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Speaker 1: Yeah, what's the power?

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Speaker 2: Move on?

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Speaker 1: You know, it's like saying you have a hot mail

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Speaker 1: account on the first date. You know you're not going

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Speaker 1: to say that.

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Speaker 2: When do you hold onto that? Chris? Usually when do

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Speaker 2: you hold on to it? You got a hot mail?

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Speaker 2: That you got a hot mail?

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Speaker 1: I don't have a hot mail. Come on now, I'm

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Speaker 1: trying to make it.

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Speaker 2: Wait, that's not a yeah, so that's that's not a

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Speaker 2: good look. I feel like it's a I don't think so.

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Speaker 2: I don't know.

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Speaker 1: My brother had a hotmail account and I told him

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Speaker 1: he should change it when he's looking for a job.

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Speaker 2: Yeah, like you're going to get laughed out of the room.

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Speaker 1: I'm not kidding Age jackets it. Yeah, I mean it

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Speaker 1: should be a Google. I mean like I think people

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Speaker 1: frown on a God, my glasses are showing the whole

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Speaker 1: damn screen.

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Speaker 2: All right, hold on a second, that's better. Who cares?

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Speaker 2: I don't need to see anything. I don't need to

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Speaker 2: see anything. You're like, where's this thing headed? Chris? You're

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Speaker 2: facing the wrong way? Chris. Yeah, yeah, face the mic, Hello.

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Speaker 3: The Internet, and welcome to season three point fifty nine, episode.

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Speaker 2: Five of Guys Say.

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Speaker 3: Production of iHeart radio where America's Only Undecided podcast, And yeah,

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Speaker 3: we really.

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Speaker 2: Like who do you like? You know? Trump just said

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Speaker 2: that Kamala should concede because she was on sixty minutes.

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Speaker 2: Uh huh. I think he has a point. He makes

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Speaker 2: some interesting points. They both make such interesting points. Here's

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Speaker 2: the thing. I like them both so much. I just

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Speaker 2: don't know who to choose. I think, And also for

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Speaker 2: me personally as a biracial, Black and Asian person, his

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Speaker 2: commentary on racial identity was really poignant. Huh. I really

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Speaker 2: had to think what am I? Really? Who am I?

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Speaker 4: Do?

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Speaker 3: You see the New York Times headline that talked about

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Speaker 3: how he has always had a passion for genetics instead

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Speaker 3: of it or like, yeah, an interest in genetics or

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Speaker 3: something like that, like Trump talks about race and genes feeling.

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Speaker 2: A sidehild Yeah, yeah, made it aspiring genesis.

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Speaker 3: He's a polymath. Who's just you know, this is one

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Speaker 3: of many interests. Anyway, this is a podcast and it's

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Speaker 3: also a place where you take a deep dive into

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Speaker 3: American chair. And it's Friday, October eleventh, twenty twenty four.

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Speaker 2: Yeah, ten eleven eleven, it's twelve, No, just ten of maybe, well,

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Speaker 2: not this week, but it is National Coming Out Day,

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Speaker 2: It is National Sausage Pizza Day and National or General

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Speaker 2: Pulaski Memorial Day. I remember this happening last time, and

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Speaker 2: I was like, who is General Plaski? And it was

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Speaker 2: a Polish immigrant who was serving in the Continental Army.

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Speaker 3: Heyal, happy national coming out there to all who are celebrating,

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Speaker 3: Good luck to all who are partaking. Takes a lot

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Speaker 3: more courage than anything I've ever had to do in

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Speaker 3: my life, so truly true. Good All right, my name

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Speaker 3: is Jack O'Brien AKA. You can dance if you want to,

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Speaker 3: you can cream your couch tonight, but if your friends

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Speaker 3: vote fance, then there is a chance you could lose

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Speaker 3: ray productive right. That one courtesy of Hamburger time. Ah.

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Speaker 3: I guess a throwback to when we still hadn't quite

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Speaker 3: shaken the undeniable feeling we all have that this.

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Speaker 2: Guy fucks couches.

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Speaker 3: Yeah, and we don't notice it that much anymore. So

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Speaker 3: I feel like that means it's just a part of us,

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Speaker 3: Like JD Vance's couch fucking energy is just in our

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Speaker 3: bones and it's just water and that's for goddamn sure.

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Speaker 3: I wonder how we'll handle that on the video episode,

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Speaker 3: just a disembodied voice because we haven't introduced him.

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Speaker 2: It could just be maybe a bottle of the cold

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Speaker 2: brew or something bottle flapping.

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Speaker 3: Anyways, I'm thrilled to be joined as always buy my

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Speaker 3: co host, mister Miles Grass.

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Speaker 2: It's Miles Drag. Her name is mood Dang. I have

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Speaker 2: a dream about her splashing again hose bath in half

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Speaker 2: an hour. Oh how she rocks. I watch her tiktoks.

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Speaker 2: I know she will never see I want her to

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Speaker 2: buite Miami cause she's just a pig me hipo baby. Yeah. Yeah,

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Speaker 2: she's just a pig me hippo baby. Her skin is

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Speaker 2: so very slip o baby. Oh yeah, shout out to

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Speaker 2: she's baby nice. On the discord weatest classic teenage dirt bag,

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Speaker 2: shout out, whaedest, where you've been?

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Speaker 3: Her skin is so very slippo Yeah, it is exactly.

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Speaker 3: I can't believe nobody had pointed that out to me before.

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Speaker 3: Oh you can tell from the pictures, man, that song

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Speaker 3: was really one of my faves for like a month there.

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Speaker 3: Really from the pictures of me at that time. Anyway,

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Speaker 3: I didn't know.

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Speaker 2: I didn't know. I didn't know. We are thrilled to

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Speaker 2: be joined in air third seats. Holy shit.

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Speaker 3: It is a hilarious stand up comedian, actor, musician. You

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Speaker 3: can listen to his podcast colebrew Got Me Like Anywhere,

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Speaker 3: and his book The Advice King Anthology is available now

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Speaker 3: anywhere fine books are sold. The poetry window is open

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Speaker 3: because it's.

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Speaker 1: Chris motherfucking Craft.

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Speaker 2: Hey, what's up?

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Speaker 1: Hey, Look I got I got TV's in my Look

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Speaker 1: at this. Look at these glasses Crofton a little behind

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Speaker 1: the scenes.

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Speaker 2: Yeah, old blue screen eyes. Good to see you, man,

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Speaker 2: and I see you guys too.

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Speaker 1: It's been a little while. He used to do one earlier,

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Speaker 1: but I can't remember what happened. I had to go somewhere.

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Speaker 2: Oh, I know where I had to go.

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Speaker 1: I had to deliver Robbie Robertson's belongings across the country.

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Speaker 1: I had to cancel because I got a high paying

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Speaker 1: gig to drive from Los Angeles to Nashville, like a

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Speaker 1: U haul full of Robbie Robertson's stuff. Because my friend

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Speaker 1: works for this company that bought you know, he works

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Speaker 1: with a humongous company that bought Robbie Robertson's like likeness

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Speaker 1: and everything, including.

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Speaker 2: But including like his shoes. Oh wow. So like I

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Speaker 2: was driving with like his clothes, just a ul going

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Speaker 2: across the country country with Bob Dylan's guitarists ship in

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Speaker 2: a vein.

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Speaker 1: I had a less Paul.

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Speaker 2: I don't know.

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Speaker 1: It was like a five thousand dollars. It was probably

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Speaker 1: one of those things that he.

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Speaker 2: Roberts.

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Speaker 5: Yeah, I guess band they were kind of a big deal, right,

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Speaker 5: And I was stopping in you know, the middle of

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Speaker 5: New Mexican co And like staying in hotels and the

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Speaker 5: you know, if someone grabbed that guitar, they definitely.

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Speaker 1: Would not know that it was obviously, they wouldn't know

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Speaker 1: it was his. They just pawned for like fifty.

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Speaker 2: Bucks, so you tell us.

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Speaker 1: But yeah, I was anyway, That's that's what I was

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Speaker 1: doing last time. I just got this hot gig driving

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Speaker 1: a U haul.

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Speaker 2: When it was it was a success.

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Speaker 1: I got it and got it back and nobody took

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Speaker 1: any of his pants or pants or anything.

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Speaker 2: Okay, they didn't, and you didn't. You said that like

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Speaker 2: you might have taken some of his pants. Wanted to

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Speaker 2: get in the back.

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Speaker 1: I wanted to get in the back and like look around,

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Speaker 1: but I had no time. It was like they need

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Speaker 1: to get back, like in the exact amount of time

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Speaker 1: it takes the drive across the country. So I couldn't

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Speaker 1: even get in the back and try on his slacks.

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Speaker 2: What what's that trip? Like, well, how how long is that?

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Speaker 2: Thirty hours? Twenty nine to thirty hours? I did, so

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Speaker 2: did you do it in two days? Three? I can't drive.

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Speaker 1: Fifteen hours and I can drive ten hours, and even

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Speaker 1: that's that. It's pretty weird, you know, but I like that.

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Speaker 1: I like that middle of the night driving listening to

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Speaker 1: music you hate, but all of a sudden sounds awesome,

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Speaker 1: you know what I mean? Like like like Party in

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Speaker 1: the USA is the greatest song by Miles Cyrus is.

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Speaker 2: Like the best all you ever heard?

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Speaker 1: Because just because you're up for ninety hours and you're.

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Speaker 2: Like this is pretty good. Why am I so hard

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Speaker 2: on her? Right? You're like yeah, yeah, yeah, yeah, God

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Speaker 2: party picture you in the morning.

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Speaker 1: Oh, I'm not kidding, that's my favorite artist. Like you're

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Speaker 1: young again, You're listening to trash music and and smoking

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Speaker 1: cigarettes and considering relapsing. It's like it's great.

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Speaker 3: Sleep deprivation is very like that's how they often describe it.

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Speaker 3: They're like, okay, so this amount of sleep deprivation is

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Speaker 3: the equivalent of like two drinks, and this amount of

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Speaker 3: sleep deprivation is the equivalent of oh yeah, yeah, they're

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Speaker 3: sleep So no wonder. I was having so much fun

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Speaker 3: in the middle of the night. I was drunk, yeah, exactly.

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Speaker 1: Oh my god, I didn't know, but I was having

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Speaker 1: so much fun. Yeah, And I listened to songs like

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Speaker 1: you know, Genesis, songs like you know, Invisible Touch or something,

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Speaker 1: which is a really bad.

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Speaker 2: Song, and I'm like, it's a pretty good song on

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Speaker 2: the radio, listening to like radio.

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Speaker 1: Through Spotify or the radio, you know whatever. I mean

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Speaker 1: the radio radio. If you're in the middle of like wow,

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Speaker 1: anywhere from like New Mexico to Nashville. Really it seems like.

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Speaker 2: It's all Bible. I mean it's all there's it's just

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Speaker 2: preachers and songs about and Christian rock and like Christian Chris,

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Speaker 2: it's insane. I spoke to you, well, it's all it's

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Speaker 2: all like it's just you know, just I want to

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Speaker 2: get this right. So Miley Cyrus, you know, got lit

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Speaker 2: a fire under you, but the word of Christ did

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Speaker 2: nothing for you. Well, he's just putting his hand out.

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Speaker 2: You can choose to accept it or not.

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Speaker 1: It was it's just shake your you know, if it

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Speaker 1: was the straight word of Christ and it wasn't mixed

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Speaker 1: in with maga, maybe maybe I would.

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Speaker 2: Imagine maybe like and he said unto them, and you're like,

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Speaker 2: wait a second, Yeah, And there's a way we.

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Speaker 1: Can interpret this passage to mean that he was mad

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Speaker 1: at migrants, right right, right.

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Speaker 2: So I don't like that.

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Speaker 1: Like if they were doing straight Christianity, I would like that, sure, Like,

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Speaker 1: you know maybe, but I mean there'd be no market.

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Speaker 2: You don't want to tune in to.

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Speaker 1: Be Like here a station that said, like, share your belongings.

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Speaker 2: What the.

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Speaker 1: This Christ Jesus has the walk wine virus?

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Speaker 2: Man, I'm kind of glad they nailed him up. Man,

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Speaker 2: if he was talking this kind of nonsense, you know

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Speaker 2: what I mean? Socialist socialist?

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Speaker 3: All right, Chris, we're going to get to know you

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Speaker 3: a little bit better. But first we're going to tell

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Speaker 3: the listeners some things we would theoretically be talking about

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Speaker 3: later in the episode were we to ever.

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Speaker 2: Get to those things.

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Speaker 3: Yes, okay, and we will endeavor to yeah, of course.

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Speaker 3: Always the LAPD starting to use their robot dog. And

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Speaker 3: there are some media accounts that are just kind of interesting,

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Speaker 3: like one called meat Spot, the LAPDS new crime fighting

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Speaker 3: robot dog.

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Speaker 2: Oh cool, Yeah he sounds neat. Yeah it fights. Yeah,

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Speaker 2: dear dear god. They always compare him to a Golden Retriever,

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Speaker 2: you know, most friendly. They're like, he's like a seventy

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Speaker 2: pound Golden Retriever if it had a snake for a head, right, anyways,

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Speaker 2: and you couldn't stop and you couldn't stop it. Yeah,

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Speaker 2: you truly just can't stop it.

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Speaker 3: We will talk about Jamie Kennedy seems to be doing well,

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Speaker 3: so we'll check in with that, all that plenty more.

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Speaker 3: But first, Chris Crofton, we do like to ask our guests,

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Speaker 3: that's you, what what is something from your search history

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Speaker 3: that's revealing about who you are?

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Speaker 1: Well, you're not gonna believe this, you guys. But this

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Speaker 1: week we're on the Damn TV, so we're on the

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Speaker 1: Internet elevision, so we can we can show the damn

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Speaker 1: we can show the.

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Speaker 2: Damn things that I that I that I fu with

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Speaker 2: the kids saying.

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Speaker 1: I also have I also I also have an ak a.

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Speaker 1: But I want to I want to at least shout

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Speaker 1: out the guy who gave me the A K A,

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Speaker 1: and I'll study better last time, because I thought I

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Speaker 1: knew the tune to chick chickaquita abbas.

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Speaker 2: Is it just chiquita?

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Speaker 1: I think they say chiquita, don't you know?

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Speaker 2: Or something?

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Speaker 1: Anyway, he did a nice A K A for me,

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Speaker 1: and and I can't sing it because I thought I knew,

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Speaker 1: Like if it was the Dancing Queen, I'd be fine.

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Speaker 1: But it's like a deep cut in a way out

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Speaker 1: of the chicki qita and the and but I'll read

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Speaker 1: it because what the heck?

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Speaker 2: Uh? So this will be a HI.

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Speaker 1: I'm back on the daily. Ye guys, Jack and Miles.

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Speaker 1: Check out this new old beer bottle some guy found

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Speaker 1: in a cave or so I told. He sent it

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Speaker 1: to me the Zeitgang. Thank you for the applause. It's

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Speaker 1: an honor to hang out with the wet boys. Allow

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Speaker 1: me to take a sip of my colbrew start vibrating

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Speaker 1: into a high dimension. I'm sure that's much better with

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Speaker 1: the with the tune that this man intended. But his

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Speaker 1: name is Omar. I can't even read Omar Ramirez. These

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Speaker 1: glasses are like.

