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Speaker 1: But I invited you here, thought I made myself perfectly clear.

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Speaker 2: When you're a guest to my home.

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Speaker 1: You gotta come to me empty. And I said, no, guests,

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Speaker 1: your own presences presents enough. I already had too much stuff.

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Speaker 1: So how did you dare to surbey me?

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Speaker 2: Welcome to Why I said no gifts? Why did I

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Speaker 2: go so long? That's fine, I can do that. You know,

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Speaker 2: occasionally you have to build up suspense, and that's what

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Speaker 2: that was the big attempt on my part. I'm trying

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Speaker 2: to make this a more tense show, make it more thrilling,

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Speaker 2: have your heart pounding throughout. So I hope that set

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Speaker 2: you off, and now you're in a bad mood the

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Speaker 2: rest of the time. Ah, I'm Bridger Winecker. This is

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Speaker 2: I said, no gifts, we're here. What's going on? You know?

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Speaker 2: I was just absolutely boiling over with anxiety all morning,

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Speaker 2: and so I got myself a coffee and we'll see

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Speaker 2: where this leads. Yeah, what's happening. I'm still watching Little

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Speaker 2: House on the Prairie. We're watching that in my home.

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Speaker 2: I've got a big episode to recommend. It's called The Raccoon.

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Speaker 2: If I cannot recommend an episode of television more than

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Speaker 2: The Raccoon on Little House on Prairie. If you want

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Speaker 2: an hour of television where you the entire time are

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Speaker 2: afraid a little girls can get her face ripped off,

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Speaker 2: this is the episode of TV for you. You've got

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Speaker 2: to see this thing. You don't have to watch the

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Speaker 2: rest of it. I recommend it. I'm having a great time,

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Speaker 2: but this thing unlike any piece of recorded media I

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Speaker 2: have ever seen. The work that the raccoon is doing,

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Speaker 2: the danger that every living being is in on this

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Speaker 2: episode is It's unlike anything I've ever seen or experience.

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Speaker 2: So get into it. What else is going on Summer

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Speaker 2: By the time this is released, I think summer will

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Speaker 2: basically be here June. Summer's happening. School's out. What happens

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Speaker 2: in the summer. We're going to the beach, We're roller skating.

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Speaker 2: I'll be come September, I'll be in the eighth grade.

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Speaker 2: So there's that. Patreon is still happening. We always have

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Speaker 2: to remind you Patreon go to patreon dot com. Slash

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Speaker 2: I said, no gifts. We're recording exclusive episodes in the backyard.

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Speaker 2: We're having the time of our life. We're also doing

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Speaker 2: bonus episodes weekly where I recap Secret Lives of Mormon Wives,

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Speaker 2: which is potentially the most important podcast currently on the internet.

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Speaker 2: I may have posted a picture without a shirt on

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Speaker 2: you know, there's all sorts of erotic things happening on

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Speaker 2: the Patreon not really, don't get your hoax up, but

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Speaker 2: go over there. Support the podcast, do what you will.

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Speaker 2: Thank you to everyone that's already doing it. And if

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Speaker 2: you haven't already done it, I'll look the other way. Okay,

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Speaker 2: is there anything else I'm looking at my business that

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Speaker 2: I need to talk about. I tried listening to a

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Speaker 2: sleeping podcast last night when I woke up at two am.

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Speaker 2: It was too engaging. Yeah, it was too coherent. I

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Speaker 2: was able to just follow along. And that's not a

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Speaker 2: good sleeping podcast because then I just am listening. I

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Speaker 2: won't even mention what it was called. I don't want

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Speaker 2: to give them any business. Oh is there anything No,

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Speaker 2: I've gone on too long. We have to get into

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Speaker 2: the episode. I adore today's guest. Everyone adores today's guest.

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Speaker 2: It's Angela Giritana. Angela.

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Speaker 3: I'm obsessed with you. I've been holding my tongue over here.

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Speaker 3: What's the raccoon? Oh?

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Speaker 2: My god, have you ever seen any Little House on

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Speaker 2: the Prairie?

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Speaker 4: Okay, I used to, And I honestly can't believe you're

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Speaker 4: rewatching it because I saw that there's a reboot.

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Speaker 2: There's a new one. And I not to brag, I

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Speaker 2: started watching it before I knew there was a reboot.

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Speaker 2: It just kind of just, you know, something spoke to me.

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Speaker 2: A quiet voice came to me and said, the reboot's coming.

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Speaker 2: Get ready before the reboot ruins the franchise. Yes, you

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Speaker 2: get into it. So I've now watched probably.

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Speaker 3: Twelve episodes and The Raccoon.

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Speaker 2: The Raccoon episode it is called the Raccoon, and it

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Speaker 2: starts with Laura Angeles Wilder her, uh is that the name?

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Speaker 2: Oh god, now I'm a fraud.

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Speaker 3: Her origin of the raccoon's name racoon Jasper? Is it

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Speaker 3: a pet?

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Speaker 2: It becomes a pet, and then it becomes I don't

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Speaker 2: want to give away too much.

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Speaker 3: Just watch it.

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Speaker 2: There may be some betrayal, there may be some heartbreak,

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Speaker 2: there may be rabies, and there might also be a

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Speaker 2: big surprise. There's it's got it all and this is

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Speaker 2: all happening in the early seventies, and the Raccoon is

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Speaker 2: let's be very clear, a real raccoon the entire time

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Speaker 2: shut up, and the little girl is holding it close

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Speaker 2: to her face. They've got the raccoon chasing chickens, They've

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Speaker 2: got the raccoon fighting with a dog.

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Speaker 3: How'd they get all that?

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Speaker 2: They just threw the raccoon in front of all of

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Speaker 2: these things and said, go for it. I guess, but

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Speaker 2: I think it's like a partially trained raccoon must have been.

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Speaker 2: But it's also well, maybe they're using so many raccoons.

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Speaker 2: This This is where I'm always a rube, where I'm like, well,

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Speaker 2: that certainly is just one raccoon.

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Speaker 3: There's like three on standby.

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Speaker 2: Yeah, of course, and one of them I think is

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Speaker 2: a wild raccoon, because how else do you get to

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Speaker 2: chase to chase the chickens.

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Speaker 3: One hundred percent, you need one that's like.

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Speaker 2: A like that's ready to kill a chicken.

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Speaker 3: And that can't be the one that baby the kids holding.

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Speaker 2: No, because then it would have ripped the kid's face off.

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Speaker 3: We need behind the scenes.

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Speaker 2: Oh, I would love nothing more than behind the scenes

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Speaker 2: of the raccoon.

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Speaker 3: Well, that's a sneeze. I think it's because we're talking

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Speaker 3: about a raccoon.

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Speaker 2: You're allergic that.

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Speaker 4: You know it's gone because I brought attention to him.

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Speaker 2: But it's a must must must see. Uh, the rest

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Speaker 2: of the series also, I must see, But this one

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Speaker 2: is a good starting point.

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Speaker 3: Are they each like Little Bottle Neck episode?

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Speaker 2: There? There? Everything's pretty individual. They don't really flow into

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Speaker 2: each other as much. You know, you learn of new

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Speaker 2: characters as each Epichoes episode goes by, and those characters

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Speaker 2: will show up. Yeah, but there's one character in particular

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Speaker 2: named Nelly Olsen, who's the little girl. Look the rich girl.

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Speaker 3: He ring, Oh, the little rich girl.

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Speaker 2: Yeah, and she's an outstanding character, and I can't imagine

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Speaker 2: they're gonna nail her with the reboot. It's a big

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Speaker 2: challenge and they're not going to do the raccoon. There's

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Speaker 2: no way they're bringing a real raccoon into the new series.

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Speaker 2: It'll be a CGI raccoon.

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Speaker 3: It'll be an AI ra that sucks. That sucks.

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Speaker 2: Machine learning brings raccoon into Netflix. Yeah, So we'll see

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Speaker 2: how the news then maybe it'll be great.

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Speaker 3: You know, I can't wait.

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Speaker 2: I don't know what's going on with you.

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Speaker 4: I I first of all, the Sleeping podcast, I've been

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Speaker 4: thinking about trying to get into those because I need

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Speaker 4: sound on when I sleep.

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Speaker 3: Do you need do you need something?

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Speaker 2: I don't?

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Speaker 3: Usually you're one of those good ones.

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Speaker 2: I'm one of the good ones. I'm one of the angels,

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Speaker 2: one of the.

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Speaker 4: Angels that like your mom like probably like I don't know,

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Speaker 4: like whoever puts you to bed, like let you sit

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Speaker 4: in the silence. I had shit blasting like what anything.

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Speaker 4: It was like all like white noise growing up like

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Speaker 4: or just like anything. I don't know why, but my

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Speaker 4: mom was like it can't be.

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Speaker 2: Quiet, say yeah her sleep.

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Speaker 3: Yeah, or maybe she just was watching TV.

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Speaker 4: So me and my brother, but it was like we

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Speaker 4: were never going to bed without the TV.

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Speaker 2: Oh that sounds incredible.

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Speaker 3: I know, but it me now like I cannot.

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Speaker 2: Go to sleep, So what are you putting on now?

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Speaker 3: So here's the thing is I've been okay.

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Speaker 4: So here's the bridger is if it's too if it's

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Speaker 4: too exciting, it's not happening, of course, But then if

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Speaker 4: I watch, like I have to watch something I just watched.

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Speaker 2: Oh interesting, like within the last day.

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Speaker 4: Almost like I was going to like I was doing

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Speaker 4: like Sex in the City episodes, but these are still

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Speaker 4: like literally fall asleep talk listen to her talk or

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Speaker 4: like Seinfeld. But then I was still like, oh, I

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Speaker 4: don't actually want to see what happens. Yeah, of course

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Speaker 4: I want to see if they find their car in

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Speaker 4: the parking. And then like it wasn't working. So now

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Speaker 4: I'm like dark documentaries is what puts me to sleep,

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Speaker 4: such as like the Karen Reid doc that's on that's

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Speaker 4: happening right now about her retrial.

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Speaker 2: It's just Karen Reid.

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Speaker 4: She's being framed for the murder of a police officer.

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Speaker 3: Oh, Karen, and I'm going to sleep to that.

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Speaker 4: I don't know what it is, but it needs to

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Speaker 4: be like, it can't be comedy. It has to be

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Speaker 4: like dark, like a dark Kate Winslet drama. Oh sure, sure,

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Speaker 4: I'm right to sleep.

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Speaker 2: I mean, what's the Pennsylvania one? She she's Mayvistown.

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Speaker 4: Oh yeah, that's a lullabytom Me literally a woman smoking

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Speaker 4: like monotone, being like I've had this case for fifteen years.

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Speaker 2: You can smell the stale coffee. And did you finish

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Speaker 2: that series?

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Speaker 4: Yeah?

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Speaker 2: I loved it until we found out what who the

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Speaker 2: murder Frome was. It was like the teen Bowl was

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Speaker 2: the teen boy. I mean, we really gave that away.

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Speaker 2: So my apologize to everybody.

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Speaker 4: Major spoiler for an old HBO Max shew Mayrave's down.

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Speaker 2: You should have seen it. It was excellent. She was great.

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Speaker 4: I forgot that. You thought at the end, you're like,

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Speaker 4: finally we learned who the murder was, and then was

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Speaker 4: like no.

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Speaker 2: Actually yeah, it was like this whole thing was like,

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Speaker 2: oh it's him. Oh no, it's him covering up for him.

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Speaker 2: For a minute, it was just like, okay.

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Speaker 3: All right, guys, we're done. Call it.

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Speaker 2: Don't drag me through the teen boys drama.

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Speaker 3: I don't want to go to this school. Well, now

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Speaker 3: I feel bad.

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Speaker 2: I just wanted it to be a villainous adult.

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Speaker 3: I just wanted to be a stupid white man.

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Speaker 2: Send him to the chair, yes, by.

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Speaker 4: And now we're like looking at this kid playing basketball

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Speaker 4: and you're like, he's misunderstood.

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Speaker 2: Yes, he wasn't raised properly. He was raised in an

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Speaker 2: atmosphere that led to this horrible consequence. And now we

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Speaker 2: all have to look at ourselves.

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Speaker 4: Yes, and now I have to put my phone down. Yeah,

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Speaker 4: because maybe it was tech.

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Speaker 3: That ruined this.

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Speaker 2: It probably was tech. Did you watch the other show,

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Speaker 2: the new thing on Netflix. Ah, the one take, one

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Speaker 2: take Wonder. That's the show.

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Speaker 3: It's a one take Wonder adolescent.

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Speaker 4: I like one shots when it's like Broadway and they're like,

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Speaker 4: like how it's it's like follow Jimmy Fallon through the

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Speaker 4: dressing room.

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Speaker 3: This not that.

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Speaker 2: No, no, no, no no, it's suffocating. Yeah. I wasn't able

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Speaker 2: to finish it because you know, I was impressed. I thought, Wow,

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Speaker 2: the drama whatever, bah blah blah. I'm just too impressive

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Speaker 2: as dazzled. I'm sitting there watching this. I'm dazzled. I

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Speaker 2: don't think that's a feeling you watched it off.

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Speaker 3: I'm too dazzled.

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Speaker 2: This is way too glamorous. No, it became very depressing.

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Speaker 2: And also it's weird when they're doing these. First of all,

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Speaker 2: I'm not impressed. I'm not that impressed at this point

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Speaker 2: in time, or I don't care. I truly don't care

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Speaker 2: about the one shot, the one take. We have too

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Speaker 2: much technology to make it easy, first of all. Second

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Speaker 2: of all, I'm annoyed on the behalf of everyone having

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Speaker 2: to do it.

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Speaker 3: You're so right, like, I'm not going to be impressed

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Speaker 3: by the drone.

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Speaker 4: That's flying over cares. I want to be impressed by

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Speaker 4: the human body.

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Speaker 2: Yes, show me more of the human body.

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Speaker 4: I want someone to like hold a camera like you know,

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Speaker 4: like shots of like a cameraman like running on their

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Speaker 4: body and they're like that's.

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Speaker 2: Stuff all, like which is happening? I guess during this

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Speaker 2: thing because there's one guy, but it's I'm just annoyed

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Speaker 2: on the behalf of everyone. It's like there was too

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Speaker 2: much planning. Is it worth it? Is it worth it?

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Speaker 3: It's you're right. I like it if it's like people

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Speaker 3: dancing in feathers.

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Speaker 4: There we go moment like like like like how.

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Speaker 3: Theatrical this is?

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Speaker 4: It's happening one time, but like a sad detective being like.

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Speaker 2: Who cares truly unless somebody's dancing, unless there's a full

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Speaker 2: choreograph number, just let's do several different takes.

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Speaker 4: We had like a choreograph like earthquake, drill, come on,

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Speaker 4: And that was the closest we got to an ensemble

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Speaker 4: was the kids.

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Speaker 2: No, cut to a different shot, cut to a different shot.

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Speaker 2: I don't I don't know. I don't need the long take.

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Speaker 2: I don't need the stress of being like, well, what

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Speaker 2: if they don't nail their line.

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Speaker 3: Honestly, it's like, just cut, I won't even notice.

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Speaker 2: No one cares. It's for the buzz.

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Speaker 3: For that one Instagram realized all and they.

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Speaker 2: Go, this is how we did it. Okay, well that

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Speaker 2: was good?

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Speaker 3: The show is it?

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Speaker 2: The show stinks?

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Speaker 3: I'll watch the BTS. I'll watch the Citicam guy'd be like,

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Speaker 3: I need a water.

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Speaker 2: This is a You should never be more interested in

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Speaker 2: the BTS. Boom, there we go. I think we've really

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Speaker 2: boiled this down.

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Speaker 4: You're ever making something and you're like, is it more

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Speaker 4: interesting to see how I made.

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Speaker 2: This than depends on you have failed? Go back to

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Speaker 2: the drawing board and make the show more interesting. I'm sorry,

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Speaker 2: I'll say it. I've said it before, I'll say it again.

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Speaker 3: Can people if you didn't finish it, well, you.

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Speaker 2: Know, you find out kind of it's just like, oh, right,

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Speaker 2: is things are horrible?

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Speaker 3: Even if something's bad, I gotta finish it, you do.

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Speaker 2: Yeah, I've this is in the last few years. I

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Speaker 2: finally just said to myself, you don't have to. You're

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Speaker 2: halfway through that book and you you've hated every moment

278
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Speaker 2: of it. Powerful stop just stop, what are you going

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Speaker 2: to get.

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Speaker 4: Because it's always I think it's especially when I'm taking

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Speaker 4: some type of media that's got a lot of buzz.

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Speaker 4: I'm like, I have to stay because it's some fucking moment.

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Speaker 4: I'm gonna go now, I get.

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Speaker 2: The bus right right, and then you'll be part of

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Speaker 2: the conversation. Yeah, and you'll be able to speak to it,

286
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Speaker 2: whereas I just have to kind of step back and say,

287
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Speaker 2: everybody else, everybody else, have your fun. Ye oh, once

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Speaker 2: again I'm on the outside looking in.

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Speaker 3: Well, you know what, I'm actually full you guys, you guys,

290
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Speaker 3: dig in.

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Speaker 2: What's the worst thing you've watched or consumed? All the

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00:14:27,080 --> 00:14:30,760
Speaker 2: way through? Describing like that won't get you in trouble.

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Speaker 4: No, one hundred percent. Let me think, Well, I like

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Speaker 4: watching bad TV. Sure, Like I like I'm a reality TV.

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Speaker 2: Oh right, of course.

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Speaker 4: And I don't know if that's a response because TV's

297
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Speaker 4: gotten too good, right right, But I actually don't want

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Speaker 4: a lot of twists and turns. I want to watch

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Speaker 4: like menopausal women yell that actually is like heavy?

300
00:14:50,480 --> 00:14:52,360
Speaker 2: Oh that feels great? Are you kidding me?

301
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Speaker 4: Like for some reason, I don't know what happened, but

302
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Speaker 4: like I was like, I actually don't want to watch

303
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Speaker 4: comedy anymore.

304
00:14:56,520 --> 00:14:59,680
Speaker 3: Oh, I want to watch like real shit.

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00:15:00,120 --> 00:15:01,160
Speaker 2: Yes, yes, even.

306
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Speaker 4: If it's like like the vander Pump Cast just getting drunk.

307
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Speaker 4: Like I don't know why it makes me feel sad

308
00:15:06,320 --> 00:15:08,840
Speaker 4: because I like, I'm a comedian and I love comedy.

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Speaker 3: That's okay, but I don't want to watch something that's.

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Speaker 4: Like, Wow, that was the best joke, Wow, what a

311
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Speaker 4: what a series, what a cast?

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Speaker 3: I actually that now makes me go, I don't know

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Speaker 3: why it's actually so sad.

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Speaker 2: No, I think that that's a common thing among people

315
00:15:25,400 --> 00:15:26,880
Speaker 2: in comedy. You kind of are just like, I think

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00:15:26,880 --> 00:15:29,440
Speaker 2: you're ruined it for yourself, and then I think at

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Speaker 2: some point you know too much and you've experienced too

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Speaker 2: much of it where you like it's like, uh, it's

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Speaker 2: a tolerance.

320
00:15:36,960 --> 00:15:38,720
Speaker 4: Yeah, or in my case, I don't know too much.

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Speaker 4: Just is like watching so it's like, Wow, it's a

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Speaker 4: lot of magic. Wow, they're amazing, And I honestly, I

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Speaker 4: actually like it's so exciting to watch someone be funny

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Speaker 4: when they don't know it, Like all these women and

325
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Speaker 4: they have no.

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Speaker 2: Fucking some of the funniest people alive on these reality shows.

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Speaker 4: And they're just it's like a cheetah out of the cage.

328
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Speaker 4: Just let it run and it's crazy. Yes, I'll watch

329
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Speaker 4: that forever.

330
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Speaker 2: Is vander Pump your favorite?

331
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Speaker 3: No, I'd say Real Housewives of York New.

332
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Speaker 2: York canceled, canceled, say goodbye.

333
00:16:10,920 --> 00:16:13,640
Speaker 3: It's because they it's well, I've canceled Seinfeld too.

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Speaker 4: If we took away Jerry and Elaane and we brought

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Speaker 4: in I don't fucking know.

336
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Speaker 3: Some other ladies, not.

337
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Speaker 2: Even not even who are the Jerry and Elane of

338
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Speaker 2: U N y C. I mean Bethany okay, okay, of course.

339
00:16:30,240 --> 00:16:32,000
Speaker 3: To watch her forever. And Sonya Morgan.

340
00:16:32,200 --> 00:16:33,680
Speaker 2: Oh, I don't know, Sonya Morgan.

341
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Speaker 4: Oh my god, get ready, I'm gonna send you Sony

342
00:16:36,240 --> 00:16:39,960
Speaker 4: stupid videos please. Just a woman, just you know, just

343
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Speaker 4: a woman in madness, spind out.

344
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Speaker 2: What So did they just go their own way or yeah?

345
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Speaker 3: I think I mean at some point they get bigger

346
00:16:48,040 --> 00:16:48,760
Speaker 3: than the show.

347
00:16:48,720 --> 00:16:51,240
Speaker 2: Of course, right, yeah, and then they are focus.

348
00:16:51,560 --> 00:16:53,360
Speaker 4: My theory is they all get the same lawyer, so

349
00:16:53,400 --> 00:16:55,440
Speaker 4: that they all know what's on each other's contract.

350
00:16:55,520 --> 00:16:59,200
Speaker 2: Oh right, the one most unprofessional lawyer possible. It's not

351
00:16:59,280 --> 00:16:59,920
Speaker 2: keeping anything to.

352
00:16:59,880 --> 00:17:02,720
Speaker 3: A Yes, it's like I Snapchad you pictures of it.

353
00:17:03,680 --> 00:17:05,760
Speaker 3: We have no paper trail. That's what I think.

354
00:17:05,600 --> 00:17:07,840
Speaker 4: Happened with the Jersey shortcast because I also love Jersey.

355
00:17:08,240 --> 00:17:09,679
Speaker 3: That's a bad show that Jersey.

356
00:17:09,880 --> 00:17:12,639
Speaker 2: Sure did they try to reboot it?

357
00:17:13,160 --> 00:17:16,159
Speaker 3: Yeah, they're currently still in their reboot face.

358
00:17:16,200 --> 00:17:20,680
Speaker 2: And they're airing the reboot Yeah. And the original cast yeah.

359
00:17:20,800 --> 00:17:21,520
Speaker 2: Oh that's kind.

360
00:17:21,560 --> 00:17:24,080
Speaker 3: And they're like married and sober and interesting.

361
00:17:24,080 --> 00:17:27,359
Speaker 2: Any the opposite of what that show is a library.

