WEBVTT - #382 - Kameron Marlowe on his Failed Proposal That Lead to His First Hit “Giving You Up” + How He Found Out His Grandmas Smokes Weed + How Much Money He Made Performing on Broadway

0:00:02.160 --> 0:00:06.640
<v Speaker 1>Who's on giving you. It's like I did the marble

0:00:07.080 --> 0:00:10.640
<v Speaker 1>lets him giving you that's a good one. We can't

0:00:10.640 --> 0:00:11.920
<v Speaker 1>get suit for that, right If he sings that, we

0:00:11.960 --> 0:00:19.479
<v Speaker 1>can't get Episode three eight two Cameron Marlowe. I like

0:00:19.600 --> 0:00:26.360
<v Speaker 1>this guy's song that goes because I'm giving you up. Huh.

0:00:26.400 --> 0:00:28.680
<v Speaker 1>It's good guy. I can really sing. We brought him

0:00:28.680 --> 0:00:30.960
<v Speaker 1>in and he did fulsome prison in the studio. He

0:00:31.080 --> 0:00:32.960
<v Speaker 1>did some other stuff too, but I remember him doing

0:00:32.960 --> 0:00:34.480
<v Speaker 1>this in Overby in the show. Was like, what the heck,

0:00:34.680 --> 0:00:40.519
<v Speaker 1>here's the clip. I do no, but I'm stocking filsome prison.

0:00:40.800 --> 0:00:43.520
<v Speaker 1>You can find it on YouTube channel. Because legal rules,

0:00:43.520 --> 0:00:45.880
<v Speaker 1>we can't play the whole thing, but we did figure

0:00:45.920 --> 0:00:48.080
<v Speaker 1>out a way to skirt that during this episode. Yeah,

0:00:48.120 --> 0:00:52.520
<v Speaker 1>it's cool. We're it's not fraud. We're not doing the illegal.

0:00:52.720 --> 0:00:56.480
<v Speaker 1>It's just the recording. Yeah. So, and here's the weird

0:00:56.480 --> 0:01:00.880
<v Speaker 1>thing about this situation with Cameron and myself. I walked

0:01:00.880 --> 0:01:04.080
<v Speaker 1>into the room because what I like about camera got

0:01:04.120 --> 0:01:07.080
<v Speaker 1>there fifteen minutes early any day every day. I love it,

0:01:07.120 --> 0:01:09.119
<v Speaker 1>But most don't. Most get there because they know it's

0:01:09.120 --> 0:01:11.240
<v Speaker 1>my house to get there five minutes early. I love them.

0:01:11.240 --> 0:01:14.080
<v Speaker 1>People early but I remember I was using the bathroom

0:01:14.160 --> 0:01:17.000
<v Speaker 1>and he calls and I was like, oh, I text

0:01:17.080 --> 0:01:19.040
<v Speaker 1>Mike because Mike's over studio, and I'm like, hey, give

0:01:19.080 --> 0:01:22.880
<v Speaker 1>me just a minute. And so I'm a little I

0:01:22.880 --> 0:01:25.440
<v Speaker 1>wouldn't say fully frazzled, partially frazzles. I'm trying to get

0:01:25.440 --> 0:01:28.520
<v Speaker 1>over there. So you get over there and walk in,

0:01:29.400 --> 0:01:32.119
<v Speaker 1>probably still seven eight minutes before I supposed to start,

0:01:32.120 --> 0:01:35.039
<v Speaker 1>but love somebody that it's early and his managers there

0:01:35.040 --> 0:01:36.959
<v Speaker 1>and it's him, and I'm just still like rushing and

0:01:37.000 --> 0:01:38.800
<v Speaker 1>I say to her, Hey, good to see you again.

0:01:38.800 --> 0:01:40.760
<v Speaker 1>And I say to him, hey, nice to meet you.

0:01:41.000 --> 0:01:43.960
<v Speaker 1>It should have been the opposite way because I never

0:01:44.040 --> 0:01:45.440
<v Speaker 1>but I meant it the other way. I was just like,

0:01:45.880 --> 0:01:49.240
<v Speaker 1>I never met her, and obviously, and so it was

0:01:49.280 --> 0:01:50.880
<v Speaker 1>like a little bit through I realized that I said

0:01:50.920 --> 0:01:51.920
<v Speaker 1>nice to meet you to camera, and I was like,

0:01:51.960 --> 0:01:55.080
<v Speaker 1>I'm such an idiot, but I know that that's where

0:01:55.120 --> 0:01:57.480
<v Speaker 1>I was when this started going. Oh I gotta get

0:01:57.480 --> 0:02:00.560
<v Speaker 1>going here. But it's it's really good. I joyed Cameron

0:02:00.600 --> 0:02:02.400
<v Speaker 1>joy hanging out with him. He's really talented and I

0:02:02.440 --> 0:02:04.120
<v Speaker 1>hope he checked his music out. So here we go.

0:02:04.240 --> 0:02:09.720
<v Speaker 1>Cameron Marlow here on the Bobby Cast. The first time, Cameron,

0:02:09.760 --> 0:02:11.440
<v Speaker 1>I think, I guess I knew about you, But the

0:02:11.440 --> 0:02:14.919
<v Speaker 1>first time that somebody that I was close to was like, hey,

0:02:14.919 --> 0:02:18.480
<v Speaker 1>this Cameron Marlow guys pretty good. Was I'm good friends

0:02:18.480 --> 0:02:20.880
<v Speaker 1>with Jake Owen and we were going out on the boat.

0:02:21.400 --> 0:02:23.799
<v Speaker 1>We were somewhere not here, I don't remember where we were,

0:02:23.840 --> 0:02:26.080
<v Speaker 1>but we had a boat and he was like, I

0:02:26.160 --> 0:02:28.600
<v Speaker 1>was driving, I was listening to one of his playlists

0:02:28.600 --> 0:02:32.160
<v Speaker 1>and everything sounds the same, he said, except for he said,

0:02:32.200 --> 0:02:34.160
<v Speaker 1>you know, Cameron Marlow, I don't know him personally. Night

0:02:34.560 --> 0:02:36.839
<v Speaker 1>you had anyway, he goes, Man, he had a song.

0:02:37.400 --> 0:02:38.720
<v Speaker 1>They was like, this song is so good? Did he

0:02:39.120 --> 0:02:42.400
<v Speaker 1>like post that he did? Man? He uh remember him

0:02:42.400 --> 0:02:44.800
<v Speaker 1>shooting like I guess doing a little story about her.

0:02:44.840 --> 0:02:47.240
<v Speaker 1>So I thought that was pretty cool man, Yeah, because

0:02:47.320 --> 0:02:51.560
<v Speaker 1>he just genuinely was, you know, moving through music, and

0:02:51.600 --> 0:02:52.799
<v Speaker 1>you know what it's like, you hear a lot of

0:02:52.880 --> 0:02:55.720
<v Speaker 1>music songs that you've written, other people have written, songs,

0:02:55.720 --> 0:02:58.480
<v Speaker 1>are on radio songs, and same for him. Hear stuff

0:02:58.520 --> 0:02:59.720
<v Speaker 1>all the time. But he was like, man, this stuff

0:02:59.800 --> 0:03:01.919
<v Speaker 1>just like feels and hits a little different. I love

0:03:01.960 --> 0:03:03.840
<v Speaker 1>that and yeah, I would assume coming from somebody that

0:03:04.639 --> 0:03:06.600
<v Speaker 1>has done it successfully for a long time to have

0:03:06.720 --> 0:03:09.880
<v Speaker 1>that because you didn't ask him his opinion, and that's tough.

0:03:10.440 --> 0:03:12.880
<v Speaker 1>Somebody ask your opinion on something that's tough, and he

0:03:12.919 --> 0:03:14.600
<v Speaker 1>just kind of came out like that's gotta be good, right,

0:03:14.639 --> 0:03:17.359
<v Speaker 1>like like a peer. But also somebody who has has

0:03:17.400 --> 0:03:19.919
<v Speaker 1>done it big is complimenting your work without a doubt, man,

0:03:19.960 --> 0:03:21.480
<v Speaker 1>And it's Uh, it's one of those things where you

0:03:21.560 --> 0:03:23.520
<v Speaker 1>kind of I feel like I have to pinch myself

0:03:23.560 --> 0:03:25.919
<v Speaker 1>sometimes just because I wouldn't ever expect you to be here.

0:03:25.960 --> 0:03:29.320
<v Speaker 1>So what's happening like right now career wise? Is it

0:03:29.400 --> 0:03:32.320
<v Speaker 1>coming so fast at you or does it feel like

0:03:32.360 --> 0:03:34.840
<v Speaker 1>you're so close to it that it's not moving fast

0:03:34.960 --> 0:03:37.000
<v Speaker 1>enough a little bit of both. I feel like when

0:03:37.040 --> 0:03:39.200
<v Speaker 1>I first started this, it was like everything was so quick,

0:03:39.240 --> 0:03:41.920
<v Speaker 1>like gotta get meetings, gotta getting meetings, and then COVID happened,

0:03:42.080 --> 0:03:44.400
<v Speaker 1>and then it was just completely shut down, and then

0:03:44.480 --> 0:03:46.320
<v Speaker 1>we picked back up, and it was like, I think

0:03:46.360 --> 0:03:48.600
<v Speaker 1>I got a little obsessed with it to the point

0:03:48.600 --> 0:03:49.960
<v Speaker 1>where I was like, oh, I don't feel like things

0:03:49.960 --> 0:03:51.760
<v Speaker 1>are happening at all. So I think I'm in all

0:03:51.800 --> 0:03:55.720
<v Speaker 1>three stages. When did you move to town? About four

0:03:55.800 --> 0:03:59.240
<v Speaker 1>years ago? So you were here? How long until COVID

0:03:59.280 --> 0:04:02.160
<v Speaker 1>started to affect things? Um, I'd say about a year.

0:04:02.360 --> 0:04:04.680
<v Speaker 1>Did you feel that you were getting some traction, like

0:04:04.720 --> 0:04:07.680
<v Speaker 1>real traction whenever everything had to stop? I did, man,

0:04:07.760 --> 0:04:10.040
<v Speaker 1>because I put out my first single and it was

0:04:10.080 --> 0:04:12.840
<v Speaker 1>the first thing that I'd ever put out ever, and uh,

0:04:13.200 --> 0:04:15.520
<v Speaker 1>it started blowing up. It was called Giving You Up,

0:04:15.560 --> 0:04:17.960
<v Speaker 1>and it just started rolling and people are listening to it,

0:04:18.000 --> 0:04:20.239
<v Speaker 1>and we had all this momentum with it and taking

0:04:20.279 --> 0:04:22.839
<v Speaker 1>meetings and everybody was excited and getting tour offers and

0:04:22.880 --> 0:04:25.080
<v Speaker 1>things like that. And then it all just kind of

0:04:25.120 --> 0:04:26.880
<v Speaker 1>shut down, and I was like, oh, man, now what

0:04:26.920 --> 0:04:29.240
<v Speaker 1>do we do? What did you do? I just sat

0:04:29.240 --> 0:04:32.240
<v Speaker 1>at the house and wrote a bunch of songs, I think,

0:04:32.279 --> 0:04:34.200
<v Speaker 1>just like everybody else, man, I went back home to

0:04:34.240 --> 0:04:37.320
<v Speaker 1>Carolina and just spend time with the family. I mean,

0:04:37.320 --> 0:04:39.839
<v Speaker 1>it's such a tease. It is right, you got here,

0:04:40.040 --> 0:04:43.080
<v Speaker 1>and it's all right, we like you, let's get some stuff,

0:04:43.120 --> 0:04:46.640
<v Speaker 1>go out, and then you have to fight that fight

0:04:46.680 --> 0:04:48.680
<v Speaker 1>to get back in front of people. I guess, and

0:04:48.800 --> 0:04:50.400
<v Speaker 1>uh so I guess that's kind of what last year

0:04:50.480 --> 0:04:52.320
<v Speaker 1>was about. It was just kind of fighting that fight

0:04:52.360 --> 0:04:55.240
<v Speaker 1>to get back in front of people's faces and rebuild momentum.

0:04:55.320 --> 0:04:57.440
<v Speaker 1>What are you doing now every day here in town?

0:04:57.480 --> 0:04:59.120
<v Speaker 1>Or are you on the road a couple of days

0:04:59.120 --> 0:05:01.480
<v Speaker 1>a week A you're touring constantly right now? We are.

0:05:01.600 --> 0:05:03.880
<v Speaker 1>We took January off just because we toured so crazy

0:05:03.960 --> 0:05:06.479
<v Speaker 1>last year. Um, But yeah, this year is gonna be

0:05:06.560 --> 0:05:08.080
<v Speaker 1>on the road as much as I can, as brighten

0:05:08.120 --> 0:05:10.080
<v Speaker 1>as much as I can. Are you gonna ride on

0:05:10.080 --> 0:05:13.719
<v Speaker 1>the road because that's a different a whole different thing. Man.

0:05:13.880 --> 0:05:16.920
<v Speaker 1>I try and uh, I don't feel like I get

0:05:16.960 --> 0:05:19.240
<v Speaker 1>my favorite songs. I've gotten great songs that are gonna

0:05:19.279 --> 0:05:21.720
<v Speaker 1>go on this next record, but um, writing on the road.

0:05:21.800 --> 0:05:24.320
<v Speaker 1>But it's a whole different mindset. I feel like for me,

0:05:24.480 --> 0:05:26.960
<v Speaker 1>I'm more of a like if I've been show modeum,

0:05:26.960 --> 0:05:28.920
<v Speaker 1>and show mode, if I'm in writing Modeum, in writing mode,

0:05:28.960 --> 0:05:30.960
<v Speaker 1>I don't know. Some of my friends will come right

0:05:31.000 --> 0:05:33.400
<v Speaker 1>off stage and hop right under the bus, you know,

0:05:33.440 --> 0:05:37.000
<v Speaker 1>in the rigs already going and they start writing and

0:05:37.040 --> 0:05:39.760
<v Speaker 1>that's just exhausting. That is man, that's they're better than me.

0:05:41.360 --> 0:05:43.080
<v Speaker 1>And then it's you know, you're on the road for

0:05:43.080 --> 0:05:44.880
<v Speaker 1>two or three four days and you come back and

0:05:44.880 --> 0:05:46.279
<v Speaker 1>you only have a few days. And I'll deal with

0:05:46.279 --> 0:05:47.760
<v Speaker 1>this little bit too. If I'm out doing comedy and

0:05:47.800 --> 0:05:49.920
<v Speaker 1>then doing the radio show, it's that I've only got

0:05:49.920 --> 0:05:52.880
<v Speaker 1>a few days to kind of catch back up, and

0:05:53.000 --> 0:05:54.880
<v Speaker 1>I'm trying to catch up on life stuff and make

0:05:54.880 --> 0:05:59.120
<v Speaker 1>sure bills and dogs and and laundry, laundry. Man, it's like,

0:05:59.680 --> 0:06:01.560
<v Speaker 1>now got to also be creative. So it's just when

0:06:01.560 --> 0:06:06.440
<v Speaker 1>you're touring, it's just hard to be as creative that's possible.

0:06:06.480 --> 0:06:10.560
<v Speaker 1>So you've used this time to just right January, like

0:06:10.640 --> 0:06:12.000
<v Speaker 1>in the last year, do you write a bunch of

0:06:12.000 --> 0:06:14.480
<v Speaker 1>songs in definitely? Man, And like, when you're on the road,

0:06:14.480 --> 0:06:17.480
<v Speaker 1>I feel like it's like this group you use all

0:06:17.520 --> 0:06:20.279
<v Speaker 1>that I don't know. I'm kind of an introverted person,

0:06:20.360 --> 0:06:22.120
<v Speaker 1>so like I feel like I when I push out

0:06:22.160 --> 0:06:23.520
<v Speaker 1>all that energy and stuff like that, I have to

0:06:23.560 --> 0:06:25.000
<v Speaker 1>be at home and I just kind of sit in

0:06:25.040 --> 0:06:26.840
<v Speaker 1>silence a little bit. So I don't like have that

0:06:27.040 --> 0:06:29.960
<v Speaker 1>creative flow going. So I have to like just book

0:06:30.040 --> 0:06:34.279
<v Speaker 1>myselves or book myself a like week just to focus

0:06:34.320 --> 0:06:38.680
<v Speaker 1>on writing. I've tried to make this year a year

0:06:38.680 --> 0:06:41.279
<v Speaker 1>where occasionally I get bored. That's a good way to

0:06:41.279 --> 0:06:44.560
<v Speaker 1>do it because and Mike and I were talking about it,

0:06:44.560 --> 0:06:48.240
<v Speaker 1>it's like we're running hot all the time, and if

0:06:48.240 --> 0:06:52.040
<v Speaker 1>you're always run into the next thing, there's no time

0:06:52.240 --> 0:06:56.800
<v Speaker 1>to really gather creativity. And a force creativity. To me,

0:06:57.480 --> 0:06:58.960
<v Speaker 1>I mean, you can get the key in the keyhole,

0:06:59.000 --> 0:07:02.000
<v Speaker 1>but it barely fits. It's like you know, and it's never,

0:07:02.160 --> 0:07:05.440
<v Speaker 1>like you said, I never get my favorite stuff when

0:07:05.480 --> 0:07:08.240
<v Speaker 1>it's a forced I feel like it becomes monotonous at

0:07:08.279 --> 0:07:13.080
<v Speaker 1>that point. And and just like a task, and it's

0:07:13.080 --> 0:07:14.840
<v Speaker 1>a it's job, for sure, it's a job. It's a

0:07:14.920 --> 0:07:17.760
<v Speaker 1>job that we do because we love it and because

0:07:17.760 --> 0:07:20.720
<v Speaker 1>we got to be creative. But it is it's a balance.