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Speaker 2: What they're fake. They're fake.

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Speaker 1: Omar Ramirez, So thank you Omar. Anyway, so yeah, this

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Speaker 1: week we got some videos like I just recently discovered

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Speaker 1: SMU the university, Southern Methodist University has uploaded like somehow

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Speaker 1: gotten their hands on all of the old news reports

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Speaker 1: from the seventies and has uploaded a huge amount of

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Speaker 1: it like digitized it. And I just want to thank

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Speaker 1: the SMU, Southern Methodist University for doing this because a

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Speaker 1: lot of places like WGBH and Boston has a great

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Speaker 1: Instagram account and Twitter account where they basically just put

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Speaker 1: up digitized b roll of old news reports. So it's

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Speaker 1: just like like you know, a three minute piece of

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Speaker 1: you know, Harvard Square in nineteen eighty three, you know

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Speaker 1: it was something they shot for Atmosphere, and they'll put

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Speaker 1: the whole thing up. So anybody, I wish, I wish

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Speaker 1: so much that Nashville would do that. Like so anyway,

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Speaker 1: I'm just glad when they do this that there's a

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Speaker 1: bunch of archives that maybe the news channels donate their

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Speaker 1: archival footage to the university or whatever and the like,

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Speaker 1: but someone has to digitize it. So shout out to

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Speaker 1: whoever at Southern Methodist University is putting up stuff like this,

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Speaker 1: which is it's a I clicked on it because it's

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Speaker 1: a news report about a nail transplant, Like it says

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Speaker 1: get nail transplants for your friend nails.

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Speaker 2: Or that sounds like a bike.

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Speaker 1: Well yeah it sounds I mean I I quick clicked

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Speaker 1: on it, like thinking it was a surgical procedure. But

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Speaker 1: it's a turns out they've overhyped it just a bit.

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Speaker 3: October.

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Speaker 2: It's just the most cropped and shit like dude, a

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Speaker 2: fingernail transplant in Dallas in nineteen seventy five.

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Speaker 1: Well, I thought this was gonna be like an operating table,

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Speaker 1: but it turns out it's just a nail salon.

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Speaker 2: Well let's find out together. Yeah yeah, okay. So for

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Speaker 2: the listeners who are.

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Speaker 6: Just getting a fingernail transplant, I mean it's you will

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Speaker 6: cost her about dollars for a thumbles nail job on

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Speaker 6: both hands. Some salon ru classified ads to find people

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Speaker 6: whose nails are broken off, who are willing to sell

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Speaker 6: what's broken off for nointy sense to a dollar fifty

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Speaker 6: e their nails. They used to make other people's nails

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Speaker 6: longer and stronger.

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Speaker 1: We glue, and now they're just yeah, fingernails, fingernails on

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Speaker 1: yeah finger. So it turns out a fingernail transplant might

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Speaker 1: be a little bit of an overstatement.

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Speaker 2: I mean, yeah, it's.

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Speaker 3: Yes, but also no, like I assume this was just

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Speaker 3: the invention of like Lee press on nail, but like

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Speaker 3: they are like the thing that they're putting on the

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Speaker 3: tip of somebody's finger looks like yellowed, and it's somebody's

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Speaker 3: worst case scenario for someone's corpse.

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Speaker 1: It's a corpse's fingernail.

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Speaker 2: Yeah, they're like they're jack like it's not even these

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Speaker 2: are like clean breaks too. It looks like they were

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Speaker 2: traumatically broken off.

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Speaker 3: Yeah.

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Speaker 1: They So the audio on there is kind of bad,

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Speaker 1: which you might expect because it's like a digitized piece

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Speaker 1: of footage that someone probably tried to destroy at some point.

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Speaker 1: But uh, yeah, it ends up there paying like they're

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Speaker 1: paying like a dollar fifty a bag for fingernail clippings

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Speaker 1: and then they're gluing them on people's fingers and calling

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Speaker 1: it a fingernail transplant, charging thirty bucks, and they act

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Speaker 1: like it's like some major step forward. And they also

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Speaker 1: talk about how it's like they're like, why do you

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Speaker 1: need these nails to be so long, and she's like, well,

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Speaker 1: I work as.

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Speaker 2: A data entry person, but I don't.

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Speaker 1: That doesn't make any sense to me. It seems like

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Speaker 1: maybe harder to put in data entry if you had

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Speaker 1: really long nails. But then it's also for personal reasons,

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Speaker 1: which makes me think running him across your lover's back

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Speaker 1: and there are someone else's goddamn fingernails, that's fuck.

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Speaker 2: Yeah, Like your first is like kind of hot. You

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Speaker 2: know where are they?

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Speaker 1: Maybe yeah, yeah, yeah, until you truck driver's fingernails.

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Speaker 2: You imagine that there's some hot I mean, beautiful nails

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Speaker 2: for a truck driver, but I don't know.

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Speaker 3: One of those nails that they cut to in one

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Speaker 3: of the close ups looked like it was a fingernails

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Speaker 3: or looks like a trucker's.

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Speaker 1: Yeah, listen, do you have to do you have? Do

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Speaker 1: you guys take whole hands or do I have to

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Speaker 1: just do to get to take the nail?

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Speaker 2: I want the dollar fifty I need I need a beer. Well,

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Speaker 2: And also is it like a like a red flag

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Speaker 2: if someone pulled up, was just a bag of Lucy's

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Speaker 2: like that, like, yeah, I got fifty bucks working here.

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Speaker 2: I think they're like I might have to call a homicide.

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Speaker 1: Tote every alcoholic and Dallas was pulling off everybody's fingernails

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Speaker 1: at the bus stop. You know, I mean that is

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Speaker 1: a very that's not good. That's like having a bounty

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Speaker 1: on fingernails right right, and also then you get your anyway,

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Speaker 1: I just couldn't believe that that was what the fingernail transplant.

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Speaker 2: They were catalytic converters before catalytic converters. Oh, that's funny,

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Speaker 2: just popping them off, like yo, no, we can get

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Speaker 2: fucking cream copper wiring. Yeah.

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Speaker 3: Also just great room tone of you know, just what

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Speaker 3: everybody's wearing, the hair fait. You get the sense that

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Speaker 3: this was a time when people still got up for

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Speaker 3: like the local news coming through the salon. You know,

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Speaker 3: of course they had the hair was up, the you know,

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Speaker 3: cute outfits were on.

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Speaker 2: I was. I'm into it. So I just love the

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Speaker 2: just the people that have gathered because it's clear that

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Speaker 2: they're like, you know, the news is gonna come by

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Speaker 2: to talk about my revolutionary finger transplant procedures.

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Speaker 1: That yeah, talking about our oh are like grave robbing business.

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Speaker 2: There's more.

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Speaker 3: There's also a guy in the background who, yeah, I

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Speaker 3: think he's just in it for the cameras. I don't

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Speaker 3: I don't know that that guy's he works like he

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Speaker 3: worked in the law office.

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Speaker 1: Next story, he just came in.

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Speaker 2: Yeah, just so just chick.

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Speaker 1: So that one has bad audio though, So now I

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Speaker 1: would just recommend the whole SMU.

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Speaker 2: Archive is great. And there's like, wait, one question, Chris. Yes,

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Speaker 2: I'm looking at this YouTube video. It says it was

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Speaker 2: uploaded twenty three hours ago. So you caught this shit

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Speaker 2: like within moments of it hitting the internet.

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Speaker 1: When you find something, when you find a passion, when

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Speaker 1: you find something you love, you go after it.

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Speaker 2: If you're me, you just got your alert set up.

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Speaker 2: You're like, listen, you got for me SMU archives.

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Speaker 1: When I was drunk, I might have let these opportunities

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Speaker 1: slide by.

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Speaker 2: But now now I'm ready your vigil.

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Speaker 1: I'm seizing the day.

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Speaker 3: You're just you're just laying in your bed with your

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Speaker 3: eyes open, and then you just get a notification.

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Speaker 1: Oh my, someone at Southern Methodist University uploaded another film strip?

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Speaker 3: Did somebody do you have somebody inside the digitization room

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Speaker 3: who like alerted you know what.

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Speaker 2: I could I would have something you might want to

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Speaker 2: look at.

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Speaker 1: I want to I used to think I wanted to

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Speaker 1: date Nicola White Mudlark, but it turns out I want

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Speaker 1: to date the video uploader at Southern Methodist University. Like

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Speaker 1: I need to call them up and find out who this.

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Speaker 2: Who knows?

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Speaker 1: That's probably my match?

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Speaker 2: You mind, though? Amazing?

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Speaker 1: Well, the whole Yeah, there's like there's also like a

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Speaker 1: film festival called the American or the USA Film Festival,

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Speaker 1: which started in Dallas. I guess as I'm using Dallas,

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Speaker 1: so it's all Dallas related stuff. But there's there's a

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Speaker 1: whole documentary on there, basically a twenty minute interview with

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Speaker 1: a pawn shop owner from.

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Speaker 2: Like, I'm looking at that. That's amazing. You could show

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Speaker 2: on this joke.

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Speaker 1: Yeah, yeah, that's great. You know, you can show a

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Speaker 1: little of that if you want it. I don't know

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Speaker 1: how many people are gonna be watching this thing, but

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Speaker 1: you can just find them on you find them on

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Speaker 1: your own, you know.

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Speaker 2: Yeah, yeah, one of my got it off. Find them.

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Speaker 1: You can find them on your own. Yeah, there's this

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Speaker 1: thing called YouTube dot com.

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Speaker 2: Okay, the Internet is truly worldwide.

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Speaker 1: No, you're not gonna believe this. You can find this

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Speaker 1: on your own. So YouTube dot com put it in

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Speaker 1: the words s m H archive spelled with ach.

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Speaker 2: H t t P S colon slash slash. I'm just

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Speaker 2: a panel discussion on birth control from the early nineteen seventies.

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Speaker 2: That's gonna shit. I'm upstairs watching for real, and I'm like,

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Speaker 2: all right, I'm just kind of like, where does this go?

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Speaker 3: Although I'm curious if it'll just be like more progressive

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Speaker 3: than it is now.

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Speaker 2: Yeah, I'm just more into it for the outfit, that's me. Man.

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Speaker 2: These costumes are good. These costumes are great. What they're

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Speaker 2: not costumes?

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Speaker 1: Well, because everyone was, because everyone was improving their outfit.

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Speaker 1: They didn't have like an Internet reference. They were just

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Speaker 1: like this looks good. And then they left the house

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Speaker 1: like they had no and then everyone.

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Speaker 2: Else is like what the hell's that?

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Speaker 3: They're like, oh no, But if everybody is giving off

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Speaker 3: looks that warrant to what the hell is that? Then

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Speaker 3: nobody is you know, then everyone yeah, like this is

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Speaker 3: just what we look like in this decade, right, are fine?

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Speaker 2: Yeah?

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00:22:13,160 --> 00:22:15,359
Speaker 1: Where's the instant where's the instant coffee at?

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Speaker 2: Yeah that's in New York.

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Speaker 3: I've also just you know, interesting interesting viewing for people

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Speaker 3: like any of these videos you can be like, just

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Speaker 3: ten years ago, this is these are the people who

440
00:22:26,840 --> 00:22:32,360
Speaker 3: killed John F. Kennedy. They might have this person might

441
00:22:32,480 --> 00:22:36,040
Speaker 3: have been to see what actually happened.

442
00:22:36,040 --> 00:22:44,679
Speaker 2: There's actually an interview with Marguerite Oswald, but it's her

443
00:22:44,760 --> 00:22:51,200
Speaker 2: talking about recipes. Yeah yeah, Miley loves my Tuna noodle castle.

444
00:22:52,320 --> 00:22:55,760
Speaker 1: So so yeah, so there's that, And then I wanted

445
00:22:55,760 --> 00:22:57,600
Speaker 1: to if you want to show just the opening of

446
00:22:57,720 --> 00:23:00,000
Speaker 1: now this is my life's mission, like I'm glad you should.

447
00:23:00,040 --> 00:23:01,600
Speaker 1: Guys should go to the s m U archive and

448
00:23:01,640 --> 00:23:04,399
Speaker 1: look at like people with giant collars talking about voting

449
00:23:04,480 --> 00:23:07,359
Speaker 1: or whatever they did. There's there's a story on everything

450
00:23:07,400 --> 00:23:10,120
Speaker 1: that's and also on inflation, like everything we're talking about

451
00:23:10,160 --> 00:23:13,960
Speaker 1: now has been talked about before by people with giant collars,

452
00:23:14,720 --> 00:23:17,199
Speaker 1: and you can see that all on stand on the

453
00:23:17,240 --> 00:23:21,080
Speaker 1: shoulders of giants and have trouble balancing because their collars

454
00:23:21,080 --> 00:23:21,760
Speaker 1: are so big.

455
00:23:22,520 --> 00:23:25,440
Speaker 2: We're just knocking feet, We're in a loop.

456
00:23:25,480 --> 00:23:30,679
Speaker 1: We're just wearing very boring clothes exactly. So yeah, so

457
00:23:30,800 --> 00:23:32,600
Speaker 1: this is like the devil at your heels to me,

458
00:23:32,720 --> 00:23:35,600
Speaker 1: is like something that God gave us, Like God gave

459
00:23:35,680 --> 00:23:36,119
Speaker 1: us devils.

460
00:23:36,320 --> 00:23:38,000
Speaker 2: You're underrated, are we moving along.

461
00:23:38,000 --> 00:23:44,280
Speaker 1: Okay, yeah, sure, if you want underrated under Jackson's.

462
00:23:43,280 --> 00:23:48,040
Speaker 2: Let's try and maybe make it conforms. So this would

463
00:23:48,040 --> 00:23:55,040
Speaker 2: be your SMU archive. It's called the Daily Sieist. Hey, Chris,

464
00:23:55,119 --> 00:23:58,080
Speaker 2: and I am and I invented it. God damn it,

465
00:23:58,640 --> 00:24:01,440
Speaker 2: I did. I bet the whole concept of a guest

466
00:24:01,760 --> 00:24:03,920
Speaker 2: uh smu r card.

467
00:24:05,359 --> 00:24:08,320
Speaker 3: Hey, we actually cut those parts out so they don't

468
00:24:08,359 --> 00:24:11,200
Speaker 3: know that that's an exact accurate.

469
00:24:11,480 --> 00:24:14,720
Speaker 2: Impression of me. When when the cameras aren't rolling.

470
00:24:15,680 --> 00:24:19,200
Speaker 3: Hey Chris, Yes, what's something you think is underrated?

471
00:24:19,359 --> 00:24:19,679
Speaker 2: Thank you?

472
00:24:19,720 --> 00:24:23,720
Speaker 1: Host of the Daily Guys, Jack O'Brien. I think that

473
00:24:24,040 --> 00:24:26,880
Speaker 1: something underrated is the movie Devil at Your Heels. It's

474
00:24:26,880 --> 00:24:29,400
Speaker 1: a documentary I've mentioned, i think before, on the show

475
00:24:29,520 --> 00:24:31,040
Speaker 1: many many years.

