1 00:00:03,560 --> 00:00:06,320 Speaker 1: What's up? His way up with Angela yee and welcome 2 00:00:06,320 --> 00:00:06,840 Speaker 1: in the building. 3 00:00:06,920 --> 00:00:10,360 Speaker 2: This is also a monumental time we have Julian Horton 4 00:00:10,440 --> 00:00:13,039 Speaker 2: here with us, you know him as Roy on Beauty 5 00:00:13,039 --> 00:00:16,360 Speaker 2: and Black and congratulations, thank you so much. Literally a 6 00:00:16,360 --> 00:00:19,520 Speaker 2: couple of hours ago, it broke that season two is 7 00:00:19,560 --> 00:00:21,840 Speaker 2: happening for Beauty and Blacks happening, And I know you 8 00:00:21,840 --> 00:00:24,680 Speaker 2: couldn't wait for that news to break because I feel like, y'all, 9 00:00:24,840 --> 00:00:28,160 Speaker 2: you guys already taped it or you know, we know 10 00:00:28,160 --> 00:00:30,920 Speaker 2: how Tyler Perry does. Yes, okay, so I saw it's 11 00:00:30,960 --> 00:00:33,080 Speaker 2: going to be two parts also, just like Part one 12 00:00:33,159 --> 00:00:36,680 Speaker 2: was two parts steps yeh okay, and you know people 13 00:00:36,760 --> 00:00:39,159 Speaker 2: could not wait, and I am people for part two 14 00:00:39,200 --> 00:00:42,480 Speaker 2: to job because after part one ended, I was like, okay, 15 00:00:42,479 --> 00:00:44,280 Speaker 2: come on, we gotta like it's gonna be crazy. 16 00:00:44,400 --> 00:00:44,640 Speaker 1: Yeah. 17 00:00:44,680 --> 00:00:48,400 Speaker 2: So I'm excited for this, yes, but of course there's 18 00:00:48,440 --> 00:00:51,000 Speaker 2: been so many moments on this show that Roy was 19 00:00:51,000 --> 00:00:55,040 Speaker 2: an integral part of. And listen, if y'all saw didn't 20 00:00:55,040 --> 00:00:57,320 Speaker 2: see it yet, that's on you because we're going to 21 00:00:57,400 --> 00:00:59,279 Speaker 2: get some spoilers. You should have been seen it when 22 00:00:59,320 --> 00:01:03,600 Speaker 2: it came out, So talk to me. About this, right, 23 00:01:03,640 --> 00:01:07,000 Speaker 2: because your character and this is something I was thinking about, 24 00:01:07,319 --> 00:01:11,679 Speaker 2: like your redeeming qualities of Rory, because he is somebody 25 00:01:11,720 --> 00:01:15,720 Speaker 2: that on the surface, it's like a mess, right, people 26 00:01:15,720 --> 00:01:18,120 Speaker 2: look at him as kind of the loser in the family. 27 00:01:19,840 --> 00:01:21,440 Speaker 1: I mean they do, right, No. 28 00:01:21,480 --> 00:01:24,560 Speaker 3: They do they do? No no no no no, yeah no. 29 00:01:25,240 --> 00:01:28,959 Speaker 2: Pay He's like, I get offended over my character. But 30 00:01:29,360 --> 00:01:31,720 Speaker 2: when you dig deeper into it, you can kind of 31 00:01:31,720 --> 00:01:33,720 Speaker 2: see why he might have all these issues because the 32 00:01:33,760 --> 00:01:34,880 Speaker 2: family is fucked up. 33 00:01:35,080 --> 00:01:37,600 Speaker 3: Definitely, definitely, and you got to see that in you know, 34 00:01:37,680 --> 00:01:39,720 Speaker 3: some of the scenes this season in part two, especially 35 00:01:39,760 --> 00:01:43,440 Speaker 3: with my Dad in the hospital scene, you get to 36 00:01:43,520 --> 00:01:46,160 Speaker 3: understand really why like Roy is the way he is now, 37 00:01:46,319 --> 00:01:48,000 Speaker 3: especially you know what I'm saying, So I get, you know, 38 00:01:48,360 --> 00:01:50,240 Speaker 3: he has a lot of layers to him, and I 39 00:01:50,280 --> 00:01:53,760 Speaker 3: think that he does have a lot of redeemable qualities. 40 00:01:53,880 --> 00:01:55,520 Speaker 2: You know, what would you say those are if you 41 00:01:55,600 --> 00:01:58,600 Speaker 2: have to say as you're preparing for a character like that, 42 00:01:59,160 --> 00:02:02,600 Speaker 2: even though he may treat like Jimmy, you know, really 43 00:02:02,920 --> 00:02:05,880 Speaker 2: terribly and him and his wife have a contentious relationship, 44 00:02:06,200 --> 00:02:08,239 Speaker 2: but what are the things you say are redeemable about it? 45 00:02:08,320 --> 00:02:10,800 Speaker 3: I think he's animated and likes to have fun. I 46 00:02:10,800 --> 00:02:12,600 Speaker 3: think he's an asshole a little bit, but I still 47 00:02:12,639 --> 00:02:14,000 Speaker 3: think that he'd be a fun guy to get a 48 00:02:14,040 --> 00:02:16,799 Speaker 3: drink with, right, That's what he does. He's animated, and 49 00:02:17,440 --> 00:02:19,600 Speaker 3: I'm a guy who doesn't take life too serious, and 50 00:02:19,600 --> 00:02:22,640 Speaker 3: I bring that to my characters that I play. And 51 00:02:22,680 --> 00:02:24,320 Speaker 3: that's why I think you're deemable about him. I don't 52 00:02:24,320 --> 00:02:26,600 Speaker 3: think he's just an asshole through and through. I think 53 00:02:26,600 --> 00:02:30,320 Speaker 3: he especially with his wife, they have so many moments 54 00:02:30,320 --> 00:02:31,119 Speaker 3: that the fans love. 55 00:02:31,360 --> 00:02:34,480 Speaker 2: Yeah, I will say your guys dialogue with each other 56 00:02:34,639 --> 00:02:38,600 Speaker 2: is probably, you know, the kiss and tell part, And 57 00:02:39,840 --> 00:02:43,120 Speaker 2: it's interesting because y'all seem like you hate each other, 58 00:02:43,240 --> 00:02:45,799 Speaker 2: but then at the same time, it feels like there's 59 00:02:45,840 --> 00:02:46,520 Speaker 2: something there. 60 00:02:46,639 --> 00:02:47,119 Speaker 3: Definitely. 61 00:02:47,280 --> 00:02:49,040 Speaker 2: It's like you want to know who she's sleeping with. 62 00:02:49,280 --> 00:02:51,280 Speaker 2: She wants to know really badly who you're sleeping with, 63 00:02:51,320 --> 00:02:52,600 Speaker 2: and we don't care about each other. 64 00:02:52,639 --> 00:02:53,360 Speaker 1: Why does it matter? 65 00:02:53,520 --> 00:02:55,280 Speaker 3: Fact, there's definitely a deeper love down. 66 00:02:55,200 --> 00:02:58,160 Speaker 2: There, for sure, and I think that's true for a 67 00:02:58,160 --> 00:03:00,240 Speaker 2: lot of people in real life. Like sometimes people get 68 00:03:00,320 --> 00:03:02,000 Speaker 2: so used to each other and then there is also 69 00:03:02,080 --> 00:03:06,080 Speaker 2: this dynamic of you know, you are the heir to 70 00:03:06,400 --> 00:03:10,079 Speaker 2: Beauty and Black and this huge fortune, and she's married 71 00:03:10,080 --> 00:03:12,560 Speaker 2: to you, and maybe she doesn't get the access that 72 00:03:12,639 --> 00:03:15,399 Speaker 2: she has without you. That's facts, right, But then you're 73 00:03:15,480 --> 00:03:18,560 Speaker 2: kind of the fuck up in the family. So without her, 74 00:03:18,800 --> 00:03:21,320 Speaker 2: who's kind of heading this up, you guys also need 75 00:03:21,320 --> 00:03:21,720 Speaker 2: each other. 76 00:03:21,760 --> 00:03:23,560 Speaker 3: Bound each other out, definitely, and I definitely think that 77 00:03:23,600 --> 00:03:26,000 Speaker 3: there's It's kind of like having a sibling. You know, 78 00:03:26,000 --> 00:03:28,440 Speaker 3: we have a sibling and someone talks about them, it's 79 00:03:28,440 --> 00:03:30,440 Speaker 3: like you are not allowed to do that. Only I'm 80 00:03:30,480 --> 00:03:32,600 Speaker 3: allowed to. And that's how he really is with her. 81 00:03:32,720 --> 00:03:35,800 Speaker 3: So it's just like, I think the love's there. We 82 00:03:35,880 --> 00:03:37,480 Speaker 3: talk shit to each other, but at the same time, 83 00:03:37,640 --> 00:03:40,120 Speaker 3: we definitely love each other. But maybe not though because 84 00:03:40,120 --> 00:03:43,840 Speaker 3: season two is uh some craziness. 85 00:03:43,880 --> 00:03:46,000 Speaker 2: How do you interpret it as far as the character 86 00:03:46,040 --> 00:03:48,560 Speaker 2: of Boria, Like, what do you think he feels when 87 00:03:48,560 --> 00:03:51,560 Speaker 2: you are getting into character about his wife Mallory on there? 88 00:03:52,000 --> 00:03:56,200 Speaker 3: That's a good question. I think that the way it's written, 89 00:03:56,600 --> 00:04:00,360 Speaker 3: I think that Roy has love for Mallorie. I think 90 00:04:00,400 --> 00:04:02,960 Speaker 3: that he operates out of ego a lot. He operates 91 00:04:03,000 --> 00:04:06,040 Speaker 3: out of selfishness, and I do think and believe that 92 00:04:07,320 --> 00:04:10,320 Speaker 3: since you know with Roy, you have Charles, his little brother. 93 00:04:11,480 --> 00:04:12,080 Speaker 3: He gets all of. 94 00:04:12,080 --> 00:04:13,640 Speaker 1: Love, right right, mother, you. 95 00:04:13,600 --> 00:04:15,400 Speaker 3: Know what I'm saying. But my mom played by Debbie Morgan, 96 00:04:15,440 --> 00:04:17,839 Speaker 3: who dies a maiden job. Then you have my father 97 00:04:17,960 --> 00:04:20,000 Speaker 3: who didn't give me no love really at the end 98 00:04:20,000 --> 00:04:21,800 Speaker 3: of the day. We learned that in episode nine of 99 00:04:21,839 --> 00:04:24,200 Speaker 3: the Crash and stuff. So then you've got Mallory who 100 00:04:24,279 --> 00:04:28,080 Speaker 3: comes up, who's adopted, who you just said, I'm supposed 101 00:04:28,080 --> 00:04:30,240 Speaker 3: to be the heir to the throne. She gets a position, 102 00:04:30,520 --> 00:04:32,680 Speaker 3: so there's always this like, yeah, he loves her, but 103 00:04:32,680 --> 00:04:35,440 Speaker 3: there's still a sense of jealousy there, Okay, sense a pride. 