:05:47,280
Speaker 1: and the craigs started coming to right, Oh did they here?

1007
01:05:49,040 --> 01:05:52,800
Speaker 1: But now I was gonna say, who if you know

1008
01:05:52,920 --> 01:05:57,840
Speaker 1: who perfected the looping of break beats? Those fly um

1009
01:05:59,280 --> 01:06:03,040
Speaker 1: you're talking about out to you keep it continuous. Flash

1010
01:06:03,400 --> 01:06:07,560
Speaker 1: to credit that I just wanted to flashes credit as

1011
01:06:07,680 --> 01:06:10,640
Speaker 1: the person that learned how to make a turntable into

1012
01:06:11,040 --> 01:06:14,560
Speaker 1: an instrument instrument. You know he was pushing that none

1013
01:06:14,640 --> 01:06:18,840
Speaker 1: he was he very He's like a geek in its

1014
01:06:18,880 --> 01:06:24,920
Speaker 1: own way. And make sure that it's tight doing like that. Sure, yeah, okay,

1015
01:06:24,960 --> 01:06:27,160
Speaker 1: So I got some more questions. This is from other people.

1016
01:06:29,240 --> 01:06:30,800
Speaker 1: Ya don't have to standard you don't want it, you can't.

1017
01:06:30,960 --> 01:06:36,080
Speaker 1: Yeah you want yeah? Please quick? Yeah you can grab

1018
01:06:36,160 --> 01:06:47,120
Speaker 1: a seat. Okay, okay, this is from DJ now, he

1019
01:06:47,280 --> 01:06:50,920
Speaker 1: asked why he Yeah, just makes just make sure not

1020
01:06:51,000 --> 01:06:53,760
Speaker 1: in front of any of those two cameras. Yeah, yeah,

1021
01:06:53,760 --> 01:07:00,640
Speaker 1: stay the next one your family, yah, him why he

1022
01:07:00,720 --> 01:07:05,240
Speaker 1: picked me DJ enough obviously to be his apprentice after

1023
01:07:05,640 --> 01:07:10,840
Speaker 1: master Flex at Hot ninety seven. Because I'm curious shut

1024
01:07:10,840 --> 01:07:13,720
Speaker 1: out again? Please, I'm yea because I got a twist

1025
01:07:13,760 --> 01:07:20,600
Speaker 1: to this question, he said, asked him why he picked

1026
01:07:21,040 --> 01:07:24,000
Speaker 1: me obviously? This is DJ enough to be his apprentice

1027
01:07:24,160 --> 01:07:30,680
Speaker 1: after funk Flex started at Hot ninety seven after from

1028
01:07:30,720 --> 01:07:33,560
Speaker 1: Flexman deal. I'm needing another backup DJ every time we'll

1029
01:07:33,600 --> 01:07:37,080
Speaker 1: go away. You said that earlier, right, So I forgot

1030
01:07:37,160 --> 01:07:39,320
Speaker 1: to name the club. I think it's called the Aftergon.

1031
01:07:39,440 --> 01:07:42,880
Speaker 1: Remember Octagon Street on the West Side and this is

1032
01:07:43,120 --> 01:07:46,840
Speaker 1: ninety's Yeah that was like early nineties. Okay, Yeah, I

1033
01:07:46,880 --> 01:07:50,560
Speaker 1: wasn't around early night was put Street from the Javis

1034
01:07:50,640 --> 01:07:54,600
Speaker 1: Center Okay, okay, right on the street. Jacob javits. Okay,

1035
01:07:55,120 --> 01:07:58,120
Speaker 1: so um, here it is that I was playing for

1036
01:07:58,240 --> 01:08:01,400
Speaker 1: the M series that's in the organization Rest in Peace,

1037
01:08:01,480 --> 01:08:04,680
Speaker 1: my man Miguel, and they hired me for that night,

1038
01:08:05,000 --> 01:08:08,720
Speaker 1: and they hired Enough, so I got to hear Enough

1039
01:08:08,760 --> 01:08:11,600
Speaker 1: for the very first time. And I was bevery and

1040
01:08:11,640 --> 01:08:15,560
Speaker 1: pressed and was was he DJ and for big at

1041
01:08:15,600 --> 01:08:17,280
Speaker 1: this time? Or no? No, no, no, no no. He

1042
01:08:17,439 --> 01:08:19,400
Speaker 1: was in DJ for nobody. You was just a DJ

1043
01:08:19,960 --> 01:08:23,160
Speaker 1: doing the clubs. And when I heard him, my life

1044
01:08:23,560 --> 01:08:27,719
Speaker 1: m I was in press. So after being no press

1045
01:08:27,800 --> 01:08:30,040
Speaker 1: and everything, that's when I stepped to the program that

1046
01:08:30,320 --> 01:08:32,800
Speaker 1: say I have another person that I have to take

1047
01:08:32,880 --> 01:08:35,880
Speaker 1: the next fot and that was enough to take Flex

1048
01:08:36,000 --> 01:08:39,439
Speaker 1: five Flex moved on the hot night seven. Okay, so

1049
01:08:39,680 --> 01:08:47,360
Speaker 1: here it is next person is enough? Okay, twist to

1050
01:08:47,439 --> 01:08:55,280
Speaker 1: this question, I had enough, I asked him. But his answers.

1051
01:08:55,320 --> 01:08:58,280
Speaker 1: But when I whenever I do an interview, I always

1052
01:08:58,320 --> 01:09:01,200
Speaker 1: go to Twitter, always go to it, And I asked,

1053
01:09:01,280 --> 01:09:04,160
Speaker 1: you know you got questions, you got whatever? One of

1054
01:09:04,280 --> 01:09:08,599
Speaker 1: the questions that fans repeatedly asked, how did Red fail

1055
01:09:09,680 --> 01:09:12,240
Speaker 1: when I think Enough I was supposed to be. I

1056
01:09:12,280 --> 01:09:17,320
Speaker 1: think he replaced you at seven and the fact is

1057
01:09:18,320 --> 01:09:22,120
Speaker 1: that he was your apprentice. So is this something that

1058
01:09:22,680 --> 01:09:25,560
Speaker 1: you're sitting back and saying, man, this was this was

1059
01:09:25,680 --> 01:09:29,360
Speaker 1: something bad? Or was this something you gave your blessing too?

1060
01:09:30,800 --> 01:09:32,599
Speaker 1: I was hurt. I'm gonna tell you what I was hurting.

1061
01:09:32,920 --> 01:09:37,240
Speaker 1: Not enough, but I was hurt in a certain part

1062
01:09:37,760 --> 01:09:41,439
Speaker 1: about enough, because he did not realize he was being

1063
01:09:41,640 --> 01:09:44,920
Speaker 1: used as the pawn to move me out the way

1064
01:09:47,120 --> 01:09:51,640
Speaker 1: as a person you bought in. We just okay and

1065
01:09:51,960 --> 01:09:54,920
Speaker 1: him it is by him not noticing that because he

1066
01:09:55,400 --> 01:09:58,200
Speaker 1: enough French were supposed to do the morning show for

1067
01:09:58,280 --> 01:10:01,080
Speaker 1: a strong book about to ask that. Okay, I don't

1068
01:10:01,120 --> 01:10:03,600
Speaker 1: know what took place of that, but then here it

1069
01:10:03,800 --> 01:10:07,720
Speaker 1: is he didn't I want to do it. So I

1070
01:10:07,840 --> 01:10:12,320
Speaker 1: know he spending time hanging around and programming. I know

1071
01:10:12,520 --> 01:10:17,240
Speaker 1: that there was number one. And I'm not gonna mention

1072
01:10:17,320 --> 01:10:21,000
Speaker 1: no names, but there's a person in programming that I

1073
01:10:21,080 --> 01:10:24,559
Speaker 1: never saw at AM. And I get long with everybody,

1074
01:10:25,240 --> 01:10:28,599
Speaker 1: I get long with racing everybody, and I mentioned no names.

1075
01:10:29,479 --> 01:10:33,360
Speaker 1: I went to far I not mentioned her name because

1076
01:10:34,280 --> 01:10:37,840
Speaker 1: for this right here, the name is not even worth

1077
01:10:37,920 --> 01:10:43,960
Speaker 1: coming out my mouth. Here it is knowing that it

1078
01:10:44,160 --> 01:10:48,200
Speaker 1: was shaking between me and that person and knowing that

1079
01:10:48,360 --> 01:10:52,280
Speaker 1: they want him because he was the fresh blood. You know,

1080
01:10:52,439 --> 01:10:54,800
Speaker 1: I'm a veteran that I don't know how many years.

1081
01:10:55,760 --> 01:11:00,320
Speaker 1: So they're looking at the moon too. So they took

1082
01:11:00,439 --> 01:11:02,400
Speaker 1: him and put him in place and me to move me.

1083
01:11:03,439 --> 01:11:07,120
Speaker 1: And that's what I became hurt, because you did the

1084
01:11:07,240 --> 01:11:11,120
Speaker 1: fire thing to utilize this guy, and this guy not realized,

1085
01:11:11,160 --> 01:11:14,920
Speaker 1: and he's being utilized for me to be removed, okay,

1086
01:11:15,439 --> 01:11:17,800
Speaker 1: And that's what I was hurtful a while. That's why

1087
01:11:17,880 --> 01:11:19,920
Speaker 1: he was at That's why I was hurt for a while.

1088
01:11:21,000 --> 01:11:23,680
Speaker 1: And now I have to ask because I gotta be

1089
01:11:23,800 --> 01:11:26,280
Speaker 1: you know, so where is because Flex is also a

1090
01:11:26,320 --> 01:11:28,760
Speaker 1: person you brought in this game. West Flex, West, Chuck

1091
01:11:28,880 --> 01:11:31,920
Speaker 1: chill out during all this happening, all the air telling

1092
01:11:32,000 --> 01:11:36,560
Speaker 1: you Flaster was still at the station, you know, Flexson

1093
01:11:36,600 --> 01:11:39,200
Speaker 1: doing the Chuck is over there at Kiss at the time.

1094
01:11:40,000 --> 01:11:44,599
Speaker 1: You know, Um, I know they told me that after

1095
01:11:44,720 --> 01:11:47,720
Speaker 1: they moved me out, did they say, now even you

1096
01:11:47,840 --> 01:11:50,120
Speaker 1: can go ahead and just through the twelve o'clock. Remember

1097
01:11:50,120 --> 01:11:52,840
Speaker 1: I had two ships and the old school noon and

1098
01:11:52,920 --> 01:11:55,080
Speaker 1: the five o'clocks you ride, they say you even can

1099
01:11:55,200 --> 01:11:57,400
Speaker 1: continue on the old school noon or you can go

1100
01:11:57,479 --> 01:12:00,439
Speaker 1: over there to kiss. So what I did. I took

1101
01:12:00,479 --> 01:12:03,760
Speaker 1: a break for about three months to clear my head

1102
01:12:04,360 --> 01:12:07,519
Speaker 1: and then I reconsidered coming back to kiss. And that's

1103
01:12:07,560 --> 01:12:09,720
Speaker 1: what that means. I'm like, you both want to say

1104
01:12:09,720 --> 01:12:21,439
Speaker 1: something good. I want to make sure you clear shift

1105
01:12:22,360 --> 01:12:24,840
Speaker 1: to shift to something else. Okay, you get you right,

1106
01:12:24,840 --> 01:12:27,600
Speaker 1: because I mean I just want to clear it up

1107
01:12:27,640 --> 01:12:29,800
Speaker 1: because that's where I god like, I'm sorry, so sorry,

1108
01:12:29,880 --> 01:12:34,519
Speaker 1: Like you know, Twitter is the most I don't want

1109
01:12:34,560 --> 01:12:37,040
Speaker 1: to say negative, but it's the most like straight to

1110
01:12:37,120 --> 01:12:40,559
Speaker 1: the point. Like so when I when I interview anybody,

1111
01:12:40,640 --> 01:12:43,560
Speaker 1: I don't go to the ground. I go I go

1112
01:12:43,680 --> 01:12:46,560
Speaker 1: to Twitter because Twitter gonna tell me everything. And what

1113
01:12:46,640 --> 01:12:51,600
Speaker 1: Twitter was like, yo, everyone always felt it was a

1114
01:12:51,680 --> 01:12:56,600
Speaker 1: certain move, one enough part that wasn't wasn't right, like

1115
01:12:56,880 --> 01:13:00,720
Speaker 1: like certainly it just wasn't right. And we have never

1116
01:13:00,760 --> 01:13:05,600
Speaker 1: really heard rad address that. You know what? Yeah, you

1117
01:13:05,640 --> 01:13:09,040
Speaker 1: know what's interesting about that people even acknowledge that that.

1118
01:13:09,280 --> 01:13:11,559
Speaker 1: I was like, that's the first question that was asked,

1119
01:13:12,600 --> 01:13:18,439
Speaker 1: even acknowledging caught that only years ago, right, they still earlier.

1120
01:13:20,120 --> 01:13:22,200
Speaker 1: One that surprised me a little bit that she said

1121
01:13:22,960 --> 01:13:24,599
Speaker 1: I thought she was capping a little bit. You said,

1122
01:13:24,600 --> 01:13:27,360
Speaker 1: Twitter said that, but no, no, no, no, I do that.

1123
01:13:27,479 --> 01:13:30,960
Speaker 1: I do that. I do that for every Yeah. Yeah,

1124
01:13:31,040 --> 01:13:34,559
Speaker 1: because Twitter just hits me right in them. And once

1125
01:13:34,600 --> 01:13:38,120
Speaker 1: again the perception of how people look at social media,

1126
01:13:38,200 --> 01:13:44,960
Speaker 1: like you say on on Twitter, people want to see

1127
01:13:45,080 --> 01:13:49,240
Speaker 1: the drama side and I'm not showing that, but I

1128
01:13:49,400 --> 01:13:54,520
Speaker 1: feel that it's not needed for what to fulfill your satisfaction.

1129
01:13:55,880 --> 01:14:04,240
Speaker 1: I n D. I'm not that, but that you're gonna

1130
01:14:04,280 --> 01:14:07,960
Speaker 1: stay stay on this and then because because I need

1131
01:14:08,000 --> 01:14:10,080
Speaker 1: to notice, right because Pat Joe used to say something

1132
01:14:10,120 --> 01:14:12,960
Speaker 1: to me like we still um like like you know,

1133
01:14:13,280 --> 01:14:15,439
Speaker 1: Fat Joe's person who put me like you know, after

1134
01:14:15,520 --> 01:14:18,920
Speaker 1: I'm settled in Miami, He's like, you go see everyone

1135
01:14:19,040 --> 01:14:22,360
Speaker 1: that comes to Miami like this is an advantage. And

1136
01:14:22,520 --> 01:14:24,479
Speaker 1: what he would do. I would see radio people and

1137
01:14:24,560 --> 01:14:26,760
Speaker 1: he would always be like, you're working in radio was

1138
01:14:26,840 --> 01:14:29,760
Speaker 1: so crazy because you can It's like working for the

1139
01:14:29,960 --> 01:14:32,320
Speaker 1: baseball Like you could work up tomorrow. They could be

1140
01:14:32,320 --> 01:14:36,360
Speaker 1: like you in Minnesota, you and utaw them all and

1141
01:14:36,680 --> 01:14:39,160
Speaker 1: like your job is that you either quit or you

1142
01:14:39,240 --> 01:14:42,720
Speaker 1: could keep going on your job over there. So a

1143
01:14:42,800 --> 01:14:45,800
Speaker 1: lot of people don't understand that that works like that

1144
01:14:46,000 --> 01:14:49,720
Speaker 1: everywhere else but New Yak. Like in New York, they

1145
01:14:49,840 --> 01:14:54,360
Speaker 1: want their people to talk to them. I remember, I

1146
01:14:54,400 --> 01:14:56,760
Speaker 1: remember when even Ebro came. It was like a whole

1147
01:14:56,840 --> 01:14:59,280
Speaker 1: campaign to get evil off the radio, like for real,

1148
01:14:59,360 --> 01:15:01,000
Speaker 1: it was like, we want to hear our own people

1149
01:15:01,360 --> 01:15:03,600
Speaker 1: and us excu excuse me. It wasn't even but it

1150
01:15:03,680 --> 01:15:07,080
Speaker 1: was Big Boy. You don't remember when Big Boys the

1151
01:15:07,200 --> 01:15:10,000
Speaker 1: morning show. Big Boy was doing New York radio for

1152
01:15:10,400 --> 01:15:12,720
Speaker 1: l A. He was giving l A traffic. So when

1153
01:15:12,760 --> 01:15:16,760
Speaker 1: you heard the actual morning show was being syndicated out there,

1154
01:15:17,160 --> 01:15:19,200
Speaker 1: they didn't. They wasn't catching on that that we're looking

1155
01:15:19,240 --> 01:15:22,520
Speaker 1: at there like, uh, you know, so across last scare's

1156
01:15:23,560 --> 01:15:28,920
Speaker 1: wait a minute, we don't know what last year nigger is, like,

1157
01:15:29,960 --> 01:15:32,479
Speaker 1: we don't these Bulevard And then we started to notice

1158
01:15:32,479 --> 01:15:35,360
Speaker 1: they're not even giving us a show. They're giving us

1159
01:15:35,439 --> 01:15:39,280
Speaker 1: a show that's recorded in l A. And it was

1160
01:15:39,400 --> 01:15:42,160
Speaker 1: just she was just crazy at one point. So what

1161
01:15:42,240 --> 01:15:44,000
Speaker 1: I'm saying is I a lot of us don't know

1162
01:15:44,320 --> 01:15:48,840
Speaker 1: that part of it, right, So this is business, but

1163
01:15:48,960 --> 01:15:52,040
Speaker 1: it's still it's still personal, Like I don't care like

1164
01:15:52,040 --> 01:15:54,200
Speaker 1: a lot of people say, it's it's not business is personal.

1165
01:15:54,479 --> 01:15:56,800
Speaker 1: Like when you if you say a person's your apprentice

1166
01:15:56,840 --> 01:15:59,800
Speaker 1: and you you know, have flex, did you feel like

1167
01:16:00,040 --> 01:16:04,960
Speaker 1: like support for you at that time? Um, that's a

1168
01:16:05,040 --> 01:16:08,760
Speaker 1: good question. Whish I never thought of. Wish I never

1169
01:16:08,840 --> 01:16:11,519
Speaker 1: thought of. And I don't look for people with a

1170
01:16:11,600 --> 01:16:13,840
Speaker 1: back for me and they were back for me. That's

1171
01:16:13,880 --> 01:16:17,160
Speaker 1: on them. And I appreciate, appreciate you the fullest, but

1172
01:16:17,280 --> 01:16:21,880
Speaker 1: I'm not gonna be like, look at hook me up now.

1173
01:16:22,040 --> 01:16:24,400
Speaker 1: I have learned over the period of time I've been

1174
01:16:24,439 --> 01:16:28,040
Speaker 1: on radio to earn my own If I wouldn't have

1175
01:16:28,040 --> 01:16:30,080
Speaker 1: had done that, I wouldn't be here as long as

1176
01:16:30,120 --> 01:16:34,760
Speaker 1: I've been that. So I have built relationship with many people.

1177
01:16:35,600 --> 01:16:37,639
Speaker 1: You know, I know I gave a lot of people

1178
01:16:38,320 --> 01:16:41,599
Speaker 1: gripe upon my decisions what I do, such as flame music,

1179
01:16:42,320 --> 01:16:45,880
Speaker 1: you know what moves ever made. But I'm looking at

1180
01:16:46,120 --> 01:16:49,040
Speaker 1: I had my vision. So for what is it that

1181
01:16:49,160 --> 01:16:51,920
Speaker 1: you're looking for me? So I says what you just say?

1182
01:16:52,400 --> 01:16:55,040
Speaker 1: Why I bred never give an opinion. I have no

1183
01:16:55,200 --> 01:17:00,320
Speaker 1: reason to give her opinion. That's differend myself to say

1184
01:17:00,720 --> 01:17:03,320
Speaker 1: that's real ship, that's real because from the outside looking in,

1185
01:17:05,160 --> 01:17:06,800
Speaker 1: it looked like Flex had your back. I don't know.

1186
01:17:07,040 --> 01:17:10,160
Speaker 1: I don't know this. It looked like Flex had your back.

1187
01:17:10,600 --> 01:17:14,120
Speaker 1: It looks like what you said. They look at that too,

1188
01:17:14,160 --> 01:17:16,720
Speaker 1: the same Flex have my back? Because no, Flex I

1189
01:17:16,800 --> 01:17:22,320
Speaker 1: have and I have a very unique relationship, major respect

1190
01:17:22,479 --> 01:17:26,479
Speaker 1: from each other, you know, but that I don't know

1191
01:17:27,439 --> 01:17:32,599
Speaker 1: what say Flex have on that right? Nothing, because that's

1192
01:17:32,640 --> 01:17:34,040
Speaker 1: a lot of That's how a lot of people look

1193
01:17:34,080 --> 01:17:37,559
Speaker 1: at it. Like, Um, when people think of the background

1194
01:17:37,600 --> 01:17:40,439
Speaker 1: and seven, they don't think of Tracy. They don't think

1195
01:17:40,479 --> 01:17:43,360
Speaker 1: of the bros. They don't think of the what's my

1196
01:17:43,479 --> 01:17:48,000
Speaker 1: man name now, Poppy? Forget the guy no no, no, no,

1197
01:17:48,080 --> 01:17:51,040
Speaker 1: he's he's he's not he's not management. Um. They don't

1198
01:17:51,080 --> 01:17:53,720
Speaker 1: think uh, like you know, the higher ups. They think

1199
01:17:53,760 --> 01:17:58,200
Speaker 1: of Flex. They think Flex is actually and really I'm

1200
01:17:58,200 --> 01:18:02,200
Speaker 1: not all do do respect to Flex. I don't think

1201
01:18:02,280 --> 01:18:05,519
Speaker 1: that he makes those decisions on the background. I don't think.

1202
01:18:05,560 --> 01:18:07,599
Speaker 1: I don't think so. I could be wrong. When you're

1203
01:18:07,600 --> 01:18:09,720
Speaker 1: in the public, guy, all kind of stuff is coming

1204
01:18:09,760 --> 01:18:12,560
Speaker 1: that you you know, they don't know the people that

1205
01:18:12,720 --> 01:18:15,880
Speaker 1: behind the desk and making the moves. You guys still

1206
01:18:15,880 --> 01:18:18,600
Speaker 1: answer to somebody. You know, we got less of what

1207
01:18:19,000 --> 01:18:21,000
Speaker 1: so I can't understand what they think of because for

1208
01:18:21,080 --> 01:18:24,200
Speaker 1: the left of time FLEX been there. But he don't shake.

1209
01:18:24,560 --> 01:18:28,280
Speaker 1: He make his moves. Then he feels that's best for him.