0:07:20.800 --> 0:07:23.480
<v Speaker 1>I I'm excited to see how you balance this now

0:07:23.520 --> 0:07:26.200
<v Speaker 1>because you're going on the road, you're playing, your shows

0:07:26.200 --> 0:07:30.360
<v Speaker 1>are getting bigger, obviously, and but now because your record

0:07:30.360 --> 0:07:34.720
<v Speaker 1>came out last year, right that's one month uh September,

0:07:35.000 --> 0:07:37.040
<v Speaker 1>like right like close to last quarter of the last year.

0:07:37.080 --> 0:07:39.520
<v Speaker 1>I should know that, but yeah, so should I I

0:07:39.560 --> 0:07:43.080
<v Speaker 1>knew it was late last year. But and now that

0:07:43.160 --> 0:07:45.880
<v Speaker 1>you have this record that people really like, they're ready

0:07:45.920 --> 0:07:48.280
<v Speaker 1>for new stuff and so but but now you gotta right,

0:07:48.800 --> 0:07:51.600
<v Speaker 1>you gotta get better at the same time. Absolutely, And

0:07:51.600 --> 0:07:53.400
<v Speaker 1>it's crazy, man, I feel like there's been a shift

0:07:53.480 --> 0:07:55.680
<v Speaker 1>in this past couple of years where like there is

0:07:55.720 --> 0:07:57.880
<v Speaker 1>no rules, Like there's not like an album cycle or

0:07:57.880 --> 0:07:59.560
<v Speaker 1>anything like that. It's like people just want to consume

0:07:59.640 --> 0:08:01.560
<v Speaker 1>music all the time. I mean, you put out one

0:08:01.680 --> 0:08:05.119
<v Speaker 1>or you put out forty exactly. It's good and people

0:08:05.160 --> 0:08:08.080
<v Speaker 1>like it, and it's it's within the strategy that you

0:08:08.120 --> 0:08:11.760
<v Speaker 1>can maintain and really give it the love and support

0:08:11.760 --> 0:08:14.080
<v Speaker 1>that it deserves. There is no you're right, there are

0:08:14.080 --> 0:08:16.760
<v Speaker 1>no the ones you make for yourself without a doubt.

0:08:17.200 --> 0:08:20.280
<v Speaker 1>But it's tough to commit to a bunch of stuff

0:08:20.280 --> 0:08:22.920
<v Speaker 1>and then not really have the capacity for it. And

0:08:22.960 --> 0:08:24.880
<v Speaker 1>I think, you know, what's what's good about you is

0:08:24.920 --> 0:08:26.680
<v Speaker 1>you've now worked hard enough that you're about to work

0:08:26.680 --> 0:08:30.160
<v Speaker 1>so hard you want to vomit. And it's sucks and

0:08:30.160 --> 0:08:33.480
<v Speaker 1>it's awesome at the same time. I remember when when

0:08:33.480 --> 0:08:35.600
<v Speaker 1>it happened for me. I was on plane constantly. I

0:08:35.600 --> 0:08:37.520
<v Speaker 1>was working on radio show at three o'clock in the morning,

0:08:37.720 --> 0:08:40.160
<v Speaker 1>I was up on stage you get off at eleven,

0:08:40.160 --> 0:08:42.480
<v Speaker 1>and I was like almost vomiting because you don't get

0:08:42.559 --> 0:08:44.640
<v Speaker 1>enough sleep, you're not eating right, but you're doing all

0:08:44.640 --> 0:08:47.120
<v Speaker 1>this work. And I remember feeling sorry for myself, but

0:08:47.160 --> 0:08:49.640
<v Speaker 1>it was I've worked this hard to get to work

0:08:49.760 --> 0:08:52.680
<v Speaker 1>this freaking hard, and you're there and it's a really

0:08:52.760 --> 0:08:55.720
<v Speaker 1>great thing. I'm super pumped for you. I get I

0:08:55.760 --> 0:08:58.760
<v Speaker 1>appreciate that, and I I get that though, man, because

0:08:58.880 --> 0:09:00.920
<v Speaker 1>like I'll get into that my own de party sometimes

0:09:01.120 --> 0:09:03.880
<v Speaker 1>and that drives me insane. And I think ending last

0:09:03.960 --> 0:09:06.439
<v Speaker 1>year I was in like a real this weird spot

0:09:06.480 --> 0:09:08.160
<v Speaker 1>with that when I was like, man, why do I

0:09:08.240 --> 0:09:10.840
<v Speaker 1>why don't I so like in this weird spot of

0:09:10.880 --> 0:09:13.320
<v Speaker 1>not feeling like I'm doing enough even though I'm doing

0:09:13.320 --> 0:09:15.280
<v Speaker 1>all the all the stuff that I can all the time.

0:09:15.440 --> 0:09:18.840
<v Speaker 1>And that's normal though, rights It's it's absolutely normal. Everybody

0:09:18.840 --> 0:09:21.240
<v Speaker 1>gets in funks and tireds, and but I just have

0:09:21.320 --> 0:09:24.160
<v Speaker 1>to like check myself out of it and go, Man,

0:09:24.200 --> 0:09:26.199
<v Speaker 1>I begged for this. I worked so hard to be

0:09:26.360 --> 0:09:28.040
<v Speaker 1>this time, not right now. I worked so hard to

0:09:28.040 --> 0:09:29.600
<v Speaker 1>get to this point where now I now get to

0:09:29.600 --> 0:09:32.160
<v Speaker 1>be this tired. Yeah, and then eventually you'll kill out

0:09:32.160 --> 0:09:33.559
<v Speaker 1>so much you have to be this tired anymore. You

0:09:33.640 --> 0:09:39.040
<v Speaker 1>got planes, he got five buses. Yeah, it's all a cycle.

0:09:39.320 --> 0:09:42.760
<v Speaker 1>What's how do you say your hometown Cannapolis? What's Cannapolis,

0:09:42.800 --> 0:09:46.040
<v Speaker 1>North Carolina? Like so, uh, it's been through quite a change. Um.

0:09:46.080 --> 0:09:48.440
<v Speaker 1>When I was young, we were a mealtown. It was

0:09:48.640 --> 0:09:51.640
<v Speaker 1>just like cotton meal basically getting linens and stuff like

0:09:51.679 --> 0:09:54.560
<v Speaker 1>that all across the country. Um, when I turned I

0:09:54.559 --> 0:09:57.200
<v Speaker 1>think ten years old, to shut the meal down, and uh,

0:09:57.240 --> 0:10:00.360
<v Speaker 1>it just kind of set empty the town did. There's

0:10:00.360 --> 0:10:04.000
<v Speaker 1>nothing really there. Um until about i'd say three years

0:10:04.000 --> 0:10:07.199
<v Speaker 1>ago we built a cancer research campus downtown where the

0:10:07.240 --> 0:10:08.959
<v Speaker 1>meals used to be. And then now they have a

0:10:09.000 --> 0:10:10.959
<v Speaker 1>baseball park was down there a lot of life back

0:10:10.960 --> 0:10:12.880
<v Speaker 1>into the town. Yeah. Man, it's it's really been cool.

0:10:13.000 --> 0:10:14.760
<v Speaker 1>Like every time I go back home, there's like a

0:10:14.760 --> 0:10:16.800
<v Speaker 1>new building down there. And when I was young, like

0:10:16.840 --> 0:10:19.200
<v Speaker 1>nobody went downtown. It was just it's all it's kind

0:10:19.240 --> 0:10:21.720
<v Speaker 1>of a ghost town. That's exciting. I'm from a town

0:10:21.720 --> 0:10:23.960
<v Speaker 1>of eight hundred people in Mountain Pine, Arkansas. We had

0:10:23.960 --> 0:10:26.559
<v Speaker 1>a saw mill, warehouser and the whole you went to

0:10:26.600 --> 0:10:29.280
<v Speaker 1>work there after school. Almost nobody went to college, but

0:10:29.320 --> 0:10:31.880
<v Speaker 1>you went to work at the mill. And that's what

0:10:31.920 --> 0:10:34.960
<v Speaker 1>you did. But when the mills shut down, very similar,

0:10:35.040 --> 0:10:37.480
<v Speaker 1>the town died. Yeah, man, and people had to mood

0:10:37.480 --> 0:10:40.520
<v Speaker 1>fine jobs And it's super cool to hear you say

0:10:40.559 --> 0:10:42.800
<v Speaker 1>that they built something else there and now new jobs

0:10:42.800 --> 0:10:44.920
<v Speaker 1>and there's like a new economy and it's wild to

0:10:44.960 --> 0:10:48.080
<v Speaker 1>see it. And how many people lived there? Oh? Shoot,

0:10:48.080 --> 0:10:49.800
<v Speaker 1>I couldn't tell you. I know when I was young,

0:10:51.360 --> 0:10:54.839
<v Speaker 1>we got five. How many dollar stores you've got, like

0:10:54.880 --> 0:10:59.480
<v Speaker 1>Dollar General, Dollar, Oh, they're all over so not it's

0:11:00.000 --> 0:11:02.040
<v Speaker 1>obviously not super small, but it's still a small town.

0:11:02.520 --> 0:11:05.400
<v Speaker 1>How your high school? How many kids graduated with you? Um?

0:11:05.400 --> 0:11:11.360
<v Speaker 1>I had a hundred kids graduate with me. Small yeah, yeah, yeah,

0:11:11.520 --> 0:11:14.320
<v Speaker 1>so small Yeah, not too bad. Whenever you were in

0:11:14.400 --> 0:11:17.040
<v Speaker 1>high school? What what kid were you that? Cameron is

0:11:17.080 --> 0:11:20.640
<v Speaker 1>the blank kid? I was always the music kid, I'd say, Um,

0:11:20.800 --> 0:11:24.000
<v Speaker 1>I never I thought I'd chase it, but I love Yeah.

0:11:24.240 --> 0:11:26.240
<v Speaker 1>I don't know why. I just wouldn't. Didn't think it

0:11:26.280 --> 0:11:30.240
<v Speaker 1>was a realistic thing. Did you play? I'm assuming you started.

0:11:31.040 --> 0:11:33.800
<v Speaker 1>This is a lot of assumption here. Now. You started playing,

0:11:33.840 --> 0:11:36.880
<v Speaker 1>or at least singing young, because you're from the South

0:11:36.880 --> 0:11:40.319
<v Speaker 1>North Carolina. To me, the South like singing church girls

0:11:40.360 --> 0:11:42.439
<v Speaker 1>playing the church, So you do that. Did you learn

0:11:42.440 --> 0:11:45.920
<v Speaker 1>to play guitar young? Um? Yeah, i'd say so. About

0:11:46.200 --> 0:11:47.880
<v Speaker 1>when you say music in high school, then were your

0:11:47.920 --> 0:11:50.520
<v Speaker 1>guitar music kid or were you also learning music in

0:11:50.520 --> 0:11:52.360
<v Speaker 1>the band? Oh? Man, I did the band thing for

0:11:52.400 --> 0:11:55.600
<v Speaker 1>a year Marching band. Realized, real cool, that's not how

0:11:55.640 --> 0:11:59.640
<v Speaker 1>you get girls. What instrument? I was a snare drummer,

0:11:59.720 --> 0:12:03.160
<v Speaker 1>so my very first though, I was just out here

0:12:03.200 --> 0:12:06.839
<v Speaker 1>getting him. That made movies about that. That might look

0:12:06.840 --> 0:12:09.040
<v Speaker 1>a lot cooler on the movies though. So you didn't

0:12:09.080 --> 0:12:11.920
<v Speaker 1>like marching Marching band, I didn't, man and Uh. I

0:12:12.240 --> 0:12:14.160
<v Speaker 1>kind of talked to my band teacher there and I

0:12:14.200 --> 0:12:16.679
<v Speaker 1>was like, I want to start a class that, like

0:12:16.840 --> 0:12:19.080
<v Speaker 1>I can learn how to perform and he was like, oh,

0:12:19.120 --> 0:12:21.559
<v Speaker 1>that's interesting. So he started this class called rock band

0:12:21.960 --> 0:12:24.120
<v Speaker 1>and that's kind of like where I started to learn

0:12:24.160 --> 0:12:26.720
<v Speaker 1>how to play guitar and pretty cool. Yeah, so they

0:12:26.720 --> 0:12:29.600
<v Speaker 1>would do that at your school, they would, Man and Uh,

0:12:29.640 --> 0:12:31.720
<v Speaker 1>it was me and like four other kids that was

0:12:31.720 --> 0:12:33.720
<v Speaker 1>in this class. But I didn't take it for granted.

0:12:33.760 --> 0:12:36.000
<v Speaker 1>I loved it, man, I was I just learned how

0:12:36.040 --> 0:12:37.600
<v Speaker 1>to put a band together and things like that, and

0:12:37.600 --> 0:12:39.319
<v Speaker 1>I look back and I'm like, man, that really actually

0:12:39.400 --> 0:12:41.000
<v Speaker 1>kind of helped me. Yeah, I did some kid get

0:12:41.040 --> 0:12:44.520
<v Speaker 1>forced to play the bass? Oh yeah, it's like the

0:12:44.600 --> 0:12:46.319
<v Speaker 1>little brother A lot of times he's forced to play

0:12:46.320 --> 0:12:48.240
<v Speaker 1>bas because a big brother plays guitar. I just figured

0:12:48.240 --> 0:12:49.760
<v Speaker 1>there's some kid in that class. It was like, I, man,

0:12:49.800 --> 0:12:54.559
<v Speaker 1>I wanted to play guitar. So in this class is

0:12:54.640 --> 0:12:56.560
<v Speaker 1>four or five of you guys? And what are they?

0:12:56.920 --> 0:12:59.240
<v Speaker 1>What does he? What's rock band about? Like? Are you

0:12:59.280 --> 0:13:01.600
<v Speaker 1>going in learning about some of the great rock bands?

0:13:01.600 --> 0:13:04.000
<v Speaker 1>Are you individually working on things? There wasn't ever like

0:13:05.640 --> 0:13:08.600
<v Speaker 1>strict like assignment, Like we never had an exam or anything.

0:13:08.720 --> 0:13:10.640
<v Speaker 1>Basically all we did was going there and we learn

0:13:10.720 --> 0:13:12.400
<v Speaker 1>a song a day or try and learn a song

0:13:12.440 --> 0:13:14.360
<v Speaker 1>a day and be able to perform it. We never

0:13:14.360 --> 0:13:17.160
<v Speaker 1>really performed anything with it, but we just tried to

0:13:17.240 --> 0:13:19.440
<v Speaker 1>like make a band. I guess did you guys? Jam

0:13:19.520 --> 0:13:21.240
<v Speaker 1>was that part of the class. Wee kind of figured

0:13:21.280 --> 0:13:24.000
<v Speaker 1>out it was a great third period. Man, that sounds

0:13:24.040 --> 0:13:29.880
<v Speaker 1>pretty awesome. So you're you're singing in church at how old? Oh? Man?

0:13:29.920 --> 0:13:32.400
<v Speaker 1>I started when I was probably six years old. And

0:13:32.480 --> 0:13:34.599
<v Speaker 1>are you singing? Because the baptistchurts and I went to

0:13:34.640 --> 0:13:37.560
<v Speaker 1>growing up. It was really gospel. E wasn't a lot

0:13:37.600 --> 0:13:40.760
<v Speaker 1>of stuff like when we go down here, it's newer music,

0:13:41.040 --> 0:13:44.840
<v Speaker 1>even pop sensibilities, country sensibilities, but ours was old school gospel.