104 00:04:35,440 --> 00:04:39,160 Speaker 2: Oh that's interesting because sometimes men are really intimidated by 105 00:04:39,160 --> 00:04:42,800 Speaker 2: a powerful counterperfectly exactly, and people don't understand how hard 106 00:04:42,800 --> 00:04:44,520 Speaker 2: that is for men to be with somebody who is 107 00:04:44,560 --> 00:04:46,800 Speaker 2: in a position where they're looked at as like the 108 00:04:46,839 --> 00:04:50,160 Speaker 2: smart one, the person that's kind of running things, like 109 00:04:50,200 --> 00:04:51,440 Speaker 2: the family loves her. 110 00:04:51,839 --> 00:04:54,320 Speaker 1: Loves her, and then he's looked at like what does 111 00:04:54,360 --> 00:04:54,599 Speaker 1: he do? 112 00:04:54,839 --> 00:04:57,880 Speaker 3: No shit, He's just there and actually he runs a 113 00:04:57,880 --> 00:04:59,920 Speaker 3: company and tells people and wants people to believe that 114 00:05:00,120 --> 00:05:01,840 Speaker 3: as a company. But you know, you've seen the show 115 00:05:01,920 --> 00:05:02,799 Speaker 3: Roy doesn't do shit. 116 00:05:02,760 --> 00:05:06,920 Speaker 1: Yeah, but get high and speak of prostitutes. 117 00:05:06,440 --> 00:05:09,480 Speaker 3: When advice is exactly he does all these things and 118 00:05:09,480 --> 00:05:10,720 Speaker 3: at the end of the day he doesn't do nothing. 119 00:05:10,720 --> 00:05:13,240 Speaker 3: But at the same time, I think if his dad 120 00:05:13,279 --> 00:05:15,839 Speaker 3: give him the love and the proper attention and the 121 00:05:15,839 --> 00:05:18,200 Speaker 3: proper focus, I do think that he might be different. 122 00:05:18,480 --> 00:05:20,480 Speaker 2: Why do you think his father is like that with him, 123 00:05:20,480 --> 00:05:23,520 Speaker 2: because that's another thing that I wondered, because I think 124 00:05:24,080 --> 00:05:26,920 Speaker 2: a lot of parents because even when people think that 125 00:05:27,040 --> 00:05:29,440 Speaker 2: Roy could have you could have died in this you know, 126 00:05:29,680 --> 00:05:32,920 Speaker 2: sorry if y'all ain't seen it, but you know it's 127 00:05:32,920 --> 00:05:33,400 Speaker 2: over for you. 128 00:05:33,480 --> 00:05:36,520 Speaker 1: But yeah, there was a part where we thought like. 129 00:05:36,480 --> 00:05:39,119 Speaker 2: Oh my god, is he dead? And then your father 130 00:05:39,120 --> 00:05:40,920 Speaker 2: comes to see you in the hospital. Instead of being 131 00:05:40,920 --> 00:05:43,680 Speaker 2: happy that you're alive, it's like beating you with the king. 132 00:05:43,880 --> 00:05:47,320 Speaker 3: And the interesting thing about that too, that scene, and 133 00:05:47,360 --> 00:05:50,080 Speaker 3: this is kind of crazy with the whole Bellary family. 134 00:05:50,600 --> 00:05:54,760 Speaker 3: Before that scene, there's a scene with Kimmy and he's 135 00:05:54,839 --> 00:05:58,600 Speaker 3: like big no, Kimmy said, comes to my dad and 136 00:05:58,680 --> 00:06:01,760 Speaker 3: says like, yeah, I killed Roy, And then on his 137 00:06:01,960 --> 00:06:04,839 Speaker 3: face you can see this sort of like little he 138 00:06:04,880 --> 00:06:07,960 Speaker 3: did such a great job with this Rico Ross's amazing actor, 139 00:06:07,960 --> 00:06:09,920 Speaker 3: by the way, but you see on his face it's 140 00:06:09,920 --> 00:06:13,839 Speaker 3: like this sense of despair, the sense of despair that like, damn, 141 00:06:13,880 --> 00:06:16,160 Speaker 3: you really kill my son. And he kind of was 142 00:06:16,200 --> 00:06:18,960 Speaker 3: like that too with Charles, but he's always telling saying 143 00:06:18,960 --> 00:06:22,200 Speaker 3: that he hates him. He hates hates yeah, which is 144 00:06:22,480 --> 00:06:24,520 Speaker 3: which is an interesting thing with the Bellery family because 145 00:06:24,520 --> 00:06:26,120 Speaker 3: we always saying we hate each other, we don't like 146 00:06:26,120 --> 00:06:29,120 Speaker 3: each other. But I played it as when Charles died, especially, 147 00:06:29,680 --> 00:06:32,240 Speaker 3: that's my brother. I love him, you know what I'm saying. 148 00:06:32,360 --> 00:06:34,159 Speaker 3: And then it's just like but it's really weird because 149 00:06:34,160 --> 00:06:36,640 Speaker 3: it's really we do love each other, but just like 150 00:06:36,640 --> 00:06:38,320 Speaker 3: we don't want people to know that we love each other. 151 00:06:38,839 --> 00:06:42,800 Speaker 3: It's kind of strange because he does that look and 152 00:06:42,839 --> 00:06:46,760 Speaker 3: then the doctor comes in and like, yeah, your son 153 00:06:46,880 --> 00:06:50,640 Speaker 3: is in the other room, and then he goes from 154 00:06:50,880 --> 00:06:54,400 Speaker 3: if you're going to kill somebody, do it right. It's crazy. 155 00:06:54,680 --> 00:06:56,560 Speaker 3: So it's like this society like to put on we 156 00:06:56,600 --> 00:06:59,000 Speaker 3: all have to put on as a Bellary family, but 157 00:06:59,160 --> 00:07:01,240 Speaker 3: deep down this we still do love each other. And 158 00:07:01,320 --> 00:07:02,479 Speaker 3: it's it's an interesting thing. 159 00:07:03,000 --> 00:07:05,280 Speaker 1: Man. I whole families aren't like this in real life. 160 00:07:05,320 --> 00:07:05,480 Speaker 3: Ever. 161 00:07:05,520 --> 00:07:07,120 Speaker 1: I mean, I know it's like a soap opera, but 162 00:07:07,120 --> 00:07:08,280 Speaker 1: I know, you know, but. 163 00:07:08,200 --> 00:07:09,200 Speaker 3: There might be some founders like that. 164 00:07:09,440 --> 00:07:12,560 Speaker 2: There probably are, you know what when money's involved too, 165 00:07:12,600 --> 00:07:15,280 Speaker 2: because I also think that people have this view of 166 00:07:15,800 --> 00:07:19,480 Speaker 2: anybody powerful, anybody rich is evil, you know, and that 167 00:07:19,640 --> 00:07:21,720 Speaker 2: is kind of what we look at the American way 168 00:07:21,760 --> 00:07:23,360 Speaker 2: as like if you made it to a certain point, 169 00:07:23,640 --> 00:07:25,440 Speaker 2: you have to have done something bad to get there. 170 00:07:26,240 --> 00:07:28,320 Speaker 1: Definitely, Yeah, but not tell the Perry. 171 00:07:29,880 --> 00:07:31,600 Speaker 3: In real life hustled hustled for show. 172 00:07:31,760 --> 00:07:33,880 Speaker 2: But yeah, back to this scene with you and Mallory 173 00:07:33,960 --> 00:07:35,760 Speaker 2: where you know, she's trying to figure out who you're 174 00:07:35,760 --> 00:07:37,880 Speaker 2: sleeping with. You're trying to figure out who she's sleeping with, 175 00:07:38,280 --> 00:07:42,080 Speaker 2: and it's so disrespectful. I mean, she's like, you know, 176 00:07:42,120 --> 00:07:44,160 Speaker 2: you say you don't kiss and tell you don't kiss 177 00:07:44,200 --> 00:07:46,280 Speaker 2: at all? Really, and then you said to her do 178 00:07:46,320 --> 00:07:47,320 Speaker 2: you suck and tell? Ye? 179 00:07:48,080 --> 00:07:50,040 Speaker 3: See the thing about it, some of. 180 00:07:50,120 --> 00:07:51,440 Speaker 1: These lives be so crazy. 181 00:07:51,440 --> 00:07:56,080 Speaker 3: The thing about it is like Tyler Perry is a 182 00:07:56,120 --> 00:07:59,320 Speaker 3: funny man, and we know that, yeah, butut Medea's he's 183 00:07:59,360 --> 00:08:02,520 Speaker 3: he's very made it as well. And with me and Tyler, 184 00:08:02,560 --> 00:08:05,280 Speaker 3: I love our relationship when we have our working relationship 185 00:08:05,320 --> 00:08:09,360 Speaker 3: because with me and Crystal, who does a phenomenal job 186 00:08:09,400 --> 00:08:12,200 Speaker 3: as Mallory, we do have a lot of improv that 187 00:08:12,280 --> 00:08:12,600 Speaker 3: we do. 188 00:08:13,120 --> 00:08:15,080 Speaker 2: Right, So I mean, she comes at you because I 189 00:08:15,120 --> 00:08:17,640 Speaker 2: want to say more and that right, So then you 190 00:08:17,680 --> 00:08:21,440 Speaker 2: tell her that you could smell yeah, and she says, 191 00:08:21,440 --> 00:08:22,840 Speaker 2: does it smell like a twelve inch? 192 00:08:23,200 --> 00:08:24,960 Speaker 3: And that's what I'm about to say. So we're doing 193 00:08:25,000 --> 00:08:27,480 Speaker 3: our own improv. And then Tyler would watching the scene 194 00:08:28,240 --> 00:08:33,480 Speaker 3: and he feels in ads lines to it right say, 195 00:08:34,440 --> 00:08:37,599 Speaker 3: and we'll hear it on the sit damn, and this 196 00:08:37,679 --> 00:08:39,480 Speaker 3: will say it. But it's funny as ship he does. 197 00:08:39,679 --> 00:08:40,240 Speaker 1: That's interesting. 198 00:08:40,280 --> 00:08:43,439 Speaker 2: So Tyler's that involved where he's watching as everything is getting. 199 00:08:44,120 --> 00:08:45,080 Speaker 3: Is heavily involved. 200 00:08:45,080 --> 00:08:47,079 Speaker 1: He's a because we know he writes. 201 00:08:47,120 --> 00:08:49,760 Speaker 2: We know, but for him to be on set actually 202 00:08:49,840 --> 00:08:53,480 Speaker 2: watching and chiming in on things, that's crazy. 203 00:08:53,920 --> 00:08:56,080 Speaker 3: He does that and Drew and you don't catch your 204 00:08:56,080 --> 00:09:00,960 Speaker 3: ho damn all right, I got you, And then you 205 00:09:00,960 --> 00:09:03,040 Speaker 3: know and then I told you. 206 00:09:04,120 --> 00:09:08,199 Speaker 1: And listen, listen and guys and guys really. 207 00:09:08,040 --> 00:09:10,120 Speaker 3: Say, that's why I give it be coming up with 208 00:09:10,120 --> 00:09:10,959 Speaker 3: the lines too. 209 00:09:10,920 --> 00:09:12,920 Speaker 1: I will say, because you were on lip service before. 210 00:09:12,920 --> 00:09:13,520 Speaker 1: But on lip Service. 211 00:09:13,559 --> 00:09:15,120 Speaker 2: We had plenty of guys come on there and say 212 00:09:15,120 --> 00:09:16,960 Speaker 2: they have sex, but they don't kiss anything. Kissing is 213 00:09:16,960 --> 00:09:20,520 Speaker 2: more intimate than sex. I've heard guys say that on 214 00:09:20,600 --> 00:09:21,680 Speaker 2: multiple occasions. 