WEBVTT - Election with Natasha Chandel

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<v Speaker 1>On the bed Cast, the questions asked if movies have

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<v Speaker 1>women and um are all their discussions just boyfriends and

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<v Speaker 1>husbands or do they have individualism the patriarchy? Zef in

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<v Speaker 1>best start changing it with the Bedel Cast. Hello and

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<v Speaker 1>welcome to the Bechtel Cast. My name is Jamie Loftus,

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<v Speaker 1>my name is Caitlin Darante, and this is our podcast

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<v Speaker 1>in which we discuss the role of women in famous

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<v Speaker 1>movies you've seen before. Today is a special one to

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<v Speaker 1>This is a special one. I mean, you're hearing us

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<v Speaker 1>on a Tuesday. You don't usually hear us on a Tuesday,

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<v Speaker 1>and it's it's okay. First of all, actually I'd like

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<v Speaker 1>to do a p s A right at the tippity.

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<v Speaker 1>If you're listening to this on election day and you're like, oh,

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<v Speaker 1>I'm just kicking back listening to the Betel Cast and

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<v Speaker 1>you have not yet voted, turn us the funk off

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<v Speaker 1>or listen to us on the way. Sorry, I I

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<v Speaker 1>couched it a little. Get on your bird scooter, get

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<v Speaker 1>in your car, get on your public dancy, get on

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<v Speaker 1>your free can, burn it on your you know, whatever

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<v Speaker 1>mode of transit you want. Just get out there and vote.

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<v Speaker 1>Hope you did your research. Yeah, well, okay, so so

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<v Speaker 1>that that a side. Welcome to the Beck dol Cast.

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<v Speaker 1>If you're not listening to this on election day, sorry

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<v Speaker 1>for coming in so hot, but the message rings true.

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<v Speaker 1>You should always vote every next opportunity you have. Yeah,

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<v Speaker 1>where that do ag in? Hey quick plug. At the

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<v Speaker 1>top of the show, we're gonna be doing a live

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<v Speaker 1>becktel Cast show here in Los Angeles, so hopefully you'll

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<v Speaker 1>live here. But if not, just travel, get with the program.

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<v Speaker 1>No big deal, just just you know, by flight. Didn't

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<v Speaker 1>come on down. But we're doing a show on Saturday,

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<v Speaker 1>November tenth at nine pm at the Ruby. This time

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<v Speaker 1>we'll be covering the Fifth Element, one of My Thieves,

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<v Speaker 1>with our guest and dear friend, Danielle Radford. Hell yeah.

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<v Speaker 1>For tickets, go to our website becktel cast dot com,

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<v Speaker 1>click on the live appearances tab and we will see

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<v Speaker 1>you there. It's a small venue, so grab your tickets asap. Wow, yes, queen,

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<v Speaker 1>go off. Okay, So this is our podcast about the

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<v Speaker 1>portrayal of women in movies. Um. We use the Bechdel

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<v Speaker 1>test as are jumping off point for discussion. Of course,

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<v Speaker 1>a test invented by cartoonist Alison Bechdel that for our

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<v Speaker 1>purposes requires that a piece of media has a scene

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<v Speaker 1>in which two female identifying characters with names talk about

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<v Speaker 1>something other than a man for two or more lines

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<v Speaker 1>of dialogue. Shall we demo? Yeah? Demo? Hey, Hey Jamie,

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<v Speaker 1>Hey Caitlin. Did you vote today? Yes, bitch, of course

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<v Speaker 1>I did? Well, me too. Wow, We're great. I only

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<v Speaker 1>voted for women, and that passes the Bechdel test. Okay,

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<v Speaker 1>I was like, well, but what if something? But also

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<v Speaker 1>this still goes. Some female candidates might have some horrible ideas,

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<v Speaker 1>so it's good to do your research at advice as well.

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<v Speaker 1>Darn Tuton, what a productive Bagel pass test passing conversation.

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<v Speaker 1>So that's where. But but we obviously expand the conversation

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<v Speaker 1>to cover many different topics related to how women are

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<v Speaker 1>portrayed in the movie. Today, we've got a great movie

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<v Speaker 1>and a great guest. Yes, indeed, let's introduce her. She

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<v Speaker 1>is a producer, writer, actor, and host of the Kind

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<v Speaker 1>of Dating podcast Natasha Shandel. Hello, I was just listening

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<v Speaker 1>to you in THEE. I hope I said something half decent.

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<v Speaker 1>It was an uplifting one. Yeah, great, then I'd take

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<v Speaker 1>full credit for it. So we're talking about Election, the

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<v Speaker 1>movie from director Alexander Payne, adapted from a novel by

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<v Speaker 1>Tom Peroda. I used to have a doctor named Dr Payne. Oh,

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<v Speaker 1>and I had it, and and I had a dentist

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<v Speaker 1>named Dr Vagenie, which is hilarious, which is horrible. Why

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<v Speaker 1>did my dentist Why was my dadists last name of Vagina?

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<v Speaker 1>We don't know. If Dr Vagenice gives me a root canal,

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<v Speaker 1>it does that pass? Then these are the real questions.

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<v Speaker 1>So Natasha tell us about your your history, your relationship

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<v Speaker 1>with this movie. I watched it around when it first

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<v Speaker 1>came out. I really have a horrible memory, so I

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<v Speaker 1>won't be the person who ever remembers me watching something

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<v Speaker 1>in a movie theater. But unless it was Titanic, I

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<v Speaker 1>oh my god, Titanic. Yeah, that's remember watching in the theater.

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<v Speaker 1>Everything else after that just is gone. Usually threepisodes like

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<v Speaker 1>usually Jamie, let's do another and I yeah, let's scratch election.

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<v Speaker 1>This is a Titanic podcast. Now, Usually it's one of

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<v Speaker 1>us to bring up Titanic, and our guest is always like,

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<v Speaker 1>why are they talking about Titanic? Well, I was just

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<v Speaker 1>gonna say we could bring it back to an election,

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<v Speaker 1>because really, if they were to have voted off, who

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<v Speaker 1>should have got off that fucking vote? It would not

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<v Speaker 1>have been half of those people who actually got off.

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<v Speaker 1>Can you imagine, like what a better world it would

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<v Speaker 1>be of some of those rich motherfucker's had drowned? Hot takes? Yep,

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<v Speaker 1>but and some working class women survived. Yes? Great, but yes,

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<v Speaker 1>I so I watched I watched Election again around when

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<v Speaker 1>it first came out. I thought it was hilarious. I

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<v Speaker 1>thought Reese Witherspoon was a great antiher, like it's the

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<v Speaker 1>kind of characters I like a lot um and I'm

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<v Speaker 1>still not sure. When I watched it again, I'm like,

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<v Speaker 1>do I like her? Do I not like her? Likes?

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<v Speaker 1>And I love that about her just as an actor,

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<v Speaker 1>And honestly, like, who thought when that movie came out?

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<v Speaker 1>Was that twenty something years or less than twenty years later?

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<v Speaker 1>I feel like it's the exact thing happening or happened. Yeah,

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<v Speaker 1>the parallels between this movie and the Clinton Trump campaign

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<v Speaker 1>are There's a lot to unpack there because I think

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<v Speaker 1>I think that I mean, we can get to this

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<v Speaker 1>in a bit, but I think that Tracy Flick is

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<v Speaker 1>already partially inspired by Hillary Clinton in this movie because

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<v Speaker 1>this is at the end of the Clinton administration, the

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<v Speaker 1>public is always already well aware that Hillary Clinton has

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<v Speaker 1>ambitions beyond what was the quote of making cookies and

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<v Speaker 1>right Also, I have some Wikipedia trivia for us hit

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<v Speaker 1>that the novel that this movie is based upon. The

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<v Speaker 1>novel was inspired by two key events. The first one

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<v Speaker 1>was the nine two Bush v. Clinton election campaign, this

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<v Speaker 1>of course being Bill Clinton and not Hillary, but I

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<v Speaker 1>think that that's when that quote may have first come

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<v Speaker 1>out though, like that she was not going to be

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<v Speaker 1>your average first lady if he was elected UM. And

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<v Speaker 1>then in that campaign Ross Perrot entered as a third

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<v Speaker 1>party candidate UM, which is echoed in the movie by

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<v Speaker 1>Tammy Metzler. Showing up was Tammy Metzler, the literal Green

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<v Speaker 1>Party is she like fucking Nager. That's crazy, well, Gary Johnson,

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<v Speaker 1>but if you fast forward her now, she'd be Trump.

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<v Speaker 1>She I started that that. That's what I was a disrupter, right,

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<v Speaker 1>like the one who's like, don't she's not really care

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<v Speaker 1>about this. You do this, don't do that. I'm gonna

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<v Speaker 1>drain the swamp. I'm going to get rid of this

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<v Speaker 1>no more student body whatever. I was crazy, right, That's

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<v Speaker 1>what I think I was thinking along those lines. But

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<v Speaker 1>that totally makes sense that she, I guess in this

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<v Speaker 1>context would be third party like Green Party. Yeah, whoa,

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<v Speaker 1>This movie is crazy, so I really liked it. The

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<v Speaker 1>other thing that the novel was inspired by was a

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<v Speaker 1>incident at a high school in Wisconsin where a pregnant

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<v Speaker 1>teenager was elected homecoming queen, but the staff announced a

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<v Speaker 1>different winner and burned the ballots to cover it up.

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<v Speaker 1>Horrible that that's so crazy, would so not work in

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<v Speaker 1>today's social media world. Absolutely, but in pulled it off.

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<v Speaker 1>I mean, thankfully homecoming doesn't define our lives. Speak for yourself.

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<v Speaker 1>We just did carry so a lot of very true

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<v Speaker 1>once your history with election. I didn't see it until

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<v Speaker 1>I think I was in college, so it would have

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<v Speaker 1>been like the mid two thousand's, so not that long

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<v Speaker 1>after it came up, but certainly not right away. But

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<v Speaker 1>I remember really enjoying it. But it was one of

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<v Speaker 1>those movies that I liked but just was like, Okay,

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<v Speaker 1>I've checked that off my list, move on to the

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<v Speaker 1>next one on our list. Didn't ever go back and

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<v Speaker 1>re visit it, but I'm kind of bummed that I didn't,

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<v Speaker 1>because upon rewatching it to prep for this episode, I

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<v Speaker 1>was like, oh, this is like a really this is

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<v Speaker 1>a fun movie. The Tammy character, especially, I I'm like,

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<v Speaker 1>so here for and uh yeah, I really I enjoy

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<v Speaker 1>this movie quite a bit. I saw this movie yesterday

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<v Speaker 1>for the first time, which listeners of the show will

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<v Speaker 1>not be shocked to hear. I've never I've only seen

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<v Speaker 1>the movie Doubt, plus any Titanic and Titanic plus all

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<v Speaker 1>the movies we've done here. Mine is The Majornks, which

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<v Speaker 1>I didn't actually watch, which is so often brought up

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<v Speaker 1>in our iTunes reviews. If you're leaving us it tuned reviews,

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<v Speaker 1>I encourage you to mention that as a plus as

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<v Speaker 1>a meta textual thing. I saw this movie the first

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<v Speaker 1>time yesterday, and I really really like it, especially like

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<v Speaker 1>I mean, there's so many great performances in that but

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<v Speaker 1>this is the only movie that I've seen anyways of Also,

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<v Speaker 1>Matthew Broderick playing like a really despicable guy that you're

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<v Speaker 1>supposed to hate, but he plays it so like, I

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<v Speaker 1>don't know, I really enjoyed his performance, especially, and I

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<v Speaker 1>just want to talk about how Reeseaway's potent. I think

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<v Speaker 1>it's like she's so, she's so talented and she's so

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<v Speaker 1>interesting where I feel like she's played a care her

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<v Speaker 1>that has kind of the same description every time, but

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<v Speaker 1>she plays this character so many different ways over the

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<v Speaker 1>years that it's just like, yeah, like making fifty different

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<v Speaker 1>recipes out of the same basic ingredients, right with her.

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<v Speaker 1>So including a couple of movies that we've covered, which

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<v Speaker 1>is our most recent episode of Cruel Intentions, where she's

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<v Speaker 1>like in high school, she's like the virginal but she's smart, Yeah,

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<v Speaker 1>like very smart, ambitious young woman going to a private

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<v Speaker 1>school and then getting tricked into having sex with Ryan

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<v Speaker 1>Philippi and usually men are like threatened by her. Yeah,

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<v Speaker 1>and then l Woods of course, on our Bonus Matron

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<v Speaker 1>episode doing Legally Blonde, kind of a variation on this character,

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<v Speaker 1>but so entirely different all the way up to Big

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<v Speaker 1>Little Lies, like that was sort of like a like

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<v Speaker 1>returning to form a little bit of like that's a

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<v Speaker 1>more mature version of the characters she got famous for playing.

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<v Speaker 1>She's so she's very interesting to me, yes, indeed, And

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<v Speaker 1>this movie is great. Yeah, Yeah, I mean, the one

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<v Speaker 1>thing that really stuck out to me were like there

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<v Speaker 1>were so many themes that they talked about through it

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<v Speaker 1>that you know, even like right off the top through

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<v Speaker 1>Matthew Broderick's like narration, the talk of destiny at first,

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<v Speaker 1>and then they and then they talked about like morals,

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<v Speaker 1>it's just like a big one, and and then just

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<v Speaker 1>you know how much just too ambitious. It was like

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<v Speaker 1>so many things that are so relevant. And the ending,

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<v Speaker 1>I think, I know that we haven't even done the

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<v Speaker 1>recap yet, but the ending of this movie. I watched

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<v Speaker 1>it four times because it's just like the movie is

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<v Speaker 1>firing on all cylinders, and like the last five minutes

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<v Speaker 1>where you know, the whole time you're experiencing the movie

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<v Speaker 1>through unreliable narrators. But it's like in the last couple

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<v Speaker 1>of minutes where Matthew Project's narration is still so cocky,

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<v Speaker 1>and then you see like it's so stark at the

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<v Speaker 1>end that I one, I wish I had the time

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<v Speaker 1>to go back and watch the whole thing over with

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<v Speaker 1>that in mind of like, oh, you can't trust a

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<v Speaker 1>fucking word that comes out of this guy's mouth from

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<v Speaker 1>the moment, but what you know, but like, I can't

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<v Speaker 1>wait to watch this movie again. It's okay, yeah, so

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<v Speaker 1>I'll do the recap um. We meet Tracy Flick played

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<v Speaker 1>by Reese Witherspoon. Of course, she is in high school.

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<v Speaker 1>She's an overachiever. She is running for student council president.

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<v Speaker 1>We meet Mr McAllister played by Matthew Broderick. He's a history,

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<v Speaker 1>everyday guy. He likes his wife, and he likes his job.

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<v Speaker 1>He's just a nice Keith. Well, it starts out like

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<v Speaker 1>it's Matthew Broderick. You like him, right, he's a teacher

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<v Speaker 1>this time, Yeah, you like that probably, but he seems

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<v Speaker 1>to be perturbed by Tracy Flick. And then in the

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<v Speaker 1>back story we learned that Tracy had a sexual relationship

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<v Speaker 1>with another teacher, Mr. Nevatney, who got fired and he

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<v Speaker 1>moves away, but he and Mr McAllister were best friends.

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<v Speaker 1>Locker room talk, you get. We got a whole scene

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<v Speaker 1>of locker room talking where we'll talk about this too.

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<v Speaker 1>But that I think the movies pay us so well,

0:13:08.920 --> 0:13:12.920
<v Speaker 1>and like, you start to hate Matthew Bradgick character in

0:13:13.040 --> 0:13:16.719
<v Speaker 1>such specific increments where you're given a little bit of like, well,

0:13:16.720 --> 0:13:18.800
<v Speaker 1>I didn't do anything wrong, but he was complicit as

0:13:18.840 --> 0:13:23.080
<v Speaker 1>something wrong happened, where he's always the moral high ground,

0:13:23.160 --> 0:13:26.160
<v Speaker 1>even in that conversation where his best friends like, I'm

0:13:26.320 --> 0:13:31.320
<v Speaker 1>having sex with a minor cool, right, and then Jim

0:13:31.440 --> 0:13:35.480
<v Speaker 1>the Matthew Bradgick character says like, well, that's not ethical.

0:13:35.600 --> 0:13:37.840
<v Speaker 1>Fucking ethics teacher. He's like, well that's not ethical and

0:13:37.840 --> 0:13:41.360
<v Speaker 1>that's bad and dada, but he doesn't really do anything

0:13:41.400 --> 0:13:43.960
<v Speaker 1>about it. He just kind of stands by as it happens.

0:13:44.640 --> 0:13:47.240
<v Speaker 1>He's just tell me all the details, please describe it

0:13:47.520 --> 0:13:50.760
<v Speaker 1>even further, and then I'll go watch my creepy VH

0:13:50.800 --> 0:13:53.040
<v Speaker 1>exactly and I'll just tell you that this isn't right,

0:13:53.120 --> 0:13:56.959
<v Speaker 1>but keep going and picture Everything's like, I don't want

0:13:56.960 --> 0:14:00.719
<v Speaker 1>to hear that, but secretly we're pretty sure he does. Um.

0:14:00.800 --> 0:14:03.520
<v Speaker 1>And this is one of the reasons this relationship between

0:14:03.520 --> 0:14:05.840
<v Speaker 1>this teacher and student is one of the reasons that

0:14:05.960 --> 0:14:09.800
<v Speaker 1>Jim McAllister does not like Tracy, and we'll go into

0:14:10.280 --> 0:14:15.560
<v Speaker 1>other reasons, but so Mr. McAllister doesn't want Tracy to

0:14:15.559 --> 0:14:20.360
<v Speaker 1>win the student council president, so he approaches Paul played

0:14:20.360 --> 0:14:26.640
<v Speaker 1>by Chris Klein. What an interesting jock care I love

0:14:26.800 --> 0:14:31.240
<v Speaker 1>I can't wait to talk about him. Such an interesting right.

0:14:31.280 --> 0:14:33.680
<v Speaker 1>So he's a he's a popular kid. He's you know,

0:14:33.760 --> 0:14:36.040
<v Speaker 1>star of the football team. He I kind of love

0:14:36.080 --> 0:14:40.120
<v Speaker 1>if he's dumb as rock, but he's sweet. He's always

0:14:40.120 --> 0:14:42.840
<v Speaker 1>a character too, right, Yeah, that's kind of thing. He's

0:14:42.880 --> 0:14:46.120
<v Speaker 1>so good at it. What's the other Anyways, I'm gonna

0:14:46.160 --> 0:14:49.160
<v Speaker 1>dig up some other Chris Clin dum dummy parts, American

0:14:49.200 --> 0:14:54.360
<v Speaker 1>pie Yeah, yeah, yeah, big one. So Mr McAllister gets

0:14:54.440 --> 0:14:58.760
<v Speaker 1>Paul to run an opposing campaign for president and helps

0:14:58.800 --> 0:15:03.080
<v Speaker 1>that Paul will be Tracy Flick. So Paul starts campaigning,

0:15:03.520 --> 0:15:07.280
<v Speaker 1>and then we meet Paul's sister Tammy, who is getting

0:15:07.280 --> 0:15:11.000
<v Speaker 1>broken up with by this girl Lisa, who then starts

0:15:11.040 --> 0:15:16.000
<v Speaker 1>to date Paul and then to retaliate. Tammy also starts

0:15:16.120 --> 0:15:20.600
<v Speaker 1>running for student council president as Donald Trump sort of,

0:15:21.480 --> 0:15:24.400
<v Speaker 1>where she promises she's like I don't care, I just

0:15:24.560 --> 0:15:27.640
<v Speaker 1>want to do it to bother people. And she's literally

0:15:27.680 --> 0:15:32.040
<v Speaker 1>like Kanye Maga hat like just trolling everyone because she's mad.

