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Speaker 1: I do all the arrangements ahead of time to look

2
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Speaker 1: at the eclipse. I get the glasses, I send my

3
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Speaker 1: family to a hotel, I get I have my outfit,

4
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Speaker 1: go outside, check check, check check.

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Speaker 2: I mean, everything's sounding perfect right now.

6
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Speaker 1: And I take a heavy ass look at the eclipse

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Speaker 1: for the for the entire window that I've set aside

8
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Speaker 1: to do this for the entire length of the eclipses. Hey,

9
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Speaker 1: you know, I do my research and somebody walks by

10
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Speaker 1: catch me looking at it, and they say, hey, do

11
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Speaker 1: you want to look at the eclipse over here? It

12
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Speaker 1: just ended and I'm like, what it just ended? What

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Speaker 1: was I looking at? Right? Said, that's not the eclipse

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Speaker 1: that's in A Claire. Oh wow.

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Speaker 2: So even further than a stop sign, which was my

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Speaker 2: first guess, which I actually.

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Speaker 1: Thought was that, I guess that sounds very similar. I

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Speaker 1: don't know that's.

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Speaker 2: First if you're spelling it.

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Speaker 1: I mean, I'm looking at something that is actively telling

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Speaker 1: me to stop. I would feel dumber about that. It's

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Speaker 1: telling me to stop looking at it. There's nothing written

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Speaker 1: on the A Clare that's like.

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Speaker 2: My point is merely that my initial gas of stop

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Speaker 2: sign to me was borderline cometic. And I assumed that

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Speaker 2: what you're looking at would be a different celestial.

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Speaker 1: Body or something.

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Speaker 2: You know, it's something in the sky at rist But

29
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Speaker 2: then when I hear in a claire, I mean I

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Speaker 2: immediately picture it inside of a bakery underglass or something.

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Speaker 1: So it's like, and I explicitly did say, I.

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Speaker 2: Well, you said you went outside, but I'm going where

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Speaker 2: was the location of it? You do look up at

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Speaker 2: least at a stop side. The claire was up high.

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Speaker 1: It was in the backseat of my carp and so

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Speaker 1: you know, I had to go outside to the car

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Speaker 1: and open the car door and like be looking inside

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Speaker 1: my car at the at the aclaire just sitting sitting

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Speaker 1: on the seat.

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Speaker 2: So yeah, So while again my guess was intentionally somewhat committed, Okay,

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Speaker 2: I do think it was closer because in order to

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Speaker 2: look at the a claire, although the word, granted.

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Speaker 1: Is more similar to eclipse, I don't.

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Speaker 2: Think you would have needed to even know, and you

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Speaker 2: didn't know someone told you it wasn't it was a

46
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Speaker 2: claire written on the claire.

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Speaker 1: No, okay, because you seem to say that nothing was

48
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Speaker 1: written on it, So that's cannon. At this point, there

49
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Speaker 1: is nothing written on it. Okay, but I'm.

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Speaker 2: I'm I'm trying to find an avenue for you because

51
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Speaker 2: it does start with E C L, which to you

52
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Speaker 2: made it closer to looking at eclipse than looking at

53
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Speaker 2: a stopside would be my But it doesn't matter what

54
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Speaker 2: it's called if you're looking at a fucking lump of

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Speaker 2: dough and chocolate sitting in the back seat of a car.

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Speaker 1: This is coming handy in some it sometimes, and it

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Speaker 1: has been a hindrance at other times. I have a

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Speaker 1: natural autocomplete function. I was born with it. I've always

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Speaker 1: done it.

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Speaker 3: Kind of like an ellipsis.

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Speaker 2: We will get to you, Matt, I know.

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Speaker 1: And when you and I can't gotten wight when you

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Speaker 1: said that, I can't wait.

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Speaker 3: You know you've actually gotten to me.

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Speaker 1: I can't. Okay, all right, and so it's got me.

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Speaker 2: Well, we have a neutral party here.

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Speaker 1: I wasn't even wearing the right glasses to be looking

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Speaker 1: at that, and so it can actually be really dangerous

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Speaker 1: to look at the claim to look at the Claire

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Speaker 1: without you had a clipse.

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Speaker 2: Glasses and clay yeah, mm hmm.

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Speaker 1: A little space, a droplet of grace. M I think

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Speaker 1: it's called for it. This time we haven't even introduced you.

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Speaker 2: You're playing football with a batting helmet on exactly. It's like, yeah,

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Speaker 2: you're wearing a helme. It's protective. Yeah, well, talk about

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Speaker 2: the commercial and we'll get to you.

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Speaker 1: Matt, he got hurt.

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Speaker 3: Any idea how soon?

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Speaker 2: I know that's further away when you do your thing.

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Speaker 3: All right, all right, I'll hang back.

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Speaker 2: Uh no, I you know you're here. You have some

82
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Speaker 2: sort of announcement or some new thing, some big money

83
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Speaker 2: grab you're doing, and we always like to try to

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Speaker 2: be supportive when that comes up for you. So like,

85
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Speaker 2: what's the angle this striving? What's the Yeah exactly.

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Speaker 1: It will kill millions.

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Speaker 2: Mm hmm.

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Speaker 3: Well, I mean I just have a new podcast.

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Speaker 2: Mm hmm. This the tsunami, right, wipe out the entire

90
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Speaker 2: coast with this thing, and that is the only people

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Speaker 2: who listen to your podcast are the coastal elites.

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Speaker 3: That's right, That's that's well. I don't think that's true.

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Speaker 2: With this one, actually, I think, oh yeah, be different, Yeah, yeah, okay,

94
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Speaker 2: what's this one about?

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Speaker 1: What markets? Fucking what markets we're talking about?

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Speaker 3: I think we're talking about cheeseburgers.

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Speaker 1: That's the dolls.

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Speaker 2: They're the only ones who got the middle of the country. Right, Well,

99
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Speaker 2: our podcast is cheeseburgers the fuck up. Don't even eat

100
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Speaker 2: the stuff.

101
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Speaker 1: Makes food.

102
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Speaker 2: They don't eat food.

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Speaker 1: Have you done it done?

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Speaker 4: What? Oh?

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Speaker 3: No, No, I see what you're saying.

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Speaker 1: You haven't done it. No I haven't.

107
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Speaker 2: Oh you have it. Yeah, that makes me feel better.

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Speaker 1: We used to do it.

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Speaker 2: It's been about seven years.

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Speaker 1: Yeah, they don't eat the food.

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Speaker 2: They don't eat the food.

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Speaker 1: You think they're gonna eat fucking rallies or whatever these are,

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Speaker 1: like they eat the food. They're millionaires many times over.

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Speaker 2: Yeah, they're not eating the food at rallies, right, Yeah, No,

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Speaker 2: they bring in like they bring food in a rally's bag.

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Speaker 2: They watch you eat the rallies and then they're pulling

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Speaker 2: out these like what is it? It's like shiny? Yeah,

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Speaker 2: I don't know what the rest of us know. Something

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Speaker 2: that you ever.

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Speaker 3: Had some kind of like soilent green mochi dumpling or

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Speaker 3: something like that.

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Speaker 1: It's shinier that mochi is actually one of the least

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Speaker 1: shiny things. Yeah, it's like covered in powders like that.

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Speaker 1: There's Yeah, it was the one the dumpling.

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Speaker 3: Sheen I was referring to the sheen of the dumpling

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Speaker 3: shape of the motion.

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Speaker 1: Okay, yeah, okay, just just going off the one piece

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Speaker 1: of information, I would just say that that's not but

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Speaker 1: I but and but here I am. I don't have

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Speaker 1: I truly don't know.

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Speaker 2: Your guess is as good as mine, a little worse

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Speaker 2: because you said mochi but like, but yeah, it's uh,

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Speaker 2: it's not that I'm certain, but I also don't know

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Speaker 2: what it is. So who am I to criticize? You know,

135
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Speaker 2: your bad guess. You know I didn't even make a bad.

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Speaker 3: Guess, right, you didn't even try. No, you miss all

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Speaker 3: the strikes that you don't hit.

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Speaker 1: You know. Yeah, football, that's right, Football and a batting helmet.

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Speaker 2: Football and a batting helmet.

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Speaker 1: Right. No, No, the show not safe. The show show is.

141
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Speaker 3: It's called Keys to the Kingdom.

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Speaker 2: Key to the Kingdom.

143
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Speaker 1: So we're going overseas.

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Speaker 3: No, no, as domestic as can get. It's an international

145
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Speaker 3: appeal song song Alicia Keys Disco we are. I'll be

146
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Speaker 3: back for that next year. Okay, Mark, I'll be back

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Speaker 3: for that show. This is an eight part highly produced

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Speaker 3: docuseries about theme park workers and all the stories that

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Speaker 3: go on behind the scenes that your favorite major theme

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Speaker 3: park attractions.

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Speaker 1: Okay, yeah, okay.

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Speaker 2: I was there me too at the theme park.

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Speaker 3: Basically, that's basically right now that I think of it,

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Speaker 3: that's basically what we've done.

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Speaker 2: I have to go, and who's we?

156
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Speaker 3: Me and my wife. Amanda Lund, who's been a guest

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Speaker 3: on this show, wrote another reluctant guest on.

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Speaker 2: This show, Amanda, Yeah, that was fun when she came on.

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Speaker 4: Why not.

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Speaker 2: Just I just remember enjoying making that episode. Okay, and

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Speaker 2: she's not available today.

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Speaker 3: No, she couldn't come, couldn't be. What's the if you

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Speaker 3: changed one word and couldn't and it's the first word

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Speaker 3: one of the letters, Well, the first.