476
00:24:30,840 --> 00:24:32,840
Speaker 2: Ago, maybe early reference to this.

477
00:24:32,920 --> 00:24:34,960
Speaker 1: Yes, it's one of my favorite things, and it's it

478
00:24:35,240 --> 00:24:38,080
Speaker 1: turns out it's almost impossible to make someone watch a documentary.

479
00:24:38,400 --> 00:24:43,680
Speaker 1: You can tell them about it over, you can tell

480
00:24:43,720 --> 00:24:46,119
Speaker 1: them about it over. You can make it your life's

481
00:24:46,160 --> 00:24:48,680
Speaker 1: mission to use every breath in your body to tell

482
00:24:48,720 --> 00:24:50,880
Speaker 1: people about this movie Devil at your Heels.

483
00:24:50,600 --> 00:24:52,480
Speaker 2: And no one will watch it no matter what.

484
00:24:52,920 --> 00:24:56,960
Speaker 3: Love that as a truism of that human experience. No

485
00:24:57,000 --> 00:25:00,000
Speaker 3: matter how much you fucking love a documentary, it is

486
00:25:00,160 --> 00:25:02,560
Speaker 3: almost impossible to get somebody.

487
00:25:02,200 --> 00:25:04,240
Speaker 2: To watch it. I feel like the only way I've

488
00:25:04,280 --> 00:25:06,479
Speaker 2: done it is to be like, it's gonna fuck you up.

489
00:25:06,520 --> 00:25:08,439
Speaker 2: There's such a twist in it. I feel like the

490
00:25:08,440 --> 00:25:10,359
Speaker 2: only time I've gotten people to watch the documentary was

491
00:25:10,400 --> 00:25:13,760
Speaker 2: that one about like the tickle tournaments. Oh yeah, yeah,

492
00:25:13,960 --> 00:25:16,520
Speaker 2: it started one way and then goes yeah another way.

493
00:25:16,720 --> 00:25:18,720
Speaker 2: Every other time I talk about it's true, like they're like,

494
00:25:18,760 --> 00:25:20,000
Speaker 2: oh yeah, I chuck it out.

495
00:25:20,040 --> 00:25:23,080
Speaker 1: Well, what makes me mad is American cinema tech in

496
00:25:23,560 --> 00:25:28,880
Speaker 1: LA Like, somebody just showed it. They just showed Double

497
00:25:28,880 --> 00:25:31,639
Speaker 1: at your Heels, the only the only print in the world.

498
00:25:31,680 --> 00:25:34,600
Speaker 1: They showed it in l A. And like my friend Seth,

499
00:25:34,640 --> 00:25:37,240
Speaker 1: who I've told about, who's directing a documentary about me

500
00:25:37,480 --> 00:25:41,399
Speaker 1: ding and it's done, it's done. Ill I'll mention that, well,

501
00:25:41,400 --> 00:25:45,080
Speaker 1: maybe I'll mention that'll be underrated so or overrated. So

502
00:25:45,320 --> 00:25:48,200
Speaker 1: overrated will be like not knowing about that documentary or something.

503
00:25:48,440 --> 00:25:50,320
Speaker 1: So yeah, I see what I did, So I.

504
00:25:50,280 --> 00:25:55,399
Speaker 2: Do it every time. Oh so cool, so cool.

505
00:25:55,680 --> 00:25:58,359
Speaker 1: So anyway, the table at your Heels is just a

506
00:25:58,359 --> 00:26:00,800
Speaker 1: great movie about a guy who's who's like a dreamer

507
00:26:01,200 --> 00:26:03,680
Speaker 1: and he's trying to jump a car over the Saint

508
00:26:03,760 --> 00:26:06,240
Speaker 1: Lawrence Seaway, which is like a half mile to a

509
00:26:06,280 --> 00:26:11,960
Speaker 1: mile wide, and he is so damn genuine and earnest

510
00:26:12,000 --> 00:26:14,040
Speaker 1: that he manages to get the ramp built and he

511
00:26:14,840 --> 00:26:17,240
Speaker 1: sort of gets it to happen in a roundabout way.

512
00:26:17,280 --> 00:26:19,520
Speaker 1: But there's a twist in the movie too, and the

513
00:26:19,520 --> 00:26:23,200
Speaker 1: movie also includes Why He's Bounded Down's main characters named

514
00:26:23,280 --> 00:26:26,320
Speaker 1: Kenny Powers, because Kenny Powers is without a doubt, the

515
00:26:26,600 --> 00:26:28,840
Speaker 1: reference to this movie, which is Kenny Powers is the

516
00:26:28,840 --> 00:26:30,960
Speaker 1: guy who ends up jumping a car. But the way

517
00:26:31,000 --> 00:26:33,520
Speaker 1: that we end up with that is like so neat.

518
00:26:33,560 --> 00:26:35,640
Speaker 1: But also I'm just hoping on this show you guys

519
00:26:35,640 --> 00:26:38,200
Speaker 1: will see it, and now that American cinema tech has

520
00:26:38,200 --> 00:26:40,080
Speaker 1: gotten on board whatever, you guys will all be.

521
00:26:40,040 --> 00:26:42,400
Speaker 2: Like, oh my gosh, they'll smoke pipes and talk about it.

522
00:26:42,600 --> 00:26:43,720
Speaker 2: And I'm so mad, you know.

523
00:26:43,880 --> 00:26:45,680
Speaker 1: So Seth finally went and saw it when it was

524
00:26:45,720 --> 00:26:48,320
Speaker 1: in LA and he's like, that's documentary. It was incredible,

525
00:26:48,359 --> 00:26:50,639
Speaker 1: and I was like, you know what, fuck you?

526
00:26:52,359 --> 00:26:54,800
Speaker 3: Like, I feel like I can't watch this now, Like

527
00:26:54,840 --> 00:26:57,600
Speaker 3: there's no win win for me at this point.

528
00:26:57,880 --> 00:27:00,440
Speaker 2: So I watch it now you're gonna be like, yeah,

529
00:27:00,480 --> 00:27:04,240
Speaker 2: exactly what you need this show.

530
00:27:04,320 --> 00:27:06,880
Speaker 1: This is a perfect vehicle. So let's roll the very beginning.

531
00:27:06,960 --> 00:27:10,600
Speaker 1: It's just it's it's a Connecticut. It's a Connecticut. It's

532
00:27:10,640 --> 00:27:13,639
Speaker 1: a I'm from Connecticut. It's a Canadian Broadcasting Company, so

533
00:27:13,680 --> 00:27:18,640
Speaker 1: it's public domain. It's a great, great resource. Also Canadian

534
00:27:18,880 --> 00:27:23,159
Speaker 1: Canadian Broadcasting Company posts all their great stuff. I just

535
00:27:23,200 --> 00:27:25,080
Speaker 1: want to show people the ramp and I feel like

536
00:27:25,119 --> 00:27:26,960
Speaker 1: then people will be on board.

537
00:27:26,960 --> 00:27:29,680
Speaker 2: People will sooner stand Yeah, as soon as do you

538
00:27:29,800 --> 00:27:32,280
Speaker 2: see when you see? Yeah, do you see how reckless

539
00:27:32,320 --> 00:27:35,600
Speaker 2: we were? But are you here we go? Sorry?

540
00:27:35,640 --> 00:27:39,000
Speaker 1: Got it? No, I didn't know if Sorry, without further ado,

541
00:27:39,080 --> 00:27:40,520
Speaker 1: the ad the show is the ADU.

542
00:27:41,320 --> 00:27:42,480
Speaker 2: Many apologies to you.

543
00:27:42,640 --> 00:27:46,280
Speaker 1: Welcome to the Canadian Broadcasting Company podcast.

544
00:27:46,520 --> 00:27:50,440
Speaker 2: Yes Here we Go? I love that logo National Film

545
00:27:50,480 --> 00:27:57,120
Speaker 2: Board of Canada. Okay, wow, that's a poorly built ramp.

546
00:27:58,400 --> 00:28:02,040
Speaker 1: Is Now If that doesn't get you interested in watching

547
00:28:02,080 --> 00:28:04,080
Speaker 1: a documentary, I don't know what to tell you.

548
00:28:04,119 --> 00:28:06,640
Speaker 2: I'm sorry, you're trying and jump that body of water

549
00:28:06,760 --> 00:28:09,320
Speaker 2: with yes on?

550
00:28:09,520 --> 00:28:14,880
Speaker 1: What in a Lincoln Continental with wings on it, and

551
00:28:15,160 --> 00:28:18,240
Speaker 1: he gets pretty damn far, and he gets a lot

552
00:28:18,280 --> 00:28:20,320
Speaker 1: of experts on board with him. He gets someone to

553
00:28:20,320 --> 00:28:22,320
Speaker 1: put the wings on the car. He gets this expert

554
00:28:22,400 --> 00:28:24,600
Speaker 1: guy to say that. He's like, well, I don't know

555
00:28:24,640 --> 00:28:26,160
Speaker 1: how he can do it, but once he's up there,

556
00:28:26,200 --> 00:28:28,600
Speaker 1: these wings will work. He can steer in the air.

557
00:28:28,640 --> 00:28:30,399
Speaker 1: I don't see how he's gonna get up there, but

558
00:28:30,440 --> 00:28:33,040
Speaker 1: these will work if he does. I mean what he's like,

559
00:28:33,080 --> 00:28:35,119
Speaker 1: I don't This whole thing sounds unlikely to me. But

560
00:28:35,160 --> 00:28:36,520
Speaker 1: if he does get up in the air and he

561
00:28:36,560 --> 00:28:38,560
Speaker 1: is cruising, he will be able to move the car

562
00:28:38,600 --> 00:28:39,280
Speaker 1: with these wings.

563
00:28:39,960 --> 00:28:40,320
Speaker 2: Wow.

564
00:28:40,680 --> 00:28:44,720
Speaker 1: So it's like, also he can't swim? What Ken Carter

565
00:28:44,800 --> 00:28:50,840
Speaker 1: can't swim? So the guy is getting jump across a

566
00:28:50,880 --> 00:28:51,480
Speaker 1: fucking river?

567
00:28:51,640 --> 00:28:53,840
Speaker 2: Do you know what. I'm sure you've seen the documentary.

568
00:28:53,840 --> 00:28:56,880
Speaker 2: What is that distance exactly he has to go across?

569
00:28:56,640 --> 00:28:59,280
Speaker 2: Its supposed to be a half mile mile or something. Yeah,

570
00:28:59,440 --> 00:29:00,000
Speaker 2: it's impossible.

571
00:29:00,680 --> 00:29:02,560
Speaker 1: Well, he's planning on going six hundred miles an hour

572
00:29:02,600 --> 00:29:06,479
Speaker 1: off the ramp, but he has a jet car, has

573
00:29:06,520 --> 00:29:09,800
Speaker 1: a jet car, and it does go like two hundred

574
00:29:09,840 --> 00:29:12,160
Speaker 1: and ninety miles an hour off the ramp. And when

575
00:29:12,160 --> 00:29:14,400
Speaker 1: it eventually goes, but that's not nearly enough to get

576
00:29:14,440 --> 00:29:18,360
Speaker 1: to cruising altitude, it turns out, so he never gets

577
00:29:18,360 --> 00:29:20,680
Speaker 1: But anyway, it's a great it's a and Ken Carter.

578
00:29:20,520 --> 00:29:21,120
Speaker 2: Is just awesome.

579
00:29:21,160 --> 00:29:24,080
Speaker 1: He he's he's like a grade school dropout or like

580
00:29:24,080 --> 00:29:26,360
Speaker 1: a high school maybe he says fourth grade, but I

581
00:29:26,360 --> 00:29:28,320
Speaker 1: think in Canada that meets something else, so I think

582
00:29:28,360 --> 00:29:29,840
Speaker 1: it's like maybe he dropped out of high school.

583
00:29:29,840 --> 00:29:31,920
Speaker 2: I don't know what. He's like, year four or something.

584
00:29:32,320 --> 00:29:35,560
Speaker 1: He's really confident and for no reason, he calls himself

585
00:29:35,560 --> 00:29:38,440
Speaker 1: a healthy specimen when he's broken every bone in his body.

586
00:29:38,520 --> 00:29:39,160
Speaker 2: He's just great.

587
00:29:39,200 --> 00:29:42,280
Speaker 1: He says, I'm a healthy specimen standing on the threshold

588
00:29:42,280 --> 00:29:44,680
Speaker 1: of life. He's like forty two and has broken every

589
00:29:44,680 --> 00:29:45,480
Speaker 1: bone in his body.

590
00:29:45,520 --> 00:29:46,000
Speaker 2: I just love.

591
00:29:46,080 --> 00:29:49,400
Speaker 1: It's inspirational. All right, here we go, and then.

592
00:29:49,760 --> 00:29:57,120
Speaker 2: God, this guy the full goatees curly possibly, and this

593
00:29:57,200 --> 00:29:58,440
Speaker 2: man is a lovely man.

594
00:29:58,520 --> 00:30:00,840
Speaker 1: This guy is a lovely man. He's in But this

595
00:30:00,920 --> 00:30:03,320
Speaker 1: is he's about to tell you all in me what

596
00:30:03,400 --> 00:30:07,840
Speaker 1: I'm like. He admits what what the quest for fame

597
00:30:07,920 --> 00:30:10,200
Speaker 1: is all about? But he doesn't he says something so

598
00:30:10,280 --> 00:30:14,480
Speaker 1: earth shatteringly honest right here, but it's just amazing anyway.

599
00:30:14,200 --> 00:30:16,560
Speaker 2: And I jump, Oh no, no, this is the guy

600
00:30:16,560 --> 00:30:18,560
Speaker 2: who tries to jump it. And this is Ken. Like

601
00:30:18,680 --> 00:30:21,520
Speaker 2: lung quest, it has been to try and jump.

602
00:30:21,640 --> 00:30:23,200
Speaker 1: Yeah, and he does other I mean he's been also

603
00:30:23,240 --> 00:30:25,480
Speaker 1: doing stunts along the way, but he wants this big

604
00:30:25,600 --> 00:30:28,840
Speaker 1: monster stunt because he wants to be the greatest daredevil

605
00:30:29,160 --> 00:30:32,240
Speaker 1: of all time. And right before this clip, Evil Canevel

606
00:30:32,280 --> 00:30:34,600
Speaker 1: comes out and checks out. They were gonna broadcast this

607
00:30:34,680 --> 00:30:36,440
Speaker 1: on Wide World of Sports, but then they decided not

608
00:30:36,440 --> 00:30:38,840
Speaker 1: to because they thought he was gonna die.

609
00:30:38,400 --> 00:30:40,680
Speaker 2: So documentary.