1210
01:18:28,680 --> 01:18:31,439
Speaker 1: They keep growing. He still got an answer to the

1211
01:18:31,560 --> 01:18:34,360
Speaker 1: higher up. Now you are enough. You'll ever talked about

1212
01:18:34,400 --> 01:18:36,840
Speaker 1: the situation or we never talked about what I did

1213
01:18:37,080 --> 01:18:39,719
Speaker 1: that when I came back to kids for the final

1214
01:18:39,800 --> 01:18:42,320
Speaker 1: time before a close down, leave him from power, I

1215
01:18:42,400 --> 01:18:45,240
Speaker 1: took it upon myself and step into the studio while

1216
01:18:45,320 --> 01:18:48,920
Speaker 1: he was on, and I apologize to him. Why would

1217
01:18:48,960 --> 01:18:51,800
Speaker 1: you apologize? I felt that, you know, I deserve to

1218
01:18:52,160 --> 01:18:54,599
Speaker 1: give him an apology because I was silent to him

1219
01:18:54,640 --> 01:18:58,040
Speaker 1: for a long period of time. I wasn't saying nothing

1220
01:18:58,160 --> 01:19:01,840
Speaker 1: to him. I wasn't, you know, because I felt I

1221
01:19:01,960 --> 01:19:04,040
Speaker 1: felt hurt. But at the same talk at the time,

1222
01:19:04,800 --> 01:19:07,920
Speaker 1: I'm not gonna take it to the over ankle. I

1223
01:19:08,080 --> 01:19:11,880
Speaker 1: just stayed away until I just get you. My health

1224
01:19:11,960 --> 01:19:14,559
Speaker 1: can't coming back over there. Let me go ahead and polish.

1225
01:19:15,160 --> 01:19:24,880
Speaker 1: And that's what I did. Yeah, that's good ship man,

1226
01:19:24,920 --> 01:19:27,800
Speaker 1: this is doing your radio talk. I'm sorry. I'm sorry, girl,

1227
01:19:28,160 --> 01:19:30,800
Speaker 1: I'm sorry. She got deep man, your radio try deep Man.

1228
01:19:30,840 --> 01:19:32,320
Speaker 1: I was pulled in I was pulled. It was like

1229
01:19:32,479 --> 01:19:34,320
Speaker 1: a wall. I was like, oh, ship, that's just jumped there.

1230
01:19:34,479 --> 01:19:38,000
Speaker 1: So you know there's there's a lineage and an influence.

1231
01:19:38,040 --> 01:19:40,479
Speaker 1: I don't think people understand that comes from native tongue

1232
01:19:41,160 --> 01:19:43,719
Speaker 1: and that you're so instrumental in that. Can you speak

1233
01:19:43,760 --> 01:19:48,519
Speaker 1: about the birth of it. I have to give a

1234
01:19:48,600 --> 01:19:54,599
Speaker 1: lot of credit to the Jungle Brobbers Um the Jungle

1235
01:19:54,640 --> 01:19:57,240
Speaker 1: Brobbers from what I learned, the Jungle Brobbers and Daylight

1236
01:19:57,320 --> 01:19:59,160
Speaker 1: saw it got to Meatchop for the first time during

1237
01:19:59,200 --> 01:20:01,920
Speaker 1: the show. I think up Boston when they got to

1238
01:20:01,960 --> 01:20:05,920
Speaker 1: meet each other, they felt a similar vibe how they

1239
01:20:06,040 --> 01:20:11,800
Speaker 1: come across and what they do Africa and Mike g

1240
01:20:12,080 --> 01:20:15,439
Speaker 1: who is my nephew, my sister's son. They broke into

1241
01:20:15,560 --> 01:20:20,400
Speaker 1: Mary Bertram High School No part of Manhattan. Who was

1242
01:20:20,439 --> 01:20:23,000
Speaker 1: also in that school at the same time. You had

1243
01:20:23,120 --> 01:20:28,040
Speaker 1: q Tip, Yeah, Alice Shahi, they had you Robie, You

1244
01:20:28,200 --> 01:20:33,439
Speaker 1: had my man Uh from x Clam from ex Clam,

1245
01:20:34,600 --> 01:20:37,559
Speaker 1: j blobbo j and Wresting Piece of DJ for their

1246
01:20:37,600 --> 01:20:43,519
Speaker 1: sugar shop. That was always with school Mary Bercham Is

1247
01:20:43,600 --> 01:20:46,880
Speaker 1: this just still open? I don't know what school, just

1248
01:20:46,960 --> 01:20:50,800
Speaker 1: like the one the bust of us talking man. That

1249
01:20:50,960 --> 01:20:56,000
Speaker 1: was the school that you next to police. One police

1250
01:20:56,040 --> 01:21:03,880
Speaker 1: classis I don't want to bridge. So they all went

1251
01:21:03,920 --> 01:21:08,480
Speaker 1: to school there and you know, they was always interacting

1252
01:21:08,520 --> 01:21:12,200
Speaker 1: eaself against something going on. So I remember my nephews

1253
01:21:12,240 --> 01:21:15,320
Speaker 1: always say, yo, man, we want to make a record.

1254
01:21:15,360 --> 01:21:17,559
Speaker 1: We wanna make a record. So I thought it was jobbing.

1255
01:21:17,600 --> 01:21:20,000
Speaker 1: I didn't think they took him serious. But the first

1256
01:21:20,040 --> 01:21:24,120
Speaker 1: person who took them in Africa and Mike was my

1257
01:21:24,240 --> 01:21:27,679
Speaker 1: cousin Jos to his studio, you know that was up infront.

1258
01:21:27,760 --> 01:21:30,479
Speaker 1: She had a studio. He also had Strong City Records,

1259
01:21:31,479 --> 01:21:34,960
Speaker 1: so they did something. Then my man Tony d he

1260
01:21:35,080 --> 01:21:37,000
Speaker 1: had a group that came out a long time ago

1261
01:21:37,240 --> 01:21:40,600
Speaker 1: called Bad Boys before the label, and they made this

1262
01:21:40,680 --> 01:21:45,439
Speaker 1: record called Inspect the Gadget. Can you remember that? And

1263
01:21:46,280 --> 01:21:49,439
Speaker 1: that was under called bad Boys. Yeah, group called Bad Boys.

1264
01:21:50,320 --> 01:21:55,240
Speaker 1: Ricke Love who was considered the female beatbox. Um. So

1265
01:21:56,680 --> 01:22:00,320
Speaker 1: my man Tony was the DJ Slice producer. He said, hey,

1266
01:22:00,360 --> 01:22:03,320
Speaker 1: wait man, I just built the studio in my basement,

1267
01:22:03,479 --> 01:22:06,240
Speaker 1: you know, so anybody you wanted to bring a So

1268
01:22:06,400 --> 01:22:08,559
Speaker 1: that's when I threw on my nephew and they went

1269
01:22:08,640 --> 01:22:11,920
Speaker 1: ahead and start getting this stuff going on. Of course,

1270
01:22:11,960 --> 01:22:13,960
Speaker 1: you know, the first record they came out with everybody

1271
01:22:14,040 --> 01:22:19,679
Speaker 1: knew was Jim Browski Jim Brownsky. Yeah, and then after

1272
01:22:19,800 --> 01:22:21,880
Speaker 1: that because I gotta like that, you know, and then

1273
01:22:21,920 --> 01:22:24,640
Speaker 1: they just Camet Building Building, and then they formed the

1274
01:22:24,760 --> 01:22:29,040
Speaker 1: first album, Straight out the Jungle. On the on there

1275
01:22:29,760 --> 01:22:34,400
Speaker 1: was a record Call on the Run that was named

1276
01:22:34,400 --> 01:22:36,280
Speaker 1: a record Call on the Run. There was an album cut.

1277
01:22:36,760 --> 01:22:40,160
Speaker 1: Who featured on the album cut was q Tip, but

1278
01:22:40,280 --> 01:22:42,840
Speaker 1: his name was Cute Tip at that time. Um, I think,

1279
01:22:42,880 --> 01:22:47,120
Speaker 1: so okay. And then remember I just said to you

1280
01:22:47,200 --> 01:22:50,360
Speaker 1: about how Fat Joe and the Unite used to do

1281
01:22:50,479 --> 01:22:53,559
Speaker 1: programs for me, So you had q Tip doing program

1282
01:22:54,479 --> 01:23:02,400
Speaker 1: Hold on, you gotta relax. The younger Bubbers did a

1283
01:23:02,520 --> 01:23:06,760
Speaker 1: song called the Promo that was for the radioship, and

1284
01:23:06,960 --> 01:23:09,760
Speaker 1: then who was on the promo? What's q tip on

1285
01:23:09,960 --> 01:23:14,600
Speaker 1: their on their freestyle for the promo, and then it

1286
01:23:14,760 --> 01:23:17,439
Speaker 1: went to another set of a promo. Call in time

1287
01:23:19,720 --> 01:23:22,720
Speaker 1: grabbed everybody attention, the labelers, they said, you know, who

1288
01:23:22,840 --> 01:23:25,000
Speaker 1: just got a que chip? Who doesn't? And then really

1289
01:23:25,240 --> 01:23:28,479
Speaker 1: caught their attention because n q tip was on day

1290
01:23:28,520 --> 01:23:31,599
Speaker 1: l are so so on me myself and I called

1291
01:23:31,680 --> 01:23:35,120
Speaker 1: black is Black, called everybody attention, Yo, maybe we won't

1292
01:23:35,160 --> 01:23:37,640
Speaker 1: get the next guy. We got Daylight going on, we

1293
01:23:37,720 --> 01:23:39,680
Speaker 1: got young Brobber going on. We want to get the

1294
01:23:39,760 --> 01:23:43,040
Speaker 1: next guy. So they're went after Q Tip and that's

1295
01:23:43,080 --> 01:23:46,479
Speaker 1: when Q Tip being shocked around and wind up being

1296
01:23:46,479 --> 01:23:50,360
Speaker 1: on Jove Records, but his um, but his own partners

1297
01:23:50,880 --> 01:23:56,400
Speaker 1: and then for him trifical Quest. So now during that time,

1298
01:23:57,000 --> 01:23:59,840
Speaker 1: I'm getting real close to Mark, the forty five King.

1299
01:24:00,800 --> 01:24:06,760
Speaker 1: Respect the Mark, of course, absolutely he had the Flavor Unit. Yeah,

1300
01:24:07,080 --> 01:24:11,320
Speaker 1: the consists that's in New Jersey Nation, New Jersey. And

1301
01:24:11,400 --> 01:24:15,280
Speaker 1: the group she had there was like t Shabaz, not

1302
01:24:15,439 --> 01:24:22,200
Speaker 1: Kim sabas um chill rob um, let's she peace my man,

1303
01:24:22,280 --> 01:24:26,559
Speaker 1: the patch huh Nordy by nature. There wasn't. It wasn't

1304
01:24:26,600 --> 01:24:32,120
Speaker 1: around yet, it wasn't. I'm not there yet. God Almighty

1305
01:24:32,280 --> 01:24:35,360
Speaker 1: Arts was a part of the really. No, they were

1306
01:24:35,400 --> 01:24:37,400
Speaker 1: managed though by them. They was managed by them, but

1307
01:24:37,640 --> 01:24:43,280
Speaker 1: that was laid only because they were in Boston. And

1308
01:24:43,439 --> 01:24:48,280
Speaker 1: then here come creen Chief you and I why I know,

1309
01:24:49,880 --> 01:24:54,720
Speaker 1: I'm just saying, just keep wrong time, wrong time like

1310
01:24:54,920 --> 01:24:57,479
Speaker 1: wrong time. Like. The first song she came out was

1311
01:24:57,560 --> 01:25:02,120
Speaker 1: called the Wrath for my madness. M hm. And here

1312
01:25:02,200 --> 01:25:06,200
Speaker 1: it is she a labelmate rid They're like so Tommy boy.

1313
01:25:07,200 --> 01:25:09,240
Speaker 1: So now here it is I have a relation with

1314
01:25:09,320 --> 01:25:16,040
Speaker 1: Mark relation. So she now drawing into what's going on

1315
01:25:16,360 --> 01:25:20,760
Speaker 1: amongst the groups and she getting in frond. Here it

1316
01:25:21,000 --> 01:25:24,320
Speaker 1: is jungle bobs run oversea for the first time, and

1317
01:25:24,880 --> 01:25:27,280
Speaker 1: Africa got involved with a young lady who was the top.

1318
01:25:27,400 --> 01:25:30,439
Speaker 1: And see you over there at the time, Mooney love

1319
01:25:32,000 --> 01:25:38,439
Speaker 1: should just be connection now shot coming now, meanwhile saying

1320
01:25:38,479 --> 01:25:44,599
Speaker 1: African bat bottom discovered. No, no, not African ban bottom, Africa. Okay,

1321
01:25:45,360 --> 01:25:50,240
Speaker 1: this band bottom and then you got Africa baby band.

1322
01:25:51,000 --> 01:25:57,920
Speaker 1: They both Africa. But no after baby, let's take another shot.

1323
01:25:59,080 --> 01:26:02,240
Speaker 1: I might make it worse. He got me man, he

1324
01:26:02,320 --> 01:26:06,720
Speaker 1: got me man. So like I said, so baby Beam

1325
01:26:06,840 --> 01:26:09,600
Speaker 1: connected with money Love in the UK because you know

1326
01:26:09,760 --> 01:26:11,800
Speaker 1: they got involved with each other. I don't know this

1327
01:26:11,880 --> 01:26:16,880
Speaker 1: part about money love. Yeah, really no money she was

1328
01:26:17,040 --> 01:26:20,160
Speaker 1: the top MC. I did too, and no one'll kill you.

1329
01:26:22,680 --> 01:26:24,519
Speaker 1: I just did marriage bootcamp with us. She killed she

1330
01:26:24,600 --> 01:26:32,320
Speaker 1: killed everybody different were playing around an start coming back

1331
01:26:32,400 --> 01:26:37,760
Speaker 1: over here. Meanwhile, before before that, when I was DJ

1332
01:26:38,000 --> 01:26:40,360
Speaker 1: for Sparky D, he was always hitting or throughout the

1333
01:26:40,479 --> 01:26:42,880
Speaker 1: north who was just in Rock, South Carolina, or that

1334
01:26:43,560 --> 01:26:46,839
Speaker 1: I came across this DJ who was like the battist

1335
01:26:46,920 --> 01:26:49,720
Speaker 1: in his part of town and they used to call

1336
01:26:49,760 --> 01:26:54,080
Speaker 1: him short. He do want so he wind up moving

1337
01:26:54,200 --> 01:26:56,200
Speaker 1: up to New York and he kept on telling me

1338
01:26:56,240 --> 01:27:01,240
Speaker 1: about this MC half he had they do sure do

1339
01:27:01,360 --> 01:27:04,559
Speaker 1: I have artists? Have an artist up in from Crim's

1340
01:27:05,960 --> 01:27:08,720
Speaker 1: and they got together, Sure you do want to change

1341
01:27:08,760 --> 01:27:12,880
Speaker 1: his name to Mr Long black Sheet and Long with

1342
01:27:13,000 --> 01:27:16,439
Speaker 1: dress black Sheet. And the reason they caught it up

1343
01:27:16,439 --> 01:27:19,160
Speaker 1: black Sheet before they was the outcast of the native tongue.

1344
01:27:20,800 --> 01:27:23,000
Speaker 1: I don't know that. I didn't know that you went

1345
01:27:23,040 --> 01:27:25,599
Speaker 1: to fast hold On, So why would they the outcast

1346
01:27:25,640 --> 01:27:28,920
Speaker 1: a native tongue? And so natives already native tongue. There's

1347
01:27:28,920 --> 01:27:32,840
Speaker 1: already native tongue. But you know you're from an attachment

1348
01:27:33,120 --> 01:27:36,920
Speaker 1: that comes a little different from them. If you're listening

1349
01:27:37,000 --> 01:27:40,000
Speaker 1: to how this out, it was at that time black Sheet.

1350
01:27:41,520 --> 01:27:45,320
Speaker 1: The next the next one that come ray after, who

1351
01:27:45,479 --> 01:27:50,760
Speaker 1: was considered the youngster of the whole tribe, and that

1352
01:27:51,000 --> 01:27:56,160
Speaker 1: came through Chris Liffek Baby Chris. You know why we're

1353
01:27:56,160 --> 01:28:03,080
Speaker 1: calling Baby Chris because it's because he wanted to know

1354
01:28:05,120 --> 01:28:09,479
Speaker 1: like you don't edit, so if so, I just thought

1355
01:28:09,479 --> 01:28:11,760
Speaker 1: about that. I was like, people feel that they call

1356
01:28:11,840 --> 01:28:15,760
Speaker 1: on baby Crypta because the faby face. He had the

1357
01:28:15,840 --> 01:28:19,200
Speaker 1: young face. But actually because remember I said there was

1358
01:28:19,200 --> 01:28:22,840
Speaker 1: another Chris in the valley and Chris Alee. So Chris

1359
01:28:22,920 --> 01:28:26,760
Speaker 1: Alee and Chris like Chris that he was younger than

1360
01:28:26,840 --> 01:28:31,639
Speaker 1: Chris hality, so we call him baby Chris. So he's

1361
01:28:31,640 --> 01:28:34,799
Speaker 1: the one that brought en that he became the factor

1362
01:28:36,760 --> 01:28:41,120
Speaker 1: and it was just formulated from its own. But I

1363
01:28:41,280 --> 01:28:44,760
Speaker 1: always give credit to his younger public Cordy initiate the

1364
01:28:44,800 --> 01:28:49,640
Speaker 1: whole thing from start. So was let me this is

1365
01:28:49,800 --> 01:28:53,120
Speaker 1: actually I know you asked the question now, but what

1366
01:28:53,240 --> 01:28:55,000
Speaker 1: I want to know is because it felt like it

1367
01:28:55,120 --> 01:28:58,800
Speaker 1: was a lous affiliation, but you were the figurehead that's

1368
01:28:58,840 --> 01:29:01,760
Speaker 1: on radio, that's kind of organizing it. Because what I

1369
01:29:01,840 --> 01:29:04,160
Speaker 1: always thought when they were all signed to you, that's

1370
01:29:04,400 --> 01:29:06,160
Speaker 1: that's not I don't know that, that's what I didn't

1371
01:29:06,160 --> 01:29:10,760
Speaker 1: feel like that no Trunkle Brothers and Trapical Questions signed

1372
01:29:10,800 --> 01:29:14,760
Speaker 1: to me and and black Sheet. Because I was an

1373
01:29:14,760 --> 01:29:17,679
Speaker 1: executive person, you had a native to just go round

1374
01:29:17,760 --> 01:29:33,760
Speaker 1: it off, round it off, Come on, come on, let

1375
01:29:33,840 --> 01:29:44,000
Speaker 1: me with that ve we gotta start humble, humbled. You

1376
01:29:44,080 --> 01:29:50,479
Speaker 1: know what that would do When I said in the

1377
01:29:50,560 --> 01:29:53,880
Speaker 1: beginning that there's a lineage and and there's there's a

1378
01:29:53,960 --> 01:29:57,200
Speaker 1: legacy and influence. I'm talking about Kanye, I'm talking about

1379
01:29:58,720 --> 01:30:00,840
Speaker 1: and there's probably I feel like Kendrick. I feel like

1380
01:30:00,880 --> 01:30:04,880
Speaker 1: there's so many people today that are influenced directly and

1381
01:30:04,960 --> 01:30:09,640
Speaker 1: indirectly by what Native Tongues was doing. That that's that's that,

1382
01:30:11,439 --> 01:30:14,000
Speaker 1: and it's a positive impact on hip hop because it

1383
01:30:14,120 --> 01:30:17,000
Speaker 1: was like it was like the guys that you know

1384
01:30:17,160 --> 01:30:20,000
Speaker 1: that's not a suckers, but they wasn't promoting violence, and

1385
01:30:20,040 --> 01:30:22,240
Speaker 1: everyone else was kind of like what they wasn't suck as.

1386
01:30:22,520 --> 01:30:27,519
Speaker 1: You can tell they wasn't. That's what made him even braver.

1387
01:30:27,680 --> 01:30:30,640
Speaker 1: They was gonna be this way promote positivity, but they

1388
01:30:30,720 --> 01:30:33,519
Speaker 1: wasn't suck as either. You know what it is really

1389
01:30:33,760 --> 01:30:39,839
Speaker 1: understand that the culture of hip hop resonate from the streets.

1390
01:30:40,960 --> 01:30:43,639
Speaker 1: We know that, so you're gonna have that element inside.

1391
01:30:44,560 --> 01:30:46,360
Speaker 1: Asked how the way you bring it to your table?

1392
01:30:46,880 --> 01:30:48,720
Speaker 1: But then there's some people to learn. How do we

1393
01:30:48,880 --> 01:30:52,800
Speaker 1: find it. It's like saying there's some people that's in

1394
01:30:52,920 --> 01:30:55,479
Speaker 1: the mob. Now you know the mob is all about,

1395
01:30:56,120 --> 01:30:59,680
Speaker 1: but they come about the suits that come to the

1396
01:30:59,760 --> 01:31:05,800
Speaker 1: table just about until forever. Notice, So that's what I'm

1397
01:31:05,880 --> 01:31:08,120
Speaker 1: saying about. You know, some of the people in hip

1398
01:31:08,160 --> 01:31:12,840
Speaker 1: hop culture you ain't got always in the beginning. You know,

1399
01:31:12,960 --> 01:31:17,680
Speaker 1: if you know what you're about, what you represent, then

1400
01:31:17,800 --> 01:31:22,920
Speaker 1: you just let it be. Damn. I forgot the other question.

1401
01:31:22,960 --> 01:31:25,320
Speaker 1: I had a good one, but I remember it. But

1402
01:31:25,400 --> 01:31:29,080
Speaker 1: let me ask you this one in the words of

1403
01:31:29,160 --> 01:31:33,120
Speaker 1: my man Biggie, did you ever think hip hop we'll

1404
01:31:33,200 --> 01:31:40,240
Speaker 1: take it this far? Yes? Or no? No? More more? Yes? More? Yes.

1405
01:31:40,800 --> 01:31:43,320
Speaker 1: The reason why I said the norm because there have

1406
01:31:43,439 --> 01:31:46,920
Speaker 1: been so much turbulence that happened along the way. Get

1407
01:31:47,040 --> 01:31:49,920
Speaker 1: into this journey, getting into this journey, and you always

1408
01:31:49,920 --> 01:31:52,040
Speaker 1: say to yourself quietly, you don't say that I allowed

1409
01:31:52,160 --> 01:31:55,559
Speaker 1: you say that. God, damny, we built all this up

1410
01:31:55,600 --> 01:31:58,600
Speaker 1: for this and we're going four apart, you know. But

1411
01:31:58,840 --> 01:32:04,360
Speaker 1: it's always see I'm find a way to submerge to

1412
01:32:04,520 --> 01:32:09,360
Speaker 1: the next factor. What it is. Um it took a

1413
01:32:09,520 --> 01:32:15,720
Speaker 1: vole for quote unquote them. How can I say the

1414
01:32:15,800 --> 01:32:21,559
Speaker 1: commercial world to accept embrace the culture? And I'm saying

1415
01:32:21,600 --> 01:32:23,439
Speaker 1: the coach is not just the music, but a little

1416
01:32:23,439 --> 01:32:25,800
Speaker 1: bit of everything. But it had to start with the music.

1417
01:32:26,000 --> 01:32:28,280
Speaker 1: It's not we won the fucking world. Hey, where you go?

