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Speaker 1: Good boys showing you love this room anywhere else so

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Speaker 1: your friend Friday that day the world's most stagers want

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Speaker 1: to shut the cameras agree. What Joe is this listen city?

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Speaker 1: So Rift Harry, the capital of this the only one

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Speaker 1: who can keep these guys in chat Cholomagne, the Guard

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Speaker 1: is the Friths Club. Good morning Usa, joyo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo, Good morning

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Speaker 1: angela yea good money's Cholomagne. The guy beast to the

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Speaker 1: planet is Thursday. Yes, it's Thursday. What a sexy Thursday

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Speaker 1: it is here in New York City. I know that

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Speaker 1: when nationally syndicated, we're all over the world, right, but

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Speaker 1: here in New York it is a beautiful day outside.

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Speaker 1: Well it is snowing that right now, blizzard, blizzard like

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Speaker 1: temperatures conditions, that's what they said. Well, I wouldn't say

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Speaker 1: that yet. Later, yeah, later, yeah, give guard a minute.

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Speaker 1: But they already canceled lots of flights over a lots

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Speaker 1: of flights canceled New York and New Jersey schools. Most

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Speaker 1: of them are canceled and Boston and Philly. You know,

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Speaker 1: it's so crazy as a father, right, Like my daughter's eight,

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Speaker 1: so like when you know, she finds out it's a

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Speaker 1: snow day, she gets mad excited and then and then

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Speaker 1: I get excited too, but I'm like, gotta go to work.

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Speaker 1: I can't sleep in the worrow. I gotta get my

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Speaker 1: ass up and getting get on that road. For my

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Speaker 1: younger ones, my three year old and two year old,

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Speaker 1: they tell them at school that they have to wear

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Speaker 1: they put jammers backwards and put a spoon under their

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Speaker 1: pillow and if they do that, it'll be a snow day.

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Speaker 1: So my kids was super dup excited heard anything like that.

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Speaker 1: I ain't got a friend. That's sound very kind of Perverden.

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Speaker 1: Let me talking to my kids about putting it but

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Speaker 1: jamas going backwards and spooning and let me tell you so,

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Speaker 1: you know, my my three year old two year were onesies,

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Speaker 1: so they couldn't wear backwards, so they were mad. So

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Speaker 1: I had to cut the onesies so they could sleep

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Speaker 1: with the pajamas backwards because they couldn't, you know, because

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Speaker 1: the feet or backwards. To school already they go to

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Speaker 1: school already, two year old to school y aall you

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Speaker 1: got his onesies, most of them onesies regular pajamas. They

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Speaker 1: like onesies. Jesus Christ, let's put their pampers on back Andy,

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Speaker 1: where's onesies as well? I do sometimes that's hot. And

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Speaker 1: they got a little thing in the back. So if

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Speaker 1: you got to go to the bathroom, a little cut

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Speaker 1: out in the back. Also like Prince used to do

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Speaker 1: back and they have his ass out. Sometimes you do

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Speaker 1: that around the house. Just let the flap fly. No,

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Speaker 1: let the little bagge ass hang for the people to see. No.

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Speaker 1: But if I got to go to the bathroom and

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Speaker 1: just like steps that got you got you? Okay, dropping

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Speaker 1: my clues bombs for Envy's bow movement habits. We needed

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Speaker 1: to know that this morning day drop information for the listeners.

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Speaker 1: Let's share shout out to Rick Ross. Yesterday I actually

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Speaker 1: hosted at dinner Lips. It was hosted at dinner Rick

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Speaker 1: Ross did a lady's appreciation dinner okay before Valentine's Day.

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Speaker 1: So shout out to all the women who came out

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Speaker 1: last night. It was there for a beautiful dinner. It

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Speaker 1: was me and it was lip service hosting. So it

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Speaker 1: was me and Gigi, my girl Valerie Lauras Sonia was there.

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Speaker 1: It was about forty women in the room. A lot

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Speaker 1: of women in media, writers, radio personality, a lot of

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Speaker 1: single women there. No, it's before Valentine. People are married.

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Speaker 1: I mean, it's just women that are working the business

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Speaker 1: to appreciate everything that women do. Oh, you know, they

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Speaker 1: got something called Galantine's Day for all the single women,

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Speaker 1: for single women to appreciate themselves on Valentine's Day. I'm

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Speaker 1: dead serious. You know so much about because it was

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Speaker 1: on TV. It was on it was actually on the news.

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Speaker 1: I think it's called Gallantine's Gallantine. Yeah, so on Tuesdays

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Speaker 1: for all the single women to love and appreciate. Tuesday,

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Speaker 1: it's Valentine's Day, right, I know that, But it's also

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Speaker 1: Galantine's Day for the single ladies. Google it, damn it.

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Speaker 1: Don't make this kind of stuff up. Don't worry. We're

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Speaker 1: gonna have a full tutorial lauded on Tuesday. We shipped

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Speaker 1: all the single ladies out there my Valentine's Day sweater.

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Speaker 1: Today I did a little capsule line angela Ye's Valentine's

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Speaker 1: Day capsule collection the Hustle. There's a few different things,

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Speaker 1: but this one is one of them, and Big Sean

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Speaker 1: will be joining us. I've heard of them. I'm gonna

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Speaker 1: tell yall something, man, And I know this may sound

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Speaker 1: a little crazy, boy, if you haven't heard Big Sean's

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Speaker 1: new I decided album, Big Sean might be the best

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Speaker 1: rapper out right now, Okay, like he might be the

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Speaker 1: best rapper. And I'm basics the new generation. When I

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Speaker 1: think of the new generation, like the leaders of the

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Speaker 1: new generation, I think of like Kendrick, I think of Drake,

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Speaker 1: I think of J Cole, I think of La I

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Speaker 1: think a big crid and then I think of Sean.

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Speaker 1: I think Sean might be at the top of that

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Speaker 1: above J Cole and Kendrick. Yes, and I'm talking about

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Speaker 1: I'm just this is basing this great off lyrics and

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Speaker 1: flow and delivery, not nothing else, not no sales, not

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Speaker 1: no popularity, just great. The craft of rapping. Sean is

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Speaker 1: a monster, bro. I'm five songs and I gotta listen

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Speaker 1: to the whole album. Let's get the show. Crack your

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Speaker 1: front page news. What we're talking about. We're all going

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Speaker 1: to give you an update on the snowstorm and how

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Speaker 1: it's going to affect you, depending on where you are

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Speaker 1: also Donald Trump, you know, we got to talk more

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Speaker 1: about him. And I was watching the news this morning

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Speaker 1: and he made a statement that I just thought was

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Speaker 1: hilarious and shout out to Charles Oakley. Oh my New

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Speaker 1: York Knicks. Yeah, absolutely swung on six white people and

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Speaker 1: didn't get killed. Yeah, he might need to look. The

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Speaker 1: Knicks need to sign him because he's the toughest one

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Speaker 1: out there. He got passion. The only person in that

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Speaker 1: that whole garden last night with passion was Charles Oakley.

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Speaker 1: And we'll tell y'a all about it. Keeping locked this

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Speaker 1: to Breakfast Club. Good morning, all right, morning, everybody is

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Speaker 1: DJ Envy Angela ye Charlemagne that God, we are the

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Speaker 1: Breakfast Club. Let's getting some front page news. Start off

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Speaker 1: with sports now. Last day that was as as as

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Speaker 1: I was watching the New York Knicks play. They actually

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Speaker 1: did pretty good at first, but they wound up losing it.

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Speaker 1: It was, I guess a little argument controversy that happened

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Speaker 1: in the first quarter. I've seen Charles Oakley getting escorted

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Speaker 1: out and then I kept seeing the replay. Well, allegedly

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Speaker 1: what happened was Charles Oukley. Charles Oakley doesn't really mess

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Speaker 1: with the New York Knicks, so he purchased his own tickets.

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Speaker 1: He said some bad things about the organization, and I

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Speaker 1: guess they really don't get along, but he believes. Once

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Speaker 1: and Nick, always a Nicky played for the New York

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Speaker 1: eight to ninety eight, one of the best Nick teams ever.

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Speaker 1: And he paid for his tickets. And I guess when

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Speaker 1: the owner allegedly seen him, they asked him to leave,

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Speaker 1: and he wouldn't leave, so they tried to put their

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Speaker 1: hands on him. It was about five six individuals, maybe

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Speaker 1: five security guards and one police officer, and Oakley wasn't

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Speaker 1: having it. Was the white man he poked in the forehead.

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Speaker 1: I don't know who that was for that beautiful poke

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Speaker 1: to the forehead. First of all, I don't like to

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Speaker 1: see any veterans of any kind disrespected. That goes for

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Speaker 1: military veterans here in America. I hate seeing them homeless

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Speaker 1: on the street after they served his country. And I

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Speaker 1: think it's super disrespectful to have a veteran like Charles

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Speaker 1: Oakley make him pay for a ticket. After giving the

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Speaker 1: Knicks ten years of blood sweating tears, the last time

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Speaker 1: the Knicks had a good squad was probably during that

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Speaker 1: Oakley era. Well, the next PR tweeted out, Charles Oakley

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Speaker 1: came to the game tonight in beasation, highly inappropriate and

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Speaker 1: completely abusive manner. He has been ejected and is currently

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Speaker 1: being arrested by the New York City Police Department. He

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Speaker 1: was a great nick and me hope he gets some

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Speaker 1: help soon. Trash that is trash. If if I was

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Speaker 1: a player, I would never want to play for an

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Speaker 1: organization like that that All the free agents that could

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Speaker 1: be out there are people that could possibly trade it

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Speaker 1: to the Knicks. I would not want to come to

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Speaker 1: play for an organization that treats it's veterans in that manner.

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Speaker 1: I'll tell you one thing though, Charles Oakley at I

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Speaker 1: don't even know how old he is, maybe maybe fifty.

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Speaker 1: He has more heart than most of those Knicks that

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Speaker 1: were out there playing. I mean, you know you need

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Speaker 1: you might need to sign him because he could box

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Speaker 1: you out, he could throw people around. He was he

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Speaker 1: didn't care. When you get to that age, you got

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Speaker 1: that old man scrap down. They said he's going to

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Speaker 1: be trash. With three counts of assault, they don't want

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Speaker 1: him drop it out on one of these old men.

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Speaker 1: If you want to. They may be slow, but boy,

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Speaker 1: when that's sixty year old right hand connect with you, boy,

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Speaker 1: you're gonna feel it in your soul. I've seen it,

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Speaker 1: and I seen Oakley about a week ago when I

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Speaker 1: was heading to Houston. He was also heading out there. Man,

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Speaker 1: I'm just watching a video right now on Revote heat.

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Speaker 1: He like, no, I'll pay for this season Kicks. The

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Speaker 1: Knicks treat its veterans worse than America treats it's veterans.

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Speaker 1: That was disgusting that Chagan should never be treated in

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Speaker 1: that man. Random Sorry about Charles Ukley. I did me

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Speaker 1: him a couple of times. I actually was at one

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Speaker 1: point supped to a cooking show with Charles Oakley. Yeah,

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Speaker 1: he does a great cook He owns a couple of

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Speaker 1: car washes in the city. That was a long time ago,

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Speaker 1: but shout out to Charles Oakley. He was super cool.

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Speaker 1: Disrespected by the organization he used to play for for

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Speaker 1: ten years. Everybody deserved fingers in the face. Phil Jackson,

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Speaker 1: h James Dolan, everybody, anybody involved that Knicks organization deserves

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Speaker 1: a finger in the face. I'll tell you one more

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Speaker 1: story about Charles Oakle. I know we gotta go ed

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Speaker 1: Lover was doing comedy one time and made a joke

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Speaker 1: about Charles Oakley, and then he said, before the joke

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Speaker 1: was finished, a chicken wing hit him in the forehead

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Speaker 1: and he said he looked up and Oakley was standing in. OK.

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Speaker 1: You'll mess with Yalls Oakley Jaralls. Ok is one of

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Speaker 1: those guys that was And then, by the way, I

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Speaker 1: was kind of upset that none of the players came

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Speaker 1: to his defense, like some of the players should have been, like, yo, really,

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Speaker 1: you don't treat the veteran NBA players like this, especially

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Speaker 1: somebody that played for the organization for ten years. And

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Speaker 1: Lebron James posted a picture of Charles Oakley after this

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Speaker 1: all happened, and he put mood hashtag legends he defends

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Speaker 1: Lebron James all the time that talk about this snowstorm.

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Speaker 1: All right, so be careful if you plan to travel

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Speaker 1: anywhere today because in the Northeast, airlines have already canceled

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Speaker 1: more than twenty seven hundred flights even before the storm started.

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Speaker 1: New York, Buston, Philadelphia have all closed their public schools

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Speaker 1: for the day. So far, they said more than sixty

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Speaker 1: million people are going to have to deal with this weather.

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Speaker 1: So according to the Connecticut governor also they said state

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Speaker 1: colleges and courts would be closed today. We're expecting anywhere

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Speaker 1: between seven to about sixteen inches of snow. Jesus crazy.

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Speaker 1: Supposed to stop it one o'clock door, yest, Yeah, stop

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Speaker 1: at one of the clock. Supposed to be very heavy

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Speaker 1: between six and eight pm, six and eight am Eastern time.

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Speaker 1: And tell us about I'll be here. Tell us about

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Speaker 1: Donald Trump. Well, Donald Trump, he's still battling the fact

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Speaker 1: that they have decided to put a hold to temporarily

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Speaker 1: suspend the travel band that he really wants. He feels

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Speaker 1: like he should be able to go ahead and do

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Speaker 1: that right. He says, he has that authority, and he

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Speaker 1: has a problem with the courts. Heres what he had

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Speaker 1: to say. And I don't ever want to call a

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Speaker 1: court bias, so I won't call it last. But courts

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Speaker 1: seem to be so political, and it would be so

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Speaker 1: great for a justice system if they would be able

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Speaker 1: to read a statement and do what's right. And that

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Speaker 1: has to do with the security of our country, which

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Speaker 1: is so important. That this is Charlomagne and God talking.

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Speaker 1: I'm not the highest grade of weave in the dispensary.

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Speaker 1: I'm kind of dumb on all levels. But isn't isn't

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Speaker 1: a court supposed to be political? Point of it? Like,

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Speaker 1: how can the court not be political? These courts are

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Speaker 1: so courts are supposed to be political. We' they're supposed

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Speaker 1: to be biased. What are you saying, white man, Steve

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Speaker 1: Huh shut up? Okay, all right, well that's what I'm saying.

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Speaker 1: White people got to do better in twenty seventeen. Jesus Christ.

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Speaker 1: Well that's front page. Tell them why you mad? If

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Speaker 1: you're upset, you need to vinc callus right now. Phone

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Speaker 1: lines are wide open. We're gonna let you speak. If

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Speaker 1: you're mad that maybe the schools are closed and you're

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Speaker 1: a parent, now you have to stay home with your child.

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Speaker 1: These schools are so educational whatever it is, if you're upset,

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Speaker 1: like educational schools. I don't think school should be educational

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Speaker 1: five eight five, one oh five. I think churches should

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Speaker 1: be religious either. It's the breakfast cloak of morning, the

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Speaker 1: breakfast club. They literally when the ju yox. You know

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Speaker 1: what makes you mad but for the truth, but can't

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Speaker 1: handle the truth. I tell them why you mad? When

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Speaker 1: the breakfast club. Hello, who's this Detroit truck driver? What's up? Up?

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Speaker 1: Drive or whatever? Tell them you mad? What's going on? Man?

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Speaker 1: I'm mad? This my second time? Man, you know, I

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Speaker 1: wake up this morning to get again. I put my

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Speaker 1: my girl back and she pushed me off. So you

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Speaker 1: know what I do? I get my ass up and

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Speaker 1: get back in the truck and hit the road again.

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Speaker 1: And Charlotte, Man, profit in the bathroom did not work.

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Speaker 1: It didn't work. You should have put it right. But

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Speaker 1: do you ever, yes, listen to you go ahead and

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Speaker 1: put it in your penis. Time. Someone's back is not

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Speaker 1: good enough. But I'm just shoving them off. Next down

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Speaker 1: im that's called might be still got to get consent

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Speaker 1: from your wife for a girl or whatever she is.

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Speaker 1: I mean she's sleep. Hey, it's my oh my consent.

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Speaker 1: You know what I'm saying. Hello, drink, don't be that anymore.

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Speaker 1: Don't be that guy. A big sean gonna be on

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Speaker 1: the next hour too, by the way, Detroit, that's right. Hello,

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Speaker 1: who's this yo? Let's Rick from the day Rick. Tell

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Speaker 1: him you man? Yeah, man, So I'm tired of this

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Speaker 1: whole mum or rapper lorical rap debate it's getting played out.

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Speaker 1: In my opinions, who cares? Bro Like, I'm from the South,

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Speaker 1: so they always fronted on the South, So who cares?

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Speaker 1: Don't like dam Like I saw a documentary on Noisy

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Speaker 1: saying that I loved he doesn't drink or he doesn't

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Speaker 1: smoke for the kids. Whereas where I grew up in

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Speaker 1: the nineties, I was just on the lyrical rapper like

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Speaker 1: I wanted to be a gangster because I thought I

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Speaker 1: was listening to these kids just want to have fun.

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Speaker 1: In my opinion, I mean that's better for the community.

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Speaker 1: I mean, listen, I think you got a lot of variety.

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Speaker 1: I understand what you're saying, but you got a lot

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Speaker 1: of variety now for every little Yaddi it's a big sean.

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Speaker 1: You know what I'm saying here? Like it's it's it's

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Speaker 1: a variety for everybody. I agree. Hello, who's this? This

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Speaker 1: is Mark. I'm in Robins County, NY Mare tell him

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Speaker 1: where you're mad. I'm mad because I'm stuck out here

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Speaker 1: in the snow delivering newspaper. Man. Is it that bad

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Speaker 1: out there in the rose? It's bad. It takes me

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Speaker 1: ten minutes to get up a little field and I

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Speaker 1: gotta do it. Hey, Hey, can I tell you something?

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Speaker 1: Can I tell you something? You should have paid attention

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Speaker 1: in school, sir? He should maybe he did. Did you

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Speaker 1: play attention to school? No, that's why I'm pay attention

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Speaker 1: to school. This is a second job. It's a part

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Speaker 1: time job. Oh, there you go. What's your main career, sir? Well,

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Speaker 1: I'm a man a drift stopping there you go, my brother. No,

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Speaker 1: it ain't nothing wrong that flew to that man and

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Speaker 1: man we're at stopping shop. Nothing wrong with that at all. Hello.

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Speaker 1: Who's this yo? Breakfast club? Yeah, y'all? I love these guys.

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Speaker 1: And I just want to say that. And it's five

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Speaker 1: or six clocks in worry about anyway. I'm not mad.

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Speaker 1: I just want to tell you all that I just

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Speaker 1: had my first night. I said dancer, and I just

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Speaker 1: want to tell you all about my name. Tell us

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Speaker 1: what happened? Boy, Hold, hold hold on. We'll do this

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Speaker 1: because up next is why you're blessed. And right now

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Speaker 1: you say I'm blessed. All right, So you hold one baby,

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Speaker 1: See my dance. Her name is Holiday. All right, hold on, Holiday,

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Speaker 1: don't go anywhere. Up NeXT's tell them why you blessed.