610
00:30:40,720 --> 00:30:44,040
Speaker 1: Evil canos documentary and he comes and assesses the jump

611
00:30:44,040 --> 00:30:46,440
Speaker 1: and talks to Ken, and Ken's thrilled. You know, Ken,

612
00:30:46,840 --> 00:30:49,640
Speaker 1: he was a relentless human being and he had two

613
00:30:49,720 --> 00:30:52,360
Speaker 1: personalities that he talks about. He's like, there's Ken Polachak

614
00:30:52,440 --> 00:30:54,160
Speaker 1: and then there's Ken Carter because his real name is

615
00:30:54,200 --> 00:30:56,640
Speaker 1: Ken Polachak. He's like, Ken Polachak is the one who says,

616
00:30:56,680 --> 00:30:59,000
Speaker 1: maybe you shouldn't do this jump, maybe it's not a

617
00:30:59,040 --> 00:31:01,400
Speaker 1: good idea. But then Carter says, what are you talking about,

618
00:31:01,440 --> 00:31:02,120
Speaker 1: you pussy.

619
00:31:02,360 --> 00:31:06,120
Speaker 3: So it's like a very very there's so much inside

620
00:31:06,240 --> 00:31:09,320
Speaker 3: you are two wolves, and both of them have pretty

621
00:31:09,360 --> 00:31:16,880
Speaker 3: normal last names. Yeah, Ken Carter a cooler days.

622
00:31:16,600 --> 00:31:19,240
Speaker 1: So funny called Ken Jump or something.

623
00:31:19,440 --> 00:31:24,360
Speaker 2: Yeah's is on fame. He said, this is him.

624
00:31:24,600 --> 00:31:26,720
Speaker 1: Yeah, he's gonna talk about why he jumps. And it

625
00:31:26,800 --> 00:31:28,480
Speaker 1: turns out this is why you do stand up, why

626
00:31:28,520 --> 00:31:30,440
Speaker 1: you play music, why you I mean, it's just amazing.

627
00:31:30,800 --> 00:31:33,800
Speaker 7: Some work harder at something, Some sacrifices are a little

628
00:31:33,880 --> 00:31:36,960
Speaker 7: more than others, so therefore they deserve more. You know,

629
00:31:37,920 --> 00:31:40,360
Speaker 7: if it's money, if it's glory, no matter what it

630
00:31:40,400 --> 00:31:43,400
Speaker 7: may be. I always said when I first started, I

631
00:31:43,400 --> 00:31:46,920
Speaker 7: always I said it's money. Years and years went by,

632
00:31:47,000 --> 00:31:49,560
Speaker 7: I knew, I knew that wasn't it. I then begin

633
00:31:49,920 --> 00:31:53,920
Speaker 7: it's challenge. It's it's all a challenge. It's a challenge,

634
00:31:54,480 --> 00:31:56,880
Speaker 7: and it's a starvation for popularity is what it is.

635
00:32:03,480 --> 00:32:07,280
Speaker 2: You've just been liked by three more people in high school.

636
00:32:07,520 --> 00:32:10,120
Speaker 3: I love it, you know, I just love it. And

637
00:32:10,160 --> 00:32:12,040
Speaker 3: he throws that in you always like, at first I

638
00:32:12,040 --> 00:32:14,479
Speaker 3: thought it was money, you know, yeah, And then then

639
00:32:14,560 --> 00:32:15,760
Speaker 3: then I thought it was the challenge.

640
00:32:15,840 --> 00:32:18,760
Speaker 1: But then I realized that ain't and that real it's

641
00:32:18,880 --> 00:32:22,800
Speaker 1: challenge and a starvation for popularity.

642
00:32:22,840 --> 00:32:24,320
Speaker 2: Moving along. I just love that.

643
00:32:25,680 --> 00:32:27,760
Speaker 1: I want to start doing that everything I do. When

644
00:32:27,760 --> 00:32:29,880
Speaker 1: I get if I ever get interviewed about every anything,

645
00:32:29,920 --> 00:32:31,520
Speaker 1: I'm just gonna be like, listen. It's a starvation for

646
00:32:31,600 --> 00:32:35,480
Speaker 1: popularity primary. I also like to paint, Like, yeah, I

647
00:32:35,800 --> 00:32:38,040
Speaker 1: like to paint. Van interview with Van Goh, yeah.

648
00:32:37,920 --> 00:32:38,560
Speaker 2: I like to paint.

649
00:32:38,600 --> 00:32:43,880
Speaker 1: But I also I'm also starved and popularity.

650
00:32:43,440 --> 00:32:46,280
Speaker 2: Fucking dying over here, man. And he liked me already.

651
00:32:46,520 --> 00:32:50,280
Speaker 1: Yeah, So that just was like, we're amazingly honest, right

652
00:32:50,520 --> 00:32:52,840
Speaker 1: right right. He's an endearing guy because.

653
00:32:52,800 --> 00:32:54,440
Speaker 2: Invested, and I'm like, I just want to go to

654
00:32:54,480 --> 00:32:56,960
Speaker 2: the part where he jumps the fucking car. But you

655
00:32:57,000 --> 00:32:57,400
Speaker 2: know it's so.

656
00:32:59,040 --> 00:33:01,120
Speaker 1: Yeah, yeah, it's like the there's a corporate guy who

657
00:33:01,120 --> 00:33:03,280
Speaker 1: comes in and tries to make him jump when the

658
00:33:03,360 --> 00:33:06,280
Speaker 1: ram's not ready amazing, and he's like, I don't want

659
00:33:06,320 --> 00:33:08,560
Speaker 1: to die, you know. He's like, I don't want to die.

660
00:33:08,560 --> 00:33:10,120
Speaker 1: The rams not ready, and he's like, yeah it is.

661
00:33:10,160 --> 00:33:11,840
Speaker 1: I think it's going to smooth out once you get

662
00:33:11,920 --> 00:33:13,680
Speaker 1: up to speed, and once you get.

663
00:33:13,560 --> 00:33:15,160
Speaker 2: Up to speed, smooth out.

664
00:33:15,360 --> 00:33:17,320
Speaker 1: And this guy who says it's going to smooth out,

665
00:33:17,320 --> 00:33:19,200
Speaker 1: who is trying to kill Ken Carter because the money

666
00:33:19,240 --> 00:33:21,080
Speaker 1: men are like, get him to fucking jump the car.

667
00:33:21,160 --> 00:33:24,360
Speaker 2: We got film rolling. This is costing his money because.

668
00:33:24,200 --> 00:33:25,560
Speaker 1: There's a production crew to shoot it.

669
00:33:26,160 --> 00:33:26,320
Speaker 2: Yea.

670
00:33:26,560 --> 00:33:28,680
Speaker 1: And they were from Hollywood for real, they were like

671
00:33:28,760 --> 00:33:31,160
Speaker 1: came in from Hollywood. They kept saying in the documentary,

672
00:33:31,280 --> 00:33:33,760
Speaker 1: these Hollywood guys, and they were like, the Hollywood guys

673
00:33:33,800 --> 00:33:35,320
Speaker 1: were like, listen, man, we're burning daylight.

674
00:33:35,560 --> 00:33:36,800
Speaker 2: Get him to jump the car.

675
00:33:37,840 --> 00:33:40,880
Speaker 1: And so there's all this intrigue and then there's just

676
00:33:40,920 --> 00:33:43,400
Speaker 1: like yeah, things like that, like and there's also tons

677
00:33:43,400 --> 00:33:47,400
Speaker 1: of people misusing metaphors and old sayings and stuff like

678
00:33:47,440 --> 00:33:51,360
Speaker 1: that guy right before you know, he'll say like they

679
00:33:51,400 --> 00:33:53,720
Speaker 1: were like you think Ken can do this, and he's like, well,

680
00:33:53,760 --> 00:33:55,880
Speaker 1: a man's got to bite off a hunk and fight

681
00:33:55,960 --> 00:33:56,680
Speaker 1: it till he can.

682
00:33:57,640 --> 00:34:00,840
Speaker 2: You know, Like he uses a lot of dot dot dot.

683
00:34:00,960 --> 00:34:03,400
Speaker 2: There's a ton of like there's a ton of misused

684
00:34:03,480 --> 00:34:06,480
Speaker 2: saying you gotta fight that hunky bit off. Yeah.

685
00:34:06,560 --> 00:34:08,359
Speaker 3: I just realized we haven't taken a break. We gotta

686
00:34:08,400 --> 00:34:09,359
Speaker 3: take a break. We'll come back.

687
00:34:09,360 --> 00:34:11,319
Speaker 2: We'll keep talking about the devil at your heels. We'll

688
00:34:11,320 --> 00:34:23,319
Speaker 2: be right back, and we're back.

689
00:34:23,360 --> 00:34:25,560
Speaker 3: We're back The other thing I like about this is

690
00:34:25,600 --> 00:34:31,280
Speaker 3: that this is a glimpse into what history was like

691
00:34:31,280 --> 00:34:36,200
Speaker 3: like but before the invention of like film, it was

692
00:34:36,400 --> 00:34:42,120
Speaker 3: basically a quest for flight, with people doing the stupidest

693
00:34:42,160 --> 00:34:45,560
Speaker 3: shit you could possibly imagine to just like hurl themselves

694
00:34:45,560 --> 00:34:50,320
Speaker 3: into the sky. Like that was just a man's eternal quest.

695
00:34:50,400 --> 00:34:52,920
Speaker 3: And we've like totally lost that because we all like

696
00:34:53,320 --> 00:34:57,440
Speaker 3: fly on airlines now and it doesn't like it's not impressive,

697
00:34:57,840 --> 00:35:01,720
Speaker 3: but like if you read, well, once we achieved flight,

698
00:35:01,840 --> 00:35:03,280
Speaker 3: like it was all anybody wanting.

699
00:35:03,080 --> 00:35:03,720
Speaker 2: To talk about.

700
00:35:03,760 --> 00:35:08,839
Speaker 3: Like the pilots were like national heroes, And it's just

701
00:35:08,880 --> 00:35:12,080
Speaker 3: funny that, like seventy years on, this guy's still like

702
00:35:12,320 --> 00:35:13,959
Speaker 3: what if I like made up a new way?

703
00:35:14,920 --> 00:35:16,799
Speaker 1: Yeah, what if I can fly away continental?

704
00:35:17,239 --> 00:35:22,480
Speaker 2: But it's not? Then how much would I get laid? Yeah?

705
00:35:22,520 --> 00:35:24,759
Speaker 2: What do you do? I'm a pilot? Oh yeah, me too.

706
00:35:25,000 --> 00:35:27,640
Speaker 1: I'm like really right brothers, except like with a car

707
00:35:28,680 --> 00:35:29,399
Speaker 1: right here.

708
00:35:31,440 --> 00:35:34,440
Speaker 2: Yeah, take Henry Ford and the Right Brothers take out

709
00:35:34,480 --> 00:35:36,360
Speaker 2: the Nazi stuff and you got me.

710
00:35:37,040 --> 00:35:40,479
Speaker 1: Yeah, So he he ends up. He ended up years later,

711
00:35:40,680 --> 00:35:43,040
Speaker 1: not very many years later. What am I saying years later?

712
00:35:43,120 --> 00:35:45,960
Speaker 1: Like five years later? Because this was shot between seventy

713
00:35:45,960 --> 00:35:47,480
Speaker 1: eight and eighty I think it. Maybe it came out

714
00:35:47,480 --> 00:35:50,000
Speaker 1: in eighty or maybe it was shot in over four

715
00:35:50,120 --> 00:35:51,840
Speaker 1: or five years. Maybe it was shot from like seventy

716
00:35:51,840 --> 00:35:54,120
Speaker 1: six to eighty. I can't remember, but it's was shot

717
00:35:54,120 --> 00:35:56,279
Speaker 1: over a long period and it was worth the wait

718
00:35:56,320 --> 00:35:58,920
Speaker 1: because it got weirder and weirder. And that's why I

719
00:35:58,960 --> 00:36:00,879
Speaker 1: really love this movie. It's just like one of those

720
00:36:00,920 --> 00:36:03,520
Speaker 1: things where if this guy whoever made this movie, I

721
00:36:03,560 --> 00:36:06,040
Speaker 1: forget his name, and I should know it. But but

722
00:36:06,040 --> 00:36:09,680
Speaker 1: but it's not the directing that gets me. It's the

723
00:36:10,080 --> 00:36:12,879
Speaker 1: although it's good, but it's the fact that he captured this.

724
00:36:12,880 --> 00:36:14,760
Speaker 1: This is a story that would have been talked about

725
00:36:14,840 --> 00:36:16,640
Speaker 1: and you would hear like, oh, this guy tried to

726
00:36:16,640 --> 00:36:18,480
Speaker 1: build this ramp and stuff, But this we get to

727
00:36:18,520 --> 00:36:21,719
Speaker 1: see it in all its glory.

728
00:36:21,239 --> 00:36:24,200
Speaker 2: D were you talking about this on Coldrew got me.

729
00:36:24,239 --> 00:36:27,239
Speaker 1: Like, I've been talking about this, well, almost exclusively in

730
00:36:27,440 --> 00:36:28,400
Speaker 1: just nine years.

731
00:36:28,480 --> 00:36:31,800
Speaker 2: I'm just looking at the comments section and the second

732
00:36:31,880 --> 00:36:36,000
Speaker 2: comment is celebrity Chris Crofton told me to watch this.

733
00:36:37,400 --> 00:36:41,480
Speaker 2: I'm doing so despite it being free. Wait what is this?

734
00:36:41,680 --> 00:36:44,120
Speaker 2: Is this on We're not live? Are we? No?

735
00:36:44,120 --> 00:36:44,200
Speaker 3: No?

736
00:36:44,120 --> 00:36:46,600
Speaker 2: No, I'm looking at the comment section of the YouTube

737
00:36:46,680 --> 00:36:52,120
Speaker 2: video right here. Oh my, I guess so, yeah, I

738
00:36:52,160 --> 00:36:55,560
Speaker 2: guess your fucking influence is your potent dude.

739
00:36:55,440 --> 00:36:58,680
Speaker 1: Ooh, I've got a serious reach in the obscure documentary

740
00:36:58,719 --> 00:36:59,440
Speaker 1: comment world.

741
00:36:59,600 --> 00:37:01,880
Speaker 2: Yeah, a lot of people saying I'm only six minutes

742
00:37:01,920 --> 00:37:03,720
Speaker 2: in and I'm feeling like this could be the greatest

743
00:37:03,760 --> 00:37:07,080
Speaker 2: documentary of all time? Is it is? I think I

744
00:37:07,160 --> 00:37:08,759
Speaker 2: have to really Yeah, as much as I want to

745
00:37:08,800 --> 00:37:11,000
Speaker 2: like and you know him to the end, I'm like, yeah,

746
00:37:12,120 --> 00:37:13,320
Speaker 2: one of the documentary.

747
00:37:13,120 --> 00:37:14,719
Speaker 1: Watch guess what, Jack, you know what.

748
00:37:15,200 --> 00:37:17,120
Speaker 2: Miles isn't going to watch it. He's not gonna watch it. No,

749
00:37:17,200 --> 00:37:18,920
Speaker 2: I'm not gonna watch it. I'm gonna say. And this

750
00:37:19,000 --> 00:37:21,600
Speaker 2: is proof positive. This is what happens.

751
00:37:21,640 --> 00:37:25,719
Speaker 1: What happens people says documentary exactly what.

752
00:37:25,600 --> 00:37:27,759
Speaker 2: People who are not going to watch it watch it now.

753
00:37:27,840 --> 00:37:32,960
Speaker 1: This is exactly what people who do not watch it say.

