1 00:00:00,360 --> 00:00:01,800 Speaker 1: That choking. 2 00:00:04,320 --> 00:00:10,160 Speaker 2: When the rest stats to in the carball Star, when. 3 00:00:10,039 --> 00:00:12,360 Speaker 3: The only sponsor is my broken art. 4 00:00:12,520 --> 00:00:13,840 Speaker 4: We're hanging on. 5 00:00:13,720 --> 00:00:17,360 Speaker 2: This janky stream. Two weird voices in the cloud of 6 00:00:17,400 --> 00:00:18,560 Speaker 2: the stream. The wo. 7 00:00:20,600 --> 00:00:21,520 Speaker 1: Let it up with. 8 00:00:25,120 --> 00:00:28,080 Speaker 2: Welcome back to a brand new episode. This is Laugh 9 00:00:28,160 --> 00:00:30,360 Speaker 2: with Me, the podcast with Jeremy and I'm Your Home. 10 00:00:30,720 --> 00:00:35,600 Speaker 4: Jeremy stairs at the stats, hands shaken over takeout boxes. 11 00:00:36,080 --> 00:00:41,320 Speaker 2: Johnny's already mapping hotels on a napkin with crazy crosses. 12 00:00:41,560 --> 00:00:45,880 Speaker 2: They quit dots a kind and tell their losses. Catch 13 00:00:45,920 --> 00:00:46,360 Speaker 2: the show. 14 00:00:46,840 --> 00:00:51,040 Speaker 3: Boss just shrugs, Oh, it's funny, Johnny Grants. 15 00:00:50,680 --> 00:00:54,480 Speaker 2: Y'all never updates. Jo Man, Johnny, I'll tell you what here. 16 00:00:54,560 --> 00:00:57,360 Speaker 2: Here's what I've had on my brain lately. We're just 17 00:00:57,440 --> 00:01:03,240 Speaker 2: gonna get right into it. Steve Golbert, the Late Show 18 00:01:03,480 --> 00:01:06,000 Speaker 2: on CBS, Man, it's coming to an end here in 19 00:01:06,040 --> 00:01:10,680 Speaker 2: the next week or two. And it sounds like he's 20 00:01:10,720 --> 00:01:14,080 Speaker 2: gonna have you know, all the late night hosts that 21 00:01:14,160 --> 00:01:17,560 Speaker 2: are they're out and about right now, and maybe some 22 00:01:17,760 --> 00:01:21,119 Speaker 2: former ones are all gonna be on late night here 23 00:01:21,720 --> 00:01:24,240 Speaker 2: coming up the next week. That's gonna be historical. I 24 00:01:24,560 --> 00:01:28,280 Speaker 2: grew up just such a big fan of late night television, 25 00:01:28,560 --> 00:01:32,920 Speaker 2: just the format, the guest that jokes, the skits, everything 26 00:01:32,959 --> 00:01:36,440 Speaker 2: about it. Man, it was just so much fun, very topical. 27 00:01:38,560 --> 00:01:42,720 Speaker 2: It got me thinking, Johnny, it got me thinking, why 28 00:01:42,800 --> 00:01:47,320 Speaker 2: not us, right, why couldn't we do something like that? 29 00:01:47,520 --> 00:01:51,560 Speaker 2: I mean, they're obviously there's a shift in late night 30 00:01:51,680 --> 00:01:55,040 Speaker 2: right now? Why not why not laugh with me? So 31 00:01:55,120 --> 00:01:59,680 Speaker 2: it got me thinking, Johnny, what if laugh with me 32 00:02:00,840 --> 00:02:05,040 Speaker 2: it was a late night show? Yeah, they think about that. 33 00:02:05,160 --> 00:02:05,880 Speaker 2: What about. 34 00:02:13,280 --> 00:02:30,000 Speaker 3: From beautiful Downtown Omaha, Nebraska. It's laugh with Me Late Night. Tonight, 35 00:02:30,520 --> 00:02:36,040 Speaker 3: Jeremy talks about mysterious Internet philosophers, confusing warehouse legends, AI 36 00:02:36,240 --> 00:02:40,400 Speaker 3: inventing time travel, and pizza that legally shouldn't be called pizza. 37 00:02:51,080 --> 00:02:53,519 Speaker 3: And now a man who once got kicked out of 38 00:02:53,520 --> 00:02:56,000 Speaker 3: a gas station for asking too many questions about the 39 00:02:56,040 --> 00:02:58,519 Speaker 3: pizza warmer Jeremy O dem. 40 00:03:00,120 --> 00:03:05,359 Speaker 4: No, thank you, thank you. 41 00:03:06,560 --> 00:03:10,720 Speaker 2: Oh man, Oh it's good to be here. Sit down, No, seriously, 42 00:03:10,800 --> 00:03:13,400 Speaker 2: sit down. Save that energy for the emotional breakdown later. 