0:15:32.360 --> 0:15:35.480
<v Speaker 1>Yeah basically yeah yeah, because she's running on the platform

0:15:35.600 --> 0:15:38.720
<v Speaker 1>that student government is stupid and if she wins, she

0:15:38.840 --> 0:15:42.880
<v Speaker 1>will dismantle it. Just an anarchy platform. Yeah, he's giving

0:15:42.920 --> 0:15:46.520
<v Speaker 1>me chills. But the people love it. The people are like, yeah,

0:15:46.800 --> 0:15:50.280
<v Speaker 1>Tammy here, I love it way more than Paul's campaign

0:15:50.320 --> 0:15:53.480
<v Speaker 1>because he is a terrible public speaker. But that's because

0:15:53.560 --> 0:15:58.200
<v Speaker 1>so my name is Paul. Who was that equivalent? That's

0:15:58.240 --> 0:16:00.400
<v Speaker 1>the one I was trying to figure out. That's like

0:16:00.440 --> 0:16:03.240
<v Speaker 1>Ted Cruz or something like. The guys like, oh, I'm

0:16:03.280 --> 0:16:10.000
<v Speaker 1>supposed to that's way more like, you know, he was

0:16:10.040 --> 0:16:14.280
<v Speaker 1>sort of the nicest Bush. And then you're like, okay, right,

0:16:15.200 --> 0:16:17.600
<v Speaker 1>there's even almost at like please clap moment where no

0:16:17.600 --> 0:16:20.480
<v Speaker 1>one says that allowed, but his like speech ends, there

0:16:20.520 --> 0:16:24.640
<v Speaker 1>are crickets, and then Mr McCallister has to be like, yeah,

0:16:24.800 --> 0:16:27.320
<v Speaker 1>if only we had found out, like almost twenty years

0:16:27.360 --> 0:16:30.800
<v Speaker 1>later that police clap actually came from election and Jeff

0:16:30.800 --> 0:16:35.680
<v Speaker 1>Bush love that well. Fun fact. According to according to

0:16:35.840 --> 0:16:43.520
<v Speaker 1>director Alexander Payne, Election is Obama's favorite political movie. I'm sorry,

0:16:43.560 --> 0:16:45.400
<v Speaker 1>I'm stuck. I haven't thought about police clap in a

0:16:45.400 --> 0:16:53.120
<v Speaker 1>long time. Jeb Bush implored people to clap for him,

0:16:53.160 --> 0:16:57.880
<v Speaker 1>and that's clap facts with Caitlin. Okay, um, so people

0:16:57.920 --> 0:17:00.880
<v Speaker 1>are loving Tammy also more than trace He's campaign because

0:17:00.960 --> 0:17:04.240
<v Speaker 1>she's just very you know, bureaucratic. By the book, she's

0:17:04.320 --> 0:17:09.240
<v Speaker 1>too prepared. Yeah, So Tracy is very frustrated and she

0:17:09.720 --> 0:17:14.520
<v Speaker 1>rips down all of Paul's campaign posters and then Tammy

0:17:14.600 --> 0:17:18.400
<v Speaker 1>sees Tracy throwing them away in a dumpster. But Tammy

0:17:18.480 --> 0:17:22.159
<v Speaker 1>decides to confess to Tracy's crime because that kind of

0:17:22.200 --> 0:17:24.760
<v Speaker 1>helps her platform to have, like, yeah, I don't give

0:17:24.800 --> 0:17:29.439
<v Speaker 1>a fuck. Yeah. The parallel to that is Bernie Sanderson.

0:17:31.480 --> 0:17:35.159
<v Speaker 1>We're finding the whole just like I just got to

0:17:35.200 --> 0:17:38.160
<v Speaker 1>figure out how this is all parallel to everything that

0:17:38.280 --> 0:17:43.760
<v Speaker 1>fired up. So meanwhile, Mr McAllister is falling in love

0:17:44.000 --> 0:17:47.920
<v Speaker 1>with Mr Nivatny's ex wife Linda, or he thinks he is.

0:17:49.840 --> 0:17:53.680
<v Speaker 1>They have sex once, but things very quickly fall apart

0:17:53.720 --> 0:17:57.640
<v Speaker 1>after that whenever Linda tells Jim's wife Diane, and then

0:17:57.680 --> 0:18:00.280
<v Speaker 1>he gets kicked out of the house. Um. And then

0:18:00.280 --> 0:18:03.520
<v Speaker 1>the next day is election day at the school, the

0:18:03.640 --> 0:18:07.680
<v Speaker 1>students are casting their votes, the committee is making their

0:18:07.920 --> 0:18:11.000
<v Speaker 1>count and then the chairman of this committee a student

0:18:11.080 --> 0:18:16.080
<v Speaker 1>named Larry. Larry, Yeah right, he's like really advocating for

0:18:16.160 --> 0:18:21.800
<v Speaker 1>Tracy because truths why is all about the truth? Because

0:18:21.840 --> 0:18:25.720
<v Speaker 1>Tracy wins the election by one vote, and Mr McAllister

0:18:26.000 --> 0:18:28.680
<v Speaker 1>he comply cannot allow this to help. He goes full

0:18:28.760 --> 0:18:32.520
<v Speaker 1>Florida like Florida two thousand young Man, the hanging Chad,

0:18:32.720 --> 0:18:37.920
<v Speaker 1>the chest, the cha chas. He pulls two of those

0:18:38.000 --> 0:18:40.840
<v Speaker 1>chats off and he throws them away so that it

0:18:40.840 --> 0:18:45.480
<v Speaker 1>looks like Paul wins the election. Tracy is devastated, but

0:18:45.640 --> 0:18:50.560
<v Speaker 1>Larry feminist icon, he's suspicious, so you know, he apparently

0:18:50.560 --> 0:18:53.480
<v Speaker 1>goes to investigate. The two ballots that were thrown away

0:18:53.560 --> 0:18:58.199
<v Speaker 1>are discovered, and then Jim McAllister has to submit his

0:18:58.280 --> 0:19:01.760
<v Speaker 1>resignation from Carter Hi, which I have so many thoughts.

0:19:01.800 --> 0:19:05.439
<v Speaker 1>But how the exit system for male teachers work at

0:19:05.440 --> 0:19:09.960
<v Speaker 1>the school too? Oh yeah, we'll get into that. Also,

0:19:10.040 --> 0:19:13.240
<v Speaker 1>the side story about him getting it on with well,

0:19:13.280 --> 0:19:18.919
<v Speaker 1>he's lecturing Tracy, right, huh. He's he's trying to preach

0:19:19.240 --> 0:19:26.080
<v Speaker 1>morals and ethics. Meanwhile, friends, yeah, he's trying too. That's

0:19:26.160 --> 0:19:30.359
<v Speaker 1>so frustrating to It's just this movie is so so

0:19:30.440 --> 0:19:33.920
<v Speaker 1>that happens, and then we see something we never see

0:19:33.920 --> 0:19:37.080
<v Speaker 1>it in movies usually where it's like he loses his job,

0:19:37.080 --> 0:19:40.760
<v Speaker 1>he loses his wife, and then we kind of flash

0:19:40.880 --> 0:19:43.880
<v Speaker 1>forward for the end, right, because he starts his life over.

0:19:43.920 --> 0:19:46.040
<v Speaker 1>He moves to New York City, he gets a job

0:19:46.080 --> 0:19:49.600
<v Speaker 1>at like the Natural History Museum. He is still harboring

0:19:49.680 --> 0:19:53.239
<v Speaker 1>resentment for Tracy Flick and and he says he doesn't right,

0:19:53.320 --> 0:19:56.119
<v Speaker 1>he says he doesn't. He lives in a basement. But

0:19:56.200 --> 0:20:01.280
<v Speaker 1>he could not be more clear than that was triggering.

0:20:02.160 --> 0:20:03.320
<v Speaker 1>I was like, I used to live in New York.

0:20:03.359 --> 0:20:07.439
<v Speaker 1>I was like, I remember these times. Well. Um, so

0:20:07.520 --> 0:20:12.480
<v Speaker 1>he still hates Tracy. And it's even though he would

0:20:12.520 --> 0:20:15.840
<v Speaker 1>have you believe that his life is great, he actually

0:20:15.840 --> 0:20:19.440
<v Speaker 1>feels bad for her, right right, right, right right, Um,

0:20:19.480 --> 0:20:21.560
<v Speaker 1>But we'll talk all about that. But yeah, that's pretty

0:20:21.600 --> 0:20:24.320
<v Speaker 1>much the end of the film. So let's take a

0:20:24.400 --> 0:20:27.640
<v Speaker 1>quick break and then we'll come back to discuss woo

0:20:32.320 --> 0:20:39.000
<v Speaker 1>and we're back. So this story is basically a pathetic

0:20:39.320 --> 0:20:43.000
<v Speaker 1>man who ruins his life because he were since wimmen

0:20:43.359 --> 0:20:47.200
<v Speaker 1>and what it blames down to. Yeah, yeah, So we

0:20:47.359 --> 0:20:52.160
<v Speaker 1>see a female high school student who, unlike most high

0:20:52.160 --> 0:20:55.800
<v Speaker 1>school students in movies and certainly many that we've talked

0:20:55.800 --> 0:20:59.480
<v Speaker 1>about recently, Um, she has aspirations beyond wanting to get

0:20:59.480 --> 0:21:03.560
<v Speaker 1>a boyfriend or beyond wanting to go to prom. In fact,

0:21:03.640 --> 0:21:05.560
<v Speaker 1>we don't even know how she feels about prom because

0:21:05.600 --> 0:21:08.840
<v Speaker 1>she never mentions it. But we do know how she

0:21:08.880 --> 0:21:11.639
<v Speaker 1>feels about student council because the whole movie is about

0:21:11.640 --> 0:21:15.040
<v Speaker 1>her wanting to win. So if we're getting into the

0:21:15.040 --> 0:21:18.680
<v Speaker 1>Tracy discussion, there's there's so much about her that it's like,

0:21:19.200 --> 0:21:22.040
<v Speaker 1>I don't know, like unusual and like tricky to unpack

0:21:22.320 --> 0:21:24.399
<v Speaker 1>in the context of the story, or was for me

0:21:24.960 --> 0:21:29.080
<v Speaker 1>where I would argue almost every character in this movie

0:21:29.200 --> 0:21:33.359
<v Speaker 1>grows and changes very little, and like their situations change,

0:21:33.400 --> 0:21:35.200
<v Speaker 1>but they like I think almost part of the point

0:21:35.200 --> 0:21:38.480
<v Speaker 1>of the movie is no one really changes, where they

0:21:38.600 --> 0:21:41.159
<v Speaker 1>just kind of continue lying to themselves and others. And

0:21:41.200 --> 0:21:45.199
<v Speaker 1>that's politics, baby, Like I get it. But Tracy in

0:21:45.200 --> 0:21:50.240
<v Speaker 1>particular is is interesting because we're introduced with kind of

0:21:50.280 --> 0:21:56.040
<v Speaker 1>a common shorthand to characterize a female character, which is

0:21:56.359 --> 0:21:59.840
<v Speaker 1>you put her in a very fucked up, what seems

0:21:59.840 --> 0:22:04.640
<v Speaker 1>to be a statutory rape relationship that clearly does even

0:22:04.680 --> 0:22:07.720
<v Speaker 1>though it I think this movie avoids, certainly avoids making

0:22:07.720 --> 0:22:11.879
<v Speaker 1>it the center of her story, but it clearly affects

0:22:11.920 --> 0:22:15.000
<v Speaker 1>her a lot. And the way this movie plays that

0:22:15.119 --> 0:22:19.600
<v Speaker 1>storyline is very bizarre. I mean in terms of the metaphor,

0:22:20.160 --> 0:22:22.600
<v Speaker 1>I don't know if that's like a politician that has

0:22:22.640 --> 0:22:25.800
<v Speaker 1>a sex scandal or what that was supposed to symbolize.

0:22:26.680 --> 0:22:29.600
<v Speaker 1>But in terms of like in this story it is

0:22:29.640 --> 0:22:33.600
<v Speaker 1>an adult and a minor, I was a little confused

0:22:33.600 --> 0:22:36.720
<v Speaker 1>at why it didn't seem to affect Tracy Moore. If

0:22:36.720 --> 0:22:38.400
<v Speaker 1>the story is going to go out of its way

0:22:38.520 --> 0:22:42.919
<v Speaker 1>to be like, here's a statutory rape that happened, and

0:22:42.960 --> 0:22:45.960
<v Speaker 1>then it does seem like Tracy, to her credit but

0:22:46.000 --> 0:22:49.280
<v Speaker 1>also a little bit to my confusion, continue to do

0:22:49.359 --> 0:22:52.200
<v Speaker 1>everything in high school that she was going to do anyways,

0:22:52.240 --> 0:22:56.040
<v Speaker 1>almost unhindered by this relationship. I thought it was a

0:22:56.080 --> 0:22:59.680
<v Speaker 1>little weird. I don't know. Yeah, I had a hard

0:22:59.840 --> 0:23:04.400
<v Speaker 1>time kind of processing this component of the story is

0:23:04.680 --> 0:23:08.560
<v Speaker 1>well because she, as far as we can tell, as

0:23:08.600 --> 0:23:12.520
<v Speaker 1>far as the story presents it, she is a willing

0:23:12.640 --> 0:23:16.600
<v Speaker 1>and consenting participant of this relationship. That's that. And and

0:23:16.920 --> 0:23:19.879
<v Speaker 1>this is another place where the voiceover where you know

0:23:19.920 --> 0:23:24.320
<v Speaker 1>the voiceover is biased and not necessarily true. But I

0:23:24.320 --> 0:23:27.439
<v Speaker 1>think movies like Do This a lot where she literally

0:23:27.440 --> 0:23:31.240
<v Speaker 1>says I know what you're thinking, you know, and it's like, yeah,

0:23:31.320 --> 0:23:34.280
<v Speaker 1>I know what I'm thinking. You're getting raped by your teacher,

0:23:35.040 --> 0:23:39.040
<v Speaker 1>And movies almost say like by acknowledging it, they get

0:23:39.040 --> 0:23:42.240
<v Speaker 1>a past. But it's like, no, that's still what's happening

0:23:42.240 --> 0:23:44.040
<v Speaker 1>in the movie. But she says, like, I know what

0:23:44.080 --> 0:23:46.760
<v Speaker 1>you're thinking. It basically says I was a fully consenting party.

0:23:46.800 --> 0:23:49.840
<v Speaker 1>Don't worry about it, did it? But like the breakup sucked.

0:23:50.320 --> 0:23:54.159
<v Speaker 1>But it's like she almost kind of it seems like

0:23:54.200 --> 0:23:57.359
<v Speaker 1>the relationship ends because her mother finds out about it,

0:23:57.760 --> 0:23:59.439
<v Speaker 1>and we don't see enough of the mother in this

0:23:59.480 --> 0:24:03.480
<v Speaker 1>movie either. It's very weird. Yeah, so the mother finds

0:24:03.480 --> 0:24:05.960
<v Speaker 1>out about it in a scene that happens off screen

0:24:05.960 --> 0:24:08.320
<v Speaker 1>because we only see the aftermath of it, which is

0:24:08.960 --> 0:24:12.760
<v Speaker 1>Dave Nevatney being very broken up over the relationship ending.

0:24:12.880 --> 0:24:16.359
<v Speaker 1>We don't play for laughs, Yeah you were in love,

0:24:16.680 --> 0:24:18.920
<v Speaker 1>Like that whole thing is played for I mean, he's

0:24:18.920 --> 0:24:22.440
<v Speaker 1>supposed to look pathetic and he's very clearly in context

0:24:22.520 --> 0:24:24.840
<v Speaker 1>of the story and the wrong but just was weird

0:24:24.880 --> 0:24:27.480
<v Speaker 1>that it fits the tone of the movie, but him

0:24:27.520 --> 0:24:30.200
<v Speaker 1>looking like pathetic and then being like, Okay, you gotta

0:24:30.200 --> 0:24:31.879
<v Speaker 1>work at a grocery store because when they bring it

0:24:31.920 --> 0:24:34.760
<v Speaker 1>back later. It's also played for laughs. I just didn't

0:24:34.800 --> 0:24:37.359
<v Speaker 1>like that this rape was continually played for laughs and

0:24:37.400 --> 0:24:39.520
<v Speaker 1>didn't impact the story really that right. And then the

0:24:39.560 --> 0:24:44.400
<v Speaker 1>way that Tracy responds to the relationship and the breakup

0:24:44.480 --> 0:24:46.320
<v Speaker 1>is that, oh, he had to go and get all mushy,

0:24:46.480 --> 0:24:51.080
<v Speaker 1>like I had to go with me, I miss our talks.

0:24:51.119 --> 0:24:54.480
<v Speaker 1>But otherwise, like what a loser kind of thing. So yeah,

0:24:54.560 --> 0:24:57.879
<v Speaker 1>I feel like that's not necessarily the most realistic way

0:24:57.960 --> 0:25:01.320
<v Speaker 1>in which that that type of relationship would play out,

0:25:01.400 --> 0:25:04.240
<v Speaker 1>especially as it pertains to how it would affect a

0:25:04.400 --> 0:25:09.399
<v Speaker 1>teen girl. Well, so I think the way that they think, Yeah,

0:25:09.440 --> 0:25:11.920
<v Speaker 1>my my issue was that they made it seem like

0:25:12.080 --> 0:25:15.439
<v Speaker 1>she based on her voiceover that that she was consenting

0:25:15.480 --> 0:25:17.680
<v Speaker 1>and she's like, oh, he didn't, you know, he didn't

0:25:17.720 --> 0:25:19.840
<v Speaker 1>do anything. And then clearly in the action you see

0:25:20.480 --> 0:25:23.360
<v Speaker 1>he convinced her, like, you know, by playing her emotions

0:25:23.359 --> 0:25:26.679
<v Speaker 1>and manipulating her. But then the scenes when they actually

0:25:26.800 --> 0:25:30.240
<v Speaker 1>start like progressing and are having sex, in the moment

0:25:30.240 --> 0:25:33.000
<v Speaker 1>when she's about to enter the room, she looks scared

0:25:33.359 --> 0:25:36.080
<v Speaker 1>and she looks like, oh my god, I have to

0:25:36.119 --> 0:25:37.800
<v Speaker 1>do this, okay, and he kind of has to pull

0:25:37.800 --> 0:25:41.760
<v Speaker 1>her into that and then later for her to come

0:25:41.760 --> 0:25:44.680
<v Speaker 1>back and be like, oh, well he caught feeling. It

0:25:44.840 --> 0:25:48.439
<v Speaker 1>was like I was like, I thought you were. That

0:25:48.520 --> 0:25:49.920
<v Speaker 1>was why I was like, I want to watch the

0:25:49.960 --> 0:25:54.000
<v Speaker 1>movie over knowing that all the voice over our lies,

0:25:54.520 --> 0:25:58.320
<v Speaker 1>because I guess now understanding that a little better, it's like, oh,

0:25:58.359 --> 0:26:02.320
<v Speaker 1>all that voiceover is not true necessarily because we see

0:26:02.359 --> 0:26:05.840
<v Speaker 1>her being coerced, and I think the movie understands that,

0:26:05.880 --> 0:26:08.200
<v Speaker 1>but it just like it just wasn't clear because it's

0:26:08.240 --> 0:26:10.399
<v Speaker 1>so early in the movie where and then even at

0:26:10.400 --> 0:26:12.920
<v Speaker 1>the end of her final scene though, when she sees

0:26:13.320 --> 0:26:17.800
<v Speaker 1>the teacher character again, she's like a young politician or

0:26:17.840 --> 0:26:20.480
<v Speaker 1>something and she's getting in a car with some senior

0:26:20.560 --> 0:26:24.760
<v Speaker 1>male politician and her look is almost like am I

0:26:24.840 --> 0:26:29.119
<v Speaker 1>fucking him? And you're just like, wait, are you what?

0:26:29.119 --> 0:26:31.320
<v Speaker 1>What is he? Because it's sort of like the teacher

0:26:31.359 --> 0:26:34.880
<v Speaker 1>insinuating it in a little bit with that, I thought, oh,

0:26:35.080 --> 0:26:38.800
<v Speaker 1>I didn't even thought of that. That's totally yeah, yeah,

0:26:38.840 --> 0:26:40.399
<v Speaker 1>I don't know. That's where I thought. I was like,

0:26:40.680 --> 0:26:42.879
<v Speaker 1>is he trying to say that she's like using somebody

0:26:42.880 --> 0:26:46.920
<v Speaker 1>again or you know, well, because it seems necess certainly,

0:26:46.960 --> 0:26:51.520
<v Speaker 1>how Jim McAllister perceives her, and I think how you

0:26:51.560 --> 0:26:55.080
<v Speaker 1>can definitely interpret this as that she will kind of

0:26:55.119 --> 0:26:57.639
<v Speaker 1>stop at nothing to get ahead, and if that means,

0:26:58.119 --> 0:27:00.440
<v Speaker 1>you know, sleeping her way to the top, I feel

0:27:00.480 --> 0:27:03.840
<v Speaker 1>like the movie is suggesting that that's a definite possibility

0:27:03.920 --> 0:27:07.040
<v Speaker 1>for her. Yeah that I mean that side of it.