0:13:44.920 --> 0:13:46.640
<v Speaker 1>What was your church music like? Zact same way. I

0:13:46.679 --> 0:13:48.440
<v Speaker 1>went to a small Southern Baptist church too, so it

0:13:48.480 --> 0:13:50.440
<v Speaker 1>was a lot of hymns like Rock of Ages, I

0:13:50.480 --> 0:13:54.319
<v Speaker 1>fly Away, Yeah, absolutely? And so did you love music

0:13:54.360 --> 0:13:56.559
<v Speaker 1>then or was it something that your family was like, hey, Cama,

0:13:56.559 --> 0:13:58.760
<v Speaker 1>we need you to do this, Like when did it

0:13:58.800 --> 0:14:01.280
<v Speaker 1>become kind of a like a burning part of you

0:14:01.320 --> 0:14:03.199
<v Speaker 1>that you wanted to You said you didn't know you

0:14:03.280 --> 0:14:07.000
<v Speaker 1>do it forever, but you wanted to do it years old. Man,

0:14:07.040 --> 0:14:08.839
<v Speaker 1>I loved music, and I knew I did, and I

0:14:08.920 --> 0:14:11.080
<v Speaker 1>knew that I had been gifted to be able to

0:14:11.160 --> 0:14:14.240
<v Speaker 1>play and sing. So I I started, uh just when

0:14:14.280 --> 0:14:16.599
<v Speaker 1>I went to college. I went to study music, but

0:14:16.600 --> 0:14:20.000
<v Speaker 1>I didn't make it long in college. But I um,

0:14:20.040 --> 0:14:22.360
<v Speaker 1>like basically to make side money, I would go play

0:14:22.640 --> 0:14:25.320
<v Speaker 1>random places, playing cover songs and just kind of set

0:14:25.400 --> 0:14:27.760
<v Speaker 1>up in the corner of a bar and just uh

0:14:27.920 --> 0:14:29.480
<v Speaker 1>take tip money if they'd give it. To me or

0:14:29.480 --> 0:14:31.920
<v Speaker 1>if they were paying, I wouldn't. I would just try

0:14:31.960 --> 0:14:33.760
<v Speaker 1>and do it and enjoy it. Would you love playing

0:14:33.760 --> 0:14:35.240
<v Speaker 1>the most when it comes to came to cover songs

0:14:35.280 --> 0:14:36.840
<v Speaker 1>like or what did you know you were gonna get

0:14:36.880 --> 0:14:38.720
<v Speaker 1>paid the most if you did? Oh? I knew if

0:14:38.760 --> 0:14:41.200
<v Speaker 1>I did like the newest songs out, I would get

0:14:41.280 --> 0:14:44.960
<v Speaker 1>tip more. But I love like older stuff for some reason, man,

0:14:45.120 --> 0:14:47.840
<v Speaker 1>Like I love Ray Charles and Steven Ray Vaughan and

0:14:47.880 --> 0:14:50.640
<v Speaker 1>stuff like that, Like I love that blues heavy like

0:14:51.040 --> 0:14:54.040
<v Speaker 1>real singabowl kind of melodies and things like that. So

0:14:54.080 --> 0:14:56.960
<v Speaker 1>I grew up loving a lot of older country music

0:14:57.000 --> 0:14:59.160
<v Speaker 1>like George Jones because I mean his voice was one

0:14:59.200 --> 0:15:01.560
<v Speaker 1>of my favorites, and and getting into like that Blue

0:15:01.560 --> 0:15:04.440
<v Speaker 1>Side with Great Charles and P. B. King and that

0:15:04.520 --> 0:15:06.720
<v Speaker 1>kind of stuff. Um, your parents did you grow up

0:15:06.720 --> 0:15:10.360
<v Speaker 1>with both parents? Are they both still alive? Are they

0:15:10.400 --> 0:15:12.080
<v Speaker 1>together still? Okay? I just want to make sure if

0:15:12.240 --> 0:15:15.680
<v Speaker 1>I get into these questions. Um, So either one of

0:15:15.680 --> 0:15:20.160
<v Speaker 1>your parents musical at all? Um? I think my dad

0:15:20.240 --> 0:15:22.560
<v Speaker 1>sang when he was really young, and I don't think

0:15:22.560 --> 0:15:24.520
<v Speaker 1>and my mom saying when she was younger, but not

0:15:24.640 --> 0:15:27.480
<v Speaker 1>so much that you were heavily influenced. No, No, they're

0:15:27.680 --> 0:15:29.800
<v Speaker 1>just sang in a church kind of thing, like everybody

0:15:29.800 --> 0:15:31.760
<v Speaker 1>did choir and stuff in the church. When you tell

0:15:31.800 --> 0:15:36.360
<v Speaker 1>them that you want to be uh, full time songwriter, artist, musician,

0:15:36.840 --> 0:15:41.560
<v Speaker 1>full time different than playing during college or high school

0:15:41.680 --> 0:15:44.640
<v Speaker 1>or like what do they say to that? Um? They

0:15:44.720 --> 0:15:47.160
<v Speaker 1>knew I was pretty miserable at the job I had.

0:15:47.280 --> 0:15:50.160
<v Speaker 1>I was basically selling car parts for General Motors. And

0:15:50.200 --> 0:15:52.520
<v Speaker 1>I was like, you know what, I think I'm a

0:15:52.600 --> 0:15:55.160
<v Speaker 1>chassist in Nashville and they were a hundred percent behind me.

0:15:55.440 --> 0:15:56.880
<v Speaker 1>I mean I came to town. I slipped on an

0:15:56.920 --> 0:15:59.440
<v Speaker 1>air mattress for about six months before I could get

0:15:59.480 --> 0:16:01.560
<v Speaker 1>a little or not a real bed, but like a little.

0:16:03.760 --> 0:16:05.200
<v Speaker 1>That's where we need to get in that market, the

0:16:05.240 --> 0:16:08.360
<v Speaker 1>rental bed market. Yeah, I have sounds gross. I wouldn't

0:16:08.360 --> 0:16:11.720
<v Speaker 1>rent one, but I rent them out. So you're twenty

0:16:11.720 --> 0:16:14.320
<v Speaker 1>one or so when you move here. So you move

0:16:14.360 --> 0:16:16.600
<v Speaker 1>here at twenty one, and where do you live on

0:16:16.680 --> 0:16:19.480
<v Speaker 1>an air mattress? Donaldson with two other guys. I met

0:16:19.520 --> 0:16:21.840
<v Speaker 1>him at red door randomly and they were like, man,

0:16:21.880 --> 0:16:24.560
<v Speaker 1>we're gonna get a house. And I was like all right,

0:16:24.800 --> 0:16:26.880
<v Speaker 1>and they were like, you should move here, and that's

0:16:26.920 --> 0:16:28.600
<v Speaker 1>kind of where my wheel started turning. You were a

0:16:28.640 --> 0:16:31.040
<v Speaker 1>red door from home. You came from North Carolina. Came

0:16:31.040 --> 0:16:33.280
<v Speaker 1>from North Carolina. I was traveling up here quite a bit. Sorry,

0:16:33.280 --> 0:16:35.560
<v Speaker 1>I'm not feeling in these pieces, but I feel if

0:16:35.560 --> 0:16:37.160
<v Speaker 1>you mess it, I'll go back to it, thank you.

0:16:37.640 --> 0:16:39.800
<v Speaker 1>Uh yeah. But I was just kind of traveling back

0:16:39.840 --> 0:16:41.880
<v Speaker 1>and forth, just trying to meet as many people as

0:16:41.920 --> 0:16:45.120
<v Speaker 1>I could understand the town. I didn't know what anything

0:16:45.240 --> 0:16:47.240
<v Speaker 1>about the music business was like. I didn't know what

0:16:47.280 --> 0:16:49.360
<v Speaker 1>a publisher was, a record label, what they really did,

0:16:49.440 --> 0:16:51.800
<v Speaker 1>or anything like that. So I was just trying to

0:16:51.880 --> 0:16:54.360
<v Speaker 1>learn as much as I could. What was the first

0:16:54.360 --> 0:16:57.400
<v Speaker 1>time that you came to Nashville. You could have been

0:16:58.440 --> 0:17:00.800
<v Speaker 1>whenever you decided that you were gonna come to Nashville

0:17:00.800 --> 0:17:04.280
<v Speaker 1>and you were gonna try to figure out music, but

0:17:04.320 --> 0:17:06.120
<v Speaker 1>you weren't moving here yet. You remember the first time

0:17:06.119 --> 0:17:08.600
<v Speaker 1>you came here? Just explore? Yeah, definitely, what do you

0:17:08.640 --> 0:17:10.800
<v Speaker 1>do in that time? I'm always curious because it's not

0:17:10.840 --> 0:17:13.480
<v Speaker 1>like you know some songwriters already. You're the first time.

0:17:13.480 --> 0:17:15.679
<v Speaker 1>What do you do? Definitely? And I had met some

0:17:15.720 --> 0:17:18.399
<v Speaker 1>friends that had been coming up and like back from Nashville,

0:17:18.440 --> 0:17:19.720
<v Speaker 1>so they kind of took me around. I did the

0:17:19.760 --> 0:17:22.080
<v Speaker 1>Broadway thing. So they were from North Carolina. Yeah, I

0:17:22.119 --> 0:17:24.320
<v Speaker 1>got it. Yeah, And uh then they were like, well,

0:17:24.359 --> 0:17:26.440
<v Speaker 1>we gotta go to Midtown. That's where all the industry

0:17:26.480 --> 0:17:28.080
<v Speaker 1>people hang out. And I thought that was cool. I

0:17:28.119 --> 0:17:30.680
<v Speaker 1>was like, oh man, And so I went down here

0:17:30.680 --> 0:17:33.160
<v Speaker 1>and uh just kind of talk to as many people

0:17:33.240 --> 0:17:35.240
<v Speaker 1>that that would talk to me and tried to set

0:17:35.320 --> 0:17:37.640
<v Speaker 1>up rights. And I was being that guy at Red

0:17:37.640 --> 0:17:39.160
<v Speaker 1>Door and be like, oh, we should write some time.

0:17:39.880 --> 0:17:43.000
<v Speaker 1>So did that work? Did you make rights? Did? I did?

0:17:43.080 --> 0:17:44.880
<v Speaker 1>And I would travel up as much as my job

0:17:44.880 --> 0:17:46.840
<v Speaker 1>would let me to get up here and try and write.

0:17:46.920 --> 0:17:49.320
<v Speaker 1>And I was writing terrible songs. Well you have to

0:17:49.440 --> 0:17:53.000
<v Speaker 1>before you can write kind of terrible then pretty good. Yeah,

0:17:53.040 --> 0:17:56.160
<v Speaker 1>you gotta know how to write bad without a doubt.

0:17:57.200 --> 0:17:58.920
<v Speaker 1>So you move here and you're move in a house

0:17:58.960 --> 0:18:01.080
<v Speaker 1>with some dudes you didn't know except you met at

0:18:01.080 --> 0:18:03.560
<v Speaker 1>Red Door. How did that roommate situation go for you?

0:18:03.880 --> 0:18:07.280
<v Speaker 1>It actually went really well. Um. I just met them

0:18:07.320 --> 0:18:10.560
<v Speaker 1>through mutual people at the bar, and they were like

0:18:11.000 --> 0:18:12.959
<v Speaker 1>basically said they were getting a house, and I honestly

0:18:13.000 --> 0:18:14.199
<v Speaker 1>kind of blew it. Off. I was like, they're never

0:18:14.200 --> 0:18:16.640
<v Speaker 1>gonna call me back to see And two weeks later

0:18:16.640 --> 0:18:18.360
<v Speaker 1>they're like, we found a house. This is when we're

0:18:18.359 --> 0:18:20.160
<v Speaker 1>moving in. This is down payment. And I was like,

0:18:20.400 --> 0:18:22.199
<v Speaker 1>all right, so I guess we're gonna do it. And

0:18:22.240 --> 0:18:24.240
<v Speaker 1>that's what actually got you to move here, was them going, hey,

0:18:24.280 --> 0:18:26.119
<v Speaker 1>we got this, let's go. It was I had to

0:18:26.160 --> 0:18:27.760
<v Speaker 1>play a show that night. I picked up a show

0:18:27.800 --> 0:18:29.800
<v Speaker 1>just so I could bake that down payment to be

0:18:29.800 --> 0:18:31.399
<v Speaker 1>able to move up here. And I just packed my

0:18:31.440 --> 0:18:34.240
<v Speaker 1>stuff the next week and moved to town. And what'd

0:18:34.240 --> 0:18:36.440
<v Speaker 1>your parents say as you drove off or moved away?

0:18:37.040 --> 0:18:39.280
<v Speaker 1>Good luck on the butt? Yeah, good luck. I mean

0:18:39.280 --> 0:18:42.560
<v Speaker 1>they they've always known that I wanted this, like deep down,

0:18:42.640 --> 0:18:44.880
<v Speaker 1>they didn't know that I would chase it this hard.

0:18:44.880 --> 0:18:46.320
<v Speaker 1>I think they felt like I was gonna move back

0:18:46.320 --> 0:18:49.160
<v Speaker 1>after a while, but once this thing started moving around

0:18:49.280 --> 0:18:51.560
<v Speaker 1>or moving along, they've just always been their supporting me. Man.

0:18:51.560 --> 0:18:53.720
<v Speaker 1>I've been very blessed by that. How did you start

0:18:53.760 --> 0:18:56.520
<v Speaker 1>making money here? What was your first paying job? Um?

0:18:56.560 --> 0:18:58.280
<v Speaker 1>I don't do you have any jobs here that weren't music.

0:18:59.359 --> 0:19:01.040
<v Speaker 1>I went straight in to it, so you go straight

0:19:01.040 --> 0:19:03.520
<v Speaker 1>into it. How do you start making any money at all. Broadway.

0:19:03.560 --> 0:19:06.640
<v Speaker 1>I'm played Broadway like crazy man. Old Red was very

0:19:06.640 --> 0:19:08.640
<v Speaker 1>good to me. They've had me on like three three

0:19:08.680 --> 0:19:10.960
<v Speaker 1>times a week, so I was able to make good

0:19:11.000 --> 0:19:13.720
<v Speaker 1>tip money and uh good check as well. So I

0:19:13.800 --> 0:19:16.080
<v Speaker 1>was actually doing better here than I was back in Carolina.

0:19:16.280 --> 0:19:19.920
<v Speaker 1>How long were those sets? Three hours? And at times

0:19:20.520 --> 0:19:21.639
<v Speaker 1>do you have the phone in front of you, like

0:19:21.680 --> 0:19:23.919
<v Speaker 1>on the stand and you know you're playing as you go.

0:19:24.320 --> 0:19:26.280
<v Speaker 1>I have to imagine again that that makes you actually

0:19:26.280 --> 0:19:28.879
<v Speaker 1>a better player though, just out there for three hours,

0:19:28.960 --> 0:19:32.439
<v Speaker 1>learning by doing it in the pressure of eyeballs on

0:19:32.480 --> 0:19:33.760
<v Speaker 1>you all the time, and the pressure of if you're

0:19:33.760 --> 0:19:35.960
<v Speaker 1>not good, they're not going to tip you exactly. Yeah,

0:19:36.000 --> 0:19:38.520
<v Speaker 1>It's there is a weird pressure there because like it's

0:19:39.040 --> 0:19:40.639
<v Speaker 1>they're not really there to see you, as much as

0:19:40.680 --> 0:19:42.000
<v Speaker 1>you want to think that they are. They're there to

0:19:42.160 --> 0:19:44.439
<v Speaker 1>have lunch and have drinks and hang out with their buddies,

0:19:44.480 --> 0:19:46.320
<v Speaker 1>But you've steal in the back of your mind want

0:19:46.320 --> 0:19:49.159
<v Speaker 1>to command them to pay attention. So that's when like

0:19:49.240 --> 0:19:51.560
<v Speaker 1>you have to kind of take the bricks off and

0:19:52.160 --> 0:19:53.680
<v Speaker 1>sing as hard as you can to try and back

0:19:53.680 --> 0:19:56.760
<v Speaker 1>and pay attention. What's a big night. What was a

0:19:56.800 --> 0:19:59.080
<v Speaker 1>big night? Tip wise? It all read and what night

0:19:59.119 --> 0:20:01.800
<v Speaker 1>would make the most tip? Ah? Man. I actually never

0:20:01.840 --> 0:20:04.960
<v Speaker 1>did nights, so I was always the early day. Yeah,

0:20:05.000 --> 0:20:07.280
<v Speaker 1>I was early day. But the best day I made

0:20:07.280 --> 0:20:08.800
<v Speaker 1>I think I made five hundred bucks and I about

0:20:08.840 --> 0:20:10.800
<v Speaker 1>lost my mind. I was excited. But what was so

0:20:10.800 --> 0:20:14.040
<v Speaker 1>different about that that day? Just a bunch of bachelor

0:20:14.240 --> 0:20:17.800
<v Speaker 1>parties came. It wasn't you like I was really feeling it? Man,

0:20:18.160 --> 0:20:24.719
<v Speaker 1>my g chrd. It was so, you're playing all these shows.

0:20:25.520 --> 0:20:27.320
<v Speaker 1>Do you feel like you were getting better as a

0:20:27.359 --> 0:20:33.200
<v Speaker 1>songwriter even in the middle of you hustling to make money? Definitely,

0:20:33.240 --> 0:20:35.680
<v Speaker 1>because every night I would try and song right with somebody.

0:20:35.880 --> 0:20:38.280
<v Speaker 1>It didn't matter if I was playing two shifts that

0:20:38.359 --> 0:20:40.240
<v Speaker 1>day or whatever it was. I was still trying to

0:20:40.240 --> 0:20:41.800
<v Speaker 1>song right every day. How long do you live with

0:20:41.800 --> 0:20:44.320
<v Speaker 1>those guys? I lived there for about two years and

0:20:44.359 --> 0:20:47.120
<v Speaker 1>then they ended up moving. Did you guys have any

0:20:47.160 --> 0:20:50.359
<v Speaker 1>big I hate you? You ate my bread? No? Nothing

0:20:50.359 --> 0:20:53.200
<v Speaker 1>like that. Man. It was actually somehow by the greatest

0:20:53.240 --> 0:20:55.480
<v Speaker 1>guy I was asking. I was like, Wow, what a situation.

0:20:55.600 --> 0:20:57.680
<v Speaker 1>It really it really worked out great, man. We all

0:20:57.760 --> 0:20:59.760
<v Speaker 1>became friends and we still talk all together all the time.