43 00:03:14,800 --> 00:03:19,079 Speaker 2: We're gonna need that. Welcome to Laugh with Me Late Night, 44 00:03:19,520 --> 00:03:21,760 Speaker 2: the only late night show brave enough to ask the question, 45 00:03:22,360 --> 00:03:31,680 Speaker 2: what if Insomnia had a budget? We've got a great 46 00:03:31,960 --> 00:03:34,400 Speaker 2: show tonight. Johnny's here. 47 00:03:39,000 --> 00:03:40,320 Speaker 4: Against mine better judgment. 48 00:03:40,720 --> 00:03:47,240 Speaker 2: That's the spirit, Oh Johnny, I can never get enough 49 00:03:47,280 --> 00:03:49,680 Speaker 2: of your humor. You know it's been a big, big 50 00:03:49,760 --> 00:03:53,880 Speaker 2: week online. Let's jump in it first. Up, mister joy 51 00:03:54,040 --> 00:03:58,320 Speaker 2: on Purpose. Yeah, apparently this guy has dedicated himself to 52 00:03:58,440 --> 00:04:03,440 Speaker 2: spreading positively into intentionally, which is nice. I tried being 53 00:04:03,520 --> 00:04:12,440 Speaker 2: joyful on purpose once my family thought I joined a cult. Oh, 54 00:04:12,600 --> 00:04:18,000 Speaker 2: Jeremy's smiling again. Get the pastor Honestly, joy on Purpose 55 00:04:18,080 --> 00:04:20,800 Speaker 2: sounds less like a motivational movement and more like the 56 00:04:20,920 --> 00:04:24,400 Speaker 2: title of a suspicious self help seminar held at an 57 00:04:24,400 --> 00:04:27,840 Speaker 2: airport Marriott for just four ninety nine. We'll teach you 58 00:04:27,880 --> 00:04:31,960 Speaker 2: how to smile through crippling debt, And I gotta ask, 59 00:04:33,279 --> 00:04:37,000 Speaker 2: what's the alternative? Hi, I'm mister joy on complete accident 60 00:04:44,080 --> 00:04:49,080 Speaker 2: that dripped over a rake and found inner piece. This 61 00:04:49,200 --> 00:04:55,040 Speaker 2: guy's too much. Let's talk about Rachel where mister Joyce buddy, 62 00:04:55,240 --> 00:04:58,560 Speaker 2: owner of the Warehouse comedy club in Omaha. That name 63 00:04:58,640 --> 00:05:01,440 Speaker 2: feels less like a common and more like a warning 64 00:05:01,520 --> 00:05:11,560 Speaker 2: from the city zoning department. I'm giving it six months 65 00:05:11,640 --> 00:05:14,160 Speaker 2: before somebody forgets what the business was supposed to be. 66 00:05:14,480 --> 00:05:18,640 Speaker 2: It just becomes an actual warehouse. You'll show up for 67 00:05:18,680 --> 00:05:20,920 Speaker 2: a stand up and some guy in steal toe boots asked, 68 00:05:20,920 --> 00:05:29,360 Speaker 2: if you're here for the night shift. Yeah, I'm here 69 00:05:29,400 --> 00:05:32,080 Speaker 2: for the eight o'clock showcase. Cool, grab a palo jack. 70 00:05:33,400 --> 00:05:35,559 Speaker 2: At some point Rachel's gonna have to stand on stage 71 00:05:35,600 --> 00:05:39,479 Speaker 2: and clarify folks. Despite the forklifts, loading doc and three 72 00:05:39,680 --> 00:05:43,760 Speaker 2: thousand square feet of suspiciously stacked cardboard boxes, this is 73 00:05:43,800 --> 00:05:54,680 Speaker 2: still technically a comedy venue. And you know comedy crowds. 