0:27:07.119 --> 0:27:10.200
<v Speaker 1>I think that there It's not even like that needed

0:27:10.240 --> 0:27:12.199
<v Speaker 1>to be written out of the story entirely. It just

0:27:12.240 --> 0:27:15.080
<v Speaker 1>felt like that was one of the few subplots of

0:27:15.119 --> 0:27:18.679
<v Speaker 1>this movie that just like it wasn't handled responsibly or

0:27:18.720 --> 0:27:21.920
<v Speaker 1>satirically enough, or there was just something about it because

0:27:21.920 --> 0:27:25.679
<v Speaker 1>there's my kid, the teacher she was messing with, like

0:27:25.800 --> 0:27:29.040
<v Speaker 1>did he add something to her life? That I think

0:27:29.080 --> 0:27:32.399
<v Speaker 1>it's more for Jim than if that storyline affects Jim

0:27:32.480 --> 0:27:34.719
<v Speaker 1>more than it does her, because that opens up that

0:27:34.760 --> 0:27:39.119
<v Speaker 1>guy's ex wife and that's the president that, like Jim

0:27:39.160 --> 0:27:42.159
<v Speaker 1>is like this complicit kind of two faced God. It's

0:27:42.200 --> 0:27:45.800
<v Speaker 1>just weird that they used her as the catalyst for that,

0:27:45.920 --> 0:27:47.960
<v Speaker 1>like she's the bad one when she was the kid

0:27:48.280 --> 0:27:50.520
<v Speaker 1>getting or Jim resents I mean, and I think that

0:27:50.640 --> 0:27:53.879
<v Speaker 1>Jim secretly resents Tracy because now he doesn't work with

0:27:53.880 --> 0:27:57.080
<v Speaker 1>his friend anymore. That's to me, that's the main reason

0:27:57.280 --> 0:28:00.320
<v Speaker 1>narratively why this is in the story, because he needs

0:28:00.359 --> 0:28:02.920
<v Speaker 1>a reason. I mean, it's very clear that he does

0:28:02.960 --> 0:28:06.240
<v Speaker 1>not respect women, and he is very threatened and talks

0:28:06.240 --> 0:28:08.240
<v Speaker 1>his way around it for so long though he's like

0:28:08.280 --> 0:28:10.639
<v Speaker 1>he's like, I don't blame Tracy, and then spends the

0:28:10.680 --> 0:28:13.400
<v Speaker 1>rest of the people blaming her. Yeah. So to me,

0:28:14.080 --> 0:28:16.840
<v Speaker 1>the reason that this part of the story exists in

0:28:16.880 --> 0:28:20.439
<v Speaker 1>the movie is that he needs a compelling I guess

0:28:21.080 --> 0:28:26.080
<v Speaker 1>reason that he really actively represents her and yeah, has

0:28:26.119 --> 0:28:29.480
<v Speaker 1>to like it motivates him to retaliate. But I feel

0:28:29.480 --> 0:28:32.639
<v Speaker 1>like by making it a situation where she is the

0:28:32.720 --> 0:28:37.160
<v Speaker 1>victim of statutory rape is a weird choice and it's

0:28:37.200 --> 0:28:40.560
<v Speaker 1>I mean, like we see in many movies. It is

0:28:40.640 --> 0:28:43.920
<v Speaker 1>directed by a man, co written by two men, and

0:28:44.040 --> 0:28:47.240
<v Speaker 1>adapted from a novel written by a man. So right,

0:28:47.280 --> 0:28:50.360
<v Speaker 1>so we're three degrees of separation away from I mean,

0:28:50.440 --> 0:28:53.960
<v Speaker 1>we're a million degrees because no one was talking to uh,

0:28:54.400 --> 0:28:56.040
<v Speaker 1>not to get two stuck on this point, because there's

0:28:56.040 --> 0:28:57.840
<v Speaker 1>so much to talk about, but there was just the

0:28:57.880 --> 0:29:00.280
<v Speaker 1>way that relationship is were trayed. There was one scene

0:29:00.360 --> 0:29:03.880
<v Speaker 1>especially that like made my heart hurt a little bit

0:29:03.920 --> 0:29:06.480
<v Speaker 1>because I feel like there's like a lot of girls

0:29:06.480 --> 0:29:09.120
<v Speaker 1>who in high school, like, even if it's not the

0:29:09.200 --> 0:29:11.960
<v Speaker 1>extent of that experience, there's like a teacher who talks

0:29:12.000 --> 0:29:14.680
<v Speaker 1>to you some kind of way and goes out of

0:29:14.680 --> 0:29:16.640
<v Speaker 1>their way to make you feel special, and then you

0:29:16.680 --> 0:29:18.680
<v Speaker 1>look back on it and you're like, wait a second,

0:29:18.760 --> 0:29:23.840
<v Speaker 1>that was I literally had an art teacher who would

0:29:23.880 --> 0:29:26.120
<v Speaker 1>always be very complimentary of all the girls, and then

0:29:26.160 --> 0:29:28.600
<v Speaker 1>after school would be like, you should chug a bottle

0:29:28.640 --> 0:29:31.360
<v Speaker 1>of cough syrup and like come back tomorrow and tell

0:29:31.400 --> 0:29:35.560
<v Speaker 1>me what you did, Like just like that was that guy.

0:29:35.800 --> 0:29:40.240
<v Speaker 1>And you see, I mean people wonder why women, particularly

0:29:40.280 --> 0:29:44.120
<v Speaker 1>young women, have like this eternal fraud syndrome, and I

0:29:44.160 --> 0:29:46.640
<v Speaker 1>think this is like a very concise The way that

0:29:46.680 --> 0:29:49.400
<v Speaker 1>scene plays out, I thought was like effective to the

0:29:49.400 --> 0:29:52.400
<v Speaker 1>point of being a little painful to watch, where you know,

0:29:52.440 --> 0:29:55.760
<v Speaker 1>it's like here's this older man who Tracy clearly has

0:29:55.800 --> 0:29:57.680
<v Speaker 1>a lot of respect for and she's a crush on

0:29:57.760 --> 0:30:02.400
<v Speaker 1>him whatever, and he tells her she's smart, she's special,

0:30:02.800 --> 0:30:05.880
<v Speaker 1>she's attractive, and then it's just like this coercion thing.

0:30:06.280 --> 0:30:09.320
<v Speaker 1>It's basically the same speech that Jack gives Rose and

0:30:09.400 --> 0:30:13.240
<v Speaker 1>Titanic where he's like, you're the most outstandingly but wonderful.

0:30:13.320 --> 0:30:17.320
<v Speaker 1>It's not because he means then they're in love, but

0:30:17.400 --> 0:30:22.240
<v Speaker 1>there it hits the same piece because he's like, you're

0:30:22.280 --> 0:30:26.560
<v Speaker 1>the most wonderful, astounding girl woman I've ever known, and

0:30:26.600 --> 0:30:30.600
<v Speaker 1>then Dave Nevatny is like you're the most smart, sensitive,

0:30:30.760 --> 0:30:37.680
<v Speaker 1>attractive student person I've met. There it's just that is

0:30:37.760 --> 0:30:41.000
<v Speaker 1>so like if there's a one scene in a movie

0:30:41.040 --> 0:30:43.240
<v Speaker 1>I've seen in the past couple of years that concisely

0:30:43.280 --> 0:30:47.120
<v Speaker 1>puts like white we'll all actually smart talented women have

0:30:47.320 --> 0:30:50.360
<v Speaker 1>this kind of fraud syndrome. It's like maybe because men

0:30:50.480 --> 0:30:53.280
<v Speaker 1>say that just to fuck them, and then they feel

0:30:53.320 --> 0:30:55.440
<v Speaker 1>like it's not true because someone just said it. So

0:30:55.600 --> 0:30:58.280
<v Speaker 1>that I'll just add the tiniest point because again I

0:30:58.280 --> 0:30:59.600
<v Speaker 1>don't I don't want to see on this too long,

0:30:59.640 --> 0:31:05.040
<v Speaker 1>I'm sure, but when Jim Jim, when he talks about

0:31:05.360 --> 0:31:09.400
<v Speaker 1>like why he's upset, the first cut is to the

0:31:09.480 --> 0:31:12.280
<v Speaker 1>Dave guy saying like her pussy gets a wet or so,

0:31:13.000 --> 0:31:14.760
<v Speaker 1>and then you're like, oh, wait a minute, is he

0:31:14.840 --> 0:31:20.160
<v Speaker 1>talking about this kid? And then with this whole Kavanaugh thing, happening.

0:31:20.360 --> 0:31:23.680
<v Speaker 1>The headline has been you know, Trump says it's dangerous

0:31:23.760 --> 0:31:26.360
<v Speaker 1>to be a young man right now, and I was like,

0:31:27.040 --> 0:31:30.280
<v Speaker 1>is it dangerous to be a young man right now?

0:31:30.960 --> 0:31:34.400
<v Speaker 1>Like interesting, well, welcome to our life for all of time,

0:31:34.840 --> 0:31:38.040
<v Speaker 1>that it is dangerous to be a woman at all

0:31:38.200 --> 0:31:42.960
<v Speaker 1>times in all of history and eternity. One one more

0:31:43.000 --> 0:31:46.680
<v Speaker 1>point about this where there is such heavy and I

0:31:46.680 --> 0:31:48.880
<v Speaker 1>was annoyed about it until again the very end, Where'm like,

0:31:48.880 --> 0:31:51.920
<v Speaker 1>there's so much voice over in this movie, but voiceover

0:31:52.040 --> 0:31:56.040
<v Speaker 1>is used to introduce the characters as well. Another movie

0:31:56.080 --> 0:31:58.120
<v Speaker 1>where that where that happens that we did not too

0:31:58.120 --> 0:32:01.320
<v Speaker 1>long ago, as royal Ton and Bob's, And there was

0:32:01.680 --> 0:32:04.360
<v Speaker 1>a tendency in those movies where the male characters were

0:32:04.360 --> 0:32:08.040
<v Speaker 1>introducing voice over with their accomplishments and the women were

0:32:08.120 --> 0:32:13.640
<v Speaker 1>introduced with their sexual history. And this movie doesn't quite

0:32:14.160 --> 0:32:16.400
<v Speaker 1>do that. It's it was almost an inversion of it

0:32:16.480 --> 0:32:20.000
<v Speaker 1>where Tracy Flick is introduced with her accomplishments and she's

0:32:20.000 --> 0:32:24.000
<v Speaker 1>introducing herself, yes, and then there's a sudden flip where

0:32:24.000 --> 0:32:27.960
<v Speaker 1>it's like and here's the other stuff. I guess I

0:32:27.960 --> 0:32:29.800
<v Speaker 1>don't feel any which way about it, but it just

0:32:30.040 --> 0:32:34.400
<v Speaker 1>reminded me of at least at very least many facets

0:32:34.400 --> 0:32:36.280
<v Speaker 1>of her life were presented out and it wasn't like

0:32:36.520 --> 0:32:40.600
<v Speaker 1>here's the girl and here's who she fucked. Right. Yeah, yeah,

0:32:40.840 --> 0:32:44.160
<v Speaker 1>there's some of that, but it's not exclusively that. Right. Um.

0:32:44.200 --> 0:32:46.800
<v Speaker 1>I want to talk a little bit about how Jim

0:32:46.880 --> 0:32:51.760
<v Speaker 1>McAllister views women. It is very clear, especially as the

0:32:51.760 --> 0:32:57.000
<v Speaker 1>story goes on, that he feels extremely threatened by strong, smart,

0:32:57.040 --> 0:33:00.760
<v Speaker 1>ambitious women. He says in his poice over towards the

0:33:00.760 --> 0:33:03.280
<v Speaker 1>beginning that he does not blame Tracy for what happened

0:33:03.320 --> 0:33:05.960
<v Speaker 1>with Dave. How could I Dave was an adult over

0:33:06.000 --> 0:33:08.400
<v Speaker 1>twice her age. Sure, she got on my nerves once

0:33:08.440 --> 0:33:11.000
<v Speaker 1>in a while, but I admired I admired Tracy. I

0:33:11.040 --> 0:33:14.400
<v Speaker 1>really did. And as he's saying that, he's like throwing

0:33:14.400 --> 0:33:17.280
<v Speaker 1>away the signatures that she got to be able to

0:33:17.440 --> 0:33:20.560
<v Speaker 1>campaign for president, and it's obvious that he does not

0:33:20.720 --> 0:33:23.840
<v Speaker 1>admire her. That he does blame her and resent her

0:33:23.960 --> 0:33:28.480
<v Speaker 1>for the situation with Navatni being fired, but he places

0:33:28.520 --> 0:33:30.840
<v Speaker 1>none of the blame on him and he places all

0:33:30.840 --> 0:33:34.800
<v Speaker 1>of the blame on Tracy. Yeah, I mean, Jim, the

0:33:34.840 --> 0:33:39.920
<v Speaker 1>way I interpreted that character was like a demonstration of like,

0:33:40.120 --> 0:33:42.760
<v Speaker 1>here's the most average guy in the world who at

0:33:42.800 --> 0:33:46.360
<v Speaker 1>the beginning of the movie, you know, he's just he's average.

0:33:46.440 --> 0:33:50.760
<v Speaker 1>Is fuck, he seems relatively content ish, and then let's

0:33:50.800 --> 0:33:55.160
<v Speaker 1>peel back everything. Even in the most average of people,

0:33:56.000 --> 0:34:01.200
<v Speaker 1>is this deep seated hatred of certain people? Um, and

0:34:01.240 --> 0:34:03.800
<v Speaker 1>then they I mean it goes up to a fucking

0:34:04.080 --> 0:34:07.840
<v Speaker 1>eleven from there. But there was because he is so

0:34:08.880 --> 0:34:12.080
<v Speaker 1>average and he hates women, and he doesn't think he

0:34:12.120 --> 0:34:14.160
<v Speaker 1>hates women, and that I think there's a lot of

0:34:14.200 --> 0:34:17.680
<v Speaker 1>guys and Tracy points that out too right, and her

0:34:17.800 --> 0:34:20.560
<v Speaker 1>voiceover says that, I mean, I would hate my life

0:34:20.560 --> 0:34:23.680
<v Speaker 1>if I were him, and just like the monotony of

0:34:23.719 --> 0:34:26.399
<v Speaker 1>what he does all the time, and she and her

0:34:26.719 --> 0:34:31.920
<v Speaker 1>depiction was like on every student body, like any team,

0:34:32.000 --> 0:34:34.200
<v Speaker 1>and exactly she was like in the front of everything.

0:34:34.320 --> 0:34:37.600
<v Speaker 1>And and it's kind of hard to know, I guess,

0:34:37.640 --> 0:34:40.560
<v Speaker 1>because this was because it's so steeped in politics, like

0:34:40.600 --> 0:34:44.279
<v Speaker 1>the Monica Lewinsky scandal is a few years before this,

0:34:44.560 --> 0:34:47.239
<v Speaker 1>and so it's almost hard to know exactly how the

0:34:47.280 --> 0:34:51.279
<v Speaker 1>writers of this movie want these lines to come off,

0:34:51.600 --> 0:34:54.200
<v Speaker 1>which is interesting. I mean, I'd be interested in hearing

0:34:54.560 --> 0:34:57.799
<v Speaker 1>what Alexander Pain thought in verses now, because I think

0:34:57.800 --> 0:34:59.920
<v Speaker 1>the reading of this movie is very open to in

0:35:00.000 --> 0:35:02.640
<v Speaker 1>interpretation in a good way where you can kind of

0:35:02.640 --> 0:35:06.200
<v Speaker 1>see what you want in it. But they're really quick.

0:35:06.320 --> 0:35:09.600
<v Speaker 1>I want to go back to my buddy feminist icon

0:35:09.680 --> 0:35:14.200
<v Speaker 1>Roger Ebert, who almost always has the worst take and

0:35:14.280 --> 0:35:16.640
<v Speaker 1>the most stupid Like everyone was like he was the best,

0:35:16.719 --> 0:35:20.440
<v Speaker 1>but go back and read his stuff. He wasn't his.

0:35:20.440 --> 0:35:23.319
<v Speaker 1>His summary of the movie is so telling, where he

0:35:23.360 --> 0:35:25.040
<v Speaker 1>gave it a good review, but he says, here's a

0:35:25.040 --> 0:35:28.800
<v Speaker 1>movie that's not simply about an obnoxious student, but also

0:35:28.880 --> 0:35:33.000
<v Speaker 1>about an imperfect teacher, a difficult administration, and a student

0:35:33.040 --> 0:35:35.840
<v Speaker 1>body that's mostly just marking time until it can go

0:35:35.840 --> 0:35:40.480
<v Speaker 1>out into the world and occupy valuable space. That is his.

0:35:40.760 --> 0:35:43.680
<v Speaker 1>So all that to say, the reading of this movie

0:35:43.920 --> 0:35:47.440
<v Speaker 1>in the twenty years after it's probably changed a lot,

0:35:47.480 --> 0:35:50.200
<v Speaker 1>oh for sure. The next thing I want to say

0:35:50.239 --> 0:35:55.440
<v Speaker 1>about Jim McAllister and how he views women, specifically Tracy Flick,

0:35:55.840 --> 0:36:00.440
<v Speaker 1>is it not only does he resent her for you know,

0:36:00.600 --> 0:36:03.719
<v Speaker 1>his best friend getting fired, and not only does he

0:36:03.800 --> 0:36:08.480
<v Speaker 1>feel threatened by her ambitiousness, He has a bunch of

0:36:08.480 --> 0:36:12.160
<v Speaker 1>sexual fantasies about her. We has a lot of sexual

0:36:12.160 --> 0:36:15.880
<v Speaker 1>fantasies about a lot of people. Yes, every woman who

0:36:16.000 --> 0:36:19.000
<v Speaker 1>is not his wife, everyone next of the woman who

0:36:19.040 --> 0:36:22.200
<v Speaker 1>loves him, Well, is that anyone else besides Linda, because

0:36:22.200 --> 0:36:25.360
<v Speaker 1>I feel like Linda and Tracy, Linda Tracy, and then

0:36:25.480 --> 0:36:28.759
<v Speaker 1>he watches porn and but and it was also like

0:36:28.800 --> 0:36:32.200
<v Speaker 1>a teacher student porn, yes, or wasn't I thought it

0:36:32.239 --> 0:36:35.800
<v Speaker 1>was a football player and cheerleader, that they were both students,

0:36:35.880 --> 0:36:38.640
<v Speaker 1>and then he projects dave on Yeah, that's what I

0:36:38.640 --> 0:36:42.320
<v Speaker 1>thought it was. Yeah, it is mostly Tracy and Linda

0:36:42.360 --> 0:36:46.000
<v Speaker 1>who he takes stuff out on. But even based on

0:36:46.120 --> 0:36:49.160
<v Speaker 1>there's like a few shots and I kind of want

0:36:49.160 --> 0:36:52.080
<v Speaker 1>to compare this shot later on to a shot we

0:36:52.120 --> 0:36:55.600
<v Speaker 1>see of Tammy versus a shot of Jim, because those

0:36:55.680 --> 0:36:58.680
<v Speaker 1>characters balance each other out in this very bizarre way.

0:36:58.719 --> 0:37:03.040
<v Speaker 1>But there's a few shots where we see Jim's direct viewpoint,

0:37:03.640 --> 0:37:06.680
<v Speaker 1>so you know, some some male gazy shit. Some of

0:37:06.719 --> 0:37:09.160
<v Speaker 1>it's more obvious where that time, you know, like you

0:37:09.200 --> 0:37:12.520
<v Speaker 1>see that shot of like Linda's boobs. Oh yeah, he's

0:37:12.520 --> 0:37:16.520
<v Speaker 1>like hanging a fruit. She's framed sexually. His wife is

0:37:16.560 --> 0:37:20.360
<v Speaker 1>not framed sexually. Even during sex scenes, she's not framed sexually.

0:37:20.600 --> 0:37:23.839
<v Speaker 1>And then any time Jim's voice over is going and

0:37:23.880 --> 0:37:28.520
<v Speaker 1>we get those really unflattering shots of Tracy um So

0:37:28.719 --> 0:37:32.320
<v Speaker 1>the like the visual even the visual language is telling

0:37:32.320 --> 0:37:35.520
<v Speaker 1>you how Jim feels about the women around him. Yeah,

0:37:35.719 --> 0:37:38.200
<v Speaker 1>and then he's the type of person that after that

0:37:38.280 --> 0:37:41.080
<v Speaker 1>day that he spends with Linda, you know, he takes

0:37:41.080 --> 0:37:42.920
<v Speaker 1>her to the mall to go shopping, and he's like

0:37:42.960 --> 0:37:46.080
<v Speaker 1>helping her out around her house. He's like driving her back,

0:37:46.120 --> 0:37:48.160
<v Speaker 1>and then they see like a motel on the side

0:37:48.200 --> 0:37:50.600
<v Speaker 1>of the road and he's like, should we get a room?

0:37:50.840 --> 0:37:54.400
<v Speaker 1>And she's like, that's not funny. So he's like making

0:37:54.560 --> 0:37:58.160
<v Speaker 1>a sexual advance. She rejects it. And then when he's

0:37:58.200 --> 0:38:00.919
<v Speaker 1>back home and talking to his wife, she's like, oh,

0:38:00.920 --> 0:38:03.480
<v Speaker 1>how is your day? His wife? His wife, she's like,

0:38:03.520 --> 0:38:06.600
<v Speaker 1>how's your day? And he's like, oh, you know, Linda's great,

0:38:06.640 --> 0:38:09.319
<v Speaker 1>but she can be a little much sometimes. So he's

0:38:09.320 --> 0:38:12.600
<v Speaker 1>the type of when his advances are like rebuffed and

0:38:12.640 --> 0:38:16.680
<v Speaker 1>rejected by a woman, he starts talking shit. Yeah, oh yeah.