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Speaker 1: Eight hundred five eight five one oh five one. We

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Speaker 1: have a young lady on the phone that feels blessed.

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Speaker 1: Yesterday was her first day, first day as a scrap.

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Speaker 1: We don't find out all about it when we come back.

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Speaker 1: Keep it locked. Eight hundred five eighty five one on

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Speaker 1: five one. Blessings on, Blessings on, blessings the breakfast clubs?

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Speaker 1: Are you blessing? Highly favorite? I feel blessed. Tell the

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Speaker 1: congregation at eight hundred five five five one, it's the

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Speaker 1: breakfast club. Now we have Holiday on the line. That

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Speaker 1: is her strip of name. Last night was her first

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Speaker 1: night in the strip club. She feels blessed. Talk to me,

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Speaker 1: it's about it Holiday, all right, So I think I

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Speaker 1: may thank for my first night. I didn't really know

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Speaker 1: what's expect but I'm in Miami, by the way, all right,

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Speaker 1: we'll club you. At first of all, I was that

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Speaker 1: one I don't want to give my location out because okay,

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Speaker 1: you don't have to do that. She just got she

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Speaker 1: just started, all right, what's your dancer name? Holiday? She said, Okay,

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Speaker 1: how much did you make last night? I need six hundred?

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Speaker 1: You blast now tell us about it Holiday. Well, it

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Speaker 1: was really fun. I mean like I was in a

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Speaker 1: black club because I'm black of forest anyway. Um, I

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Speaker 1: was in Miami. You know, I was popping in shaking it,

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Speaker 1: and I really liked the lifestyle because you know, I

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Speaker 1: got what I wanted for the rest of the night

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Speaker 1: and I just left. How old are you? How old

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Speaker 1: are you? Well, my birthday's at the end of the month. Um,

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Speaker 1: I was twenty four. Okay, I just want you to

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Speaker 1: know last night was beginning. It's luck and it's all

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Speaker 1: downhill from here. But let me ask this. It's not

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Speaker 1: going to be a lot of six hundred dollars knights,

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Speaker 1: more like one hundred and fifty two hundred dollars nights.

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Speaker 1: But you're looking that's good. And that's good for a

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Speaker 1: Wednesday night too. Yeah, that's good for Wednesday night. Oh yeah,

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Speaker 1: it is Wednesday, y'all. I'm popping. Let me ask you

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Speaker 1: a question. Are you good at doing like tricks and

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Speaker 1: stuff like that or do you just walk around like

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Speaker 1: cant No, I don't do pol tricks. I walked around,

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Speaker 1: but I met this guy in the club and ready

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Speaker 1: to hook me up like dancing class. So how do

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00:16:13,680 --> 00:16:17,080
Speaker 1: you practice me? How do you practice how do I practice?

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Speaker 1: What do you mean all girls work in the mirror?

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Speaker 1: Like it was kind of like that, and then like

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Speaker 1: you just take your clothes off. Yeah, I think you

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00:16:23,040 --> 00:16:24,840
Speaker 1: need to land some politics too though. That way you

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Speaker 1: can always up to Annie. Whatever you do, you gotta

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Speaker 1: do be great at it. Would you like to share

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Speaker 1: your Instagram with a married man? You know? All right?

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Speaker 1: Okay you said it, I didn't. Would you like to

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Speaker 1: share your yo? I can't believe that. I'm on the

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Speaker 1: breakfast cover listening to you guys all the time. And

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Speaker 1: what a great night last night, great jointing, no question.

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Speaker 1: Now what got you in the shipping? Would your dad

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Speaker 1: in your life? Was it financial hardship? Like? What got

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00:16:49,120 --> 00:16:51,400
Speaker 1: you in the shipping? Yeah, my dad's definitely in my life.

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Speaker 1: And who's alive all time? And what are you going wrong?

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Speaker 1: I like dancing and its financial hardships. Like I'm just

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Speaker 1: going through a lot and I need five money because

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Speaker 1: like I have goals on my list and I'm trying

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Speaker 1: to knock off right now and it costs money. Okay,

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Speaker 1: I bless you. It's a legal job for it. What

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Speaker 1: can I have five kids and I'm making sure my

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Speaker 1: daughters ain't gonna be on it, and you're married, she

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Speaker 1: wants me to pay for it, like have kids. I'm

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Speaker 1: married and I got my own kids. And let me

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Speaker 1: ask you a question. Now, if somebody came up to

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Speaker 1: you and offered you a thousand dollars maybe for some felacio,

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Speaker 1: would you have done it last night? No, because I

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Speaker 1: like I hook up with people that I actually care about,

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Speaker 1: because that's like like sentimental for money. It was yeah,

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Speaker 1: I was just dancing, you know, like I just had

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Speaker 1: at their time, like and I was drinking like if judgment.

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Speaker 1: So you're always in the ship. I'm gonna be honest

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Speaker 1: with you. I'm board. I'm bored at this phone call already.

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Speaker 1: So that means just having a good time. She's dancing,

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Speaker 1: She's not trying to have a relationship with one of

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Speaker 1: these guys in the club. I'm sure that's how you

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Speaker 1: are in the script club too. I see you at

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Speaker 1: first throw a couple of dollars like I'm bored. What's

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Speaker 1: the next woman that can go huh, Yeah, that's hard.

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Speaker 1: It's okay, Charlotteyne. You'll see me later on because I'm

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Speaker 1: doing big things Breakfast club holiday. You continue to be blessed. Okay,

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Speaker 1: thank you, y'all be blessed on this Thursday breakfast club.

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00:18:07,280 --> 00:18:09,960
Speaker 1: I love y'all. Alright, be careful please, I don't take

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00:18:10,040 --> 00:18:12,119
Speaker 1: drinks with men unless you see the drink actually come

385
00:18:12,200 --> 00:18:14,840
Speaker 1: from the bartend to be extra careful out there because

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00:18:14,840 --> 00:18:21,679
Speaker 1: men creeps and perverts, so please trying to screen right,

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00:18:21,800 --> 00:18:24,320
Speaker 1: thank you. M's right, there are women. There are a

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Speaker 1: lot of creep Oh my god, there are a lot

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00:18:26,440 --> 00:18:33,720
Speaker 1: of creeps out there, like seriously. That's right, she's twenty four.

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00:18:34,240 --> 00:18:36,280
Speaker 1: You're right, tell her, tell her all the basics. Just

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00:18:36,400 --> 00:18:38,240
Speaker 1: be careful out there, all right. Look both ways before

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Speaker 1: you cross the street as well. Okay you all right,

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Speaker 1: shout the holiday. She's blessed. Last date was up first

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Speaker 1: night at the strip club. Now we got rumors on

395
00:18:51,160 --> 00:18:53,080
Speaker 1: the way. Yes, find out what R and B singer

396
00:18:53,240 --> 00:18:55,639
Speaker 1: is screaming out racism and tell you what happened and

397
00:18:55,720 --> 00:18:58,720
Speaker 1: why he's saying things are racist. And Robin Thick in

398
00:18:58,920 --> 00:19:02,440
Speaker 1: court what happened when he went for his child custody case.

399
00:19:02,600 --> 00:19:04,040
Speaker 1: You know, that's one of my goals to make sure

400
00:19:04,680 --> 00:19:07,720
Speaker 1: none of my daughters on the ship pole. In reality TV,

401
00:19:07,840 --> 00:19:09,840
Speaker 1: Mona Scott Young shows. Absolutely, you want to keep him

402
00:19:09,880 --> 00:19:12,320
Speaker 1: up the scribble pole and off all mona. Scott Young shows,

403
00:19:12,359 --> 00:19:14,600
Speaker 1: Now all right, rumors on the way. It's the breakfast Club.

404
00:19:14,640 --> 00:19:22,040
Speaker 1: Good morning, the breakfast Club. It looks crazy outside, coming down.

405
00:19:22,200 --> 00:19:24,880
Speaker 1: It's coming down in New York. I'm sure in New Jersey, Connecticut.

406
00:19:24,880 --> 00:19:27,920
Speaker 1: I'm sure Boston. It ain't look crazy outside. I don't

407
00:19:27,920 --> 00:19:30,320
Speaker 1: know how we're gonna get home. I needed it stops

408
00:19:30,359 --> 00:19:33,640
Speaker 1: at one o'clock. Well, I'm not staying one happen. We've

409
00:19:33,640 --> 00:19:36,320
Speaker 1: got a little choice. It look crazy outside. Somebody gets

410
00:19:36,320 --> 00:19:41,200
Speaker 1: some snacks, Get some snacks. Uber're gonna work. Definitely not real. Well,

411
00:19:41,200 --> 00:19:43,439
Speaker 1: I'm sure uber will work, but you know you might

412
00:19:43,480 --> 00:19:46,000
Speaker 1: get an inexperienced driving that in that weather. Try lift.

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00:19:46,440 --> 00:19:48,040
Speaker 1: You know what's gonna happen. Our calls gonna get stuck

414
00:19:48,040 --> 00:19:51,280
Speaker 1: in the parking lot. Yep, that's what's gonna happen. That's

415
00:19:51,280 --> 00:19:53,960
Speaker 1: definitely gonna happen. It looks crazy. All right, Let's get

416
00:19:53,960 --> 00:19:57,479
Speaker 1: to the room. Let's talk, am goals. It's about side

417
00:20:00,240 --> 00:20:09,240
Speaker 1: ward round Angela breakfast club. Well, the Migos did an

418
00:20:09,359 --> 00:20:12,440
Speaker 1: interview in Rolling Stone magazine, a big feature, and what

419
00:20:12,600 --> 00:20:14,159
Speaker 1: came out of it was they ended up having to

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00:20:14,320 --> 00:20:17,280
Speaker 1: apologize for something that was set now. Part of the

421
00:20:17,400 --> 00:20:20,360
Speaker 1: article says the track has put Megos at the forefront

422
00:20:20,400 --> 00:20:22,639
Speaker 1: of a new wave of Atlanta hip hop talent that

423
00:20:22,800 --> 00:20:25,439
Speaker 1: includes friends Little Yatti and a young thug, all our

424
00:20:25,520 --> 00:20:29,800
Speaker 1: wildly different mcs, illustrating the diversity, the Quavo says, is

425
00:20:29,880 --> 00:20:31,879
Speaker 1: one of the things he most loves about Atlanta. And

426
00:20:32,000 --> 00:20:34,480
Speaker 1: so I'm surprised by a mego's reaction when I mentioned

427
00:20:34,560 --> 00:20:37,280
Speaker 1: I love mcconin the local MC who just came out

428
00:20:37,320 --> 00:20:41,320
Speaker 1: as gay on Twitter. Damn mcconin, Quavo bellows. After an

429
00:20:41,320 --> 00:20:45,280
Speaker 1: awkward interlude, I mentioned support I saw online from mcconan's decision.

430
00:20:46,440 --> 00:20:49,440
Speaker 1: They supported him, Quavo asked, raising an eyebrow. That's because

431
00:20:49,480 --> 00:20:52,280
Speaker 1: the world is effed up, says Offset. This world is

432
00:20:52,320 --> 00:20:54,400
Speaker 1: not right. Take Off says. We ain't saying there's nothing

433
00:20:54,440 --> 00:20:57,240
Speaker 1: wrong with the gay, says Quavo, but he suggests that

434
00:20:57,359 --> 00:21:00,760
Speaker 1: mcconan's sexuality undermines his credibility given the fact that he

435
00:21:00,840 --> 00:21:04,000
Speaker 1: first came out talking about trapping and selling Molly doing

436
00:21:04,080 --> 00:21:07,440
Speaker 1: all that. Well, since then, Twitter went crazy with just that.

437
00:21:07,560 --> 00:21:10,040
Speaker 1: Part of the article and they have issued an apology

438
00:21:10,200 --> 00:21:12,840
Speaker 1: on Twitter. They said, we always been about being original

439
00:21:12,880 --> 00:21:15,520
Speaker 1: and staying true. Staying true to yourself goes a long way.

440
00:21:15,600 --> 00:21:17,840
Speaker 1: We are all fans of mcconan's music, and we wish

441
00:21:17,880 --> 00:21:19,600
Speaker 1: you didn't feel you ever had to hide. We feel

442
00:21:19,640 --> 00:21:21,639
Speaker 1: the world is effed up that people feel like they

443
00:21:21,720 --> 00:21:24,159
Speaker 1: have to hide, and we're asked to comment on someone's sexuality.

444
00:21:24,240 --> 00:21:26,840
Speaker 1: We have no problem with any one sexual preference. We

445
00:21:26,920 --> 00:21:29,440
Speaker 1: love all people, gay, our straight, and we apologize if

446
00:21:29,480 --> 00:21:31,399
Speaker 1: we offended anyone by the way. It gave people in

447
00:21:31,440 --> 00:21:34,200
Speaker 1: the trap okay, like it gave people out there selling drugs.

448
00:21:34,240 --> 00:21:36,840
Speaker 1: It gave people out there packing guns like it's gayhood.

449
00:21:36,960 --> 00:21:39,239
Speaker 1: Dudes out there, don't get it twisted. Me goals right,

450
00:21:39,359 --> 00:21:41,920
Speaker 1: you probably never ran in any probably haven't. You didn't know,

451
00:21:43,240 --> 00:21:45,159
Speaker 1: didn't know. But they can't mess with that bad and

452
00:21:45,200 --> 00:21:46,919
Speaker 1: boogie money. Things are going good for them right now.

453
00:21:46,960 --> 00:21:48,919
Speaker 1: I'm saying they don't need no problems. They probably got

454
00:21:49,040 --> 00:21:50,919
Speaker 1: endorsed me deals on the table, all kinds of stuff. Now,

455
00:21:51,119 --> 00:21:53,840
Speaker 1: what if the megoes feel that way, they can feel

456
00:21:53,920 --> 00:21:57,880
Speaker 1: that way. They don't have to apologize. Our president don't

457
00:21:57,880 --> 00:22:02,119
Speaker 1: apologize for nothing. Don't okay, going right? He neither this

458
00:22:02,200 --> 00:22:06,960
Speaker 1: administration all right. Jason Derullo is talking about racial profiling.

459
00:22:07,080 --> 00:22:09,680
Speaker 1: He says that he was stopped on a flight on

460
00:22:09,720 --> 00:22:13,240
Speaker 1: American Airlines. He said he's an elite customer and therefore

461
00:22:13,359 --> 00:22:15,000
Speaker 1: there shouldn't have been an issue. He was trying to

462
00:22:15,920 --> 00:22:18,960
Speaker 1: actually check his bags. He says he was disrespected. He

463
00:22:19,000 --> 00:22:21,240
Speaker 1: said he was cursed out and all of that. He

464
00:22:21,400 --> 00:22:23,600
Speaker 1: was going to go to LA. He was in Miami

465
00:22:23,680 --> 00:22:26,359
Speaker 1: going to LA and they tried to check their bags.

466
00:22:26,440 --> 00:22:29,320
Speaker 1: And here's what Jason Derulo says happened. They end up

467
00:22:29,320 --> 00:22:31,359
Speaker 1: turning the plane around. When I get on the ground,

468
00:22:31,480 --> 00:22:34,720
Speaker 1: here there's fifteen police officers waiting on us. As we're

469
00:22:34,720 --> 00:22:37,280
Speaker 1: getting off the plane. The pilot comes in, tried to

470
00:22:37,400 --> 00:22:39,760
Speaker 1: make a scene, and he says, I want these guys

471
00:22:40,119 --> 00:22:42,240
Speaker 1: off the plane right now. I get off the plane.

472
00:22:42,560 --> 00:22:45,399
Speaker 1: Fifteen police officers waiting on me like I'm a criminal.

473
00:22:45,480 --> 00:22:47,520
Speaker 1: So instantly I get on live stream. You know what

474
00:22:47,520 --> 00:22:50,040
Speaker 1: I'm saying, nothing's about to happen, that it's not supposed

475
00:22:50,080 --> 00:22:53,480
Speaker 1: to happen because I am who I am. But if

476
00:22:53,520 --> 00:22:56,560
Speaker 1: I wasn't, I know what the outcome would have been.

477
00:22:57,119 --> 00:22:59,359
Speaker 1: Still trying to figure out that. He said if he

478
00:22:59,440 --> 00:23:01,280
Speaker 1: was a random black guy, he would be in jail

479
00:23:01,359 --> 00:23:05,480
Speaker 1: right now. What happened now? Update on TMZ says that

480
00:23:05,560 --> 00:23:08,760
Speaker 1: a source of American Airline says that each customer, if

481
00:23:08,800 --> 00:23:11,000
Speaker 1: you're an elite customer, you get three free check bags.

482
00:23:11,160 --> 00:23:14,680
Speaker 1: But Jason Derula had one friend that tried to check

483
00:23:14,800 --> 00:23:16,560
Speaker 1: nineteen bags even though there was eight of them. One

484
00:23:16,560 --> 00:23:20,280
Speaker 1: person nineteen yeah, nineteen bags. So what they're saying they

485
00:23:20,320 --> 00:23:22,359
Speaker 1: think happened is that they got on the flight and

486
00:23:22,400 --> 00:23:24,480
Speaker 1: they left one person behind with all the luggage for

487
00:23:24,600 --> 00:23:27,280
Speaker 1: a later flight, and American Airlines would not credit the

488
00:23:27,440 --> 00:23:30,280
Speaker 1: nineteen bags for just one person. Everybody had to check

489
00:23:30,320 --> 00:23:33,399
Speaker 1: them in at split the bags up. I guess that

490
00:23:33,520 --> 00:23:35,800
Speaker 1: one person was standing behind to try to handle all that,

491
00:23:35,920 --> 00:23:37,280
Speaker 1: But I'm still trying to figure out why. When you

492
00:23:37,320 --> 00:23:39,080
Speaker 1: get all the planing, you see fifteen police office is

493
00:23:39,080 --> 00:23:40,200
Speaker 1: the first thing you think to do is go to

494
00:23:40,280 --> 00:23:44,359
Speaker 1: Facebook lives to make sure nothing happens, so you can

495
00:23:44,400 --> 00:23:46,480
Speaker 1: show something does happen here would be like recording it

496
00:23:46,600 --> 00:23:49,760
Speaker 1: and at the airport, think you should have went Instagram,

497
00:23:49,800 --> 00:23:58,640
Speaker 1: like I'm sure airport is video short video cameras everywhere.

498
00:23:58,920 --> 00:24:02,240
Speaker 1: He wanted to have his own procy to see. I

499
00:24:02,320 --> 00:24:05,000
Speaker 1: just don't live my life like that. When something bad happens,

500
00:24:05,080 --> 00:24:06,840
Speaker 1: the first thing you think is ome, let me go

501
00:24:06,880 --> 00:24:10,200
Speaker 1: to Instagram, Liba, let me go to Snapchat. People do

502
00:24:10,320 --> 00:24:12,159
Speaker 1: that to recorded because think about it, that's happened in

503
00:24:12,200 --> 00:24:15,800
Speaker 1: other situations with police brutality with people. I can understand.

