WEBVTT - Mrs. Doubtfire with Emily Heller

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<v Speaker 1>On the Bell Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef in best

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<v Speaker 1>start changing it with the beck Del Cast. Hello and

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<v Speaker 1>welcome to the Beckdel Cast. My name is Caitlin, name

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<v Speaker 1>was Jamie, and you're listening to the podcast about the

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<v Speaker 1>portrayal of women in movies. It's true. Hey, guess what. Yeah,

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<v Speaker 1>when women in movies usually are not portrayed well or

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<v Speaker 1>at all. Oftentimes, just to start the cast out, ever

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<v Speaker 1>seen the movie the thing? Pretty sure there's no women

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<v Speaker 1>in it? No? Is that? Is that a vagina monster movie? Um? Yeah,

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<v Speaker 1>you could probably argue yes. I went on Okay, so

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<v Speaker 1>I went on a date last night and I pregamed

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<v Speaker 1>by watching Teeth. I didn't know you went on a date.

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<v Speaker 1>Listen it was white, Fine, you tell me it was.

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<v Speaker 1>I know that we're codependent. I did. It was an

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<v Speaker 1>impromptu and I was in the middle of watching teeth

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<v Speaker 1>and like, let me just finish watching teeth and then sure,

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<v Speaker 1>lets me. Yeah that's a great way to Yeah, I

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<v Speaker 1>can't recommend watching teeth before going on a first date.

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<v Speaker 1>Enough a blast. If you're not familiar with the movie teeth,

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<v Speaker 1>we'll get it. Yeah, well, we'll get there. But it's

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<v Speaker 1>about a woman whose vagina is full of teeth. She

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<v Speaker 1>bites dude sticks off with her vigilante justice feminist icon teeth. Yeah.

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<v Speaker 1>So this is the Betel cast we use for our

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<v Speaker 1>yardstick of how women are treated in film. We used

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<v Speaker 1>the Bechdel tests, inspired by Alison Bechtel, uh, and our

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<v Speaker 1>interpretation of it is the movie must have two female

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<v Speaker 1>characters with names speak to each other at some point

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<v Speaker 1>in the movie about something other than a man. Only

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<v Speaker 1>has to be I think that this comes up a lot.

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<v Speaker 1>People were like, oh, it has to be a whole scene,

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<v Speaker 1>then nothing would pass. It literally has to be two

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<v Speaker 1>lines of dialogue that happens, the lowest bar possible, all right,

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<v Speaker 1>And yet so many movies managed to still not pass

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<v Speaker 1>the Bechtel test, some of the most famous movies of

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<v Speaker 1>all time. I'm excited about the movie we're talking about today. Yes,

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<v Speaker 1>So before we talk about it, though, let's introduce our guest.

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<v Speaker 1>She is a comedian. She is terrific. Emily Heller, Hello,

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<v Speaker 1>are you doing Mrs delt Am? Why wouldn't I amazing

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<v Speaker 1>that really it always gets a laugh. So we're talking

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<v Speaker 1>about Mrs deult Fire. We are. Did you first see

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<v Speaker 1>the movie? What's your history with this movie? Okay, I

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<v Speaker 1>definitely saw it as a kid, possibly when it came out,

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<v Speaker 1>I don't remember, but then I definitely watched it again

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<v Speaker 1>as an adult, you know, maybe like eight years ago,

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<v Speaker 1>then again yesterday. You know, I'm from the Bay Area too,

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<v Speaker 1>So okay, the bus that Mrs Doubtfire gets on is

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<v Speaker 1>a bus I used to ride when I lived there, exactly. Yeah,

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<v Speaker 1>And you know, I started comedy in San Francisco, so

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<v Speaker 1>I was like Robin Williams was like around, Wow, yeah,

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<v Speaker 1>that's wild. But yeah, so I feel like pretty connected

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<v Speaker 1>to this movie in a lot of boys. Sure, this

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<v Speaker 1>movie was a huge movie of my childhood. There were

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<v Speaker 1>like probably like ten different movies that I just watched

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<v Speaker 1>all the time. This was one of them. I saw

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<v Speaker 1>The Brave Little Toaster a lot, Jumanji. Dude. I got

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<v Speaker 1>in so much trouble, Like the most trouble I ever

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<v Speaker 1>got in as a kid was when I was eleven

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<v Speaker 1>years old. It was the first time ever my parents

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<v Speaker 1>were letting me go to the movies without an adult.

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<v Speaker 1>They organized this whole thing where this big group of girls,

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<v Speaker 1>We're going to go see Tom and Hook. Yeah, that

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<v Speaker 1>JTT movie. And then while we were in line winning

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<v Speaker 1>to buy tickets, one of the girls revealed that she

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<v Speaker 1>had not seen Jumanji, and we were all like, you

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<v Speaker 1>haven't seen Jumanji. And we got to the front of

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<v Speaker 1>the line. We like, does Jumanji get out at the

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<v Speaker 1>same time as Tom and Huck? And they were like yeah,

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<v Speaker 1>and they were like, we're seeing Jumanji instead, Like, I

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<v Speaker 1>changed the plans. We went to go see Jumanji instead.

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<v Speaker 1>Jumanji did not get out at the same time as

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<v Speaker 1>Tom and Huck got out twenty minutes later, and my mom,

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<v Speaker 1>who had showed up to the movie theater to pick

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<v Speaker 1>us up, thought we had all been kidnapped. She waited

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<v Speaker 1>outside the exit of Tom and Huck watched every single

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<v Speaker 1>person leave, none of us were in there, and she

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<v Speaker 1>was so furious with me. Did you ever end up

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<v Speaker 1>seeing Tom and Huck? Though? No, I didn't know. Here's

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<v Speaker 1>a thing, but I did see again, that's fine JT very.

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<v Speaker 1>I mean, yeah, I wasn't that big of a JTT fan.

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<v Speaker 1>I mean I kind of was, but I didn't really

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<v Speaker 1>know it was JT T. Is he? Because there's J T. T.

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<v Speaker 1>And then every child slash teen actor of that era

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<v Speaker 1>who looks exactly like him, but wasn't him. Um, no

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<v Speaker 1>one looks exactly like that. No one had the same sparkle.

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<v Speaker 1>It was truly. It was his coloring of like the

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<v Speaker 1>dark eyebrows and the light eyes and sandy hair. It

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<v Speaker 1>was like a very unusual the contrast. Yeah, the contrast,

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<v Speaker 1>and that's like smirky. I can't even picture Big Treasure

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<v Speaker 1>Island is or is that a J T T. Poser?

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<v Speaker 1>Great question? You know what, let me check it out.

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<v Speaker 1>I'm most familiar with the Christmas Carol top the podcast,

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<v Speaker 1>the Gang. It's not him, it's not him. Yeah, there's

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<v Speaker 1>just a lot of lookalikes out there. I do like

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<v Speaker 1>on a Muppet movie Wikipedia page, they build all of

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<v Speaker 1>the Muppets before any human. Top build is Kermit the

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<v Speaker 1>frogs as it should be, I guess, But Kermit the

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<v Speaker 1>Frog got build before Tim Curry. Anyways, this is top Fire.

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<v Speaker 1>So yeah, I saw this movie a ton as a kid,

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<v Speaker 1>but I hadn't seen it probably for fifteen or twenty years.

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<v Speaker 1>Watching it again. Interesting, it's interesting things that happened. What

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<v Speaker 1>about you, Jamie, what's your history? I didn't see this

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<v Speaker 1>movie for a while. My older cousins would watch it

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<v Speaker 1>all the time, but I wasn't allowed to. And then

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<v Speaker 1>eventually I think I probably saw it around the time

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<v Speaker 1>it was like seven or eight, and then probably again

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<v Speaker 1>in high school and then again for this but I hadn't.

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<v Speaker 1>I haven't seen it in like a good at least

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<v Speaker 1>between ten and fifteen years, like it's been. It's been

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<v Speaker 1>a bit. And yeah, there are some there have been

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<v Speaker 1>some big cultural shifts that would have make this movie

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<v Speaker 1>somewhat impossible. Now, I will say the writer of this

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<v Speaker 1>movie Randy myam singer. She and I follow each other

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<v Speaker 1>on Twitter. She's an outspoken feminist. She seems really cool. Yeah,

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<v Speaker 1>the movie was written by two women, and then it's

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<v Speaker 1>adapted from a novel, also written by a woman. There's

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<v Speaker 1>a lot of interesting gray area. It's been adapted from

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<v Speaker 1>a novel, a novel called Madam Doubtfire alias Madam doubt

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<v Speaker 1>Fire and I Love alias Madame tout Fire. Makes it

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<v Speaker 1>sound like a spy movie, which it sort of is. Yeah,

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<v Speaker 1>he's definitely spying on his family, his wife and her

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<v Speaker 1>New Relationship, also directed by Chris Columbus of the first

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<v Speaker 1>two Harry Potter movies and Home Alone Alone and the

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<v Speaker 1>Really Stinky on screen adaptation of Rent. Oh Yeah, Oh,

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<v Speaker 1>Chris Cars, you're all over the place, buddy, what's happening Anyways,

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<v Speaker 1>he's a millionaire. We're fine. I'll do the recap of

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<v Speaker 1>Mrs Stuffire. Mrs stuff Fire is about a man named

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<v Speaker 1>Daniel Hallard played by Robin Williams, and he's a party anymore.

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<v Speaker 1>He has kids and he loves him. He wants to

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<v Speaker 1>have fun with them, and he's dad. He's a bad dad.

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<v Speaker 1>And he was married to Miranda played by Sally Field.

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<v Speaker 1>And he throws a party for his twelve year old

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<v Speaker 1>son and she comes in on it. The house is

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<v Speaker 1>a mess. She's like, this is too much. Well, and

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<v Speaker 1>she to he wasn't allowed to have a birthday party

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<v Speaker 1>because his grades were two less right, so he So

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<v Speaker 1>this is a classic the cool parent overriding the mean parents.

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<v Speaker 1>Like he's he's like acting like a dad who's already

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<v Speaker 1>been divorced, right, Like, why are you acting out of

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<v Speaker 1>spite like this towards a woman you're currently alright? Well,

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<v Speaker 1>so yeah, she comes home. She's fed up with all

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<v Speaker 1>of his antics, and she was like, let's get a

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<v Speaker 1>divorce and he's like no. And in the divorce proceedings

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<v Speaker 1>he's granted no custody except for like he can only

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<v Speaker 1>see them on Saturdays or something like that, and he's like,

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<v Speaker 1>I need to see my kids more. And he finds

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<v Speaker 1>out that Miranda is going to take out an ad

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<v Speaker 1>in the newspaper to hire a housekeeper. So he goes

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<v Speaker 1>to his brother, who is a makeup artist for the

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<v Speaker 1>movies for Hollywood, except not Stage Francisco. First, he sabotages

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<v Speaker 1>the ad so that she can't get any real inquiries, right,

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<v Speaker 1>some classic print journalism manipulation. Yeah, and then yeah, So

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<v Speaker 1>he calls and puts on this whole facade of like

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<v Speaker 1>I'm the best, I'm Mrs doubtfund. So his his brother,

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<v Speaker 1>who is like does makeup for movies. He calls him

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<v Speaker 1>up and says, make me a woman, and his brother says,

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<v Speaker 1>I'm so happy for you, which is like, oh, this

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<v Speaker 1>is a very this is a joke. I didn't notice

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<v Speaker 1>as a kid. There are tons of those, and and

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<v Speaker 1>begs a lot of questions of like why did he

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<v Speaker 1>like that? Doesn't the character, and that statement didn't necessarily

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<v Speaker 1>like line up, but I was like, oh, interesting, what's

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<v Speaker 1>the story there? Yeah, so yeah, he makes all these

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<v Speaker 1>like this prosthetic mask and this whole body suit and

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<v Speaker 1>everything like that to turn Daniel into Mrs Doubtfire and

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<v Speaker 1>then he poses as the family's housekeeper. Four months. Yeah

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<v Speaker 1>it seems like it's months. Yeah, it's a while. Sally Field,

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<v Speaker 1>while an intelligent and empowered woman, does not recognize it's

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<v Speaker 1>for ex husband. That is definitely the biggest buye in

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<v Speaker 1>this movie is that she does not recognize she's capable

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<v Speaker 1>in literally every other way. And also, I don't know

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<v Speaker 1>if you either of you have been in like a

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<v Speaker 1>long term relationship, but there's one thing I know very well,

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<v Speaker 1>and it's my boyfriend's face, you know what I mean,

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<v Speaker 1>Like I see that thing all the time. I know

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<v Speaker 1>exactly what his teeth looked like. I know exactly, I know,

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<v Speaker 1>you know, and they did do like fake teeth and

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<v Speaker 1>like lots of prosthetics and stuff like that. But but

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<v Speaker 1>he's recognizable as Robin Williams. Yeah, you've had three children

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<v Speaker 1>with this, Like this person has been inside you would

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<v Speaker 1>thank you as someone who has never been in a

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<v Speaker 1>long term relationship, but knows how faces work. I do,

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<v Speaker 1>I think I would recognize anyway. Yeah, so no one.

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<v Speaker 1>I feel like that's a big problem for the movie.

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<v Speaker 1>TUTSI as well. But yeah, well, now, the thing is,

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<v Speaker 1>this movie is set in San Francisco, which I think

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<v Speaker 1>at the time probably had one of the most robust

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<v Speaker 1>transgender communities in the entire country. You don't live in

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<v Speaker 1>San Francisco and not know about transgender people, especially if

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<v Speaker 1>you're like an adult. What I'm saying is like, it's

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<v Speaker 1>a lot easier for transgender people to pass sometimes in

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<v Speaker 1>like the middle of America or like places where there

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<v Speaker 1>are no transgender people because no one's looking for it.

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<v Speaker 1>And so the fact that that also wasn't a factor

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<v Speaker 1>in this, Like there's a few tongue in cheek jokes,

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<v Speaker 1>but you're like, why is this set in the one

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<v Speaker 1>city where this would be the hardest to pull off?

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<v Speaker 1>That's true and I mean necessary. Yeah, I mean maybe

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<v Speaker 1>she thought that Mrs Doubtfire was just a transgender woman

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<v Speaker 1>and just didn't say anything about it, which would be

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<v Speaker 1>interesting also but would be pretty progressive to not call out.