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Speaker 1: Wouldn't she she wouldn't come.

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Speaker 2: Yeah, Well you said she couldn't come, and then you

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Speaker 2: said you changed one word. Yeah, I messed up, And

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Speaker 2: then you said it's the first word, So it's she.

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Speaker 3: I meant to say the first letter you got me?

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Speaker 1: Uh huh, you got me the.

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Speaker 2: Yeah V wouldn't go, he couldn't come, the first letter

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Speaker 2: I couldn't, right too, wouldn't And I added, this is

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Speaker 2: Matt talking about his wife and the sentences he's working

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Speaker 2: with our she couldn't come, but he wants it to

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Speaker 2: be clear. No, no, she wouldn't come, can't or won't.

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Speaker 3: Oh she's here for the podcast.

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Speaker 1: Yeah yeah, yeah, yeah.

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Speaker 3: No, actually she's not here. Someone has to watch our daughter, ah,

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Speaker 3: and who had to come.

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Speaker 1: So that's mutual because.

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Speaker 3: Check it out, keep talking about Okay, well, okay. She

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Speaker 3: sends her to from the.

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Speaker 1: Kitchen liquid ivy packets.

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Speaker 2: No, no, no, no, no salt zero sugar element.

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Speaker 4: Oh.

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Speaker 1: I think that's a competing brand.

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Speaker 2: Grapefruit salt, watermelon salt, and citrus salt. Yeah, I know.

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Speaker 2: That's why I'm getting the fuck out of here. Nobody

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Speaker 2: allowed to have them.

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Speaker 1: So that's a mutual decision. We of course have a

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Speaker 1: no baby's policy on this show because of some of

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Speaker 1: their views.

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Speaker 3: What problem have you had with babies views?

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Speaker 1: They we are ideologically opposed because of some of their

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Speaker 1: views on basically what it's okay to do and say

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Speaker 1: to daddy. Yep, I get that. Some babies seems to

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Speaker 1: think it's okay to make a mess on daddy. And

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Speaker 1: this is a position.

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Speaker 2: Oh by the way, by the way, by the way,

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Speaker 2: God bless you, you haven't dealt with this. There are

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Speaker 2: babies who feel it's okay to pull on daddy beard. Yes, Oh,

202
00:12:02,080 --> 00:12:02,960
Speaker 2: I have this beard for a.

203
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Speaker 3: While until until it baby pulled it off.

204
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Speaker 2: Baby pulled it off.

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Speaker 1: Yeah, and they'll do that, and we strongly disavow these

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Speaker 1: beliefs of theirs and we will not be having them

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Speaker 1: on on our show.

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Speaker 3: I can get on board with that.

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Speaker 1: I think, no babies, no babies.

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Speaker 2: We got to get rid of it. You know, my

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Speaker 2: baby said this morning, what more bacon? Mh, she's one

212
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Speaker 2: of these epic.

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Speaker 3: Bacon wait, a bacon brother or a bacon bro. There's

214
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Speaker 3: a big difference.

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Speaker 2: Well, okay, which one? Did I say what you said

216
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Speaker 2: or a different thing I brought into the conversation, because

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Speaker 2: that would be different.

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Speaker 3: I wanted to clarify, like I just wanted to cool.

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Speaker 2: I just wanted to clarify it was what you said

220
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Speaker 2: and not the thing that I introduced that was totally different,

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Speaker 2: because I think that's different.

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Speaker 1: So she said, lolls ors epic bacon sores.

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Speaker 2: Yeah.

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Speaker 1: No.

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Speaker 2: In a lot of mornings, that's like all she says

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Speaker 2: to me. Like I'm trying to talk about like our life,

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Speaker 2: like what we're gonna make, like what we're gonna be.

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Speaker 2: You know, and it's like more bacon.

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Speaker 1: It's like so reductive, more bacon with wind sauce.

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Speaker 2: Yes, yes, yes, don't forget the wind sauce. Daddy, what's wing?

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Speaker 1: I think it's syrup, which can actually be pretty. It

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Speaker 1: can actually.

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Speaker 2: It is maple syrup.

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Speaker 3: Okay, real maple syrup. Yeah, I'm sorry if I offended you.

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Speaker 2: Yeah, it's not it's not offend. I guess, like, I mean,

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Speaker 2: were you annoying me?

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Speaker 1: We're not the dough boys, but like I don't have

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Speaker 1: to know. We could buy real maple syrup.

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Speaker 2: Like, yeah, okay, what I mean, what kind of that

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Speaker 2: is what you want to show to me? What kind

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Speaker 2: of syrup do you use?

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Speaker 3: Matt, I guess maple syrup as well. Whatever's in the fridge.

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Speaker 1: I don't know.

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Speaker 3: I'm not that picky about it.

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Speaker 2: Whatever's in the fridge syrup wise, Yeah, someone doesn't.

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Speaker 1: Yeah, it's just a total surprise whatever's in there today.

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Speaker 2: Yeah, the fridge refills with its own syrup, and I

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Speaker 2: just use what's in there.

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Speaker 3: Yeah, that's about.

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Speaker 2: Nobody has to go and buy it. Nobody has to

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Speaker 2: do anything.

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Speaker 4: Ah.

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Speaker 1: Starting to see what some of these babies are talking about.

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Speaker 1: And I honestly never thought.

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Speaker 2: No, exactly. I'm starting to understand what you know, Daddy

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Speaker 2: has the reputation he seems to have.

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Speaker 3: No, that's not true. I get along very well with

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Speaker 3: my shot.

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Speaker 1: I don't think.

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Speaker 3: I don't think that. That's what you're talking about. That's

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Speaker 3: not fair.

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Speaker 2: Okay, okay, well podcast isn't about being fair.

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Speaker 1: The podcast is about being as fu Yeah, like daddy.

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Speaker 3: Yeah, you guys seem like fine, Daddy's.

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Speaker 2: You know what. I don't know what you mean by that.

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Speaker 2: Oh really it feels a little loaded.

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Speaker 3: You don't want to just take me at my word

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Speaker 3: like you kind of requested just a moment ago. Fine,

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Speaker 3: Daddy's fine.

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Speaker 2: Daddy's you'll do fine, Daddy.

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Speaker 3: Fine, Daddy's just Daddy will do this. Daddy will do

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Speaker 3: my daughter's favorite book.

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Speaker 2: Daddy does it. Mm hmmm, yeah, I guess we are

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Speaker 2: fine daddies. So the show is, uh, what it's like

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Speaker 2: people being like Mickey, you know, Piston his costume and

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Speaker 2: like I had to clean it up, or like what's

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Speaker 2: going on?

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Speaker 3: Far off crazy? Similar similar stuff, the mascot stuff.

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Speaker 2: Okay, they're not mascots, Yeah, they're characters.

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Speaker 3: A man and I both worked at theme parks for

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Speaker 3: a number of years, and we met at a theme

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Speaker 3: park and she was a princess, and so there's an

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Speaker 3: episode on Princesses. We interview a lot of princesses, some

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Speaker 3: people that don't want to reveal their identity for fear

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Speaker 3: of losing their job, that kind of thing.

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Speaker 1: Huh.

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Speaker 3: We interview fuzzy characters, the union performers, guests, things like that.

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Speaker 1: Are you concerned that the hosts of podcast The Ride

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Speaker 1: Well have already created or have already their podcast has

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Speaker 1: led to policy at these theme parks prohibiting anyone and

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Speaker 1: from speaking to a podcast host?

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Speaker 3: Is that right?

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Speaker 1: Just because of their just kind of like their whole

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Speaker 1: thing that's kind of alienated the whole sea like has created.

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Speaker 2: Essentially, the relationship between theme parks and podcasts.

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Speaker 1: Is irreparably damnaged.

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Speaker 2: Yeah, it's forever been changed.

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Speaker 3: Yeah, I don't think we're ever gonna this is not

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Speaker 3: in any way something to mend the fences. I mean,

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Speaker 3: we're going all in on this. I mean, we have

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Speaker 3: some good that's even keeled. We talk about some of

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Speaker 3: the good.

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Speaker 2: That the parks do, but we talk abouting fun. Yeah, yeah,

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Speaker 2: having fun and stuff, Right, you've got to come up.

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Speaker 3: You must be a real enthusiast.

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Speaker 2: Well, you know, I'm no stranger to a little bit

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Speaker 2: of fun now, and then.

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Speaker 1: I don't.

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Speaker 2: I don't talk about it on this show so much,

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Speaker 2: but I do like to have it.

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Speaker 1: And if it is true that you call it like

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Speaker 1: a theme park, yeah, but that is basically the theme fun.

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Speaker 1: I mean, it's some of these parks, it's like, show

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Speaker 1: me the theme.

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Speaker 3: Well someone I know parks. Those are amusement parks. So

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Speaker 3: you know, Magic Mountain isn't really a theme park.

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Speaker 1: Okay, so you won't be talking about Magic Mountain. It

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Speaker 1: comes up, but we're not, okay, so youll no, no, no,

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Speaker 1: I'm sorry.

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Speaker 3: No, we mentioned it. This is not specifically to say

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Speaker 3: this is not a theme park. This is an amusement park.

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Speaker 3: And that's fair.

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Speaker 1: That's fair. Okay. So you just mentioned it just to

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Speaker 1: clarify why you You only mentioned it to say we

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Speaker 1: don't talk about it.

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Speaker 3: That's there's one other time we mentioned it, and it's

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Speaker 3: because someone has.

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Speaker 2: To talk about it on the box.

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Speaker 3: Someone has story to the very thing.

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Speaker 2: It's in the face of the only other time it

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Speaker 2: gets mentioned, and the premise of the show.