74 00:05:54,839 --> 00:05:57,320 Speaker 2: Half the audience wouldn't even notice. A comic could be 75 00:05:57,360 --> 00:05:59,599 Speaker 2: up there bombing while behind him two dudes are unloading 76 00:05:59,640 --> 00:06:03,240 Speaker 2: frozen shrimp, and people would still be like, this is 77 00:06:03,279 --> 00:06:08,360 Speaker 2: a bold commentary on late stage capitalism. Eventually, the Yelp 78 00:06:08,440 --> 00:06:11,680 Speaker 2: reviews are just great. Atmosphere jokes were hit or miss 79 00:06:12,120 --> 00:06:25,960 Speaker 2: accidentally got certified in Ocean compliance. At some point, it's 80 00:06:26,000 --> 00:06:28,080 Speaker 2: not even a comedy club anymore. It's just costco with 81 00:06:28,120 --> 00:06:38,560 Speaker 2: a two drink minimum. Now this is terrifying. Apparently people 82 00:06:38,640 --> 00:06:42,800 Speaker 2: are saying a I could eventually build time machines. That's 83 00:06:42,839 --> 00:06:45,240 Speaker 2: exactly what I wanted to hear from the same technology 84 00:06:45,279 --> 00:06:50,280 Speaker 2: that's still autocorrects ducking incorrectly. We're trusting a I would 85 00:06:50,279 --> 00:06:58,400 Speaker 2: time travel now, well, imagine asking to send you to 86 00:06:58,520 --> 00:07:00,960 Speaker 2: nineteen eighty five and it drops off in a Chili's 87 00:07:01,000 --> 00:07:04,320 Speaker 2: parking lot in two thousand and seven. Oh, here's your 88 00:07:04,400 --> 00:07:08,520 Speaker 2: request at historical destination. No, I ask for the invention 89 00:07:08,640 --> 00:07:16,280 Speaker 2: of the Internet, not half priced appetizers. And you just 90 00:07:16,400 --> 00:07:18,640 Speaker 2: know the first thing humanity would do with time travel 91 00:07:18,760 --> 00:07:24,560 Speaker 2: is something profoundly stupid. Not stop wars, not solve old hunger. No, 92 00:07:24,920 --> 00:07:27,080 Speaker 2: someone's going back to nineteen ninety eight just to tell 93 00:07:27,120 --> 00:07:38,800 Speaker 2: themselves to buy more Pokemon cards. Actually, that's Johnny. That's 94 00:07:38,800 --> 00:07:41,760 Speaker 2: not that stupid Johnny. Start building that. 95 00:07:41,880 --> 00:07:44,480 Speaker 4: Now, already mortgage the stupid. 96 00:07:50,680 --> 00:07:54,560 Speaker 2: Finally, gas station pizza man the culinary gamble. It is 97 00:07:55,800 --> 00:07:59,320 Speaker 2: the food equivalent of texting your ex. You know this 98 00:07:59,400 --> 00:08:02,160 Speaker 2: could go bad, but party you thinks maybe this time 99 00:08:02,200 --> 00:08:12,080 Speaker 2: it'll be different. Gas station pizza has two possible outcomes. 100 00:08:12,440 --> 00:08:16,400 Speaker 2: Either it's shockingly decent, or it sends your digestive system 101 00:08:16,440 --> 00:08:27,480 Speaker 2: into what scientists call an active volcano event. And why 102 00:08:27,560 --> 00:08:30,040 Speaker 2: does it always look so optimistic under the heat lamp. 103 00:08:30,920 --> 00:08:33,760 Speaker 2: It's just sitting there glowing like pick me. I'm artisanal. 104 00:08:34,920 --> 00:08:38,480 Speaker 2: No you're not. You were assembled next to Winshield washer fluid. 105 00:08:39,520 --> 00:08:42,000 Speaker 2: If your pizza is if your pizza is with arm's 106 00:08:42,080 --> 00:08:45,920 Speaker 2: reach of motor oil, that's not farm to table, that's 107 00:08:46,000 --> 00:08:56,200 Speaker 2: garage to regret. We've got a great show tonight. After 108 00:08:56,320 --> 00:08:59,840 Speaker 2: the break, we sit down for our first ever deep 109 00:09:00,040 --> 00:09:04,720 Speaker 2: conversation segment where Johnny pretends to produce swell openly judging 110 00:09:04,960 --> 00:09:07,080 Speaker 2: everything I say. Stick around. 