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<v Speaker 1>And yeah, but there's no mention in that, and instead

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<v Speaker 1>there is like whenever Daniel is making calls to basically

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<v Speaker 1>make it so that Mrs doubt Fire when she calls

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<v Speaker 1>is going to be like the best possible scenarios, right,

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<v Speaker 1>because he does this whole like montage of calling calling,

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<v Speaker 1>of doing like bad candidates, and one of the bad

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<v Speaker 1>candidates is him saying I don't work with the males

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<v Speaker 1>because I used to be one, and then oh yeah,

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<v Speaker 1>and then she's like oh, She's like yikes and hangs

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<v Speaker 1>up the phone, and it's like, but also like, I

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<v Speaker 1>get that it was teeing up that terrible transphobic joke,

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<v Speaker 1>but why would a transgender woman not want to work

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<v Speaker 1>with boys like that? Logically, like, setting aside the transphobia

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<v Speaker 1>of that joke, what is the logical explanation for makes

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<v Speaker 1>no sense? That just doesn't track on anyone. Yeah, So

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<v Speaker 1>basically Daniel works as Mrs del Fire for the family's

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<v Speaker 1>housekeeper for months, yes, taking care of the kids, being

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<v Speaker 1>a better father than he ever had been before basically,

0:12:55.640 --> 0:12:57.320
<v Speaker 1>which is kind of in some ways makes them more

0:12:57.320 --> 0:13:00.840
<v Speaker 1>culpable because it's like, Okay, you understand how rules can

0:13:00.920 --> 0:13:03.400
<v Speaker 1>benefit children, and you understood it before you just were

0:13:03.480 --> 0:13:07.600
<v Speaker 1>unwilling to enforce it. Cool, but as a woman, not

0:13:07.679 --> 0:13:11.120
<v Speaker 1>as much of a problem. Yeah, there's some weird, some

0:13:11.200 --> 0:13:14.520
<v Speaker 1>weirdness going on. Yeah, and then his two older children

0:13:14.559 --> 0:13:17.920
<v Speaker 1>find out about his true identity and he tells them

0:13:17.920 --> 0:13:20.040
<v Speaker 1>to keep it a secret. And then towards the end,

0:13:20.400 --> 0:13:23.480
<v Speaker 1>at the big dinner scene with all the switchers between

0:13:23.480 --> 0:13:27.800
<v Speaker 1>his like big work opportunity and then the birthday dinner

0:13:28.160 --> 0:13:30.280
<v Speaker 1>for his ex wife. For his ex wife, Sally Field's

0:13:30.320 --> 0:13:34.360
<v Speaker 1>character finds out, Oh, you're actually my husband faking being

0:13:34.400 --> 0:13:37.600
<v Speaker 1>our our housekeeper at this whole touch and Sally Fields,

0:13:38.480 --> 0:13:42.640
<v Speaker 1>I mean just a sec that's yeah, the fucking distrust

0:13:42.720 --> 0:13:44.600
<v Speaker 1>I would have of every person around me for the

0:13:44.640 --> 0:13:47.640
<v Speaker 1>following five years of my life, right, you know what

0:13:47.679 --> 0:13:50.120
<v Speaker 1>I mean, especially upon finding out that it's like, oh,

0:13:50.200 --> 0:13:54.400
<v Speaker 1>also two of my children new and my my ex

0:13:54.480 --> 0:13:58.319
<v Speaker 1>husband like swore his children to secretly. There's just he

0:13:58.480 --> 0:14:01.040
<v Speaker 1>was also asked me a lot lot of questions about

0:14:01.080 --> 0:14:04.120
<v Speaker 1>my sex life with my new boyfriend, which just makes

0:14:04.160 --> 0:14:06.760
<v Speaker 1>the ending of this movie. It's a family movie, but

0:14:06.840 --> 0:14:11.480
<v Speaker 1>like makes the end completely bananas, Like yeah, right, because

0:14:11.520 --> 0:14:14.280
<v Speaker 1>then I mean they have a fight. He's granted no

0:14:14.480 --> 0:14:19.360
<v Speaker 1>custody he gets supervised visits, but he starts playing Mrs

0:14:19.400 --> 0:14:24.800
<v Speaker 1>Delfire on TV, so I guess he's trustworthy. And then

0:14:25.120 --> 0:14:27.480
<v Speaker 1>Miranda approaches him at work and she's like, you know what,

0:14:27.600 --> 0:14:30.040
<v Speaker 1>things were better? You should see the kids and da

0:14:30.160 --> 0:14:32.560
<v Speaker 1>da da. And then because she realizes that she can't

0:14:32.560 --> 0:14:34.840
<v Speaker 1>find another housekeeper as good as Mrs doubts there and

0:14:34.840 --> 0:14:36.680
<v Speaker 1>they all miss her and they're like, She's like, what

0:14:36.720 --> 0:14:38.880
<v Speaker 1>are we talking about. She's not a real person. Why

0:14:38.880 --> 0:14:42.360
<v Speaker 1>are we talking but yeah, yeah, and then like she

0:14:42.480 --> 0:14:45.280
<v Speaker 1>opens the door to their new housekeeper, and then it's

0:14:45.360 --> 0:14:48.240
<v Speaker 1>the reveal that it's Daniel, and she's like, you can

0:14:48.280 --> 0:14:51.040
<v Speaker 1>hang out with your dad more. Yeah, the end every

0:14:51.080 --> 0:14:55.600
<v Speaker 1>day after school. Yeah, okay. I do kind of think

0:14:55.600 --> 0:14:59.120
<v Speaker 1>it's interesting that they bothered to include the custody battle

0:14:59.160 --> 0:15:01.480
<v Speaker 1>of like, oh, for sure he would not get custody

0:15:01.520 --> 0:15:03.840
<v Speaker 1>after all of this, I was like, oh that, I mean,

0:15:03.880 --> 0:15:08.280
<v Speaker 1>that seems kind of realistic, or more realistic than than

0:15:08.320 --> 0:15:10.080
<v Speaker 1>a lot of parts of the movie. But then at

0:15:10.120 --> 0:15:12.720
<v Speaker 1>the end, it just it bugged me that like Sally

0:15:12.800 --> 0:15:15.680
<v Speaker 1>Field's character is the one to be like, you know what,

0:15:16.320 --> 0:15:19.240
<v Speaker 1>I was not wrong, but like I forgive you for

0:15:19.320 --> 0:15:25.840
<v Speaker 1>this massive weirda. Yeah, yeah, I mean she does seem

0:15:25.880 --> 0:15:27.800
<v Speaker 1>like she's being a little bit too forgiving, but she's

0:15:27.840 --> 0:15:30.000
<v Speaker 1>also like, I think this is the best outcome for

0:15:30.080 --> 0:15:33.080
<v Speaker 1>my kids, you know what I mean, how do you

0:15:33.120 --> 0:15:37.120
<v Speaker 1>protect your kids after something like that? So yeah, it's

0:15:37.160 --> 0:15:40.640
<v Speaker 1>definitely messed up. But I can see if I've learn

0:15:40.800 --> 0:15:43.280
<v Speaker 1>like a kid and then I found out my dad

0:15:43.320 --> 0:15:46.080
<v Speaker 1>was doing this thing that was like kind of funny

0:15:46.160 --> 0:15:48.520
<v Speaker 1>to me and kind of bizarre, I would be like,

0:15:48.760 --> 0:15:51.320
<v Speaker 1>oh Dad, what, but like cool, I don't know, I

0:15:51.360 --> 0:15:54.880
<v Speaker 1>wouldn't be like afraid of Yeah, I mean like giving

0:15:54.880 --> 0:15:58.760
<v Speaker 1>it the most possible credit. It's like she probably assessed

0:15:58.840 --> 0:16:01.880
<v Speaker 1>that her kids were not traumatized by this, is not

0:16:02.000 --> 0:16:07.560
<v Speaker 1>visibly traumatized by it, and that it was In performing

0:16:07.920 --> 0:16:14.440
<v Speaker 1>the Mrs Doubtfire ruse, he demonstrated his willingness to change

0:16:14.560 --> 0:16:19.160
<v Speaker 1>his parenting style to write adjust for the things that

0:16:19.200 --> 0:16:23.760
<v Speaker 1>he needed to. But also but also it is Doubtfire

0:16:25.080 --> 0:16:28.040
<v Speaker 1>like it is bizarre because it's like, you know, he

0:16:28.240 --> 0:16:32.320
<v Speaker 1>is more like Daniel is more respectful of her parenting

0:16:32.400 --> 0:16:35.160
<v Speaker 1>style by the end of the movie and definitely like

0:16:35.520 --> 0:16:37.920
<v Speaker 1>sees the value of it. But but again, it's like

0:16:37.960 --> 0:16:39.960
<v Speaker 1>we sort of see that he knows that at the beginning,

0:16:39.960 --> 0:16:44.360
<v Speaker 1>he's just not doing it. Yeah, right, he This movie

0:16:44.480 --> 0:16:47.680
<v Speaker 1>is just like it's yeah, but that's it. It is

0:16:48.080 --> 0:16:52.080
<v Speaker 1>a way longer than I remember. Over two hours long.

0:16:52.600 --> 0:16:56.120
<v Speaker 1>Oh man, it's insanely long. But but it's I mean,

0:16:56.200 --> 0:16:59.200
<v Speaker 1>I enjoy this movie. It's just there's just so much

0:16:59.240 --> 0:17:01.880
<v Speaker 1>like this movie could not be made right now. I

0:17:01.960 --> 0:17:06.040
<v Speaker 1>just get thinking of the storyline in Arrested Development when

0:17:06.119 --> 0:17:10.600
<v Speaker 1>Tobias the Mrs feather Bottom combination Mary Poppins and Mrs

0:17:10.640 --> 0:17:14.360
<v Speaker 1>dowdfire thing. Yeah, but the joke there is that everyone

0:17:14.480 --> 0:17:18.159
<v Speaker 1>knows that it's clearly Tobias playing this character. They're just

0:17:18.359 --> 0:17:26.480
<v Speaker 1>tolerating it, yeah, and letting him do housework, let go

0:17:26.640 --> 0:17:29.600
<v Speaker 1>to free labor. So one of the first things I

0:17:29.680 --> 0:17:31.879
<v Speaker 1>wanted to bring up about the movie as it relates

0:17:31.920 --> 0:17:34.280
<v Speaker 1>to the portrayal of women is a segment that I

0:17:34.359 --> 0:17:40.560
<v Speaker 1>call breaking Shrews. It's like breaking news discussion the shrews

0:17:41.080 --> 0:17:44.240
<v Speaker 1>in the movie. I appreciate that quietly, thank you so much.

0:17:44.920 --> 0:17:48.359
<v Speaker 1>Pretty Much every female character that we see on screen,

0:17:48.720 --> 0:17:52.199
<v Speaker 1>basically everyone is presented as a shrewish character. In some

0:17:52.680 --> 0:17:58.680
<v Speaker 1>aside from Marral Wilson's character rest too young to Shrew

0:17:58.800 --> 0:18:02.920
<v Speaker 1>quite yet just about everyone else, including the older daughter

0:18:03.080 --> 0:18:05.320
<v Speaker 1>lydia Um. She's the one who's all like, no, we

0:18:05.320 --> 0:18:08.159
<v Speaker 1>shouldn't have a party. Mom said we couldn't. Later on,

0:18:08.320 --> 0:18:12.280
<v Speaker 1>she is judging her dad's apartment that he moves into

0:18:12.320 --> 0:18:14.679
<v Speaker 1>and she's like, this place is detestable. She's always just

0:18:14.720 --> 0:18:18.800
<v Speaker 1>kind of being like rules, rules, rules, I'm no fun, right,

0:18:19.080 --> 0:18:24.520
<v Speaker 1>impossible to please. Yeah. Then we see the neighbor lady

0:18:24.720 --> 0:18:29.240
<v Speaker 1>who basically knarcs on them for having a giant, disruptive

0:18:29.240 --> 0:18:33.159
<v Speaker 1>party with barn animals. Yeah, but she's all like, I'm

0:18:33.200 --> 0:18:35.679
<v Speaker 1>going to tell on you, and she calls Miranda at

0:18:35.720 --> 0:18:39.080
<v Speaker 1>work about it, and who then comes in and Shrew's

0:18:39.119 --> 0:18:42.280
<v Speaker 1>out shrews herself right into a divorce. And when I

0:18:42.359 --> 0:18:46.560
<v Speaker 1>was a kid, When I was a kid, I definitely

0:18:46.760 --> 0:18:50.800
<v Speaker 1>was like, oh, yeah, she's a mean mom. I was

0:18:50.840 --> 0:18:53.040
<v Speaker 1>so on Daniel side when I was Yes, And now

0:18:53.880 --> 0:18:56.240
<v Speaker 1>now I see this movie and I'm like, I'm on

0:18:56.440 --> 0:18:59.920
<v Speaker 1>Miranda's so on her side. I feel like, what that's

0:19:00.080 --> 0:19:02.719
<v Speaker 1>thing about this movie that is like both brilliant and sad,

0:19:02.840 --> 0:19:06.000
<v Speaker 1>which is that like kids totally see the mom character

0:19:06.240 --> 0:19:08.760
<v Speaker 1>as the bad guy, but as a woman. I was like, oh,

0:19:08.880 --> 0:19:11.440
<v Speaker 1>this was made for me in some ways, because it's like,

0:19:12.480 --> 0:19:15.280
<v Speaker 1>I feel like, in some ways, a very compassionate portrayal

0:19:15.359 --> 0:19:19.440
<v Speaker 1>of Sally Field. She gets ample opportunity to explain all

0:19:19.520 --> 0:19:23.199
<v Speaker 1>of the ways that Daniel's behavior ruined their marriage and

0:19:23.200 --> 0:19:26.320
<v Speaker 1>it's totally totally legit. And then she gets to have

0:19:26.440 --> 0:19:33.720
<v Speaker 1>this fucking fantasy hot boyfriend here who's like, I've been

0:19:33.760 --> 0:19:38.080
<v Speaker 1>following her career and like her career success is a

0:19:38.119 --> 0:19:40.640
<v Speaker 1>big part of like why he's attracted to her, and

0:19:40.640 --> 0:19:43.920
<v Speaker 1>he's like totally like giving her everything. In some ways,

0:19:43.920 --> 0:19:46.640
<v Speaker 1>it's like total wish fulfillment for her. In some ways

0:19:46.640 --> 0:19:51.440
<v Speaker 1>like oh, I'm just one breakup away from stew from

0:19:51.480 --> 0:19:56.600
<v Speaker 1>sucking pre James Bond Below seven. He is truly a

0:19:56.680 --> 0:20:00.800
<v Speaker 1>vision in this movie. Yeah he's he's like but I mean,

0:20:00.800 --> 0:20:04.520
<v Speaker 1>like the camera loves him. There's that whole like diving

0:20:04.560 --> 0:20:09.320
<v Speaker 1>board scene. I was just like, I was not expecting

0:20:09.359 --> 0:20:11.800
<v Speaker 1>to get Horney during this movie, but I forgot about

0:20:11.840 --> 0:20:19.040
<v Speaker 1>ste Nipples. You do see stuis Nips new sub podcast

0:20:19.160 --> 0:20:24.200
<v Speaker 1>stuis Nips There. I was expecting going into this movie

0:20:24.240 --> 0:20:26.880
<v Speaker 1>because I remember the same same as you, like, not

0:20:26.960 --> 0:20:28.439
<v Speaker 1>liking the mom when I was little and being like,

0:20:28.480 --> 0:20:30.919
<v Speaker 1>oh my god, she's so mean, She's so terrible, and

0:20:30.960 --> 0:20:33.600
<v Speaker 1>also having a very clear like map in my head

0:20:33.640 --> 0:20:36.160
<v Speaker 1>of like this is like my parents, where like my

0:20:36.200 --> 0:20:39.520
<v Speaker 1>mom is a disciplinarian and my dad is same fun,

0:20:39.680 --> 0:20:41.840
<v Speaker 1>same dynamic with my parents. Yeah, I think it's like

0:20:41.840 --> 0:20:44.199
<v Speaker 1>a lot of kids parents and and so I remember

0:20:44.200 --> 0:20:46.960
<v Speaker 1>thinking that mom was so mean. But the movie, Yeah,

0:20:47.080 --> 0:20:49.760
<v Speaker 1>to its credit, I was expecting a far more like

0:20:50.000 --> 0:20:53.360
<v Speaker 1>villainized portrayal of Sally Fields character. But she she does

0:20:54.000 --> 0:20:56.600
<v Speaker 1>at every point, like I tried to put myself in

0:20:56.680 --> 0:20:59.119
<v Speaker 1>my mom's head seeing this movie. I'm like, I wonder

0:20:59.160 --> 0:21:04.399
<v Speaker 1>if she felt heard, she felt piste off. Robin Williams

0:21:04.400 --> 0:21:07.320
<v Speaker 1>started doing some weird you know, I don't know, well,

0:21:07.440 --> 0:21:10.000
<v Speaker 1>I mean, and I think it depends on the audience

0:21:10.000 --> 0:21:12.520
<v Speaker 1>who's consuming this. When we said when we're kids, were like,

0:21:12.560 --> 0:21:15.960
<v Speaker 1>oh boo, mean mom. But we has grown women who

0:21:16.200 --> 0:21:20.080
<v Speaker 1>often either have to ourselves or see other women carrying

0:21:20.119 --> 0:21:24.040
<v Speaker 1>all the burdens in the emotional labor of maintaining a household,

0:21:24.119 --> 0:21:26.240
<v Speaker 1>and we're like, yeah, we hear you, we get it.