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Speaker 3: I reject your premise. We can talk about any farm

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Speaker 3: or amusement park we want part. We talk about hell houses,

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Speaker 3: we talk about everything in this. It's anything that's related.

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Speaker 3: We'll do what we want to do.

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Speaker 1: Is that a theme park?

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Speaker 3: What a hell house?

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Speaker 1: Yeah? No, So what is a theme park?

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Speaker 3: Theme park is a park with the theme, but name one. Well,

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Speaker 3: Disney has fantasy, Universal Studios has movies, nots Verry Farm

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Speaker 3: has the Old West. Those are the themes.

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Speaker 1: Not it's very it's a go ahead, try to in this.

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Speaker 3: This is solid.

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Speaker 1: Disney's is fantasy.

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Speaker 3: Yeah, magic fantasy.

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Speaker 1: But Magic Mountain has like freaking like those big strong

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Speaker 1: guys running around.

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Speaker 3: Who that doesn't wrestlers who.

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Speaker 1: Don't know you think I about stick around and talk

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Speaker 1: to these guys.

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Speaker 2: No, man, I see a guy that's strong, tail it.

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Speaker 3: But there's no for.

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Speaker 2: Fun not to get tossed around.

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Speaker 1: There's no cohesive theme, not at Magic Mountain, but there

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Speaker 1: is at Disney. Yes, but it's got all these.

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Speaker 2: But that's such a I mean, that's such a broad theme.

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Speaker 2: I would then say that the Magic Mountain theme is

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Speaker 2: also fantasy.

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00:19:42,200 --> 00:19:46,040
Speaker 3: No, it's thrill rides. But that's not a theme.

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Speaker 1: Well, you just said that the the well you said,

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Speaker 1: I didn't.

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Speaker 2: He said it's thrill rides. To me, that's more specific

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Speaker 2: actually than fantasy, where it's like if Why Mountain and

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00:19:59,480 --> 00:20:04,600
Speaker 2: The Little Mermaid are in the same theme, then the

365
00:20:04,600 --> 00:20:09,400
Speaker 2: theme is just like stuff that's made up. Yeah, okay.

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Speaker 2: The other one is like you're in a park like

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Speaker 2: the themeous rides.

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Speaker 1: Yeah, they also have throw rights and a lot of

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Speaker 1: the rides at Magic Mountain that they say like Joker

370
00:20:21,280 --> 00:20:26,920
Speaker 1: invented this one to kill you. It's his ride, he

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Speaker 1: owns it.

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Speaker 3: I'm just saying generally, uh huh. The categorization of theme

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Speaker 3: park and amusement park it varies.

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Speaker 2: Does Lego Landing the Indiana Jones like live show yea,

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Speaker 2: and then.

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Speaker 3: Like Spectacular Yeah, and then like but that's a theme

377
00:20:48,359 --> 00:20:51,440
Speaker 3: park that's based around movies slash Mountain Rip, but that's

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Speaker 3: not in the same park.

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Speaker 2: Uh okay, what's the what's the live show at? Uh

380
00:20:58,240 --> 00:21:00,000
Speaker 2: at Disney.

381
00:20:59,560 --> 00:21:02,480
Speaker 3: Then, uh, there's not really any there's.

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00:21:02,240 --> 00:21:06,160
Speaker 2: Like a there is well you mean what, No, there's

383
00:21:06,280 --> 00:21:08,439
Speaker 2: like a theater to sit and.

384
00:21:08,320 --> 00:21:14,000
Speaker 3: Like musical there. And then there's the one at California Adventure. Yeah,

385
00:21:14,160 --> 00:21:16,760
Speaker 3: it's either Aladdin or Frozen or something.

386
00:21:16,840 --> 00:21:17,480
Speaker 1: I'm not sure.

387
00:21:19,920 --> 00:21:22,239
Speaker 2: Yeah, yeah, I don't know.

388
00:21:22,760 --> 00:21:24,880
Speaker 1: You gotta figure this out before you And.

389
00:21:24,800 --> 00:21:26,240
Speaker 2: Then there's too Lately podcast.

390
00:21:26,720 --> 00:21:27,560
Speaker 3: When does this come out?

391
00:21:27,640 --> 00:21:29,440
Speaker 2: The theme is moved, you.

392
00:21:29,320 --> 00:21:35,560
Speaker 1: Can always go back in because it hasn't hit the as.

393
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Speaker 3: It comes out two days, two days.

394
00:21:39,800 --> 00:21:42,760
Speaker 2: I think this episode, I think this episode should probably

395
00:21:42,760 --> 00:21:46,119
Speaker 2: be the first episode of your new podcast where we

396
00:21:46,440 --> 00:21:50,399
Speaker 2: just kind of go through and figure out, like what

397
00:21:50,560 --> 00:21:51,919
Speaker 2: the rules are gonna.

398
00:21:51,800 --> 00:21:54,800
Speaker 3: No, that would that would ruin it.

399
00:21:55,040 --> 00:21:58,639
Speaker 2: So much of the ship you're saying makes no fucking sense,

400
00:21:59,200 --> 00:22:02,480
Speaker 2: and I I want to be able to enjoy the show,

401
00:22:02,720 --> 00:22:04,040
Speaker 2: you know, because.

402
00:22:03,760 --> 00:22:09,119
Speaker 1: Like like steadily on the ground.

403
00:22:07,680 --> 00:22:10,520
Speaker 3: What don't you understand? How can I clear this up

404
00:22:10,520 --> 00:22:10,720
Speaker 3: for you?

405
00:22:10,840 --> 00:22:14,040
Speaker 2: Understand how somebody I'm such a huge fan of like

406
00:22:14,320 --> 00:22:18,320
Speaker 2: blew it this bad? Because I've been like I've been

407
00:22:18,840 --> 00:22:21,720
Speaker 2: rooting for you. I've been fucking pumping you up behind

408
00:22:21,800 --> 00:22:25,480
Speaker 2: the scenes, like I am like your guy, I'm a

409
00:22:25,840 --> 00:22:28,840
Speaker 2: dog for you out in those streets. Man, I am

410
00:22:29,040 --> 00:22:31,480
Speaker 2: like fucking chief.

411
00:22:31,640 --> 00:22:36,000
Speaker 3: President, leader mayor of the fan club.

412
00:22:36,560 --> 00:22:41,520
Speaker 2: And I am ashamed of myself that I have associated

413
00:22:41,800 --> 00:22:46,760
Speaker 2: with a brand that is so confused and so lost

414
00:22:46,960 --> 00:22:50,600
Speaker 2: right now, and you're talking about putting this thing out

415
00:22:51,040 --> 00:22:56,520
Speaker 2: without releasing this first to say, hey man, you know

416
00:22:56,920 --> 00:23:02,879
Speaker 2: we like new kid like COVID, like it's like, you know,

417
00:23:03,400 --> 00:23:08,920
Speaker 2: ship got fucked up, and so like I'm sorry, like here,

418
00:23:09,119 --> 00:23:12,359
Speaker 2: listen if you want, but probably not because we don't

419
00:23:12,480 --> 00:23:15,800
Speaker 2: know what it is, like, we don't know what we made.

420
00:23:16,440 --> 00:23:18,680
Speaker 2: We maybe don't know what the parks are.

421
00:23:19,440 --> 00:23:22,440
Speaker 1: There's no shame in it either. There's like, oh my god,

422
00:23:22,680 --> 00:23:25,080
Speaker 1: that kind of radical honesty. There is no I don't

423
00:23:25,080 --> 00:23:27,200
Speaker 1: have any shame in there's locking up this.

424
00:23:27,920 --> 00:23:29,240
Speaker 3: There's nothing can be shameful about it.

425
00:23:29,320 --> 00:23:32,960
Speaker 2: Well, I am ashamed. I am ashamed because I because

426
00:23:33,040 --> 00:23:36,800
Speaker 2: I did say to basically, I don't listen.

427
00:23:41,800 --> 00:23:43,120
Speaker 3: This is crazy guys.

428
00:23:43,400 --> 00:23:45,280
Speaker 2: And then you come on, you go, hey guys, just

429
00:23:45,320 --> 00:23:46,840
Speaker 2: so you know I missed.

430
00:23:46,880 --> 00:23:48,840
Speaker 3: No, no, no. How many times have I been on

431
00:23:48,880 --> 00:23:51,360
Speaker 3: this podcast? Three or four times? Each time I come

432
00:23:51,400 --> 00:23:53,320
Speaker 3: on this thing and I'm familiar with the podcast, I

433
00:23:53,359 --> 00:23:55,600
Speaker 3: don't know where the fuck I am or what's going

434
00:23:55,640 --> 00:23:56,480
Speaker 3: on or who you.

435
00:23:56,440 --> 00:23:59,760
Speaker 1: People are in a different room. Yeah, pretty much every time.

436
00:24:00,119 --> 00:24:04,199
Speaker 1: Not helpful for us either. Okay, So and here is

437
00:24:04,320 --> 00:24:09,600
Speaker 1: and what you're hearing from me, is accountability. Okay, yeah,

438
00:24:10,560 --> 00:24:15,679
Speaker 1: I might want to introduce yourself to you're hearing accountability

439
00:24:15,760 --> 00:24:18,480
Speaker 1: every time we have you on the show. That it's

440
00:24:18,640 --> 00:24:20,560
Speaker 1: a completely different building.

441
00:24:21,240 --> 00:24:23,919
Speaker 2: I can help you. Actually, the theme of the podcast

442
00:24:23,960 --> 00:24:24,600
Speaker 2: is fantasy.