0:38:17.360 --> 0:38:21.759
<v Speaker 1>So he's a feminist title. There's I mean I think

0:38:21.760 --> 0:38:26.000
<v Speaker 1>that there's this is the same year American Beauty comes out.

0:38:26.120 --> 0:38:28.120
<v Speaker 1>I'm pretty sure that also came out in ninety nine.

0:38:28.320 --> 0:38:31.960
<v Speaker 1>There are a few I like this movie a million

0:38:32.000 --> 0:38:34.080
<v Speaker 1>times more than I like American Beauty. I can't stand

0:38:34.120 --> 0:38:37.680
<v Speaker 1>up moving, but there are a few like recognizable qualities

0:38:37.719 --> 0:38:40.839
<v Speaker 1>in him. And then Kevin Spacey's character in that movie

0:38:40.920 --> 0:38:44.800
<v Speaker 1>where the small like micro punishments of the women around

0:38:44.920 --> 0:38:49.879
<v Speaker 1>them when he feels reduced or rejected or just in

0:38:50.200 --> 0:38:53.000
<v Speaker 1>that that line about Linda is so great because I'm like, oh,

0:38:53.080 --> 0:38:56.480
<v Speaker 1>I can picture almost any guy I know saying something

0:38:57.160 --> 0:39:00.400
<v Speaker 1>about someone else that way and not even having a

0:39:00.440 --> 0:39:04.360
<v Speaker 1>barely registered without getting personal. But my one, my exes,

0:39:04.520 --> 0:39:07.040
<v Speaker 1>who I've often talked about on my podcast Crazy One,

0:39:07.160 --> 0:39:09.360
<v Speaker 1>we'll just go with that. Um, he when he was

0:39:09.440 --> 0:39:12.719
<v Speaker 1>cheating on me, he would talk about the girl he

0:39:12.760 --> 0:39:15.560
<v Speaker 1>was cheating on me with, but he would keep saying

0:39:15.800 --> 0:39:19.040
<v Speaker 1>like shitty things about her and like always being like

0:39:19.120 --> 0:39:25.360
<v Speaker 1>she was she was. And then I didn't even know

0:39:25.400 --> 0:39:27.279
<v Speaker 1>that they were friends. And then when I found out,

0:39:27.280 --> 0:39:30.279
<v Speaker 1>I was like huh, And I was like, wait, so

0:39:30.320 --> 0:39:33.839
<v Speaker 1>all this time I had a grand do that? Fuck man? Well,

0:39:33.840 --> 0:39:35.680
<v Speaker 1>now you know I was trying to throw you off

0:39:35.680 --> 0:39:40.480
<v Speaker 1>the scent. Sometimes another fun thing happens where later on,

0:39:40.560 --> 0:39:44.160
<v Speaker 1>when Jim McAllister ruins his own life by cheating on

0:39:44.239 --> 0:39:48.120
<v Speaker 1>his his wife, he calls Linda and blames her for

0:39:48.280 --> 0:39:50.839
<v Speaker 1>ruining his life. So he is the type of person

0:39:50.880 --> 0:39:55.200
<v Speaker 1>who's not willing to accept any blame or to take

0:39:55.239 --> 0:39:58.680
<v Speaker 1>accountability for anything that he's done. He's always looking for

0:39:58.719 --> 0:40:02.600
<v Speaker 1>other people to us to blame onto, or he's resenting

0:40:02.680 --> 0:40:06.080
<v Speaker 1>everyone else for things that he is complicit in, or

0:40:06.160 --> 0:40:09.000
<v Speaker 1>that other things have done, other people have done wrong.

0:40:09.200 --> 0:40:10.920
<v Speaker 1>I think almost at the top of that is like

0:40:11.040 --> 0:40:15.920
<v Speaker 1>any woman exerting power over him, he's going to retaliate

0:40:15.960 --> 0:40:18.920
<v Speaker 1>against because even I mean, part of the reason I

0:40:18.920 --> 0:40:23.200
<v Speaker 1>thought he didn't he wasn't even being affectionate towards his wife, uh,

0:40:23.440 --> 0:40:27.040
<v Speaker 1>even though you know she certainly didn't do anything wrong,

0:40:27.480 --> 0:40:30.600
<v Speaker 1>was because she really wanted a baby. And that like

0:40:30.640 --> 0:40:35.440
<v Speaker 1>almost like, first of all, that's lazy writing for his

0:40:35.480 --> 0:40:39.719
<v Speaker 1>wife kind of character, but also just like the fact

0:40:39.760 --> 0:40:43.000
<v Speaker 1>that he wasn't the primary focus of her desire I

0:40:43.040 --> 0:40:45.520
<v Speaker 1>think is a pretty clear reason why he'd want to

0:40:45.520 --> 0:40:48.800
<v Speaker 1>retaliate against her. He wants to be the center of everything,

0:40:49.200 --> 0:40:52.440
<v Speaker 1>and he's so threatened and this is like fucking pathetic.

0:40:52.480 --> 0:40:55.600
<v Speaker 1>He's so threatened by Tracy wanting to be student body

0:40:55.680 --> 0:41:00.239
<v Speaker 1>president that he brings an election where there's that line

0:41:00.239 --> 0:41:02.640
<v Speaker 1>where he's like the sight of Tracy at that moment

0:41:02.640 --> 0:41:04.799
<v Speaker 1>affected me in a way. I can't explain who knew

0:41:04.800 --> 0:41:06.960
<v Speaker 1>how high should climb in life? How many people would

0:41:07.000 --> 0:41:09.160
<v Speaker 1>have to suffer because of her? I had to stop

0:41:09.160 --> 0:41:13.120
<v Speaker 1>her now, Like he's so afraid of female power in

0:41:13.440 --> 0:41:17.920
<v Speaker 1>any way that he and it just gets so pathetic.

0:41:17.960 --> 0:41:19.560
<v Speaker 1>And I love when he gets stung by a bee

0:41:19.840 --> 0:41:22.040
<v Speaker 1>and just like the fact that like he's saying, like

0:41:22.080 --> 0:41:25.120
<v Speaker 1>how many people would she affect in her life? And

0:41:25.160 --> 0:41:28.560
<v Speaker 1>it's like, while you know, you stay quiet while your

0:41:28.560 --> 0:41:32.400
<v Speaker 1>best friend was sucking a minor and her life is ruined.

0:41:32.440 --> 0:41:34.400
<v Speaker 1>His life is ruined, The wife's life is ruined, Your

0:41:34.400 --> 0:41:38.840
<v Speaker 1>wife's life is ruined, your baby's life that he Paul's

0:41:38.880 --> 0:41:42.920
<v Speaker 1>life is ruined. Well, also his wife never gets pregnant, right,

0:41:43.920 --> 0:41:45.520
<v Speaker 1>not that we see in the story. I think that

0:41:45.520 --> 0:41:48.279
<v Speaker 1>that's another parent he's impotent. I think that that was

0:41:48.320 --> 0:41:50.759
<v Speaker 1>like what that message. They were having baby sex every

0:41:50.880 --> 0:41:53.239
<v Speaker 1>night and head they were trying for a year and

0:41:53.800 --> 0:41:58.120
<v Speaker 1>ye never conceived. He's an impotent man. Yeah. Hey, let's

0:41:58.160 --> 0:42:00.319
<v Speaker 1>take a quick break and then we'll be back for more.

0:42:05.560 --> 0:42:08.680
<v Speaker 1>And we're back. I just wanted to read some quick

0:42:08.960 --> 0:42:12.759
<v Speaker 1>stats about women in politics and then we can, you know,

0:42:12.880 --> 0:42:17.960
<v Speaker 1>talk about some more specific characters. Let's just use Congress

0:42:18.080 --> 0:42:22.120
<v Speaker 1>as an example microcosm of politics. If you will, well,

0:42:22.640 --> 0:42:26.000
<v Speaker 1>tell me more about this Congress in two thousand eighteen,

0:42:26.480 --> 0:42:29.520
<v Speaker 1>the year that we are currently living in, unless you

0:42:29.760 --> 0:42:35.239
<v Speaker 1>are listening to this podcast from you know, because this

0:42:35.360 --> 0:42:40.879
<v Speaker 1>podcast is gonna last and really hold up to Yeah,

0:42:40.920 --> 0:42:44.880
<v Speaker 1>this will be the last thing people here. Four. Yeah,

0:42:45.440 --> 0:42:47.680
<v Speaker 1>if you're listening to this podcast, you do have seven

0:42:47.760 --> 0:42:54.440
<v Speaker 1>days to look okay. So in two there are seven

0:42:54.560 --> 0:42:59.320
<v Speaker 1>women in Congress, making up only twenty of members of Congress.

0:42:59.400 --> 0:43:02.960
<v Speaker 1>Hot in nine, the year that this movie comes out,

0:43:03.520 --> 0:43:08.120
<v Speaker 1>there were only sixty three women in Congress. One hundred

0:43:08.239 --> 0:43:10.800
<v Speaker 1>years ago, guess how many were women were in Congress?

0:43:10.880 --> 0:43:14.560
<v Speaker 1>We couldn't vote, so that there was one, there was one.

0:43:15.160 --> 0:43:17.920
<v Speaker 1>There was not a Congress when we couldn't vote. How

0:43:17.960 --> 0:43:19.839
<v Speaker 1>did that happen? Who is that? I don't I don't,

0:43:19.880 --> 0:43:23.000
<v Speaker 1>I don't know. I need to do research. But Rutgers

0:43:23.080 --> 0:43:27.600
<v Speaker 1>dot E d you gave me some some hot info. Anyway. So,

0:43:29.880 --> 0:43:33.640
<v Speaker 1>m much like in movies, women are wildly underrepresented in

0:43:33.760 --> 0:43:37.840
<v Speaker 1>politics do wouldn't you know it? Except if you're listening

0:43:37.840 --> 0:43:40.120
<v Speaker 1>to this right now, a record number of women are

0:43:40.200 --> 0:43:46.360
<v Speaker 1>running for political positions this year mid terms today right now. Yeah. Also,

0:43:46.400 --> 0:43:50.200
<v Speaker 1>if you combine movies and politics to things that are

0:43:50.400 --> 0:43:54.520
<v Speaker 1>so good to women historically, the results are even worse.

0:43:54.680 --> 0:44:00.120
<v Speaker 1>A quick Google search of political movies will yield results

0:44:00.160 --> 0:44:03.719
<v Speaker 1>that show nearly every movie in that sort of sub

0:44:03.800 --> 0:44:08.920
<v Speaker 1>genre of political movies is about men, except for that

0:44:09.000 --> 0:44:12.080
<v Speaker 1>Sarah Palin movie Game Changer, and maybe a few others,

0:44:12.080 --> 0:44:14.160
<v Speaker 1>which for wild cards here and there is awesome in

0:44:14.280 --> 0:44:16.960
<v Speaker 1>rules I have seen to say, the one time wherever

0:44:17.040 --> 0:44:22.480
<v Speaker 1>like Sarah Palin fucking literally she's awesome. Her movie was

0:44:22.600 --> 0:44:26.000
<v Speaker 1>just about her. I loved her talk show about moose

0:44:26.160 --> 0:44:32.040
<v Speaker 1>or whatever it was literally what it was, it was

0:44:32.480 --> 0:44:34.840
<v Speaker 1>like Sarah Palin goes to the woods and French as

0:44:34.880 --> 0:44:37.719
<v Speaker 1>a moose. Remember where she could have been all heart

0:44:37.719 --> 0:44:40.920
<v Speaker 1>beat away from the presidency whatever. Um, I don't know.

0:44:40.960 --> 0:44:44.000
<v Speaker 1>That's almost one of those like ripple effects things where

0:44:44.040 --> 0:44:47.920
<v Speaker 1>if you're basing movies on real life events, would be

0:44:47.960 --> 0:44:51.759
<v Speaker 1>really hard to make movies about women, uh if, but

0:44:51.920 --> 0:44:56.760
<v Speaker 1>only if you're making movies about very high level politicians,

0:44:56.760 --> 0:45:01.200
<v Speaker 1>Like there's where where's the hidden figures of women working

0:45:01.280 --> 0:45:05.640
<v Speaker 1>in like women doing the actual work while Mr Guys

0:45:05.719 --> 0:45:10.239
<v Speaker 1>wearing his Mr suit and he's like that was me. Um.

0:45:10.280 --> 0:45:13.000
<v Speaker 1>So it's like one of those things where it's like, yeah,

0:45:13.000 --> 0:45:15.279
<v Speaker 1>it's hard to find. You have to really look for

0:45:15.280 --> 0:45:20.080
<v Speaker 1>those stories. But if there were more movies about women

0:45:20.120 --> 0:45:23.759
<v Speaker 1>in politics, little girls could have seen them and said, hey,

0:45:23.880 --> 0:45:27.279
<v Speaker 1>I see myself represented on screen. That's going to influence

0:45:27.360 --> 0:45:30.960
<v Speaker 1>my decision to go into politics. Because there was not

0:45:31.000 --> 0:45:37.080
<v Speaker 1>the representation, it perpetuates the cycle, right, And this this movie,

0:45:37.120 --> 0:45:39.840
<v Speaker 1>I mean, it's interesting because I mean, just based on

0:45:39.880 --> 0:45:43.200
<v Speaker 1>that Ebert review alone, I think that people's view of

0:45:43.440 --> 0:45:47.359
<v Speaker 1>Tracy tends to be all over the place, and I

0:45:47.400 --> 0:45:51.160
<v Speaker 1>was sort of having trouble placing how the movie feels

0:45:51.280 --> 0:45:54.799
<v Speaker 1>about her at times the same and I think that

0:45:54.800 --> 0:45:58.840
<v Speaker 1>that is intentional anyway, where I don't even think the

0:45:58.880 --> 0:46:02.399
<v Speaker 1>movie is totally okay with female power. And I think

0:46:02.400 --> 0:46:04.120
<v Speaker 1>that the movie wants you to feel like she's kind

0:46:04.120 --> 0:46:07.920
<v Speaker 1>of annoying and she's overly ambitious. I don't read that

0:46:08.040 --> 0:46:11.400
<v Speaker 1>character that way at all, but it seems like just

0:46:11.480 --> 0:46:15.799
<v Speaker 1>based on the time this movie came out and listeners,

0:46:15.840 --> 0:46:18.800
<v Speaker 1>if you have any opinions or more information, please let's know.

0:46:19.360 --> 0:46:21.800
<v Speaker 1>But it seems like this character, to an extent, I

0:46:21.840 --> 0:46:24.080
<v Speaker 1>mean down to the way she's styled, is supposed to

0:46:24.080 --> 0:46:29.080
<v Speaker 1>be a Hillary Clinton style character, where from so early

0:46:29.160 --> 0:46:31.400
<v Speaker 1>to her being in the public eye, whether you like

0:46:31.520 --> 0:46:33.719
<v Speaker 1>her or dislike her whatever, we're not even going to

0:46:33.800 --> 0:46:37.680
<v Speaker 1>get into that. But she was portrayed from moment one

0:46:37.760 --> 0:46:42.440
<v Speaker 1>as a power hungry woman who whose very existence was

0:46:42.480 --> 0:46:47.920
<v Speaker 1>emasculating her male counterpart, and like almost no matter what side,

0:46:48.320 --> 0:46:49.600
<v Speaker 1>didn't know, whether you were on the left or the

0:46:49.640 --> 0:46:52.319
<v Speaker 1>right or whatever, that was the general view was that

0:46:52.400 --> 0:46:55.040
<v Speaker 1>she was she wanted too much, she was trying to

0:46:55.080 --> 0:46:57.760
<v Speaker 1>be too powerful, and it seems like that is supposed

0:46:57.800 --> 0:47:00.920
<v Speaker 1>to be the exact same values that we see in Tracy,

0:47:01.040 --> 0:47:05.279
<v Speaker 1>even though with the benefit of time there's so much

0:47:05.320 --> 0:47:08.040
<v Speaker 1>more there. But it was I don't know, it just

0:47:08.040 --> 0:47:12.799
<v Speaker 1>seems like a weird, inconclusive commentary on something that I'm like,

0:47:12.920 --> 0:47:15.879
<v Speaker 1>I don't know how Alexander Paine feels about her, right,

0:47:15.920 --> 0:47:19.400
<v Speaker 1>I think he likes her but thinks she's annoying and

0:47:19.400 --> 0:47:23.360
<v Speaker 1>should go away right and then but there's some moments

0:47:23.440 --> 0:47:28.560
<v Speaker 1>where Tracy expresses different frustrations about, you know, working really

0:47:28.719 --> 0:47:33.200
<v Speaker 1>hard for something and saying stuff that really resonated with me,

0:47:33.360 --> 0:47:35.719
<v Speaker 1>where she says, uh, she's talking about her mom. She

0:47:35.719 --> 0:47:38.000
<v Speaker 1>says she likes to write letters to successful women like

0:47:38.040 --> 0:47:40.520
<v Speaker 1>Elizabeth Dole and Connie Chong and ask them how they

0:47:40.560 --> 0:47:42.879
<v Speaker 1>got to be where they are and what advice they

0:47:42.880 --> 0:47:45.600
<v Speaker 1>have for me, Tracy her daughter. Nine times out of ten,

0:47:45.680 --> 0:47:47.560
<v Speaker 1>they say, you have to hold on to your dreams

0:47:47.560 --> 0:47:50.680
<v Speaker 1>no matter what the pressures women face me, and you

0:47:50.719 --> 0:47:53.120
<v Speaker 1>have to work twice as hard and you can't let

0:47:53.160 --> 0:47:56.239
<v Speaker 1>anything or anyone stand in your way. So on one hand,

0:47:56.400 --> 0:47:59.319
<v Speaker 1>it's like, yeah, she seems like she's willing to kind

0:47:59.320 --> 0:48:01.439
<v Speaker 1>of like try to pull on some people to climb

0:48:01.520 --> 0:48:03.200
<v Speaker 1>her way to the top but up. And on the

0:48:03.200 --> 0:48:06.279
<v Speaker 1>other hand she's saying, yeah, like, as a woman she

0:48:06.360 --> 0:48:10.239
<v Speaker 1>has to work twice as hard, gets not nearly as

0:48:10.320 --> 0:48:13.640
<v Speaker 1>much of the recognition, and you know, it's always an

0:48:13.680 --> 0:48:16.880
<v Speaker 1>uphill battle for her. Well. I was also such a

0:48:16.960 --> 0:48:23.000
<v Speaker 1>mirror again of the election, where it was clearly out

0:48:23.040 --> 0:48:28.640
<v Speaker 1>of the two final candidates, the more experienced one who

0:48:28.680 --> 0:48:31.719
<v Speaker 1>had less of a personality but more you know what

0:48:31.800 --> 0:48:34.399
<v Speaker 1>I mean in terms of a magnanimous kind of thing.

0:48:34.600 --> 0:48:37.920
<v Speaker 1>Came off as a little bit yeah, you know that,

0:48:38.440 --> 0:48:41.680
<v Speaker 1>not as personable the way people perceived it. And then

0:48:41.719 --> 0:48:46.320
<v Speaker 1>the other person are less qualified. But this big person

0:48:46.360 --> 0:48:51.360
<v Speaker 1>who spoke in layman language and used you know, short

0:48:51.560 --> 0:48:55.640
<v Speaker 1>word words and descriptions for everything that related to a

0:48:55.680 --> 0:48:57.799
<v Speaker 1>lot of people, your name of George W. Bush a

0:48:57.800 --> 0:49:02.719
<v Speaker 1>few times where it was like he's simple, and that's like,

0:49:02.880 --> 0:49:05.879
<v Speaker 1>that's such a big part of elections nowadays, right, It's like,

0:49:06.800 --> 0:49:09.560
<v Speaker 1>is it about the quality of the candidate and their

0:49:09.600 --> 0:49:14.239
<v Speaker 1>policies and their experience or is it personality? Is this

0:49:14.520 --> 0:49:16.839
<v Speaker 1>who do you want to get a beer with? Like,

0:49:17.120 --> 0:49:20.200
<v Speaker 1>I don't want to get a beer with political candidates.

0:49:20.239 --> 0:49:24.000
<v Speaker 1>Please give me the best policies and then do your job.