754
00:37:33,360 --> 00:37:33,880
Speaker 2: I fuck it.

755
00:37:33,960 --> 00:37:38,160
Speaker 3: Yeah, you're just often roll of documentary consumption.

756
00:37:38,520 --> 00:37:39,279
Speaker 1: They have to watch it.

757
00:37:39,320 --> 00:37:41,520
Speaker 2: I just imagine you're doing this on a date. You're like, oh,

758
00:37:41,520 --> 00:37:43,200
Speaker 2: it's great, and they go, oh, yeah, I gotta check

759
00:37:43,200 --> 00:37:44,840
Speaker 2: it out. Yeah, he's just fucking saying that you're not

760
00:37:44,840 --> 00:37:49,080
Speaker 2: gonna just like all the other ones, you fucking piece

761
00:37:49,080 --> 00:37:49,560
Speaker 2: of ship.

762
00:37:50,600 --> 00:37:53,400
Speaker 1: I tone it down on dates. Yes, this is a

763
00:37:53,440 --> 00:37:55,120
Speaker 1: lot like a date, but I tone that.

764
00:37:55,239 --> 00:37:56,960
Speaker 2: I don't. I don't get so aggressive about like.

765
00:37:56,960 --> 00:37:58,160
Speaker 1: You're not gonna watch it this.

766
00:37:59,400 --> 00:38:02,480
Speaker 2: Yeah, we're gonna this episode the crift crofton Dating Simulator.

767
00:38:02,680 --> 00:38:05,120
Speaker 1: Yeah, it's sort of like it's just like a first date,

768
00:38:05,120 --> 00:38:07,399
Speaker 1: except I don't react quite as badly about like you're

769
00:38:07,440 --> 00:38:09,319
Speaker 1: not gonna watch it, You're not gonna watch it.

770
00:38:09,360 --> 00:38:10,920
Speaker 2: Like I get a little bit like maybe you are

771
00:38:10,920 --> 00:38:13,000
Speaker 2: going to watch it. Yeah yeah, yeah, no, maybe you

772
00:38:13,040 --> 00:38:14,920
Speaker 2: are going to watch it. I don't think you are. No,

773
00:38:14,960 --> 00:38:18,239
Speaker 2: I've definitely springs eternal. Yeah I say stuff like that

774
00:38:18,280 --> 00:38:19,319
Speaker 2: on dates all the time.

775
00:38:19,560 --> 00:38:22,719
Speaker 1: Ope, springs eternal. And they're like never gonna just like again.

776
00:38:23,520 --> 00:38:25,680
Speaker 2: Yeah, they're like, so, Chris, what was it like being

777
00:38:25,680 --> 00:38:28,400
Speaker 2: a comedian and musician. Oh well, you know, just you

778
00:38:28,480 --> 00:38:30,360
Speaker 2: got to bite a big hunk off of life and

779
00:38:30,400 --> 00:38:32,160
Speaker 2: then you know fight it to the end. Uh.

780
00:38:32,600 --> 00:38:35,600
Speaker 1: I'm mostly doing for the art, but also starvation for popularity.

781
00:38:38,320 --> 00:38:43,560
Speaker 2: Start start so on it. I really love it. I

782
00:38:43,600 --> 00:38:46,080
Speaker 2: hate it, but I love it. But yeah, so.

783
00:38:46,120 --> 00:38:49,080
Speaker 1: Yeah that's that's a little selection. But I'm excited about

784
00:38:49,080 --> 00:38:52,279
Speaker 1: this video podcast because I do think it would be

785
00:38:52,320 --> 00:38:53,680
Speaker 1: fun to play some of these things.

786
00:38:54,080 --> 00:38:56,680
Speaker 2: We're done with that part, right, what, Yeah, we're done

787
00:38:56,680 --> 00:38:59,760
Speaker 2: with that videos, right? I mean, I think so unless

788
00:38:59,760 --> 00:39:02,799
Speaker 2: you're overrated? Is a video like a bad video that

789
00:39:02,840 --> 00:39:04,279
Speaker 2: you want to show us? Oh?

790
00:39:04,360 --> 00:39:07,560
Speaker 1: Well, overrated is what was I saying it was gonna

791
00:39:07,560 --> 00:39:11,520
Speaker 1: be overrated? Not knowing about my documentary. But it's not

792
00:39:11,560 --> 00:39:14,719
Speaker 1: time to promote my documentary yet because it's not it's

793
00:39:14,760 --> 00:39:16,800
Speaker 1: coming out in the spring. It's coming out in March.

794
00:39:17,520 --> 00:39:19,960
Speaker 1: But it's I just to mention it's a finished documentary

795
00:39:20,000 --> 00:39:22,120
Speaker 1: by my friend Seth Palmeroy, who already made a great

796
00:39:22,160 --> 00:39:27,279
Speaker 1: documentary about Silkworm, the band from the nineties, and it's

797
00:39:27,280 --> 00:39:30,120
Speaker 1: called Couldn't You Wait? So if you want to see

798
00:39:30,120 --> 00:39:33,919
Speaker 1: Seth's work already, he's He's made a nice documentary, really nice.

799
00:39:33,920 --> 00:39:37,440
Speaker 1: I cried about Silkworm. One of the members died in

800
00:39:37,480 --> 00:39:41,120
Speaker 1: a car accident, but in my documentary, nobody's eyes in

801
00:39:41,120 --> 00:39:43,279
Speaker 1: a car accident. But someone does break their hip. And

802
00:39:43,440 --> 00:39:45,919
Speaker 1: and Seth was there the day I broke my hip.

803
00:39:46,080 --> 00:39:49,400
Speaker 1: He was filming because he was in town for my

804
00:39:49,600 --> 00:39:54,120
Speaker 1: album release show. Yeah, in twenty eighteen, I was I

805
00:39:54,160 --> 00:39:55,680
Speaker 1: was going to have a show at the Bootleg Theater

806
00:39:56,280 --> 00:39:59,480
Speaker 1: and in Los Angeles. I moved away from Los Angeles

807
00:39:59,520 --> 00:40:02,120
Speaker 1: in twenty twenty too, but in twenty eighteen I was there,

808
00:40:02,640 --> 00:40:07,399
Speaker 1: and and I went roller skating with some friends of mine,

809
00:40:07,400 --> 00:40:11,240
Speaker 1: including Jim James from My Morning Jacket.

810
00:40:11,320 --> 00:40:14,359
Speaker 2: Okay, and I just who I just sort of met.

811
00:40:14,440 --> 00:40:16,239
Speaker 1: I just sort of met him through a friend of

812
00:40:16,280 --> 00:40:21,880
Speaker 1: mine who records my records named Kevin Raderman. And and

813
00:40:21,960 --> 00:40:24,839
Speaker 1: we went roller skating. Well, we went roller skating.

814
00:40:24,560 --> 00:40:28,600
Speaker 2: And I want to mention this guy. Yes, just making

815
00:40:28,600 --> 00:40:31,200
Speaker 2: sure you're at Moonlight roller skating and I had never been.

816
00:40:31,280 --> 00:40:33,560
Speaker 2: Did you fall because you were bending down to pick

817
00:40:33,640 --> 00:40:35,200
Speaker 2: up the names that you were dripping?

818
00:40:35,280 --> 00:40:39,520
Speaker 3: Oh shit, okay, we can close down the show.

819
00:40:39,560 --> 00:40:43,280
Speaker 1: Now I'm slump so you can actually watch me slump

820
00:40:43,280 --> 00:40:43,719
Speaker 1: in my chair.

821
00:40:43,800 --> 00:40:50,239
Speaker 2: Now wait, how did you follow? Digit were trying to

822
00:40:50,239 --> 00:40:53,319
Speaker 2: do a slipping on ice?

823
00:40:53,440 --> 00:40:53,600
Speaker 8: Right?

824
00:40:53,719 --> 00:40:54,600
Speaker 2: No?

825
00:40:54,239 --> 00:40:58,239
Speaker 1: No, no, I broke my I broke my class caculu. Yeah,

826
00:40:58,239 --> 00:41:01,120
Speaker 1: it's hard to keep it's hard to keep trying, all right, yeah, yeah,

827
00:41:01,120 --> 00:41:02,480
Speaker 1: of this man on disability?

828
00:41:02,800 --> 00:41:04,920
Speaker 2: Wait wait wait, so wait, how did you what were

829
00:41:04,920 --> 00:41:06,719
Speaker 2: you trying to do, like a triple axle or some

830
00:41:06,760 --> 00:41:08,319
Speaker 2: shit on road? No? No, no no.

831
00:41:08,360 --> 00:41:10,280
Speaker 1: And the reason I bring up Jim is because Jim

832
00:41:10,480 --> 00:41:13,399
Speaker 1: ended up playing my show instead of me. That's why

833
00:41:13,440 --> 00:41:16,719
Speaker 1: I mentioned it, because I had just met Jim and

834
00:41:16,760 --> 00:41:19,160
Speaker 1: we were just like getting to know each other through

835
00:41:19,960 --> 00:41:22,160
Speaker 1: I don't know, just doing things that rock stars like

836
00:41:22,200 --> 00:41:25,440
Speaker 1: to do, like I guess a roller skate, and you know,

837
00:41:26,160 --> 00:41:31,279
Speaker 1: because why not? You know, yeah, shit, I had to

838
00:41:31,320 --> 00:41:34,160
Speaker 1: borrow I had to borrow money from him for my

839
00:41:34,200 --> 00:41:38,640
Speaker 1: admission to the rink because rock stars are running around

840
00:41:38,680 --> 00:41:41,239
Speaker 1: with enough money to go into roller rinks's falling out

841
00:41:41,239 --> 00:41:44,480
Speaker 1: of their pockets. So we went roller skating, and I

842
00:41:44,880 --> 00:41:48,000
Speaker 1: turns out the drug I've been on for twenty years, Depicoat,

843
00:41:48,520 --> 00:41:52,719
Speaker 1: had caused bone loss. So I fell down fairly normally.

844
00:41:52,960 --> 00:41:54,319
Speaker 1: But it wasn't in Aretha track.

845
00:41:54,400 --> 00:41:56,799
Speaker 3: It was right when Aretha Franklin had passed away, and

846
00:41:56,840 --> 00:41:59,399
Speaker 3: it was Aretha Franklin tribute night, and they started playing

847
00:41:59,480 --> 00:42:00,799
Speaker 3: rock Steady and I started.

848
00:42:00,520 --> 00:42:03,640
Speaker 2: Wakling, and I fell and I broke my hip.

849
00:42:04,200 --> 00:42:07,120
Speaker 1: And I broke my hip. And then the roller rake

850
00:42:07,239 --> 00:42:09,319
Speaker 1: was so used to people breaking shit that they were

851
00:42:09,360 --> 00:42:11,280
Speaker 1: just like I was like, I'm so sorry, I'm so sorry.

852
00:42:11,320 --> 00:42:13,239
Speaker 1: I was like, I ruined to wreath the Franklin tribute night.

853
00:42:13,280 --> 00:42:15,400
Speaker 1: Please get me out of the lane. I'm ruining it

854
00:42:15,440 --> 00:42:17,879
Speaker 1: for everybody. And they're like, this happens every ten minutes.

855
00:42:17,960 --> 00:42:20,440
Speaker 1: Sign this clip and the clipboard said like I was

856
00:42:20,480 --> 00:42:21,240
Speaker 1: never roller.

857
00:42:21,040 --> 00:42:24,960
Speaker 2: Skating or whatever. You're in shock.

858
00:42:25,040 --> 00:42:27,200
Speaker 1: Yeah, and you're in shocks, you sign it, you know,

859
00:42:27,239 --> 00:42:27,520
Speaker 1: and then.

860
00:42:27,440 --> 00:42:28,920
Speaker 3: They put you in a room in the back and

861
00:42:28,960 --> 00:42:32,560
Speaker 3: there's three other people there that're like, depicoat you just

862
00:42:32,840 --> 00:42:33,359
Speaker 3: you signed.

863
00:42:33,360 --> 00:42:36,440
Speaker 1: Somebody says you owe us money. I would have signed anything.

864
00:42:36,640 --> 00:42:40,000
Speaker 1: So Seth was there to shoot the shoot the Damn

865
00:42:40,760 --> 00:42:44,759
Speaker 1: Album release party, and so he was making this documentary,

866
00:42:44,760 --> 00:42:46,440
Speaker 1: so he was going to put this in the documentary.

867
00:42:46,480 --> 00:42:48,880
Speaker 1: He'd been shooting it since twenty fourteen, so this is

868
00:42:48,960 --> 00:42:51,680
Speaker 1: four years into making the documentary. And then instead he

869
00:42:51,960 --> 00:42:54,879
Speaker 1: was filming when I fell or no, no, my friend

870
00:42:54,920 --> 00:42:56,640
Speaker 1: was filming when I fell, and then he put it.

871
00:42:56,760 --> 00:42:59,800
Speaker 2: But so the fall is in the documentary, yes, and

872
00:43:00,040 --> 00:43:09,319
Speaker 2: it's doument you're never but so anyway, yeah, that.

873
00:43:09,280 --> 00:43:11,440
Speaker 3: Means what everybody that's like the Norm McDonald's saying when

874
00:43:11,440 --> 00:43:13,640
Speaker 3: he was got thrown into rehab after being drunk twice,

875
00:43:13,680 --> 00:43:15,600
Speaker 3: and he was like, I kept saying I'm not an alcoholic,

876
00:43:15,680 --> 00:43:15,880
Speaker 3: but it.

877
00:43:15,880 --> 00:43:17,200
Speaker 1: Turns out that's what alcoholics say.

878
00:43:17,880 --> 00:43:19,120
Speaker 2: Yeah, that's right anyway.

879
00:43:19,160 --> 00:43:20,880
Speaker 1: So then Jim James, the reason I bring it up

880
00:43:20,960 --> 00:43:24,760
Speaker 1: is because my album release show was a bigger success

881
00:43:24,800 --> 00:43:28,000
Speaker 1: because I wasn't there, which is pretty funny. Jim James

882
00:43:28,040 --> 00:43:30,560
Speaker 1: played instead of me because he felt bad that that

883
00:43:30,560 --> 00:43:32,480
Speaker 1: that I broke my hip, and he played one of

884
00:43:32,480 --> 00:43:34,480
Speaker 1: my songs too. He covered one of my songs which

885
00:43:34,520 --> 00:43:36,560
Speaker 1: was so nice, cool, and that's in the movie too.

886
00:43:36,960 --> 00:43:39,560
Speaker 1: But then this ties into Devil at Your Heels, which

887
00:43:39,640 --> 00:43:43,880
Speaker 1: we just talked about for the whole show. So, uh, Jack's.

888
00:43:43,640 --> 00:43:44,439
Speaker 2: Looking at the clock.

889
00:43:45,080 --> 00:43:50,120
Speaker 1: We got one minute left, so he got me being

890
00:43:50,160 --> 00:43:53,719
Speaker 1: loaded into the ambulance and I was saying stuff from

891
00:43:53,760 --> 00:43:56,640
Speaker 1: Devil at Your Heels when I was getting loaded into it,

892
00:43:56,760 --> 00:43:59,239
Speaker 1: because there's a scene in Devil at Yours there's a

893
00:43:59,360 --> 00:44:01,560
Speaker 1: scene in Devil Your Heels where he's getting loaded into

894
00:44:01,600 --> 00:44:03,880
Speaker 1: the ambulance and he's saying he's.