362
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Speaker 4: I know, they're like, look, Ronnie, he's got his whole

363
00:17:29,720 --> 00:17:33,119
Speaker 4: life together, his wife. It's like, no, I want to

364
00:17:33,119 --> 00:17:35,720
Speaker 4: see Ronnie like get wasted and like down a cinnamon

365
00:17:35,760 --> 00:17:36,560
Speaker 4: roll in one bite.

366
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Speaker 2: I want to be everyone to be on the edge

367
00:17:38,359 --> 00:17:40,680
Speaker 2: of death, yes, just like someone could die.

368
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Speaker 3: On camera in the early two thousands.

369
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Speaker 2: In the early two thousands.

370
00:17:44,240 --> 00:17:44,919
Speaker 3: That's a period.

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00:17:45,600 --> 00:17:49,000
Speaker 4: Yes, so I'd say that, sorry to be long wounded.

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00:17:49,119 --> 00:17:50,879
Speaker 4: I'm drinking way too much coffee. I also had an

373
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Speaker 4: anxious morning and drinking a lot of Oh god.

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00:17:53,480 --> 00:17:56,000
Speaker 2: You're we're all just spiraling here, spinning out in the

375
00:17:56,000 --> 00:17:57,080
Speaker 2: biggest possible way.

376
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Speaker 3: And why does anxiety make you tired? So then you

377
00:17:59,680 --> 00:18:02,480
Speaker 3: want coffee? Yeah, makes you even worse.

378
00:18:02,640 --> 00:18:07,159
Speaker 2: It's a very poisonous cycle. I don't I don't know

379
00:18:07,200 --> 00:18:08,159
Speaker 2: what I'm supposed to do.

380
00:18:08,520 --> 00:18:10,439
Speaker 3: Right, Am I supposed to sleep? Well, I can't.

381
00:18:10,680 --> 00:18:12,439
Speaker 2: No, I'm not going to sleep. I'm gonna try to

382
00:18:12,440 --> 00:18:15,159
Speaker 2: listen to a sleep podcast. It was about the history

383
00:18:15,200 --> 00:18:16,480
Speaker 2: of time. I'll say that.

384
00:18:16,680 --> 00:18:17,399
Speaker 3: It was the history.

385
00:18:17,960 --> 00:18:19,080
Speaker 2: That's an interesting thing.

386
00:18:20,240 --> 00:18:22,480
Speaker 3: I'm going to sleep already. Let me hear about it.

387
00:18:23,160 --> 00:18:27,240
Speaker 2: Just the history of what clocks everything we're starting? Uh,

388
00:18:27,480 --> 00:18:34,000
Speaker 2: you know Stonehenge? Oh, oh God, don't look at me.

389
00:18:34,119 --> 00:18:35,400
Speaker 2: Look me in the eye and tell me you don't

390
00:18:35,400 --> 00:18:39,120
Speaker 2: want to learn about Stonehenge and early sun dials.

391
00:18:40,960 --> 00:18:43,399
Speaker 4: See, that makes me bored in a way that's not tired.

392
00:18:43,480 --> 00:18:44,480
Speaker 4: I'm just bored and mad.

393
00:18:46,480 --> 00:18:49,600
Speaker 2: Yeah. If I'm angry and I'm thinking about leaving a

394
00:18:49,600 --> 00:18:52,080
Speaker 2: bad review, I'm writing a review in my head. I'm

395
00:18:52,080 --> 00:18:52,800
Speaker 2: not going to sleep.

396
00:18:52,880 --> 00:18:53,000
Speaker 5: Now.

397
00:18:53,000 --> 00:18:54,359
Speaker 3: You're in a creative space, Yeah, I'm.

398
00:18:54,200 --> 00:18:59,840
Speaker 2: In deeply creative space. I'm brainstorming. I'm riding down. You know,

399
00:19:00,280 --> 00:19:01,880
Speaker 2: these little thoughts here and there.

400
00:19:02,040 --> 00:19:04,480
Speaker 4: You're like, I would already too interesting.

401
00:19:04,960 --> 00:19:08,119
Speaker 2: So stone Hedge, Wow, Yeah, it's uh, you know they

402
00:19:08,240 --> 00:19:13,480
Speaker 2: have stone Hinge stone of a new nursery like a

403
00:19:13,520 --> 00:19:19,800
Speaker 2: local nursery Stonehead. I'm opening a plant store near stone

404
00:19:19,880 --> 00:19:23,440
Speaker 2: Henge called stone Hedge or that could be a hedge maze.

405
00:19:23,600 --> 00:19:25,960
Speaker 4: I always thought it was Hedge.

406
00:19:26,560 --> 00:19:32,920
Speaker 2: No, I'm second guessing myself, but I'm pretty sure stowed Henge, stowed.

407
00:19:32,560 --> 00:19:37,280
Speaker 4: Hedge, Okay, a fun, fun bar, stud.

408
00:19:38,640 --> 00:19:40,800
Speaker 2: Stud Hedge. And now we're so far removed from the

409
00:19:41,040 --> 00:19:49,240
Speaker 2: name they do they know what Stonehenge is. Stowed Henge.

410
00:19:49,880 --> 00:19:54,399
Speaker 2: That's like a luggage store or something, or or a

411
00:19:54,440 --> 00:19:59,720
Speaker 2: storage facility. Oh yeah, stowed Hedge.

412
00:20:00,520 --> 00:20:02,160
Speaker 3: Yeah, now I'm going too far.

413
00:20:03,920 --> 00:20:08,919
Speaker 2: Um No, stone Hedge, Stonehenge, cheesez.

414
00:20:09,320 --> 00:20:11,000
Speaker 3: You're yeah, we're kind about different.

415
00:20:11,320 --> 00:20:14,199
Speaker 2: And I only got as far as early Egypt and

416
00:20:14,280 --> 00:20:16,600
Speaker 2: their sun dials and.

417
00:20:17,960 --> 00:20:19,360
Speaker 3: Was the voice sleepy.

418
00:20:19,720 --> 00:20:23,320
Speaker 2: Kind of no more than you know, what have you

419
00:20:23,359 --> 00:20:26,520
Speaker 2: ever heard in our time? That podcast? Yes, that level

420
00:20:26,520 --> 00:20:28,919
Speaker 2: of sleep okay, but I could probably fall asleep to

421
00:20:29,080 --> 00:20:32,000
Speaker 2: in our time better because they get into topics that

422
00:20:32,080 --> 00:20:35,520
Speaker 2: become probably above my reading comprehension.

423
00:20:35,600 --> 00:20:37,560
Speaker 3: Yes, and you're like, now I'm just barely hanging on.

424
00:20:37,680 --> 00:20:40,639
Speaker 2: Yeah, I can barely understand what we're talking about. And

425
00:20:40,680 --> 00:20:43,640
Speaker 2: it's like six British people with quiet, polite voice.

426
00:20:43,760 --> 00:20:43,920
Speaker 4: Yeah.

427
00:20:44,000 --> 00:20:46,200
Speaker 3: You want to, like, chase your tail till you get tired.

428
00:20:46,400 --> 00:20:48,720
Speaker 2: Yeah, exactly, Like what are they talking about? Yes, that's

429
00:20:48,720 --> 00:20:51,840
Speaker 2: what I need. I don't need elementary level history on

430
00:20:52,720 --> 00:20:54,600
Speaker 2: time because I can keep up.

431
00:20:55,600 --> 00:20:59,719
Speaker 4: Leave me in the dust, next one shot, next.

432
00:21:03,080 --> 00:21:05,120
Speaker 2: Well, I don't want to keep talking about that because

433
00:21:05,119 --> 00:21:07,040
Speaker 2: I don't want to give them any more press. No,

434
00:21:07,359 --> 00:21:09,320
Speaker 2: I would give in our time more press. I think

435
00:21:09,359 --> 00:21:12,439
Speaker 2: that's a good podcast. But there's something else I need

436
00:21:12,480 --> 00:21:15,720
Speaker 2: to talk to you about. Yeah, sure need. I don't

437
00:21:15,760 --> 00:21:19,119
Speaker 2: want obviously, the last thing I want to do is

438
00:21:19,240 --> 00:21:22,520
Speaker 2: talk about this or bring it up. But I feel

439
00:21:22,520 --> 00:21:25,879
Speaker 2: like it's unavoidable at this point. I was excited to

440
00:21:25,880 --> 00:21:26,920
Speaker 2: have you here on the podcast.

441
00:21:27,080 --> 00:21:28,040
Speaker 3: Yeah, I was so excited.

442
00:21:28,320 --> 00:21:32,920
Speaker 2: I thought, Angela is wonderful. How could anything possibly go wrong? Yeah,

443
00:21:33,080 --> 00:21:36,439
Speaker 2: it's going to be a perfect, perfect record. And then

444
00:21:36,480 --> 00:21:38,840
Speaker 2: I'll move on with my day. Angela will move on

445
00:21:38,920 --> 00:21:43,879
Speaker 2: with her day. No bad feelings. Ah, So I was

446
00:21:43,920 --> 00:21:46,600
Speaker 2: a little surprised you look. I look at you as

447
00:21:46,600 --> 00:21:50,600
Speaker 2: a professional. I assume you kind of know how the

448
00:21:50,600 --> 00:21:54,600
Speaker 2: industry works. You show up and do your job, and

449
00:21:54,680 --> 00:21:56,560
Speaker 2: I do consider you being here a job.

450
00:21:56,760 --> 00:21:58,159
Speaker 3: Yeah, and you do what you're talking.

451
00:21:58,440 --> 00:22:01,680
Speaker 2: The podcast is called I said, no gift. I think

452
00:22:01,720 --> 00:22:05,119
Speaker 2: you're I would hope you know the title of the

453
00:22:05,119 --> 00:22:09,600
Speaker 2: podcast you're coming to. I'm sure you've got emails, messages,

454
00:22:11,000 --> 00:22:14,040
Speaker 2: so it's a little surprised when I heard you screech

455
00:22:14,080 --> 00:22:17,320
Speaker 2: into the parking lot and I looked out the window

456
00:22:17,480 --> 00:22:20,080
Speaker 2: and I saw you kind of trotting into the studio

457
00:22:20,119 --> 00:22:23,440
Speaker 2: holding a what could not more clearly be a gift bag,

458
00:22:27,000 --> 00:22:33,520
Speaker 2: this beautiful kind of brown paper bag. The podcast is

459
00:22:33,520 --> 00:22:36,720
Speaker 2: called I said, no gifts. Sure, is this a gift

460
00:22:36,720 --> 00:22:36,920
Speaker 2: for me?

461
00:22:38,160 --> 00:22:40,720
Speaker 4: Yeah?

462
00:22:40,800 --> 00:22:42,800
Speaker 2: I like a quiet confidence.

463
00:22:43,320 --> 00:22:44,879
Speaker 3: Yeah, it's a gift for you.

464
00:22:44,960 --> 00:22:48,680
Speaker 2: Bridger. Okay, Well, I don't know what to say. Should

465
00:22:48,680 --> 00:22:51,000
Speaker 2: I open it here on the podcast? Should I save

466
00:22:51,040 --> 00:22:52,240
Speaker 2: it for later? No?

467
00:22:52,280 --> 00:22:53,400
Speaker 4: I think you should open it now.

468
00:22:53,440 --> 00:22:55,160
Speaker 3: I listen.

469
00:22:55,200 --> 00:22:57,520
Speaker 4: I'm Italian. I can't show up somewhere without something to

470
00:22:57,560 --> 00:22:59,160
Speaker 4: give you people.

471
00:23:01,000 --> 00:23:03,480
Speaker 3: It just feels wrong for me to not have something

472
00:23:03,520 --> 00:23:04,200
Speaker 3: in my hand.

473
00:23:05,240 --> 00:23:06,960
Speaker 2: And I can say you people because I'm in a

474
00:23:07,000 --> 00:23:09,919
Speaker 2: relationship with an Italian. I have a free pass.

475
00:23:10,119 --> 00:23:13,440
Speaker 3: You do you have you have a single path? Yeah,

476
00:23:13,480 --> 00:23:14,080
Speaker 3: you could do that.

477
00:23:15,000 --> 00:23:16,520
Speaker 2: I do it all the time at home. Why can't

478
00:23:16,520 --> 00:23:21,600
Speaker 2: I bring it to the office doing it well? Should

479
00:23:21,600 --> 00:23:27,000
Speaker 2: I open it here? Yeah, I think okay, let's reach

480
00:23:27,040 --> 00:23:28,439
Speaker 2: into the have to reach in.

481
00:23:29,200 --> 00:23:32,480
Speaker 3: Yes, that out Bridger. I'm so sorry, but it's blocking

482
00:23:32,520 --> 00:23:33,000
Speaker 3: your face.

483
00:23:33,800 --> 00:23:36,760
Speaker 2: That's okay. I'm in control here. I'm allowing this to

484
00:23:36,800 --> 00:23:39,240
Speaker 2: block my face for a minute. My face can be blocked.

485
00:23:39,480 --> 00:23:42,360
Speaker 2: Sometimes people are like, thank god, his face is being blocked.

486
00:23:42,760 --> 00:23:46,159
Speaker 2: I can finally look right at the video rather the coding.

487
00:23:45,880 --> 00:23:47,639
Speaker 3: Where he blocked his face, so you can watch it.

488
00:23:47,760 --> 00:23:50,399
Speaker 2: We're leaving all of this in listener. If you're just

489
00:23:50,440 --> 00:23:52,480
Speaker 2: listening now, you can tune in because there's a moment

490
00:23:52,520 --> 00:23:56,119
Speaker 2: where you don't have to look at my face. Viewer,

491
00:23:56,800 --> 00:23:58,080
Speaker 2: you're welcome that you don't have to look at my

492
00:23:58,080 --> 00:24:00,720
Speaker 2: face for a minute. But now we're gonna pull us out.

493
00:24:03,040 --> 00:24:06,200
Speaker 4: What I painted that you painted this?

494
00:24:07,480 --> 00:24:10,480
Speaker 2: Why? Why am I? I'm not acting that surprised, of course.

495
00:24:10,880 --> 00:24:15,040
Speaker 4: How can you find the human brushstroke? And that it

496
00:24:15,080 --> 00:24:16,600
Speaker 4: looks like it's it's always.

497
00:24:16,320 --> 00:24:21,760
Speaker 2: Busy, looks like you printed ko, this is gorgeous.

498
00:24:22,040 --> 00:24:25,120
Speaker 4: I paint a lot, okay, and my paintings never see

499
00:24:25,119 --> 00:24:25,800
Speaker 4: the light of day.

500
00:24:25,960 --> 00:24:29,440
Speaker 2: How often are you painting a lot? Listener? If you're

501
00:24:29,480 --> 00:24:32,000
Speaker 2: not watching, it's a painting of a kind of an

502
00:24:32,040 --> 00:24:35,879
Speaker 2: orange little person in a pink boot, blue pant and

503
00:24:35,920 --> 00:24:41,280
Speaker 2: pink shirt. Yeah, kind of a turtleneck, short sleeve.

504
00:24:41,400 --> 00:24:42,880
Speaker 3: I cannot believe I brought this.

505
00:24:43,040 --> 00:24:44,760
Speaker 2: To be honest, I'm thrilled you brought this.

506
00:24:45,040 --> 00:24:45,600
Speaker 3: I okay.

507
00:24:45,640 --> 00:24:48,480
Speaker 4: So I love painting, and I feel like everyone is

508
00:24:48,520 --> 00:24:50,560
Speaker 4: so good about talking about their hobbies and I just

509
00:24:50,680 --> 00:24:53,480
Speaker 4: am not because I think when people I'm like, oh

510
00:24:53,520 --> 00:24:57,120
Speaker 4: I like to paint, people think oh, yeah.

511
00:24:57,040 --> 00:24:58,480
Speaker 3: Yeah, we can stick on this for a bit.

512
00:24:58,520 --> 00:25:02,520
Speaker 4: Because this is yeah, people are like, oh.

513
00:25:02,480 --> 00:25:04,280
Speaker 3: Like do you post your paints?

514
00:25:04,800 --> 00:25:07,560
Speaker 4: And I'm like trying to bridge that gap, but I

515
00:25:07,560 --> 00:25:10,200
Speaker 4: don't think anyone's expecting I'm making like balloon.

516
00:25:10,320 --> 00:25:13,120
Speaker 3: People like what is this? Bridger?

517
00:25:13,440 --> 00:25:16,320
Speaker 2: Like, I love this. It's got a distinct style to it.

518
00:25:16,680 --> 00:25:19,600
Speaker 2: This is like somebody who this feels intentional? Do you

519
00:25:19,600 --> 00:25:20,160
Speaker 2: know what I mean?

520
00:25:20,280 --> 00:25:20,960
Speaker 3: Yeah, I don't know.

521
00:25:21,040 --> 00:25:24,119
Speaker 4: So I recently moved and I've just been keeping all

522
00:25:24,119 --> 00:25:26,560
Speaker 4: my paintings just in a big pile.

523
00:25:26,920 --> 00:25:27,160
Speaker 2: Right.

524
00:25:27,800 --> 00:25:29,359
Speaker 4: So then when I moved, I was like, oh, maybe

525
00:25:29,359 --> 00:25:30,960
Speaker 4: I hang up some of my old ones. And I

526
00:25:31,000 --> 00:25:34,879
Speaker 4: was going through them and I was like, oh my god.

527
00:25:34,800 --> 00:25:37,600
Speaker 3: There's nothing artistic, funny or anything about this?

528
00:25:37,680 --> 00:25:39,680
Speaker 2: What are you talking well to you? I think that

529
00:25:39,680 --> 00:25:42,640
Speaker 2: that's when somebody makes their own thing. That's I think

530
00:25:42,640 --> 00:25:43,600
Speaker 2: that's a common feeling.

531
00:25:44,040 --> 00:25:47,760
Speaker 4: Yeah, but not like this, maybe right, I don't know,

532
00:25:47,960 --> 00:25:50,080
Speaker 4: but I'm trying to get out there more with my work.

533
00:25:50,240 --> 00:25:52,480
Speaker 2: It's hard. I understand that feeling.

534
00:25:52,200 --> 00:25:54,639
Speaker 4: But I don't want to believe in it, and I

535
00:25:54,680 --> 00:25:55,400
Speaker 4: don't believe in.

536
00:25:55,359 --> 00:25:56,639
Speaker 3: It, and I'm not doing that in a way like

537
00:25:56,640 --> 00:25:57,600
Speaker 3: when I'm like, I'm.

538
00:25:57,440 --> 00:26:00,639
Speaker 4: Too scared of how good I am. This is just

539
00:26:00,680 --> 00:26:02,119
Speaker 4: a balloon man with uggs on.

540
00:26:02,960 --> 00:26:04,360
Speaker 2: What was going through my brain.

541
00:26:04,119 --> 00:26:06,119
Speaker 3: When I painted this? I don't know. It's usually when

542
00:26:06,119 --> 00:26:07,639
Speaker 3: I watch Bravo at.

543
00:26:07,520 --> 00:26:09,399
Speaker 2: The paint Oh this is how long have you been

544
00:26:09,440 --> 00:26:10,000
Speaker 2: painting for?

545
00:26:10,760 --> 00:26:12,160
Speaker 4: I mean when I was a kid, I used to

546
00:26:12,200 --> 00:26:15,159
Speaker 4: like be like, I'm going to be a painter. And

547
00:26:15,160 --> 00:26:16,959
Speaker 4: then I think it was during the pandemic, I like

548
00:26:17,520 --> 00:26:20,520
Speaker 4: or no, it was like a couple boyfriends ago. For

549
00:26:20,520 --> 00:26:22,600
Speaker 4: some reason, everyone buys me paints because I say that

550
00:26:22,640 --> 00:26:23,840
Speaker 4: I love painting so much, but.

551
00:26:23,800 --> 00:26:25,960
Speaker 2: Then I don't. Really that sounds kind of annoying.

552
00:26:26,080 --> 00:26:27,360
Speaker 3: Yeah, so now I just have a lot of pain.

553
00:26:27,560 --> 00:26:32,000
Speaker 3: Of course, that's my GID gifts. Just so.

554
00:26:33,480 --> 00:26:35,920
Speaker 4: I got really into it during the pandemic when everyone

555
00:26:36,040 --> 00:26:39,200
Speaker 4: was making bread, was making these little guys.

556
00:26:39,440 --> 00:26:41,480
Speaker 2: And how many do you think you've made?

557
00:26:41,760 --> 00:26:46,000
Speaker 4: I have so many, and I saved you and I

558
00:26:46,000 --> 00:26:47,520
Speaker 4: didn't bring you one on a canvas.

559
00:26:47,880 --> 00:26:48,879
Speaker 2: You did canvas?

560
00:26:48,960 --> 00:26:51,240
Speaker 3: I have so many and those are bulky?

561
00:26:51,480 --> 00:26:52,400
Speaker 2: How big are they?

562
00:26:52,520 --> 00:26:55,720
Speaker 3: I have some that are really big, badger.

563
00:26:56,520 --> 00:26:59,480
Speaker 4: I should have brought you a big, fat one.

564
00:27:00,040 --> 00:27:02,400
Speaker 2: But you send me some pictures to share, Yeah, if

565
00:27:02,440 --> 00:27:02,800
Speaker 2: you want.

566
00:27:02,920 --> 00:27:04,800
Speaker 4: No, I think this is good because I went, how

567
00:27:04,840 --> 00:27:06,800
Speaker 4: could I just get rid of these in a funny,

568
00:27:06,840 --> 00:27:07,240
Speaker 4: good way?

569
00:27:07,480 --> 00:27:07,680
Speaker 2: Right?

570
00:27:08,200 --> 00:27:11,120
Speaker 3: Why not bring it on a visual Yeah?

571
00:27:11,160 --> 00:27:13,840
Speaker 2: It kind of horses it out into the world. Yeah,

572
00:27:14,119 --> 00:27:15,440
Speaker 2: little therapeutic in a way.

573
00:27:15,520 --> 00:27:18,520
Speaker 3: And it's kind of just like, yeah, so there's another

574
00:27:18,560 --> 00:27:19,359
Speaker 3: one this.

575
00:27:19,440 --> 00:27:24,280
Speaker 2: Okay, you're you turn on the TV and is it like, oh,

576
00:27:24,280 --> 00:27:25,959
Speaker 2: I'm bored, I'm gonna start painting, or it is like

577
00:27:26,280 --> 00:27:28,640
Speaker 2: setting up the what is this called.

578
00:27:28,520 --> 00:27:31,160
Speaker 3: The no, I'm usually on the ground.

579
00:27:31,320 --> 00:27:34,720
Speaker 2: Okay, you're on the ground over like a like a ground.

580
00:27:34,720 --> 00:27:38,960
Speaker 2: I'm worried about your floor? Yeah, me too, nothing underneath

581
00:27:39,000 --> 00:27:40,840
Speaker 2: paint on it? Okay, there is paint on it.

582
00:27:41,440 --> 00:27:45,199
Speaker 3: But now I've been putting down you know, like a

583
00:27:45,240 --> 00:27:46,159
Speaker 3: cardboard box.