0:21:00.720 --> 0:21:03.960
<v Speaker 1>Still yeah, are they still in music? No? Neither one

0:21:04.000 --> 0:21:05.919
<v Speaker 1>of them, man, But that's what they came down here

0:21:05.920 --> 0:21:07.680
<v Speaker 1>to chase. I was a lucky one that got to

0:21:07.720 --> 0:21:10.200
<v Speaker 1>keep going. Are they gone from Nashville? They are ones

0:21:10.240 --> 0:21:13.280
<v Speaker 1>in South Carolina, ones in Chicago now the most folks,

0:21:13.280 --> 0:21:16.879
<v Speaker 1>because I don't get to know folks until they're starting

0:21:16.880 --> 0:21:20.440
<v Speaker 1>to get to a certain place the most like when

0:21:20.440 --> 0:21:21.560
<v Speaker 1>you move here and there all the people to move

0:21:21.560 --> 0:21:23.760
<v Speaker 1>here at the same time, kind of your class? Did

0:21:23.840 --> 0:21:26.119
<v Speaker 1>most of them not stay that? Most of them hit

0:21:26.119 --> 0:21:28.040
<v Speaker 1>a wall and go, you know what, this isn't for me.

0:21:28.080 --> 0:21:31.520
<v Speaker 1>Either they're hear a songwrite or two to be an artist?

0:21:31.600 --> 0:21:33.399
<v Speaker 1>Did they go back home? I'd say you. Out of

0:21:33.440 --> 0:21:37.280
<v Speaker 1>my initial group that I like hung around and stuff

0:21:37.320 --> 0:21:39.879
<v Speaker 1>like that, there was three of us that have really

0:21:39.920 --> 0:21:44.440
<v Speaker 1>stayed and kept chasing it. Of how many I would say, probably, Wow,

0:21:45.480 --> 0:21:48.160
<v Speaker 1>that's some electrician. I haven't really thought about that, but yeah, man,

0:21:49.400 --> 0:22:00.159
<v Speaker 1>miss him, get him crying on this? Did you fall

0:22:00.200 --> 0:22:05.679
<v Speaker 1>off stage? But it was like it was like on

0:22:05.760 --> 0:22:08.720
<v Speaker 1>Morgan's tour what happened there? I just took one step

0:22:08.760 --> 0:22:10.840
<v Speaker 1>too many and I thought I had one more step

0:22:10.840 --> 0:22:13.400
<v Speaker 1>of stage left and I was just about to say

0:22:13.440 --> 0:22:15.040
<v Speaker 1>thank you all so much, and I woke threw my

0:22:15.080 --> 0:22:16.960
<v Speaker 1>hands up to say thank you all, and just went

0:22:17.000 --> 0:22:20.560
<v Speaker 1>straight down. So how bad where you hurt versus how

0:22:20.600 --> 0:22:24.320
<v Speaker 1>bad were you scared or embarrassed? Um, I would say

0:22:24.320 --> 0:22:26.800
<v Speaker 1>embarrassment was through the roof hurt. I didn't feel the

0:22:26.800 --> 0:22:29.720
<v Speaker 1>pain initially, I just kind of jumped up and ran off.

0:22:30.800 --> 0:22:32.800
<v Speaker 1>I went and got checked out and then started getting

0:22:32.840 --> 0:22:35.440
<v Speaker 1>a little stiff. But now, man, I went to a chiropractor.

0:22:35.480 --> 0:22:37.600
<v Speaker 1>I think she messed me up or so once before

0:22:37.640 --> 0:22:40.399
<v Speaker 1>I've I've been limping and stuff now and if cold

0:22:40.440 --> 0:22:42.200
<v Speaker 1>mornings get me so, I'm like, oh man, I got

0:22:42.200 --> 0:22:45.000
<v Speaker 1>a long road ahead. Wait? How long ago? Was this? Five?

0:22:45.080 --> 0:22:47.160
<v Speaker 1>Six months ago? That's what I thought, because I remember

0:22:47.200 --> 0:22:51.360
<v Speaker 1>seeing the video or like it was a grainy yeah somebody,

0:22:51.680 --> 0:22:54.120
<v Speaker 1>and you're still like feeling the effects. Oh yeah, man,

0:22:54.359 --> 0:22:56.840
<v Speaker 1>I got that like nerve pain goes downy legs now,

0:22:57.440 --> 0:23:02.200
<v Speaker 1>I feel real old. Oh man, I'll be hi, that's

0:23:02.240 --> 0:23:05.400
<v Speaker 1>that sucks. But how's it going on on that tour?

0:23:05.680 --> 0:23:08.000
<v Speaker 1>Oh man, it's that was blast. I got to learn

0:23:08.080 --> 0:23:10.760
<v Speaker 1>a lot from them. I mean, I'm trying and learn

0:23:10.760 --> 0:23:13.480
<v Speaker 1>from everybody that I'm around, but I mean they there's

0:23:13.520 --> 0:23:16.800
<v Speaker 1>nobody more professional than Wallance Camp and Hardy's camp, So

0:23:17.200 --> 0:23:19.200
<v Speaker 1>learning from them and getting to hang with those guys,

0:23:19.200 --> 0:23:21.480
<v Speaker 1>I mean, they're they're tough much. There's this song during

0:23:21.520 --> 0:23:23.760
<v Speaker 1>morgan set where Hardy comes up from under the ground.

0:23:24.080 --> 0:23:27.280
<v Speaker 1>He went to Jared Man that that moment, that that's

0:23:27.280 --> 0:23:30.960
<v Speaker 1>a cool moments, an epic moment. I mean again, I

0:23:30.960 --> 0:23:34.040
<v Speaker 1>feel like I've seen it all at this point, and

0:23:34.080 --> 0:23:37.320
<v Speaker 1>it went to Morgan's show. It was good. It's just

0:23:37.320 --> 0:23:39.879
<v Speaker 1>I mean, I know Morgan and things that happened to

0:23:39.920 --> 0:23:42.040
<v Speaker 1>a sudden, Hardy shoots up and they hit that song.

0:23:42.400 --> 0:23:45.600
<v Speaker 1>God dang yeah energy man, Yeah, it's some energy there.

0:23:45.680 --> 0:23:50.680
<v Speaker 1>That was legit. Where do the blues? Why are you

0:23:50.720 --> 0:23:52.440
<v Speaker 1>a fan of the blues? Like? How did that get

0:23:52.480 --> 0:23:57.520
<v Speaker 1>to you? Um? The singing? I think the but who

0:23:57.560 --> 0:23:59.760
<v Speaker 1>exposed you to your grandparents? They like blues music. I

0:23:59.880 --> 0:24:02.920
<v Speaker 1>just kind of when I got Spotify one day and

0:24:03.080 --> 0:24:04.720
<v Speaker 1>I just kind of went down a rabbit hole of

0:24:04.760 --> 0:24:07.920
<v Speaker 1>like chasing that kind of stuff. And I didn't really

0:24:07.920 --> 0:24:10.680
<v Speaker 1>get into Ray Charles until I watched that Ray movie. Really,

0:24:10.800 --> 0:24:12.879
<v Speaker 1>I heard all that all that music off there I

0:24:12.880 --> 0:24:14.919
<v Speaker 1>was like, man, this stuff is great. So I just

0:24:15.240 --> 0:24:18.879
<v Speaker 1>went down that rabbit hole and just became a massive

0:24:18.920 --> 0:24:21.200
<v Speaker 1>fan of him. And I just love the way that

0:24:21.520 --> 0:24:23.600
<v Speaker 1>he kind of commands somebody when he speaks, and I

0:24:23.600 --> 0:24:26.920
<v Speaker 1>mean when he sings, and it's almost like it's gospel

0:24:27.000 --> 0:24:29.080
<v Speaker 1>e in its own way. My my grandma was a

0:24:29.160 --> 0:24:31.840
<v Speaker 1>massive Ray Charles fan, but I was introduced to him

0:24:31.880 --> 0:24:34.800
<v Speaker 1>through modern sounds of country music and because she was

0:24:34.960 --> 0:24:37.240
<v Speaker 1>from from Arkansas, and anybody from Arkansas was a god

0:24:37.600 --> 0:24:39.879
<v Speaker 1>to her because nobody came out of Arkansas and so

0:24:39.920 --> 0:24:42.800
<v Speaker 1>if they did, obviously Johnny Cash was massive to her.

0:24:43.200 --> 0:24:44.720
<v Speaker 1>So he listened to a lot of Johnny Cash, but

0:24:44.720 --> 0:24:46.280
<v Speaker 1>also a lot of Ray Charles. But I really just

0:24:46.359 --> 0:24:48.399
<v Speaker 1>knew him as Ray Charles who did the gospel records

0:24:48.400 --> 0:24:51.280
<v Speaker 1>and modern sounds of country music until you get older

0:24:51.280 --> 0:24:52.800
<v Speaker 1>and you were lized. He was also a big pop

0:24:52.840 --> 0:24:55.360
<v Speaker 1>star too, of all those big songs. But man, talk

0:24:55.440 --> 0:24:59.920
<v Speaker 1>about like soul and You're right, command is a good

0:25:00.040 --> 0:25:02.000
<v Speaker 1>word for him when when he would perform, at least

0:25:02.000 --> 0:25:05.440
<v Speaker 1>through watching videos of him, Yeah, definitely, I was watching

0:25:05.520 --> 0:25:09.440
<v Speaker 1>the because you brought up, I was watching the Uh

0:25:09.640 --> 0:25:14.040
<v Speaker 1>George and Tammy watch because you brought him up a

0:25:14.040 --> 0:25:17.359
<v Speaker 1>second ago to watch that back and the fact they

0:25:17.359 --> 0:25:20.000
<v Speaker 1>did not if they would have had social media. Dude,

0:25:20.040 --> 0:25:24.280
<v Speaker 1>talk about crazy And I've talked to some old timers

0:25:24.320 --> 0:25:28.520
<v Speaker 1>now who would talk to old timers about George Jones

0:25:28.560 --> 0:25:31.040
<v Speaker 1>and how for a lot of time was out of control,

0:25:31.160 --> 0:25:34.399
<v Speaker 1>Like we think that some of those nineties alternative guys

0:25:34.640 --> 0:25:37.560
<v Speaker 1>or Motley Crewe or yeah, that's that. That that was.

0:25:37.600 --> 0:25:40.720
<v Speaker 1>I think that was easy stuff. I was watching with

0:25:40.760 --> 0:25:42.280
<v Speaker 1>my wife and in the first scene they're taping up

0:25:42.280 --> 0:25:44.520
<v Speaker 1>his legs so he can't bend him that makes him

0:25:44.560 --> 0:25:46.280
<v Speaker 1>walk out on stage, and she was like, is this real?

0:25:46.359 --> 0:25:47.960
<v Speaker 1>I was like, from what I've heard it was this

0:25:48.040 --> 0:25:52.080
<v Speaker 1>Crazy is a good series that the guy who plays

0:25:52.080 --> 0:25:55.600
<v Speaker 1>George Jones, what's his name, Mike, Mike. Wasn't he so good? Yeah?

0:25:55.640 --> 0:25:58.439
<v Speaker 1>He was, man, he did great and sounded just like him.

0:25:58.480 --> 0:26:00.720
<v Speaker 1>And I don't know, Jessica chaftin't get sing. I didn't

0:26:00.720 --> 0:26:02.800
<v Speaker 1>need it, but I thought I thought that you Stairs

0:26:02.840 --> 0:26:05.640
<v Speaker 1>was so good and I didn't get into it, going

0:26:05.680 --> 0:26:07.560
<v Speaker 1>all right, I'm gonna love this because I thought maybe

0:26:07.600 --> 0:26:09.440
<v Speaker 1>they would take some liberties, and I'm sure they did

0:26:09.440 --> 0:26:11.639
<v Speaker 1>take a few but I did you watch all of it,

0:26:11.760 --> 0:26:13.840
<v Speaker 1>like all six episodes, eight episode. I have one last

0:26:13.840 --> 0:26:16.320
<v Speaker 1>episode that I watched. It's like you think people you

0:26:16.320 --> 0:26:19.720
<v Speaker 1>think people go hard, Now that's when they went hard.

0:26:19.880 --> 0:26:22.520
<v Speaker 1>You ain't kidding, man, Yeah, some of those early episodes. Yeah,

0:26:22.640 --> 0:26:25.720
<v Speaker 1>watching the like the just the pills and stuff like that,

0:26:25.760 --> 0:26:28.159
<v Speaker 1>I was like, man, I'm scared to take advil. Like

0:26:28.200 --> 0:26:29.680
<v Speaker 1>I don't like take a medicine at all. I can

0:26:29.800 --> 0:26:32.000
<v Speaker 1>imagine doing stuff like that. Are you getting it all

0:26:32.000 --> 0:26:33.560
<v Speaker 1>out of your system right now? What do you mean?

0:26:33.640 --> 0:26:35.640
<v Speaker 1>Have you got out of your system? Like the whiskey,

0:26:35.880 --> 0:26:38.879
<v Speaker 1>the you know, I'd say I have, man. I when

0:26:39.000 --> 0:26:40.639
<v Speaker 1>on my very first tour, I was lucky enough to

0:26:40.680 --> 0:26:42.680
<v Speaker 1>go out with Brad Paisley, and I was like, Oh,

0:26:42.720 --> 0:26:44.520
<v Speaker 1>this is what rock stars do. This is this is

0:26:44.560 --> 0:26:46.359
<v Speaker 1>how I need to be. I need to be drunk

0:26:46.400 --> 0:26:48.439
<v Speaker 1>all the time and just like really enjoy myself. And

0:26:48.920 --> 0:26:51.440
<v Speaker 1>I think, man, I was started to hurt and it

0:26:51.560 --> 0:26:54.040
<v Speaker 1>just my mind was cloudy all the time, and like

0:26:54.080 --> 0:26:56.399
<v Speaker 1>I still have like a whiskey drink far going stage.

0:26:57.280 --> 0:27:00.359
<v Speaker 1>He kind of calms your nerves and everything in modern ration,

0:27:00.600 --> 0:27:04.919
<v Speaker 1>even mediumation, as long as it's not affecting what your

0:27:04.960 --> 0:27:07.200
<v Speaker 1>day to day is absolutely or as long as you're

0:27:07.240 --> 0:27:09.920
<v Speaker 1>not being controlled by it without a doubt. And that's

0:27:09.960 --> 0:27:12.119
<v Speaker 1>the big thing, because I never want to be a

0:27:12.119 --> 0:27:15.359
<v Speaker 1>person that feels like they're controlled by substance, by any means,

0:27:15.400 --> 0:27:18.919
<v Speaker 1>whether it's marijuana, any anything, and it's uh so I

0:27:19.080 --> 0:27:21.479
<v Speaker 1>just kind of backed away from it and kind of

0:27:21.760 --> 0:27:23.399
<v Speaker 1>got that out of my system a little bit. Your

0:27:23.440 --> 0:27:25.520
<v Speaker 1>grandma smoke weed, right, didn't you find out? She spoke

0:27:25.560 --> 0:27:32.520
<v Speaker 1>when you wrote a song about that? So how do

0:27:32.600 --> 0:27:36.040
<v Speaker 1>I ask this? Okay, how did you find out? I

0:27:36.160 --> 0:27:38.639
<v Speaker 1>came over to her house high and she smelled it

0:27:38.640 --> 0:27:41.600
<v Speaker 1>on me, and she kind of I thought she was

0:27:41.600 --> 0:27:42.840
<v Speaker 1>gonna rip me a new one, and she was like,

0:27:42.880 --> 0:27:44.840
<v Speaker 1>we need to get talk. She takes me back to her,

0:27:45.240 --> 0:27:47.920
<v Speaker 1>to her room and she's like acting all mad at me,

0:27:47.960 --> 0:27:49.800
<v Speaker 1>and my grandpa's laughing in the kitchen and I could

0:27:49.840 --> 0:27:52.920
<v Speaker 1>hear him, and uh about that time, she pulls out

0:27:53.640 --> 0:27:56.160
<v Speaker 1>jar weed and rolling papers and rolls up a joint

0:27:56.200 --> 0:28:00.200
<v Speaker 1>and then we smoked before breakfast at More and she's

0:28:00.200 --> 0:28:03.439
<v Speaker 1>say anything like, don't go telling anybody else about this.

0:28:03.520 --> 0:28:05.280
<v Speaker 1>She told me just not to tell a church. Now,

0:28:05.880 --> 0:28:09.280
<v Speaker 1>her church is probably they probably heard the story told

0:28:09.280 --> 0:28:11.119
<v Speaker 1>a couple of times. Now, So did she give you

0:28:11.200 --> 0:28:14.119
<v Speaker 1>any advice during that, because I would imagine if your

0:28:14.119 --> 0:28:15.880
<v Speaker 1>grandma's with you and she's like, hey, let's sit down.

0:28:16.080 --> 0:28:18.280
<v Speaker 1>You think you're in trouble, You're not in trouble. You

0:28:18.320 --> 0:28:20.840
<v Speaker 1>actually have something in common. That's like, that's a cool moment.

0:28:20.880 --> 0:28:22.960
<v Speaker 1>It was, man, yeah, that's a cool moment. But I

0:28:22.960 --> 0:28:24.960
<v Speaker 1>don't know if we had much advice. You don't remember.

0:28:25.080 --> 0:28:29.480
<v Speaker 1>Maybe I don't remember. Breakfast was good that. Um I

0:28:29.520 --> 0:28:32.800
<v Speaker 1>read a story to about you. But you're away young,

0:28:33.000 --> 0:28:35.440
<v Speaker 1>you're planning to propose to your girl, and the story

0:28:35.520 --> 0:28:36.880
<v Speaker 1>there was a story because you wrote a song. Whatever.