504
00:24:15,880 --> 00:24:18,040
Speaker 1: If you're in a car, you know, it's just you

505
00:24:18,160 --> 00:24:20,680
Speaker 1: in the officer, but you're at an airport, it's mad

506
00:24:20,840 --> 00:24:25,639
Speaker 1: people there. Account Look at what's happening to me right now?

507
00:24:26,040 --> 00:24:28,399
Speaker 1: Right all right? Well, I'm Angela Yane. That's your room

508
00:24:28,480 --> 00:24:33,560
Speaker 1: of report. That was re rewouldeeded me morning. Everybody is

509
00:24:33,640 --> 00:24:36,520
Speaker 1: DJ Envy, Angela Yee, Charlemagne the guy. We are the

510
00:24:36,560 --> 00:24:39,399
Speaker 1: breakfast club. We got a special guest in the building.

511
00:24:39,480 --> 00:24:41,760
Speaker 1: It looks very Detroit this morning too, by the way,

512
00:24:42,000 --> 00:24:46,360
Speaker 1: very Detroit, Very Detroit. That is. That's a Detroit thing.

513
00:24:46,440 --> 00:24:51,560
Speaker 1: The corduroy Detroit. I think everybody wore corduroys. No, that's

514
00:24:51,600 --> 00:24:56,400
Speaker 1: a detail. That's everybody. Yeah, I don't know what I feel. Historically,

515
00:24:56,440 --> 00:24:58,040
Speaker 1: growing up, I used to see dudes in Detroit with

516
00:24:58,119 --> 00:25:01,440
Speaker 1: the whole cortu roy office as a whole outfit. It

517
00:25:01,720 --> 00:25:04,359
Speaker 1: is parts jacket match. We congratulations on the new album.

518
00:25:04,440 --> 00:25:07,119
Speaker 1: I decided, thank you. It's gonna do like over one

519
00:25:07,200 --> 00:25:09,040
Speaker 1: hundred thousand and be number one for the week. So

520
00:25:09,160 --> 00:25:11,399
Speaker 1: that's a big deal. Perfect, What do you mean? It's

521
00:25:11,440 --> 00:25:14,600
Speaker 1: really incredible right for artists now? Yeah, and this an album.

522
00:25:14,640 --> 00:25:16,480
Speaker 1: It's the first album I put out where I didn't

523
00:25:16,480 --> 00:25:18,959
Speaker 1: release physical copies with it, you know what I mean.

524
00:25:19,119 --> 00:25:20,840
Speaker 1: So physical has always been a big part of my

525
00:25:20,920 --> 00:25:23,600
Speaker 1: first week. So I didn't do that because I didn't

526
00:25:23,600 --> 00:25:25,159
Speaker 1: want to leak in, you know what I mean. And

527
00:25:25,280 --> 00:25:27,560
Speaker 1: I wanted to work on it to like as soon

528
00:25:27,640 --> 00:25:29,480
Speaker 1: as possible. When you got to do physical albums, you

529
00:25:29,560 --> 00:25:31,760
Speaker 1: got to turn it in way before it go to

530
00:25:31,840 --> 00:25:34,119
Speaker 1: the plants. And I didn't want to like risk. So

531
00:25:34,200 --> 00:25:36,240
Speaker 1: how long do you have to put it out before

532
00:25:36,359 --> 00:25:39,119
Speaker 1: when you're just streaming it? You have until right before

533
00:25:39,240 --> 00:25:45,160
Speaker 1: you put it out, not like right before, but like no, see,

534
00:25:45,200 --> 00:25:47,600
Speaker 1: if you do physicals, it's like a month, like a

535
00:25:47,680 --> 00:25:49,959
Speaker 1: week or like a week or two that's pretty good,

536
00:25:50,000 --> 00:25:51,919
Speaker 1: a couple of weeks. But we gotta decided, So why

537
00:25:51,960 --> 00:25:54,760
Speaker 1: did you try? I decided for a lot of reasons,

538
00:25:54,800 --> 00:25:56,680
Speaker 1: but Hall of But just on that point though, like

539
00:25:56,880 --> 00:26:01,280
Speaker 1: that's all sacrifices that it was my favorite song on

540
00:26:01,359 --> 00:26:03,560
Speaker 1: the album. Now I was like top three. Yeah, that

541
00:26:03,800 --> 00:26:06,480
Speaker 1: was like that came in at like the last minute,

542
00:26:06,600 --> 00:26:09,040
Speaker 1: like last week. So that's good a little bit. Hall

543
00:26:09,080 --> 00:26:11,760
Speaker 1: copies when the mede it, Yeah, like a bonus online

544
00:26:11,800 --> 00:26:14,640
Speaker 1: on streaming on these Yeah about that record, what made

545
00:26:14,640 --> 00:26:16,239
Speaker 1: you want to put the Megales on tacific Because most

546
00:26:16,280 --> 00:26:18,200
Speaker 1: artists will put Megals on a club record. You actually

547
00:26:18,240 --> 00:26:20,399
Speaker 1: put them on the record. That God Chair missing the

548
00:26:20,480 --> 00:26:24,880
Speaker 1: whole arm, little chair Kevin was supposed to buy y'all

549
00:26:24,920 --> 00:26:27,760
Speaker 1: getting money in here? Yeah, I got a broadcast chairs. No,

550
00:26:27,920 --> 00:26:30,040
Speaker 1: you gotta keep it, keeps the essence fuel Nah, But

551
00:26:30,240 --> 00:26:32,680
Speaker 1: me Goes. I got love from the me Goes. You

552
00:26:32,800 --> 00:26:35,879
Speaker 1: know anybody who keeping it raw, not really giving them

553
00:26:36,080 --> 00:26:38,840
Speaker 1: about any what people saying, just doing anything. I got

554
00:26:38,920 --> 00:26:41,199
Speaker 1: respect for And I remember when I met them, they

555
00:26:41,400 --> 00:26:43,399
Speaker 1: came to me and was just saying, you know, I

556
00:26:43,400 --> 00:26:46,119
Speaker 1: remember Quavo talking about Yo, You're like, you know, you

557
00:26:46,200 --> 00:26:47,760
Speaker 1: one of the ones we look up to you like,

558
00:26:47,920 --> 00:26:49,880
Speaker 1: you know, one our ogs. And I'm sitting here thinking

559
00:26:49,960 --> 00:26:52,840
Speaker 1: like I'm probably like two years old, you know what

560
00:26:52,920 --> 00:26:54,800
Speaker 1: I mean. But I gotta remember that when I came

561
00:26:54,880 --> 00:26:57,800
Speaker 1: in a game that was like, man, I was nineteen.

562
00:26:57,960 --> 00:27:00,359
Speaker 1: I was with you know, I was injured and with

563
00:27:00,480 --> 00:27:04,159
Speaker 1: Nigo for real all obviously, Yah, you know what I mean.

564
00:27:04,280 --> 00:27:06,639
Speaker 1: So it was a whole different air, like like a

565
00:27:07,080 --> 00:27:09,720
Speaker 1: generation before them the Sacrifice got. It's a lot of

566
00:27:09,760 --> 00:27:11,880
Speaker 1: substance in that record, Like you're talking about some real

567
00:27:12,320 --> 00:27:14,680
Speaker 1: socially conscious stuff. To me, like just on a personal level,

568
00:27:14,960 --> 00:27:17,600
Speaker 1: come like the me Goos. I think it's good to

569
00:27:17,720 --> 00:27:19,520
Speaker 1: bring the megoes to do something that they don't know,

570
00:27:20,080 --> 00:27:22,080
Speaker 1: which is like bring them into what Big Sean would

571
00:27:22,119 --> 00:27:24,280
Speaker 1: do instead of catering to what they do. And I

572
00:27:24,320 --> 00:27:26,119
Speaker 1: feel like they brought something to the record too. I

573
00:27:26,280 --> 00:27:28,240
Speaker 1: know they added to that was the whole thing. I

574
00:27:28,320 --> 00:27:30,200
Speaker 1: didn't have a lot of features on this album. Only

575
00:27:30,240 --> 00:27:32,920
Speaker 1: features I had was you know, the ones that really

576
00:27:32,960 --> 00:27:39,399
Speaker 1: added something to dream. Jeremiah on the Sunday Morning jeffs

577
00:27:39,480 --> 00:27:42,080
Speaker 1: oh Man, I see that record became one of my

578
00:27:42,119 --> 00:27:45,120
Speaker 1: favorite records this morning. Yeah that and stick to the Plan.

579
00:27:46,080 --> 00:27:47,520
Speaker 1: I like the way the album starts with the intro

580
00:27:47,640 --> 00:27:49,879
Speaker 1: with Jeremiah. I thought that would be nice um and

581
00:27:49,960 --> 00:27:51,159
Speaker 1: it had a lot of steps and also but I

582
00:27:51,200 --> 00:27:53,040
Speaker 1: thought it was a great intro for the whole album,

583
00:27:53,520 --> 00:27:55,800
Speaker 1: just to start off with that. Yeah he killed it too,

584
00:27:56,040 --> 00:27:59,240
Speaker 1: you know what I'm saying, And that the whole album,

585
00:27:59,400 --> 00:28:01,360
Speaker 1: like I broke the I'm in my head at least

586
00:28:01,400 --> 00:28:03,920
Speaker 1: to like four different acts. So it's like the first

587
00:28:04,000 --> 00:28:07,200
Speaker 1: act is like the light bounce back, no favors. It's like,

588
00:28:07,280 --> 00:28:10,200
Speaker 1: once you realize your inner you find that inner strength.

589
00:28:10,640 --> 00:28:12,360
Speaker 1: Like the first lines on the album is I spent

590
00:28:12,440 --> 00:28:13,959
Speaker 1: my whole life trying to find a light that's at

591
00:28:14,000 --> 00:28:15,520
Speaker 1: the end of the tunnel. I should have realized it

592
00:28:15,600 --> 00:28:18,680
Speaker 1: was inside outside inside outside. Yeah, you know what I'm saying.

593
00:28:18,720 --> 00:28:20,639
Speaker 1: So it's just like once you figure that out and

594
00:28:20,720 --> 00:28:22,520
Speaker 1: then you bounce back, you know what I'm saying, from

595
00:28:22,520 --> 00:28:25,320
Speaker 1: your losses, and then after that you charged up. It's

596
00:28:25,320 --> 00:28:28,600
Speaker 1: like you don't need no favorites. The part Part two

597
00:28:28,760 --> 00:28:30,800
Speaker 1: is like the love part going after you know what

598
00:28:30,880 --> 00:28:34,240
Speaker 1: I mean, you're one true love not working out all

599
00:28:34,320 --> 00:28:38,360
Speaker 1: sorts of just you know, so to speak. Part No.

600
00:28:38,520 --> 00:28:41,360
Speaker 1: Part three is like halfway off the balcony voices in

601
00:28:41,440 --> 00:28:44,080
Speaker 1: my head. Stick to the plan. That's like when everything

602
00:28:44,200 --> 00:28:46,560
Speaker 1: going wrong and spiral out of control. You like in it,

603
00:28:46,960 --> 00:28:49,480
Speaker 1: you know you and a pit you in the depths,

604
00:28:49,520 --> 00:28:51,080
Speaker 1: you know what I'm saying. And then part four is

605
00:28:51,160 --> 00:28:53,680
Speaker 1: like Sunday Morning, jack Pad, when God pull you out

606
00:28:53,720 --> 00:28:58,240
Speaker 1: of that, your family there for you, everybody. Yeah. Part

607
00:28:58,320 --> 00:29:00,240
Speaker 1: three that's like sticks to the plan where in my

608
00:29:00,320 --> 00:29:02,480
Speaker 1: head it's like you're going through that that moment, no

609
00:29:02,720 --> 00:29:05,280
Speaker 1: voices into the voices in my head. You say that

610
00:29:05,760 --> 00:29:07,880
Speaker 1: maybe a gunshot to the head or set all these

611
00:29:07,960 --> 00:29:12,080
Speaker 1: thoughts free. You have suicidal thoughts at one point. Yeah, yeah,

612
00:29:12,720 --> 00:29:15,400
Speaker 1: what you like one of the happiest people I know, Sean,

613
00:29:15,440 --> 00:29:17,400
Speaker 1: one of the nicest people. Yeah, but I mean you

614
00:29:17,440 --> 00:29:19,880
Speaker 1: ain't got you know, I go through real all the time. Man,

615
00:29:22,320 --> 00:29:24,440
Speaker 1: I'm not saying. I'm not saying I was gonna do

616
00:29:24,520 --> 00:29:26,160
Speaker 1: what I'm saying. Yeah, I thought I thought about it,

617
00:29:26,280 --> 00:29:28,520
Speaker 1: But we got you to that point. Just the things

618
00:29:28,600 --> 00:29:30,840
Speaker 1: that exactly what I talked about on the album, Like

619
00:29:31,000 --> 00:29:33,400
Speaker 1: God I got me through that point. My family got

620
00:29:33,440 --> 00:29:36,960
Speaker 1: me through that point. That unconditional love is something that

621
00:29:37,520 --> 00:29:41,280
Speaker 1: you know that's more important than anything, that's something money

622
00:29:41,320 --> 00:29:44,080
Speaker 1: can't buy. So I get that unconditional love from my

623
00:29:44,160 --> 00:29:46,320
Speaker 1: family from the real ones around me that came up

624
00:29:46,400 --> 00:29:49,920
Speaker 1: with me. And that's just that's what that is. You know,

625
00:29:51,320 --> 00:29:53,160
Speaker 1: the last album you paid hommage to your father. This

626
00:29:53,280 --> 00:29:55,880
Speaker 1: album you paid homage to your mom with a phone call.

627
00:29:56,080 --> 00:29:59,160
Speaker 1: How did she react to Inspire Me? I remember, well,

628
00:29:59,240 --> 00:30:02,760
Speaker 1: she came to the so I record basically all my

629
00:30:02,880 --> 00:30:05,560
Speaker 1: music at this house. I just sold the house stuff like,

630
00:30:05,680 --> 00:30:07,160
Speaker 1: I just moved out because I feel like I got

631
00:30:07,200 --> 00:30:09,200
Speaker 1: all the inspiration out of it. But she was there

632
00:30:09,800 --> 00:30:11,920
Speaker 1: listening to the album, and I didn't tell her about

633
00:30:11,920 --> 00:30:14,360
Speaker 1: the song. The house was in Detroit, No, this house

634
00:30:14,440 --> 00:30:16,600
Speaker 1: is in la I make the music. The house in

635
00:30:17,120 --> 00:30:19,680
Speaker 1: Michigan's where she lived. Where I live. I got my

636
00:30:19,880 --> 00:30:21,600
Speaker 1: room in the basement. You know what I'm saying. She

637
00:30:21,720 --> 00:30:24,800
Speaker 1: got the big sweet or whatever. But anyway, I did

638
00:30:24,920 --> 00:30:27,880
Speaker 1: with his mom. Yeah, everybody's like he lives with his mom. Yeah,

639
00:30:28,040 --> 00:30:30,240
Speaker 1: but that's the that's that's the way though, you know,

640
00:30:30,320 --> 00:30:34,360
Speaker 1: That's how I have it. Um. Anyway, I just was

641
00:30:34,400 --> 00:30:36,680
Speaker 1: playing her songs after song after song, and then Inspire

642
00:30:36,760 --> 00:30:39,400
Speaker 1: Me came on. She was listening to it, you know

643
00:30:39,480 --> 00:30:40,840
Speaker 1: what I mean, And then all of a sudden she

644
00:30:41,000 --> 00:30:43,840
Speaker 1: was like, oh, oh, you know and then she and

645
00:30:43,880 --> 00:30:45,600
Speaker 1: then like that was halfway through the verse, and then

646
00:30:45,640 --> 00:30:48,320
Speaker 1: by the end of the verse she was crying. You know.

647
00:30:48,440 --> 00:30:51,320
Speaker 1: So it was emotional for us. But it's real though.

648
00:30:51,480 --> 00:30:53,560
Speaker 1: You know, I don't always answer my MoMA phone calls

649
00:30:53,600 --> 00:30:58,040
Speaker 1: all the time. Why not, no, because that's just real life, man.

650
00:30:58,920 --> 00:31:01,080
Speaker 1: It's not out of life, like I don't love her.

651
00:31:01,160 --> 00:31:03,800
Speaker 1: That's my mom. That's the first person I wrapped for it.

652
00:31:03,880 --> 00:31:06,440
Speaker 1: That's the person who supported me like none other. It's

653
00:31:06,480 --> 00:31:08,960
Speaker 1: just that we get self absorbed in our you know,

654
00:31:09,040 --> 00:31:11,640
Speaker 1: we get caught up in our own business. Sometimes you

655
00:31:11,760 --> 00:31:14,120
Speaker 1: really was doing nothing when you ignored our call oshean

656
00:31:14,360 --> 00:31:17,040
Speaker 1: no no, no, no, no no no. When you see

657
00:31:17,040 --> 00:31:19,440
Speaker 1: a miscall, sometimes you forget to call your family back.

658
00:31:19,480 --> 00:31:21,640
Speaker 1: That's just real life, man. You know what that coming

659
00:31:21,640 --> 00:31:23,680
Speaker 1: to me? Like, I'm good, I take care of my family,

660
00:31:23,920 --> 00:31:25,760
Speaker 1: you know what I mean. But the thing is, I

661
00:31:25,880 --> 00:31:27,440
Speaker 1: just wanted to keep it honest with her, and she

662
00:31:27,560 --> 00:31:31,680
Speaker 1: just she appreciated that. And I remember I even talk

663
00:31:31,720 --> 00:31:33,600
Speaker 1: about it on the song. But we grew up, you know,

664
00:31:33,640 --> 00:31:36,760
Speaker 1: I'm a Motown like I was in a Motown household,

665
00:31:36,840 --> 00:31:40,000
Speaker 1: like Stevie Wonder Isasley Brothers. You know what I mean,

666
00:31:40,800 --> 00:31:44,560
Speaker 1: Marvin Gay, you know what I mean all that Jackson five.

667
00:31:44,680 --> 00:31:46,720
Speaker 1: So I was asking her when she heard it, like

668
00:31:46,800 --> 00:31:48,480
Speaker 1: who you want to sing on it? Like you want

669
00:31:48,520 --> 00:31:51,280
Speaker 1: because I was thinking like Smokey Robinson, you know, or

670
00:31:51,600 --> 00:31:53,360
Speaker 1: I was gonna shoot for the stars, try and get

671
00:31:53,400 --> 00:31:56,280
Speaker 1: Stevie Wonder on it. But you know she just remember

672
00:31:56,320 --> 00:31:58,200
Speaker 1: her looking at me with tears in my tears in

673
00:31:58,320 --> 00:32:00,920
Speaker 1: her eyes, like you gotta sing it perfect if you

674
00:32:01,000 --> 00:32:03,000
Speaker 1: sing it. So that's why I'm on there and singing

675
00:32:03,080 --> 00:32:05,520
Speaker 1: like that. All that was Big Sean. We got more

676
00:32:05,560 --> 00:32:07,320
Speaker 1: with him in minutes, keeping locked. It's the Breakfast Club.