0:21:27.800 --> 0:21:31.879
<v Speaker 1>It's just frustrating, but she is. You know, nothing's really

0:21:31.920 --> 0:21:37.120
<v Speaker 1>done to make her seem like a more reasonable, compelling

0:21:37.240 --> 0:21:40.440
<v Speaker 1>character to the young audience who's seeing this. I think

0:21:40.880 --> 0:21:43.560
<v Speaker 1>so we as children who I think this movie is

0:21:43.560 --> 0:21:48.040
<v Speaker 1>the target demographic for, or like families, people with kids,

0:21:48.720 --> 0:21:51.040
<v Speaker 1>the movie is like, yeah, she's the shrewe, she's the

0:21:51.080 --> 0:21:53.520
<v Speaker 1>bad guy. She doesn't get her say if the cat

0:21:53.640 --> 0:21:57.400
<v Speaker 1>moment at all? Yeah, absolutely, yeah, We're like there there

0:21:57.400 --> 0:21:59.920
<v Speaker 1>could have been a moment in this movie where, because

0:22:00.000 --> 0:22:03.840
<v Speaker 1>she has opportunities to explain where she's coming from, we

0:22:03.920 --> 0:22:06.320
<v Speaker 1>know that she's not a bad person, she's not a

0:22:06.320 --> 0:22:11.040
<v Speaker 1>bad parent, but but at no point her kids express

0:22:11.080 --> 0:22:13.320
<v Speaker 1>an interest in spending time with her. At no point

0:22:13.400 --> 0:22:17.639
<v Speaker 1>do we understand, Like we as adults can conceptually understand

0:22:17.680 --> 0:22:20.000
<v Speaker 1>like she's doing all this stuff for the good of

0:22:20.000 --> 0:22:22.840
<v Speaker 1>her children, But at no point, as a kid watching

0:22:22.840 --> 0:22:25.439
<v Speaker 1>this did I think what a cool mom? You know,

0:22:25.520 --> 0:22:28.480
<v Speaker 1>I never thought, like, you never really see her doing

0:22:28.520 --> 0:22:31.600
<v Speaker 1>anything for the kids that's like fun and sometimes you

0:22:31.680 --> 0:22:33.760
<v Speaker 1>like you need that, and especially when you're young. I

0:22:33.800 --> 0:22:37.359
<v Speaker 1>remember my first movie I saw that took place in

0:22:37.400 --> 0:22:39.240
<v Speaker 1>San Francisco when I was a kid, was the Princess

0:22:39.280 --> 0:22:42.840
<v Speaker 1>Diaries and the mom that movie rules. I mean, she

0:22:42.960 --> 0:22:45.760
<v Speaker 1>she's like a full time artist, but there's like scenes

0:22:45.840 --> 0:22:48.560
<v Speaker 1>where she and like Mia are like having an awesome

0:22:48.600 --> 0:22:51.520
<v Speaker 1>time together, and it's like, oh, even though you know,

0:22:51.680 --> 0:22:54.919
<v Speaker 1>like she has to have her mom moments like Miranda

0:22:54.960 --> 0:22:57.119
<v Speaker 1>does in this movie, Like we see that there's a

0:22:57.160 --> 0:22:59.720
<v Speaker 1>relationship there, but that's not really here, And I feel

0:22:59.720 --> 0:23:03.600
<v Speaker 1>like that might be partially connected to like a working

0:23:03.680 --> 0:23:06.520
<v Speaker 1>woman kind of stigma of like, oh, she's a little

0:23:06.560 --> 0:23:08.439
<v Speaker 1>bit she's not a bad mom, she's a little bit

0:23:08.440 --> 0:23:11.800
<v Speaker 1>cold kind of thing. Yeah, she's got a career. She

0:23:11.840 --> 0:23:15.199
<v Speaker 1>doesn't have as much time or energy to be a kind,

0:23:15.400 --> 0:23:19.200
<v Speaker 1>caring mother right something. She's not around enough to realize

0:23:19.240 --> 0:23:24.040
<v Speaker 1>that her ex husband and drag is her home was

0:23:24.040 --> 0:23:27.960
<v Speaker 1>a little cold. She's a little distant. The custody scene,

0:23:27.960 --> 0:23:31.480
<v Speaker 1>the first custody scene is really interesting for like understanding

0:23:31.520 --> 0:23:35.160
<v Speaker 1>people's ideas of parenting at the time, because the judge

0:23:35.240 --> 0:23:37.920
<v Speaker 1>in the moment is basically saying, like when he's making

0:23:37.920 --> 0:23:40.120
<v Speaker 1>the ruling of like Daniel getting one day of custody,

0:23:40.119 --> 0:23:43.400
<v Speaker 1>as he was like, you know, usually these favorite the mother,

0:23:43.560 --> 0:23:47.840
<v Speaker 1>but recently we've realized that kids need dads, Like it's

0:23:47.880 --> 0:23:51.400
<v Speaker 1>like a very weird sort of like wait, what like

0:23:52.359 --> 0:23:54.000
<v Speaker 1>with that? When I was watching that this time, I

0:23:54.040 --> 0:23:56.080
<v Speaker 1>was like, was that supposed to be like a joke?

0:23:56.160 --> 0:23:58.000
<v Speaker 1>Was I supposed to be like a little progressive like

0:23:58.320 --> 0:24:01.080
<v Speaker 1>wink till I think so? Couldn't tell what that was

0:24:01.119 --> 0:24:03.560
<v Speaker 1>intended how that was intended to land at the time,

0:24:03.960 --> 0:24:08.880
<v Speaker 1>And it seemed like he was saying that like because

0:24:09.000 --> 0:24:11.480
<v Speaker 1>Daniel didn't have a job, that was why he would

0:24:11.480 --> 0:24:14.960
<v Speaker 1>not be a good guardian. And it's like, but she

0:24:15.160 --> 0:24:17.480
<v Speaker 1>has a job, and also wouldn't he have more time

0:24:18.320 --> 0:24:22.760
<v Speaker 1>to be a guardian? Like that doesn't seem like it's confused.

0:24:22.800 --> 0:24:26.880
<v Speaker 1>It's confusing unless he meant that because he doesn't need together, yeah,

0:24:27.160 --> 0:24:29.280
<v Speaker 1>but to still be able to care for them. But yeah,

0:24:30.320 --> 0:24:33.639
<v Speaker 1>the whole that's like an interesting comment on like masculinity

0:24:33.720 --> 0:24:36.240
<v Speaker 1>that the movie is making because him not having a

0:24:36.359 --> 0:24:39.200
<v Speaker 1>job is you know, like a deal is made of it,

0:24:39.240 --> 0:24:42.960
<v Speaker 1>where in some ways, like I think it's like portrayed

0:24:42.960 --> 0:24:45.119
<v Speaker 1>a lot of like you know, a man not having

0:24:45.200 --> 0:24:49.080
<v Speaker 1>not being the breadwinner of the family is portrayed not

0:24:49.080 --> 0:24:51.960
<v Speaker 1>not in extreme ways by this movie, but that's like

0:24:52.000 --> 0:24:55.760
<v Speaker 1>somehow stripped him of his masculinity in some ways. Well,

0:24:55.760 --> 0:24:57.760
<v Speaker 1>and we should point out too that when we first

0:24:57.800 --> 0:25:00.840
<v Speaker 1>meet him, it's when he quits his job because they're

0:25:00.880 --> 0:25:04.239
<v Speaker 1>trying to make him do a pro cigarette voice over

0:25:04.320 --> 0:25:08.480
<v Speaker 1>for a children's cartoon, which is a very easy way

0:25:08.520 --> 0:25:11.000
<v Speaker 1>to get people on your side, to be like, I'm

0:25:11.119 --> 0:25:14.400
<v Speaker 1>quitting because I don't think kids should smoke cigarettes. They're like, oh,

0:25:14.400 --> 0:25:17.119
<v Speaker 1>we're on board. We love this guy. Yeah. Um, And

0:25:17.200 --> 0:25:18.919
<v Speaker 1>so you're like, oh, well, it's not his fault he

0:25:18.960 --> 0:25:21.120
<v Speaker 1>doesn't have a job, like he quit and righteous anger,

0:25:21.800 --> 0:25:24.280
<v Speaker 1>right right, And I love how the movie portrays that

0:25:24.320 --> 0:25:27.600
<v Speaker 1>as something that could just happen, like oh no, there

0:25:28.320 --> 0:25:31.320
<v Speaker 1>every day. Yeah, sometimes you just have to walk off

0:25:31.520 --> 0:25:33.639
<v Speaker 1>the job that you probably have signed a contract for,

0:25:34.200 --> 0:25:40.000
<v Speaker 1>just leave by walking off that day. Anyway, So Sally

0:25:40.040 --> 0:25:43.200
<v Speaker 1>Field's character is pretty shrewish throughout the movie. There's a

0:25:43.200 --> 0:25:45.960
<v Speaker 1>few other shrews that I wanted to mention. The grandma

0:25:45.960 --> 0:25:47.840
<v Speaker 1>who doesn't even get any lines and you only see

0:25:47.880 --> 0:25:51.320
<v Speaker 1>here for like one very brief scene, but but he

0:25:51.440 --> 0:25:54.040
<v Speaker 1>makes a crack about her being dead, being a corpse

0:25:54.160 --> 0:25:57.120
<v Speaker 1>and like smelling like from alde Hyde. The court liaison

0:25:57.200 --> 0:26:02.720
<v Speaker 1>lady Mrs Selner something that, Yeah, she's an old shrewish

0:26:02.800 --> 0:26:07.280
<v Speaker 1>lady with his divorce parole officer, which is like that,

0:26:09.040 --> 0:26:11.800
<v Speaker 1>I'm not sure that it does. The way that custody

0:26:11.880 --> 0:26:15.120
<v Speaker 1>is traded in this movie is like a little uncanny valley,

0:26:15.680 --> 0:26:19.399
<v Speaker 1>like is he being watched that carefully? For where are

0:26:19.400 --> 0:26:22.800
<v Speaker 1>these government resources going? Also, you don't ever see this

0:26:22.880 --> 0:26:26.119
<v Speaker 1>character on screen, but Daniel's brother Frank played by Harvey

0:26:26.280 --> 0:26:31.920
<v Speaker 1>fin scene. Sorry, um, sorry, it's for sounding so intense.

0:26:33.359 --> 0:26:37.719
<v Speaker 1>Actually he is on the phone with their mother and

0:26:37.800 --> 0:26:41.199
<v Speaker 1>she's like ba ba bad, like being all and he's like,

0:26:41.560 --> 0:26:44.280
<v Speaker 1>I don't want to talk to mom about my divorce. Yeah,

0:26:44.600 --> 0:26:49.280
<v Speaker 1>just very overbearing mother. And they're like no, no thanks,

0:26:49.280 --> 0:26:53.280
<v Speaker 1>and they're just very dismissive of her. So generally, any

0:26:53.320 --> 0:26:58.680
<v Speaker 1>woman you see on screen is probably portrayed as a

0:26:58.720 --> 0:27:01.639
<v Speaker 1>shrewd oh. And then the housekeeper who comes into interview

0:27:01.680 --> 0:27:03.080
<v Speaker 1>at the very end when they're trying to find someone

0:27:03.119 --> 0:27:06.400
<v Speaker 1>to replace Mrs Doubtfire, she's not like, I don't do bathtubs,

0:27:06.400 --> 0:27:08.440
<v Speaker 1>I don't do carpets, I don't do cleaning, I don't

0:27:08.440 --> 0:27:11.960
<v Speaker 1>I don't do reading, I don't do Yeah, we're all

0:27:12.000 --> 0:27:17.040
<v Speaker 1>the uh yeah, not a single woman in this movie

0:27:17.080 --> 0:27:20.760
<v Speaker 1>gets to have any fun, right except no, presumably off screen,

0:27:20.760 --> 0:27:23.520
<v Speaker 1>when Sally Field is fucking Pierce Browsn. Oh my god,

0:27:23.640 --> 0:27:26.960
<v Speaker 1>can we get what hit the cutting room floor in

0:27:27.200 --> 0:27:32.280
<v Speaker 1>terms of they did like a full penetration. I would

0:27:32.280 --> 0:27:38.119
<v Speaker 1>watch Pierce Browsing in full penetration now seventeen. Oh yeah god.

0:27:38.720 --> 0:27:42.280
<v Speaker 1>And I mean Sally Field is a fun person. There's

0:27:42.320 --> 0:27:44.639
<v Speaker 1>like a really amazing interview I saw her do on

0:27:44.840 --> 0:27:47.840
<v Speaker 1>I think it was Johnny Carson about when she was

0:27:48.160 --> 0:27:55.960
<v Speaker 1>fucking Burt Reynolds, and it's very saucy Sally. I love it. Yeah,

0:27:55.960 --> 0:27:57.879
<v Speaker 1>it's just kind of not fair that you see all

0:27:57.880 --> 0:28:02.200
<v Speaker 1>these fun male characters and then no, well it really yeah,

0:28:02.359 --> 0:28:05.359
<v Speaker 1>I guess it really is just Robin Williams who's fun

0:28:05.720 --> 0:28:08.280
<v Speaker 1>because there aren't any other fun guys in this Like

0:28:08.359 --> 0:28:10.680
<v Speaker 1>Harvey Firestein is still a little bit of a knack,

0:28:11.000 --> 0:28:13.480
<v Speaker 1>but he does have he is more fun, but it

0:28:13.600 --> 0:28:15.520
<v Speaker 1>is like, well, I'll give him that. There's like a

0:28:15.560 --> 0:28:17.520
<v Speaker 1>gay character in this movie. There are two gay characters

0:28:17.560 --> 0:28:21.760
<v Speaker 1>in these movies, both played by real life gay comedians.