0:28:37.640 --> 0:28:39.520
<v Speaker 1>I say whatever because that to me, that wasn't the headline.

0:28:39.520 --> 0:28:41.640
<v Speaker 1>I think you were the fact that you were maybe nineteen.

0:28:41.720 --> 0:28:45.200
<v Speaker 1>I was twenty years old. I was planning on getting crape. Man,

0:28:45.360 --> 0:28:49.080
<v Speaker 1>I'm looking back, I was white out of lot what

0:28:49.160 --> 0:28:51.160
<v Speaker 1>came from it. It's like, why are you trying to propose?

0:28:51.200 --> 0:28:56.239
<v Speaker 1>A kid? And I didn't realize how much I had

0:28:56.280 --> 0:28:58.640
<v Speaker 1>to learn. And at twenty years old, I thought I

0:28:58.640 --> 0:29:00.640
<v Speaker 1>was growing up because I had like the boy job

0:29:00.720 --> 0:29:03.440
<v Speaker 1>and I was like, man, this is like this is

0:29:03.440 --> 0:29:05.640
<v Speaker 1>what people do back home. They get married early, and

0:29:05.760 --> 0:29:08.160
<v Speaker 1>uh they settled down. And that's kind of what I

0:29:08.160 --> 0:29:11.160
<v Speaker 1>saw life as. So when it didn't work out, that's

0:29:11.200 --> 0:29:13.200
<v Speaker 1>kind of another reason why I moved to Nashville. I

0:29:13.280 --> 0:29:15.000
<v Speaker 1>was like to get away, and then I found so

0:29:15.120 --> 0:29:16.800
<v Speaker 1>much more life out here that I didn't even know

0:29:16.880 --> 0:29:20.200
<v Speaker 1>I hadn't lived yet. Well what a blessing, though, without

0:29:20.200 --> 0:29:23.640
<v Speaker 1>a doubt, because you were okay, so walk me through

0:29:23.640 --> 0:29:25.240
<v Speaker 1>what you were gonna propose. You have to get a

0:29:25.240 --> 0:29:27.640
<v Speaker 1>little vulnerable here to share some some stuff that makes

0:29:27.640 --> 0:29:31.360
<v Speaker 1>you feel not as in control. But you were gonna

0:29:31.360 --> 0:29:33.440
<v Speaker 1>propose that you did propose. No, I was going to propose.

0:29:33.480 --> 0:29:35.840
<v Speaker 1>I was two weeks away, ever ring, I had a ring,

0:29:36.280 --> 0:29:39.440
<v Speaker 1>and you were two weeks away. Then what happened? She say,

0:29:39.480 --> 0:29:41.280
<v Speaker 1>I don't want to get married. She was in college

0:29:41.600 --> 0:29:44.760
<v Speaker 1>and she we basically like I went over to her

0:29:44.800 --> 0:29:47.120
<v Speaker 1>college one night and uh, we're just kind of talking

0:29:47.160 --> 0:29:49.480
<v Speaker 1>and I could feel things were a little off, and

0:29:49.600 --> 0:29:53.040
<v Speaker 1>uh so I walk her or we walk outside kind

0:29:53.040 --> 0:29:55.560
<v Speaker 1>of walking back to my truck, and uh, she was like,

0:29:55.600 --> 0:29:57.280
<v Speaker 1>you know what, I just don't think this is gonna

0:29:57.280 --> 0:29:59.440
<v Speaker 1>work out anymore. She was like I want to experience

0:29:59.440 --> 0:30:01.680
<v Speaker 1>college with them or and I mean just the normal

0:30:01.680 --> 0:30:03.240
<v Speaker 1>shoes growing up to you. So I don't hold it

0:30:03.280 --> 0:30:05.360
<v Speaker 1>against it or hold it against it any you were kids, yeah,

0:30:05.360 --> 0:30:09.440
<v Speaker 1>I mean we were literally kids. So yeah, so it

0:30:09.840 --> 0:30:12.600
<v Speaker 1>worked out for the better. Thank god. You was extremely mature,

0:30:12.800 --> 0:30:15.120
<v Speaker 1>without a doubt. That's one of those where at the

0:30:15.120 --> 0:30:17.920
<v Speaker 1>time you're like, I'm never gonna get over this. This sucks.

0:30:18.640 --> 0:30:20.760
<v Speaker 1>So what was the song you wrote after that? Giving

0:30:20.760 --> 0:30:23.640
<v Speaker 1>you Up? So that was the That was the very

0:30:23.640 --> 0:30:26.480
<v Speaker 1>first song I put out. So we have these new

0:30:26.560 --> 0:30:29.240
<v Speaker 1>rules and it's so stupid, okay, because well you don't.

0:30:29.280 --> 0:30:31.160
<v Speaker 1>You can do whatever you want, but we can't play

0:30:31.200 --> 0:30:33.840
<v Speaker 1>clips of songs anymore because we get sued all the time.

0:30:34.360 --> 0:30:36.760
<v Speaker 1>So Mike, we've never done this before. But what we

0:30:36.800 --> 0:30:39.160
<v Speaker 1>should do is because we we'd come on and we'd

0:30:39.160 --> 0:30:41.480
<v Speaker 1>played the whole hook of giving you up, and you'd

0:30:41.480 --> 0:30:43.440
<v Speaker 1>be like data, and then we wouldn't get sued. It

0:30:43.440 --> 0:30:45.160
<v Speaker 1>would be a great day, you know that. That was

0:30:45.200 --> 0:30:46.800
<v Speaker 1>every time we did one of these, we wouldn't get suited.

0:30:46.880 --> 0:30:50.040
<v Speaker 1>We play some clips, So don't sing it hard, but

0:30:50.080 --> 0:30:51.760
<v Speaker 1>give me like them giving you up like melody. If

0:30:51.760 --> 0:30:54.760
<v Speaker 1>you were just kind of mumbling it. So Coulson, Oh,

0:30:54.800 --> 0:30:56.640
<v Speaker 1>I can't say words. You can do whatever I want,

0:30:56.640 --> 0:30:58.240
<v Speaker 1>but I don't want to pressure. You'd have to sing

0:30:58.280 --> 0:31:00.920
<v Speaker 1>because I did not warm you up. No, you've because

0:31:00.920 --> 0:31:06.320
<v Speaker 1>I'm giving you slack. I did in marble lights, him

0:31:06.440 --> 0:31:10.080
<v Speaker 1>giving you that's a good one. We can't get suit

0:31:10.160 --> 0:31:15.280
<v Speaker 1>for that, right if he sings it, we can't get well, yeah,

0:31:15.320 --> 0:31:19.560
<v Speaker 1>you're not gonna yeah. Um, So when you put a

0:31:19.600 --> 0:31:21.440
<v Speaker 1>song out like that, or when you just record a

0:31:21.440 --> 0:31:24.680
<v Speaker 1>song like that, do you send it to her after

0:31:24.720 --> 0:31:26.840
<v Speaker 1>you write it? Oh, I'll send it out a spike man.

0:31:26.880 --> 0:31:30.560
<v Speaker 1>Oh heck yeah? And do you do you just? Do

0:31:30.640 --> 0:31:32.840
<v Speaker 1>you send it out of you recorded on your iPhone

0:31:32.880 --> 0:31:35.000
<v Speaker 1>after you finished, or do you wait and go into

0:31:35.040 --> 0:31:37.000
<v Speaker 1>a studio or you do it at the house? Like,

0:31:37.000 --> 0:31:39.360
<v Speaker 1>how did she get the first version of that? Um?

0:31:39.440 --> 0:31:41.120
<v Speaker 1>I think it was after the studio. I sent her

0:31:41.160 --> 0:31:43.160
<v Speaker 1>the rough out of the studio. But how long from

0:31:43.160 --> 0:31:44.600
<v Speaker 1>when you guys broke up till you made her rough

0:31:44.600 --> 0:31:47.720
<v Speaker 1>out of the studio? Probably a year? Dang, you waited

0:31:47.760 --> 0:31:50.520
<v Speaker 1>a year to hit her with that. We had talked

0:31:50.520 --> 0:31:55.800
<v Speaker 1>in between A year later She's like, what is this

0:31:55.840 --> 0:32:01.560
<v Speaker 1>a file? Giving you the camera in a year. Do

0:32:02.000 --> 0:32:05.160
<v Speaker 1>you tell her it's coming? Oh? Yeah, yeah, I had

0:32:05.240 --> 0:32:06.720
<v Speaker 1>told her and I was like, well, this is like

0:32:06.800 --> 0:32:09.400
<v Speaker 1>I have a song, and uh I didn't. I don't

0:32:09.400 --> 0:32:11.680
<v Speaker 1>know if I I guess in my young mind, I

0:32:11.720 --> 0:32:14.120
<v Speaker 1>didn't want to like open any more doors by like

0:32:14.200 --> 0:32:17.440
<v Speaker 1>playing something like that and then when I was gonna

0:32:17.480 --> 0:32:19.120
<v Speaker 1>come out and I didn't want to get blindsided by

0:32:19.280 --> 0:32:21.000
<v Speaker 1>so I just or did you really just wanted to

0:32:21.040 --> 0:32:24.600
<v Speaker 1>hear it a little both? Yeah, I mean human nature. Yeah,

0:32:24.600 --> 0:32:26.600
<v Speaker 1>I'd be like, listen, how good I am? Now? Really

0:32:26.640 --> 0:32:28.920
<v Speaker 1>messed this up and now? And I ponderr ring like

0:32:30.240 --> 0:32:37.520
<v Speaker 1>that's what I'm that was? That was it? Uh So

0:32:37.520 --> 0:32:40.720
<v Speaker 1>you signed a record deal like um, you know, and

0:32:40.840 --> 0:32:44.440
<v Speaker 1>things are happening, pandemic, that happens. I mean when when

0:32:44.480 --> 0:32:46.440
<v Speaker 1>you sign a record deal, I would just think at

0:32:46.520 --> 0:32:48.640
<v Speaker 1>least I would be like, oh, about to rock. This

0:32:48.680 --> 0:32:51.040
<v Speaker 1>is gonna be awesome. A record deal with a major

0:32:51.120 --> 0:32:54.600
<v Speaker 1>label to get the stadiums ready, and that's that's the

0:32:54.600 --> 0:32:56.560
<v Speaker 1>first thing. You think. It's like, oh, I'm going you

0:32:56.600 --> 0:32:59.320
<v Speaker 1>don't work. Yeah, you don't see the work at all,

0:32:59.400 --> 0:33:01.400
<v Speaker 1>and you're like, oh man, this everything just fell into place.

0:33:01.400 --> 0:33:04.959
<v Speaker 1>I'm about to be arena headline toward next year. It's

0:33:05.000 --> 0:33:07.760
<v Speaker 1>gonna be great. And uh, then you realize, oh wait,

0:33:07.800 --> 0:33:10.160
<v Speaker 1>I gotta really work like I'm just a baby, like

0:33:10.240 --> 0:33:12.880
<v Speaker 1>nobody artist. I don't know aboudy know me. When you

0:33:12.920 --> 0:33:17.040
<v Speaker 1>came to the studio and played Falsome Prison, I just remember,

0:33:17.080 --> 0:33:19.080
<v Speaker 1>and I've heard again ten thousand people play that song.

0:33:19.640 --> 0:33:22.800
<v Speaker 1>God dang it is. It was so powerful and your

0:33:22.800 --> 0:33:25.000
<v Speaker 1>tone there's a big part of it, not just you

0:33:25.080 --> 0:33:27.400
<v Speaker 1>being loud as she do. And I didn't know you

0:33:27.440 --> 0:33:29.760
<v Speaker 1>from being on the Voice. If a wire is getting

0:33:29.760 --> 0:33:32.320
<v Speaker 1>across stop you here. You were on the Voice, right, Okay,

0:33:32.440 --> 0:33:33.680
<v Speaker 1>I didn't know you from being on the Voice, but

0:33:33.680 --> 0:33:36.600
<v Speaker 1>I remember a video seeing a video of of that post,

0:33:36.600 --> 0:33:37.760
<v Speaker 1>which is why I think we were like, hey, come

0:33:37.760 --> 0:33:40.520
<v Speaker 1>in and play the song. And to have a lot

0:33:40.560 --> 0:33:43.280
<v Speaker 1>of people know you from playing that song. Do you

0:33:43.560 --> 0:33:45.120
<v Speaker 1>ever want to not play that song? Do you feel

0:33:45.120 --> 0:33:46.600
<v Speaker 1>the pressure to play that song even though it's a

0:33:46.640 --> 0:33:48.160
<v Speaker 1>cover and but a lot of people know and discovered

0:33:48.200 --> 0:33:51.760
<v Speaker 1>you from that song. No, Uh, I actually enjoy it

0:33:51.760 --> 0:33:53.280
<v Speaker 1>because I never did that one on the Voice. I

0:33:53.320 --> 0:33:54.840
<v Speaker 1>just kind of came up with that at the house

0:33:54.880 --> 0:33:57.600
<v Speaker 1>one day and uh, it just like I said what

0:33:57.600 --> 0:33:59.560
<v Speaker 1>it was. I must have just seen a collection of

0:33:59.640 --> 0:34:03.520
<v Speaker 1>videos because I'm I watch all your videos at home alone.

0:34:03.560 --> 0:34:05.680
<v Speaker 1>I take videos of you and you aren't looking. But

0:34:05.800 --> 0:34:07.960
<v Speaker 1>that one blew up though, right, or wouldn't have been

0:34:07.960 --> 0:34:10.759
<v Speaker 1>said to me? Yeah, okay, So you don't feel the

0:34:10.760 --> 0:34:13.399
<v Speaker 1>pressure because it went viral to play it, No, I'm

0:34:13.480 --> 0:34:15.520
<v Speaker 1>and it's part of our set. But if we hopef

0:34:15.600 --> 0:34:17.319
<v Speaker 1>we take it out, it doesn't hurt my feelings, I'll do.

0:34:17.360 --> 0:34:19.760
<v Speaker 1>I love playing it, yes, oh great, and that's awesome

0:34:20.560 --> 0:34:22.960
<v Speaker 1>if you love playing I played every freaking Sea's like twice,

0:34:23.320 --> 0:34:25.359
<v Speaker 1>like I want to write more songs that are in

0:34:25.360 --> 0:34:27.279
<v Speaker 1>that vein. So I love having that kind of I

0:34:27.280 --> 0:34:30.440
<v Speaker 1>didn't know if you would get annoyed by having to

0:34:30.600 --> 0:34:32.680
<v Speaker 1>place or feeling like there was a pressure I need

0:34:32.680 --> 0:34:36.400
<v Speaker 1>to play something that you did previously that went viral.

0:34:36.520 --> 0:34:38.279
<v Speaker 1>I think I get more annoyed from from some of

0:34:38.320 --> 0:34:40.400
<v Speaker 1>the songs that I don't feel like I wrote to

0:34:40.440 --> 0:34:42.319
<v Speaker 1>the best of my ability that I sang every night,

0:34:42.400 --> 0:34:43.839
<v Speaker 1>like even giving You Up being one of the first

0:34:43.840 --> 0:34:47.200
<v Speaker 1>songs that I really wrote. Um, like, I feel more

0:34:47.200 --> 0:34:49.560
<v Speaker 1>pressure to play it, and I did that covert for

0:34:49.600 --> 0:34:51.399
<v Speaker 1>some reason. Yeah, but you have played that big. Yeah,

0:34:51.440 --> 0:34:54.520
<v Speaker 1>you have to, and you're all the goal is to

0:34:54.560 --> 0:34:57.359
<v Speaker 1>always feel that way. Honestly, in three years, you want

0:34:57.400 --> 0:34:58.879
<v Speaker 1>to be annoyed at the songs you just wrote, now,

0:34:59.200 --> 0:35:02.359
<v Speaker 1>fair enough, because it means you've grown. I will hear

0:35:02.560 --> 0:35:04.839
<v Speaker 1>or read old jokes that even I wrote two years ago,

0:35:05.160 --> 0:35:09.719
<v Speaker 1>or here's and I'm like, oh, like, I'm almost embarrassed.

0:35:10.960 --> 0:35:13.920
<v Speaker 1>But man if I wasn't and I was just the same,

0:35:13.960 --> 0:35:14.960
<v Speaker 1>and I was like, oh, yeah, I look at that's

0:35:14.960 --> 0:35:20.759
<v Speaker 1>still rocking, I would feel on surface good, but I

0:35:20.760 --> 0:35:23.040
<v Speaker 1>would go, man, I guess I'm just not get any better.

0:35:23.080 --> 0:35:25.120
<v Speaker 1>But when I do see a clip of me telling

0:35:25.120 --> 0:35:27.799
<v Speaker 1>a joke or doing a bit on I'm like and

0:35:27.800 --> 0:35:30.319
<v Speaker 1>and it does make me cringe a little bit. Like

0:35:30.400 --> 0:35:32.520
<v Speaker 1>you said, you're embarrassing in these songs you wrote. Like

0:35:32.560 --> 0:35:34.839
<v Speaker 1>then I'm like, that's awesome. That means I'm actually getting better.