895
00:44:03,719 --> 00:44:06,200
Speaker 2: Saying, we'll be back tomorrow night. He's like, give me

896
00:44:06,200 --> 00:44:06,800
Speaker 2: the microphone.

897
00:44:06,960 --> 00:44:09,480
Speaker 1: He goes get he brought he's right at the beginning

898
00:44:09,480 --> 00:44:12,440
Speaker 1: of wr Heels he smashes because his big thing when

899
00:44:12,480 --> 00:44:14,400
Speaker 1: he's not trying to jump with Saint Lawrence Seaway and

900
00:44:14,400 --> 00:44:17,280
Speaker 1: the Yellow Lincoln Continentals, he just jumps junk cars over

901
00:44:18,200 --> 00:44:20,880
Speaker 1: like a bunch of other junk cars and then lands

902
00:44:20,920 --> 00:44:23,960
Speaker 1: on a bunch of junk cars. So he's the landing

903
00:44:24,040 --> 00:44:26,799
Speaker 1: is on junk cars. But he when he lands on

904
00:44:26,840 --> 00:44:28,840
Speaker 1: the junk cars, it like hurts a lot, so he

905
00:44:28,960 --> 00:44:31,080
Speaker 1: like sometimes so his leg went through the floor of

906
00:44:31,080 --> 00:44:33,239
Speaker 1: this and hit the transmission.

907
00:44:33,719 --> 00:44:35,520
Speaker 2: So he was like, I broke that that leg I hurt.

908
00:44:35,560 --> 00:44:37,400
Speaker 2: And he's like, that's that leg I hurt in Dallas

909
00:44:37,440 --> 00:44:39,239
Speaker 2: or whatever. He keeps up saying that, like it's that, like,

910
00:44:39,280 --> 00:44:40,160
Speaker 2: don't worry is that leg?

911
00:44:40,280 --> 00:44:41,520
Speaker 1: Oh that's it?

912
00:44:41,800 --> 00:44:43,920
Speaker 2: Hold on well and now now again I have to

913
00:44:43,960 --> 00:44:46,560
Speaker 2: find out what It's just so funny when people are like, hey,

914
00:44:46,600 --> 00:44:48,400
Speaker 2: something bad happened to me, and I'm gonna use this

915
00:44:48,440 --> 00:44:51,040
Speaker 2: moment to reference to my favorite documentary.

916
00:44:51,120 --> 00:44:53,040
Speaker 1: Well, so what happens is so he breaks it, So

917
00:44:53,200 --> 00:44:55,880
Speaker 1: he breaks his ankle or whatever. He says it's sprayed,

918
00:44:55,880 --> 00:44:58,360
Speaker 1: but he's lying and there he is right there, and

919
00:44:58,440 --> 00:44:58,960
Speaker 1: so yeah.

920
00:44:58,880 --> 00:45:00,720
Speaker 2: That's it. That's it. He's talk into the microphone.

921
00:45:00,719 --> 00:45:02,280
Speaker 1: So he says, give me the microphone, give me the microphone,

922
00:45:02,280 --> 00:45:04,400
Speaker 1: because all he cares about is that he's worried the

923
00:45:04,400 --> 00:45:07,360
Speaker 1: crowd isn't gonna come back tomorrow night. So he goes, listen,

924
00:45:07,480 --> 00:45:10,799
Speaker 1: I sprain my ankle against transmission. It's it's a it's a.

925
00:45:10,880 --> 00:45:13,520
Speaker 1: It's an ankle, I hurting in in in in St

926
00:45:13,680 --> 00:45:16,120
Speaker 1: SA Saint Lewis or whatever. And like, you know, he's like,

927
00:45:16,120 --> 00:45:18,280
Speaker 1: as if that's important, because let's.

928
00:45:18,080 --> 00:45:22,960
Speaker 2: Hear from old Kenny himself. Yeah, you know, he's so

929
00:45:23,040 --> 00:45:26,719
Speaker 2: he's on a gurney, just trying to make sense of

930
00:45:26,719 --> 00:45:35,040
Speaker 2: where he's at. Is that is that the microphone? Yeah?

931
00:45:35,239 --> 00:45:37,719
Speaker 2: I broken, but it's a little bit.

932
00:45:38,239 --> 00:45:39,680
Speaker 4: We'll be back here to the More nine eighty plot.

933
00:45:39,719 --> 00:45:41,120
Speaker 4: You're just gonna take me in an X ray off.

934
00:45:41,280 --> 00:45:43,120
Speaker 4: I don't think it's broken. I think it's badly spraying.

935
00:45:43,160 --> 00:45:45,840
Speaker 4: I just slammed up against the signing the transmission. But

936
00:45:45,880 --> 00:45:48,560
Speaker 4: believe me, we'll be back here to More Night at

937
00:45:48,560 --> 00:45:50,680
Speaker 4: eight o'clock sharp. We'll be back here to More Night,

938
00:45:50,760 --> 00:45:51,520
Speaker 4: Thank you very much.

939
00:45:51,560 --> 00:45:54,719
Speaker 2: Fat dude. This this guy is shaking because he's like

940
00:45:54,760 --> 00:45:57,360
Speaker 2: in shock, like the adrenaline. You can see him be like,

941
00:45:57,760 --> 00:46:00,480
Speaker 2: I was in shock, and then wait, so what did

942
00:46:00,520 --> 00:46:02,120
Speaker 2: you do? Did you say? Hey?

943
00:46:02,160 --> 00:46:04,600
Speaker 1: I said I'll be back tomorrow night and something like

944
00:46:04,640 --> 00:46:08,400
Speaker 1: I was saying that to the to him the cameraman

945
00:46:08,520 --> 00:46:12,720
Speaker 1: being loaded into the ambulance. So and then people people

946
00:46:12,719 --> 00:46:16,280
Speaker 1: were like, oh my god, Chris is Chris is magical.

947
00:46:16,360 --> 00:46:18,400
Speaker 1: He's like always in a good mood or something like

948
00:46:18,440 --> 00:46:20,239
Speaker 1: he's even being funny when he has a broken hip.

949
00:46:20,600 --> 00:46:23,680
Speaker 2: But I was in shock right right, and so the

950
00:46:23,680 --> 00:46:25,000
Speaker 2: most you can do is like wait.

951
00:46:25,280 --> 00:46:28,120
Speaker 1: Like my friends were so, oh my god, you don't

952
00:46:28,280 --> 00:46:31,360
Speaker 1: nothing gets you down. I was like, no, no, like

953
00:46:31,920 --> 00:46:35,920
Speaker 1: so I'm justularity just.

954
00:46:36,000 --> 00:46:42,799
Speaker 2: Hungry, bro, I'm hungry. You break a bone and you're

955
00:46:42,840 --> 00:46:44,319
Speaker 2: not hungry anymore. Man.

956
00:46:44,560 --> 00:46:47,120
Speaker 1: But it was always like I do get when I

957
00:46:47,120 --> 00:46:49,600
Speaker 1: get I get funny if I get like pumped up,

958
00:46:49,640 --> 00:46:52,319
Speaker 1: you know, like and so like like coffee or in

959
00:46:52,360 --> 00:46:54,440
Speaker 1: this case, adrenaline from a broken hip. So I was

960
00:46:54,440 --> 00:46:56,160
Speaker 1: like doing all these jokes and people were like, man,

961
00:46:56,200 --> 00:46:56,960
Speaker 1: nothing gets them down.

962
00:46:56,960 --> 00:46:58,759
Speaker 3: And then the next two weeks in the hospital they could,

963
00:46:58,880 --> 00:46:59,840
Speaker 3: I mean, they came and visited.

964
00:46:59,840 --> 00:47:03,440
Speaker 2: Then they saw man, it was down right right right, yeah,

965
00:47:03,480 --> 00:47:04,120
Speaker 2: so yeah, that was.

966
00:47:04,440 --> 00:47:07,520
Speaker 1: That was six years ago. And and uh yeah, this

967
00:47:07,640 --> 00:47:11,360
Speaker 1: documentary is now done. It's called Nashville Famous. It's it's

968
00:47:11,400 --> 00:47:14,719
Speaker 1: he's submitting it to film festivals right now. And it's

969
00:47:14,760 --> 00:47:17,120
Speaker 1: really great. You know, it's really gonna be great. I

970
00:47:17,160 --> 00:47:19,480
Speaker 1: hope it, you know, I hope it gets more people

971
00:47:19,480 --> 00:47:22,480
Speaker 1: will listen to my podcasts and come to my shows

972
00:47:22,520 --> 00:47:23,200
Speaker 1: and whatever else.

973
00:47:23,239 --> 00:47:25,520
Speaker 2: But I'm not. I'm just grateful that he's doing it.

974
00:47:25,520 --> 00:47:28,360
Speaker 2: It's really that's really cool. It's really nice. It's a

975
00:47:28,400 --> 00:47:33,560
Speaker 2: funny it out. You know, it'd be so cool. We

976
00:47:33,600 --> 00:47:36,200
Speaker 2: should do an la premiere, dude, not just not just

977
00:47:36,239 --> 00:47:38,279
Speaker 2: watching it. We should blow this thing out.

978
00:47:38,360 --> 00:47:40,600
Speaker 1: Well there's the other thing is my record's coming out

979
00:47:40,640 --> 00:47:42,280
Speaker 1: at same time, so we're coordinate.

980
00:47:42,320 --> 00:47:42,800
Speaker 8: Wow.

981
00:47:42,920 --> 00:47:43,759
Speaker 2: So we're gonna do.

982
00:47:43,760 --> 00:47:46,560
Speaker 1: My record and my documentary. So if I don't get

983
00:47:46,600 --> 00:47:48,160
Speaker 1: you know, some money out of that, then I'm just

984
00:47:48,200 --> 00:47:48,839
Speaker 1: gonna you know.

985
00:47:50,200 --> 00:47:51,279
Speaker 2: We're gonna be there for sure.

986
00:47:51,560 --> 00:47:54,640
Speaker 1: Well, we'll figure something out, but I'm excited for you guys.

987
00:47:55,719 --> 00:47:58,520
Speaker 3: I'll figure out. Well, yeah I won't. I'll be there,

988
00:47:58,560 --> 00:48:02,040
Speaker 3: but I won't watch the documentary. Yeah, I don't care.

989
00:48:00,719 --> 00:48:06,480
Speaker 3: If I've resigned myself. I know there's just cat videos.

990
00:48:06,520 --> 00:48:07,439
Speaker 3: Cat videos are better.

991
00:48:07,640 --> 00:48:09,040
Speaker 2: I'll be in there, but I will I'll be on

992
00:48:09,080 --> 00:48:10,799
Speaker 2: my phone the whole time, and I'll be like I.

993
00:48:10,880 --> 00:48:15,920
Speaker 3: Just imagining, uh, just imagining a version of munch Housing

994
00:48:15,960 --> 00:48:20,120
Speaker 3: Center where somebody like repeatedly hurts themselves because it makes

995
00:48:20,120 --> 00:48:21,120
Speaker 3: them funnier.

996
00:48:20,920 --> 00:48:22,880
Speaker 2: Right, I was just thinking of that too, Like, you know,

997
00:48:24,120 --> 00:48:28,160
Speaker 2: I get funny when I get the adrenaline rushing Gallagher,

998
00:48:28,200 --> 00:48:30,400
Speaker 2: but you just hurt. You hit yourself with a hammer

999
00:48:30,480 --> 00:48:30,759
Speaker 2: and ship.

1000
00:48:30,920 --> 00:48:35,400
Speaker 3: Yeah, you know what's fucking sad? Alcoholism functions sort of

1001
00:48:35,400 --> 00:48:35,640
Speaker 3: that way.

1002
00:48:35,719 --> 00:48:38,480
Speaker 1: When I was hung over, that was the funniest I

1003
00:48:38,520 --> 00:48:41,000
Speaker 1: ever was, because you're that sort of half like che

1004
00:48:41,120 --> 00:48:43,479
Speaker 1: kind of thing. And I used to kind of live

1005
00:48:43,600 --> 00:48:46,719
Speaker 1: on that on that like like if I drank enough

1006
00:48:46,719 --> 00:48:48,640
Speaker 1: the night before, then all the next day I could

1007
00:48:48,719 --> 00:48:52,960
Speaker 1: kind of ride on that punchiness and I enjoyed. I

1008
00:48:53,080 --> 00:48:56,520
Speaker 1: enjoyed that sort of like that funniness that came from

1009
00:48:56,560 --> 00:48:58,520
Speaker 1: being hung over, and then when it started to wear off,

1010
00:48:58,560 --> 00:49:00,880
Speaker 1: I just drink again. So anyway, that's just the you

1011
00:49:00,920 --> 00:49:01,799
Speaker 1: were trying to make a joking.

1012
00:49:01,880 --> 00:49:06,960
Speaker 2: Now, its sad, no, no sadness behind every joke. But yeah,

1013
00:49:07,040 --> 00:49:08,719
Speaker 2: this show's about we gotta don't do it.

1014
00:49:09,040 --> 00:49:12,120
Speaker 1: Don't break your hip to get jokes. Yeah, it's not

1015
00:49:12,320 --> 00:49:15,440
Speaker 1: fucking worth it it all of us break. You're not

1016
00:49:15,680 --> 00:49:18,239
Speaker 1: everyone's built for that kind of ship. But yeah, yeah

1017
00:49:18,320 --> 00:49:20,960
Speaker 1: it sucks. I'm still dealing with it. I just started

1018
00:49:20,960 --> 00:49:24,479
Speaker 1: going to physical therapy again six years later to try

1019
00:49:24,520 --> 00:49:28,000
Speaker 1: to try to get it stronger, because it's like, breaking

1020
00:49:28,000 --> 00:49:30,719
Speaker 1: your hip is just an absurd thing to do. I mean,

1021
00:49:30,960 --> 00:49:33,200
Speaker 1: you're not supposed to do it that young anyway. That

1022
00:49:33,280 --> 00:49:35,279
Speaker 1: was a I was a whipper snapper of forty nine.

1023
00:49:35,760 --> 00:49:38,200
Speaker 2: Yeah, everything's built on that thing. Man, you got to

1024
00:49:38,239 --> 00:49:39,520
Speaker 2: keep the hips hips right.

1025
00:49:39,840 --> 00:49:42,040
Speaker 1: That's right, them boding me on the X ray table.

1026
00:49:42,840 --> 00:49:45,279
Speaker 1: I was genuinely screaming when they put me on the

1027
00:49:45,360 --> 00:49:49,239
Speaker 1: X ray table, like not, you know, not like not ironically,

1028
00:49:49,880 --> 00:49:50,520
Speaker 1: like you're.

1029
00:49:50,320 --> 00:49:57,080
Speaker 2: Not screaming tomorrow night. Just it wasn't like a teenage

1030
00:49:57,080 --> 00:49:58,440
Speaker 2: Wasteland kind of screaming.