677
00:32:07,360 --> 00:32:15,120
Speaker 1: Good Morning, the breakfast club that was party next door,

678
00:32:15,440 --> 00:32:19,080
Speaker 1: good Morning. Everybody is DJ Envy Angela yea, Charlomagne the guy.

679
00:32:19,160 --> 00:32:21,240
Speaker 1: We are the Breakfast Club. We got Big Sean in

680
00:32:21,320 --> 00:32:23,400
Speaker 1: the building. Charlomagne. He said, every time you get a

681
00:32:23,440 --> 00:32:27,240
Speaker 1: new love, your mama invites them in. Is that true? Yeah? Yeah,

682
00:32:28,240 --> 00:32:30,880
Speaker 1: you got she never doesn't like your mine, and it's like,

683
00:32:30,920 --> 00:32:34,400
Speaker 1: don't bring her around, y'all. Mama's like that. No, I

684
00:32:34,440 --> 00:32:36,440
Speaker 1: only know one woman for theever. I can't bring no

685
00:32:36,520 --> 00:32:38,360
Speaker 1: Longe in my mama's house straight up. Oh yeah, me

686
00:32:38,360 --> 00:32:40,680
Speaker 1: and mom woman been together since ninety eight. The women

687
00:32:40,720 --> 00:32:44,120
Speaker 1: invitage you to their houses and meet their mama's before yes,

688
00:32:44,240 --> 00:32:48,200
Speaker 1: come back auss's that's that's disrespectful. I don't do things

689
00:32:48,240 --> 00:32:50,240
Speaker 1: like that. I did. Re did read a kid a

690
00:32:50,280 --> 00:32:52,160
Speaker 1: book one day. You to read a kid a book

691
00:32:52,840 --> 00:32:54,880
Speaker 1: and the kid called him dad. Did call him dad.

692
00:32:54,920 --> 00:32:57,360
Speaker 1: But listen, Mama, don't never think that that's respect that

693
00:32:57,480 --> 00:32:58,959
Speaker 1: she did. He didn't call me that. That was dispect

694
00:32:59,040 --> 00:33:01,040
Speaker 1: that I start mess with it. Mamma, will ever take

695
00:33:01,040 --> 00:33:02,920
Speaker 1: you to flow down? Because you do always got a

696
00:33:02,960 --> 00:33:04,640
Speaker 1: new love now, Sean, you can't be bringing a different

697
00:33:04,680 --> 00:33:08,480
Speaker 1: one always about it. Come on, I didn't ain't like that.

698
00:33:08,520 --> 00:33:11,840
Speaker 1: It's people I here changing it up every week. At

699
00:33:11,880 --> 00:33:13,800
Speaker 1: least I'm committed. At least I'll be you know, I

700
00:33:13,880 --> 00:33:16,400
Speaker 1: ain't out here. I ain't got time. You got about

701
00:33:16,400 --> 00:33:22,360
Speaker 1: a two year at least on your two years whatever.

702
00:33:24,720 --> 00:33:26,800
Speaker 1: And listening to Act two, I guess in this album

703
00:33:26,880 --> 00:33:30,000
Speaker 1: where you do talk about um, you know, saving somebody

704
00:33:30,160 --> 00:33:32,600
Speaker 1: kind of from a relationship and just being friends at

705
00:33:32,640 --> 00:33:34,520
Speaker 1: first and then kind of wanting to be with them,

706
00:33:34,600 --> 00:33:36,760
Speaker 1: but she was involved with somebody else, Is that a

707
00:33:36,840 --> 00:33:40,080
Speaker 1: true story? I mean, it's all based off true story.

708
00:33:40,880 --> 00:33:44,080
Speaker 1: You know, there's nothing not true about it, not necessarily

709
00:33:44,200 --> 00:33:47,760
Speaker 1: every line. Sometimes I fabricate things in my head just

710
00:33:47,960 --> 00:33:50,640
Speaker 1: to but I get I pulled the inspiration from real situations,

711
00:33:51,080 --> 00:33:52,960
Speaker 1: and a lot of times they are one hundred percent real.

712
00:33:53,600 --> 00:33:56,080
Speaker 1: But I'm also an artist too, I got an imagination.

713
00:33:56,200 --> 00:33:58,760
Speaker 1: Sometimes I like ask stuff in my head. And it's

714
00:33:58,800 --> 00:34:01,040
Speaker 1: interesting because when you did do that No More Interview song,

715
00:34:01,360 --> 00:34:03,240
Speaker 1: I was like, well, we can't interview Big Sean because

716
00:34:03,360 --> 00:34:05,160
Speaker 1: the stuff that he talks about is stuff that happens

717
00:34:05,160 --> 00:34:06,880
Speaker 1: to him in real life. So when you say you

718
00:34:06,920 --> 00:34:09,320
Speaker 1: don't want to talk about personal things, the music is personal,

719
00:34:09,400 --> 00:34:12,279
Speaker 1: so it's hard not to. Well, no, that's the sacrifice

720
00:34:12,280 --> 00:34:15,880
Speaker 1: I made. I put my personal life, you know, on

721
00:34:16,040 --> 00:34:18,560
Speaker 1: a record, And that's just the commitment I made to

722
00:34:18,680 --> 00:34:22,720
Speaker 1: my artistry because that's what I always wanted. I always

723
00:34:22,760 --> 00:34:24,320
Speaker 1: wanted to be a rapper. I always wanted to be

724
00:34:24,360 --> 00:34:26,840
Speaker 1: an artist, and I always knew my potential, you know

725
00:34:26,880 --> 00:34:29,399
Speaker 1: what I mean, And I always felt like I wasn't

726
00:34:29,480 --> 00:34:32,560
Speaker 1: executing my full potential. And it's just like that kept

727
00:34:32,600 --> 00:34:34,560
Speaker 1: me hungry, that kept me always wanting to strive to

728
00:34:34,640 --> 00:34:36,759
Speaker 1: be better. And part of that is just laying it

729
00:34:36,840 --> 00:34:39,040
Speaker 1: all out there. You know, you can't go halfway with anything.

730
00:34:39,440 --> 00:34:41,520
Speaker 1: You know, the album you say, girls that look like

731
00:34:41,640 --> 00:34:45,239
Speaker 1: Lesa Bolna jealous of you and Junee. Yeah, you know

732
00:34:45,280 --> 00:34:47,759
Speaker 1: that's gonna piss off the black women. What you mean here?

733
00:34:48,320 --> 00:34:51,360
Speaker 1: Girls that look like Lisa Bolney jealous of you and

734
00:34:51,440 --> 00:34:57,560
Speaker 1: Junee or black isn't lick? Yeah, that's my point. Black

735
00:34:57,560 --> 00:35:02,200
Speaker 1: women are gonna judge you because is black. That's what

736
00:35:02,280 --> 00:35:04,480
Speaker 1: I keep telling him. She's black. I keep telling him that,

737
00:35:05,160 --> 00:35:09,520
Speaker 1: like you have you seen her dad? She got a

738
00:35:09,520 --> 00:35:11,480
Speaker 1: little bit. What did that line mean? Girls that look

739
00:35:11,520 --> 00:35:14,919
Speaker 1: like Lisa born Age jealous? That means I was dating

740
00:35:14,960 --> 00:35:18,520
Speaker 1: pretty girls? And even when I got what's coming up,

741
00:35:18,560 --> 00:35:20,840
Speaker 1: they would always say something like because Jen Nathan on

742
00:35:20,920 --> 00:35:25,960
Speaker 1: my project since two thousand and or something like that.

743
00:35:26,200 --> 00:35:32,919
Speaker 1: That's Asian girl all the time. No. Not, You're gonna

744
00:35:32,920 --> 00:35:36,400
Speaker 1: stop disrespecting her. Man, So did you step for the

745
00:35:36,440 --> 00:35:40,920
Speaker 1: caller Asian? No? I'm just saying you got a name man, yea.

746
00:35:42,000 --> 00:35:47,000
Speaker 1: So my thing is, look, yes, people used to always

747
00:35:47,040 --> 00:35:48,520
Speaker 1: be like, what's up with you and Jee? You know

748
00:35:49,640 --> 00:35:51,319
Speaker 1: you don't say all of that to get then what's

749
00:35:51,360 --> 00:35:55,279
Speaker 1: up with you that Asian girl? But that's but that

750
00:35:55,440 --> 00:35:57,360
Speaker 1: is when you knew back then that you kind of

751
00:35:57,520 --> 00:35:59,719
Speaker 1: had feelings for her, but she was involved with somebody else.

752
00:36:01,640 --> 00:36:07,000
Speaker 1: I'm here to talk about the album album. I answered

753
00:36:07,040 --> 00:36:09,520
Speaker 1: the question. Y'all keep digging in on it. But nah, yeah,

754
00:36:09,600 --> 00:36:11,920
Speaker 1: it's always been feelings for her. Just to keep her honest.

755
00:36:12,280 --> 00:36:14,800
Speaker 1: She's a great person. Are you nervous, This is just

756
00:36:15,000 --> 00:36:16,560
Speaker 1: a side question. Are you nervous if you see her

757
00:36:16,640 --> 00:36:18,279
Speaker 1: husband that he might want five minutes with you she's

758
00:36:18,280 --> 00:36:20,319
Speaker 1: not married anymore, her ex husband, that he might want

759
00:36:20,320 --> 00:36:24,799
Speaker 1: five minutes with you. No, no, no, no way. I'm

760
00:36:24,920 --> 00:36:28,239
Speaker 1: super afraid of no confrontations. I'm assuming the Same Time

761
00:36:28,320 --> 00:36:31,600
Speaker 1: Part two is gonna be one's upcoming album or the

762
00:36:31,640 --> 00:36:35,480
Speaker 1: twenty eight album, maybe twenty eighty eight album. I don't know.

763
00:36:35,560 --> 00:36:37,080
Speaker 1: You gotta wait and see, but there is twenty eight

764
00:36:37,160 --> 00:36:43,400
Speaker 1: album coming Same Time, Same Time Part one. Yeah, just

765
00:36:43,520 --> 00:36:45,080
Speaker 1: a little that was just a little you know, a

766
00:36:45,080 --> 00:36:47,719
Speaker 1: little forest shadow. Yeah, who's gonna be on one of those.

767
00:36:47,800 --> 00:36:50,239
Speaker 1: That's one of my favorite stuffs. I like that. Yeah.

768
00:36:50,840 --> 00:36:52,920
Speaker 1: My one of my producers and Mirror did that. He

769
00:36:53,000 --> 00:36:55,320
Speaker 1: did the Light, he did Sunday Morning jet Pack halfway

770
00:36:55,320 --> 00:36:59,680
Speaker 1: off the balcony produced some bounced back moves. He did, Yeah,

771
00:36:59,719 --> 00:37:01,880
Speaker 1: he did the outro Bigger than Me. He produced on

772
00:37:01,960 --> 00:37:04,640
Speaker 1: thirteen out of fourteen tracks, so and he produced a

773
00:37:04,680 --> 00:37:06,480
Speaker 1: lot of the twenty eighty eight step too. So he's

774
00:37:07,040 --> 00:37:09,400
Speaker 1: straight out of Philly. Shout out to Philly. You know,

775
00:37:09,560 --> 00:37:11,440
Speaker 1: East Coast people are starting to see that you can

776
00:37:11,520 --> 00:37:13,800
Speaker 1: spit now, and I'm liking that. People are starting to

777
00:37:13,800 --> 00:37:16,920
Speaker 1: talk about your lyricism now they know who was they're

778
00:37:16,920 --> 00:37:19,000
Speaker 1: talking about. Before they just weren't talking about it at all.

779
00:37:19,960 --> 00:37:24,160
Speaker 1: People they never named Big Sean. I've never done that

780
00:37:24,239 --> 00:37:27,759
Speaker 1: to you. How many times have you you heard me?

781
00:37:28,840 --> 00:37:34,359
Speaker 1: That's not true? Second second album, when everybody's talking like, man,

782
00:37:34,400 --> 00:37:36,800
Speaker 1: I love I switched up song that this? You know?

783
00:37:37,160 --> 00:37:40,399
Speaker 1: Can I just think now we need to start having

784
00:37:40,440 --> 00:37:44,320
Speaker 1: a different conversation. It is Sean the best now, you

785
00:37:44,360 --> 00:37:46,520
Speaker 1: know what I'm saying. It's a different you mean in

786
00:37:46,600 --> 00:37:49,000
Speaker 1: that top five I've been in the top five to

787
00:37:49,080 --> 00:37:51,200
Speaker 1: me of the new guys. But I'm never saying he

788
00:37:51,360 --> 00:37:55,680
Speaker 1: want to be best at the moment, the best, because

789
00:37:55,680 --> 00:38:00,560
Speaker 1: you don't claim that. I it seemed like you got

790
00:38:00,640 --> 00:38:02,680
Speaker 1: a very underdog energy, like it don't It's not like,

791
00:38:04,880 --> 00:38:06,760
Speaker 1: let's not get it twisted. Let's not get it twisted.

792
00:38:07,520 --> 00:38:10,799
Speaker 1: Let's not get it twisted. I every time I step

793
00:38:10,880 --> 00:38:13,000
Speaker 1: into that booth, I feel like I'm the best rapper.

794
00:38:13,320 --> 00:38:14,719
Speaker 1: I feel like I'm the best at what I do.

795
00:38:15,200 --> 00:38:17,640
Speaker 1: This is twenty seventeen. It's the time for all of

796
00:38:17,760 --> 00:38:19,400
Speaker 1: us to feel the best at what we do. And

797
00:38:19,520 --> 00:38:21,040
Speaker 1: if you go, if you go on a job to

798
00:38:21,160 --> 00:38:23,719
Speaker 1: your work not feeling that you're the best, you know

799
00:38:23,840 --> 00:38:25,080
Speaker 1: that you're not the best of what you do. What

800
00:38:25,160 --> 00:38:27,239
Speaker 1: are you doing? What are you really even doing? What

801
00:38:27,320 --> 00:38:30,399
Speaker 1: you're doing it for a paycheck? That's that ain't gonna last.

802
00:38:30,560 --> 00:38:32,279
Speaker 1: It feels like an act three. You even address that

803
00:38:32,400 --> 00:38:35,160
Speaker 1: on the album too, just people maybe not giving you

804
00:38:35,280 --> 00:38:37,960
Speaker 1: the props that you know you deserve. I mean, I

805
00:38:38,040 --> 00:38:40,200
Speaker 1: don't really focus too much on what people saying all

806
00:38:40,239 --> 00:38:42,120
Speaker 1: I know, because that's gonna take a time, that's gonna

807
00:38:42,120 --> 00:38:45,080
Speaker 1: take time away from me. Focus on what's that, what's

808
00:38:45,080 --> 00:38:47,400
Speaker 1: that hand? What's the plan? What I gotta do? You

809
00:38:47,480 --> 00:38:49,279
Speaker 1: know what I'm saying. I mean, I feel like I'm

810
00:38:49,320 --> 00:38:50,839
Speaker 1: in a race, but I ain't looking to the left

811
00:38:50,920 --> 00:38:52,080
Speaker 1: or to the right of me. I'm looking at that

812
00:38:52,120 --> 00:38:54,600
Speaker 1: finish line because once you start looking to the left,

813
00:38:54,640 --> 00:38:56,600
Speaker 1: you start slowing down. Once you start looking to the right,

814
00:38:56,640 --> 00:38:58,400
Speaker 1: you start slowing down. That ain't where I'm at with it.

815
00:38:59,040 --> 00:39:01,080
Speaker 1: Why don't you claim it? Like like how hold used

816
00:39:01,120 --> 00:39:03,080
Speaker 1: to be, Like I'm the best Wayne, Like I'm the

817
00:39:03,160 --> 00:39:06,560
Speaker 1: best rapper alive. I am, I'm the best. No discussion.

818
00:39:06,600 --> 00:39:08,960
Speaker 1: That's what I said. I have to after balcony. I'm claiming,

819
00:39:09,440 --> 00:39:11,520
Speaker 1: I'm putting I am. Look, I'm a I'm a person

820
00:39:11,560 --> 00:39:14,120
Speaker 1: in manifestation. I believe what you put out into the

821
00:39:14,239 --> 00:39:16,840
Speaker 1: universe it come back to you. I believe mcarma. I

822
00:39:16,920 --> 00:39:19,520
Speaker 1: believe in all that. That's why I live righteous. You

823
00:39:19,560 --> 00:39:21,319
Speaker 1: know what I'm saying. That's why it ain't no front

824
00:39:21,360 --> 00:39:23,080
Speaker 1: for me. I am a real good dude, and I

825
00:39:23,200 --> 00:39:24,719
Speaker 1: am humble. You know what I'm saying. That's how I

826
00:39:24,840 --> 00:39:27,120
Speaker 1: was raised, though I can't change that. You know, I

827
00:39:27,200 --> 00:39:28,840
Speaker 1: grew up with my grandma with my mom, and they

828
00:39:28,960 --> 00:39:32,040
Speaker 1: was the you know, there was the women and the

829
00:39:32,120 --> 00:39:33,960
Speaker 1: men in the house. You know what I'm saying. That's

830
00:39:34,239 --> 00:39:36,400
Speaker 1: even while I'm blessings. It's like my grandmother died. I'm

831
00:39:36,440 --> 00:39:38,160
Speaker 1: the man of the house. That's because she she was

832
00:39:38,280 --> 00:39:40,000
Speaker 1: the man of the house too. So it was just

833
00:39:40,200 --> 00:39:42,040
Speaker 1: like I can't change the way I was raised. But

834
00:39:42,080 --> 00:39:44,880
Speaker 1: at the same time, like I put that work in,

835
00:39:45,120 --> 00:39:47,560
Speaker 1: like you're not gonna disrespect me. I hop on any

836
00:39:47,600 --> 00:39:50,680
Speaker 1: track with anybody, and I will not only stand my

837
00:39:50,800 --> 00:39:53,080
Speaker 1: own You're gonna know that it's my verse and you're

838
00:39:53,080 --> 00:39:58,080
Speaker 1: gonna know I'm for control. Kendrick watched you on control? No,

839
00:39:59,320 --> 00:40:02,880
Speaker 1: come on, but now hold on, let's talk about your

840
00:40:02,920 --> 00:40:05,320
Speaker 1: song with Eminem because that's been controversial. Of course, a

841
00:40:05,360 --> 00:40:07,319
Speaker 1: lot of people consider Eminem and how long with how

842
00:40:07,360 --> 00:40:13,680
Speaker 1: long ago is that one years? That were right? You right?

843
00:40:13,760 --> 00:40:15,560
Speaker 1: But you do have Eminem on the album, and I

844
00:40:15,600 --> 00:40:17,759
Speaker 1: still don't feel like I got watched anyway. Now you

845
00:40:17,840 --> 00:40:22,319
Speaker 1: got whatever, It's okay your opinions. See that's what I'm saying.