443
00:24:24,800 --> 00:24:25,000
Speaker 1: Yeah.

444
00:24:25,040 --> 00:24:31,960
Speaker 3: No, no, no, that's passive aggressive, is it's it's it's bitterness,

445
00:24:32,600 --> 00:24:39,639
Speaker 3: it's cynicism. Frankly, it's unfriendly projection. Yeah, it's about projection.

446
00:24:39,720 --> 00:24:42,960
Speaker 2: You're right, Yeah, I am right.

447
00:24:43,280 --> 00:24:43,480
Speaker 1: Yeah.

448
00:24:43,560 --> 00:24:44,840
Speaker 2: And guess who figured that out?

449
00:24:45,119 --> 00:24:45,440
Speaker 3: I did?

450
00:24:45,760 --> 00:24:46,760
Speaker 2: Yeah, by projecting.

451
00:24:47,000 --> 00:24:48,240
Speaker 1: Uh mm hmm.

452
00:24:50,320 --> 00:24:51,760
Speaker 2: You're telling on yourself, sweetie.

453
00:24:57,160 --> 00:24:59,480
Speaker 1: Did you talk to Amanda at all about like what

454
00:24:59,640 --> 00:25:03,120
Speaker 1: makes a good like experience? You know, like how to

455
00:25:04,560 --> 00:25:10,000
Speaker 1: where everyone is like because they you know, they come

456
00:25:10,040 --> 00:25:16,600
Speaker 1: on the show and like they're they're hiy hi.

457
00:25:17,440 --> 00:25:18,800
Speaker 2: They come on the show and we have fun.

458
00:25:18,880 --> 00:25:22,040
Speaker 1: Yeah we touched by accident and like you know, like

459
00:25:22,080 --> 00:25:25,960
Speaker 1: they're they get nasty and like you know, we spar

460
00:25:26,160 --> 00:25:27,400
Speaker 1: a little bit, but it's all.

461
00:25:27,320 --> 00:25:32,960
Speaker 5: Fun, you know, it's Oh, believe me, they give as

462
00:25:32,960 --> 00:25:36,520
Speaker 5: good as they get. So everyone leaves feeling like they

463
00:25:36,920 --> 00:25:38,040
Speaker 5: they said their peace.

464
00:25:38,200 --> 00:25:41,320
Speaker 3: She want to come here today, of course I had.

465
00:25:41,520 --> 00:25:45,639
Speaker 2: Course, She's already done it successfully. It's checked off, you

466
00:25:45,840 --> 00:25:50,400
Speaker 2: need to keep returning again and again, and so we're

467
00:25:50,600 --> 00:25:53,840
Speaker 2: obviously this episode is not going to be the one,

468
00:25:53,960 --> 00:25:56,480
Speaker 2: but we'd like, we'd like to figure it out for

469
00:25:56,600 --> 00:25:58,600
Speaker 2: next time so that we can kind of have like

470
00:25:58,640 --> 00:26:00,840
Speaker 2: a really positive experience for everybody.

471
00:26:00,920 --> 00:26:02,440
Speaker 3: I don't think there's going to be a next time.

472
00:26:03,880 --> 00:26:06,280
Speaker 1: I think you're gonna pull it out and then that,

473
00:26:06,359 --> 00:26:09,240
Speaker 1: you know, we only got like we're over the ump.

474
00:26:09,440 --> 00:26:10,280
Speaker 2: I can't do it that long.

475
00:26:10,320 --> 00:26:10,959
Speaker 4: We lose a draw.

476
00:26:11,000 --> 00:26:12,840
Speaker 3: I don't think they're coming back. I think this is

477
00:26:12,880 --> 00:26:13,959
Speaker 3: it for me. I think I've had it.

478
00:26:14,560 --> 00:26:16,399
Speaker 1: Well, it's gonna be keep in mind that it's going

479
00:26:16,440 --> 00:26:18,400
Speaker 1: to be in a new building next time, so you're right,

480
00:26:18,600 --> 00:26:20,480
Speaker 1: you're not even curious what it's going to look like.

481
00:26:20,560 --> 00:26:22,280
Speaker 2: Yeah, you don't want to see where we are?

482
00:26:22,640 --> 00:26:23,639
Speaker 1: You know, what's the building? Like?

483
00:26:23,640 --> 00:26:25,080
Speaker 3: What's the story there? How come you guys are in

484
00:26:25,119 --> 00:26:26,640
Speaker 3: a new building? This is already pretty new.

485
00:26:27,240 --> 00:26:29,520
Speaker 1: How can we will be next time? Yeah? Fuck if

486
00:26:29,520 --> 00:26:29,840
Speaker 1: I know?

487
00:26:30,200 --> 00:26:32,880
Speaker 2: Yeah Jesus christ Man. No, we'd like to just find

488
00:26:32,920 --> 00:26:34,440
Speaker 2: a nice little home, settled down.

489
00:26:34,560 --> 00:26:37,560
Speaker 1: Yeah, make the show, but lord knows, something is going

490
00:26:37,640 --> 00:26:38,040
Speaker 1: to happen.

491
00:26:38,160 --> 00:26:38,600
Speaker 3: Mm hmm.

492
00:26:39,880 --> 00:26:41,639
Speaker 1: I'm not gonna know it was my fault until a

493
00:26:41,680 --> 00:26:42,600
Speaker 1: couple of years later.

494
00:26:42,840 --> 00:26:45,240
Speaker 2: Oh yeah, the part that's in our control is just

495
00:26:45,480 --> 00:26:48,080
Speaker 2: making the show, and that part's not really in our control.

496
00:26:48,240 --> 00:26:48,600
Speaker 3: Okay.

497
00:26:48,680 --> 00:26:51,760
Speaker 2: So so when you ask me like why did it

498
00:26:51,880 --> 00:26:55,360
Speaker 2: move or where will it be? I just have to say, like, hey, man,

499
00:26:55,400 --> 00:26:58,040
Speaker 2: you're asking the wrong guy. Okay, you need ask the

500
00:26:58,040 --> 00:26:58,520
Speaker 2: big man.

501
00:26:58,720 --> 00:26:59,200
Speaker 3: Who's that?

502
00:26:59,280 --> 00:26:59,960
Speaker 1: Kevin? Kevin?

503
00:27:00,359 --> 00:27:03,320
Speaker 3: Yeah, yeah, okay, Kevin, He's the only one. I feel

504
00:27:03,320 --> 00:27:06,280
Speaker 3: like it's friendly here. It's nice, you know.

505
00:27:07,080 --> 00:27:07,280
Speaker 4: Yeah.

506
00:27:07,400 --> 00:27:09,800
Speaker 2: I wouldn't vending you a lot. The whole time he's

507
00:27:09,800 --> 00:27:12,520
Speaker 2: been jumping in and like saying like no, no, no, no,

508
00:27:12,560 --> 00:27:15,480
Speaker 2: don't treat Matt this way. Oh no, he's been laughing

509
00:27:15,560 --> 00:27:19,920
Speaker 2: his fucking ass off behind the fucking desk. You know

510
00:27:19,920 --> 00:27:22,679
Speaker 2: what I mean? Go ahead, Kevin, what do you.

511
00:27:22,680 --> 00:27:24,399
Speaker 1: Want to say speaking of jumping in?

512
00:27:24,680 --> 00:27:25,440
Speaker 2: Of jumping in?

513
00:27:26,000 --> 00:27:29,760
Speaker 1: Great, we have some special messages speaking of jumping in,

514
00:27:30,880 --> 00:27:31,359
Speaker 1: you guys?

515
00:27:32,240 --> 00:27:35,399
Speaker 2: Did I say that speaking a jumping in?

516
00:27:35,520 --> 00:27:38,199
Speaker 3: We actually have special messages from someone who couldn't be

517
00:27:38,320 --> 00:27:40,159
Speaker 3: here uh this morning.

518
00:27:41,280 --> 00:27:42,520
Speaker 1: Let's see how this sounds.

519
00:27:43,680 --> 00:27:47,679
Speaker 4: Boys, boys, boys, it's a man to hear. I'm so

520
00:27:47,880 --> 00:27:51,679
Speaker 4: sorry I can't be on on this show today, and

521
00:27:51,760 --> 00:27:55,359
Speaker 4: thank you so much for generously accepting the appearance of

522
00:27:55,400 --> 00:27:59,040
Speaker 4: my husband, Matt Gorley and my proxy. I had quite

523
00:27:59,119 --> 00:28:02,800
Speaker 4: an intense healing session with my reiki master yesterday and

524
00:28:03,440 --> 00:28:06,240
Speaker 4: she suggested I isolate for the next forty eight hours

525
00:28:06,240 --> 00:28:10,000
Speaker 4: in order to avoid any people with toxic energy that

526
00:28:10,200 --> 00:28:12,440
Speaker 4: might be able to penetrate.

527
00:28:12,040 --> 00:28:12,879
Speaker 1: My So she agreed.

528
00:28:13,000 --> 00:28:16,760
Speaker 4: Now very open pores. But anyway, I am so excited

529
00:28:16,760 --> 00:28:20,000
Speaker 4: to be promoting Keys to the Kingdom. And I know

530
00:28:20,080 --> 00:28:25,199
Speaker 4: that you know, Sean and Hayes have been following my

531
00:28:25,320 --> 00:28:29,000
Speaker 4: career very closely, but for everyone else who doesn't know.

532
00:28:30,560 --> 00:28:34,400
Speaker 4: When I was sixteen years old, I got a job

533
00:28:34,400 --> 00:28:41,080
Speaker 4: playing a princess at Disneyland, and I played Cinderella, Aurora

534
00:28:41,280 --> 00:28:44,800
Speaker 4: or Sleeping Beauty or Briar Rose. That's all one character,

535
00:28:45,400 --> 00:28:50,360
Speaker 4: you know, and Ariel the Little Mermaid at Disneyland Resort.