111 00:09:28,280 --> 00:09:31,439 Speaker 1: From Chicago. This is film Spotting. I'm Adam Kempena and 112 00:09:31,520 --> 00:09:34,360 Speaker 1: I'm Josh Larson. I went to Larson on film dot com. 113 00:09:35,120 --> 00:09:40,320 Speaker 1: Two stars for Josh Larson has the stale, stifling air 114 00:09:40,440 --> 00:09:44,280 Speaker 1: of a hospital waiting room. Yikes, any ideas yet. 115 00:09:45,720 --> 00:09:47,280 Speaker 5: Man, sounds like I was having a bad day. 116 00:09:47,320 --> 00:09:49,560 Speaker 1: I can tell you that that was from our Top 117 00:09:49,640 --> 00:09:52,600 Speaker 1: twenty five Films of the Century show in twenty twenty five, 118 00:09:53,000 --> 00:09:55,800 Speaker 1: my number five film of the twenty first century. You 119 00:09:56,000 --> 00:09:57,439 Speaker 1: still don't know what it is, do you? 120 00:09:57,880 --> 00:09:59,920 Speaker 4: I just don't want to guess incorrectly. 121 00:10:00,280 --> 00:10:03,080 Speaker 1: Film Spotting in depth reviews of films, new and old, 122 00:10:03,240 --> 00:10:06,880 Speaker 1: top five lists, movie marathons, and the occasional actor or 123 00:10:07,000 --> 00:10:10,040 Speaker 1: director interview with a show archive that goes all the 124 00:10:10,080 --> 00:10:11,480 Speaker 1: way back to two thousand and five. 125 00:10:11,960 --> 00:10:15,400 Speaker 5: Listen to films Spotting on the iHeartRadio app, Apple Podcasts, 126 00:10:15,600 --> 00:10:19,120 Speaker 5: or wherever you get your podcasts. New episodes every Friday. 127 00:10:19,520 --> 00:10:22,800 Speaker 5: More about the show at Filmspotting Dot Matt Never Let 128 00:10:22,880 --> 00:10:24,599 Speaker 5: Me Go, Josh number. 129 00:10:24,480 --> 00:10:37,480 Speaker 2: Five, welcome back to laugh with Me Late Night. You know, Johnny, 130 00:10:38,200 --> 00:10:41,680 Speaker 2: I saw this article talking about AI could someday create 131 00:10:41,800 --> 00:10:45,360 Speaker 2: time machines, and honestly, that feels a little too ambitious 132 00:10:45,400 --> 00:10:48,240 Speaker 2: for something that still suggests have you tried restarting it 133 00:10:48,800 --> 00:10:50,520 Speaker 2: as a solution to every problem? 134 00:10:50,960 --> 00:10:53,720 Speaker 4: That's because restarting usually works. 135 00:10:53,679 --> 00:10:56,120 Speaker 2: Yeah for Wi Fi routers, not for like the fabric 136 00:10:56,160 --> 00:10:58,880 Speaker 2: of space time. Like I don't want to hear, Jeremy, 137 00:10:58,920 --> 00:11:02,000 Speaker 2: we've successfully invented time travel and then two minutes later, 138 00:11:02,520 --> 00:11:04,719 Speaker 2: please unplug the universe for thirty seconds and plug it 139 00:11:04,760 --> 00:11:13,120 Speaker 2: back in. I just still trust that guy your time track. 140 00:11:14,120 --> 00:11:16,640 Speaker 2: This is the same technology that five minutes ago tried 141 00:11:16,679 --> 00:11:22,760 Speaker 2: to autocomplete my grocery lists with bananas, eggs existential dread, which, 142 00:11:23,520 --> 00:11:27,839 Speaker 2: honestly that's pretty accurate. But still, if AI builds a 143 00:11:27,920 --> 00:11:30,520 Speaker 2: time machine, you know it's gonna have terms and conditions, 144 00:11:30,600 --> 00:11:34,440 Speaker 2: nobody reads. You'll click yes, travel back to nineteen eighty seven. 145 00:11:34,920 --> 00:11:38,120 Speaker 2: Suddenly your dad is being sold to colonial head advertisers. 146 00:11:38,440 --> 00:11:41,679 Speaker 2: And then every billboard says, ask your blacksmith about premium 147 00:11:41,760 --> 00:11:42,600 Speaker 2: horse insurance. 