846
00:40:22,400 --> 00:40:25,000
Speaker 1: He can't. You can't focus on people's opinions, you know why,

847
00:40:25,120 --> 00:40:26,960
Speaker 1: because that's gonna throw you off. You got to focus

848
00:40:27,040 --> 00:40:28,960
Speaker 1: on what's the hand which you're feeling. It was a

849
00:40:28,960 --> 00:40:33,160
Speaker 1: different that was like a like like other worldly type

850
00:40:33,160 --> 00:40:35,359
Speaker 1: of birth. Now I'm not taking I'm not taking nothing

851
00:40:35,400 --> 00:40:37,680
Speaker 1: away from that. That's why, you know, what I'm saying.

852
00:40:37,719 --> 00:40:40,640
Speaker 1: It was my song. Also nothing that yeah, it was,

853
00:40:40,840 --> 00:40:46,080
Speaker 1: so I can't I can't say I've been seeing you

854
00:40:46,120 --> 00:40:49,839
Speaker 1: showing love to the album though voices in bounce Back.

855
00:40:49,960 --> 00:40:52,040
Speaker 1: It was one of the people campaigning for bounce Back.

856
00:40:52,120 --> 00:40:53,920
Speaker 1: Then I need to be played more on the radio,

857
00:40:54,040 --> 00:40:56,440
Speaker 1: and you run of the reasons that you know, just

858
00:40:56,719 --> 00:40:59,799
Speaker 1: just one of them people showing love. I appreciate you, dope, bro.

859
00:41:00,000 --> 00:41:01,960
Speaker 1: I give propers with propses to do. All right, we

860
00:41:02,040 --> 00:41:03,759
Speaker 1: got more with Big Show when we come back. Matter

861
00:41:03,760 --> 00:41:05,520
Speaker 1: of fact, let's get to a Big Sewan mini mix.

862
00:41:06,680 --> 00:41:09,440
Speaker 1: That was a Big Sean mini mix. Morning everybody is

863
00:41:09,520 --> 00:41:12,400
Speaker 1: DJ n v Angela, Yee, Charlomagne and god we all

864
00:41:12,440 --> 00:41:14,440
Speaker 1: the breakfast club. We got Big Sean in the building.

865
00:41:14,840 --> 00:41:16,640
Speaker 1: How intimidating is that to be on a song with

866
00:41:16,719 --> 00:41:19,600
Speaker 1: Eminem and you guys are both from Detroit and obviously

867
00:41:19,960 --> 00:41:22,640
Speaker 1: Eminem is you know, the A lot of people consider

868
00:41:22,760 --> 00:41:25,279
Speaker 1: him to be one of the goats at least, and

869
00:41:25,719 --> 00:41:29,080
Speaker 1: the song was also pretty controversial. Now after the album

870
00:41:29,200 --> 00:41:31,719
Speaker 1: came out, So what are your thoughts on people are

871
00:41:31,719 --> 00:41:34,280
Speaker 1: being upset about what Eminem said on the album. Petition

872
00:41:34,360 --> 00:41:37,839
Speaker 1: going around He wants you to Eminem arrested straight up yeah,

873
00:41:38,200 --> 00:41:45,360
Speaker 1: for rape lyrics towards Dan Kulta. Did you think anything

874
00:41:45,400 --> 00:41:48,640
Speaker 1: though when you heard it, Like, did you think that

875
00:41:48,719 --> 00:41:50,360
Speaker 1: it would be an issue at all? Or did you

876
00:41:50,440 --> 00:41:54,480
Speaker 1: not think anybody would? I feel like rap music. You know,

877
00:41:55,239 --> 00:41:57,920
Speaker 1: we're first of all, we're talking about Eminem, right, you

878
00:41:58,000 --> 00:42:00,880
Speaker 1: know what he says worse? Yeah, come on now. And

879
00:42:01,040 --> 00:42:03,799
Speaker 1: on top of that, I didn't. I wasn't thinking about

880
00:42:03,840 --> 00:42:05,560
Speaker 1: when I got the verse back. I was just thinking,

881
00:42:05,640 --> 00:42:09,319
Speaker 1: like it was refreshing to hear him, Like I feel

882
00:42:09,360 --> 00:42:12,440
Speaker 1: like he brought a whole new style to his to

883
00:42:12,680 --> 00:42:14,800
Speaker 1: his catalog, to the rap game, just like how he

884
00:42:14,880 --> 00:42:17,800
Speaker 1: was describing all that stuff. And I just feel like

885
00:42:17,880 --> 00:42:19,400
Speaker 1: I sent him so you can imagine what it's like

886
00:42:19,440 --> 00:42:21,800
Speaker 1: when you sent the sixteen bar verse, Like originally the

887
00:42:21,880 --> 00:42:24,560
Speaker 1: song was two twelve bar verses for me, and I

888
00:42:24,760 --> 00:42:26,480
Speaker 1: left for sixteen at the end for him. So you

889
00:42:26,520 --> 00:42:30,640
Speaker 1: can imagine, you know, being from the d you know,

890
00:42:30,880 --> 00:42:32,719
Speaker 1: first of our car and and I didn't know if

891
00:42:32,719 --> 00:42:33,960
Speaker 1: he was gonna be able to do it. You know,

892
00:42:34,040 --> 00:42:35,640
Speaker 1: he was like, man, I really loved a song, but

893
00:42:35,840 --> 00:42:38,400
Speaker 1: you know, I'm you know, my schedule was crazy. I

894
00:42:38,400 --> 00:42:39,879
Speaker 1: don't know if I can get to it in time,

895
00:42:40,239 --> 00:42:42,360
Speaker 1: so I thought he was letting me down easy. So

896
00:42:42,480 --> 00:42:44,680
Speaker 1: you can imagine what it feel like to wake up

897
00:42:45,040 --> 00:42:47,719
Speaker 1: like a couple of weeks later, Paul Rosenberg texting, you

898
00:42:47,840 --> 00:42:49,880
Speaker 1: heard the verse. You go down to the studio and

899
00:42:49,920 --> 00:42:53,080
Speaker 1: you hear like a two minute like bar off. I'm

900
00:42:53,120 --> 00:42:55,760
Speaker 1: a fan of the lyrics. I'm a fan of eminem,

901
00:42:55,760 --> 00:42:58,560
Speaker 1: I'm a fan of slim Shady. You know what I'm saying.

902
00:42:58,680 --> 00:43:00,360
Speaker 1: So that's what I felt like. I was sting too

903
00:43:00,400 --> 00:43:03,200
Speaker 1: when I heard that verse. So you heard them. The

904
00:43:03,280 --> 00:43:05,600
Speaker 1: only no, the only thing that I did change though,

905
00:43:05,719 --> 00:43:07,879
Speaker 1: is that when we were listening to it, it didn't

906
00:43:07,920 --> 00:43:11,240
Speaker 1: make sense that I had these super too short verses

907
00:43:11,360 --> 00:43:13,560
Speaker 1: and then it was his two minute verse. So all

908
00:43:13,600 --> 00:43:15,360
Speaker 1: I did was I put my verses together. But the

909
00:43:15,480 --> 00:43:18,720
Speaker 1: only thing I had to add like four more bars

910
00:43:18,840 --> 00:43:21,400
Speaker 1: because it wasn't sounding right when I just pasting them

911
00:43:21,440 --> 00:43:23,480
Speaker 1: together like that. Do you ever change the verse when

912
00:43:23,480 --> 00:43:25,279
Speaker 1: you send somebody a record in the man? Oh yeah,

913
00:43:25,360 --> 00:43:27,320
Speaker 1: hold on, I ain't gonna lie. One thing about that

914
00:43:27,440 --> 00:43:30,840
Speaker 1: verse I did change is I said the thing about Flint.

915
00:43:31,080 --> 00:43:32,759
Speaker 1: I do this for the crib to d the Flint

916
00:43:32,840 --> 00:43:34,680
Speaker 1: kids will get sick with lead, others get hit with

917
00:43:34,719 --> 00:43:38,719
Speaker 1: the lead. Because once the song was like pretty much

918
00:43:38,760 --> 00:43:42,279
Speaker 1: done and getting mixed, I realized that what that song

919
00:43:42,400 --> 00:43:44,279
Speaker 1: may be, and I was like, man, I gotta ref

920
00:43:44,320 --> 00:43:45,920
Speaker 1: for like the kids and Flint, I gotta ref for

921
00:43:46,040 --> 00:43:49,279
Speaker 1: the hometown, like show them that inspiration in a different way.

922
00:43:49,280 --> 00:43:51,840
Speaker 1: And I got the Flint choir on bigger than me.

923
00:43:51,880 --> 00:43:54,840
Speaker 1: The Flint shows in quiring, but you know, I just

924
00:43:54,920 --> 00:43:56,799
Speaker 1: gotta let them know we cared for the whole. It's

925
00:43:56,840 --> 00:43:58,960
Speaker 1: not just the d It's like the whole Michigan. Why

926
00:43:59,000 --> 00:44:00,600
Speaker 1: did you think of when you were perform another name

927
00:44:00,600 --> 00:44:01,920
Speaker 1: when the guy was throwing money? Why do you think

928
00:44:01,960 --> 00:44:04,920
Speaker 1: that was disrespectful? I'm so glad you brought this up.

929
00:44:05,520 --> 00:44:09,360
Speaker 1: There was so I've seen ghetto ass you know, videos

930
00:44:09,480 --> 00:44:12,080
Speaker 1: or whoever posting saying oh big Sean man that this

931
00:44:12,320 --> 00:44:14,000
Speaker 1: dude in the back of the club is throwing money.

932
00:44:14,040 --> 00:44:17,000
Speaker 1: I don't care about you know, that's cool. I could

933
00:44:17,040 --> 00:44:18,759
Speaker 1: throw money if you want to do it. There was

934
00:44:18,840 --> 00:44:21,680
Speaker 1: a person in the video. The video is so set

935
00:44:21,760 --> 00:44:24,240
Speaker 1: up it looks crazy. There was a whole other person

936
00:44:24,320 --> 00:44:26,600
Speaker 1: that was not in that video. On the side of

937
00:44:26,640 --> 00:44:29,439
Speaker 1: the stage. It was just it was this old white dude.

938
00:44:29,480 --> 00:44:31,480
Speaker 1: And it's not a race thing at all. I don't

939
00:44:31,480 --> 00:44:33,160
Speaker 1: care what color he was, but it was this old

940
00:44:33,280 --> 00:44:35,640
Speaker 1: dude and he was on the very side of the

941
00:44:35,680 --> 00:44:38,239
Speaker 1: stage close to me, and he kept throwing money right,

942
00:44:38,480 --> 00:44:41,919
Speaker 1: kept throwing money like its fans in the front getting hype,

943
00:44:41,960 --> 00:44:44,160
Speaker 1: Like damn, this money landing on me, you know what

944
00:44:44,239 --> 00:44:46,000
Speaker 1: I'm saying. It was distracting to me. And then it

945
00:44:46,040 --> 00:44:48,239
Speaker 1: started coming on the stage. So I'm performing and damn,

946
00:44:48,239 --> 00:44:50,279
Speaker 1: they're slipping on the money. So I'm just like, yo,

947
00:44:50,360 --> 00:44:52,920
Speaker 1: I'm not no damn stripper, bro, Like You're not going

948
00:44:52,960 --> 00:44:54,920
Speaker 1: to be throwing money on the stage when I'm performing.

949
00:44:55,040 --> 00:44:58,759
Speaker 1: That's disrespect. You know, no money at Envy when djil No,

950
00:44:59,000 --> 00:45:01,360
Speaker 1: people may throw people may throw money up, you know

951
00:45:01,360 --> 00:45:03,239
Speaker 1: what I'm saying. But he was. They was throwing money

952
00:45:03,360 --> 00:45:05,480
Speaker 1: at me and at people that I wasn't right in

953
00:45:05,560 --> 00:45:08,799
Speaker 1: front of the stage. So I said, first, I was like, hey, bro,

954
00:45:08,920 --> 00:45:11,279
Speaker 1: stop throwing money like that's a video y'all didn't see.

955
00:45:11,640 --> 00:45:13,640
Speaker 1: Hey Bro, stopped throwing money, like you know what I mean,

956
00:45:13,719 --> 00:45:16,239
Speaker 1: This ain't that type of show right now. Okay, Then

957
00:45:16,320 --> 00:45:19,200
Speaker 1: he started throwing more money. Wow. So I'm like, damn, Like,

958
00:45:19,239 --> 00:45:20,600
Speaker 1: I ain't know what he was on. Like I said,

959
00:45:20,600 --> 00:45:22,040
Speaker 1: I don't know if it was like a race thing.

960
00:45:22,080 --> 00:45:24,440
Speaker 1: I don't know if he was disrespecting. It felt very

961
00:45:24,520 --> 00:45:27,319
Speaker 1: disrespectful to me. It felt very disrespectful. So that's why

962
00:45:27,360 --> 00:45:28,759
Speaker 1: I don't. You know, I won't be going off and

963
00:45:28,760 --> 00:45:30,160
Speaker 1: I don't. I don't be trying to put on the

964
00:45:30,280 --> 00:45:32,239
Speaker 1: show or nothing like that. But it was just like

965
00:45:32,560 --> 00:45:34,960
Speaker 1: we told him a few times. My DJ told him,

966
00:45:35,000 --> 00:45:36,959
Speaker 1: like while I was performing, ay Man, stop throwing money.

967
00:45:37,360 --> 00:45:40,080
Speaker 1: So it's just like, that's why I went off, because

968
00:45:40,120 --> 00:45:42,280
Speaker 1: you're not going to disrespect me. You're not gonna disrespect

969
00:45:42,320 --> 00:45:44,560
Speaker 1: my fans. You're not going to disrespect my show. So

970
00:45:44,680 --> 00:45:47,319
Speaker 1: after you christ him out, did he stopped? Yeah, he stopped. Okay,

971
00:45:48,719 --> 00:45:50,480
Speaker 1: I want to quit. How do you think if like

972
00:45:50,640 --> 00:45:53,640
Speaker 1: people do start seeing Big Sean is the best, right,

973
00:45:54,160 --> 00:45:56,040
Speaker 1: how do you think that will affect your music? I

974
00:45:56,120 --> 00:45:58,600
Speaker 1: know it's people plotting on my spot. Man, I ain't

975
00:45:58,680 --> 00:46:01,319
Speaker 1: gonna let them get that. You know what I'm saying.

976
00:46:01,400 --> 00:46:03,560
Speaker 1: I'm here, I'm thankful to be here. I know what

977
00:46:03,680 --> 00:46:05,560
Speaker 1: I got, and I'm gonna keep going I'm gonna keep

978
00:46:06,000 --> 00:46:08,320
Speaker 1: I'm gonna keep making the family proud, to city proud,

979
00:46:08,400 --> 00:46:11,440
Speaker 1: and keep spending something that means something. You ever think

980
00:46:11,480 --> 00:46:13,080
Speaker 1: you have a date a woman with your skin color

981
00:46:13,360 --> 00:46:17,759
Speaker 1: of a gun? Yeah? Dare you have big shan the

982
00:46:17,880 --> 00:46:20,520
Speaker 1: physical copies on the seven team? No'm not a lot

983
00:46:20,520 --> 00:46:22,359
Speaker 1: of big short change on us a little bit. Y'all

984
00:46:22,360 --> 00:46:24,839
Speaker 1: still got love for me? Do you still have love

985
00:46:24,920 --> 00:46:32,960
Speaker 1: for black women? Because yes, I have love for black women.

986
00:46:33,480 --> 00:46:36,600
Speaker 1: Show the outside of here. My mama black, my grandma black,

987
00:46:37,160 --> 00:46:40,800
Speaker 1: and got dated black girls. I love black black girls,

988
00:46:42,000 --> 00:46:46,919
Speaker 1: women women leaving showing the little big school. What about

989
00:46:46,960 --> 00:46:50,160
Speaker 1: fam to a black woman? All right, congratulations, We don't

990
00:46:50,160 --> 00:46:52,759
Speaker 1: know the pictures. She might be working where she at?

991
00:46:52,840 --> 00:46:58,520
Speaker 1: Oh shut up, it's your breakfast club boarding the breakfast

992
00:46:58,560 --> 00:47:07,920
Speaker 1: club on gotcha in college? Make you want to strip morning?

993
00:47:07,960 --> 00:47:11,120
Speaker 1: Everybody is DJ m VY, Angela Yee, Charlomagne and God

994
00:47:11,160 --> 00:47:13,759
Speaker 1: we are the breakfast club. Now, let's get to the room.

995
00:47:13,880 --> 00:47:16,279
Speaker 1: Is now where did you learn how to eat the box? Well,

996
00:47:16,320 --> 00:47:21,400
Speaker 1: let's find out where Anthony Anderson did listen. Oh gosh,

997
00:47:21,640 --> 00:47:28,640
Speaker 1: go with Angela Angela. Ye, it's the report with breakfast club. Well,

998
00:47:28,680 --> 00:47:32,520
Speaker 1: Anthony Anderson was on Conan and he was talking about

999
00:47:32,680 --> 00:47:35,440
Speaker 1: how he learned to perform oral sex on a woman.

1000
00:47:36,040 --> 00:47:38,240
Speaker 1: It was during a time that he was in college

1001
00:47:38,440 --> 00:47:41,560
Speaker 1: and he and his friends actually came home and here's

1002
00:47:41,600 --> 00:47:44,480
Speaker 1: what his mother did. My mother taught me how to

1003
00:47:44,520 --> 00:47:46,880
Speaker 1: go downtown. I was. I was in my early twenties.

1004
00:47:46,920 --> 00:47:49,040
Speaker 1: I just come home from college. Not only me, but

1005
00:47:49,239 --> 00:47:51,960
Speaker 1: my my buddies and their girlfriends, and she not only

1006
00:47:52,040 --> 00:47:56,040
Speaker 1: taught me and my brothers and my boys, but also

1007
00:47:56,600 --> 00:47:58,640
Speaker 1: the women how to do what they needed to do. No,

1008
00:47:58,800 --> 00:48:01,840
Speaker 1: my mother has a very sensive video collection, and she

1009
00:48:01,920 --> 00:48:04,640
Speaker 1: would put the videos on uh huh and go into

1010
00:48:04,719 --> 00:48:07,359
Speaker 1: graphic detail as to what was happening on the video

1011
00:48:07,440 --> 00:48:09,920
Speaker 1: and what and what what either me and my brothers

1012
00:48:10,040 --> 00:48:13,439
Speaker 1: or the young ladies should be doing. That's awkward, hey, parents,

1013
00:48:13,560 --> 00:48:15,680
Speaker 1: you go to jail for stuff like that. Now. Absolutely

1014
00:48:15,760 --> 00:48:19,240
Speaker 1: can't be sitting on in his twenties. He was in college,

1015
00:48:19,440 --> 00:48:21,520
Speaker 1: all right, So that was about the seventies. Listen, you

1016
00:48:21,600 --> 00:48:23,000
Speaker 1: go to jail for that kind of stuff. Now you

1017
00:48:23,080 --> 00:48:25,799
Speaker 1: sit around telling your kids how to eat the box.