1418
01:32:28,560 --> 01:32:31,880
Speaker 1: Hip hop is everywhere? Yeah, but I imagine it wasn't

1419
01:32:31,920 --> 01:32:34,040
Speaker 1: like that back there. No no, no, no, no no,

1420
01:32:34,520 --> 01:32:37,680
Speaker 1: because mine remember but I was coming on. I was

1421
01:32:37,760 --> 01:32:39,920
Speaker 1: coming on in eleven to two in the morning. But

1422
01:32:40,000 --> 01:32:42,880
Speaker 1: when they saw having ratings was that's when they moved

1423
01:32:42,960 --> 01:32:45,479
Speaker 1: Chucking Eye down to a more prime time nine to twelve,

1424
01:32:45,680 --> 01:32:50,479
Speaker 1: up against Magic at the same time. And then here

1425
01:32:50,520 --> 01:32:54,880
Speaker 1: it is, you're form a hip hop station Hot nineties seven.

1426
01:32:55,720 --> 01:32:59,719
Speaker 1: That's all day hip hop. So that's not coming across

1427
01:33:00,000 --> 01:33:02,880
Speaker 1: to the majority. Remember it used to be late night

1428
01:33:02,960 --> 01:33:05,599
Speaker 1: shows for hip hop. Wasn't supposed to be like care

1429
01:33:05,680 --> 01:33:09,080
Speaker 1: for that's what brand the station. I don't know nothing

1430
01:33:09,120 --> 01:33:11,479
Speaker 1: about that in the beginning. Yeah, he was like the

1431
01:33:11,600 --> 01:33:15,400
Speaker 1: voice of the station and like seven when you first fall,

1432
01:33:16,160 --> 01:33:19,160
Speaker 1: I can't understand where you're coming from. Because the same

1433
01:33:19,240 --> 01:33:21,400
Speaker 1: thing they probably did with Dare CalCon and the same

1434
01:33:21,439 --> 01:33:26,200
Speaker 1: thing they did it kiss that firm Kisum Classic Odies,

1435
01:33:27,160 --> 01:33:29,479
Speaker 1: who was the voice for Kisser from at that time.

1436
01:33:29,600 --> 01:33:35,000
Speaker 1: Recipiece Barry White as a has after him Simpson. So

1437
01:33:35,240 --> 01:33:39,000
Speaker 1: you know you had that voice that show that where

1438
01:33:39,040 --> 01:33:42,760
Speaker 1: it represents. So that's why they why he probably used Chris.

1439
01:33:43,320 --> 01:33:48,320
Speaker 1: He represented hip hop fresh like you know, it washed away,

1440
01:33:48,320 --> 01:33:50,920
Speaker 1: it didn't happen. That's that's the way it looked like

1441
01:33:50,960 --> 01:33:54,080
Speaker 1: to me. Jedi mind Trick, I was a fan, so

1442
01:33:54,160 --> 01:33:56,920
Speaker 1: se Besalge that said, my favorite DJ Premier promo that

1443
01:33:57,120 --> 01:33:59,960
Speaker 1: he made for the read Lercature. Damn they made a

1444
01:34:00,040 --> 01:34:05,439
Speaker 1: whole song just for a promo. Premiere. Yeah, huh yea,

1445
01:34:05,880 --> 01:34:12,519
Speaker 1: let's talk about that, um premiere. You know when I

1446
01:34:12,640 --> 01:34:14,599
Speaker 1: had my office at the time, but the Lord production

1447
01:34:14,640 --> 01:34:18,000
Speaker 1: on twenty nine Street. Here it is a guy named

1448
01:34:18,040 --> 01:34:21,280
Speaker 1: Stuve find used to have Wild Pitch Records and Wild

1449
01:34:21,320 --> 01:34:24,080
Speaker 1: Pitch Records had the group called Game Store right long

1450
01:34:24,160 --> 01:34:27,400
Speaker 1: with your rob Ge and Main saw us a couple others.

1451
01:34:28,000 --> 01:34:32,680
Speaker 1: So um here it is that Premiere just took it

1452
01:34:32,800 --> 01:34:35,320
Speaker 1: upon himself because you know that everybody always making so

1453
01:34:35,439 --> 01:34:53,519
Speaker 1: many different promol songs for my show told about we

1454
01:34:53,760 --> 01:34:58,640
Speaker 1: we we We're gonna give the lecture his clarity. I

1455
01:34:58,720 --> 01:35:01,200
Speaker 1: got the idea of using him when he was a child.

1456
01:35:01,760 --> 01:35:04,479
Speaker 1: I got that from the legend that we can spider

1457
01:35:04,560 --> 01:35:07,160
Speaker 1: Web that was on Video New York when he was

1458
01:35:07,240 --> 01:35:11,040
Speaker 1: on BLS. Here's to have his twin sons and his

1459
01:35:11,200 --> 01:35:14,720
Speaker 1: daughter do promo swam. So by the time when I

1460
01:35:14,840 --> 01:35:17,479
Speaker 1: got on the radio, I wanted to do something that

1461
01:35:17,640 --> 01:35:24,280
Speaker 1: appeal to the young audience. Wow. Yeah, yeah, it's a

1462
01:35:24,360 --> 01:35:30,720
Speaker 1: family affairs. You know. Blue Ivy is like she just

1463
01:35:30,800 --> 01:35:33,160
Speaker 1: wanted to grab me like so like you like the

1464
01:35:33,200 --> 01:35:54,400
Speaker 1: first Blue, I like, yeah, that's super dope. But you

1465
01:35:54,439 --> 01:35:58,920
Speaker 1: know I already had these ideas ways to portray and

1466
01:35:59,120 --> 01:36:02,680
Speaker 1: be different and stand out. So that's what's part of

1467
01:36:02,720 --> 01:36:05,400
Speaker 1: the whole point back to what you're talking about. Premiere

1468
01:36:05,760 --> 01:36:08,680
Speaker 1: from Premiere and Gangster. You know Gangster I signed, So

1469
01:36:08,800 --> 01:36:11,200
Speaker 1: Pamier took it apart himself to make that promo for me.

1470
01:36:11,560 --> 01:36:14,360
Speaker 1: He said it was on Wild Pitch Records. Wild Picture.

1471
01:36:15,360 --> 01:36:17,840
Speaker 1: Uh huh was on Wild Picture that time. No, but

1472
01:36:18,000 --> 01:36:24,800
Speaker 1: live at the Barbecues Barbecue okay, okay, so that's where

1473
01:36:24,800 --> 01:36:29,080
Speaker 1: you first heard not right, uh huh. And you know,

1474
01:36:29,120 --> 01:36:33,200
Speaker 1: I'm gonna tell you something about Google Rest in Peace recipes.

1475
01:36:34,080 --> 01:36:36,200
Speaker 1: I remember the first couple of times Google used to

1476
01:36:36,280 --> 01:36:38,120
Speaker 1: come up to me at the station and bring me

1477
01:36:38,200 --> 01:36:43,720
Speaker 1: something to listen to. I'd be like, nah, you wasn't

1478
01:36:43,720 --> 01:36:45,840
Speaker 1: feeling it, but I didn't feel it. Yeah I was.

1479
01:36:46,000 --> 01:36:50,040
Speaker 1: You know, that's my quote to tell you, fine, bring

1480
01:36:50,160 --> 01:36:54,120
Speaker 1: up to me when I heard I need I needed

1481
01:36:54,120 --> 01:36:56,120
Speaker 1: to let me take a guess at with records. No,

1482
01:36:56,160 --> 01:36:57,760
Speaker 1: I'm not gonna take a guess. I forgot. I don't

1483
01:36:57,760 --> 01:37:00,680
Speaker 1: have it all right, cool and themony let me hear it.

1484
01:37:02,479 --> 01:37:06,320
Speaker 1: That's the one. The word I'm manifest. Damn, I would

1485
01:37:06,320 --> 01:37:10,439
Speaker 1: have been wrong. I'm glad I didn't guess that. You

1486
01:37:10,479 --> 01:37:15,080
Speaker 1: wouldn't have heard the record. You wouldn't have heard the record. Man,

1487
01:37:15,840 --> 01:37:20,600
Speaker 1: That's why questions you know what I think right know,

1488
01:37:20,760 --> 01:37:23,280
Speaker 1: over the years, that was mad at me because I

1489
01:37:23,400 --> 01:37:27,120
Speaker 1: know they put their rented and making music and such

1490
01:37:27,160 --> 01:37:29,479
Speaker 1: a search and bring you to me. But I've ever

1491
01:37:29,600 --> 01:37:32,760
Speaker 1: be honest. Yeah, you're helping. I've ever be honest and

1492
01:37:32,840 --> 01:37:35,840
Speaker 1: let you know if it's good or not. And some

1493
01:37:36,000 --> 01:37:37,960
Speaker 1: people think I was taking favorites. No, no, no, no,

1494
01:37:38,080 --> 01:37:40,320
Speaker 1: I'm not judging the person. I'm judging. But the song

1495
01:37:40,479 --> 01:37:44,599
Speaker 1: sound like. But let me ask you something because Funk

1496
01:37:44,640 --> 01:37:48,639
Speaker 1: Flex I I've seen funk Flex stand on this seeing

1497
01:37:48,680 --> 01:37:54,280
Speaker 1: people come up to Flex offer him money and flex, Nope,

1498
01:37:54,840 --> 01:37:56,880
Speaker 1: I play a record if it's dope and that's it.

1499
01:37:57,680 --> 01:37:59,960
Speaker 1: Have you ever been offered money so many a times?

1500
01:38:00,120 --> 01:38:06,120
Speaker 1: Come the time? Know, I told him I piped myself.

1501
01:38:08,160 --> 01:38:11,160
Speaker 1: I think you gotta make some noise for that. I love.

1502
01:38:11,439 --> 01:38:17,439
Speaker 1: Put Mike down, Mike down right, Yeah, go ahead myself.

1503
01:38:19,400 --> 01:38:22,960
Speaker 1: This is what I learned. Once you receive, you are

1504
01:38:23,080 --> 01:38:27,160
Speaker 1: being hunt yep. So I'm not gonna let nobody go

1505
01:38:27,280 --> 01:38:28,880
Speaker 1: and do that for me. I don't care how much

1506
01:38:28,920 --> 01:38:31,040
Speaker 1: you put it in. And they can call me stilly, stupid,

1507
01:38:31,680 --> 01:38:34,200
Speaker 1: what's wrong with you? But let me ask you. This

1508
01:38:34,320 --> 01:38:38,519
Speaker 1: is real talk. This is I see the guard. What

1509
01:38:38,720 --> 01:38:40,200
Speaker 1: is it like when a person come up to y'all

1510
01:38:40,280 --> 01:38:42,400
Speaker 1: to say, can you play this like I got, you know,

1511
01:38:42,760 --> 01:38:46,280
Speaker 1: two hundred or whatever? What is it? Your integrity feels

1512
01:38:46,280 --> 01:38:49,439
Speaker 1: like it's being taken away because I feel like I

1513
01:38:49,479 --> 01:38:52,840
Speaker 1: feel that as a insult. I feel that in suck

1514
01:38:52,920 --> 01:38:56,760
Speaker 1: because you feel like this is beautiful debate. But I'm

1515
01:38:56,800 --> 01:38:59,360
Speaker 1: taking I'm taking the bait. Okay, why I gotta take

1516
01:38:59,400 --> 01:39:03,160
Speaker 1: the bait mine and take what I believe in his crap,

1517
01:39:04,400 --> 01:39:08,880
Speaker 1: you know, disrespecting your credibility, you know, your credibility and

1518
01:39:09,000 --> 01:39:12,240
Speaker 1: shot oh, you ain't gonna play with d get paid

1519
01:39:12,320 --> 01:39:15,160
Speaker 1: for but not no, no, because I remember there was

1520
01:39:15,200 --> 01:39:22,040
Speaker 1: this DJ list that came out names his name, and

1521
01:39:23,320 --> 01:39:25,680
Speaker 1: I remember Flex being so proud not to be on

1522
01:39:25,760 --> 01:39:30,160
Speaker 1: this DJ list and and he kept expressing like, you

1523
01:39:30,240 --> 01:39:35,120
Speaker 1: know why people taking like and I don't remember what

1524
01:39:35,320 --> 01:39:37,679
Speaker 1: it was, but your name was not on the list

1525
01:39:38,120 --> 01:39:39,680
Speaker 1: and flex name was not on this. This is a

1526
01:39:39,800 --> 01:39:44,280
Speaker 1: list of DJs who took spread. This was at the time.

1527
01:39:44,600 --> 01:39:47,679
Speaker 1: I didn't care about the list from everywhere else. I'm

1528
01:39:48,280 --> 01:39:50,840
Speaker 1: New York, so I'm just looking at the list and

1529
01:39:50,880 --> 01:39:53,559
Speaker 1: flexwer the lists up. I don't know if you'll remember.

1530
01:39:53,640 --> 01:39:57,080
Speaker 1: Flets got on him, was like what are you doing

1531
01:39:58,680 --> 01:40:01,639
Speaker 1: about the Listen about the list? It was I guess

1532
01:40:01,680 --> 01:40:04,040
Speaker 1: it was a label somebody got fired or whatever. And

1533
01:40:04,160 --> 01:40:05,800
Speaker 1: just was like, Yo, look we got we got proof

1534
01:40:05,840 --> 01:40:14,840
Speaker 1: of us paying every certain people. And I want to

1535
01:40:14,880 --> 01:40:20,560
Speaker 1: ask that question, like why why, why is your integrity?

1536
01:40:21,760 --> 01:40:25,400
Speaker 1: And I'm almost positive Flex told me he got it

1537
01:40:25,479 --> 01:40:28,120
Speaker 1: from you, or he said that on the radio, like Brad,

1538
01:40:28,160 --> 01:40:30,840
Speaker 1: they never take no money. I ain't never taken no money.

1539
01:40:31,880 --> 01:40:34,439
Speaker 1: I'm almost positive I heard Flex say that and give

1540
01:40:34,479 --> 01:40:37,360
Speaker 1: you your problem for that. But more moost positive. I

1541
01:40:37,479 --> 01:40:42,000
Speaker 1: can't tell you I take you ninety percent. I remember

1542
01:40:42,120 --> 01:40:43,920
Speaker 1: him saying that I'm from my older radio two. This

1543
01:40:44,080 --> 01:40:45,960
Speaker 1: is not like so we can google this and we'll

1544
01:40:46,040 --> 01:40:49,559
Speaker 1: we'll make that. But why was it that you never

1545
01:40:49,720 --> 01:40:54,400
Speaker 1: broke your morals? You never broke your integrity because you're

1546
01:40:54,439 --> 01:40:59,600
Speaker 1: disrespecting yourself. Number one, you should change yourself for some

1547
01:41:00,160 --> 01:41:04,320
Speaker 1: that's like saying, who this you as an artist, I'm

1548
01:41:04,400 --> 01:41:07,960
Speaker 1: just making this as a compass. To do it, you

1549
01:41:07,960 --> 01:41:12,680
Speaker 1: wouldn't get paid just a certain amount of money, but

1550
01:41:12,920 --> 01:41:15,160
Speaker 1: you're not getting it because nobody want to give it

1551
01:41:15,200 --> 01:41:17,640
Speaker 1: to you until you get that one shot, and you

1552
01:41:17,720 --> 01:41:20,280
Speaker 1: get that one big Now you're looking for another number

1553
01:41:20,680 --> 01:41:25,519
Speaker 1: ain't gonna come here it is. I want my respect.

1554
01:41:26,280 --> 01:41:29,200
Speaker 1: I'm gonna keep my respect, So why should I take

1555
01:41:29,280 --> 01:41:31,600
Speaker 1: that one shot taken? And then before you know you

1556
01:41:31,680 --> 01:41:34,679
Speaker 1: got a reputation out of here, you put a cap

1557
01:41:34,800 --> 01:41:38,120
Speaker 1: on yourself. People know they can good boy you for

1558
01:41:38,200 --> 01:41:44,280
Speaker 1: three because the boy get around. One thing I learned

1559
01:41:44,280 --> 01:41:47,240
Speaker 1: about in the industry, Well you know I just took

1560
01:41:47,280 --> 01:41:49,400
Speaker 1: care of red for this. I said, I saw them

1561
01:41:49,439 --> 01:41:51,760
Speaker 1: do that too many others. I'm not gonna be in

1562
01:41:51,840 --> 01:41:54,680
Speaker 1: there you know. And not only that, There's have been

1563
01:41:54,760 --> 01:41:58,880
Speaker 1: times even records I did play, or they may say

1564
01:41:58,960 --> 01:42:04,519
Speaker 1: chromequol I broke you know. Um, they wanted to congratulate me.

1565
01:42:04,560 --> 01:42:08,040
Speaker 1: I say, no, I don't want nothing. You want to

1566
01:42:08,120 --> 01:42:11,080
Speaker 1: pay me, how may you do? I've been released part.

1567
01:42:12,240 --> 01:42:15,640
Speaker 1: I'd rather get paid like that for my services, not

1568
01:42:15,880 --> 01:42:19,240
Speaker 1: because of what I just played. Because as a DJ,

1569
01:42:19,600 --> 01:42:23,800
Speaker 1: you stop me if I'm wrong as a DJ, because

1570
01:42:23,800 --> 01:42:26,040
Speaker 1: you said this earlier. You said even it was my competition,

1571
01:42:26,360 --> 01:42:28,040
Speaker 1: if they had the hot ship. As a DJ, it

1572
01:42:28,120 --> 01:42:31,639
Speaker 1: was your job to supply to your audience, right, That's

1573
01:42:31,680 --> 01:42:33,439
Speaker 1: the whole point. One game got nothing to do with

1574
01:42:33,479 --> 01:42:35,160
Speaker 1: the other. Because I'm gonna tell you. I'm gonna tell

1575
01:42:35,160 --> 01:42:37,400
Speaker 1: you what it was. And now that my memory keeps

1576
01:42:37,439 --> 01:42:42,400
Speaker 1: coming back, it was Young and May's second record, and

1577
01:42:42,520 --> 01:42:45,400
Speaker 1: Young and May second record, New York felt like Young

1578
01:42:45,479 --> 01:42:48,200
Speaker 1: and May, who should have been behind her first record work,

1579
01:42:48,680 --> 01:42:51,600
Speaker 1: what about second record is just sucking be behind it?

1580
01:42:52,360 --> 01:42:57,560
Speaker 1: And there was a track actually track of DJ's that

1581
01:42:57,680 --> 01:43:02,200
Speaker 1: wouldn't play it because they didn't get no paper. Remember

1582
01:43:02,280 --> 01:43:05,160
Speaker 1: that's what I'm trying to tell you. That my memory

1583
01:43:05,240 --> 01:43:08,080
Speaker 1: brought it up. Yeah, that's my memory the summertime, Joiner,

1584
01:43:08,479 --> 01:43:10,640
Speaker 1: remember when the flex was going, I remember it was

1585
01:43:11,439 --> 01:43:15,479
Speaker 1: you were It was another recording that record, and I

1586
01:43:15,600 --> 01:43:17,400
Speaker 1: felt I felt like it was a stance that the

1587
01:43:17,479 --> 01:43:20,080
Speaker 1: DJs was taking. This isn't quiet. Yeah, you know what

1588
01:43:20,120 --> 01:43:22,120
Speaker 1: I'm saying. Damn, I'm so glad. Please y'all to be

1589
01:43:22,200 --> 01:43:25,599
Speaker 1: mad at me, But I ain't dropping the record anyway.

1590
01:43:26,360 --> 01:43:29,360
Speaker 1: Let me bring your up. This happened during the time

1591
01:43:29,720 --> 01:43:32,200
Speaker 1: and happened now, he said it. It could be a

1592
01:43:32,280 --> 01:43:36,360
Speaker 1: collector of us all again the record the same time. Now,

1593
01:43:36,439 --> 01:43:39,400
Speaker 1: I don't really know individually who it was. And I

1594
01:43:39,479 --> 01:43:43,559
Speaker 1: got to word that. But you know what, niggas want

1595
01:43:43,600 --> 01:43:45,639
Speaker 1: to funk with this record, but they said they didn't

1596
01:43:45,640 --> 01:43:48,960
Speaker 1: want They got their hands out for it. Y I

1597
01:43:49,080 --> 01:43:50,880
Speaker 1: end up put my hands out for it. So now

1598
01:43:51,120 --> 01:43:53,200
Speaker 1: if I go ahead and I like this record and

1599
01:43:53,280 --> 01:43:56,960
Speaker 1: I played whoever was having their hand out, they're mad

1600
01:43:57,000 --> 01:43:58,639
Speaker 1: at me. You know why they feel that I an't

1601
01:43:58,680 --> 01:44:01,600
Speaker 1: blocking them because I ain't got anything to do with that.

1602
01:44:02,640 --> 01:44:05,240
Speaker 1: You believe in something, you go, I ain't there because

1603
01:44:05,320 --> 01:44:08,639
Speaker 1: you you're going ahead and have more ammunition where you're

1604
01:44:08,680 --> 01:44:11,040
Speaker 1: out in the clubs, out in the radio, whatever it is.

1605
01:44:11,560 --> 01:44:13,680
Speaker 1: As you're working, I funk with that. Let me just

1606
01:44:13,720 --> 01:44:17,120
Speaker 1: make some let me just place the floor. But let

1607
01:44:17,160 --> 01:44:19,439
Speaker 1: me ask your questions. Do you feel there's a clear

1608
01:44:19,520 --> 01:44:24,240
Speaker 1: difference between industry and culture? Oh big time, because when

1609
01:44:24,280 --> 01:44:26,880
Speaker 1: we're talking about is industry ship, that's industrhip. When you

1610
01:44:26,920 --> 01:44:30,120
Speaker 1: come out Payola were talking about he said the record

1611
01:44:30,200 --> 01:44:35,320
Speaker 1: is high personal and all that and what he believes

1612
01:44:35,520 --> 01:44:38,200
Speaker 1: to stand for the culture, for the culture. And then

1613
01:44:38,280 --> 01:44:40,120
Speaker 1: here it is. I'm gonna tell you it's a tap

1614
01:44:40,240 --> 01:44:43,519
Speaker 1: or the industry too. I'm gonna tell you why number one,

1615
01:44:44,680 --> 01:44:49,880
Speaker 1: I'm getting many record send weekly. I got to pick

1616
01:44:49,920 --> 01:44:53,200
Speaker 1: and choose sound right. If I don't pick and choose

1617
01:44:53,240 --> 01:44:56,800
Speaker 1: sound right now, I'll just play whatever my ratings go down.

1618
01:44:57,600 --> 01:45:00,519
Speaker 1: If my ratings go down, I get replaced. But so

1619
01:45:00,600 --> 01:45:03,080
Speaker 1: what did I do? I got now down to see

1620
01:45:03,120 --> 01:45:07,160
Speaker 1: what is the right, what is good? And I always

1621
01:45:07,160 --> 01:45:12,120
Speaker 1: set people do this three records. A person who is

1622
01:45:12,160 --> 01:45:17,200
Speaker 1: already established your homeboy or something that you really believe in.