584
00:27:46,359 --> 00:27:50,960
Speaker 4: Okay, okay, couldn't get an easel, could I don't even try.

585
00:27:51,000 --> 00:27:53,920
Speaker 2: And easel feels like a bit of a an.

586
00:27:53,880 --> 00:27:56,679
Speaker 4: Affect, right, And I'm like, could you imagine this on

587
00:27:56,760 --> 00:27:57,160
Speaker 4: an ease?

588
00:27:57,680 --> 00:27:58,160
Speaker 2: Sure?

589
00:27:58,680 --> 00:28:00,359
Speaker 4: Because if I got an easel bridgel, then I have

590
00:28:00,480 --> 00:28:01,520
Speaker 4: bridger then I'd have to paint.

591
00:28:01,520 --> 00:28:04,639
Speaker 2: Well, well, no, I don't think so.

592
00:28:05,400 --> 00:28:06,280
Speaker 3: Anyone that's stands.

593
00:28:06,280 --> 00:28:08,240
Speaker 4: Anytime you see someone standing in front of an easel,

594
00:28:08,280 --> 00:28:09,680
Speaker 4: you're like, oh, they know what they're doing.

595
00:28:09,840 --> 00:28:12,240
Speaker 2: Yeah. If there's like a reveal from behind to the

596
00:28:12,240 --> 00:28:13,840
Speaker 2: front of the easel and it's like a mass.

597
00:28:14,280 --> 00:28:16,000
Speaker 3: It's exactly I want to do paint.

598
00:28:16,040 --> 00:28:18,800
Speaker 4: I want to paint like a kid, is like getting

599
00:28:18,800 --> 00:28:20,520
Speaker 4: busy work at Sunday school or something.

600
00:28:20,600 --> 00:28:23,960
Speaker 2: I love that feeling. I love. Years ago, I had

601
00:28:23,960 --> 00:28:27,480
Speaker 2: like a real craving to draw with crayons, and I

602
00:28:27,520 --> 00:28:29,719
Speaker 2: went and bought a massive box of crayons, and then

603
00:28:29,760 --> 00:28:31,720
Speaker 2: the feeling went away and they just stayed in my closet.

604
00:28:32,200 --> 00:28:34,000
Speaker 2: But there was, I know, that feeling of like it's

605
00:28:34,000 --> 00:28:37,600
Speaker 2: just satisfying. There's like, yeah, there's low pressure, the stakes

606
00:28:37,640 --> 00:28:41,120
Speaker 2: are not that high. Yeah, and if it's a bad

607
00:28:41,160 --> 00:28:42,360
Speaker 2: you can just throw it away.

608
00:28:42,200 --> 00:28:44,120
Speaker 4: Or something truly like I want to do this in

609
00:28:44,160 --> 00:28:46,120
Speaker 4: a sense where it's like your parents are like go

610
00:28:46,240 --> 00:28:50,520
Speaker 4: upstairs and be busy for a second, you know what

611
00:28:50,600 --> 00:28:50,920
Speaker 4: I mean.

612
00:28:51,280 --> 00:28:53,320
Speaker 3: I just need to like do that to my brain.

613
00:28:53,440 --> 00:28:56,880
Speaker 2: Right, But when you're for me, when I'm drawing, if

614
00:28:56,920 --> 00:29:00,440
Speaker 2: I'm sincerely trying, there's a there's a fear that someone's

615
00:29:00,480 --> 00:29:02,440
Speaker 2: going to see and I'm going to be embarrassed. Yeah,

616
00:29:02,440 --> 00:29:03,360
Speaker 2: do you have that feeling?

617
00:29:03,480 --> 00:29:07,200
Speaker 4: So that's what I tried to like lose lose during

618
00:29:07,200 --> 00:29:09,280
Speaker 4: the pandemic, where I was like, just paint as much

619
00:29:09,320 --> 00:29:12,560
Speaker 4: as you can right forever, and then you stop thinking,

620
00:29:12,880 --> 00:29:15,080
Speaker 4: like what even is this? As you write, right, because

621
00:29:15,080 --> 00:29:18,760
Speaker 4: there was no beginning idea to him or her, Oh

622
00:29:18,840 --> 00:29:22,280
Speaker 4: so you just started or whatever. So I think it

623
00:29:22,320 --> 00:29:24,520
Speaker 4: was in the middle of that pile during the pandemic

624
00:29:24,520 --> 00:29:27,400
Speaker 4: where I had let go of the result. Okay, And

625
00:29:27,440 --> 00:29:29,040
Speaker 4: if this doesn't say that I let go the result,

626
00:29:29,040 --> 00:29:31,200
Speaker 4: I don't know what does. But that was a freeing

627
00:29:31,200 --> 00:29:31,800
Speaker 4: place to be.

628
00:29:32,120 --> 00:29:34,840
Speaker 2: Right of course. And so does this even begin with

629
00:29:34,880 --> 00:29:37,960
Speaker 2: a pencil drawing? No straight up paint.

630
00:29:38,080 --> 00:29:40,479
Speaker 4: Yeah, we're just going paint to paper and just just

631
00:29:40,520 --> 00:29:43,520
Speaker 4: straight to white, Like, what.

632
00:29:43,440 --> 00:29:45,800
Speaker 3: In the world, I don't even know where I began

633
00:29:45,880 --> 00:29:46,760
Speaker 3: with this? Do you do art?

634
00:29:46,760 --> 00:29:49,200
Speaker 2: Do you do? I know? I wish I could. I'm

635
00:29:49,200 --> 00:29:51,200
Speaker 2: a very I will say I'm a very good doodler.

636
00:29:52,240 --> 00:29:53,160
Speaker 3: I love a doodler.

637
00:29:53,600 --> 00:29:56,280
Speaker 2: But that's only when I'm like at work, you know,

638
00:29:56,520 --> 00:29:59,520
Speaker 2: like in a room and like just trying to focus

639
00:29:59,600 --> 00:30:03,040
Speaker 2: on what's being said, and so I'm just do And now,

640
00:30:03,080 --> 00:30:05,280
Speaker 2: of course the listeners who have said I have ADHD

641
00:30:05,440 --> 00:30:08,440
Speaker 2: or to say, gotcha, look at there's another thing.

642
00:30:09,680 --> 00:30:13,320
Speaker 3: Pull it another instance of Bridger having ADHD. There we go,

643
00:30:13,440 --> 00:30:14,160
Speaker 3: we trapped him.

644
00:30:15,600 --> 00:30:18,640
Speaker 2: But often I'm like, oh, wow, that's a great little

645
00:30:18,960 --> 00:30:20,920
Speaker 2: drawing that I did. But then when I try when

646
00:30:20,960 --> 00:30:22,920
Speaker 2: i'm just like at home, I'm like, it ends up

647
00:30:22,920 --> 00:30:23,719
Speaker 2: looking like trash.

648
00:30:23,840 --> 00:30:25,640
Speaker 3: Yeah, especially when you doodle and you're like, will someone

649
00:30:25,680 --> 00:30:26,080
Speaker 3: see this?

650
00:30:26,840 --> 00:30:31,400
Speaker 4: Yes, exactly exactly where you got to like do it enough,

651
00:30:31,600 --> 00:30:33,680
Speaker 4: the Ira glass thing and fill the gap where you're like,

652
00:30:33,840 --> 00:30:36,640
Speaker 4: just do it enough and then whatever.

653
00:30:36,480 --> 00:30:38,720
Speaker 2: Do you name your paintings.

654
00:30:39,920 --> 00:30:41,920
Speaker 3: I'd love for you to name this, if you'd like.

655
00:30:42,200 --> 00:30:48,400
Speaker 2: Oh, this is Angela's miracle, Angela's miracle. See I uh,

656
00:30:48,880 --> 00:30:52,040
Speaker 2: if anyone needs me to name their art that just

657
00:30:52,080 --> 00:30:54,680
Speaker 2: came right, That came right out of me. And that

658
00:30:54,800 --> 00:30:58,040
Speaker 2: was that, you know, And this is what I do

659
00:30:58,080 --> 00:31:00,320
Speaker 2: a home. I just name art over and over until

660
00:31:00,320 --> 00:31:01,600
Speaker 2: it doesn't mean anything to me.

661
00:31:01,800 --> 00:31:03,680
Speaker 4: That Okay, Now I want to just give you all

662
00:31:03,680 --> 00:31:04,600
Speaker 4: my art and have you.

663
00:31:04,560 --> 00:31:05,080
Speaker 3: Name it all.

664
00:31:05,360 --> 00:31:06,360
Speaker 2: It'll be my gallery.

665
00:31:07,400 --> 00:31:10,440
Speaker 3: Angela's miracle that came right. You didn't even take a.

666
00:31:10,400 --> 00:31:15,680
Speaker 2: Breath, not even a second. People are gasping. People cannot

667
00:31:15,680 --> 00:31:17,480
Speaker 2: believe my ability.

668
00:31:17,680 --> 00:31:19,800
Speaker 3: Well, i'll tell you what that is. That's Angela's miracle.

669
00:31:23,680 --> 00:31:26,440
Speaker 2: So you haven't named any of them. You haven't titled anything.

670
00:31:26,400 --> 00:31:27,800
Speaker 3: And there's another one in there that I'm excited for

671
00:31:27,840 --> 00:31:28,200
Speaker 3: you to name.

672
00:31:28,240 --> 00:31:30,680
Speaker 2: Okay, let's pull this up. Okay, Oh, I've already seen

673
00:31:30,720 --> 00:31:32,440
Speaker 2: another thing in there, which I don't think is what

674
00:31:32,480 --> 00:31:34,120
Speaker 2: you're referring to. But I'll pull out the first piece

675
00:31:34,120 --> 00:31:35,560
Speaker 2: of art.

676
00:31:36,120 --> 00:31:38,520
Speaker 3: Oh, you're kind of on both sides.

677
00:31:38,520 --> 00:31:39,920
Speaker 2: Oh, it's on both sides.

678
00:31:40,000 --> 00:31:41,640
Speaker 4: So I think I, during the pandemic must have went

679
00:31:41,680 --> 00:31:43,480
Speaker 4: through a little painting boobs face.

680
00:31:43,600 --> 00:31:45,480
Speaker 2: Yes, there's like this, let's see.

681
00:31:45,560 --> 00:31:47,719
Speaker 4: So those are big boobs and then the other one

682
00:31:47,760 --> 00:31:49,720
Speaker 4: I did a boob smiley face.

683
00:31:49,960 --> 00:31:53,640
Speaker 2: Yeah. The boobs have eyebrows.

684
00:31:54,120 --> 00:31:57,800
Speaker 4: Yeah, I don't know what you want to name those,

685
00:31:57,920 --> 00:32:07,080
Speaker 4: but this is uh autumns Autumns miracle, Autumns Knockers, a

686
00:32:07,160 --> 00:32:08,120
Speaker 4: knockers miracle.

687
00:32:08,240 --> 00:32:09,760
Speaker 3: No, I'm sorry, I'm getting in the way. I'm just

688
00:32:09,880 --> 00:32:10,440
Speaker 3: was excited.

689
00:32:10,520 --> 00:32:12,800
Speaker 2: No, we've got to start over. We've got to start over.

690
00:32:13,280 --> 00:32:18,840
Speaker 2: This is September's Hall. There we go, and it's on

691
00:32:18,920 --> 00:32:22,480
Speaker 2: both sides, so you get two pieces of art. It's

692
00:32:22,480 --> 00:32:25,680
Speaker 2: a bundles hall. That's what I'm gonna start calling all boobs.

693
00:32:26,960 --> 00:32:30,840
Speaker 4: Well look at your September's Hall.

694
00:32:30,960 --> 00:32:33,480
Speaker 3: Well it's fall. Look at your Septembers all.

695
00:32:34,920 --> 00:32:39,320
Speaker 2: That so quite a corn harvest. Wow, there are two

696
00:32:39,320 --> 00:32:40,440
Speaker 2: different types of boobs.

697
00:32:40,480 --> 00:32:42,280
Speaker 4: So that I think was like because I have I

698
00:32:42,320 --> 00:32:44,600
Speaker 4: have things that are like on official posters or canvas,

699
00:32:44,600 --> 00:32:46,080
Speaker 4: and then I have ones that are just on paper

700
00:32:46,080 --> 00:32:49,000
Speaker 4: where I was obviously just practicing for something else.

701
00:32:48,880 --> 00:32:50,320
Speaker 2: For a bigger project, for.

702
00:32:50,400 --> 00:32:54,040
Speaker 3: A bigger set of Septembers Hall. And I don't know why.

703
00:32:55,080 --> 00:32:57,320
Speaker 4: I think it was when like all the instagram are

704
00:32:57,520 --> 00:33:01,320
Speaker 4: girlies were posting like like gorgeous, like maybe this is

705
00:33:01,400 --> 00:33:04,840
Speaker 4: just my feed, but like like silhouettes of like women's bodies.

706
00:33:04,840 --> 00:33:06,720
Speaker 2: Oh sure, I'm.

707
00:33:06,560 --> 00:33:09,920
Speaker 4: Celebrating all types of feminine bodies.

708
00:33:09,480 --> 00:33:10,840
Speaker 2: Boobes with eyebrows, And I.

709
00:33:10,800 --> 00:33:12,960
Speaker 3: Was like, let's get in here and give it a mouth.

710
00:33:15,880 --> 00:33:19,880
Speaker 2: This actually speaks to something that's always a that has

711
00:33:19,920 --> 00:33:21,920
Speaker 2: happened to me too many times at this point when

712
00:33:21,920 --> 00:33:24,800
Speaker 2: I'm doodling and you often start with the eyes yes,

713
00:33:25,000 --> 00:33:28,880
Speaker 2: and someone will say often sincerely, they're asking are those boobs?

714
00:33:28,920 --> 00:33:33,160
Speaker 2: It's like, I'm in a public place drawing. What makes

715
00:33:33,160 --> 00:33:35,600
Speaker 2: you think I'm the person who would start just drawing.

716
00:33:35,320 --> 00:33:37,080
Speaker 3: A set of you think we are.

717
00:33:37,880 --> 00:33:39,920
Speaker 2: You can't imagine one other thing that someone might be

718
00:33:40,000 --> 00:33:41,360
Speaker 2: drawing that looks to be too.

719
00:33:41,880 --> 00:33:45,000
Speaker 3: I mean, I will say, yeah, my eyes in Angela's Miracle.

720
00:33:44,800 --> 00:33:46,000
Speaker 2: Look like those are boobs.

721
00:33:46,120 --> 00:33:48,240
Speaker 3: Boobs look like September holes.

722
00:33:48,960 --> 00:33:51,680
Speaker 2: But again, if you were in the office.

723
00:33:51,360 --> 00:33:55,560
Speaker 3: And you were like those two circles, you wouldn't be like,

724
00:33:56,160 --> 00:33:56,600
Speaker 3: I mean, if.

725
00:33:56,520 --> 00:33:59,080
Speaker 4: You're on the playground, you'd be like, okay, sure, Jimmy's

726
00:33:59,120 --> 00:34:00,600
Speaker 4: drawn big.

727
00:34:00,400 --> 00:34:02,680
Speaker 3: Old yeah, big old rack.

728
00:34:03,480 --> 00:34:05,320
Speaker 4: But now you're like, those are eyes because we're in

729
00:34:05,320 --> 00:34:06,000
Speaker 4: the workplace.

730
00:34:06,040 --> 00:34:09,160
Speaker 2: We're in the workplace. I'll let you know if they're boobs,

731
00:34:09,560 --> 00:34:13,120
Speaker 2: you'll see a lot more happening here. My hand will

732
00:34:13,160 --> 00:34:14,280
Speaker 2: be shaking Jesus.

733
00:34:14,680 --> 00:34:16,960
Speaker 3: My eyes would be like my eyes would be in

734
00:34:17,000 --> 00:34:17,800
Speaker 3: front of my face.

735
00:34:17,920 --> 00:34:19,920
Speaker 2: My job will be on the table, and you'd.

736
00:34:19,719 --> 00:34:22,840
Speaker 4: Hear, oh god if I was drawing boobs. But I

737
00:34:22,920 --> 00:34:24,360
Speaker 4: mean quiet because I'm drawing eyes.

738
00:34:26,320 --> 00:34:28,120
Speaker 2: Yeah. I think too many people do that. The other

739
00:34:28,160 --> 00:34:29,839
Speaker 2: thing that I get often when I'm doodling is oh,

740
00:34:29,920 --> 00:34:33,000
Speaker 2: is that you It's like, what this is a witch?

741
00:34:34,440 --> 00:34:39,080
Speaker 2: I'm drawing a witch. Why would I be drawing myself.

742
00:34:39,239 --> 00:34:41,640
Speaker 2: That's a weird thing to be drawing. Suddenly you're drawing yourself.

743
00:34:41,960 --> 00:34:44,560
Speaker 4: I do remember in early art classes, the self portrait

744
00:34:44,680 --> 00:34:46,480
Speaker 4: was always a lesson in everything.

745
00:34:46,600 --> 00:34:49,080
Speaker 2: Oh, now do a self portrait. Yeah, take a look

746
00:34:49,120 --> 00:34:52,279
Speaker 2: at your seventh grade just awkward s Yeah, and now

747
00:34:52,400 --> 00:34:53,280
Speaker 2: look at yourself.

748
00:34:53,840 --> 00:34:55,879
Speaker 3: I don't know what it is. Why would anyone ever

749
00:34:56,000 --> 00:34:56,839
Speaker 3: draw themselves?

750
00:34:57,920 --> 00:35:00,759
Speaker 2: I guess a lot of artists are psychos. Yeah, there's

751
00:35:00,800 --> 00:35:03,200
Speaker 2: a lot of people that do portrait and you're.

752
00:35:03,080 --> 00:35:05,240
Speaker 3: Like, oh, this is how I view myself. Cool.

753
00:35:06,440 --> 00:35:10,799
Speaker 2: Cool, There's no way you actually, you know, absolutely no way.

754
00:35:11,000 --> 00:35:14,160
Speaker 2: Anyone who's ever done a self portrait has viewed themselves.

755
00:35:13,719 --> 00:35:14,319
Speaker 3: That that way.

756
00:35:14,360 --> 00:35:15,000
Speaker 2: It's a big love.

757
00:35:15,080 --> 00:35:18,239
Speaker 4: You were being creative, you were being that was your hour.

758
00:35:18,440 --> 00:35:21,360
Speaker 4: Fuck up, and tell yourself that when you made your

759
00:35:21,400 --> 00:35:24,439
Speaker 4: face a little disfigured, it's because you thought it would

760
00:35:24,480 --> 00:35:26,479
Speaker 4: be cool to think about yourself that way.

761
00:35:26,800 --> 00:35:27,839
Speaker 3: You don't actually look in.

762
00:35:27,800 --> 00:35:30,120
Speaker 4: The mirror and go, oh, my chin's down there like

763
00:35:30,120 --> 00:35:31,560
Speaker 4: a Picasso, you know what I mean?

764
00:35:32,600 --> 00:35:37,759
Speaker 2: Absolutely not zero chance, zero chance, but yeah, these these

765
00:35:37,800 --> 00:35:42,240
Speaker 2: do look like eyes or boobs. These look like boobs.

766
00:35:42,280 --> 00:35:43,759
Speaker 3: I'm going back, and I'm like, I really should have

767
00:35:43,800 --> 00:35:45,239
Speaker 3: just went full force. I kind of did.

768
00:35:45,280 --> 00:35:48,120
Speaker 4: Like the I was like, I'll just bring like baby paintings,

769
00:35:48,200 --> 00:35:50,439
Speaker 4: not like I should have just brought like a big

770
00:35:50,480 --> 00:35:51,920
Speaker 4: old cad and I'll send you picture.

771
00:35:51,960 --> 00:35:53,759
Speaker 2: Do you have an absolute favorite? Is there one you're

772
00:35:54,040 --> 00:35:56,160
Speaker 2: genuinely like, I'm kind of proud of this one.

773
00:35:56,880 --> 00:35:59,080
Speaker 4: I mean this one in a sense where I'm like,

774
00:35:59,200 --> 00:36:02,560
Speaker 4: I'm proud I got out of my way enough because

775
00:36:02,560 --> 00:36:04,399
Speaker 4: anyone actually wanting to make good art.

776
00:36:04,360 --> 00:36:06,800
Speaker 2: Wouldn't do something like this, Sure they would.

777
00:36:07,480 --> 00:36:09,680
Speaker 4: I think this is a sign to me of the

778
00:36:09,719 --> 00:36:13,239
Speaker 4: freedom and like loneliness that I was, like, no one's here,

779
00:36:14,000 --> 00:36:16,400
Speaker 4: and it actually doesn't matter what I paint like, Actually

780
00:36:16,880 --> 00:36:18,960
Speaker 4: nothing matters because we're in a pandemic.

781
00:36:19,000 --> 00:36:19,800
Speaker 2: It's so healthy.

782
00:36:20,080 --> 00:36:21,040
Speaker 3: Yeah, and that's.

783
00:36:20,880 --> 00:36:22,239
Speaker 4: Why I think I like this one because all my

784
00:36:22,239 --> 00:36:23,759
Speaker 4: other ones it's hard to look at because I tried

785
00:36:23,800 --> 00:36:24,160
Speaker 4: so hard.

786
00:36:24,840 --> 00:36:26,959
Speaker 2: Yeah, is everyone you can talk about that you've tried

787
00:36:27,000 --> 00:36:29,239
Speaker 2: way too hard on Okay, a show.

788
00:36:29,320 --> 00:36:30,880
Speaker 3: I have a recent one, but I can show you.

789
00:36:31,000 --> 00:36:36,200
Speaker 2: Okay, we got a picture of it to show me now. Yeah,

790
00:36:36,239 --> 00:36:37,080
Speaker 2: you don't have to.

791
00:36:37,239 --> 00:36:39,160
Speaker 4: No, no, because I've brought it up because it might

792
00:36:39,200 --> 00:36:40,359
Speaker 4: be the funniest thing I've ever done.

793
00:36:41,400 --> 00:36:42,600
Speaker 3: So I simply got to bring it up.

794
00:36:42,840 --> 00:36:46,319
Speaker 4: So I moved into this new place and I was

795
00:36:47,160 --> 00:36:49,880
Speaker 4: my friend was like, you, my friend that's a designer.

796
00:36:49,920 --> 00:36:51,439
Speaker 4: She was like, you need to make a Pinterest board

797
00:36:51,440 --> 00:36:52,840
Speaker 4: And I was like, what are we in eighth grade?

798
00:36:52,880 --> 00:36:55,400
Speaker 4: I haven't been on Pinterest in forever. I was like,

799
00:36:55,480 --> 00:36:59,160
Speaker 4: can I at least make a tumbler instead? So then

800
00:36:59,160 --> 00:37:02,600
Speaker 4: I was on Pinterest and so this this is a

801
00:37:02,680 --> 00:37:05,280
Speaker 4: painting I saw and I was like, I kind.