0:28:22.160 --> 0:28:25.679
<v Speaker 1>Comfort it's him and it's Scott Capurroh, who was like

0:28:25.720 --> 0:28:28.960
<v Speaker 1>a local San Francisco stand up like a local. Yeah.

0:28:29.160 --> 0:28:32.720
<v Speaker 1>Scott Capurro plays as Daniel refers to him later in

0:28:32.760 --> 0:28:37.320
<v Speaker 1>the movie Aunt Jack, who's like Harvey firesteins, like, you know,

0:28:37.560 --> 0:28:41.360
<v Speaker 1>not clearly articulated, like partner in both business and love.

0:28:41.600 --> 0:28:44.280
<v Speaker 1>But there's a weird It's confusing because at the beginning,

0:28:44.320 --> 0:28:46.680
<v Speaker 1>Harvey Firestein says, like, make this guy look like a man,

0:28:46.720 --> 0:28:49.120
<v Speaker 1>and he was like, like you would know. And it's like, wait,

0:28:49.120 --> 0:28:51.320
<v Speaker 1>what does that mean because that seemed like a dig

0:28:51.320 --> 0:28:53.840
<v Speaker 1>about how rarely he has sex. But then it's like,

0:28:53.880 --> 0:28:57.480
<v Speaker 1>but their partner together there that that part of it

0:28:57.520 --> 0:29:01.000
<v Speaker 1>was unclear, but well, their their relationship ships seems mostly

0:29:01.080 --> 0:29:05.880
<v Speaker 1>just professional until that line where he says Uncle Frank

0:29:05.920 --> 0:29:08.080
<v Speaker 1>and Aunt Jack. Well, I remember my mom when I

0:29:08.120 --> 0:29:11.280
<v Speaker 1>was very young, explaining my too, like I have two

0:29:11.280 --> 0:29:14.720
<v Speaker 1>gay uncles, and she explained their relationship to me based

0:29:14.840 --> 0:29:17.960
<v Speaker 1>on Mrs Doubtfire. They're like, you know, you know Rob

0:29:18.040 --> 0:29:21.560
<v Speaker 1>Williams brother and Mrs Doubtfire. It's like that, and I

0:29:21.560 --> 0:29:24.040
<v Speaker 1>mean it must have registered. I was like, oh, okay, cool,

0:29:24.240 --> 0:29:27.360
<v Speaker 1>and that was interesting. So that was, I guess, possibly

0:29:27.400 --> 0:29:30.000
<v Speaker 1>the first gay couple I had seen on screen or

0:29:30.000 --> 0:29:32.360
<v Speaker 1>at least the most high profile example, because that was

0:29:32.360 --> 0:29:35.239
<v Speaker 1>what my mom went to to explain a real life

0:29:35.280 --> 0:29:38.360
<v Speaker 1>gay couple. To me, that's really interesting. Yeah, I just

0:29:38.640 --> 0:29:41.120
<v Speaker 1>because it's not done super super well in the movie,

0:29:41.160 --> 0:29:45.480
<v Speaker 1>but it was understand I'm really am curious about like

0:29:45.520 --> 0:29:48.800
<v Speaker 1>the behind the scenes conversations about how to deal with

0:29:48.960 --> 0:29:51.320
<v Speaker 1>gay issues in this movie, because it seems like there

0:29:51.360 --> 0:29:56.200
<v Speaker 1>were multiple opportunities for them to like talk about it

0:29:56.280 --> 0:30:00.920
<v Speaker 1>in a deeper way, and they like really swerved around them.

0:30:00.960 --> 0:30:03.240
<v Speaker 1>And I'm wondering, like where that came from, because like

0:30:03.720 --> 0:30:08.640
<v Speaker 1>it seems like they probably wanted Harvey fire Stein's character

0:30:08.680 --> 0:30:11.880
<v Speaker 1>to be a drag queen, Like it seems logical that

0:30:11.920 --> 0:30:13.200
<v Speaker 1>he would be like I'm going to go to my

0:30:13.280 --> 0:30:16.760
<v Speaker 1>brother who's drag queen and does drag makeup to like

0:30:17.840 --> 0:30:21.480
<v Speaker 1>forts as opposed to like, yeah, a movie industry makeup artists.

0:30:21.480 --> 0:30:24.040
<v Speaker 1>I guess that explains the latex and stuff. But but

0:30:24.160 --> 0:30:26.320
<v Speaker 1>then later on, at the very end of the movie,

0:30:26.440 --> 0:30:29.800
<v Speaker 1>the movie kind of ends with Mrs doubtfire giving, like

0:30:30.200 --> 0:30:33.360
<v Speaker 1>on her own TV show, giving this speech in response

0:30:33.400 --> 0:30:36.280
<v Speaker 1>to a letter from a viewer about the viewers parents

0:30:36.280 --> 0:30:39.239
<v Speaker 1>getting divorced, and she gives this speech about how like

0:30:39.880 --> 0:30:42.040
<v Speaker 1>the only thing that makes a family is love, and

0:30:42.400 --> 0:30:44.840
<v Speaker 1>families can look like a lot of different things. You know,

0:30:44.960 --> 0:30:48.000
<v Speaker 1>some families have one mom, have one mom, and some

0:30:48.200 --> 0:30:51.960
<v Speaker 1>families have one dad. And you're like, but what as

0:30:52.200 --> 0:30:58.720
<v Speaker 1>also yeah my line? And I just have to believe

0:30:58.800 --> 0:31:01.000
<v Speaker 1>that there's a version where he says that and it's

0:31:01.000 --> 0:31:02.840
<v Speaker 1>cut out. I would love to see a first draft

0:31:02.920 --> 0:31:05.400
<v Speaker 1>of this script, yeah, because I mean I have to

0:31:05.440 --> 0:31:08.800
<v Speaker 1>assume that they got notes on notes on notes in

0:31:09.960 --> 0:31:12.920
<v Speaker 1>of what what people were comfortable saying, were they and

0:31:12.920 --> 0:31:16.720
<v Speaker 1>what they weren't. But that's really interesting about Harvey Firestein's character.

0:31:16.760 --> 0:31:18.600
<v Speaker 1>That would make way more sense. I'd be interested in

0:31:18.640 --> 0:31:20.400
<v Speaker 1>how that was portrayed in the book, or if that

0:31:20.480 --> 0:31:22.600
<v Speaker 1>character even appears in the book. I mean, the book

0:31:22.640 --> 0:31:26.000
<v Speaker 1>seems like when is the book set? Was this like

0:31:26.000 --> 0:31:29.840
<v Speaker 1>a modern update of the book because it no, I

0:31:29.880 --> 0:31:33.200
<v Speaker 1>think it was released in sometime in Yeah, it came

0:31:33.200 --> 0:31:38.520
<v Speaker 1>out in for teenage and young adult audiences. Yeah weird.

0:31:38.640 --> 0:31:41.840
<v Speaker 1>Oh yeah, I guess that would that would make sense. Yeah, Well,

0:31:41.840 --> 0:31:45.760
<v Speaker 1>speaking of the movie skirting around issues that could have

0:31:45.840 --> 0:31:51.440
<v Speaker 1>been addressed, Um, there are a few brief moments where Daniel,

0:31:51.560 --> 0:31:56.360
<v Speaker 1>who is in costume as Mrs Doubtfire, experiencing life the

0:31:56.400 --> 0:32:00.200
<v Speaker 1>way a woman might experience. Yeah, but so much more

0:32:00.240 --> 0:32:02.840
<v Speaker 1>commentary could have been made, and it just could have

0:32:02.880 --> 0:32:06.000
<v Speaker 1>been better handled. Like he gets hit on by that

0:32:07.360 --> 0:32:11.080
<v Speaker 1>by a creepy bus driver who's like not even like driving,

0:32:11.160 --> 0:32:12.920
<v Speaker 1>like stops the bus and it's like, are you going

0:32:13.000 --> 0:32:15.239
<v Speaker 1>to drive the bus? Are you gonna like trap this

0:32:15.320 --> 0:32:18.440
<v Speaker 1>woman in your bus? Like yeah, at the behest of

0:32:18.520 --> 0:32:22.280
<v Speaker 1>literally everything else going on, there's that, And then he

0:32:22.280 --> 0:32:24.640
<v Speaker 1>gets off the bus and he's wearing heels, needs to

0:32:24.760 --> 0:32:27.600
<v Speaker 1>something like, oh my back, if I find the misogynists

0:32:27.600 --> 0:32:30.760
<v Speaker 1>bastard who invented heels, I'll kill him. So there's that

0:32:31.160 --> 0:32:34.240
<v Speaker 1>kind yeah, no I'm saying, Yeah, that's what I'm saying.

0:32:34.240 --> 0:32:37.240
<v Speaker 1>And then there's a moment where he almost gets mugged

0:32:37.400 --> 0:32:40.320
<v Speaker 1>in broad daylight crossing a street. A guy like snatches

0:32:40.360 --> 0:32:43.160
<v Speaker 1>her purse, and then he kind of like beats him

0:32:43.160 --> 0:32:45.720
<v Speaker 1>off and gets him back. But those are the only

0:32:46.120 --> 0:32:49.720
<v Speaker 1>moments where there's any sort of even calls attention to

0:32:49.760 --> 0:32:52.320
<v Speaker 1>the fact that that he's that he's maybe giving up

0:32:52.360 --> 0:32:55.520
<v Speaker 1>some of his privilege in playing this character, and like

0:32:55.600 --> 0:32:58.440
<v Speaker 1>what that might teach him about what women go through.

0:32:58.760 --> 0:33:01.600
<v Speaker 1>This was like one of my big things I was

0:33:01.880 --> 0:33:04.920
<v Speaker 1>taking notes about in the latter half of the movie

0:33:05.120 --> 0:33:07.280
<v Speaker 1>is and I think that this is something that does

0:33:07.560 --> 0:33:09.560
<v Speaker 1>different in a way that works better for me. That's

0:33:09.560 --> 0:33:11.280
<v Speaker 1>that I do have to reatch Titsy. I'm sure there's

0:33:11.480 --> 0:33:14.200
<v Speaker 1>something there as well, but they're like there at no

0:33:14.320 --> 0:33:19.680
<v Speaker 1>point does Daniel's character get really into the Mrs doubt

0:33:19.720 --> 0:33:24.240
<v Speaker 1>Fire character. It's always like a facade. It's never like

0:33:24.320 --> 0:33:27.680
<v Speaker 1>where in TITSI as I remember, it's a lot of

0:33:27.680 --> 0:33:30.880
<v Speaker 1>the character art comes from really like living as this

0:33:30.920 --> 0:33:34.680
<v Speaker 1>female character and learning how to communicate as a woman,

0:33:34.720 --> 0:33:36.720
<v Speaker 1>and like all all this stuff, and that there's a

0:33:36.760 --> 0:33:40.040
<v Speaker 1>real arc there where I like even like the climactic

0:33:40.080 --> 0:33:42.360
<v Speaker 1>scene with the with the dinner when he's going back

0:33:42.400 --> 0:33:44.360
<v Speaker 1>and forth between being a man and being a woman,

0:33:44.480 --> 0:33:46.240
<v Speaker 1>Like I feel like there's just like there's so much

0:33:46.240 --> 0:33:49.760
<v Speaker 1>opportunity there to make a real comment and have your

0:33:49.840 --> 0:33:53.640
<v Speaker 1>character learn a real lesson about something like that, but

0:33:53.640 --> 0:33:56.840
<v Speaker 1>but it just doesn't really happen. It doesn't. Yeah, I

0:33:56.840 --> 0:33:58.880
<v Speaker 1>feel like the closest it comes is in the scene

0:33:58.920 --> 0:34:01.640
<v Speaker 1>where Mrs Doubt was having a heart to heart with

0:34:01.840 --> 0:34:06.280
<v Speaker 1>Miranda about the divorce, and it's really Daniel probing her,

0:34:06.400 --> 0:34:09.200
<v Speaker 1>trying to find out like, come on, is there any

0:34:09.200 --> 0:34:13.160
<v Speaker 1>hope for Daniel And surely you must have tried to

0:34:13.200 --> 0:34:16.040
<v Speaker 1>solve these problems and she's like, yeah, he didn't want

0:34:16.080 --> 0:34:19.520
<v Speaker 1>to talk about anything serious and at a certain point

0:34:19.680 --> 0:34:23.239
<v Speaker 1>he turned me into this shrew and I didn't like

0:34:23.520 --> 0:34:26.799
<v Speaker 1>who I was with him, and it's like he finally

0:34:27.040 --> 0:34:30.640
<v Speaker 1>gets it. Like that's the point when you see, like, Okay,

0:34:30.920 --> 0:34:34.000
<v Speaker 1>this character is learning something in this scene that was

0:34:34.200 --> 0:34:36.840
<v Speaker 1>upon rewatching one of my favorite scenes. I think because

0:34:36.840 --> 0:34:40.040
<v Speaker 1>you're like, oh, yeah, you guys weren't a match. Like,

0:34:40.600 --> 0:34:42.880
<v Speaker 1>you guys weren't a match, and also like you didn't

0:34:42.920 --> 0:34:45.279
<v Speaker 1>have some of the necessary communication that you need to

0:34:45.320 --> 0:34:47.640
<v Speaker 1>have about like how you're going to raise your kids together,

0:34:47.680 --> 0:34:50.759
<v Speaker 1>and like what you value in a responsible partner and

0:34:50.840 --> 0:34:53.880
<v Speaker 1>like and just like another impressive way that the movie

0:34:54.160 --> 0:34:59.520
<v Speaker 1>let's Sally Fields character be heard and understood. Yeah, where

0:34:59.520 --> 0:35:02.760
<v Speaker 1>it's like, you know, as a kid, you probably don't

0:35:02.800 --> 0:35:05.000
<v Speaker 1>lose much from the movie by not seeing that scene,

0:35:05.040 --> 0:35:06.839
<v Speaker 1>but watching it as an adult. Yeah, Like that's one

0:35:06.840 --> 0:35:09.240
<v Speaker 1>of the semp where we're like, oh, that's that's pretty

0:35:09.320 --> 0:35:12.000
<v Speaker 1>because I didn't remember that scene even happening. Of course,

0:35:12.040 --> 0:35:14.279
<v Speaker 1>you probably tune it out as a scene with two

0:35:14.280 --> 0:35:18.160
<v Speaker 1>adults or a scene where something goofy isn't happening or whatever.

0:35:18.280 --> 0:35:22.280
<v Speaker 1>I remember scene where Mrs Tolfire is vacuuming all wild

0:35:22.320 --> 0:35:26.439
<v Speaker 1>and wacky because that was in the trailer. Yeah, yeah,

0:35:26.640 --> 0:35:31.920
<v Speaker 1>that's a good trailer. I totally forgot about Stew's character altogether. Really, yes,

0:35:32.560 --> 0:35:38.040
<v Speaker 1>and so that was a real pleasant horny surprise, as

0:35:38.120 --> 0:35:41.960
<v Speaker 1>a real kamikazee horny moment. Yeah, I don't. I mean,

0:35:42.080 --> 0:35:44.640
<v Speaker 1>this movie is is tricky. I think that it's important

0:35:44.680 --> 0:35:47.680
<v Speaker 1>to mention exactly how huge of a movie this was.