1623
01:45:17,840 --> 01:45:21,240
Speaker 1: Which one you gonna pick? They look at me, say

1624
01:45:21,280 --> 01:45:22,600
Speaker 1: which one you go pick? I say the one I

1625
01:45:22,640 --> 01:45:25,840
Speaker 1: believe in it? They say't why they established first and

1626
01:45:25,880 --> 01:45:28,840
Speaker 1: already got his the homeboy should respect what you're doing,

1627
01:45:29,439 --> 01:45:32,160
Speaker 1: the one you believe in a credibility, but what you

1628
01:45:32,240 --> 01:45:44,720
Speaker 1: break absolutely he killed that and it makes sense, it

1629
01:45:44,840 --> 01:45:49,200
Speaker 1: makes it makes sense. Then if I find your makes sense,

1630
01:45:49,960 --> 01:45:52,479
Speaker 1: I wait for you to come back. As many of

1631
01:45:52,560 --> 01:45:55,160
Speaker 1: y'all know, Drink Chance wants to give flowers while people

1632
01:45:55,200 --> 01:45:58,120
Speaker 1: are here to receive them. Giving flowers and celebrating our

1633
01:45:58,240 --> 01:46:01,160
Speaker 1: legends while they can still smell them. We have partnered

1634
01:46:01,200 --> 01:46:04,040
Speaker 1: with What the Flower to create this movement where everyone

1635
01:46:04,120 --> 01:46:06,960
Speaker 1: can give flowers to the legends in their lives. You

1636
01:46:07,040 --> 01:46:09,719
Speaker 1: can now order a custom flower box for to someone

1637
01:46:09,840 --> 01:46:13,639
Speaker 1: you want to show appreciation to by visiting www dot

1638
01:46:14,120 --> 01:46:18,879
Speaker 1: wt flower dot com and place your orders now. Fire.

1639
01:46:18,960 --> 01:47:28,840
Speaker 1: I love this, h oh Man, Holy movie Rock the movie.

1640
01:47:29,120 --> 01:47:32,920
Speaker 1: So what's your favorite area hip hop? I know actually

1641
01:47:32,960 --> 01:47:38,160
Speaker 1: earlier eighties. I know you said eighties. Um, I said

1642
01:47:38,240 --> 01:47:44,280
Speaker 1: late eighties, late eighties, because late eighties before self destruct

1643
01:47:45,360 --> 01:47:51,320
Speaker 1: it was I say more eight Okay, Daddy can got

1644
01:47:51,360 --> 01:47:55,160
Speaker 1: the flat top out. It came with popping something pepper

1645
01:47:55,240 --> 01:48:00,160
Speaker 1: was popping. Base came out hard. Uh end up, they

1646
01:48:00,280 --> 01:48:05,760
Speaker 1: came out hard, too short came out hard. Um um

1647
01:48:06,360 --> 01:48:10,719
Speaker 1: who else I could damn boogie Downald Course Modi second album,

1648
01:48:11,320 --> 01:48:15,439
Speaker 1: Everything in the Rockim second album. Um of course Boogie

1649
01:48:15,479 --> 01:48:17,680
Speaker 1: Down had that second album at the same time. A

1650
01:48:17,960 --> 01:48:20,360
Speaker 1: eight was a Pinnacle time and now only that that

1651
01:48:20,560 --> 01:48:24,920
Speaker 1: was the year that Yo MTV Rap came out. It

1652
01:48:25,040 --> 01:48:33,439
Speaker 1: came out Slick iced Tea. Yeah, y. So when you

1653
01:48:33,560 --> 01:48:37,320
Speaker 1: got when you got your MTV rap, you got two

1654
01:48:37,400 --> 01:48:41,000
Speaker 1: major tours. There was two major hip hop tours. What

1655
01:48:41,360 --> 01:48:43,320
Speaker 1: what was those? The one I was only called the

1656
01:48:43,400 --> 01:48:46,960
Speaker 1: Dope Jam Tour. That was Everybody Jam, Dope Jam Tour,

1657
01:48:47,960 --> 01:48:55,640
Speaker 1: Dope Jam Mistakes, Dope Jams. I was like, really that

1658
01:48:55,920 --> 01:49:00,800
Speaker 1: that was rock Kim, Douggie Fresh, Boogie Down, Putting Koo Moo,

1659
01:49:01,000 --> 01:49:07,960
Speaker 1: d Ice Tea, and Western Peace Business Market. You know

1660
01:49:08,080 --> 01:49:11,200
Speaker 1: why because within that summer we did fifty three cities.

1661
01:49:12,880 --> 01:49:16,320
Speaker 1: They don't have tours like that number. The our tour

1662
01:49:17,040 --> 01:49:19,000
Speaker 1: was the tour that was I think it was run

1663
01:49:19,080 --> 01:49:22,479
Speaker 1: DMC in it. No, it was it was Jazzys your

1664
01:49:22,600 --> 01:49:29,000
Speaker 1: First Friends E p M D BEASTI Boys, e p

1665
01:49:29,200 --> 01:49:32,040
Speaker 1: M D Beast Boys. I'm trying to remember what. But

1666
01:49:32,320 --> 01:49:35,759
Speaker 1: they was major two. You know, different type of energy

1667
01:49:35,840 --> 01:49:39,080
Speaker 1: from both tours, but we was capturing the whole summer

1668
01:49:39,600 --> 01:49:43,280
Speaker 1: and your MTV rap came out. That was that was

1669
01:49:43,360 --> 01:49:50,040
Speaker 1: a breakthrough. That was the breakthrough for everybody, come behind U.

1670
01:49:51,280 --> 01:49:54,679
Speaker 1: That was that's that's crazy. That's now the game changer.

1671
01:49:54,840 --> 01:50:01,280
Speaker 1: I saw twice after success, uh the generation I come

1672
01:50:01,360 --> 01:50:05,800
Speaker 1: from with Flashing them and Punky four plus one and

1673
01:50:06,200 --> 01:50:10,160
Speaker 1: a um Curtis blow and no so sorry for it.

1674
01:50:10,640 --> 01:50:18,439
Speaker 1: The next wave was run DMC Fat Boys, Whodini, Then

1675
01:50:18,520 --> 01:50:23,639
Speaker 1: DMC Fat Boys, deny um l came a little after

1676
01:50:24,520 --> 01:50:28,960
Speaker 1: right behind him, and then eight six here comes another change.

1677
01:50:30,240 --> 01:50:37,000
Speaker 1: V kim m um, kim um. What I was just saying,

1678
01:50:37,040 --> 01:50:41,479
Speaker 1: boogie down production Salt and Pepper a year right year

1679
01:50:41,520 --> 01:50:46,479
Speaker 1: before A six heavy d come and play doug you

1680
01:50:46,560 --> 01:50:49,160
Speaker 1: first tried coming out because the show by Dougie first

1681
01:50:49,200 --> 01:50:52,080
Speaker 1: came out of eight five, you know, brought three more

1682
01:50:52,160 --> 01:50:54,280
Speaker 1: years and how many years that the show? But not

1683
01:50:55,000 --> 01:51:01,280
Speaker 1: then your forty um now here is after that hour

1684
01:51:02,200 --> 01:51:05,000
Speaker 1: coming into the late eighties. After that eighty eight, here

1685
01:51:05,080 --> 01:51:10,760
Speaker 1: comes the native tongue. Ever after that native tone Ever,

1686
01:51:11,320 --> 01:51:15,160
Speaker 1: then you're going into early nineties. Was the grimmy Ever

1687
01:51:16,560 --> 01:51:20,160
Speaker 1: does affect the Lords of the Underground, you know, and

1688
01:51:20,360 --> 01:51:23,519
Speaker 1: several other casts that are similar to that you also

1689
01:51:23,680 --> 01:51:25,960
Speaker 1: have from people that had the skills and the styles,

1690
01:51:26,080 --> 01:51:33,200
Speaker 1: not fool nickings. We don't prove they're coming to they're

1691
01:51:33,200 --> 01:51:37,080
Speaker 1: coming soon too. Oh yeah, that's only nineties. They're not

1692
01:51:37,200 --> 01:51:41,760
Speaker 1: here to coming to ninety three, ninety four, ninety five. Yeah. Come.

1693
01:51:42,040 --> 01:51:44,600
Speaker 1: And also respect to the West coast, cause they was

1694
01:51:44,640 --> 01:51:49,400
Speaker 1: holding down only nineties. Yeah yeah, yeah, yeah, they was

1695
01:51:49,439 --> 01:51:52,519
Speaker 1: holding down a head. It was holding down heavy. And

1696
01:51:53,439 --> 01:51:56,760
Speaker 1: because Snoop came out hard and early nineties, that deep

1697
01:51:56,800 --> 01:52:01,760
Speaker 1: cover changed again, you know, soldier, so it's a midship yeah,

1698
01:52:03,240 --> 01:52:10,240
Speaker 1: now coming into it within ninety the bad boy ever ever,

1699
01:52:11,479 --> 01:52:18,559
Speaker 1: you got people from down outcast, outcast, you got change.

1700
01:52:18,800 --> 01:52:21,720
Speaker 1: So we kept seeing how everything kept with revolving, and

1701
01:52:22,400 --> 01:52:25,639
Speaker 1: that was my job to make sure that I'm listening,

1702
01:52:25,680 --> 01:52:27,960
Speaker 1: paying attention. What is it right for me to go

1703
01:52:28,120 --> 01:52:32,120
Speaker 1: in for sound real quick? I'm sorry? Yeah, because also

1704
01:52:32,840 --> 01:52:38,120
Speaker 1: that ninety five Nies six hours two people came out

1705
01:52:39,200 --> 01:52:41,560
Speaker 1: and your man had a different type of sound and

1706
01:52:41,680 --> 01:52:44,240
Speaker 1: were on his show. So we gotta give him something

1707
01:52:44,320 --> 01:52:46,880
Speaker 1: spect because there ain't nobody here, no ship like that.

1708
01:52:46,960 --> 01:52:49,840
Speaker 1: When they put on that chill him. Oh yeah, that's

1709
01:52:49,920 --> 01:52:53,679
Speaker 1: ninety seven, that's seven yeah, yeah, yeah, yeah, yeah, yeah,

1710
01:52:54,640 --> 01:53:00,519
Speaker 1: school and we was outside. Yeah yeah, what I'm saying,

1711
01:53:01,400 --> 01:53:12,880
Speaker 1: please get no flowers because following was a game changing

1712
01:53:12,960 --> 01:53:16,280
Speaker 1: that Permi Premier I said. I heard he has a

1713
01:53:16,400 --> 01:53:18,920
Speaker 1: video of mad shows from back in the days and

1714
01:53:19,000 --> 01:53:25,280
Speaker 1: he won't give anyone any copies. Premier wants them. Is

1715
01:53:25,360 --> 01:53:28,280
Speaker 1: that true? Are you're sitting around with the golden arches

1716
01:53:28,320 --> 01:53:33,559
Speaker 1: of documentaries right now? He's making a documentary more news

1717
01:53:33,640 --> 01:53:37,560
Speaker 1: that he's loving. So that is a yes, you do have.

1718
01:53:38,080 --> 01:53:42,320
Speaker 1: I have a great selection. I got a great selection

1719
01:53:42,520 --> 01:53:45,880
Speaker 1: of that, and even from the beginning stages. That's what

1720
01:53:45,960 --> 01:53:48,880
Speaker 1: I'm saying of all for thees, not not putting with

1721
01:53:48,960 --> 01:53:54,880
Speaker 1: my friend, not visual audio audio audio. So then that's

1722
01:53:54,920 --> 01:53:56,760
Speaker 1: how we take it to Netflix. Were just making a cat.

1723
01:53:56,840 --> 01:54:00,679
Speaker 1: We're making cartoons. Yeah, animazet this money right the photos

1724
01:54:00,720 --> 01:54:03,479
Speaker 1: for it? You make that animated cause you got the

1725
01:54:03,479 --> 01:54:09,160
Speaker 1: audio already. Yeah yeah, I don't have no vision. I

1726
01:54:09,240 --> 01:54:13,639
Speaker 1: was recording all the parties on the jams in the beginning.

1727
01:54:15,000 --> 01:54:17,840
Speaker 1: That's priceless. Talking about we've been talking about you know,

1728
01:54:17,960 --> 01:54:21,639
Speaker 1: getting int Oh you gotta do that. I've been trying

1729
01:54:21,640 --> 01:54:24,160
Speaker 1: to expose him that I have been We've been talking about,

1730
01:54:24,320 --> 01:54:27,680
Speaker 1: you know, creating some content and putting some consent out.

1731
01:54:28,120 --> 01:54:29,640
Speaker 1: But we've got some people to connect you all with

1732
01:54:29,720 --> 01:54:37,080
Speaker 1: it if you need people. Yeah. Yeah, this is a

1733
01:54:37,200 --> 01:54:39,520
Speaker 1: legends legend, just like cas when we had cats here,

1734
01:54:39,760 --> 01:54:46,120
Speaker 1: allegend legends, cash cash, We're supposed to have Mellie, Mellie me,

1735
01:54:46,520 --> 01:54:49,320
Speaker 1: he's gonna come back to He's gonna come to the show. Yeah. Yeah,

1736
01:54:49,480 --> 01:54:52,360
Speaker 1: but I just I just I just love this, these

1737
01:54:52,440 --> 01:54:57,040
Speaker 1: history lessons that you we need it. Yeah, appreciate that

1738
01:54:57,160 --> 01:54:59,520
Speaker 1: you have on this platform for people to come in here. Yeah,

1739
01:54:59,600 --> 01:55:02,080
Speaker 1: because know what's the crazy thing is it was like,

1740
01:55:04,000 --> 01:55:05,720
Speaker 1: you know, we love how do they seven? We love

1741
01:55:05,760 --> 01:55:08,920
Speaker 1: how one of five? We love? But what it is

1742
01:55:09,080 --> 01:55:13,920
Speaker 1: is it's for the newest, hottest people. But what's about

1743
01:55:13,960 --> 01:55:16,400
Speaker 1: the people who've been here? And we don't we deserve off?

1744
01:55:17,080 --> 01:55:19,240
Speaker 1: You know what I'm saying, Like like like and that's

1745
01:55:19,280 --> 01:55:21,840
Speaker 1: when we made our platform and you know, help me

1746
01:55:22,040 --> 01:55:24,440
Speaker 1: I'll talk to I was like, man, basically you know,

1747
01:55:24,920 --> 01:55:27,320
Speaker 1: he based Rock the Bells off of what Drink Chance

1748
01:55:27,480 --> 01:55:29,760
Speaker 1: was starting and respectful where that's my man, Like you

1749
01:55:29,800 --> 01:55:33,200
Speaker 1: know what I mean? But we felt obligated, like you

1750
01:55:33,240 --> 01:55:35,240
Speaker 1: know what I'm saying, like, and it's easier to talk

1751
01:55:35,280 --> 01:55:37,600
Speaker 1: to It's easier to talk to legend, not to this

1752
01:55:38,040 --> 01:55:40,480
Speaker 1: the new generation. But you know, when you're coming up,

1753
01:55:40,520 --> 01:55:42,720
Speaker 1: you're like, yo, man, so how was your day? They'd

1754
01:55:42,720 --> 01:55:45,800
Speaker 1: be like good, Like homeboy, I don't want to talk

1755
01:55:45,800 --> 01:55:47,240
Speaker 1: to you. Let's get the funk out of here, like

1756
01:55:47,360 --> 01:55:50,720
Speaker 1: like just just shot like like this is real grown

1757
01:55:50,800 --> 01:55:54,040
Speaker 1: up conversations. And the thing about it is, in every

1758
01:55:54,120 --> 01:55:58,200
Speaker 1: other genre, I've never heard the word washed up or

1759
01:55:58,680 --> 01:56:02,160
Speaker 1: over the hill. They don't say that in no genre, bro,

1760
01:56:02,600 --> 01:56:04,960
Speaker 1: only than us, And I gotta change that narrative. We

1761
01:56:05,120 --> 01:56:08,800
Speaker 1: gotta change that narrative us, all of us collectively, because

1762
01:56:09,520 --> 01:56:12,160
Speaker 1: anywhere else, even when you take your food home and

1763
01:56:12,240 --> 01:56:14,600
Speaker 1: you eat it the next day, it's called season. It

1764
01:56:14,680 --> 01:56:17,680
Speaker 1: ain't call washed up. You understand what I'm saying. So

1765
01:56:18,160 --> 01:56:20,320
Speaker 1: we wanted to change that trajectory. And I think we

1766
01:56:20,480 --> 01:56:22,280
Speaker 1: all you know what I'm saying. This is one of

1767
01:56:22,320 --> 01:56:25,120
Speaker 1: those times, man, we were really, really, really really proud

1768
01:56:25,200 --> 01:56:27,520
Speaker 1: to have a legend like you right alert in front

1769
01:56:27,600 --> 01:56:30,360
Speaker 1: of us and giving us the story. You ain't bullshitting us.

1770
01:56:30,440 --> 01:56:34,920
Speaker 1: It's not one time. Yeah, and we're gonna make so long,

1771
01:56:34,920 --> 01:56:36,400
Speaker 1: I got a couple more questions. We're gonna make some

1772
01:56:36,440 --> 01:56:40,960
Speaker 1: looking for you. I'm just gonna take an actual shot

1773
01:56:41,080 --> 01:56:42,760
Speaker 1: because I'm trying to get your sons drunk. I can't

1774
01:56:42,800 --> 01:56:45,200
Speaker 1: get you drunk, so I gotta, I gotta, I gotta

1775
01:56:45,280 --> 01:56:48,520
Speaker 1: technically poltically get you drunk. You know what I mean? Yeah, yeah, yeah,

1776
01:56:49,240 --> 01:56:52,880
Speaker 1: I can see I can see you ain't playing. Yeah,

1777
01:56:52,960 --> 01:56:57,880
Speaker 1: absolutely absolutely. Before before we talked about the j enough

1778
01:56:58,200 --> 01:57:03,360
Speaker 1: in radio, right, what I wanted to act like if

1779
01:57:03,440 --> 01:57:05,920
Speaker 1: I was in high school? Right, I was in high

1780
01:57:05,960 --> 01:57:12,800
Speaker 1: school in two thousand one, Right, and in that time, Pop,

1781
01:57:12,880 --> 01:57:18,120
Speaker 1: you was on uh two times in the dead Old

1782
01:57:18,160 --> 01:57:21,480
Speaker 1: School Letting noon and five o'clock Free Rod. So when

1783
01:57:21,560 --> 01:57:23,880
Speaker 1: you was first talking about when this is something that

1784
01:57:23,920 --> 01:57:25,760
Speaker 1: I don't understood, that I didn't know you might have

1785
01:57:25,880 --> 01:57:29,920
Speaker 1: to be you might you might have to be careful. Look,

1786
01:57:30,720 --> 01:57:35,680
Speaker 1: it's gonna when when you was going when you was

1787
01:57:35,760 --> 01:57:38,240
Speaker 1: going back and forth with Molly Mall and them, right,

1788
01:57:38,320 --> 01:57:41,520
Speaker 1: you said you was on eleven and two at first

1789
01:57:41,640 --> 01:57:44,000
Speaker 1: year A. Right, So how was the transition from being

1790
01:57:44,080 --> 01:57:47,200
Speaker 1: eleven to two at w BLS to being to go

1791
01:57:47,400 --> 01:57:52,640
Speaker 1: into two slots on hot ninety seven per day, Old

1792
01:57:52,680 --> 01:57:56,800
Speaker 1: School at noon and five o'clock free rode because to me,

1793
01:57:57,000 --> 01:57:58,920
Speaker 1: I don't know, I don't I've never heard of it

1794
01:57:59,720 --> 01:58:02,040
Speaker 1: a day where DJ goes on twice a day on

1795
01:58:02,160 --> 01:58:08,600
Speaker 1: a daily kind of basis on like hip hop radio. Okay, Now,

1796
01:58:09,160 --> 01:58:11,280
Speaker 1: what I had a chance to do during the time

1797
01:58:11,480 --> 01:58:15,480
Speaker 1: that Kiss from first the first amount of time and

1798
01:58:15,560 --> 01:58:18,200
Speaker 1: Kiss FM was eleven jaiar straight and that was weekends.

1799
01:58:18,720 --> 01:58:21,560
Speaker 1: First it was just Saturday. Then I started having Friday

1800
01:58:21,640 --> 01:58:24,880
Speaker 1: and Saturday. When you were on late night from M

1801
01:58:25,080 --> 01:58:28,080
Speaker 1: nine to troll as they considered late night, I was

1802
01:58:28,120 --> 01:58:31,040
Speaker 1: being more edgy because I'm playing for a jungle audience.

1803
01:58:31,280 --> 01:58:33,360
Speaker 1: But at the same time, I had a chance to

1804
01:58:33,440 --> 01:58:38,520
Speaker 1: build up my name. Your name means a lot when

1805
01:58:38,600 --> 01:58:42,640
Speaker 1: it come across the airwaves. So now they're looking upon

1806
01:58:43,000 --> 01:58:46,880
Speaker 1: the audience that you had. Can you bring them to

1807
01:58:47,120 --> 01:58:51,680
Speaker 1: another station more prime time? Prime time is five o'clock

1808
01:58:52,040 --> 01:58:54,120
Speaker 1: is the second highest cuma of the day. The first

1809
01:58:54,200 --> 01:58:57,520
Speaker 1: highest cuman is the morning, the second highest is the

1810
01:58:57,560 --> 01:59:01,440
Speaker 1: afternoon drive. So that's why they created because they didn't

1811
01:59:01,480 --> 01:59:05,640
Speaker 1: have it before. They created the five o'clock freeback and

1812
01:59:05,840 --> 01:59:13,840
Speaker 1: you started that. Yes, you don't have a different times

1813
01:59:15,000 --> 01:59:23,920
Speaker 1: School doing the time. There was somebody else during the

1814
01:59:23,960 --> 01:59:27,760
Speaker 1: Old School at New yor Hot ninety seven um God

1815
01:59:27,840 --> 01:59:30,920
Speaker 1: named Glenn Fisher, but he was no more asked for

1816
01:59:31,080 --> 01:59:36,040
Speaker 1: like dance house music, so they weren't changed that because

1817
01:59:36,160 --> 01:59:38,400
Speaker 1: it was one day they had me do something. I

1818
01:59:38,560 --> 01:59:41,320
Speaker 1: forgot what day it was, and they heard the rovie

1819
01:59:41,480 --> 01:59:46,040
Speaker 1: to old School. I thank And that's when they had

1820
01:59:46,080 --> 01:59:50,240
Speaker 1: me in mind. Not before that. Remember, in the beginning

1821
01:59:50,360 --> 01:59:52,880
Speaker 1: of nineteen six in New York there was a big

1822
01:59:53,760 --> 01:59:57,320
Speaker 1: bad bliss. Okay, I just came home with ninety six.

1823
01:59:57,480 --> 02:00:09,680
Speaker 1: I was probably jugging off too much information. I'm sorry now.

1824
02:00:09,880 --> 02:00:13,000
Speaker 1: It was as the Blue say bad that when the

1825
02:00:13,080 --> 02:00:16,480
Speaker 1: women's couldn't come to the station because she comes from Jersey.

1826
02:00:17,720 --> 02:00:20,320
Speaker 1: So they asked me, can you come down and do

1827
02:00:20,480 --> 02:00:26,320
Speaker 1: that shift? So I did a whole shift, just mixing

1828
02:00:27,280 --> 02:00:35,680
Speaker 1: old school, William. I was combined during old school and

1829
02:00:35,920 --> 02:00:41,080
Speaker 1: new stuff. I was combined for that four hours. Here

1830
02:00:41,160 --> 02:00:43,640
Speaker 1: it is. They took care of me for that shift,

1831
02:00:44,200 --> 02:00:45,840
Speaker 1: and they say we want to appoint you to do

1832
02:00:45,920 --> 02:00:48,120
Speaker 1: the old School because we heard what you can do

1833
02:00:48,800 --> 02:00:50,880
Speaker 1: and we want to bring something to the table. So

1834
02:00:51,040 --> 02:00:53,880
Speaker 1: now here it is, I'm getting the audience that grew

1835
02:00:53,920 --> 02:00:57,280
Speaker 1: up with me from the Kiss at M and I'm

1836
02:00:57,320 --> 02:00:59,480
Speaker 1: appealing to the audience that are listening to me right

1837
02:00:59,520 --> 02:01:03,120
Speaker 1: now on the hot nineties seven, So I'm having both audience.