802
00:37:05,120 --> 00:37:07,560
Speaker 3: Of like this. It takes over this girl's hole.

803
00:37:07,680 --> 00:37:09,279
Speaker 2: Oh sure, okay, So I like.

804
00:37:09,280 --> 00:37:11,600
Speaker 4: How abstract it is, right right? And I think what

805
00:37:11,640 --> 00:37:13,680
Speaker 4: I liked about it was I was like, I can.

806
00:37:13,520 --> 00:37:17,000
Speaker 2: Do that, right, it's kind of like a horseshoe or

807
00:37:17,040 --> 00:37:17,799
Speaker 2: a big.

808
00:37:17,760 --> 00:37:20,439
Speaker 3: You or yeah, I think I just like how big

809
00:37:20,480 --> 00:37:20,719
Speaker 3: it is?

810
00:37:20,920 --> 00:37:22,799
Speaker 2: Yeah? Right, it takes up so much space and it's

811
00:37:22,880 --> 00:37:26,480
Speaker 2: kind of an Ora coral color. Yeah, okay, so you

812
00:37:26,480 --> 00:37:27,319
Speaker 2: were looking at this.

813
00:37:27,360 --> 00:37:28,680
Speaker 4: Yeah, and then I'm gonna and then I was like,

814
00:37:28,800 --> 00:37:32,040
Speaker 4: I'm not going to measure my wall. I'm just gonna

815
00:37:32,080 --> 00:37:35,480
Speaker 4: buy a canvas that I think will fit. And I'm

816
00:37:35,520 --> 00:37:39,120
Speaker 4: just going to do this in ten minutes. And who

817
00:37:39,120 --> 00:37:40,760
Speaker 4: would have thought it would have been bad?

818
00:37:40,960 --> 00:37:43,600
Speaker 3: Bridger? Are you ready for this?

819
00:37:43,719 --> 00:37:46,000
Speaker 2: I'll be the judge.

820
00:37:44,640 --> 00:37:54,160
Speaker 4: It's it's it's it's so sad, doesn't fit the wall.

821
00:37:54,800 --> 00:37:57,800
Speaker 2: It's not the right size. It's unfortunately not the crux.

822
00:37:58,200 --> 00:38:01,800
Speaker 3: Was it what that girl was? It's like a McDonald's red.

823
00:38:02,400 --> 00:38:06,480
Speaker 2: It's a it's a very deep it's yeah, it's like

824
00:38:06,520 --> 00:38:10,640
Speaker 2: a pumpkin orange suor something. And it's probably the size

825
00:38:10,640 --> 00:38:13,160
Speaker 2: of it looks like the perspective might be wrong here,

826
00:38:13,160 --> 00:38:15,839
Speaker 2: but the size of a pillow. Yeah, it's I mean,

827
00:38:15,880 --> 00:38:20,920
Speaker 2: whereas that girl had essentially a wall sized mural. This

828
00:38:21,080 --> 00:38:23,000
Speaker 2: is how big of a canvas is that.

829
00:38:24,800 --> 00:38:26,360
Speaker 3: I'm really bad at to mentions.

830
00:38:26,560 --> 00:38:28,279
Speaker 2: And you did this thing where it's a you put

831
00:38:28,320 --> 00:38:30,520
Speaker 2: a little curve too. Is that to make it your own?

832
00:38:32,160 --> 00:38:33,880
Speaker 2: To say I'm not a.

833
00:38:33,760 --> 00:38:35,520
Speaker 3: You just like riped this woman off.

834
00:38:38,520 --> 00:38:41,600
Speaker 2: I love it. I mean, I wonder what you like,

835
00:38:41,719 --> 00:38:43,520
Speaker 2: what my feelings on this would have been if you

836
00:38:43,560 --> 00:38:44,440
Speaker 2: had just shown it to me.

837
00:38:45,239 --> 00:38:47,879
Speaker 4: Yeah, well here's the thing that we can You can

838
00:38:47,920 --> 00:38:50,480
Speaker 4: stay tuned because I've doubled down and I'm gonna make it.

839
00:38:50,520 --> 00:38:51,960
Speaker 2: You're gonna work. You're gonna make it work.

840
00:38:52,239 --> 00:38:54,920
Speaker 4: So I've already I'm already like on draft three of it.

841
00:38:55,040 --> 00:38:57,280
Speaker 4: Oh your kid, And I'm just adding to the same canvas.

842
00:38:57,480 --> 00:38:58,280
Speaker 2: Oh interesting.

843
00:38:58,400 --> 00:39:02,080
Speaker 4: Yeah, and it got bigger okay, like the.

844
00:39:01,520 --> 00:39:04,000
Speaker 3: Three or the you of whatever that red thing is.

845
00:39:04,000 --> 00:39:08,080
Speaker 4: It's gotten bigger. Okay, And now I'm painting over it.

846
00:39:08,160 --> 00:39:09,440
Speaker 3: I'm gonna crack it.

847
00:39:10,800 --> 00:39:13,239
Speaker 2: But you don't think that just the size itself is

848
00:39:13,280 --> 00:39:15,239
Speaker 2: part of the problem, the size of the canvas.

849
00:39:15,360 --> 00:39:18,279
Speaker 3: But I won't I won't go back and get another one.

850
00:39:18,920 --> 00:39:21,440
Speaker 4: So now I've turned it to the side, okay, and

851
00:39:21,480 --> 00:39:23,000
Speaker 4: I've added another canvas next to it.

852
00:39:23,160 --> 00:39:25,439
Speaker 2: Oh okay, So this is yeah, you are making sense

853
00:39:25,440 --> 00:39:27,160
Speaker 2: of it where you're making it more purposeful.

854
00:39:27,160 --> 00:39:30,360
Speaker 3: Because I was like I need a big canvas to make.

855
00:39:30,239 --> 00:39:32,520
Speaker 2: That r right, that's it, and I bet that's expensive.

856
00:39:32,640 --> 00:39:33,000
Speaker 1: Yeah.

857
00:39:33,080 --> 00:39:35,240
Speaker 4: So I was like, I gotta make this one thirty

858
00:39:35,280 --> 00:39:38,400
Speaker 4: dollars canvas work and I won't stop.

859
00:39:39,160 --> 00:39:42,239
Speaker 2: And you did it ever occur to you, like I'll

860
00:39:42,239 --> 00:39:44,760
Speaker 2: paint the wall or is that two high stakes?

861
00:39:44,800 --> 00:39:46,560
Speaker 3: So I so I that did occur to me.

862
00:39:46,640 --> 00:39:49,920
Speaker 4: But I was like, not with Angela's miracle dance, Like

863
00:39:50,880 --> 00:39:51,680
Speaker 4: that's just scary.

864
00:39:51,840 --> 00:39:53,239
Speaker 2: That seems kind of like it could be a life

865
00:39:53,320 --> 00:39:54,640
Speaker 2: ruining experience. Yeah.

866
00:39:54,680 --> 00:39:59,160
Speaker 4: I just also, I I've always loved crafting and art

867
00:39:59,160 --> 00:40:00,120
Speaker 4: and stuff, but I'm.

868
00:40:00,120 --> 00:40:02,600
Speaker 2: So impatient, Like, right, you want it done.

869
00:40:02,960 --> 00:40:04,560
Speaker 3: I just wanted to be absolutely done.

870
00:40:04,600 --> 00:40:07,320
Speaker 4: I think the reason why I liked that original painting

871
00:40:07,360 --> 00:40:08,799
Speaker 4: is because it looks like you could do it in

872
00:40:08,880 --> 00:40:09,480
Speaker 4: an hour.

873
00:40:09,719 --> 00:40:12,879
Speaker 2: Right, Yeah, it does. It's kind of deceptive, I guess.

874
00:40:13,080 --> 00:40:13,279
Speaker 1: Yeah.

875
00:40:13,400 --> 00:40:15,480
Speaker 2: Where it's like then you start and you're like, well this,

876
00:40:15,560 --> 00:40:18,399
Speaker 2: I guess I have to take some time and care.

877
00:40:18,640 --> 00:40:20,880
Speaker 4: Even just like doing a first coat. I was like, fine,

878
00:40:20,920 --> 00:40:22,640
Speaker 4: then it has to dry for hours.

879
00:40:23,400 --> 00:40:26,279
Speaker 2: Don't talk to me about a second coat. No, no, no,

880
00:40:26,280 --> 00:40:26,799
Speaker 2: no no no.

881
00:40:26,920 --> 00:40:29,600
Speaker 4: If it's not there, Yeah, if you live in a city,

882
00:40:29,600 --> 00:40:30,839
Speaker 4: you're not doing a second coake.

883
00:40:30,960 --> 00:40:33,120
Speaker 2: Give me a break, Taxi, I gotta go.

884
00:40:35,239 --> 00:40:37,799
Speaker 4: I feel like I'm being so jokey, jokey anytime I

885
00:40:37,800 --> 00:40:39,640
Speaker 4: put podcasts ear mote, it's to go.

886
00:40:40,080 --> 00:40:44,520
Speaker 3: Here's your clip joke jokes. Taxi, I gotta go.

887
00:40:45,440 --> 00:40:46,880
Speaker 2: Take me to the Empire's stake.

888
00:40:48,000 --> 00:40:48,640
Speaker 3: I have a meeting.

889
00:40:48,760 --> 00:40:51,080
Speaker 2: No any type of painting. Like, I can't remember what

890
00:40:51,080 --> 00:40:53,600
Speaker 2: I was trying to paint, but it was something within

891
00:40:53,640 --> 00:40:56,080
Speaker 2: my home, a wall or something, and I look up,

892
00:40:56,120 --> 00:40:58,359
Speaker 2: like how to paint properly, and they're like, first, put

893
00:40:58,400 --> 00:41:01,800
Speaker 2: a coat of primer. I'm like, well, I'm not doing primer. Nope,

894
00:41:02,560 --> 00:41:06,040
Speaker 2: I guess I'm not painting or the very best. I'm

895
00:41:06,120 --> 00:41:08,560
Speaker 2: doing a bad job. Yeah. Actually, now I remember I

896
00:41:08,600 --> 00:41:10,120
Speaker 2: had to paint some brick in my yard and they

897
00:41:10,120 --> 00:41:11,799
Speaker 2: were like, first of all, you've got to put down

898
00:41:11,880 --> 00:41:14,840
Speaker 2: two layers of primer or whatever the hell.

899
00:41:14,840 --> 00:41:15,560
Speaker 3: For a brick.

900
00:41:16,560 --> 00:41:18,360
Speaker 2: I'm going straight to brick with paint.

901
00:41:18,640 --> 00:41:19,800
Speaker 3: We can't just paint brick.

902
00:41:20,760 --> 00:41:22,280
Speaker 2: You're looking at somebody who did.

903
00:41:22,280 --> 00:41:27,719
Speaker 4: You a badass, and the brick took it.

904
00:41:27,719 --> 00:41:30,520
Speaker 3: It didn't need a like a appetizer.

905
00:41:30,120 --> 00:41:32,480
Speaker 2: And it's lasted at least a year, okay, and that's

906
00:41:32,520 --> 00:41:34,160
Speaker 2: all you need. I could have died in that year,

907
00:41:35,400 --> 00:41:36,080
Speaker 2: So there you go.

908
00:41:36,480 --> 00:41:38,840
Speaker 4: I honestly, in this conversation, I'm like, why do I

909
00:41:38,920 --> 00:41:40,920
Speaker 4: like painting if I'm like so impatient? And I'm like,

910
00:41:42,560 --> 00:41:46,319
Speaker 4: my friend has her grandmother's painting hanging up and it's

911
00:41:46,360 --> 00:41:49,520
Speaker 4: gorgeous and she never met her grandmother. It's like really abstract,

912
00:41:50,440 --> 00:41:52,520
Speaker 4: and I'm like, I think that's when I was like

913
00:41:52,680 --> 00:41:54,680
Speaker 4: I want to paint, because I was like, whoa, it's

914
00:41:54,760 --> 00:42:00,040
Speaker 4: crazy that and maybe it is so fucking theatrical and

915
00:42:00,120 --> 00:42:02,080
Speaker 4: losory of me, but I was like, this is cool that.

916
00:42:02,080 --> 00:42:03,040
Speaker 3: She like lives on.

917
00:42:03,320 --> 00:42:04,600
Speaker 2: Oh yeah, of course, And I.

918
00:42:04,560 --> 00:42:06,560
Speaker 3: Think like movies and stuff that doesn't feel like that

919
00:42:06,640 --> 00:42:06,840
Speaker 3: to me.

920
00:42:07,040 --> 00:42:09,960
Speaker 2: Will that all be destroyed soon, I'm sure.

921
00:42:10,040 --> 00:42:13,239
Speaker 4: Or like any type of comedy ever, I'm like, that's

922
00:42:13,320 --> 00:42:16,040
Speaker 4: just gonna live and die that character or whatever. That's

923
00:42:16,239 --> 00:42:19,160
Speaker 4: that's a joke that was for somebody, But like a

924
00:42:19,280 --> 00:42:21,400
Speaker 4: painting from like your family.

925
00:42:21,719 --> 00:42:22,040
Speaker 2: Hmmm.

926
00:42:22,560 --> 00:42:24,040
Speaker 3: So I was like, I want to do that and

927
00:42:24,080 --> 00:42:25,800
Speaker 3: have my daughter hang up her my painting.

928
00:42:25,960 --> 00:42:28,359
Speaker 2: I think that's lovely. Your daughter's gonna have to pull

929
00:42:28,400 --> 00:42:29,680
Speaker 2: a heist to get this one.

930
00:42:30,520 --> 00:42:31,799
Speaker 3: She's gonna have to get into your house.

931
00:42:31,840 --> 00:42:33,720
Speaker 2: She's just gonna have to steal from my grand niece

932
00:42:33,800 --> 00:42:34,120
Speaker 2: or something.

933
00:42:34,200 --> 00:42:35,480
Speaker 3: Yeah, because this will be hanging up.

934
00:42:35,520 --> 00:42:37,919
Speaker 2: Oh, of course it will. Of course, this is gonna

935
00:42:37,960 --> 00:42:40,080
Speaker 2: be worth so much, and it's gonna ruin your family.

936
00:42:40,280 --> 00:42:41,880
Speaker 2: It's gonna tear them apart, and they're gonna be like,

937
00:42:41,880 --> 00:42:44,560
Speaker 2: why does Bridger have that? Why does Bridger's great grand

938
00:42:44,680 --> 00:42:45,279
Speaker 2: niece or whatever.

939
00:42:45,360 --> 00:42:47,960
Speaker 4: Yeah, they're gonna go like, was there any legal document

940
00:42:48,040 --> 00:42:51,040
Speaker 4: where Bridger took ownership of Aara Angela's Miracle?

941
00:42:51,560 --> 00:42:54,399
Speaker 2: And because this podcast is purely digital, no one will

942
00:42:54,400 --> 00:42:57,479
Speaker 2: put it to physical tape, which I beg for. Come on,

943
00:42:57,680 --> 00:43:00,240
Speaker 2: this is gonna vanish and there'll be no record of.

944
00:43:00,320 --> 00:43:04,920
Speaker 4: No unless someone transcribes it, transcribe, publishes that transcribed.

945
00:43:04,960 --> 00:43:05,680
Speaker 2: It's on vinyl.

946
00:43:05,840 --> 00:43:08,600
Speaker 4: Yes, it's a power of attorney. I don't know what

947
00:43:08,719 --> 00:43:10,520
Speaker 4: I'm adding more red tape here?

948
00:43:10,920 --> 00:43:12,520
Speaker 2: How many times do I have to hint that this

949
00:43:12,560 --> 00:43:14,040
Speaker 2: podcast needs to be put to vinyl?

950
00:43:15,040 --> 00:43:15,920
Speaker 3: Just do it, guys.

951
00:43:17,200 --> 00:43:19,080
Speaker 2: You know you love to put a record on the

952
00:43:19,200 --> 00:43:20,560
Speaker 2: turntable and suddenly.

953
00:43:20,200 --> 00:43:24,040
Speaker 3: It's this, yes, or just a book of it, a book.

954
00:43:23,840 --> 00:43:27,279
Speaker 2: A full transcribed book, beautifully.

955
00:43:26,760 --> 00:43:31,440
Speaker 4: Beautiless for the podcast, so you can read it. Audiobooks

956
00:43:31,440 --> 00:43:32,840
Speaker 4: go backwards, we can go the other way.

957
00:43:33,840 --> 00:43:37,120
Speaker 2: That's not the worst idea. What will be the first

958
00:43:37,120 --> 00:43:41,600
Speaker 2: podcast that's turned into a book fully transcribed book? Heartless?

959
00:43:43,320 --> 00:43:47,200
Speaker 2: You know, I'm reading chapter or the third book and SmartLess,

960
00:43:48,160 --> 00:43:48,800
Speaker 2: God bless.

961
00:43:48,840 --> 00:43:51,759
Speaker 3: But we make a joke, a bridge of that could

962
00:43:51,800 --> 00:43:52,400
Speaker 3: truly happen.

963
00:43:52,480 --> 00:43:55,000
Speaker 2: There's somebody in a publishing house right now and her

964
00:43:55,239 --> 00:43:56,920
Speaker 2: the wheels are turning. She's like, I'm gonna get in

965
00:43:57,000 --> 00:43:58,240
Speaker 2: touch with the SmartLess guys.

966
00:43:58,360 --> 00:44:00,200
Speaker 4: And it's the same lady who was like, I think

967
00:44:00,200 --> 00:44:02,359
Speaker 4: we should keep doing like Alice in Wonderland and all

968
00:44:02,400 --> 00:44:04,680
Speaker 4: those books and just change the cover art, of course,

969
00:44:04,760 --> 00:44:07,400
Speaker 4: make them look old, and then you'll have SmartLess and

970
00:44:07,400 --> 00:44:10,880
Speaker 4: it'll look like the Bible for your dad for Father's Day.

971
00:44:12,640 --> 00:44:18,360
Speaker 2: The King James version of SmartLess. I would look I

972
00:44:18,360 --> 00:44:21,160
Speaker 2: would look into it. I would browse it at an airport.

973
00:44:21,000 --> 00:44:22,800
Speaker 4: Literally, and you and I think it's a it's a

974
00:44:22,840 --> 00:44:24,279
Speaker 4: gift to give someone and when they're like, oh, my

975
00:44:24,360 --> 00:44:27,399
Speaker 4: kid loves this podcast, so I got him the book

976
00:44:27,440 --> 00:44:27,719
Speaker 4: of it.

977
00:44:30,440 --> 00:44:32,840
Speaker 2: SmartLess boys, reach out. This is now our idea.

978
00:44:33,120 --> 00:44:35,000
Speaker 3: Yeah, we have it written down.

979
00:44:36,440 --> 00:44:40,680
Speaker 2: We will sue you. Literally, we'll sue whatever publisher you

980
00:44:40,880 --> 00:44:41,799
Speaker 2: get in touch.

981
00:44:41,560 --> 00:44:43,280
Speaker 3: With, whoever they are.

982
00:44:45,880 --> 00:44:46,240
Speaker 2: The ground.

983
00:44:46,360 --> 00:44:48,799
Speaker 3: Yeah, I'm gonna suit up. We'll suit up to.

984
00:44:50,760 --> 00:44:53,160
Speaker 2: Should I get this final thing out here? This I've

985
00:44:53,160 --> 00:44:55,600
Speaker 2: already gotten a peek at it I had to bring.

986
00:44:55,920 --> 00:44:58,200
Speaker 2: I'm gonna set this up here so we can get

987
00:44:58,600 --> 00:45:01,040
Speaker 2: just kind of boobs all the time. I'm on the podcast.

988
00:45:01,120 --> 00:45:05,680
Speaker 2: This is a very straight show, got a very horny

989
00:45:05,760 --> 00:45:13,640
Speaker 2: straight audience. Uh, okay, this gorgeous cake.

990
00:45:13,640 --> 00:45:16,360
Speaker 4: You'd bring a strawberry shortcake.

991
00:45:16,600 --> 00:45:19,200
Speaker 2: This is a stunning little cake you've got here. Why

992
00:45:19,239 --> 00:45:21,840
Speaker 2: did you bring that? Do people bring food on occasion?

993
00:45:21,920 --> 00:45:22,440
Speaker 3: On occasion?

994
00:45:22,480 --> 00:45:23,120
Speaker 2: On occasion?

995
00:45:23,520 --> 00:45:25,280
Speaker 3: I just was like, I think.

996
00:45:27,920 --> 00:45:30,640
Speaker 4: Because this is like an like you sit together, I

997
00:45:30,680 --> 00:45:31,960
Speaker 4: was like, I should bring food.

998
00:45:32,160 --> 00:45:33,400
Speaker 2: I think this is a great idea.

999
00:45:33,840 --> 00:45:35,680
Speaker 3: Yeah, and I just thought she was gorgeous.

1000
00:45:35,760 --> 00:45:37,040
Speaker 2: She's such a pretty little cake.

1001
00:45:37,520 --> 00:45:39,480
Speaker 3: It's so funny how we stopped icing the whole thing.

1002
00:45:40,080 --> 00:45:43,080
Speaker 2: Yeah, this is a new It's the like, oh, let's

1003
00:45:43,120 --> 00:45:46,839
Speaker 2: see the roughness, let's see the reality of the cake.

1004
00:45:46,960 --> 00:45:48,960
Speaker 3: Yeah, we like seeing the scaffolding.

1005
00:45:48,719 --> 00:45:52,080
Speaker 2: Right exactly? Should we? I wish we had forks or something.

1006
00:45:52,080 --> 00:45:53,320
Speaker 3: Honestly, I was more.

1007
00:45:54,920 --> 00:45:55,400
Speaker 2: On topic.

1008
00:45:55,560 --> 00:45:57,840
Speaker 3: But here's the thing. I didn't know your diet terior restrictions.

1009
00:45:59,440 --> 00:46:03,719
Speaker 2: You could and I'll die on podcasts. No, I'm willing to.

1010
00:46:03,640 --> 00:46:06,640
Speaker 4: Die unless it's put in on paper. Put it on

1011
00:46:06,680 --> 00:46:08,320
Speaker 4: a vinyl when you die, that's.

1012
00:46:08,080 --> 00:46:08,879
Speaker 3: What they'll do it.

1013
00:46:09,360 --> 00:46:10,399
Speaker 2: No, we'll get into this.

1014
00:46:10,719 --> 00:46:11,279
Speaker 3: I don't know why.

1015
00:46:11,320 --> 00:46:14,239
Speaker 4: I just felt I like, I like bringing people. I'm

1016
00:46:14,239 --> 00:46:15,879
Speaker 4: one of those girls that brings donuts to work.

1017
00:46:15,960 --> 00:46:17,400
Speaker 2: Oh that's such a nice thing to do.