215 00:09:22,480 --> 00:09:23,559 Speaker 3: And you asked me what I think. 216 00:09:23,640 --> 00:09:24,760 Speaker 1: Yeah, I'm about to get to that. 217 00:09:27,240 --> 00:09:32,000 Speaker 3: Okay, what do I think. I think that? Uh damn man, 218 00:09:34,760 --> 00:09:37,360 Speaker 3: I think I think it is more intimate. Actually, really 219 00:09:37,679 --> 00:09:39,160 Speaker 3: I do. I do think it's more intimate. 220 00:09:39,200 --> 00:09:43,679 Speaker 2: I do because I mean, it's only guys that think, 221 00:09:43,800 --> 00:09:46,360 Speaker 2: like I know, I don't think any woman thinks that. 222 00:09:46,400 --> 00:09:49,960 Speaker 3: Because us men, we we can compartmentalize things way differently 223 00:09:50,000 --> 00:09:52,800 Speaker 3: than women. And uh not all men. I'm just saying, 224 00:09:52,960 --> 00:09:55,920 Speaker 3: you know, most men. But but I think. 225 00:09:55,760 --> 00:09:58,880 Speaker 1: That, like I did it, but I didn't kiss her. 226 00:09:59,320 --> 00:10:02,439 Speaker 3: Yeah, I think that's like I think we have urged 227 00:10:02,440 --> 00:10:04,440 Speaker 3: some time to do something and we get there, you know, 228 00:10:04,880 --> 00:10:06,640 Speaker 3: and and then we get to urge off. But I 229 00:10:06,679 --> 00:10:08,960 Speaker 3: think like kissing is like I like you. 230 00:10:09,160 --> 00:10:14,880 Speaker 2: Okay and everybody, but sex maybe we would people kiss Okay. 231 00:10:15,160 --> 00:10:18,280 Speaker 1: Yeah, no one pays to get kissed. People will pay 232 00:10:18,280 --> 00:10:18,640 Speaker 1: for sex. 233 00:10:18,800 --> 00:10:19,200 Speaker 3: You have it. 234 00:10:19,840 --> 00:10:21,760 Speaker 1: That's such an interesting way to put it. 235 00:10:21,640 --> 00:10:24,520 Speaker 3: Exactly like you know, the parking lot scene and doller, Perry, 236 00:10:25,080 --> 00:10:25,839 Speaker 3: they kissing back there? 237 00:10:25,880 --> 00:10:28,480 Speaker 1: Hell, no, yeah, you don't see too much kissing going on. 238 00:10:28,559 --> 00:10:31,600 Speaker 3: You see a lot of fucking, yeah, see a lot 239 00:10:31,600 --> 00:10:33,320 Speaker 3: of it, A lot of it, actually, a whole bunch. 240 00:10:33,400 --> 00:10:35,120 Speaker 3: Actually that's part of. 241 00:10:35,040 --> 00:10:37,560 Speaker 2: What makes it so juicy to watch though, because I think, 242 00:10:37,760 --> 00:10:40,120 Speaker 2: you know, because I always watched like and I watched 243 00:10:40,160 --> 00:10:42,600 Speaker 2: the first part of season one and the second part, 244 00:10:42,640 --> 00:10:44,319 Speaker 2: and I was doing the same thing both times. 245 00:10:44,480 --> 00:10:45,920 Speaker 1: I was in my bedroom and I was. 246 00:10:45,840 --> 00:10:49,000 Speaker 2: Doing like a full like refolding my clothes, because you 247 00:10:49,040 --> 00:10:50,959 Speaker 2: could really literally just have that on and watch it 248 00:10:50,960 --> 00:10:52,920 Speaker 2: while you're doing stuff. And I'm folding my clothes watching 249 00:10:52,960 --> 00:10:55,000 Speaker 2: the TV and not crazy. Yeah, it's crazy. 250 00:10:55,160 --> 00:11:00,600 Speaker 3: I'm saying. Tyler does it. He's mastered that, whatever that is, 251 00:11:00,760 --> 00:11:04,600 Speaker 3: he's mastered it to to create this binge worthy aspect 252 00:11:04,640 --> 00:11:07,640 Speaker 3: to his shows that you want to keep watching. The 253 00:11:07,720 --> 00:11:10,440 Speaker 3: acting is good enough and great enough, and the stories 254 00:11:10,440 --> 00:11:11,960 Speaker 3: you see enohing you just want to keep on going, 255 00:11:12,240 --> 00:11:13,760 Speaker 3: and then you can't take your eyes off of it. 256 00:11:13,840 --> 00:11:16,800 Speaker 2: And interestingly enough, the shows always do so well, like 257 00:11:16,840 --> 00:11:20,720 Speaker 2: when it comes out, you know, breaking records on top 258 00:11:20,760 --> 00:11:23,640 Speaker 2: of streaming, but then for some reason, always on the 259 00:11:23,640 --> 00:11:26,040 Speaker 2: flip side of that. The reviews and people always like 260 00:11:26,040 --> 00:11:28,600 Speaker 2: this is awful, this is terrible talk, and it's so 261 00:11:29,000 --> 00:11:30,320 Speaker 2: wild to me, like talking ship. 262 00:11:30,400 --> 00:11:32,439 Speaker 3: But you know, I'm on it. I don't give it that, 263 00:11:32,679 --> 00:11:34,840 Speaker 3: You know me, I told you last time. I don't 264 00:11:34,840 --> 00:11:37,520 Speaker 3: give a shit they toned you. Hey, if I catch it, 265 00:11:37,600 --> 00:11:39,720 Speaker 3: you might get a fucking coment from Julian Horton twelve. 266 00:11:40,160 --> 00:11:43,120 Speaker 3: We'll talk. But it's all you think about it. It's 267 00:11:43,160 --> 00:11:44,079 Speaker 3: all funny games with me though. 268 00:11:44,960 --> 00:11:46,040 Speaker 1: You don't take it that seriously. 269 00:11:47,040 --> 00:11:49,559 Speaker 2: They can say it's horrible, blessed position to be in 270 00:11:49,840 --> 00:11:51,240 Speaker 2: and everyone's watching it. 271 00:11:51,800 --> 00:11:54,360 Speaker 3: Come on, I'm here with you right now. Do you 272 00:11:54,679 --> 00:11:56,640 Speaker 3: know what I'm saying? Like people being the better and 273 00:11:56,880 --> 00:11:59,040 Speaker 3: I'm here with you. We on Netflix. We get to 274 00:11:59,080 --> 00:12:01,560 Speaker 3: be in a position that God's allowed me to be in. 275 00:12:01,800 --> 00:12:03,160 Speaker 3: And at the end of the day, people gonna talk 276 00:12:03,240 --> 00:12:04,920 Speaker 3: positive negative. It is what it is. 277 00:12:05,200 --> 00:12:06,920 Speaker 2: And I think when you think about some of the 278 00:12:07,040 --> 00:12:10,400 Speaker 2: topics that are discussed right like even with Kimmy's little 279 00:12:10,440 --> 00:12:14,839 Speaker 2: sister being kidnapped and abducted and taken into the strip 280 00:12:14,880 --> 00:12:17,800 Speaker 2: club and drugged and being forced to work, that's really 281 00:12:17,840 --> 00:12:19,520 Speaker 2: sad to me, like to see something like that, but 282 00:12:19,559 --> 00:12:22,880 Speaker 2: stuff like that does happen in real life, and you 283 00:12:22,920 --> 00:12:25,040 Speaker 2: see it play out on there, and it's discussing that 284 00:12:25,120 --> 00:12:28,520 Speaker 2: any guy would even request that. 285 00:12:28,679 --> 00:12:30,199 Speaker 1: It's crazy, you know, and that. 286 00:12:30,240 --> 00:12:33,040 Speaker 2: Somebody with and then even the Beauty and Black brand, 287 00:12:33,120 --> 00:12:36,679 Speaker 2: like recently, this article was really circulating about synthetic here. 288 00:12:36,720 --> 00:12:38,360 Speaker 2: I know my hair is braided right now, but they're 289 00:12:38,400 --> 00:12:41,480 Speaker 2: talking about how that causes cancer and things like that, 290 00:12:42,720 --> 00:12:44,559 Speaker 2: and you know, with different brands and the products that 291 00:12:44,600 --> 00:12:48,239 Speaker 2: are it's just interesting how this really does tie in 292 00:12:48,240 --> 00:12:49,880 Speaker 2: to so much that's actually happening. 293 00:12:49,960 --> 00:12:51,400 Speaker 3: And we're gonna say what they want about Tyler, but 294 00:12:51,440 --> 00:12:56,440 Speaker 3: Tyler's very in the know with the culture. He's very cerebral, 295 00:12:56,920 --> 00:12:58,720 Speaker 3: and he knows what he's talking about and he knows 296 00:12:58,760 --> 00:13:02,600 Speaker 3: what to write about because it shares common nowity as 297 00:13:02,600 --> 00:13:04,800 Speaker 3: what's going on in the culture. And he's like, it 298 00:13:04,880 --> 00:13:08,040 Speaker 3: might be crazy, but that parking lot scene is from somewhere. 299 00:13:08,040 --> 00:13:10,200 Speaker 3: He didn't sitn't write that. It's because oh I wouldn't 300 00:13:10,200 --> 00:13:13,080 Speaker 3: do some bulger shit. No, here's some crazy shit going 301 00:13:13,080 --> 00:13:15,320 Speaker 3: on in the world and people have witnessed that, and 302 00:13:15,360 --> 00:13:18,600 Speaker 3: Tyler has. He's seen a lot, so he writes about it. 303 00:13:18,600 --> 00:13:20,400 Speaker 3: That's why he's you know, he's done a lot, so 304 00:13:20,440 --> 00:13:23,160 Speaker 3: he writes about it and you know, it comes out great. 305 00:13:23,400 --> 00:13:25,960 Speaker 2: I also think about how innocent Kimmy was when this 306 00:13:26,000 --> 00:13:28,400 Speaker 2: first started, Yeah, and how she wanted to get the 307 00:13:28,440 --> 00:13:31,240 Speaker 2: scholarship and you know, do the right thing. She got 308 00:13:31,240 --> 00:13:34,480 Speaker 2: put in a really bad position working in the strip club. 309 00:13:34,520 --> 00:13:35,880 Speaker 2: But now she's a murderer. 310 00:13:36,320 --> 00:13:38,120 Speaker 3: You know that that is actually kind of crazy because 311 00:13:38,160 --> 00:13:40,280 Speaker 3: like because it's in part it's in part two, in 312 00:13:40,360 --> 00:13:42,000 Speaker 3: part one and stuff. But I didn't even think about 313 00:13:42,000 --> 00:13:43,520 Speaker 3: the Yeah, part one she was doing that. She has 314 00:13:43,559 --> 00:13:46,000 Speaker 3: a crazy like character arc. Yeah, because she just wanted 315 00:13:46,040 --> 00:13:48,400 Speaker 3: to be an innocent person. Yeah, Now her whole life 316 00:13:48,440 --> 00:13:49,640 Speaker 3: has flits up the upside. 