1838
02:01:03,840 --> 02:01:05,960
Speaker 1: There were some young people dash spent time listening to

1839
02:01:06,080 --> 02:01:08,440
Speaker 1: the Old School. Now you know why, because that's really

1840
02:01:08,440 --> 02:01:13,440
Speaker 1: they got a lot of their samples as he studied

1841
02:01:13,440 --> 02:01:21,480
Speaker 1: a lot whatever. I gotta bring some perspective to what

1842
02:01:21,520 --> 02:01:23,280
Speaker 1: he's saying, because I don't think we're really getting it

1843
02:01:23,920 --> 02:01:27,760
Speaker 1: what he's saying. He was playing vinyl man. Man, He

1844
02:01:27,960 --> 02:01:30,160
Speaker 1: wasn't just going on the computer and looking at what's

1845
02:01:30,160 --> 02:01:32,400
Speaker 1: the newest ship and it's the Old School and this

1846
02:01:32,480 --> 02:01:35,600
Speaker 1: is my playlist. He had to know his ship and

1847
02:01:35,760 --> 02:01:38,680
Speaker 1: physically take the records out and pick those records. So

1848
02:01:38,800 --> 02:01:42,480
Speaker 1: he was on top of his game. Please you know

1849
02:01:42,560 --> 02:01:46,360
Speaker 1: what it was like back then in the nineties. Fucking creates.

1850
02:01:47,840 --> 02:01:49,800
Speaker 1: Look at the way my back. Let me ask you,

1851
02:01:50,040 --> 02:01:53,000
Speaker 1: do you create the young homie used to carry my

1852
02:01:53,040 --> 02:01:55,760
Speaker 1: homie right there my records to the club. Do you

1853
02:01:55,920 --> 02:02:01,040
Speaker 1: like that? Creates is not not yeah, you like that crate? Vinyl?

1854
02:02:02,480 --> 02:02:06,400
Speaker 1: You still nobody likes Nobody likes the weight of vinyl.

1855
02:02:06,560 --> 02:02:11,880
Speaker 1: But but there was a different culture to vinyl. Vinyl. Now,

1856
02:02:12,200 --> 02:02:14,600
Speaker 1: I used to be doing a live stream show, like

1857
02:02:14,800 --> 02:02:16,720
Speaker 1: maybe ten eleven years ago, when they used to have

1858
02:02:16,840 --> 02:02:19,400
Speaker 1: you stream last stream. I had a show and I

1859
02:02:19,520 --> 02:02:23,920
Speaker 1: was doing it from home in my basement. Now the

1860
02:02:24,840 --> 02:02:27,600
Speaker 1: records out of playing, I know the value of them.

1861
02:02:27,960 --> 02:02:33,360
Speaker 1: They're not leaving my house. They're gonna get scratch, crack

1862
02:02:33,840 --> 02:02:37,640
Speaker 1: or missing. They stay right there. So it's a messing.

1863
02:02:37,720 --> 02:02:41,160
Speaker 1: I got the computer, right, I can keep on my

1864
02:02:41,320 --> 02:02:43,280
Speaker 1: value at home. Yeah, it was a blessing that he

1865
02:02:43,360 --> 02:02:53,680
Speaker 1: got the computer. For everybody's back this time. I was

1866
02:02:53,800 --> 02:03:02,360
Speaker 1: you you like and hit it that um person my

1867
02:03:02,480 --> 02:03:05,120
Speaker 1: coach to get into start using the computer with my

1868
02:03:05,200 --> 02:03:10,720
Speaker 1: cousin Jason because he used to be the spokesman for STOJ.

1869
02:03:11,800 --> 02:03:17,280
Speaker 1: Huh no, no, j cousin. So he got me inviold

1870
02:03:17,360 --> 02:03:20,240
Speaker 1: it and that's man. At the time, a lot of

1871
02:03:20,280 --> 02:03:23,360
Speaker 1: my peers are you're going down and know they were stilling.

1872
02:03:23,560 --> 02:03:25,920
Speaker 1: I said, listen here, you gotta adapt. Yeah, I don't

1873
02:03:25,920 --> 02:03:28,120
Speaker 1: think he still got a survival. No, I got tractive.

1874
02:03:28,160 --> 02:03:30,440
Speaker 1: I just don't use it like that. Listen. He wanted

1875
02:03:30,560 --> 02:03:35,720
Speaker 1: he still want Vinyl. He want wanted listen, listen. He

1876
02:03:35,920 --> 02:03:40,080
Speaker 1: old school. He wanted the crates to come back. No, no, no, no, listen.

1877
02:03:40,160 --> 02:03:42,800
Speaker 1: I told you I don't want to carry crates. We've

1878
02:03:42,840 --> 02:03:45,880
Speaker 1: been trying to ask you to DJ for twelve years.

1879
02:03:46,720 --> 02:03:51,200
Speaker 1: One it's not the same. So I came out. That

1880
02:03:51,400 --> 02:03:55,800
Speaker 1: was an art for him to going through vinyl. It was.

1881
02:03:55,960 --> 02:03:59,200
Speaker 1: It was almost its own right. It's good you knew.

1882
02:03:59,400 --> 02:04:05,600
Speaker 1: What do you mean days out? Your name is DJ.

1883
02:04:06,400 --> 02:04:11,480
Speaker 1: We haven't seen DJE twenty years. I don't need it.

1884
02:04:11,560 --> 02:04:20,280
Speaker 1: I don't we miss you, we miss you. I'll say,

1885
02:04:20,920 --> 02:04:23,880
Speaker 1: listen to him. You got a cell phone? Yeah, I

1886
02:04:23,920 --> 02:04:28,000
Speaker 1: got a cellphone. Why you have to pay booth? You

1887
02:04:28,120 --> 02:04:33,560
Speaker 1: adapt to the cell phone, adapt to the computer. M

1888
02:04:34,760 --> 02:04:38,800
Speaker 1: come like he was talking to you. I adapted some culture.

1889
02:04:38,880 --> 02:04:44,280
Speaker 1: We're here right now doing podcasting and this is my contributing,

1890
02:04:45,680 --> 02:04:49,440
Speaker 1: and I'm spending that. You asked it to the us own.

1891
02:04:49,840 --> 02:04:52,240
Speaker 1: It's just I'm just giving a person a lot of

1892
02:04:52,640 --> 02:04:55,120
Speaker 1: range of wide of you that you can always have

1893
02:04:55,360 --> 02:04:58,080
Speaker 1: that but not have the jungle of us different things.

1894
02:04:58,160 --> 02:05:01,400
Speaker 1: That's absolutely it's just shape to say. Yeah, you y'all

1895
02:05:01,440 --> 02:05:03,440
Speaker 1: both gonna agree with this. It's just safe to say

1896
02:05:03,720 --> 02:05:08,160
Speaker 1: because y'all. DJ. Right, it's just safe to say that

1897
02:05:08,240 --> 02:05:11,080
Speaker 1: the digital game got a lot of trash out there.

1898
02:05:11,160 --> 02:05:16,360
Speaker 1: Let's be clear, right, because you don't want nobody coming

1899
02:05:16,400 --> 02:05:19,800
Speaker 1: out to him and saying number it's a numbers games,

1900
02:05:19,840 --> 02:05:22,600
Speaker 1: the numbers game, because everybody has access, everybody could put

1901
02:05:22,640 --> 02:05:25,200
Speaker 1: out right. So because that numbers game, now you're sitting

1902
02:05:25,200 --> 02:05:28,200
Speaker 1: me with somebody who makes like two million dollars and

1903
02:05:28,280 --> 02:05:30,320
Speaker 1: he played three songs and there's a bunch of No,

1904
02:05:30,400 --> 02:05:32,560
Speaker 1: I'm not even worried about it. It's like the whole Yeah,

1905
02:05:33,080 --> 02:05:35,280
Speaker 1: so it's no shape that because they're gonna get their money.

1906
02:05:35,320 --> 02:05:39,840
Speaker 1: But the only thing that that hurt like confusion d

1907
02:05:40,000 --> 02:05:44,880
Speaker 1: J game with the computers. You don't see the skill

1908
02:05:45,040 --> 02:05:47,480
Speaker 1: level no more. The skill level was at the door.

1909
02:05:48,760 --> 02:05:52,200
Speaker 1: Now everybody's gotta cutting scratch for none. How to play

1910
02:05:52,320 --> 02:05:55,720
Speaker 1: a song accommodating one to another, you know, even you're mixing,

1911
02:05:55,800 --> 02:05:58,880
Speaker 1: blending or timing, no, whatever it is. Instead it just

1912
02:05:59,480 --> 02:06:01,760
Speaker 1: but a great DJ will be even better with the

1913
02:06:01,800 --> 02:06:04,440
Speaker 1: technolog Like my boy DJ Craze, who's from Home Team

1914
02:06:04,520 --> 02:06:07,680
Speaker 1: right here, killer Like he takes the technology to the

1915
02:06:07,760 --> 02:06:11,880
Speaker 1: next level right on vinyl. He's even sometimes I'll be

1916
02:06:11,960 --> 02:06:14,960
Speaker 1: having an ox cord. I'll be like, I think, but

1917
02:06:15,160 --> 02:06:17,320
Speaker 1: you're not a you're not a good DJ. Nor I'll

1918
02:06:17,360 --> 02:06:22,360
Speaker 1: be like like like I'm saying, but I'm not gett

1919
02:06:22,360 --> 02:06:28,200
Speaker 1: paying myself to y'all same s they do. I could

1920
02:06:28,240 --> 02:06:30,760
Speaker 1: do like the new DULs you do, like I can

1921
02:06:30,840 --> 02:06:34,800
Speaker 1: do that. That's what they do. Respect and I respect

1922
02:06:34,840 --> 02:06:37,600
Speaker 1: a lot of DJs out there, but I respect a

1923
02:06:37,760 --> 02:06:40,920
Speaker 1: DJ that none to work their computer and that the

1924
02:06:41,160 --> 02:06:44,600
Speaker 1: computer work you. Okay, let's let's let's run down a

1925
02:06:44,760 --> 02:06:49,320
Speaker 1: list of DJs that you you enjoy watching. Oh Man,

1926
02:06:50,280 --> 02:06:54,760
Speaker 1: my number one favorite, Jazz Jeff, one of the best,

1927
02:06:54,840 --> 02:06:59,400
Speaker 1: fresh friend Jazz. Yeah, one of the best. Yeah, real

1928
02:06:59,600 --> 02:07:01,520
Speaker 1: DJ to say that, A lot of people we look

1929
02:07:01,560 --> 02:07:03,640
Speaker 1: at him like fluff. A lot of people like, oh yeah,

1930
02:07:03,680 --> 02:07:06,200
Speaker 1: he's been on the fresh prints, so they don't realize

1931
02:07:06,280 --> 02:07:10,000
Speaker 1: he gets busy. He's the DJ, I know. But you

1932
02:07:10,040 --> 02:07:11,160
Speaker 1: know what I'm trying to say. You know, that was

1933
02:07:11,240 --> 02:07:17,840
Speaker 1: like a commercial show all the time. So smithy guy, guy, listen, curse,

1934
02:07:18,440 --> 02:07:20,560
Speaker 1: does you know what I mean? So people a lot

1935
02:07:20,600 --> 02:07:23,440
Speaker 1: of people don't know when you see DJ like red alert,

1936
02:07:23,720 --> 02:07:25,920
Speaker 1: Like I just asked him and that was his first

1937
02:07:26,120 --> 02:07:30,520
Speaker 1: DJ that he fired off. That's great, let's do that.

1938
02:07:33,280 --> 02:07:35,240
Speaker 1: I'm so how he robbed because the first time I

1939
02:07:35,280 --> 02:07:37,880
Speaker 1: got to see Jazz Jeff and DJ and Union Square

1940
02:07:38,360 --> 02:07:40,880
Speaker 1: and Fresh Princes and Jazz Jeff performed there for the

1941
02:07:40,920 --> 02:07:42,920
Speaker 1: first time, and that's what he came in and he

1942
02:07:43,040 --> 02:07:45,000
Speaker 1: was the skilled level he was doing, Like what that

1943
02:07:45,720 --> 02:07:49,280
Speaker 1: he's bad boy man? Was it Fresh Friends and Jazz Jeffer?

1944
02:07:49,400 --> 02:07:51,360
Speaker 1: Was it? Since we're talking about the d J, that's

1945
02:07:51,600 --> 02:07:55,640
Speaker 1: DJ j Jeff in the Fresh Prince DJ j J. Yeah, yeah, yeah, yeah. First,

1946
02:07:58,120 --> 02:08:00,160
Speaker 1: just the way I confused the names. Did Jazz see

1947
02:08:00,200 --> 02:08:04,160
Speaker 1: Jeff get his name from jazz j Jesus how? I

1948
02:08:04,200 --> 02:08:06,720
Speaker 1: didn't think so. I don't think so. Honestly, I don't

1949
02:08:06,760 --> 02:08:10,760
Speaker 1: think so, because you gotta remember something smokes the country.

1950
02:08:11,160 --> 02:08:16,440
Speaker 1: There was a lot of jazzys at that time. We

1951
02:08:16,560 --> 02:08:21,000
Speaker 1: don't know every single town that had a jazz And remember,

1952
02:08:21,040 --> 02:08:24,720
Speaker 1: let's not forget Jazz Joyce as he joins a legend

1953
02:08:24,760 --> 02:08:35,040
Speaker 1: as well. Just he was a little a little fan

1954
02:08:35,120 --> 02:08:39,080
Speaker 1: of you. We've been little for a long time. Jazz

1955
02:08:39,240 --> 02:08:42,000
Speaker 1: Joyce get busy on that. Oh yeah, she's like, no,

1956
02:08:42,200 --> 02:08:48,040
Speaker 1: Jazz Joyce is the Elders also Coco Chanel, she died. Yeah,

1957
02:08:48,240 --> 02:08:57,760
Speaker 1: she's the name Joyce Anchs. So because you know we

1958
02:08:57,920 --> 02:09:00,880
Speaker 1: Latino over here too. You know what I'm saying, who's

1959
02:09:01,240 --> 02:09:10,880
Speaker 1: the first Latino you've seen doing hip hop? Invest in Peace?

1960
02:09:11,560 --> 02:09:16,880
Speaker 1: He DJ at the disco favorite named June Buck. He

1961
02:09:17,040 --> 02:09:25,000
Speaker 1: was the first laptein of the DJ. But let's people

1962
02:09:25,040 --> 02:09:27,400
Speaker 1: get mad at me. They think I hate the Minica's

1963
02:09:27,440 --> 02:09:32,480
Speaker 1: just me they have before, but yeah, no, no, no,

1964
02:09:32,600 --> 02:09:36,240
Speaker 1: it's just that's what I said last. I'm Cuban. We

1965
02:09:36,800 --> 02:09:40,040
Speaker 1: have a rivalry. We let's separate each other with media.

1966
02:09:42,600 --> 02:09:48,200
Speaker 1: He was same time Caribbean too, Yeah, Caribbean. But you know,

1967
02:09:48,320 --> 02:09:50,080
Speaker 1: Cuba is the biggest Cribian. I'm just want to put

1968
02:09:50,080 --> 02:09:56,879
Speaker 1: that out there. Everybody biggest Jamaican. Jamaican. I'm from Antigua, Antiga, Okay, figure'all.

1969
02:09:58,680 --> 02:10:00,560
Speaker 1: You know how the same every I got rice and

1970
02:10:00,600 --> 02:10:04,160
Speaker 1: beans and beans and rice. Yeah, planting and plantings. That's

1971
02:10:04,160 --> 02:10:08,120
Speaker 1: why you really know we're like everyone. The people like

1972
02:10:08,600 --> 02:10:11,000
Speaker 1: you go somewhere like, yeah, what's your national dish? Like

1973
02:10:11,080 --> 02:10:15,280
Speaker 1: for riga, Dot's not lose focus. Let's go back to

1974
02:10:15,320 --> 02:10:21,400
Speaker 1: the Latinos. Let's go so I know, I respect Charlie

1975
02:10:21,520 --> 02:10:25,680
Speaker 1: Chase ruby D. You know he was one of the

1976
02:10:25,760 --> 02:10:28,520
Speaker 1: members of ub D. You said Ruby ruby D one

1977
02:10:28,560 --> 02:10:31,080
Speaker 1: of the members of the Fantastic Five remembers you say,

1978
02:10:31,160 --> 02:10:34,800
Speaker 1: co question against past he was warning Fantastic Five. Um,

1979
02:10:36,920 --> 02:10:39,640
Speaker 1: I did not know him. I always heard about him

1980
02:10:39,680 --> 02:10:42,280
Speaker 1: and then I met him later on. Who was Rick

1981
02:10:42,400 --> 02:10:47,000
Speaker 1: cast and Disco Rich yea, yeah, I never't know him

1982
02:10:47,080 --> 02:10:52,120
Speaker 1: the very beginning. Um, I'm thinking everybody, because I was

1983
02:10:52,240 --> 02:10:54,680
Speaker 1: up in the Bronx all the time. I was always

1984
02:10:54,760 --> 02:10:57,120
Speaker 1: up in the box. I know. Down Harlem we had

1985
02:10:57,200 --> 02:11:02,960
Speaker 1: Tito and from Feeling Sport and O C who was

1986
02:11:03,040 --> 02:11:07,960
Speaker 1: the DJ for him Feelings sport Um. Not to be

1987
02:11:08,040 --> 02:11:10,840
Speaker 1: confused C from Digging in the Crates picking him up

1988
02:11:10,840 --> 02:11:14,440
Speaker 1: to Big o Se. It was a d J O C,

1989
02:11:14,920 --> 02:11:18,040
Speaker 1: not the one from Digging Crazy. You know. I'm trying

1990
02:11:18,080 --> 02:11:21,160
Speaker 1: to remember who else I can't recall, but now, but

1991
02:11:21,320 --> 02:11:23,040
Speaker 1: he used for us, I know, of course, you know

1992
02:11:23,200 --> 02:11:26,480
Speaker 1: Notating always been around and even the B Boys, there

1993
02:11:26,560 --> 02:11:31,160
Speaker 1: was a lot of people, huh crazy like before Rock Stay,

1994
02:11:31,680 --> 02:11:36,320
Speaker 1: the origin New B Boys do the names of Yeah

1995
02:11:37,840 --> 02:11:40,520
Speaker 1: there our timeline suck when he came here, you know,

1996
02:11:40,680 --> 02:11:52,160
Speaker 1: like fuck you your Timeline, Fuck you suck your hercle Field,

1997
02:11:52,240 --> 02:11:54,360
Speaker 1: That's what I was saying to him. A guy named

1998
02:11:54,400 --> 02:11:59,640
Speaker 1: rest in Peace, Mike my Man, Charlie, rock my Man, Trixie.

1999
02:12:00,120 --> 02:12:02,160
Speaker 1: And there was a guy who was who is the

2000
02:12:02,200 --> 02:12:08,000
Speaker 1: Latino named Sassa. Sounds like people was winning the battiest,

2001
02:12:09,320 --> 02:12:13,680
Speaker 1: winning the bad countless graffiti artists as well a graffiti

2002
02:12:13,760 --> 02:12:17,560
Speaker 1: artists as well. Oh yeah, that's a graffiti artists. Is

2003
02:12:17,600 --> 02:12:22,040
Speaker 1: that the I think that really start before hip hop coaching? Absolutely?

2004
02:12:22,080 --> 02:12:25,320
Speaker 1: Yea yeah. And after we talked about with a little bit,

2005
02:12:25,440 --> 02:12:28,280
Speaker 1: I'm about to ask you that is the five elements

2006
02:12:28,400 --> 02:12:32,640
Speaker 1: of hip hop? Does it doesn't really matter anymore? Hey man,

2007
02:12:32,760 --> 02:12:34,640
Speaker 1: I don't like the way that question was at. I

2008
02:12:34,680 --> 02:12:40,040
Speaker 1: don't know you don't, but let him answer to me

2009
02:12:40,160 --> 02:12:42,440
Speaker 1: and my Piers and the audience that came along with us.

2010
02:12:42,480 --> 02:12:47,920
Speaker 1: It matters to us a great deal, a great great

2011
02:12:48,520 --> 02:12:51,600
Speaker 1: that's fun, you know, or even made a shirt about it.

2012
02:12:51,680 --> 02:12:53,200
Speaker 1: You look at your shirt that that we gave you

2013
02:12:54,280 --> 02:12:58,840
Speaker 1: the five elements. Give me the bottle opening up someone

2014
02:12:58,880 --> 02:13:06,040
Speaker 1: with the circle. It ain't going d J B Boys MC. Yeah,

2015
02:13:06,440 --> 02:13:08,840
Speaker 1: so you think it's supposed to say it's full? And

2016
02:13:08,920 --> 02:13:17,160
Speaker 1: then also be Box. Some people say no, father was yeah,

2017
02:13:17,440 --> 02:13:20,360
Speaker 1: and some people just say former Russian but that's a

2018
02:13:20,560 --> 02:13:24,680
Speaker 1: b Rocks. What do you think about fashion? Fashion big

2019
02:13:24,760 --> 02:13:28,320
Speaker 1: part in hip hop, big part of hip hop because

2020
02:13:28,560 --> 02:13:31,600
Speaker 1: you see used to the spikes. No, that was that

2021
02:13:31,720 --> 02:13:35,400
Speaker 1: new way punk rocks. You ain't fo this white. You

2022
02:13:35,440 --> 02:13:39,240
Speaker 1: ain't had the reason I'm asking because you're gonna pull

2023
02:13:39,280 --> 02:13:46,480
Speaker 1: up a picture you don't, We're gonna go. We're gonna

2024
02:13:46,480 --> 02:13:52,840
Speaker 1: go look for it. We got something you want. No, no, no, no,

2025
02:13:53,040 --> 02:13:55,400
Speaker 1: no no. I had a rob a couple of years ago.

2026
02:13:55,440 --> 02:13:58,760
Speaker 1: I said, Lubaton with the spikes just for weirdos. I'm

2027
02:13:58,800 --> 02:14:06,160
Speaker 1: a hood widows and started wearing them. No, really, when

2028
02:14:06,160 --> 02:14:08,680
Speaker 1: you want to go with this man, I want Lott

2029
02:14:08,720 --> 02:14:10,560
Speaker 1: with tars. I didn't read the ones with the spikes,

2030
02:14:11,080 --> 02:14:13,360
Speaker 1: and there was so many people hit me like you

2031
02:14:13,480 --> 02:14:16,760
Speaker 1: can't dis spikes, and I was like, why at the

2032
02:14:16,800 --> 02:14:20,880
Speaker 1: bottom of the shoes, Yeah, I don't poke with those spikes.

2033
02:14:21,000 --> 02:14:22,880
Speaker 1: So but but when I said that, I didn't on

2034
02:14:22,960 --> 02:14:25,160
Speaker 1: the record with Lars pro Bro my first record I

2035
02:14:25,240 --> 02:14:28,240
Speaker 1: ever recorded with Lars Bro, and so many fans was like,

2036
02:14:28,320 --> 02:14:30,800
Speaker 1: but you can't di spikes like you just a little

2037
02:14:30,920 --> 02:14:33,839
Speaker 1: Tar Spikes, but you can't say Spikes is for widows.