1018
00:46:17,880 --> 00:46:19,480
Speaker 4: But I think it. I think it's because it makes

1019
00:46:19,520 --> 00:46:20,280
Speaker 4: me feel good.

1020
00:46:20,960 --> 00:46:22,800
Speaker 2: It makes you feel good. It's a selfish thing.

1021
00:46:22,680 --> 00:46:28,399
Speaker 4: For you, or like like in theater school, I would

1022
00:46:28,400 --> 00:46:31,160
Speaker 4: always like bring cookies for rehearsal, a fucking loser.

1023
00:46:31,800 --> 00:46:33,320
Speaker 3: But for some reason it just made me happy.

1024
00:46:33,400 --> 00:46:35,600
Speaker 2: So do you ever make any of the goods you bring?

1025
00:46:35,800 --> 00:46:35,840
Speaker 1: No?

1026
00:46:36,280 --> 00:46:37,759
Speaker 2: No, no, no, too impatient?

1027
00:46:38,640 --> 00:46:41,360
Speaker 3: And I hate I like cooking because you can fuck around.

1028
00:46:41,440 --> 00:46:43,160
Speaker 4: Oh right, this is where you and I are making

1029
00:46:44,280 --> 00:46:45,840
Speaker 4: No way, are you a baker?

1030
00:46:45,880 --> 00:46:49,160
Speaker 2: I love to bake. I love to bake. And it's

1031
00:46:49,200 --> 00:46:50,960
Speaker 2: such a feeling when you bring a baked good and

1032
00:46:51,000 --> 00:46:53,600
Speaker 2: people like it. Oh you know, I have to like

1033
00:46:53,680 --> 00:46:56,120
Speaker 2: really keep myself in check because my ego is going

1034
00:46:56,120 --> 00:46:58,400
Speaker 2: through the roof when people are showing my baked goods,

1035
00:46:58,680 --> 00:47:05,040
Speaker 2: really really stop it. You know they're good. I know

1036
00:47:05,120 --> 00:47:07,480
Speaker 2: these are great cookies. Yeah, that's why I brought them.

1037
00:47:07,480 --> 00:47:09,439
Speaker 3: And you're exact with your yes.

1038
00:47:09,840 --> 00:47:12,000
Speaker 4: See yeah, that's why I can't do that because I'm like,

1039
00:47:12,040 --> 00:47:13,200
Speaker 4: you fuck up one little thing.

1040
00:47:13,400 --> 00:47:16,600
Speaker 3: And the sponge cake is not a sponge cake. It's pudding.

1041
00:47:17,880 --> 00:47:20,080
Speaker 3: And that was a flour thing that wasn't a I

1042
00:47:20,080 --> 00:47:20,560
Speaker 3: don't know.

1043
00:47:20,920 --> 00:47:23,200
Speaker 2: See this is where but I only I essentially only

1044
00:47:23,200 --> 00:47:25,640
Speaker 2: make cookies, which I think there's a little bit more

1045
00:47:25,840 --> 00:47:29,040
Speaker 2: the only guy cookie only man, I make brownies. I'll

1046
00:47:29,040 --> 00:47:32,480
Speaker 2: make brownies, but that's a cookie bar essentially.

1047
00:47:32,600 --> 00:47:35,680
Speaker 4: Oh yeah, I'm like, I don't know what your order

1048
00:47:36,080 --> 00:47:38,560
Speaker 4: of operations is, but I'm number one brownie.

1049
00:47:38,760 --> 00:47:39,800
Speaker 2: I love a brownie.

1050
00:47:39,880 --> 00:47:42,800
Speaker 4: But then cookie, Oh then cookie or then cake maybe

1051
00:47:43,120 --> 00:47:45,400
Speaker 4: brownie cake, brownie cake, cookie?

1052
00:47:45,440 --> 00:47:47,719
Speaker 2: You love a thing in a bar shape? Yeah?

1053
00:47:47,719 --> 00:47:50,360
Speaker 4: I think they're like, yeah, okay, thank you so much.

1054
00:47:50,480 --> 00:47:53,439
Speaker 2: Oh look at this on Lisa's brought a whole tea set.

1055
00:47:53,520 --> 00:47:55,160
Speaker 3: Oh my goodness, you can cut the cake.

1056
00:47:55,680 --> 00:47:57,520
Speaker 2: Let's cut the cakes.

1057
00:47:58,160 --> 00:48:01,520
Speaker 3: Sorry I should have warned y'all or brought plates.

1058
00:48:02,320 --> 00:48:05,200
Speaker 2: Can you imagine? Okay, I'm trying to not pull this

1059
00:48:05,360 --> 00:48:09,640
Speaker 2: apart and throw it on the floor. Let's see here. Oh,

1060
00:48:10,000 --> 00:48:14,080
Speaker 2: very nice. Okay, I'm going to cut that boot. Yeah,

1061
00:48:14,120 --> 00:48:17,239
Speaker 2: I would love to try, but it's also got this

1062
00:48:17,520 --> 00:48:23,960
Speaker 2: insane little maybe pull the tape off of the thing. Yeah,

1063
00:48:23,960 --> 00:48:29,000
Speaker 2: it's got a little thing holding apart. Yeah. I don't

1064
00:48:29,080 --> 00:48:31,799
Speaker 2: understand what the need for the plastic is. I guess

1065
00:48:31,800 --> 00:48:32,960
Speaker 2: they didn't trust themselves.

1066
00:48:33,080 --> 00:48:35,080
Speaker 3: Yeah, it's giving insecure baker.

1067
00:48:36,680 --> 00:48:39,360
Speaker 2: Here we go on. Lisa is slowly pulling the tape

1068
00:48:39,680 --> 00:48:45,080
Speaker 2: plastic ring. There we go. Oh, that seems kind of satisfying. Actually,

1069
00:48:46,360 --> 00:48:49,640
Speaker 2: the big reveal gorgeous.

1070
00:48:49,600 --> 00:48:52,160
Speaker 3: Gorgeous, Sorry about that, my pleasure?

1071
00:48:52,480 --> 00:48:57,680
Speaker 2: Wow beautiful? That is wow. Look at that stunning little cake.

1072
00:48:58,560 --> 00:49:00,399
Speaker 2: Gorgeous cake. People have got to see that cake.

1073
00:49:00,960 --> 00:49:01,760
Speaker 3: What's your cookie?

1074
00:49:01,920 --> 00:49:07,480
Speaker 2: Okay? My go to baking cookie is a chocolate chip cookie.

1075
00:49:07,480 --> 00:49:10,880
Speaker 2: I've slowly developed the recipe using you know, all the

1076
00:49:10,920 --> 00:49:12,120
Speaker 2: recipes I've ever used.

1077
00:49:12,920 --> 00:49:13,680
Speaker 3: How many years?

1078
00:49:14,320 --> 00:49:16,399
Speaker 2: It's been years and years at this point. I mean

1079
00:49:16,640 --> 00:49:19,280
Speaker 2: I started. My mom is a big baker.

1080
00:49:19,000 --> 00:49:21,760
Speaker 3: Oh she is, but she started with her recipe.

1081
00:49:21,680 --> 00:49:23,719
Speaker 2: Yes, And I didn't really start baking for myself until

1082
00:49:23,719 --> 00:49:25,080
Speaker 2: I moved to LA and I had one of those

1083
00:49:25,120 --> 00:49:28,240
Speaker 2: little ovens that was basically from nineteen twenty seven. Yeah,

1084
00:49:28,280 --> 00:49:30,880
Speaker 2: that you didn't know what temperature it was or anything.

1085
00:49:31,000 --> 00:49:34,640
Speaker 2: Cleaned it, yes, And now then that started in probably

1086
00:49:34,640 --> 00:49:37,239
Speaker 2: twenty twelve, so it's been about thirteen years that I've

1087
00:49:37,239 --> 00:49:40,680
Speaker 2: been baking and not the recipe. I would say, it's perfect.

1088
00:49:40,680 --> 00:49:42,480
Speaker 3: Can I ask off the bat? Are you freezing the

1089
00:49:42,520 --> 00:49:43,800
Speaker 3: no the night before?

1090
00:49:44,800 --> 00:49:47,680
Speaker 2: This is a whole other thing. Of course. The impatience. Yeah,

1091
00:49:47,760 --> 00:49:50,239
Speaker 2: I'm I will bake part. I bake part of it

1092
00:49:50,280 --> 00:49:52,680
Speaker 2: to begin with, because I need my cookie now and

1093
00:49:52,719 --> 00:49:54,000
Speaker 2: I'm not a planner.

1094
00:49:53,640 --> 00:49:55,719
Speaker 3: And my friends lives and dies by this, and we've

1095
00:49:55,719 --> 00:49:56,360
Speaker 3: had arguments.

1096
00:49:56,440 --> 00:49:57,280
Speaker 2: Oh interesting.

1097
00:49:57,400 --> 00:49:59,640
Speaker 3: She was like, if you're not freezing, I don't know.

1098
00:50:00,000 --> 00:50:00,440
Speaker 3: I'm bored.

1099
00:50:02,000 --> 00:50:03,879
Speaker 4: She's like, if it's if you're not making the dough

1100
00:50:03,880 --> 00:50:05,400
Speaker 4: the night before, it's not a good cookie.

1101
00:50:05,520 --> 00:50:08,279
Speaker 2: Okay, So I love I'm going to hold a knife

1102
00:50:08,280 --> 00:50:09,840
Speaker 2: for every episode of the podcast.

1103
00:50:09,920 --> 00:50:11,760
Speaker 4: I feel so casual with you with the knife.

1104
00:50:11,840 --> 00:50:19,120
Speaker 2: It's fine. You do refrigerating, it always helps, it always

1105
00:50:19,120 --> 00:50:22,000
Speaker 2: some genius. But this is the thing. A cookie. If

1106
00:50:22,040 --> 00:50:24,000
Speaker 2: the recipe is good will taste good when you bake

1107
00:50:24,040 --> 00:50:26,359
Speaker 2: it the first time as well. Yeah, the next day

1108
00:50:26,360 --> 00:50:28,239
Speaker 2: it'll be a little better. The next day it will

1109
00:50:28,280 --> 00:50:31,319
Speaker 2: be even better. The next day will probably be the

1110
00:50:31,440 --> 00:50:34,880
Speaker 2: very best. Really, then you've got some diminishing returns. And

1111
00:50:34,960 --> 00:50:37,120
Speaker 2: at that point, if you still have dough, you want

1112
00:50:37,160 --> 00:50:40,600
Speaker 2: to turn it into balls. Put it on the cookie sheet.

1113
00:50:40,719 --> 00:50:42,640
Speaker 2: Put all of them on the cookie sheet, Put them

1114
00:50:42,640 --> 00:50:44,600
Speaker 2: in the freezer for ten to twenty minutes so that

1115
00:50:44,880 --> 00:50:47,279
Speaker 2: they're hard, and then you can put them in a

1116
00:50:47,280 --> 00:50:49,640
Speaker 2: bag and freeze them all and you know.

1117
00:50:49,719 --> 00:50:51,040
Speaker 3: Later, freeze it as a unit.

1118
00:50:51,160 --> 00:50:53,040
Speaker 2: Freeze it as a unit. You can't freeze the whole

1119
00:50:53,080 --> 00:50:54,960
Speaker 2: dough together, because then that's gonna be a nightmare to

1120
00:50:54,960 --> 00:50:57,960
Speaker 2: pull apart. Oh yeah, but if it's in the fridge

1121
00:50:58,000 --> 00:51:00,920
Speaker 2: too long, you're you're playing with fire. Yeah, you want

1122
00:51:00,920 --> 00:51:03,680
Speaker 2: to refrigerate it. Those flavors are mashing together, they're becoming

1123
00:51:03,680 --> 00:51:06,760
Speaker 2: The sugar is taking on the butter, Yeah, the vanilla,

1124
00:51:07,000 --> 00:51:07,600
Speaker 2: all of this.

1125
00:51:07,920 --> 00:51:11,200
Speaker 4: See, now I understand it does make sense because I

1126
00:51:11,200 --> 00:51:13,080
Speaker 4: I have like a I have a bowlin aise that

1127
00:51:13,120 --> 00:51:15,200
Speaker 4: I that I've perfected that makes sense.

1128
00:51:15,280 --> 00:51:16,360
Speaker 2: Is a flavor thing.

1129
00:51:16,960 --> 00:51:18,920
Speaker 4: A long time and it took my mom's recipe and

1130
00:51:18,960 --> 00:51:21,840
Speaker 4: my granm and I figured out mine, and it's better

1131
00:51:22,040 --> 00:51:22,880
Speaker 4: than the next thing.

1132
00:51:23,120 --> 00:51:25,319
Speaker 2: Right, the flavors have all kind of teamed up.

1133
00:51:25,480 --> 00:51:29,360
Speaker 4: Yeah, and they've like we've met, they've stewed century.

1134
00:51:29,440 --> 00:51:32,839
Speaker 3: Yeah, we found our chemistry. Now we're ready to room.

1135
00:51:33,320 --> 00:51:36,520
Speaker 2: But yeah, I usually will make an entire thing of

1136
00:51:36,600 --> 00:51:39,840
Speaker 2: dough and then make one two cookies, one for me,

1137
00:51:39,880 --> 00:51:43,719
Speaker 2: one for my boyfriend a night, for like a week. Essentially.

1138
00:51:44,680 --> 00:51:46,000
Speaker 3: That's so sweet.

1139
00:51:46,040 --> 00:51:47,799
Speaker 2: How big. I think it's like, I think it is

1140
00:51:47,880 --> 00:51:50,400
Speaker 2: kind of like I mean, I just talk about it

1141
00:51:50,400 --> 00:51:52,600
Speaker 2: casually now, but I think it's psycho Well.

1142
00:51:52,640 --> 00:51:54,920
Speaker 4: I think a lot of people do one cookie in

1143
00:51:54,960 --> 00:51:55,360
Speaker 4: the sheet.

1144
00:51:55,480 --> 00:51:56,160
Speaker 3: It's like a new thing.

1145
00:51:56,239 --> 00:51:58,359
Speaker 2: You gotta because otherwise I'm going to eat all of them.

1146
00:51:58,400 --> 00:52:00,360
Speaker 3: A lot of my TikTok girlies.

1147
00:52:00,040 --> 00:52:03,240
Speaker 2: That interesting curlies. I did it first.

1148
00:52:03,840 --> 00:52:05,560
Speaker 3: He did it first, writing.

1149
00:52:07,440 --> 00:52:12,080
Speaker 2: It's in the Bible version of I said, okay, okay,

1150
00:52:12,160 --> 00:52:13,799
Speaker 2: let me let me sl Yeah.

1151
00:52:13,800 --> 00:52:15,200
Speaker 3: I don't think I cracker open here.

1152
00:52:16,680 --> 00:52:20,759
Speaker 4: Oh you're just doing this to one half each. I've

1153
00:52:20,800 --> 00:52:22,520
Speaker 4: never seen anyone cut a cake like that.

1154
00:52:23,160 --> 00:52:30,040
Speaker 2: Boom, there's your half. Enjoy, thank you, and then for

1155
00:52:30,239 --> 00:52:39,160
Speaker 2: me it's just a sliver there. It is okay. Oh,

1156
00:52:39,480 --> 00:52:40,440
Speaker 2: I love a whipped cream.

1157
00:52:40,719 --> 00:52:41,200
Speaker 3: Look at that.

1158
00:52:41,320 --> 00:52:42,359
Speaker 2: I love a strawberry.

1159
00:52:42,960 --> 00:52:43,359
Speaker 3: Take it.

1160
00:52:43,440 --> 00:52:45,160
Speaker 2: Although I'll say that it seems like they put some

1161
00:52:45,200 --> 00:52:47,360
Speaker 2: sort of sugar glaze on the straw strawberry.

1162
00:52:47,520 --> 00:52:49,840
Speaker 3: Jesus, we just can't do hy berry.

1163
00:52:50,160 --> 00:52:53,440
Speaker 2: Let it shine. The strawberry is one of the perfect foods.

1164
00:52:53,920 --> 00:52:54,399
Speaker 3: I know.

1165
00:52:54,760 --> 00:52:56,759
Speaker 2: I'm going to try all of this at once, though.

1166
00:52:57,120 --> 00:52:58,080
Speaker 3: Oh this is a lot.

1167
00:52:58,120 --> 00:52:59,959
Speaker 2: I try to get this mashed into my mouth.

1168
00:53:01,920 --> 00:53:09,319
Speaker 4: Wow, it's you know, fine, we'll look at that.

1169
00:53:09,760 --> 00:53:11,120
Speaker 3: A fine strawberry shork cake.

1170
00:53:11,520 --> 00:53:12,040
Speaker 2: It's good.

1171
00:53:12,880 --> 00:53:14,920
Speaker 3: I should have sought out a really nice one for you.

1172
00:53:15,040 --> 00:53:17,359
Speaker 2: I think that's very good. This isn't another thing where

1173
00:53:17,400 --> 00:53:20,680
Speaker 2: like it's hard to say, but like contextually, if you

1174
00:53:20,719 --> 00:53:22,200
Speaker 2: had brought this and said you had made it.

1175
00:53:23,280 --> 00:53:25,160
Speaker 3: Then i'd have ye at gunpoint, yeah, you would have.

1176
00:53:25,200 --> 00:53:27,879
Speaker 2: It would be interesting to see what my reaction would

1177
00:53:27,880 --> 00:53:29,560
Speaker 2: have been. I may have been like, this is the

1178
00:53:29,560 --> 00:53:31,600
Speaker 2: best strawberry shortcake I've ever had.

1179
00:53:31,719 --> 00:53:33,680
Speaker 4: You know, are you one to blow something up if

1180
00:53:33,800 --> 00:53:34,719
Speaker 4: someone put along?

1181
00:53:34,840 --> 00:53:37,520
Speaker 2: No, But I think the context matters. I think to

1182
00:53:37,600 --> 00:53:41,160
Speaker 2: be like, wow, do you work? And yeah, effort? That

1183
00:53:41,200 --> 00:53:44,800
Speaker 2: was put into this and it's good. It's not disgusting. Yeah,

1184
00:53:44,840 --> 00:53:47,800
Speaker 2: I would have been dazzled, and I am dazzled. I

1185
00:53:47,800 --> 00:53:50,680
Speaker 2: think it's good. I love whipped cream, I love strawberries,

1186
00:53:51,080 --> 00:53:54,200
Speaker 2: and poundcake I think is decent. That's my big problem

1187
00:53:54,239 --> 00:53:57,520
Speaker 2: with all strawberry shortcake. I'm like, well, it's just vanilla cake.

1188
00:53:57,880 --> 00:53:58,800
Speaker 3: I love poundcake.

1189
00:53:58,880 --> 00:54:01,239
Speaker 2: You do just pure pound cause it's not asking a

1190
00:54:01,239 --> 00:54:03,720
Speaker 2: lot of me, right, it's just a simple vanilla flavor.

1191
00:54:03,800 --> 00:54:06,160
Speaker 3: Yeah, it's like a muffin, but dessert. And I think

1192
00:54:06,160 --> 00:54:08,360
Speaker 3: I like that. It is piffany and I'm not an

1193
00:54:08,520 --> 00:54:11,320
Speaker 3: icing girl. I like it. Not a loser.

1194
00:54:12,120 --> 00:54:14,040
Speaker 2: But you could just eat a plain vanilla cake.

1195
00:54:15,360 --> 00:54:16,160
Speaker 3: If it's good.

1196
00:54:16,239 --> 00:54:19,200
Speaker 2: Yeah, that's impressive, Thank you so much. I need a

1197
00:54:19,200 --> 00:54:21,080
Speaker 2: little little razzle dazzle.

1198
00:54:21,280 --> 00:54:23,240
Speaker 3: You need like a little swirl.

1199
00:54:22,960 --> 00:54:26,600
Speaker 2: A swirl. I need a chocolate or something like this

1200
00:54:26,680 --> 00:54:27,759
Speaker 2: where we've dressed it up.

1201
00:54:28,640 --> 00:54:33,160
Speaker 3: Yeah, she's formal. She's got her shoes on and a scarf.

1202
00:54:33,360 --> 00:54:35,080
Speaker 2: Wow, but you're a brownie person first.

1203
00:54:35,680 --> 00:54:40,240
Speaker 4: Yeah, here's how it is. I'm just gonna raw brownie cake.

1204
00:54:40,440 --> 00:54:44,120
Speaker 3: Okay, cookie ice cream, okay?

1205
00:54:44,239 --> 00:54:47,440
Speaker 2: Pie? Interesting? And can you name out of those categories

1206
00:54:47,520 --> 00:54:49,640
Speaker 2: like well, brownie is a brownie or is there a

1207
00:54:49,680 --> 00:54:50,560
Speaker 2: type of brownie you like?

1208
00:54:50,640 --> 00:54:53,040
Speaker 3: See, I'm going just like the bare bones what they are?

1209
00:54:53,120 --> 00:54:53,279
Speaker 2: Right?

1210
00:54:53,400 --> 00:54:55,800
Speaker 3: Just a chock, I'd say, just like, Yeah. Not a

1211
00:54:56,120 --> 00:54:57,320
Speaker 3: blondie isn't a brownie.

1212
00:54:57,400 --> 00:55:00,640
Speaker 2: Blondie is not a brownie. It's a different bar. It's

1213
00:55:00,640 --> 00:55:01,160
Speaker 2: a blondie.

1214
00:55:01,239 --> 00:55:05,440
Speaker 4: To me, a blondie is close to a biscuit or

1215
00:55:05,480 --> 00:55:06,200
Speaker 4: a biscottie.

1216
00:55:07,239 --> 00:55:09,520
Speaker 2: A blondie is more in the line of cake almost.

1217
00:55:09,840 --> 00:55:10,840
Speaker 3: Yeah, it's hard cake.

1218
00:55:11,000 --> 00:55:13,359
Speaker 2: Yeah, it's old stiff cake.

1219
00:55:13,560 --> 00:55:15,160
Speaker 3: Or blondie is a thick cookie?

1220
00:55:15,440 --> 00:55:18,000
Speaker 2: Yeah? Or a too soft cookie?

1221
00:55:18,040 --> 00:55:19,440
Speaker 3: Yeah, I think I like with brownies.

1222
00:55:19,480 --> 00:55:19,799
Speaker 2: I like the.

1223
00:55:21,480 --> 00:55:23,840
Speaker 3: I like them to be dense and cake.

1224
00:55:23,760 --> 00:55:25,480
Speaker 2: Leg right, I need it to be in a very

1225
00:55:25,520 --> 00:55:26,400
Speaker 2: intense flavor.

1226
00:55:26,560 --> 00:55:26,759
Speaker 5: Yeah.

1227
00:55:26,800 --> 00:55:28,560
Speaker 3: What's your what's that your top.