0:35:47.760 --> 0:35:50.320
<v Speaker 1>This movie was the biggest movie of ninety three, behind

0:35:50.440 --> 0:35:55.720
<v Speaker 1>Jurassic Park million dollar budget four hundred fifty million dollars

0:35:55.760 --> 0:35:59.000
<v Speaker 1>at the box office. This movie was fucking massive. Yeah,

0:35:59.360 --> 0:36:02.839
<v Speaker 1>which again I I does this movie do as well

0:36:02.880 --> 0:36:07.000
<v Speaker 1>in ninety three if they make more nuanced points, I don't.

0:36:07.320 --> 0:36:10.040
<v Speaker 1>I don't know. Probably not. If they didn't do anything,

0:36:10.080 --> 0:36:13.480
<v Speaker 1>it wouldn't have tested that well with audiences. I'd be

0:36:13.600 --> 0:36:15.520
<v Speaker 1>really yeah, now that you're tucking it up, I'd be

0:36:15.520 --> 0:36:18.880
<v Speaker 1>really interested in, like, what kind of rewrites this movie

0:36:18.880 --> 0:36:21.960
<v Speaker 1>went through before it made because even in ninety three,

0:36:21.960 --> 0:36:24.560
<v Speaker 1>I feel like this movie seems like sort of like

0:36:24.600 --> 0:36:27.080
<v Speaker 1>a risky movie to be making. But it, I mean

0:36:27.120 --> 0:36:30.600
<v Speaker 1>it worked. Yeah, I mean it is like post TUTSI.

0:36:30.719 --> 0:36:33.440
<v Speaker 1>It's like, you know, this is like a very well

0:36:33.520 --> 0:36:37.280
<v Speaker 1>known movie trope. It does seem like they were trying

0:36:37.320 --> 0:36:41.919
<v Speaker 1>hard to like not alienate anyone, but also to give

0:36:42.040 --> 0:36:45.399
<v Speaker 1>some kind of wink at like the gay culture that

0:36:45.640 --> 0:36:50.279
<v Speaker 1>made this movie possible. So I don't know, it's it's interesting. Well,

0:36:50.360 --> 0:36:53.680
<v Speaker 1>I talked to a few trans friends of mine about

0:36:53.680 --> 0:36:56.319
<v Speaker 1>this movie. Oh, I'm very interested to hear that. So

0:36:56.480 --> 0:37:01.520
<v Speaker 1>um Riley Silverman, who was on our Batman, I messaged

0:37:01.520 --> 0:37:03.520
<v Speaker 1>her and I said, I'm curious about your thoughts on

0:37:03.600 --> 0:37:06.680
<v Speaker 1>movies where a sist character dresses up as or takes

0:37:06.680 --> 0:37:09.840
<v Speaker 1>on the identity temporarily of a person of a different

0:37:09.840 --> 0:37:12.360
<v Speaker 1>gender for the sake of the story. Other movies that

0:37:12.400 --> 0:37:14.480
<v Speaker 1>come to mind are Tutsie, the Bird Cage, some like

0:37:14.520 --> 0:37:18.839
<v Speaker 1>a hot Shakespeare Love. Is this inherently problematic? Is it

0:37:18.880 --> 0:37:22.319
<v Speaker 1>okay as long as no transphobic comments or jokes are made?

0:37:22.680 --> 0:37:26.759
<v Speaker 1>Something else? Thoughts? She responded and said, it's a gray area.

0:37:26.840 --> 0:37:29.680
<v Speaker 1>For sure. Some trans people will tell you it's inherently awful.

0:37:29.920 --> 0:37:32.040
<v Speaker 1>I think that's too broad of a brush. I do

0:37:32.160 --> 0:37:34.600
<v Speaker 1>think with comedies there's a fine line because so many

0:37:34.600 --> 0:37:36.960
<v Speaker 1>of the jokes are based in the humor of presenting

0:37:37.000 --> 0:37:40.160
<v Speaker 1>a male seeming person as female. I sort of feel

0:37:40.200 --> 0:37:42.360
<v Speaker 1>less bugged by these movies as a trans woman and

0:37:42.440 --> 0:37:45.000
<v Speaker 1>more just as a woman, because so much of it

0:37:45.080 --> 0:37:48.400
<v Speaker 1>is just really heightened genderal stereotypes. I feel like the

0:37:48.400 --> 0:37:51.600
<v Speaker 1>fact that guy dressed as woman is meant to be

0:37:51.719 --> 0:37:55.640
<v Speaker 1>demeaning feels so misogynist to me. And I said, totally,

0:37:56.160 --> 0:37:58.320
<v Speaker 1>a lot of these movies and TV shows take the

0:37:58.360 --> 0:38:02.280
<v Speaker 1>stance of a man being and in how humiliating. Yeah,

0:38:02.440 --> 0:38:06.040
<v Speaker 1>there's like definitely some like kind of transphobic isn't it

0:38:06.160 --> 0:38:08.480
<v Speaker 1>funny for a man to wear a dress type of humor.

0:38:08.520 --> 0:38:11.120
<v Speaker 1>But then there's also like there was this whole school

0:38:11.120 --> 0:38:13.320
<v Speaker 1>of like, wouldn't it be weird if a dad played

0:38:13.320 --> 0:38:15.440
<v Speaker 1>a role in his kid's life in a real way

0:38:16.520 --> 0:38:18.920
<v Speaker 1>where you're like, he doesn't know how to cook, he

0:38:19.000 --> 0:38:22.920
<v Speaker 1>doesn't know how to clean, Like he's not a functional adult,

0:38:23.000 --> 0:38:25.960
<v Speaker 1>and these are only roles he's willing to learn while

0:38:26.000 --> 0:38:29.839
<v Speaker 1>not identifying as a man, Like somehow it's emasculating if

0:38:29.840 --> 0:38:32.399
<v Speaker 1>he does that while he's a man, right, I mean

0:38:32.520 --> 0:38:36.400
<v Speaker 1>later on in the movie His Gross Apartment does you

0:38:36.440 --> 0:38:39.520
<v Speaker 1>could argue that, you know, what he learns being misses

0:38:39.600 --> 0:38:43.319
<v Speaker 1>doubtfire informs his life as a kind of single father

0:38:43.400 --> 0:38:45.839
<v Speaker 1>now because he cleans his place, he learns how to cook.

0:38:46.040 --> 0:38:48.520
<v Speaker 1>But it's only after he has assumed the role of

0:38:48.520 --> 0:38:51.960
<v Speaker 1>a woman that he bothered to do any of that. Yeah,

0:38:52.120 --> 0:38:55.560
<v Speaker 1>to grow up basically yeah, um. And then I said

0:38:56.040 --> 0:38:59.279
<v Speaker 1>the reverse of this, which the reverse of a male

0:38:59.360 --> 0:39:02.480
<v Speaker 1>character dressing up as a female character. The reverse of that,

0:39:02.560 --> 0:39:04.680
<v Speaker 1>like in Shakespeare in Love, where a woman dresses as

0:39:04.680 --> 0:39:07.200
<v Speaker 1>a man, is empowering because then she gets to do

0:39:07.239 --> 0:39:09.479
<v Speaker 1>a thing that she wants to do because people see

0:39:09.480 --> 0:39:12.759
<v Speaker 1>her as a man and therefore she deserves respect. Yeah.

0:39:12.840 --> 0:39:15.600
<v Speaker 1>Like it's more of a radical act when women take

0:39:15.680 --> 0:39:18.640
<v Speaker 1>on drag in movies in order to accomplish something, because

0:39:18.640 --> 0:39:21.680
<v Speaker 1>it's like understood that her gender is the reason why

0:39:21.719 --> 0:39:23.640
<v Speaker 1>she can't do it, And in movies like this, it's

0:39:23.680 --> 0:39:27.320
<v Speaker 1>like oh no, it's yeah, or like one of the guys. Um,

0:39:27.360 --> 0:39:29.680
<v Speaker 1>And it's like in movies like this, it's like, no,

0:39:29.880 --> 0:39:34.160
<v Speaker 1>it's because a man feels entitled to a place like

0:39:34.160 --> 0:39:36.319
<v Speaker 1>like in Titsie and in this it's like no, men

0:39:36.520 --> 0:39:39.000
<v Speaker 1>dress and drag to gain access to a place they

0:39:39.040 --> 0:39:43.759
<v Speaker 1>feel entitled to that they aren't entitled. Yah. She also

0:39:43.760 --> 0:39:49.040
<v Speaker 1>brought up She's the Man soccer vehicle. Um. And then

0:39:49.400 --> 0:39:51.440
<v Speaker 1>Riley said, I think the bigger problem with this stuff

0:39:51.480 --> 0:39:54.720
<v Speaker 1>is less the movies themselves and more how people equate

0:39:54.760 --> 0:39:57.680
<v Speaker 1>them with the trans experience after the fact. And I said, yes,

0:39:57.719 --> 0:39:59.680
<v Speaker 1>that just shows the huge lack of understanding of what

0:39:59.719 --> 0:40:02.440
<v Speaker 1>the tra experience is. And she said yep, and it's

0:40:02.440 --> 0:40:05.239
<v Speaker 1>part of the demonization of trans people, along with transplantic

0:40:05.320 --> 0:40:08.279
<v Speaker 1>horror films like Sleepaway Camp. And then we That was

0:40:08.280 --> 0:40:11.120
<v Speaker 1>pretty much the end of lasts like, thanks for your input, goodnye.

0:40:11.560 --> 0:40:14.839
<v Speaker 1>But yeah, so that was that conversation. Left it but

0:40:15.040 --> 0:40:19.600
<v Speaker 1>still friends. UM. I read. I read a very interesting

0:40:19.960 --> 0:40:22.480
<v Speaker 1>editorial that I found from around the time this movie

0:40:22.560 --> 0:40:26.520
<v Speaker 1>came out from a drag performer named Charles Bush. He

0:40:26.640 --> 0:40:29.719
<v Speaker 1>published a opinion piece in The Washington Post when this

0:40:29.719 --> 0:40:33.759
<v Speaker 1>movie came out that's pretty generally praises the movie in

0:40:33.880 --> 0:40:38.480
<v Speaker 1>terms of presenting Drag to a family audience in a

0:40:38.520 --> 0:40:42.680
<v Speaker 1>way that he found to be generally respectful. But but

0:40:42.960 --> 0:40:46.799
<v Speaker 1>his main criticism was that it didn't do enough like

0:40:47.120 --> 0:40:50.080
<v Speaker 1>it appears respectful just because there's not much being said

0:40:50.480 --> 0:40:54.120
<v Speaker 1>where the passage that I highlighted was although there are

0:40:54.120 --> 0:40:57.080
<v Speaker 1>glimpses of a fully fleshed out characterization in Robin Williams

0:40:57.160 --> 0:40:59.480
<v Speaker 1>portrayal of a sixth year old Scottish nanny, the humor

0:40:59.520 --> 0:41:01.520
<v Speaker 1>of the film of a rises above the mechanics of

0:41:01.520 --> 0:41:03.280
<v Speaker 1>how he's going to get in and out of Drag,

0:41:04.360 --> 0:41:07.520
<v Speaker 1>which I think, yeah, like that's as far as it's examined,

0:41:07.640 --> 0:41:12.400
<v Speaker 1>is like, isn't the costume funny? And that's the scene

0:41:12.480 --> 0:41:14.919
<v Speaker 1>wild that he has to put this on and take

0:41:15.040 --> 0:41:17.960
<v Speaker 1>which is which you know works, And I don't even

0:41:18.000 --> 0:41:22.160
<v Speaker 1>think that that is like a necessarily like horrifying bad

0:41:22.360 --> 0:41:25.680
<v Speaker 1>thing to see. It's a family comedy in nine. But

0:41:25.680 --> 0:41:28.560
<v Speaker 1>it's just like, yeah, there's a lot of that's of

0:41:28.560 --> 0:41:31.120
<v Speaker 1>the movie is him getting in and out of the costume. Yeah,

0:41:31.160 --> 0:41:32.719
<v Speaker 1>I think we could cut a half hour out of this,

0:41:33.640 --> 0:41:37.880
<v Speaker 1>and we should because it's two hours. Yeah. I also

0:41:37.920 --> 0:41:41.520
<v Speaker 1>spoke with another trans woman friend named Olivia asked for

0:41:41.600 --> 0:41:43.799
<v Speaker 1>the same question, just basically your take on this thing

0:41:43.840 --> 0:41:47.480
<v Speaker 1>that happens in movies and television, and she said an

0:41:47.520 --> 0:41:49.719
<v Speaker 1>interesting thought offhand, I would say that as long as

0:41:49.719 --> 0:41:53.120
<v Speaker 1>there's no real transphobia in punch lines or the narrative,

0:41:53.360 --> 0:41:55.600
<v Speaker 1>then it should be fine. I know that before I

0:41:55.640 --> 0:41:57.799
<v Speaker 1>came out or even really knew I was trans, I

0:41:57.880 --> 0:42:00.799
<v Speaker 1>was drawn to narratives about gender swapping and that sort

0:42:00.800 --> 0:42:02.640
<v Speaker 1>of thing. So I think even if there are some

0:42:02.680 --> 0:42:05.480
<v Speaker 1>problematic elements that are inherent to the times they were

0:42:05.480 --> 0:42:08.840
<v Speaker 1>made in overall their effects might be positive. So for

0:42:08.880 --> 0:42:10.960
<v Speaker 1>her it was like, oh, interesting that I can see

0:42:11.000 --> 0:42:14.280
<v Speaker 1>a story about this, even if it's not really identical

0:42:14.400 --> 0:42:16.720
<v Speaker 1>to the trans experience or anything like that, it's still

0:42:16.840 --> 0:42:20.040
<v Speaker 1>there's a possibility for something positive to be gleaned from,

0:42:20.080 --> 0:42:24.319
<v Speaker 1>just like even watching gender be played with in any way, yeah,

0:42:24.520 --> 0:42:30.240
<v Speaker 1>with without the punishments being so like, it's not being demonized,

0:42:30.280 --> 0:42:34.040
<v Speaker 1>it's just being utilized in a kind of I will say,

0:42:34.080 --> 0:42:37.680
<v Speaker 1>there's like a really awful moment when Daniel's two older

0:42:37.760 --> 0:42:41.000
<v Speaker 1>kids find out about them stout by her ruse and

0:42:41.160 --> 0:42:43.319
<v Speaker 1>his son is like, it's a he shey, we gotta

0:42:43.360 --> 0:42:46.920
<v Speaker 1>call the police, and that part of it You're like, okay, also,

0:42:47.080 --> 0:42:51.640
<v Speaker 1>is a child being raised in San Francisco really saying that, Yeah,

0:42:51.800 --> 0:42:53.600
<v Speaker 1>I certainly hope not. I don't know, yeah, I mean