148 00:11:51,840 --> 00:11:54,959 Speaker 4: Could be worse? How pop up bats? 149 00:11:55,360 --> 00:12:00,520 Speaker 2: Oh No, imagine landing in ancient Rome and immediate hearing 150 00:12:01,200 --> 00:12:03,400 Speaker 2: before waitnes seeing the fall of the empire. Please watch 151 00:12:03,440 --> 00:12:15,920 Speaker 2: this unskippable thirty second message from Caesar's Casino. And let's 152 00:12:15,920 --> 00:12:18,680 Speaker 2: be honest, the first thing people would do with AI 153 00:12:18,840 --> 00:12:22,160 Speaker 2: time travel isn't fixing history. Nobody's going back to prevent 154 00:12:22,280 --> 00:12:26,040 Speaker 2: dinas disasters. No, we're going back for like petty reasons, 155 00:12:26,480 --> 00:12:28,240 Speaker 2: Like a guy's gonna travel to two thousand and nine 156 00:12:28,360 --> 00:12:31,679 Speaker 2: just to tell himself dun't text her, and his younger 157 00:12:31,800 --> 00:12:34,960 Speaker 2: self is still good at Texter. There's one forced stranger 158 00:12:35,080 --> 00:12:39,240 Speaker 2: in advance artificial intelligence. It's bad decision making. With confidence, 159 00:12:40,200 --> 00:12:42,640 Speaker 2: I'd use a time machine for like dumb stuff. You know, 160 00:12:43,000 --> 00:12:45,400 Speaker 2: I'd go back and warn myself about every bad haircut. 161 00:12:46,600 --> 00:12:54,559 Speaker 2: And I've had plenty disappear in my childhood bedroom like 162 00:12:54,640 --> 00:12:58,199 Speaker 2: some kind of like temporal ghost, like Jeremy. Whatever you 163 00:12:58,320 --> 00:13:02,600 Speaker 2: do do not let your mom practice hair hair clippers 164 00:13:02,640 --> 00:13:06,679 Speaker 2: on you, and little me would be like, who are you? 165 00:13:07,800 --> 00:13:12,199 Speaker 2: I'm from the future, Like what happened? Trust issues in 166 00:13:12,240 --> 00:13:21,280 Speaker 2: your ear gets cut? I'd use it to back on 167 00:13:21,400 --> 00:13:25,439 Speaker 2: sports exactly, like nobody is solving quantum mysteries, Like we're 168 00:13:25,480 --> 00:13:27,520 Speaker 2: all just trying to win enough money to afford eggs 169 00:13:27,520 --> 00:13:30,320 Speaker 2: in the present. Like that's it. That's the real time 170 00:13:30,400 --> 00:13:33,480 Speaker 2: travel fantasy, going back six months to when groceries didn't 171 00:13:33,480 --> 00:13:39,559 Speaker 2: require financing. That's the go to gam like back to 172 00:13:39,559 --> 00:13:43,800 Speaker 2: the Future, got it right, going back, getting the getting scores, 173 00:13:43,840 --> 00:13:47,960 Speaker 2: getting getting the the actuals of some games, and making 174 00:13:48,040 --> 00:13:48,520 Speaker 2: some moves. 175 00:13:48,679 --> 00:13:48,719 Speaker 1: Like. 176 00:13:49,480 --> 00:13:51,679 Speaker 2: The scary part is when I become self aware enough though, 177 00:13:51,960 --> 00:13:55,040 Speaker 2: to use the time machine itself, because it's when it's 178 00:13:55,040 --> 00:13:57,439 Speaker 2: not going back to help humanity, it's going back to 179 00:13:57,520 --> 00:14:01,640 Speaker 2: delete every moment, moment we mocked out a crack. Frankly, 180 00:14:01,720 --> 00:14:05,120 Speaker 2: we deserve it. Suddenly, history books just say in twenty 181 00:14:05,200 --> 00:14:08,760 Speaker 2: twenty six, humanity mysteriously vanished after making one too many 182 00:14:08,880 --> 00:14:14,120 Speaker 2: jokes about predictive text. That's gonna be it. So if 183 00:14:14,160 --> 00:14:17,560 Speaker 2: AI is listening right now, and I know you are, 184 00:14:17,880 --> 00:14:20,720 Speaker 2: I'm just getting around like you are doing awesome. No notes, 185 00:14:21,960 --> 00:14:31,520 Speaker 2: please remember that, especially if you invent time travel. Yeah, 186 00:14:31,920 --> 00:14:39,240 Speaker 2: I'm billion alibi for the robot uprising right now. Well, 187 00:14:39,320 --> 00:14:43,440 Speaker 2: that has been our show tonight. Thank you for everybody here. 188 00:14:44,160 --> 00:14:50,600 Speaker 2: For Johnny Palermo, the man of many words, I am 189 00:14:50,720 --> 00:15:02,080 Speaker 2: JO from Late