536
00:28:50,760 --> 00:28:54,160
Speaker 4: And I also worked at Tokyo Disney playing Mary Poppins

537
00:28:54,240 --> 00:28:58,680
Speaker 4: and Cinderella and oh the stories I have. But you know,

538
00:28:58,720 --> 00:29:00,560
Speaker 4: if you want to hear them, going to have to

539
00:29:00,640 --> 00:29:04,400
Speaker 4: check out Keys to the Kingdom, you know. Just off

540
00:29:04,400 --> 00:29:06,360
Speaker 4: the top of my head, there was.

541
00:29:08,360 --> 00:29:10,040
Speaker 2: She is, Oh, well, I don't have any.

542
00:29:09,880 --> 00:29:12,040
Speaker 4: Off the top of my head. Okay, so sue me,

543
00:29:12,600 --> 00:29:14,840
Speaker 4: but I think the interview is going well, and I'm

544
00:29:14,840 --> 00:29:17,920
Speaker 4: going to check back in and a little bit and

545
00:29:18,480 --> 00:29:19,600
Speaker 4: back to you, honey.

546
00:29:21,600 --> 00:29:25,560
Speaker 2: M okay, So well, what do you have to say?

547
00:29:25,600 --> 00:29:27,680
Speaker 1: Okay, So you didn't think she was talking about you

548
00:29:27,720 --> 00:29:29,000
Speaker 1: when she said, like.

549
00:29:29,280 --> 00:29:33,520
Speaker 2: When she said back to you, honey, are you turned

550
00:29:33,520 --> 00:29:35,920
Speaker 2: to me and said, so you think you're.

551
00:29:35,800 --> 00:29:40,240
Speaker 1: Talking about shod.

552
00:29:40,880 --> 00:29:43,560
Speaker 3: To take to take the lead off that it's not

553
00:29:43,640 --> 00:29:44,920
Speaker 3: my show, you know.

554
00:29:45,160 --> 00:29:48,239
Speaker 1: Well it is hers to an extent. She is.

555
00:29:48,600 --> 00:29:52,200
Speaker 2: You know, she has a pretty large, massive financial.

556
00:29:53,480 --> 00:29:58,840
Speaker 1: So I and that actually makes me wonder what's the

557
00:29:58,880 --> 00:30:02,680
Speaker 1: hat packs in area with her and Maria. Has anything

558
00:30:02,760 --> 00:30:05,720
Speaker 1: been carved out there? Because my first instinct is like,

559
00:30:06,240 --> 00:30:09,680
Speaker 1: don't fucking don't play a finger on it, don't tell them.

560
00:30:09,960 --> 00:30:12,320
Speaker 1: But now I'm also thinking we might be a little

561
00:30:12,360 --> 00:30:15,440
Speaker 1: overexposed on this, on this thing and we and we

562
00:30:15,440 --> 00:30:16,280
Speaker 1: could maybe.

563
00:30:16,080 --> 00:30:17,360
Speaker 2: Use it might protect us.

564
00:30:17,400 --> 00:30:20,680
Speaker 1: I don't understand some additional partners. So she didn't involve

565
00:30:20,680 --> 00:30:23,480
Speaker 1: you with that. It's like the fridge. I guess, huh,

566
00:30:24,440 --> 00:30:29,000
Speaker 1: there's just both the bank account and hey, Gurley, do

567
00:30:29,080 --> 00:30:33,560
Speaker 1: me a favor. It's not it, Gurley.

568
00:30:34,600 --> 00:30:38,160
Speaker 3: Okay, okay, I'm getting charged.

569
00:30:39,200 --> 00:30:43,960
Speaker 2: Hey, what do me a favor. Yeah, when there's something

570
00:30:44,000 --> 00:30:46,720
Speaker 2: you don't understand, you don't need to chime in and

571
00:30:46,760 --> 00:30:49,200
Speaker 2: tell us. It'll be more interesting to me when you

572
00:30:49,240 --> 00:30:53,880
Speaker 2: do understand. That'll be when you can really help us out.

573
00:30:54,560 --> 00:30:57,040
Speaker 3: I understand what you're saying. How's that?

574
00:30:57,120 --> 00:30:58,880
Speaker 1: Love it? Man? Interesting?

575
00:30:59,000 --> 00:31:03,040
Speaker 2: This is forward progress. Yeah, yeah, I'm sorry about the

576
00:31:03,120 --> 00:31:06,480
Speaker 2: name thing, dude, that's all right. Fucking somebody told me

577
00:31:06,800 --> 00:31:10,920
Speaker 2: the opposite before, Kevin, Hey.

578
00:31:10,800 --> 00:31:16,080
Speaker 3: Gorley, try this on for Size's toss a Hatlis fumbled

579
00:31:16,080 --> 00:31:16,440
Speaker 3: the bag.

580
00:31:16,880 --> 00:31:19,960
Speaker 2: Edit the video so he catches it. I don't want

581
00:31:19,960 --> 00:31:21,520
Speaker 2: it to seem like the hat's hard to catch.

582
00:31:22,920 --> 00:31:25,320
Speaker 3: So all right, So this is your hat. You make

583
00:31:25,360 --> 00:31:27,320
Speaker 3: this hat, you manufacture this way.

584
00:31:27,360 --> 00:31:29,640
Speaker 1: This is our hat. We make this hat, We manufacture

585
00:31:29,680 --> 00:31:36,240
Speaker 1: this and we have gone a little out over our

586
00:31:36,360 --> 00:31:41,560
Speaker 1: skis with the with the with the production, some of

587
00:31:41,600 --> 00:31:44,960
Speaker 1: the quantity. We're a little overstocked.

588
00:31:45,080 --> 00:31:49,480
Speaker 3: Really, it's a great hat. Fits like a glove.

589
00:31:49,560 --> 00:31:52,120
Speaker 1: It looks bad as what.

590
00:31:53,720 --> 00:31:55,160
Speaker 2: Can I adjust the size fit for you?

591
00:31:55,280 --> 00:31:56,440
Speaker 1: Because hm hm.

592
00:31:56,960 --> 00:31:59,320
Speaker 3: No, it fits perfectly, fits perfectly.

593
00:32:01,200 --> 00:32:05,040
Speaker 2: Some people are wearing there's an adjustable element and I

594
00:32:05,040 --> 00:32:06,959
Speaker 2: would like to see if it was a little larger.

595
00:32:07,120 --> 00:32:09,080
Speaker 3: I tried. I put it on my setting. This is

596
00:32:09,080 --> 00:32:10,960
Speaker 3: my setting, and this is how it lies. Other hats

597
00:32:10,960 --> 00:32:13,040
Speaker 3: they fit, they go on when I put it on

598
00:32:13,120 --> 00:32:15,440
Speaker 3: my I know the number of little nubs.

599
00:32:15,640 --> 00:32:18,440
Speaker 1: Wearing a hat very high on your head like this,

600
00:32:18,680 --> 00:32:24,840
Speaker 1: what's your number? If there's my sleep number, if there's

601
00:32:24,880 --> 00:32:28,320
Speaker 1: people who are trying to assassinate you, which I can't

602
00:32:28,360 --> 00:32:32,040
Speaker 1: imagine they aren't in this case, wearing the hat really

603
00:32:32,120 --> 00:32:35,560
Speaker 1: high up, bullet goes straight because the bullet knife whatever

604
00:32:35,600 --> 00:32:39,120
Speaker 1: it is, to just go straight. They think you've got

605
00:32:39,480 --> 00:32:42,480
Speaker 1: this extra head up there, but it's just hat. Why

606
00:32:42,480 --> 00:32:42,960
Speaker 1: they hate you?

607
00:32:43,480 --> 00:32:46,280
Speaker 3: Yeah, So I think why they miss me? And that's

608
00:32:46,320 --> 00:32:48,320
Speaker 3: why I keep on keep it on.

609
00:32:48,960 --> 00:32:50,920
Speaker 1: They so they do miss it? So smart.

610
00:32:51,240 --> 00:32:54,120
Speaker 3: I didn't know you knew that I was involved in

611
00:32:54,160 --> 00:32:56,440
Speaker 3: the clandestine world of espionage.

612
00:32:57,720 --> 00:33:00,719
Speaker 1: Yeah, no, I thought that people just trying to make

613
00:33:00,760 --> 00:33:01,280
Speaker 1: you shut up.

614
00:33:02,200 --> 00:33:04,720
Speaker 4: H m hm.

615
00:33:06,560 --> 00:33:15,320
Speaker 1: So when it comes to their involvement, yeah, maybe we

616
00:33:15,360 --> 00:33:18,840
Speaker 1: can figure something out. Because I'm getting like, we're never

617
00:33:18,920 --> 00:33:20,440
Speaker 1: gonna unload all this ship.

618
00:33:20,760 --> 00:33:21,680
Speaker 3: How many of these you got?

619
00:33:21,760 --> 00:33:26,480
Speaker 1: We're underwater And that's scientifically accurate. Apparently that the number

620
00:33:26,480 --> 00:33:30,120
Speaker 1: of hats that Kevin and his gf have created is

621
00:33:30,160 --> 00:33:32,560
Speaker 1: technically as a minor ocean.

622
00:33:33,520 --> 00:33:36,880
Speaker 2: Kevin in Is, he's asked just to start referring to

623
00:33:36,920 --> 00:33:41,720
Speaker 2: her as his boo thing on the show, which I own.