0:42:53.680 --> 0:42:56.680
<v Speaker 1>the San Francisco element is like the biggest sort of

0:42:56.719 --> 0:43:00.320
<v Speaker 1>like question mark on that thing, Like I don't understand. Well,

0:43:00.360 --> 0:43:02.600
<v Speaker 1>I think it was Robin Williams is from the Bear

0:43:02.840 --> 0:43:04.759
<v Speaker 1>and he lived there, and I think whenever he had

0:43:04.800 --> 0:43:07.520
<v Speaker 1>the opportunity he would shoot things there so he could

0:43:07.520 --> 0:43:09.720
<v Speaker 1>be with his family and stuff. And Zelda, his daughter,

0:43:09.960 --> 0:43:13.440
<v Speaker 1>is one of the extras in the party scene. She's

0:43:13.440 --> 0:43:17.640
<v Speaker 1>a little girl jumping on a couch. Oh yeah, yeah,

0:43:17.680 --> 0:43:22.120
<v Speaker 1>that scene was very uncomfortable. But apart from that and

0:43:22.239 --> 0:43:24.640
<v Speaker 1>that moment that we mentioned before where Sally Field hangs

0:43:24.719 --> 0:43:26.680
<v Speaker 1>up the phone and be like, oh, you used to

0:43:26.719 --> 0:43:30.960
<v Speaker 1>be a man. Yikes, those are the only two sort

0:43:31.000 --> 0:43:35.799
<v Speaker 1>of blatantly transphobic moments that I there's like definitely sort

0:43:35.800 --> 0:43:39.399
<v Speaker 1>of a I don't know how if I mean even

0:43:39.400 --> 0:43:41.879
<v Speaker 1>in a position to call it subtle or not, but

0:43:42.000 --> 0:43:46.960
<v Speaker 1>there's definitely something problematic about like storylines that hinge on

0:43:47.360 --> 0:43:51.319
<v Speaker 1>someone's true gender identity or sex being hidden, as like

0:43:51.360 --> 0:43:54.520
<v Speaker 1>this giant betrayal. That's like this trope in stories about

0:43:54.560 --> 0:43:58.640
<v Speaker 1>trans people were like hiding the fact that their trans

0:43:58.800 --> 0:44:02.640
<v Speaker 1>is somehow a betrayal of the people around them more like,

0:44:03.239 --> 0:44:05.799
<v Speaker 1>and that's a big part of this movie. But it

0:44:05.920 --> 0:44:07.920
<v Speaker 1>is also it's like, well, notes that you pretended to

0:44:07.960 --> 0:44:10.839
<v Speaker 1>be a different person than you're, right, but does play

0:44:10.840 --> 0:44:13.120
<v Speaker 1>into like, well, of course everyone understands that because of

0:44:13.120 --> 0:44:15.279
<v Speaker 1>course we all think that's bad. You know, you can

0:44:15.360 --> 0:44:18.120
<v Speaker 1>it can play into that event and and just kind

0:44:18.120 --> 0:44:20.560
<v Speaker 1>of on a basic level of you know, like a

0:44:20.600 --> 0:44:26.440
<v Speaker 1>man donning woman's identity and then learns the lesson whatever,

0:44:26.520 --> 0:44:29.120
<v Speaker 1>the lesson maybe whether it's this movie took you whatever,

0:44:29.280 --> 0:44:31.680
<v Speaker 1>and then at the end of the day, Okay, he's

0:44:31.719 --> 0:44:36.200
<v Speaker 1>back in a hetero normative space, like he returns to

0:44:36.719 --> 0:44:40.399
<v Speaker 1>what everyone finds to be normal and acceptable. Well, he

0:44:40.480 --> 0:44:44.839
<v Speaker 1>does continue to be missed doubtfire forever Yeah on TV,

0:44:45.160 --> 0:44:47.919
<v Speaker 1>which just taking away a role that a woman could

0:44:47.920 --> 0:44:52.120
<v Speaker 1>have had an entertainment. Yeah, I don't know. Also, I

0:44:52.560 --> 0:44:55.359
<v Speaker 1>U this movie was supposed to be filmed in Chicago,

0:44:55.440 --> 0:44:59.839
<v Speaker 1>but e R said no. When e Er had enough

0:45:00.000 --> 0:45:03.160
<v Speaker 1>hour to just say you can't film in this whole city,

0:45:03.160 --> 0:45:05.920
<v Speaker 1>e Er said no e ER was filmed here. They

0:45:05.920 --> 0:45:08.120
<v Speaker 1>said e R had a lease with the city during

0:45:08.160 --> 0:45:11.759
<v Speaker 1>that time period. They just leased the whole city. What

0:45:11.920 --> 0:45:15.560
<v Speaker 1>is the budget for e Er? They could just least Chicago. Yeah,

0:45:15.640 --> 0:45:21.440
<v Speaker 1>that doesn't supposed Chicago, but then they relocated to San

0:45:21.480 --> 0:45:25.799
<v Speaker 1>Francisco because we are only real quick about your point

0:45:25.880 --> 0:45:29.319
<v Speaker 1>a few moments ago. Um, So, the song Dude Looks

0:45:29.360 --> 0:45:32.960
<v Speaker 1>Like a Lady by Aerosmith was featured prominently in the

0:45:33.040 --> 0:45:35.840
<v Speaker 1>featured prominently and it had like a resurgence because of

0:45:35.880 --> 0:45:37.920
<v Speaker 1>this movie because it was I think it first released

0:45:37.920 --> 0:45:41.400
<v Speaker 1>in the late eighties and then yeah, oh, I assumed

0:45:41.400 --> 0:45:43.120
<v Speaker 1>that it came out around the same time. Interesting, No,

0:45:43.239 --> 0:45:45.640
<v Speaker 1>I think it was eight seven, but don't quote me

0:45:45.680 --> 0:45:47.520
<v Speaker 1>on that. That might be wrong. But so, yeah, this

0:45:47.560 --> 0:45:50.560
<v Speaker 1>song was like hugely popular again because of this movie.

0:45:50.640 --> 0:45:55.480
<v Speaker 1>And I read a Vox article about Caitlyn Jenner's response

0:45:55.560 --> 0:45:58.279
<v Speaker 1>to this song and basically being like, I love this

0:45:58.320 --> 0:46:01.719
<v Speaker 1>song and everyone's like, well, how about how it's very

0:46:01.800 --> 0:46:05.719
<v Speaker 1>offensive to trans people because it's still saying dude. Yeah. Yeah.

0:46:05.800 --> 0:46:09.000
<v Speaker 1>I'll just read a quick paragraph from the article. It says,

0:46:09.000 --> 0:46:12.040
<v Speaker 1>in general, the lyrics blur the line between being a

0:46:12.080 --> 0:46:15.440
<v Speaker 1>trans woman, a cross dressing man, or a man who

0:46:15.520 --> 0:46:18.440
<v Speaker 1>simply has feminine traits. The song also plays on the

0:46:18.480 --> 0:46:21.840
<v Speaker 1>idea that trans women intentionally deceive men or are in

0:46:21.920 --> 0:46:25.719
<v Speaker 1>disguise that they are as for Lola as well by

0:46:25.760 --> 0:46:29.359
<v Speaker 1>The Kinks I'm not super familiar with that song, same

0:46:29.400 --> 0:46:33.640
<v Speaker 1>song set up um and that they are unattractive, repulsive,

0:46:33.719 --> 0:46:35.920
<v Speaker 1>as evidenced in one of the video's first scenes where

0:46:35.920 --> 0:46:38.440
<v Speaker 1>Steven Tyler recoils at this side of a construction worker

0:46:38.440 --> 0:46:42.959
<v Speaker 1>whose gender identity is purposefully unclear, and at one point

0:46:43.000 --> 0:46:46.719
<v Speaker 1>mixes pronouns going from oh, she like it in one

0:46:46.760 --> 0:46:50.759
<v Speaker 1>line too, oh he was a lady in the next. Also,

0:46:50.800 --> 0:46:55.399
<v Speaker 1>that plays on a roller coaster at Disney World. Why

0:46:55.400 --> 0:46:58.320
<v Speaker 1>does Arrowsmith have their own roller coaster? I'm not that

0:46:58.520 --> 0:47:01.759
<v Speaker 1>upset about it, am I mom practically creams every time

0:47:01.760 --> 0:47:03.200
<v Speaker 1>we go to Disney roll then she gets to go

0:47:03.200 --> 0:47:05.960
<v Speaker 1>on the Aerosmith roller coaster. Wait what episode did we

0:47:06.000 --> 0:47:09.280
<v Speaker 1>first talk about that? In the How My Mom? Okay,

0:47:09.320 --> 0:47:12.200
<v Speaker 1>so how my Mom tried to be tried and failed

0:47:12.239 --> 0:47:16.680
<v Speaker 1>to be an Aerosmith groupie and then became became a

0:47:16.760 --> 0:47:20.400
<v Speaker 1>groupie for this other band called the Beaver Brown band

0:47:20.680 --> 0:47:23.960
<v Speaker 1>was just like supposed to be. My mom always she

0:47:24.040 --> 0:47:26.279
<v Speaker 1>was like Beaver Brown was going to be as big

0:47:26.320 --> 0:47:29.200
<v Speaker 1>as Aerosmith, and nothing worked out for them. They couldn't

0:47:29.239 --> 0:47:32.200
<v Speaker 1>catch a break check out because the Beaver Brown band.

0:47:32.200 --> 0:47:35.200
<v Speaker 1>But they are terrible. They aren't really bad. My mom

0:47:35.320 --> 0:47:39.120
<v Speaker 1>just followed him around for a while on a while, child,

0:47:40.680 --> 0:47:44.480
<v Speaker 1>Can we talk about the scene between Miranda and Stu

0:47:44.800 --> 0:47:48.839
<v Speaker 1>when he first comes to her office, approaching her basically like,

0:47:48.920 --> 0:47:52.080
<v Speaker 1>O help me design this AIRB and B. Nope, that's

0:47:52.080 --> 0:47:58.120
<v Speaker 1>not what just to be and be a bend breakfast. Yeah,

0:47:58.239 --> 0:48:01.960
<v Speaker 1>and um, here's how this scene plays out, he says.

0:48:02.320 --> 0:48:04.319
<v Speaker 1>And the pretense of the scene is that they're just

0:48:04.400 --> 0:48:08.000
<v Speaker 1>having a business meeting and she's showing him told her

0:48:08.120 --> 0:48:11.240
<v Speaker 1>like this guy asked for you specifically. So she starts

0:48:11.239 --> 0:48:14.920
<v Speaker 1>describing what the look of this um airbnb, which is

0:48:14.960 --> 0:48:17.640
<v Speaker 1>what I'm going to call now um in San Francisco.

0:48:17.680 --> 0:48:22.360
<v Speaker 1>She could be developing, she's just describing it. And he says,

0:48:22.840 --> 0:48:25.040
<v Speaker 1>you've never looked better or you look better than ever,

0:48:25.480 --> 0:48:29.080
<v Speaker 1>and she ignores him and keeps talking business stuff, and

0:48:29.120 --> 0:48:32.720
<v Speaker 1>he says, I've been following your career. Again. She barrels

0:48:32.719 --> 0:48:35.279
<v Speaker 1>through and just keeps talking about the designs. He says,

0:48:35.320 --> 0:48:38.040
<v Speaker 1>I'd love to get reacquainted again. She ignores him, keeps

0:48:38.080 --> 0:48:40.880
<v Speaker 1>just talking business. Uh. And then he says can we

0:48:40.880 --> 0:48:44.399
<v Speaker 1>talk over dinner? And that's what gets her to be like, yes,

0:48:44.480 --> 0:48:48.239
<v Speaker 1>this is so nice, which I think sends a dangerous

0:48:48.280 --> 0:48:52.480
<v Speaker 1>message because to push past the no yeah she's ignoring

0:48:52.480 --> 0:48:55.080
<v Speaker 1>her does not mean no. And also, yeah, like saying

0:48:55.080 --> 0:48:59.000
<v Speaker 1>nothing doesn't like is a yes, right, because like this

0:48:59.040 --> 0:49:01.799
<v Speaker 1>could be considered sexual harassment in the workplace for sure.

0:49:01.840 --> 0:49:03.960
<v Speaker 1>She's like, he's like, you look good, let's go to

0:49:04.920 --> 0:49:07.759
<v Speaker 1>this is this is a test where I suggest doing

0:49:07.800 --> 0:49:10.279
<v Speaker 1>one of my favorite movie tests, which is replaced the

0:49:10.400 --> 0:49:13.279
<v Speaker 1>conventionally attractive mail with Steve Bushemy in this scene. How

0:49:13.320 --> 0:49:16.440
<v Speaker 1>does it hold up? And this scene would read us

0:49:16.640 --> 0:49:22.840
<v Speaker 1>very creepy. Yeah, so love it for her character to

0:49:23.640 --> 0:49:27.080
<v Speaker 1>not respond in the way you think she might because

0:49:27.080 --> 0:49:30.319
<v Speaker 1>she's technically being harassed. For her to be like, oh, yes,

0:49:30.360 --> 0:49:33.279
<v Speaker 1>this is so nice. Let's start dating, because I mean

0:49:33.520 --> 0:49:35.960
<v Speaker 1>they have they have a history. And he was like

0:49:36.040 --> 0:49:39.279
<v Speaker 1>they like data in college. Yeah, And then also like,

0:49:40.360 --> 0:49:45.000
<v Speaker 1>you know, it's hard. What I'm saying is it's hard

0:49:45.040 --> 0:49:51.960
<v Speaker 1>because and I'm hard and they're harty. For ste I

0:49:52.000 --> 0:49:54.600
<v Speaker 1>will say that is like, there are two very refreshing

0:49:54.640 --> 0:49:56.680
<v Speaker 1>things about the male characters in this movie, which is

0:49:56.680 --> 0:49:59.680
<v Speaker 1>that like Robin Williams's character does not see his children

0:49:59.719 --> 0:50:02.799
<v Speaker 1>as a burden. He's like all he wants to do

0:50:02.840 --> 0:50:05.359
<v Speaker 1>is spend time with them, and that's like not the

0:50:05.400 --> 0:50:09.440
<v Speaker 1>most common thing. But then also, yeah, like Pierce Browsman

0:50:09.520 --> 0:50:12.200
<v Speaker 1>is like cool single mom with three kids. He's in,

0:50:12.480 --> 0:50:14.640
<v Speaker 1>He's in. There's a scene at the pool when like

0:50:15.120 --> 0:50:17.719
<v Speaker 1>when Mrs doubtfire overhears him having a conversation with the

0:50:17.760 --> 0:50:20.200
<v Speaker 1>bartender that I kind of thought was gonna like the

0:50:20.239 --> 0:50:22.800
<v Speaker 1>bartender being like, you don't like kids, why are you

0:50:22.880 --> 0:50:24.600
<v Speaker 1>dating this woman? And you kind of think he's going

0:50:24.640 --> 0:50:27.520
<v Speaker 1>to reveal like I actually deal money from her, or

0:50:27.760 --> 0:50:29.560
<v Speaker 1>just like I'm gonna love her and leave her. And

0:50:29.560 --> 0:50:32.160
<v Speaker 1>he's like, she's changed my mind because she's that amazing

0:50:32.200 --> 0:50:34.040
<v Speaker 1>of a woman and I love these kids, and like

0:50:34.160 --> 0:50:36.520
<v Speaker 1>and you're like, this is kind of I thought the

0:50:36.520 --> 0:50:38.640
<v Speaker 1>same exact thing. I thought you were gonna. There's gonna

0:50:38.640 --> 0:50:40.640
<v Speaker 1>be like a reveal that he because I didn't remember

0:50:40.680 --> 0:50:42.840
<v Speaker 1>exactly what happened in that story beat and I was

0:50:42.840 --> 0:50:44.440
<v Speaker 1>just like, oh, he's going to be revealed to be

0:50:44.480 --> 0:50:47.879
<v Speaker 1>this like devious, sneaky, evil dude, but like, no, he's

0:50:47.960 --> 0:50:50.520
<v Speaker 1>just a pretty nice guys. Well, a movie that this

0:50:50.640 --> 0:50:52.759
<v Speaker 1>reminded me of that came out, I just like it

0:50:52.800 --> 0:50:54.799
<v Speaker 1>came out a year later. The Santa Claus comes out

0:50:54.840 --> 0:50:58.719
<v Speaker 1>a year after Mrs tim Allen Yes with with Tim

0:50:58.760 --> 0:51:03.800
<v Speaker 1>Allen who Santa dies and then Tim Allen is Santa

0:51:03.920 --> 0:51:08.839
<v Speaker 1>because he witnessed Santa's death or something maybe weirdly responsible

0:51:08.880 --> 0:51:12.320
<v Speaker 1>for it. Whoever finds Santa's body is the new Santa Santa.