0:35:34.960 --> 0:35:36.279
<v Speaker 1>That's that's a good way to look at him. And

0:35:36.320 --> 0:35:37.719
<v Speaker 1>I had never looked at it like that. But I

0:35:37.800 --> 0:35:40.440
<v Speaker 1>make me want to vomit. I'm so over me. I

0:35:40.520 --> 0:35:44.520
<v Speaker 1>hate me. Sometimes I spend my whole career life every

0:35:44.600 --> 0:35:47.160
<v Speaker 1>day it's all me, me, me, MEI because that's the

0:35:47.200 --> 0:35:52.560
<v Speaker 1>business that I'm in and I'm over me and so

0:35:52.600 --> 0:35:55.359
<v Speaker 1>I look I'm and the fact that you talked about

0:35:55.400 --> 0:35:57.760
<v Speaker 1>that's great, that makes you've grown so much as a songwriter.

0:35:58.000 --> 0:36:02.040
<v Speaker 1>Good man, Like, I like, that's a I can't talk.

0:36:02.200 --> 0:36:04.080
<v Speaker 1>That's a good way to look at it is because

0:36:04.120 --> 0:36:06.120
<v Speaker 1>if I don't, I'll go crazy if I don't. And

0:36:06.160 --> 0:36:09.440
<v Speaker 1>also I avoid listening to me. Will you listen? I

0:36:09.480 --> 0:36:11.160
<v Speaker 1>was gonna ask, what's the deal on that? Will you

0:36:11.200 --> 0:36:13.720
<v Speaker 1>listen to a live show that you did well you recorded?

0:36:13.920 --> 0:36:16.280
<v Speaker 1>Will you listen to work? Like? What's what's your rules

0:36:16.280 --> 0:36:20.360
<v Speaker 1>on not going crazy? Um? Okay? Work tapes? If I'm

0:36:20.400 --> 0:36:23.279
<v Speaker 1>I know that I really truly love the song like

0:36:23.480 --> 0:36:26.239
<v Speaker 1>a ton if I listen to the work tape like

0:36:26.320 --> 0:36:29.080
<v Speaker 1>four or five times on a row, what an Yeah,

0:36:29.520 --> 0:36:32.160
<v Speaker 1>So i'll know if like, if I love that song

0:36:32.200 --> 0:36:34.040
<v Speaker 1>and I'm like, oh, I'm probably gonna put this song out,

0:36:34.360 --> 0:36:36.680
<v Speaker 1>I'll catch myself wanting to go back and listen to it.

0:36:36.840 --> 0:36:38.640
<v Speaker 1>If I'm gonna listen to it like once or twice,

0:36:38.880 --> 0:36:42.440
<v Speaker 1>I'm like, I'll put it in the pile. And if

0:36:42.480 --> 0:36:44.040
<v Speaker 1>I don't listen to it, yeah, I will never say it.

0:36:44.080 --> 0:36:46.360
<v Speaker 1>Let do you ever do the thing because you're a

0:36:46.400 --> 0:36:50.040
<v Speaker 1>real artist and I'm a junior varsity. But I'll write

0:36:50.160 --> 0:36:53.400
<v Speaker 1>something funny, a funny song, and I can't listen to

0:36:53.400 --> 0:36:55.319
<v Speaker 1>it for a while because I'm so close to it,

0:36:55.600 --> 0:36:57.200
<v Speaker 1>and in the middle of writing it, I started to

0:36:57.400 --> 0:36:59.279
<v Speaker 1>second guess everything. And then it's to me, it's not

0:36:59.280 --> 0:37:01.120
<v Speaker 1>even good anymore, about halfway through the writing, and I'm like,

0:37:01.160 --> 0:37:03.720
<v Speaker 1>this sucks. It's not funny. I suck. I'm not funny.

0:37:03.760 --> 0:37:05.560
<v Speaker 1>My career is over, so I have to take and

0:37:05.600 --> 0:37:08.440
<v Speaker 1>I'll put it back without a doubt, and then I'll

0:37:08.840 --> 0:37:12.319
<v Speaker 1>have some separation and like two months later, one of

0:37:12.320 --> 0:37:14.120
<v Speaker 1>my buddies, so I'll write it with I'll be like, dude,

0:37:14.120 --> 0:37:16.160
<v Speaker 1>this song we wrote a hobby lobby is freaking awesome,

0:37:16.800 --> 0:37:19.239
<v Speaker 1>and he's like, what month are we in? But I

0:37:19.280 --> 0:37:20.960
<v Speaker 1>have to do that because I'm too close to it

0:37:21.000 --> 0:37:22.959
<v Speaker 1>at the time. Without it, do you are you able

0:37:23.000 --> 0:37:24.879
<v Speaker 1>to have that perspective? Or can you write a song

0:37:25.000 --> 0:37:26.279
<v Speaker 1>stay with it? No, it's good the whole time and

0:37:26.320 --> 0:37:28.440
<v Speaker 1>be like, let's go. I kind of did that with

0:37:28.480 --> 0:37:30.600
<v Speaker 1>my album and like where I fell in love with

0:37:30.640 --> 0:37:33.800
<v Speaker 1>those songs and I got got in the studio pretty

0:37:33.840 --> 0:37:35.719
<v Speaker 1>quick to cut them, and then I was like, by

0:37:35.760 --> 0:37:37.239
<v Speaker 1>the time they all got done, I was like, oh man,

0:37:37.239 --> 0:37:38.960
<v Speaker 1>it's anybody even gonna listen to this because it was

0:37:38.960 --> 0:37:41.000
<v Speaker 1>in my mind so much so before we even put

0:37:41.000 --> 0:37:43.719
<v Speaker 1>it out. I didn't listen to the album until probably

0:37:44.960 --> 0:37:47.279
<v Speaker 1>right before we sent it to get mastered. Yeah, and

0:37:47.320 --> 0:37:49.440
<v Speaker 1>I was like, all right, yeah, I believe in this.

0:37:49.640 --> 0:37:53.000
<v Speaker 1>Is this you trusting Dan? Yeah, definitely. I trust him

0:37:53.040 --> 0:37:54.640
<v Speaker 1>with my wife man me and him, or we've we've

0:37:54.680 --> 0:37:57.600
<v Speaker 1>gotten so locked in over the over this record. I'd

0:37:57.600 --> 0:37:59.640
<v Speaker 1>say that we just put out because we did a

0:37:59.640 --> 0:38:03.080
<v Speaker 1>couple of odds before that weren't my favorite sonically, And

0:38:03.160 --> 0:38:04.920
<v Speaker 1>he even agrees with me with that, where he's like,

0:38:05.360 --> 0:38:10.000
<v Speaker 1>we we didn't really nail these, and uh. I just

0:38:10.080 --> 0:38:12.640
<v Speaker 1>kind of took that with a grain AsSalt when we

0:38:12.640 --> 0:38:14.200
<v Speaker 1>went back into the studio for the record and I

0:38:14.239 --> 0:38:16.279
<v Speaker 1>was like, well, we know where we're going now. So

0:38:16.719 --> 0:38:19.120
<v Speaker 1>me and him really work together, which I kind of

0:38:19.360 --> 0:38:20.960
<v Speaker 1>was in the back seat, and that was to my

0:38:21.000 --> 0:38:22.600
<v Speaker 1>own fault, like I did that on purpose because I

0:38:22.600 --> 0:38:24.759
<v Speaker 1>was kind of letting him him guide the ship. But

0:38:24.800 --> 0:38:27.160
<v Speaker 1>he really he works really well when somebody else is

0:38:27.160 --> 0:38:30.000
<v Speaker 1>giving him direction. So when you say, sonically, is it

0:38:30.760 --> 0:38:35.640
<v Speaker 1>your voice is a guitar tone? Is it? What are like?

0:38:35.760 --> 0:38:40.400
<v Speaker 1>Who are you now? As far as no, not even musically,

0:38:40.440 --> 0:38:43.600
<v Speaker 1>but um, son I want to stay sonically because musically

0:38:43.640 --> 0:38:45.879
<v Speaker 1>you can write from these places and you know what

0:38:45.920 --> 0:38:47.359
<v Speaker 1>you want to say and why you want to say it.

0:38:47.520 --> 0:38:50.960
<v Speaker 1>But who are you? If I just listen to a

0:38:51.000 --> 0:38:53.640
<v Speaker 1>song for the sake of just turning it on and

0:38:53.680 --> 0:38:56.680
<v Speaker 1>hearing it and not listening, I'm all over the place, man,

0:38:56.800 --> 0:38:58.520
<v Speaker 1>And uh, I don't mean to be, but I love

0:38:58.560 --> 0:39:00.920
<v Speaker 1>so many different styles of music. Um, you'll hear a

0:39:00.960 --> 0:39:03.440
<v Speaker 1>little blues, you'll hear a little rock. Um do you

0:39:03.440 --> 0:39:06.279
<v Speaker 1>fiddle with tone on guitar all the time without it? Oh?

0:39:06.360 --> 0:39:09.680
<v Speaker 1>Yeah yeah my best friends that are guitar player. Oh

0:39:09.719 --> 0:39:13.680
<v Speaker 1>my god, Like stop it sounds exactly the same, dude. Yeah,

0:39:13.760 --> 0:39:16.680
<v Speaker 1>it's kind of a habit. And I've become like, not you,

0:39:16.680 --> 0:39:18.919
<v Speaker 1>you should keep doing sure, But that's how I feel.

0:39:18.920 --> 0:39:21.480
<v Speaker 1>I'm like, there's no difference in the two tones. It's

0:39:21.480 --> 0:39:22.799
<v Speaker 1>like when I'm at the eye doctor, it's like, what

0:39:22.800 --> 0:39:25.080
<v Speaker 1>about this one? What about this one? It's the same one? Yes,

0:39:25.640 --> 0:39:27.840
<v Speaker 1>So why are you giving me differently, but you're like

0:39:28.239 --> 0:39:31.279
<v Speaker 1>you just constantly for that perfect time constantly man, and uh,

0:39:32.040 --> 0:39:34.720
<v Speaker 1>sometimes to a fault like where I'll like get obsessed

0:39:34.760 --> 0:39:36.960
<v Speaker 1>with it, like bassed tone. For me, it's such a

0:39:37.000 --> 0:39:39.400
<v Speaker 1>big thing, and like you, we're making that joke about bass,

0:39:39.400 --> 0:39:41.800
<v Speaker 1>but like bass is such an integral part to to

0:39:42.000 --> 0:39:44.840
<v Speaker 1>the song and the way that the song feels. And uh,

0:39:44.920 --> 0:39:47.440
<v Speaker 1>if the bass doesn't have the right roundness or the

0:39:47.520 --> 0:39:50.520
<v Speaker 1>right flatness or however it should sound it, it really

0:39:50.520 --> 0:39:52.120
<v Speaker 1>can throw a song off, at least in my ears.

0:39:52.960 --> 0:39:55.520
<v Speaker 1>I bet you listen to music so different, dude. I

0:39:55.680 --> 0:39:57.200
<v Speaker 1>missed the days when I could just listen to a

0:39:57.200 --> 0:40:00.040
<v Speaker 1>song and listen to a song that those were the

0:40:00.520 --> 0:40:02.880
<v Speaker 1>I bet you have that. Yeah, um, and I have

0:40:02.960 --> 0:40:04.319
<v Speaker 1>certain things in my career are on the same thing

0:40:04.320 --> 0:40:06.200
<v Speaker 1>where I just can't enjoy it because I know, and

0:40:06.200 --> 0:40:07.880
<v Speaker 1>I've spent so much time in the middle of it,

0:40:08.239 --> 0:40:10.520
<v Speaker 1>start learning too much. I know, and I listen to

0:40:10.560 --> 0:40:12.400
<v Speaker 1>it a whole different way now. I don't have always

0:40:12.400 --> 0:40:15.759
<v Speaker 1>that with music like you do. Also, because you're really

0:40:15.760 --> 0:40:18.480
<v Speaker 1>good and not You're not just a great singer, like

0:40:18.520 --> 0:40:21.839
<v Speaker 1>you're a real life musician, And there's a difference. But

0:40:21.920 --> 0:40:24.200
<v Speaker 1>I bet you it's hard for you to listen to

0:40:24.239 --> 0:40:27.000
<v Speaker 1>anything without trying to pick it apart unless it's something

0:40:27.000 --> 0:40:28.759
<v Speaker 1>old that you have been any four that you've loved

0:40:28.800 --> 0:40:30.520
<v Speaker 1>for a little of doubt. And even then I'll go

0:40:30.560 --> 0:40:32.400
<v Speaker 1>back and I'll be like, man, I thought this record

0:40:32.440 --> 0:40:35.080
<v Speaker 1>was so much bigger, like and you listen back and

0:40:35.120 --> 0:40:37.000
<v Speaker 1>there's like four instruments on it, because like, how did

0:40:37.000 --> 0:40:39.319
<v Speaker 1>they make that sound so big back in the day?

0:40:39.400 --> 0:40:41.200
<v Speaker 1>And then I'm like, well, maybe our stuff sounds big.

0:40:41.280 --> 0:40:42.960
<v Speaker 1>I don't. I don't know. I just keep kind of

0:40:43.040 --> 0:40:46.400
<v Speaker 1>wandering around in those worlds, and you'll never stop wandering, honestly.

0:40:46.800 --> 0:40:49.080
<v Speaker 1>And to think of these artists that got in the

0:40:49.120 --> 0:40:51.160
<v Speaker 1>same room, even if talking about Georgia Tammy and they

0:40:51.160 --> 0:40:55.399
<v Speaker 1>would show the back, the background singer and the piano player,

0:40:55.480 --> 0:40:57.040
<v Speaker 1>the baseball. They had to be in the same room

0:40:57.080 --> 0:40:58.719
<v Speaker 1>and play at the same time, and it all had

0:40:58.719 --> 0:41:00.360
<v Speaker 1>to all right. Here we go three eight of them

0:41:00.360 --> 0:41:03.319
<v Speaker 1>don't and they be perfect or close to it or

0:41:03.360 --> 0:41:05.680
<v Speaker 1>that's just what got on the record. Absolutely, And man,

0:41:05.719 --> 0:41:08.160
<v Speaker 1>we actually we just went back into into the studio

0:41:08.239 --> 0:41:10.120
<v Speaker 1>not too long ago to cut some more songs, and

0:41:10.200 --> 0:41:12.080
<v Speaker 1>we we did it that way, which was fun. We

0:41:12.120 --> 0:41:14.200
<v Speaker 1>did it all the tape because I wanted I wanted

0:41:14.239 --> 0:41:16.239
<v Speaker 1>that realness. I wanted some of those mess ups to

0:41:16.239 --> 0:41:18.360
<v Speaker 1>be on these new songs and kind of makeing it

0:41:18.440 --> 0:41:22.680
<v Speaker 1>just a little bit of a classic or classic class

0:41:24.239 --> 0:41:27.160
<v Speaker 1>that classic classic. Did you listen to a lot of classics?

0:41:27.160 --> 0:41:28.760
<v Speaker 1>I listened a lot of classic rock growing up. Sixties

0:41:28.760 --> 0:41:31.279
<v Speaker 1>and seventies. Definitely was that. Does that influence how you're

0:41:31.280 --> 0:41:33.799
<v Speaker 1>making music now? Without a doubt? Man? Uh? Seventies rock

0:41:33.840 --> 0:41:36.000
<v Speaker 1>from me, seventies and eighties rock was where my dad

0:41:36.040 --> 0:41:37.880
<v Speaker 1>listened to more than anything. My grandpa is where I

0:41:37.920 --> 0:41:41.080
<v Speaker 1>learned all my country music through UM. And then my

0:41:41.160 --> 0:41:43.040
<v Speaker 1>mom was just I guess she was more than that

0:41:43.360 --> 0:41:46.359
<v Speaker 1>nineties rock. What she loves She loves some Nickelback, So

0:41:46.400 --> 0:41:48.160
<v Speaker 1>I arned. We had we had the nickel Back on

0:41:48.160 --> 0:41:52.760
<v Speaker 1>the show today. I've never met Chad was in Chad Krueger.

0:41:52.800 --> 0:41:54.799
<v Speaker 1>I was calling Kroger. Oh shoot, I didn't know that anything. Well,

0:41:54.920 --> 0:41:57.759
<v Speaker 1>he didn't tell anybody that like a year ago, and

0:41:57.880 --> 0:42:00.880
<v Speaker 1>so I'd always I wasten Knickelback like crazy. I was younger.

0:42:01.040 --> 0:42:02.400
<v Speaker 1>We had him on the phone once, but he came

0:42:02.440 --> 0:42:05.840
<v Speaker 1>in today, a lot of energy, right, Mike, it was

0:42:05.920 --> 0:42:09.160
<v Speaker 1>good and and talks very dirty. He's very much a

0:42:09.239 --> 0:42:12.480
<v Speaker 1>rock star. He's like, I'm sure it was a rock

0:42:12.560 --> 0:42:14.680
<v Speaker 1>star like the band. They told me that I couldn't

0:42:15.120 --> 0:42:18.120
<v Speaker 1>get a song with the first line, Uh put her

0:42:18.120 --> 0:42:20.200
<v Speaker 1>pants around ankles on the radio and we were like,

0:42:20.200 --> 0:42:21.560
<v Speaker 1>we're listening to this going what's he where's he going?

0:42:21.560 --> 0:42:24.080
<v Speaker 1>Where's what's happening here? And he goes, you know what,

0:42:24.320 --> 0:42:26.480
<v Speaker 1>number one hit a rock radio first line? She had

0:42:26.520 --> 0:42:29.040
<v Speaker 1>her pants around right, And I'm like, all right, we'll

0:42:29.040 --> 0:42:34.440
<v Speaker 1>put that on the podcast on later. So what your parents?