317 00:13:49,360 --> 00:13:50,840 Speaker 1: Down, like she thought she killed you. 318 00:13:51,200 --> 00:13:53,600 Speaker 2: We saw her below somebody's head off man, you know, 319 00:13:53,880 --> 00:13:56,920 Speaker 2: and now she is about to be, as we see 320 00:13:56,960 --> 00:14:01,400 Speaker 2: at the end of season one's about to be everybody's 321 00:14:01,400 --> 00:14:06,000 Speaker 2: boss crazy potentially. Now we obviously we don't know what's 322 00:14:06,000 --> 00:14:07,800 Speaker 2: going to happen yet. In Part two, we've seen a 323 00:14:07,800 --> 00:14:10,120 Speaker 2: little snippet of a trailer. It looks like Mallory and 324 00:14:10,200 --> 00:14:12,120 Speaker 2: Kimmy are either going to face off, her team up 325 00:14:13,800 --> 00:14:15,440 Speaker 2: and I can't tell which one it's about to be. 326 00:14:16,679 --> 00:14:18,600 Speaker 3: Damn. That's all I can say. 327 00:14:18,640 --> 00:14:20,560 Speaker 1: Right, that's all you can say. 328 00:14:20,720 --> 00:14:24,080 Speaker 2: What now, let's just say it was you, yeah, writing 329 00:14:24,080 --> 00:14:25,880 Speaker 2: the script, not to say what's really going to happen. 330 00:14:25,920 --> 00:14:28,600 Speaker 2: But after the end of season one, how would you 331 00:14:28,800 --> 00:14:31,120 Speaker 2: approach season two if it was you, if it was 332 00:14:31,400 --> 00:14:33,480 Speaker 2: Julian saying this is what should happen next? 333 00:14:33,760 --> 00:14:41,160 Speaker 3: Okay? What I would do? Roy would go to therapy one. 334 00:14:41,400 --> 00:14:43,600 Speaker 1: Okay, we got to get that thing back working. 335 00:14:43,760 --> 00:14:48,680 Speaker 3: You go to therapy leader Cocolow. Yeah, and I want 336 00:14:48,760 --> 00:14:53,040 Speaker 3: to see a successful you know, partnership with Mallory. You know. 337 00:14:53,240 --> 00:14:55,000 Speaker 2: Okay, So you want Word to clean up his act, 338 00:14:55,040 --> 00:14:57,840 Speaker 2: you want him to fix his marriage, go to therapy, But. 339 00:14:58,360 --> 00:15:00,280 Speaker 3: The total opposite happens. 340 00:15:00,280 --> 00:15:03,680 Speaker 4: Maybe maybe maybe that's not it, that's not in the car. 341 00:15:03,760 --> 00:15:04,880 Speaker 3: I don't know what happened season two. 342 00:15:04,960 --> 00:15:07,360 Speaker 2: Maybe this could be a whole nother sliding door situation 343 00:15:07,400 --> 00:15:09,120 Speaker 2: where we can see what could happen if we're cleaned 344 00:15:09,160 --> 00:15:09,640 Speaker 2: up his acts. 345 00:15:09,720 --> 00:15:11,760 Speaker 3: Now, the way the way season two is going, the 346 00:15:11,800 --> 00:15:14,440 Speaker 3: way it's going, the way it's written, I think the 347 00:15:14,480 --> 00:15:18,560 Speaker 3: fans are gonna love it. I think that uh, it's 348 00:15:18,760 --> 00:15:20,680 Speaker 3: I think it's even more explosive than season one. 349 00:15:20,880 --> 00:15:21,480 Speaker 1: Imagine that. 350 00:15:21,800 --> 00:15:26,520 Speaker 3: No, it's because because season one, you know, it's it's 351 00:15:26,720 --> 00:15:28,120 Speaker 3: a pilot, it's a pilot season. 352 00:15:28,240 --> 00:15:29,360 Speaker 1: Okay, okay, so. 353 00:15:29,320 --> 00:15:31,200 Speaker 3: You got that. You have to, you know, have the 354 00:15:31,240 --> 00:15:33,680 Speaker 3: foundation and lay the groundwork for the series, so you 355 00:15:33,760 --> 00:15:37,000 Speaker 3: have solo and parts, slow moving parts sometimes. Season two 356 00:15:37,960 --> 00:15:41,920 Speaker 3: is it's going to be explosive, and I think fans 357 00:15:41,920 --> 00:15:45,200 Speaker 3: will they're gonna be really really excited to see some 358 00:15:45,200 --> 00:15:46,760 Speaker 3: some of the stuff that we have for season two. 359 00:15:46,960 --> 00:15:48,440 Speaker 2: Man and I had a chance to sit down with 360 00:15:48,440 --> 00:15:51,240 Speaker 2: the legendary Debbie Morgan, so it was nice to. 361 00:15:51,240 --> 00:15:53,080 Speaker 1: See her in the role of that she's in. She's 362 00:15:53,120 --> 00:15:54,320 Speaker 1: a wild one, She's amazing. 363 00:15:54,720 --> 00:15:57,120 Speaker 3: That scene in the hospital was got to be my 364 00:15:57,160 --> 00:15:58,320 Speaker 3: top three favorite scene of the. 365 00:15:58,320 --> 00:16:01,600 Speaker 2: Show because before you see everybody who slapped Debbie Morgan. 366 00:16:01,520 --> 00:16:04,160 Speaker 3: No facts, No, that's that's that's see what's hilarious. 367 00:16:04,320 --> 00:16:06,000 Speaker 2: I'm gonna tell you what my favorite scene was that 368 00:16:06,040 --> 00:16:08,320 Speaker 2: she did when she told her a little young no 369 00:16:08,600 --> 00:16:11,520 Speaker 2: dude to get in a bag that was getting a bag. 370 00:16:12,120 --> 00:16:14,160 Speaker 2: And I did not think that that was going to 371 00:16:14,200 --> 00:16:15,720 Speaker 2: happen the way that it did, but it goes. 372 00:16:15,560 --> 00:16:18,280 Speaker 3: There because it's nuts too, because like you know, obviously 373 00:16:18,280 --> 00:16:21,200 Speaker 3: we don't know what other actors are filming, you know 374 00:16:21,240 --> 00:16:24,760 Speaker 3: what I'm saying. So I got my my storyline. Yeah, 375 00:16:24,760 --> 00:16:26,960 Speaker 3: I got my storyline. I see I see Mallory a lot. 376 00:16:27,240 --> 00:16:33,000 Speaker 3: I see Kimmy in part one, I see my brother. 377 00:16:33,400 --> 00:16:35,360 Speaker 3: But me and my mom we only had like that 378 00:16:35,440 --> 00:16:37,560 Speaker 3: one I think that one scene where we just you know, 379 00:16:37,560 --> 00:16:39,080 Speaker 3: when we had the group scene and stuff. We didn't 380 00:16:39,080 --> 00:16:41,000 Speaker 3: have a lot of solo scenes, so I don't know 381 00:16:41,040 --> 00:16:43,920 Speaker 3: what miss be doing something. You read the script, but 382 00:16:43,920 --> 00:16:45,440 Speaker 3: then it's like you kind of forget about and focus 383 00:16:45,480 --> 00:16:47,680 Speaker 3: on your lines and focus on your scene. So when 384 00:16:47,720 --> 00:16:49,880 Speaker 3: you see it in the trailer, like well my mom 385 00:16:49,920 --> 00:16:51,840 Speaker 3: got a gun, folk, or why she got this? Folk? 386 00:16:51,960 --> 00:16:53,720 Speaker 3: Like what's going on? Why she got a bag? Why 387 00:16:53,760 --> 00:16:56,240 Speaker 3: she got niggas pulling up? And then you see it, 388 00:16:56,240 --> 00:16:57,400 Speaker 3: it's crazy. Man. 389 00:16:57,440 --> 00:17:00,760 Speaker 2: Maybe in season two, Mallory and Kimmy would just pass 390 00:17:00,840 --> 00:17:02,600 Speaker 2: you around. You could just be like their little boy 391 00:17:02,640 --> 00:17:05,400 Speaker 2: to everybody's. 392 00:17:04,640 --> 00:17:06,640 Speaker 3: Where y'all see season two, y'all gonna be. 393 00:17:06,400 --> 00:17:09,240 Speaker 2: Because you're the one that's really like I guess you 394 00:17:09,480 --> 00:17:11,639 Speaker 2: picked women that are both running the business in a 395 00:17:11,680 --> 00:17:12,640 Speaker 2: way man. 396 00:17:13,880 --> 00:17:15,040 Speaker 3: When you'll see season two. 397 00:17:16,400 --> 00:17:18,840 Speaker 2: Did you know before you film that you were going 398 00:17:18,920 --> 00:17:21,040 Speaker 2: to live, like after that scene where you got pushed 399 00:17:21,040 --> 00:17:21,560 Speaker 2: out the window. 400 00:17:22,600 --> 00:17:25,119 Speaker 3: I didn't know until I read episode fourteen. When I 401 00:17:25,119 --> 00:17:26,560 Speaker 3: saw it, I was like, nigga, I know I ain't dead. 402 00:17:26,680 --> 00:17:28,320 Speaker 1: He's like, come on, now we got another. 403 00:17:29,240 --> 00:17:31,719 Speaker 3: I need the money, I need the career, and and 404 00:17:31,240 --> 00:17:35,679 Speaker 3: and then so I kept reading. Now I was like, no, no, 405 00:17:35,680 --> 00:17:36,840 Speaker 3: you know I survived. So it's great. 406 00:17:37,119 --> 00:17:39,840 Speaker 2: Now you've you've been acting before this, and I know 407 00:17:39,840 --> 00:17:49,720 Speaker 2: you're doing music too, So let's. 408 00:17:46,320 --> 00:17:48,520 Speaker 3: That's that's the man right there. Okay, that's the man 409 00:17:48,520 --> 00:17:48,920 Speaker 3: of the plan. 410 00:17:49,000 --> 00:17:50,080 Speaker 1: But what's the plan? 411 00:17:50,760 --> 00:17:51,679 Speaker 3: We got some stuff on the. 412 00:17:51,680 --> 00:17:53,320 Speaker 1: Way, all right, tell us a little bit. 413 00:17:53,480 --> 00:17:58,640 Speaker 3: This is you know, so my dog Tim aka Man 414 00:17:58,640 --> 00:18:02,720 Speaker 3: on the mission. You know, he great clothing designer, one 415 00:18:02,760 --> 00:18:05,400 Speaker 3: of my best friends in TMO clothing guru. But he's 416 00:18:05,440 --> 00:18:09,719 Speaker 3: also a phenomenal, phenomenal rapper. So you know, we might 417 00:18:09,760 --> 00:18:11,199 Speaker 3: have some stuff on the way. We work us on 418 00:18:11,280 --> 00:18:13,639 Speaker 3: some things. Okay, So trying to take advantage of the 419 00:18:13,680 --> 00:18:14,400 Speaker 3: moment as you. 420 00:18:14,359 --> 00:18:15,400 Speaker 1: Should, That's what I'm saying. 421 00:18:15,480 --> 00:18:17,919 Speaker 2: That's show and I feel like things like this, I 422 00:18:17,920 --> 00:18:21,240 Speaker 2: mean you could get some music in the show, and 423 00:18:21,240 --> 00:18:21,560 Speaker 2: why not. 424 00:18:21,800 --> 00:18:23,480 Speaker 3: I'm telling you it's about to. 425 00:18:23,480 --> 00:18:26,920 Speaker 2: Be, because I know as much as you've been doing 426 00:18:26,960 --> 00:18:29,080 Speaker 2: this has something that's this is something that's been really 427 00:18:29,119 --> 00:18:32,120 Speaker 2: really Like now, I'm sure everybody knows you as ry 428 00:18:32,280 --> 00:18:34,200 Speaker 2: and sometimes that is a gift and a curse too, 429 00:18:34,320 --> 00:18:38,000 Speaker 2: because you know, I think that you've established yourself. But 430 00:18:38,080 --> 00:18:40,080 Speaker 2: now it's kind of like this show just came out 431 00:18:40,080 --> 00:18:41,879 Speaker 2: the gates, so wild and so crazy. 