0:51:12.880 --> 0:51:15.719
<v Speaker 1>So that's the movie, but it is there's a lot

0:51:15.760 --> 0:51:18.640
<v Speaker 1>of elements to the Santa clause that is very similar

0:51:18.680 --> 0:51:22.440
<v Speaker 1>to Mrs staff Fire, and that it's a recently divorced couple.

0:51:22.560 --> 0:51:26.200
<v Speaker 1>The dad is taking on this new identity, and there's

0:51:26.200 --> 0:51:28.359
<v Speaker 1>a little bit of a body horror element to it,

0:51:28.840 --> 0:51:32.440
<v Speaker 1>like what, yeah, they're both basically wearing fat suits they

0:51:32.480 --> 0:51:35.680
<v Speaker 1>I mean, they're both for sure why And there is

0:51:35.719 --> 0:51:39.439
<v Speaker 1>a Stu character in the Santa clause, but it's it's

0:51:39.600 --> 0:51:43.120
<v Speaker 1>done way less tastefully. I think where Judge Reinold plays

0:51:43.440 --> 0:51:45.520
<v Speaker 1>this because I remember having crush on him when I

0:51:45.560 --> 0:51:47.600
<v Speaker 1>was little and my mom being like why would you

0:51:47.640 --> 0:51:53.000
<v Speaker 1>like meal? Also name is where Neil is just as

0:51:53.239 --> 0:51:58.160
<v Speaker 1>lovely new partner for for this mother, but the narrative

0:51:58.239 --> 0:52:01.799
<v Speaker 1>is constantly like basically calling him whatever you would call

0:52:01.840 --> 0:52:05.000
<v Speaker 1>a kuk in, like this guy is not masculine. This

0:52:05.080 --> 0:52:08.480
<v Speaker 1>guy's a dweeen, he's their relationship is super de sexualized,

0:52:08.800 --> 0:52:12.640
<v Speaker 1>whereas this is like, no, it's super sexualized, like you

0:52:12.680 --> 0:52:17.480
<v Speaker 1>can't just yeah. There are some definite inversions of the

0:52:17.520 --> 0:52:21.680
<v Speaker 1>tropes here, because like usually these movies have something to

0:52:21.719 --> 0:52:23.759
<v Speaker 1>do with like the dad working too hard and not

0:52:23.880 --> 0:52:26.000
<v Speaker 1>understanding what it is to be a father enough. People

0:52:26.000 --> 0:52:30.759
<v Speaker 1>like Cramer remembersus Cramer liar, Liar. All of those movies

0:52:30.800 --> 0:52:32.759
<v Speaker 1>are about like a dad who has to learn how

0:52:32.760 --> 0:52:36.080
<v Speaker 1>to like be a dad, and this is about the opposite.

0:52:36.080 --> 0:52:38.279
<v Speaker 1>It's like he has the warmth, he has the fun,

0:52:38.440 --> 0:52:40.920
<v Speaker 1>he has the interest in his children. What he needs

0:52:40.920 --> 0:52:43.560
<v Speaker 1>to learn how to do is like be responsible, and

0:52:43.600 --> 0:52:46.399
<v Speaker 1>that's not usually how that goes. That is, I didn't

0:52:46.440 --> 0:52:48.560
<v Speaker 1>think of it that way. In some ways, it's like

0:52:48.600 --> 0:52:52.480
<v Speaker 1>a way of elevating these like traditionally female characteristics of

0:52:52.600 --> 0:52:55.800
<v Speaker 1>like nurturing and caring and rules and boundaries and stuff

0:52:55.840 --> 0:52:58.319
<v Speaker 1>like that, the emotional labor that women do in these

0:52:58.960 --> 0:53:02.719
<v Speaker 1>stuff and and uh Sally Fields character can do. I

0:53:02.760 --> 0:53:06.279
<v Speaker 1>mean she can't like literally do everything, but she knows

0:53:06.320 --> 0:53:09.000
<v Speaker 1>how to do everything. It's like she could delegate to

0:53:09.360 --> 0:53:12.520
<v Speaker 1>she was the breadwinner and she knew how to care

0:53:12.600 --> 0:53:16.279
<v Speaker 1>for the kids. Like so, I mean she she's given

0:53:16.320 --> 0:53:19.200
<v Speaker 1>all the skills and is not the villain of the

0:53:19.280 --> 0:53:21.640
<v Speaker 1>movie ostensibly, but I do think that there's there is

0:53:21.680 --> 0:53:25.800
<v Speaker 1>a subtext for kids that she's the mean one. Yeah,

0:53:26.000 --> 0:53:28.640
<v Speaker 1>if there's any mean one in this movie, yeh. Can

0:53:28.680 --> 0:53:30.600
<v Speaker 1>we go back to the pool seem really quick? Because

0:53:30.600 --> 0:53:32.759
<v Speaker 1>I just want to mention that there's a line where

0:53:32.760 --> 0:53:34.880
<v Speaker 1>they're all like trying to get Mrs doult Fire to

0:53:34.920 --> 0:53:37.040
<v Speaker 1>like put on a bathing suit to get in the pool,

0:53:37.080 --> 0:53:40.000
<v Speaker 1>and she's just like, no, it would be like reenacting

0:53:40.000 --> 0:53:47.799
<v Speaker 1>The Titanic, and I just wanted to mention the Titanic

0:53:47.800 --> 0:53:51.080
<v Speaker 1>shout out. So okay. So so it was a tough

0:53:51.440 --> 0:53:55.239
<v Speaker 1>I will say, just to start rapping, is that I

0:53:55.280 --> 0:53:58.200
<v Speaker 1>was expecting to have a lot more issues with this

0:53:58.280 --> 0:54:01.080
<v Speaker 1>movie than ultimately it because I hadn't seen it in

0:54:01.280 --> 0:54:03.960
<v Speaker 1>so long that when you hear the premise and then

0:54:03.960 --> 0:54:05.680
<v Speaker 1>you hear the year it's made, You're like, oh, this

0:54:05.760 --> 0:54:09.120
<v Speaker 1>is probably a fucking nightmare. Yeah it's not. There's a

0:54:09.120 --> 0:54:12.279
<v Speaker 1>lot of missed opportunities. Yeah, there is some stuff that

0:54:12.360 --> 0:54:16.480
<v Speaker 1>is poorly handled, but it's But unlike other sort of

0:54:16.480 --> 0:54:19.400
<v Speaker 1>cross dressing movies that came out around this time, this

0:54:19.440 --> 0:54:21.759
<v Speaker 1>movie doesn't seem like it's setting out to make a

0:54:21.880 --> 0:54:24.359
<v Speaker 1>joke of the gender play as much as it is like,

0:54:25.000 --> 0:54:28.360
<v Speaker 1>let's give Robin Williams a vehicle. It just seems like

0:54:28.400 --> 0:54:30.719
<v Speaker 1>it's really catered to like what he's good at and

0:54:30.760 --> 0:54:33.439
<v Speaker 1>ways he can be funny, and it's not. It doesn't

0:54:33.440 --> 0:54:37.239
<v Speaker 1>seem like they're setting out to say anything about gender necessarily, right,

0:54:37.400 --> 0:54:39.440
<v Speaker 1>which is where like the missed opportunity comes in. But

0:54:39.480 --> 0:54:43.600
<v Speaker 1>it's also like they're not. Yeah, like there's five million

0:54:43.640 --> 0:54:48.759
<v Speaker 1>hours of Robin Williams improvised footage that ye like, I shudder, like,

0:54:48.800 --> 0:54:51.279
<v Speaker 1>I just it makes me exhausted just thinking of how

0:54:51.360 --> 0:54:55.080
<v Speaker 1>much a lot of freestyle goofing a lot of it. Two,

0:54:55.280 --> 0:55:00.200
<v Speaker 1>which is problematic is he's like appropriating other cultures. There's

0:55:00.200 --> 0:55:04.560
<v Speaker 1>a couple of racist things in here. Also, very very white,

0:55:04.800 --> 0:55:09.200
<v Speaker 1>very white movie. No people with speaking lines, speaking lines,

0:55:09.320 --> 0:55:14.160
<v Speaker 1>no people with people of color, with people we see.

0:55:14.239 --> 0:55:17.479
<v Speaker 1>We see a number of women over forty, but they're

0:55:17.520 --> 0:55:23.760
<v Speaker 1>all mean. Also, this is Doubtfire is technically a sixty

0:55:23.800 --> 0:55:27.160
<v Speaker 1>year old woman, but she is not real and she's

0:55:27.200 --> 0:55:30.960
<v Speaker 1>played by a forty year old man. Yeah right, which

0:55:31.080 --> 0:55:34.440
<v Speaker 1>makes for an interesting discussion about the Bechtel test. So

0:55:34.800 --> 0:55:37.640
<v Speaker 1>for me, my friend Lisa, when she watches this movie

0:55:37.960 --> 0:55:42.000
<v Speaker 1>genuinely forgets that they're the same person. Okay, yeah, she

0:55:42.160 --> 0:55:44.080
<v Speaker 1>just like has such a hard time keeping track of

0:55:44.120 --> 0:55:46.600
<v Speaker 1>that and she just thinks that people when she watches that.

0:55:48.200 --> 0:55:51.920
<v Speaker 1>It also makes me very yeah, like why is this

0:55:51.960 --> 0:55:57.520
<v Speaker 1>dinner so stressful? Well, for me, when I was trying

0:55:57.560 --> 0:56:00.120
<v Speaker 1>to figure out if it passed the Backtel test or not,

0:56:00.280 --> 0:56:03.880
<v Speaker 1>I was not counting Mrs Doubtfire's character as a woman,

0:56:04.080 --> 0:56:06.640
<v Speaker 1>because even though that character is presenting as a woman,

0:56:07.440 --> 0:56:10.680
<v Speaker 1>it's not someone who identifies actually as a woman. So

0:56:10.760 --> 0:56:14.040
<v Speaker 1>to me, Mrs Doubtfire is still yeah, it's still it's

0:56:14.080 --> 0:56:16.280
<v Speaker 1>still a scene that a man can watch and identify

0:56:16.360 --> 0:56:18.839
<v Speaker 1>with that character in some way. Yeah. I think that

0:56:18.880 --> 0:56:21.680
<v Speaker 1>this would this would be harder to apply to a

0:56:21.760 --> 0:56:24.640
<v Speaker 1>movie like to see where the male character does get

0:56:24.719 --> 0:56:27.399
<v Speaker 1>so deep into the female persona, but this one is, yeah,

0:56:27.400 --> 0:56:30.640
<v Speaker 1>it's all pretty certain, right, Yes, So because of that,

0:56:30.840 --> 0:56:34.399
<v Speaker 1>I would say I think the movie still does passes. Yes,

0:56:34.920 --> 0:56:36.920
<v Speaker 1>there's a scene where the daughters are talking about what

0:56:36.960 --> 0:56:39.359
<v Speaker 1>they did in school that day. I painted a picture

0:56:39.360 --> 0:56:43.800
<v Speaker 1>of a bunny and the teacher liked it. Yeah, ding, Yeah.

0:56:44.040 --> 0:56:46.560
<v Speaker 1>And there's also scenes where Nadia is like, why do

0:56:46.600 --> 0:56:51.239
<v Speaker 1>we need a housekeeper? Yeah, not a little bit, we

0:56:51.280 --> 0:56:54.160
<v Speaker 1>need a housekeeper anyway. Miranda says, this is all I

0:56:54.200 --> 0:56:58.319
<v Speaker 1>need right now, because she's such they're literally shrewing at

0:56:58.400 --> 0:57:01.440
<v Speaker 1>each other. But then Lydia said, um, why can't Dad

0:57:01.480 --> 0:57:02.719
<v Speaker 1>do it? So then she brings up a dead and

0:57:02.760 --> 0:57:05.000
<v Speaker 1>then it stops passing. But yeah, there's You would think

0:57:05.000 --> 0:57:06.920
<v Speaker 1>there would be more, considering there are so many female

0:57:06.960 --> 0:57:09.760
<v Speaker 1>characters in the movie, between the two daughters and Miranda

0:57:09.840 --> 0:57:12.719
<v Speaker 1>and all the many other women who you see, maybe

0:57:12.760 --> 0:57:15.760
<v Speaker 1>only peripherally, But yeah, there's only those kind of handful

0:57:15.760 --> 0:57:18.080
<v Speaker 1>of scenes where there's another one where Miranda says, like,

0:57:18.080 --> 0:57:20.120
<v Speaker 1>where were you guys, And they're like, we were upstairs

0:57:20.160 --> 0:57:23.320
<v Speaker 1>doing our homework. Missus doubtfire, so we had to But

0:57:23.480 --> 0:57:25.560
<v Speaker 1>it's just these very quick exchanges. You think there'd be

0:57:25.560 --> 0:57:27.480
<v Speaker 1>more for a movie that you know, I have so

0:57:27.520 --> 0:57:30.280
<v Speaker 1>many women in it, but nope, a lot of them

0:57:30.320 --> 0:57:34.320
<v Speaker 1>are very isolated from each other. Yes, yeah that's true. Um,

0:57:34.440 --> 0:57:36.960
<v Speaker 1>does anyone have any final thoughts before we write the movie?

0:57:37.360 --> 0:57:39.000
<v Speaker 1>I think we we We talked about this a little bit,

0:57:39.000 --> 0:57:41.560
<v Speaker 1>but yeah, the the soundtrack of this movie. There the

0:57:41.880 --> 0:57:45.120
<v Speaker 1>four main tracks that are not instrumental are Dude, looks

0:57:45.120 --> 0:57:48.160
<v Speaker 1>like a lady, walk like a man, Luck be a lady.