1018
00:48:26,160 --> 00:48:28,279
Speaker 1: Well night, if the kids are in their twenties, you

1019
00:48:28,360 --> 00:48:30,720
Speaker 1: can't go to jail for that. Well, what I'm about

1020
00:48:30,719 --> 00:48:32,600
Speaker 1: to say something that's not true, But I'm about to say,

1021
00:48:32,680 --> 00:48:34,200
Speaker 1: damn Anthony answering to not the eatoom for them in

1022
00:48:34,200 --> 00:48:35,920
Speaker 1: their twenties, but neither did I. I had to read

1023
00:48:35,960 --> 00:48:38,080
Speaker 1: a book called The Ultimate Kiss. Right. A lot of

1024
00:48:38,120 --> 00:48:39,960
Speaker 1: people are even older than that and still don't know

1025
00:48:40,000 --> 00:48:42,239
Speaker 1: what they're Yeah, a lot of people still don't know. Oh, Mama, no,

1026
00:48:42,320 --> 00:48:44,719
Speaker 1: your jaw game trash. Though. I guess she just was

1027
00:48:44,840 --> 00:48:46,719
Speaker 1: just letting her, letting them know, just in case, just

1028
00:48:46,880 --> 00:48:51,799
Speaker 1: in case. Videos were m Yeah, what were these now?

1029
00:48:51,840 --> 00:48:53,480
Speaker 1: I don't know. At the time, Anthony Anderthon was fat

1030
00:48:53,520 --> 00:48:55,759
Speaker 1: as hell too, though, so his mom probably just prepraying him. Look,

1031
00:48:55,800 --> 00:48:58,400
Speaker 1: when you start having sex something because you're fat, now

1032
00:48:58,440 --> 00:49:00,319
Speaker 1: you gotta keep him. You gotta do it. So when

1033
00:49:00,320 --> 00:49:02,279
Speaker 1: you start having sex, do you you fat that you're

1034
00:49:02,280 --> 00:49:04,160
Speaker 1: gonna have to learn how to really? You know what's interesting?

1035
00:49:04,320 --> 00:49:06,360
Speaker 1: Yesterday I told to be Rick Ross had this lady's

1036
00:49:06,360 --> 00:49:08,360
Speaker 1: appreciation dinner and he also did lip service, and he

1037
00:49:08,400 --> 00:49:10,560
Speaker 1: said he really doesn't do that either. He doesn't need

1038
00:49:10,640 --> 00:49:13,120
Speaker 1: the box. Yeah, why people be lying? What's the point

1039
00:49:13,160 --> 00:49:15,040
Speaker 1: of lying nowadays? About that? Now? I think maybe his

1040
00:49:15,120 --> 00:49:17,840
Speaker 1: beard gets in the way. It might be like for

1041
00:49:17,920 --> 00:49:22,080
Speaker 1: practical purposes, I don't know. Do you guys teach your kids. No,

1042
00:49:22,760 --> 00:49:27,759
Speaker 1: my daughter's eight daughter about that in the future. No,

1043
00:49:27,880 --> 00:49:31,040
Speaker 1: I don't think about that in the future. So what

1044
00:49:31,160 --> 00:49:32,600
Speaker 1: age do you start talking to them. I mean, I

1045
00:49:32,680 --> 00:49:35,080
Speaker 1: had a conversation about sex, but not the conversation about

1046
00:49:35,200 --> 00:49:36,600
Speaker 1: what this is, how you eat the box? And we

1047
00:49:36,760 --> 00:49:40,440
Speaker 1: just had a general conversation about sex and st not

1048
00:49:40,520 --> 00:49:42,920
Speaker 1: have any conversations about sex with my daughter ever, that's

1049
00:49:42,920 --> 00:49:45,480
Speaker 1: my mom's job. Well her mom did, Their mom did,

1050
00:49:45,800 --> 00:49:47,719
Speaker 1: so you didn't talk to your daughters about it. But

1051
00:49:47,960 --> 00:49:50,439
Speaker 1: now when I when I had the conversation, I walked

1052
00:49:50,440 --> 00:49:51,759
Speaker 1: in the room, I heard what they would talk about,

1053
00:49:51,920 --> 00:49:54,080
Speaker 1: like I'll be back when I when I have my son.

1054
00:49:54,640 --> 00:49:56,520
Speaker 1: When I have my son, I'm would definitely teach him

1055
00:49:56,520 --> 00:49:58,680
Speaker 1: some of some of the some of the his old dad.

1056
00:49:59,239 --> 00:50:01,960
Speaker 1: What if she Okay, I gotta teach my son about this.

1057
00:50:02,480 --> 00:50:06,360
Speaker 1: Ask you go talk to your mama talk. She asked me, what, like,

1058
00:50:06,440 --> 00:50:08,799
Speaker 1: just about sex, Like, daddy, can go talk to your mama?

1059
00:50:08,880 --> 00:50:11,000
Speaker 1: Ask her what sex? My wife told him everything. They

1060
00:50:11,360 --> 00:50:14,160
Speaker 1: she showed him picture, she showed him about STDs. She

1061
00:50:14,320 --> 00:50:15,640
Speaker 1: took care of that. Like I said, I walked in

1062
00:50:15,719 --> 00:50:17,640
Speaker 1: and I was like, I said, what you're talking about?

1063
00:50:17,640 --> 00:50:19,319
Speaker 1: I said, Okay, I'm gonna go right back. Yeah. When

1064
00:50:19,320 --> 00:50:21,040
Speaker 1: I have my son, I'm gonna definitely teach him about

1065
00:50:21,040 --> 00:50:23,920
Speaker 1: that inception. Move what have you working? Inception? When you

1066
00:50:24,000 --> 00:50:26,399
Speaker 1: hit a girl from the back and you put water

1067
00:50:26,480 --> 00:50:28,080
Speaker 1: in the sink and you just dunk her head in

1068
00:50:28,120 --> 00:50:29,640
Speaker 1: the waters, you're hitting it from the back. You don't

1069
00:50:29,680 --> 00:50:31,800
Speaker 1: teach you that. You call that son about killing a

1070
00:50:31,880 --> 00:50:33,360
Speaker 1: girl you gonna put her head in the sink and

1071
00:50:35,719 --> 00:50:40,800
Speaker 1: pleasure poo. All right, Now, let's trah stuff like that

1072
00:50:40,880 --> 00:50:45,520
Speaker 1: to you. Don't worry you never know. Let's talk about

1073
00:50:45,640 --> 00:50:52,720
Speaker 1: riving thick on Wednesday. It's gracious trust um. And actually

1074
00:50:52,760 --> 00:50:57,520
Speaker 1: he's been six year old. Well, you're talking about it

1075
00:50:57,600 --> 00:51:00,719
Speaker 1: so much. I'm telling you, it's nothing about all you. Okay,

1076
00:51:00,840 --> 00:51:05,080
Speaker 1: all right, okay, you know you'll leave, okay, rust because

1077
00:51:05,120 --> 00:51:10,359
Speaker 1: I've heard about you. But anyway, Julian and apparently he's

1078
00:51:10,360 --> 00:51:12,719
Speaker 1: gets thirty Thursday, Friday and Saturday for a few hours

1079
00:51:12,760 --> 00:51:14,600
Speaker 1: each day, but he has to have a court appointed

1080
00:51:14,680 --> 00:51:17,200
Speaker 1: monitor president. So they're saying that he was upset he

1081
00:51:17,320 --> 00:51:19,120
Speaker 1: and get to visit his son. He was actually trying

1082
00:51:19,200 --> 00:51:23,080
Speaker 1: to not have a court ordered monitor president, but the

1083
00:51:23,239 --> 00:51:25,760
Speaker 1: lawyers are saying that he cannot see his kid without

1084
00:51:25,800 --> 00:51:28,840
Speaker 1: a monitor, and he also cannot get a different monitor

1085
00:51:28,840 --> 00:51:30,800
Speaker 1: who could be more impartial. The judge said no to that.

1086
00:51:31,160 --> 00:51:33,480
Speaker 1: Robin also asked to prohibit the monitor from changing or

1087
00:51:33,560 --> 00:51:35,880
Speaker 1: canceling the schedule of visits, and the judge told him

1088
00:51:35,920 --> 00:51:38,160
Speaker 1: no to that. Also, that's bullcrap. I wouldn't want to

1089
00:51:38,160 --> 00:51:40,719
Speaker 1: have to see I want to see my child, and

1090
00:51:40,760 --> 00:51:42,600
Speaker 1: they gotta be a quarter pointed person there with me

1091
00:51:42,840 --> 00:51:45,000
Speaker 1: every time. It makes It makes you feel bad, but

1092
00:51:45,040 --> 00:51:46,360
Speaker 1: you gotta take it out. You can when you're in

1093
00:51:46,400 --> 00:51:48,120
Speaker 1: that situation, right, you still want to see your child.

1094
00:51:49,320 --> 00:51:51,160
Speaker 1: I don't want to just say I your child altogether.

1095
00:51:51,200 --> 00:51:52,560
Speaker 1: I'm not going to show up and see them. I

1096
00:51:52,600 --> 00:51:54,320
Speaker 1: take him on a roller coaster. This lady's behind me

1097
00:51:54,400 --> 00:51:56,040
Speaker 1: on a roller coaster. You gotta do what you gotta do.

1098
00:51:57,840 --> 00:51:59,800
Speaker 1: Why a roller coaster because he said they went to

1099
00:51:59,880 --> 00:52:01,960
Speaker 1: one to go to the amusement bar. Oh all right,

1100
00:52:02,080 --> 00:52:04,840
Speaker 1: well I'm angela. That's your room report, all right, thank you,

1101
00:52:04,920 --> 00:52:11,000
Speaker 1: miss ye. I was born to Donkey. It's the Donkey

1102
00:52:11,360 --> 00:52:27,640
Speaker 1: of the Death Devil, the Breakfast Club. Yes, don't get

1103
00:52:27,719 --> 00:52:30,200
Speaker 1: to day for Thursday, February ninth, goes to John Michael

1104
00:52:30,280 --> 00:52:32,840
Speaker 1: hask You of Florida. Just when we needed more proof

1105
00:52:33,160 --> 00:52:37,240
Speaker 1: that people from Florida are absolutely insane, John comes through Casey.

1106
00:52:37,320 --> 00:52:41,160
Speaker 1: John has been arrested for allegedly making fraudulent while your transfers. Now,

1107
00:52:41,440 --> 00:52:43,879
Speaker 1: salute to all of scameras out there. You are all

1108
00:52:43,960 --> 00:52:46,520
Speaker 1: about to feel really bad because while you out here

1109
00:52:46,560 --> 00:52:49,720
Speaker 1: in these creeks, taking penitentiary chances for hundreds of dollars thousand,

1110
00:52:49,880 --> 00:52:53,200
Speaker 1: sometimes tens of thousand dollars, maybe six figures, if you're

1111
00:52:53,200 --> 00:52:56,520
Speaker 1: a high level scammera this man, John ask You, according

1112
00:52:56,560 --> 00:53:00,320
Speaker 1: to the Huffington Post, is accused of making seven billion

1113
00:53:00,560 --> 00:53:06,760
Speaker 1: and fraudulent wire transfers seven billion, not million, billion billion.

1114
00:53:06,920 --> 00:53:09,239
Speaker 1: Would a be okay? Drop one of clues bombs for

1115
00:53:09,320 --> 00:53:12,239
Speaker 1: John hask you. Damn it okay if you're gonna scam,

1116
00:53:12,400 --> 00:53:14,880
Speaker 1: scam bigley, because if you get away with it, you win.

1117
00:53:15,080 --> 00:53:16,320
Speaker 1: If you get caught, well at least you go to

1118
00:53:16,400 --> 00:53:18,279
Speaker 1: prison knowing you gave it you all. Now, people have

1119
00:53:18,360 --> 00:53:20,399
Speaker 1: all types of reasons for why they commit crimes. None

1120
00:53:20,400 --> 00:53:22,520
Speaker 1: of them usually makes sense. None of them ever really

1121
00:53:22,600 --> 00:53:25,080
Speaker 1: justify why a person did what they did. But the

1122
00:53:25,160 --> 00:53:28,200
Speaker 1: one John hask You has his downright blastphemy. See John

1123
00:53:28,280 --> 00:53:30,560
Speaker 1: ask You told the court the reason he stole the

1124
00:53:30,640 --> 00:53:34,919
Speaker 1: money was because Jesus wanted him to be wealthy. See

1125
00:53:35,000 --> 00:53:36,440
Speaker 1: this is what happens when you read the book God

1126
00:53:36,520 --> 00:53:39,480
Speaker 1: Wants You to Be Rich by Paul Applies Paul Pilzer,

1127
00:53:39,760 --> 00:53:42,040
Speaker 1: and you have no context to it. An interesting book

1128
00:53:42,080 --> 00:53:44,640
Speaker 1: that explains why God wants each of us to maximize

1129
00:53:44,680 --> 00:53:47,000
Speaker 1: our economic potential. But I'm pretty sure God wants us

1130
00:53:47,040 --> 00:53:49,520
Speaker 1: to get this money the right way, Okay, not through

1131
00:53:49,600 --> 00:53:53,280
Speaker 1: fraudulent wire transfers. Now. Police arrested John after he allegedly

1132
00:53:53,320 --> 00:53:56,800
Speaker 1: set up wire transfers back in decembol from a large,

1133
00:53:56,920 --> 00:53:59,719
Speaker 1: nationally renowned financial institution. That's where he was getting the

1134
00:53:59,760 --> 00:54:02,400
Speaker 1: money from. And he wasn't unemployed, and he said he

1135
00:54:02,480 --> 00:54:04,360
Speaker 1: needed to pay off a debt to the federal government.

1136
00:54:04,440 --> 00:54:06,759
Speaker 1: His scheme was to provide a bank routing number that

1137
00:54:07,000 --> 00:54:09,440
Speaker 1: wasn't his. Okay, hask You used that roting number to

1138
00:54:09,520 --> 00:54:14,520
Speaker 1: make more than seventy transactions worth more than seven billion

1139
00:54:15,320 --> 00:54:18,600
Speaker 1: billion would have be dollars okay. According to the complaint,

1140
00:54:18,680 --> 00:54:21,280
Speaker 1: John told ages he was self taught on the banking industry,

1141
00:54:21,400 --> 00:54:24,640
Speaker 1: including how to make wire transfers. Now back to why

1142
00:54:24,760 --> 00:54:28,319
Speaker 1: John Hasky was getting donkey today. John allegedly told investigators

1143
00:54:28,360 --> 00:54:31,200
Speaker 1: that he believed he deserved the money, stating that Jesus

1144
00:54:31,320 --> 00:54:34,960
Speaker 1: Christ created wealth for everyone. He believed his wire transfer

1145
00:54:35,000 --> 00:54:37,000
Speaker 1: a scheme would allow him to obtain the wealth that

1146
00:54:37,200 --> 00:54:40,359
Speaker 1: Jesus Christ created for him and that belonged to him.

1147
00:54:40,560 --> 00:54:43,000
Speaker 1: Somebody hand John hask you a Bible and tell him

1148
00:54:43,000 --> 00:54:46,920
Speaker 1: to turn the Proverbs thirteen eleven, where it says design

1149
00:54:46,960 --> 00:54:49,759
Speaker 1: this money dwindles away, but whoever gathers money little by

1150
00:54:49,800 --> 00:54:52,200
Speaker 1: little makes it grow. That's basically saying it's better to

1151
00:54:52,239 --> 00:54:54,000
Speaker 1: make money slowly the right way than to get it

1152
00:54:54,080 --> 00:54:56,279
Speaker 1: fast the wrong way. It's a much longer process. But

1153
00:54:56,360 --> 00:54:58,719
Speaker 1: to come and you create from that slow righteous grind

1154
00:54:59,040 --> 00:55:01,359
Speaker 1: is better than the penditent three chances you take trying

1155
00:55:01,360 --> 00:55:03,279
Speaker 1: to get that fast money in these creets. Okay, all

1156
00:55:03,320 --> 00:55:06,640
Speaker 1: you can turn the Psalm thirty seven sixteen seventeen. Better

1157
00:55:06,719 --> 00:55:08,800
Speaker 1: the little that the righteous have than the wealth of

1158
00:55:08,880 --> 00:55:11,480
Speaker 1: many wicked, For the power of the wicked will be broken,

1159
00:55:11,800 --> 00:55:14,120
Speaker 1: but the Lord upholds the righteous, meaning to me that

1160
00:55:14,160 --> 00:55:15,439
Speaker 1: it is better to make a little bit of money

1161
00:55:15,480 --> 00:55:16,719
Speaker 1: the right way to make a lot of money the

1162
00:55:16,760 --> 00:55:19,680
Speaker 1: wrong way. I'm no expert in scripture. I'm sure someone

1163
00:55:19,719 --> 00:55:21,520
Speaker 1: out there is telling me I'm taking these scriptures out

1164
00:55:21,560 --> 00:55:23,359
Speaker 1: of context. But I do know one scripture you can't

1165
00:55:23,400 --> 00:55:25,799
Speaker 1: take out of context, and that's Matthew six twenty four.

1166
00:55:26,080 --> 00:55:28,359
Speaker 1: No one can serve two masters. Either you will hate

1167
00:55:28,400 --> 00:55:29,759
Speaker 1: the one and love the other, or you will be

1168
00:55:29,800 --> 00:55:31,880
Speaker 1: devoted to the one and despised the other. You cannot

1169
00:55:31,920 --> 00:55:34,160
Speaker 1: serve both God and money. John, ask you, Do you

1170
00:55:34,280 --> 00:55:36,400
Speaker 1: hear me? You can't serve both God and money. If

1171
00:55:36,440 --> 00:55:38,719
Speaker 1: you was truly serving God, you wouldn't think about doing

1172
00:55:38,760 --> 00:55:41,320
Speaker 1: no damn fraudulent why your transfer? Okay? One of the

1173
00:55:41,400 --> 00:55:44,960
Speaker 1: ten commandments is thou shalt not steal, So please tell

1174
00:55:45,080 --> 00:55:48,040
Speaker 1: thou how Jesus told you to steal? Sir? Okay, that's

1175
00:55:48,080 --> 00:55:50,399
Speaker 1: not the hat suits I know, John, hask you listen.

1176
00:55:50,600 --> 00:55:52,800
Speaker 1: I know it's hard to comprehend scriptures sometime, or you

1177
00:55:52,880 --> 00:55:55,080
Speaker 1: hear those voices in your head and you think it's God,

1178
00:55:55,200 --> 00:55:57,400
Speaker 1: but you have to remember God has a kingdom too.

1179
00:55:57,600 --> 00:55:59,880
Speaker 1: I mean Satan has a kingdom too. Okay. And when

1180
00:56:00,040 --> 00:56:02,200
Speaker 1: God allegedly told you to go and obtain the wealth

1181
00:56:02,320 --> 00:56:05,440
Speaker 1: that Jesus Christ created for you and that belonged for you,

1182
00:56:05,800 --> 00:56:08,400
Speaker 1: he didn't mean for you to do a fraudulent wired transfer.