0:49:24.080 --> 0:49:26.840
<v Speaker 1>Don't don't drink with me, don't come to the chachat

0:49:26.880 --> 0:49:32.000
<v Speaker 1>lounge with me, Senators go to work exactly um. And

0:49:32.040 --> 0:49:38.480
<v Speaker 1>then Tracy expresses this very sentiment and fairly long monologue

0:49:38.520 --> 0:49:42.719
<v Speaker 1>that I will paraphrase, but basically she's saying, you know,

0:49:42.840 --> 0:49:45.799
<v Speaker 1>you might think I'm upset that Paul Metzler decided to

0:49:45.880 --> 0:49:50.200
<v Speaker 1>run he doesn't have the qualifications that I do. Yet

0:49:50.200 --> 0:49:53.239
<v Speaker 1>it sucks that some people are just handed everything to

0:49:53.320 --> 0:49:56.200
<v Speaker 1>them and while other people like me, who have worked

0:49:56.320 --> 0:49:58.919
<v Speaker 1>very very hard for their entire lives, you know, trying

0:49:58.920 --> 0:50:00.719
<v Speaker 1>to get what they want. Blah. And she's like, it

0:50:00.800 --> 0:50:03.040
<v Speaker 1>doesn't bother me at all, And obviously it does, because

0:50:03.040 --> 0:50:05.880
<v Speaker 1>every every person who delivers any sort of voiceover narration

0:50:05.920 --> 0:50:10.880
<v Speaker 1>this movie is not unreliable to themselves and others. Uh.

0:50:10.880 --> 0:50:12.840
<v Speaker 1>And that I mean that. I'm sure that resonated with

0:50:12.880 --> 0:50:16.600
<v Speaker 1>all of us hearing that. And the reason, I guess

0:50:16.640 --> 0:50:19.000
<v Speaker 1>the reason I say it because it's weird, because stuff

0:50:19.040 --> 0:50:22.640
<v Speaker 1>like that is so clearly written, where you're like, whoever

0:50:22.719 --> 0:50:27.120
<v Speaker 1>is writing this story must you know, feel for tracing

0:50:27.239 --> 0:50:30.319
<v Speaker 1>and at least to some extent, understand her. But then

0:50:30.680 --> 0:50:33.680
<v Speaker 1>where that character is left, like you're saying a little

0:50:33.680 --> 0:50:36.000
<v Speaker 1>earlier in Natasha, it's like it's a little bit weird

0:50:36.160 --> 0:50:39.600
<v Speaker 1>where the last line I think we hear her speak

0:50:40.360 --> 0:50:43.080
<v Speaker 1>is like when she's at college and she's still the

0:50:43.160 --> 0:50:46.800
<v Speaker 1>implication at the end of like because she is intelligent

0:50:47.520 --> 0:50:52.360
<v Speaker 1>and has ambitions that she will be alone Forever was

0:50:52.400 --> 0:50:56.719
<v Speaker 1>a weird place to leave that character because that's one

0:50:56.719 --> 0:50:59.959
<v Speaker 1>of the few moments where you know, in the voice

0:51:00.040 --> 0:51:03.280
<v Speaker 1>sober she's like and it's totally fine, and that's the lie.

0:51:03.400 --> 0:51:06.719
<v Speaker 1>But you see reflective in the voiceover, and what happens,

0:51:07.520 --> 0:51:11.120
<v Speaker 1>that's what the movie thinks happens to her, is that

0:51:11.200 --> 0:51:13.200
<v Speaker 1>she doesn't really have friends in high school and people

0:51:13.239 --> 0:51:15.200
<v Speaker 1>point that out to work a few times, and it

0:51:15.760 --> 0:51:18.759
<v Speaker 1>clearly does affect her in small ways. And then we

0:51:18.840 --> 0:51:22.120
<v Speaker 1>see her flash forward to college and there's that voiceover line,

0:51:22.520 --> 0:51:24.680
<v Speaker 1>if you want to be great, you've got to be lonely,

0:51:24.840 --> 0:51:28.879
<v Speaker 1>and we see her alone and it's just like such

0:51:28.920 --> 0:51:31.360
<v Speaker 1>a weird It's like, then, how do you feel about

0:51:31.400 --> 0:51:35.480
<v Speaker 1>this woman movie? Because that is, you know, not necessarily true.

0:51:35.680 --> 0:51:38.399
<v Speaker 1>It's not I mean, it seems like it's like, this

0:51:38.480 --> 0:51:42.239
<v Speaker 1>is the truth for this kind of woman. And I mean,

0:51:42.760 --> 0:51:46.399
<v Speaker 1>my my guest would be that the writer, whoever, at

0:51:46.400 --> 0:51:50.640
<v Speaker 1>what point the like line of men that wrote this movie,

0:51:51.440 --> 0:51:53.879
<v Speaker 1>that must have been something that felt true to them

0:51:53.920 --> 0:51:57.879
<v Speaker 1>because it's presented like it's true. Well can I say so? Uh,

0:51:58.040 --> 0:52:00.360
<v Speaker 1>we've done two episodes of this in our pod cast

0:52:00.520 --> 0:52:03.520
<v Speaker 1>that we did one on the Science of Relationships and

0:52:03.600 --> 0:52:05.640
<v Speaker 1>another one with the author of a book called The

0:52:06.320 --> 0:52:11.399
<v Speaker 1>Love Gap of Why Smart Women Are Single? Yeah, okay, cool, Yeah,

0:52:11.520 --> 0:52:14.800
<v Speaker 1>And I think in that one she references the psychologists

0:52:14.920 --> 0:52:17.799
<v Speaker 1>from Signs of Relationships who is on our podcast, and

0:52:17.840 --> 0:52:21.400
<v Speaker 1>they talk about um their case studies that say, and

0:52:21.440 --> 0:52:24.320
<v Speaker 1>I'm going to funk up the ratio or the percentage,

0:52:24.320 --> 0:52:27.200
<v Speaker 1>but a large percentage if you ask guys what kind

0:52:27.200 --> 0:52:30.239
<v Speaker 1>of woman do you want of them say they want

0:52:30.239 --> 0:52:34.200
<v Speaker 1>a smart, independent, ambitious woman who like can think on

0:52:34.239 --> 0:52:36.920
<v Speaker 1>her own all that stuff. And I think it's like

0:52:37.080 --> 0:52:40.560
<v Speaker 1>less than fifty seven percent or something like that percent

0:52:40.600 --> 0:52:43.880
<v Speaker 1>of guys actually end up with a dependent woman and

0:52:43.920 --> 0:52:47.640
<v Speaker 1>they don't actually end up with the independent woman. And

0:52:47.719 --> 0:52:49.959
<v Speaker 1>so this is the whole book in case study around

0:52:50.000 --> 0:52:53.960
<v Speaker 1>the fact that like, theoretically you love the idea of this,

0:52:54.280 --> 0:52:57.279
<v Speaker 1>but when you're actually faced with this person, they make

0:52:57.360 --> 0:53:01.399
<v Speaker 1>you feel less then, which is like the a mechanistic character, right,

0:53:01.440 --> 0:53:05.120
<v Speaker 1>like he felt whenever he was around somebody like Tracy,

0:53:05.760 --> 0:53:09.200
<v Speaker 1>a reminder that he is living this monotonous life when

0:53:09.280 --> 0:53:13.120
<v Speaker 1>she chose to take steps to you know. Yeah, and

0:53:13.160 --> 0:53:15.920
<v Speaker 1>there's a line that he has in the very end

0:53:16.239 --> 0:53:20.560
<v Speaker 1>whenever he talks when he's seeing her in Washington, d C.

0:53:20.840 --> 0:53:23.719
<v Speaker 1>And he said something like, I feel sorry for her.

0:53:23.760 --> 0:53:26.000
<v Speaker 1>She's probably still waking up at five am every day

0:53:26.080 --> 0:53:29.520
<v Speaker 1>pursuing her stupid little dreams. And it's like and he's

0:53:29.560 --> 0:53:33.880
<v Speaker 1>like holding a fucking slurpee cup, no disrespect, but you know,

0:53:33.880 --> 0:53:36.799
<v Speaker 1>I love slurping nation. But he's out there, you know,

0:53:37.200 --> 0:53:41.080
<v Speaker 1>denigrating the visual of holding a slurpy cup. It's like

0:53:41.120 --> 0:53:44.160
<v Speaker 1>a forty five year old dude lying in a basement

0:53:44.160 --> 0:53:46.840
<v Speaker 1>in New York. But like, you know, he looks soap

0:53:47.400 --> 0:53:50.600
<v Speaker 1>and then he throws it, throws the slurpie at the lima.

0:53:50.920 --> 0:53:54.919
<v Speaker 1>He's like, I'm so mad. You mean me, I volunteer,

0:53:55.320 --> 0:53:59.400
<v Speaker 1>I'm a doze in. And he's got this like clinically

0:53:59.440 --> 0:54:03.799
<v Speaker 1>depressed new girlfriend, like she's recently out of her relationship,

0:54:03.880 --> 0:54:05.920
<v Speaker 1>and he in that shot. I don't know if you noticed.

0:54:06.200 --> 0:54:09.000
<v Speaker 1>She's talking about something and he stares at her tits

0:54:09.719 --> 0:54:13.200
<v Speaker 1>and so he just didn't even know. It's so like,

0:54:13.440 --> 0:54:17.400
<v Speaker 1>fuck this guy. But there's millions of him, yeah, and

0:54:17.440 --> 0:54:19.799
<v Speaker 1>we know some of them. Yeah. So as far as

0:54:19.880 --> 0:54:23.520
<v Speaker 1>Tracy goes, I liked her as a character quite a bit.

0:54:23.680 --> 0:54:26.239
<v Speaker 1>I identified with her because I feel like I was

0:54:26.640 --> 0:54:29.360
<v Speaker 1>not exactly like her in high school, but I was

0:54:29.440 --> 0:54:33.040
<v Speaker 1>like way too ambitious and taking things way too seriously,

0:54:33.480 --> 0:54:36.200
<v Speaker 1>and like my thing was like I want to graduate

0:54:36.239 --> 0:54:38.920
<v Speaker 1>in the top five percent of my class, and like

0:54:39.040 --> 0:54:42.040
<v Speaker 1>I was, you know, joining, I was doing mock trial.

0:54:42.200 --> 0:54:45.200
<v Speaker 1>I was, you know, playing the sports and doing all

0:54:45.200 --> 0:54:49.440
<v Speaker 1>the stuff. Pay for a VHS if you do. So,

0:54:49.640 --> 0:54:53.239
<v Speaker 1>I you know, related to her, And there were some

0:54:53.320 --> 0:54:55.279
<v Speaker 1>moments in high school where I also felt like a

0:54:55.360 --> 0:54:57.680
<v Speaker 1>loner because I was like, man, no one's taking their

0:54:57.719 --> 0:55:01.080
<v Speaker 1>studies as serious me, so I I can't let these

0:55:01.080 --> 0:55:04.320
<v Speaker 1>people slow me down. And like any case, this is

0:55:04.360 --> 0:55:08.000
<v Speaker 1>all to say that, um, I generally like the way

0:55:08.040 --> 0:55:11.200
<v Speaker 1>that she's written, and I find her to be, you know,

0:55:11.320 --> 0:55:15.560
<v Speaker 1>a fairly multidimensional, interesting character. We often don't see that,

0:55:16.000 --> 0:55:18.760
<v Speaker 1>especially in you know, kind of teen high school movies

0:55:19.000 --> 0:55:22.319
<v Speaker 1>like this. There's just a few blind spots exactly, Yeah,

0:55:22.440 --> 0:55:24.680
<v Speaker 1>for sure. One of the blind spots that I don't

0:55:24.680 --> 0:55:26.960
<v Speaker 1>know if it's a timing thing, but I feel like

0:55:27.000 --> 0:55:29.120
<v Speaker 1>we're kind of set up like Tracy's mom is going

0:55:29.160 --> 0:55:31.239
<v Speaker 1>to be an important character in this story, but then

0:55:31.280 --> 0:55:34.320
<v Speaker 1>she never really becomes that like she only actually speaks,

0:55:34.360 --> 0:55:37.560
<v Speaker 1>and I think like one scene, which is weird because

0:55:37.560 --> 0:55:40.960
<v Speaker 1>we she's introduced in voiceover, is like, my mom is awesome.

0:55:41.080 --> 0:55:44.000
<v Speaker 1>She raised me on her own, she contacts powerful women,

0:55:44.120 --> 0:55:46.440
<v Speaker 1>she's like supports me. It's a paralegal. You know, we

0:55:46.480 --> 0:55:48.239
<v Speaker 1>don't know what she does for a living. And then

0:55:48.280 --> 0:55:50.800
<v Speaker 1>the lazy writing of like I know what you're thinking.

0:55:51.080 --> 0:55:53.439
<v Speaker 1>I grew up without a dad, so I hate men,

0:55:53.560 --> 0:55:55.480
<v Speaker 1>And it's like, Okay, this is horrible writing. Why are

0:55:55.480 --> 0:55:59.640
<v Speaker 1>we doing this? But then the mom character there's blind

0:55:59.680 --> 0:56:03.640
<v Speaker 1>spots there too, because the mom gets so mad she

0:56:03.719 --> 0:56:07.280
<v Speaker 1>finds out that, you know, like her daughter's being taken

0:56:07.320 --> 0:56:10.720
<v Speaker 1>advantage of, to say the least, by her own teacher,

0:56:11.160 --> 0:56:15.239
<v Speaker 1>but then doesn't demand something beyond him being fired. Like

0:56:15.320 --> 0:56:19.680
<v Speaker 1>there's just a few weird like that were like a

0:56:19.880 --> 0:56:22.960
<v Speaker 1>mom that seems as on it as this mom is

0:56:23.000 --> 0:56:25.160
<v Speaker 1>presented to be. She would be trying to get this

0:56:25.239 --> 0:56:27.640
<v Speaker 1>dude and fucking jail. He would not be working at

0:56:27.680 --> 0:56:31.560
<v Speaker 1>a grocery. Maybe she did try to sue Jim. She

0:56:31.640 --> 0:56:34.759
<v Speaker 1>did at the end that they had like the newspaper

0:56:35.040 --> 0:56:37.120
<v Speaker 1>that said that she but not but not Dave, the

0:56:37.160 --> 0:56:41.879
<v Speaker 1>one who actually write assaulted home. Maybe it's a commentary

0:56:41.960 --> 0:56:45.040
<v Speaker 1>on how when women come forward about you know, abuse

0:56:45.080 --> 0:56:49.200
<v Speaker 1>and assaults, not there's no consequences, nothing happens, but it's

0:56:49.239 --> 0:56:51.040
<v Speaker 1>I don't think it is a credit. No, I don't

0:56:51.040 --> 0:56:53.799
<v Speaker 1>think it's active commentary on definitely, But yeah, it's weird.

0:56:53.840 --> 0:56:56.080
<v Speaker 1>I used to I when I first watched the movie.

0:56:56.440 --> 0:56:59.680
<v Speaker 1>I'll be honest, I didn't like Tracy when I was young.

0:57:00.040 --> 0:57:02.000
<v Speaker 1>I didn't know enough, and I was like, she's just

0:57:02.160 --> 0:57:05.360
<v Speaker 1>not nice, and I like the nice guy, and the

0:57:05.480 --> 0:57:08.080
<v Speaker 1>nice guy should have won, and I can't believe. And

0:57:08.080 --> 0:57:11.320
<v Speaker 1>then as I've grown older and become more obviously grown,

0:57:11.320 --> 0:57:14.920
<v Speaker 1>immatured to my own and I though I've always been ambitious,

0:57:14.960 --> 0:57:17.840
<v Speaker 1>I think the part of her that was very like

0:57:17.920 --> 0:57:21.040
<v Speaker 1>I would do anything to get their part never related

0:57:21.080 --> 0:57:23.440
<v Speaker 1>to me UM, and so I think I sort of

0:57:23.680 --> 0:57:26.480
<v Speaker 1>blacklisted her in that way. And this time when I

0:57:26.480 --> 0:57:31.400
<v Speaker 1>watched her, I really appreciated the passion she had and

0:57:31.400 --> 0:57:35.080
<v Speaker 1>and you know her actually not getting brought down by

0:57:35.080 --> 0:57:39.680
<v Speaker 1>the stupid teacher who did this horrible thing to her, um,

0:57:39.720 --> 0:57:43.200
<v Speaker 1>but to like not have lost all of her zeal

0:57:43.320 --> 0:57:47.080
<v Speaker 1>for it. Like I appreciated that part, UM and like

0:57:47.120 --> 0:57:49.000
<v Speaker 1>I mean at the end, even when she lost, for

0:57:49.040 --> 0:57:53.520
<v Speaker 1>a second, she was like, Okay, I accepted defeat. She

0:57:53.760 --> 0:57:59.840
<v Speaker 1>cries a lot, butrple pants suit the world wepped. It

0:57:59.480 --> 0:58:02.760
<v Speaker 1>was a tough morning for everyone, even though she did

0:58:02.880 --> 0:58:07.360
<v Speaker 1>she won the popular vote, but that damn electoral college.

0:58:08.440 --> 0:58:10.919
<v Speaker 1>That's an excellent point I would. I mean, for any

0:58:11.000 --> 0:58:14.240
<v Speaker 1>listener who hasn't seen this movie in a while, particularly

0:58:14.320 --> 0:58:17.200
<v Speaker 1>since the last election, probably go back and watch it

0:58:17.240 --> 0:58:19.400
<v Speaker 1>and see how your opinions of the characters have changed,

0:58:19.400 --> 0:58:21.200
<v Speaker 1>because if, especially if you saw it when it first

0:58:21.200 --> 0:58:27.520
<v Speaker 1>came out, chances are your brain has been scrambled upwards. Certainly. Yeah,

0:58:27.640 --> 0:58:31.439
<v Speaker 1>I want to talk about Tammy and the queerness that's

0:58:31.480 --> 0:58:36.040
<v Speaker 1>represented on the screen, because when we first are introduced

0:58:36.080 --> 0:58:41.800
<v Speaker 1>to Tammy Metzler, she and Lisa are kissing. Lisa's not

0:58:41.920 --> 0:58:46.480
<v Speaker 1>really into it, she leaves, and then we hear Tammy's

0:58:46.560 --> 0:58:48.720
<v Speaker 1>voice over, which is that it's not like I'm a

0:58:48.800 --> 0:58:51.880
<v Speaker 1>lesbian or anything. I'm attracted to the person. It's just

0:58:51.960 --> 0:58:54.440
<v Speaker 1>that all the people I've ever been attracted to happen

0:58:54.480 --> 0:58:57.640
<v Speaker 1>to be girls. She's yeah, she's struggling with company closet,

0:58:58.160 --> 0:59:03.680
<v Speaker 1>figuring it out. Yeah, I really liked Tammy. I appreciated

0:59:03.680 --> 0:59:10.080
<v Speaker 1>her whole like anarchy thing, where obviously that doesn't translate

0:59:10.120 --> 0:59:13.880
<v Speaker 1>well into like current politics or like our actual situation,

0:59:13.920 --> 0:59:18.080
<v Speaker 1>but as you know, as a high school student body,

0:59:18.240 --> 0:59:21.520
<v Speaker 1>where what even is in my school at least, like

0:59:21.720 --> 0:59:26.280
<v Speaker 1>the student body government got nothing accomplished, like didn't do anything.

0:59:26.320 --> 0:59:28.560
<v Speaker 1>It was really just a title and in a popularity

0:59:28.600 --> 0:59:31.280
<v Speaker 1>contest and that was it. So I kind of I

0:59:31.320 --> 0:59:35.600
<v Speaker 1>like that she recognizes that. I like that she advocates

0:59:35.640 --> 0:59:38.400
<v Speaker 1>for herself, she stands up for herself. She does call

0:59:38.560 --> 0:59:42.800
<v Speaker 1>Tracy a kunt. That's Tammy's kind of a mixed baggie.