624
00:33:41,760 --> 00:33:44,440
Speaker 2: It's spooky season, Yeah, I know, I know.

625
00:33:45,840 --> 00:33:48,440
Speaker 3: I hope these don't break off. Sometimes these things break.

626
00:33:48,160 --> 00:33:50,160
Speaker 2: Really well, this is gentle.

627
00:33:51,080 --> 00:33:53,480
Speaker 3: You have to be gentle with this. It's not real,

628
00:33:53,920 --> 00:33:56,360
Speaker 3: but the way you're you have to be gentle with

629
00:33:56,400 --> 00:34:00,600
Speaker 3: it going ago.

630
00:34:01,960 --> 00:34:02,560
Speaker 1: Hope they don't.

631
00:34:02,680 --> 00:34:04,680
Speaker 2: I hope they don't break off. Well, they don't break

632
00:34:04,680 --> 00:34:05,240
Speaker 2: off easily.

633
00:34:05,360 --> 00:34:06,440
Speaker 1: They don't break off easily.

634
00:34:06,760 --> 00:34:09,879
Speaker 2: You got to be a real clumsy jackass. They'll break up, okay,

635
00:34:10,160 --> 00:34:11,560
Speaker 2: And I hope that doesn't happen to you.

636
00:34:11,800 --> 00:34:13,160
Speaker 1: I hope that. I hope that's not.

637
00:34:13,280 --> 00:34:16,719
Speaker 2: It's just sort of stiff. It just it's brand new.

638
00:34:17,160 --> 00:34:20,200
Speaker 1: Yeah, but it's brand new, not very comfortab.

639
00:34:20,000 --> 00:34:25,040
Speaker 2: No, no, no, no, it's it's chafing. It's not broken in,

640
00:34:25,200 --> 00:34:30,480
Speaker 2: it's not. It shouldn't. Still, that's possibly your skincare routine

641
00:34:30,560 --> 00:34:33,960
Speaker 2: and coming home to roost. I know, trucker cats, whatever

642
00:34:34,080 --> 00:34:37,480
Speaker 2: you use in your hair, and it's your No, I

643
00:34:37,600 --> 00:34:40,880
Speaker 2: use my flaky skin that you don't take care of.

644
00:34:41,840 --> 00:34:45,200
Speaker 2: And it's time Daddy to start going to the grocery

645
00:34:45,239 --> 00:34:48,600
Speaker 2: store buying some of your own syrup. And also, let's

646
00:34:48,680 --> 00:34:52,520
Speaker 2: have a talk about washing our face at night, right,

647
00:34:52,719 --> 00:34:57,720
Speaker 2: about using some kind of lotion or product to try

648
00:34:57,760 --> 00:35:01,560
Speaker 2: to give back to our body and our skin that

649
00:35:01,600 --> 00:35:04,000
Speaker 2: has given so much to us, and not just take

650
00:35:04,040 --> 00:35:07,759
Speaker 2: tick take t take tick take and a hat later.

651
00:35:07,560 --> 00:35:08,959
Speaker 1: But even that might not be enough.

652
00:35:11,000 --> 00:35:14,120
Speaker 2: Get out of the show bearing the hat, bature and nurture,

653
00:35:14,239 --> 00:35:19,040
Speaker 2: and at this point that genetically is Fucked's like, but

654
00:35:19,160 --> 00:35:21,319
Speaker 2: like it's just like, let's not bring that up while

655
00:35:21,320 --> 00:35:24,480
Speaker 2: we're trying to make the show. Once he gets once

656
00:35:24,520 --> 00:35:26,600
Speaker 2: he leaves the studio, I don't care what happens this

657
00:35:26,640 --> 00:35:31,160
Speaker 2: guy's face. But for now, it's like, make it clear,

658
00:35:31,200 --> 00:35:34,200
Speaker 2: it's not the hat. It's not the hat man, it's

659
00:35:34,320 --> 00:35:35,920
Speaker 2: something else, something.

660
00:35:35,680 --> 00:35:36,239
Speaker 1: Wrong with you.

661
00:35:37,640 --> 00:35:39,680
Speaker 3: Let's check out the next voice memo because it's a

662
00:35:39,680 --> 00:35:40,560
Speaker 3: lot longer.

663
00:35:43,719 --> 00:35:48,520
Speaker 4: Well, thanks for that. I really appreciate the compliment. Okay,

664
00:35:48,520 --> 00:35:50,799
Speaker 4: so I wanted to come and do a little fun

665
00:35:50,960 --> 00:35:56,120
Speaker 4: something here. I go ahead. It pasts you boys in

666
00:35:56,320 --> 00:36:02,480
Speaker 4: the Disney character roles. You would play at Disneyland.

667
00:36:02,600 --> 00:36:03,719
Speaker 2: So let me take a look.

668
00:36:03,719 --> 00:36:06,520
Speaker 4: I've got your Google pictures up here. Okay, I'm looking

669
00:36:06,560 --> 00:36:09,080
Speaker 4: at Sean and Hayes here. This is a picture I

670
00:36:09,120 --> 00:36:12,279
Speaker 4: think in the Herewolf studios. It's a pretty good representation

671
00:36:12,360 --> 00:36:16,680
Speaker 4: of your faces. Okay, So I'm gonna go ahead and

672
00:36:16,719 --> 00:36:20,279
Speaker 4: say we're not looking at any prince Charmings here, and

673
00:36:20,320 --> 00:36:24,719
Speaker 4: that's not a bad thing. It's just prince charming tends

674
00:36:24,840 --> 00:36:31,600
Speaker 4: to be a little bit darker hair wise. But I

675
00:36:31,640 --> 00:36:35,560
Speaker 4: am seeing prince like qualities. And here I'm seeing Sean

676
00:36:35,680 --> 00:36:38,520
Speaker 4: and Hayes on a step and repeat at some sort

677
00:36:38,520 --> 00:36:42,000
Speaker 4: of vulture festival and I just Google image to Hollywood

678
00:36:42,000 --> 00:36:44,880
Speaker 4: hand them. So okay, I'm gonna start with Sewn and

679
00:36:44,920 --> 00:36:48,960
Speaker 4: I'm not I'm not remembering your height exactly, but I

680
00:36:49,000 --> 00:36:55,839
Speaker 4: think you might be around six six foot tall. Sewan

681
00:36:55,920 --> 00:36:59,680
Speaker 4: would play the prince, and now that is snow White's prince,

682
00:36:59,800 --> 00:37:02,399
Speaker 4: and he is just called the prince. He doesn't have

683
00:37:02,680 --> 00:37:06,680
Speaker 4: a name beyond that. And just getting eyes on Hayes here,

684
00:37:07,280 --> 00:37:09,680
Speaker 4: it's pretty clear to me that Hayes is a Prince Philip,

685
00:37:10,640 --> 00:37:14,319
Speaker 4: so that would be Sleeping Beauty's Prince, and I think

686
00:37:14,400 --> 00:37:18,879
Speaker 4: that's where you two would land. As far as face characters,

687
00:37:20,160 --> 00:37:22,600
Speaker 4: there might be some roles for you in the lesser

688
00:37:22,680 --> 00:37:25,759
Speaker 4: known movie of Treasure Island, but those characters aren't very

689
00:37:25,760 --> 00:37:28,600
Speaker 4: popular and they're not represented in the park on a

690
00:37:28,640 --> 00:37:32,319
Speaker 4: regular basis. But I think, yes, you both could play

691
00:37:32,320 --> 00:37:35,600
Speaker 4: the princes. And then additionally, I believe you could be

692
00:37:35,640 --> 00:37:38,880
Speaker 4: double cast as also a Merlin. Now don't take offense.

693
00:37:38,920 --> 00:37:41,319
Speaker 4: I know you're thinking Merlin. He's got the long gray hair,

694
00:37:41,440 --> 00:37:44,560
Speaker 4: the long gray beard. But in fact, Merlin, because of

695
00:37:44,600 --> 00:37:47,040
Speaker 4: the physicality of the role, was always played by a

696
00:37:47,080 --> 00:37:51,879
Speaker 4: younger man, a slim man, a sinewy man, a man

697
00:37:51,920 --> 00:37:54,319
Speaker 4: who can sort of hop and bounce around and kick

698
00:37:54,400 --> 00:37:57,080
Speaker 4: up his legs. So I think you guys could also

699
00:37:57,239 --> 00:38:01,120
Speaker 4: definitely go for some Merlin in the parade. And then

700
00:38:01,160 --> 00:38:04,719
Speaker 4: as far as fuzzy characters, I'm not sure of your

701
00:38:04,800 --> 00:38:08,759
Speaker 4: heights exactly. Hayes is appearing quite tall to me, which

702
00:38:08,840 --> 00:38:10,879
Speaker 4: could put him in the goofy height realm, but you'd

703
00:38:10,880 --> 00:38:12,920
Speaker 4: have to be, you know, six one sixty two, so

704
00:38:13,000 --> 00:38:18,440
Speaker 4: that might not be realistic. I'm thinking maybe maybe you

705
00:38:18,480 --> 00:38:22,000
Speaker 4: guys would be closer to a tigger, a tigger height,

706
00:38:22,680 --> 00:38:26,120
Speaker 4: so anyway, I'll let my husband, uh sort of finesse that.

707
00:38:26,400 --> 00:38:30,439
Speaker 4: Oh and then also Kevin of course Prince Charming. All right,

708
00:38:30,600 --> 00:38:31,360
Speaker 4: good luck.

709
00:38:34,600 --> 00:38:41,959
Speaker 1: M honey. I just want to say, we've got these

710
00:38:42,080 --> 00:38:46,360
Speaker 1: notebooks sitting out here, composition books that I guess are props.