1183
00:56:08,880 --> 00:56:11,880
Speaker 1: He meant for your unemployed ask to get up and

1184
00:56:12,040 --> 00:56:15,120
Speaker 1: go get a job. Okay, please give John ask you

1185
00:56:15,160 --> 00:56:20,759
Speaker 1: the biggest heath hall. I'm just saying I'm right, And

1186
00:56:20,920 --> 00:56:23,640
Speaker 1: voices in your head ain't always got all right, Well,

1187
00:56:23,640 --> 00:56:25,160
Speaker 1: thank you for that. Donk of the day. Now up

1188
00:56:25,239 --> 00:56:28,200
Speaker 1: next is ask yee eight hundred five eight five one

1189
00:56:28,239 --> 00:56:30,280
Speaker 1: oh five one. You got a question for ye? Should

1190
00:56:30,320 --> 00:56:32,120
Speaker 1: help you out with all your relationship problems? All right?

1191
00:56:32,360 --> 00:56:34,839
Speaker 1: Maybe you're stuck with your boo and you need something

1192
00:56:34,880 --> 00:56:37,200
Speaker 1: to do, and Valentine's Day is coming up, so you

1193
00:56:37,320 --> 00:56:39,480
Speaker 1: might have some questions about that. People are asking me

1194
00:56:39,560 --> 00:56:42,880
Speaker 1: on Twitter and on the help me at Gmail about

1195
00:56:42,880 --> 00:56:45,439
Speaker 1: advice for gifts. So we were doing that yesterday. Okay.

1196
00:56:45,520 --> 00:56:47,920
Speaker 1: Eight hundred five eight five one oh five one. Call yee.

1197
00:56:48,000 --> 00:57:00,920
Speaker 1: Now it's a breakfast locum on it by man wheel

1198
00:57:00,960 --> 00:57:04,560
Speaker 1: of stram oopside and fell for you away baby and

1199
00:57:04,760 --> 00:57:08,920
Speaker 1: love girl. He'll know for the first time the first

1200
00:57:08,960 --> 00:57:12,160
Speaker 1: time I see you, look you can't be baby, even

1201
00:57:12,239 --> 00:57:14,799
Speaker 1: no girling Nord, it about far for you. You got

1202
00:57:14,920 --> 00:57:18,480
Speaker 1: to lord it everyone for us boothside and fell so

1203
00:57:18,760 --> 00:57:22,800
Speaker 1: deep baby side, want you for me, baby whos I

1204
00:57:22,960 --> 00:57:26,880
Speaker 1: want you for me, baby whothside and fell so deepcus

1205
00:57:28,360 --> 00:57:34,600
Speaker 1: everyone fars in love Suside. I don't know why you

1206
00:57:34,880 --> 00:57:39,640
Speaker 1: why ain't cry live? Let me love you, love you,

1207
00:57:39,760 --> 00:57:43,040
Speaker 1: love you, love you for a long time. Baby, he

1208
00:57:43,200 --> 00:57:45,400
Speaker 1: didn't have me such and never let me love you

1209
00:57:45,560 --> 00:57:57,000
Speaker 1: to the man he be, He be liver to you,

1210
00:58:00,720 --> 00:58:09,640
Speaker 1: he be let me we are dandy for the damn

1211
00:58:10,560 --> 00:58:14,640
Speaker 1: go my my weather top down on the high weather.

1212
00:58:16,280 --> 00:58:20,800
Speaker 1: Let me surely she ain't even got a beason out

1213
00:58:20,840 --> 00:58:25,040
Speaker 1: of tell one night season need to tell mother Jess.

1214
00:58:25,320 --> 00:58:28,560
Speaker 1: I'm falling but at me one far and for the

1215
00:58:28,680 --> 00:58:32,400
Speaker 1: first time the first time seeing love you got me baby,

1216
00:58:32,760 --> 00:58:35,040
Speaker 1: even though girling knowing it, I be far for you.

1217
00:58:35,280 --> 00:58:38,720
Speaker 1: You got to lord It's been one for both side.

1218
00:58:38,760 --> 00:58:43,520
Speaker 1: It felt too deep to sting. You got me so

1219
00:58:43,600 --> 00:58:49,800
Speaker 1: I want you for me. But I'm falling but everyone

1220
00:58:50,080 --> 00:58:57,640
Speaker 1: falls he love some side. The breakfast club hey landa

1221
00:58:57,680 --> 00:59:00,240
Speaker 1: what's your quest to for you? Haben Danas girl, and

1222
00:59:00,520 --> 00:59:03,200
Speaker 1: she's a little bit younger, she's twenty five. I'm thirty,

1223
00:59:03,360 --> 00:59:06,000
Speaker 1: and we work together. We've been trying to keep our

1224
00:59:06,080 --> 00:59:10,240
Speaker 1: relationship you know, on the download, and it's been kind

1225
00:59:10,280 --> 00:59:13,280
Speaker 1: of it's been tough. And um, you know, she's thinking

1226
00:59:13,320 --> 00:59:17,400
Speaker 1: about leaving. I'm trying to stay. Is there against dating

1227
00:59:17,440 --> 00:59:21,800
Speaker 1: at work? It's just she's kind of strong about it

1228
00:59:22,000 --> 00:59:24,600
Speaker 1: right now because you know, she feels like she doesn't

1229
00:59:24,600 --> 00:59:26,880
Speaker 1: want to be judged by the co workers and you know,

1230
00:59:26,960 --> 00:59:29,640
Speaker 1: stuff like that. So I'm trying to respect that. And

1231
00:59:29,720 --> 00:59:32,000
Speaker 1: I agree. You know, I just started there about like

1232
00:59:32,080 --> 00:59:34,840
Speaker 1: five months ago. She's been there for about a year. Well,

1233
00:59:34,920 --> 00:59:37,640
Speaker 1: I would say this, Um, first of all, when you

1234
00:59:37,720 --> 00:59:40,680
Speaker 1: guys at work, it shouldn't be anything that you guys

1235
00:59:40,720 --> 00:59:42,880
Speaker 1: are doing outside of work that interferes with with with

1236
00:59:43,040 --> 00:59:45,160
Speaker 1: what you do there, right right, Yeah, when we went

1237
00:59:45,240 --> 00:59:47,680
Speaker 1: out of work, it's great, everything's great. So I don't

1238
00:59:47,760 --> 00:59:49,560
Speaker 1: understand why it should be an issue. When you guys

1239
00:59:49,600 --> 00:59:53,080
Speaker 1: are working, should be business as usual, professional, and then

1240
00:59:53,120 --> 00:59:54,720
Speaker 1: when you leave, you're allowed to do whatever you went

1241
00:59:55,080 --> 00:59:57,760
Speaker 1: that's true. So I think what's I think what's hard

1242
00:59:57,800 --> 01:00:01,120
Speaker 1: about it is that like, uh, you know, I've been

1243
01:00:01,600 --> 01:00:04,200
Speaker 1: getting a little bit more invested in myself emotionally, and

1244
01:00:04,520 --> 01:00:06,800
Speaker 1: she's thinking about like trying to move and stuff, and

1245
01:00:07,240 --> 01:00:08,560
Speaker 1: you know, I just don't want it to be like

1246
01:00:08,640 --> 01:00:11,960
Speaker 1: a situation where I'm going through this and you know,

1247
01:00:12,040 --> 01:00:15,000
Speaker 1: I'm invested in she ups and leaves and then I'm

1248
01:00:15,040 --> 01:00:18,120
Speaker 1: kind of left with nothing. I guess so she wants

1249
01:00:18,160 --> 01:00:21,840
Speaker 1: to leave the job anyway, It's not really because of you, right, Okay,

1250
01:00:22,160 --> 01:00:24,280
Speaker 1: I mean, listen, it sounds like it's just you know,

1251
01:00:24,560 --> 01:00:27,320
Speaker 1: our relationship. Are you guys a couple or are you

1252
01:00:27,440 --> 01:00:31,280
Speaker 1: just messing around? That's the thing. Like we're we're together,

1253
01:00:31,600 --> 01:00:34,320
Speaker 1: like and we've told some of our friends outside of work,

1254
01:00:34,680 --> 01:00:36,200
Speaker 1: but when it comes to work, like we got to

1255
01:00:36,280 --> 01:00:38,600
Speaker 1: keep it secret and so we can't like, you know,

1256
01:00:38,760 --> 01:00:40,560
Speaker 1: be the way that we would normally be. Well, you

1257
01:00:40,600 --> 01:00:43,200
Speaker 1: shouldn't be acting like that at work anyway. Well I'm

1258
01:00:43,240 --> 01:00:45,680
Speaker 1: not saying, like, you know, alirty and stuff, but like

1259
01:00:46,040 --> 01:00:48,680
Speaker 1: you know, even going to the extent of acting a

1260
01:00:48,760 --> 01:00:52,840
Speaker 1: little extra like non friendly, just to prove the point

1261
01:00:52,960 --> 01:00:54,880
Speaker 1: or just to make sure it's secret, which can be

1262
01:00:54,960 --> 01:00:57,680
Speaker 1: kind of hurtful at all times. So Okay. First of all,

1263
01:00:57,720 --> 01:00:59,520
Speaker 1: you got to remove your feelings when you're at work,

1264
01:00:59,600 --> 01:01:02,840
Speaker 1: at where y'all shouldn't even be thinking about that period.

1265
01:01:03,440 --> 01:01:05,840
Speaker 1: So that's what the real issue is. Like, when you

1266
01:01:05,920 --> 01:01:08,520
Speaker 1: guys are at work, work as a professional environment, there

1267
01:01:08,520 --> 01:01:10,920
Speaker 1: shouldn't be any flirting on the job. There shouldn't be

1268
01:01:11,080 --> 01:01:13,520
Speaker 1: any acting differently to somebody because of what goes on

1269
01:01:13,560 --> 01:01:15,680
Speaker 1: outside of work. You got to remove your feeling from

1270
01:01:15,720 --> 01:01:17,240
Speaker 1: the situation when you're at work, and then when you

1271
01:01:17,320 --> 01:01:19,400
Speaker 1: guys leave there, you should be free to do as

1272
01:01:19,440 --> 01:01:21,320
Speaker 1: you please. I don't think that. I think it seems

1273
01:01:21,360 --> 01:01:22,600
Speaker 1: like the real issue is that you feel like you

1274
01:01:22,720 --> 01:01:24,640
Speaker 1: like her more than she likes you. I mean, I

1275
01:01:24,720 --> 01:01:26,720
Speaker 1: wouldn't say that. I think it's just harder for me

1276
01:01:26,840 --> 01:01:29,960
Speaker 1: to like hide my feeling than it is for her.

1277
01:01:30,120 --> 01:01:33,040
Speaker 1: Like I it's hard for me to be superficial and artificial.

1278
01:01:33,120 --> 01:01:36,440
Speaker 1: I guess you could say with the way that I feel, like, well,

1279
01:01:36,480 --> 01:01:37,920
Speaker 1: what do you want to do at work with her?

1280
01:01:38,040 --> 01:01:39,880
Speaker 1: That you can't you want to what do you want

1281
01:01:39,920 --> 01:01:41,960
Speaker 1: to do at work? Like if I come over and

1282
01:01:42,040 --> 01:01:45,600
Speaker 1: like say hi, you know, like more than just like

1283
01:01:45,680 --> 01:01:48,200
Speaker 1: a friend would I don't want to feel like you

1284
01:01:48,280 --> 01:01:52,640
Speaker 1: shouldn't be doing that at work. I mean, I don't

1285
01:01:52,680 --> 01:01:54,560
Speaker 1: see it as like that big a deal just coming

1286
01:01:54,640 --> 01:01:57,200
Speaker 1: over and like, you know, yeah, but if she sees

1287
01:01:57,240 --> 01:01:59,440
Speaker 1: that as a big deal in her workplace, and I

1288
01:01:59,520 --> 01:02:01,920
Speaker 1: think it so it's different for women and how women

1289
01:02:01,960 --> 01:02:07,320
Speaker 1: are viewed. It's definitely true. You're a man, and the

1290
01:02:07,440 --> 01:02:09,960
Speaker 1: double standard is y'all do what you want, no big deal.

1291
01:02:09,960 --> 01:02:12,080
Speaker 1: They're gonna get you. Oh yeah, you smashing at work.

1292
01:02:12,280 --> 01:02:14,640
Speaker 1: They're gonna look at her like you know, she at

1293
01:02:14,680 --> 01:02:17,160
Speaker 1: hell because she's messing with sessing such at work. That's

1294
01:02:17,200 --> 01:02:19,840
Speaker 1: why it's different. So it's probably something you don't understand.

1295
01:02:20,040 --> 01:02:21,200
Speaker 1: But if you want to be with her, you have

1296
01:02:21,320 --> 01:02:23,840
Speaker 1: to respect how she wants you to behave in the workplace.

1297
01:02:24,320 --> 01:02:26,600
Speaker 1: A sanderhip is about to go to the next level

1298
01:02:27,200 --> 01:02:29,520
Speaker 1: that he should be able to watch me get my

1299
01:02:29,640 --> 01:02:32,400
Speaker 1: weaves taken out and put in He's right, so he's

1300
01:02:32,480 --> 01:02:35,320
Speaker 1: never seen it before. Uh huh Okay, I don't know

1301
01:02:35,480 --> 01:02:38,000
Speaker 1: if I want him to see me like, oh boy,

1302
01:02:38,240 --> 01:02:41,439
Speaker 1: he's gonna end up seeing that one day boo. Well

1303
01:02:41,600 --> 01:02:43,400
Speaker 1: not really not if I take it out at the

1304
01:02:43,480 --> 01:02:46,000
Speaker 1: salon and put it back right back in there. What

1305
01:02:46,160 --> 01:02:48,080
Speaker 1: is his fascination with wanting to see that though he

1306
01:02:48,080 --> 01:02:50,600
Speaker 1: wants to see what you look like without all your weave.

1307
01:02:51,120 --> 01:02:54,160
Speaker 1: Well he's he has seen me without it. He just

1308
01:02:54,280 --> 01:02:56,200
Speaker 1: hasn't seen the process. Like he wants to see the

1309
01:02:56,280 --> 01:02:59,400
Speaker 1: braves and all of that. Why am I want to

1310
01:02:59,440 --> 01:03:06,840
Speaker 1: see that raising a slave? Look, I think he's just

1311
01:03:06,960 --> 01:03:08,760
Speaker 1: really curious cause I was the first black girl he's

1312
01:03:08,760 --> 01:03:16,520
Speaker 1: ever been with, so projects uh huh. Well, listen, if

1313
01:03:16,560 --> 01:03:18,080
Speaker 1: you're not comfortable with it, you don't have to do

1314
01:03:18,120 --> 01:03:19,800
Speaker 1: anything you're not comfortable with. But if this is a

1315
01:03:19,880 --> 01:03:22,760
Speaker 1: man that you plan to marry, yeah, there shouldn't be

1316
01:03:22,840 --> 01:03:27,080
Speaker 1: any hiding something like that. All right, Well, I guess

1317
01:03:28,440 --> 01:03:30,600
Speaker 1: I'm sure you still look good with your braids in

1318
01:03:30,720 --> 01:03:34,800
Speaker 1: and all of that. Thank you, you know, But if

1319
01:03:34,880 --> 01:03:37,200
Speaker 1: anything you could tell him, you'll send him some pictures

1320
01:03:39,080 --> 01:03:43,080
Speaker 1: darting the proccess. Let's start with that, right, Trust me,

1321
01:03:43,160 --> 01:03:46,040
Speaker 1: he'll sit there for a little while. He's gonna get bored. Yeah,

1322
01:03:46,280 --> 01:03:48,760
Speaker 1: I definitely think he's not an exciting process. And it's

1323
01:03:48,800 --> 01:03:52,120
Speaker 1: a very long process exactly. Yeah. He always wonders like

1324
01:03:52,480 --> 01:03:54,680
Speaker 1: how long does that take? Like why are you gone

1325
01:03:54,760 --> 01:03:58,040
Speaker 1: three and four hours? Dan? That's all it takes me

1326
01:03:58,120 --> 01:04:03,800
Speaker 1: way longer than that. Really do him? Yeah? Is there

1327
01:04:03,840 --> 01:04:06,440
Speaker 1: anything that about him that you want to see? No?

1328
01:04:06,720 --> 01:04:08,760
Speaker 1: I mean he's you know, I don't just see your

1329
01:04:08,840 --> 01:04:12,479
Speaker 1: average average. Is he really good at or a sex

1330
01:04:12,560 --> 01:04:16,160
Speaker 1: other room? Is true? Yes? Oh my gosh, yes, better

1331
01:04:16,280 --> 01:04:21,400
Speaker 1: than Yes, better than better than any black guy you

1332
01:04:21,520 --> 01:04:25,120
Speaker 1: ever had. Oh, yeah, by far. But they're really stingy

1333
01:04:25,200 --> 01:04:26,920
Speaker 1: with it. But he just wants to do it. He

1334
01:04:27,080 --> 01:04:29,000
Speaker 1: likes to do and that's like the first thing he does.

1335
01:04:29,280 --> 01:04:31,240
Speaker 1: He got a little meat. No, why are you being

1336
01:04:31,280 --> 01:04:35,200
Speaker 1: a hater? Sound like a hater If we're talking about stereotypes,

1337
01:04:36,080 --> 01:04:39,440
Speaker 1: he's a lot the biggest, but he's definitely has a

1338
01:04:39,520 --> 01:04:44,000
Speaker 1: good size. I wouldn't even consider mary. Hey, okay, and

1339
01:04:44,080 --> 01:04:45,880
Speaker 1: then next time when you're going down on him, maybe

1340
01:04:45,880 --> 01:04:47,520
Speaker 1: he could pull your weave out and then see whatever

1341
01:04:50,120 --> 01:04:52,000
Speaker 1: I was like a plan? All right, have fun with that?

1342
01:04:52,400 --> 01:04:55,800
Speaker 1: Thank you? All right? Asking eight hundred five eighty five

1343
01:04:55,880 --> 01:04:58,080
Speaker 1: one on five one. If you got a question for you,

1344
01:04:58,240 --> 01:05:00,960
Speaker 1: you can call anytime that you even rumors on the way. Yes,

1345
01:05:01,040 --> 01:05:04,160
Speaker 1: we are going to talk about Charles Oakley. What happened

1346
01:05:04,600 --> 01:05:06,520
Speaker 1: at that next game? We'll tell you hit side of

1347
01:05:06,560 --> 01:05:08,600
Speaker 1: the story. Okay, we'll get into that when we come back.

1348
01:05:08,680 --> 01:05:11,400
Speaker 1: Keeping locked us to Breakfast Club come morning, first stage,

1349
01:05:11,440 --> 01:05:14,680
Speaker 1: first rest, stay listen. You don't got a thing background

1350
01:05:14,720 --> 01:05:17,240
Speaker 1: for every Paige artist we play on the radio. Okay.

1351
01:05:17,800 --> 01:05:20,520
Speaker 1: Let Chris Brown and Drake have their moments, all right.