0:57:48.480 --> 0:57:51.400
<v Speaker 1>Papa's got a brand new bag. So whoever is choosing

0:57:51.440 --> 0:57:57.120
<v Speaker 1>for this music for this movie, grow up? All right,

0:57:57.160 --> 0:57:59.480
<v Speaker 1>So let's write the movie on our nipple scale when

0:57:59.520 --> 0:58:03.680
<v Speaker 1>we eight based on its portrayal of women, specifically zero

0:58:03.720 --> 0:58:08.080
<v Speaker 1>to five nipples. Oh, this is another tricky one, I get.

0:58:08.160 --> 0:58:10.160
<v Speaker 1>Oh god, I don't even know. Maybe a two and

0:58:10.160 --> 0:58:13.680
<v Speaker 1>a half doesn't deserve more exactly what I was going

0:58:13.720 --> 0:58:18.200
<v Speaker 1>to say, Okay, all right, well we're still I just

0:58:18.280 --> 0:58:22.640
<v Speaker 1>wanted to give Pierce bros And three nipples. Yeah. Yeah,

0:58:22.960 --> 0:58:24.760
<v Speaker 1>to me, it's like in the middle two and a half.

0:58:24.840 --> 0:58:28.400
<v Speaker 1>Because what we already sort of mentioned the missed opportunities

0:58:28.400 --> 0:58:32.360
<v Speaker 1>to comment on more meaningful things, you know, gender roles

0:58:32.480 --> 0:58:36.400
<v Speaker 1>and um, I mean we haven't talked about this, but like,

0:58:36.640 --> 0:58:41.600
<v Speaker 1>child custody is one of men's rights activists biggest fucking

0:58:41.960 --> 0:58:47.520
<v Speaker 1>forgrom like issues, and this movie does kind of come

0:58:47.560 --> 0:58:52.960
<v Speaker 1>down on their side a bit that doesn't challenge Yeah. Yeah,

0:58:53.080 --> 0:58:56.160
<v Speaker 1>it's like men's rights activists are always talking about how

0:58:56.200 --> 0:58:58.640
<v Speaker 1>women are favored in custody battles and that's a proof

0:58:58.680 --> 0:59:02.080
<v Speaker 1>that women don't have to advantages in society, and it's like,

0:59:03.000 --> 0:59:09.800
<v Speaker 1>give me a fucking me a fucking tire iron. So

0:59:09.880 --> 0:59:12.280
<v Speaker 1>in that way, like you know, they didn't know that

0:59:12.320 --> 0:59:14.760
<v Speaker 1>when they made this movie. But also that is a

0:59:15.240 --> 0:59:17.400
<v Speaker 1>little bit of a thing that's get splayed into here.

0:59:17.680 --> 0:59:19.720
<v Speaker 1>That's true, and it is interesting that we see so

0:59:19.800 --> 0:59:22.760
<v Speaker 1>much custody battle stuff as well. I mean they lay

0:59:22.760 --> 0:59:24.160
<v Speaker 1>a lot of pipe in those scenes, so it kind

0:59:24.160 --> 0:59:27.280
<v Speaker 1>of makes sense where that's like, that's when he explains

0:59:27.320 --> 0:59:29.280
<v Speaker 1>like I need to see my kids every day. I've

0:59:29.280 --> 0:59:31.080
<v Speaker 1>never not seen them every day, and you're like, that's

0:59:31.080 --> 0:59:32.720
<v Speaker 1>why he does the misses doubtfa. I think that's the

0:59:32.720 --> 0:59:36.120
<v Speaker 1>first time we kind of hear that even so, yeah, um,

0:59:36.320 --> 0:59:40.200
<v Speaker 1>missed our opportunities and things could have been handled better

0:59:40.400 --> 0:59:43.680
<v Speaker 1>or differently. But yeah, I'd say like it's probably I mean,

0:59:43.720 --> 0:59:46.640
<v Speaker 1>I haven't seen the movie White Chicks, but it probably

0:59:46.640 --> 0:59:50.960
<v Speaker 1>does a better job when handling these issues. That's a

0:59:51.080 --> 0:59:55.040
<v Speaker 1>hot ta. I don't know for sure. I haven't seen

0:59:55.080 --> 0:59:59.160
<v Speaker 1>that White Chicks, but I'm sure this is better. Thank

0:59:59.160 --> 1:00:02.360
<v Speaker 1>you so much, blown away. Okay heard it here first.

1:00:02.480 --> 1:00:09.280
<v Speaker 1>White Chicks probably isn't a good movie. Icons So yeah,

1:00:09.320 --> 1:00:11.640
<v Speaker 1>two and a half and Mrs Seller gets two of

1:00:11.640 --> 1:00:14.600
<v Speaker 1>my nipples because I think she's underappreciated. She's just doing

1:00:14.600 --> 1:00:18.800
<v Speaker 1>her job. She shows up on time. One thing I

1:00:18.840 --> 1:00:21.120
<v Speaker 1>think is really interesting about the Mrs Seller character is

1:00:21.160 --> 1:00:23.640
<v Speaker 1>like she's so hostile at Daniel, but when she meets

1:00:23.720 --> 1:00:28.040
<v Speaker 1>Mrs Doubtfire, You're like, oh, she's relaxed. She's like it

1:00:28.040 --> 1:00:31.200
<v Speaker 1>feels this immediate kinship and you don't really it's not

1:00:31.320 --> 1:00:33.160
<v Speaker 1>doesn't get explored that much, but you're kind of like, oh,

1:00:33.160 --> 1:00:35.200
<v Speaker 1>I immediately see a different side of this character now

1:00:35.200 --> 1:00:37.720
<v Speaker 1>that she's around a woman. It is nice to see that. Yeah,

1:00:37.840 --> 1:00:40.080
<v Speaker 1>we'll and I'm sure like in context of her job,

1:00:40.120 --> 1:00:44.160
<v Speaker 1>she has to deal with shitty deadbeat your time, Like

1:00:44.360 --> 1:00:46.760
<v Speaker 1>I understand the hostel She's like, let me take your

1:00:47.120 --> 1:00:51.200
<v Speaker 1>face cream and also rub it on my face. Yeah? What,

1:00:51.200 --> 1:00:55.120
<v Speaker 1>what a weird movie. Oh and then my other half nipple. Um,

1:00:55.160 --> 1:00:58.800
<v Speaker 1>I will give to Harvey Fierstein. He earned it, man,

1:00:59.080 --> 1:01:01.440
<v Speaker 1>he really did. Gay, I'll give it two and a

1:01:01.520 --> 1:01:04.600
<v Speaker 1>half as well. I'll succumb to the don't we don't

1:01:04.760 --> 1:01:08.120
<v Speaker 1>don't let us peer pressure you. No, I I I'm

1:01:08.160 --> 1:01:10.840
<v Speaker 1>with it. I'm giving two and a half nipples to

1:01:11.080 --> 1:01:15.280
<v Speaker 1>Pierce Brosnan to do with what he will. But I

1:01:16.040 --> 1:01:18.160
<v Speaker 1>agree with what you're saying. I think that most of this.

1:01:18.440 --> 1:01:20.480
<v Speaker 1>I think that this movie would have worked a lot

1:01:20.480 --> 1:01:23.960
<v Speaker 1>better for me if we saw even one scene of

1:01:24.440 --> 1:01:27.800
<v Speaker 1>Miranda connecting with her kids or just like seeing that

1:01:28.320 --> 1:01:32.400
<v Speaker 1>just because she is a single mom who works does

1:01:32.440 --> 1:01:35.800
<v Speaker 1>not just automatically mean that she's cold and can't connect

1:01:36.240 --> 1:01:39.080
<v Speaker 1>with her kids. So if we saw that, I think

1:01:39.120 --> 1:01:42.960
<v Speaker 1>that it would have been higher rating. But it's just

1:01:43.040 --> 1:01:46.919
<v Speaker 1>mostly missed opportunities. Um, and kind of a little bit

1:01:47.080 --> 1:01:51.560
<v Speaker 1>of lazy writing when it comes to writing female characters. Yes,

1:01:52.040 --> 1:01:57.480
<v Speaker 1>browsn in, however does get all my nipples? Well? That

1:01:57.640 --> 1:02:00.480
<v Speaker 1>sends an interesting message, Jamie. Um, do you like to

1:02:00.520 --> 1:02:03.400
<v Speaker 1>be problematic? Uh? Yeah, you know what, I'm going to

1:02:03.520 --> 1:02:06.080
<v Speaker 1>round it up to three nipples, I think, Okay, Yeah,

1:02:06.400 --> 1:02:09.000
<v Speaker 1>I was just giving it some slack for when it

1:02:09.040 --> 1:02:11.720
<v Speaker 1>came out. And also like, how much of this movie

1:02:11.840 --> 1:02:14.000
<v Speaker 1>is just about Robin Williams and not about the premise

1:02:14.040 --> 1:02:16.919
<v Speaker 1>of the movie. Really just tears through this movie kind

1:02:16.960 --> 1:02:20.440
<v Speaker 1>of regardless of what was in the script, probably, and

1:02:20.960 --> 1:02:24.439
<v Speaker 1>he's like, give me a movie where I can do voices. Yeah, yeah,

1:02:24.680 --> 1:02:27.400
<v Speaker 1>pretty much. And it was like, you know, at the time,

1:02:27.400 --> 1:02:29.920
<v Speaker 1>it was a perfect vehicle for him, So yeah, I'll

1:02:29.920 --> 1:02:32.920
<v Speaker 1>give it three nipples. And again, yeah, sexualizing Pierce Brosnan

1:02:33.520 --> 1:02:35.680
<v Speaker 1>and that being the only like sex in the movie.

1:02:35.760 --> 1:02:39.120
<v Speaker 1>I liked reparations. Yeah, the female gaze was catered to

1:02:39.160 --> 1:02:42.919
<v Speaker 1>in this movie. Yeah, yeah, oh god, can you imagine, like, yeah,

1:02:43.280 --> 1:02:48.520
<v Speaker 1>just getting to be around Pierce Brosnuck. There are a

1:02:48.520 --> 1:02:51.720
<v Speaker 1>few moments in the movie where Daniel, usually dressed as

1:02:51.840 --> 1:02:54.480
<v Speaker 1>Mrs Doultfire, will like kind of leer at a woman

1:02:54.600 --> 1:02:56.280
<v Speaker 1>or like trying to buy her a drink, which is

1:02:56.320 --> 1:02:58.600
<v Speaker 1>weird because it's like, you just experienced a guy hitting

1:02:58.640 --> 1:03:01.240
<v Speaker 1>on you and how uncomfortable that made you. Why would

1:03:01.280 --> 1:03:03.000
<v Speaker 1>you then turn around and do that and do something

1:03:03.240 --> 1:03:05.560
<v Speaker 1>to a woman. I think that that Yeah, harkens back

1:03:05.560 --> 1:03:09.120
<v Speaker 1>to again of Mrs Doubtfire just being strictly treated as

1:03:09.160 --> 1:03:12.920
<v Speaker 1>a costume by the narrative as well. Yeah, well, you know,

1:03:12.960 --> 1:03:14.320
<v Speaker 1>he could have learned a little bit of a lesson,

1:03:14.320 --> 1:03:16.560
<v Speaker 1>but it turns out maiden't. It's also funny that in

1:03:16.560 --> 1:03:19.240
<v Speaker 1>those scenes it's not like, oh, a woman bought her

1:03:19.280 --> 1:03:21.320
<v Speaker 1>a drink, so she's creeped out, and not like, oh,

1:03:21.360 --> 1:03:23.120
<v Speaker 1>a woman bought her a drink and so she's so

1:03:23.240 --> 1:03:28.240
<v Speaker 1>relieved that it's not a terrifying man. Yeah, this is uh,

1:03:28.400 --> 1:03:33.080
<v Speaker 1>this is a lesser horror. Usually. Yeah, that didn't try.

1:03:33.360 --> 1:03:35.480
<v Speaker 1>If if an older woman was like, here, let me

1:03:35.520 --> 1:03:39.760
<v Speaker 1>buy you a drink, I'd be like yeah, thanks, yeah, cool, okay,

1:03:39.880 --> 1:03:43.040
<v Speaker 1>yeah I would accept that so quick, like oh hell

1:03:43.120 --> 1:03:47.000
<v Speaker 1>yeah wait what? Thank you? All right? Anyway, Emily, thank

1:03:47.040 --> 1:03:49.360
<v Speaker 1>you so much for being here, Thanks for having me,

1:03:49.640 --> 1:03:52.640
<v Speaker 1>for bringing us this movie. Yeah, where can people find

1:03:52.640 --> 1:03:54.480
<v Speaker 1>you online? Do you have anything you'd like to plug?

1:03:54.960 --> 1:03:59.360
<v Speaker 1>I'm at Mr Emily Heller on everything. Also, I'm recording

1:03:59.440 --> 1:04:03.760
<v Speaker 1>my second album on January a Curious Comedy Theater in Portland,

1:04:03.840 --> 1:04:06.200
<v Speaker 1>So if you live in Portland, please come to that. Also,

1:04:06.720 --> 1:04:08.560
<v Speaker 1>after I watched this movie, my boyfriend made a lot

1:04:08.560 --> 1:04:11.200
<v Speaker 1>of really funny Mrs down Fire memes that I retweeted,

1:04:11.240 --> 1:04:17.320
<v Speaker 1>so you please go find them. Great. You can follow

1:04:17.440 --> 1:04:21.280
<v Speaker 1>us at bechtel Cast on all the platforms Twitter, Instagram, Facebook.

1:04:21.440 --> 1:04:23.320
<v Speaker 1>You can go to our website beactel cast dot com.

1:04:23.360 --> 1:04:28.680
<v Speaker 1>You can subscribe to our Patreon Patreon dot com slash

1:04:28.840 --> 1:04:32.480
<v Speaker 1>bectel Cast if you pay five dollars a month are

1:04:32.520 --> 1:04:39.760
<v Speaker 1>really good? Sorry? Uh yeah. If you give us five

1:04:39.800 --> 1:04:42.320
<v Speaker 1>dollars a month, you get access to two bonus episodes

1:04:42.360 --> 1:04:44.360
<v Speaker 1>in a month, and then you help us with our

1:04:44.560 --> 1:04:49.160
<v Speaker 1>production costs. Oh man, I can't wait. I can't wait.

1:04:51.440 --> 1:04:55.000
<v Speaker 1>You can divide me on Twitter at Hamburg and you

1:04:55.040 --> 1:04:59.640
<v Speaker 1>can find me at Caitlin Durante. Oh my god, you

1:04:59.680 --> 1:05:05.640
<v Speaker 1>guys got to check out these means. There's like capitalization

1:05:05.880 --> 1:05:12.640
<v Speaker 1>is very funny. It's I've never seen new written out emails.

1:05:14.160 --> 1:05:22.720
<v Speaker 1>It's one capital all right, all right, Well thanks for

1:05:22.760 --> 1:05:25.320
<v Speaker 1>this thing and bye by