2038
02:14:33,880 --> 02:14:35,640
Speaker 1: And I was like, why they sent me so much

2039
02:14:37,720 --> 02:14:44,760
Speaker 1: original when I was just like had mentioned the the

2040
02:14:44,880 --> 02:14:48,120
Speaker 1: parallels with punk and hip hop in the early beginnings

2041
02:14:48,920 --> 02:14:51,440
Speaker 1: and why there was like they looked the same at

2042
02:14:51,480 --> 02:14:53,760
Speaker 1: the time and there was in the same venues. It

2043
02:14:53,960 --> 02:14:58,760
Speaker 1: was a level situation at the time because culture counterculture.

2044
02:14:58,800 --> 02:15:02,120
Speaker 1: Yeah it is hip hop coming from up in the

2045
02:15:02,200 --> 02:15:07,040
Speaker 1: Bronx coming downtown, Punk rock and new waves, you know,

2046
02:15:07,760 --> 02:15:10,840
Speaker 1: was all emerging at the time, and we always got

2047
02:15:10,880 --> 02:15:13,400
Speaker 1: together at certain clubs. First was in the Grills, then

2048
02:15:13,520 --> 02:15:16,600
Speaker 1: Dance Interia, and it was like you got to learn

2049
02:15:16,800 --> 02:15:18,200
Speaker 1: some of their coaches, you got to learn some of

2050
02:15:18,280 --> 02:15:22,560
Speaker 1: our culture. The grill placed for the Grills that was

2051
02:15:22,600 --> 02:15:25,960
Speaker 1: on the second avenue was Jamaican. Uh. I think more

2052
02:15:26,080 --> 02:15:34,680
Speaker 1: like yeah, yeah, continue from them to Danceteria. Actually, while

2053
02:15:34,720 --> 02:15:37,600
Speaker 1: we was cutting up records like once in a Lifetime

2054
02:15:37,680 --> 02:15:42,400
Speaker 1: by Talking Heads and Liquid Liquid and you know, we're

2055
02:15:42,400 --> 02:15:46,720
Speaker 1: playing stuff like um something about UM coming down the

2056
02:15:46,800 --> 02:15:49,400
Speaker 1: house and all that stuff, and they got the line

2057
02:15:49,440 --> 02:15:52,720
Speaker 1: our stuff. So we was none how to support each other.

2058
02:15:53,920 --> 02:15:56,560
Speaker 1: We all have to look at them where we like

2059
02:15:56,680 --> 02:15:59,680
Speaker 1: their music and they're like our music. That's what it was.

2060
02:16:00,000 --> 02:16:01,680
Speaker 1: Because if you would have wore spikes and I would

2061
02:16:01,680 --> 02:16:09,440
Speaker 1: have found out you got the picture. Go you talk

2062
02:16:09,480 --> 02:16:11,840
Speaker 1: about that because I know how you know the error

2063
02:16:12,320 --> 02:16:14,760
Speaker 1: I grew up in the Oh you got de fitted

2064
02:16:14,840 --> 02:16:22,760
Speaker 1: jeans going back. Yeah, it's like they got me like that.

2065
02:16:26,520 --> 02:16:32,720
Speaker 1: Just the rivalry with the now now I know during

2066
02:16:32,760 --> 02:16:36,080
Speaker 1: the time, like the felish fire, the cold crushed the

2067
02:16:36,160 --> 02:16:40,320
Speaker 1: feather day was looking up to the people's like changing

2068
02:16:40,360 --> 02:16:44,080
Speaker 1: them at this right and like you know anything that

2069
02:16:44,920 --> 02:16:50,080
Speaker 1: George Clinton, they following that. You know they was doing

2070
02:16:50,160 --> 02:16:54,280
Speaker 1: that every day. No, it was coking everywhere, not before

2071
02:16:54,400 --> 02:17:00,160
Speaker 1: that or Angel does Angel does everywhere? I mean don't

2072
02:17:00,160 --> 02:17:05,320
Speaker 1: know about everywhere a man now before that. Here it

2073
02:17:05,520 --> 02:17:08,200
Speaker 1: is the groups I just mentioned. They used to come dressing,

2074
02:17:08,240 --> 02:17:11,200
Speaker 1: looking at the temptations and doing steps and everything. So

2075
02:17:11,400 --> 02:17:13,840
Speaker 1: there was far too different way. They was both looks.

2076
02:17:15,120 --> 02:17:17,120
Speaker 1: All three of them who I just mentioned used to

2077
02:17:17,200 --> 02:17:20,760
Speaker 1: come with the suits on. You should come doing steps,

2078
02:17:21,080 --> 02:17:24,160
Speaker 1: dancing and all that. Now here it is for us

2079
02:17:24,320 --> 02:17:26,520
Speaker 1: that re class of looking flyer the trump. At the

2080
02:17:26,560 --> 02:17:28,480
Speaker 1: time I was going to all the hip hop friends.

2081
02:17:29,000 --> 02:17:33,600
Speaker 1: We was ran in what they called Gabardine material pants

2082
02:17:34,080 --> 02:17:37,240
Speaker 1: with the over flaps. We had the turn next to

2083
02:17:37,280 --> 02:17:40,359
Speaker 1: the market. Next we had the um, the level fronts,

2084
02:17:40,840 --> 02:17:44,000
Speaker 1: we had the Italian Knicks. The shoes we wore was

2085
02:17:44,040 --> 02:17:48,560
Speaker 1: even playboys or British walkers, you know, if it was

2086
02:17:48,640 --> 02:17:51,840
Speaker 1: real flyer you are up pair of gams. You know. Um.

2087
02:17:53,720 --> 02:17:59,640
Speaker 1: The coat we had was quarter Fields. That's what we

2088
02:17:59,800 --> 02:18:04,280
Speaker 1: were rocking at that time. I gotta make some noise

2089
02:18:04,320 --> 02:18:15,080
Speaker 1: of that. What's that for? So when does Dapper Dan

2090
02:18:15,200 --> 02:18:18,960
Speaker 1: come into play? Ye, Dapper Dan came in I think

2091
02:18:19,000 --> 02:18:22,880
Speaker 1: about early eighties, but start to emerge more into the

2092
02:18:23,000 --> 02:18:25,960
Speaker 1: late eighties and you've got shirt Kings, you got shirt Kings,

2093
02:18:26,040 --> 02:18:32,560
Speaker 1: Short Kings goes out there and Ja Jamaica Yeah yeah,

2094
02:18:32,760 --> 02:18:38,680
Speaker 1: and then was doing their thing in the same Let

2095
02:18:38,720 --> 02:18:41,240
Speaker 1: me ask you, right, I love the everything you just said,

2096
02:18:41,920 --> 02:18:44,440
Speaker 1: but I want to ask you when we look at

2097
02:18:44,480 --> 02:18:50,080
Speaker 1: the old drug Dealer movies paid the falls, we look

2098
02:18:50,160 --> 02:18:53,880
Speaker 1: how much it seemed like if the DJ shot at

2099
02:18:53,959 --> 02:19:05,520
Speaker 1: you out in the club, you was different. Yeah yeah,

2100
02:19:05,600 --> 02:19:10,160
Speaker 1: little payola for that too. Let's stand up, guys, not

2101
02:19:10,360 --> 02:19:15,160
Speaker 1: really not really need to understand. Shot my name. I

2102
02:19:15,280 --> 02:19:18,520
Speaker 1: shot my name out and they know you're taking that's

2103
02:19:18,560 --> 02:19:22,760
Speaker 1: why you're shotting the name out. So now how much

2104
02:19:22,760 --> 02:19:29,040
Speaker 1: would that take? And you can get big money for that?

2105
02:19:30,480 --> 02:19:32,640
Speaker 1: We got a segue here. How important what he's saying

2106
02:19:32,720 --> 02:19:36,640
Speaker 1: right now? So you are the beginnings at least one

2107
02:19:36,680 --> 02:19:39,240
Speaker 1: of the partiers of mixed tapes. No, I'm not willing

2108
02:19:39,280 --> 02:19:42,160
Speaker 1: to be not in the beginning. Who I'll give respect

2109
02:19:42,240 --> 02:19:47,360
Speaker 1: to Brucy be absolutely Now how they that to me

2110
02:19:47,480 --> 02:19:52,240
Speaker 1: about mixtape? Because once I got on the radio, everybody

2111
02:19:52,320 --> 02:19:54,320
Speaker 1: you said, yo, let me get that mix from last night.

2112
02:19:54,720 --> 02:19:57,480
Speaker 1: I was already sententation from water jam. Remember you always

2113
02:19:57,520 --> 02:20:03,279
Speaker 1: asking about from every saying how is known for being recorded?

2114
02:20:03,320 --> 02:20:07,320
Speaker 1: All the parties mass up in the brunch. I'm down harm,

2115
02:20:08,360 --> 02:20:11,240
Speaker 1: I'm selling tapes. I'm making copies and selling tapes. You

2116
02:20:11,280 --> 02:20:16,120
Speaker 1: went platinum. Let's just talk about it. This is audio only, right, Yeah,

2117
02:20:16,240 --> 02:20:21,200
Speaker 1: this is original mixtapes audio. You basically created the podcast.

2118
02:20:22,240 --> 02:20:26,280
Speaker 1: Well it's audio. You're fast forwarding right now, just like

2119
02:20:26,640 --> 02:20:39,680
Speaker 1: me to your what I made great money offer that

2120
02:20:39,760 --> 02:20:42,880
Speaker 1: coumo deep busy, be busy, be more. Now this is

2121
02:20:42,920 --> 02:20:45,760
Speaker 1: the legendary that is legend. I was there that day. Wait,

2122
02:20:45,840 --> 02:20:48,040
Speaker 1: so you're the one that put that out there. No,

2123
02:20:48,360 --> 02:20:50,879
Speaker 1: it was me and the DJ Vandy Rest in peace

2124
02:20:51,320 --> 02:20:53,600
Speaker 1: because what happened. I was just leaving from up in

2125
02:20:53,640 --> 02:20:55,680
Speaker 1: the Bronx, and I mean I got off on the

2126
02:20:56,120 --> 02:20:58,680
Speaker 1: right around my way HR Sixting Street, come out harmon Worlds.

2127
02:20:58,800 --> 02:21:01,520
Speaker 1: Right there, I saw there was a big crowd and

2128
02:21:01,600 --> 02:21:05,280
Speaker 1: there was an MC convention, as it was an MC convention.

2129
02:21:05,440 --> 02:21:08,280
Speaker 1: I always know for carrying my tap and MC convention,

2130
02:21:08,400 --> 02:21:11,279
Speaker 1: what does that mean? Exactly? At that point MC convention

2131
02:21:11,800 --> 02:21:17,320
Speaker 1: where it was also a contest, the battle basically battle

2132
02:21:17,720 --> 02:21:19,960
Speaker 1: and there was so many people that was battling. So

2133
02:21:20,120 --> 02:21:22,080
Speaker 1: now here it is, I'm walking with my tape deck.

2134
02:21:22,680 --> 02:21:24,920
Speaker 1: As I'm walking with my tape deck, I went to

2135
02:21:25,160 --> 02:21:28,560
Speaker 1: the to the section where the equipment and my man,

2136
02:21:29,000 --> 02:21:31,600
Speaker 1: I forgot his name. I said, yo, man, can I

2137
02:21:31,680 --> 02:21:33,480
Speaker 1: hook it up? He let me hook it up. So

2138
02:21:34,600 --> 02:21:38,200
Speaker 1: the house school mod have on the big glasses. Yeah no, no, no,

2139
02:21:38,320 --> 02:21:40,600
Speaker 1: he ain't a big glasses't have a big glasses. Can

2140
02:21:40,680 --> 02:21:46,840
Speaker 1: sell you the story into it. So let me look

2141
02:21:46,879 --> 02:21:48,440
Speaker 1: at my tape deck. Along with the tape deck that

2142
02:21:48,560 --> 02:21:52,400
Speaker 1: was and I recorded that. I recorded that, but I

2143
02:21:52,560 --> 02:21:57,400
Speaker 1: was always duplicated that And then you really sat, but

2144
02:21:57,720 --> 02:22:00,920
Speaker 1: we're gonna talking about the what happens this battle it's

2145
02:22:01,000 --> 02:22:07,279
Speaker 1: Busy Be. So it really was MC Battle Contest convention,

2146
02:22:07,920 --> 02:22:10,560
Speaker 1: it was, but it was all about again. So Modi

2147
02:22:10,840 --> 02:22:14,280
Speaker 1: was the host for that, but he decided to come

2148
02:22:14,440 --> 02:22:17,360
Speaker 1: in at the last minute, signed up to go after Busy.

2149
02:22:17,440 --> 02:22:20,960
Speaker 1: We called Busy Be was known for winning or the

2150
02:22:21,120 --> 02:22:23,879
Speaker 1: contest and Busy Be from the Bronx, mold from halland

2151
02:22:23,959 --> 02:22:27,320
Speaker 1: Wild Wild West. He made the record. It's documented, right

2152
02:22:28,600 --> 02:22:31,680
Speaker 1: they go at it. This is a moment that shifted

2153
02:22:31,760 --> 02:22:35,119
Speaker 1: hip hop. Oh yeah, yeah, yeah, yeah, yeah, definitely talk.

2154
02:22:35,400 --> 02:22:37,400
Speaker 1: You said you're there. What did you see when you

2155
02:22:37,520 --> 02:22:40,879
Speaker 1: was there? Man? When I saw that, Modi got up

2156
02:22:40,920 --> 02:22:43,160
Speaker 1: there and he started seeing them lyrics and all I

2157
02:22:43,200 --> 02:22:44,960
Speaker 1: can do is having my mouth for mind, like, oh

2158
02:22:45,120 --> 02:22:48,960
Speaker 1: ship because its number one. You didn't expect for him

2159
02:22:49,000 --> 02:22:51,040
Speaker 1: to be in the contest number two. You ship. He's saying,

2160
02:22:51,080 --> 02:22:54,440
Speaker 1: you never heard before you'd be like, what the So

2161
02:22:54,520 --> 02:22:58,920
Speaker 1: we're saying, mold one that Yeah, clearly you didn't listen

2162
02:22:58,959 --> 02:23:04,480
Speaker 1: to the change just because I'll be Let's go to

2163
02:23:04,560 --> 02:23:08,280
Speaker 1: the video chap, Let's go to the audio jape. Think

2164
02:23:08,320 --> 02:23:11,039
Speaker 1: about it. We'll play Let's go back to the table.

2165
02:23:11,480 --> 02:23:15,720
Speaker 1: We're going back to the tape and Monkey and Busy

2166
02:23:15,840 --> 02:23:19,120
Speaker 1: is good. They're good friends, good friends. You know. Business

2167
02:23:19,120 --> 02:23:22,840
Speaker 1: a legend. Yeah, business, that's my that's what my doing.

2168
02:23:22,959 --> 02:23:27,199
Speaker 1: But they helped me history because you think more about

2169
02:23:28,360 --> 02:23:32,080
Speaker 1: them too. Beside the whole entire battle. You know who's

2170
02:23:32,120 --> 02:23:35,240
Speaker 1: Rustle was in that that contest. A lot of people

2171
02:23:35,240 --> 02:23:38,560
Speaker 1: don't know he from down in Atlanta. He's known for

2172
02:23:38,640 --> 02:23:45,160
Speaker 1: being on radio in Atlanta. Remember Frank Ski V one

2173
02:23:45,200 --> 02:23:50,040
Speaker 1: on three. Frank Ski, he was the morning guy for

2174
02:23:50,280 --> 02:23:53,600
Speaker 1: V one on three. He was he was up there

2175
02:23:53,720 --> 02:23:57,400
Speaker 1: because you have family in Harlem. And he go ahead

2176
02:23:57,680 --> 02:23:59,640
Speaker 1: and got him there and wrapped. He was wrapping up

2177
02:23:59,640 --> 02:24:10,359
Speaker 1: the inst mental Mama used to say, Jesus, So imagine

2178
02:24:10,400 --> 02:24:15,840
Speaker 1: me go ahead making my hustle selling tapes. So by

2179
02:24:15,920 --> 02:24:19,360
Speaker 1: the time now when I get to doing radio, they

2180
02:24:19,400 --> 02:24:21,720
Speaker 1: don't want the party tapes. They say, yo, man, that

2181
02:24:21,879 --> 02:24:23,680
Speaker 1: joint what you did last night, You know, man, I

2182
02:24:23,720 --> 02:24:26,080
Speaker 1: want to copy of that. So what I used to

2183
02:24:26,200 --> 02:24:30,199
Speaker 1: do every time, because I was pre recording, I would

2184
02:24:30,200 --> 02:24:35,640
Speaker 1: always keep my master and make copies. So anybody heard

2185
02:24:35,760 --> 02:24:39,320
Speaker 1: something that night, the next day you got that tape.

2186
02:24:40,280 --> 02:24:46,440
Speaker 1: Mm hmm. Business. But then you started recording, I mean

2187
02:24:46,480 --> 02:24:50,200
Speaker 1: putting out your mixes from the radio as mix tapes. Yes,

2188
02:24:51,120 --> 02:24:55,680
Speaker 1: UM tell you the mixtape not not well, I'm just

2189
02:24:55,720 --> 02:24:57,920
Speaker 1: saying this, Okay, let me just in the street in

2190
02:24:58,040 --> 02:25:03,240
Speaker 1: street level, I would say a brucy b start see

2191
02:25:03,240 --> 02:25:06,200
Speaker 1: you guys, huh in New York. I'm talking from a

2192
02:25:06,240 --> 02:25:09,920
Speaker 1: guy from Miami that tapes are trickling down to us.

2193
02:25:10,160 --> 02:25:12,480
Speaker 1: That's why they were looking at us, looking at me.

2194
02:25:12,920 --> 02:25:15,800
Speaker 1: I don't know with Molly and Chuck, because people will

2195
02:25:15,840 --> 02:25:18,920
Speaker 1: recording us after radio just to stop you one second,

2196
02:25:18,959 --> 02:25:22,480
Speaker 1: just to give you your homage. And I'm appreciate getting

2197
02:25:22,520 --> 02:25:26,120
Speaker 1: to us is red alert tapes and kicking pre tapes

2198
02:25:26,760 --> 02:25:30,400
Speaker 1: in Miami, and then I become a mixtape DJ based

2199
02:25:30,440 --> 02:25:40,880
Speaker 1: on that that you're trying to me. I'm just honestly

2200
02:25:41,080 --> 02:25:44,280
Speaker 1: giving you what the blueprint. And then we learned about

2201
02:25:44,320 --> 02:25:48,240
Speaker 1: Brucey B and everybody through you guys, and we have

2202
02:25:48,400 --> 02:25:50,120
Speaker 1: to do our do and we have to dig in

2203
02:25:50,160 --> 02:25:53,400
Speaker 1: the crates and figure out what's the history. Yeah, you

2204
02:25:53,440 --> 02:25:55,800
Speaker 1: guys are the first people coming to us. Yeah, because

2205
02:25:55,879 --> 02:25:58,320
Speaker 1: you don't mention these guys, they're getting missing absolutely, you know.

2206
02:25:58,720 --> 02:26:02,360
Speaker 1: And there was other people side brucy and and start

2207
02:26:02,440 --> 02:26:06,879
Speaker 1: out you have my man, DJ Hollywood, you have scheme.

2208
02:26:07,320 --> 02:26:11,080
Speaker 1: I mean, listens moments on so many of them, so

2209
02:26:11,200 --> 02:26:13,360
Speaker 1: many of them. That's still one of my favorite songs

2210
02:26:13,400 --> 02:26:16,039
Speaker 1: to this day. Who Dang, Who Dan? I don't want

2211
02:26:16,080 --> 02:26:19,360
Speaker 1: to go during the night with my honey. Gave me

2212
02:26:19,480 --> 02:26:24,440
Speaker 1: something that young boy go to bed. I a lot that.

2213
02:26:25,320 --> 02:26:27,039
Speaker 1: When I heard that, I was like, what the fun

2214
02:26:27,240 --> 02:26:30,960
Speaker 1: is going on? I really know what it was. And

2215
02:26:31,240 --> 02:26:33,400
Speaker 1: I see like a pictured like the person who they

2216
02:26:33,400 --> 02:26:35,520
Speaker 1: said sunk it and he had the suit on, and

2217
02:26:35,600 --> 02:26:37,640
Speaker 1: I was like, I ain't never seen that. Like, I

2218
02:26:37,760 --> 02:26:41,560
Speaker 1: was like, what we dressed up? I was so hood

2219
02:26:41,600 --> 02:26:43,960
Speaker 1: at that time, fresh man he was at It was

2220
02:26:44,080 --> 02:26:48,320
Speaker 1: more for like the growning sexy in that element over there.

2221
02:26:48,720 --> 02:26:50,760
Speaker 1: So that's we much more on the street, That's what

2222
02:26:50,959 --> 02:26:54,360
Speaker 1: that's that's what Cass said over Well, that's something again

2223
02:26:55,200 --> 02:26:58,360
Speaker 1: if you if you google that record when it came out,

2224
02:26:58,400 --> 02:27:01,200
Speaker 1: I had to be like eight or nine. Well I

2225
02:27:01,320 --> 02:27:05,400
Speaker 1: didn't know. People said that they considered that commercial and

2226
02:27:05,480 --> 02:27:09,240
Speaker 1: I was like, well, like what was commercial about that?

2227
02:27:09,360 --> 02:27:11,520
Speaker 1: And compared to what they were doing, compared to what

2228
02:27:11,680 --> 02:27:16,240
Speaker 1: they were doing, so um, I didn't know, so what

2229
02:27:17,320 --> 02:27:20,520
Speaker 1: I think that you could probably rather soon as did this.

2230
02:27:20,840 --> 02:27:23,880
Speaker 1: But what was the difference? What did you want to

2231
02:27:24,160 --> 02:27:26,320
Speaker 1: did you care about being on the commercial side like

2232
02:27:26,760 --> 02:27:30,400
Speaker 1: or did you say you know it didn't matter. You

2233
02:27:30,480 --> 02:27:32,720
Speaker 1: just wanted to push hip hop forward? Like what what

2234
02:27:32,840 --> 02:27:36,360
Speaker 1: side do you you think? I'm gone to take advantage

2235
02:27:36,400 --> 02:27:38,640
Speaker 1: of the commercial side with the elements of where I

2236
02:27:38,760 --> 02:27:41,000
Speaker 1: come from on the hip hop. I wanted to go

2237
02:27:41,160 --> 02:27:44,760
Speaker 1: ahead and bring that over here. Let people know that

2238
02:27:45,240 --> 02:27:47,520
Speaker 1: this is what we've been doing over here, and let

2239
02:27:47,560 --> 02:27:50,320
Speaker 1: me present it to you and I can go ahead

2240
02:27:50,360 --> 02:27:52,560
Speaker 1: and program right along with everything else that you are

2241
02:27:52,680 --> 02:27:55,360
Speaker 1: like not understand with you. You know, I'm gonna give

2242
02:27:55,400 --> 02:27:58,040
Speaker 1: you your R and B. I'm gonna give you a dance.