0:59:44.960 --> 0:59:49.160
<v Speaker 1>There's I mean, it is so rare, I mean, especially

0:59:49.200 --> 0:59:51.120
<v Speaker 1>in a movie at this time, to see any queer

0:59:51.160 --> 0:59:54.320
<v Speaker 1>representation in a teen movie, as we kind of note

0:59:54.480 --> 0:59:56.120
<v Speaker 1>based on I mean a lot of movies we've been

0:59:56.120 --> 0:59:59.560
<v Speaker 1>doing recently, um our teen movies of this era, and

1:00:00.120 --> 1:00:03.720
<v Speaker 1>very rarely see a fleshed out queer character who we

1:00:03.760 --> 1:00:07.040
<v Speaker 1>know something about them other than they're queer. But a

1:00:07.080 --> 1:00:09.520
<v Speaker 1>lot of I mean, it's there are some really good

1:00:09.520 --> 1:00:11.880
<v Speaker 1>moments that she has, and then there's other stuff that

1:00:11.880 --> 1:00:15.080
<v Speaker 1>it's like, really this is the I mean, this movie

1:00:15.080 --> 1:00:18.680
<v Speaker 1>first of all, has no recognition of bisexuality. It's a

1:00:18.800 --> 1:00:23.360
<v Speaker 1>very simplistic view of even I mean that line that

1:00:23.400 --> 1:00:25.440
<v Speaker 1>you just said that, like I fall in love with

1:00:25.480 --> 1:00:30.200
<v Speaker 1>the person, uh, could be interpreted to be kind of

1:00:30.200 --> 1:00:33.960
<v Speaker 1>a forward thinking you know, that's a statement of like

1:00:34.920 --> 1:00:39.880
<v Speaker 1>not recognizing the binary in that way. But the way

1:00:39.920 --> 1:00:44.160
<v Speaker 1>we're supposed to read it is that she is uh,

1:00:44.240 --> 1:00:46.520
<v Speaker 1>you know, strictly attracted to women and just doesn't want

1:00:46.520 --> 1:00:49.480
<v Speaker 1>to admit it to herself or isn't right ready. The

1:00:49.520 --> 1:00:54.320
<v Speaker 1>fact that she only enters the race for revenge against

1:00:54.320 --> 1:00:59.320
<v Speaker 1>another woman who I don't totally understand the Lisa character

1:00:59.440 --> 1:01:03.360
<v Speaker 1>was very confusing to me. Of like Wise, Lisa retaliating

1:01:03.520 --> 1:01:06.920
<v Speaker 1>against Tammy so hard if we are supposed to believe

1:01:06.960 --> 1:01:11.760
<v Speaker 1>that she is not queer in any way. But Lisa's

1:01:11.800 --> 1:01:18.120
<v Speaker 1>motivations are not clear well defined or explained all, Like,

1:01:18.200 --> 1:01:19.840
<v Speaker 1>I mean, the only thing you hear is Paul's like

1:01:19.880 --> 1:01:24.720
<v Speaker 1>and then Lisa just came over and like it was like,

1:01:25.000 --> 1:01:27.120
<v Speaker 1>I mean, the only way I pieced it together was

1:01:27.160 --> 1:01:29.240
<v Speaker 1>she was using Tammy to get to her brother. But

1:01:29.240 --> 1:01:32.280
<v Speaker 1>they should have just added some some line in that

1:01:32.280 --> 1:01:34.200
<v Speaker 1>that like that's what she was doing and was like

1:01:34.320 --> 1:01:36.720
<v Speaker 1>sort of experimenting with her and was like, I'm not

1:01:36.760 --> 1:01:39.120
<v Speaker 1>really into this, really actually into but then she gets

1:01:39.120 --> 1:01:42.800
<v Speaker 1>so into running Paul's campaign, and I'm like, maybe there's

1:01:42.800 --> 1:01:45.880
<v Speaker 1>some political reference I'm not getting in this, like there

1:01:45.960 --> 1:01:48.160
<v Speaker 1>was for every character that confused me, and like maybe

1:01:48.200 --> 1:01:50.360
<v Speaker 1>this is a reference to a nineties politician that I

1:01:50.480 --> 1:01:53.520
<v Speaker 1>just like, I'm not as aware of. But the fact

1:01:53.560 --> 1:01:57.000
<v Speaker 1>that Tammy enters the race as kind of like a trumpy,

1:01:57.080 --> 1:02:00.120
<v Speaker 1>rogue candidate that's like burn it all down because I

1:02:00.160 --> 1:02:04.720
<v Speaker 1>want to get revenge against someone. And it was like, Okay,

1:02:04.760 --> 1:02:07.640
<v Speaker 1>what else do we get Tammy? Like what else? And

1:02:07.760 --> 1:02:14.000
<v Speaker 1>uh steins where she's stalking Lisa. She is stalking for love, hiding,

1:02:14.080 --> 1:02:16.960
<v Speaker 1>hiding in trash cans, the whole fucking montage We've seen

1:02:17.000 --> 1:02:20.200
<v Speaker 1>a million times. I was like, Okay, what else we

1:02:20.360 --> 1:02:25.320
<v Speaker 1>get Tammy? And she yeah, he calls uh, I forget

1:02:25.320 --> 1:02:28.240
<v Speaker 1>if it's a Tracy A bitch, Lisa A count Tracy

1:02:28.280 --> 1:02:31.240
<v Speaker 1>ac count Lisa A bit that exchange is made U

1:02:31.400 --> 1:02:34.480
<v Speaker 1>And then you're like, Okay, it's not like women aren't

1:02:34.480 --> 1:02:37.080
<v Speaker 1>allowed to dislike other women. What else do we got?

1:02:37.160 --> 1:02:40.960
<v Speaker 1>And the one scene with Tammy a character I do

1:02:41.080 --> 1:02:46.040
<v Speaker 1>genuinely like and seeing like representation and her being there

1:02:46.280 --> 1:02:49.360
<v Speaker 1>is powerful in itself, but the way the movie treats

1:02:49.360 --> 1:02:53.040
<v Speaker 1>the character and the choices that she makes, I feel

1:02:53.040 --> 1:02:56.720
<v Speaker 1>like villainizes her in a way that's not necessary. The

1:02:56.800 --> 1:02:59.440
<v Speaker 1>one moment I really liked of hers that to me,

1:02:59.480 --> 1:03:03.000
<v Speaker 1>I'm as stand and then like direct opposition to the

1:03:03.040 --> 1:03:06.880
<v Speaker 1>way we see Jim all the time is that scene

1:03:06.960 --> 1:03:10.000
<v Speaker 1>where I forget what motivates her leaving the house. I

1:03:10.000 --> 1:03:12.240
<v Speaker 1>think it's when like Tammy finds out she has to

1:03:12.240 --> 1:03:15.040
<v Speaker 1>go to Catholic school or something, she's going to have

1:03:15.080 --> 1:03:18.000
<v Speaker 1>to drop out of the election, and she sees a

1:03:18.000 --> 1:03:21.680
<v Speaker 1>soccer field full of girls and she's looking at them,

1:03:21.760 --> 1:03:24.120
<v Speaker 1>and so it is a gazy shot that it's not

1:03:24.240 --> 1:03:28.320
<v Speaker 1>an exploitative shot, right, There's like she's standing far away

1:03:28.400 --> 1:03:30.400
<v Speaker 1>and she's looking, you know, and you can tell like

1:03:30.440 --> 1:03:35.880
<v Speaker 1>she's interested and possibly attracted, but it's not creepy and

1:03:35.920 --> 1:03:38.960
<v Speaker 1>it's and then you see anytime Jim looks at a woman,

1:03:39.080 --> 1:03:42.840
<v Speaker 1>it's very creepy and cropped and whatever. And I was like,

1:03:43.400 --> 1:03:46.560
<v Speaker 1>that was my favorite scene with Tammy where you saw

1:03:46.720 --> 1:03:49.240
<v Speaker 1>like that felt like, I mean, I would be interested

1:03:49.240 --> 1:03:51.400
<v Speaker 1>in what our listeners think, that felt like the closest

1:03:51.400 --> 1:03:58.200
<v Speaker 1>thing to like positive progressive representation of just like a

1:03:58.240 --> 1:04:04.080
<v Speaker 1>girl recognizing her own sexuality and you know, being semi

1:04:04.200 --> 1:04:07.480
<v Speaker 1>okay with it. But I feel like that character is

1:04:07.480 --> 1:04:10.760
<v Speaker 1>is weird in a lot of ways. Well, she's just

1:04:10.920 --> 1:04:15.360
<v Speaker 1>as kind of it seems as unreliable of a narrator

1:04:15.440 --> 1:04:18.640
<v Speaker 1>is everyone else where you know, she at the end,

1:04:18.720 --> 1:04:21.720
<v Speaker 1>she goes to Catholic school and she meets another girl

1:04:21.760 --> 1:04:25.840
<v Speaker 1>whose name I forget, but just a little alright, Jennifer

1:04:26.520 --> 1:04:30.840
<v Speaker 1>Junith right where she's like, we're soulmates and we're never

1:04:30.880 --> 1:04:32.479
<v Speaker 1>going to be a part, and we're you know, best

1:04:32.520 --> 1:04:35.000
<v Speaker 1>friends and we love each other. And you can kind

1:04:35.000 --> 1:04:37.840
<v Speaker 1>of imagine that that story will play out a very

1:04:37.880 --> 1:04:41.000
<v Speaker 1>similar way as her relationship with Lisa, because she keeps

1:04:41.800 --> 1:04:46.120
<v Speaker 1>seems like she's kind of chasing after girls who may

1:04:46.120 --> 1:04:49.280
<v Speaker 1>be open to experimenting who or who may be questioning,

1:04:49.360 --> 1:04:53.200
<v Speaker 1>but ultimately end up you know, identifying as had to

1:04:53.320 --> 1:04:56.120
<v Speaker 1>row and that like lines her up with all the

1:04:56.160 --> 1:04:59.760
<v Speaker 1>other characters who basically end where they started at the

1:04:59.840 --> 1:05:02.320
<v Speaker 1>end the movie too, where it's like this could have

1:05:02.320 --> 1:05:04.760
<v Speaker 1>been an opportunity for her to you know, learn and grow,

1:05:04.880 --> 1:05:07.919
<v Speaker 1>but she simply does not. The only yeah, the only

1:05:07.960 --> 1:05:11.160
<v Speaker 1>thing I felt with like the three candidates was the

1:05:11.240 --> 1:05:16.000
<v Speaker 1>girl's all seem angsty and like the one Paul goes

1:05:16.200 --> 1:05:18.800
<v Speaker 1>just so cool and laid back, and he's just like

1:05:18.960 --> 1:05:22.360
<v Speaker 1>wants to be this cool dude and like, man, I

1:05:22.440 --> 1:05:26.959
<v Speaker 1>just just became Homecoming King and everybody loves me. And

1:05:27.800 --> 1:05:30.120
<v Speaker 1>you know, Lisa one will have to find somebody else.

1:05:30.120 --> 1:05:33.120
<v Speaker 1>But I guess that's life. Like he's so cool and

1:05:33.120 --> 1:05:35.640
<v Speaker 1>and like the girls are like she's like the the

1:05:35.800 --> 1:05:38.600
<v Speaker 1>angsty lesbian trying to figure her life out, and I'm like,

1:05:38.640 --> 1:05:42.520
<v Speaker 1>why is it? Like her whole thing is like anger?

1:05:42.680 --> 1:05:45.360
<v Speaker 1>And but then he also turns to camera at the

1:05:45.440 --> 1:05:47.280
<v Speaker 1>end and he's like maybe my life would have been different,

1:05:47.360 --> 1:05:51.040
<v Speaker 1>He's like, or maybe i'd be did Why did they

1:05:51.120 --> 1:05:55.760
<v Speaker 1>choose to because he's the only person that does that, right. Yeah,

1:05:56.320 --> 1:05:59.640
<v Speaker 1>And I don't know if that line even like me, Yeah,

1:05:59.680 --> 1:06:03.480
<v Speaker 1>the character there's something cognitive dissonance there. I don't know,

1:06:03.720 --> 1:06:06.600
<v Speaker 1>there's a whole other movie in that line. Its like

1:06:06.760 --> 1:06:12.840
<v Speaker 1>is he secretly very deep and like nihilistic and things there?

1:06:13.560 --> 1:06:16.840
<v Speaker 1>I do. I totally see your point of Tammy is

1:06:17.080 --> 1:06:20.840
<v Speaker 1>just as fucked up as anyone in the movie. I

1:06:20.840 --> 1:06:24.160
<v Speaker 1>guess it's just the main person we have to compare

1:06:24.200 --> 1:06:29.120
<v Speaker 1>her to is Tracy, who is not as conniving she is,

1:06:29.160 --> 1:06:31.960
<v Speaker 1>I think, just as frustrated and angry. But I think

1:06:32.000 --> 1:06:34.000
<v Speaker 1>it just gets back to the problem of like, well,

1:06:34.040 --> 1:06:37.800
<v Speaker 1>because Tammy is the only queer character we see represented

1:06:38.600 --> 1:06:42.720
<v Speaker 1>everything she does, it's almost hard to keep an individual

1:06:43.200 --> 1:06:45.760
<v Speaker 1>because queer people are never represented, and so when you

1:06:45.840 --> 1:06:48.520
<v Speaker 1>do see like the one queer character doing all these

1:06:48.640 --> 1:06:54.760
<v Speaker 1>like this petty bullshit, you're like, man, yeah, yeah, that's dangerous.

1:06:55.120 --> 1:06:57.160
<v Speaker 1>I guess I just like looking at it on the

1:06:57.200 --> 1:07:02.720
<v Speaker 1>surface and not analyzing her after any deeper than that,

1:07:02.920 --> 1:07:05.400
<v Speaker 1>like what we've just done, but just kind of very

1:07:05.440 --> 1:07:08.800
<v Speaker 1>surface level, like her speech that she gives and then

1:07:08.920 --> 1:07:11.360
<v Speaker 1>the scene where she's like praying and saying like, hey God,

1:07:11.400 --> 1:07:13.000
<v Speaker 1>I know I don't believe in you, but I'm going

1:07:13.000 --> 1:07:15.360
<v Speaker 1>to Catholic school soon, so like, I guess a bit

1:07:15.400 --> 1:07:17.600
<v Speaker 1>of practice, and then you know, her speech is all

1:07:17.640 --> 1:07:20.240
<v Speaker 1>like who cares, Like I don't even want to be

1:07:20.320 --> 1:07:22.600
<v Speaker 1>running for this, you know, I'm just going to dismantle

1:07:22.680 --> 1:07:26.840
<v Speaker 1>this institution, and like, don't vote. I don't care, and

1:07:27.200 --> 1:07:31.120
<v Speaker 1>I was just like, she's cool, right, don't don't listen

1:07:31.120 --> 1:07:35.040
<v Speaker 1>to Tanny. You should vote and you should care counts.

1:07:35.640 --> 1:07:42.360
<v Speaker 1>Can we talk about Paul? Where to begin with Paul? Well,

1:07:42.520 --> 1:07:48.680
<v Speaker 1>he can start by saying that he unlike many jock

1:07:48.800 --> 1:07:52.360
<v Speaker 1>football player type characters that we see in teen movies,

1:07:53.280 --> 1:07:59.000
<v Speaker 1>he is not this like gross misogynist, toxic masculinity poster child.

1:07:59.120 --> 1:08:04.360
<v Speaker 1>It's a blank slate. He's he's sweet and he's sensitive,

1:08:04.600 --> 1:08:08.440
<v Speaker 1>and he like loves his sister and he like is

1:08:08.560 --> 1:08:12.320
<v Speaker 1>originally opposed to running against Tracy and her and he's like,

1:08:12.400 --> 1:08:15.200
<v Speaker 1>I'm not gonna run against her. You know that's she's

1:08:15.240 --> 1:08:17.680
<v Speaker 1>good at that and I'm not gonna, you know, interfere.

1:08:17.920 --> 1:08:21.759
<v Speaker 1>And there's a few lines where he approaches his sister Tammy.

1:08:22.160 --> 1:08:24.200
<v Speaker 1>He says, it's kind of weird that you're running against

1:08:24.240 --> 1:08:25.880
<v Speaker 1>me and you haven't told me why you're doing it,

1:08:25.920 --> 1:08:28.000
<v Speaker 1>But that's okay. I respect your privacy and I want

1:08:28.000 --> 1:08:30.240
<v Speaker 1>you to know whoever wins you or me, there's no

1:08:30.320 --> 1:08:34.000
<v Speaker 1>hard feelings. Were still brother and sister. Also, the weird addition,

1:08:34.400 --> 1:08:36.479
<v Speaker 1>like that weird moment where he's like, well you are adopted.

1:08:36.520 --> 1:08:39.200
<v Speaker 1>I was like, why is that there that It's like,

1:08:39.280 --> 1:08:41.880
<v Speaker 1>I guess that's just another thing we know. Yeah, and

1:08:41.920 --> 1:08:44.840
<v Speaker 1>then you know, when he's praying for her, he's asking

1:08:44.880 --> 1:08:48.200
<v Speaker 1>God to make Tammy happier because she's so smart and

1:08:48.240 --> 1:08:50.360
<v Speaker 1>sensitive and I love her so much. Like but then

1:08:50.360 --> 1:08:52.640
<v Speaker 1>also he's clueless because he doesn't seem to realize that

1:08:52.680 --> 1:08:55.880
<v Speaker 1>his sister is queer. There's like some moments where I

1:08:55.880 --> 1:08:58.680
<v Speaker 1>was like, Paul, you missed that, and he's like, and

1:08:58.720 --> 1:09:01.240
<v Speaker 1>I don't know how he send it up here. I mean,

1:09:01.640 --> 1:09:04.600
<v Speaker 1>she got in a fight with Tanny and next to

1:09:04.680 --> 1:09:07.880
<v Speaker 1>the next thing, I know, she's a I was like,

1:09:07.960 --> 1:09:13.120
<v Speaker 1>Paul read the room. Yeah, So he's just clueless and stupid.

1:09:13.120 --> 1:09:15.519
<v Speaker 1>And then also a line that he need delivers I

1:09:15.560 --> 1:09:17.559
<v Speaker 1>think in voice over pretty early on in the movie,

1:09:18.040 --> 1:09:20.640
<v Speaker 1>he says, you know, Mr McAllister changed my life, and

1:09:20.960 --> 1:09:24.400
<v Speaker 1>whatever they say he did or didn't do, I believe

1:09:24.439 --> 1:09:28.400
<v Speaker 1>he's a good man. So he almost just like sees

1:09:28.720 --> 1:09:32.439
<v Speaker 1>the good in people to a fault because he's never

1:09:32.800 --> 1:09:35.400
<v Speaker 1>like it's sort of like that, you know, there there's

1:09:35.520 --> 1:09:38.200
<v Speaker 1>guys out there like this, who are you know, they

1:09:38.240 --> 1:09:40.960
<v Speaker 1>have a good heart, they mean the best, they're generally

1:09:41.000 --> 1:09:43.759
<v Speaker 1>respectful of women, but nothing bad has ever really happened

1:09:43.800 --> 1:09:46.840
<v Speaker 1>to them, and so they're not going to assume that

1:09:46.920 --> 1:09:50.680
<v Speaker 1>anyone would do anything against anyone's better interest because I

1:09:50.840 --> 1:09:53.680
<v Speaker 1>just don't have that experience. I mean, the one thing

1:09:53.680 --> 1:09:56.920
<v Speaker 1>that he did that was very poignant was at the

1:09:57.120 --> 1:10:01.080
<v Speaker 1>end when they were voting, He's like, everybody says that

1:10:01.120 --> 1:10:05.479
<v Speaker 1>you should vote for yourself, but I don't think that

1:10:05.479 --> 1:10:08.320
<v Speaker 1>that's what I think. That's just he literally was the

1:10:08.360 --> 1:10:13.799
<v Speaker 1>one who voted Tracy in. She won by Paul's vote. Oh,

1:10:13.840 --> 1:10:16.280
<v Speaker 1>he's a good guy. And then he wants to have

1:10:16.360 --> 1:10:20.200
<v Speaker 1>a fund a carnival that fundraises for muscular distrophe at

1:10:20.240 --> 1:10:23.000
<v Speaker 1>the and that scene kind of broke my heart too,

1:10:23.080 --> 1:10:26.320
<v Speaker 1>of like he does end up caring, like you know,

1:10:26.360 --> 1:10:28.360
<v Speaker 1>and not supposed to be like a funny moment where Mr.

1:10:28.439 --> 1:10:32.920
<v Speaker 1>Mcallaster's stooge ends up being motivated and does want to

1:10:32.960 --> 1:10:36.080
<v Speaker 1>make a difference. But you're like, man, that like seems

1:10:36.120 --> 1:10:39.080
<v Speaker 1>like pretty true to how you know, like when men

1:10:39.240 --> 1:10:43.759
<v Speaker 1>usually only choose to support younger versions of themselves and

1:10:44.000 --> 1:10:47.759
<v Speaker 1>bring them in and it just perpetuates this Oh god,

1:10:47.880 --> 1:10:53.400
<v Speaker 1>that whole scene was like, oh Paul, baby, Paul won't

1:10:53.479 --> 1:10:59.320
<v Speaker 1>drop the ball, and I loved that smogan. It's a

1:10:59.320 --> 1:11:08.320
<v Speaker 1>little defend. Another one was Paul Metzler, you Betsler, precious,

1:11:08.360 --> 1:11:11.040
<v Speaker 1>But oh one another this is just a quick thing

1:11:11.040 --> 1:11:13.600
<v Speaker 1>and we hardly know anything about this character. But the

1:11:14.479 --> 1:11:19.160
<v Speaker 1>student who was running for vice president Jerry Um. We

1:11:19.200 --> 1:11:21.640
<v Speaker 1>see representation on screen of a person with a disability.