432 00:18:42,520 --> 00:18:45,920 Speaker 3: I'm thankful though, because, by the grace of God, I 433 00:18:46,680 --> 00:18:49,359 Speaker 3: think that I have a lot of layers to this character. 434 00:18:49,800 --> 00:18:51,920 Speaker 3: I think he gets to be animated, he gets it 435 00:18:51,960 --> 00:18:53,840 Speaker 3: be It's really like all the parts of Julian Horton. 436 00:18:53,920 --> 00:18:56,399 Speaker 3: I get to play this character. So some parts in 437 00:18:56,440 --> 00:18:58,160 Speaker 3: your life, and I mean some characters you don't get 438 00:18:58,160 --> 00:19:01,160 Speaker 3: to do that. And with you get to be emotional, 439 00:19:01,160 --> 00:19:03,000 Speaker 3: you get to be vulnerable, you get to be mean, 440 00:19:03,080 --> 00:19:04,560 Speaker 3: you get to be vicious, you get to be funny, 441 00:19:04,600 --> 00:19:07,159 Speaker 3: get to be animated, so many things you get to 442 00:19:07,200 --> 00:19:09,399 Speaker 3: tap in, especially with part two because in Part one 443 00:19:09,480 --> 00:19:11,680 Speaker 3: is just the asshole, asshole, asshole, and then Part two 444 00:19:11,800 --> 00:19:12,280 Speaker 3: to see. 445 00:19:12,119 --> 00:19:14,919 Speaker 1: Oh I did feel bad for him. 446 00:19:14,920 --> 00:19:17,239 Speaker 3: That's what I kept seeing people feel Maverroy, I feel bad. 447 00:19:17,320 --> 00:19:18,520 Speaker 3: It's like, you know what I'm. 448 00:19:18,359 --> 00:19:20,399 Speaker 1: Saying, because you like, please somebody feel bad. 449 00:19:22,560 --> 00:19:25,560 Speaker 3: You see why how he's how he is. 450 00:19:26,000 --> 00:19:27,719 Speaker 1: I wonder if Roy could ever trust anyone. 451 00:19:28,359 --> 00:19:31,600 Speaker 3: I know. I think he trusts Jewels, that's his right hand. 452 00:19:31,800 --> 00:19:33,600 Speaker 3: Even though they talk. They have a weird relationship and 453 00:19:33,640 --> 00:19:37,159 Speaker 3: it's like Jewels, but I think he definitely trusts Jewels, 454 00:19:37,240 --> 00:19:39,600 Speaker 3: and that's really I think that's the only one he 455 00:19:39,640 --> 00:19:40,920 Speaker 3: really trusts, maybe his brother. 456 00:19:41,240 --> 00:19:41,679 Speaker 1: I feel like. 457 00:19:41,720 --> 00:19:44,639 Speaker 2: Jewels is so not trustworthy to man, I feel like 458 00:19:44,680 --> 00:19:46,879 Speaker 2: no one in this show can be really, nobody can 459 00:19:46,920 --> 00:19:47,480 Speaker 2: be trusted. 460 00:19:47,640 --> 00:19:50,280 Speaker 3: No one has Yeah, no one's like the the. 461 00:19:50,000 --> 00:19:52,119 Speaker 2: Only person that maybe trust is Angel. He's like the 462 00:19:52,240 --> 00:19:56,760 Speaker 2: nice person. Is He's like the nice trying to do 463 00:19:56,800 --> 00:20:01,520 Speaker 2: the right thing, yes, yes, and very innocent yes type 464 00:20:01,560 --> 00:20:01,840 Speaker 2: of person. 465 00:20:02,000 --> 00:20:04,240 Speaker 3: He's the one that got him in the situation. So 466 00:20:04,520 --> 00:20:05,800 Speaker 3: is he that innocent? We don't know. 467 00:20:06,359 --> 00:20:09,240 Speaker 1: I mean, yeah, yeah. 468 00:20:09,160 --> 00:20:11,720 Speaker 3: But maybe he's innocent just because he knows that it's 469 00:20:11,720 --> 00:20:12,119 Speaker 3: his fault. 470 00:20:12,440 --> 00:20:15,320 Speaker 2: Okay, because I also feel like he does try to 471 00:20:15,400 --> 00:20:17,879 Speaker 2: do the right thing, like does he's a ditch, but 472 00:20:17,920 --> 00:20:19,959 Speaker 2: then he's still like trying to get the girl out 473 00:20:20,000 --> 00:20:22,159 Speaker 2: the strip club. You know, he's trying to help and 474 00:20:22,200 --> 00:20:25,560 Speaker 2: he's not getting necessarily anything out of that. And I wonder, 475 00:20:25,640 --> 00:20:27,879 Speaker 2: how does a little girl forgive her oldest sister for 476 00:20:28,000 --> 00:20:30,960 Speaker 2: lying to her, and because it is Kimmy's fault that 477 00:20:31,040 --> 00:20:32,919 Speaker 2: she got in the situation that she got into in 478 00:20:32,960 --> 00:20:36,000 Speaker 2: a way also, you know her lifestyle, lying about it, 479 00:20:36,160 --> 00:20:38,800 Speaker 2: not giving the heads up, and then she gets kidnapped 480 00:20:38,840 --> 00:20:42,880 Speaker 2: and then you know, force into things that's really awful. 481 00:20:43,440 --> 00:20:45,760 Speaker 3: But is it really Kimmy's fault or is it the 482 00:20:45,840 --> 00:20:49,720 Speaker 3: mom's fault? Okay, who originated it? And in the foundation 483 00:20:49,840 --> 00:20:51,840 Speaker 3: with the stepdad who came in doing some shit that 484 00:20:51,960 --> 00:20:54,600 Speaker 3: is disgusting that made Kimmy get out the house and 485 00:20:54,640 --> 00:20:56,680 Speaker 3: then she had nowhere to go, and she meets a 486 00:20:56,720 --> 00:20:58,359 Speaker 3: girl who's in Walmart and then let's do this and 487 00:20:58,400 --> 00:20:59,280 Speaker 3: then she has nowhere to go. 488 00:20:59,440 --> 00:21:02,480 Speaker 1: Yeah, really that's why it's family. 489 00:21:02,400 --> 00:21:03,880 Speaker 3: That's what. Yeah, that's why I really want to show, 490 00:21:03,960 --> 00:21:05,680 Speaker 3: Like when I have this character Roy, I wanted to 491 00:21:05,680 --> 00:21:07,480 Speaker 3: show the angles because you have to find an angle 492 00:21:07,520 --> 00:21:10,200 Speaker 3: playing somebody like Roy. He's doing koke, he's doing craziness 493 00:21:10,240 --> 00:21:12,600 Speaker 3: to women. You got to find an angle that's like redeeming, 494 00:21:13,160 --> 00:21:16,040 Speaker 3: but also can teach a lesson right. And my most 495 00:21:16,080 --> 00:21:17,560 Speaker 3: thing that I wanted to teach is like, yo, you 496 00:21:17,640 --> 00:21:20,440 Speaker 3: have to be a good parent and really start people 497 00:21:20,480 --> 00:21:22,480 Speaker 3: early and treat people right so people can have a 498 00:21:22,480 --> 00:21:24,879 Speaker 3: better chance at this world. It doesn't guarantee that people 499 00:21:24,840 --> 00:21:26,720 Speaker 3: going to be good, but you want to give him 500 00:21:26,800 --> 00:21:29,120 Speaker 3: an advantage and a good start and a good head 501 00:21:29,160 --> 00:21:32,000 Speaker 3: start in this world. So that's why I wanted to show, 502 00:21:32,119 --> 00:21:36,560 Speaker 3: especially because Kimmy's in the situation she's in because parents. 503 00:21:37,720 --> 00:21:39,600 Speaker 3: I'm not going to say I'm and I'm just gonna 504 00:21:39,640 --> 00:21:41,680 Speaker 3: say Roy doesn't feel the love because of his parents. 505 00:21:41,760 --> 00:21:42,640 Speaker 1: Yeah, that's a fact. 506 00:21:42,680 --> 00:21:44,240 Speaker 3: He has a lot of vices because he didn't get 507 00:21:44,240 --> 00:21:46,320 Speaker 3: the proper love, you know at the beginning, and. 508 00:21:46,200 --> 00:21:47,359 Speaker 1: Even in his marriage. 509 00:21:47,359 --> 00:21:49,800 Speaker 2: I wonder if there ever was love there, like to 510 00:21:49,880 --> 00:21:52,320 Speaker 2: even know, why did y'all even get married? Because there's 511 00:21:52,320 --> 00:21:54,120 Speaker 2: even one part where you're like, I don't care about 512 00:21:54,119 --> 00:21:57,040 Speaker 2: the shares, I don't care about anyone. You can get divorced, yeah, 513 00:21:57,080 --> 00:21:59,440 Speaker 2: and she's like, now you know you want your shares? 514 00:22:00,119 --> 00:22:03,560 Speaker 3: No. It was It's crazy because the fans really really 515 00:22:03,560 --> 00:22:05,959 Speaker 3: do want to see like the Roy Mallory show and 516 00:22:06,119 --> 00:22:10,560 Speaker 3: just how it got here right, and the origin of 517 00:22:10,600 --> 00:22:12,679 Speaker 3: it and was there of her love? And I do 518 00:22:12,760 --> 00:22:15,200 Speaker 3: believe there was love there because they're still staying together. Right, 519 00:22:15,240 --> 00:22:16,440 Speaker 3: It can easily just go away, but. 520 00:22:16,359 --> 00:22:18,399 Speaker 2: They're still, you know, and not even just staying together, 521 00:22:18,440 --> 00:22:20,639 Speaker 2: but also caring so much about what the other person 522 00:22:20,720 --> 00:22:23,000 Speaker 2: is doing. Yeah, Like why do I care who you're 523 00:22:23,040 --> 00:22:23,399 Speaker 2: sleeping with? 524 00:22:23,520 --> 00:22:25,080 Speaker 1: Go do it? Like why do I want to know? 525 00:22:25,080 --> 00:22:26,280 Speaker 1: Because she is really on the hunt? 526 00:22:26,400 --> 00:22:27,960 Speaker 3: She really is, you know, to find out. I have 527 00:22:28,040 --> 00:22:30,360 Speaker 3: those little moments like you're doing my wife, you're doing 528 00:22:30,359 --> 00:22:32,040 Speaker 3: my wife? You doing my Wife's like three nick, you 529 00:22:32,080 --> 00:22:32,560 Speaker 3: know what I'm saying. 530 00:22:32,600 --> 00:22:36,080 Speaker 2: So I couldn't imagine being with somebody. But you know what, 531 00:22:36,160 --> 00:22:39,480 Speaker 2: people don't know what type of situations they get themselves. 532 00:22:39,000 --> 00:22:41,359 Speaker 3: In all the time. Crazy world. 533 00:22:41,440 --> 00:22:42,040 Speaker 1: Now what else? 534 00:22:42,040 --> 00:22:44,520 Speaker 2: So you said the music is something that you're taking 535 00:22:44,560 --> 00:22:46,480 Speaker 2: advantage of the moment. What are some other things you're 536 00:22:46,520 --> 00:22:49,440 Speaker 2: doing now personally for Julian to take advantage of the moment. 