1228
00:55:28,360 --> 00:55:31,440
Speaker 2: Cookie of chocolate chip cookie within the cookie category? Yeah,

1229
00:55:31,640 --> 00:55:34,440
Speaker 2: I mean almost all cookies, all cookies, Yeah, as long

1230
00:55:34,440 --> 00:55:36,800
Speaker 2: as they have some type of chocolate in them. Okay,

1231
00:55:36,920 --> 00:55:39,240
Speaker 2: a lot of like like a ginger snap. I could

1232
00:55:40,480 --> 00:55:41,080
Speaker 2: never thought.

1233
00:55:40,880 --> 00:55:43,400
Speaker 3: That there's like a lot of fruit in cake and pie.

1234
00:55:43,640 --> 00:55:45,000
Speaker 4: Not a lot of fruit cookies.

1235
00:55:45,200 --> 00:55:48,959
Speaker 2: No, there are very few fruit cookies. My mom makes

1236
00:55:49,000 --> 00:55:52,640
Speaker 2: it an apricot cookie very good. But it's almost like

1237
00:55:52,640 --> 00:55:53,320
Speaker 2: a little pie.

1238
00:55:53,719 --> 00:55:55,560
Speaker 3: Yeah, it's a mini little pie.

1239
00:55:55,480 --> 00:56:00,439
Speaker 2: But chocolate chip cookie cookie. Category Next is brownies. Yeah,

1240
00:56:00,560 --> 00:56:02,960
Speaker 2: exact type of brownie as you or a peanut butter

1241
00:56:03,000 --> 00:56:06,600
Speaker 2: brownie or a cheesecake brownie, almost any type of brownie,

1242
00:56:06,600 --> 00:56:08,520
Speaker 2: as long as I don't like a frosting on a brownie.

1243
00:56:08,520 --> 00:56:09,839
Speaker 2: I don't really care for that either.

1244
00:56:09,840 --> 00:56:11,040
Speaker 3: I kind of like a corner piece.

1245
00:56:11,400 --> 00:56:13,520
Speaker 2: Yeah, I love a corner I could essentially as long

1246
00:56:13,560 --> 00:56:16,399
Speaker 2: as it doesn't have some something slathered across the top.

1247
00:56:17,640 --> 00:56:22,600
Speaker 2: Third for me, ice cream slash milkshake. Great, I love

1248
00:56:22,640 --> 00:56:26,520
Speaker 2: a milkshake. Fourth, I think is a tie between cake

1249
00:56:26,520 --> 00:56:30,600
Speaker 2: and pie, and they have to be very good because

1250
00:56:30,640 --> 00:56:31,600
Speaker 2: they're both commitments.

1251
00:56:32,000 --> 00:56:36,200
Speaker 4: They are you did cut yourself a small cookie like piece.

1252
00:56:36,600 --> 00:56:38,799
Speaker 2: I think you haven't finished yours. Is there something wrong

1253
00:56:38,840 --> 00:56:41,680
Speaker 2: with the cake? Ansela? You don't like the cake?

1254
00:56:43,280 --> 00:56:44,080
Speaker 3: The half a cake?

1255
00:56:45,200 --> 00:56:51,759
Speaker 2: Are you not hungry? No? Cake and pie I think

1256
00:56:51,800 --> 00:56:55,520
Speaker 2: are higher steaks. They're a bigger commitment and it's very

1257
00:56:55,600 --> 00:56:57,759
Speaker 2: rare that I will seek out a cake the one

1258
00:56:57,840 --> 00:57:00,000
Speaker 2: place I'll get cake. Have you ever been to Quarters

1259
00:57:00,040 --> 00:57:01,560
Speaker 2: Sheets in Los Angeles?

1260
00:57:01,680 --> 00:57:03,280
Speaker 3: Quarter Sheets Place?

1261
00:57:03,640 --> 00:57:03,719
Speaker 2: Oh?

1262
00:57:03,840 --> 00:57:05,960
Speaker 3: Yes, I was gonna say, are you talking about I've

1263
00:57:05,960 --> 00:57:06,719
Speaker 3: never had their cake.

1264
00:57:06,800 --> 00:57:10,160
Speaker 2: Their cake is I never ordered desserted any restaurant ever there.

1265
00:57:10,640 --> 00:57:13,480
Speaker 2: This is the one place that every single time they

1266
00:57:13,520 --> 00:57:16,800
Speaker 2: have a princess cake that is so beautiful, so delicious.

1267
00:57:17,320 --> 00:57:18,400
Speaker 3: That's a princess cake.

1268
00:57:18,520 --> 00:57:19,800
Speaker 2: It's you've probably seen one before.

1269
00:57:19,800 --> 00:57:22,560
Speaker 3: They have like a barbie in the middle. That's what

1270
00:57:22,640 --> 00:57:23,880
Speaker 3: a princess cake is to me.

1271
00:57:25,160 --> 00:57:26,960
Speaker 2: It's full of plastic doll parts.

1272
00:57:27,000 --> 00:57:28,320
Speaker 3: But have you seen those the barbie?

1273
00:57:28,360 --> 00:57:29,640
Speaker 2: Oh wait, that's a real thing.

1274
00:57:29,800 --> 00:57:32,040
Speaker 3: So it's a barbie. And then the cake is on

1275
00:57:32,080 --> 00:57:32,520
Speaker 3: the side.

1276
00:57:32,640 --> 00:57:38,000
Speaker 2: It's like her dress right now, that's a skirt cake.

1277
00:57:38,400 --> 00:57:38,960
Speaker 2: That's a skirt.

1278
00:57:39,400 --> 00:57:40,479
Speaker 3: That's a princess cake.

1279
00:57:41,120 --> 00:57:43,880
Speaker 2: No, a princess cake is like a green, like beautiful,

1280
00:57:44,400 --> 00:57:48,919
Speaker 2: like minty green color on top. Yes, And then which

1281
00:57:48,960 --> 00:57:51,720
Speaker 2: and I'm not crazy about Actually it's Marsapan. That's why

1282
00:57:51,760 --> 00:57:54,040
Speaker 2: I like it because it's more of a flavored thing.

1283
00:57:54,080 --> 00:57:58,080
Speaker 2: It's more the thinking man's fondant, because Fonda is essentially.

1284
00:57:57,760 --> 00:58:00,400
Speaker 3: Plastic and Marzapan.

1285
00:58:00,160 --> 00:58:04,120
Speaker 2: Is it's like an almondy got it stuff. And then

1286
00:58:04,160 --> 00:58:07,480
Speaker 2: it's got white cake, raspberry and lack cream. I know

1287
00:58:07,520 --> 00:58:09,480
Speaker 2: exactly what this is, and I will say a lot

1288
00:58:09,480 --> 00:58:11,440
Speaker 2: of princess cakes are not that good. They're too sweet,

1289
00:58:11,560 --> 00:58:15,520
Speaker 2: They're like too almondy quarter sheets. I think it's a

1290
00:58:15,600 --> 00:58:20,280
Speaker 2: husband and wife duo, and they are. The piece is unbelievable.

1291
00:58:20,400 --> 00:58:23,439
Speaker 2: The cake is unbelievable. And weekly they have a different cake,

1292
00:58:23,560 --> 00:58:25,920
Speaker 2: sheet cake. So if you can get there in time,

1293
00:58:26,200 --> 00:58:29,440
Speaker 2: you get to try this thoughtful sheet cake that's always

1294
00:58:29,440 --> 00:58:31,160
Speaker 2: interesting and fantastic.

1295
00:58:31,280 --> 00:58:32,240
Speaker 3: I'm doing that this week.

1296
00:58:32,320 --> 00:58:35,640
Speaker 2: Bridger, good luck. You got to get a reservation. This

1297
00:58:35,680 --> 00:58:37,760
Speaker 2: place is impossible to get into at this point.

1298
00:58:38,280 --> 00:58:40,560
Speaker 3: They should reach out.

1299
00:58:40,720 --> 00:58:41,240
Speaker 2: Reach out.

1300
00:58:41,360 --> 00:58:43,680
Speaker 3: I got cake and art for you. Just invite me

1301
00:58:45,360 --> 00:58:45,960
Speaker 3: reach out.

1302
00:58:46,240 --> 00:58:48,960
Speaker 2: No, the cake is unlike any cake I've ever eaten before.

1303
00:58:49,000 --> 00:58:51,160
Speaker 2: But so that's the sort of cake that I enjoy. Okay,

1304
00:58:51,320 --> 00:58:53,240
Speaker 2: a regular birthday cake. If I'm at a birthday party

1305
00:58:53,240 --> 00:58:55,960
Speaker 2: and someone says, you want some cake, I ate before

1306
00:58:56,000 --> 00:58:57,120
Speaker 2: I came, I ate cake.

1307
00:58:58,720 --> 00:59:03,200
Speaker 3: I had cake on the way. So for your birthday,

1308
00:59:03,600 --> 00:59:03,880
Speaker 3: you're not.

1309
00:59:04,160 --> 00:59:05,640
Speaker 2: I had some can it on the bus.

1310
00:59:05,680 --> 00:59:08,840
Speaker 3: I had car cake. Are you so for your birthday

1311
00:59:08,840 --> 00:59:11,480
Speaker 3: you're never? Are you blowing a candle out of a cookie?

1312
00:59:12,000 --> 00:59:14,240
Speaker 2: I'll usually have a cake. Yeah, you're like whatever and

1313
00:59:14,320 --> 00:59:16,480
Speaker 2: I'll be like everybody, does everyone else want some of

1314
00:59:16,480 --> 00:59:20,240
Speaker 2: this cake that some somebody thoughtfully got for me?

1315
00:59:20,400 --> 00:59:21,880
Speaker 3: I'm so glad I brought this cake.

1316
00:59:22,680 --> 00:59:24,880
Speaker 2: I liked it. And it's morning, you know, it's like

1317
00:59:24,920 --> 00:59:27,440
Speaker 2: we're not even where. It's like lunchtime at this point,

1318
00:59:27,480 --> 00:59:30,080
Speaker 2: and this is a nice mort. I consider anything without

1319
00:59:30,160 --> 00:59:31,160
Speaker 2: chocolate breakfast.

1320
00:59:31,560 --> 00:59:34,760
Speaker 4: I completely agree, especially if you put a fruit on it.

1321
00:59:34,840 --> 00:59:36,680
Speaker 2: Oh, of course, it's just like this is essentially I

1322
00:59:36,680 --> 00:59:38,400
Speaker 2: could have woken up and had this with coffee.

1323
00:59:38,480 --> 00:59:39,200
Speaker 3: This is a parfay.

1324
00:59:39,360 --> 00:59:42,440
Speaker 2: This is this is a parfay. I should have more

1325
00:59:42,480 --> 00:59:43,600
Speaker 2: parfas for breakfast.

1326
00:59:44,200 --> 00:59:46,480
Speaker 3: Oh that I went through a huge parfae phase in.

1327
00:59:46,440 --> 00:59:48,440
Speaker 2: Your case, what were you putting in your parfay?

1328
00:59:48,680 --> 00:59:50,840
Speaker 3: I was just really obsessed with the Starbucks one.

1329
00:59:51,240 --> 00:59:53,120
Speaker 2: I didn't know Starbucks had a parfa I don't.

1330
00:59:52,920 --> 00:59:54,400
Speaker 3: Think they still do. But it was like I would

1331
00:59:54,440 --> 00:59:55,680
Speaker 3: get like a frappuccina and.

1332
00:59:55,680 --> 00:59:57,480
Speaker 2: A parfect Oh my god.

1333
00:59:57,920 --> 01:00:00,600
Speaker 4: And my digestive says, was a cake when I was

1334
01:00:00,640 --> 01:00:01,640
Speaker 4: in middle school, and I was.

1335
01:00:01,640 --> 01:00:04,160
Speaker 2: Gone, you have to take advantage of that, you do.

1336
01:00:04,360 --> 01:00:05,560
Speaker 3: We don't talk about that anymore.

1337
01:00:05,520 --> 01:00:09,520
Speaker 2: We are adults telling children. Roll for it? Do it?

1338
01:00:09,640 --> 01:00:13,760
Speaker 2: Now absolutely go crazy.

1339
01:00:13,640 --> 01:00:17,200
Speaker 3: Like you are. You will be fine. The window is closing, literally,

1340
01:00:17,280 --> 01:00:18,280
Speaker 3: like do it now.

1341
01:00:18,520 --> 01:00:20,640
Speaker 2: Your body is a furnace and you can throw whatever

1342
01:00:20,680 --> 01:00:21,320
Speaker 2: you want in there.

1343
01:00:21,440 --> 01:00:24,480
Speaker 4: Oh and you can. You can like prap and have

1344
01:00:24,600 --> 01:00:26,840
Speaker 4: a veggie every once in a while. That will be

1345
01:00:26,880 --> 01:00:27,760
Speaker 4: the rest of your life.

1346
01:00:27,840 --> 01:00:29,760
Speaker 2: Yes, she'll get used to the idea.

1347
01:00:29,960 --> 01:00:31,720
Speaker 3: Yeah, but you could do whatever you want.

1348
01:00:32,040 --> 01:00:33,040
Speaker 2: Have a frap and parf.

1349
01:00:33,320 --> 01:00:36,120
Speaker 3: Oh yeah, crap and parf parf.

1350
01:00:35,840 --> 01:00:39,560
Speaker 4: Frap in your breakfast, your lunch are having hot cheetos,

1351
01:00:39,640 --> 01:00:40,440
Speaker 4: Maybe another.

1352
01:00:40,200 --> 01:00:43,280
Speaker 2: Frap, wash it down with some grave Yeah.

1353
01:00:43,320 --> 01:00:44,200
Speaker 3: And for dinner I was having.

1354
01:00:44,240 --> 01:00:46,440
Speaker 4: My mother would come home at nine pm with Elco

1355
01:00:46,480 --> 01:00:48,680
Speaker 4: and be like sorry, and she'd throw it on the

1356
01:00:48,720 --> 01:00:49,880
Speaker 4: table and.

1357
01:00:50,000 --> 01:00:52,800
Speaker 2: Get into the bird feeder and have some sugar water.

1358
01:00:52,920 --> 01:00:54,880
Speaker 4: If I ate that, if I ate what I used

1359
01:00:54,880 --> 01:00:56,440
Speaker 4: to eat that days, I.

1360
01:00:56,400 --> 01:00:59,560
Speaker 2: Would be oh, my life, my health would eat frazier.

1361
01:01:01,520 --> 01:01:03,080
Speaker 3: It would be like I went to like Coachella for

1362
01:01:03,120 --> 01:01:03,880
Speaker 3: like three weeks.

1363
01:01:04,360 --> 01:01:08,040
Speaker 2: I'm like, put me away. It's just not a thing.

1364
01:01:08,120 --> 01:01:10,680
Speaker 2: It's not a possibility for an adult body. It doesn't

1365
01:01:10,720 --> 01:01:12,240
Speaker 2: like it feels bad.

1366
01:01:12,760 --> 01:01:14,960
Speaker 4: It's almost like I broke my arm last year, and

1367
01:01:15,960 --> 01:01:18,160
Speaker 4: I remember like the the guy was like, I was

1368
01:01:18,200 --> 01:01:21,080
Speaker 4: like the vet. The doctor was like, he was like,

1369
01:01:21,160 --> 01:01:23,160
Speaker 4: you need to keep this on for like months this

1370
01:01:23,440 --> 01:01:24,200
Speaker 4: And I was like, wow.

1371
01:01:24,240 --> 01:01:25,920
Speaker 3: When I was little, I remember breaking my arm all

1372
01:01:25,920 --> 01:01:26,520
Speaker 3: the time, and it was.

1373
01:01:26,440 --> 01:01:28,720
Speaker 2: Like a week breaking your arm all the time.

1374
01:01:28,800 --> 01:01:30,840
Speaker 3: I was like, I mean I broke around twice.

1375
01:01:30,840 --> 01:01:31,760
Speaker 2: Are you a pro skater?

1376
01:01:32,000 --> 01:01:32,080
Speaker 1: No?

1377
01:01:32,160 --> 01:01:34,720
Speaker 4: I was just like one of those kids right right.

1378
01:01:34,960 --> 01:01:37,320
Speaker 4: But it was crazy to me because there was like, yeah,

1379
01:01:37,320 --> 01:01:39,000
Speaker 4: a lot of kids sometimes we don't even need a cast,

1380
01:01:39,080 --> 01:01:41,280
Speaker 4: we just put it on there. But like their bodies

1381
01:01:41,360 --> 01:01:43,880
Speaker 4: just heal really fast, and this doctor is and we're

1382
01:01:43,920 --> 01:01:44,600
Speaker 4: slowly dying.

1383
01:01:44,680 --> 01:01:47,120
Speaker 2: So yeah, of course your body's like, well, why why bother,

1384
01:01:47,440 --> 01:01:47,800
Speaker 2: I'll leave.

1385
01:01:47,960 --> 01:01:50,440
Speaker 3: He's just gonna take me so long to rebuild this.

1386
01:01:50,680 --> 01:01:52,520
Speaker 2: Wow. So how long did you have the cast on? For?

1387
01:01:53,080 --> 01:01:54,280
Speaker 3: Like two months?

1388
01:01:54,320 --> 01:01:55,880
Speaker 2: How did you break your arm?

1389
01:01:56,880 --> 01:01:59,440
Speaker 3: Oh here's a story, dear friend, Patrick.

1390
01:01:59,240 --> 01:02:01,400
Speaker 2: Mcton, Oh my god, we love Patrick McDonald.

1391
01:02:02,000 --> 01:02:06,160
Speaker 4: I went to a birthday party at a roller rink okay,

1392
01:02:07,080 --> 01:02:10,600
Speaker 4: and I was just roller skating, took a mighty tumble,

1393
01:02:12,040 --> 01:02:15,720
Speaker 4: landed on my wrist in such a way that was

1394
01:02:15,840 --> 01:02:18,080
Speaker 4: so bad because I was like dancing.

1395
01:02:18,080 --> 01:02:21,640
Speaker 2: I think it was like, okay, I was like dancing and.

1396
01:02:21,680 --> 01:02:22,840
Speaker 3: Fell on my wrists so bad.

1397
01:02:22,880 --> 01:02:25,640
Speaker 4: And Patrick was there, and I've never seen him like

1398
01:02:26,320 --> 01:02:28,240
Speaker 4: completely like does.

1399
01:02:28,120 --> 01:02:29,520
Speaker 2: He go to like an emergency mode.

1400
01:02:30,000 --> 01:02:32,680
Speaker 3: No, almost in the opposite one of you.

1401
01:02:33,280 --> 01:02:36,400
Speaker 4: Or he was just like, oh my god, oh my god,

1402
01:02:36,760 --> 01:02:39,520
Speaker 4: oh my god, oh my god, oh my god.

1403
01:02:39,560 --> 01:02:41,720
Speaker 3: And I was like, yeah, what am I doing?

1404
01:02:41,760 --> 01:02:44,720
Speaker 4: For some reason and I both thought in that state

1405
01:02:44,800 --> 01:02:48,160
Speaker 4: where my wrist was like this, and he was like,

1406
01:02:49,200 --> 01:02:51,800
Speaker 4: we have to get the doctor at the Moonlight Roller

1407
01:02:51,880 --> 01:02:54,360
Speaker 4: rank and we were like, do you guys have the

1408
01:02:54,400 --> 01:03:00,240
Speaker 4: doctor doctor d And for some reason we both were like,

1409
01:03:00,280 --> 01:03:04,360
Speaker 4: We'll just wait here for the doctor. And then like

1410
01:03:04,400 --> 01:03:06,440
Speaker 4: twenty minutes later, a sixteen year old comes up with

1411
01:03:06,520 --> 01:03:09,600
Speaker 4: like ice pack, a frozen thing of pease.

1412
01:03:10,560 --> 01:03:13,680
Speaker 3: Hey Gurley, Yeah, hey Gurley, I'm so sorry. This happens

1413
01:03:13,720 --> 01:03:15,160
Speaker 3: all the time. Just put this on there. And we

1414
01:03:15,160 --> 01:03:18,760
Speaker 3: were like, what about the doctor? And I was so

1415
01:03:18,880 --> 01:03:21,520
Speaker 3: out of it and Patrick was so like, oh, no,

1416
01:03:21,640 --> 01:03:22,440
Speaker 3: we need a doctor.

1417
01:03:22,560 --> 01:03:25,920
Speaker 2: Oh And so then were you driven to the hospital.

1418
01:03:25,960 --> 01:03:26,720
Speaker 2: What happened? Yeah?

1419
01:03:26,800 --> 01:03:27,120
Speaker 3: Patrick?

1420
01:03:27,160 --> 01:03:28,600
Speaker 4: I was like, Pat, I think you need to sit

1421
01:03:28,640 --> 01:03:31,600
Speaker 4: here and have some water, yeage. I wasn't well and

1422
01:03:31,640 --> 01:03:33,640
Speaker 4: my friend was like, my, my friend, that's the opposite,

1423
01:03:33,680 --> 01:03:34,000
Speaker 4: which is.

1424
01:03:33,960 --> 01:03:34,600
Speaker 2: Like, get in my car.

1425
01:03:35,520 --> 01:03:38,560
Speaker 4: I already haven't rooted it, got me in my car,

1426
01:03:38,640 --> 01:03:41,080
Speaker 4: and got me in her car and we handled it.

1427
01:03:41,120 --> 01:03:41,520
Speaker 3: Why was I?

1428
01:03:41,760 --> 01:03:44,760
Speaker 2: Oh yeah, I like to think I'm that that person

1429
01:03:44,840 --> 01:03:47,240
Speaker 2: that in an emergency, the adrenaline kicks in and I

1430
01:03:47,320 --> 01:03:50,320
Speaker 2: become this calm like we can. I can figure it.

1431
01:03:50,280 --> 01:03:52,280
Speaker 3: Out, and I don't want to find out.

1432
01:03:52,480 --> 01:03:54,520
Speaker 2: You don't want to find I would rather not find out.

1433
01:03:54,760 --> 01:03:58,120
Speaker 4: I think I'm like I'm very much at like make

1434
01:03:58,200 --> 01:04:03,040
Speaker 4: that person feel not in panic, right, And I think

1435
01:04:03,080 --> 01:04:04,760
Speaker 4: I can like downplay because I'm like.

1436
01:04:04,680 --> 01:04:07,840
Speaker 2: You're fine, you're fine to you're now gas lighting?

1437
01:04:08,000 --> 01:04:11,000
Speaker 3: Yeah, and yeah.

1438
01:04:11,160 --> 01:04:12,680
Speaker 4: My friend had something on her eye and I was like,

1439
01:04:12,720 --> 01:04:17,280
Speaker 4: you don't. And it was so actually that it was

1440
01:04:17,320 --> 01:04:18,680
Speaker 4: like a wedding and we're all bridesmaids.

1441
01:04:18,800 --> 01:04:20,400
Speaker 3: She's like, it's really in my life. I like really

1442
01:04:20,440 --> 01:04:20,840
Speaker 3: can't take.