2243
02:27:58,640 --> 02:28:02,000
Speaker 1: I'm gonna give you some what we've been doing. Mix

2244
02:28:02,080 --> 02:28:05,640
Speaker 1: it all to Jael and everybody get that variety. That's

2245
02:28:05,680 --> 02:28:15,000
Speaker 1: what that did got them and you've been credited with

2246
02:28:15,160 --> 02:28:17,760
Speaker 1: bringing reggae and dance all to the radio waves as

2247
02:28:17,840 --> 02:28:22,240
Speaker 1: well in the States. Respect on that um. But it

2248
02:28:22,280 --> 02:28:24,440
Speaker 1: influenced me once again, the dope jam to I just

2249
02:28:24,560 --> 02:28:28,480
Speaker 1: told you about when we was coming out. No, no,

2250
02:28:28,720 --> 02:28:32,800
Speaker 1: I'm the hype man to KOs one book production. Everybody

2251
02:28:32,840 --> 02:28:34,440
Speaker 1: knew I was the DJ, but that was the Nice.

2252
02:28:35,120 --> 02:28:37,480
Speaker 1: So every time we came out, we came to hold On.

2253
02:28:37,560 --> 02:28:42,640
Speaker 1: You just said that way too fast. Again again, I said,

2254
02:28:42,959 --> 02:28:45,400
Speaker 1: everybody thought I would have been the DJ in place

2255
02:28:45,440 --> 02:28:47,400
Speaker 1: of Scott the Rock. I'm gonna add that, mate, dear,

2256
02:28:48,240 --> 02:28:50,520
Speaker 1: But it was d Nice that was the DJ while

2257
02:28:50,560 --> 02:28:55,080
Speaker 1: I was the hype man for KOs one one stage History,

2258
02:28:55,240 --> 02:29:14,040
Speaker 1: So you was splip star, that's fine, that's wine. While

2259
02:29:14,160 --> 02:29:16,000
Speaker 1: he was coming out. He was coming out to the

2260
02:29:16,120 --> 02:29:21,560
Speaker 1: instrument version of Telephone Love by J. C. Longe. So

2261
02:29:21,840 --> 02:29:24,320
Speaker 1: when I saw the response every time we came out

2262
02:29:24,360 --> 02:29:27,480
Speaker 1: to that, and we always ended out with the album

2263
02:29:27,680 --> 02:29:30,199
Speaker 1: version of Stop the Valance that was on the album

2264
02:29:30,840 --> 02:29:35,080
Speaker 1: and that also got Caribbean influence, it gave me an

2265
02:29:35,120 --> 02:29:37,760
Speaker 1: idea when I got back to the station to started

2266
02:29:37,800 --> 02:29:43,240
Speaker 1: playing some dance Harvekings. So the first ten fifteen minutes

2267
02:29:43,280 --> 02:29:45,640
Speaker 1: I played some dance hall because there were some people

2268
02:29:45,680 --> 02:29:49,720
Speaker 1: that have made dance havankas like Um special Ed on

2269
02:29:49,920 --> 02:29:54,080
Speaker 1: his choice album, UM drove yourself on the other's album No.

2270
02:29:54,680 --> 02:29:58,080
Speaker 1: So then extended and stand down. I started ring supercat

2271
02:29:58,160 --> 02:30:03,040
Speaker 1: type ship that's start getting the Beanie Man and Shabu Shot.

2272
02:30:04,560 --> 02:30:07,520
Speaker 1: You know, I mean this is no and you know

2273
02:30:07,800 --> 02:30:11,640
Speaker 1: I made it one hour out of my show. And

2274
02:30:11,760 --> 02:30:13,680
Speaker 1: before you know that, you let me have an album

2275
02:30:13,760 --> 02:30:19,279
Speaker 1: out called prop Master Dance on Little Virus, Little Vicius

2276
02:30:19,360 --> 02:30:24,880
Speaker 1: is on. That was dope record. Man. That was like,

2277
02:30:25,120 --> 02:30:28,920
Speaker 1: that's a class, that's my guy. Yeah, can I as

2278
02:30:29,280 --> 02:30:34,560
Speaker 1: absolutely all right? So we didn't mention this, but I

2279
02:30:34,640 --> 02:30:37,520
Speaker 1: happened to know that you are in your forty fifth

2280
02:30:37,680 --> 02:30:43,599
Speaker 1: year of DJAN. Right, is that on radio or just djero?

2281
02:30:44,320 --> 02:30:48,520
Speaker 1: That's all together. I started on radio eight three, but

2282
02:30:48,600 --> 02:30:51,680
Speaker 1: I started DJAN in seventy six, So so how long

2283
02:30:51,720 --> 02:30:54,879
Speaker 1: have you been on radio? Next month could be thirty

2284
02:30:54,920 --> 02:30:58,600
Speaker 1: eight years? Incredible, man. I don't do as many people

2285
02:31:04,920 --> 02:31:07,279
Speaker 1: of the forty five because I know some people get confused.

2286
02:31:07,560 --> 02:31:10,280
Speaker 1: All right, So I have I wanted to do this

2287
02:31:10,400 --> 02:31:12,680
Speaker 1: on this day I have it. Is it a true question? Right?

2288
02:31:12,879 --> 02:31:15,240
Speaker 1: I gotta go to the barroom. That's a part of

2289
02:31:15,280 --> 02:31:21,320
Speaker 1: the show. Is it Is it true that you're on

2290
02:31:21,560 --> 02:31:24,720
Speaker 1: the Rock and Roll Hall of Fame? What it is?

2291
02:31:24,800 --> 02:31:28,279
Speaker 1: They have a display on me in the radio section

2292
02:31:28,600 --> 02:31:31,480
Speaker 1: of the Rock and Roll Hall of Fame, including on

2293
02:31:31,680 --> 02:31:36,160
Speaker 1: Hags and it's an honor because I'm right along with

2294
02:31:36,280 --> 02:31:39,120
Speaker 1: some of the great DJ's from radio in the past,

2295
02:31:39,240 --> 02:31:45,760
Speaker 1: like Gyne, Alan Freed, Wolfman, check Um, Frankie Crocker. I

2296
02:31:45,840 --> 02:31:50,360
Speaker 1: mean so many people. So you know you in that category, dumb.

2297
02:31:50,440 --> 02:31:53,400
Speaker 1: It's an honor battle so you know, solidified in the

2298
02:31:53,520 --> 02:31:56,880
Speaker 1: history of our country as well. Right, that's what that is.

2299
02:31:56,959 --> 02:31:59,680
Speaker 1: So I've got another institute, one more, one more, all right,

2300
02:31:59,720 --> 02:32:01,240
Speaker 1: So when I do my homework on you, when I

2301
02:32:01,320 --> 02:32:05,080
Speaker 1: do my homework, it's a time where you mentioned like

2302
02:32:05,240 --> 02:32:11,240
Speaker 1: Rob Base, we talked about the movie Juice, you know,

2303
02:32:11,480 --> 02:32:13,400
Speaker 1: from my like my age group. You know, we know

2304
02:32:13,560 --> 02:32:15,520
Speaker 1: Kalid and we know a bunch of DJs now that

2305
02:32:15,640 --> 02:32:18,600
Speaker 1: we see on the face value on TV and stuff.

2306
02:32:19,000 --> 02:32:20,840
Speaker 1: But when I look at those errors, even up to

2307
02:32:21,000 --> 02:32:26,560
Speaker 1: like even ludicrous throw them bowls. You were like highly

2308
02:32:26,680 --> 02:32:29,879
Speaker 1: featured in a lot of hip hop videos, and at

2309
02:32:29,920 --> 02:32:33,560
Speaker 1: that time, I didn't really know if that was like common,

2310
02:32:33,720 --> 02:32:35,200
Speaker 1: you know what I mean. It's there was a point

2311
02:32:35,240 --> 02:32:36,959
Speaker 1: where I think I saw that. I heard I think

2312
02:32:37,000 --> 02:32:43,039
Speaker 1: he's the most the most featured cameo in a video video. Yeah, yeah,

2313
02:32:43,120 --> 02:32:46,240
Speaker 1: I saw that. I read that. I read and I

2314
02:32:46,320 --> 02:32:48,640
Speaker 1: thought about it. I was like, well, if I look

2315
02:32:48,680 --> 02:32:52,160
Speaker 1: at the videos that I've seen, then he showed that

2316
02:32:52,400 --> 02:32:56,760
Speaker 1: he was showing finish your question? Sorry is this? Was

2317
02:32:56,800 --> 02:32:58,960
Speaker 1: there anybody else doing this? Was this a tactic? Like?

2318
02:32:59,080 --> 02:33:01,560
Speaker 1: What did you realize he was doing that? I did

2319
02:33:01,640 --> 02:33:06,480
Speaker 1: it for a reason. A long time ago, before the

2320
02:33:06,640 --> 02:33:11,480
Speaker 1: visual took off, there was a lot of people impostus

2321
02:33:13,080 --> 02:33:16,800
Speaker 1: try to impersonate who they are to make their money.

2322
02:33:17,000 --> 02:33:18,920
Speaker 1: You know, you get the fake this faith that. So

2323
02:33:19,200 --> 02:33:21,920
Speaker 1: when Spaking and I once again we dine in Kentucky

2324
02:33:22,920 --> 02:33:25,680
Speaker 1: and um just back like mid eighties r in Kentucky

2325
02:33:26,560 --> 02:33:29,600
Speaker 1: and this guy he's gonna brag you know that his

2326
02:33:29,760 --> 02:33:32,080
Speaker 1: name dropping. Well, you know I met this person. I

2327
02:33:32,160 --> 02:33:35,120
Speaker 1: met that person. He mentioned my name. So he mentioned

2328
02:33:35,160 --> 02:33:39,160
Speaker 1: my name me sparking and look at each other, I

2329
02:33:39,240 --> 02:33:41,640
Speaker 1: mean saying nothing. The cup quiet. Right before we get

2330
02:33:41,959 --> 02:33:46,440
Speaker 1: go on the stage, Sparky tap him and say, oh,

2331
02:33:46,520 --> 02:33:49,360
Speaker 1: by the way, that's better. Look he looked at me.

2332
02:33:49,440 --> 02:33:54,240
Speaker 1: He was shocky ran out. I say, okay, so even

2333
02:33:54,400 --> 02:33:57,600
Speaker 1: that you dragging that you said you met everybody or

2334
02:33:57,640 --> 02:34:01,560
Speaker 1: there's somebody go around and say they meet. So when

2335
02:34:01,600 --> 02:34:03,320
Speaker 1: I saw that, I had the opportunity to do the

2336
02:34:03,400 --> 02:34:06,760
Speaker 1: first video I forgot the first video every did. They

2337
02:34:06,800 --> 02:34:09,440
Speaker 1: asked me to be in it. Now, I said, okay, cool,

2338
02:34:09,440 --> 02:34:12,520
Speaker 1: I'll be in it. When I saw the response that

2339
02:34:12,680 --> 02:34:14,760
Speaker 1: had everybody noticed me, I said, you know what, I'm

2340
02:34:14,760 --> 02:34:17,840
Speaker 1: gonna capitalize all for them. Let me brand myself and

2341
02:34:17,959 --> 02:34:20,760
Speaker 1: promote myself so people know who I really be side

2342
02:34:20,879 --> 02:34:23,840
Speaker 1: somebody else scored fak and say who they are. So

2343
02:34:24,160 --> 02:34:31,120
Speaker 1: I took advantage of that. That's did I did. I

2344
02:34:31,200 --> 02:34:36,080
Speaker 1: say a suggestion, please y'all make a father in some podcasts.

2345
02:34:38,920 --> 02:34:42,960
Speaker 1: So it's really interesting. We have we we originally we

2346
02:34:43,280 --> 02:34:49,240
Speaker 1: created uh representation of our dynamic called the Full Connection.

2347
02:34:49,959 --> 02:34:53,400
Speaker 1: Um it started. I wouldn't say we really took in,

2348
02:34:53,600 --> 02:34:57,000
Speaker 1: we really got down with it? What after lighting past

2349
02:34:57,160 --> 02:35:00,200
Speaker 1: we did? We was right around that time the hip pub.

2350
02:35:00,440 --> 02:35:02,600
Speaker 1: Sometimes I'll be drunk. I can't remember everything. It was

2351
02:35:02,680 --> 02:35:06,600
Speaker 1: like it was like you can't shot drink drink Champs

2352
02:35:06,720 --> 02:35:12,720
Speaker 1: not posted started and does you want the poomboo juice

2353
02:35:13,680 --> 02:35:18,920
Speaker 1: boo poopoo. I'm sorry, poooo juice, Scott got juice poop

2354
02:35:18,920 --> 02:35:23,240
Speaker 1: poo juice. I'm just lexing, give me, give me a break,

2355
02:35:23,760 --> 02:35:30,280
Speaker 1: give me your side. It's got great I'm sorry, but

2356
02:35:30,360 --> 02:35:32,880
Speaker 1: the pool bo juice. It's like grand games say you

2357
02:35:32,879 --> 02:35:37,640
Speaker 1: don't say sorry. Yeah, because normally when people asking what's

2358
02:35:37,680 --> 02:35:39,160
Speaker 1: in the poopo juice, he used to say, if I

2359
02:35:39,240 --> 02:35:42,560
Speaker 1: tell you that, I gotta get you can kill him

2360
02:35:43,200 --> 02:35:45,960
Speaker 1: drink boo, he got me drunk. A nice seem like

2361
02:35:46,000 --> 02:35:50,360
Speaker 1: come here nor ship. Yeah, so you guys thought about

2362
02:35:50,360 --> 02:35:52,800
Speaker 1: doing the podcast. So that's not necessarily a podcast, but

2363
02:35:52,920 --> 02:35:55,000
Speaker 1: we kind of just used it as a representation of

2364
02:35:55,080 --> 02:35:58,480
Speaker 1: our dynamic. I think this would be a great podcast

2365
02:35:58,879 --> 02:36:01,680
Speaker 1: him it is that my idea of bringing to them

2366
02:36:01,720 --> 02:36:05,640
Speaker 1: about the cool connection, because they should get confused here.

2367
02:36:05,720 --> 02:36:08,680
Speaker 1: It is. They come to him and say, yeah, I

2368
02:36:08,720 --> 02:36:10,440
Speaker 1: don't remember you should be on the wady You say no,

2369
02:36:10,640 --> 02:36:16,960
Speaker 1: that's not me. A lot they're come to him and say, yo, man,

2370
02:36:16,959 --> 02:36:19,240
Speaker 1: I make your make you say that's not me. So

2371
02:36:19,360 --> 02:36:21,880
Speaker 1: I said, that's through the cool connection me as pops

2372
02:36:22,320 --> 02:36:27,320
Speaker 1: and everybody shows who they are as an individual. Didn't

2373
02:36:27,360 --> 02:36:29,480
Speaker 1: like that. I like that. I'm taking a shot to

2374
02:36:29,560 --> 02:36:33,760
Speaker 1: that's taking off. Although there you already poured off what

2375
02:36:33,800 --> 02:36:37,280
Speaker 1: the I thought you was hitting my boomp boom juice

2376
02:36:37,320 --> 02:36:41,520
Speaker 1: together boom boom. Wait, hold on before we drink the shot. Dude.

2377
02:36:41,520 --> 02:36:43,160
Speaker 1: I always wanted to know what the hell was in

2378
02:36:43,240 --> 02:36:51,920
Speaker 1: that bottlem episode. Isn't that bottle that? I don't think? No,

2379
02:36:53,120 --> 02:36:56,920
Speaker 1: I don't. That's about It's not. I don't get any

2380
02:36:57,280 --> 02:36:59,879
Speaker 1: kind of like taking ball Manny get talking to talk.

2381
02:37:00,000 --> 02:37:02,720
Speaker 1: A bone that snaps, it's just the Manican tiger bone

2382
02:37:03,200 --> 02:37:06,200
Speaker 1: that that is not that. You can do good and

2383
02:37:06,360 --> 02:37:12,160
Speaker 1: you can get drunk Dominican. You spin it on, maybe

2384
02:37:12,200 --> 02:37:15,800
Speaker 1: come a zone Dominican. Dominican is not donicanger bone. This

2385
02:37:15,959 --> 02:37:20,480
Speaker 1: is Dominican bo. You're already drunk. The shap you're gonna pass.

2386
02:37:20,800 --> 02:37:24,800
Speaker 1: I thought I thought you check you up. Dominican bone.

2387
02:37:25,160 --> 02:37:28,520
Speaker 1: It's not the same thing. Dominican Dominican. It's Dominican tiger bone.

2388
02:37:28,879 --> 02:37:30,480
Speaker 1: It's not yeah it is. It's yeah. I don't that

2389
02:37:30,560 --> 02:37:34,040
Speaker 1: you get away with this. Yeah, you want real tyger bone. No,

2390
02:37:34,160 --> 02:37:37,720
Speaker 1: I don't want that. Exactly what is until it's herbs

2391
02:37:37,760 --> 02:37:40,920
Speaker 1: and trees fermented till it. It's gonna take you to

2392
02:37:40,959 --> 02:37:43,920
Speaker 1: another planet. Should that's gonna make you work out right after?

2393
02:37:44,000 --> 02:37:46,440
Speaker 1: The is the puss to make you get a baby

2394
02:37:49,000 --> 02:37:54,000
Speaker 1: that I'm this is the not the This is the

2395
02:37:54,040 --> 02:38:01,800
Speaker 1: pom pom Juice, So Red, yes, is there anything you

2396
02:38:01,879 --> 02:38:04,840
Speaker 1: felt like you didn't complete in hip hop right now?

2397
02:38:05,480 --> 02:38:10,119
Speaker 1: Anything that you regret like or regret or just feel

2398
02:38:10,160 --> 02:38:18,680
Speaker 1: like you know anything or fixed. I don't know anything.

2399
02:38:21,320 --> 02:38:25,640
Speaker 1: I will admit that had opportunities to take it to

2400
02:38:25,760 --> 02:38:30,520
Speaker 1: different levels. In the business structure. I was not that

2401
02:38:31,240 --> 02:38:37,920
Speaker 1: much business savvy, which I had my reasons, But if

2402
02:38:37,959 --> 02:38:43,440
Speaker 1: I would have took that course, everything would be in

2403
02:38:43,520 --> 02:38:48,320
Speaker 1: a different matter. What hold me back? Because once again,

2404
02:38:49,080 --> 02:38:53,640
Speaker 1: you guys asked earlier the culture in the business, the

2405
02:38:53,760 --> 02:38:57,760
Speaker 1: corporate You know, when I got to find the other side,

2406
02:38:57,840 --> 02:39:01,840
Speaker 1: whether to take place in the business a culture, they

2407
02:39:01,959 --> 02:39:05,640
Speaker 1: had a sad, sad feeling. I had a bitter taste

2408
02:39:05,680 --> 02:39:07,720
Speaker 1: in my mouth because I knew where I come from

2409
02:39:08,720 --> 02:39:13,680
Speaker 1: and I have to do this to number one, sell

2410
02:39:13,800 --> 02:39:20,520
Speaker 1: my soul. Yeah, give up or whether the case may be,

2411
02:39:21,200 --> 02:39:24,640
Speaker 1: or the same note, just to get what I want

2412
02:39:24,680 --> 02:39:28,560
Speaker 1: to get. Then you know what that's ma, Who's say

2413
02:39:28,600 --> 02:39:30,760
Speaker 1: I'm might as gonna take the money go play a record.

2414
02:39:32,240 --> 02:39:35,920
Speaker 1: So that's why I never took that standard because I

2415
02:39:36,040 --> 02:39:40,760
Speaker 1: know I have that let production. But when I started

2416
02:39:40,800 --> 02:39:43,320
Speaker 1: seeing the other side that I never knew of and

2417
02:39:43,400 --> 02:39:49,560
Speaker 1: I'm like, no, that's not me. I mean, you know,

2418
02:39:49,840 --> 02:39:51,880
Speaker 1: everybody always wanted to tell you what you should do,

2419
02:39:52,000 --> 02:39:53,640
Speaker 1: but they never asked you what is it that you

2420
02:39:53,800 --> 02:39:58,880
Speaker 1: want to do. I didn't want to do that, So

2421
02:39:59,080 --> 02:40:02,760
Speaker 1: that's why I mean tame like where I'm at, and

2422
02:40:03,879 --> 02:40:06,840
Speaker 1: that's where I kept going forth for this life, for

2423
02:40:06,920 --> 02:40:11,959
Speaker 1: time consistency. So that's that's the only thing I regret,

2424
02:40:12,400 --> 02:40:15,880
Speaker 1: and I don't really regret. But if I had to

2425
02:40:15,920 --> 02:40:20,320
Speaker 1: go through that and just be smooth selling, I would

2426
02:40:20,360 --> 02:40:28,720
Speaker 1: have been all the way. That's it. It's just shafe

2427
02:40:28,760 --> 02:40:33,760
Speaker 1: to say what you know now to compared to what

2428
02:40:33,920 --> 02:40:37,840
Speaker 1: you knew back then, would you have done it all again?

2429
02:40:38,640 --> 02:40:42,360
Speaker 1: I would have done it differently, So that's what that's

2430
02:40:42,440 --> 02:40:46,520
Speaker 1: that's part of the regret, A small regret because I

2431
02:40:46,680 --> 02:40:51,520
Speaker 1: could have knowne how to you know, observed a little better? Right?

2432
02:40:51,680 --> 02:40:53,520
Speaker 1: You know what you know now? I would have been

2433
02:40:53,520 --> 02:40:56,440
Speaker 1: able to do it back then, you know. Can I

2434
02:40:56,480 --> 02:40:58,800
Speaker 1: add on to a question on what you're talking about

2435
02:40:59,120 --> 02:41:00,920
Speaker 1: that I like this? So I'm telling you this is

2436
02:41:01,000 --> 02:41:04,040
Speaker 1: the podcast reading the book I was reading the part

2437
02:41:04,080 --> 02:41:05,880
Speaker 1: of it might have been Russell Simmons book. I was

2438
02:41:05,920 --> 02:41:09,200
Speaker 1: being a couple of pages by the way clapping. Um.

2439
02:41:09,200 --> 02:41:11,560
Speaker 1: I I read Decoded and I read Russell Simmons book,

2440
02:41:11,560 --> 02:41:13,240
Speaker 1: and I think you mentioned in like the first five

2441
02:41:13,600 --> 02:41:19,400
Speaker 1: tempa so so really quick, I wanted to fiss, I want,

2442
02:41:19,800 --> 02:41:23,120
Speaker 1: I want to actually and maybe because you said this,

2443
02:41:23,440 --> 02:41:26,280
Speaker 1: I never actually if you realized this at this time? Right,

2444
02:41:26,720 --> 02:41:29,360
Speaker 1: it was kind of I read like you and Russell

2445
02:41:29,400 --> 02:41:32,400
Speaker 1: Simmons were like the only like hip hop management to

2446
02:41:32,720 --> 02:41:35,880
Speaker 1: hip hop management labels at a time, Like you know

2447
02:41:35,920 --> 02:41:37,520
Speaker 1: what I mean? So when i'm and when you say

2448
02:41:37,800 --> 02:41:39,959
Speaker 1: there's certain things about the things you would have been

2449
02:41:40,080 --> 02:41:44,680
Speaker 1: done different, did you realize that's what that was at

2450
02:41:44,720 --> 02:41:49,920
Speaker 1: the time that you was like creating that entrepreneurial self,

2451
02:41:50,400 --> 02:41:52,080
Speaker 1: you know what I mean? You start your own label,

2452
02:41:52,280 --> 02:41:54,080
Speaker 1: like right now, that's the thing, right, we love Nick,

2453
02:41:54,160 --> 02:41:56,280
Speaker 1: We love all these people because they do their own thing.