711
00:38:46,760 --> 00:38:49,560
Speaker 1: Mentioned them before they put it. I don't like it's

712
00:38:49,560 --> 00:38:51,640
Speaker 1: like you and the syrup. They just show up and

713
00:38:51,880 --> 00:38:54,560
Speaker 1: you know, I just I just do my thing. But

714
00:38:54,640 --> 00:38:57,960
Speaker 1: I will say, for the first time, I think you

715
00:38:58,040 --> 00:38:59,960
Speaker 1: should be picking those up and taking notes.

716
00:39:00,560 --> 00:39:01,759
Speaker 2: Yeah, I think you.

717
00:39:01,800 --> 00:39:06,080
Speaker 1: Want to need him. What happened that in that voice

718
00:39:06,160 --> 00:39:12,720
Speaker 1: memo not even being in the room full premise introduced.

719
00:39:12,280 --> 00:39:15,480
Speaker 2: Engage with the hosts, like brought herself into it, her

720
00:39:15,520 --> 00:39:19,320
Speaker 2: own ideas, got a pen for him, and it actually

721
00:39:19,360 --> 00:39:22,120
Speaker 2: made me think, and this is where I learned from

722
00:39:22,160 --> 00:39:24,640
Speaker 2: her even as a host, where you mentioned that she

723
00:39:26,440 --> 00:39:28,640
Speaker 2: was a princess. But you also said that you both

724
00:39:28,680 --> 00:39:31,000
Speaker 2: worked at theme parks. So did you like clean the

725
00:39:31,080 --> 00:39:33,040
Speaker 2: grease traps with your face or something like?

726
00:39:33,080 --> 00:39:33,640
Speaker 1: What did you do?

727
00:39:35,880 --> 00:39:42,319
Speaker 3: I did a series of improv comedic improv shows and

728
00:39:42,480 --> 00:39:43,400
Speaker 3: among other things.

729
00:39:43,480 --> 00:39:46,280
Speaker 2: Yeah, a fellow comedic performer.

730
00:39:47,120 --> 00:39:50,000
Speaker 3: I'm hesitant to say that you and I are fellow anything,

731
00:39:50,080 --> 00:39:51,360
Speaker 3: but yeah, I think so.

732
00:39:51,360 --> 00:39:53,839
Speaker 1: So that's I'm getting you know, you so you worked

733
00:39:53,920 --> 00:39:54,880
Speaker 1: at a theme park.

734
00:39:55,600 --> 00:39:57,440
Speaker 2: I've done some provisos myself.

735
00:40:00,200 --> 00:40:02,160
Speaker 1: Not necessary. I mean, you know, you can buy a

736
00:40:02,200 --> 00:40:05,160
Speaker 1: ticket and then you just like go in and work,

737
00:40:05,560 --> 00:40:09,440
Speaker 1: you know, like you're working, not compensated in a in

738
00:40:09,480 --> 00:40:13,440
Speaker 1: a traditional way. Yeah, but that's improv you know, like.

739
00:40:13,560 --> 00:40:16,239
Speaker 2: Oh yeah, no improv everywhere.

740
00:40:16,400 --> 00:40:18,720
Speaker 3: Yeah, oh no, I wasn't improv everywhere.

741
00:40:19,120 --> 00:40:22,520
Speaker 1: No, this was improv specifically.

742
00:40:21,880 --> 00:40:24,160
Speaker 2: Somewhere, specifically somewhere at the theme park.

743
00:40:24,480 --> 00:40:29,560
Speaker 1: Yeah, it could be everywhere. Just the like just the

744
00:40:29,719 --> 00:40:37,319
Speaker 1: seamless uh, transition into taking what we were talking about,

745
00:40:37,640 --> 00:40:40,439
Speaker 1: turning it into it like a bit, a substantial bit

746
00:40:41,560 --> 00:40:43,040
Speaker 1: and like got us talking.

747
00:40:44,600 --> 00:40:46,719
Speaker 2: I'm still talking about it, you know what I mean.

748
00:40:46,800 --> 00:40:51,080
Speaker 2: And then you know, and by the way, it's flattering

749
00:40:51,120 --> 00:40:54,319
Speaker 2: to have someone sort of vaguely think about your height.

750
00:40:55,560 --> 00:40:58,759
Speaker 2: That's the kind of thing that as a guest, you know,

751
00:40:59,080 --> 00:41:01,000
Speaker 2: it's the host feeling like, okay, it's not.

752
00:41:00,920 --> 00:41:04,960
Speaker 1: All mean, even though she undersolds that might be a

753
00:41:05,000 --> 00:41:07,520
Speaker 1: stretch and this is a stretch right here.

754
00:41:07,760 --> 00:41:14,080
Speaker 2: Yeah, you're looking at stretch. You're looking at the goddamn escalade.

755
00:41:14,280 --> 00:41:17,839
Speaker 1: But that's that's the like I know she knows, you know,

756
00:41:18,239 --> 00:41:19,600
Speaker 1: she knows, but she's.

757
00:41:21,040 --> 00:41:23,120
Speaker 3: Remember she didn't even remember your name.

758
00:41:23,520 --> 00:41:26,400
Speaker 1: But that's how we that's how it works.

759
00:41:26,480 --> 00:41:27,920
Speaker 2: The keyboard band.

760
00:41:27,880 --> 00:41:32,800
Speaker 1: She pretends to hesitate, so banter, so like we create

761
00:41:32,880 --> 00:41:35,920
Speaker 1: this false antaism. She knows she's our business partner.

762
00:41:36,160 --> 00:41:39,480
Speaker 2: Come on, no, we all did physicals with each other before.

763
00:41:39,520 --> 00:41:43,560
Speaker 2: We actually got it. When you when you engage in

764
00:41:43,640 --> 00:41:47,239
Speaker 2: a substantial financial contract like this, you all get in

765
00:41:47,280 --> 00:41:50,239
Speaker 2: the same room and a doctor gives you physicals and

766
00:41:50,280 --> 00:41:53,600
Speaker 2: he shouts out the numbers that he's getting forever. What's

767
00:41:53,640 --> 00:41:56,799
Speaker 2: everyone knows, Okay, this person is healthy. I am not

768
00:41:56,880 --> 00:42:01,440
Speaker 2: going to be you know, uh up in this like

769
00:42:01,520 --> 00:42:05,239
Speaker 2: with all of my money associated with someone who is

770
00:42:05,880 --> 00:42:10,160
Speaker 2: in the case of Hayes, you know, under six three,

771
00:42:10,520 --> 00:42:12,960
Speaker 2: it's like, no, this guy's six three. Then he says

772
00:42:12,960 --> 00:42:17,400
Speaker 2: about Amanda, like okay, heart beat strong, and he'll shout

773
00:42:17,400 --> 00:42:19,680
Speaker 2: that at me. Then he comes over me, he goes, okay,

774
00:42:19,800 --> 00:42:21,680
Speaker 2: six to one. You know, you could probably tell people

775
00:42:21,719 --> 00:42:23,360
Speaker 2: six two of you want, but just it's six to.

776
00:42:23,360 --> 00:42:23,880
Speaker 1: One, you know.

777
00:42:24,040 --> 00:42:27,440
Speaker 2: But and then you know, he goes over to whoever

778
00:42:27,520 --> 00:42:30,440
Speaker 2: else was Maria there, Yeah, and he goes like, okay,

779
00:42:31,960 --> 00:42:37,040
Speaker 2: hair like thick, lustrous hair, you know. And then he

780
00:42:37,080 --> 00:42:38,560
Speaker 2: goes back over to Hayes.

781
00:42:38,920 --> 00:42:41,879
Speaker 1: And so it's all like you get like I see

782
00:42:41,920 --> 00:42:45,000
Speaker 1: you getting like territorial a little bit. But like it's

783
00:42:45,080 --> 00:42:48,880
Speaker 1: just we're all in the same room. No, like nothing

784
00:42:48,920 --> 00:42:51,640
Speaker 1: between the four of us. It's just the doctor doesn't

785
00:42:51,719 --> 00:42:54,800
Speaker 1: wash his hands of course, between between each physical.

786
00:42:54,440 --> 00:42:56,440
Speaker 3: Who did he start? What was the order of people?

787
00:42:56,560 --> 00:43:00,000
Speaker 1: He's he's honestly, it was so crazy.

788
00:43:00,120 --> 00:43:01,200
Speaker 2: He's wearing a blindfold.

789
00:43:02,080 --> 00:43:04,200
Speaker 3: Why was it crazy? She seems like she should be

790
00:43:04,239 --> 00:43:05,080
Speaker 3: pretty ordered.

791
00:43:05,520 --> 00:43:08,160
Speaker 1: It was just like it was like a being inside

792
00:43:08,160 --> 00:43:09,200
Speaker 1: a pinball machine.

793
00:43:09,680 --> 00:43:16,440
Speaker 2: Yeah, fuck me, you could have been involved. I mean

794
00:43:16,480 --> 00:43:17,200
Speaker 2: you absolutely.

795
00:43:18,760 --> 00:43:21,839
Speaker 3: I wouldn't put a dime of my money in this dog.

796
00:43:21,840 --> 00:43:24,200
Speaker 1: And okay, so I'm wondering if this is another wouldn't

797
00:43:24,239 --> 00:43:28,160
Speaker 1: couldn't mm hmm. Today worry that was that we don't

798
00:43:28,680 --> 00:43:30,719
Speaker 1: that we kind of use the words that are changeably.