1443
01:04:20,760 --> 01:04:24,120
Speaker 4: Pictures and I went, yes, you can. I did it

1444
01:04:24,120 --> 01:04:26,240
Speaker 4: in a thoughtful while, but like what cunt of me?

1445
01:04:26,440 --> 01:04:28,680
Speaker 4: I was like, there's honestly, I'm looking at your eight.

1446
01:04:28,560 --> 01:04:30,479
Speaker 2: I don't see anything that's very stage mom.

1447
01:04:30,720 --> 01:04:32,240
Speaker 3: Yeah, I was like, we just got to keep going.

1448
01:04:32,560 --> 01:04:34,760
Speaker 2: We need to take the picture. The pageant is almost over.

1449
01:04:34,880 --> 01:04:37,560
Speaker 3: We need just smile and sit up a.

1450
01:04:37,600 --> 01:04:42,919
Speaker 2: Trophy on the line. There's a tr on the line. Wow, okay,

1451
01:04:43,040 --> 01:04:45,040
Speaker 2: I don't want you or Patrick around.

1452
01:04:45,200 --> 01:04:45,520
Speaker 3: Yeah, I know.

1453
01:04:45,880 --> 01:04:47,600
Speaker 2: For my emergency. I want to be alone in an

1454
01:04:47,640 --> 01:04:49,360
Speaker 2: emergency and see how I deal with it.

1455
01:04:49,360 --> 01:04:53,920
Speaker 4: And just hey, Alexa, finish me off.

1456
01:04:57,320 --> 01:05:00,000
Speaker 2: Okay, well, uh, I think we should play a game.

1457
01:05:00,160 --> 01:05:00,960
Speaker 4: Yeah, let's do it.

1458
01:05:01,560 --> 01:05:05,200
Speaker 2: Let's play a game called Let's see onnals. What was

1459
01:05:05,200 --> 01:05:06,160
Speaker 2: the last game we played.

1460
01:05:06,760 --> 01:05:08,320
Speaker 3: I think that it was Gift or a Curse?

1461
01:05:08,520 --> 01:05:12,000
Speaker 2: Okay, I think we should play Gift Master. I needed

1462
01:05:12,040 --> 01:05:13,360
Speaker 2: a number between one and ten from you.

1463
01:05:13,560 --> 01:05:13,720
Speaker 5: Four.

1464
01:05:14,000 --> 01:05:15,800
Speaker 2: Okay. I have to do some light calculating to get

1465
01:05:15,800 --> 01:05:21,040
Speaker 2: our game piece game pieces. Okay, so you can promote, recommend,

1466
01:05:21,200 --> 01:05:23,440
Speaker 2: do whatever you want with the microphone. Well you're calculating

1467
01:05:23,480 --> 01:05:23,800
Speaker 2: right back.

1468
01:05:23,880 --> 01:05:28,840
Speaker 4: Yes, okay, Hey guys.

1469
01:05:28,600 --> 01:05:29,200
Speaker 2: What's up.

1470
01:05:29,760 --> 01:05:32,080
Speaker 3: I'm gonna promote. Oh yeah, I'll up promote me and

1471
01:05:32,080 --> 01:05:33,080
Speaker 3: Patrick's podcast.

1472
01:05:33,200 --> 01:05:35,720
Speaker 4: Bridger has been on it. It's really fun. Artists on

1473
01:05:35,800 --> 01:05:39,800
Speaker 4: artists on artists on artists for artists. We have a Patreon.

1474
01:05:40,040 --> 01:05:44,840
Speaker 4: We also do funny silly things. Bridgers episode super fun.

1475
01:05:45,480 --> 01:05:50,600
Speaker 4: Besides that, I'm gonna promote anyone making an authentic strawberry

1476
01:05:50,600 --> 01:05:53,240
Speaker 4: shortcake good for you because the store bought ones.

1477
01:05:53,280 --> 01:05:56,880
Speaker 3: They don't hit as hard. They just don't. My god,

1478
01:05:56,920 --> 01:06:03,320
Speaker 3: what are you calculating? I can't focus. I tried it

1479
01:06:03,400 --> 01:06:04,240
Speaker 3: a second time.

1480
01:06:04,520 --> 01:06:05,560
Speaker 4: It's fine stuff.

1481
01:06:07,680 --> 01:06:08,479
Speaker 2: It's a good cake.

1482
01:06:08,520 --> 01:06:11,960
Speaker 3: You'll let it's it for twenty minutes. Still tastes the same.

1483
01:06:12,760 --> 01:06:16,760
Speaker 2: It's a good cake. I've got our game pieces. This

1484
01:06:16,800 --> 01:06:19,680
Speaker 2: is how we play gift Master. I'm going to name

1485
01:06:20,080 --> 01:06:23,920
Speaker 2: three things, three gifts that you can give away, three objects, experiences,

1486
01:06:23,960 --> 01:06:26,320
Speaker 2: what have you. I'm going to name three celebrities. You're

1487
01:06:26,320 --> 01:06:30,600
Speaker 2: going to tell me which celebrity you would give yes, yes,

1488
01:06:30,800 --> 01:06:32,680
Speaker 2: which gift and why that makes sense?

1489
01:06:32,840 --> 01:06:33,160
Speaker 3: Yes?

1490
01:06:34,080 --> 01:06:41,040
Speaker 2: I hope you totally failed. I go, hey, what fifty nine.

1491
01:06:41,720 --> 01:06:43,680
Speaker 3: That gift? Kill that gift, marry that gift.

1492
01:06:45,600 --> 01:06:50,280
Speaker 2: Okay, you understand perfectly. Do I have anything to recommend? No,

1493
01:06:50,320 --> 01:06:52,600
Speaker 2: I already talked about the Patreon listener get into it.

1494
01:06:52,640 --> 01:06:55,560
Speaker 2: Do I have any thing outside of my own selfish

1495
01:06:55,600 --> 01:06:57,920
Speaker 2: self promotion to recommend? I alreadycommended the Little House on

1496
01:06:57,960 --> 01:07:02,240
Speaker 2: the Prairie, thinking, yeah, I guess we got nothing else.

1497
01:07:02,280 --> 01:07:06,360
Speaker 2: To recommend my apologies forgive me artists of the world.

1498
01:07:06,520 --> 01:07:09,560
Speaker 2: Artists on Artists on Artists is an excellent podcast. It's

1499
01:07:09,600 --> 01:07:12,040
Speaker 2: so funny and I had such a good time doing it.

1500
01:07:12,200 --> 01:07:12,720
Speaker 4: So funny.

1501
01:07:13,520 --> 01:07:16,000
Speaker 2: Okay, I'm gonna name the three gifts you're gonna and

1502
01:07:16,080 --> 01:07:18,720
Speaker 2: the celebrities you'll you know, you get it, got it? Okay.

1503
01:07:18,800 --> 01:07:23,520
Speaker 2: The three celebrities today are number one Benson Boone copy,

1504
01:07:24,040 --> 01:07:27,880
Speaker 2: Number two Erica Badoo, Oh my god, kind of opposite

1505
01:07:27,960 --> 01:07:30,280
Speaker 2: ends of the taste spectrum.

1506
01:07:29,840 --> 01:07:31,480
Speaker 3: I would say, different playlist.

1507
01:07:32,320 --> 01:07:36,360
Speaker 2: And number three is Dennis the Menace. Dennis the Menace

1508
01:07:36,560 --> 01:07:38,880
Speaker 2: is just a cartoon character.

1509
01:07:39,600 --> 01:07:41,680
Speaker 3: Uh, It's like little friend.

1510
01:07:44,560 --> 01:07:46,640
Speaker 2: Dennis the Menace is just kind of a local menace,

1511
01:07:47,520 --> 01:07:51,800
Speaker 2: blonde menace. It was I believe it started as a

1512
01:07:51,840 --> 01:07:57,919
Speaker 2: comic strip probably in the eighteen seventies, okay, became a cartoon,

1513
01:07:58,440 --> 01:08:04,040
Speaker 2: became a movie movies maybe, I don't know. And the

1514
01:08:04,080 --> 01:08:06,720
Speaker 2: three gifts you're going to be giving away today are

1515
01:08:07,320 --> 01:08:10,400
Speaker 2: Number one one weird long hair on their neck.

1516
01:08:11,160 --> 01:08:15,080
Speaker 3: Okay, it belongs on them, It's on them, Yes, it belongs.

1517
01:08:14,800 --> 01:08:16,280
Speaker 2: Okay, it belongs on them.

1518
01:08:16,640 --> 01:08:17,040
Speaker 3: Thank you.

1519
01:08:19,040 --> 01:08:22,760
Speaker 2: Number two four star accommodations, so not five star, not.

1520
01:08:22,760 --> 01:08:25,120
Speaker 3: Three star, four.

1521
01:08:24,600 --> 01:08:29,480
Speaker 2: Star accommodations and number three a sense of play.

1522
01:08:30,880 --> 01:08:33,800
Speaker 4: We don't need to give Benson Boone a sense of

1523
01:08:33,880 --> 01:08:36,800
Speaker 4: play because I.

1524
01:08:36,720 --> 01:08:37,679
Speaker 3: Think he's goad enough.

1525
01:08:39,280 --> 01:08:42,559
Speaker 2: What a playful guy, what a playful.

1526
01:08:42,120 --> 01:08:44,040
Speaker 4: If he's not flipping around, I don't know what else

1527
01:08:44,120 --> 01:08:47,920
Speaker 4: is playful. He's playful, he's a playful spirit, and he's like,

1528
01:08:48,800 --> 01:08:50,839
Speaker 4: let me try to be Harry styles, let me be playful.

1529
01:08:50,880 --> 01:08:54,360
Speaker 3: Sorry, that was rude. That was so rude.

1530
01:08:54,520 --> 01:08:57,879
Speaker 2: That was cruel. That was so rude.

1531
01:08:58,200 --> 01:09:00,760
Speaker 3: Okay, I'm giving my girl Erica about to do a.

1532
01:09:00,680 --> 01:09:03,840
Speaker 4: Sense of play, oh wow, because I think she needs it.

1533
01:09:04,760 --> 01:09:09,439
Speaker 4: But I'm doing it because I think just she deserves it.

1534
01:09:11,840 --> 01:09:15,759
Speaker 2: And I think, yeah, she like I think she has it.

1535
01:09:17,360 --> 01:09:20,080
Speaker 3: Exactly. I think like a new dose of it, like

1536
01:09:20,080 --> 01:09:21,920
Speaker 3: a vitamin. It's always good, you know what I mean.

1537
01:09:22,000 --> 01:09:23,519
Speaker 4: And I don't want to give Dennis the Menace or

1538
01:09:23,520 --> 01:09:25,760
Speaker 4: Benson Boonett. And that's kind of why I'm giving it

1539
01:09:25,800 --> 01:09:26,200
Speaker 4: to Erica.

1540
01:09:26,320 --> 01:09:28,519
Speaker 2: That's logical, perfect, and I think I.

1541
01:09:28,479 --> 01:09:30,200
Speaker 3: Actually trust her to regift.

1542
01:09:29,800 --> 01:09:33,360
Speaker 2: It well right right, if she should she need to, Yeah,

1543
01:09:33,520 --> 01:09:34,960
Speaker 2: she can have that gift clause.

1544
01:09:37,160 --> 01:09:38,720
Speaker 3: Then I'm giving.

1545
01:09:40,920 --> 01:09:47,719
Speaker 4: I'm giving Dennis the Menace a long hair, one gross

1546
01:09:48,000 --> 01:09:54,880
Speaker 4: one gross long hair on him. I'm giving him that

1547
01:09:56,320 --> 01:09:59,479
Speaker 4: because I think comic strips don't have a lot of

1548
01:10:00,439 --> 01:10:01,320
Speaker 4: good facial hair.

1549
01:10:01,520 --> 01:10:03,040
Speaker 2: Oh, interesting, they really don't.

1550
01:10:03,280 --> 01:10:05,439
Speaker 4: There's a lot of just like just like cartoons too.

1551
01:10:05,479 --> 01:10:09,520
Speaker 4: It's just like we don't see like disgusting ingrown hairs.

1552
01:10:09,800 --> 01:10:13,400
Speaker 2: Yeah, a lot of clean faces, a lot of clean face.

1553
01:10:13,479 --> 01:10:15,320
Speaker 2: You're not seeing clean legs. I feel like you're not

1554
01:10:15,320 --> 01:10:18,840
Speaker 2: even seeing beards that often within the comic strips. No bushes,

1555
01:10:19,840 --> 01:10:20,599
Speaker 2: zero bushes.

1556
01:10:21,520 --> 01:10:22,680
Speaker 3: Show me a comic strip with a.

1557
01:10:22,680 --> 01:10:30,000
Speaker 4: Bush, please listeners, that's recommend me some it's insane. And

1558
01:10:30,040 --> 01:10:33,480
Speaker 4: then yeah, I'm giving Benson Boone the four star accommodations

1559
01:10:34,600 --> 01:10:37,479
Speaker 4: because it's nice. Sure, and it's not that nice.

1560
01:10:37,560 --> 01:10:39,559
Speaker 2: Yeah. It feels like he's probably at this point he's

1561
01:10:39,600 --> 01:10:43,559
Speaker 2: probably being showered with five star accommodations. He's probably getting spoiled.

1562
01:10:43,720 --> 01:10:46,679
Speaker 4: Yes, And I think it's good for someone popping off

1563
01:10:47,880 --> 01:10:50,679
Speaker 4: to not have the best of everything. I think he should.

1564
01:10:51,080 --> 01:10:53,000
Speaker 4: You should change it up and you should get a

1565
01:10:53,040 --> 01:10:54,120
Speaker 4: four star something.

1566
01:10:53,840 --> 01:10:56,720
Speaker 2: And go hmmm mm hmm. His sense of play is

1567
01:10:57,080 --> 01:10:57,599
Speaker 2: at risk.

1568
01:10:57,880 --> 01:11:01,280
Speaker 3: I think I answered it correctly, and I know, no, I.

1569
01:11:01,200 --> 01:11:04,000
Speaker 2: Think that you know, maybe first time of the history

1570
01:11:04,000 --> 01:11:06,799
Speaker 2: of this game. It's just correct, so annoying.

1571
01:11:07,200 --> 01:11:08,679
Speaker 3: I get it right.

1572
01:11:09,320 --> 01:11:11,719
Speaker 2: That's an A plus, an absolute A plus.

1573
01:11:11,800 --> 01:11:13,080
Speaker 3: Oh my god, I didn't know we reingraded.

1574
01:11:13,200 --> 01:11:16,519
Speaker 2: Uh you are now, and I think you did a

1575
01:11:16,560 --> 01:11:20,960
Speaker 2: great job at Benson. Good luck with the good but

1576
01:11:21,080 --> 01:11:25,080
Speaker 2: not perfect hotel. Just be nice, do a backflip off

1577
01:11:25,120 --> 01:11:25,400
Speaker 2: the bed.

1578
01:11:25,560 --> 01:11:26,599
Speaker 3: Yeah, they're doing their best.

1579
01:11:26,760 --> 01:11:30,280
Speaker 2: They're doing their best. They're doing their absolute best. Okay.

1580
01:11:30,320 --> 01:11:32,519
Speaker 2: And now Anally's has a gift or a curse? That

1581
01:11:32,920 --> 01:11:36,200
Speaker 2: or yes, we didn't play this game. Analiz is going

1582
01:11:36,240 --> 01:11:38,240
Speaker 2: to give us a thing and they're going to ask

1583
01:11:38,360 --> 01:11:40,800
Speaker 2: us if it's a gift or a curse and why Okay,

1584
01:11:40,880 --> 01:11:44,200
Speaker 2: and then we'll answer and see who's correct, because An's

1585
01:11:44,240 --> 01:11:45,400
Speaker 2: has the correct answer.

1586
01:11:46,200 --> 01:11:51,680
Speaker 5: Okay, gift or a curse. The Fast and Furious franchise, h.

1587
01:11:53,800 --> 01:11:54,960
Speaker 2: Do you want to go or should I go?

1588
01:11:55,479 --> 01:11:59,040
Speaker 3: I'm gagged. You have to go first to people.

1589
01:11:58,840 --> 01:12:02,400
Speaker 2: Or to us, And again we don't get any more information,

1590
01:12:03,080 --> 01:12:05,519
Speaker 2: so you have to. Really we have to think about

1591
01:12:05,520 --> 01:12:08,520
Speaker 2: this international blockbusting franchise.

1592
01:12:08,960 --> 01:12:10,200
Speaker 3: Ten years of stuff.

1593
01:12:10,360 --> 01:12:15,479
Speaker 2: It does great numbers in every territory and is about

1594
01:12:15,479 --> 01:12:18,880
Speaker 2: a sense of family and maybe a sense of play,

1595
01:12:20,000 --> 01:12:23,040
Speaker 2: maybe a little. I'm going to say the Fast and

1596
01:12:23,040 --> 01:12:28,960
Speaker 2: the Furious franchise, ooh for me, I'm going to say

1597
01:12:29,960 --> 01:12:33,000
Speaker 2: it's a curse. I'm going to say, these are the

1598
01:12:33,040 --> 01:12:36,519
Speaker 2: Fast and the Furious films. I've seen number one. I've

1599
01:12:36,560 --> 01:12:43,240
Speaker 2: seen oh and I think what I think. I've seen

1600
01:12:43,280 --> 01:12:45,960
Speaker 2: that one, and then I've seen the spinoff called Hobbs

1601
01:12:46,040 --> 01:12:53,400
Speaker 2: and Shaw, which was the most top three most exhausting

1602
01:12:53,479 --> 01:12:57,760
Speaker 2: film experiences of my entire life. It was worse than

1603
01:12:57,800 --> 01:13:01,960
Speaker 2: watching a video game cut scene. There was absolutely nothing

1604
01:13:02,000 --> 01:13:08,360
Speaker 2: there for me. I'm going to say, ultimately, curse. I

1605
01:13:09,800 --> 01:13:13,519
Speaker 2: they're not for me, and I've This is the other thing, people,

1606
01:13:13,880 --> 01:13:16,719
Speaker 2: This is the thing about Fast and the Furious. Well,

1607
01:13:17,040 --> 01:13:19,920
Speaker 2: they're actually really good movies. Yeah, this is the every

1608
01:13:20,000 --> 01:13:23,479
Speaker 2: time start with number four. They're amazing movies. You've got

1609
01:13:23,520 --> 01:13:25,800
Speaker 2: to see the They're great movies. And then I watch

1610
01:13:25,840 --> 01:13:28,880
Speaker 2: them and I say, I don't think so.

1611
01:13:30,160 --> 01:13:31,560
Speaker 3: But that's what we're saying.

1612
01:13:31,920 --> 01:13:34,720
Speaker 2: Just because it's about men getting along with each other

1613
01:13:35,479 --> 01:13:39,160
Speaker 2: over stolen cars. And you know there's one girl always, yeah,

1614
01:13:39,160 --> 01:13:42,160
Speaker 2: there's one girl. She's one of the guys. She's always

1615
01:13:42,160 --> 01:13:45,400
Speaker 2: got to be one of the guys. I've been told

1616
01:13:45,439 --> 01:13:48,799
Speaker 2: too many times they're great movies. They're actually great movies.

1617
01:13:48,840 --> 01:13:51,679
Speaker 2: And then I watch them like I for I guess

1618
01:13:51,680 --> 01:13:55,240
Speaker 2: for what it is, but yeah, I don't care. And

1619
01:13:55,280 --> 01:13:56,880
Speaker 2: then I saw this Hobbs and Shop. Well now I'm

1620
01:13:57,120 --> 01:13:58,679
Speaker 2: I guess I'm lying because I've only seen the Hobbs

1621
01:13:58,720 --> 01:14:01,360
Speaker 2: and Shown, which I think people hate. I think, yeah,

1622
01:14:01,560 --> 01:14:03,000
Speaker 2: And then I saw the first one, which I will

1623
01:14:03,000 --> 01:14:07,080
Speaker 2: say is a bad movie. And now the Car and

1624
01:14:07,120 --> 01:14:09,760
Speaker 2: Fast and Furious community is gonna come after me. They're

1625
01:14:09,800 --> 01:14:11,360
Speaker 2: not for me, not my cup of tea. I think

1626
01:14:11,360 --> 01:14:11,920
Speaker 2: it's a curse.

1627
01:14:13,200 --> 01:14:14,840
Speaker 4: Well, if it's coming after you, it's coming up to

1628
01:14:14,880 --> 01:14:16,240
Speaker 4: me too, because I think it's a curse.

1629
01:14:16,439 --> 01:14:20,240
Speaker 3: I think it's a curse to me and to others.

1630
01:14:20,840 --> 01:14:23,600
Speaker 3: That movie's got to be like that.

1631
01:14:24,000 --> 01:14:26,800
Speaker 4: Once we passed like four or five of them. Now

1632
01:14:26,800 --> 01:14:29,639
Speaker 4: I was like, now every now it's kind of got

1633
01:14:29,640 --> 01:14:31,800
Speaker 4: to be like that. And that's what a curse is.

1634
01:14:31,840 --> 01:14:36,080
Speaker 4: It's things repeating over and over and over again, and

1635
01:14:36,080 --> 01:14:40,880
Speaker 4: it's being stuck in the same sin inescapable, inescapable, And

1636
01:14:40,920 --> 01:14:43,680
Speaker 4: I think that and I am mixing it up with

1637
01:14:43,720 --> 01:14:49,240
Speaker 4: the Transformers franchise. Oh yeah, that's worse, same shit, I think,

1638
01:14:49,640 --> 01:14:56,920
Speaker 4: same curse, different machine. One's family on Robots. I do

1639
01:14:57,000 --> 01:14:57,960
Speaker 4: love a family story.

1640
01:14:58,000 --> 01:14:59,240
Speaker 3: I love an ensemble movie.

1641
01:15:00,439 --> 01:15:01,679
Speaker 2: We'd love to see everyone getting along.

1642
01:15:01,960 --> 01:15:03,840
Speaker 4: But I think this is a curse because it's the

1643
01:15:03,920 --> 01:15:07,240
Speaker 4: kind of the same thing. It's kind of putting audiences

1644
01:15:07,280 --> 01:15:13,960
Speaker 4: on the same like male let's drive fast thing.

1645
01:15:14,360 --> 01:15:16,519
Speaker 2: Yes, this is the other thing. I'll say, fast and

1646
01:15:16,680 --> 01:15:20,240
Speaker 2: furious is a curse because you know, every man that

1647
01:15:20,280 --> 01:15:22,040
Speaker 2: goes to see those movies, as he's driving out of

1648
01:15:22,040 --> 01:15:23,960
Speaker 2: the parking lot of the movie theater is going a

1649
01:15:24,000 --> 01:15:27,000
Speaker 2: little bit too fast. He's thinking, I'm in the movie now. Yes,

1650
01:15:27,040 --> 01:15:32,439
Speaker 2: he's blasting his music. Yes he thinks I'm Hobbes. Truly.