1352
01:05:20,560 --> 01:05:22,160
Speaker 1: They don't jump in here when you be DJ and

1353
01:05:22,280 --> 01:05:25,880
Speaker 1: try to get on your turntables? Do they drag your question?

1354
01:05:26,200 --> 01:05:28,080
Speaker 1: Has any one of them ever come up behind you

1355
01:05:28,160 --> 01:05:32,640
Speaker 1: while you a DJ? No, what's wrong? Grabbed your turntables

1356
01:05:32,680 --> 01:05:35,040
Speaker 1: while you was playing on the turntables? Wrong with y'all?

1357
01:05:35,960 --> 01:05:39,720
Speaker 1: Who's y'all? Him? What's wrong with you? That's you? But

1358
01:05:39,880 --> 01:05:42,960
Speaker 1: you all right? Anyway, let's get to the room. She

1359
01:05:43,040 --> 01:05:45,120
Speaker 1: just answered me that. Anyway, Let's get to the rum.

1360
01:05:45,160 --> 01:05:48,560
Speaker 1: As we're talking Jim Joe. This is the rum of

1361
01:05:48,640 --> 01:05:58,280
Speaker 1: report with Angela Yeast Club. Well, we've been talking yesterday

1362
01:05:58,280 --> 01:06:01,920
Speaker 1: about Jim Jones doing his deal Rocking Nation, and he

1363
01:06:02,040 --> 01:06:04,200
Speaker 1: did an interview with TMZ and he talked about what

1364
01:06:04,400 --> 01:06:08,440
Speaker 1: made him decide to do this deal. But whatever happens, happens.

1365
01:06:08,440 --> 01:06:10,360
Speaker 1: I'm here to make the best Jim Jones after that

1366
01:06:10,360 --> 01:06:12,280
Speaker 1: I can, and they're willing to push me to the moon.

1367
01:06:12,480 --> 01:06:14,480
Speaker 1: They give me a platform that I haven't had in

1368
01:06:14,560 --> 01:06:17,000
Speaker 1: my whole career. My whole career, I've done it independently,

1369
01:06:17,040 --> 01:06:19,080
Speaker 1: if you know anything about my music. So for me

1370
01:06:19,200 --> 01:06:21,640
Speaker 1: to take this major stuff as a blessing, I wonder

1371
01:06:21,680 --> 01:06:24,000
Speaker 1: what else GYM gonna do? My brother to music, Did

1372
01:06:24,000 --> 01:06:27,080
Speaker 1: you have a lot of gifts? Remember direct videos yet?

1373
01:06:27,200 --> 01:06:28,480
Speaker 1: And he has a clothing line. We just saw him

1374
01:06:28,520 --> 01:06:31,520
Speaker 1: at Agenda. We did right, and everybody switched up to

1375
01:06:31,600 --> 01:06:33,080
Speaker 1: the clothing line a little bit. I've seen the vampman

1376
01:06:33,120 --> 01:06:35,240
Speaker 1: had to v with the Rock Nation logo and the

1377
01:06:35,400 --> 01:06:38,160
Speaker 1: oh with the hats and stuff. Yeah, he's working Jim

1378
01:06:38,240 --> 01:06:40,320
Speaker 1: Works five. He's doing a lot of different things. It's

1379
01:06:40,320 --> 01:06:42,840
Speaker 1: still music. I think Jim is doing one more album, right,

1380
01:06:42,920 --> 01:06:45,800
Speaker 1: so they're managing him and his brand and everything. And

1381
01:06:45,880 --> 01:06:48,720
Speaker 1: congratulations to to Nashe. Since we're talking about clothes, she

1382
01:06:48,920 --> 01:06:51,760
Speaker 1: is now the face of a juicy Quatre Urban outfitters

1383
01:06:51,800 --> 01:06:55,440
Speaker 1: that's going to be launching February thirteen. Yes, I'm actually

1384
01:06:55,800 --> 01:06:58,920
Speaker 1: hosting it. To Nashe performance tonight too here at the

1385
01:06:58,960 --> 01:07:02,360
Speaker 1: iHeart Theater. So that's probably not gonna album. They said

1386
01:07:02,360 --> 01:07:05,360
Speaker 1: it is Nasty Weather, Yeah, right, it's gonna be you, Internasha,

1387
01:07:07,080 --> 01:07:09,240
Speaker 1: it's supposed to stops knowing that one. Okay, that's what

1388
01:07:09,320 --> 01:07:12,479
Speaker 1: they said. But now he's saying, all day it look crazy.

1389
01:07:12,680 --> 01:07:15,840
Speaker 1: I stay home, it looks crazy, got a problem, but

1390
01:07:15,920 --> 01:07:19,520
Speaker 1: I look forward to that though young to Nash. All right, now,

1391
01:07:19,880 --> 01:07:22,680
Speaker 1: let's discuss Waka Flocca. He has released a new song

1392
01:07:23,000 --> 01:07:25,720
Speaker 1: and it's called was My Dog. We played a clip

1393
01:07:25,800 --> 01:07:27,920
Speaker 1: for you yesterday about him talking about Gucci Man and

1394
01:07:28,000 --> 01:07:31,120
Speaker 1: saying they'll never do music together again. And he doesn't

1395
01:07:31,160 --> 01:07:33,240
Speaker 1: say Gucci's name in this song, but people are saying

1396
01:07:33,280 --> 01:07:37,760
Speaker 1: that's who he's talking about. Check it out. Yeah, I

1397
01:07:37,840 --> 01:07:44,200
Speaker 1: thought you my mother? Do you shouted? Do you want

1398
01:07:45,640 --> 01:07:53,960
Speaker 1: woman shouted? Are yours? Why do people think that's about Gucci? Though? Well,

1399
01:07:54,000 --> 01:07:55,760
Speaker 1: he said was my Dog? And then he just recently

1400
01:07:55,800 --> 01:07:58,520
Speaker 1: didn't interview talking about Gucci and saying that they'll never

1401
01:07:58,640 --> 01:08:02,000
Speaker 1: be cool again and work together again. But everybody's speculating

1402
01:08:02,080 --> 01:08:03,600
Speaker 1: that's what that song is about. It And he said,

1403
01:08:03,600 --> 01:08:06,480
Speaker 1: always yelling brick squad, You always talking fan first, when

1404
01:08:06,520 --> 01:08:08,720
Speaker 1: you askcot locked up, you turned on the fan first.

1405
01:08:08,800 --> 01:08:10,520
Speaker 1: You don't think that's about Gucci. I'm sure it's a

1406
01:08:10,560 --> 01:08:12,080
Speaker 1: lot of other members of Brick Squad, and I'm sure

1407
01:08:12,120 --> 01:08:13,440
Speaker 1: it's a lot of other members of members of Brick

1408
01:08:13,480 --> 01:08:15,600
Speaker 1: Squad who have been arrested. I just don't think we

1409
01:08:15,600 --> 01:08:17,120
Speaker 1: I woudn't understand why Walk would just all of a

1410
01:08:17,160 --> 01:08:19,080
Speaker 1: sudden come out with a song this and Gucci man like,

1411
01:08:19,600 --> 01:08:21,479
Speaker 1: so you don't think that from everything? And we just

1412
01:08:21,560 --> 01:08:23,240
Speaker 1: said and then when he said did he shoot a video?

1413
01:08:23,280 --> 01:08:25,160
Speaker 1: And East Atlantis and SCOOCHI been out did he shoot

1414
01:08:25,160 --> 01:08:29,719
Speaker 1: a video? I'm exposing. This is yesterdays clip. So fans

1415
01:08:29,760 --> 01:08:31,599
Speaker 1: want to know, Like Walker, when you and Gooch banking

1416
01:08:31,680 --> 01:08:35,600
Speaker 1: this CD, it ain't never happening like that Brick Squad was.

1417
01:08:35,760 --> 01:08:38,120
Speaker 1: It was history like I enjoyed it. I loved it.

1418
01:08:38,720 --> 01:08:41,519
Speaker 1: It made me who I was today and made him

1419
01:08:41,560 --> 01:08:44,080
Speaker 1: who he was today. But enough is enough, man, Like,

1420
01:08:44,280 --> 01:08:47,720
Speaker 1: the Internet's not the streets. If you want to play

1421
01:08:47,800 --> 01:08:49,800
Speaker 1: tough and he like you, Mitch, you on you the

1422
01:08:49,880 --> 01:08:51,960
Speaker 1: big dog when you just stay in the third cool like,

1423
01:08:52,280 --> 01:08:54,720
Speaker 1: but the streets gool wipe your nose every time. Hey,

1424
01:08:54,800 --> 01:08:56,840
Speaker 1: Suscooch's been out there, you shoot a video in East Atlanta,

1425
01:08:57,800 --> 01:09:00,519
Speaker 1: I'm exposing, man, I ain't know, Hey, don't just exposed

1426
01:09:00,680 --> 01:09:02,600
Speaker 1: and plus flock has never won the men's words. So

1427
01:09:02,680 --> 01:09:04,280
Speaker 1: I think if that was the disrecord the Gucci to

1428
01:09:04,320 --> 01:09:06,240
Speaker 1: say Gucci. So you think that he's said about somebody

1429
01:09:06,240 --> 01:09:08,360
Speaker 1: else in brick school that just got locked up, Yes,

1430
01:09:08,439 --> 01:09:11,240
Speaker 1: it could be. That's possible, all right, if that's what

1431
01:09:11,360 --> 01:09:13,360
Speaker 1: you think, a lot of those guys who don't stay

1432
01:09:13,360 --> 01:09:15,439
Speaker 1: around each other no more? Who the kid? What's the

1433
01:09:15,479 --> 01:09:18,680
Speaker 1: other holy name with the dreads? Franchie? Okay, I've seen

1434
01:09:18,760 --> 01:09:20,720
Speaker 1: him in around him? All right, I'm sure you're right. Um.

1435
01:09:20,760 --> 01:09:26,160
Speaker 1: Now let's talk about Charles Oakley. Santastic. Yeah, So Charles Oakley,

1436
01:09:26,200 --> 01:09:28,320
Speaker 1: we talked about this earlier. He got kicked out of

1437
01:09:28,320 --> 01:09:31,280
Speaker 1: the next game and got arrested, so disrespectful. Right, so

1438
01:09:31,520 --> 01:09:34,160
Speaker 1: now we got to hear what his side of the story.

1439
01:09:34,200 --> 01:09:37,240
Speaker 1: Oh damn, there's all you saw the video footage. There's

1440
01:09:37,240 --> 01:09:39,240
Speaker 1: another video you've seen this video game you talk, you

1441
01:09:39,360 --> 01:09:41,960
Speaker 1: to explain it of Charles Oakley getting kicked out. They

1442
01:09:42,000 --> 01:09:44,080
Speaker 1: had him on the ground. Yeah, if you have revolt

1443
01:09:44,120 --> 01:09:46,200
Speaker 1: to me, you can see all this video footage of

1444
01:09:46,320 --> 01:09:48,120
Speaker 1: him arguing here I should have been in that lung.

1445
01:09:48,160 --> 01:09:50,760
Speaker 1: He bought his own ticket, right, there's a lot of

1446
01:09:50,800 --> 01:09:53,479
Speaker 1: pushing and shoving. Look he's pushing. If you have revolte

1447
01:09:53,520 --> 01:09:55,599
Speaker 1: you could really see. They got him about a column.

1448
01:09:55,760 --> 01:09:58,640
Speaker 1: They dragged him out, and they took him down to

1449
01:09:58,720 --> 01:10:01,000
Speaker 1: the police station. They charged him three counts of assault

1450
01:10:01,040 --> 01:10:03,800
Speaker 1: and criminal trespassing. The theory is on the floor New York,

1451
01:10:04,160 --> 01:10:06,920
Speaker 1: the Madison Square Garden. The Knicks organization treats the veterans

1452
01:10:06,960 --> 01:10:09,439
Speaker 1: worse than America treats day veterans. Bro all right now,

1453
01:10:09,640 --> 01:10:11,680
Speaker 1: Charles Oakley told the New York Daily News. I was

1454
01:10:11,760 --> 01:10:15,240
Speaker 1: there for four minutes, he said. I didn't say anything

1455
01:10:15,320 --> 01:10:17,120
Speaker 1: to him. I swear on my mother. They came over

1456
01:10:17,200 --> 01:10:19,000
Speaker 1: and wanted to know why I was sitting there. I

1457
01:10:19,120 --> 01:10:20,880
Speaker 1: bought the ticket. I said, why do you guys keep

1458
01:10:20,920 --> 01:10:22,720
Speaker 1: staring at me? Then they asked me to leave, and

1459
01:10:22,760 --> 01:10:24,760
Speaker 1: I said, I'm not leaving. I want to sit down

1460
01:10:24,840 --> 01:10:26,200
Speaker 1: to talk to him. I want me and him in

1461
01:10:26,240 --> 01:10:28,720
Speaker 1: the room and lock the door. Lock that door. I mean,

1462
01:10:28,800 --> 01:10:31,000
Speaker 1: he can have the police outside the door. You can't

1463
01:10:31,080 --> 01:10:32,800
Speaker 1: lock the door after. I don't seeing you wish another

1464
01:10:32,800 --> 01:10:34,640
Speaker 1: white man in the face with your finger. You're not

1465
01:10:34,680 --> 01:10:37,960
Speaker 1: gonna being here with me alone now. According to the

1466
01:10:38,040 --> 01:10:41,479
Speaker 1: Knicks organization their PR released a statement, Charles Oakley came

1467
01:10:41,520 --> 01:10:43,800
Speaker 1: to the game tonight and behaved in a highly inappropriate

1468
01:10:43,840 --> 01:10:46,800
Speaker 1: and completely abusive manner. He has been ejected and is

1469
01:10:46,840 --> 01:10:49,320
Speaker 1: currently being arrested by the New York City Police Department.

1470
01:10:49,520 --> 01:10:51,120
Speaker 1: He was a great Nick and we hope he gets

1471
01:10:51,200 --> 01:10:55,320
Speaker 1: some help soon. So people were going in on Twitter

1472
01:10:55,479 --> 01:10:58,960
Speaker 1: on the now. One person said, when Charles Oakley played

1473
01:10:59,000 --> 01:11:01,439
Speaker 1: with a broken cheekbone, how come the Knicks didn't stop

1474
01:11:01,520 --> 01:11:03,960
Speaker 1: him and say you need to get help, all right?

1475
01:11:04,080 --> 01:11:05,960
Speaker 1: And what happened to the people that were playing because

1476
01:11:05,960 --> 01:11:07,800
Speaker 1: the Knicks were playing the Clippers. Blake Griffin said, I

1477
01:11:07,840 --> 01:11:10,240
Speaker 1: stopped and then there was an inbounds play on the side.

1478
01:11:10,280 --> 01:11:12,160
Speaker 1: I turned around just in time as he was handing

1479
01:11:12,160 --> 01:11:13,439
Speaker 1: it to him, and then there was a foul. I

1480
01:11:13,560 --> 01:11:16,200
Speaker 1: walked back to cast the third, fourth and fifth rounds

1481
01:11:16,520 --> 01:11:21,040
Speaker 1: Now Carmelo said that was sad. That was Carmela said

1482
01:11:21,040 --> 01:11:22,599
Speaker 1: that he didn't see anything. He was on the opposite

1483
01:11:22,600 --> 01:11:24,000
Speaker 1: side of the court. He didn't see it. And the

1484
01:11:24,080 --> 01:11:26,639
Speaker 1: coach for the Clippers, Doc Rivers, said that was sad.

1485
01:11:26,720 --> 01:11:28,280
Speaker 1: That was tough for me to watch. Honest to god,

1486
01:11:28,320 --> 01:11:29,920
Speaker 1: you could see it. I actually took three steps and

1487
01:11:29,960 --> 01:11:31,160
Speaker 1: I swear I was going to run down there, and

1488
01:11:31,200 --> 01:11:32,600
Speaker 1: I thought, what the hell am I going to do?

1489
01:11:33,000 --> 01:11:34,720
Speaker 1: But I didn't like that. That's my guy. That was

1490
01:11:34,800 --> 01:11:36,400
Speaker 1: tough to watch from where I was standing. He's the

1491
01:11:36,439 --> 01:11:38,400
Speaker 1: best teammate in the world. Why would you ever want

1492
01:11:38,439 --> 01:11:40,559
Speaker 1: to play for the Knicks organization after seeing how they

1493
01:11:40,640 --> 01:11:42,760
Speaker 1: treat Dave Veterans, a man played for the Knicks for

1494
01:11:42,880 --> 01:11:45,560
Speaker 1: ten years, was responsible for it, was one of the

1495
01:11:46,160 --> 01:11:48,920
Speaker 1: key components of a great Knicks team. And you kicked

1496
01:11:49,000 --> 01:11:50,640
Speaker 1: him out of the garden like that. I've seen him

1497
01:11:50,720 --> 01:11:53,360
Speaker 1: last week that. I mean, it was just it looked

1498
01:11:53,400 --> 01:11:55,679
Speaker 1: so disrespect Listen, I ain't see Ron Artests get dragged

1499
01:11:55,720 --> 01:11:57,720
Speaker 1: out like that. In Ron Artesta was beating fans up

1500
01:11:57,760 --> 01:11:59,479
Speaker 1: and beating players up at all kinds of stuff. They

1501
01:12:00,000 --> 01:12:02,479
Speaker 1: didn't drag him out of the palace like that, Like

1502
01:12:02,600 --> 01:12:06,559
Speaker 1: that was disrespectful, totally disrespectful. All right, Well, I'm Angela

1503
01:12:06,680 --> 01:12:09,240
Speaker 1: Yee and that is your rumor report. I wonder what

1504
01:12:09,600 --> 01:12:11,880
Speaker 1: was Charles himself? He just went to the game by himself,

1505
01:12:11,920 --> 01:12:14,679
Speaker 1: don't know, nobody was there at home. Why you gotta

1506
01:12:14,680 --> 01:12:16,360
Speaker 1: be with somebody. I'm just saying you go to the game,

1507
01:12:16,439 --> 01:12:17,800
Speaker 1: used to go with somebody I I never went to.

1508
01:12:17,840 --> 01:12:19,760
Speaker 1: I'm just gonna go by the game. Any Mason is dead, sir,

1509
01:12:19,880 --> 01:12:23,000
Speaker 1: his partners not around anymore. Okay, that's probably more than

1510
01:12:23,360 --> 01:12:25,439
Speaker 1: brig Maates would't have been there it had been some problems.

1511
01:12:26,479 --> 01:12:29,280
Speaker 1: Have you ever seen Anthony Mason in real life? Absolute

1512
01:12:29,400 --> 01:12:32,320
Speaker 1: Jesus Christ look like he in three D. I'm telling

1513
01:12:32,400 --> 01:12:37,040
Speaker 1: you was huge. Okay, Gunn's gracious, well, shout to our

1514
01:12:37,080 --> 01:12:40,040
Speaker 1: friends at Revote. Will see you guys tomorrow. Everybody else

1515
01:12:40,080 --> 01:12:41,479
Speaker 1: to People's Choice mixes up next