1031
00:49:58,480 --> 00:50:00,360
Speaker 1: No, exactly exactly, it was not.

1032
00:50:00,480 --> 00:50:00,919
Speaker 2: It was.

1033
00:50:02,360 --> 00:50:04,840
Speaker 1: The new boss same as the old boss. No, it

1034
00:50:04,960 --> 00:50:07,759
Speaker 1: was a real I've never had a real yell of

1035
00:50:07,760 --> 00:50:09,680
Speaker 1: pain like that, Like these guys were trying to put

1036
00:50:09,680 --> 00:50:10,200
Speaker 1: me on the table.

1037
00:50:10,280 --> 00:50:13,439
Speaker 2: And the documents like, oh thank god they didn't. Well,

1038
00:50:13,520 --> 00:50:16,320
Speaker 2: now I'm out, Now I'm out. Let's take a quick break.

1039
00:50:16,520 --> 00:50:19,319
Speaker 2: We'll come back, we'll close things out. We'll be right back,

1040
00:50:29,960 --> 00:50:34,080
Speaker 2: and we're back. Hi. Hello, hi oh hi.

1041
00:50:34,640 --> 00:50:39,160
Speaker 3: And courtesy of Christy Amagucci man will Pool. We found

1042
00:50:39,200 --> 00:50:42,560
Speaker 3: out about this clip from Jamie Kennedy. Hadn't thought about

1043
00:50:42,640 --> 00:50:46,960
Speaker 3: Jamie Kennedy in days before I had seen this. It

1044
00:50:46,960 --> 00:50:49,200
Speaker 3: had been a couple of days at least since I

1045
00:50:49,320 --> 00:50:51,120
Speaker 3: thought about him. Well, how many days had it been

1046
00:50:51,160 --> 00:50:54,480
Speaker 3: since you watched Malibou's Most Wanted? Like, yeah, that's the thing,

1047
00:50:54,640 --> 00:50:56,880
Speaker 3: is probably like three or four days.

1048
00:50:57,000 --> 00:50:59,040
Speaker 2: Okay, oh damn. But by the way, so.

1049
00:50:59,239 --> 00:51:03,880
Speaker 3: Documentary's documentaries, it's impossible to get people to watch.

1050
00:51:03,920 --> 00:51:07,040
Speaker 2: But Jamie Kennedy movies, you just tell me about one

1051
00:51:07,280 --> 00:51:08,800
Speaker 2: and I'm there. Yeah, yeah, yeah.

1052
00:51:08,840 --> 00:51:14,160
Speaker 3: But this just continues a long, proud tradition of people

1053
00:51:14,360 --> 00:51:18,439
Speaker 3: like celebrities announcing that they're conservative. I'm sure that this

1054
00:51:18,480 --> 00:51:20,640
Speaker 3: can't be the first time he's announced he's conservative. It's

1055
00:51:20,680 --> 00:51:23,360
Speaker 3: just the first time that I've seen it. And looking

1056
00:51:23,920 --> 00:51:27,359
Speaker 3: like hell, looking like they've been floating face down in

1057
00:51:27,640 --> 00:51:29,560
Speaker 3: a pile of fast food wrappers.

1058
00:51:29,800 --> 00:51:30,120
Speaker 2: Yep.

1059
00:51:30,719 --> 00:51:35,560
Speaker 3: Yeah, So this is just a you know, vlog from

1060
00:51:35,960 --> 00:51:38,600
Speaker 3: Malibu Most Wanted Jamie Kennedy.

1061
00:51:38,880 --> 00:51:42,720
Speaker 8: So if you're voting left, you're one of three things, brainwashed,

1062
00:51:43,120 --> 00:51:45,279
Speaker 8: getting paid, or a deviant.

1063
00:51:45,480 --> 00:51:45,879
Speaker 2: That's it.

1064
00:51:46,239 --> 00:51:49,600
Speaker 8: If you're still considering the left after everything I just

1065
00:51:49,719 --> 00:51:53,600
Speaker 8: told you, assassination attempts. Even people that don't personally like

1066
00:51:53,640 --> 00:51:56,960
Speaker 8: Trump will believe in him. How he's targeted, targeting. I'm

1067
00:51:57,120 --> 00:51:59,759
Speaker 8: Trump is clearly not a perfect person. I'm clearly not

1068
00:52:00,120 --> 00:52:03,200
Speaker 8: clearly there's a lot of stuff there. But he also

1069
00:52:03,600 --> 00:52:06,560
Speaker 8: look at is he targeted? Are they trying to take

1070
00:52:06,640 --> 00:52:12,680
Speaker 8: him out? Because he's he's gone off, shut up in

1071
00:52:12,719 --> 00:52:13,520
Speaker 8: a good way.

1072
00:52:14,080 --> 00:52:19,560
Speaker 3: He looks he looks bad, dude, Like, what's going on?

1073
00:52:19,640 --> 00:52:21,279
Speaker 3: What's going on with all right? So, first of all,

1074
00:52:21,280 --> 00:52:23,320
Speaker 3: I don't know what you're talking about. His shirt matches

1075
00:52:23,400 --> 00:52:27,480
Speaker 3: his background, so it's a regular shirt. I don't know

1076
00:52:27,480 --> 00:52:28,600
Speaker 3: what you find a new angle.

1077
00:52:29,000 --> 00:52:31,919
Speaker 1: Yeah, he looks so bad I can barely recognize him.

1078
00:52:32,080 --> 00:52:36,520
Speaker 2: Yeah, yeah, yeah, he's I mean, clearly he's he's he's

1079
00:52:36,520 --> 00:52:39,680
Speaker 2: struggling with something, some kind of struggling with the truth.

1080
00:52:40,040 --> 00:52:41,000
Speaker 2: The way that the truth.

1081
00:52:41,560 --> 00:52:44,440
Speaker 1: Well, yeah, these people don't ever look good, like you know,

1082
00:52:44,560 --> 00:52:47,880
Speaker 1: Jim Brewer, and and and Roseanne.

1083
00:52:47,440 --> 00:52:51,560
Speaker 2: Barr and John Voyd, Bill Maher, they all look like ship.

1084
00:52:51,640 --> 00:52:54,719
Speaker 2: They all look like Yeah, they don't look well. I mean,

1085
00:52:54,760 --> 00:52:55,640
Speaker 2: I mean Bill Maher.

1086
00:52:55,680 --> 00:52:57,840
Speaker 1: I guess I included him sort of as a I

1087
00:52:57,840 --> 00:52:59,759
Speaker 1: mean I consider him part of the problem too. But

1088
00:52:59,800 --> 00:53:01,720
Speaker 1: these people, Yeah, it's a gross.

1089
00:53:01,600 --> 00:53:03,600
Speaker 3: No you can you're allowed to include Bill Maher on

1090
00:53:03,640 --> 00:53:04,360
Speaker 3: this podcast.

1091
00:53:04,520 --> 00:53:05,399
Speaker 2: Yeah. Yeah, it's just.

1092
00:53:05,360 --> 00:53:08,440
Speaker 1: A gross, nasty point of view. And and it's and

1093
00:53:08,480 --> 00:53:11,200
Speaker 1: it's it's it just makes people gross.

1094
00:53:11,239 --> 00:53:14,239
Speaker 2: Clearly been like online way too much like with his

1095
00:53:14,400 --> 00:53:19,440
Speaker 2: like you either d you get paid? He sounds like

1096
00:53:19,440 --> 00:53:22,640
Speaker 2: a fucking character from like Manchester on the Sea or something.

1097
00:53:23,800 --> 00:53:27,040
Speaker 3: It seems like did he burn down a house with

1098
00:53:27,080 --> 00:53:29,799
Speaker 3: a bunch of Actually, I don't know. It was not

1099
00:53:29,840 --> 00:53:36,920
Speaker 3: gonna the I mean the Manchester is that what? But no,

1100
00:53:37,080 --> 00:53:39,400
Speaker 3: probably just his career went in a direction and he

1101
00:53:39,440 --> 00:53:41,880
Speaker 3: didn't want it to and he never really came to

1102
00:53:41,960 --> 00:53:42,560
Speaker 3: terms with that.

1103
00:53:43,040 --> 00:53:44,120
Speaker 2: But oh, kid Rock.

1104
00:53:44,400 --> 00:53:46,040
Speaker 1: Kid Rock is a good example of a guy that

1105
00:53:46,200 --> 00:53:48,279
Speaker 1: if you really get a good look at Kid Rock,

1106
00:53:48,880 --> 00:53:49,800
Speaker 1: he looks like ship.

1107
00:53:50,440 --> 00:53:52,799
Speaker 2: Yeah, And and I don't think you need a good

1108
00:53:52,880 --> 00:53:56,080
Speaker 2: look at him you just well, you know it's true.

1109
00:53:56,080 --> 00:53:57,960
Speaker 1: But if you look at like, I mean he really

1110
00:53:58,560 --> 00:53:59,879
Speaker 1: he him.

1111
00:54:00,040 --> 00:54:03,319
Speaker 2: Let's call him Robert Ritchie. Okay, let's use his government name.

1112
00:54:03,400 --> 00:54:07,000
Speaker 2: Kid Rock is too cool for someone who's actually comes

1113
00:54:07,000 --> 00:54:08,040
Speaker 2: from a wealthy family.

1114
00:54:08,480 --> 00:54:12,200
Speaker 1: Yeah no, anyway, anyway, it's it's it's it just makes

1115
00:54:12,239 --> 00:54:21,359
Speaker 1: me sad to see people uh so so starved for popularity.

1116
00:54:21,640 --> 00:54:26,399
Speaker 2: Yeah yeah, no, it's the election is bringing everybody out.

1117
00:54:26,560 --> 00:54:28,799
Speaker 2: Like it's just so weird too, because yeah, they see

1118
00:54:28,880 --> 00:54:30,800
Speaker 2: more and more of this shit with like celebrity and

1119
00:54:30,880 --> 00:54:34,480
Speaker 2: like the stakes couldn't be high man. For the devus

1120
00:54:34,520 --> 00:54:39,279
Speaker 2: it takes over and socialism will happen to everybody, man, Yeah,

1121
00:54:39,360 --> 00:54:41,600
Speaker 2: take it from me. I had a terrible New Year's

1122
00:54:41,680 --> 00:54:44,520
Speaker 2: special about fourteen years ago that I hope people don't

1123
00:54:44,560 --> 00:54:47,440
Speaker 2: remember or look up on YouTube because that was also

1124
00:54:47,520 --> 00:54:49,799
Speaker 2: a fucking disaster. I don't know if Kennedy had on

1125
00:54:50,000 --> 00:54:51,919
Speaker 2: oh my god. Yeah, it was like a local one

1126
00:54:51,960 --> 00:54:53,720
Speaker 2: he did in like I think it was an Orange

1127
00:54:53,719 --> 00:54:56,240
Speaker 2: County or something, and it was one of the most

1128
00:54:56,320 --> 00:54:58,879
Speaker 2: disastrous New Year's Eve specials you could have ever seen.

1129
00:54:59,520 --> 00:55:02,719
Speaker 3: You know, lot of people thought RFK Junior was a

1130
00:55:02,719 --> 00:55:05,960
Speaker 3: big loss for the Democratic side. But this is the

1131
00:55:06,080 --> 00:55:09,680
Speaker 3: Kennedy that really hurts the most. Well, yeah, for me,

1132
00:55:10,440 --> 00:55:13,400
Speaker 3: it's like I think it's a cliche, how do you

1133
00:55:13,440 --> 00:55:15,920
Speaker 3: sleep at night? Because like that is the question that

1134
00:55:15,960 --> 00:55:19,640
Speaker 3: you have with people who like aren't having to do

1135
00:55:20,280 --> 00:55:24,759
Speaker 3: like burn this amount of calories, with like inside their

1136
00:55:24,800 --> 00:55:28,560
Speaker 3: brain doing the like cognitive dissonance and like somersaults and

1137
00:55:28,800 --> 00:55:32,000
Speaker 3: you know, bend over backwards to like make sense of

1138
00:55:32,040 --> 00:55:35,880
Speaker 3: the world in a way that yields what he's saying.

1139
00:55:36,280 --> 00:55:38,680
Speaker 3: And I think just the answer is like they don't

1140
00:55:38,719 --> 00:55:42,719
Speaker 3: sleep well, they sleep badly, and it shows every time

1141
00:55:42,760 --> 00:55:43,560
Speaker 3: they like show up.

1142
00:55:43,880 --> 00:55:46,120
Speaker 2: This is I mean, I'm just so baffled that a

1143
00:55:46,200 --> 00:55:52,000
Speaker 2: guy who had such amazing jokes about talking to black people, uh,

1144
00:55:52,239 --> 00:55:54,480
Speaker 2: that it didn't go better for him. This was just

1145
00:55:54,520 --> 00:55:56,800
Speaker 2: one that came up. I would said Jamie Kennedy Black

1146
00:55:56,920 --> 00:55:59,360
Speaker 2: Jokes on YouTube. I said, this shit is not going

1147
00:55:59,440 --> 00:56:02,160
Speaker 2: anywhere good fast. I'm just I just have to see

1148
00:56:02,160 --> 00:56:05,319
Speaker 2: what the he's saying here. I know black guys like

1149
00:56:05,360 --> 00:56:08,360
Speaker 2: me too. When they meet me, it's they always complimenting

1150
00:56:08,400 --> 00:56:10,759
Speaker 2: with him. You know, they see me at the mall

1151
00:56:10,800 --> 00:56:24,400
Speaker 2: that like, oh shit, Jesus Chris Jamie Kennedy, You stupid. Okay,

1152
00:56:24,440 --> 00:56:28,880
Speaker 2: that's enough. So that's clearly how he got Mali. Have

1153
00:56:29,000 --> 00:56:31,919
Speaker 2: you heard him talk like a black guy? I think

1154
00:56:32,040 --> 00:56:35,080
Speaker 2: we were really fun. This this we might have something

1155
00:56:35,120 --> 00:56:37,480
Speaker 2: here with this guy. Yeah, reminds me of Rogan.

1156
00:56:38,200 --> 00:56:41,600
Speaker 1: Yeah yeah, stand up special Yeah, same kind of stuff.

1157
00:56:41,680 --> 00:56:43,920
Speaker 2: Just like it's just weird. I don't even know what

1158
00:56:43,960 --> 00:56:44,239
Speaker 2: it is.

1159
00:56:44,280 --> 00:56:46,399
Speaker 1: It's just like I'm famous, so you're gonna laugh when

1160
00:56:46,440 --> 00:56:47,160
Speaker 1: I say something.

1161
00:56:47,280 --> 00:56:50,279
Speaker 2: Yeah, it's called inflection comedy. There are no jokes, but

1162
00:56:50,360 --> 00:56:53,360
Speaker 2: I might talk different and then that's a joke.

1163
00:56:54,520 --> 00:56:56,920
Speaker 1: That story Patton Oswald told about being at the at

1164
00:56:56,960 --> 00:57:01,040
Speaker 1: the casino or and like, I forget what they quote.