0:42:34.440 --> 0:42:35.839
<v Speaker 1>What did they do white when you were a kid.

0:42:36.320 --> 0:42:38.759
<v Speaker 1>My mom was like a eye technician, so she worked

0:42:38.800 --> 0:42:40.560
<v Speaker 1>at the ode doctor for a while, and then my

0:42:40.640 --> 0:42:43.799
<v Speaker 1>dad used to work at a I don't even I

0:42:43.920 --> 0:42:45.600
<v Speaker 1>still have no idea what he did. He was like

0:42:45.600 --> 0:42:49.400
<v Speaker 1>a raw chemical engineer for five Yeah, I hear Mike Spive.

0:42:49.760 --> 0:42:52.919
<v Speaker 1>He made magnets for the inside. Hey wait wait, yeah,

0:42:53.200 --> 0:42:59.040
<v Speaker 1>Sherry did, buddy. He carried blueberries from city to city. Olga. Uh,

0:42:59.120 --> 0:43:02.640
<v Speaker 1>your TikTok or sponse has been strong, and I still

0:43:02.840 --> 0:43:04.359
<v Speaker 1>figured it out. I don't know what the heck I'm

0:43:04.400 --> 0:43:07.200
<v Speaker 1>doing on but but you've still been able to do

0:43:07.360 --> 0:43:09.600
<v Speaker 1>really cool things on there at same time without a doubt.

0:43:09.640 --> 0:43:11.560
<v Speaker 1>And isn't that kind of what TikTok is is the

0:43:11.600 --> 0:43:16.200
<v Speaker 1>fact that the raw stuff really does do better most

0:43:16.239 --> 0:43:18.160
<v Speaker 1>of the time. It does, man, And I spent a

0:43:18.200 --> 0:43:20.080
<v Speaker 1>lot of time hating it. I think I out of

0:43:20.160 --> 0:43:22.640
<v Speaker 1>jealousy watching other people just blow the heck up and

0:43:22.640 --> 0:43:25.680
<v Speaker 1>be like, why can't I do anything like that? And uh,

0:43:25.840 --> 0:43:28.120
<v Speaker 1>I had to like kind of get my mind out

0:43:28.120 --> 0:43:29.759
<v Speaker 1>of that and get my mindset out of that to

0:43:29.800 --> 0:43:32.000
<v Speaker 1>be like, man, these people are just trying to do

0:43:32.080 --> 0:43:33.640
<v Speaker 1>the same thing I'm doing. They're just using a different

0:43:33.640 --> 0:43:35.839
<v Speaker 1>platform to do it. And once I figured that and

0:43:35.840 --> 0:43:37.759
<v Speaker 1>flip that switch, I was like, man, this is this

0:43:37.840 --> 0:43:39.440
<v Speaker 1>is actually a really cool tool and a really cool

0:43:39.480 --> 0:43:41.680
<v Speaker 1>way to discover new artists. That's it. It's a cool tool.

0:43:42.000 --> 0:43:44.520
<v Speaker 1>I absolutely agree. I have a friend of mine who's

0:43:44.920 --> 0:43:47.080
<v Speaker 1>just won't get on TikTok and he's a big artist,

0:43:47.080 --> 0:43:49.239
<v Speaker 1>and he's like, you know, I don't want to like

0:43:49.520 --> 0:43:53.160
<v Speaker 1>be tiktoki, and I'm like, bro, being tiktoki may have

0:43:53.200 --> 0:43:55.200
<v Speaker 1>been a thing like two years ago, but now it's

0:43:55.200 --> 0:43:58.799
<v Speaker 1>just like anything else, like they're all roads, you're all on.

0:43:58.880 --> 0:44:00.719
<v Speaker 1>You're you're on the road, going all from places, like

0:44:00.840 --> 0:44:03.879
<v Speaker 1>just use it so people can find you and maybe

0:44:03.880 --> 0:44:05.719
<v Speaker 1>they want to find everything else you've done. You don't

0:44:05.719 --> 0:44:08.560
<v Speaker 1>have to get on, do dances, you get on. Just

0:44:08.560 --> 0:44:11.880
<v Speaker 1>play your songs. That's it. And if nobody watches it, okay,

0:44:12.320 --> 0:44:14.480
<v Speaker 1>nobody knew was there anyway. If they don't watch, it's

0:44:14.480 --> 0:44:16.960
<v Speaker 1>not you're not embarrassing yourself. And he was like, I

0:44:16.960 --> 0:44:19.319
<v Speaker 1>just don't want to do TikTok. And I said to him,

0:44:19.440 --> 0:44:23.839
<v Speaker 1>you will do TikTok. You will, And you're gonna six

0:44:23.880 --> 0:44:26.000
<v Speaker 1>months after you're gonna be like why didn't I start earlier?

0:44:26.440 --> 0:44:28.000
<v Speaker 1>And I said, and I'm not going to be supportive.

0:44:28.000 --> 0:44:30.160
<v Speaker 1>I'm gonna be like, yeah, that's right, idiot, because I

0:44:30.239 --> 0:44:34.560
<v Speaker 1>told you to get on TikTok. And so yeah, like

0:44:36.320 --> 0:44:40.640
<v Speaker 1>I think you thrive there because you sound so good

0:44:41.960 --> 0:44:44.680
<v Speaker 1>even when it doesn't matter what the acoustics are, if

0:44:44.719 --> 0:44:47.640
<v Speaker 1>it can be a microphone with a speaker, bathroom or

0:44:47.680 --> 0:44:49.239
<v Speaker 1>just in a room where the acoustics are terrible, Like

0:44:49.280 --> 0:44:51.960
<v Speaker 1>you have that voice that kind of takes command, you know,

0:44:52.000 --> 0:44:54.040
<v Speaker 1>we talked about earlier. Rah Charles, like, that's you in

0:44:54.080 --> 0:44:56.359
<v Speaker 1>a different way. And I like the one you did

0:44:56.360 --> 0:44:58.879
<v Speaker 1>in your speedo Like I thought that was I thought

0:44:58.880 --> 0:45:03.279
<v Speaker 1>it was brave. Yeah, definitely a brave Uh So what's

0:45:03.280 --> 0:45:06.680
<v Speaker 1>the deal with the new music you're talking about? Recording songs? Man?

0:45:06.840 --> 0:45:10.000
<v Speaker 1>Just uh like, what's like when? When? What? What can

0:45:10.040 --> 0:45:12.399
<v Speaker 1>you tell me? We've got no rules anymore? Man, I'm

0:45:12.440 --> 0:45:14.480
<v Speaker 1>just kind of I'm not saying anything when you say

0:45:14.520 --> 0:45:17.680
<v Speaker 1>there are no rules. Oh man, I'm just I'm putting

0:45:17.680 --> 0:45:20.600
<v Speaker 1>out whatever I kind of feel like right now. I

0:45:20.600 --> 0:45:22.360
<v Speaker 1>don't know. It's uh, I don't really I have a

0:45:22.360 --> 0:45:25.440
<v Speaker 1>project in mind. Yeah, whether these songs aren't recording now

0:45:25.440 --> 0:45:27.480
<v Speaker 1>we're gonna live on that project or just be random

0:45:27.520 --> 0:45:30.040
<v Speaker 1>singles that I throw out, I don't know yet. I'm

0:45:30.040 --> 0:45:32.160
<v Speaker 1>just kind of I'm just recording the songs that I love.

0:45:32.360 --> 0:45:35.319
<v Speaker 1>And uh, I'm gonna hopefully have a song out next month.

0:45:35.480 --> 0:45:39.719
<v Speaker 1>Hopefully we'll see February. Yeah, that's what he's saying. Hopefully

0:45:40.000 --> 0:45:43.520
<v Speaker 1>who who makes that final call? I do, But it's uh,

0:45:43.680 --> 0:45:45.480
<v Speaker 1>it's gonna be a song that's a little bit more

0:45:45.520 --> 0:45:47.719
<v Speaker 1>dear to my heart that I was kind of in

0:45:47.760 --> 0:45:50.279
<v Speaker 1>a dark spot when I wrote it, and it's called

0:45:50.280 --> 0:45:53.320
<v Speaker 1>take Me Home to Carolina or take Me Home, um

0:45:53.360 --> 0:45:55.680
<v Speaker 1>and uh, it was kind of written like right at

0:45:55.680 --> 0:45:57.719
<v Speaker 1>the end of the year, right during Cmas, and I

0:45:57.760 --> 0:45:59.879
<v Speaker 1>was just like, I was kind of pissed, and it's

0:46:00.280 --> 0:46:02.239
<v Speaker 1>kind of a as much as I didn't want it

0:46:02.280 --> 0:46:04.040
<v Speaker 1>to be, it's kind of an f you to the industry.

0:46:04.480 --> 0:46:07.480
<v Speaker 1>And I learned a lot about it or about myself

0:46:07.560 --> 0:46:09.200
<v Speaker 1>when I was writing it and being like, why why

0:46:09.239 --> 0:46:11.160
<v Speaker 1>am I so bitter towards things that I can't control?

0:46:11.320 --> 0:46:13.440
<v Speaker 1>So that song, I'm just putting it out as a

0:46:13.520 --> 0:46:15.839
<v Speaker 1>voice momo. It's gonna be like a voice momo. That's

0:46:15.880 --> 0:46:18.080
<v Speaker 1>my master basically, and just you can master a voice

0:46:18.080 --> 0:46:20.359
<v Speaker 1>of them, I guess. So that's what they told me.

0:46:20.719 --> 0:46:22.640
<v Speaker 1>I've done a lot of fus to the industry. Mine

0:46:22.640 --> 0:46:26.439
<v Speaker 1>aren't rarely that well received. I hope you're oh yeah,

0:46:26.440 --> 0:46:27.840
<v Speaker 1>I hope your song and it's like, hey, this is

0:46:27.880 --> 0:46:30.319
<v Speaker 1>a good song. My fews don't end very well for

0:46:30.360 --> 0:46:38.320
<v Speaker 1>me sometimes. Well, man, I'm super pumped for you. You're

0:46:39.200 --> 0:46:42.480
<v Speaker 1>like really good. Appreciate them and not just everybody's really

0:46:42.480 --> 0:46:45.759
<v Speaker 1>good here, I mean, everybody's a good absolutely. If if

0:46:45.800 --> 0:46:47.840
<v Speaker 1>I see you at this point, you're pretty good with

0:46:47.880 --> 0:46:50.960
<v Speaker 1>the possibile being really good. But and I may have

0:46:50.960 --> 0:46:52.200
<v Speaker 1>told you this, when you're up in the in the

0:46:52.280 --> 0:46:56.280
<v Speaker 1>in the room with us, it's rare that somebody comes

0:46:56.320 --> 0:47:00.800
<v Speaker 1>in and those other people care in my room because

0:47:00.880 --> 0:47:04.440
<v Speaker 1>those are all my friends who didn't get into this

0:47:04.520 --> 0:47:06.319
<v Speaker 1>for any other reason except they were my friends, like

0:47:06.360 --> 0:47:09.160
<v Speaker 1>Amy and Lunchbox and Eddie, those all my friends. They

0:47:09.160 --> 0:47:11.160
<v Speaker 1>didn't they were like, yeah, we'll do the show with you.

0:47:11.760 --> 0:47:13.560
<v Speaker 1>So they didn't get in because they have some sort

0:47:13.560 --> 0:47:16.720
<v Speaker 1>of some sort of love for they like music. Everybody

0:47:16.719 --> 0:47:19.040
<v Speaker 1>likes music, and sometimes people love music for different reasons,

0:47:19.080 --> 0:47:21.680
<v Speaker 1>but they don't. They didn't. They don't care enough to

0:47:21.800 --> 0:47:25.640
<v Speaker 1>be moved. But you came and performed and you walked

0:47:25.640 --> 0:47:28.319
<v Speaker 1>out and they were like, god dang. They were like

0:47:28.400 --> 0:47:30.400
<v Speaker 1>that's that. They're like, that's they don't say that about anybody,

0:47:30.560 --> 0:47:33.879
<v Speaker 1>maybe one or two people a year. So yeah, that's

0:47:33.920 --> 0:47:38.759
<v Speaker 1>like my my lasting impression of you, it was when

0:47:38.800 --> 0:47:42.439
<v Speaker 1>you walked out, all those people that usually don't care

0:47:43.320 --> 0:47:48.200
<v Speaker 1>cared and that's really cool. And like Jake, for example, cared.

0:47:48.360 --> 0:47:51.399
<v Speaker 1>He didn't know you thinking back and putting all those

0:47:51.400 --> 0:47:55.040
<v Speaker 1>dots together it's I mean, that's that's really cool. How

0:47:55.040 --> 0:47:56.759
<v Speaker 1>that all happened. It was like, you know this guy,

0:47:56.840 --> 0:47:59.439
<v Speaker 1>Nope heard of him. Listen to this song? Oh yeah,

0:47:59.440 --> 0:48:02.560
<v Speaker 1>it's pretty good. And then we were I'd seen that

0:48:02.680 --> 0:48:06.839
<v Speaker 1>video of you um doing the spot. No, I have that,

0:48:06.840 --> 0:48:08.279
<v Speaker 1>that's on my phone. I watched one all the time.

0:48:08.440 --> 0:48:10.000
<v Speaker 1>I've seen that and maybe as I saw that one

0:48:10.000 --> 0:48:11.400
<v Speaker 1>and maybe as a voice video two, and we were like,

0:48:11.480 --> 0:48:13.560
<v Speaker 1>let's get him up the show. Then you did that,

0:48:14.080 --> 0:48:16.200
<v Speaker 1>and then it was just it's just really cool. Do

0:48:16.200 --> 0:48:20.520
<v Speaker 1>you leave like a trail of like authenticity appreciate it?

0:48:20.719 --> 0:48:23.320
<v Speaker 1>And that's hard to do here. Man, That's hard to

0:48:23.360 --> 0:48:25.319
<v Speaker 1>do in this town because everybody's just trying to get it.

0:48:25.400 --> 0:48:27.719
<v Speaker 1>You know, everybody's trying to get it. Who. I just

0:48:27.760 --> 0:48:29.560
<v Speaker 1>asked you a couple more questions because I'm just interested

0:48:29.560 --> 0:48:32.880
<v Speaker 1>you as a person. If you were to create like

0:48:33.040 --> 0:48:39.680
<v Speaker 1>the four people in this town that have been good

0:48:39.719 --> 0:48:42.880
<v Speaker 1>to you, that can mean they gave you food when

0:48:42.880 --> 0:48:44.880
<v Speaker 1>you're hungry, they gave you a record deal when you

0:48:44.920 --> 0:48:47.480
<v Speaker 1>were good, They put you on a tour. Who are

0:48:47.480 --> 0:48:49.080
<v Speaker 1>the four people in this town that you would put

0:48:49.120 --> 0:48:52.040
<v Speaker 1>on your amount rushmore people have been good to Cameron. Uh,

0:48:52.080 --> 0:48:56.399
<v Speaker 1>I would say my manager and my girlfriend. Um, wait,

0:48:56.400 --> 0:48:59.200
<v Speaker 1>are the same person? You said it so quickly. No,

0:48:59.280 --> 0:49:01.440
<v Speaker 1>I'm sorry, I was. I knew those two are my Like,

0:49:02.480 --> 0:49:05.760
<v Speaker 1>say their names to your manager, so Megan, my girlfriend,

0:49:05.840 --> 0:49:11.880
<v Speaker 1>my manager, Caitlin it And then um, i'd say Anthony

0:49:11.960 --> 0:49:16.040
<v Speaker 1>de Vincenzo, he's always been great to me, And um,

0:49:17.560 --> 0:49:22.120
<v Speaker 1>who's Anthony de Vincenzo. That's her my manager's boyfriend, and

0:49:22.120 --> 0:49:26.040
<v Speaker 1>what and he scrubs or no, he's just don't want

0:49:26.040 --> 0:49:27.879
<v Speaker 1>to know how they've affected you. Okay, I'm sorry. They

0:49:28.440 --> 0:49:30.759
<v Speaker 1>they've all just had my back in this in this

0:49:30.840 --> 0:49:33.480
<v Speaker 1>town where if I'm even in the roughest spot that

0:49:33.480 --> 0:49:35.560
<v Speaker 1>I could possibly be in, they've always kept kept me

0:49:35.600 --> 0:49:38.160
<v Speaker 1>grounded and kept me reminding who I am as a person.

0:49:38.560 --> 0:49:40.560
<v Speaker 1>And I feel like it's really easy to lose yourself

0:49:40.600 --> 0:49:42.360
<v Speaker 1>when you get into town and get into this industry,

0:49:42.440 --> 0:49:44.120
<v Speaker 1>especially when you start to make it a little bit.