2454
02:41:56,800 --> 02:41:59,040
Speaker 1: But we talked about native tones, we talked about artists

2455
02:41:59,080 --> 02:42:06,320
Speaker 1: you usher, then we tell about were you actually were

2456
02:42:06,520 --> 02:42:11,840
Speaker 1: when Chris actually started it. Only that you um made

2457
02:42:11,920 --> 02:42:14,160
Speaker 1: up the word or made up the even the slogan

2458
02:42:14,640 --> 02:42:17,840
Speaker 1: where you're a part of the actual management, Like well

2459
02:42:17,879 --> 02:42:20,280
Speaker 1: you're a part of that. That's I think that's what

2460
02:42:20,400 --> 02:42:25,879
Speaker 1: you're trying. Did you realize that kind of being being

2461
02:42:25,959 --> 02:42:31,200
Speaker 1: part of the blueprint. I have realized it afterwards. And

2462
02:42:31,240 --> 02:42:35,039
Speaker 1: when I realized it afterwards, that's what I said, Damn,

2463
02:42:35,080 --> 02:42:39,000
Speaker 1: I should have been a different vout a better about that.

2464
02:42:39,200 --> 02:42:42,840
Speaker 1: That's what it is. And then here's another thing. Chris

2465
02:42:43,080 --> 02:42:46,760
Speaker 1: was taken from me on the load. He was taken

2466
02:42:46,959 --> 02:42:50,160
Speaker 1: from you because when I had for him in regular

2467
02:42:50,320 --> 02:42:54,200
Speaker 1: production and they saw I was up and coming, they

2468
02:42:54,280 --> 02:42:58,800
Speaker 1: in his air for him to grow with them with

2469
02:42:59,000 --> 02:43:02,400
Speaker 1: Russian management. Huh were Russian management? Yes? I had to

2470
02:43:02,440 --> 02:43:06,560
Speaker 1: be rush management because that's what birth violator. And then

2471
02:43:06,720 --> 02:43:09,120
Speaker 1: so now I gotta actually straight up like when you

2472
02:43:09,240 --> 02:43:13,360
Speaker 1: see Rollater was formed. I was happy to that, and

2473
02:43:13,560 --> 02:43:18,480
Speaker 1: I let gonna tell you how that became. Because first

2474
02:43:19,360 --> 02:43:23,880
Speaker 1: they came to me about there was a record company Relativity.

2475
02:43:25,040 --> 02:43:31,080
Speaker 1: Steve No no, no, no, that's no no no no, yeah, yeah,

2476
02:43:31,120 --> 02:43:37,520
Speaker 1: but no Stevens there. Brie was there at Relativity. Um um, damn, mom.

2477
02:43:37,640 --> 02:43:40,960
Speaker 1: I was gonna say Alan Gromlock, but I forget, I

2478
02:43:41,040 --> 02:43:44,040
Speaker 1: forget who it is. I had to beat with them.

2479
02:43:46,560 --> 02:43:51,840
Speaker 1: Chris my representative. So they offered me to try to

2480
02:43:52,000 --> 02:43:55,320
Speaker 1: form a label deal. The only problem I couldn't do

2481
02:43:55,360 --> 02:43:58,120
Speaker 1: it because it's been a conflict of interest. I couldn't

2482
02:43:58,120 --> 02:44:01,520
Speaker 1: have a label deal and be on race Yo. That's

2483
02:44:01,560 --> 02:44:06,879
Speaker 1: a confident interest. So passed onto Chris. And that's where

2484
02:44:07,520 --> 02:44:13,800
Speaker 1: you see Fat Joe, che L beat Nuts. They came

2485
02:44:13,800 --> 02:44:20,520
Speaker 1: out under relativity and talk yeah, but me around all

2486
02:44:20,640 --> 02:44:24,600
Speaker 1: around that progama of time. Chris is also real an

2487
02:44:24,640 --> 02:44:30,320
Speaker 1: association with Russ so he you know what, he can

2488
02:44:30,640 --> 02:44:36,160
Speaker 1: offer that relativity to go ahead to form violators because

2489
02:44:36,240 --> 02:44:41,680
Speaker 1: remember his own brolla was Baby Sounds that was under

2490
02:44:41,680 --> 02:44:46,480
Speaker 1: the umbrolla was violate the management, violate the records, and

2491
02:44:46,600 --> 02:44:50,360
Speaker 1: a couple other different avenues, and that's what he formed.

2492
02:44:50,520 --> 02:44:53,720
Speaker 1: But he got his idea by being environd with relativity.

2493
02:44:54,440 --> 02:44:58,000
Speaker 1: But here it is they saw a jewel that was

2494
02:44:58,160 --> 02:45:03,640
Speaker 1: under me and they matched. Wow when you say they

2495
02:45:05,280 --> 02:45:16,120
Speaker 1: who we just mentioned? Yeah, that was one more the

2496
02:45:16,240 --> 02:45:20,480
Speaker 1: last one. And I always asked about this because you know,

2497
02:45:20,640 --> 02:45:24,879
Speaker 1: I lived in stuff like that. It's a lot of times.

2498
02:45:25,000 --> 02:45:32,360
Speaker 1: You tell me that Jungle Brothers cuted. You know, various

2499
02:45:32,360 --> 02:45:37,240
Speaker 1: other Native Tongue artists used to record in the career, right,

2500
02:45:37,840 --> 02:45:41,280
Speaker 1: tell me about the end House studio that they used

2501
02:45:41,320 --> 02:45:44,040
Speaker 1: to like, what was that environment like I was, I

2502
02:45:44,200 --> 02:45:46,080
Speaker 1: wasn't around, you know what I mean? So what was

2503
02:45:46,200 --> 02:45:51,280
Speaker 1: that like? And in the crib once you get arresting

2504
02:45:51,320 --> 02:45:53,800
Speaker 1: peace of my mother because my mother is like I

2505
02:45:53,879 --> 02:45:56,000
Speaker 1: always said, my way is the head of the whole

2506
02:45:56,200 --> 02:45:59,040
Speaker 1: entire thing, right, you know, I ain't gonna lie. And

2507
02:45:59,440 --> 02:46:01,400
Speaker 1: and they both can take more. He can tell you.

2508
02:46:02,240 --> 02:46:06,160
Speaker 1: Member was kangster, That little five foot and a half

2509
02:46:06,240 --> 02:46:10,320
Speaker 1: woman was something else, but she alive. Everybody to come

2510
02:46:10,400 --> 02:46:14,800
Speaker 1: through the crib and members of Jungle, members of Daylight,

2511
02:46:15,200 --> 02:46:22,680
Speaker 1: members of the tribe creeen l tie for Ultra, you

2512
02:46:22,720 --> 02:46:26,520
Speaker 1: know what I mean. The list is knowing everybody comes

2513
02:46:26,560 --> 02:46:29,320
Speaker 1: to the crib, amber's too late, should tell him you

2514
02:46:29,360 --> 02:46:33,400
Speaker 1: ain't going the way there on that couch. That's what

2515
02:46:33,520 --> 02:46:37,440
Speaker 1: it was like the electric So yeah, it was like

2516
02:46:37,560 --> 02:46:40,840
Speaker 1: that and it was always spending time. Then I was

2517
02:46:40,920 --> 02:46:43,760
Speaker 1: on the road that that year for the Dope Jam tour.

2518
02:46:44,360 --> 02:46:47,640
Speaker 1: They took over mother just like here. It is the

2519
02:46:47,760 --> 02:46:51,320
Speaker 1: same thing. Sammy was the DJ filling for me on

2520
02:46:52,000 --> 02:46:55,080
Speaker 1: Kiss From But when I learned there was different members

2521
02:46:55,120 --> 02:46:58,600
Speaker 1: of the natives, Mber was playing too turned over everybody.

2522
02:46:59,440 --> 02:47:04,760
Speaker 1: It was like go That's how they was moving. So

2523
02:47:04,920 --> 02:47:09,680
Speaker 1: that's what it was. Stuff. Man, I can't do nothing

2524
02:47:09,720 --> 02:47:15,240
Speaker 1: else but clapp all right. I just want you to

2525
02:47:15,360 --> 02:47:20,680
Speaker 1: know our show was about doing what we just did.

2526
02:47:20,840 --> 02:47:23,920
Speaker 1: Right there, we looked at everybody else and everything else

2527
02:47:24,040 --> 02:47:26,800
Speaker 1: going on, and my partner right here to the right

2528
02:47:26,840 --> 02:47:29,359
Speaker 1: of me kept telling me, man, let's do a podcast.

2529
02:47:29,440 --> 02:47:33,720
Speaker 1: Let's do a podcast, and we wanted to. When we

2530
02:47:33,840 --> 02:47:35,640
Speaker 1: came together, we said we want to do it different.

2531
02:47:35,680 --> 02:47:39,600
Speaker 1: We want to get people they roses, people that you

2532
02:47:39,680 --> 02:47:42,920
Speaker 1: don't deserve it like you know, not not no, no

2533
02:47:43,040 --> 02:47:45,400
Speaker 1: disrespect to the new people, because that's not what we're saying.

2534
02:47:45,440 --> 02:47:47,480
Speaker 1: We're not saying we don't mess with the new people.

2535
02:47:48,000 --> 02:47:51,560
Speaker 1: What we're saying is our legends deserved to be respected.

2536
02:47:51,600 --> 02:47:56,240
Speaker 1: Our legends deserve they don't deserve you know, yellow roses,

2537
02:47:56,400 --> 02:48:00,920
Speaker 1: they don't deserve white roses, and don't deserve ring ros letters,

2538
02:48:01,280 --> 02:48:06,560
Speaker 1: gold rolls, legends. You know what I'm saying, people who

2539
02:48:06,720 --> 02:48:10,360
Speaker 1: deserve You know that that that that that twenty years

2540
02:48:10,400 --> 02:48:13,840
Speaker 1: that ten years span, that fifteen years span, and um,

2541
02:48:15,360 --> 02:48:16,800
Speaker 1: we want to say it to your face. You know

2542
02:48:16,840 --> 02:48:20,520
Speaker 1: what I'm saying, Like so many people, something happened to

2543
02:48:20,600 --> 02:48:23,720
Speaker 1: somebody and me and my partner realize that, like people

2544
02:48:23,720 --> 02:48:28,040
Speaker 1: always give people the roses and they dead like let's

2545
02:48:28,160 --> 02:48:32,840
Speaker 1: let's let's let's let's can repeat doing it. And we've

2546
02:48:32,879 --> 02:48:36,600
Speaker 1: been luckily. I think we're approaching six years now, we're

2547
02:48:36,640 --> 02:48:39,720
Speaker 1: approaching six March. Six years we're doing that, and we

2548
02:48:39,879 --> 02:48:43,080
Speaker 1: ain't bite wing fold. We ain't do We were stuck

2549
02:48:43,160 --> 02:48:46,800
Speaker 1: to our legends and rather alert. Let me just tell

2550
02:48:46,840 --> 02:48:53,840
Speaker 1: you something. You are super duper legends, the allegend of legends,

2551
02:48:55,760 --> 02:48:59,879
Speaker 1: the coolest legends. And this is listen man, when because

2552
02:48:59,879 --> 02:49:02,440
Speaker 1: we gonna hit you out with the play see y'all

2553
02:49:02,440 --> 02:49:07,440
Speaker 1: gonna form a podcast we're doing y'are signed to drink,

2554
02:49:09,200 --> 02:49:12,320
Speaker 1: Yeah yeah, but when they come time liten, this is

2555
02:49:12,400 --> 02:49:16,320
Speaker 1: your platform, Our show is your show. You've always ever

2556
02:49:16,400 --> 02:49:19,400
Speaker 1: since I've seen you, Rad, I've never I can't remember

2557
02:49:19,640 --> 02:49:22,520
Speaker 1: any time I ever seen Rad Alert, and I was

2558
02:49:22,959 --> 02:49:26,200
Speaker 1: was displeasure. I've always it's always been great. And you

2559
02:49:26,240 --> 02:49:29,200
Speaker 1: always got me drunk too. You probably like, yeah, you

2560
02:49:29,280 --> 02:49:40,640
Speaker 1: always like he still got you drunk and realized that.

2561
02:49:41,440 --> 02:49:45,280
Speaker 1: But you always was a great soul. Every time I've

2562
02:49:45,280 --> 02:49:48,560
Speaker 1: seen you, you've been a blessing. You've been a legend,

2563
02:49:49,360 --> 02:49:53,760
Speaker 1: you've been a teacher, um, and we were so happy

2564
02:49:53,840 --> 02:49:55,800
Speaker 1: to give you your roses. We're so happy to tell

2565
02:49:55,840 --> 02:50:00,680
Speaker 1: you how much you mean to us, hip hop, the culture,

2566
02:50:01,320 --> 02:50:05,800
Speaker 1: everything man. Like. You know, we've always you know, talking

2567
02:50:05,920 --> 02:50:09,680
Speaker 1: this hip hop union ship. And you know that's when

2568
02:50:09,720 --> 02:50:12,280
Speaker 1: I think of hip hop union, I think of you know,

2569
02:50:12,440 --> 02:50:14,440
Speaker 1: people on the forefront of it. It's just like, yo,

2570
02:50:15,000 --> 02:50:18,880
Speaker 1: we should have you at the forefront. I'm just saying

2571
02:50:19,000 --> 02:50:21,760
Speaker 1: what the funk should should happen, because you know what

2572
02:50:21,920 --> 02:50:24,120
Speaker 1: it is. Even when I tried to get you to

2573
02:50:24,160 --> 02:50:26,879
Speaker 1: say something wrong about something, you didn't do it tonight.

2574
02:50:27,440 --> 02:50:33,400
Speaker 1: I tried to. I tried to. No, I wasn't gonna

2575
02:50:33,400 --> 02:50:36,800
Speaker 1: do that. He told me, not drinking. I can't do that.

2576
02:50:36,879 --> 02:50:39,760
Speaker 1: I can't. No, I can't do that unless he was

2577
02:50:40,120 --> 02:50:44,240
Speaker 1: he Sometimes you get you, Okay, I want to be mad,

2578
02:50:48,280 --> 02:50:53,080
Speaker 1: but you know our honestly, honestly aside, you really deserve

2579
02:50:53,640 --> 02:51:00,320
Speaker 1: your flowers. You really a legend. Everything you accomplishment, um, Like,

2580
02:51:00,920 --> 02:51:04,640
Speaker 1: I mean, forget me as a rapper, I'm talking about

2581
02:51:04,640 --> 02:51:10,000
Speaker 1: me as a fan. I remember just so and just

2582
02:51:10,160 --> 02:51:12,840
Speaker 1: running too a radio and just you know, sitting there

2583
02:51:12,840 --> 02:51:15,560
Speaker 1: and watching the older brothers. You know, smoke weed when

2584
02:51:15,600 --> 02:51:21,959
Speaker 1: I was like, let's just think and they were right, Hey,

2585
02:51:22,040 --> 02:51:24,440
Speaker 1: can I give a shout out to this lady that's

2586
02:51:24,680 --> 02:51:27,440
Speaker 1: in here with us? She's over there on the side,

2587
02:51:28,800 --> 02:51:35,280
Speaker 1: she having short on and shortest Union Square. We were there,

2588
02:51:35,360 --> 02:51:38,280
Speaker 1: you know, we was you there? Where are you there?

2589
02:51:41,440 --> 02:51:44,240
Speaker 1: That's also part of the prop Master retro should that

2590
02:51:44,400 --> 02:51:47,080
Speaker 1: you have if I can go on prop Master metro,

2591
02:51:47,560 --> 02:51:52,280
Speaker 1: So that gonna be the documentary? Huh? Is that going

2592
02:51:52,320 --> 02:51:57,520
Speaker 1: to be the documentary? Not for nothing? She also should

2593
02:51:57,560 --> 02:52:00,720
Speaker 1: be a part of the documentary. That's tell us the

2594
02:52:00,800 --> 02:52:04,960
Speaker 1: bottom of it that you do know who that is?

2595
02:52:05,480 --> 02:52:08,160
Speaker 1: Tell us this lady right here is the person that

2596
02:52:08,520 --> 02:52:12,040
Speaker 1: showed me when I first started Union Square and then

2597
02:52:12,280 --> 02:52:17,640
Speaker 1: evolved later on as management of the Shadow nightclub. That's

2598
02:52:17,640 --> 02:52:23,200
Speaker 1: where the gods were being shadow up earlier. Shadow. Yes,

2599
02:52:23,680 --> 02:52:34,400
Speaker 1: that's as well. Add the Shadow book wide that we

2600
02:52:34,480 --> 02:52:41,360
Speaker 1: do every year. Anything about it. When you see good

2601
02:52:41,440 --> 02:52:46,080
Speaker 1: people that you have history with, beautiful, Now that lawyer

2602
02:52:46,160 --> 02:52:50,680
Speaker 1: t you go with that lawyer because you know there's

2603
02:52:50,680 --> 02:52:53,840
Speaker 1: a real out of respect with that lawyer. That's beautiful.

2604
02:52:53,920 --> 02:52:56,640
Speaker 1: That's what it is. So is there anything that we

2605
02:52:56,800 --> 02:53:00,480
Speaker 1: ain't covered that we should have covered anybody. Do you

2606
02:53:00,560 --> 02:53:05,000
Speaker 1: want to couple anything? Um, this pub can probably tell

2607
02:53:05,000 --> 02:53:06,800
Speaker 1: you some things that we're haven't store. I don't know

2608
02:53:06,879 --> 02:53:10,040
Speaker 1: what you want to say. This is what you're the one.

2609
02:53:10,120 --> 02:53:12,920
Speaker 1: I've been doing the old school reunion, like I said,

2610
02:53:12,920 --> 02:53:15,359
Speaker 1: I was doing with Molly and and we still continue.

2611
02:53:15,400 --> 02:53:17,440
Speaker 1: We just had a nice little celebration for for my

2612
02:53:17,520 --> 02:53:21,000
Speaker 1: forty five years last month, you know, and we're still

2613
02:53:21,040 --> 02:53:23,120
Speaker 1: doing it. We're gonna go as as far as we can,

2614
02:53:23,160 --> 02:53:25,200
Speaker 1: the old school re union. We've been doing it for

2615
02:53:25,320 --> 02:53:29,120
Speaker 1: like twelve thirteen years strong Rest of Peace. DJ Lance,

2616
02:53:29,480 --> 02:53:33,480
Speaker 1: one of our DJs passed away from covid um, but

2617
02:53:33,640 --> 02:53:37,880
Speaker 1: with Molly mall Um rather alert. We had we had

2618
02:53:37,920 --> 02:53:43,280
Speaker 1: Claude Camper, we had Uncle Ralph Nobuck star Ski. Yeah

2619
02:53:43,360 --> 02:53:45,680
Speaker 1: you know, so we had a list of good DJ's,

2620
02:53:46,000 --> 02:53:57,240
Speaker 1: talented DJ's. Yeah, yeah, yeah, world, I ain't know that.

2621
02:53:58,200 --> 02:54:00,560
Speaker 1: And you know my reason for celebra of forty five

2622
02:54:00,640 --> 02:54:03,200
Speaker 1: years because I look at this, like he just mentioned

2623
02:54:03,240 --> 02:54:05,440
Speaker 1: by my man, DJ Lands, he was like the top

2624
02:54:05,640 --> 02:54:08,120
Speaker 1: DJ in Brooklyn in the past that he was known

2625
02:54:08,480 --> 02:54:11,039
Speaker 1: him as Master d then he changed the name DJ Lands.

2626
02:54:11,760 --> 02:54:17,200
Speaker 1: He held Brooklyn down single handed for years. Him and

2627
02:54:17,280 --> 02:54:20,440
Speaker 1: I rebuild a great relation and we found out we

2628
02:54:20,560 --> 02:54:23,280
Speaker 1: had something in common that we've started the same year.

2629
02:54:23,560 --> 02:54:26,520
Speaker 1: He started in May, I started in August. Unfortunately he's

2630
02:54:26,560 --> 02:54:30,439
Speaker 1: not here to celebrate that. So my reason was sufferings

2631
02:54:30,480 --> 02:54:34,080
Speaker 1: forty five years because I'm dedicating this forty five to

2632
02:54:34,440 --> 02:54:39,680
Speaker 1: all the DJs I know throughout the time that we

2633
02:54:39,720 --> 02:54:43,040
Speaker 1: no longer have here. I mean not just riffering up

2634
02:54:43,080 --> 02:54:46,480
Speaker 1: in New York, and I mean across the country, people

2635
02:54:46,520 --> 02:54:49,320
Speaker 1: I know from overseas, everybody that passed away that brought

2636
02:54:49,400 --> 02:54:52,000
Speaker 1: them to the table. I've dedicate my forty five to dump.

2637
02:54:56,879 --> 02:54:59,480
Speaker 1: But I gotta ask this question because I'm never gonna

2638
02:54:59,600 --> 02:55:12,480
Speaker 1: know what was the Boopies like in the eighties, the group.

2639
02:55:12,520 --> 02:55:16,280
Speaker 1: He's like, you know the girls? The girls? Yeah, was

2640
02:55:16,320 --> 02:55:26,400
Speaker 1: you a finger Papara? He's gonna cut it up before math.

2641
02:55:26,480 --> 02:55:30,720
Speaker 1: I'm so sorry. Before many when you was out there loose,

2642
02:55:31,080 --> 02:55:34,160
Speaker 1: we all was loose. Come on, I think that's where

2643
02:55:34,200 --> 02:55:39,560
Speaker 1: his intro came. I can only put it rung weight.

2644
02:55:40,560 --> 02:55:43,720
Speaker 1: You're gonna keep it clean. I'd like to thank everybody

2645
02:55:43,760 --> 02:56:16,480
Speaker 1: for the black body I fling. Oh my god, thanks

2646
02:56:16,560 --> 02:56:19,039
Speaker 1: for joining us for another episode of Drink Champs hosted

2647
02:56:19,080 --> 02:56:21,320
Speaker 1: by Yours Truly, d j e f N and n

2648
02:56:21,400 --> 02:56:23,440
Speaker 1: O r E. Please make sure to follow us on

2649
02:56:23,480 --> 02:56:26,640
Speaker 1: all our socials. Let's at Drink Champs across all platforms

2650
02:56:27,160 --> 02:56:30,640
Speaker 1: at the Real Noriegon, I g at Noriega on Twitter,

2651
02:56:31,080 --> 02:56:34,040
Speaker 1: mine is at Who's Crazy on I g at d

2652
02:56:34,200 --> 02:56:36,760
Speaker 1: j e f N on Twitter, and most importantly, stay

2653
02:56:36,840 --> 02:56:39,800
Speaker 1: up to date with the latest releases, news and merch

2654
02:56:40,000 --> 02:56:48,840
Speaker 1: by going to drink champs dot com. For more podcasts

2655
02:56:48,879 --> 02:56:53,120
Speaker 1: from my heart Radio, visit the iHeart Radio app, Apple Podcast,

2656
02:56:53,320 --> 02:56:55,199
Speaker 1: or wherever you listen to your favorite shows.