537 00:22:49,560 --> 00:22:52,280 Speaker 3: You know, I have a brand called TMO stands for 538 00:22:52,320 --> 00:22:55,520 Speaker 3: the Most Original. My guys here who all came with 539 00:22:55,560 --> 00:22:59,240 Speaker 3: me today, my family, my brothers all here, We're just 540 00:22:59,280 --> 00:23:01,320 Speaker 3: trying to take advantage to just you know, we got 541 00:23:01,359 --> 00:23:03,520 Speaker 3: clothing on the way, we got music on the way, 542 00:23:03,960 --> 00:23:06,600 Speaker 3: just trying to build every avenue, just to take advantage 543 00:23:06,640 --> 00:23:10,800 Speaker 3: anything that we can do, any God given talent, anything 544 00:23:10,800 --> 00:23:12,080 Speaker 3: that we're good at. We just trying to take the 545 00:23:12,400 --> 00:23:17,120 Speaker 3: most advantage of right now or the music, close production, 546 00:23:17,760 --> 00:23:21,440 Speaker 3: doing my own thing. So I've been writing, I've been producing, 547 00:23:21,560 --> 00:23:23,840 Speaker 3: trying to get some movies done of my own short 548 00:23:23,880 --> 00:23:26,399 Speaker 3: films and films and stuff of that nature. Because this 549 00:23:26,480 --> 00:23:28,359 Speaker 3: position is a blessed position to be in, and I 550 00:23:28,400 --> 00:23:30,080 Speaker 3: know I got to honor it because God allowed me 551 00:23:30,119 --> 00:23:32,480 Speaker 3: to have it. And that's what I'm doing right now. 552 00:23:32,560 --> 00:23:34,400 Speaker 3: I'm just trying to take advantage of the moment. 553 00:23:34,440 --> 00:23:35,080 Speaker 1: As you should. 554 00:23:35,480 --> 00:23:37,520 Speaker 2: But no, no, what have been some of the best 555 00:23:37,520 --> 00:23:39,879 Speaker 2: reactions that you had in real life from people? 556 00:23:39,960 --> 00:23:40,200 Speaker 1: Now? 557 00:23:41,480 --> 00:23:45,160 Speaker 3: The best reactions, there's a lot of good interaction. 558 00:23:45,200 --> 00:23:45,320 Speaker 2: You know. 559 00:23:45,359 --> 00:23:51,040 Speaker 3: I went to the Eagles game in Philly, and you know, 560 00:23:51,320 --> 00:23:54,760 Speaker 3: you know we talked about last time, like libserve, I'll 561 00:23:54,840 --> 00:23:57,080 Speaker 3: just be doing my own thing and they walking around 562 00:23:57,119 --> 00:23:59,560 Speaker 3: the city. But I walked like three miles from the 563 00:23:59,560 --> 00:24:05,000 Speaker 3: Eagles game because there was an NFC championship and there 564 00:24:05,040 --> 00:24:08,160 Speaker 3: was no ubers, so I had to walk and keep 565 00:24:08,160 --> 00:24:09,600 Speaker 3: on walking to see if there was an uber that 566 00:24:09,600 --> 00:24:11,119 Speaker 3: could pick me up. But there was none, so I 567 00:24:11,200 --> 00:24:14,680 Speaker 3: kept walking and kept walking and kept walking. Finally yes, 568 00:24:14,720 --> 00:24:17,760 Speaker 3: by myself and the cold and Chelsea boots and twenty 569 00:24:17,840 --> 00:24:22,960 Speaker 3: degree weather, freezing pole frozen as hell. But I'm walking 570 00:24:22,960 --> 00:24:24,600 Speaker 3: and walking and walking, and then I get on the 571 00:24:24,600 --> 00:24:26,600 Speaker 3: corner of just random street. It's just you know that 572 00:24:26,640 --> 00:24:29,040 Speaker 3: you got the whole He's got the Philly Cheese steak spots, 573 00:24:29,920 --> 00:24:31,720 Speaker 3: and you know, I got Eagles fans walking and walking 574 00:24:31,720 --> 00:24:33,320 Speaker 3: and walking and walking and stuff. But then you know, 575 00:24:33,359 --> 00:24:36,399 Speaker 3: you got some some black girls come up and stuff 576 00:24:36,440 --> 00:24:38,439 Speaker 3: and they won't buy, and the walk and and I 577 00:24:38,440 --> 00:24:41,920 Speaker 3: get the slot, they'll walk by, double take, and they'll 578 00:24:42,000 --> 00:24:42,840 Speaker 3: keep walking. 579 00:24:42,560 --> 00:24:45,080 Speaker 1: And then somebody looking at someone turn. 580 00:24:45,000 --> 00:24:48,040 Speaker 3: Around all the time. You got Nigga from that show, 581 00:24:48,600 --> 00:24:50,800 Speaker 3: and that's what they'll say to me. I'm like, I 582 00:24:50,960 --> 00:24:54,679 Speaker 3: don't know, you're talking about Nona. You him and put 583 00:24:54,720 --> 00:24:56,879 Speaker 3: a phone out and I'm like, yeah, okay, that's me, 584 00:24:56,920 --> 00:24:59,360 Speaker 3: that's me, and take pictures. That's cool. And then these 585 00:24:59,400 --> 00:25:02,000 Speaker 3: other four black else came up, and I'll just be 586 00:25:02,119 --> 00:25:04,120 Speaker 3: chilling because I'll just be just be chilling. I'll be chilling. 587 00:25:04,119 --> 00:25:06,479 Speaker 3: I'm waiting for him. My business, none of my business. 588 00:25:06,520 --> 00:25:13,720 Speaker 3: It's five minutes, aga damn. So then girls, I hear 589 00:25:13,800 --> 00:25:17,320 Speaker 3: chatter a little channel and black. I hear black. You 590 00:25:17,359 --> 00:25:18,720 Speaker 3: know what I'm saying. I hear the word black. I'm like, 591 00:25:18,760 --> 00:25:21,800 Speaker 3: they're talking about me. They're talking about me. I think 592 00:25:21,800 --> 00:25:24,800 Speaker 3: they're talking about me right now. Hey, you ain't gotten 593 00:25:24,840 --> 00:25:26,760 Speaker 3: that show. I'm like, I always say, I know what 594 00:25:26,760 --> 00:25:29,400 Speaker 3: you're talking about. Just people I don't know, and might 595 00:25:29,400 --> 00:25:32,400 Speaker 3: I gotten the show? Nigga started playing. You hearhim take 596 00:25:32,440 --> 00:25:34,800 Speaker 3: the phone out whatever whatever. But then they're asked me. 597 00:25:34,840 --> 00:25:36,879 Speaker 3: So we got in the conversation, took pictures or whatever whatever, 598 00:25:36,960 --> 00:25:41,159 Speaker 3: and and then they said, where's Broad Street at And 599 00:25:41,160 --> 00:25:43,320 Speaker 3: I say, you set over there, it's over there, down 600 00:25:43,320 --> 00:25:47,480 Speaker 3: the street and stuff. So finally my uber came. After 601 00:25:47,600 --> 00:25:50,160 Speaker 3: talking to them for five minutes, and then they walked off, 602 00:25:51,080 --> 00:25:52,880 Speaker 3: and you know, I was in the black truck by myself, 603 00:25:53,280 --> 00:25:54,720 Speaker 3: and I say, you know, this is a big car. 604 00:25:55,240 --> 00:26:01,680 Speaker 3: I could use some people to talk to, so hey hey. 605 00:26:01,720 --> 00:26:08,639 Speaker 3: And then then and then they I got their attention 606 00:26:08,760 --> 00:26:12,760 Speaker 3: and I say, hey, row with me and then they 607 00:26:12,760 --> 00:26:14,440 Speaker 3: wrote together, and then they asked me all these questions 608 00:26:14,480 --> 00:26:17,600 Speaker 3: about the show. You know, Uncle matter fucking me and egga, uncle, 609 00:26:17,680 --> 00:26:20,600 Speaker 3: your brother, all this stuff. So it's just having these interactions. 610 00:26:20,640 --> 00:26:23,200 Speaker 3: Having this reception to the show is a blessing. It's 611 00:26:23,240 --> 00:26:25,359 Speaker 3: amazing and I'm truly honored just to even be on 612 00:26:25,400 --> 00:26:27,679 Speaker 3: the show, to have people watch my acting. Yeah, you know, 613 00:26:27,760 --> 00:26:30,760 Speaker 3: because I like, I could have did the skit stuff, 614 00:26:30,880 --> 00:26:34,000 Speaker 3: I could have did Instagram videos, I could have did 615 00:26:34,040 --> 00:26:35,479 Speaker 3: a lot of things that people wanted me to do 616 00:26:35,640 --> 00:26:38,800 Speaker 3: or suggested. But I just like love this craft so much. 617 00:26:39,400 --> 00:26:42,000 Speaker 3: I love movies so much, I love Hollywood so much. 618 00:26:42,560 --> 00:26:44,480 Speaker 3: I love the art of filmmaking so much, and I 619 00:26:44,520 --> 00:26:46,439 Speaker 3: just wanted to do the right way. So to be 620 00:26:46,480 --> 00:26:48,399 Speaker 3: on the show, to be on the biggest streaming service 621 00:26:48,400 --> 00:26:50,520 Speaker 3: in the world, to be able to be a character 622 00:26:50,560 --> 00:26:52,720 Speaker 3: that conveys a lot of emotion and people can see 623 00:26:52,720 --> 00:26:55,680 Speaker 3: the acting skills on full display, I'm fully grateful for it. 624 00:26:56,280 --> 00:26:56,960 Speaker 1: Just think about it. 625 00:26:57,000 --> 00:27:00,399 Speaker 2: You went from football to acting to have to take 626 00:27:00,400 --> 00:27:03,639 Speaker 2: a step back and drive Uber, which we talked about before, 627 00:27:03,720 --> 00:27:07,000 Speaker 2: and now you're taking Uber blacks and bringing people with you. 628 00:27:07,080 --> 00:27:09,280 Speaker 3: Man, I didn't even think about that. That is a 629 00:27:09,480 --> 00:27:12,160 Speaker 3: hell of a damn transition and pivot right. I didn't 630 00:27:12,160 --> 00:27:13,879 Speaker 3: even think about that. I drove Uber and now I 631 00:27:13,920 --> 00:27:14,919 Speaker 3: take only Uber blacks. 632 00:27:16,400 --> 00:27:18,320 Speaker 1: I take whatever Uber's cheap is. I'm gonna be honest, 633 00:27:18,400 --> 00:27:18,960 Speaker 1: I didn't do it. 634 00:27:18,960 --> 00:27:20,639 Speaker 3: I got a friend named Paul Dawson, and I know 635 00:27:20,760 --> 00:27:24,600 Speaker 3: that ten years old, and you know, he get that money. 636 00:27:24,840 --> 00:27:28,960 Speaker 3: So I'll be saying some things. And because they're here, 637 00:27:29,000 --> 00:27:37,399 Speaker 3: because they get it, but probably getting that money. So 638 00:27:37,480 --> 00:27:41,040 Speaker 3: he and I was riding Uber. He takes the black truck. 639 00:27:41,200 --> 00:27:43,520 Speaker 1: No, I take it regular, take the black truck every time. 640 00:27:43,600 --> 00:27:46,080 Speaker 3: So I'm like, and you know, and like Drew and 641 00:27:46,119 --> 00:27:47,560 Speaker 3: get the Uber and I would get them the regular 642 00:27:47,640 --> 00:27:48,360 Speaker 3: cheap joint. 