0:49:44.239 --> 0:49:47.279
<v Speaker 1>You can give yourself real quick. I agree, man, And uh,

0:49:47.560 --> 0:49:50.560
<v Speaker 1>I think I don't know, I don't know if I

0:49:50.560 --> 0:49:54.240
<v Speaker 1>speak for everybody, but when you start going from headline

0:49:54.280 --> 0:49:56.719
<v Speaker 1>shows and like selling out a show and then go

0:49:56.800 --> 0:49:59.240
<v Speaker 1>to a fair or something like that that where maybe

0:49:59.560 --> 0:50:01.960
<v Speaker 1>four or people show up, you really have to check

0:50:02.000 --> 0:50:04.719
<v Speaker 1>yourself because your ego will start getting big and they

0:50:04.840 --> 0:50:07.400
<v Speaker 1>keep the grounding and I appreciate them for that. Who's

0:50:07.400 --> 0:50:10.440
<v Speaker 1>the fourth one? I let's say, uh, can it be

0:50:10.440 --> 0:50:12.839
<v Speaker 1>like a conglomerate? It can be whatever you want? All right,

0:50:13.320 --> 0:50:15.319
<v Speaker 1>my sony family, They've been really good to me, man,

0:50:15.400 --> 0:50:19.000
<v Speaker 1>They've they've really let me steer the ship when it

0:50:19.000 --> 0:50:20.439
<v Speaker 1>comes to my career in the music that I want

0:50:20.440 --> 0:50:22.520
<v Speaker 1>to make, and I respect that no one's ever asked.

0:50:22.520 --> 0:50:26.960
<v Speaker 1>Can maybe I conglomerate questions that have been asked back? Um? Now,

0:50:27.040 --> 0:50:29.600
<v Speaker 1>let's do this professionally only and you don't even have

0:50:29.680 --> 0:50:33.000
<v Speaker 1>to meet him. But like artist wise, who do you

0:50:33.080 --> 0:50:36.040
<v Speaker 1>put up on those four as? Like your favorites? If

0:50:36.040 --> 0:50:37.600
<v Speaker 1>you only got four artists to listen to for the

0:50:37.600 --> 0:50:39.920
<v Speaker 1>rest of your life, their bodies of work would be

0:50:39.960 --> 0:50:45.080
<v Speaker 1>there for you. Wow, let's go George Jones, We'll go

0:50:45.280 --> 0:50:54.200
<v Speaker 1>Kings of Leon, We'll go Brooks and Done and George

0:50:54.239 --> 0:50:58.440
<v Speaker 1>straight you met the Brooks and Done guys. That's awesome.

0:50:58.440 --> 0:51:02.319
<v Speaker 1>They're awesome. Just for dyous. Ronnie is one of the

0:51:02.360 --> 0:51:06.719
<v Speaker 1>coolest guys ever. Man, he's yeah. Ever like he's a

0:51:06.760 --> 0:51:08.920
<v Speaker 1>dear friend, and it's crazy to think that who I

0:51:09.040 --> 0:51:13.239
<v Speaker 1>listened to and idolized musically growing up. We go to

0:51:13.280 --> 0:51:16.799
<v Speaker 1>dinner with our wives, that to me is bizarre, and

0:51:16.840 --> 0:51:19.520
<v Speaker 1>there are times where we're there and I'm like, it's

0:51:19.520 --> 0:51:23.040
<v Speaker 1>like I cannot believe what is happening. Do you have

0:51:23.080 --> 0:51:24.800
<v Speaker 1>those moments here now with some of the people that

0:51:24.920 --> 0:51:26.319
<v Speaker 1>look at you and go, dude, you're really good but

0:51:26.320 --> 0:51:29.160
<v Speaker 1>you're like, no, but you're really better without a doubt man.

0:51:29.640 --> 0:51:33.319
<v Speaker 1>And it's so what's so cool about running done is like, dude,

0:51:33.360 --> 0:51:36.319
<v Speaker 1>he sounds I feel like better now. It doesn't even

0:51:36.320 --> 0:51:38.080
<v Speaker 1>make sense, Like you see his show and it's like, hole,

0:51:38.560 --> 0:51:41.040
<v Speaker 1>how does how does this even happen? He We've got

0:51:41.080 --> 0:51:42.359
<v Speaker 1>my wife and I got married a year and a half.

0:51:42.520 --> 0:51:44.400
<v Speaker 1>So I go back here in the back and Ronnie

0:51:44.400 --> 0:51:48.600
<v Speaker 1>saying at our wedding and you know, there's two hundred

0:51:48.640 --> 0:51:50.880
<v Speaker 1>fifty people, three people there and it's we you know,

0:51:50.920 --> 0:51:54.919
<v Speaker 1>built a little place back there for the reception. And

0:51:55.160 --> 0:51:56.719
<v Speaker 1>I was like, yeah, I see, I'll sing whatever you want.

0:51:56.800 --> 0:51:59.479
<v Speaker 1>And so he comes out and he does Neon Moon

0:51:59.560 --> 0:52:02.239
<v Speaker 1>and not only does your Neon Moon, he like does

0:52:02.280 --> 0:52:06.160
<v Speaker 1>the breakdown part. Hey, he's like doing runs. That's pretty

0:52:06.200 --> 0:52:11.160
<v Speaker 1>cool man, And he's somebody's so good. Still. The crazy

0:52:11.160 --> 0:52:12.480
<v Speaker 1>thing is he has somebody in his eater is telling

0:52:12.480 --> 0:52:16.120
<v Speaker 1>the words all the time. Dude, why not? I would

0:52:16.120 --> 0:52:19.200
<v Speaker 1>have prompt up, prompt her up? You have somebody back

0:52:19.200 --> 0:52:21.480
<v Speaker 1>there you having to hear and sing. Just put a

0:52:21.480 --> 0:52:23.399
<v Speaker 1>prompter up so you can see the words. I don't

0:52:23.400 --> 0:52:27.600
<v Speaker 1>want to do that. He's like, then I'll look old, bro.

0:52:28.320 --> 0:52:30.000
<v Speaker 1>I put I tell jokes. I put a prompt o

0:52:30.160 --> 0:52:31.920
<v Speaker 1>my jokes down there. Dude, if I could figure out

0:52:31.960 --> 0:52:33.080
<v Speaker 1>how to run one of those things, I'll do it

0:52:33.120 --> 0:52:34.760
<v Speaker 1>in a hard But you're not supposed to run it yourself.

0:52:35.440 --> 0:52:37.319
<v Speaker 1>Like somebody to run it? Can you by him singing

0:52:37.400 --> 0:52:43.040
<v Speaker 1>running the prompt your rolling it up? Yeah? Do you

0:52:43.080 --> 0:52:45.640
<v Speaker 1>feel like you have to be sad to write sad songs? No,

0:52:46.080 --> 0:52:49.080
<v Speaker 1>I'm actually opposite, alright, happy songs when I'm sad and

0:52:49.080 --> 0:52:51.319
<v Speaker 1>said songs when I'm happy. Okay, what does that mean

0:52:51.320 --> 0:52:53.440
<v Speaker 1>to you? I don't know. I don't know why I'm

0:52:53.480 --> 0:52:55.400
<v Speaker 1>like that. I think about it. Why do you think

0:52:55.760 --> 0:52:57.920
<v Speaker 1>will end on this? Maybe one more? Why do you

0:52:57.960 --> 0:53:01.359
<v Speaker 1>think you write happy songs when you're sad. I think

0:53:01.360 --> 0:53:03.520
<v Speaker 1>I try and change the perspective and I try and

0:53:03.640 --> 0:53:07.360
<v Speaker 1>change and put myself in a different spot. And I

0:53:07.360 --> 0:53:09.280
<v Speaker 1>don't know if that's a creative thing that I do,

0:53:09.440 --> 0:53:11.920
<v Speaker 1>but it's just kind of how my mind works when

0:53:11.960 --> 0:53:17.400
<v Speaker 1>I'm writing songs. What's the saddest song that you have? Oh?

0:53:17.800 --> 0:53:21.839
<v Speaker 1>Song called break It, and it's not out. It's just

0:53:21.880 --> 0:53:24.960
<v Speaker 1>a song that I wrote. And Uh, it's like, are

0:53:25.000 --> 0:53:26.960
<v Speaker 1>you gonna put it out? I'm Mike, how's it going?

0:53:27.000 --> 0:53:28.279
<v Speaker 1>Give me a little bit of that that deal again?

0:53:28.280 --> 0:53:30.520
<v Speaker 1>Where you do that? She's a little singy breaking news.

0:53:30.560 --> 0:53:32.400
<v Speaker 1>I gotta think I hadn't listened to the song and

0:53:32.440 --> 0:53:37.479
<v Speaker 1>song I'll sing it break Uh, it's basically the hook

0:53:37.520 --> 0:53:40.120
<v Speaker 1>is I'd rather lose it or lose you than break it. Basically,

0:53:40.120 --> 0:53:43.839
<v Speaker 1>I'd rather lose us or lose this relationship than keep

0:53:43.840 --> 0:53:46.560
<v Speaker 1>breaking your heart over and over and over again. And uh,

0:53:46.760 --> 0:53:49.080
<v Speaker 1>it's a it's a cool song, man, what's the saddest

0:53:49.080 --> 0:53:53.200
<v Speaker 1>song You've ever heard? I just had this conversation yesterday

0:53:53.520 --> 0:53:56.800
<v Speaker 1>and just to see you smile, it's actually not supposed

0:53:56.840 --> 0:54:00.239
<v Speaker 1>to be this like love song. And once I heard

0:54:00.280 --> 0:54:03.000
<v Speaker 1>that and found that out and listen back to it.

0:54:03.000 --> 0:54:09.560
<v Speaker 1>It is sad, and you look wonderful tonight. You look wonderful.

0:54:09.640 --> 0:54:12.640
<v Speaker 1>To know. Everyone thinks that A is like a real

0:54:12.719 --> 0:54:16.000
<v Speaker 1>happy so, but it's actually not happy. He's like, hurry

0:54:16.040 --> 0:54:18.319
<v Speaker 1>the freak up. It's not like I love it. There

0:54:18.320 --> 0:54:22.000
<v Speaker 1>are also upbeat songs that are very touching. The and

0:54:22.400 --> 0:54:25.080
<v Speaker 1>I would have walked five hundred you know that song.

0:54:25.719 --> 0:54:27.160
<v Speaker 1>I have no idea what that song is about. Well,

0:54:27.160 --> 0:54:29.879
<v Speaker 1>what's the most beautiful thing ever? It's like I would

0:54:29.920 --> 0:54:32.280
<v Speaker 1>walk five hundred miles and I would walk five hundred

0:54:32.280 --> 0:54:34.640
<v Speaker 1>more just to see the look on your face because

0:54:34.680 --> 0:54:36.279
<v Speaker 1>I've been so in love with you. But when you

0:54:36.280 --> 0:54:38.399
<v Speaker 1>have those two do no, no, no no, it kind

0:54:38.400 --> 0:54:41.120
<v Speaker 1>of makes it this big, jovial song. But it's such

0:54:41.160 --> 0:54:44.719
<v Speaker 1>a beautiful song. That is. It's, you know, an upbeat song,

0:54:45.040 --> 0:54:46.440
<v Speaker 1>but it's really cool to hear some of those up

0:54:46.440 --> 0:54:48.120
<v Speaker 1>beat songs that are really sad and just see smiles

0:54:48.160 --> 0:54:50.680
<v Speaker 1>kind of a mid tempo, but that feels like just

0:54:50.760 --> 0:54:52.920
<v Speaker 1>who so you smile? I do. It's a happy but

0:54:52.960 --> 0:54:56.799
<v Speaker 1>it's really not really what it feels like. Man, Yeah,

0:54:57.000 --> 0:55:01.440
<v Speaker 1>that's he stopped loving her today. God dang. Yeah, have

0:55:01.520 --> 0:55:04.480
<v Speaker 1>you ever heard Broken Window serenade? Huh, you should check

0:55:04.520 --> 0:55:07.000
<v Speaker 1>that on out. It's by Whiskey Myers and it is

0:55:07.840 --> 0:55:10.400
<v Speaker 1>that wouldn't make you sad? That one was like, but

0:55:10.440 --> 0:55:12.440
<v Speaker 1>it's meant to make you sad, Like it's about some

0:55:12.480 --> 0:55:14.880
<v Speaker 1>girl I get hooked on drugs and ends up passing away.

0:55:15.160 --> 0:55:19.600
<v Speaker 1>Uh diamonds gasoline, but who's that? But I know, I know. Yeah,

0:55:21.480 --> 0:55:23.839
<v Speaker 1>it's like if I don't give you a diamond, I'm

0:55:23.880 --> 0:55:26.480
<v Speaker 1>gonna I've gotta have gas links I get out of here.

0:55:26.560 --> 0:55:29.319
<v Speaker 1>Oh man, man, that is it too. That's a jam.

0:55:29.360 --> 0:55:30.799
<v Speaker 1>We can sit there and do sad songs. We'll cry

0:55:30.800 --> 0:55:34.440
<v Speaker 1>on each other's shoulder. Sad songs are my favorite me too.

0:55:34.520 --> 0:55:36.360
<v Speaker 1>I want it slow, I want to understand the words.

0:55:36.880 --> 0:55:39.320
<v Speaker 1>I want to like feel it r e M. Everybody

0:55:39.360 --> 0:55:40.960
<v Speaker 1>hurts one of my favorite songs. Everybody to play it

0:55:40.960 --> 0:55:42.719
<v Speaker 1>all the time, just alone. I wasn't even sad. I'd

0:55:42.760 --> 0:55:46.040
<v Speaker 1>just be like, play it. I wanted to get sad. Look,

0:55:46.280 --> 0:55:49.440
<v Speaker 1>we've we talked about it. This. This has been awesome.

0:55:50.080 --> 0:55:53.880
<v Speaker 1>You guys follow Cameron, but the K they get a

0:55:53.920 --> 0:55:58.719
<v Speaker 1>lot of seas. Yeah, Cameron with a K Marlowe, I

0:55:58.760 --> 0:56:00.719
<v Speaker 1>mean even your last name spelled a little difficult camera.

0:56:00.719 --> 0:56:03.359
<v Speaker 1>If I'm being honest, there's still time to change it

0:56:03.719 --> 0:56:08.759
<v Speaker 1>with a sea And um, you guys follow Cameron. Uh,

0:56:08.800 --> 0:56:11.560
<v Speaker 1>we were Cowboys came out in September. So at last year,

0:56:11.800 --> 0:56:13.479
<v Speaker 1>he says, there are no rules and he's just gonna

0:56:13.520 --> 0:56:19.879
<v Speaker 1>put out voicemails. He leaves people apparently songs at this point, voicemails. Um,

0:56:19.880 --> 0:56:23.200
<v Speaker 1>really looking forward to. I don't want to say what's next,

0:56:23.280 --> 0:56:24.799
<v Speaker 1>but I want to say I'm really looking forward to.

0:56:26.080 --> 0:56:29.520
<v Speaker 1>You know what what what you decide? What path you

0:56:29.560 --> 0:56:32.880
<v Speaker 1>decided to walk down, you know, because you're gonna go

0:56:33.000 --> 0:56:35.280
<v Speaker 1>down a bunch of them. You have so many different,

0:56:35.360 --> 0:56:39.320
<v Speaker 1>like really cool influences. Your music is gonna sound different

0:56:39.680 --> 0:56:42.000
<v Speaker 1>over two or three or four projects, which is super

0:56:42.000 --> 0:56:43.440
<v Speaker 1>cool because again you do have such a blues and

0:56:43.600 --> 0:56:46.560
<v Speaker 1>old country and new like the Infant And I'm just

0:56:46.600 --> 0:56:48.680
<v Speaker 1>super excited to see where this goes, man, and then

0:56:48.680 --> 0:56:51.280
<v Speaker 1>where it goes after that. Appreciate that's really cool. I'm

0:56:51.320 --> 0:56:55.239
<v Speaker 1>a fan. And when you drove up, your truck was

0:56:55.280 --> 0:56:58.040
<v Speaker 1>too big for the security camera. Now did you hear

0:56:58.040 --> 0:57:00.640
<v Speaker 1>me out there? Yeah? I gotta he put the button

0:57:01.160 --> 0:57:03.960
<v Speaker 1>and and and be honestly, I was on the toilet

0:57:04.640 --> 0:57:08.120
<v Speaker 1>and camera pulls up and all I see's a truck door.

0:57:08.360 --> 0:57:12.400
<v Speaker 1>It's like, I was like, hello, he goes Cameron, and

0:57:12.440 --> 0:57:16.880
<v Speaker 1>I was like, I guess that's camera in what kind

0:57:16.880 --> 0:57:18.960
<v Speaker 1>of gas elege? I think it actually does really well

0:57:20.560 --> 0:57:25.440
<v Speaker 1>really yeah, it's good. All right, all right, look I've

0:57:25.440 --> 0:57:31.080
<v Speaker 1>said it all. I like you a lot, appreciate Yeah, cool,

0:57:32.040 --> 0:57:35.200
<v Speaker 1>my can think for Cameron. Alright, Camera Marlow, You guys

0:57:35.240 --> 0:57:36.960
<v Speaker 1>follow it. And when you put out a new like

0:57:37.560 --> 0:57:39.400
<v Speaker 1>maybe next month, is that a new single or is

0:57:39.400 --> 0:57:41.000
<v Speaker 1>that just a song to kind of chum the water,

0:57:41.360 --> 0:57:43.680
<v Speaker 1>just chum the water. Just let me know when you

0:57:43.720 --> 0:57:47.720
<v Speaker 1>get that that when you're ready again, come on back up,

0:57:47.760 --> 0:57:49.200
<v Speaker 1>do it again. Let's do it. Let's do it again,

0:57:49.200 --> 0:57:50.400
<v Speaker 1>all right, Camera Marlow, everybody