1:11:21.800 --> 1:11:24.759
<v Speaker 1>I love Jerry and he's running on a freaking post

1:11:24.920 --> 1:11:29.519
<v Speaker 1>and opposed. He cracks jokes, he's anyways, yeah, Jered basically

1:11:29.560 --> 1:11:32.439
<v Speaker 1>gets a standing uh yeah yeah, because what he says

1:11:32.800 --> 1:11:36.120
<v Speaker 1>like I can't stand, but I stand for you, and

1:11:36.120 --> 1:11:39.519
<v Speaker 1>everyone's like, this are Jerry. Another character we see for

1:11:39.560 --> 1:11:41.720
<v Speaker 1>like two seconds that was like, oh, there's a whole

1:11:41.720 --> 1:11:45.599
<v Speaker 1>other thing in there. Uh Tammy's mom. There's that scene

1:11:45.600 --> 1:11:50.640
<v Speaker 1>where the parents find out that she's been election tampering

1:11:50.840 --> 1:11:55.080
<v Speaker 1>and she's been disrupting coming down the escalator with Mulanni

1:11:55.160 --> 1:11:58.280
<v Speaker 1>and the whole ship. But there's a scene with the

1:11:58.320 --> 1:12:01.240
<v Speaker 1>parents where it seems pretty point. The mom's sitting there

1:12:01.280 --> 1:12:03.200
<v Speaker 1>like with a martini. I think she's supposed to be like,

1:12:03.200 --> 1:12:07.519
<v Speaker 1>oh wine, mom who is exhausted with her blow hard husband. Um,

1:12:07.560 --> 1:12:10.080
<v Speaker 1>and he's you know, yelling He's like, where where are

1:12:10.160 --> 1:12:13.479
<v Speaker 1>you sucking? You're going to a new school, and Tammy's

1:12:13.479 --> 1:12:18.040
<v Speaker 1>mom keeps almost saying something's cut off, and then eventually

1:12:18.040 --> 1:12:22.639
<v Speaker 1>she finally does say something and is you know, not

1:12:22.880 --> 1:12:25.800
<v Speaker 1>a dumb person at all. Is very well spoken and

1:12:25.840 --> 1:12:28.680
<v Speaker 1>starts to say make a cogent point, and then the

1:12:28.760 --> 1:12:30.960
<v Speaker 1>dad cuts her off again. You're just like interrupting, You're

1:12:30.960 --> 1:12:34.720
<v Speaker 1>going to Sacred Heart or whatever the spot just like

1:12:34.760 --> 1:12:38.439
<v Speaker 1>whoa oh. They say something like yeah, we're gonna straighten

1:12:38.479 --> 1:12:40.760
<v Speaker 1>you out, and then she's like giggling because I don't

1:12:40.760 --> 1:12:45.519
<v Speaker 1>know if it's because of like right like I'm pants

1:12:45.560 --> 1:12:52.120
<v Speaker 1>sexually and it's like all right, Tammy, we okay. Does

1:12:52.160 --> 1:12:55.719
<v Speaker 1>anyone have any other thoughts about the film? Whof there's

1:12:55.720 --> 1:13:00.240
<v Speaker 1>a there's a lot just The last a Shotover really

1:13:00.240 --> 1:13:03.200
<v Speaker 1>liked was the shot of the dick at the end.

1:13:03.400 --> 1:13:07.760
<v Speaker 1>He's like, what happens when a man loses everything? It's

1:13:07.760 --> 1:13:12.600
<v Speaker 1>like literally a straight up castration shot. Um oh, I

1:13:12.600 --> 1:13:14.920
<v Speaker 1>guess The last thing I wanted to say in terms

1:13:14.920 --> 1:13:20.200
<v Speaker 1>of just like you know, unwrapping a pretty clear commentary is, uh,

1:13:20.280 --> 1:13:24.800
<v Speaker 1>the idea of second chances where Jim's character at the end.

1:13:25.240 --> 1:13:26.559
<v Speaker 1>You know, it's like and then I moved to New

1:13:26.640 --> 1:13:29.360
<v Speaker 1>York and I got dissed and it's not perfect. Clearly

1:13:29.400 --> 1:13:32.280
<v Speaker 1>his life kind of sucks, but you know he's not

1:13:32.479 --> 1:13:36.000
<v Speaker 1>really punished. He just has to start over. That is,

1:13:36.040 --> 1:13:40.080
<v Speaker 1>I mean clear political allegory of like, hey, just I mean,

1:13:40.160 --> 1:13:42.559
<v Speaker 1>I think applies to what a lot of guys are

1:13:42.600 --> 1:13:46.599
<v Speaker 1>trying to do after their me too moment, to like

1:13:46.800 --> 1:13:49.840
<v Speaker 1>I just gotta go somewhere else or wait a little

1:13:50.000 --> 1:13:54.479
<v Speaker 1>while and then I can just keep on. Louis k

1:13:54.760 --> 1:13:57.639
<v Speaker 1>keeps doing drop in sets at the Comedy Cellar. He's

1:13:57.640 --> 1:14:00.760
<v Speaker 1>addicted to it. He won't stop. And yeah, so that

1:14:00.760 --> 1:14:03.400
<v Speaker 1>that was like a moment that I think feels like

1:14:03.520 --> 1:14:06.400
<v Speaker 1>especially timely right now to just like and I just

1:14:06.439 --> 1:14:10.599
<v Speaker 1>went somewhere else and did the same ship forever. Awesome.

1:14:12.080 --> 1:14:15.160
<v Speaker 1>So I do appreciate the one kid, the truth kid

1:14:15.520 --> 1:14:20.439
<v Speaker 1>who looks spits on this Larry feminist Larry, and Larry

1:14:20.520 --> 1:14:23.280
<v Speaker 1>wants women when on Jim is like still driving on

1:14:23.360 --> 1:14:26.360
<v Speaker 1>the streets after all of this has happened. He's divorced,

1:14:26.479 --> 1:14:29.360
<v Speaker 1>he lost everything. He's in the car and he sees

1:14:29.840 --> 1:14:33.120
<v Speaker 1>Larry and they both just like lock eyes and He's

1:14:33.160 --> 1:14:36.840
<v Speaker 1>like tries to give him a little smile. Larry's like,

1:14:38.240 --> 1:14:42.040
<v Speaker 1>I'm like, yeah, much like what Rose does to Billy

1:14:42.160 --> 1:14:46.800
<v Speaker 1>Zane in the end of Titanic Tooey, Yeah, where was

1:14:46.800 --> 1:14:49.000
<v Speaker 1>Billy's and in this movie? Where was the Boba duke

1:14:49.040 --> 1:14:52.839
<v Speaker 1>in this movie? Where in this movie? Yeah, there's a mistake.

1:14:53.479 --> 1:14:56.599
<v Speaker 1>Not everyone's always available. But I hope that I love

1:14:56.880 --> 1:14:59.160
<v Speaker 1>I love Alfre Billina to you know, to my dying day.

1:14:59.240 --> 1:15:01.679
<v Speaker 1>I think Matthew it is so good in this movie.

1:15:03.640 --> 1:15:06.920
<v Speaker 1>This movie was excellently cast. It's like a perfect inversion

1:15:06.960 --> 1:15:09.400
<v Speaker 1>of who people perceived him to be. Oh, I would

1:15:09.439 --> 1:15:12.160
<v Speaker 1>be remiss not to just remind everyone, as I do

1:15:12.200 --> 1:15:16.120
<v Speaker 1>every time we mentioned Matthew Brodrick. Matthew Broderick did hit

1:15:16.360 --> 1:15:18.439
<v Speaker 1>two women with his car once and killed them both.

1:15:18.439 --> 1:15:20.719
<v Speaker 1>Oh my god, I didn't know that about him, guys,

1:15:20.760 --> 1:15:23.000
<v Speaker 1>Matthew Brodercks. I mean, he didn't do it on purpose,

1:15:23.640 --> 1:15:26.479
<v Speaker 1>but he was in a car with Jennifer Gray in

1:15:26.640 --> 1:15:33.719
<v Speaker 1>Ireland and uh so, just yeah, enjoy Matthew brodjeckts never water.

1:15:34.479 --> 1:15:37.559
<v Speaker 1>It's uh, you know videos Matthew Brodicks. So nothing happened.

1:15:38.320 --> 1:15:41.160
<v Speaker 1>M just a fun fact about Matthew Broderick, he'd killed

1:15:41.160 --> 1:15:45.480
<v Speaker 1>the lady. Well, that really sucks. Well to bring that note, Yeah,

1:15:45.520 --> 1:15:48.960
<v Speaker 1>well a fun to to uplift our spirits again after

1:15:49.040 --> 1:15:51.160
<v Speaker 1>hearing that, I just wanted to point out. I don't

1:15:51.160 --> 1:15:54.200
<v Speaker 1>know if anyone else noticed, but um, whenever you first

1:15:54.280 --> 1:15:57.880
<v Speaker 1>are introduced to Paul and he's like tumbling down a

1:15:57.960 --> 1:16:03.000
<v Speaker 1>mountain as he's skiing, you see two different shots of

1:16:03.040 --> 1:16:06.559
<v Speaker 1>what is obviously stock footage of a skier because they're

1:16:06.720 --> 1:16:09.800
<v Speaker 1>wearing different coats. And then when it cuts to a

1:16:09.840 --> 1:16:13.639
<v Speaker 1>close on Paul, he's wearing a different coat from both

1:16:13.680 --> 1:16:17.800
<v Speaker 1>of the previous two shots. So it's so funny. I

1:16:17.880 --> 1:16:23.000
<v Speaker 1>didn't see that. I love that. That's great continuity, and

1:16:23.000 --> 1:16:25.160
<v Speaker 1>it's clear that they didn't try to do they didn't

1:16:25.160 --> 1:16:27.080
<v Speaker 1>do anything to try because I easily just could have

1:16:27.280 --> 1:16:31.080
<v Speaker 1>taken the one stock footage shot and then matched the

1:16:31.120 --> 1:16:34.160
<v Speaker 1>coat with whatever that person was wearing. But it seemed

1:16:34.200 --> 1:16:37.240
<v Speaker 1>like an almost deliberate joke for like it to be

1:16:37.320 --> 1:16:40.200
<v Speaker 1>three different coats, because those shots are so long that

1:16:40.520 --> 1:16:44.479
<v Speaker 1>you could have just used the one so anyway. And

1:16:44.479 --> 1:16:48.439
<v Speaker 1>then finally, for anyone who's keeping track of the name

1:16:48.479 --> 1:16:53.719
<v Speaker 1>anagrams of what Caitlin Durante anagrams too relevant to this movie.

1:16:54.040 --> 1:16:59.360
<v Speaker 1>Caitlin Durante anagrams to run lit candidate if you misspell

1:16:59.479 --> 1:17:03.240
<v Speaker 1>candidate and only spell it with one D. So for example,

1:17:04.000 --> 1:17:06.320
<v Speaker 1>you know, if someone's like, hey, I don't know if

1:17:06.360 --> 1:17:10.280
<v Speaker 1>I should run or not, I would say to you,

1:17:10.840 --> 1:17:16.559
<v Speaker 1>run lit candidate, because you're lit and you're a potential candidate,

1:17:16.560 --> 1:17:19.960
<v Speaker 1>you should. Right in my sub rating now, I'm rating

1:17:19.960 --> 1:17:23.280
<v Speaker 1>things twice an episode. Uh and and that's a two

1:17:23.320 --> 1:17:26.479
<v Speaker 1>for me, a two out of five. Wow, Jamie harsh

1:17:26.600 --> 1:17:30.200
<v Speaker 1>as a stretch. No, listen, there's been there's been great ones,

1:17:31.160 --> 1:17:34.439
<v Speaker 1>and I hold them to that gold standard. Okay, I understand, well,

1:17:34.479 --> 1:17:37.880
<v Speaker 1>I think this is one of my better ones. So like,

1:17:37.960 --> 1:17:41.320
<v Speaker 1>I guess we're there's we can you know, disagree from

1:17:41.360 --> 1:17:44.400
<v Speaker 1>time to time. But um yeah, that's that's the one

1:17:44.479 --> 1:17:46.599
<v Speaker 1>I got for this one. The last thing I wanted

1:17:46.600 --> 1:17:49.880
<v Speaker 1>to mention to this movie's credit, this is one of

1:17:49.920 --> 1:17:53.040
<v Speaker 1>the few because we didn't discuss Jim's wife, Diane really

1:17:53.080 --> 1:17:56.320
<v Speaker 1>at all, because we're not given much other than her

1:17:56.360 --> 1:17:59.240
<v Speaker 1>husband's a sucking asshole and she would like a baby

1:17:59.280 --> 1:18:02.680
<v Speaker 1>and she uses a sex phrase clearly written by a

1:18:02.720 --> 1:18:08.120
<v Speaker 1>man film what woman in her right? It wouldn't happen. Ever,

1:18:08.280 --> 1:18:13.080
<v Speaker 1>I say that every day, what if? What if? Caleb

1:18:13.160 --> 1:18:15.120
<v Speaker 1>was like, I'd like to come out in strong opposition.

1:18:15.320 --> 1:18:18.479
<v Speaker 1>That's my only sex phrase. It's my campaign slogan really

1:18:18.560 --> 1:18:23.920
<v Speaker 1>for when I when I a lit candidate, run filed

1:18:24.000 --> 1:18:26.720
<v Speaker 1>me up. The one thing I wanted to say to

1:18:26.760 --> 1:18:29.559
<v Speaker 1>that point, other than the fact that you just lost

1:18:29.640 --> 1:18:33.920
<v Speaker 1>my vote, is that that this is one of the

1:18:34.040 --> 1:18:38.839
<v Speaker 1>rare movies where, you know, Linda tells Diane your husband

1:18:38.880 --> 1:18:43.000
<v Speaker 1>and I had sex, and Diane breaks up with her husband,

1:18:43.200 --> 1:18:46.960
<v Speaker 1>doesn't seem to actively punish the other woman, which I

1:18:47.000 --> 1:18:51.160
<v Speaker 1>think is usually well so I appreciated that. Yeah, we

1:18:51.720 --> 1:18:56.080
<v Speaker 1>see them having presumably just interacted and probably not passing

1:18:56.080 --> 1:18:59.240
<v Speaker 1>the Bectel test because it's probably talking about Jim. But

1:19:00.080 --> 1:19:02.479
<v Speaker 1>it seems like they are consoling each other. They're you know,

1:19:02.479 --> 1:19:06.080
<v Speaker 1>they're crying and comforting each other, and they are placing

1:19:06.120 --> 1:19:10.320
<v Speaker 1>the blame rightfully on Jim, who I don't know if

1:19:10.320 --> 1:19:12.960
<v Speaker 1>this happens right before right after when he has a

1:19:13.000 --> 1:19:16.880
<v Speaker 1>conversation with Linda and is like, you ruined my life

1:19:16.920 --> 1:19:20.519
<v Speaker 1>and she's like you, like you took advantage of me, like,

1:19:20.680 --> 1:19:23.080
<v Speaker 1>and he's like, well, you took advantage of me, you

1:19:23.200 --> 1:19:25.360
<v Speaker 1>kiss me, you hugged me, and like, I think that

1:19:25.439 --> 1:19:28.000
<v Speaker 1>they should have acknowledged that they both had a partner.

1:19:28.120 --> 1:19:30.240
<v Speaker 1>There was one thing I was like, Linda was an

1:19:30.240 --> 1:19:33.120
<v Speaker 1>active participant in that. But I think that that also

1:19:33.200 --> 1:19:35.840
<v Speaker 1>spoke to her not being a very well written character,

1:19:36.000 --> 1:19:38.880
<v Speaker 1>because she pretty clearly rejects him and then all of

1:19:38.960 --> 1:19:42.080
<v Speaker 1>a sudden seems not just on board to have sex

1:19:42.080 --> 1:19:43.960
<v Speaker 1>with him, but on board to have sex with him

1:19:44.000 --> 1:19:47.719
<v Speaker 1>in front of her baby, which is such a leap,

1:19:47.800 --> 1:19:50.559
<v Speaker 1>and the character were introduced to that, it seems like

1:19:50.600 --> 1:19:53.280
<v Speaker 1>that character was sold out at some point, right, But

1:19:53.400 --> 1:19:57.439
<v Speaker 1>we're Linda Land. She should definitely own some of the blame.

1:19:57.840 --> 1:19:59.360
<v Speaker 1>But she's right. I mean, I think she's right to

1:19:59.400 --> 1:20:03.000
<v Speaker 1>not for like, obviously she didn't ruin Jim's life, but

1:20:03.040 --> 1:20:05.880
<v Speaker 1>she was an active participant. She literally fund the guy

1:20:05.920 --> 1:20:07.240
<v Speaker 1>in front of her baby. No, I should do that

1:20:07.800 --> 1:20:11.800
<v Speaker 1>with with Linda. There's no catalyst for the audience to

1:20:11.880 --> 1:20:15.200
<v Speaker 1>understand why she suddenly changes her mind about wanting to

1:20:15.240 --> 1:20:18.360
<v Speaker 1>sleep with Jim. Why does she even invite him over

1:20:18.520 --> 1:20:20.920
<v Speaker 1>after he hit on her? And right he would think

1:20:21.000 --> 1:20:23.760
<v Speaker 1>that that would put an end to that friendship. Well

1:20:23.800 --> 1:20:25.960
<v Speaker 1>she said that, She's like, I was just lonely and

1:20:26.040 --> 1:20:28.240
<v Speaker 1>made a mistake and you know, and that's the thing

1:20:28.280 --> 1:20:31.880
<v Speaker 1>again about this moral ethics, and it does happen. And

1:20:32.200 --> 1:20:34.280
<v Speaker 1>that's the thing I liked about this, Like I like

1:20:34.360 --> 1:20:37.479
<v Speaker 1>in general about this movie so much is I think

1:20:37.479 --> 1:20:40.960
<v Speaker 1>the overarching message is also about like how so much

1:20:41.200 --> 1:20:44.320
<v Speaker 1>everything is gray. There isn't so much of like black

1:20:44.320 --> 1:20:46.280
<v Speaker 1>and white, and there is a lot of gray space.

1:20:46.360 --> 1:20:52.080
<v Speaker 1>And it does come to moral ambiguity. Like with every

1:20:52.160 --> 1:20:55.559
<v Speaker 1>character there's like they're all you could see the good

1:20:55.600 --> 1:20:57.360
<v Speaker 1>side and then you're like, oh, we did this shitty

1:20:57.400 --> 1:21:02.360
<v Speaker 1>thing and that literally everybody totally poor filming up, she

1:21:02.439 --> 1:21:09.400
<v Speaker 1>did nothing. Hey does this movie pass the Bechtel test? Yes? Yes.

1:21:10.080 --> 1:21:14.160
<v Speaker 1>Women do not interact nearly as much as I was expecting,

1:21:14.200 --> 1:21:18.560
<v Speaker 1>considering there are a fair number of female identifying characters.

1:21:19.400 --> 1:21:24.680
<v Speaker 1>I only clocked one scene where it passes, which is

1:21:24.760 --> 1:21:29.799
<v Speaker 1>between Tammy and Lisa in the beginning. Whenever they are kissing,

1:21:29.880 --> 1:21:32.559
<v Speaker 1>Lisa pulls away. She says, I told you, and she's

1:21:32.600 --> 1:21:34.599
<v Speaker 1>like what She's like, it doesn't feel right anymore, and

1:21:34.640 --> 1:21:37.320
<v Speaker 1>she's like Tammy's like, but I love you. And then

1:21:37.360 --> 1:21:39.720
<v Speaker 1>a few seconds later, Lisa is getting into a car

1:21:39.800 --> 1:21:42.360
<v Speaker 1>and starting to drive away and Tammy's like, where are

1:21:42.360 --> 1:21:45.599
<v Speaker 1>you going? And she's like, I'm not like you. I'm

1:21:45.640 --> 1:21:50.840
<v Speaker 1>not a insert homophobic slur here. Yeah, we're not in love.