643 00:27:48,119 --> 00:27:50,920 Speaker 1: Whatever when you got to wait extra time for extra time. 644 00:27:52,119 --> 00:27:53,760 Speaker 3: I got so used to the black truck though, and 645 00:27:53,800 --> 00:27:56,199 Speaker 3: the luxuries of having a black truck, and just like 646 00:27:56,960 --> 00:28:00,119 Speaker 3: the size of it and and and and just he 647 00:28:00,240 --> 00:28:02,119 Speaker 3: just a truck, the luxuries of it and everything like that. 648 00:28:02,200 --> 00:28:04,520 Speaker 3: I'm like, Yo, when I get money, I'm taking a 649 00:28:04,560 --> 00:28:05,439 Speaker 3: black truck every time. 650 00:28:05,280 --> 00:28:06,000 Speaker 1: Like that, every time. 651 00:28:06,160 --> 00:28:08,080 Speaker 3: I can't even even even going to get haircut. Of 652 00:28:08,080 --> 00:28:08,920 Speaker 3: the day we took a black truck. 653 00:28:09,000 --> 00:28:10,960 Speaker 1: Oh, my gosh, I know he getting bougie. 654 00:28:11,000 --> 00:28:14,320 Speaker 3: I'm sorry, I'm sorry, I just yeah, but that's the 655 00:28:14,359 --> 00:28:15,000 Speaker 3: only thing on bougie. 656 00:28:15,040 --> 00:28:16,720 Speaker 2: I think I only take a black truck if it's 657 00:28:16,720 --> 00:28:20,040 Speaker 2: like slightly more expensive. But when sometimes that black truck 658 00:28:20,080 --> 00:28:22,480 Speaker 2: you costing so much more, I'm like, more so much. 659 00:28:22,520 --> 00:28:23,639 Speaker 3: I could and I could take it. You know, we 660 00:28:23,640 --> 00:28:24,280 Speaker 3: could take a Uber. 661 00:28:24,359 --> 00:28:25,679 Speaker 1: Can you fly coach? 662 00:28:26,359 --> 00:28:27,960 Speaker 3: Yes? Now, I will say that. 663 00:28:28,000 --> 00:28:30,200 Speaker 2: Interesting, so your flight coach. But you needed to take 664 00:28:30,200 --> 00:28:30,800 Speaker 2: a black Uber. 665 00:28:30,880 --> 00:28:33,399 Speaker 3: Yeah, because because because flights is different. You know what 666 00:28:33,440 --> 00:28:35,560 Speaker 3: I'm saying. Flights a flight, you know what I'm saying, 667 00:28:35,560 --> 00:28:37,439 Speaker 3: it's gonna give a point at the point B. But 668 00:28:37,520 --> 00:28:40,160 Speaker 3: the black truck, yeah, because sometimes people be having stains 669 00:28:40,160 --> 00:28:42,640 Speaker 3: in the car. People be Oh. 670 00:28:42,760 --> 00:28:45,680 Speaker 1: One time I was taking a regular Uber to the airport. 671 00:28:45,800 --> 00:28:48,240 Speaker 2: It was when I was I was in LA I 672 00:28:48,280 --> 00:28:50,680 Speaker 2: was trying to catch a super early flight. My friends 673 00:28:50,680 --> 00:28:52,760 Speaker 2: sat on the other side and somebody must have pissed 674 00:28:52,800 --> 00:28:55,400 Speaker 2: on that seat. I'm telling her, whole pants were wet, 675 00:28:55,720 --> 00:28:57,360 Speaker 2: and I just said to myself, I'm so glad, I 676 00:28:57,360 --> 00:28:57,760 Speaker 2: said on. 677 00:28:57,720 --> 00:28:59,240 Speaker 3: This sub fact fact. 678 00:28:59,240 --> 00:29:01,640 Speaker 2: And she was so oh mad, she had to like 679 00:29:01,800 --> 00:29:04,280 Speaker 2: change her pants when we got I mean, that's so disgusting. 680 00:29:04,440 --> 00:29:07,480 Speaker 3: It's disgusting, and it's just different. But the black Truck 681 00:29:07,560 --> 00:29:09,160 Speaker 3: is gonna be official every time. 682 00:29:09,160 --> 00:29:10,600 Speaker 1: Sometimes they got candy and. 683 00:29:11,120 --> 00:29:15,360 Speaker 3: Water, candy TV, the little game. I'll be playing the 684 00:29:15,440 --> 00:29:17,280 Speaker 3: little thing. We'll try to get to beat the high score. 685 00:29:17,320 --> 00:29:19,000 Speaker 3: I'll be doing everything like that, just thinking. 686 00:29:18,760 --> 00:29:21,440 Speaker 2: About But honestly, and I know, you know, just people 687 00:29:21,440 --> 00:29:23,520 Speaker 2: should go back and watch that Lip Service episode two. 688 00:29:23,960 --> 00:29:26,920 Speaker 2: But you should feel so great about just like because 689 00:29:26,960 --> 00:29:28,920 Speaker 2: when we had you on the first time, even more 690 00:29:29,000 --> 00:29:31,720 Speaker 2: has happened since then. What else do you have in 691 00:29:31,760 --> 00:29:35,320 Speaker 2: the works besides Part two? More acting? Are you looking 692 00:29:35,360 --> 00:29:37,880 Speaker 2: at more scripts? I know you're writing your own. You said, yeah, I. 693 00:29:37,880 --> 00:29:40,160 Speaker 3: Got this movie coming out called The Highwaymen, and it's 694 00:29:41,600 --> 00:29:43,680 Speaker 3: it's actually in the Civil Rights era when it came out, 695 00:29:43,720 --> 00:29:47,280 Speaker 3: I mean when it was happening. The movie is about 696 00:29:47,280 --> 00:29:49,280 Speaker 3: the Civil rights era. Yeah, it takes places of rights era, 697 00:29:49,600 --> 00:29:53,320 Speaker 3: but yeah, it's about the Florida Higwaymen. And there are 698 00:29:53,320 --> 00:29:55,800 Speaker 3: painters that have painted in the sixties. And I got 699 00:29:55,800 --> 00:29:57,440 Speaker 3: a movie. Yeah, that's that's the next movie that I 700 00:29:57,480 --> 00:29:58,800 Speaker 3: got coming out. And I got to play this guy 701 00:29:58,840 --> 00:30:04,480 Speaker 3: named Alfred Newton, and yeah, it's gonna be great to 702 00:30:04,520 --> 00:30:06,160 Speaker 3: just let people see a different side of me too, 703 00:30:06,160 --> 00:30:08,239 Speaker 3: because it's like I got a little southern act with it, 704 00:30:08,280 --> 00:30:10,600 Speaker 3: and let me hear it again a little bit like 705 00:30:11,120 --> 00:30:13,760 Speaker 3: I'm a painter. Now I'm trying to do better. I 706 00:30:13,800 --> 00:30:15,640 Speaker 3: got the better for these people. Now. You gotta know 707 00:30:15,720 --> 00:30:18,160 Speaker 3: that everybody gonna keep on watching you when you gotta 708 00:30:18,160 --> 00:30:22,160 Speaker 3: paint the best you can. You see, Yeah, you gotta 709 00:30:22,160 --> 00:30:24,719 Speaker 3: do stuff like that, and I want to be the best. 710 00:30:25,480 --> 00:30:26,920 Speaker 3: I'm not see this thing too. I'm not in this 711 00:30:27,160 --> 00:30:31,840 Speaker 3: like Timothy charlom May says something the other day. So 712 00:30:31,840 --> 00:30:35,280 Speaker 3: I'm like, if that's not your perspective of mentality, I 713 00:30:35,280 --> 00:30:37,200 Speaker 3: don't know why you do it. And I know everyone's different. 714 00:30:37,840 --> 00:30:40,240 Speaker 3: People get in for money, and people get in it for, 715 00:30:41,760 --> 00:30:44,440 Speaker 3: you know, to be comfortable things of that nature. I 716 00:30:44,440 --> 00:30:45,840 Speaker 3: get in this because I want to be the best. 717 00:30:46,520 --> 00:30:48,960 Speaker 3: I don't want to just act. I mean, this is 718 00:30:49,000 --> 00:30:51,800 Speaker 3: not just the this is just the beginning. I'm here 719 00:30:51,800 --> 00:30:53,280 Speaker 3: to be one of the greats. I'm here to be 720 00:30:53,560 --> 00:30:55,000 Speaker 3: one of the best actors I can be. I want 721 00:30:55,000 --> 00:30:56,320 Speaker 3: to be one of the best actors in the world. 722 00:30:57,440 --> 00:30:58,520 Speaker 1: That should be the goal. 723 00:30:58,960 --> 00:31:01,400 Speaker 3: That's the goal. For Shure Oscars and Emmies. I want those, 724 00:31:01,880 --> 00:31:03,920 Speaker 3: I really do want those because I love this craft 725 00:31:04,000 --> 00:31:06,240 Speaker 3: so much. And that's why I'm busted to play his 726 00:31:06,280 --> 00:31:07,640 Speaker 3: character because I get to do a lot of things 727 00:31:07,640 --> 00:31:08,960 Speaker 3: with the actor. I'm just glad that people got to 728 00:31:08,960 --> 00:31:10,880 Speaker 3: see the acting right because we can talk about it 729 00:31:11,080 --> 00:31:14,200 Speaker 3: is so crazy, the drama. I can't stop watching me. 730 00:31:14,760 --> 00:31:16,680 Speaker 3: I want you to watch the acting though, and I'm 731 00:31:16,680 --> 00:31:19,240 Speaker 3: bringing it every damn time, and I'm bringing everything i 732 00:31:19,280 --> 00:31:22,760 Speaker 3: have to this role. I go home exhausted more in 733 00:31:22,840 --> 00:31:25,760 Speaker 3: football because my mind is that the energy and the 734 00:31:25,800 --> 00:31:27,960 Speaker 3: capacity that you have to have to play this character, 735 00:31:27,960 --> 00:31:29,920 Speaker 3: it takes a lot. Yeah, Roy does a lot. 736 00:31:30,120 --> 00:31:30,680 Speaker 1: Yeah he does. 737 00:31:31,120 --> 00:31:32,640 Speaker 3: I gotta smoke, I gotta do it, and I do 738 00:31:32,720 --> 00:31:34,400 Speaker 3: all my stunts. I don't let no one else do 739 00:31:34,480 --> 00:31:36,520 Speaker 3: my stunts, or at least try not to. They they 740 00:31:36,520 --> 00:31:37,640 Speaker 3: try to be sneaky. 741 00:31:37,320 --> 00:31:39,600 Speaker 1: Sometimes, like we can't have you fly out this window. 