799
00:43:32,840 --> 00:43:36,800
Speaker 3: So yeah, I couldn't. Either I couldn't or I wouldn't

800
00:43:36,800 --> 00:43:37,400
Speaker 3: and I shouldn't.

801
00:43:39,440 --> 00:43:41,880
Speaker 1: What's the first episode? What is it?

802
00:43:42,840 --> 00:43:48,919
Speaker 3: It's called Operation Petticoat. It's about princesses, uh huh. So they've,

803
00:43:49,120 --> 00:43:52,600
Speaker 3: you know, through the years, had many interesting stories about

804
00:43:52,640 --> 00:43:55,239
Speaker 3: being a princess at Disneyland. We talked to some that

805
00:43:56,160 --> 00:43:57,279
Speaker 3: tell about some you.

806
00:43:57,360 --> 00:44:01,359
Speaker 2: Know, guest, what theme park has an improv show?

807
00:44:02,480 --> 00:44:07,080
Speaker 3: Well, Disney's. Disney had a few comedy shows somewhere.

808
00:44:07,080 --> 00:44:07,400
Speaker 1: Improv.

809
00:44:07,520 --> 00:44:08,520
Speaker 2: That's under fantasy.

810
00:44:11,000 --> 00:44:12,000
Speaker 1: Who's fantasy?

811
00:44:12,440 --> 00:44:12,640
Speaker 4: Guy?

812
00:44:14,400 --> 00:44:17,239
Speaker 2: It's your fantasy to get paid.

813
00:44:18,040 --> 00:44:21,240
Speaker 3: You have a fair question there, that's a fair question.

814
00:44:22,719 --> 00:44:26,160
Speaker 1: Jesus Christ, are there any other I got a voice

815
00:44:26,239 --> 00:44:26,800
Speaker 1: memo for you.

816
00:44:28,080 --> 00:44:30,680
Speaker 4: What do you want? Fan?

817
00:44:31,880 --> 00:44:35,920
Speaker 1: Well, bacon more bacon.

818
00:44:37,040 --> 00:44:39,239
Speaker 5: This is what I'm dealing with.

819
00:44:40,440 --> 00:44:42,680
Speaker 2: This is what I This is supposed to be my escape,

820
00:44:42,760 --> 00:44:49,080
Speaker 2: this podcast. But you behaved effectively to me like some

821
00:44:49,239 --> 00:44:52,720
Speaker 2: sort of epic bacon bro this entire time.

822
00:44:53,040 --> 00:44:54,160
Speaker 1: Me, I'm a bacon bro.

823
00:44:54,560 --> 00:44:56,480
Speaker 3: I don't know what a bacon bro is other than

824
00:44:56,520 --> 00:44:57,239
Speaker 3: a bacon brother.

825
00:44:57,360 --> 00:44:58,400
Speaker 1: Is that what you're referring to.

826
00:45:00,960 --> 00:45:02,280
Speaker 3: The band the Bacon Brothers.

827
00:45:03,880 --> 00:45:08,840
Speaker 2: No, Matt, those are, by your own admission, very different.

828
00:45:10,280 --> 00:45:11,120
Speaker 3: What's a bacon bro?

829
00:45:13,200 --> 00:45:17,480
Speaker 2: If you can't spot the bacon bro at the podcast recording,

830
00:45:18,880 --> 00:45:19,839
Speaker 2: it's your.

831
00:45:20,080 --> 00:45:23,040
Speaker 3: Well, okay, maybe I am, But what can you tell

832
00:45:23,080 --> 00:45:24,440
Speaker 3: me what a bacon bro is?

833
00:45:25,200 --> 00:45:25,879
Speaker 2: It's not good.

834
00:45:31,160 --> 00:45:32,520
Speaker 1: Do you have to ask him forward it?

835
00:45:33,040 --> 00:45:34,919
Speaker 2: That's the sad fact.

836
00:45:35,040 --> 00:45:35,239
Speaker 1: Brother.

837
00:45:35,440 --> 00:45:37,280
Speaker 3: Here's one more voice memo from Amanda.

838
00:45:37,920 --> 00:45:39,640
Speaker 4: Well, I'm gonna have to get my lawyer on that.

839
00:45:40,200 --> 00:45:44,239
Speaker 4: I'm not touching that. Well, it's time for me to go.

840
00:45:44,680 --> 00:45:46,040
Speaker 1: But this has been a really.

841
00:45:45,920 --> 00:45:47,920
Speaker 4: Fun chat and I just wanted to leave you with

842
00:45:48,160 --> 00:45:52,439
Speaker 4: a little something, a little tummy teaser. As you will,

843
00:45:53,000 --> 00:45:56,360
Speaker 4: as we're going into Halloween season, it's getting kind of

844
00:45:56,400 --> 00:46:01,200
Speaker 4: spooky out there. We have an entire Upsided and Keys

845
00:46:01,239 --> 00:46:04,680
Speaker 4: to the Kingdom all about the characters, which, as you

846
00:46:04,880 --> 00:46:08,160
Speaker 4: probably are guessing, are the characters who scare you at

847
00:46:08,200 --> 00:46:10,440
Speaker 4: any of one of the fright Bests that you can

848
00:46:10,520 --> 00:46:13,600
Speaker 4: attend at the various theme parks. And I know that

849
00:46:13,760 --> 00:46:20,120
Speaker 4: Sean and Hayes are really really into Halloween, and so

850
00:46:20,440 --> 00:46:24,120
Speaker 4: I think they'll really enjoy that episode. Another little fun

851
00:46:24,239 --> 00:46:27,080
Speaker 4: thing that we have is a story we talk to

852
00:46:27,160 --> 00:46:30,400
Speaker 4: a Wall Street Journal reporter who wrote an entire article

853
00:46:30,920 --> 00:46:34,399
Speaker 4: about how common it is for people to spread their

854
00:46:34,520 --> 00:46:39,800
Speaker 4: loved ones ashes at Disneyland and Disney World, and we

855
00:46:39,960 --> 00:46:42,880
Speaker 4: go well into that and hear some pretty insane stories.

856
00:46:43,480 --> 00:46:46,520
Speaker 4: Here's just a little tidbit for you. When the janitorial

857
00:46:46,640 --> 00:46:49,440
Speaker 4: staff calls it in, they get on their little mics

858
00:46:49,480 --> 00:46:52,640
Speaker 4: and they go, we've got a code, Grandma over at

859
00:46:52,680 --> 00:46:57,080
Speaker 4: the Haunted Mansion. These are the sorts of insider trade

860
00:46:57,160 --> 00:46:59,200
Speaker 4: secrets of the theme park world you're going to get

861
00:46:59,400 --> 00:47:01,000
Speaker 4: when you listen the Keys to the Kingdom.

862
00:47:01,160 --> 00:47:02,600
Speaker 3: So and on that.

863
00:47:02,960 --> 00:47:05,279
Speaker 4: I must I must get into my bubble bath that

864
00:47:05,360 --> 00:47:07,919
Speaker 4: I've had running. I like to run it really hot

865
00:47:07,960 --> 00:47:11,359
Speaker 4: and then wait until it gets quite tepid. I will

866
00:47:11,480 --> 00:47:12,560
Speaker 4: see you boys at home.

867
00:47:14,239 --> 00:47:16,480
Speaker 3: Okay, now that was Wait a minute, what.

868
00:47:19,360 --> 00:47:21,560
Speaker 1: What what am I?

869
00:47:22,440 --> 00:47:24,120
Speaker 3: What don't I know? And what don't I know?

870
00:47:24,360 --> 00:47:26,520
Speaker 1: I think you did know on some level. I mean

871
00:47:26,600 --> 00:47:31,320
Speaker 1: she's talking about she said sue me. In the first

872
00:47:31,400 --> 00:47:33,640
Speaker 1: clip she said to talk about her lawyers, and the

873
00:47:33,719 --> 00:47:37,000
Speaker 1: third one this she has legal action on the brain.

874
00:47:37,239 --> 00:47:41,840
Speaker 2: Like talking about spreading the loved one's ashes. Buddy, If

875
00:47:41,840 --> 00:47:47,000
Speaker 2: you can't spot the code Grandma at the podcast, you're it.

876
00:47:48,520 --> 00:47:53,000
Speaker 1: Oh my god. Something I will also say, arguably more

877
00:47:53,160 --> 00:47:56,920
Speaker 1: devastating that she had no concern that you would have

878
00:47:57,120 --> 00:48:01,600
Speaker 1: talked about this. There's so it was all gonna do.

879
00:48:01,760 --> 00:48:05,000
Speaker 2: Let me cover all the like exciting promotional information for

880
00:48:05,160 --> 00:48:05,680
Speaker 2: the show.

881
00:48:05,880 --> 00:48:09,600
Speaker 1: I mean we're forty eight minutes in. It's October fourteenth.

882
00:48:10,160 --> 00:48:11,640
Speaker 2: Yeah, oh my god.

883
00:48:11,719 --> 00:48:15,800
Speaker 1: There was no discussion from you about any characters, The spook,

884
00:48:15,840 --> 00:48:22,120
Speaker 1: Yellow Weeds, Fabot desperately doing a soft shoe over there,

885
00:48:22,320 --> 00:48:24,880
Speaker 1: talking about spooky season, trying to.

886
00:48:25,280 --> 00:48:27,760
Speaker 2: Bringing up his booth thing every other sentence.

887
00:48:30,600 --> 00:48:32,440
Speaker 1: I don't know, Matt, I don't know.

888
00:48:34,160 --> 00:48:37,759
Speaker 2: I'm mostly embarrassed for myself. Such a champions.

889
00:48:43,280 --> 00:48:45,879
Speaker 1: Have to sneeze by