1:21:50.920 --> 1:21:54.679
<v Speaker 1>We were just experimenting. So nothing is called into question

1:21:54.760 --> 1:21:57.080
<v Speaker 1>here in terms of hey, is this is a man

1:21:57.240 --> 1:22:01.120
<v Speaker 1>mentioned here? Like this is about women kissing each other

1:22:01.720 --> 1:22:05.200
<v Speaker 1>an interesting past? Did you not have Tracy and her

1:22:05.240 --> 1:22:09.080
<v Speaker 1>mom passing at least once in that scene? No, because

1:22:09.200 --> 1:22:13.920
<v Speaker 1>unless I am just misremembering something. But the only scene

1:22:14.000 --> 1:22:17.920
<v Speaker 1>I noticed where Tracy and her mom interact on screen

1:22:18.120 --> 1:22:22.600
<v Speaker 1>is after Tracy finds out she loses the election and

1:22:22.680 --> 1:22:24.639
<v Speaker 1>she's crying, and then her mom comes in and she's

1:22:24.640 --> 1:22:28.200
<v Speaker 1>when she's stuff to her right. She's like, uh, there there,

1:22:28.720 --> 1:22:31.320
<v Speaker 1>lie down, take my pill, you know, and then she's like,

1:22:31.320 --> 1:22:33.320
<v Speaker 1>maybe you needed more posters or you should have taken

1:22:33.320 --> 1:22:37.160
<v Speaker 1>my suggestions about your speech, But Tracy never verbally responds

1:22:37.640 --> 1:22:41.280
<v Speaker 1>she's crying. Yeah, I wish that mom. I don't understand

1:22:41.320 --> 1:22:43.519
<v Speaker 1>why that mom character wasn't more present, And that was

1:22:43.560 --> 1:22:45.519
<v Speaker 1>like a weird thing for me. So yes, this movie

1:22:45.560 --> 1:22:49.519
<v Speaker 1>does pass the Bechdel test, but as far as I

1:22:49.560 --> 1:22:54.000
<v Speaker 1>can tell, only in one scene. Unless I'm missing something,

1:22:54.560 --> 1:22:58.000
<v Speaker 1>it's not okay. That's that's the way the cookie crumbles

1:22:58.360 --> 1:23:03.559
<v Speaker 1>will take one for Yeah, now we rate on our

1:23:03.640 --> 1:23:06.760
<v Speaker 1>nipple scale, where we rate the movie based on its

1:23:06.760 --> 1:23:10.160
<v Speaker 1>portrayal of women based on a scale of zero to

1:23:10.400 --> 1:23:13.880
<v Speaker 1>five nipples. This is another like kind of landing right

1:23:13.920 --> 1:23:17.400
<v Speaker 1>in the middle for me, where to me, it's not

1:23:17.880 --> 1:23:23.759
<v Speaker 1>especially progressive, it's not especially re aggressive. It has interesting

1:23:24.200 --> 1:23:30.960
<v Speaker 1>female characters, more time and care was spent to develop them,

1:23:31.000 --> 1:23:34.960
<v Speaker 1>certainly more than other similar kind of teen movies, especially

1:23:35.000 --> 1:23:38.559
<v Speaker 1>of this era. But also there are choices that were made,

1:23:39.000 --> 1:23:43.519
<v Speaker 1>like the statutory affair that happens between the teacher and

1:23:43.520 --> 1:23:46.400
<v Speaker 1>the student, and I don't know, this is just like

1:23:46.600 --> 1:23:48.479
<v Speaker 1>it's a hard this is a hard one. This is

1:23:48.520 --> 1:23:51.600
<v Speaker 1>some of them are it's very easy, and this is

1:23:51.600 --> 1:23:53.400
<v Speaker 1>a hard one because as you were kind of touching

1:23:53.400 --> 1:23:57.080
<v Speaker 1>on Natasha, it's like there's a lot of ambiguity and

1:23:57.120 --> 1:24:01.599
<v Speaker 1>gray area that is honestly are realistic. I mean, we

1:24:01.840 --> 1:24:05.720
<v Speaker 1>as as people find ourselves having to make difficult decisions

1:24:05.720 --> 1:24:09.160
<v Speaker 1>and and being faced with things that we don't exactly

1:24:09.160 --> 1:24:11.640
<v Speaker 1>know what the right and moral and ethical thing to

1:24:11.720 --> 1:24:14.800
<v Speaker 1>do is in the moment, and maybe making mistakes here

1:24:14.800 --> 1:24:18.519
<v Speaker 1>and there. So I think all of those aspects of

1:24:18.520 --> 1:24:22.200
<v Speaker 1>the film are interesting. Um Worth noting that this is

1:24:22.240 --> 1:24:27.639
<v Speaker 1>an extremely white movie that could be um maybe explained

1:24:27.640 --> 1:24:29.879
<v Speaker 1>away the fact that this takes place in a suburb

1:24:30.040 --> 1:24:41.240
<v Speaker 1>of Oh Maha, Um, where do we share? But we're everywhere. Yeah,

1:24:41.880 --> 1:24:46.600
<v Speaker 1>replace the Indians. I'm sure we found our way somewhere there.

1:24:47.720 --> 1:24:51.599
<v Speaker 1>But yeah, every major speaking role, in fact, maybe even

1:24:51.640 --> 1:24:56.400
<v Speaker 1>every speaking role period is spoken by a white person. Um.

1:24:56.439 --> 1:24:59.960
<v Speaker 1>I do appreciate that there is clear and not code

1:25:00.000 --> 1:25:03.320
<v Speaker 1>did because if there is queer characters in movies, usually

1:25:03.320 --> 1:25:06.760
<v Speaker 1>they're just coded that way. But we do see someone who,

1:25:06.840 --> 1:25:10.559
<v Speaker 1>even though she perhaps is not totally sure how she

1:25:10.640 --> 1:25:15.000
<v Speaker 1>identifies at this stage in her life, she is queer. Yeah,

1:25:15.520 --> 1:25:19.519
<v Speaker 1>although as we discussed, you know, she kind of falls

1:25:19.520 --> 1:25:22.360
<v Speaker 1>into a sort of trophy character of like kind of

1:25:22.400 --> 1:25:27.320
<v Speaker 1>the angry lesbian type. So you know, more care and

1:25:27.520 --> 1:25:30.280
<v Speaker 1>time could have been spent to develop these characters just

1:25:30.320 --> 1:25:34.559
<v Speaker 1>a little bit more. Um Yeah. So overall, this was

1:25:34.960 --> 1:25:37.800
<v Speaker 1>a very long winded way to say that I give

1:25:37.840 --> 1:25:41.160
<v Speaker 1>this movie. I'm going to give this movie. I think

1:25:41.160 --> 1:25:45.040
<v Speaker 1>two and a half nips. I'll give one to Tracy Flick,

1:25:45.160 --> 1:25:48.960
<v Speaker 1>I'll give one to Tammy, and I will give my

1:25:49.520 --> 1:25:55.320
<v Speaker 1>remaining half nipple too Diane Jim's wife and then ex

1:25:55.400 --> 1:25:58.519
<v Speaker 1>wife because I feel like we should have his wife,

1:25:59.200 --> 1:26:01.840
<v Speaker 1>because I feel like we should have learned more about her,

1:26:01.920 --> 1:26:04.360
<v Speaker 1>and more about the mom character, more about many characters.

1:26:04.439 --> 1:26:06.439
<v Speaker 1>But you know, you only have so much time in

1:26:06.479 --> 1:26:11.040
<v Speaker 1>a movie, so I'm gonna go. I'm very close to

1:26:11.080 --> 1:26:15.839
<v Speaker 1>wanting to do with three and a half for this one. Natasha,

1:26:15.880 --> 1:26:17.880
<v Speaker 1>you made a great point at the end for all

1:26:17.920 --> 1:26:22.280
<v Speaker 1>the like nitpicky things they have about this movie, by

1:26:22.360 --> 1:26:28.240
<v Speaker 1>and large, every character in this movie is presented as flawed,

1:26:28.880 --> 1:26:32.840
<v Speaker 1>and that is, I think, in general, a positive in

1:26:32.880 --> 1:26:37.120
<v Speaker 1>that we have female characters that we know well enough

1:26:37.360 --> 1:26:41.639
<v Speaker 1>to know that they're flawed. Usually it's the only thing

1:26:41.680 --> 1:26:43.559
<v Speaker 1>we know about them, or we know nothing at all.

1:26:43.720 --> 1:26:47.639
<v Speaker 1>So where where I do have like certain like thoughts

1:26:47.680 --> 1:26:49.720
<v Speaker 1>of like, I think that Tammy's character could have been

1:26:49.720 --> 1:26:53.479
<v Speaker 1>handled better, You're totally right. She's a very flawed character,

1:26:54.160 --> 1:26:59.160
<v Speaker 1>as is the entire main cast. And for any criticism

1:26:59.200 --> 1:27:03.520
<v Speaker 1>of like everyone like, it's not just the female identifying

1:27:03.600 --> 1:27:07.080
<v Speaker 1>characters in this movie. That and where they started. Everyone's

1:27:07.080 --> 1:27:10.160
<v Speaker 1>in a vicious cycle that they made themselves, and that's

1:27:10.200 --> 1:27:13.360
<v Speaker 1>you know, suppressing, but it feels real and at least

1:27:13.680 --> 1:27:17.200
<v Speaker 1>is uniformly applied to almost every character you know. There

1:27:17.320 --> 1:27:20.040
<v Speaker 1>there are a few misses with I absolutely agree that

1:27:20.080 --> 1:27:26.360
<v Speaker 1>the statutory rape storyline is mishandled, and there's I mean,

1:27:26.400 --> 1:27:29.000
<v Speaker 1>I think that there's space inside of it this movie

1:27:29.439 --> 1:27:33.120
<v Speaker 1>for it to be handled well, but it's not. And

1:27:33.160 --> 1:27:37.120
<v Speaker 1>then there's a few uncanny valley characters like Linda where

1:27:37.520 --> 1:27:39.600
<v Speaker 1>I could understand where you're coming from, but we just

1:27:39.640 --> 1:27:43.639
<v Speaker 1>haven't spent enough time with you to understand why these

1:27:43.680 --> 1:27:47.120
<v Speaker 1>sudden switches were made. Uh, And just that I don't

1:27:47.160 --> 1:27:51.200
<v Speaker 1>see any reason why Tracy's mom couldn't have been more present. Uh,

1:27:51.520 --> 1:27:54.880
<v Speaker 1>little stuff like that. Obviously, it is a very white movie,

1:27:55.400 --> 1:27:59.200
<v Speaker 1>and there's no reason in a high school setting for

1:27:59.280 --> 1:28:05.479
<v Speaker 1>their now, although my high school had white people in it.

1:28:05.600 --> 1:28:08.639
<v Speaker 1>So I don't like not to defend this choice at all.

1:28:09.280 --> 1:28:12.280
<v Speaker 1>It might be a regional thing, who knows. But also

1:28:12.360 --> 1:28:16.599
<v Speaker 1>in movies you can make choices to you know, misrepresent things,

1:28:16.640 --> 1:28:19.639
<v Speaker 1>because movies do it all the time. Right. And also

1:28:19.720 --> 1:28:22.760
<v Speaker 1>it's like, how would it have affected the story negatively?

1:28:22.920 --> 1:28:26.439
<v Speaker 1>Like it it wouldn't you know? You could have the

1:28:26.560 --> 1:28:29.000
<v Speaker 1>movie happen the exact same way and have included people

1:28:29.040 --> 1:28:32.639
<v Speaker 1>of color at any point. But I'll go three three

1:28:32.640 --> 1:28:35.559
<v Speaker 1>and a half because it's hard to find. It's hard

1:28:35.600 --> 1:28:40.040
<v Speaker 1>to find complicated depictions of women in movies at all,

1:28:40.760 --> 1:28:44.479
<v Speaker 1>and we've got we've got a few here, and I

1:28:44.560 --> 1:28:47.680
<v Speaker 1>really really enjoyed this movie and I'm looking forward to

1:28:47.680 --> 1:28:50.720
<v Speaker 1>seeing it again. Um, and also sorry, what I was

1:28:50.720 --> 1:28:54.680
<v Speaker 1>gonna say is not just a complicated woman, but the

1:28:54.840 --> 1:28:57.639
<v Speaker 1>kind of character you can keep revisiting and take something

1:28:57.760 --> 1:29:00.439
<v Speaker 1>new away every time. I think that that is something

1:29:00.640 --> 1:29:05.120
<v Speaker 1>very commonly applied to male characters. Um, I go right

1:29:05.160 --> 1:29:07.320
<v Speaker 1>to TV. But like you know, you're don drapers of

1:29:07.400 --> 1:29:11.920
<v Speaker 1>like revisiting this guy we all thought was so fucking cool.

1:29:12.320 --> 1:29:14.160
<v Speaker 1>There's not a lot of female characters that are written

1:29:14.160 --> 1:29:16.200
<v Speaker 1>well enough to be able to go back and have

1:29:16.240 --> 1:29:19.160
<v Speaker 1>new takers. So I'll go three and a half. M

1:29:19.160 --> 1:29:22.479
<v Speaker 1>I mean to give two to Tracy flick uh, and

1:29:22.520 --> 1:29:27.519
<v Speaker 1>I give that half to Diane, and I'm given the

1:29:27.600 --> 1:29:31.559
<v Speaker 1>last of that poor baby who had to see Matthew

1:29:31.600 --> 1:29:37.000
<v Speaker 1>brodack of sex. Um, you guys said everything. Now, I

1:29:37.040 --> 1:29:41.880
<v Speaker 1>would give it three also because I appreciate that they

1:29:42.080 --> 1:29:45.760
<v Speaker 1>were telling a female sort of driven story. I appreciate

1:29:45.800 --> 1:29:48.719
<v Speaker 1>that there were multiple female characters. I mean, we talked

1:29:48.720 --> 1:29:52.439
<v Speaker 1>about well five or so, and you know the reason

1:29:52.520 --> 1:29:55.760
<v Speaker 1>I wouldn't give it a full five is because they

1:29:55.800 --> 1:29:59.680
<v Speaker 1>were portrayed to be like the parts of us that

1:29:59.720 --> 1:30:04.479
<v Speaker 1>could be embraced. We're sort of underappreciated, so even and

1:30:04.880 --> 1:30:06.680
<v Speaker 1>I get it. I mean, as a writer, like, when

1:30:06.720 --> 1:30:10.040
<v Speaker 1>you're writing a character, you just gotta go like all in.

1:30:10.520 --> 1:30:13.680
<v Speaker 1>You can't be like, oh, the um, you know, the

1:30:13.760 --> 1:30:16.960
<v Speaker 1>ambitious student, and the log line has to be the

1:30:17.120 --> 1:30:21.080
<v Speaker 1>over ambitious student, um, the obnoxious student. Like it has

1:30:21.120 --> 1:30:23.760
<v Speaker 1>to do. And I get it, Um, but I wish that,

1:30:23.920 --> 1:30:26.560
<v Speaker 1>you know, if we had the platform, we weren't portrayed

1:30:26.640 --> 1:30:30.679
<v Speaker 1>as that. Otherwise I feel like all your points are valid. Um.

1:30:30.720 --> 1:30:34.040
<v Speaker 1>I'm always an advocate for diversity. Um. That's that. I

1:30:34.080 --> 1:30:39.479
<v Speaker 1>completely get that. I'm from Canada and and uh, I see,

1:30:39.680 --> 1:30:42.400
<v Speaker 1>I think it's a lot more common there, um to

1:30:42.560 --> 1:30:44.840
<v Speaker 1>see all sorts of people. But I've learned as I've

1:30:44.880 --> 1:30:48.679
<v Speaker 1>come to America, that there are cities here where people

1:30:48.840 --> 1:30:51.759
<v Speaker 1>didn't have people of color um at all, like until

1:30:51.800 --> 1:30:54.880
<v Speaker 1>college and stuff. So I understand that. And I'm just

1:30:54.960 --> 1:30:59.960
<v Speaker 1>kidding sometimes and sometimes not um that everybody should have diversity,

1:31:00.520 --> 1:31:04.479
<v Speaker 1>but it's you know, back it was, it's all good. Um. Yeah.

1:31:04.520 --> 1:31:09.519
<v Speaker 1>So three, I'll give two and a half to Tracy

1:31:09.920 --> 1:31:14.200
<v Speaker 1>just because she's a bull buster and she you know,

1:31:14.400 --> 1:31:17.840
<v Speaker 1>didn't let anybody stop her, and she had a lot

1:31:17.920 --> 1:31:21.240
<v Speaker 1>of ship happened to her and she pushed on. She

1:31:21.400 --> 1:31:25.439
<v Speaker 1>was also a human being who was flawed, and I

1:31:25.479 --> 1:31:28.679
<v Speaker 1>think there's a lot to take away from her. Um,

1:31:28.720 --> 1:31:31.800
<v Speaker 1>and fucking Reese Witherspoon plays her, so you have to

1:31:31.800 --> 1:31:37.519
<v Speaker 1>love her. The other quarters I'll give to Tammy because,

1:31:37.560 --> 1:31:40.840
<v Speaker 1>like you said, it's it's great that they had um

1:31:40.880 --> 1:31:45.320
<v Speaker 1>an openly queer character on camera, and and her depiction

1:31:45.439 --> 1:31:47.840
<v Speaker 1>was honest in the beginning of her struggling, you know,

1:31:47.840 --> 1:31:50.719
<v Speaker 1>and trying to figure it out. Um, Diane, I feel

1:31:50.760 --> 1:31:53.120
<v Speaker 1>bad for her. I feel bad for her, and so

1:31:53.439 --> 1:31:55.840
<v Speaker 1>I don't think the math added up. Guys, don't judge me.

1:31:55.880 --> 1:31:57.840
<v Speaker 1>I'm Indian. I should have known the math, but they didn't.

1:31:58.320 --> 1:32:02.720
<v Speaker 1>I think that I'm also half hungover, but I'm not.

1:32:03.320 --> 1:32:06.720
<v Speaker 1>I'm just really sleepy. Well, thank you so much for

1:32:06.760 --> 1:32:10.080
<v Speaker 1>being here. Much fun. What would you like to plug?

1:32:10.080 --> 1:32:12.679
<v Speaker 1>Where can people find you? On mond um, you guys

1:32:12.760 --> 1:32:15.519
<v Speaker 1>can check out the Kind of Dating podcast. We are

1:32:16.000 --> 1:32:19.320
<v Speaker 1>everywhere you find podcasts, and we're also on YouTube. You

1:32:19.360 --> 1:32:21.519
<v Speaker 1>can follow us on social media where at Kind of

1:32:21.600 --> 1:32:25.759
<v Speaker 1>Dating across the board. Um, I'm at Natasha Chandel on

1:32:25.760 --> 1:32:30.679
<v Speaker 1>Facebook and Instagram and Natasha underscore Chandel on Twitter because

1:32:30.720 --> 1:32:34.479
<v Speaker 1>some other bitch took my name. I'm getting unbelievable. Never

1:32:34.600 --> 1:32:39.160
<v Speaker 1>use this Twitter, give me my handle that I'm kidding awesome.

1:32:39.840 --> 1:32:44.040
<v Speaker 1>You can follow the Bechtel Cast on the various platforms

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<v Speaker 1>on Twitter and Instagram at Bechtel Cast. You can write

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<v Speaker 1>and review us on iTunes. You can subscribe to our

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<v Speaker 1>patreon a k R Matreon by going to patreon dot

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<v Speaker 1>com slash backtel Cast and you pay five dollars and

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<v Speaker 1>you get to bonus episodes every single month. It's November,

1:33:04.160 --> 1:33:08.880
<v Speaker 1>so you're going to be thankful for that you did.

1:33:09.000 --> 1:33:11.040
<v Speaker 1>Oh and also don't forget you can now that we're

1:33:11.040 --> 1:33:14.559
<v Speaker 1>getting into holiday season, you can also gift someone else

1:33:14.840 --> 1:33:18.200
<v Speaker 1>uh Patreon subscription. We had some of that last year.

1:33:18.280 --> 1:33:20.599
<v Speaker 1>Also last year and thanks getting fun no member fact,

1:33:20.840 --> 1:33:25.599
<v Speaker 1>Caitlin and I got violently drunk and watched every version

1:33:25.640 --> 1:33:29.679
<v Speaker 1>of The Grinch efforts and also watched and recorded and

1:33:29.840 --> 1:33:34.400
<v Speaker 1>as still unreleased Titanic episode because we were too we

1:33:34.439 --> 1:33:36.880
<v Speaker 1>were too drunk. So all I had to say, we

1:33:36.880 --> 1:33:39.200
<v Speaker 1>put a lot of loving care into the Patreon and

1:33:39.240 --> 1:33:44.640
<v Speaker 1>if we are too drug, we will not release it. Yeah,

1:33:44.760 --> 1:33:47.679
<v Speaker 1>unless I know, maybe the it's funny. We've gotten requests

1:33:47.720 --> 1:33:50.519
<v Speaker 1>for like when when are you releasing this? I think

1:33:50.520 --> 1:33:53.920
<v Speaker 1>the people might want it. We'll see, you know. If

1:33:53.960 --> 1:33:57.000
<v Speaker 1>some of our listeners wanted to donate substantially to an

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<v Speaker 1>organization we love, they can here and we'll just hope

1:34:01.040 --> 1:34:04.920
<v Speaker 1>they don't asslaunge it, just keep it to themselves. Yeah. Yeah,

1:34:06.640 --> 1:34:11.200
<v Speaker 1>Also you can go to our merch store, UM Gift Season,

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<v Speaker 1>t public dot com, slash the Bectel Cast and by

1:34:16.960 --> 1:34:21.800
<v Speaker 1>all of our goodies there. Holiday shopping will be introducing

1:34:21.840 --> 1:34:26.920
<v Speaker 1>some new designs and so get ready for what is it?

1:34:27.160 --> 1:34:32.400
<v Speaker 1>Cyber Monday? Cyber wonder. Okay, we love you so much.

1:34:33.040 --> 1:34:34.360
<v Speaker 1>By by vote