1651
01:15:32,520 --> 01:15:34,680
Speaker 4: I think every time you see someone like be a

1652
01:15:34,800 --> 01:15:36,439
Speaker 4: little dickish on the.

1653
01:15:36,520 --> 01:15:38,880
Speaker 2: Road, they're thinking, look at me.

1654
01:15:39,040 --> 01:15:42,479
Speaker 4: I'm sure they're like listening to like a flow Rita

1655
01:15:42,560 --> 01:15:42,960
Speaker 4: song in there.

1656
01:15:43,080 --> 01:15:44,519
Speaker 3: Yes exactly, I gotta go.

1657
01:15:46,000 --> 01:15:48,360
Speaker 4: And like that's really fun and good escapism, And I

1658
01:15:48,360 --> 01:15:49,840
Speaker 4: get it, and I do that with other shit in

1659
01:15:49,840 --> 01:15:51,759
Speaker 4: my life, but not on the road.

1660
01:15:51,880 --> 01:15:54,200
Speaker 2: Boys, No, keep it off the road. Keep it off

1661
01:15:54,240 --> 01:15:54,880
Speaker 2: the highways is.

1662
01:15:54,880 --> 01:15:57,559
Speaker 3: They're a girl boss, fast and furious. Oh like a

1663
01:15:57,640 --> 01:15:59,719
Speaker 3: foal where it was like sheesus daughter.

1664
01:16:00,040 --> 01:16:07,000
Speaker 2: Oh interesting, interesting that all was there? Who did Ocean's eight? Yeah,

1665
01:16:07,360 --> 01:16:10,759
Speaker 2: get them on this Fast and the Furious girl boss?

1666
01:16:10,880 --> 01:16:16,280
Speaker 3: Yeah, fast in the furious, curly hair. That was so bad.

1667
01:16:16,439 --> 01:16:20,560
Speaker 4: I'm hitting such a massive wall. I'm becoming a bad time.

1668
01:16:20,439 --> 01:16:23,200
Speaker 2: Next, what's the answer.

1669
01:16:22,920 --> 01:16:23,559
Speaker 3: I'm sorry?

1670
01:16:23,840 --> 01:16:26,200
Speaker 2: Oh, turn it's a gift.

1671
01:16:26,520 --> 01:16:27,400
Speaker 3: It's a gift.

1672
01:16:27,520 --> 01:16:30,000
Speaker 5: It unites so many different kinds of people. I've met

1673
01:16:30,040 --> 01:16:32,560
Speaker 5: the most random people who happen to love this franchise.

1674
01:16:32,600 --> 01:16:35,320
Speaker 5: They're so little that brings us together. And you know what,

1675
01:16:36,040 --> 01:16:38,320
Speaker 5: isn't family always a gift? Let's be let's be real.

1676
01:16:38,560 --> 01:16:41,440
Speaker 2: No, watch any movie about Thanksgiving.

1677
01:16:41,880 --> 01:16:44,240
Speaker 3: It's awful. It's a trap, a curse and.

1678
01:16:44,320 --> 01:16:46,840
Speaker 2: Bad on a Lisa. I wish this window could like

1679
01:16:47,000 --> 01:16:49,400
Speaker 2: darken and I could push a tint so I didn't

1680
01:16:49,400 --> 01:16:50,360
Speaker 2: have to even look at you.

1681
01:16:50,360 --> 01:16:52,599
Speaker 5: You're gonna have to stare directly into my eyes when

1682
01:16:52,600 --> 01:16:55,559
Speaker 5: I tell you the Fast and the Furious franchise a gift.

1683
01:16:55,640 --> 01:16:58,280
Speaker 2: If you wouldn't mind an editing, just remove you saying

1684
01:16:58,280 --> 01:17:00,280
Speaker 2: it's a gift and say it's a curse. You can

1685
01:17:00,360 --> 01:17:03,120
Speaker 2: use my voice. Curse curse, curse, curse, curse, curse.

1686
01:17:03,479 --> 01:17:03,679
Speaker 1: Uh.

1687
01:17:03,720 --> 01:17:06,719
Speaker 4: This is Analise's clean audio saying it's a curse. Beep

1688
01:17:06,720 --> 01:17:10,200
Speaker 4: beep put in like a car run engine, yeah, revving.

1689
01:17:10,560 --> 01:17:15,800
Speaker 2: Uh men screaming and fighting with each other. Okay, Well

1690
01:17:15,800 --> 01:17:21,040
Speaker 2: Anally's unfortunately is out of control and wrong. Uh. But

1691
01:17:21,280 --> 01:17:24,920
Speaker 2: and we were correct this time. Thank you, Analis And uh.

1692
01:17:24,960 --> 01:17:27,000
Speaker 2: This is the final segment of the podcast. It's called

1693
01:17:27,000 --> 01:17:29,559
Speaker 2: I said no emails. People right into I said no

1694
01:17:29,600 --> 01:17:32,400
Speaker 2: gifts at gmail dot com. They'll send their voicemails. They'll

1695
01:17:32,400 --> 01:17:34,599
Speaker 2: send emails. They're begging for questions. We hope me answer

1696
01:17:34,600 --> 01:17:39,360
Speaker 2: a question. Okay, this first one. Uh, actually, let's do that.

1697
01:17:39,439 --> 01:17:42,240
Speaker 2: I got a quick one. This is from a Patreon Uh.

1698
01:17:42,439 --> 01:17:44,960
Speaker 2: It's from a listener named Rick. What is your favorite

1699
01:17:45,040 --> 01:17:47,720
Speaker 2: nineteen nineties TV show? I think this is a nice

1700
01:17:47,840 --> 01:17:51,840
Speaker 2: quick answer. One oh.

1701
01:17:53,400 --> 01:17:54,040
Speaker 3: Seventh Heaven.

1702
01:17:54,479 --> 01:17:56,720
Speaker 2: Oh I never saw it.

1703
01:17:56,880 --> 01:17:59,280
Speaker 3: I really love it. It's so weird.

1704
01:17:59,800 --> 01:18:02,680
Speaker 2: And is this, I hate to say it, the one

1705
01:18:02,680 --> 01:18:03,880
Speaker 2: where the guy ended up being a.

1706
01:18:05,120 --> 01:18:08,839
Speaker 4: Oh no, really the main actor I don't know, probably

1707
01:18:09,960 --> 01:18:14,240
Speaker 4: name of nineteen nineties show that wasn't I'm not normalized you.

1708
01:18:14,240 --> 01:18:14,559
Speaker 3: Know what I mean.

1709
01:18:14,600 --> 01:18:16,240
Speaker 2: I need to see Seventh Heaven. I bet I would

1710
01:18:16,240 --> 01:18:16,439
Speaker 2: love that.

1711
01:18:16,479 --> 01:18:17,880
Speaker 4: Now, I don't think you need to but on the

1712
01:18:17,920 --> 01:18:19,679
Speaker 4: same lines as you need to see The Raccoon.

1713
01:18:20,640 --> 01:18:23,000
Speaker 2: Now, don't put those two in the same category. But

1714
01:18:23,040 --> 01:18:24,880
Speaker 2: I bet I would love Seventh Heaven. This feels like

1715
01:18:24,880 --> 01:18:26,000
Speaker 2: it would be a weird show to watch.

1716
01:18:26,120 --> 01:18:28,200
Speaker 4: Yeah, it was so weird, And I think it has

1717
01:18:28,240 --> 01:18:30,920
Speaker 4: a funny memory in my heart because my mom used

1718
01:18:30,960 --> 01:18:32,960
Speaker 4: to use it as like a teaching mechanism for me.

1719
01:18:33,120 --> 01:18:36,720
Speaker 4: Oh real, like anytime, like the daughter in the show

1720
01:18:36,720 --> 01:18:38,040
Speaker 4: would lie to her mom, and mom would be in

1721
01:18:38,040 --> 01:18:38,720
Speaker 4: the other room, like.

1722
01:18:38,680 --> 01:18:42,559
Speaker 3: You see, that's not good. She's lying. That's not that good,

1723
01:18:42,760 --> 01:18:45,360
Speaker 3: don't you think that? And it worked every time for me.

1724
01:18:45,600 --> 01:18:48,240
Speaker 2: So I think that's a great answer. It's a great

1725
01:18:49,080 --> 01:18:53,080
Speaker 2: classic piece of sperience. I mean, my sincere answer is

1726
01:18:53,080 --> 01:18:56,400
Speaker 2: probably Strangers with Candy. I think Strangers with Candy is

1727
01:18:56,400 --> 01:18:58,120
Speaker 2: probably number one. But I feel like there's a bunch

1728
01:18:58,120 --> 01:19:01,160
Speaker 2: of ties. It's like that. I love New Radio, I

1729
01:19:01,240 --> 01:19:06,600
Speaker 2: love Futurama. There are a bunch of great shows, of

1730
01:19:06,680 --> 01:19:09,480
Speaker 2: course from that decade, all kinds of wonderful programs.

1731
01:19:09,680 --> 01:19:11,960
Speaker 4: I don't know if cat Dog on Cartoon Network was

1732
01:19:12,000 --> 01:19:16,720
Speaker 4: the two thousands. That feels two thousands, right that came

1733
01:19:16,760 --> 01:19:17,840
Speaker 4: to mind for some right.

1734
01:19:18,439 --> 01:19:21,280
Speaker 2: We'll count it. Okay. Now let's answer a problem real

1735
01:19:21,360 --> 01:19:23,680
Speaker 2: quick here. This is dearest bridget okay. And I don't

1736
01:19:23,680 --> 01:19:26,360
Speaker 2: know if that was on purpose or autocorrect or whatever,

1737
01:19:26,400 --> 01:19:30,439
Speaker 2: but I'm insulted either way and shameful guest. My step

1738
01:19:30,479 --> 01:19:32,439
Speaker 2: mom was at my house before going on a vacation

1739
01:19:32,600 --> 01:19:34,920
Speaker 2: and asked if I had any good books she could borrow,

1740
01:19:34,960 --> 01:19:37,439
Speaker 2: and said she promises she'd give it back. It's been

1741
01:19:37,479 --> 01:19:39,960
Speaker 2: over a year and she hasn't returned to the book.

1742
01:19:40,400 --> 01:19:42,160
Speaker 2: I asked her if she ever finished it, and she

1743
01:19:42,200 --> 01:19:44,960
Speaker 2: said she accidentally left it on the plane and that

1744
01:19:45,000 --> 01:19:47,800
Speaker 2: she'd get me a replacement copy. That was months ago.

1745
01:19:48,400 --> 01:19:50,559
Speaker 2: I want my book back because I really liked the book,

1746
01:19:50,640 --> 01:19:53,519
Speaker 2: and it's the principle of it all. How do I

1747
01:19:53,600 --> 01:19:57,280
Speaker 2: get her to get my book? Many thanks? And that's casey,

1748
01:19:58,160 --> 01:19:59,439
Speaker 2: step mom trouble.

1749
01:20:01,280 --> 01:20:02,799
Speaker 3: How do you get your book back?

1750
01:20:03,080 --> 01:20:04,479
Speaker 2: How do you get the book back?

1751
01:20:05,000 --> 01:20:07,760
Speaker 3: So she said she would replace it, and she has not.

1752
01:20:07,840 --> 01:20:10,360
Speaker 2: And she left it on the plane. She would get

1753
01:20:10,400 --> 01:20:13,719
Speaker 2: it back, come hell or high water, and it hasn't

1754
01:20:13,760 --> 01:20:17,120
Speaker 2: come back to her yet, So how do you? I mean,

1755
01:20:17,160 --> 01:20:20,200
Speaker 2: my mind immediately goes to the ultimate lender of books

1756
01:20:20,280 --> 01:20:23,920
Speaker 2: is the library. Yes, what happens when you don't return

1757
01:20:24,000 --> 01:20:26,360
Speaker 2: the book to the library, they start to find you. Yes,

1758
01:20:26,520 --> 01:20:30,360
Speaker 2: when you don't pay the fine, what happens They call collections.

1759
01:20:30,680 --> 01:20:33,519
Speaker 3: I didn't know that.

1760
01:20:32,360 --> 01:20:33,920
Speaker 2: That may or may not be true, but that's where

1761
01:20:33,960 --> 01:20:34,679
Speaker 2: my mind goes.

1762
01:20:34,800 --> 01:20:37,280
Speaker 4: I still have a UCLA book that I have from

1763
01:20:37,320 --> 01:20:40,400
Speaker 4: going there destroying email recently, and I was like, what

1764
01:20:40,400 --> 01:20:41,120
Speaker 4: do you have on me?

1765
01:20:41,880 --> 01:20:43,479
Speaker 2: Your credit is negative fifty?

1766
01:20:43,960 --> 01:20:46,800
Speaker 3: Oh give me a bad grade five years later, six

1767
01:20:46,880 --> 01:20:47,360
Speaker 3: years later.

1768
01:20:48,439 --> 01:20:51,400
Speaker 2: So I mean, now you know, when I think library

1769
01:20:51,479 --> 01:20:53,920
Speaker 2: calling collections on you, maybe the repo man is now

1770
01:20:54,040 --> 01:20:57,760
Speaker 2: driving away in your car. Yeah why not? Why not

1771
01:20:57,800 --> 01:21:00,880
Speaker 2: you care? Yes? Stepmom?

1772
01:21:01,120 --> 01:21:02,080
Speaker 3: Stepmom? So sorry?

1773
01:21:02,240 --> 01:21:04,320
Speaker 2: Or your mother in law? You just have that sense

1774
01:21:04,320 --> 01:21:06,040
Speaker 2: of play we're all talking about. That's all about.

1775
01:21:06,200 --> 01:21:07,599
Speaker 3: I heard her leaving it on the plane. I went,

1776
01:21:07,640 --> 01:21:08,280
Speaker 3: that's a mother in.

1777
01:21:08,320 --> 01:21:10,360
Speaker 2: Law, that's a real mother, and that's got it.

1778
01:21:10,400 --> 01:21:11,120
Speaker 3: Got it.

1779
01:21:12,280 --> 01:21:15,040
Speaker 2: Yeah. I don't know how you call collections on somebody,

1780
01:21:15,120 --> 01:21:17,240
Speaker 2: or if that's something you have to do through official channels,

1781
01:21:17,320 --> 01:21:19,920
Speaker 2: or if you just fill out a report, but to

1782
01:21:20,000 --> 01:21:24,680
Speaker 2: destroy this woman's credit and maybe have her car repode

1783
01:21:24,760 --> 01:21:28,880
Speaker 2: or yeah TV taken take to Reddit, take to Reddit.

1784
01:21:28,920 --> 01:21:31,719
Speaker 2: There we go kind of just docs air complete.

1785
01:21:34,000 --> 01:21:35,960
Speaker 3: I don't know what you do in a way that's

1786
01:21:36,000 --> 01:21:36,839
Speaker 3: like get.

1787
01:21:38,880 --> 01:21:40,160
Speaker 2: How many times do I have to ask you?

1788
01:21:41,720 --> 01:21:44,519
Speaker 3: Like for Christmas? Do you get her the book again?

1789
01:21:45,320 --> 01:21:46,799
Speaker 2: Oh?

1790
01:21:46,840 --> 01:21:48,680
Speaker 3: And go? Now, make this right, give it to me.

1791
01:21:52,360 --> 01:21:54,439
Speaker 2: That's not a bad idea. But then you pay for it.

1792
01:21:54,600 --> 01:21:57,080
Speaker 4: I know, and that's not the right thing. But then

1793
01:21:57,439 --> 01:21:59,439
Speaker 4: do you get the satisfaction of seeing her know that

1794
01:21:59,439 --> 01:22:01,280
Speaker 4: she messed up and you paid for it and fixed

1795
01:22:01,439 --> 01:22:02,040
Speaker 4: her problem.

1796
01:22:02,040 --> 01:22:03,400
Speaker 3: But you're right, it's the principle of.

1797
01:22:03,360 --> 01:22:07,080
Speaker 2: It, principle of it, and this person's out of control

1798
01:22:07,720 --> 01:22:13,559
Speaker 2: and irresponsible. I you know, Ultimately, I think the most

1799
01:22:13,600 --> 01:22:15,479
Speaker 2: you can do is take some money from her wallet

1800
01:22:17,720 --> 01:22:20,599
Speaker 2: and just and then buy yourself the book. Treat yourself

1801
01:22:20,920 --> 01:22:23,439
Speaker 2: with the fifty dollars you took out a stepmom's wallet.

1802
01:22:23,479 --> 01:22:26,400
Speaker 3: Go into her wallet. But it's your money.

1803
01:22:26,680 --> 01:22:27,759
Speaker 2: It is your money.

1804
01:22:29,120 --> 01:22:31,800
Speaker 3: Find out however much that book is goes for right now?

1805
01:22:31,960 --> 01:22:35,719
Speaker 4: Yes, okay, And whatever money she's holding that is that amount,

1806
01:22:35,880 --> 01:22:36,960
Speaker 4: that's your money.

1807
01:22:37,040 --> 01:22:39,439
Speaker 2: And maybe a little money for ice cream, a little

1808
01:22:39,439 --> 01:22:42,120
Speaker 2: something for the drive home.

1809
01:22:42,240 --> 01:22:44,280
Speaker 3: Yeah, I get something for the drive home.

1810
01:22:45,160 --> 01:22:46,960
Speaker 2: And then the step mom will hopefully learn her lesson.

1811
01:22:47,000 --> 01:22:51,400
Speaker 2: If she doesn't, Dad can divorce her. He's done it before,

1812
01:22:51,400 --> 01:22:58,360
Speaker 2: I'll do it again. That's all I'm saying. Well, Casey,

1813
01:22:58,439 --> 01:23:02,120
Speaker 2: there you got the perfect answer. Don't write back in Wow,

1814
01:23:02,240 --> 01:23:06,320
Speaker 2: Well we've got this gorgeous cake. I have these beautiful paintings.

1815
01:23:06,720 --> 01:23:08,599
Speaker 2: I'm so thrilled about them. I'm so thrulled that you're

1816
01:23:08,600 --> 01:23:11,479
Speaker 2: coming out into the light. You're bringing your hobby into

1817
01:23:11,479 --> 01:23:15,479
Speaker 2: the light. I think that's a genuinely terrifying thing to do. Yeah,

1818
01:23:15,520 --> 01:23:17,320
Speaker 2: if I had ever done any if I had any

1819
01:23:17,360 --> 01:23:19,280
Speaker 2: skill or hobby that I was able to present to

1820
01:23:19,320 --> 01:23:21,880
Speaker 2: other people, I just couldn't do it.

1821
01:23:22,040 --> 01:23:24,000
Speaker 3: Especially when you want it to be private.

1822
01:23:24,439 --> 01:23:26,240
Speaker 2: Yes, when you want it to be a deeply private

1823
01:23:26,280 --> 01:23:28,560
Speaker 2: affair and then you blow it out publicly.

1824
01:23:28,200 --> 01:23:29,519
Speaker 3: Then it feels weird to throw it away.

1825
01:23:29,800 --> 01:23:33,000
Speaker 4: Oh yeah, And it feels weird to genuinely give to someone, right,

1826
01:23:33,080 --> 01:23:33,799
Speaker 4: So why.

1827
01:23:33,640 --> 01:23:36,040
Speaker 2: Not genuinely giving a piece of your art to somebody

1828
01:23:36,080 --> 01:23:38,680
Speaker 2: that seems that's like writing a song about somebody.

1829
01:23:38,280 --> 01:23:39,760
Speaker 3: That's like a self portrait, a little bit.

1830
01:23:39,880 --> 01:23:41,880
Speaker 2: Yeah, that's a little What are you doing now? Our

1831
01:23:41,960 --> 01:23:47,759
Speaker 2: relationship is what? Wait you think for that? Good of friends?

1832
01:23:47,840 --> 01:23:51,880
Speaker 4: Someone painted my face and their face together and gave

1833
01:23:51,880 --> 01:23:56,200
Speaker 4: it to me once and true. Yeah, an old boyfriend.

1834
01:23:56,560 --> 01:24:01,880
Speaker 3: Oh it's over, it's done, walk it up.

1835
01:24:03,640 --> 01:24:06,200
Speaker 2: No, thank you, noodank.

1836
01:24:05,479 --> 01:24:07,559
Speaker 3: You and I looked ugly in it.

1837
01:24:08,840 --> 01:24:10,680
Speaker 4: At least give me big and knockers.

1838
01:24:15,120 --> 01:24:16,840
Speaker 2: Well, I've had a wonderful time with you.

1839
01:24:16,920 --> 01:24:18,479
Speaker 3: Thank you for having me. I'm sorry about this.

1840
01:24:19,000 --> 01:24:22,679
Speaker 2: Thank you for the apology. Listener, The podcast is over.

1841
01:24:23,760 --> 01:24:26,759
Speaker 2: If you have some cake, do with that what you want.

1842
01:24:27,000 --> 01:24:29,840
Speaker 2: Go do something nice for yourself, get your dad to

1843
01:24:29,880 --> 01:24:33,800
Speaker 2: divorce your step mom. I don't know. The podcast is over.

1844
01:24:33,880 --> 01:24:41,880
Speaker 2: I love you, goodbye. I said No Gifts is an

1845
01:24:41,920 --> 01:24:46,360
Speaker 2: exactly right production. Our senior producer is on Alisa Nelson,

1846
01:24:46,479 --> 01:24:50,240
Speaker 2: and our episodes are beautifully mixed by Ben Tolliday. The

1847
01:24:50,240 --> 01:24:53,640
Speaker 2: theme song is by miracle worker Amy Mann, and we

1848
01:24:53,680 --> 01:24:57,200
Speaker 2: couldn't do it without our booker, Patrick Cottner. You must

1849
01:24:57,240 --> 01:24:59,840
Speaker 2: follow the show on Instagram at I said No Gifts,

1850
01:25:00,000 --> 01:25:01,719
Speaker 2: that's where you're going to see pictures of all these

1851
01:25:01,760 --> 01:25:04,479
Speaker 2: wonderful gifts I'm getting. And don't you want to see

1852
01:25:04,479 --> 01:25:05,040
Speaker 2: the gifts.

1853
01:25:05,880 --> 01:25:08,120
Speaker 3: But I invited you, hear.

1854
01:25:10,200 --> 01:25:12,880
Speaker 1: Thought. I made myself perfectly clear.

1855
01:25:14,160 --> 01:25:14,760
Speaker 3: But you're a.

1856
01:25:14,800 --> 01:25:15,920
Speaker 2: Guess to my home.

1857
01:25:18,320 --> 01:25:24,560
Speaker 1: You gotta come to me empty, and I said, no guests.

1858
01:25:24,680 --> 01:25:31,640
Speaker 1: Your own presences presents enough. I already had too much stuff,

1859
01:25:32,240 --> 01:25:35,360
Speaker 1: So how did you dare to surbey me?