742 00:31:39,920 --> 00:31:41,880 Speaker 3: They try to be sneaky. Sometimes they'd be like, oh, 743 00:31:42,040 --> 00:31:44,240 Speaker 3: let me just do it, no Jeling, let me do it, 744 00:31:44,440 --> 00:31:46,280 Speaker 3: no Jeling. They had to tell me like, hey, you can't. 745 00:31:46,840 --> 00:31:49,840 Speaker 3: Because I'm passionate about this. I'm passionate about everything. In 746 00:31:49,840 --> 00:31:52,160 Speaker 3: my life. I'm passionate about my friends, passionate about God. 747 00:31:52,200 --> 00:31:54,680 Speaker 3: I'm passionate about everything that I do because that's how 748 00:31:54,720 --> 00:31:56,880 Speaker 3: I am. So I yeah, when this acting stuff, I 749 00:31:56,880 --> 00:31:58,640 Speaker 3: just want to keep on just being great and yeah 750 00:31:58,680 --> 00:31:59,560 Speaker 3: I got that movie on the way. 751 00:32:00,000 --> 00:32:02,280 Speaker 2: Do you feel like sometimes after filming, because I know 752 00:32:02,280 --> 00:32:04,960 Speaker 2: you guys film for long periods of time, you got 753 00:32:04,960 --> 00:32:05,880 Speaker 2: to like get out of. 754 00:32:05,800 --> 00:32:06,840 Speaker 1: The roy mode. 755 00:32:07,920 --> 00:32:09,840 Speaker 3: Nah, I don't, to be honest with you, I don't 756 00:32:09,840 --> 00:32:12,280 Speaker 3: really have that. I don't have an issue with that. 757 00:32:12,400 --> 00:32:15,680 Speaker 3: I don't believe I can get into it quick. 758 00:32:15,720 --> 00:32:17,360 Speaker 1: Like I feel like sniff that's. 759 00:32:18,800 --> 00:32:21,040 Speaker 3: Fact fact No, But it's I don't really have an 760 00:32:21,040 --> 00:32:24,080 Speaker 3: issue because some actors do. I've had like other actors 761 00:32:24,080 --> 00:32:26,160 Speaker 3: said like, yeah, I got I gotta I'm gonna go 762 00:32:26,240 --> 00:32:28,680 Speaker 3: meditate real quick. Can really and not get that. But 763 00:32:28,800 --> 00:32:30,440 Speaker 3: for me, by the grace of God, I really just 764 00:32:30,520 --> 00:32:32,960 Speaker 3: I just I'm back to joking you. 765 00:32:32,960 --> 00:32:36,080 Speaker 2: You've talked about anxiety too. How is that for you now? 766 00:32:36,200 --> 00:32:38,120 Speaker 2: Is that something that you've been working on? Has it 767 00:32:38,160 --> 00:32:39,040 Speaker 2: gotten better worse? 768 00:32:39,280 --> 00:32:44,880 Speaker 3: That's a constant daily journey. I think my anxiety is 769 00:32:44,920 --> 00:32:48,240 Speaker 3: definitely uh, I'm not evenna call it my anxiety. Anxiety. 770 00:32:48,800 --> 00:32:50,800 Speaker 3: I think it's definitely gotten better as time going on, 771 00:32:50,840 --> 00:32:54,600 Speaker 3: because I'm doing a lot more. I'm always active, Like 772 00:32:54,800 --> 00:32:57,040 Speaker 3: I'm a huge advocate for vitamins, I'm a huge advocate 773 00:32:57,080 --> 00:33:00,560 Speaker 3: for meditation. I'm a huge advocate for prayer. Doing those things. 774 00:33:00,640 --> 00:33:04,920 Speaker 3: Combining all those things, walking, spending time with friends, and 775 00:33:04,960 --> 00:33:07,600 Speaker 3: just being present as best as I can be definitely 776 00:33:08,000 --> 00:33:11,440 Speaker 3: definitely alleviation and diminishes anxiety. So I'm good, I'm present, 777 00:33:12,400 --> 00:33:14,840 Speaker 3: My mind is good, my mental is good, my spirit 778 00:33:14,920 --> 00:33:17,040 Speaker 3: is good, and I feel I feel great. 779 00:33:17,320 --> 00:33:19,480 Speaker 1: What are you doing on your downtime when you're not working. 780 00:33:20,320 --> 00:33:21,480 Speaker 3: I'm hanging with these guys. 781 00:33:23,640 --> 00:33:25,960 Speaker 1: It feels good. Friends. 782 00:33:26,040 --> 00:33:28,280 Speaker 2: Yeah, and they get to work and everybody's working and 783 00:33:28,520 --> 00:33:31,080 Speaker 2: everyone work is fun. I always say that it may 784 00:33:31,120 --> 00:33:33,000 Speaker 2: seem like I'm having fun, but I'm really working. 785 00:33:33,080 --> 00:33:41,440 Speaker 3: Definitely working business and pleasure. But yeah, like, uh, I'm 786 00:33:41,560 --> 00:33:43,680 Speaker 3: I'm I've been blessing, my honored to be in this position, 787 00:33:43,760 --> 00:33:47,680 Speaker 3: and I know that it's my God given duty to 788 00:33:47,680 --> 00:33:51,600 Speaker 3: pay it forward to my family, to people that see 789 00:33:51,600 --> 00:33:53,440 Speaker 3: me on the street, to my friends. I just try 790 00:33:53,480 --> 00:33:55,320 Speaker 3: to pay it forward the best I can. So that's 791 00:33:55,360 --> 00:33:56,920 Speaker 3: why when I come up here. And that's why when 792 00:33:56,920 --> 00:33:58,160 Speaker 3: I come to New York, I don't come along. I 793 00:33:58,200 --> 00:34:00,520 Speaker 3: come my guys. Yeah, that's why I brought Jerry life. Like, 794 00:34:01,320 --> 00:34:04,560 Speaker 3: I want everyone to experience this because I just this 795 00:34:04,680 --> 00:34:06,560 Speaker 3: is a blessing. Yeah, and I don't take it for granted. 796 00:34:06,600 --> 00:34:08,840 Speaker 3: So I want people to experience this and to be 797 00:34:08,960 --> 00:34:10,680 Speaker 3: with me every step of the way, because this is 798 00:34:10,719 --> 00:34:12,480 Speaker 3: just a great position to be in. 799 00:34:12,719 --> 00:34:15,640 Speaker 2: Yeah. It's a reciprocal thing too, because it's really hard 800 00:34:15,680 --> 00:34:16,520 Speaker 2: to do things alone. 801 00:34:16,520 --> 00:34:18,040 Speaker 1: You do need a great team of people. 802 00:34:18,400 --> 00:34:18,840 Speaker 3: Definitely. 803 00:34:18,960 --> 00:34:19,879 Speaker 1: That's around as well. 804 00:34:20,040 --> 00:34:21,919 Speaker 3: I have great friends. I love my friends so much. 805 00:34:22,080 --> 00:34:23,879 Speaker 2: Yeah, some people who fall off and then some people 806 00:34:23,920 --> 00:34:25,640 Speaker 2: who are going to be right there, you know. 807 00:34:25,800 --> 00:34:29,240 Speaker 3: And and it's not there's no fake there's no jealousy, 808 00:34:29,280 --> 00:34:32,000 Speaker 3: there's no envy, there's no's I got true the thing 809 00:34:32,040 --> 00:34:35,080 Speaker 3: about it for real, for real, I can almost cry, 810 00:34:35,640 --> 00:34:40,400 Speaker 3: Like for real, Damn. I have like priceless things in 811 00:34:40,440 --> 00:34:42,880 Speaker 3: my life. You can't buy. You just can't buy it. 812 00:34:43,560 --> 00:34:48,600 Speaker 3: My family, God, yes, sua, my friends. The support that 813 00:34:48,680 --> 00:34:52,640 Speaker 3: I get second to none, It's second to none. I 814 00:34:52,640 --> 00:34:55,840 Speaker 3: don't have any egos or any envy, or any doubters 815 00:34:55,920 --> 00:34:58,319 Speaker 3: or any people that is telling me things like that 816 00:34:58,360 --> 00:34:59,759 Speaker 3: would even I would even have to check. I don't 817 00:34:59,760 --> 00:35:02,400 Speaker 3: have to nobody, because the love is real, it's authentic, 818 00:35:02,440 --> 00:35:05,320 Speaker 3: it's genuine. It's to have that around me that alleviates 819 00:35:05,320 --> 00:35:07,719 Speaker 3: anxiety because I'm always present, I'm always happy. I ain't 820 00:35:07,719 --> 00:35:09,240 Speaker 3: got to worry about things. I ain't got to overthink 821 00:35:09,280 --> 00:35:12,600 Speaker 3: about things because everything is handled and taken care of 822 00:35:13,040 --> 00:35:14,600 Speaker 3: and it's just a beautiful life. 823 00:35:14,719 --> 00:35:16,880 Speaker 1: You're right about that. The main thing is people around you. 824 00:35:16,920 --> 00:35:19,080 Speaker 2: There's always like I have an idea, let's do this, 825 00:35:19,120 --> 00:35:20,719 Speaker 2: we should do this, or I got this for you, 826 00:35:21,200 --> 00:35:23,319 Speaker 2: and how can we make this happen? And I think 827 00:35:23,400 --> 00:35:26,160 Speaker 2: that's like the key to success. It can't just be 828 00:35:26,320 --> 00:35:28,360 Speaker 2: you trying to figure it out and do it on 829 00:35:28,400 --> 00:35:30,160 Speaker 2: your own. It's got to be people around you that's 830 00:35:30,160 --> 00:35:32,360 Speaker 2: looking out for your best interest and they know that 831 00:35:32,400 --> 00:35:33,960 Speaker 2: you have their best interests at heart too. 832 00:35:34,120 --> 00:35:36,920 Speaker 3: Definitely, they understand that. Everyone around me understands that, from 833 00:35:37,080 --> 00:35:41,160 Speaker 3: family to my people, to my girl to everybody. They 834 00:35:41,239 --> 00:35:46,200 Speaker 3: understand just like we're here to just make everything smooth 835 00:35:47,040 --> 00:35:49,360 Speaker 3: and have the best motion we can have. 836 00:35:49,880 --> 00:35:52,880 Speaker 2: All right, Well, congratulations on that. I'm looking forward to 837 00:35:52,920 --> 00:35:54,880 Speaker 2: see what's going to happen in season two. I know 838 00:35:54,920 --> 00:35:57,279 Speaker 2: you're gonna come check back into you know how we do. 839 00:35:57,520 --> 00:35:58,959 Speaker 3: I thank you for having me every time. 840 00:35:59,120 --> 00:36:01,440 Speaker 2: Yes, and the music when you have you know, when 841 00:36:01,480 --> 00:36:04,080 Speaker 2: we're ready, let me know about that too, because I 842 00:36:04,120 --> 00:36:05,360 Speaker 2: definitely will. 843 00:36:05,719 --> 00:36:06,200 Speaker 3: You heard that? 844 00:36:10,040 --> 00:36:12,080 Speaker 1: Listen? We like exclusive? 845 00:36:12,120 --> 00:36:13,239 Speaker 3: Did you show you a song? Yeah? 846 00:36:13,280 --> 00:36:14,239 Speaker 1: We like exclusive? 847 00:36:14,600 --> 00:36:15,439 Speaker 3: Can he show you a song? 848 00:36:15,520 --> 00:36:19,880 Speaker 1: Absolutely? I told you we like heat you see it? 849 00:36:21,800 --> 00:36:24,600 Speaker 3: Likeing it? We're playing on music. 850 00:36:24,760 --> 00:36:37,960 Speaker 4: I'm not ready yeah, members. 851 00:36:38,560 --> 00:36:40,600 Speaker 1: Yeah, we could turn on all right, Well, thank you 852 00:36:40,600 --> 00:36:40,959 Speaker 1: for coming. 853 00:36:41,000 --> 00:36:43,279 Speaker 2: We're going to listen to some music and then when 854 00:36:43,320 --> 00:36:46,960 Speaker 2: you guys are ready, we'll get the exclusives right, all right, 855 00:36:47,040 --> 00:36:50,480 Speaker 2: it's way up