1165
00:57:01,080 --> 00:57:02,640
Speaker 1: They kept yelling at him, but he didn't even get

1166
00:57:02,640 --> 00:57:04,759
Speaker 1: to do any material at all. All anyone wanted to

1167
00:57:04,800 --> 00:57:08,120
Speaker 1: do was here's him say, he just said stuff for movies.

1168
00:57:08,160 --> 00:57:10,480
Speaker 1: And then he roared and he was like, I got

1169
00:57:10,480 --> 00:57:13,719
Speaker 1: paid like twenty thousand dollars for an hour of just

1170
00:57:13,760 --> 00:57:16,840
Speaker 1: standing on stage because people knew who I was. And

1171
00:57:16,880 --> 00:57:19,160
Speaker 1: he's like, this is not what I got into comedy for.

1172
00:57:19,240 --> 00:57:21,920
Speaker 2: Right, It's like I.

1173
00:57:21,880 --> 00:57:24,840
Speaker 3: Didn't have to do anything. Everyone was so drunk and

1174
00:57:24,960 --> 00:57:27,000
Speaker 3: just excited to be in the room that's with someone

1175
00:57:27,040 --> 00:57:29,360
Speaker 3: they had heard of, and that's what really that that

1176
00:57:29,440 --> 00:57:34,080
Speaker 3: shit is. Yeah, well, Chris Crofton, we wish that for you,

1177
00:57:34,760 --> 00:57:37,280
Speaker 3: a world where you could just like just show up,

1178
00:57:37,320 --> 00:57:38,400
Speaker 3: just show up and say.

1179
00:57:38,240 --> 00:57:40,080
Speaker 2: Lines for movie, get paid and go home.

1180
00:57:40,560 --> 00:57:43,920
Speaker 3: Should you show up and say lines from a documentary,

1181
00:57:44,160 --> 00:57:45,160
Speaker 3: Devil at your heels?

1182
00:57:45,400 --> 00:57:48,000
Speaker 1: I want that too, And people also need to get

1183
00:57:48,040 --> 00:57:50,600
Speaker 1: a job, Like Jamie Kennedy, Man, how bad do you

1184
00:57:50,640 --> 00:57:52,680
Speaker 1: want to stay home and float around in your pool

1185
00:57:52,720 --> 00:57:54,240
Speaker 1: that this is how you got to make money? Go

1186
00:57:54,320 --> 00:57:59,320
Speaker 1: get a regular job. I get it, you've had the

1187
00:57:59,400 --> 00:58:02,040
Speaker 1: day off. You've had the day off for thirty years.

1188
00:58:02,040 --> 00:58:03,840
Speaker 1: But if this is the only way you can continue

1189
00:58:03,880 --> 00:58:05,360
Speaker 1: to have the day off, you might want to look

1190
00:58:05,400 --> 00:58:06,320
Speaker 1: into stocking some.

1191
00:58:06,320 --> 00:58:10,720
Speaker 2: Shows that's you, Pece Stritch. Where can follow You.

1192
00:58:12,680 --> 00:58:16,040
Speaker 1: Can follow me on at the Crofton Show, on Instagram

1193
00:58:16,360 --> 00:58:19,560
Speaker 1: which is the main thing I'm on, which is because

1194
00:58:19,560 --> 00:58:24,320
Speaker 1: I'm a basic b and also Twitter, at the Crafton Show,

1195
00:58:24,360 --> 00:58:26,320
Speaker 1: where you can find me if you sift through a

1196
00:58:26,320 --> 00:58:29,320
Speaker 1: ton of hate speech, and then you can find me

1197
00:58:29,840 --> 00:58:32,520
Speaker 1: mainly on my podcast colebrew Got me like And now

1198
00:58:32,560 --> 00:58:36,160
Speaker 1: I've expanded that in wild ways. I have a Colebrew

1199
00:58:36,160 --> 00:58:39,680
Speaker 1: Conversations show now and I have one episode so far,

1200
00:58:39,800 --> 00:58:42,200
Speaker 1: and I actually edited the whole thing myself and I

1201
00:58:42,240 --> 00:58:44,400
Speaker 1: pulled in. I ripped some YouTube stand up from my

1202
00:58:44,440 --> 00:58:46,600
Speaker 1: friend Kristen to me, and I interview Kristen to me.

1203
00:58:46,960 --> 00:58:48,760
Speaker 1: But I mean, I put the stand up in there,

1204
00:58:48,880 --> 00:58:51,480
Speaker 1: and all the shit I put in the songs and

1205
00:58:51,520 --> 00:58:53,680
Speaker 1: the I mean the you know, the music, the background music.

1206
00:58:53,720 --> 00:58:55,600
Speaker 1: I finally can make a podcast.

1207
00:58:55,160 --> 00:58:57,640
Speaker 2: On my own with no help. It sounds decent. So

1208
00:58:58,160 --> 00:58:58,800
Speaker 2: watch out.

1209
00:58:59,000 --> 00:59:02,160
Speaker 1: I'm going to start interview everybody, including Myles and Jack

1210
00:59:02,320 --> 00:59:04,520
Speaker 1: if they'll let me. And I'm gonna be I'm gonna

1211
00:59:04,520 --> 00:59:07,440
Speaker 1: be doing like my favorite comedians and and and whoever,

1212
00:59:07,600 --> 00:59:09,720
Speaker 1: like even like I'll do my favorite.

1213
00:59:09,640 --> 00:59:10,880
Speaker 2: Person down the street too.

1214
00:59:10,920 --> 00:59:12,840
Speaker 1: I want to interview normal people, like, you know, not

1215
00:59:12,880 --> 00:59:18,560
Speaker 1: normal you know, yeah, civilians. Yeah, you know, in comics

1216
00:59:18,600 --> 00:59:20,520
Speaker 1: call regular people civilians.

1217
00:59:20,600 --> 00:59:22,680
Speaker 2: That's the worst. Yeah, that's cool because yeah, you're in

1218
00:59:22,720 --> 00:59:24,560
Speaker 2: the military. That's the worst.

1219
00:59:24,720 --> 00:59:27,840
Speaker 1: It's mostly open mic. It's mostly open mic comedians to

1220
00:59:27,880 --> 00:59:30,440
Speaker 1: say that. But anyway, not that, how would I know

1221
00:59:30,520 --> 00:59:30,960
Speaker 1: about that?

1222
00:59:31,800 --> 00:59:33,160
Speaker 2: So that's it. That's it.

1223
00:59:33,240 --> 00:59:35,920
Speaker 1: Just check out the check out that and watch out

1224
00:59:35,920 --> 00:59:39,120
Speaker 1: for this documentary coming out in March along with my album.

1225
00:59:39,360 --> 00:59:41,240
Speaker 2: And is there a work of media Chris that you've

1226
00:59:41,240 --> 00:59:41,800
Speaker 2: been enjoying?

1227
00:59:42,080 --> 00:59:46,400
Speaker 1: My friend Sam Severin, she's a comedian in Atlanta. She

1228
00:59:46,680 --> 00:59:49,720
Speaker 1: puts up things that I like. It's like, not.

1229
00:59:49,800 --> 00:59:55,160
Speaker 2: Hurt She mostly retweets, but who was the genius who

1230
00:59:55,280 --> 00:59:57,960
Speaker 2: invented the lip gloss that hurts you? The lip gloss

1231
00:59:58,000 --> 01:00:02,200
Speaker 2: that makes its process? No, and that's not good? I

1232
01:00:02,320 --> 01:00:02,960
Speaker 2: like that one.

1233
01:00:05,800 --> 01:00:08,400
Speaker 1: Okay, Well, that's that's one of Sam Severan's.

1234
01:00:14,280 --> 01:00:18,680
Speaker 3: That would be a great stand ups from your notes

1235
01:00:18,760 --> 01:00:21,160
Speaker 3: up you're saying something.

1236
01:00:22,600 --> 01:00:25,040
Speaker 2: Good, but yeah, they're jokes that killed, but the delivery

1237
01:00:25,080 --> 01:00:26,200
Speaker 2: is so fucked up.

1238
01:00:28,400 --> 01:00:30,240
Speaker 1: I guess I'm too old to understand what that even

1239
01:00:30,280 --> 01:00:34,480
Speaker 1: fucking means. Uh, But anyway, Sam Severin follow Sam Severin

1240
01:00:34,600 --> 01:00:38,640
Speaker 1: at Waitress Boner. She retweets great stuff and she also

1241
01:00:38,640 --> 01:00:41,160
Speaker 1: tweets great stuff. But I don't know what why.

1242
01:00:41,360 --> 01:00:43,200
Speaker 2: I just don't. I don't know how to read tweets

1243
01:00:43,280 --> 01:00:45,000
Speaker 2: or whatever. Yeah, there you go.

1244
01:00:46,280 --> 01:00:48,760
Speaker 3: Yeah, well I enjoyed the hell out of it. I

1245
01:00:48,800 --> 01:00:51,960
Speaker 3: think I think the inflection was perfect. Miles, Where can

1246
01:00:52,000 --> 01:00:54,360
Speaker 3: people find you as their work of media? You've been enjoying.

1247
01:00:54,720 --> 01:00:57,800
Speaker 2: Find me on Twitter, Instagram, anywhere they got at symbols

1248
01:00:57,840 --> 01:01:00,480
Speaker 2: at miles of grades you are a y. You can

1249
01:01:00,520 --> 01:01:02,720
Speaker 2: find Jack and I obviously on the basketball podcast My

1250
01:01:02,720 --> 01:01:05,800
Speaker 2: House and Jack Got Mad Boosty. You can also find

1251
01:01:05,800 --> 01:01:08,280
Speaker 2: me talking ninety day Fiance on four to twenty Day

1252
01:01:08,320 --> 01:01:12,600
Speaker 2: Fiance and some works of media. I like some tweets.

1253
01:01:12,640 --> 01:01:15,840
Speaker 2: One is from at Bobby Likes Beers. It says AI

1254
01:01:16,040 --> 01:01:18,520
Speaker 2: is coming for your jobs. I'd like to see AI

1255
01:01:18,600 --> 01:01:21,160
Speaker 2: get absolutely no work done and then throw their co

1256
01:01:21,360 --> 01:01:23,680
Speaker 2: worker under the bus as soon as their boss asks

1257
01:01:23,720 --> 01:01:27,240
Speaker 2: about it. Yeah, that's see. Those are human moves that

1258
01:01:27,320 --> 01:01:32,240
Speaker 2: AIS cannot make. And pj Evans, what a streak? What's

1259
01:01:32,280 --> 01:01:35,080
Speaker 2: going on with this dude's account? Because like there's it's

1260
01:01:35,120 --> 01:01:38,439
Speaker 2: like heat rock after heat rock from these tweets at

1261
01:01:38,440 --> 01:01:40,800
Speaker 2: pj Evans. This is another one. It says in a

1262
01:01:41,080 --> 01:01:44,400
Speaker 2: parentheses a build a bear employee gets home from work.

1263
01:01:44,760 --> 01:01:47,400
Speaker 2: Do you even know how many bears I built today?

1264
01:01:47,800 --> 01:01:50,320
Speaker 2: And here you are sitting on your ass playing on

1265
01:01:50,360 --> 01:01:53,919
Speaker 2: your computer. Wife, I make four hundred thousand dollars a year.

1266
01:01:54,040 --> 01:02:04,040
Speaker 2: You don't need to work there. Yeah, I have.

1267
01:02:04,000 --> 01:02:07,920
Speaker 9: A pj Evans one also shout ut pj Evans shout

1268
01:02:07,960 --> 01:02:11,480
Speaker 9: ut pj Evans at p j A y e v

1269
01:02:11,600 --> 01:02:15,160
Speaker 9: A n s who tweeted, hey man, be careful taking

1270
01:02:15,200 --> 01:02:17,200
Speaker 9: a nap. One of my buddies had a dream where

1271
01:02:17,200 --> 01:02:22,720
Speaker 9: he was getting chased around fun.

1272
01:02:23,240 --> 01:02:25,880
Speaker 3: That's just a cool thing to tell people. You can

1273
01:02:25,920 --> 01:02:30,200
Speaker 3: find You can find me on Twitter at Jack Underscore

1274
01:02:30,200 --> 01:02:32,120
Speaker 3: O Brian. You can find us on Twitter at Daily

1275
01:02:32,240 --> 01:02:34,840
Speaker 3: Zeikegeist right the Daily zaike Geist on Instagram. We have

1276
01:02:34,840 --> 01:02:37,520
Speaker 3: a Facebook fan page and a website, Daily zeike Guys

1277
01:02:37,560 --> 01:02:39,800
Speaker 3: dot com, where we post our episodes and our footnote

1278
01:02:39,960 --> 01:02:41,800
Speaker 3: where we link off to the information that we talked

1279
01:02:41,800 --> 01:02:44,080
Speaker 3: about in today's episode, as well as the song that

1280
01:02:44,120 --> 01:02:46,800
Speaker 3: we think you might enjoy. Miles, what song do you

1281
01:02:46,800 --> 01:02:47,680
Speaker 3: think people might enjoy?

1282
01:02:47,880 --> 01:02:50,160
Speaker 2: Uh, You're gonna like this one. This is an artist

1283
01:02:50,200 --> 01:02:54,120
Speaker 2: called Sam Austen's who is from Detroit to Detroit based

1284
01:02:54,200 --> 01:02:57,040
Speaker 2: artist and look, Detroit music is some of the best

1285
01:02:57,120 --> 01:03:00,439
Speaker 2: music out there. This one's called Pretend Friend. I don't

1286
01:03:00,520 --> 01:03:05,440
Speaker 2: know how to describe this genre wise, It's like and

1287
01:03:06,040 --> 01:03:10,200
Speaker 2: like Andre without cast E, but also there's like some

1288
01:03:10,360 --> 01:03:13,880
Speaker 2: electronic and some rocky elements. It's really still really dope.

1289
01:03:13,920 --> 01:03:16,680
Speaker 2: Track it's worth listening to. So this is Pretend Friend

1290
01:03:16,800 --> 01:03:19,400
Speaker 2: by Sam Austen's all right.

1291
01:03:19,480 --> 01:03:21,600
Speaker 3: We will link off to that in the foot note.

1292
01:03:21,720 --> 01:03:24,120
Speaker 3: The Daily z Eitegeist is the production of iHeartRadio. For

1293
01:03:24,160 --> 01:03:26,520
Speaker 3: more podcasts from my Heart Radio visits Yeah Heart Radio, app,

1294
01:03:26,560 --> 01:03:29,400
Speaker 3: Apple Podcasts or wherever you listen to your favorite shows,

1295
01:03:29,400 --> 01:03:31,480
Speaker 3: that it is going to do it for us this morning.

1296
01:03:31,520 --> 01:03:34,840
Speaker 3: We are back on Tuesday, yes, to tell.

1297
01:03:34,640 --> 01:03:35,400
Speaker 2: You what is trending.

1298
01:03:35,480 --> 01:03:38,800
Speaker 3: We are off on Monday for Indigenous People's Day. I

1299
01:03:38,920 --> 01:03:42,480
Speaker 3: have a great long weekend everybody, and we will talk

1300
01:03:42,480 --> 01:03:43,600
Speaker 3: to y'all on Tuesday.

1301
01:03:43,760 --> 01:03:49,200
Speaker 2: Bye, thank you,