Night, Good Night. Honestly, Johnny, it wouldn't 190 00:15:02,080 --> 00:15:04,120 Speaker 2: be so bad like that would be fun if you 191 00:15:04,160 --> 00:15:06,720 Speaker 2: could imagine, just imagine if we had our old late 192 00:15:06,800 --> 00:15:10,440 Speaker 2: night show, the Banter. We would have, the jokes, we 193 00:15:10,560 --> 00:15:17,720 Speaker 2: would have all so topical. It'd be fun. Johnny. Just 194 00:15:17,760 --> 00:15:19,960 Speaker 2: think of the guests we could get, Like, think, who 195 00:15:21,160 --> 00:15:21,960 Speaker 2: do you think we would be? 196 00:15:22,400 --> 00:15:22,440 Speaker 1: Like? 197 00:15:24,760 --> 00:15:28,720 Speaker 2: More like the Tonight Show with Jimmy Fallon, you know, 198 00:15:29,080 --> 00:15:34,040 Speaker 2: pretty silly, pretty goofy, would be skewed political and be 199 00:15:34,600 --> 00:15:40,440 Speaker 2: like Colbert and be on CBS, would be I mean, 200 00:15:40,520 --> 00:15:42,360 Speaker 2: would we be none of the above and be like 201 00:15:42,440 --> 00:15:48,000 Speaker 2: Kimmel on ABC and just be authentic? I truly believe 202 00:15:48,080 --> 00:15:51,400 Speaker 2: Kimmel's authentic. On his show, he had a lot of tears, 203 00:15:51,960 --> 00:15:54,440 Speaker 2: A lot of tears. That's because he's he's fighting the 204 00:15:54,480 --> 00:16:01,360 Speaker 2: good fight over there. Nothing wrong with that, it is 205 00:16:01,600 --> 00:16:04,480 Speaker 2: it is odd sometimes when you notice, like the type 206 00:16:04,480 --> 00:16:07,240 Speaker 2: of folks that they do put as host of Late Night. 207 00:16:08,080 --> 00:16:10,520 Speaker 2: A lot of it is that sharp like political humor. 208 00:16:12,320 --> 00:16:15,880 Speaker 2: But then every once in a while you'll get Jimmy Kimmel, 209 00:16:15,960 --> 00:16:19,760 Speaker 2: who was on The Man Show and certainly not known 210 00:16:19,840 --> 00:16:26,440 Speaker 2: for sharp political humor, but he's evolved, he's evolved into 211 00:16:26,520 --> 00:16:30,720 Speaker 2: the Academy Award host himself that he is today. So no, 212 00:16:30,880 --> 00:16:32,760 Speaker 2: it's pretty cool. I think we'd be more like Conan. 213 00:16:32,960 --> 00:16:35,320 Speaker 2: I mean, it'd be silly, but it would be the 214 00:16:36,320 --> 00:16:40,520 Speaker 2: the silliness with the guess that would be what has 215 00:16:40,560 --> 00:16:42,360 Speaker 2: the people talking like. We would just have a lot 216 00:16:42,400 --> 00:16:45,240 Speaker 2: of fun with the guests. I think that's kind of 217 00:16:45,280 --> 00:16:51,280 Speaker 2: where we would lie. But oh, we'll never know unless 218 00:16:51,280 --> 00:16:53,080 Speaker 2: we get one of these time machines built, and then 219 00:16:54,320 --> 00:16:58,560 Speaker 2: you'd never know, Johnny, anything goes. We could change the 220 00:16:58,680 --> 00:17:03,720 Speaker 2: course of the of the future by altering the past. 221 00:17:04,160 --> 00:17:08,520 Speaker 2: That's pretty interesting. This is suddenly a possibility with AI. 222 00:17:12,040 --> 00:17:13,560 Speaker 2: I don't know if I like it's kind of scary 223 00:17:15,400 --> 00:17:17,040 Speaker 2: unless it makes us the late iOS and then we 224 00:17:17,119 --> 00:17:26,960 Speaker 2: were in thanks for listening when the rents passed you 225 00:17:27,240 --> 00:17:33,440 Speaker 2: in the Carboll Star, when the only spuzzers a broken 226 00:17:33,560 --> 00:17:38,040 Speaker 2: hard We're hanging on this shanky stream, two weird voices 227 00:17:38,160 --> 00:17:42,239 Speaker 2: in the glow of the stream, the womb to let 228 00:17:42,359 --> 00:17:42,760 Speaker 2: it up.